Title: Modern Street Ballads
Compiler: John Ashton
Release date: June 6, 2021 [eBook #65524]
Language: English
Credits: Tim Lindell, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
BY
JOHN ASHTON
AUTHOR OF “SOCIAL LIFE IN THE REIGN OF QUEEN ANNE,” ETC.
WITH FIFTY-SIX ILLUSTRATIONS
London
CHATTO & WINDUS PICCADILLY
1888
[The right of translation is reserved]
Over Street Ballads may be raised the wail of “Ichabod, Ichabod, their glory is departed.” They held their own for many centuries, bravely and well, but have succumbed to a changed order of things, and a new generation has arisen, who will not stop in the streets to listen to these ballads being sung, but prefer to have their music served up to them “piping hot,” with the accompaniment of warmth, light, beer, and tobacco (for which they duly have to pay) at the Music Halls; but whether the change be for the better, or not, may be a moot question.
These Street Ballads were produced within a very few hours of the publication of any event of the slightest public interest; and, failing that, the singers had always an unlimited store to fall back upon, on domestic, or humorous subjects, love, the sea, etc., etc.{vi} Of their variety we may learn something, not only from this book, but from the ballad of “Chaunting Benny” of which the following is a portion:—
Rough though some of these Street Ballads may be, very few of them were coarse, and, on reading them, we must ever bear in mind the class for whom they were produced, who listened to them, and—practical proof of interest—bought them. In this collection I{vii} have introduced nothing which can offend anybody except an absolute prude; in fact, “My bear dances only to the genteelest of tunes.”
There are plenty of my readers old enough to remember many of these Ballads, and they will come none the worse because they bring with them the reminiscence of their youth. Forsan et hæc olim meminisse juvabit. They owe a great deal of their charm to the fact that they were absolutely contemporary with the events they describe, and, though sometimes rather faulty in their history, owing to the pressure under which they were composed and issued, yet those very inaccuracies prove their freshness.
The majority were illustrated—if, indeed, any can be called illustrated—for the woodcuts were generally served out with a charming impartiality, and without the slightest regard to the subject of the ballad. What previous work these blocks had served, goodness only knows; they were probably bought at trade sales, and had illustrated books that were out of date or unsaleable. They vary from the sixteenth century to Bewick, some of whose works are occasionally met with; but, taking them as a whole, we must fain con{viii}fess that art as applied to these Ballads was at its very lowest. Their literary merit is not great—but what can you expect for half-a-crown? which was the price which Jemmy Catnach,[1] of Monmouth Court, Seven Dials, used to pay for their production. Catnach issued a large number from his press (in fact, his successor, Fortey, advertised that he had four thousand different sorts for sale), and his name is used as a “household word” to designate this class of Ballad. But, in fact, he only enjoyed the largest share of the London trade, whilst the Provinces were practically independent—Liverpool, Manchester, Birmingham, Newcastle, Preston, Hull, Sheffield, Durham, etc., had their own ballad-mongers, who wrote somewhat after the manner of the author of “The Bard of Seven Dials.”
The Ballad singers and vendors made money rapidly over any event which took the popular fancy—a good blood-curdling murder being very profitable; and the business required very little capital, even that being speedily turned over. Generally, the singers worked singlehanded, but sometimes two would join, and then the Ballad took an antiphonal form, which must have relieved them very much, and the crowd which gathered round them was the surest proof that their vocal efforts were appreciated.
They are gone—probably irrevocably—but a trace of the vendor still lingers amongst us. One or two still remain about Gray’s Inn Road, Farringdon Road, and other neighbourhoods; but I venture to say, as they drop out, they will find no successors. You may know them, if ever lucky enough to meet with one, by their canvas screens, on which are pinned the ballads—identical with that immortal screen of which Mr. Silas Wegg (in Dickens’s “Our Mutual Friend”) was the proud proprietor; but these modern Ballads are mostly reproductions of Music Hall songs, and have very little in common with those about which I write.
I have taken the first fifty years of this century,{x} when this style of Street Ballad was at its best, but I have liberally interpreted my fifty years, by extending its margin by a year or two either way—thus, I include the Mutiny at the Nore in 1798, and the Great Exhibition of 1851, and I have selected those that bear on most, and elucidate best, the social manners and customs of that period.
JOHN ASHTON.
SOCIAL. | |
---|---|
PAGE{xvi} | |
Sale of a Wife | 1 |
A Woman never knows when her Day’s Work’s done | 5 |
The Treats of London | 9 |
The Income Tax | 12 |
Striking Times | 17 |
The Mechanic’s Appeal to the Public | 21 |
Women’s Sayings | 24 |
Bob Logic’s Description of the New Brighton Diligence for Inside Passengers only | 31 |
Paper’d-up Hair | 34 |
I likes a Drop of Good Beer | 36 |
The Snob and the Bottle | 38 |
Rory O’More turned Teetotal | 42 |
Hurrah for Father Mathew’s Mill | 45 |
How Five and Twenty Shillings were expended in a Week | 48 |
The Way to live | 52 |
The Cries of London | 55 |
The Honest Policeman of Mitcham | 59 |
Cookey Darling | 62 |
I should like to be a Policeman | 64 |
Bendigo, Champion of England | 67 |
The Bold Irish Yankey Benicia Boy | 71{xii} |
I’m a Gent | 75 |
Jullien’s Grand Polka | 77 |
Margate Hoy | 80 |
Crystal Palace | 82 |
HUMOROUS. | |
Sheep’s Eyes for Ever | 85 |
Cab, Cab, Cab | 88 |
The Rush Light | 91 |
If I had a Donkey wot wouldn’t go | 94 |
Shovel and Broom | 96 |
Vilikins and his Dinah | 98 |
The Exciseman Outwitted | 101 |
Giles Scroggin’s Ghost | 103 |
The Strange Man | 105 |
A Sight for a Father | 108 |
Humours of Bartlemy Fair | 111 |
Georgy Barnwell | 116 |
Jonathan Brown | 119 |
Wery Pekooliar, or the Lisping Lovers | 121 |
The Babes in the Wood | 124 |
Kate’s Young Man | 128 |
He was such a Nice Young Man | 131 |
Mrs. Monday | 135 |
All to astonish the Browns | 138 |
The Ratcatcher’s Daughter | 142 |
Hot Codlings | 145 |
The Wonderful Crocodile | 147 |
The Thief’s Arm | 150 |
Cork Leg | 153{xiii} |
The One Horse Chay | 156 |
The Literary Dustman | 160 |
The Bill Sticker | 164 |
Things I don’t like to see | 167 |
The Barrel of Pork | 170 |
All Round my Hat | 173 |
Here’s the Man a-coming! | 175 |
The Nobby Head of Hair | 177 |
Miss Bailey’s Ghost | 180 |
Humphrey Duggins | 182 |
COUNTRY. | |
The Honest Ploughman, or 90 Years Ago | 184 |
The New Fashioned Farmer | 188 |
Present Times, or Eight Shillings a Week | 192 |
Jig, Jig, to the Hirings | 195 |
Country Statutes | 199 |
The Bold Poacher | 202 |
Death of Poor Bill Brown | 204 |
The Jolly Angler | 206 |
The Humours of the Races | 209 |
The Bonny Grey | 212 |
The King and West Countryman | 213 |
Hodge in London | 215 |
SEA. | |
Death of Parker | 218 |
The Battle of Boulogne | 221 |
Victory | 223{xiv} |
The Battle of Navarino | 225 |
Duke William’s Frolic | 228 |
The King and the Sailor | 232 |
Jack Binnacle and Queen Victoria | 234 |
Sweet William | 238 |
The Poor Smuggler’s Boy | 240 |
The Smuggler’s Bride | 242 |
The Female Smuggler | 245 |
Jack returned from Sea | 248 |
The Jolly Roving Tar | 251 |
Young Henry of the Raging Main | 253 |
Jack Robinson | 256 |
Bold William Taylor | 259 |
Ratcliffe Highway in 1842 | 262 |
The Greenland Whale Fishery | 265 |
The New York Trader | 268 |
THE QUEEN. | |
Viva Victoria | 271 |
Queen Victoria | 273 |
The Queen’s Marriage | 276 |
A New Song on the Birth of the Prince of Wales | 279 |
The Queen and the Coal Exchange | 281 |
Crystal Palace | 284 |
Queen’s Visit to France | 287 |
The Queen’s Dream | 290 |
Lovely Albert | 294{xv} |
HISTORICAL. | |
Brave Nelson | 298 |
Lord Nelson | 300 |
Battle of Waterloo | 303 |
King George IV.’s Welcome to Scotland | 305 |
The Death of the Right Honourable Sir Robert Peel, Bart., M.P. | 308 |
Death of Wellington | 311 |
POLITICAL. | |
The Chronicles of the Pope | 313 |
The Happy Reform | 318 |
The Operatives’ March | 321 |
A New Alphabetical Song on the Corn Law Bill | 322 |
A New Song on the Corn Bill | 327 |
The Crisis | 331 |
Chartists are coming | 335 |
The Song of the Lower Classes | 338 |
A New Hunting Song | 340 |
MISCELLANEOUS. | |
The Wonderful Wonders of Town | 343 |
Law | 346 |
Jim Crow | 349 |
The Workhouse Boy | 351 |
The Wild Rover | 353 |
The Diggins, O! | 355 |
Botany Bay | 359 |
Van Dieman’s Land | 361 |
Farewell to Judges and Juries | 364 |
My Bonny Black Bess | 366 |
Life of the Mannings | 368 |
The Life and Trial of Palmer | 371 |
Mary Arnold, the Female Monster | 374 |
The Undertaker’s Club | 377 |
A Tidy Suit for all that | 379 |
The Ragged Coat | 382 |
The Collier Swell | 385 |
The London Merchant | 388 |
Riley’s Farewell | 390 |
Young William | 392 |
The Broken Hearted Gardener | 394 |
Boxing Day in 1847 | 396 |
St. James’s and St. Giles’s | 399 |
The Three Butchers | 403 |
Whenever a foreigner used to write that Englishmen sold their wives in open market, with halters round their necks, they were not believed in England; but it was nevertheless a fact, and even as lately as last year a man sold his wife. In two of my books (“Old Times” and “The Dawn of the Nineteenth Century”) I have given numerous instances. The halter round the neck was used when the wife was sold at market, it being considered that, being thus accoutred, she was on a level with the cattle, and thus could legally be sold.
Wives at the market did not fetch good prices; the highest I know of, is recorded in The Times, September 19, 1797: “An hostler’s wife, in the country, lately fetched twenty-five guineas.” But this was extravagance, as, with the exception of a man who exchanged his wife for an ox, which he sold for six guineas, the next highest quotation is three and a half guineas; but this rapidly dwindled down to shillings, and even pence. In 1881, a wife was sold at Sheffield for a quart of beer; in 1862, another{4} was purchased at Selby Market Cross for a pint; and the South Wales Daily News, May 2, 1882, tells us that one was parted with for a glass of ale. Sometimes they were unsaleable, as we learn by the following ballad:—
In every civilized society there is an antagonism between employer and employed, between capital and labour. The men do not often take thought of the losses their employers have sustained, in order to keep their factories going and their hands employed; they do not think that England has to compete with the whole world, and that, on the Continent, wages are cheaper, and the men are more contented with their lot, so that when a depression in trade occurs, it is only fair that they should bear a portion of the burden. There are plenty of demagogues, who, for pay, will fan the flame of discontent, and the result is a strike, injurious to all parties. On the other hand, a man has a right to sell his labour as dearly as he can, or to refuse to sell it at all, if he so pleases, and a strike is very often the means of his getting an advance of wages which might not have been otherwise conceded, or at all events tardily granted.
Naturally there are many street ballads on this vital subject to the ballad-singer’s listeners, but I have only selected one, which appears to me to be fairly typical. As an antidote to the discontent and privation consequent on bad trade, Henry Russell wrote, “There’s a good time coming, boys,” which enjoyed immense popularity, and did much to banish the black spirit of discontent.
We are all familiar with the carefully got up mendicants who infest the streets of London, with their mournful howls—how that they are “Frozen-out gardeners,” or “Have got no work to do,” etc., etc.; and in the early part of the century they were more numerous than now, as the police were not so efficient. One sample of this style of ballad must suffice.
There is a great deal of superstition, and folk-lore, contained in
Ballads exemplifying the first half of the present Century would be incomplete without some mention of coaching. It was essentially a horsey age, for railways were not, at least during the first quarter, the first (Stockton and Darlington) being opened September 27, 1825, so that people were obliged to rely on horses for their means of locomotion to any distance. Great improvement had been made in the construction of the stagecoaches, and they were very well horsed; in fact, with the exception of their being larger, they were very much like those which now run to Brighton, Guildford, etc.
Bob Logic, who is supposed to have written the subjoined ballad, was the companion of Corinthian Tom and Jerry Hawthorn, whose pranks were so graphically described by Pierce Egan in his “Life in London.” The George Shillibeer who is sung in the last verse was a large coach proprietor, even letting out hearses and mourning-coaches.—Nay, almost everything on wheels. To him is due the introduction of the Omnibus, the first of which ran from the Yorkshire Stingo, Marylebone Road, to the Bank of England, on July 4, 1829.
The only reason why the subjoined is given, is to show the numerous small industries by which people could manage to eke out a living in the first half of the century.
The Modern Police is the outcome of the old Watch, which, always inefficient, had become so much so, as to necessitate its abolition, and, under the auspices of Sir Robert Peel[17] the “New Police,” as they were called, were formed, and they commenced their duties on September 29, 1829. Until a very recent time they wore swallow-tailed coats and tall hats, and were the subjects of good-humoured witticisms from all. There is no doubt but that the change of costume to the tunic and helmet has induced a better class of men to join the force, and has raised its standard of efficiency immensely. Whitaker for 1888 gives the number of the Metropolitan Police as 13,855.
When the present Police force was first organized it was composed of men decidedly inferior in physique, intelligence, and education, to those constables whose protection we now enjoy. They were made the butt of every kind of coarse witticism, and were generally addressed by some slang name. Above all they were chaffed for their supposed partiality for the society of Cooks, and I reproduce one ballad bearing on this subject, a parody of the song of “Katty Darling.”
This was a famous fight between these two redoubtable heroes, famous even in the bad old times of the Ring. Caunt was a man of gigantic height who kept a somewhat disreputable public-house in St. Martin’s Lane, into which, in my young days, it was hardly safe to enter. A fire occurred there, and some of his children were burnt. William Thompson, alias Bendigo, was a native of Nottingham, and was a professional pugilist from his twenty-first year of age.
(A New Song on the Great Fight between Bendigo and Caunt, for the Belt and £400, which took place at Witchwood, on Tuesday September 9th 1845.)
This fight scarcely comes within the scope of this work, but I introduce it, because it was supposed to be the last of Prizefighting. Unfortunately, the brutal sport has been revived, but it can never attain the dimensions and importance it enjoyed during the latter part of the reign of George III. and the whole of that of George IV. Gully was page to that monarch and M.P. for Pontefract, and Jackson was a gentleman, after his kind.
Sayers was of Irish extraction, though born at Brighton. Heenan’s parents were also Irish, although America was the place of his birth. The fight between these two took place on April 17, 1860, near Farnborough. They fought thirty-seven rounds in two hours and twenty minutes. Sayers was all but helpless, and Heenan, although full of fight—indeed, he ran amuck of every body at last—was blind, when the police and spectators broke into the ring, and a more disgraceful scene was never witnessed, even at a prize-fight. Many noblemen and Members of Parliament attended this fight; in fact, many of the latter made a subscription in Sayers’ behalf, as also did the Members of Lloyd’s, the Stock Exchange, and the brokers in Mark Lane—clogged, however, with the condition that he should fight no more. Altogether over three thousand pounds were subscribed and invested for the benefit of his children, he receiving the interest for life. He became partner and afterwards proprietor of Howe’s and Cushing’s Circus—at which he lost all the money he had. He drank fearfully, and shortly afterwards died of consumption, aged thirty-nine. His tomb may be seen in Highgate Cemetery.
Of course, it was only in the nature and fitness of things that Henry Russell’s extremely popular song, “I’m Afloat,” should be parodied, and of all that I remember, I think the following was most sung in the streets. The present Cad, or ’Arry, is bad enough in all conscience, but the Gent of those days was worse. How Albert Smith did scarify him!
Louis Antoine Jullien was born at Sisteron, Basses Alpes, April 23, 1812. His father was a band-master, hence probably his love of music. He knew well how to cater for a popular taste, and to him we owe not only the Promenade Concerts, which have brought good music into the amusements of the people, but a vast improvement in the English orchestra. His band was the best of its time; indeed, he spared no expense to procure the very best instrumental and vocal performers. He died March 14, 1860. As a composer, dance music was his great forte, and he was the first to seize on the Polka, which was introduced into England about 1844. This dance became an absolute furore. Everything was Polka—Polka jackets, bonnets, cigars, etc. In fact, as one popular song ran—
A “Hoy” was a one-masted vessel, sometimes with a boom to the mainsail, and sometimes not; rigged very much like a cutter. They are said to have taken their name from being hailed (“Ahoy”) to stop to take in passengers. The good people of that date were rather given to stay at home, or not go farther seawards than Gravesend. Ramsgate and Margate were long voyages, and in truth they were so sometimes; in rough weather they were sometimes two days or more making the passage. But there were other dangers, vide Drakard’s Paper, October 3, 1813:—“The British Queen, Margate Hoy, detained full of passengers, for having accidentally had communication with a vessel performing quarantine, has been since released by orders from the Admiralty. The distresses of the passengers partook of the serio-comic: at first provisions were very scanty, and they had no prospect but seven weeks of durance. This to the trippers to the seaside for a week would have been a serious affair.”
This ballad was, during its run, as popular as any street song I remember. It had been forgotten, when Robson, that prince of genuine comic actors, introduced it into the farce of “The Wandering Minstrel,” and it fairly took the town by storm.
Spoken—(It was the front garden, not the back garden.)
Spoken—This is what the infant progeny said to the author of her being.
This is what the indignant parient replied—I represent the father.
Now comes the epiflabbergastrinum of the lovier.
(The aforesaid front garden,)
Taken inwardly, Singing Too-ral-loo, etc.
This is what the lovier did.
Both on ’em Singing Too-ral-loo, etc.
Else you’ll be singing Too-ral-loo, etc.{101}
(Spoken) Vaulk up, ladies and gentlemen, here’s the vonderful birds and beastesses, just arrived from Bengal in the Vest Indies. Vhy, look marm, at this here beautiful hanimal; no less than two hundred spots on his belly, but no two alike and every vone different; it’s out of the power of any body to describe him. Well, positively, I never saw such a beautiful creature in my life. Did you, Sir? A very fine looking animal, ’pon my soul, mem. Master Showman, how long do you suppose he measures? Vhy! fifteen feet from the snout to the tail, and only twelve feet from the tail to the snout. He lives to the advanced age of one hundred years, grows a inch and a ’arf every hannual year, and never comes to his full growth. Stir him up with the long pole, keeper—only hear how he growls.
Here—here—the only booth in the fair for the greatest curiosity in all the known world,—the wonderful and surprising Hottentot Venus is here, who measures three yards and three quarters round her.
(Spoken) Here, here, show ’em up here, show ’em up here. Now’s your time, Ladies and Gentlemen—only twopence each, to see that surprising Conjuror, the emperor of all conjurors, who will forfeit the enormous sum of one hundred pounds to any one who shall perform the said wonders. Yes, ladies and gentlemen, I am no common sleight of hand man. The common sleight of hand man, they turn the things up their sleeves, and make you believe their fingers deceive your eyes. Now, Sir, you shall draw one card, two cards, three cards, four cards, half a dozen cards: you look on the card this side, you look on the card that side, and I say blow, by the abominable-ba-be-bo-fe-jacko-crack-oh-feltho-swiftly begone-quick-presto-passo-largo-mento-hi-coccolorum, the card is flown. Where is it gone to? that is the{114} question. Be so kind, Sir, as to stop that there young woman from getting out of the crowd; I suppose she has got it under her garter. Come, come, young woman, bring it forward, bring it forward, and let me hold it up, that all the company may have a squint at it.
(Spoken) Here, here, vaulk up, ladies and gentlemen, here’s the wonderful Kangaroo, just arrived from Bottomless Bay. Here is the wonderful large baboon, that danced a padolo, and played at leap-frog with the celebrated Master Barintar. Here is the wonderful leopard-spotted tom cat, of the male species, which can as well see in the dark as without light. Here is the wonderful little marmoza monkey, just arrived from the Isle of Liliput: hold him up to the company, master keeper. O dear me, what a little beauty, to be sure, do let me stroke the dear little creature—la! la! how prodigious tame he is. Yes, marm, he’s always very tame to the ladies.
Ye up, guvnor, what’s the name of that large bird there, stuck up in the corner? Vat! that there vone? Oh! that’s the wonderful Sun eagle, the hotter the sun is, the higher he flies. There’s the wonderful Cow,{115} that can’t live on dry land, and dies in the water. Billy, Billy, my boy, go and stuff a blanket in that ere hole, or the little ones vill peep for nothing. Here, here, now’s your time, ladies and gentlemen, jest a going to begin, jest a going to begin. Stand off the steps there, you boys, and make way for that gentleman with the smock frock and carbuncled nose to come down. How did you like it, Sir? Oh, it’s all dam stuff. There, there, only hear what a good character the gentleman gives it. Vaulk up, ladies and gemmen, now’s your time to see that wonderful wooden Roscius, Mr. Punch, for the small charge of vone penny. Show your tricks Mr. Punch.{116}
(Spoken) Vewy pekooliar, vewy pekooliar indeed; and from that day to thith, I have never theen Thulia. Her behaviour to me wath thertainly vewy pekooliar!{124}
(Spoken) And Kate, crying, accused the housemaid of causing his ruin, ’Cos if she hadn’t romp-foozled with the key, as oughtn’t he wouldn’t have taken it, as couldn’t. When Ann, rather nettled, retorted, with the following golden maxim, and wished that every missus would have it put up in every kitchen—that she did—
This song, was, as far I can find, introduced by Grimaldi in Thos. J. Dibdin’s famous Pantomime of “Mother Goose,” which in 1806-7 had the unprecedented run of a hundred and fifty nights, and was a favourite for very many years. When Pantomimes were Pantomimes, and not mere spectacles, the clowns were real clowns (the Shakesperian and French hybrids not having been born), and the names of Grimaldi, Matthews, and others will go down to posterity. No Pantomime was complete without the clown singing this song, which was always encored, and, as a substitute, invariably was given “Tippetiwitchet,” of which the theme was an intoxicated man. Perhaps, if revived, Modern Society would not appreciate them, but forty or fifty years ago tastes were not so superfine, and these clowns and their songs afforded hilarious amusement.
In the “thirties” of this century, this was one of the most popular of street songs, and is well worth reproducing among the humorous ballads, as it is utterly unknown to the present generation.
It is the privilege of the aged to carp at modern doings, and to contrast them with things as they were in their youth. Farming, as it used to be carried out, could never pay now. In war time the farmers did well; in January, 1801, wheat was 137s. per quarter, and rose higher. But according to the Earl of Warwick, in a speech in Parliament (November 14, 1800), they did not benefit much by it—it was light come, light go, with them. “He wondered not at the extravagant style of living of some of the farmers, who could afford to play guinea whist, and were not contented with drinking wine, but even mixed brandy with it.” The small farms, with their little fields, cut even smaller by the huge hedges and ditches, soil undrained, no machinery, the earth merely scratched by the plough, could never grow wheat to sell at 32s. or 34s. per quarter, or to rear beef and mutton, to compete against imported meat.
There are very few Statute, or hiring, fairs now in existence, and perhaps it is as well, as a great deal of drunkenness and immorality used to occur at these meetings. The servants stood in groups according to their callings, each bearing some token of their employment; for instance, the carters carried a piece of whipcord. Employers of labour came and personally interviewed them, wages were agreed upon, and the hiring was for a year certain.
This ballad shows that there are two sides to a poacher’s life.
Although the Mutiny of the Fleet at the Nore does not properly belong to this century, yet it so nearly approached it (1797), and was of such national importance for the time being, that I venture to insert a ballad respecting it. The Navy was in a bad state. Many men had been impressed; they were badly paid and badly fed; and their punishment, for the slightest infraction of discipline, was fearful, 50 to 500 lashes, according to the temper of the captain, being no infrequent punishment for very venial offences. Early in the year the men sent in very respectful memorials to Lord Howe, telling him of their grievances. No notice was taken of it, and the men, probably ignorantly, committed a gross breach of discipline in combining together and opening communications with each other throughout the Fleet. They plotted to seize the ships and expel the officers; but it became known, and the Admiral gave orders to sail to sea. The men refused to do so, until their grievances had been looked into and redressed. This was promised and granted, but still the men were suspicious that faith would not be kept with them, and they set some of their officers ashore. Lord Howe, however, went to the Fleet at St. Helen’s, and showed them an Act of Parliament, granting their demands, and this pacified that portion of the Fleet.
But at the Nore there was open mutiny; they blockaded the entrance to the Thames, and fired on several ships entering or departing. This could not be endured, and the Admiralty removed the buoys. Provisions ran short, and some men-of-war were sent alongside, with orders to sink those ships that did not surrender. They gave in one by one, and the chief ringleader, Richard Parker (a man of some education), and several others were hanged; but they were long regarded as martyrs. Parker was buried in the churchyard of St. Mary Matfelon, Whitechapel.
In England, and, for the matter of that, on the Continent as well, since this century was born, some trifle has tickled the people, and has been reiterated, until every catch-word has become a nuisance. In the early part of the century, for instance, “Has your mother sold her mangle?” “Does your mother know you’re out?” and, “Before you could say Jack Robinson” (which has passed into a recognized saying), were in everyone’s mouth. It is not often that these catch-words can be traced to their origin, but the latter seems to have arisen in the Ballad of
Here is a variation, such as I never met with before, of the time-honoured Ballad of
The visit of George IV. to Scotland was purely one of pleasure. There being no railways, and posting being fatiguing, he went by sea, embarking at Greenwich on August 10, 1822, and arriving at Leith on the 14th, not landing, however, till the next day. His visit was not remarkable for anything except the multiplicity of his costumes. He embarked dressed as a private individual; he landed as an Admiral; he dined in full Highland costume (when Sir Walter Scott acted as principal Steward); and at another dinner posed as a Field Marshal. He did very little during his stay, leaving Scotland on August 29, arriving at Greenwich on September 1.
A NEW SONG CALLED
Born February, 1788; died July 2, 1850, aged 62.
The following, although not a ballad, was popularly sold in the streets, and will serve as a good introduction to the question of Reform. I have omitted passages which were irrelevant to the matter. I find Reform Street Ballads very scarce.
1 Now it came to pass that the land had rest for seventeen years.
2 For the Britons had subdued their enemies, even the French, and restored peace to all the Continent.
3 Nevertheless the people groaned by reason of oppression, and of the multitude of taxes which was laid upon them to support the rich and the great with pensions and rewards.
4 And they cried and petitioned for redress, but their prayers were not heard.
5 And George the Fourth was gathered to his fathers, and William reigned in his stead.
6 Now there was at this time a mighty man of renown called Arthur.
7 And he gained the confidence of the King, and abused his ear with falsities respecting the people.
8 And the people were much displeased with the power of this man of war, for he ruled them as he had done his soldiers.{314}
9 And their eyes were turned towards a certain nobleman whose possessions lieth north of the Tyne.
10 Arthur feeling that he could rule no longer, resigned his authority, and the King elected that nobleman, even Grey, whose possessions lieth north of the Tyne, to be ruler under him over the people.
11 And he stood before the King, and said, O King, live for ever, thy people have been long afflicted with heavy burdens which they cannot bear, and their cries and lamentations ascend to heaven.
12 And the King was troubled in his mind at these sayings, and he caused the records of the realm to be brought before him, and then he found that his subjects were not fairly represented; and he was in much agitation of mind, and trembled exceedingly and cried with a loud voice, What shall I do?
13 And the noble, even Grey, said unto him, We must endeavour to amend these things; and, oh King, if thou wilt give me permission, such a law shall be framed that all the land will rejoice.
14 And the King said, Do as it pleaseth thee best in this matter.
15 Then Grey called all the representatives of the people together, and shewed them the new law which he had framed for the people’s benefit.
16 But several of those who were interested with regard to money, lifted up their voices against it.
17 Nevertheless the thing did prevail, in that house, the Assembly of the People, called the House of Commons.{315}
18 But when this same law was brought before the Lords, they laughed it to scorn, saying amongst themselves, Shall we be deprived of all the good things we have enjoyed so long? Shall we divide the spoil amongst those we despise? And, as it were, with the voice of one man, they said, No!
19 Now the High Priests of the nation consulted amongst themselves, and said, Alas! what will become of us if this law passeth? We must then bid farewell to all that we have held so dear.
20 And the lamentation amongst the High Priests was very great, for every one of them lamented as if he had lost his first born.
21 And they came unto the Council of the Nation, even the House of Lords, and said, We will not have this law to pass.
22 For, although we are paid, and well paid, to teach the people, yet in our wisdom it seemeth good unto us to keep them ignorant.
23 For, be it known unto you, that, unless they are kept ignorant, and deprived of power, no man can govern them.
24 And the Lords listened unto these speeches, and would not allow the good law to pass.
25 Then stood the great and good noble, even Grey, before the King, and said, thou knowest thy nobles and the high priests of the land will not allow this law to pass.
26 Therefore I lay my commission at thy feet.{316}
27 And the king answered and said, do as it seemeth best to thee.
28 And Grey bowed himself to the earth, and departed from the presence of the King.
29 And the King was troubled in spirit, and he sent in haste for Arthur, even the mighty man of renown.
30 And Arthur arose, and girded up his loins, and stood before the King.
31 And the King said unto him, Arthur, I know thee to be a man in whom is the spirit of wisdom and of valour, I am sorely troubled in mind respecting this affair. What shall I do?
32 Arthur answered and said, be not troubled, neither let thy spirit be cast down, for I can rule these people easily, and with a rod of iron must they be ruled: grant unto me the commission, and I will make them obedient.
33 And the King said, do as seemeth good in thine own eyes.
34 But when the people heard these things they were sorely grieved; and became exceedingly enraged.
35 And said, shall this man of war, who is an enemy to liberty, reign over us?
36 And the people from the land’s end, even unto Johnny Groat’s house, rose up, as it were with one consent; and in every village, and every city, and in every town, did they rise up and meet together in the{317} open air to shew their hatred of Arthur, and of his oppression, and their determination to be free.
37 And the multitudes were exceeding great, that no man might number them, and they bore banners, having on them painted various devices.
38 And the cry of the people was great, and the noise of their shouting was like the sound of many waters.
39 And they cried, if Arthur is to rule us, to thy tents, O, Britons!
40 Now, the great, and the just men, and the good amongst the people, stood up, and spake with a loud voice, saying,
41 Be it known unto you, O, Britons, that Arthur can do nothing without money, therefore refuse you to pay taxes till you are made free.
42 And the people shouted, and cried, We will give no money till we are free; and having sung a war-like song, every man went to his own house.
43 Now, when the king heard of these things he was sore afraid, and he told Arthur to depart from his presence, and he called Grey before him.
44 And he said, thy wisdom is great, get this bill passed, else we be all dead men.
45 And the thing was done in haste, for great fear and trembling had fallen upon them.
46 And the Nobles and the high priests agreed unto the bill, for they were sore afraid, and quaked much.{318}
At Manchester, on September 18, 1838, an Association called the “Anti-Corn-Law League” was formed, having for its object the abolition of the duties on the importation of corn, avowedly to cheapen the food of the people. The principal agitators were Richard Cobden, John Bright, Charles Villiers, etc., and by holding meetings all over the country, lecturing, and distributing handbills and ballads, the Corn Importation Bill was eventually passed, June 26, 1846, when, there being no further occasion for its existence, the League was dissolved. Cobden was richly rewarded for his efforts, as a national subscription was raised for him, which realized nearly £80,000.
The following is given as a specimen of contemporary “flapdoodle.”
1846.
After any great National movement, the ferment takes some time to subside. Many agitators find their occupation gone, and look around for some other strife to stir up. There is always an advanced Radical school in every nation, and after the Reform Bill was settled, “the People’s Charter” took its place. What was required were the six following “Points”:—Universal Suffrage, Vote by Ballot, Annual Parliaments, Payment of the Members, the Abolition of the Property Qualification, and equal Electoral Districts. In 1838 they made armed demonstrations in several parts of the country, and rioting took place in 1839. In 1848 monster petitions in its favour were presented to Parliament, and on April 10 of that year 200,000 men were invited to assemble on Kennington Common, and march to the Houses of Parliament. About one-tenth of them appeared, and, having full knowledge of the number of troops and special constables who would oppose their progress, they thought “discretion the better part of valour” and dispersed to their homes. This was the last of “the Charter.”
This is the sort of stuff that was disseminated among the people at the time of the agitation for “the Charter,” and, looking at the convulsion of 1848, which shook Europe to its centre, it speaks volumes for the good sense of the lower classes that they were not stirred up to acts of violence by such inflammatory rubbish as the following.
By Ernest Jones.
Music by John Lowry. This song can also be sung to the air of “The Monks of Old.”
I have purposely refrained from giving any Nigger songs, although they belong to Street melody, except in the case of “Jim Crow,” which was the first of the flood which has been let loose upon us. There were many versions, but I have here given the copyright words, as sung by the author, and original “Jim Crow,” Thomas D. Rice, or, as he was better known, “Adelphi Rice.” He introduced it, in 1836, into a play called “A Flight to America,” and it so tickled the ears of the groundlings that it became the most popular of all modern street ballads. We may wonder what merit our grandfathers and fathers found in it, but it created an absolute furore.
EXECUTED AT HORSEMONGER LANE GAOL ON TUESDAY, 13 NOV., 1849.
A COPY OF VERSES ON
The illustration to this ballad has evidently done duty for a portion (most probably Macheath’s song of “How happy could I be with either”) of the “Beggar’s Opera,” first played at Lincoln’s Inn Fields Theatre, 1728. The Commode, or cap, of the ladies is that of the reign of Queen Anne; but it is probable that highwaymen’s female friends did not dress in the height of the fashion.
THE END.
PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES.
WORKS BY JOHN ASHTON.
Crown 8vo, cloth extra, 7s. 6d. each.
A HISTORY OF THE CHAP-BOOKS OF THE EIGHTEENTH CENTURY. With nearly 400 Illustrations, engraved in facsimile of the originals.
SOCIAL LIFE IN THE REIGN OF QUEEN ANNE. From Original Sources. With nearly 100 Illustrations.
HUMOUR, WIT, AND SATIRE OF THE SEVENTEENTH CENTURY. With nearly 100 Illustrations.
ENGLISH CARICATURE AND SATIRE ON NAPOLEON THE FIRST. With 115 Illustrations.
MODERN STREET BALLADS. With 56 Illustrations.
LONDON: CHATTO & WINDUS, PICCADILLY.
FOOTNOTES:
[1] One of whose colophons I use as a tailpiece.
[2] As applied to tailors, “cabbage” means the remnants of cloth stolen in making up garments. The goose is the large iron used for pressing the seams, etc.
[3] Written in 1815.
[4] Referring to the famous O.P. (Old Prices) riots.
[5] Sir Robert Peel started the present income tax, which became law, June 22, 1842, at sevenpence in the pound.
[6] Her Majesty pays Income Tax on her private property, like any of her subjects.
[7] Cant name for gin.
[8] It falls to the lot of the drummers in the army to flog, whenever corporal punishment is decreed.
[9] By this is probably meant the Act 1 & 2 Will. IV. cap. 22.
[10] A parody on Jetty Treffz’ famous song, “Trab, Trab, Trab,” at Jullien’s Promenade Concerts in 1850. This parody is exceedingly humorous, being the story of how an exceedingly fat man hired a cab and drove all over London.
[11] Unconsumed carbon, the deposit of very gaseous coal, which wraps round the bars, until it finally parts and is blown away. Its sign was, in my young days, that a stranger would visit the house ere the day was over.
[12] This is a cant term for a quartern of gin served in three glasses, which, between them, exactly hold the quantity.
[13] This word seems simply to be used in order to make up a rhyme. Of course, there are wattles of turkeys and wattles (hurdles), but neither are applicable.
[14] The Reverend Theobald Mathew, the famous advocate and apostle of Temperance, was born at Thomastown, Co. Tipperary, Ireland, October 10, 1790. He was ordained in 1814, and was appointed to a chapel in Cork. Here he interested himself much in the condition of the poor, and in 1838, his attention having been called by a Quaker to the evils of drunkenness, he began his famous total abstinence campaign, enrolling in the course of five months one hundred and fifty thousand converts. On one visit to Galway he administered the pledge to one hundred thousand persons in one day. His influence over the working classes, especially of the Irish, was enormous, and the amount of good he did is incalculable. He did not confine his exertions in the cause of temperance to Ireland, but visited England and America. He died December 8, 1856.
[15] Credit.
[16] There is a line short in the original.
[17] Hence the names of “Bobby” and “Peeler” as applied to the Police.
[18] These four lines form the chorus.
[19] dance somewhat similar to a Redowa, and in vogue about the time when the Polka was the rage.
[20] See “Jullien’s Grand Polka.”
[21] This verse is used as chorus.
[22] There is a somewhat similar story in Dr. Andrew Boorde’s “Wise Man of Gotham,” printed in Henry the Eighth’s time, but the dénouement is not so pleasant, as the lady dismissed her lover with some very strong language.
[23] A parody on the very popular lied, “Trab, Trab, Trab,” sung by Fraulien Jetty Treffz at Jullien’s Promenade Concerts, 1850, etc.
[24] This song is old, for it was introduced by Bannister in “Peeping Tom,” and it was set to music by Dr. Arnold.
[25] Richard Martin exerted himself especially in the Prevention of Cruelty to Animals.
[26] This notice still survives in some parts of the suburbs; and the barber’s pole, striped with its bandages, indicative of bleeding, is fast becoming obsolete.
[27] A form of marriage practised among the gipsies.
[28] This song was in vogue, as far as I can learn, about 1854 or 1855.
[29] Elegy.
[30] The Penny Magazine was first published on March 31, 1832, and its success was such, that the Chap books vanished as if by magic, and a new and purer popular literature sprung up.
[31] This was the supposed site of a bloody battle between the ancient Britons and the Romans.
[32] This was a small mountain of refuse, dust, and ashes, which, although unsightly, was as profitable as were the heaps of Mr. Boffin in Charles Dickens’s “Our Mutual Friend.” This mound, so it is said, once had a curious clearance. It was bought, in its entirety, and sent over to Russia, to help make bricks to rebuild Moscow; and the ground on which it stood was sold to a company for £15,000.
[33] Breeze is the technical term for the sifted ashes mixed with the clay to make inferior bricks, which are “clamp” burnt, i.e. in large stacks.
[34] In George IV.’s reign a statue was erected to him at Battle Bridge, and the neighbourhood renamed King’s Cross. It surmounted a Camera obscura, and this was atop of a building, which in its turn, was alternately a police station and a public-house. It was a miserable affair, only made of brick and cement, and, after cumbering the ground for a few years, it was pulled down.
[35] Gully was a prize-fighter—was made one of the Royal pages at the coronation of George IV., took to the turf and kept racehorses, and was M.P. for Pontefract.
[36] A false shirt-front.
[37] Leaving a house, or apartments, without paying rent.
[38] A Workhouse, so called because of the loss of personal liberty when once in “the House.” The House of Correction, Coldbath Fields, now done away with, was called “the Bastille,” and to its dying day was known to the criminal classes as “the Steel.”
[39] A strike is four pecks or one bushel, strike measure, which would make wheat eight guineas per quarter.
[40] The writer of this makes no mention of the advantages the labourer had in those days, low rent, meal, skim milk, etc., and constant work, wet or fine. Money then had more purchasing power, and eight shillings was worth at least fifteen of the present currency. Now, thanks to Mr. Joseph Arch and other agitators, the agricultural labourer has, presumably, higher wages, but he has higher rent to pay, his privileges are curtailed or annulled, and he has lost the sympathy of his employer. Paid by the hour, he is discharged as soon as it comes on to rain hard, instead of, as in the old days, being paid for a whole day, even if he only worked part of it.
[41] Story.
[42] October 20, 1827.
[43] This is supposed to refer to some frolic of William IV.’s when he was Duke of Clarence, and properly belongs to last century.
[44] This story is supposed to be told of William IV.
[45] The date of this ballad is evidently 1837, soon after the Queen’s accession.
[46] This, in all probability, was the Peace of 1814.
[47] There is a well-authenticated instance (see Times, November 4, 1799) of a Miss Talbot, who followed her lover as a seaman, and, afterwards quarrelling with him, she enlisted in the army; but her love of the sea was unconquerable, and she joined the Navy, being present on board Earl St. Vincent’s ship on February 14, and again was under fire at Camperdown.
[48] I have heard this verse sung thus:
[49] Her Majesty’s accession to the throne took place on June 20, 1837.
[50] The Queen was married on February 10, 1840.
[51] Jupiter appeared to Danaë as a shower of gold.
[52] This event took place November 9, 1841.
[53] 1849.
[54] Scotland, September, 1844; Ireland, August, 1849.
[55] August 18, 1855.
[56] Prince Albert was at one time very unpopular in England. His advising the Queen, and consequent intimate and personal knowledge of all that was going on during the Russian war, coupled with the fact that he was a foreigner, led the unthinking to believe that he was secretly helping Russia—a report of which he seems to have been well aware (vide Sir T. Martin’s “Life of the Prince Consort,” vol. iii. p. 219, March, 1855). I recollect very well the rumour that he had been imprisoned in the Tower, and a comic paper had an engraving of two cabmen meeting, and one saying to the other, “Have yer ’eard the noose? Vhy, Prince Halbert along with two other Commander-in-Chiefs have been sent to the Tower; which Lewis Napoleon diwulged ’em a sending of five pound notes to the Emperor of Rooshia, and so he blowed the gaff” (told of them).
[57] 1815.
[58] He died from the effects of a fall from his horse.
[59] Died September 14, 1852; lay in state at Chelsea Hospital from November 10 to 17; buried at St. Paul’s, November 18.
[60] When this ballad was written, the Lords might vote by proxy, and a minister, or his opponent, might, and did, produce enough (either to gain or lose a measure) of votes from Peers who were too lazy to attend.
[61] The counties of York and Lancaster were very early in the field in espousing the cause of the Anti-Corn-Law League.
[62] The “National Anti-Corn-Law League Free Trade Bazaar,” held at Covent Garden Theatre, May 8, 9, 10, 12, 1845.
[63] Repeat as chorus last two lines of each verse.
[64] A song relating to the celebration (in London) of the Peace of 1815.
[65] This song was sung by W. H. Williams, in his entertainment of “Wine and Walnuts,” and by C. Taylor at Vauxhall.
[66] Gold was discovered in Australia in 1851.
[67] A hog is cant for a shilling.
[68] A quartern “tin” loaf.
[69] Executed June 14, 1856.
[70] A high-class gambling house in St. James’s Street.
[71] A dandy of the first water in the time of the Regency. His vanity was superlative. He essayed to play Romeo, creating nothing but roars of laughter in the house. In the scene where Romeo dies, the audience applauded him ironically; but he took it in earnest, and, getting up, bowed, and died again, first of all carefully dusting the stage.
[72] Cant term for leaving lodgings without paying.
[73] Red herrings.
[74] Gin.