The Project Gutenberg eBook of The Treason and Death of Benedict Arnold: A Play for a Greek Theatre, by John Jay Chapman

The margin of the Hudson at West Point. Fort Putnam and the Highlands in the distance. A flag is fluttering on the fort. The orchestra represents the level of the river shore, upon which level the Chorus will enter. The characters of the drama appear on a bank or platform, slightly raised above the orchestra and Chorus. At the opening of the play Father Hudson is upon the scene. He reclines in the centre of the stage in the attitude of a river-god. The nook or couch in which he rests is situated between the two levels, as it were in an angle of the river bank. His position is such that he can, by turning his head, either watch the personages on the stage, or address the Chorus on the river margin. He is so painted and disposed as not to attract attention when the play opens, but to appear rather as a part of the scenery and decoration.

First Picket. Uneasy has been my watch. Dark have been my forebodings, standing first on one foot and then on the other, through the night hours, preyed upon by visions, holding my eyelids open by my will, while strange thoughts like vultures over their carrion, wheeling about above me, assail me, tear me with their beaks and talons. Dark looms the cloud bank through the black portals of the river. The fog holds the bleared eyes of the morning. And I, stiff with watching, suspect some evil. Some foul play is in the mountains, stalking in the shadows of the dawn. Would God the releasing trumpet would blow and the flag flutter on the mountain side, and that I might find all well! General Washington is on a journey. Would God he were returned! [The sound of a bugle is heard.] Blow, blessed bugle! Blow to the rising Sun! Blow to the dayspring of Liberty, to the new nation rising calmly above the dangers that beset her dawn. Blow bugle, and scatter the night-thoughts of terror!

Second Picket. A friend and thy relief.
  Our post is changed;
  The pickets are extended up the hills,
  And this low post abandoned.

First Picket. That is strange,
  To leave the river front without a watch!
  If we expect attack, attack must come
  Along the river,——

Second Picket. Comrade, spare your brains,
And take your orders. [Exeunt Pickets.]

Father Hudson. Daughters of the sky, ye clouds of the morning,
  Replenishers of my veins, ye purple, wandering clouds!
  And you, ye waves that lap my feet, far-traveling,
      restless, endlessly moving!
  Thralls of the circling ocean, waves of the sea—
  Attend your Father Hudson, the Ageless, the Majestic!
  Calling to you, his sons and daughters, summoning you at his need.
  Stoop, daughters of ether, ye clouds of the mountains!
  Rise, sons of the sea, most ancient retainers,
  Flow towards your father's need! the River calls—
  Father Hudson summons his children.

[Enter simultaneously Chorus of Waves, (men) on one side, and on the other, Chorus of Clouds (women). They flock slowly into the orchestra, approaching each other, and sing as they assemble.]

Both Choruses. Father Hudson, we are coming, we are streaming,
      we are foaming
  From the sky and from the earth,
    Down the mountains,
    Through the fountains,
  We are streaming, steaming forth;
    We, the children of your will,
    Born to serve you, and to fill
  All your banks and all your margin
    With the fulness of enlarging,
    With the plentitude of rivers,
    We, the generous water-givers,
  Overflowing, bubbling, swelling,
  Feed you with our rich upwelling.

Chorus of Men. From Monadnock and Mount Washington—
And where the haughty deer on Hudson's Bay
Sniffs the north wind, We bring you Mist.

Chorus of Women. From the rank lowlands of the Delaware,
And from the even margin of low sand,
Where the Atlantic smites the continent, We bring you Salt.

Chorus of Men. From Sicily and the Cumaean Cave,
And from the mountains where Apollo's shafts
Whitened the hillsides once, We bring you Thought.

Chorus of Women. From the dark heart of man that scorns the light,
From Wisdom, found in Meekness through Despair, We bring you Grief.

Both Choruses. Haste to where our father dwells!
  We the movers, we the rovers,
  Come to your eternal dwelling.
  Ancient father, we will bring
  News and thought of everything,
  From the mossy citadels,
  And the cities of the sea;
  Timeworn tales of prophecy
  We are bringing in our singing
  To your newer Majesty.
  To your destiny belated,
  Young and unsophisticated,
  We, the children of the ages,
  Bring the solemn heritages,—
  Force and Woe and Human Fate,—
  Embittering your god-like state.
  Bitter is life!
  Bitter, bitter even to the gods, is life!

Father Hudson. Sons and daughters, sole feeders of my life,
  By these new-coming white men I am destroyed.
  My feet are burned in Manhattan, my thighs in the Mohawk,
  While in the Adirondacks they blaze enduring ruin.

Leader of Men. Alas! little knows he that his kingdom is of nothing but of change and pain.

Leader of Men. Father! these things must be: therefore endure. Lo, thy old trees are as grass; thy ancient summits as fresh ant-hills. Chaldea sends thee this message, father; Egypt salutes thee; Greece sends thee this song; a song of tribulation. For there is no short cut to Antiquity: therefore endure.

Leader of Men. Untutored God! Mind ragged as thy hills, thou must accept the refining pain.

Leader of Women. Peace, Father! Do not whine. Because thou hast been spared thou art soft-minded. Because thou wast spared thou art a child.

Leader of Men. When thy hills shall have been steeped for a thousand years in history, then thou wilt be patient.

Leader of Women. What thou feelest is not the axe nor the fire-brand, but the Spirit of Man moving in thy demesnes.

[Enter Benedict Arnold. He is in the Uniform of an American General. He limps.]

If he can but endure for a short time, death saves him. Lo, his release cometh and his happiness is long.

Fame forever follows in the steps of the just man: an unending life springs up behind him.

Children follow him: a good father's life is a lamp that burns in the heart of the son.

How short is the struggle of the greatest hero, and how long his fame!
Save me from pride and from the expectation of praise from men.

Arnold. He may not come.—
  What if it were a ruse to capture me?—
  The whole proceeding cloaked in infamy,
  And no faith in the matter?
  André should be here. André is a man
  Of sterling honor, and will keep his faith.
  My secret's in his hand.—My change of heart
  Must to His Majesty have long been known,
  And he will praise me for it. Civil war
  Knows no such thing as treason; change of sides,
  The victory of reason in the heart,
  Makes Loyalist turn Whig. Montgomery,
  Richard Montgomery, was honor's darling;
  And when his body fell, scaling Quebec,
  Down the sheer rock it left a track of light
  Which sped in opposition towards the stars
  Bearing his fame. He was an officer
  In the King's army ere he found our own.
  Did conscience fret the gallant Irishman
  To think what uniform was on his back
  When he so died? What if in that assault
  I had died too, my name had ranked with his
  In song and monument; unfading laurels
  Had shed their brazen lustre o'er our brows,
  And we, like demigods, had lived forever.
  Was it enough for him, to scale the sky
  Against the slippery adamant of Fame,
  And, giving youth, give all? I have done more.
  All of his early prowess was mine too:
  In everything I match him; and to me
  Remains the hell of glory on the Lakes,
  When with my hand I stopped the British fleet,—
  Stayed them a year: they dreaded to come on.
  And I had done it. There remain my fights
  At Ridgefield, and those shortened days
  At Saratoga, when the fit came on
  And I knew nothing but the act of war,
  And victory coming down, Victory, Victory!
  'Twas I that saved them! Yes, 'twas I that saved you—
  Ye little wranglers with the name of war!
  I beat Burgoyne, I saved the continent,
  The Continental Army and the Cause,
  Washington, Congress, and the whole of you,
  I saved ye,—saved ye,—and I had for it—
  It chokes me still to say it—had for it—
  It wakes me in the night with leaping hatred,—
  Out of my bed I leap to think of it,—
  Hitting me in my sleep the poison comes
  And fangs my heart.—I had a Reprimand!
  I, reprimanded by a sorry crew
  Of politicians—I, I, I——!
  Thus, in my heart for sixteen months of hurt,
  Burns the injustice, clamors the revenge.
  No, no revenge! but justice,
  Nothing but justice—I'll have justice!

Both Choruses. Foolish is the man who thinks upon his wrongs though they be great. The sting is in him; the poison is in himself.

Leader of Men. He is a hero and a battle-god:
  The spoils and the rewards he justly won,
  Others have seized, and left his haughty heart
  A withered laurel.

Leader of Men. The gods that made him hero had left out
The drop of meekness which preserves the rest
From self-destruction.

Leader of Men. More than a suicide.—
A living death
Takes up its habitation in his heart.

Father Hudson. Little I understand, but greatly pity.
You, who have mastered all philosophy,
Can surely soothe him.

Leader of Men. None can reach the man.
  He is beyond the boundaries of speech,
  And goes the paths of blindness.
  Would'st thou, O Father, see the invisible,
  And know what agitates your placid mind?

[The following Invocation is sung by the Leader of the Women in a clear contralto voice.]

Leader of Women. Spirit of the unseen habitation,
  Walking distress,
  Blighting presence, Nemesis, Evil,
  Good-in-Darkness,
  Passing from breast to breast,
  Reaching easily all men,
  And the vine in the orchard,
  And the thick clusters of the grape,
  And the bending branches of the young peach trees,
  When the south wind blows death upon their pride,—
  O intimate undoing! In what form walkest thou here?

Leader of Men. [To Father Hudson.] Behold the unsleeping fiend that lives in him! His name is Treason.

Arnold. [Aside.] Why not? 'Tis Fame,
  Reward, wealth, power, revenge and simple justice
  All at a clap. They'll make a Lord of me,—
  Pacificator of the Colonies,—
  Restorer of an erring people's love
  To their forgiving Sovereign. At a clap!
  The key to all of this is in my hand,—
  West Point; and in my other hand,
  Sir Henry's promises,—money in sums,
  To weigh the unweighed treasures I have sunk
  For these damned ingrates.

Arnold. [Still aside.] They took my all,
  Engulfed my freely-given wealth, paid out
  For their salvation; now they count the cost,
  File my accounts and give me promises,—
  Hopes for next year. Twas not in coin like that
  I paid at Saratoga!

Arnold. No, I called thee not. I called to mind
  My bullet-shattered thigh, and the hot thirst
  Of fever. Did not Washington himself
  Send me the sword-knots he received from France,
  And Congress vote a horse caparisoned
  To bear me proudly?

Arnold. A soldier's rank
  Is, as his guiding genius in the sky,
  A holy thing. That rank which I had earned
  They gave to striplings.

Treason. Without me, Arnold, thou art not alone.
I am beside thee till thy dying breath:
When Treason leaves, he hands thee unto Death.

Arnold. It is not treason to preserve one's life
  Among wild beasts; nor treason to demand
  The reasonable payment of a debt;
  Nor treason for the savior of a land—
  Listen:—There was a stripling in the town
  Where I was born; and this rash vigorous boy
  Seized by the nose a bull, that in a fright
  Had rushed aboard a crowded ferry-boat,
  And held him through his plunges till he fell,
  Subdued by pain. The boy for no reward,
  But for the devil in him, did the thing.
  But had he been a man, and sought reward,
  Had he been banged about this rocking world
  As I have, holding terror by the horns,
  Could he not ask a pittance?—Leave me, friend.
  I am exhausted, taking all the brunt
  And getting kicks for pay. Nay, leave me, Sir,
  The argument is over. Let me rest.

Both Choruses. Surely it is a good thing for a hero to die in his youth; for then is he perfect. The bark is not broken on the wand nor the neck worn by the yoke.

Surely young men are better than old; and we praise them deservedly. This man, a few years since, could endure reverse; but now he is broken and worn away: his soul bows down; he cannot hold out longer.

It is a good thing when a young hero dies; for so is he safe. His immortality is meted to him. O spare us a trial like this man's who is on the brink of great misfortune.

Arnold. Arnold, my man. Good God! you startled me. I must have slept. What news? Will André come?

Joshua Smith. He's just behind me.
  All is as we planned.
  The British sloop-of-war hangs in the tide.
  The Vulture brought him, and she waits for him
  Not two miles to the south. I boarded her. With every point
  Raised in your letters André is agreed;
  And back of him, Sir Henry Clinton stands;
  And back of him,—ye'll hear it now?—King George!
  Packt, stamped upon, agreed, and understood,
  The bargain's struck. Your hand, my Lord! Sir Benedict!
  Lord Ruler Benedict, The Lord Protector of the Colonies,
  And Duke of,—what you will. Young André follows.
  I chased ahead to find you. Put it high!
  You'll put the figure high?—I'm out of breath—

Arnold. I'll put it high enough to help a friend.—
No fear of that, my lad. Go rest awhile:
Stand sentinel upon the shore below.

[Exit Smith. As he goes out he indicates Arnold to André by a gesture. Enter André. His slender, refined, almost girlish youth is in contrast with Arnold's battle-worn, gigantic figure.]

Arnold. [Aside.] At last my arrows strike!
      [To André.] What! Major André!
  This is a crazy meeting,—somewhat strange
  After your jigging nights in Philadelphia,—
  A Mischianza, where we play a masque,
  And act a drama fraught with consequence
  More serious than any since the Duke
  Brought back King Charles. Two true-born Englishmen,
  If you'll accept my hand, shall this day place
  A jewel in old England's diadem,
  Which some rash spirits would shake out of it.

Arnold. They are here; The plans of all the out-posts to the dot, And every man on duty in the Fortress.

Arnold. And returns
  Not for some days. Our garrison I'll post
  Distributively on the distant hills;
  While from the Vulture half a thousand men
  Land in the darkness. Thus without a blow,
  But with the magic of a countersign,
  West Point becomes your own.

André. Is there some house
  Or tavern, where with more deliberate mind
  We may o'erlook the papers, and make note
  Of our exacter meanings?

André. Good, we'll go there. O Arnold, death is nothing;
  Our lives are forfeit to our country's cause.
  Which of us would not quit the world in peace
  After some act that scaled the walls of time,
  And stood on the rampart?

Arnold. Right, and bravely said! I've given my life
As many times as I have mounted horse
To reconnoitre—

Arnold. Different, ay different! it saves men's lives:
Without a drop of blood it ends a war.

André. You are a veteran, and know the feel
Of imminent death. I could die bravely, too.

Arnold. Of course you could. All fear is bookish talk
  Cooked up by writers out of literature,
  To give the shudder to dyspeptic girls.
  Dying is easy. Come along, my friend!
  A glass of port shall cure us of such fears;
  Moments like this make mirth in after years.

Father Hudson. Is there no way to stop them; can ye not Bring pause to these excited rushing men?

Leader of Men. Pause is unknown, as to your moving waters, That take their God-directed, downward course, Deaf to beseechment.

Both Choruses. No, not to mirth can my voice be tuned, while these two men converse. Often their story comes to me in the night, and causes weeping.

One, the young troubadour, the boy poet, beloved by all, burning for fame; and, in his innocence, he performs the mean work of a spy.

And the other, the old hero, seven times baptized with immortality-in-action, who betrays his country out of foolishness.

To the first, death by hanging: to the second, one and twenty years of dishonored life.

Which of them shall have most of pity? Which of them could we see again with gladness, or greet with a gay demeanor?

The fate of the young man I deem the better; because he is young, and because death took him in his beauty.

Strange it is what souls are woven together by destiny; and out of what substance life is wrought.

All men become something incredible to themselves; for they are unwound like a cocoon, and know not which way the thread doth run.

They dance like motes in the sunbeam for a moment, and then are illumined no more. Legend takes some of them, and they become pictures; and the rest, it would seem, enter again into nothingness.

Grant me to know the desire of mine own heart beforehand; that I may not be deceived. Give me not much, but a true thing, and one that lasts forever.

[Enter hurriedly, and meeting, Arnold and André on one side, Joshua Smith on the other.]

Joshua Smith. Colonel Livingston's redoubts on the eastern bank. He has fired on the Vulture. They are exchanging shots; and the Vulture is dropping down stream. She cannot bear the fire.

Arnold. No, no, no; not lost, not lost. You have only to drop down stream also. Mr. Smith goes with you; and you shall be put aboard the vessel a few miles below. Eh, Smith?

Joshua Smith. Not for the world, General! It is daylight now, and if I should be seen taking this gentleman to the Vulture, the Yankees would shoot both of us.

Joshua Smith. Go the other way, General. You must give a pass to both Major André and me, allowing us to cross the river, and so on to New York. I'll go with the Major till we reach the British lines. It's a plain road to safety.

Joshua Smith. They are all my friends. Every rebel is my friend;—and—harkee,—every Tory is my friend—from Peekskill to New York! You'll be as safe as the General himself,—and much more comfortable,—till you reach the British Headquarters.

Arnold. [To André.] He's right, André, he's right. It's a safer way than the other when all's said. He knows every lane in the country. [More firing.] Here, take the papers. And God bless you! There's no time to lose. This pass covers all routes. The patriots know my hand and respect it. Off with you to King's Ferry, Peekskill, and White Plains! Off with you both! Smith has mounts for both of you; and you'll be in the city in twelve hours. All the words have been said: the rest is action.

Arnold. [With a gesture.] There in the fort!
      Sir Henry on his horse,
  And André like a Genius at his side,
  Guiding the host! That flag shall fall
  When next we meet: up run the British colors!
  England forever! Heart, take heart, my lad!
  We cannot fail. The rest is counting gains.

Arnold. Odso! Our names shall chronicle the hills,
  And school-boys learn us. Go in haste, good André!
  Keep your mouth shut. Let Smith do all the talking.
  These papers make you seem some Britisher,
  An agent or a spy. You will be safe.
  In every war are trusted underlings
  Who pass from camp to camp like contraband;
  Always suspected and yet always safe.

André. I like not such protection. Must I creep
  Beneath so mean a shelter,—seem a spy?
  I would to Heaven my purposes were known
  To every noble nature in the earth!

[Aside.] If we should fail, good youth, for history's eye,
  They'd write us up,—the traitor and the spy.
  Would God some power to telescope the hours
  Were lent me now! With André in New York
  I am revenged, rich, powerful, respected, everything
  My enemies begrudge. It cannot fail.
  O for a battle now to dry this sweat
  Of simple waiting! Sure, he cannot miss!
  My passes run the river up and down;
  And every day some messenger of mine
  Reaches New York; then why not he?
  If they should take him? But they will not take him.
  All these long months of waiting,—
  And not a soul to speak to; I could roar,—
  Sound it against the mountains,—that these peaks
  Should bandy my intentions back and forth;
  Or tell it to the talking cataracts
  To ease my need of speech. An hour's patience,
  Which seems as long as the preceding year,
  And I shall know. [He sits down and
falls into a contemplation; then into a doze. As he falls asleep,
enter quietly Treason.]

Arnold. [Speaking as if out of his sleep.]
      Leave me alone. Thou thing of little might!
  Thou painted bogey! I am conscience-proof,
  And care no more what names I may be called.
  If thou cans't make this hour glide more swift,
  With idle chat of owls and haunted men,
  I'll take thee for a gossip. Sit you there
  And hide the hour-glass. There was a time
  In early boyhood, when a thing like thee
  Seemed horrible, but now my mouth is dry
  With other terror. Thou art a cap and bells:
  Play me a ditty on a tambourine.
  [Starting up.] Who goes there?
  [Rushes to Smith, who enters.]
  Tell me that he is safe!

Joshua Smith. Within the lines,—
  Almost within the lines,—I left the youth.
  He's safe in British hands; and by his time,
  Is telling his adventures to Sir Henry.

Arnold. Ha, ha, ha, ha, ha! Is it not a joke, Joshua?
  Ha, ha, ha!
  This is a joke that shall run crackling through
  America, like Samson's burning foxes.
  Ha, ha, ha!—André is in New York!
  A spasm of joy; and yet it pains my leg.
  Your hand, my friend. The laughter comes again—
  Ha, ha, ha! Now let them vote! Brigadier Generals
  May rain on this accursed land of pain
  As fast as Congress spawns them! Now, ye rats!
  Who shall squirm last, I ask ye?
  [To Smith.] Safe, you say?
  You saw him with the British?

Arnold. It will take a day
  Before I can believe it. I am drunk
  With the intoxication of revenge,
  Sweeter than wine. A day of jubilee
  Shall follow all our torments, Joshua Smith.
  Out on ye, pack of curs! I have ye now,
  Where ye'll not yelp so freely.—Ha, ha, ha—
  Ha, ha, ha, ha!—And God I thank thee, too.
  Justice is in the world.
  Help me to the fortress. Mercy, how it pains!
  Justice! Revenge! And, Joshua,—what a joke!

Father Hudson. My heart is moved with sorrow: the sins of men enter into me and I am constrained. Why was this man chosen for suffering; and what balm is there for his seed?

Both Choruses. Fear God and seek not thine own advantage. Pluck not the grape thyself; for who knows whether it be intended for thee?

I will weep freely and lift up my voice for the sorrows of men. There is none that shall comfort me.

Come, Father, let us weep together and add our tears to thy streams; for so only can the medicine of this grief flow down to the children of men.

INTERMEZZO

Father Hudson. His pain enters into me. I must endure these things. Woe is me that ever I was born of the brooks or received by the meadows! The pains of new birth get hold on me, and I see that life is sorrow. Why could ye not let me alone, ye pangs of knowledge; or go by on the other side, ye piercings of understanding? Must I be bound up forever with sin, and feel the hand of unevenness on my loins?

Both Choruses. So it is with all creatures of a deep spirit. They are caught with the net; they are frozen in the ice of God; they are very helpless, and cry for relief day and night.

Accept thy pains, for they are good. Reason not against fate but lay down thy will in earnest.

Leader of Men. Once more shalt thou see him, and remember him forever. Lo, now he comes as the wounded lion, as the tiger bereft of his prey and wounded by the hunter. [Enter Arnold, a pistol in one hand, a letter clutched in the other. During this speech he crosses the stage.] His plot has failed and his iniquity is as a broken toy. Wrecked is all his life. He flees like a robber from his own land. Hills look your last upon Benedict! Ye Highlands, filled with clouds, and ye little streams that jet along the crags, this is your general. Will he remember you in his dreams, think you, or find himself back among you in his reveries? In his lone island, in his long years of silence, ye will return to him. Bid him adieu without bitterness, thou rocky castle! For his punishment shall be within himself day by day. [Exit Arnold.] Behold, [Shades his eyes with his hand as if observing Arnold] he is on the shore; his barge of eight oars obeys the signal; he stands in the prow; the rowers smite the water. With fury they row, for he commands them; with fury and terrible ire they row, for they fear the man. He has drawn a white handkerchief from his breast, though his pistol never leaves his hand. The prow of the British sloop of war looms above his barge. They see his signal. They are letting down the gangway. They are taking him up into the British vessel.

Chorus of Men. So down the torrent of infamy,
So into the bosom of Hell,
O Vulture, thou bearest him!

Chorus of Women. Naught brings he in hand to his captors;
Naught but the coin of his soul;
Empty-handed goeth he.

Chorus of Men. The great cheater here is cheated;
The great traitor here betrayed:
Where is his bargain?

Chorus of Women. Bare life he saves by the purchase,
Merely the breath of life;
Merely the fountain of pain.

Chorus of Men. Yea, out of the lips of aversion,
Yea, out of the hand of contempt,
He receiveth his price.

Chorus of Women. Pride is the hero's undoing,
Pride is the sin of the great.
Lo, he licketh the crumbs!

Both Choruses. So down the torrent of infamy,
So into the bosom of Hell;
O Vulture, thou bearest him!

Father Hudson. If these things could be known, what man would follow his own desires? Fear overtaketh me in thinking of them. I thank the gods that my channel is laid, I cannot change it. The man seems to me like one who should place a lake on a hilltop and cry to it, Stay there! He hath wrestled against thunder. He would lift the rocks with his back; and he lies crushed beneath them. Can he not repent? Shall he never find out that fire is hot? Must he die still unapprised of his own foolishness?

Father Hudson. Are there not charms that open mountain sides,
And show what shall come forth?

Leader of Men. All things to come
Are come already,—save the power to see them.

Father Hudson. Would I might know the ending of that man,
Whose fate and story clinging to my name
Do make me human!

Leader of Men. Human was his end,
And very moving. Wouldst thou wait awhile,
Or see the story now?

Invocation. [Sung in contralto voice, as before, by the Leader of Women.] Storm-shadowed, precipitous valley, And ye threatening towers of stone that hold back the mountains, Letting the dark stream pass; Storm King, and Donderberg, homes of reverberant thunder; Thou steep theatre, where his story trod its stage, And where the circling thought of it returns With ever profounder, ever accumulating echoes, Calling to Humanity, compelling attention, provoking the unexpected tear,— Open yet once again your treasured legend; Out of the encrusted box, the precious parchment, Out of the vestment-chambers, the hallowed rags.

[As the verse now changes its form, the music also slightly changes character.]

  Lo, now, our holiday calls on the past for its lessons,
    Lo, while the flame of the frost-bite fingers the dale,
  Lo, in the lambent blaze of autumnal quiescence,
    Flows Father Hudson, at peace, through his populous vale.

  Fruit trees garland his margins,—vines, and the brazen
    Hillocks of billowy rye o'er the undulous deep
  Stretch to the Berkshires, proclaiming the conquering season;
    Dash on the Catskills, repulsed by the envious steep.

  Woe, royal river! In grief I gaze on thy harvest,
    Anxious to me my thought as thy riches unroll.
  Mortal, beware lest in riotous plenty thou starvest!
    Give me the fruits of the spirit, the songs of the soul.

Leader of Men. Hush, it invokes the craggy wilderness,
And seeks an entrance for its piercing cry.

Leader of Women. [Sings. The music again changing with the metre.]
  Give up the scene, give up, ye sordid rocks,
  The last of Arnold in his English home,
  Which in your bosom lives for evermore,
  A deathless picture; England cast it out
  Not being English, and it shivered on,
  Coiling about the world, till it was caught
  And locked into your rocky fastnesses
  Where it lives ever; and your mountain ribs
  Ache with the imposition.

ACT II

[_The centre of the stage slowly opens, disclosing a sitting-room. A writing-table covered with letters. Somewhere in the foreground a sofa or low couch: An engraved portrait of George III. Arnold is sitting at the table, but his arm-chair is turned away. He is in a profound reverie, gazing at the floor. He is dressed in the uniform of a British officer. His hair is gray and his face worn. At the back of the stage at one side of the door, sits Treason, somewhat in the attitude of a sheriff's officer keeping guard._]

Treason. [To Arnold.] What are you muttering, comrade? Go to sleep! And yet sleep not too sound; there's work ahead! With all the world against us. What of that? We ne'er were beaten yet. Get money first: A fortune in your fist. With honest luck, Your hand against the world! But money first. [Aside.] He breaks apace, and I await each day The knock of Death— [Knocking.] No, no, not yet, Sir Death! There's life in him and, mayhap, years of grief. Leave me to tousle him. He's strong as hemp And bears his ragging well. [More knocking.] Not yet, not yet!

Death. [Pointing to the door with great dignity.] The man is mine. Hence! Silence! Obey!

Arnold. [Waking.] They deny me the opportunity of honorable death.
  This is the twentieth year of sodden waiting.
  Fighting by land and sea and soldier's work,
  As hot as heart could wish,—boy generals,—
  Wars on all hands, in Holland, France, and Spain,
  With military honors falling thick;—
  And I, a Tantalus set in a lake of thirst,
  Up to my neck in battles all about,
  Without the power to reach them!

[Enter Mrs. Arnold. She has a youthful face, and her hair is prematurely white. She passes by Death _without seeing him. A gesture of surprise and pity as she sees Arnold. She kisses him on his forehead, and sits down next him on a lower chair._]

Mrs. Arnold. Surely, my husband you have not been forth!
  After the sullen fever you have had
  'Twas most unwise.—
  [Pause.]
  You have been grieved, and wear the ashen look.

Arnold. Indeed, thou hast! An angel from the sky
  Accepting the bad bargain of a man,
  Could not have found a worse. You took me up
  A battered piece of ordnance, broken in spirit,
  Accursed to myself and to my kind;
  And underneath me thou hast held an arm
  Sustaining as the seraph's upward look
  Askance against Apollyon.

Arnold. Next, your mother's heart
  Became the mother to my three grown boys,
  Giving them such devotion and such love
  As rarely flows from out a mother's hope
  To her own children.

Mrs. Arnold. Benedict, your words
Cut me like knives. Why, why this catalogue?

Mrs. Arnold. Where have you been?
  Has some insulting taunt
  Cast by a coward in a public place
  Where you could not resent it, stung your patience?
  These are the pebbles small men throw at great.

Arnold. No. 'Tis the season for my wounds to ache;
And with them aches the rest.—

Arnold. I could not see his Lordship. Three hours late.
  They sent me word his Lordship was not in.
  It is the iteration wears me down.
  Year after year,—year after leaden year,—
  Kicking my heels in England's ante-rooms,
  Where proud men pass me by: and now and then
  I catch a glimpse of some American,—
  A former pal, a former enemy;—
  It is the same, both pal and enemy
  Give me a fit of trembling. 'Twas not so;
  Yet as the years decline our nerves grow sick:
  I dread it more and more.

Mrs. Arnold. O Benedict,
  This is the mood that kills us. Have we not
  A thousand times resolved it, made all plain?
  You in your right of conscience chose a course
  Beside your King, recanting many errors,
  And following the only light you knew.
  The king himself accepted your return
  And raised you with his hand.

Mrs. Arnold. [With great vehemence.] No, no, no! You were the noblest hero of them all!

Mrs. Arnold. Is there a soldier in the British Isles That has a list of battles like your own?

Mrs. Arnold. Then make allowances for jealousy.
  To Englishmen, their battles are a sport,
  With every post of danger dearly prized,
  Like the crack stations in the shooting field,—
  Never enough for all. They bribe and jockey,—
  Knife their own brothers to get near the spoil.
  And would they not repel a foreigner,—
  One they had cause to envy? Englishmen
  Are very unforgiving of defeat.
  It is your glory, the impediment:
  So gluttonous are soldiers of reward—
  So sporting-keen are Englishmen for fame.

Mrs. Arnold. Are you a man to take the common talk,
  And be its dupe? How often have we spoke
  Of the returning wars that shall restore
  The lustred fame and power that is your due?
  Belated are they; yet to reason's eye
  Certain to come. God keeps such eminence
  As in your soul exists, to show mankind
  The height of heroes.

Mrs. Arnold. Never such light goes out! No smoke of the world—
  Sin, error, evil, anguish, touch it not.
  It burns forever with ethereal force
  Beyond pollution. I can see your soul;
  And never has its aspect been more bright
  Than on this morn.

Both Choruses. Surely truth is not born except through pain; and the long delay increaseth it.

It is a happiness for a young man to see his error. But for an old, only death remains. He hath no strength for new things. Let him die in his old ways, yea, though they be evil.

Very sad is repentance when it is too late; when the blight has fallen, and no fruit cometh thereafter. Very sad is the grief of an old man. I cannot lay hold of it. There is no comfort to be given him, for he knoweth the world.

Leader of Men. What causes thy waters to pour down in March, or the leaf upon your banks to sprout in April? It is because the season fulfils itself; and what is to be, cometh forth, and no one may stop it.

Both Choruses. Now may I say that no man is made of iron, or lives beyond the stroke of reproach.

The arrows strike him when he shows it not. The scornful glance of a friend reaches his quick. He suffers very much.

In his last days he betrayeth the havoc. In his fall his wounds are laid bare. The secret of his heart becomes an open book, and a child may read it.

Arnold. I would not speak; but the sea-bottom of me
  Is being raked to the surface. Hold you still;
  You are the daughter of good Tory folk,
  And common talk on King and loyalty
  Had in your ears a meaning and a place
  Quite strange to mine. For my Rhode Island stock,
  Grown far afield, and long acclimated,
  Had dropped all meanings for the name of King,
  Of Church, of mother country. Such appeals
  Were like a tinsel fringe of superstition,
  Alien imposture. It was all a fraud.

[He walks across the room, takes the portrait of George III and throws it, not savagely, but with deliberate contempt, into the corner, where it lies shattered. Mrs. Arnold remains on her knees and raises her hands in helpless supplication.]

  There lies the dog that bit me. Now desist:
  It is not easy; yet it must come out.
  A letter that I wrote to this same King,
  Or to his secretary, George Germain,—
  Imploring favors for my villainy—
  If I appear unmanned, it's physical,
  And needs no moment's thought—The letter's here,
  [Takes a letter from his pocket.]
  And through its hell of shame as through a gate
  I see Elysian fields, peopled with comrades.

[Arnold reads from the letter with some difficulty and with pauses—but very distinctly.]

"… conscious of the rectitude of my intentions…. that I may be restored to the favor of my most Gracious Sovereign—… cheerfully cast myself at his feet imploring his Royal Grace and Protection…. the unalterable attachment to the Person, Family, and Interests of my Sovereign, and to the Glory of his reign.—…"

  West Point I did deliberately betray:
  I begged the post intending to betray it.
  All was conceived before I married you.

Arnold. They must pet me then,
  To show that loyal treason reaps reward.
  'Twas policy, not liking for my face,
  That made King George so sweet.
  What in this world of savage Englishmen,
  Strange monsters that they are, have you and I
  Found of a country? Friends, good hearts and true;
  But alien as the mountains of the moon,
  More unrelated than the Polander,
  Are Englishmen to us. They are a race,
  A selfish, brawling family of hounds,
  Holding a secret contract on each fang,
  'For us,' 'for us,' 'for us.' They'll fawn about;
  But when the prey's divided;—Keep away!
  I have some beef about me and bear up
  Against an insolence as basely set
  As mine own infamy; yet I have been
  Edged to the outer cliff. I have been weak,
  And played too much the lackey. What am I
  In this waste, empty, cruel, land of England,
  Save an old castaway,—a buccaneer,—
  The hull of derelict Ambition,—
  Without a mast or spar, the rudder gone,
  A danger to mankind!

[He sits down upon the couch. Mrs. Arnold throws herself on his knees and sobs convulsively.]

Both Choruses. Who shall praise a woman, save He that made her, save God that understandeth all things?

I will sing a song of woman, and magnify the wife of a man's soul. His goodness she has discerned when no man else can find it: his crimes are known to her, yet is he not in them: she seeketh his soul among many.

She divineth salvation out of hell; and bringeth water from the desert. Who shall praise a woman save He that made her; save God who understandeth all things?

Father Hudson. Sorrow is erecting a tomb for this man in my heart. Whence comes the peculiar pang, my children? Whence comes this pity that will not be denied, but bedews your faces?

Leader of Men. From the greatness of the man, comes it Father; and from his ignorance of himself.

Leader of Men. Such a hero as antiquity can show, towering, magnificent, made of cloud and thunder, made of lightning and glory, a god among fighting men, a Hector or Mars appearing from the bosom of the sky on the day of battle, bringing victory.

No one had seen his like before; nor since him has one like him come. To his country he gave the column of his strength. In her need he sustained her. He planted her high. His name became bulwark: many times gave he his strength. Yea, his life also grudged he not.

Father Hudson. Would he had died in his glory, would he had been struck down and died long ago! So had he been spared this humiliation. On my shores he belongs: the memory of his infamy and of his fame covers me: Saratoga knew him, and West Point acknowledges him. No tomb shall he have; yet shall the hills remember him. His glory is eaten up in shame; and yet shall mercy say her word. See, he begins again. What new anguish will he reveal?

Arnold. [He has now recovered his composure.]
  Where are the boys? If death be soon to come
  I'd gladly see them. Is it not most strange
  That one possessing nothing to bequeath
  Of all those things men covet for their sons,
  Should have so many? For what rank or name,
  Honor or fatherland, or worldly goods,
  All that men sweat for,—have I here to leave?
  Country I've none. My land was over there
  Where my first honors sprouted. And my boys
  Are foreigners,—young Englishmen—brought up
  Upon King George's bounty. When he bought
  My loyalty he took my children, too.
  Ben, he is dead, my eldest,—he was killed
  In the West Indies, fighting for the King.
  Sir Grenville Temple brought me back his sword.
  (God bless him for it!) Send and fetch down Ben's sword.

[Mrs. Arnold rings. Enter servant. She speaks to servant in dumb-show. Exit servant.]

  Richard and Henry, your two foster sons,
  Settled in Canada on royal grants.
  And our four sons,—your Edward, Robert, George
  And little William,—are all pensioners,
  Assisted servants of the English crown.
  Where are they? I must see them. It is strange
  That I, remembering them, can yet not think
  Quite plainly where they are.

Mrs. Arnold. My dearest Lord
  There's fever in your cheek. The day's distress
  Has worked some downfall to your shattered brain,
  You're very sick.—

Mrs. Arnold. The elder three
At school and college, and our little Will
Just home from school.

Arnold. I pray you let him come;
  My blessings on them all must fall through him;
  Nor will they wait: the passage of an hour
  May find me gone.—Stay; there is yet one son.

Arnold. Ay, but there is one, born in Canada,
  My natural son, whose mother is no more;
  And yet my son,—and brother to the rest,
  And ever at my cost I've brought him up.
  I cannot leave him out. He is of age
  And elder than your boys.

Arnold. A natural son of mine, whose bringing up
  Is at my charge. I cannot cut him off.
  Though of my name I scanted him the curse,
  I ever sent him help.

Mrs. Arnold. You have done right
  To count him in; and I accept him,
  And will provide a portion like the rest
  Though at my children's cost.

[Enter servant bringing the sword which Mrs. Arnold takes and gives to Arnold.]

Arnold. William, you are a soldier:—
  This old sword
  Was once your brother Ben's,—my eldest boy.
  He served his God, his Country, and his King,
  And found a soldier's death. It is a record
  We may be proud of in the family.
  You and your brothers, Edward, George, and Robert,
  Are dedicated soldiers to the King.
  England, to all of you, is generous
  To overflowing: See ye pay her back
  In overflowing measure with your lives.
  You are a soldier, Sir, and understand
  The duties of a soldier; when you grow
  A little older you will read, perhaps,
  Something about your father; for his name
  Is written on a page of history;
  You cannot miss it. When you find it there,
  Remember only all the soldier part;
  The soldier part he leaves you: all the rest
  Was something suffered, that was meant for him
  But not for you. There, go my boy; good-bye.
  You must to all your brothers tell this news,
  And say I blessed them. They will understand,
  Each in his measure, on the appointed day,
  My message to them. See you bear it safe.
  It is a charge of honor and becomes you.

[Arnold kisses the little boy, and gives him the sword with which he walks toward the door. The child feels that something very serious is happening, although he does not entirely understand it. When near the door he turns, runs back and embraces the old man again; and then exit.]

Both Choruses. Now will I say that children add to life a glory not belonging to it; and a pang beyond the pain of this world.

In them is pain; in their birth, danger; and in their tender years, a care; thereafter, sorrow or joy, too keen, too keen, too poignant, too sharp,—cutting the heart in twain.

Happy are they who know it not. Happy are the childless; for the great sufferings are kept from them. Blessed are they: I will praise and envy them always.

Arnold. Now is my burden lightened.
  One adieu,—
  The worst, remains; and then,—I know not what,—some relaxation
  Or sweetness of the grave.
  [To Mrs. Arnold.] Good-bye, great soul;
  I leave thee sorrows, many-pointed cares,
  The stress of growing sons and straightening means;
  Yet one great blackness passes from your life,
  Unshadowing you all. I see ye stand
  Safe in the port,—as on a margent shore
  Clustered in sunlight,—while my bark moves on.
  I am not of ye; I am far away
  And long ago; one of those Argonauts
  That in the western seas, with sturdy oar,
  Urging their venturesome and sacred bark,
  Steered a new course,—a band, a brotherhood,—
  And, though a Judas, I was one of them.
  Get me my uniform. I wore it last
  On that last day on which my sun went down.
  And I, descending now to seek the sun,
  Must put it on.

Mrs. Arnold. [Rings. To servant.]
Whate'er he asks for, get it quickly for him,
But make no questions.

Arnold. The very coat I did the treason in,
  By accident preserved, and then,—and then—
  I could not cast it off: it clung to me—
  Waiting this day. It lay there like a dog,
  Patient against a master's drunkenness,
  Watching his face.

  Thou one unbroken link with all the men
  I walked with on the mountain heights of youth,
  When glory shone, and trumpets heralded,
  And drums were rolling! We were patriots then,
  Warren, and Putnam, Lincoln, Knox, and Schuyler,
  Morgan, and Stark, Montgomery, Sullivan—
  And scores of faces burnished by the winds,
  That shone with glory—

[He takes off the coat of his British uniform, the servant assisting, and puts on the coat of his old American uniform.]

                Never weep, dear wife.
  I seek the truth you teach me. It is thus
  Your thoughts do guide me;—and I must go back
  To where I lost the way.
  [Showing sword-knots.] That ornament
  Washington gave me,—with such words of praise
  As must preserve it till the judgment day
  Against corruption. Should I meet that man,
  Will his reluctant and offended shade
  Pass sadly on? Or will he greet me there,—
  There, but not here. There, there, but never here!
  On toward that shadowy spot I blindly go,
  Claiming the past.

[He lies down on the couch, and Mrs. Arnold kneels by his side. Exit Death.]

Both Choruses. Surely the past must be allowed to all men; and not to him alone. What good there was in us cannot be lost.

God forgets not the virtue of those who have failed; and why should man seek to judge them? Verily all courage is immortal: the man himself cannot kill it.

Lo, what great things are done through even bad men; and this man had in him much goodness.

[A pause. Distant military music. Four young boys dressed in white, and bearing tall spears with little banners attached to the tips, enter and stand each at one corner of the couch. The arrangement suggests a medieval church tomb, of which Mrs. Arnold's kneeling figure forms a part.]

Both Choruses. Not on the shores of America—
Not on our shuddering strand,
Can Arnold's tomb be laid.

  Nor in his land of illusions—
  Britain's contemptuous Isle,
    Can stone be added to stone.

  Yet in a corner of Memory,
  Hallowed by terrible pain,
    Stand the stones of his grave.

  There, his trophies of victory,
  Piled in marshal array,
    Gorgeous, perennial—

  Spoils, heroic, tumultuous,
  Emblems, worthy remembrance—
    Marking a hero's grave.

[While this is being sung there enters a procession of youths dressed in white, each carrying a gigantic wreath, inscribed with one of Arnold's victories:—The Maine Wilderness, Quebec, Valcour's Island, St. John's, Ridgefield, Bemis Heights, Saratoga, etc. They circle the group, and pile the wreaths about the couch, then stand about in symmetry.]

Father Hudson. Enough, my children, I understand. Leave me awhile. Let there be no loud praises. Go silently.

[A dead march is played. Father Hudson resumes the plastic, immobile, and almost invisible attitude which he occupied at the opening of the play. The Choruses file silently out, one on each side of the orchestra.]

THE END

EMERSON AND OTHER ESSAYS

CAUSES AND CONSEQUENCES

PRACTICAL AGITATION

FOUR PLAYS FOR CHILDREN

LEARNING AND OTHER ESSAYS

NEW YORK

*** END OF THE PROJECT GUTENBERG EBOOK THE TREASON AND DEATH OF BENEDICT ARNOLD: A PLAY FOR A GREEK THEATRE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.