The Project Gutenberg eBook of Presentation Pieces in the Museum of History and Technology, by Margaret Brown Klapthor

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Contributions from
The Museum of History and Technology:
Paper 47––

ILLUSTRATIONS

As a social document, the collection of presentation pieces, mostly silver, in the United States National Museum provides evidence of the taste and craftsmanship in America at various periods from the mid-18th century to the 1920’s.

Although the representative items selected for illustration confirm the view that such pieces often lack artistic merit, the collection nevertheless reveals the deeds––in war, politics, technology, diplomacy, sports––that our forebears deemed worthy of special recognition. And it helps to bring alive some figures now submerged in our ever-expanding history.

The author: Margaret Brown Klapthor is associate curator of political history in the Smithsonian Institution’s Museum of History and Technology.

The custom of giving a piece of silver to an individual in recognition of service or in appreciation of accomplishment probably began as soon as man developed the fashioning of that metal into objects. Such a presentation piece was a tangible and durable form of recognition which could be appreciated, used, displayed, and enjoyed by the recipient. Many of these silver pieces became for succeeding generations the cherished evidence of recognition accorded to an ancestor, and they were preserved long after the more customary family silver had worn out or been lost.

The Smithsonian Institution’s Museum of History and Technology has what may well be the most varied and extensive collection of such presentation pieces ever to be preserved and exhibited in one place. The collection contains the work of some of the more prominent American silversmiths, but most of the pieces are by lesser known makers and are in the collection because of historic interest rather than artistic merit. The chief usefulness of the collection lies in its value as a social document and in the mute evidence it gives of the taste and craftsmanship of the periods covered. The collection is also helpful in dating type specimens that do not have specific associations with persons and dates. Perhaps even more interesting than the gamut of styles that the collection presents is the panorama of deeds, events, and persons that our forebears considered worthy of recognition. Silver presentation pieces were awarded to persons in almost every walk of life––to military men, to peace-loving Indians, and to men who achieved success in politics and agriculture. They were given for sea rescues, for heroic deeds by firemen and school-patrol boys, and for outstanding community and civic work. Within our time they have been given as trophies for excellence in athletics, automobile racing, and many other events.

18th-Century Pieces

Silversmiths have been making presentation pieces from the earliest days of our country, but the Smithsonian Institution has only a few 18th-century pieces in its collection.

The earliest of these is an inlaid silver snuffbox (fig. 2) made by William Cario, who worked in Portsmouth, New Hampshire, about 1763. The oval box––evidently a gift to the silversmith’s second wife, Lydia Croxford, whom he married in 1768––has inscribed on its base “The property of Lydia Cario” and “1769.” The cover has an undersurface of horn, and the silver on the outer surface is inlaid with mother-of-pearl and tortoise shell in a filigree pattern.

Many of the earliest pieces of presentation silver were made for use in churches, and they were given by groups as well as by individuals. Representative of this type is a silver alms plate [1] with the following inscription on the rim:

The plate is shallow with a slightly domed center. Engraved on the flat rim, in addition to the inscription, is a crest at the top and the cherub’s head at the bottom. The piece is marked by John Coburn, who lived in Boston from 1725 to 1803. Five trays matching this one are in the Boston Museum of Fine Arts.[2]

A silver tankard made by Samuel Minott, who worked in Boston from about 1765 to 1803, can be accurately placed by the account of ownership thoughtfully inscribed on its base by one of its later owners. The legend reads:

The tankard has a tapered, ringed body, an S-shaped handle with a plain boss at the end, a scroll thumb-piece, a flat molded drop ornament on the handle, and a domed cover with an acorn finial. On the body beneath the Derby coat of arms, is monogrammed “E H D” for Elias Hasket Derby (fig. 3). Elias Hasket Derby achieved wealth and fame as a Salem merchant prince engaged in the China trade.

Similar in design to these 18th-century pieces is a standing cup [3] or chalice with the inscription:

This cup, with a concave body and a baluster stem with a square foot, is marked “Moulton” and is in the style of Ebenezer Moulton who worked in Boston between 1768 and 1824.

19th-Century Pieces

The collections of the United States National Museum that cover the political, cultural, military, and technological history of America in the 19th century are probably without rival, and the collection of presentation silver is no exception. The recognition of military prowess by the presentation of silver objects was especially popular during this century.

FOR SERVICE IN WAR OF 1812

Some handsome pieces of silver of the federal style were given for service in the War of 1812. Historically the most important of these is a mammoth punch set (fig. 4) presented to Colonel George Armistead by the citizens of Baltimore in recognition of his services in the defense of Fort McHenry against the British attack in 1814. The service includes an oval silver tray with a handle on each end, the whole of which is supported on six winged-claw feet. The tray is 29 inches long and 22 inches wide.

The ball-shaped punch bowl, 12¹⁄₂ inches in diameter, is supported by four eagles mounted on a round base. There is a loop handle of silver rope on each side. The bowl is an exact copy in size and design of the mortar bombs the British hurled at the fort. On one side of the bowl is the following inscription:

(Note the discrepancy in the dates of the inscription. The Battle of Fort McHenry was fought on the 13th and 14th of September 1814.)

On the other side is engraved a view of Fort McHenry and Baltimore Harbor. The bowl is marked by Thomas Fletcher and Sidney Gardiner, silversmiths who worked in Philadelphia from 1814 to 1838. In regard to the excellence of the work of these silversmiths, there is an interesting comment in a diary of Philip Hone that is owned by the New-York Historical Society. On February 14, 1838, Hone wrote:

In the set are ten silver cups, each 3¹⁄₄ inches high and 3 inches in diameter. The cups have the same rounded shape as the bowl, without the loop handles, and are marked on the bottom by Andrew E. Warner, a silversmith who was working in Baltimore from 1805 until his death in 1870.

During the defense of Fort McHenry Colonel Armistead had under him about 1,000 men, including soldiers, sailors, and volunteers. It is said he was the only man aware of the alarming fact that the powder magazine was not bombproof. During the night of September 13 the fort was under constant 86 bombardment by the enemy, but the attack failed. Discouraged by the loss of the British general in land action, and finding that the shallow water and sunken ships prevented a close approach to the city by water, the British fleet withdrew. Fort McHenry was but little damaged and loss of life was small.

Closely related to this punch set is a covered tureen (fig. 5) that the citizens of Baltimore gave to Commodore John Rodgers, U.S.N., for his part in the defense of Baltimore in September 1814. During the battle of North Point and the attack on Fort McHenry, the naval forces under Commodore Rodgers defended the water battery, the auxiliary forts Covington and Babcock, and the barges of the naval flotilla.

The oval-shaped tureen is mounted on a square base that stands on four winged feet. The piece is 15 inches high. The handles at each end are supported by eagles’ heads. An applied design of flying horses 87 and winged cherub heads makes an attractive border around the edge of the tureen. The knob on the cover of the tureen is a stylized bunch of grapes. On the inside of the bottom of the base is inscribed:

This piece too bears the mark of Philadelphia silversmiths Fletcher and Gardiner.

The gold snuffbox presented to Major General Jacob Brown by the City of New York in recognition of his services in the War of 1812 does not fall strictly within the province of this article, but it is included because it is similar to the silver pieces just described. The exterior of the box (fig. 6) is beautifully chased in a line design. The inside of the lid is inscribed as follows:

FOR PEACE AND FRIENDSHIP

Unusual in the Museum’s collection of presentation silver is the treaty pipe (fig. 7) formally presented to the Delaware Indians in 1814 by General William Henry Harrison at the conclusion of the second Treaty of Greenville.

The treaty was intended to commit the Indians to active resistance in the American cause during the War of 1812. General Harrison and Lewis Cass had 88 been appointed commissioners by the U.S. Government to conclude the treaty. On July 8, 1814, General Harrison read to the Indians a message from the President of the United States, and afterward he presented to the Wyandotte, Delaware, and Shawnee Indian tribes large silver pipes elegantly ornamented and engraved with emblems signifying the protection and friendship of the United States.[5]

The pipe presented to the Delaware Indians has an urn-shaped bowl with a bead-edged cover bearing acanthus-leaf decorations. The S-shaped stem is 21 inches long and only one-fourth inch in diameter. The great length of the stem was necessary to cool the smoke; the S-shape added rigidity to the silver. The piece undoubtedly is the work of a competent craftsman but it bears no identifying mark.[6]

Although not exactly a pipe of peace, another pipe in the collections of the Museum represents a gesture of friendship between nations. It is a meerschaum pipe [7] with a silver lid on the bowl and with a silver mouthpiece. The lid bears this inscription:

The only information that has been obtained about Hankey is that he held an official position as Chief Secretary of Malta for the British Government.

FOR POLITICS

In 1838 the Whig Young Men of New York City presented to Robert Charles Wetmore a pair of large, ornate, silver pitchers [8] inscribed:

These pitchers were made by Geradus Boyce, a New York silversmith who worked in the first half of the 19th century.

FOR SERVICE IN THE MEXICAN, CIVIL, AND INDIAN WARS

Most of these pieces, like the pitchers mentioned above, are not as pleasing aesthetically as the earlier ones, and they are much more closely allied with the exuberance of the Victorian era than they are with the classical lines of the Federal period.

A large, elaborate vase [9] with two handles and a cover was presented to Major General Silas Casey, U.S.A., in recognition of his services during the Mexican War. The vase is inscribed:

The vase is marked on the bottom with box-enclosed letters “G & H” and “1848.” The letters probably refer to Gale and Hughes, New York silversmiths, or perhaps to Gale and Hayden, who were in business about the same time.

Casey, a graduate of the U.S. Military Academy, received votes of thanks from the Rhode Island legislature for his services in both the Mexican and Civil Wars.

Lieutenant Colonel John Bankhead Magruder was given a silver pitcher by his friends in Baltimore for his Mexican War service. The pitcher [10] is urn-shaped, has a long, narrow neck, and stands on a tall base. The entire pitcher is elaborate repoussé in a design of roses, sunflowers, and grapes. An arched and turreted castle is depicted on each side, and on the center front is the inscription:

Magruder graduated from the U.S. Military Academy in 1830, and his military career encompassed service under three flags within a period of 35 years. In the Mexican War he was brevetted major for gallantry at Cerro Gordo and lieutenant colonel for Chapultepec, where he was severely wounded. At the outbreak of the Civil War, Colonel Magruder, a native of Virginia, entered the Confederate Army and was soon placed in command of the Department of Texas, where he served until the close of the war. He then entered the army of Maximilian in Mexico as major general and was in active service until Maximilian’s capture and execution. When he returned to the United States he settled in Houston and died there in 1871.

A silver service (fig. 8) consisting of four goblets, pitcher, and tray, presented to Brevet Major General John Porter Hatch, U.S. Volunteers, is interesting because it was given in recognition of services during the Mexican War, the Indian expeditions of 1857-1859, and the Civil War. The gift is from Hatch’s fellow citizens of Oswego, New York.

The silver tray measures 15 by 20 inches and is decorated with four small waterscapes and a flower design. It is raised on four short scroll feet. The inscription reads:

The pitcher (14 inches high and 7 inches in diameter) has a design of grapevines and birds. The spout is in the form of a face, and the handle represents entwined vines. It is inscribed:

The mark is “Tiffany & Co., 7899, G. & W., English Sterling 925-1000, 550 Broadway N.Y.”

The four silver goblets are also decorated with grape vines and birds, and they have gilt interiors. They are 8 inches high and 3¹⁄₄ inches in diameter. Each goblet has the inscription:

Hatch graduated from the Academy in 1845 and immediately saw active service in the Mexican War. He fought not only in General Taylor’s campaign in northern Mexico but also in General Scott’s campaign to capture Mexico City. In the years intervening before the Civil War he saw active service in Indian campaigns and took part in a number of scouting expeditions. With the outbreak of the Civil War he was assigned with the Volunteers in the Army of the Potomac until he was severely wounded at South Mountain, for which action he received the Congressional Medal of Honor. He spent the rest of the Civil War on duty behind the lines where he was in command of various districts in the Department of the South following Sherman’s campaign.

The largest and most elaborate set of presentation silver in the Museum is a complete table service (fig. 9) that was given to General Judson Kilpatrick by the Veterans Association of Connecticut on the occasion of his marriage to a Chilean in 1868 while he was serving as U.S. Minister to Chile. The set is engraved with emblems of the United States, Chile, the U.S. Army, and the U.S. Navy. The monograms on the individual pieces are in gold of four colors. More than any other silver service in the Museum this one may be said to epitomize the elaborate realism so popular during the height of the Victorian era.

The pieces are marked “Meriden B * Company *” in a circle around a shield surmounted by balanced scales. This mark was used in the second half of the 19th century by the Meriden Britannia Company for its high-grade, silver-plated hollow-ware made on a base of silver nickel.[11]

There are two trays in the set. The smaller tray is shown in figure 9. The larger one measures 22¹⁄₂ inches by 38 inches and is inscribed:

It is engraved in gold and silver with flags of the United States and Chile crossed with bayonets and spears. On one side there is a center medallion in gold with the monogram “L V K” (for Luisa V. Kilpatrick) in a circle surmounted on a shield of stars and stripes. Above the monogram there is a banner with three stars and a triangle. On the other side of the standing piece two eagles in fighting position are shown in front of a sunburst design. The United States flag can be seen directly behind the victorious eagle. The motto “Tuebor” is at the top of the sunburst. The entire design is encircled by a ring of stars, and there is a shield of stars and stripes at the top. This same design is repeated on all 40 pieces.

The service contains napkin rings, vegetable dishes, syrup jar, spoon holder, large centerpiece, porcelain-lined pitcher, and other miscellaneous pieces of silver used for table service. The pieces of the tea and coffee service are mounted on four feet that are fastened to the bowl with cattle heads with branched horns. Each foot stands on a cloven hoof. The knob of each of the pots is a tiny horse jumping over a four-bar hurdle.

One of the most interesting military presentation pieces in the collection is a silver and copper shield presented to Lieutenant General Nelson A. Miles, U.S. Army, by the officers of the 5th Infantry Regiment. General Miles served for many years as colonel of the regiment and led it in a number of notable Indian engagements. Beginning in 1869 his regiment defeated the Cheyenne, Kiowa, Comanche, Sioux, Nez Percé, and Bannock Indians, and, in 1886, after a long and difficult campaign, Miles compelled the surrender of the Apaches under Geronimo and Natchez.

The heart-shaped shield [12] is surrounded by a rolled edge made of copper which originally had a gold wash. Inscribed on the inside of the rolled edge are the names “New Mexico,” “Kansas,” “Wyoming,” “Montana,” “Dakota,” “Colorado,” “Indian Territory,” and “Texas.” A profile portrait of General Miles, in relief, is suspended from an eagle’s beak in the center, and below are the crossed weapons of the U.S. Army and the Indians surmounted by a peace pipe.

The background of the shield is silver with etched scenes depicting incidents of the career of General Miles in the states named. The scenes depicted are of a buffalo hunt, a covered wagon on the trail, wild horses with Indian tepees in the background, an Army council of war, General Miles receiving the surrender 92 of Chief Joseph of the Nez Percé Indians, and a peaceful agricultural scene.

The plaque, measuring 18¹⁄₂ by 23 inches overall, is marked “Tiffany & Co., 6565. Makers 2, Sterling Silver, 926-1000 and Other Metals, M.”

General Miles was colonel of the 5th Infantry Regiment for so many years that a modification of his family crest was selected as the crest on the coat of arms of the regiment. The Miles family crest is an arm in armor grasping an anchor. Arrows for each Indian campaign in which the regiment took part are substituted for the anchor in the regimental crest.[13]

TO MARY TODD LINCOLN

The Museum recently received a silver service (fig. 10) that belonged to Mary Todd Lincoln. The service consists of a large oval tray, a hot-water urn on a stand with a burner, coffeepot, teapot, hot-water pot, cream pitcher, sugar urn, and waste bowl. All the pieces have an overall repoussé floral and strapwork pattern with the monogram “MTL” on one side and an engraved crest on the other. The crest seems to be an adaptation of the Todd family crest. The pieces are marked with a lion, an anchor, and an old English “G,” which are the early marks of the Gorham Silver Company. It is assumed that this silver service was a presentation gift to Mrs. Lincoln during the time she was First Lady of the White House, as a letter dated July 19, 1876, from her to her son Robert Todd Lincoln calls his attention to a silver service in his possession that was a gift to her from “the Citizens of New York.”

FOR ENGINEERING

By far the most fanciful of all the mid-19th-century pieces is the silver teakettle and stand (fig. 11) given to General Montgomery C. Meigs by the citizens of Washington for his work on the Washington Aqueduct. The kettle, 18 inches high, is mounted on a base that is 8¹⁄₂ inches square and 3¹⁄₄ inches high. The base is made in the shape of the stone arches of the aqueduct, and the head of George Washington, in profile, is 93 depicted on the center front. There is a depression in the top of the base for holding a small alcohol lamp. Four rocks, one on each corner of the base, provide support for the kettle. The kettle’s feet, in the form of fish, rest on the rocks and are fastened to them with hinges held by a chain and silver pin. The pins can be released so that the kettle can be tilted for pouring without moving it from the base. By withdrawing all four pins, the kettle can be completely detached from the base. The body of the kettle is decorated with nautical designs––waves, fish, shells, etc.––and cattails and lily pads. Under the spout is an anchor entwined with a fish over the initial “M.” A belt ornamented with stars encloses the castellated towers of the Army Engineers symbol with the letters “U,” “S,” and “E” on one side of the kettle. On the other side is the inscription:

The handle of the kettle is in the form of a serpent’s tail, and the spout is the serpent’s open mouth. The lid is a nautilus shell on which stands an eagle with raised wings. On one side of the base is inscribed:

The piece is marked “M. W. Galt & Bro.,” a firm established in Washington in 1802 that has been in continuous business since that time.

Montgomery Cunningham Meigs graduated from the U.S. Military Academy in 1836 and was soon assigned to the Engineer Corps. Thereafter, for a quarter of a century his outstanding talents were devoted to many important engineering projects. His favorite was the construction of the Washington Aqueduct, which carried a large part of Washington’s water supply from the Great Falls of the Potomac to the city. This work, under his direction between 1852 and 1860, involved devising ingenious methods of controlling the flow and distribution of the water and also the design of a monumental bridge across the Cabin John Branch––a bridge that for 50 years was the longest masonry arch in the world. At the same time Meigs was supervising the building of wings and a new dome on the Capitol and an extension on the General Post Office Building.

During the Civil War, Meigs served as quartermaster general, and in 1864 he was brevetted major general. As quartermaster general he supervised plans for the War Department Building, 1866-1867; the National Museum Building, 1876; and an extension of the Washington Aqueduct, 1876.

After his retirement, in 1882, General Meigs became architect of the Pension Office Building. He served as a regent of the Smithsonian Institution, was a member of the American Philosophical Society, and one of the earliest members of the National Academy of Sciences.

General Meigs himself gave the Museum this interesting piece of presentation silver. He also gave the previously described tureen (fig. 5) that had belonged to Commodore John Rodgers, who was General Meigs’ father-in-law.

Cyrus W. Field became interested in the idea of a cable across the Atlantic between Newfoundland and Ireland in 1854. It was not a new idea, and other shorter submarine cables had been successful, but this was the first time a transatlantic cable had been promoted by a man of Field’s business ability and financial standing. Through his efforts, a governmental charter was secured and a company of prominent New Yorkers was formed to underwrite the venture. An unsuccessful attempt to lay the cable was made by the company in 1857. Field tried again in 1858; on the fourth attempt he was successful and immediately acclaimed as the “genius of the age.”

New York greeted Field with wild rejoicing, and the city authorities set September 1, 1858, as a day of celebration to give him an official public ovation. The celebration surpassed anything the city had ever before witnessed. Mr. Field and the officers of the cable fleet landed at Castle Garden and received a national salute. From there the procession progressed through crowded and gaily decorated streets to the crowd-filled Crystal Palace, where an address was given on the history of the cable. Then the mayor of New York gave an address honoring Mr. Field and presented him with a gold box stating:

The gold box (fig. 12) presented to Field by the City of New York is in the collections of the United States National Museum.[14] It measures 4¹⁄₂ inches by 3 inches. On the lid and around an engraved representation of the cable fleet is inscribed:

The sides of the box are engraved with vignettes depicting the landing of the cable, the planning group at work, science and industry united, and Europe and America united. The bottom is engraved with the American eagle and the British shield. The inside lid of the box is inscribed:

Significant of the enthusiasm with which Field was greeted in 1858 is a silver-mounted tankard, made 95 from the wood of the Charter Oak, that was given to him in December by the workmen of Central Park. On August 18, seemingly without advance publicity or elaborate preparations, there was a parade on Broadway of the workmen of Central Park. The procession was headed by a squad of policemen in full uniform, a band, and a standard bearer with a muslin banner inscribed “The Central Park People.” The men marched in squads of four, and wore their everyday work clothes with evergreens stuck in their hats. Each squad carried a banner giving the name of its boss-workman. The procession included four-horse teams drawing wagons in which rode the workmen of the Engineers’ Department. The parade was composed of 1,100 laborers and 800 carts from Central Park and 700 laborers and carts from the new Croton Reservoir, making a procession three miles long. Since it was altogether unexpected, it created no little excitement and inquiry.[15]

There is a silver shield on the left side with the monogram “C. W. F.” and a silver shield on the right inscribed:

The knob on the lid is made of silver and is decorated with an anchor and a rope in silver. No maker’s mark is discernible.

While the public adulation was at its peak the cable suddenly stopped working. Immediately public opinion changed and Field was accused of being a fake. He suffered severe business reverses and in 1860 went into bankruptcy. The outbreak of the Civil War prevented any further activity on the cable until 1865. Field engaged the world’s largest steamer, the Great Eastern, to make the next attempt. The cable of 1865 parted in midocean during the laying operations, but in 1866 experience and technical improvements won the fight. The cable was laid and this time it continued to operate.

Again Field was the darling of the American people and he was greeted with enthusiasm. Immediately on his return to New York in 1866 he sold enough of his cable stock to enable him early in November to write to those who had been hurt by his bankruptcy in 1860 and send to each the full amount of his indebtedness with 7 percent interest. The full amount paid out reached about $200,000. For this action George Peabody of New York City gave Field a silver service.

The silver cake basket [16] from this service is in the United States National Museum. The shallow basket is on a pedestal with handles on each side. The inside of the basket is gilded. Inscribed on a plaque on one side is:

The inside of the foot of the basket is marked with the lion, anchor, and “G” of the Gorham Silver Company.

Field continued to be active in many business enterprises but the last years of his life were again beset with severe financial difficulties. He and his wife celebrated their golden wedding anniversary in 1890, and in honor of this occasion their children presented them with a silver gilt vase.[17] The vase contains a portion of the first Atlantic cable mounted in the base, a part of the steamship Great Eastern, by which the cable was laid, and the inscribed names of all the Field’s children and grandchildren. It is marked “Tiffany & Co. Sterling Silver, M.”

FOR DIPLOMACY AND LEGISLATION

In January 1861, Dr. Samuel Lilly, physician, politician, and judge, was sent to British India as consul general from the United States. Dr. Lilly had been elected a representative to the 33d Congress as a Whig, and he served from 1853 to 1855. He also served as a judge of various lower courts in New Jersey. On his appointment as consul general he was given a silver goblet [18] 8 inches tall and 4¹⁄₄ inches in diameter, having an embossed design of fruits, nuts, and flowers. On the goblet is inscribed:

The inside of the stem is marked with the lion, anchor, and “G” of the Gorham Silver Company, the word “coin,” and the figure “8.”

When Dr. Lilly left India in 1862 he was given a silver pitcher and a silver tray.[19] The pitcher (13 inches high and 7¹⁄₂ inches in diameter) has a tall, slender neck with a decided downturn to the pouring lip and a hinged lid with a thistle flower as a knob. The neck is engraved on each side with a design of grape leaves and grapes. The bowl of the pitcher has eight panels embossed with scrolls of vines and flowers. Both the tray and the pitcher are marked “Allen and Hayes.” One side is engraved:

The silver tray (18 inches in diameter) has a scroll-leaf and flower design in relief around the edge. The scroll-leaf design is repeated on the surface. The tray is inscribed as follows:

American interest in European affairs, considerably increased by the middle of the century, is also reflected in the collection. In 1866 the life of the Czar of Russia was saved from a Nihilist’s bullet by the brave action of one of the serfs who had recently been emancipated by royal decree. Czar Alexander II was well liked by his own people and was regarded as an enlightened ruler by the other nations of the West. He was especially respected in the United States because of the open support he gave to the Union side during the Civil War. His escape from death was a cause for official rejoicing in this country, and the Congress of the United States passed a resolution of congratulations on the deliverance of the life of the Czar and commissioned Gustavus Vasa Fox, Assistant Secretary of the Navy, to deliver it to the Czar. Fox set out for Europe in one of the newly designed Monitor ships that had proved so effective in naval fighting during the Civil War. His Monitor was escorted by other ships of the fleet with a large delegation of naval officers. The party was greeted by the Russians with great acclaim, and it was showered with gifts and honors. Many of the interesting items given to Fox personally were bequeathed to the United States National Museum by his widow, Mrs. V. L. W. Fox (accession 50021, Division of Political History). Among these objects are a silver tray (fig. 14), a silver saltcellar in the shape of a chair (fig. 14), and a gold snuffbox.

The tray and saltcellar were presented to Fox on the estate of Prince Galitzine, one of the wealthiest members of the Russian nobility. These two items bear the marks of a Russian maker and are engraved “July 5, 1864,” which date marked the coming-of-age of the Prince. On August 26, shortly after the American delegation arrived in Russia, Fox and his party drove to the beautiful Galitzine estate, about 12 miles from Moscow. The members of the party were met by the Prince and went with him to a part of the park where 97 a deputation of peasants awaited them. Leader of the peasant group was the mayor of the neighboring village, an emancipated serf, who presented Fox with bread and salt––traditional symbols of Russian hospitality––on a silver salver and said:

Two days later, on August 28, Fox met Prince Gortchakoff by appointment at the foreign office. After various complimentary allusions to the manner in which Mr. Fox had performed the delicate duties entrusted to him by his government, the Prince, in the name of the Emperor, presented a gold snuffbox set with diamonds.[21] The box, exquisitely chased, had the Emperor’s miniature on the top surrounded by 26 diamonds. Six larger diamonds were set three on each side at equal distances from the inner circle. The Emperor was pictured in full military uniform with various orders on his breast.[22] The snuffbox minus its decorations is part of the Gustavus Vasa Fox collection in the Museum. The precious stones on the lid and the miniature in the center were bequeathed by Mrs. Fox to various members of the family when the box (cat. 11268) was willed to the Museum.

A large and elaborate silver vase was presented by the members of the U.S. Life-Saving Service to Mrs. Samuel S. Cox in honor of the outstanding work of her husband, who as a congressman supported various bills for the improvement of the Service. Mr. Cox served as Congressman for 20 years, first from Ohio and later from New York State. He died in New York City in 1889. Two years later General Superintendent S. I. Kimball, in behalf of a committee representing the Service, presented the vase to Mrs. Cox. The ceremony took place at Mrs. Cox’s home in Washington on December 12, 1891, in the presence of a gathering of relatives and friends.

The vase [23] is 2 feet tall and 2 feet 1 inch in diameter; it weighs almost 8 pounds. Its design was selected by a subcommittee appointed by the Life-Saving Service, and the job was awarded to the Gorham Silver Company. The chasing is entirely the work of one man. The base of the vase has a design of clusters of acorns and oak leaves, and above these are dolphins sporting in billowing waves. The body of the vase 98 begins with wide flutings between the tops of which are shells and seaweed. These are surrounded by a ring of marine cable. On the front, a scene represents the lifesavers at work. In perspective some distance out, where the sea rises in mountainous waves, there is a wrecked vessel, and in the foreground lifesavers are carrying the rescued to the beach. The ornamentation that covers the top of the body of the vase consists of a cable net in which are starfish, seaweed, and other marine flora and fauna. A ledge formed by a ship’s chain surmounts the net, and above this is a profile of Mr. Cox circled with laurel. A lifebuoy crossed with a boat hook and oar ornaments the other side. Handles at the sides are two mermaids who with bowed heads and curved bodies hold in their upraised hands sea plants growing from the side of the top of the vase. The mermaids are the only portion of the ornamentation that was cast.

Tangible evidence of the increased role that the United States was beginning to play in international affairs is a silver pitcher and salver [25] presented to Judge George S. Batcheller in appreciation of his services as president of the International Postal Congress, which was held in Washington, D.C., in 1897. Judge Batcheller’s international career began when President Ulysses Grant appointed him as the U.S. judge in the newly created International Tribunal for legal administration of Egypt. The Tribunal had jurisdiction in cases between foreigners of different nationalities and also in cases of foreigners versus Egyptians. Batcheller later served as minister to Portugal and then as manager of European interests for various American companies.

The International Postal Congress presented Judge Batcheller, its presiding officer, with a handsome urn-shaped pitcher with the following inscription engraved on the center front:

The pitcher, 14¹⁄₄ inches high, is marked inside the base “Galt & Bros., Sterling, 925––0––1879, 277, 7¹⁄₂ pts.” The “925” is circled, and the date is boxed. Accompanying the pitcher is a silver tray with the monogram “G S B” in script in the center. The tray is marked on the back with an eagle in a circle to the left, an “A” in a shield in the center, and a hammer and sickle in a circle to the right (an unidentified mark).

20th-Century Pieces

FOR SERVICE IN THE SPANISH-AMERICAN WAR

One of the most controversial figures of the Spanish-American War is represented in the Museum’s collection of some of the silver that was presented to Rear Admiral Winfield Scott Schley.[26] Schley became a national hero primarily because of his genial personality, and he was acclaimed and supported by the masses of the American public even while his claims to fame were being challenged by his colleagues.

Admiral Schley had already had a long and illustrious naval career before the outbreak of the war with Spain. After his graduation from the Naval Academy in 1860, he served on board the frigate Niagara when it was detailed to bring to the United States the first representatives from Japan to this country. As a junior naval officer he took part in the Civil War engagements leading up to the capture of Port Hudson. Then followed a period with sea duty and alternate posts ashore at the Naval Academy and elsewhere. During this period he took part in the capture of some Korean forts in 1871, and later he commanded the relief expedition that rescued the Arctic explorer Lieutenant Adolphus W. Greeley and six of his companions near Cape Sabine, when they 99 were near death, and brought them safely home after a perilous voyage through 1,400 miles of ice.

The controversial period of Schley’s career began with his appointment to command the Flying Squadron, stationed at Hampton Roads at the opening of the Spanish-American War, with the arrangement that should his squadron operate with the Atlantic Squadron in the West Indies, he would be under its senior officer, William T. Sampson. Since Sampson was junior to Schley in rank, this led to the famous Sampson-Schley controversy of the war. Despite his orders to blockade Santiago immediately, Schley took his time getting there with his squadron, and then he failed to establish a close blockade. During the month-long blockade in which the two squadrons were joined, matters were strained between the commands. Sampson was in conference about seven miles east of Santiago when the Spanish fleet finally emerged from the harbor. Schley immediately seized full command of the battle despite Sampson’s proximity and his prompt return to action.

The press, probably influenced by his likable personality, made a hero of Schley, but his fellow naval officers felt differently. A court of inquiry held in 1901 found Schley to be at fault, but despite this decision he retained his public popularity, a tribute to his affability and bluff, hearty manner.

The many pieces in the Museum’s collection of presentation silver given to Schley not only attest the recipient’s popularity but seem to express the poor taste, debased design, and stereotyped workmanship that was characteristic at the beginning of the 20th century.

Not just one presentation piece but an entire silver service was made from Spanish coins recovered from the Cristóbal Colón that was sunk at Santiago. The original service consisted of 69 pieces, of which the Museum has the table centerpiece, soup tureen and ladle, fish platter, and a vegetable dish (cat. 39554).

The centerpiece, measuring 14 by 30 by 8 inches, is designed with a circular base holding four classical female figures. On each side of the base is a shallow silver dish shaped like a seashell and supported by dolphins. A shield on one side of the base bears the following inscription:

The covered oval soup tureen (7 inches by 13¹⁄₄ inches; cat. 39555) bears the same inscription as the centerpiece and is marked “S. Kirk & Son Co.” The cover, monogrammed “W S S,” has a rather effective design of overlapped laurel leaves with clusters of berries. The ladle (14 inches long; cat. 39556) is monogrammed “W S S” on the bowl (4 inches in diameter), and it has the same design as the tureen.

The fish platter (25 inches by 13 inches; cat. 39557) is similar to the tureen in design. The oval vegetable dish (11 inches by 15¹⁄₄ inches; cat. 39558) is also similar and is inscribed the same way, including the mark of “S. Kirk & Son Co.”

An elaborate silver centerpiece given to Admiral Schley in Memphis, Tennessee, in 1902 consists of a bowl, vase, and candelabra made to be fitted into one unit (fig. 15). The large bowl (20 inches by 6 inches) is chased in marine designs and bears the following inscriptions:

The silver vase (32 inches high) is made to fit into the bowl, and it has a portrait of Admiral Schley on one side and a picture of his flagship, the Brooklyn, on the other. Each end of the bowl is fitted with a socket to hold a three-branch silver candelabra, and there are two solid blocks of silver for insertion in the sockets when the candelabra are not being used. These pieces are marked “Sterling” but no maker’s mark is visible.

A silver card (cat. 39518), measuring 3¹⁄₄ inches by 5¹⁄₂ inches, that was presented to Schley at a dinner given in his honor is engraved as follows:

The turn of the century marks the beginning of the popularity of loving cups as presentation pieces. There are four loving cups in the Admiral Schley collection.

This cup (cat. 39571), 9 inches in diameter and 14¹⁄₂ 100 inches in depth, is shaped like a vase and is decorated with a scroll design. Each of its three handles is attached to the cup with two applied silver oak leaves. The piece is marked “Maier & Berkley, Atlanta, Georgia, Sterling, 385,16.”

Another silver cup with three handles was presented to Schley on February 5, 1902, by the Chamber of Commerce and the citizens of Knoxville, Tennessee, in recognition of his services during the Spanish-American War. This cup (cat. 39573) has the mark of the Gorham Silver Company and the words “Sterling, A 2219, 6 pints.”

The silver loving cup given to Admiral Schley by the City of Dallas reflects the exuberance of the Texas donors as well as the taste of the turn of the century. It bears the following inscription:

This cup (cat. 39572) measures 8 inches in diameter and 21 inches in depth. The three handles terminate in eagles’ heads. The design pictures a battleship in gold identified as the “U.S.S. Oregon,” a head and laurel wreath with the words “U.S.S. Brooklyn,” and an eagle and a star in a wreath for the “U.S.S. Texas.” The base of the cup is decorated with three Texas longhorns with an anchor and shield. It bears the marks of the Gorham Silver Company.

The fourth loving cup (cat. 39538) is made of vanadium steel rather than of silver. This too is a three-handled cup. It measures 7 inches in diameter and 12¹⁄₂ inches in depth and is decorated with the emblem of the Masonic Order of the Mystic Shrine and the following inscriptions:

The war with Spain is further commemorated by a silver loving cup [27] presented to Rear Admiral Charles 101 D. Sigsbee, U.S.N. Sigsbee, commissioned captain in 1897, was in command of the battleship Maine when she blew up in Havana harbor in 1898. A naval court of inquiry exonerated Sigsbee, his officers, and crew from all blame for the disaster; and the temperate judicious dispatches from Sigsbee at the time did much to temper the popular demand for immediate reprisal.

Marks on the cup are those of the Gorham Silver Company and the words “Sterling,” “Patented,” and “5 pts.”

Admiral Sigsbee achieved greater distinction for his services as a scientist than as a naval hero. An outstanding hydrographer, he made a deep-sea survey of the Gulf of Mexico, and from 1893 to 1897 he was chief of the Navy’s hydrographic office.

FOR ARCTIC EXPLORATION

In the midst of the myriad of soldiers, sailors, and politicians who have been presented with silver through the past two centuries, we find an arctic explorer being given similar recognition at the beginning of this century. Rear Admiral Robert E. Peary was the first man to reach the North Pole, and the United States National Museum has a collection of silver presented to him in recognition of this achievement.

Peary became interested in arctic exploration as early as 1886 and discovered he had an aptitude for its grueling demands on several minor expeditions to Greenland and the arctic ice cap. In 1893 he became determined to reach the North Pole, and he spent the next 15 years in unsuccessful attempts to achieve his ambition. In 1908 Peary left on another polar expedition; after a hazardous trip, he reached his goal on April 6, 1909. His victory seemed a hollow one because of the claim of a rival explorer that was finally proven spurious. In October a committee of experts appointed by the National Geographic Society supported Peary’s claims, and in 1911 he was tendered the thanks of Congress. Admiral Peary’s work as an explorer had immense scientific value, as he developed a highly efficient method of exploration which has continued to be used advantageously.

Three loving cups and a replica of a ship in silver [28] that were presented to Peary are in the collections of the United States National Museum. Two of the cups were gifts to Peary from cities in his home state of Maine. One loving cup (cat. 12186), 10 inches high, is marked with the old English “T” of Tiffany & Company, “7072,” and “5 pts.” It is inscribed:

The other loving cup from Maine (cat. 12187) is 12 inches deep and bears the Tiffany “T,” “7056,” “Sterling,” and “5¹⁄₂ pts.” The inscription reads:

The third loving cup (cat. 12188) is 18 inches high and is marked with the lion, anchor, and “G” of the Gorham Silver Company and with “Sterling,” “332A,” “7 pints,” and “D. Kappa Epsilon.” The inscription reads:

In 1910 the Royal Scottish Geographic Society presented Admiral Peary with a silver replica of a ship (fig. 1) of the type used by Henry Hudson, John Davis, and William Baffin in their explorations for the Northwest Passage. The replica, representing a ship under full sail, is 24 inches high and 20 inches long. The foresail bears a long inscription in Latin likening Peary to other early arctic explorers. The marks indicate the piece was made in Great Britain.

Also in the Museum’s collection is a silver plaque [29] presented to Peary by the Circumnavigator’s Club in New York. It bears the mark of Tiffany & Company and is inscribed:

The bottom edge of the plaque is engraved “Tiffany & Co. Makers” and “18417 Sterling Silver.”

FOR SERVICE DURING WORLD WAR I

Of all the silver pieces in the collections of the National Museum that commemorate military prowess, the sole piece relating to World War I was presented to a man who achieved fame for his humanitarian service as a diplomat––the Honorable Brand Whitlock, who was appointed American Minister to Belgium in 1913. Whitlock came to the position with a distinguished record as four-time mayor of Toledo, Ohio, where his administration was noted for its reforms. He had insisted on a fair deal for the working man; he liberalized the administration of justice; he kept the city government free of graft; and he won a battle against the power of vested interests in the city.

After the invasion of Belgium in World War I, Whitlock remained at his post where he performed many services for the oppressed citizens. His presence in Brussels facilitated for both friend and foe the enormous task of organizing the distribution of food among the civilian population of Belgium and the occupied zone of France. In 1916 he chose to follow the Belgian Government into exile. His activities won him the lifelong affection and admiration of the people of Belgium, and after the war they showered him with evidences of their esteem. Among the many presentation medals, documents, and miscellaneous gifts that he received is a silver loving cup (fig. 16) from the British Government. On one side the cup bears the British coat of arms, and on the other side is inscribed:

The base is marked “C & Co.,” “130 Regent St., Carrington and Co., London W,” and “Copy of Antique Irish 1717, 66 × 13, P 6610, xy P d.”

A presentation piece made of polished steel is really outside the scope of this paper, but as it has an interesting bit of diplomatic history connected with it, it has been included in the catalogue. The object is a paperweight (fig. 17) designed by William Jennings Bryan when he was Secretary of State. The weight, in the form of a plowshare, was made from swords condemned by the War Department. Thirty of these weights were given by Secretary Bryan to the diplomats who in 1914 signed with him treaties providing for the investigation of all international disputes. The shaft of the plow bears the inscription:

TO MR. AND MRS. ROBERT TODD LINCOLN

Among the pieces of presentation silver acquired in 1960 by the Smithsonian Institution is a covered urn that was given to Mr. and Mrs. Robert Todd Lincoln by their children on the occasion of their 50th wedding anniversary.[30] Robert Todd Lincoln, son of the President, became a prominent lawyer in Chicago and later served as president of the Pullman Company, as Secretary of War in the cabinets of President Garfield and President Arthur, and as Minister to Great Britain under President Benjamin Harrison. The silver gilt urn has two handles, measures 13 inches from the base to the finial on the cover, and 7 inches at its widest point. Bands of ornamentation feature both the grape design and the acorn and oak-leaf design. It is inscribed:

The gilt wash, although almost completely polished off the outside surface, still covers the inside of the urn and its lid.

TO CONGRESSMEN

A silver tureen and tray [31] were given to the Honorable James R. Mann, Republican leader of the House of Representatives, by the members of the House in 1919. Mann was elected a Representative from Illinois in 1897, and he remained a member of Congress until his death in 1922. In 1912 he became minority leader. In addition to the Mann Act, his name is associated with other important legislation of the period such as the Pure Food and Drugs Act and the Woman Suffrage Amendment.

It is marked on the back with “W. Sterling, 4086––16 in.” The initial represents the Wallace Silver Company.

The oval tureen is on a pedestal base. There is a scroll design around the edge of the base, the edge of the bowl, and the opening of the bowl. The piece measures 14 inches from handle to handle, is 10 inches high, and has the initials “J R M” in old English letters engraved on the side.

In the Museum’s collection is a loving cup of Chinese design that was presented by the Chamber of Commerce, Peking, China, to a party of American Congressmen on a tour of China and Japan in 1920.[32] The height of the cup is 17⁵⁄₈ inches, and its width, including the two large handles, is 15⁵⁄₁₆ inches. The piece is mounted on a papier-mâche base that is covered with silk. The engraved Chinese characters translate as follows:

TO SUFFRAGETTES

Among the significant social changes that occurred in the 19th century was the movement for woman suffrage that began about the middle of the century as a concerted action by a nucleus of determined women. The crusade gained strength and numbers during the second half of the century, and finally achieved success with the ratification of the Suffrage Amendment in 1920. Many women worked in this cause, and the pieces of presentation silver in the National Museum’s Woman Suffrage Collection constitute a record of the most important leaders.

Chief spokesman of the movement and its leader for many years was Elizabeth Cady Stanton of New York State. She was instrumental in calling the first Woman’s Rights Convention in Seneca Falls, New York, in 1848, and she served as president of the National Woman Suffrage Association from its beginning in 1869 and as president of the National American Woman Suffrage Association from 1890 to 1891. She continued to be an active worker in the movement until her death in 1902, writing and editing many works on suffrage in addition to her administrative work.

On the occasion of her 80th birthday in 1895, Mrs. Stanton was presented with a silver tray [33] (8 inches wide and 1¹⁄₂ inches deep) that is inscribed:

This tray, presented at a meeting at the Metropolitan Opera House in New York City, bears on the back a “W” in a circle, a two-headed lion in a rectangle (probably an early mark of the Wallace Silver Company), the word “Sterling,” and the number “2048.”

On the same occasion Mrs. Stanton was presented a silver loving cup [34] that is inscribed:

The cup, 4¹⁄₂ inches in diameter and 7³⁄₈ inches deep, is marked on the bottom with the Wallace “W,” similar to the mark on the tray, and “Sterling, 3798, 4¹⁄₂ pints, 925/100 fine, Pat 1892.”

The life story of Susan B. Anthony is a record of 60 years of devotion and work for the enfranchisement of women. An organizer and director of countless suffrage activities, she was tireless in conducting campaigns for woman suffrage. She is the one individual who has become so identified with the fight for woman suffrage that, more than any other, her name has become synonymous with that term. During her lifetime she worked in almost every capacity in the organized movement. She became president of the National American Woman Suffrage Association in 1892 and served until her 80th birthday in 1900. On that occasion the Colorado Equal Suffrage Association presented her with a miniature, three-handled loving cup that stands only 3³⁄₄ inches high (fig. 18). In one section of the cup there is engraved the word “Colorado” and the state’s coat of arms; in an adjoining section is an engraving of the state flower; and in the third section is the following inscription:

She was also given a silver-plated teakettle [35] by the Political Equality Club of Rochester, New York. The stand is 3¹⁄₂ inches high, and the teapot is 5¹⁄₄ inches high. Engraved around the top of the teapot is:

The chosen leader of the Woman Suffrage Movement after 1900 was Mrs. Carrie Chapman Catt, a vigorous organizer and campaigner who led the drive for the constitutional amendment that was finally ratified in 1920. Mrs. Catt founded the International Woman Suffrage Alliance in 1902 and served as its president until 1923. Her late years were devoted to the cause of international peace and disarmament.

Mrs. Catt was the prime mover in calling the first international conference on suffrage, which, in 1902, welcomed representatives from nine foreign nations––Great Britain, Germany, Norway, Sweden, Denmark, Turkey, Russia, Australia, and Chile. The delegates 105 were honored guests at the National Suffrage Convention then in session in Washington where they also attended two congressional hearings on suffrage and were received by President Theodore Roosevelt at the White House.[36] Mrs. Catt was given a silver tray [37] inscribed:

The back of the tray is marked “Galt & Bro. Sterling, 386.” The Galt silver firm is in Washington, D.C.

The campaign for the first referendum in the state of New York on woman suffrage was considered to be the most decisive of all the state fights. New York was divided into 12 campaign districts working under Mrs. Catt. The campaign was most vigorously waged, but the referendum was defeated.[38] After the New York campaign Mrs. Catt received a silver gilt tray [39] inscribed:

The tray is marked on the reverse “Tiffany and Co., 18154, Makers 811, Sterling Silver, 925/1000/M.”

Mrs. Catt had started the suffrage movement in the Philippine Islands when she visited there in 1912 and organized the first suffrage club in Manila. In 1937 the Philippine legislature submitted the question of votes for women to the women of the Islands themselves. The campaign committee working out of Manila sent native women campaigners throughout the Islands to be sure all races and religions were represented in the vote. Mrs. Catt raised money in this country and sent it to the campaign committee to help with the fight.[40] Over half a million Philippine women voted favorably on the question, and several months later Mrs. Catt was presented with a silver plaque, mounted on native woods, that is now in the Museum’s collection.[41] It is inscribed:

FOR SPORTS EVENTS

The earliest of the sports trophies in the collection is an ornate belt (fig. 19) made of blue velvet upon which are mounted five engraved silver plates connected by silver straps. On the center plate is the inscription:

One of the two adjoining smaller plates has an engraving of a man riding a high-wheeled bicycle, and the other has an engraving of a man standing beside a similar bicycle. The two outer plates are engraved with Scottish coats of arms. The belt is 34¹⁄₂ inches long and 3 inches wide.

Trophies were awarded for competition among the various makes of cars almost as early as the advent of the automobile itself. The earliest such trophy in the Museum’s collection is a three-handled, cut-glass cup [42] with a wide silver rim on which is engraved:

The prize was won by Charles E. Duryea who drove an automobile of his own manufacture.

Most important of the automobile trophies was the Vanderbilt Cup (fig. 20) for racing, which was established by William K. Vanderbilt, Jr., in 1904 to bring the best cars of foreign make to the United States so that domestic manufacturers could observe them. It is believed that the trophy contributed in this way to the rapid development of the automobile in the United States. The Vanderbilt Cup races were held annually in the United States under the auspices of the American Automobile Association.

The silver cup, measuring 23 inches high and 20 inches in diameter and weighing about 40 pounds, is engraved with statistics of the various races––such as dates, winners, types of cars, distances, and times.[43] 107 There is a wreath around the brim, and the front is decorated with a period racing car in repoussé. The inscription reads:

Athletic trophies in the collection include eight silver and silver-plated loving cups awarded for athletic events to the crew members of various ships of the U.S. Navy.[44] The sporting events represented include baseball and football games, canoe and cutter races, and track meets held among the fleet between 1903 and 1915.

TROWELS FOR CORNERSTONE LAYING

The National Museum also has a small collection of silver trowels used for laying cornerstones of public buildings. There is an ivory-handled trowel (fig. 21) with the inscription:

There are also some silver trowels in the Bishop Matthew Simpson Collection.[45] The earliest of these is inscribed:

This trowel (cat. 38199) bears the English standard marks with the initials “H. H.”

On the same trip to London Bishop Simpson received an ivory-handled silver trowel (cat. 38198) inscribed:

FIRE TRUMPETS

Three fire trumpets in a collection [46] on loan from the Insurance Company of North America are inscribed as presentation pieces. One of these is 22 inches high and has eagle-head handles and an overall repoussé design. This trumpet is engraved:

Another trumpet is engraved with crossed ladders, pikes, and fire helmets against an overall floral design. It is 19¹⁄₂ inches high. The inscription reads:

FOOTNOTES:

Transcriber Notes

All footnotes were moved to the end of the text.

Some illustrations have been moved.

A List of Illustrations was added.

Archaic and variable spelling is preserved.

Author’s punctuation style is preserved.

Typographical inconsistencies have been changed and are highlighted and listed below.

Page 92: silverplated standardized to silver-plated (by the Meriden Britannia Company for its high-grade, silver-plated hollow-ware made on a base of silver nickel.)

Page 92: old-English standardized to old English (and has the initials “J R M” in old English letters engraved on the side.)

Footnote 25: Added period after cat (Gift of Katherine Batcheller (acc. 112477, cat. 36871), Division of Political History, USNM.)

Footnote 26: UNSM changed to USNM (Collection gift of Mrs. R. S. Wortley (acc. 136891), Division of Naval History, USNM.)

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	PAGE
Miniature ship presented to Adm. Robert E. Peary	81
Snuffbox inlaid with mother-of-pearl and horn made around 1769	83
Mark of Samuel Minott and monogram of Elias Hasket Derby on silver tankard	83
Punch set presented to Col. George Armistead	85
Tureen presented to Com. John Rodgers	86
Gold snuffbox presented to Maj. Gen. Jacob Brown	87
Peace pipe presented to the Delaware Indians by Gen. William Henry Harrison	88
Silver service given to Maj. Gen. John Hatch	89
Silver service presented to Gen. Judson Kilpatrick	91
Silver service presented to Mrs. Abraham Lincoln	92
Teakettle and stand given to Gen. Montgomery C. Meigs	92
Gold box presented to Cyrus W. Field	94
Silver-mounted tankard presented to Cyrus W. Field	94
Tray and saltcellar in shape of chair presented to Gustavus Vasa Fox	96
Centerpiece given to Adm. Winfield Scott Schley	100
Cup presented to the Honorable Brand Whitlock	102
Paperweight identical to those presented by William Jennings Bryan	102
Cup given to Susan B. Anthony	104
Belt given to H. W. Higham	106
The Vanderbilt Cup	106
Trowel used by President Ulysses S. Grant	107