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Title: Seven Legends

Author: Gottfried Keller

Translator: Martin Wyness

Release date: November 29, 2010 [eBook #34504]
                Most recently updated: January 7, 2021

Language: English

Credits: Produced by Charles Bowen, from page scans provided by the Web Archive


*** START OF THE PROJECT GUTENBERG EBOOK SEVEN LEGENDS ***




Produced by Charles Bowen, from page scans provided by the Web Archive






Transcriber's Note:
   1.  Page scan source:
       http://www.archive.org/details/sevenlegends00kelle

   2. The diphthong oe is represented by [Oe] and [oe].





                           THE CAVIARE SERIES


This series, of which Keller's "Seven Legends" is the opening volume,
will contain books that have become standard in the literatures of
foreign countries.

The title which has been chosen is not intended to convey the
impression that none of the books in the series will make a general
appeal (for it is hoped that some of them will become as well-known in
this country as the standard works of our own literature); but rather
to suggest that they will have characteristics and beauties, which can
be most fully enjoyed by the reader of wide culture and cultivated
taste.

The series will be issued at varying prices, according to number of
pages, and the forthcoming appearance of each new volume will be
announced through the usual medium of the literary periodicals.






                       The Caviare Series, No. 1





                             SEVEN LEGENDS






                             SEVEN LEGENDS



                            GOTTFRIED KELLER



AUTHORIZED (AND FIRST) TRANSLATION FROM THE 56TH GERMAN EDITION BY
MARTIN WYNESS, WITH AN INTRODUCTION BY RICHARD M. MEYER, PROFESSOR OF
GERMAN LITERATURE IN BERLIN UNIVERSITY





                          GOWANS & GRAY, Ltd.
                  5 Robert St., Adelphi, London, W.C.
                        58 Cadogan St., Glasgow
                                  1911




                              INTRODUCTION


Gottfried Keller, the greatest German narrative writer of recent times,
was born in a suburb of Zurich on 19th July, 1819. The life of this
remarkable man suggests comparisons with novels of development, such as
Goethe taught him to write: from the romantic confusion of youthful
dilettantism he brought himself, by strict self-discipline, to take his
place in everyday social life. Left, together with his mother and
sister, in poverty by a hard-working but unsuccessful father, the child
dreamed away the first years of his development, and the youth was
still a stranger to the world of reality when, with the aid of some
friends in his native place, he went as an art-student to Munich.
There, after a promising start, he sank into hopeless lethargy, which
continued even after his return home. Prudent helpers then took the
half painter, half poet, once more in hand, recognizing that his
deficiency consisted in imperfect education and knowledge of the world.
He went to study at Heidelberg (1848-50), and received an important
stimulus from the well-known literary historian Hettner; thence he
proceeded to Berlin (1850-55), where Varnhagen von Ense, the admirer of
Goethe and husband of the prophetess Rahel, made him welcome. Here the
germs of his most important works awoke within him. He had already, at
an early age, published poems, which showed the influence of the
revolutionary _Tendenzlyrik_; now there appeared the romantic
autobiographical novel "Green Henry" (1854-5) which he afterwards
recast in very characteristic fashion (1879-80). This was followed in
1856 by the first part of the charming, fantastically instructive
tales, "Seldwyla People" (the second part, 1874). In spite of praise
from many competent judges, success did not come immediately. Keller
once more sat at home a dreamer, although now in intellectual
correspondence with the best minds; still, it was a bold resolution
when, in 1861, the writer, who had never followed any definite
avocation, was chosen by his canton as Staatsschreiber, or Secretary
to the Canton, and an important and well remunerated office was
entrusted to an untried man. However, he proved a thorough success, and
felt the acceptance of the post a deliverance from the occupation of
"writing-man" so much despised by the Romantics. He filled this office
for seventeen years (till 1878); a period during which his imaginative
productivity unavoidably slackened. Then when, with the well merited
recognition of the authorities, he had retired into private life, or
had begun to prepare for retiral, there appeared, in addition to a
noble volume of poems, the collection of stories, "Zurich Tales"
(1877), the cycle of stories in novel-form, "The Epigram" (1882), and
the novel, "Martin Salander" (1886), which continued the pædagogic
purpose of his earlier writings in almost too pronounced a fashion.
Meanwhile Keller's reputation had at last been established, a
consummation to which the zealous endeavours of writers and critics,
such as Fr. Th. Vischer, Berthold Auerbach and Theodor Storm, had
contributed in no small degree. His seventieth birthday was celebrated
with affectionate interest. But the writer, who lived with his
eccentric old sister in deadening domestic loneliness, and whom
evenings with good friends in an inn could not compensate for the total
lack of comforts, had early turned old and ailing; although any great
question always found him armed and at his post. He died 15th July,
1890.

None of Gottfried Keller's works seems better suited to secure him
admirers among foreign readers than the charming collection of the
"Seven Legends." True, it offers peculiar difficulties to the
translator, since it afforded Keller an opportunity, such as he met
with nowhere else, of indulging the (for him) convenient fondness for
very individual modes of expression. At the same time, these little,
highly finished works of art imposed a check on his unbounded passion
for fabulizing, and are not so likely to bewilder the foreign reader by
sheer overabundance of invention as, say, "Seldwyla People," or even
the inexhaustible "Green Henry." Yet even they shew his wealth, and
that to an astonishing degree.

In his preface to this little masterpiece of his fiction, Gottfried
Keller very justifiably draws attention to "the traces of an older and
more profane art of fiction" which are to be found in the old Legends.
No doubt their primary purpose was edification; but at the same time
psychological interest in the famous saints had to be gratified, and
mere human curiosity was eager to hear tales of wonder. Very special
interest was devoted to "conversion," that inward process which
transforms a dweller in the "world" into a citizen of the heavenly
city. The history of the conversion of the apostle St. Paul had already
indicated its course, along which, still earlier, among Christ's own
parables, that of the Prodigal Son runs. After long-continued contempt
of the "priestly lie-gends," Herder brought this religious fiction
once more to the light of day; but delight in this popular form of
story-telling was his immediate motive for presenting a few of them in
a modern shape. The Lutheran preacher Kosegarten, however, when he
followed with whole volumes of retold legends, was largely influenced
by interest in their matter. Romanticism went into ecstasies over
their childish tone and their believing spirit, as it had done over
folk-songs and chap-books. Kosegarten's book fell into Keller's hands
in 1854, when he was seeking subjects for his collection of stories
"The Epigram"; but he allowed his scheme of modern legends to drop for
the time being. It was not until 1871, when a publisher asked him for
manuscript, that he returned to his happy thought and speedily put it
into execution. The little volume appeared in 1872, and had a great
success, both with the general public and with the foremost German
critics of the day, such as Ferdinand Kürnberger and Wilhelm Scherer.

Even from this sketch of its origin, the fact emerges that the
"Kulturkampf" mood of those years had little or nothing to do with this
little work, as was readily acknowledged, even by the Liberal Catholics
Kürnberger and Scherer. Keller had absolutely no intention of
caricaturing the Catholic adoration of saints, like Wilhelm Busch, for
example, in his "St. Antony" (1870). On the contrary, when sometimes he
turns the faces of the figures of the Church Legends "to another
quarter of the heavens than that towards which they looked in their
extant forms," this positive confession is the important thing to his
mind; for the great Swiss writer has no more intention of denying a
pædagogic purpose here than anywhere else in his epic work. Gottfried
Keller, like his friends Storm and Heyse, regarded asceticism as a
tendency detrimental to the healthy development of humanity. And with
this conviction he accordingly devoted himself to the conversion of the
converted. Like his Naughty Saint Vitalis, he makes a point of seeking
out the most difficult cases, self-sacrificing devotion even unto
death: Eugenia who flees from worldly success into the rigorous quiet
of the cloister, Vitalis who, in glad self-humiliation, accepts the
disgrace of evil repute, are safely piloted by him into the everyday
contentment of happy wedlock. For this is the author's meaning, that on
this very account they become the more worthy of our honour. Just as he
relates how a beautiful ancient statue of the goddess Juno was fitted
with a golden nimbus and set up as an image of Mary, so he himself now
endeavours to take the nimbus off again, that the pure marble beauty of
simple humanity may be restored once more. It cannot be denied that his
unflinching adherence to this point of view is not maintained without
poking a good deal of fun at piety and asceticism, but it is always
good-tempered and likeable. After all, the principal thing is the
edifying admonition:


                  Arise! Arise! Shake free thyself
                  From dumpish, idle sorrow.


Even the Virgin Mary has become above all things an active, warlike,
and resourceful woman, more like Frau Salander in Keller's last novel
than the far-off, heavenly Virgin; and one has the feeling that it is
not without regret that she refrains from the worldly doings of Beatrix
or Bertrade. But highest of all is represented a joyous piety, at once
declaring for and surrendering the world, represented, more
realistically in "Dorothea's Flower-Basket," and more symbolically in
the wonderful "Legend of the Dance," the crown of the collection; for
this last tale contains the writer's own confession veiled in the most
recondite allegory. As the Muses' singing, so splendid and upbuilding
to earlier generations, sounded "dismal, almost defiant and harsh, yet
so wistful and mournful," so, in the heaven of the present day as
Gottfried Keller built it up for himself, the saints' devout hymn of
praise to the laud and honour of the Most Holy Trinity sounds gloomy
and melancholy, even defiant. And Keller retorts to it with his own
song:


                  To thee, thou wondrous World,
                  Thou beauty without end,
                  I also have my vows of love
                  Upon this parchment penned.


It is this world which is the source of his joys and sorrows. The Devil
is introduced as he is on earth: "A silly devil is the rogue, for he is
cheated in the end!" And just because Keller reconquers this world
whole and entire, full of strange adventures and transformations, for
the earth and human understanding, he revels merrily here, because it
is here, in the luxuriant opulence of his imaginings great and small,
from that Heavenly concerto of the Muses to the nose-pigtails of the
doughty knight. His language plays in a kindly, roguish way with the
human blunders of the saintly beings who take a loving and loveable
human child for a very "Devil's tit-bit," yet find it offered to
themselves as a savoury "pasty." His style ranges from the playful
picture of the rococo angel-minstrels to the serious painting of the
knight riding up to the church with his eight noble sons; and, despite
the difference of his conception of life, his sympathies find something
congenial in Dorothea's Christian heroism. For these reasons, Keller in
this Legendary, most wisely restricted in number, and grouped in most
masterly fashion, has surpassed all those who have ventured on to the
same enticing ground since him. Even Anatole France equals him but
seldom; for Keller has sought to overcome piety with another piety,
with that "world-piety" of which Goethe is our greatest prophet.

                                                 RICHARD M. MEYER.

Berlin, 27/1/11.






                             SEVEN LEGENDS




                                PREFACE


During his perusal of a number of legends, the author of this little
book was pleased to imagine that, in the bulk of the tales which have
been handed down to us, not only the art of the churchly fabulist, but
also, upon attentive consideration, traces of a more primitive and more
profane love of story-telling, or art of fiction, are perceptible.

As the painter is incited by a fragmentary patch of cloud, an outline
of a mountain, an etched scrap by some forgotten master, to fill a
whole canvas, so the author experienced a desire to reproduce those
broken, elusive images; although it must be owned that in the process
their faces have often been turned to another quarter of the heavens
than that towards which they looked in their extant forms.

The huge mass of material available would have made it possible to spin
the book out to very great length; but it could only hope to be granted
the modest space which it demands if the innocent pleasantry was kept
within very moderate limits.




                                EUGENIA

The woman shall not wear that which pertaineth unto a man, neither
shall a man put on a woman's garment: for all that do so are
abomination unto the Lord thy God.

                                              Deut. xxii. 5.


When women renounce their ambition of beauty, grace, and womanly charm
in order to distinguish themselves in other directions, it often ends
in their disguising themselves in men's clothes and disappearing from
the scene.

The desire to ape the man often emerges even in the pious legendary
world of early Christianity, and more than one female saint of those
days was impelled by the desire to free herself from the common round
of home and society.

The refined Roman maiden Eugenia offers an example of this kind, with,
it must be owned, the not unusual result, that, reduced to the greatest
extremity by her masculine predilections, she was forced after all to
summon up the resources of her proper sex in order to save herself.

She was the daughter of a Roman gentleman who resided with his family
at Alexandria, a city which swarmed with philosophers and learned men
of every description. Accordingly, Eugenia was very carefully educated
and instructed, and this was so much to her taste that, as soon as ever
she began to grow up, she frequented all schools of philosophers,
grammarians and rhetoricians as a student. In those visits she was
always attended by a body-guard of two good-looking lads of her own
age. They were the sons of two of her father's freedmen, who had been
brought up in her company and made to share in all her studies.

Meanwhile she became the fairest maiden that could be found, and her
youthful companions, who, strangely enough, were both named Hyacinth,
grew likewise to two graceful flowers of youth. Wherever the lovely
rose Eugenia appeared, the two Hyacinths were always to be seen
rustling along on her right hand and her left, or following gracefully
in her train while their mistress maintained a discussion with them as
they followed.

Never were there two better bred companions of a blue-stocking; for
they were never of a different opinion from Eugenia, and they always
kept a shade behind her in learning, so that she was in the right in
every instance, and was never uneasy lest she should say something less
clever than her companions.

All the bookworms of Alexandria composed elegies and epigrams on this
apparition of the Muses, and the good Hyacinths had to inscribe these
verses carefully in golden tablets, and carry them after her.

Every season she became more beautiful and more accomplished, and she
had even begun to stray in the mysterious labyrinths of Neoplatonic
doctrines, when the young proconsul Aquilinus became enamoured of
Eugenia and demanded her of her father to wife. But the latter
entertained such a respect for his daughter that, despite his authority
as a Roman father, he did not venture to make the slightest suggestion
to her, but referred the suitor to her own decision, although no
son-in-law could have been more welcome to him than Aquilinus.

But Eugenia herself had had her eye upon him secretly for many a long
day; for he was the most stately, most illustrious, and most gallant
man in Alexandria, and, what was more, had the reputation of a man of
intelligence and heart.

Yet she received the enamoured consul in complete calm and dignity,
with her parchment rolls about her, and her Hyacinths behind her chair.
The one wore an azure-blue, the other a rose-red, robe, and she herself
one of dazzling white. A stranger would have been uncertain whether he
saw three fair, tender boys, or three fresh, blooming maidens before
him.

Before this tribunal the manly Aquilinus now came in the simple toga of
his rank. He would much rather have uttered his passion in more
intimate and tender fashion; but, when he saw that Eugenia did not
dismiss the young men, he took his seat on a chair facing her, and made
his request for her hand in words which it cost him an effort to make
few and simple, for he kept his eyes fixed immovably upon her, and
beheld her great beauty.

Eugenia smiled imperceptibly, and never even blushed, so tightly had
learning and culture fettered all the finer impulses of ordinary life
in her. Instead, she assumed a serious, profound expression, and made
answer to him, "Thy wish, O Aquilinus, to have me for thy wife, honours
me in a high degree, but is powerless to induce me to an act of
unwisdom; and such it would justly be termed, if we were to follow the
first crude impulse without examining ourselves. The first condition
which I have to demand from a husband, whoever he be, is that he
understand and honour and participate in my intellectual life and aims.
So thou wilt be welcome to me if thou choosest to be often in my
society, and to exercise thyself in emulation with these my young
companions in the investigation of the highest things along with me. By
this means we shall not fail to ascertain whether we are suited for
each other or not, and, after a period of intellectual activity in
common, we shall know each other so as beseems god-created beings who
are meant to walk not in the darkness, but in the light."

To this high-flown demand Aquilinus answered, not without secret
indignation, but still with proud tranquillity, "If I did not know
thee, Eugenia, I would not desire thee for my wife; and, as to myself,
great Rome knows me, as well as this province. If thy learning does not
suffice to recognize what I am by this time, I fear it will never
suffice. Besides, I did not come here to go to school again, but to
find a helpmeet; and, as for these two children, my first request, if
thou gavest me thy hand, would be that thou wouldest let them go and
restore them to their parents at last, that they might help them and be
of use to them. Now I entreat thee, give me thy decision, not as a
person of learning, but as a woman of flesh and blood!"

This time the fair she-philosopher had indeed turned red, red as a
carnation, and said with fast-beating heart, "My answer is soon given,
for I gather from thy words that thou dost not love me, Aquilinus. That
might be a matter of indifference to me, were it not an outrage for the
daughter of a noble Roman to be lied to!"

"I never lie!" said Aquilinus coldly. "Farewell!"

Eugenia turned her back without returning his farewell, and Aquilinus
walked slowly out of the house to his own abode. She tried to take up
her books as if nothing had happened; but the letters grew blurred
before her eyes, and the two Hyacinths had to read to her while she,
full of hot indignation, wandered with her thoughts elsewhere.

For, although up to that day she had regarded the consul as the only
one among all her suitors whom she might have taken for a husband,
supposing she had been so inclined, he was now become a stone of
stumbling which she could not get over.

Aquilinus for his part attended calmly to his affairs of state, and
sighed in secret over his strange folly, which would not suffer him to
forget the pedantic beauty.

Almost two years passed, during which Eugenia became, if possible, more
and more notable and a positively brilliant personage, while the two
Hyacinths were now two sturdy rustic figures with growing beards.
Although people everywhere began to take notice of this strange
attachment, and, instead of the admiring epigrams, others in a more
satiric vein began to appear, still she could not bring herself to part
with her body-guard; for Aquilinus, who had presumed to order her to do
so, was still there. He went quietly on his own way, and appeared to
concern himself no more about her; but he looked at no other woman, and
no other wooing was heard of, so that he also came in for censure,
because, being so high an official, he remained unmarried.

Eugenia refrained all the more obstinately from offering any outward
sign of reconciliation by dismissing her obnoxious companions. Besides,
she was charmed to set ordinary custom and public opinion at defiance
and be responsible to herself alone, and to preserve the consciousness
of a pure life in circumstances which would have been perilous and
impossible for any other woman.

Such eccentricities were in the air just at that time.

All the time Eugenia felt herself anything but well and happy. Her
well-trained servitors must needs philosophize through heaven and earth
and hell, only to be suddenly interrupted and forced to wander about in
the country with her for hours together without being favoured with a
single word. One day she was seized with the desire to make an
excursion to a country-seat. She herself drove the carriage, and was in
an amiable mood, for it was a bright spring day, and the air was full
of balmy fragrance. The Hyacinths were delighted at her good humour. So
they made their way through a country suburb where the Christians were
permitted to hold their worship. They were in the act of celebrating
Sunday; from the chapel of a monastery came the tones of a devout hymn.
Eugenia checked her horses to listen, and caught the words of the
psalm, "Like as the hart desireth the water-brooks: so longeth my soul
after thee, O God. My soul is athirst for the living God."

At the sound of these words, sung by humble pious lips, her artificial
life was made simple at last; her heart was touched, and seemed to
realize what it desired; and slowly, without a word, she went on her
way to the country-house. There she secretly put on men's clothes,
signed to the two Hyacinths to come with her, and left the house
unobserved by the menials. She went back to the convent, knocked at the
door, and presented herself and her companions to the abbot as three
young men who desired to be received into the convent that they might
bid farewell to the world and live for eternity. Thanks to her good
training, she was able to answer the abbot's searching questions so
cleverly that he received all three, whom he could not help taking for
refined and distinguished persons, into the convent, and permitted them
to assume the monastic habit.

Eugenia made a beautiful, almost angelic, monk, and was called Brother
Eugenius, while the two Hyacinths found themselves transformed for
better or worse into monks; for they were never even consulted, and
they had long been accustomed only to live according to the will of
their female paragon. Still, they did not find the monkish life amiss;
they enjoyed incomparably more peaceful days, did not require to study
any more, and found no difficulty in surrendering themselves entirely
to a passive obedience.

Brother Eugenius, on the other hand, did not remain idle, but became a
notable monk, his visage white as marble, but with glowing eyes and the
presence of an archangel. He converted many heathen, tended the sick
and destitute, became profound in the Scriptures, preached in a golden
bell-like voice, and on the abbot's death was actually chosen to be his
successor. So now the tender Eugenia became abbot over seventy good
monks, great and small.

During the time that she and her companions were thus mysteriously
vanished and were nowhere to be found, her father had made enquiries at
an oracle as to what had become of his daughter, and it answered that
Eugenia had been taken away by the gods and placed among the stars. For
the priests utilized the event to contrive a miracle as a counterblast
to the Christians, who all the time had the bird safely caged. They
went so far as to point out a star in the firmament with two smaller
stars adjacent as the new constellation, and the Alexandrians stood in
the streets and on their house-tops to gaze at it, while many, who had
formerly seen her going in and out, recalled her beauty, became
enamoured of her memory, and looked up with moist eyes to the star,
which swam placidly in the purple sky.

Aquilinus too looked up; but he shook his head and was not altogether
satisfied about the business. The father of the vanished maiden was all
the more obstinate in his credence, felt himself not a little exalted,
and contrived, with the support of the priests, to have a statue
erected and divine honours decreed to Eugenia. Aquilinus, from whom
official sanction had to be obtained, granted it subject to the
condition that the image should be made an exact likeness of the
ravished one. That was easily accomplished, as there was quite a
collection of busts and portraits of her in existence, and so her
statue in marble was set up in the fore-court of the temple of Minerva,
and challenged the inspection of gods and mortals, for, in spite of
being a speaking likeness, it was an ideal work in features, pose, and
drapery.

When this news was discussed among the seventy monks of the convent,
they were bitterly chagrined at the trump card played by the heathen,
as well as at the erection of a new idol and the shameless worship of a
mortal woman. Their most violent objurgations were showered upon the
woman herself as a runagate and juggling impostor, and they made a most
unaccustomed noise during their midday meal. The Hyacinths, who had
become two good little priestlings and had their abbot's secret
concealed in their hearts, glanced significantly towards him, but he
signed to them to keep silence, and suffered the outcry and abuse to
pass as a penance for his former heathenish sinful mind.

But when that night was half run, Eugenia rose from her couch, took a
heavy hammer, and went softly out of the convent to find the statue and
break it in pieces. She easily found her way to the quarter of the
city, all glistening with marble, where the temples and public
buildings were situated, and where she had passed her youth. Not a soul
stirred in the silent world of marble. Just as the female monk ascended
the steps to the temple, the moon rose above the shadows of the
city, and cast her beams as bright as day among the pillars of the
fore-court. There Eugenia saw her statue, white as new-fallen snow,
standing in wonderful grace and beauty, the finely-folded draperies
chastely drawn over the shoulders, and looking straight forward with
rapt eye and gently-smiling mouth.

Full of curiosity the Christian advanced towards it, the hammer
uplifted in her hand; but a sweet shudder went through her heart when
she obtained a clear view of the statue. She let the hammer sink, and
breathlessly fed her gaze on the vision of her own former existence. A
bitter regret took possession of her, a feeling as if she had been
thrust out of a fairer world and was now wandering an unhappy shade in
the wilderness. For although the image was elevated to the ideal, still
the very ideal represented Eugenia's genuine inner nature, which had
only been obscured by her pedantry, and it was a nobler emotion than
vanity which now led her to recognize her better self by the magical
moonlight. She suddenly felt as if she had played the wrong card--to
use a modern expression; for, of course, there were no cards in those
days.

Suddenly the quick step of a man was heard. Eugenia hid herself
involuntarily in the shadow of a pillar, and saw the tall form of
Aquilinus approaching. She saw how he stationed himself before the
statue, gazed long upon it, and finally flung his arm about its neck to
imprint a light kiss upon the marble lips. Then he wrapped himself in
his mantle and slowly departed, more than once turning round to gaze at
the gleaming image. Eugenia trembled so violently that she could feel
her agitation. Full of wrath and violence, she gathered herself
together and once again advanced toward the statue with uplifted hammer
to make an end of the sinful maumet; but, instead of shattering the
beauteous head, she burst into tears as she too imprinted a kiss upon
its lips, then hastened away, for she could hear the steps of the
night-watch. With heaving bosom, she slipped into her cell, and slept
none that night until the sun arose, when, absenting herself from early
prayers, she dreamt in rapid succession of things which had nothing in
common with her devotions.

The monks respected their abbot's sleep as the result of spiritual
vigils. But at last they were obliged to interrupt Eugenia's slumbers,
as there was important business for her to attend to. A widow of rank,
who professed to be lying sick and in need of Christian aid, had sent
requesting the ghostly comfort and counsel of abbot Eugenius, whose
deeds and person she had long revered. The monks did not wish to let
slip this conquest, which would help the fame of their church, and they
wakened Eugenia. Half dazed, with handsomely reddened cheeks, such as
she had not been seen with for many a day, she set out, her thoughts in
her morning dreams and the pillars of the midnight temple rather than
in the business before her. She entered the heathen lady's house, and
was conducted to her room and left alone with her. A beautiful woman,
not yet thirty years old, was lying stretched upon a couch; but, so far
from being sick and contrite, she was full of assurance and vitality.
She could scarcely behave herself with bare quietness and modesty until
the supposed monk, at her direction, had taken his seat close beside
her; then she caught both his white hands, pressed her brow upon them,
and covered them with kisses. Eugenia, who, absorbed in far other
thoughts, had not observed the woman's unsaintly appearance, and had
taken her behaviour for humility and pious devotion, let her have her
way; and the heathen, thus encouraged, flung her arms about Eugenia's
neck, imagining that she was embracing the handsomest of young monks.
In short, before he was aware, he found himself clasped tight by the
amorous creature, and felt his mouth the target for a storm of
passionate kisses. Completely dumbfounded, Eugenia awoke at last from
her reverie; and even then it was some minutes before she could
disengage herself from that wild embrace and rise to her feet.

But at the same instant the heathen Satan's tongue began to wag. In a
storm of words the she-devil declared her love and desire to the
indignant abbot, and sought by all manner of means to impress upon him
that it was the duty of his youth and loveliness to assuage her
desires, and that he was there for no other purpose. She did not fail
to accompany her words with fresh assaults and tender allurements, so
that Eugenia was scarcely able to defend herself. At last she rallied
herself in indignation, and with flaming eyes read the shameless woman
such a lesson and so answered her with such vigorous denunciations as
only a monk has at command, that the latter recognized that her wicked
intentions had failed, changed her tone in a twinkling, and took the
way of escape which was once taken by Potiphar's wife, and has been
taken a hundred and a thousand times since. She sprang like a tigress
on Eugenia, clasped her again with arms like steel, pulled her down to
her upon the couch, and at the same time set up such an outcry that her
maids came running into the room from all quarters.

"Help! Help!" she screamed. "This man will force me!" And at the same
time she released Eugenia, who got to her feet breathless, confused and
horrified.

The women who had rushed to the rescue straightway screamed more
desperately than their mistress, hastened hither and thither, and
called for male assistance. Eugenia could not utter a word for horror;
but made her escape from the house full of shame and disgust, followed
by the outcries and curses of the infuriated rabble.

The fiendish widow lost no time in proceeding at once with a goodly
following to the consul Aquilinus, and accusing the monk of the most
disgraceful crime, to wit that he had come hypocritically to her house,
first of all to molest her with efforts for her conversion, and, when
these failed, to rob her of her honour by violence. Since all her
following testified to the truth of her assertion, the indignant
Aquilinus immediately caused the convent to be surrounded by troops,
and the abbot along with his monks to be brought before him for trial.

"Is this what you do, you low hypocrites?" he said in severe tones.
"Are you so high-fed, you who are barely tolerated, that you must needs
assault our women-folk, and prowl about like ravening wolves? Did your
Master, whom I honour more than I do you liars, teach or command you
such things? Not at all! You are a gang, a horde of wretches, who
assume a name in public that you may abandon yourselves to corruption
in secret. Defend yourselves against the charge, if you can!"

The infamous widow then repeated her lying tale, interrupted by
hypocritical sighs and tears. When she had finished and had wrapped
herself again demurely in her veil, the monks glanced fearfully at one
another and at their abbot, of whose virtue they had no doubt, and they
raised their voices with one accord to repel the false accusation. But
not only the numerous menials of the lying woman, but also several
neighbours and passers-by, who had seen the abbot leaving the house
full of shame and confusion and who had thereupon taken him for guilty,
now came forward and testified one after the other with loud voices to
the fact of the crime, so that the poor monks were shouted down ten
times over.

Now they glanced once more, this time full of doubt, at their abbot,
and his very youth suddenly appeared suspicious to the greybeards among
them. They exclaimed that, if he were guilty, God's judgement would not
be backward, no more than they were backward in abandoning him there
and then to the secular arm!

The eyes of all were now directed upon Eugenia, who stood forsaken amid
the throng. She had been lying weeping in her cell when she was
arrested with the monks, and had stood all that time, her eyes downcast
and her cowl drawn deep down over her head, and felt herself in a most
awkward predicament. For, if she preserved the secret of her family and
sex, she would succumb to this false testimony, while, if she revealed
it, the storm would break out against the convent more furiously than
ever, and she would devote it to destruction, since a convent which had
a beautiful young woman for abbot was bound to become the butt of the
most unholy suspicion and mockery on the part of the malicious heathen
world. She would not have experienced this timidity and indecision had
she still had a pure heart, according to monkish notions; but the
events of the previous night had already made a division in her mind,
and her unfortunate encounter with the wicked woman had only increased
her wavering, so that she no longer possessed the courage to step
forward with determination and bring about a miracle.

Yet, when Aquilinus called upon her to speak, she remembered his former
tenderness for her, and, as she had confidence in him, she hit upon a
way of escape. In gentle and modest tones she said that she was not
guilty and would prove it to the consul, if she might speak with him
alone. The sound of her voice moved Aquilinus, though he knew not why,
and he acceded to her request to speak with him in private. He
accordingly had her conducted into his house, and repaired alone with
her into a room. Then Eugenia fixed her eyes upon him, threw back her
cowl and said, "I am Eugenia, whom you once desired for your wife."

He recognized her at once, and was convinced that it was she; but at
the same time a great anger and a burning jealousy rose up within his
breast to think that the lost one so suddenly recovered should make her
appearance as a woman who had been living all that time in secrecy with
seventy monks. He therefore restrained himself with a violent effort
and scrutinized her narrowly, while he made as if he did not believe
her assertion in the slightest, and said, "You certainly do seem rather
like that infatuated young woman. But that does not concern me; I am
much more anxious to know what you did to the widow!"

Eugenia shyly and anxiously told all that had passed, and from the
whole tone of her story Aquilinus perceived the falsehood and malice of
the accusation, yet he answered with apparent indifference, "But if you
are Eugenia, then how did you contrive to become a monk? What was your
intention, and how was it possible?"

At these words, Eugenia blushed and looked on the ground in
embarrassment. Still, it seemed to her not so unpleasant after all to
be there, and to be talking once again with a good old acquaintance
about herself and her adventures. So she lost no time, but told in
unstudied words all that had happened to her since her disappearance,
except, strangely enough, that she never uttered a syllable about the
two Hyacinths. Her hearer found the story not unsatisfactory, only
every minute made it harder for him to conceal his appreciation of the
recovered fair one. But nevertheless he controlled himself, and
determined to see the matter out to the end and to ascertain from her
subsequent behaviour whether he had the old Eugenia before him, with
her chaste and pure manners.

So he said, "All that is a well told story: still, in spite of her
eccentricities, I do not consider that the maiden you pretend to be was
capable of such very astonishing adventures. At least, the real Eugenia
would certainly have preferred to become a nun. For how in the world
can a monk's cowl and living among seventy monks be a merit and
salvation for any woman, even the most learned and pious? No, I still
hold to my opinion that you are a smooth-faced beardless fellow of an
impostor, whom I don't trust in the slightest! Besides, Eugenia has
been proclaimed as deified and dwelling among the stars; her image
stands where it was dedicated in the temple, and it will go hard enough
with you if you persist in your slanderous assertion."

"A certain man kissed that image last night," retorted Eugenia in a low
voice, casting a curious look at the disconcerted Aquilinus, who gazed
upon her as upon one inspired with superhuman wisdom. "How can the same
man torture the original?"

But he mastered his confusion, appeared not to hear her words, and
continued, coldly and severely, "In one word, for the honour of the
poor Christian monks, who appear to me to be innocent, I cannot and
will not believe that you are a woman. Prepare yourself for judgement,
for your statements have not satisfied me."

At that Eugenia exclaimed, "Then God help me!" and, rending her monk's
frock in twain, pale as a white rose, she collapsed in shame and
despair. But Aquilinus caught her in his arms, pressed her to his
heart, and wrapped her in his mantle, while his tears fell upon her
lovely head; for he was convinced that she was an honourable woman. He
carried her into the next room, where there was a richly furnished
guest-bed, laid her gently down in it and covered her to the chin with
purple coverlets. Then he kissed her on the lips, perhaps three or four
times, went out, and locked the door securely. Next he picked up the
monk's frock, which lay still warm on the floor, and betook himself
again to the waiting throng outside, and addressed them thus, "These
are strange happenings! You monks are innocent and may go to your
convent. Your abbot was a demon who would have ruined you or seduced
you. Here! Take his frock with you and hang it somewhere for a
memorial; for, after he had changed his form in the oddest fashion
before my eyes, he dissolved into nothing before these same eyes, and
vanished without a trace. As for this woman of whom the demon made use
in order to ruin you, she is under suspicion of witchcraft and must be
put in prison. Now begone all of you to your homes, and behave
yourselves!"

All were astounded at this allocution, and gazed fearfully at the
demon's garment. The widow turned pale and veiled her face, and by so
doing made ample betrayal of her bad conscience. The good monks
rejoiced over their victory and retired most thankfully with the empty
husk, little suspecting what a sweet kernel had been hidden within it.
The widow was cast into prison, and Aquilinus summoned his most
faithful servant and went through the city, sought out merchants, and
purchased a perfect load of the most expensive female attire, which the
slave had to convey to the house as secretly and quickly as possible.

Softly the consul slipped into the chamber where Eugenia lay, seated
himself on the edge of her bed, and saw that she was sleeping quite
contentedly, like one recovering from difficulties undergone. He could
not help laughing at the black pile of her shorn monk's head, and
passed a gentle hand over the thick, short hair. Thereupon she awoke
and opened her eyes.

"Will you be my wife now, at last?" he enquired gently; whereupon she
said neither Yes nor No, but shivered a little beneath the purple
coverlets in which she lay wrapped.

Then Aquilinus brought in all the clothes and ornaments that a fine
lady required in those days to array herself from head to foot, and
left her.

After sundown that same day, he took her with him, attended only by his
faithful servant, to one of his country-houses, which lay in a secluded
and charming situation amid the shade of thick trees.

In the country-house, the pair now celebrated their nuptials with the
utmost privacy; and, for as long as it had been until they found each
other again, still no time seemed to have been lost, rather they felt
the most hearty thankfulness for the good fortune which had preserved
them for each other. Aquilinus devoted the days to his official
business, and at night drove as fast as horses could take him home to
his wife. Only now and again on unkindly, stormy, wet days, he loved to
hasten back earlier than he was expected to the country-house to cheer
Eugenia.

Without making many words about it, she now devoted herself to the
study of connubial love and fidelity, with the same thoroughness and
perseverance which she had formerly spent upon philosophy and Christian
discipline. But, when her hair had grown again to its proper length,
Aquilinus, having devised a cunning fable, took his spouse at last back
to Alexandria, brought her to her astonished parents, and celebrated a
brilliant wedding.

Her father was certainly surprised to find his daughter again, not as
an immortal goddess and a heavenly constellation, but as a beloved,
earthly, wedded wife, and it was with regret that he saw the
consecrated statue removed from the temple; but, to his praise, his
disappointment was overcome by his fondness for his living daughter,
who now proved fairer and more lovable than ever. The marble statue
Aquilinus set in the finest room in his house; but he refrained from
kissing it again, now that he had the warm, living original to his
hand.

After Eugenia had investigated the nature of marriage to her
satisfaction, she applied her experience to converting her spouse to
Christianity, which she still continued to profess; and she did not
rest until Aquilinus had made public acknowledgement of his adhesion to
her faith. The legend goes on to relate how the whole family returned
to Rome about the time when that enemy of the Christians, Valerian,
came to the throne; and how, during the persecutions which then broke
out, Eugenia added to her fame that of a famous heroine of the faith
and martyr, and then only made full manifestation of her great strength
of soul.

Her influence over Aquilinus had become so great that she was able to
bring the two clerics, the Hyacinths, with her from Alexandria to Rome,
where they also won the martyr's crown at the same time as she. Her
intercession is said to be specially efficacious for dull school-girls
who are backward in their studies.




                        THE VIRGIN AND THE DEVIL

      Friend! watch and look about, the Devil is always prowling;
      If thou triest a bout with him, thou'lt get a thorough towelling.

      Angelus Silesius, _Cherub. Wandersmann_, Book vi. 206.


There was a certain Count Gebizo, who possessed a wondrously beautiful
wife, a magnificent castle and town, and so many valuable possessions
that he was esteemed one of the richest and most fortunate nobles in
the country. He seemed to be aware of and thankful for his reputation,
for he not only kept a splendid and hospitable board, at which his fair
and virtuous wife warmed the hearts of his guests like a sun, but he
also practised Christian beneficence in the most comprehensive fashion.

He founded and endowed convents and hospitals, beautified churches and
chapels, and on every high-day gave clothing, meat and drink to a great
number, often hundreds, of poor; and several dozen must needs be seen
every day, almost every hour, about his courtyard, regaling themselves
and praising him, otherwise his dwelling, fair as it was, would have
seemed to him deserted.

But by such unbounded liberality even the greatest wealth is exhausted,
and so it came to pass that the Count was obliged to mortgage all his
properties one after the other in order to indulge his passion for
grandiose beneficence; and the more he got into debt the more eagerly
he redoubled his almsgiving and feasts to the poor, hoping thereby, as
he imagined, to turn the blessing of Heaven once more in his favour. In
the end he impoverished himself entirely; his castle became deserted
and ruinous; ineffective and foolish foundations and deeds of gift,
which from force of habit he could not desist from writing, brought him
nothing but ridicule; and any tattered beggar, whom he might now and
again lure to his castle, threw the meagre pittance at his benefactor's
feet, and took himself off with scornful words of abuse.

One thing only was left to him unimpaired, the beauty of his wife
Bertrade; nay, the barer things looked in the house, the more brilliant
did her beauty seem to grow. She increased too in grace, love and
goodness the poorer Gebizo became, so that all the blessings of Heaven
seemed to be comprehended in his wife, and thousands of men envied the
Count this one treasure which still remained to him. He alone was blind
to all this, and the more the fair Bertrade exerted herself to cheer
him and sweeten his poverty the less he prized that jewel, and he fell
into a bitter and obstinate dejection and hid himself from the world.

One day, when a glorious Easter-morning dawned, a day on which he had
once been wont to see joyous throngs making pilgrimage to his castle,
he felt so ashamed of his downfall that he had not even heart to go to
church, and was perplexed how to pass the bright sunny feast-days. In
vain his wife, with pearly tears and smiling lips, begged him not to
vex himself, but come with her to church undismayed; he tore himself
away crossly, and took himself off to hide in the woods until Easter
were over.

Up hill and down dale he wandered, until he came to a primeval
wilderness, where monstrous bearded firs surrounded a lake whose depths
reflected the gloomy trees in all their length so that everything
looked dismal and black. The ground about the lake was thickly carpeted
with strange long-fringed moss, in which no footfall could be heard.

Here Gebizo sat himself down and complained to God of his wretched ill
fortune, which no longer enabled him to still his own hunger
sufficiently, his who had once gladly satisfied thousands, and, worst
of all, which recompensed his efforts with the scorn and ingratitude of
the world.

On a sudden he observed in the middle of the lake a skiff, and in it a
man of lofty stature. As the lake was small and one could easily see
across it, Gebizo could not comprehend where the boatman could have
come from so suddenly, for he had not observed him anywhere before.
Enough, he was now there, gave one stroke of his oar and immediately
was on the shore beside the knight, and, before the latter could give a
thought to the affair, had enquired of him why he turned such a rueful
face to the world. In spite of his extremely handsome exterior, the
stranger had an expression of deep-seated discontent about his mouth
and eyes; yet this was the very thing which gained Gebizo's confidence,
and without any reserve he poured out the tale of his misfortunes and
grievances.

"You are a fool," the other responded, "for you possess a treasure
greater than all that you have lost. If I had your wife, I should never
give a thought to all the riches and churches and convents, nor to all
the beggar-folk in the world."

"Give me back those things, and you are welcome to my wife in
exchange!" retorted Gebizo with a bitter laugh, and the other exclaimed
quick as lightning. "A bargain! Look under your wife's pillow; there
you will find what will suffice for all your lifetime to build a
convent every day, and feed a thousand people, though you should live
to a hundred. In exchange, bring me your wife here to this spot without
fail the evening before Walpurgis!"

With these words, such a fire spurted from his dark eyes that two
reddish beams glanced over the Count's sleeve, and thence over moss and
fir-trees. Then Gebizo saw whom he had before him, and accepted the
man's offer. The latter plied his oar, and sailed back to the middle of
the lake, where he and his boat sank into the water with a din which
resembled the laughter of many brazen bells.

Gebizo, all in a goose-skin, hastened back by the nearest way to his
castle, searched Bertrade's bed at once, and found under her pillow an
old, shabby book which he could not decipher. But, as he turned over
the leaves, one gold piece after another fell out. As soon as he
observed this, he betook himself with the book to the deepest vault of
a tower, and there, in the utmost secrecy, set to work and spent all
the rest of Easter in turning out an ample heap of gold from the pages
of this most interesting work.

Then he appeared in the world once again, redeemed all his possessions,
summoned workmen who restored his castle more magnificently than ever,
and dispensed benefactions on every hand like a prince who has been
newly crowned. The principal of his works, however, was the foundation
of a great abbey for five hundred capitulars of the utmost piety and
distinction, a regular town of saints and scholars, in the centre of
which his burial-place was one day to be. He considered this provision
requisite for his eternal salvation. But, as his wife was otherwise
provided for, no burial-place was prepared for her.

The midday before Walpurgis he gave the order to saddle, and bade his
fair wife mount her white hunter, as she had a long journey to ride in
his company. At the same time he forbade a single squire or servant to
attend them. A great dread seized the poor woman; she trembled in every
limb, and for the first time in her life she lied to her husband,
pretending that she was unwell, and begging him to leave her at home.
As she had been singing to herself only a little time before, Gebizo
was incensed at the falsehood, and considered that he had now acquired
a double right over her. She was forced therefore to mount her horse,
dressed too in her best finery, and she rode away sadly with her
husband, not knowing whither she was going.

When they had accomplished about half their journey, they came to a
little church which Bertrade had happened to build in former days and
had dedicated to the Mother of God. She had done it for the sake of a
poor master-mason whom no one would employ, because he was so surly and
disagreeable, that even Gebizo, whom others could not help approaching
in a pleasant and respectful fashion, could not tolerate him, and sent
him away empty-handed, for all the work which he had to give out. She
had caused the little church to be built secretly, and in his gratitude
the despised master-mason had with his own hands wrought a remarkably
beautiful image of Mary in his spare time, and set it over the altar.

Bertrade now craved to enter this church for a moment and say her
prayers, and Gebizo allowed her; for he thought she might have much
need of them. So she dismounted from her horse, and, while her husband
waited outside, went in, knelt before the altar, and commended herself
to the protection of the Virgin Mary. Thereupon she fell into a deep
sleep; the Virgin sprang down from the altar, assumed the form and
garments of the sleeper, went gaily out by the door and mounted the
horse, on which she continued the journey at Gebizo's side and in
Bertrade's stead.

The wretch thought to continue to deceive his wife, and, the nearer
they came to the journey's end, to lull her and hoodwink her by an
increase of friendliness. Accordingly he talked with her of this and
that, and the Virgin chatted pleasantly and gave him confiding answers,
and behaved as if she had lost all her timidity. So they reached the
gloomy wilderness about the lake, over which dun evening clouds hung;
the ancient firs bloomed purple with buds, as only happens in the most
luxuriant spring-tides; in the thicket a ghostly nightingale sang as
loud as organ-pipes and cymbals; and out from among the fir-trees rode
the man ye wot of, mounted on a black stallion, in rich knightly array,
with a long sword at his side.

He approached very courteously, although he suddenly shot such a
ferocious look at Gebizo that his flesh crept; still, the horses did
not appear to scent anything dangerous, for they stood quiet.
Trembling, Gebizo flung his wife's reins to the stranger and galloped
off alone without so much as a glance back to her. But the stranger
grasped the reins with a hasty hand, and away they went like a
whirlwind through the firs, so that the fair rider's veil and garments
fluttered and waved, away over mountain and valley, and over the
flowing waters so that the horses' hoofs scarcely touched the foam of
their waves. Hurried along by the boisterous storm, a rosy, fragrant
cloud, which shone in the twilight, was wafted in front of the steeds;
and the nightingale flew invisible before the pair, settling here and
there upon a tree and singing until the air rang again.

At last all hills and all trees came to an end, and the two rode into
an endless heath, in the midst of which, as if from afar off, the
nightingale throbbed, although there was no sign of bush or bough on
which it could have sat.

Suddenly the rider halted, sprang from his horse, and helped the lady
out of the saddle with the manner of a perfect cavalier. Scarcely had
her foot touched the heath, when round about the pair there sprang up a
garden of rose-bushes as tall as a man, with a splendid fountain and
seat, above which a starry firmament shone so brilliantly that one
could have seen to read by its light. But the fountain consisted of a
great round basin in which, like modern _tableaux vivants_, a number of
devils formed, or represented, a seductive group of nymphs in white
marble. They poured shimmering water from their hollowed hands--whence
they got it, their lord and master only knew. The water made the most
lovely harmony; for every jet gave out a different note, and the
whole seemed in concert like string-music. It was, so to say, a
water-harmonica, whose chords were thrilled through and through with
all the deliciousness of that first night of May, and melted into
unison with the charming forms of the group of nymphs; for the living
picture did not stand still, but changed and turned imperceptibly.

Not without tender emotion, the strange cavalier conducted the lady to
the seat and invited her to be seated; but then he gripped her hand
with a violent tenderness, and said in a voice that pierced to the
marrow, "I am the Eternally Forlorn who fell from Heaven! Nothing but
the love of a good mortal woman on May-night can make me forget
Paradise and give me strength to endure my eternal discomfiture. Be but
my helpmeet, and I will make thee eternal, and grant thee the power of
doing good and preventing evil to thy heart's content!"

He flung himself passionately on the bosom of the beauteous woman, who
smilingly opened her arms. But at the same instant the Blessed Virgin
assumed her Heavenly form, and enclosed the entrapped Deceiver in her
radiant arms with all her might. In a twinkling, the garden had
vanished with its fountain and nightingale; the cunning demons, who had
formed the tableau, took flight in the form of evil spirits, uttering
cries of anguish, and left their lord in the lurch; while he, never
uttering a sound, wrestled with titanic strength to free himself from
the torturing embrace.

But the Virgin held on bravely and did not let him go, though indeed
she had to summon all her strength. She purposed nothing less than to
bring the outmanoeuvred Devil before Heaven, and there expose him bound
to a gate-post in all his wretchedness to the laughter of the blessed.

But the Evil One changed his tactics, kept still for a brief space, and
assumed the beauty which he had once possessed as the fairest among the
angels, so that he almost rivalled the celestial beauty of Mary. She
exalted herself as much as possible; yet, if she was radiant as Venus
the fair Evening-star, he shone like Lucifer the Son of the Morning, so
that it began to be as bright on that dusky heath as if the heavens
themselves had descended upon it.

When the Virgin perceived that she had undertaken too much, and that
her strength was failing, she contented herself with releasing the
Fiend on condition that he renounced the Count's wife, and the
celestial and infernal beauties forthwith separated with great
violence. The Virgin, somewhat wearied, betook herself back to her
little church; the Evil One, incapable of any further disguise and
mauled in every limb, crawled away over the sand in horrid, degraded
form, the very embodiment of long-tailed sorrow. So badly had his
purposed hour of dalliance turned out for him.

Meantime Gebizo, after abandoning his lovely wife, had gone astray in
the darkening night, and horse and rider had fallen into a chasm, where
his head was dashed against a stone so that he promptly departed this
life.

As for Bertrade, she remained in her sleep until the sun rose on the
first of May; then she awoke, and was surprised to see how the time had
flown. Still, she quickly said her Ave Maria, and, when she came out of
the church hale and hearty, her horse was standing before the door as
she had left it. She did not wait long for her husband, but rode home
blithely and quickly, for she guessed that she had escaped from some
great peril.

Soon the Count's body was found and brought home. Bertrade had it
entombed with all honour, and founded innumerable masses for him. But
all love for him was in some inexplicable way eradicated from her
heart, although it remained as kind and tender as ever. Accordingly,
her exalted patroness in Heaven looked about for another husband for
her, who should be more worthy of such gracious love than the deceased
Gebizo had been. How this business came about is written in the next
legend.




                          THE VIRGIN AS KNIGHT

      Mary is named a Throne, the Lord's own Tabernacle,
      An Ark, Keep, Tower, House, a Spring, Tree, Garden, Mirror,
      A Sea, a Star, the Moon, a Hill, the Blush of Morning.
      All these how can she be? She is another world!

      Angelus Silesius, _Cherub. Wandersmann_, Book iv. 42.


Gebizo had acquired so much wealth over and above his former
possessions that Bertrade found herself mistress of a noble earldom,
and became famous throughout the Empire for her wealth as well as her
beauty. As, withal, she was very unassuming and friendly with every
one, the jewel of her person appeared an easy conquest to all the
nobility, shy and enterprising, bold and timid, great and small alike,
and every one who had seen her a few times was surprised that he did
not already have her in his possession. Yet more than a year passed,
and no one knew of any who had acquired real grounds for hope.

Even the Emperor heard of her, and, as he was desirous that such a
splendid fief should pass into the hands of a suitable husband, he
determined to pay the celebrated widow a visit in the course of a
journey, and signified his intention to her in a most gracious and
friendly letter. This he entrusted to a young knight Zendelwald, whose
road lay that way. He was favourably received by Bertrade, and
entertained handsomely, as was every one who resorted to her castle. He
beheld with admiration the lordly halls, battlements and gardens, and
incidentally fell violently in love with their mistress. Still, he did
not linger an hour longer in the castle on that account; but, when he
had delivered his message and seen all that there was to see, he took a
brief farewell of the lady and rode away, the only one of all those who
had ever been there who did not think himself competent to win that
prize.

The fact was that he was sluggish in word and deed. Even when his mind
and heart had mastered any matter, which they always did with
thoroughness and fire, Zendelwald could never bring himself to take the
first step to a realization, for the thing seemed to him as good as
finished when once he saw his way clearly to it in his mind. Although
he was ready enough to talk when there was nothing to be gained by
doing so, he never uttered the opportune word which would have brought
him fortune. Not only his tongue, but his hand too, was so far behind
his thought that in battle he was often all but overcome by his
opponent, because, seeing in his mind's eye his enemy already at his
feet, he delayed giving the decisive stroke. Thus his manner of
fighting excited surprise at every tournament; for he always began by
scarcely exerting himself, and it was not until he was in the utmost
extremity that he gained the victory by some masterly stroke.

His mind in full play on the subject of the fair Bertrade, our
Zendelwald now rode home to his little castle, which lay in a lonely
mountain forest. A few charcoal-burners and woodmen were all his
subjects, and so his mother always awaited his return in bitter
impatience to know whether he had at last brought home fortune.

Zendelwald's mother was as handy and determined as he was indolent,
though not any more successful; for on her side she had carried her
qualities to excess, and they had twined into fussiness. In her youth
she had been eager to find a husband as soon as possible, and had
overpressed several opportunities so hastily and eagerly that in her
haste she had made the very worst possible choice in the shape of a
disreputable, foolhardy fellow, who ran through all his inheritance,
came to a premature end, and left her nothing but a long widowhood,
poverty and one son who would not take the trouble to bestir himself to
grasp at fortune.

The little household's only fare consisted of the milk of some goats,
forest-fruits, and game. Zendelwald's mother was an accomplished
sportswoman, and shot wild pigeons and grouse with the cross-bow as she
pleased. She also caught trout in the brooks, and with her own hands
repaired the little castle with stone and lime where it became decayed.
At that moment she had just returned home with a hare which she had
knocked over, and, as she hung the animal from the window of her
high-perched kitchen, she gave another look out into the valley and saw
her son riding along the road. She let down the drawbridge with joy,
for he had been absent for months.

She at once began to enquire whether he had got hold of any tuft or
feather of luck to bring home and make the most of, and, as he
recounted the usual unprofitable experiences of his most recent
campaign, she shook her head in wrath. But, when he came to tell her
all about his mission to the rich and captivating Bertrade, and lauded
her kindness and beauty, she scolded him for a lazy-bones and a
faint-heart to run away so basely. She was not long in perceiving that
Zendelwald could think of nothing else than the far-off lady, and she
began to be downright impatient with him to think that with such a
praiseworthy passion in his heart he failed utterly to make anything of
it, since in his case to be so head and ears over in love was a
hindrance rather than an incentive to action.

His days were not of the happiest. His mother was sulky with him, and
in her irritation sought to divert herself by mending the damaged roof
of the tower, so that the good Zendelwald was in fear and trembling as
he saw her clambering about aloft. In her ill temper she would pitch
down broken tiles, and wellnigh knocked out the brains of a stranger
knight as he was about to enter the door to request a night's lodging.

The latter, however, managed to win the ungracious lady's friendship
during supper, as he related many pleasant things, and in particular
that the Emperor was then staying at the pretty widow's great castle
where one feast was followed by another, and the fortunate lady was
unceasingly besieged by the Emperor and his lords to choose a husband
from among them. She, however, had found a way of evasion by convoking
a great tournament and promising her hand to the victor, in the firm
belief that her patron the Blessed Virgin would intervene and direct
the arm of the right man, who was destined for her, to victory.

"Now, that would be something for you to try," the guest concluded,
turning to Zendelwald; "such a handsome young knight ought to go
straight for it and try to win the best fortune of these days,
according to worldly estimation. Besides, it is commonly said that the
lady hopes that in this way some unknown luck may turn up, perchance
some poor but honest hero, whom she can kiss and coll, and that she has
an aversion to all the great and famous counts and idle wooers."

When the stranger had ridden away, Zendelwald's mother said, "Now, I'll
wager that no less a person than Bertrade herself sent that messenger
to put you on the right track, my dear Zendelwald! It's as clear as
daylight; what other business had the fellow, who has drunk our last
flagon of wine, to bring him travelling in this forest?"

Her son began to laugh mightily at her words, and went on laughing more
and more heartily, partly at the manifest impossibility of his mother's
fancies, partly because he found those said fancies rather agreeable.
The mere thought that Bertrade could possibly wish to take possession
of him kept him laughing uncontrollably. But his mother, who thought
that he was laughing in derision of her, flew into a rage, and cried,
"Listen! My curse be upon you if you do not obey me and set out on your
way at once to win that fortune. Do not come back without it, else I
never wish to see you again! Or, if you do come back, I'll take my bow
and arrows and go out to seek a grave where I can have peace from your
stupidity!"

So now Zendelwald had no choice; for the sake of peace and quietness,
he furbished his weapons, sighing the while, and rode as Heaven might
guide him in the direction of Bertrade's dwelling, without being
convinced that he should really go there. Nevertheless he stuck pretty
close to the road, and the nearer he came to his destination, the more
clearly the thought took shape that, after all, he might undertake the
adventure as well as another, and that, when he had settled matters
with his rivals, it would not cost him his head to try conclusions with
the fair lady. The adventure now developed stage by stage in his mind,
and came to the happiest issue; indeed, all day long, as he rode
through the green summer landscape, he held sweet dialogues with his
beloved, in which he told her most beautiful conceits, so that her face
became rosy for gratification and joy--all this in his imagination.

As he was in the act of inwardly depicting one more happy event, he saw
in good earnest, on a distant blue ridge, the towers and battlements of
the castle shining in the morning sun, with its gilded balustrades
gleaming from afar, and was so startled at the sight that all the
fabric of his dreams was dissolved, and left nothing but a faint,
irresolute heart behind.

Involuntarily he reined in his horse and looked around, as laggards
will, for a place of refuge. Whereupon he became aware of a pretty
little church, the same which Bertrade had once built to the Mother of
God, and in which she had slept that sleep. He at once resolved to go
in and collect his thoughts somewhat before the altar, the more so as
it was the day on which the tournament was to be held.

The priest was in the act of singing Mass, which was attended only by
two or three poor people, so that the knight contributed no small
ornament to the little congregation. When all was over, and priest and
sacristan had left the church, Zendelwald felt so comfortable in those
quarters that he fell sound asleep, and forgot tournament and beloved
one, unless indeed he dreamt about them.

Thereupon the Virgin Mary stepped down once again from her altar,
assumed his form and accoutrements, mounted his horse, and rode with
closed visor, a bold Brunhilda, all the way to the castle in
Zendelwald's stead.

When she had ridden a while, she came across a heap of dried rubbish
and withered brushwood lying by the wayside. It seemed suspicious to
the watchful Virgin, and she noticed something like the tail-end of a
serpent peeping out of the confusion. She saw then that it was the
Devil, who, still as enamoured as ever, was also prowling about the
neighbourhood of the castle, and had hurriedly hid himself from the
Virgin in the rubbish. She rode past without appearing to notice him,
but cleverly made her horse spring to the side, so that he came down
with his hind hoofs on the suspicious tail-end. With a hiss the Evil
One made out and away, and never more showed himself again in this
connection.

Amused by the little adventure, she rode, full of good humour, to
Bertrade's castle, where she arrived just when only the two stoutest
jousters remained to fight the deciding contest.

Slowly and carelessly, for all the world like Zendelwald, she rode into
the lists, and appeared undecided whether she should take part in the
contest or not.

"Here comes lazy Zendelwald," the word went round, and the two stout
champions said, "What does he want with us? Just a minute, and let us
get him out of the way before we settle matters between ourselves."

One of the champions called himself "Guhl the Speedy." He was in the
habit of turning himself and his horse about like a whirlwind, and
trying to bewilder and outwit his opponents by a hundred tricks and
stratagems. The supposed Zendelwald had to engage him first. He wore a
coal-black moustache, the ends of which were twisted and turned up in
the air so stiffly that two little silver bells, which were attached to
them, could not bend them down, and tinkled incessantly whenever he
moved his head. He described this as a peal of terror for his foes and
of delight for his lady! His shield glittered, now with this colour,
now with that, according to the direction in which he turned it, and he
could effect this change so rapidly that the eye was blinded by it. His
plume was formed of an enormous cock's tail.

The other stout champion dubbed himself "Mouse the Innumerable," by
which he meant to convey that he was as good as an innumerable army. In
token of his prowess, he had allowed the hair of his nostrils to grow
out about six inches, and had plaited it into two tresses, which hung
over his mouth and were adorned at the ends with neat little red
favours. Over his armour he wore a great spreading mantle, which almost
enveloped himself and his horse, and was cunningly sewed together from
a thousand mouseskins. For a crest, he was overshadowed by the mighty
outspread wings of a bat, from under which he darted threatening
glances out of his slits of eyes.

When the signal was given for the fight with Guhl the Speedy, he rode
against the Virgin and encircled her with ever-increasing rapidity,
seeking to dazzle her with his shield, and directing a hundred thrusts
at her with his lance. All the time, the Virgin stuck to the same spot
in the middle of the lists, and appeared to do no more than defend
herself with shield and spear, skilfully turning her horse about on its
hind-legs so that she always presented her front to her opponent. When
Guhl observed this, he suddenly rode some distance back, then turned
and ran upon her with his lance in rest, intending to thrust her over
the crupper. The Virgin awaited him without stirring; but man and horse
seemed of bronze, so firm they stood, and the poor fellow, unaware that
he was contending against superhuman power, flew unexpectedly out of
his saddle, and lay upon the ground, when he ran upon her spear, while
his own was shattered like a straw upon her shield. Without delay the
Virgin dismounted, knelt on his breast so that he could not move under
the mighty pressure, and with her dagger cut away his moustaches and
their silver bells, and fastened them in her sword-belt, while fanfares
proclaimed her, or rather Zendelwald, the victor.

Next, Sir Mouse the Innumerable came into the dance. He galloped
forward with such violence that his mantle floated in the air like a
threatening grey cloud. But the Virgin-Zendelwald, who only now
appeared to be beginning to warm up to the fray, galloped as stoutly to
meet him, threw him with ease from the saddle at the first thrust, and
when Mouse rose at once and drew his sword, she dismounted at the same
instant to engage him on foot. He was soon dazed by the rapid strokes
with which her sword fell upon his head and shoulders, and he held out
his mantle with his left hand to shelter beneath it, and wait a
favourable opportunity to throw it over his opponent's head. At that,
the Virgin caught a tip of the mantle with the point of her sword, and
enveloped Mouse the Innumerable in it from head to foot so dexterously
and swiftly that he was soon like an enormous wasp entangled in a
spider's web, and lay struggling on the ground.

Then the Virgin belaboured him with the flat of her sword so vigorously
that the mantle was resolved into its component parts, and a shower of
mouse-skins darkened the air amid the universal laughter of the
spectators, while the knight gradually emerged again to view, and
limped away a beaten man, after his conqueror had cut away his
beribboned pigtails.

Thus the Virgin under the guise of Zendelwald remained victor of the
field.

She now opened her visor, strode up to the Queen of the Festival, and
on bended knee laid the trophies of victory at her feet. Then she rose,
and offered the spectacle of a Zendelwald such as he was usually too
shy to be. Without, however, compromising his modesty too much, she
greeted Bertrade with a look, whose effect on the female heart she well
knew. In a word, she proved that she could play, not only the champion,
but the lover, so well, that Bertrade did not take back her word, but
lent a willing ear to the advice of the Emperor, who after all was glad
to see so gallant and noble a man prevail.

Then there was a great festive procession to the gardens, with their
tall lime-trees, where the banquet was spread. There Bertrade sat
between the Emperor and her Zendelwald. But it was as well that the
former was occupied with another pleasant lady; for the latter did not
give his bride much time to converse with others, so politely and
tenderly did he entertain her. He said the nicest things to her on the
spur of the moment, so that time after time she reddened with pleasure.
Joy and contentment prevailed everywhere; up in the green vault of the
trees the birds sang, vying with the instruments of music; a butterfly
settled on the Emperor's crown; and, as if by a special blessing, the
wine-cups gave forth a fragrance like violets and mignonette.

But Bertrade, above all, felt so happy, that, while Zendelwald held her
by the hand, she thought in her heart of her celestial protectress, and
made her a fervent, silent thanksgiving.

The Virgin Mary, who all the time was sitting at her side as
Zendelwald, read the prayer in her heart, and was so well pleased at
her ward's pious gratitude that she embraced Bertrade tenderly, and
imprinted a kiss on her lips, which, as may be imagined, filled the
fair woman with heavenly bliss; for when the celestials take to baking
sweet-stuff, it is sweet indeed.

As for the Emperor and the rest of the company, they shouted approval
to the supposed Zendelwald, raised their goblets, and drank to the
health of the handsome couple.

Meanwhile, the real Zendelwald waked out of his unseasonable sleep, and
found the sun so far on its course that the tournament must certainly
be over. Although he was now well out of the business, still he felt
very unhappy and sad; for he would have been only too glad to wed the
lady Bertrade. Besides, he did not dare to go back to his mother now.
So he determined to set out on an endless, joyless wandering, until
death should release him from his useless existence. Only, before doing
so, he wished to see his beloved one once again, and imprint her image
on his mind for the remainder of his days, that he might always
remember what he had thrown away.

He accordingly went back all the way to the castle. When he reached the
throng, he heard everywhere proclaimed the praises and good fortune of
a poor knight Zendelwald who had attained the prize, and, bitterly
curious to know who this fortunate namesake might be, he dismounted
from his horse, and forced his way through the crowd until he found a
station at the edge of the garden, on an elevated place from which he
could overlook the whole feast.

There he beheld in all her finery, not far from the sparkling crown of
the Emperor, the radiant, happy face of his beloved; but side by side
with her--his astonishment turned him pale--the living image of his own
person. As he stood petrified, he saw his double embrace and kiss the
pious bride. Thereupon, without delay, he stepped, unnoticed amid the
universal joy, through the ranks until he stood, racked by a strange
jealousy, close behind the couple. At the same moment, his counterfeit
vanished from Bertrade's side, and she looked about for him in dismay.
But when she saw Zendelwald behind her, she laughed joyfully, and said,
"Where are you off to? Come, stay beside me!" And she took his hand and
drew him to her side.

So he sat down, and, to test the seeming dream thoroughly, he seized
the beaker which stood before him and emptied it at one draught. The
wine stood the test, and an unmistakable life streamed through his
veins. Quite in the mood, he turned to the smiling woman and looked
into her eyes; whereupon she joyously resumed the intimate conversation
which had been interrupted the moment before. But Zendelwald could not
imagine what had happened to him, when he found Bertrade address him in
familiar words, to which he several times unthinkingly answered in
others which he had already used somewhere else. Sure enough he
discovered after a little that his predecessor must have been carrying
on the very same conversation with Bertrade which he had devised in his
imagination during the days of his journey, and which he now continued
deliberately, in order to see what end the play would have.

But it did not have an end. Instead, it became more and more edifying;
for when the sun went down, torches were lighted, and the whole
assembly made for the largest hall in the castle to engage in dancing.
After the Emperor had danced the first round with the bride, Zendelwald
took her on his arm and danced three or four times with her round the
hall until, all aglow, she suddenly took him by the hand and drew him
aside to a quiet turret-chamber flooded with moonlight. There she flung
herself on his breast, stroked his fair beard, and thanked him for his
coming and for his affection. Honest Zendelwald, however, wished to
ascertain whether he were dreaming or waking, and questioned her about
how matters really stood, especially about his double. For a long time,
she did not understand him; but one word led to another. Zendelwald
said this and that had happened to him, and told her all about his
journey, about his turning in to the little church, and how he had
fallen asleep there and been too late for the tournament.

At that the affair became so far clear to Bertrade that she recognized
for the second time the hand of her gracious patroness. But now at last
she had opportunity to regard the valiant knight boldly as a gift from
Heaven, and she was grateful enough to press the substantial present to
her heart in good earnest and return him full measure for the luscious
kiss which she had received from Heaven itself.

But, from that time forth, Sir Zendelwald lost all his sluggishness and
dreamy irresolution. He said everything and did everything at the right
time before the tender Bertrade and before the rest of the world, and
he became a great man in the Empire, so that the Emperor was as well
content with him as was his wife.

As for Zendelwald's mother, she appeared at the wedding mounted on
horseback, and as proud as if she had been enthroned in fortune all her
life long. She looked after money and estates, and hunted in the
extensive forests to an advanced age. Bertrade never failed to have
Zendelwald take her once a year to the lonely little castle which was
his home, where she cooed in the grey tower with her darling as
tenderly as the wild doves in the trees round about. But they never
omitted to enter the little church on their way, and address their
prayers to the Virgin, who stood there as prim and saintly as if she
had never once come down from her altar.




                         THE VIRGIN AND THE NUN

            O that I had wings like a dove: for then would I
              flee away, and be at rest.
                                                      Psalm lv. 6.


A convent lay on a mountain overlooking a wide prospect, and its walls
gleamed across the land. Within, it was full of women, beautiful and
unbeautiful, who all served the Lord and his Virgin Mother after a
strict rule.

The most beautiful of the nuns was called Beatrix, and was sacristan of
the convent. Of tall and commanding presence, she went about her duties
with stately carriage, saw to choir and altar, looked after the
sacristy, and rang the bell before the first flush of dawn and when the
evening-star arose.

Yet amid it all she cast many a tear-dimmed glance at the busy loom of
the blue distance. There she saw weapons glancing, heard the horn of
the hunters in the woods, and the clear shout of men, and her breast
filled with longing for the world.

At last she could control her desire no longer, and one clear, moonlit
night in June she rose, dressed herself, and put on stout new shoes,
and went to the altar, equipped for a journey. "I have served thee
faithfully these many years," she said to the Virgin Mary, "but now
take the keys thyself; for I can endure the heat in my heart no
longer!" With that she laid her bundle of keys upon the altar, and went
forth from the convent. She made her way down amid the solitude of
the mountain, and wandered on until she came to a cross-road in an
oak-forest, where, uncertain which way to take, she sat down by the
side of a spring, which was provided with a stone basin and a bench for
the benefit of wayfarers. Until the sun rose, she sat there, and was
drenched with the falling dew.

Then the sun came over the tops of the trees, and the first rays which
shot through the forest-road fell on a glittering knight who came
riding in full armour all alone. The nun stared with all her lovely
eyes, and did not lose an inch of the manly apparition; but she kept so
still that the knight would never have seen her had not the murmur of
the fountain caught his ear and guided his eyes. He at once turned
aside to the spring, dismounted from his horse and let it drink, while
he greeted the nun respectfully. He was a crusader who, after long
absence, was making his way home alone, for he had lost all his men.

In spite of his respectfulness, he never once removed his eyes from the
charms of Beatrix, who held hers just as steady, and gazed as fixedly
as ever on the warrior; for he was no inconsiderable part of that world
for which she had longed so in secret. But suddenly she cast down her
eyes and felt bashful. At last the knight asked her which way she was
going, and whether he could be of any service to her. The full tones of
his voice startled her; she looked at him once more, and, fascinated by
his glances, acknowledged that she had run away from the convent to see
the world, but that she was frightened already and did not know which
way to turn.

At that the knight, who had all his wits about him, laughed heartily,
and offered to conduct the lady so far on the right way, if she would
trust herself to him. His castle, he added, was not more than a day's
journey from where they were; and there, if she chose, she could make
her preparations in security, and after more mature reflection could
proceed on her way into the fair, wide world.

Without replying, but yet without opposition, she allowed herself,
trembling somewhat nevertheless, to be lifted up on horseback. The
knight swung himself up after her, and, with the rosy-blushing nun
before him, trotted joyously through woods and meadows.

For two or three hundred lengths, she held herself erect and gazed
straight before her, her hands clasped over her bosom. But soon she had
laid her head back on his breast, and submitted to the kisses which
the stalwart lord imprinted thereon. And by another three hundred
lengths she was returning them as fervidly as if she had never rung a
convent-bell. In such circumstances, they saw nothing of the bright
landscape through which they journeyed. The nun, who once had longed to
see the wide world, now shut her eyes to it, and confined herself to
that portion of it which the horse could carry on its back.

The knight Wonnebold also scarcely gave a thought to his father's
castle, until its towers glittered before him in the moonlight. But all
was silent without the castle, and even more silent within, while never
a light was to be seen. Wonnebold's father and mother were dead and all
the menials departed, save an ancient castellan, who after long
knocking made his appearance with a lantern, and almost died for joy
when he saw the knight standing at the painfully-opened door. In spite
of his solitude and his years the old man had maintained the interior
of the castle in habitable condition, and especially had kept the
knight's chamber in constant readiness, so that he might be able to go
to rest the moment he should return from his travels. So Beatrix rested
with him and appeased her longing.

Neither had any thought now of separating from the other. Wonnebold
opened his mother's chests. Beatrix clad herself in her rich garments
and adorned herself with her jewels, and so they lived for the moment
splendidly and in joy, except that the lady remained without rights or
title, and was regarded by her lover as his chattel; she desired
nothing better for the mean time.

But one day a stranger baron and his train turned into the castle,
which by this time was again staffed with servants, and great cheer was
made in his honour. At length the men fell to dicing, at which the
master of the house had such constant good luck that, flushed with good
fortune and confidence, he risked his dearest possession, as he called
it, to wit the fair Beatrix as she stood, with the costly jewels she
was wearing, against an old, melancholy mountain-keep which his
opponent laughingly staked.

Beatrix, who had looked on at the game well contented, now turned pale,
and with good reason; for the throw which ensued left the presumptuous
one in the lurch, and made the baron the winner.

He wasted no time, but at once took his leave with his fair prize and
his attendants. Beatrix barely found time to appropriate the unlucky
dice and hide them in her bosom, and then with streaming tears followed
the unfeeling winner.

After the little cavalcade had ridden some miles they reached a
pleasant grove of young beeches, through which a clear brook flowed.
Like a light-green silken tent, the tender foliage waved aloft,
supported on the slender silvery stems, between which the spacious
summer landscape was seen in glimpses. Here the baron meant to rest
with his booty. He ordered his people to go a little farther ahead,
while he got down in the pleasant greenwood with Beatrix, and made to
draw her to his side with caresses.

At that she drew herself up proudly, and darting a flaming glance upon
him exclaimed that he had won her person, but not her heart, which was
not to be won against an old ruin. If he were a man, he would set
something worth while against it. If he would stake his life, he might
cast for her heart, which should be pledged to him for ever and be his
own if he won; but if she won, his life should be in her hand, and she
should be absolute mistress of her own person once again.

She said this with great gravity; but all the time looked at him with
such a strange expression that his heart began to thump, and he
regarded her in bewilderment. She seemed to become more and more
beautiful as she continued in a softer voice, and with a searching
look, "Who would choose to woo a woman when she returns not his wooing,
and has received no proof of his courage? Give me your sword, take
these dice, and risk it; then we may be united as two true lovers!" At
the same time she pressed into his hand the ivory dice warm from her
bosom. Bewitched, he gave her his sword and sword-belt, and forthwith
threw eleven at one throw.

Next Beatrix took the dice, rattled them vigorously in her hollowed
hands with a secret sigh to the Holy Mary the Mother of God, and threw
twelve, so that she won.

"I make you a present of your life!" she said, bowed gravely to the
baron, picked up her skirts and put the sword under her arm, and
rapidly took her departure in the direction whence she had come. As
soon as she was out of view of the still quite nonplussed and
bewildered baron, she slyly proceeded no farther, but fetched a circuit
about the grove, walked quietly back into it, and hid herself not fifty
paces from the disappointed lover behind the beech-stems, which at that
distance grew sufficiently closely to hide the prudent lady, if need
were. She kept quite still; only a sunbeam fell upon a noble gem at her
neck, so that it flashed through the grove unknown to her. The baron
indeed saw the gleam, and stared at it a moment in his bewilderment.
But he took it for a shining dewdrop on a tree-leaf, and never gave it
a second thought.

At last he recovered from his stupefaction, and blew lustily upon his
hunting-horn. When his people came, he sprang upon his horse, and
pursued after the eloping lady to secure her again. It was the best
part of an hour before the riders returned, and despondently and slowly
made their way through the beech-trees, this time without halting. When
the lurking Beatrix saw the coast clear, she rose and hastened home
without sparing her shoes.

During all this time Wonnebold had passed a very bad day, racked by
remorse and anger; and, as he understood that he had disgraced himself
in the eyes of his love, whom he had gambled away so lightly, he began
to realize how highly he had unconsciously esteemed her, and how
difficult it was to live without her. So, when she unexpectedly stood
before him, without ever waiting to utter his surprise, he opened his
arms to her, and she hastened into them without complaint or reproach.
He laughed loudly as she related her stratagem, and he began to ponder
over her fidelity; for the baron was a very comely and pretty fellow.

Accordingly, to guard against all future mischances, he made the fair
Beatrix his lawful wedded wife in presence of all his peers and
vassals, so that henceforth she ranked as a knight's lady and took her
place among her equals at chase, feast and dance, as well as in the
cottages of their dependents and in the family seat at church.

The years passed with their changes, and in the course of twelve
fruitful harvests she bore her husband eight sons, who grew up like
young stags.

When the eldest was eighteen years old, she rose one autumn night from
her Wonnebold's side unperceived by him, laid all her worldly array
carefully in the same chests from which it had once been taken, closed
them, and laid the keys at the sleeper's side. Then she went barefooted
to the bedside of her sons, and kissed them lightly one after the
other. Last of all, she went again to her husband's bed, kissed him
too, and then shore the long hair from her head, once more put on the
dark nun's frock, which she had preserved carefully, and so left the
castle by stealth, and made her way amid the raging wind of the autumn
night and the falling leaves back to that convent from which she had
once run away. Indefatigably she passed the beads of her rosary through
her fingers, and as she prayed she thought over the life which she had
enjoyed.

So she went on her pilgrimage uncomplaining, until she stood again
before the convent-door. When she knocked, the door-keeper, who had
aged somewhat, opened and greeted her by name as indifferently as if
she had only been absent half an hour. Beatrix went past her into the
church, and fell on her knees before the altar of the Holy Virgin, who
began to speak and said, "Thou hast stayed away rather long, my
daughter. I have seen to thy duties as sacristan all the time; but now
I am very glad that thou art returned and canst take back thy keys!"

The image leaned down, and handed the keys to Beatrix, who was both
alarmed and delighted at the great miracle. Forthwith she set about her
duties, saw to this and that, and when the bell rang for dinner she
went to table. Many of the nuns had grown old, others were dead, young
ones were newly come, and another abbess sat at the head of the table;
but no one suspected what had happened to Beatrix, who took her
accustomed seat; for Mary had filled her place in the nun's own form.

But another day, when some ten years had passed, the nuns were to
celebrate a great festival, and agreed that each of them should bring
the Mother of God the finest present she could devise. So one
embroidered a rich church-banner, another an altar-cloth, and another a
vestment. One composed a Latin hymn, and another set it to music. A
third wrote and illuminated a prayer-book. Whoever could do nothing
else stitched a new shirt for the Christ-child, and sister cook made
him a dish of fritters. Only Beatrix had prepared nothing, for she was
rather weary of life, and she lived with her thoughts more in the past
than in the present.

When the feast-day came, and she had no gift to dedicate, the other
nuns were surprised and reproached her so that she sat humbly aside as
all the pretty things were being borne in festal procession and laid
before the altar of the church, which was adorned with flowers, while
the bells rang out and the incense-clouds rose on high.

Just as the nuns were proceeding to sing and play right skilfully, a
grey-headed knight passed by on his way, with eight armed youths as
lovely as pictures, all mounted on proud steeds and attended by a like
number of tall squires. It was Wonnebold with his sons, whom he was
taking to the Imperial army.

Perceiving that high Mass was being celebrated in God's house, he
called to his sons to dismount, and entered the church with them to
offer a devout prayer to the Holy Virgin. Every one was lost in
admiration at the noble spectacle, as the iron greybeard knelt with the
eight youthful warriors, who looked like so many mail-clad angels; and
the nuns were so put off their music that for a moment it ceased
altogether. But Beatrix recognized them all for her children, from her
husband, gave an exclamation and hastened to them, and, recalling
herself to their memory, disclosed her secret, and declared the great
miracle which she had experienced.

Then all were forced to admit that she had brought the Virgin the
richest gift of the day. That it was accepted was testified by eight
wreaths of fresh oak-leaves which suddenly appeared on the young men's
heads, placed there by the invisible hand of the Queen of Heaven.




                       THE NAUGHTY SAINT VITALIS

      Be not familiar with any woman: but in general
         commend all good women to God.

                           Thomas à Kempis, _Imitatio_ i. 8.


At the beginning of the eighth century there lived in Alexandria of
Egypt an extraordinary monk, by name Vitalis, who had made it his
particular task to reclaim the souls of lost women from the ways of sin
and lead them back to virtue. But the method which he pursued was so
peculiar, and the fondness, nay enthusiasm, with which he unceasingly
prosecuted his ends, was alloyed with such remarkable self-abasement
and simulation, that the like was scarcely ever known in the world.

He kept an exact roll of all those wantons on a neat slip of parchment,
and, whenever he discovered a new quarry in the city or its environs,
he immediately noted her name and dwelling on it; so that the naughty
young patricians of Alexandria could have found no better guide than
the industrious Vitalis, had he been disposed to harbour less saintly
aims. As it was, the monk wormed out much news and information for his
business from his sly and frivolous conversations with them; but he
never suffered the scamps to pick up any information of the sort from
him.

He carried this directory in his cowl, rolled up in a silver case, and
drew it out repeatedly to add a newly-discovered light name, or to run
over those already inscribed, count them, and reckon which of the
occupants should have her turn next.

Then he would seek her hurriedly and half ashamed, and say hastily,
"Keep the night after to-morrow for me, and promise no one else!" When
he entered the house at the appointed time, he would leave the fair one
standing, and betake him to the farthest corner of the room, fall on
his knees, and pray fervently and at the pitch of his voice all night
long for the occupant of the house. In the early morning he would leave
her, and charge her strictly not to tell any one what had passed
between them.

So he went on for a good while, and got himself into very ill odour
indeed. For while in secret, behind the closed doors of the wantons, he
alarmed and touched many a lost woman by his fiery words of thunder and
the fervent sweetness of his murmured prayers, so that she came to
herself and began to lead a holy life; in the public eye, on the
contrary, he appeared to have laid himself out of set purpose to merit
the reputation of a vicious and sinful monk, who wallowed gleefully in
all the debaucheries of the world, and flaunted his religious habit as
a banner of shame.

If he found himself of an evening at dusk in respectable company, he
would exclaim abruptly, "Oh! what am I about? I had almost forgotten
that the brunette Doris is waiting for me, the little dear! The deuce!
I must be off, or she will be vexed!"

If any one reproached him, he would cry out as if incensed, "Do you
think that I am a stone? Do you imagine that God did not create a
little woman for a monk?" If any one said, "Father, you would be better
to lay aside your frock and marry, so as not to offend others," he
would answer, "Let them be offended if they choose, and run their heads
against a wall! Who is my judge?"

All this he used to say with great vehemence and all the address of an
actor, like one who defends a bad cause with a multitude of bold words.

And he would go off and quarrel with the other suitors before the
girls' doors. He would even come to blows with them, and administered
many a rude buffet when they said, "Away with the monk! Does the cleric
mean to dispute the ground with us? Get out, bald-pate!"

But he was so obstinate and persistent that in most cases he got the
better of them, and slipped into the house before they knew where they
were.

When he returned to his cell in the grey of the morning, he would cast
himself down before the Mother of God, to whose sole honour and praise
he undertook those adventures and drew down on himself the world's
blame; and, did he succeed in bringing back some lost lamb and placing
her in some holy convent, he felt more blissful in the presence of
Heaven's Queen than if he had converted a thousand heathen. For this
was his very remarkable taste, to endure the martyrdom of appearing in
the eye of the world as an unclean profligate, while all the time Our
Undefiled Lady in Heaven was well aware that he had never touched a
woman, and that he wore an invisible crown of white roses on his
much-maligned head.

Once he heard of a peculiarly dangerous person, who by her beauty and
unusual charms had occasioned much trouble, and even bloodshed,
inasmuch as a ferocious military dandy laid siege to her door, and
struck down all who attempted to dispute her possession with him.
Vitalis immediately proposed the attack and conquest of this hell. He
did not wait to write the fair sinner's name in his list, but went
straight off to the notorious house, and at the door, sure enough,
encountered the soldier, who was stalking along, clad in scarlet, and
with a javelin in his hand.

"Dodge aside, monkling!" he shouted contemptuously to the pious
Vitalis. "How dare you come sneaking about my lion's den? Heaven is
your place; the world is ours!"

"Heaven and earth and all that therein is," said Vitalis, "belong to
the Lord, and to his merry servants! Pack! you gaudy lout, and let me
go where I choose."

The warrior wrathfully raised the shaft of his javelin to bring it down
on the monk's pate; but he suddenly pulled out a peaceful olive-branch
from beneath his frock, parried the blow, and smote the bully so
roughly on the crown that he wellnigh lost his senses, after which the
fighting cleric gave him several raps on the muzzle, until the soldier,
completely dumbfounded, made off cursing.

Thereupon Vitalis forced his way triumphantly into the house, where, at
the head of a narrow staircase, the woman stood with a light in her
hand, listening to the noise and shouting. She was an uncommonly fine
figure of a woman, with beautiful, strong but rather defiant, features,
about which her reddish hair floated in abundant loose waves, like a
lion's mane.

She looked down contemptuously on Vitalis as he ascended, and said,
"Where are you going?" "To you, my dove!" he answered. "Have you never
heard of the tender monk Vitalis, the jolly Vitalis?" But she answered
harshly, as she blocked the staircase with her powerful figure, "Have
you money, monk?" Disconcerted, he said, "Monks do not carry money
about with them." "Then trot off," she said, "or I'll have you beaten
out of the house with firebrands!"

Vitalis scratched his head, completely nonplussed, for he had never
reckoned on this happening. The creatures whom he had hitherto
converted had naturally thought no more of the price of iniquity, and
those whom he failed to convert contented themselves with hard words in
compensation for the precious time which he had made them lose. But
here he could get no footing inside to begin his pious work; and yet
there was something hugely attractive in the prospect of breaking in
this red-haired daughter of Satan; for large and beautiful figures of
men and women always mislead the judgement, so that we attribute
greater qualities to them than they really possess. In desperation he
searched through his frock, and came upon the silver case, which was
adorned with an amethyst of some value. "I have nothing but this," he
said; "let me in for it!" She took the case, examined it carefully,
then bade him come with her. Arrived at her bedchamber, he did not
favour her with another glance; but knelt down in a corner after his
custom, and began to pray aloud.

The harlot, who believed that from force of habit the holy man meant to
begin his worldly performance with prayer, broke into uncontrollable
laughter, and sat down on her couch to look at him, for his behaviour
amused her monstrously. But as the business never came to an end, and
was beginning to weary her, she bared her shoulders immodestly, went up
to him, clasped him in her strong, white arms, and pressed the good
Vitalis with his shorn and tonsured head so roughly against her breast
that he was like to choke, and began to gasp as if the flames of
purgatory had taken hold of him. But it did not last long; he began to
kick out in all directions like a young horse in a smithy, until he
freed himself from the hellish embrace. Then he took the long cord
which he wore about his waist, and caught hold of the woman, to bind
her hands behind her back, and have peace from her. He had to wrestle
hard with her before he succeeded in tying her up. He bound her feet
together as well, and threw the whole bundle with a mighty heave upon
the bed; after which he betook himself to his corner again, and
continued his prayers as if nothing had happened.

The captive lioness at first turned about angrily and restlessly,
endeavouring to release herself, and uttered a hundred curses. Then she
became quieter as the monk never ceased to pray, to preach, to adjure
her, and towards morning she uttered manifest sighs, which, as it
seemed, were soon followed by contrite sobbing. In short, when the sun
rose, she was lying like a Magdalene at his feet, released from her
bonds, and bedewing the hem of his garment with tears. With dignity,
yet with gladness, Vitalis stroked her head, and promised to pay her
another visit as soon as it was dark, to inform her in what convent he
had found a penitent's cell for her. Then he left, not forgetting first
to impress upon her that she was to say nothing in the meantime about
her conversion, but only tell any one who might enquire, that he had
been very merry with her.

But judge of his surprise, when he reappeared at the appointed time,
and found the door shut fast, and the female freshly bedizened in all
her glory looking out of the window.

"What do you want, priest?" she cried down. And in astonishment he
answered in an undertone, "What does this mean, my lamb? Put away those
sinful baubles, and let me in to prepare you for your penance." "You
want in to me, you naughty monk?" she said with a smile, as if she had
misunderstood him. "Have you money, or money's worth, about you?"
Vitalis stared up open-mouthed, then shook the door desperately; but it
remained shut as fast as ever, and the woman too disappeared from the
window.

At last the laughter and imprecations of the passersby drove the
apparently depraved and shameless monk away from the door of the house
of ill fame. But his thought and endeavour ran entirely upon making his
way into the house again, and finding some means or other to overcome
the devil by which the woman was possessed.

Absorbed in such thoughts, he turned his steps to a church, where,
instead of praying, he thought over ways and means by which he might
contrive to gain access to the lost woman. While thus engaged, his eye
fell upon the box in which the charitable offerings were kept, and
scarcely was the church deserted (it had become dark), when he burst
the box violently open with his fist, poured the contents, which
consisted of a lot of small silver coins, into his tucked-up frock, and
hastened faster than any lover to the sinful woman's abode.

A foppish admirer was about to slip in at the opening door. Vitalis
seized him from behind by his perfumed locks, flung him into the
street, slammed the door in his face as he sprang in himself, and in
another instant found himself once again in the presence of the
disreputable person, who glared at him with flaming eyes when he
appeared instead of her expected admirer. But Vitalis promptly poured
the stolen money out on the table, saying, "Is that enough for
to-night?" Without a word, but carefully, she counted the sum, said "It
is enough!" and put it away.

Now they confronted each other in the strangest fashion. Biting her
lips to restrain a laugh, she looked at him with a simulated air of
utter ignorance; while the monk scrutinized her with undecided and
anxious glances, not knowing how he should begin to bring her to book.
But when she suddenly proceeded to alluring gestures, and made to
stroke his dark, glossy beard, the storm of his saintly character broke
out in all its fury, he struck her hand indignantly away, and flung her
upon the couch so that it shook. Then kneeling upon her, and grasping
her hands, unaffected by her charms, he began to speak home to her in
such fashion that at last her obduracy seemed to soften.

She desisted from her violent struggles to free herself. Copious tears
flowed over her strong and lovely features, and, when at length the
zealous man of God released her, and stood erect beside her sinful
couch, the great form lay upon it with weary, relaxed limbs, as if
broken by repentance and remorse, sobbing and turning her tear-dimmed
eyes upon him, as if in astonishment at her unwilling transformation.

Then the tempest of his eloquent wrath changed likewise to tender
emotion and deep sympathy. In his heart he gave praise to his Heavenly
protectress, in whose honour this hardest of all his victories had been
gained; and now his words of forgiveness and consolation flowed like
the mild breath of spring over the broken ice of her heart.

More delighted than if he had enjoyed the sweetest favours of love, he
hastened thence, not to snatch a brief slumber on his hard bed, but to
throw himself down before the Virgin's altar, and pray for the poor
repentant soul until the day had fully dawned. Then he vowed not to
close an eye until the strayed lamb was finally safe within the shelter
of the convent-walls.

The morning was scarcely astir when he was again on the way to her
house. But he saw approaching at the same moment from the other end of
the street the fierce warrior, who, after a riotous night, had taken it
into his half-drunken head to wind up with a fresh conquest of the
harlot.

Vitalis was the nearer to the unhallowed door, and he sprang nimbly
forward to reach it. Thereupon the other hurled his spear at him, which
buried itself just beside the monk's head in the door so that its shaft
quivered. But, before it had ceased quivering, the monk wrenched it out
of the wood with all his force, faced the infuriated soldier as he
sprang towards him brandishing a naked sword, and quick as lightning
drove the spear through his breast. The man sank in a heap, dead, and
Vitalis was almost instantly seized and bound by a troop of soldiers,
who were returning from the night-watch and had seen his deed, and he
was led away to gaol.

In genuine anguish he looked back to the house, where he could no
longer accomplish his good work. The watch thought that he was simply
deploring his evil star which had baulked him of his wicked purpose,
and treated the apparently incorrigible monk to blows and hard words
until he was safely in ward.

He had to lie there for many days, and was several times brought before
the judge. True, he was at length discharged without punishment, seeing
that he had killed the man in self-defence. But nevertheless he came
out of the affair with the reputation of a homicide, and every one
cried out that now, surely, they must unfrock him. But Bishop Joannes,
who was then chief at Alexandria, must have had some inkling of the
real state of affairs, or else have cherished some deeper design; for
he declined to expel the disreputable monk from the clergy, and ordered
that for the present he was to be allowed to continue his extraordinary
career.

He lost no time in returning to the converted sinner, who in the
interval had gone back to her old ways, and would not admit the
horrified and distressed Vitalis until he had appropriated another
object of value and brought it to her. She repented and converted a
third, and likewise a fourth and fifth time, for she found these
conversions more lucrative than anything else, and moreover the evil
spirit in her found an infernal satisfaction in mocking the poor monk
with an endless variety of devices and inventions.

As for him, he now became a veritable martyr inwardly and outwardly;
for, the more cruelly he was deceived, the more he felt compelled to
exert himself, and it seemed to him as if his own eternal welfare
depended on the reformation of this one person. He was already a
homicide, a violator of churches, a thief; but he would rather have cut
off his hand than part with the least portion of his reputation as a
profligate; and, though all this became harder and harder for his heart
to bear, he strove all the more eagerly to maintain his wicked exterior
in the world's eye by means of frivolous speech. For this was the
special form of martyrdom which he had elected. All the same, he became
pale and thin, and began to flit about like a shadow on the wall,
though always with a laughing face.

Now over against that house of torment dwelt a rich Greek merchant who
had an only daughter called Iole, who could do what she liked, and
consequently never knew what to do with herself all the live-long day.
For her father, who was retired from business, studied Plato, and when
tired of him he would compose neat epigrams on the ancient engraved
gems of which he had a large collection; but Iole, when she had laid
aside her music, could think of no outlet for her lively fancies, and
would peep out restlessly at the sky and at the distance, from every
peep-hole she found.

So it came about that she discovered the monk's coming and going in the
street, and ascertained how matters stood with the notorious cleric.
Startled and shy, she peeped at him from her safe concealment, and
could not help commiserating his handsome form and manly appearance.
When she learned from one of her maids, who was intimate with a maid of
the wicked strumpet, how Vitalis was being deceived by her, and what
was the real truth about him, she was amazed beyond measure, and, far
from respecting his martyrdom, was overcome by a strange indignation,
and considered this sort of holiness little conducive to the honour of
her sex. She dreamed and puzzled over it a while, and became always the
more displeased, while, at the same time, her partiality for the monk
increased and conflicted with her wrath.

All of a sudden she resolved that if the Virgin Mary had not sense
enough to lead the erring monk back to more respectable ways, she would
undertake the task herself, and lend the Virgin a hand in the business,
little dreaming that she was the unwitting instrument of the Queen of
Heaven, who had now begun to intervene. Forthwith she went to her
father, and complained bitterly to him of the unseemly proximity of the
lady of pleasure, and adjured him to employ his wealth in getting her
out of the way immediately, at any price.

In obedience to her directions, the old gentleman addressed himself to
the person, and offered her a certain sum for her house, on condition
that she handed it over at once, and left the neighbourhood entirely.
She desired nothing better; and that same forenoon she had disappeared
from the quarter, while the old merchant was sitting once more over his
Plato and had dismissed the whole affair from his mind.

Not so Iole, who was in the utmost eagerness to rid the house from top
to bottom of every trace of its former occupant. When it was all swept
and garnished, she had it fumigated with rare spices so that the
fragrant clouds poured out from all the windows.

Then she furnished the empty room with nothing but a carpet, a
rose-bush, and a lamp, and, as soon as her father, who went to bed with
the sun, was asleep, she went across, with a wreath of roses adorning
her hair, and took her seat alone on the outspread carpet, while two
trusty old servants kept watch at the door.

They turned away several night-revellers, but, whenever they saw
Vitalis approach, they hid themselves and allowed him to pass in
unhindered by the open door. With many sighs, he climbed the stair,
full of fear lest he should see himself made a fool of once again, full
of hope that he might be freed at last from this burden by the genuine
repentance of a creature who was hindering him from rescuing so many
other souls. But judge of his astonishment, when he entered the room,
and found it stripped of all the wild red lioness's trumpery, and
instead of her a sweet and tender form sitting on the carpet with the
rose-bush opposite her on the floor.

"Where is the wretched creature, who used to live here?" he exclaimed,
looking about him in wonder, and finally letting his eyes rest on the
lovely apparition which he saw before him.

"She has gone out into the Desert," answered Iole, without looking up.
"There she means to live as an anchorite and do penance. It came upon
her suddenly this morning, and broke her like a straw, and her
conscience is awakened at last. She cried out for a certain priest
Vitalis, who could have helped her. But the spirit which had entered
into her would not suffer her to wait. The fool gathered all her
possessions together, sold them, and gave the money to the poor, then
went off hot-foot with a hair-cloth shift, and shorn hair, and a staff
in her hand, the way of the Desert."

"Glory to thee, O Lord, and praise to thy Gracious Mother!" cried
Vitalis, his hands folded in glad devotion, while a burden as of stone
fell from his heart. But at the same time he looked more narrowly at
the maiden with her rose-wreath, and said, "Why do you call her a fool?
and who are you? and where do you come from? and what are you about?"

At that the lovely Iole cast her dark eyes to the ground lower than
ever. She hung her head, and a bright flush of modesty spread over her
face, for she thought shame of herself for the sad things she was going
to say before a man.

"I am an outcast orphan, who have neither father nor mother. This lamp
and carpet and rose-bush are the last remnants of my inheritance, and I
have settled in this house with them to take up the life which my
predecessor here has abandoned."

"Ah, so you would--!" the monk exclaimed, and clapped his hands. "Just
see how busy the Devil is! And this innocent creature says the thing as
indifferently as if I were not Vitalis! Now my kitten, how do you mean
to do? Just tell me!"

"I mean to devote myself to love and serve the men as long as this rose
lives!" she said, pointing hastily at the flower-pot. Still, she could
hardly get the words out, and almost sank on the floor for shame, so
deeply did she droop her head. This natural modesty served the little
rogue well; for it convinced the monk that he had to do this time with
a childish innocent, who was possessed by the Devil and was on the
point of jumping plump into the abyss. He caressed his beard in
satisfaction at having arrived on the scene so opportunely for once,
and, to enjoy his satisfaction still longer, he said slowly and
jestingly, "Then afterwards, my dove?"

"Afterwards I will go, a poor lost soul, to Hell where beauteous Dame
Venus is; or perhaps, if I meet a good preacher, I may even enter a
convent later on, and do penance!"

"Better and better!" he cried. "That is an orderly plan of campaign,
indeed, and not badly thought out. For, so far as the preacher is
concerned, he is here now, he is standing before you, you black-eyed
Devil's tit-bit! And the convent is all ready rigged up for you, like a
mousetrap, only you'll go into it without having sinned, do you see?
Without having sinned in anything but the pretty intention, which after
all may make a very toothsome bone of repentance for you to gnaw all
your days, and may serve your turn. For without it, you little witch,
you would be too comical and light-hearted for a real penitent! But
now!" he continued seriously, "first off with the roses, and then
listen attentively!"

"No!" answered Iole, somewhat more pertly. "I will listen first, and
then see whether I'll take off the roses. Now that I have once overcome
my womanly feelings, mere words will not suffice to restrain me until I
know the sin. And, without sin, I can know nothing about repentance. I
give you this to think over before you begin your efforts. But still I
am willing to hear you."

Then Vitalis began the finest exhortation he had ever delivered. The
maiden listened good-naturedly and attentively, and the sight of her
had, unknown to him, a considerable influence on his choice of
language; for the beauty and daintiness of the prospective convert were
themselves enough to evoke a lofty eloquence. But, as she was not the
least bit in earnest about the project which she had so outrageously
advertised, the monk's oration could not have any very serious effect
upon her. On the contrary, a charming laugh flitted about her mouth,
and, when he had concluded, and expectantly wiped the sweat from his
brow, Iole said, "I am only half moved by your words, and cannot decide
to give up my project; for I am only too curious to know what it is
like to live in sin and pleasure!"

Vitalis stood as if petrified, and could not get so much as one word
out. It was the first time that his powers of conversion had failed so
roundly. Sighing and thoughtful, he paced up and down the room, and
took another look at the little candidate for Hell. The power of the
Devil seemed to have combined in some bewildering fashion with the
power of innocence to thwart him. But he was all the more passionately
anxious to overcome them.

"I do not leave this place until you repent," he cried at length, "not
though I should spend three days and three nights here!"

"That would only make me more obstinate," responded Iole. "But I will
take time to think, and will hear you again to-morrow night. The day
will soon be dawning now. Go your way. Meantime I promise to do nothing
in the matter, and to remain in my present condition; in return for
which you must promise on no account to mention me to anybody, and to
come here only under cover of darkness."

"So be it!" exclaimed Vitalis, and took his departure, while Iole
slipped quickly back into her father's house.

She did not sleep long, and awaited the coming evening with impatience.
For the monk, now that he had been so close to her throughout the
night, pleased her better than he had done at a distance. She saw now
what a fire of enthusiasm glowed in his eyes, and how resolute all his
movements were, despite his monkish garments. And when she represented
to herself his self-abnegation, his perseverance in the course he had
once chosen, she could not help wishing that those good qualities were
utilized to her own pleasure and profit, in the shape of a cherished
and faithful husband. Her project, accordingly, was to make a brave
martyr into a still better husband.

The next night she found Vitalis at her carpet in good time, and he
continued his exertions on behalf of her virtue with undiminished zeal.
He had to stand all the time, except when he knelt to pray. Iole, on
the contrary, made herself comfortable. She laid herself back on the
carpet, clasped her hands behind her head, and kept her half-closed
eyes steadily fixed upon the monk as he stood and preached. Sometimes
she closed them as if overcome by drowsiness, and, as soon as Vitalis
saw this, he pushed her with his foot to waken her. But this harsh
measure always turned out milder than he intended; for, as soon as his
foot neared the maiden's slender side, it spontaneously moderated its
force, and touched her tender ribs quite gently; not to mention that a
most unusual sensation ran along the whole length of the monk, a
sensation which he had never before experienced in the slightest degree
from any of the numerous fair sinners with whom he had had to deal.

As morning approached, Iole nodded more and more frequently, till at
last Vitalis exclaimed indignantly, "Child, you are not listening! I
can't keep you awake. You are utterly sunk in sloth!"

"Not so!" she said, as she suddenly opened her eyes, and a sweet smile
flitted across her face, as if the approaching day were already
reflected in it. "I have been paying attention; I am beginning to hate
that wretched sin, which is all the more repulsive to me that it causes
you vexation, dear monk; for nothing could be pleasing to me that is
displeasing to you."

"Really?" he queried, full of joy. "So I have really succeeded? Come
away to the convent at once, that we may make sure of you. This time
we'll strike while the iron's hot."

"You do not understand me aright," Iole answered, and, blushing, cast
her eyes again to the ground. "I am enamoured of you, and have
conceived a tender inclination towards you!"

For a moment, Vitalis felt as if a hand had smitten his heart; yet he
did not feel that it caused him pain. Paralysed, he opened wide his
mouth and eyes, and stood stock-still.

But Iole, blushing redder than ever, went on to say gently and softly,
"You must now lecture me and charm away this new mischief from me, in
order to deliver me entirely from the malady, and I hope you may
succeed!"

Vitalis, without saying a word, turned tail and ran out of the house.
Instead of seeking his bed, he rushed out into the silvery grey
morning, and debated whether he should leave this dangerous young woman
to her fate and have done with her, or should endeavour to cast out
this latest whim also, which appeared to be the most reprehensible of
all her notions, and not altogether without danger to himself. But a
wrathful flush of shame flew to his head at the thought that anything
of the sort could be perilous for him. Then again it occurred to him
that the Devil might have set a snare for him, in which case it were
best to avoid it betimes. But to become a deserter in the face of such
a wisp of a temptress! And supposing the poor creature were in earnest,
and could be cured of her latest unseemly delusion by a few rough
words? In short, Vitalis could not settle within himself, all the more
that at the bottom of his heart a dim wave was beginning to cause the
skiff of his reason to be unsteady.

In his perplexity he slipped into a little chapel where a beautiful
ancient marble statue of the goddess Juno had recently been set up with
a golden nimbus as an image of the Virgin Mary, so as not to waste such
a gift of divine art. He cast himself down before this Mary, and laid
his doubts fervently before her, and prayed his patroness for a token.
If she nodded, he would complete Iole's conversion; if she shook her
head, he would desist.

But the image left him in the most cruel uncertainty, and did neither
one thing nor the other; it neither nodded nor shook its head. Only
when the red gleam of some flying morning clouds passed over the
marble, its face seemed to smile most propitiously; whether it was that
the ancient goddess, as guardian deity of connubial love and chastity,
was giving a sign, or that the new one could not refrain from smiling
at her adorer's troubles; for both were women at heart, and such are
always tickled when a love-affair is in train. But Vitalis knew nothing
of all this. On the contrary, the beauty of the expression raised his
courage amazingly, and, still more remarkable to relate, the statue
appeared to assume the features of the blushing Iole, who was
challenging him to expel her love of him from her mind.

Meantime, at the same hour, Iole's father was strolling beneath the
cypresses of his garden. He had acquired some very fine new gems, the
engraving on which had brought him out of bed at that early hour. He
was handling them rapturously, and making them play in the beams of the
rising sun. There was a dark amethyst, on which Luna drove her car
through the heavens, unwitting that Love was squatted behind her, while
flying Cupids called to her the Greek for "Whip behind!" A handsome
onyx showed Minerva lost in meditation, holding Love on her knee, who
was busy polishing her breast-plate with his hand to see his own
reflection.

And lastly, on a cornelian, Love, in the form of a salamander, was
tumbling about in a vestal fire and throwing its guardian virgins into
perplexity and alarm.

These scenes tempted the old man to compose some distichs, and he was
considering which he should attack first when his daughter Iole came
through the garden, pale and unslept. Anxious and surprised, he called
her to him and enquired what had robbed her of her slumbers. But,
before she could answer, he began to show her his gems and explain them
to her.

At that she heaved a deep sigh and said, "Ah, if all those great
powers, Chastity herself, Wisdom, and Religion, could not defend
themselves against Love, how is a poor insignificant creature like me
to fortify herself against him?"

The old gentleman was not a little astonished at these words. "What do
I hear?" he said. "Is it that the dart of mighty Eros has smitten
thee?"

"It has pierced me to the heart," she responded, "and, if I am not in
possession of the man whom I love within a day and a night, I shall be
the bride of Death!"

Although her father was accustomed to let her have her own way in
everything she desired, this haste was rather too violent for him, and
he recommended repose and reflection to his daughter. But she had no
lack of the latter, and she employed it so well that the old man
exclaimed, "So I must discharge the most unpleasant of all a father's
duties, I must go to your choice, to your man, and lead him by the nose
up to the best that I can call mine, and beg him to be so kind as to
take possession? Here is a tidy little woman, my dear sir! I pray you,
don't despise her! I had much rather give you a box or two on the ear,
but my little daughter will die, so I must be civil! So be graciously
pleased, for Heaven's sake, to taste the pasty which is offered you. It
has been well baked, and will fairly melt in your mouth!"

"All that is spared us," said Iole, "for, if you will only allow me, I
hope to bring him to it that he will come himself and ask for my hand."

"And what if this man, whom I know nothing of, turns out to be a
wastrel and a good-for-nothing?"

"Then let him be driven away with scorn! But he is a saint!"

"Then run away, and leave me to the Muses," said the good old man.

When evening came, the night did not follow the dusk so promptly as
Vitalis appeared at Iole's heels in the familiar house. But he had
never entered the house in the same fashion as now. His heart beat, and
he was forced to feel what it meant to see again a person who had
played such a trump. It was another Vitalis than the one who had
descended in the early morning, who now came up the steps, although he
himself was the most unconscious of the fact; for the poor converter of
frail women and monk of evil renown had never learned the difference
between the smile of a harlot and that of an honourable woman.

Yet he came with the best of intentions, and with the old purpose of
driving all the idle notions out of the little monster's head for good
and all. Only he had a vague idea that once his task was accomplished
he might be permitted a pause in his martyr activity; all at once he
began to be very tired of it.

But it was determined that some new surprise should always await him in
that enchanted dwelling. When he entered the room, he found it
beautifully decorated, and furnished with all usual furniture. A
delicate, insidious odour of flowers pervaded the room, and was in
keeping with a certain modest worldliness. On a snow-white couch, not a
fold out of place in its silk coverings, sat Iole, splendidly arrayed,
in sweet troubled melancholy, like an angel in meditation. Under the
trim pleats of her robe her bosom heaved like the foam on a milking
pail, and, though the white arms, which she folded beneath her breast,
shone so fair, yet all those charms looked so lawful and permissible in
the order of things that Vitalis's accustomed eloquence stuck in his
throat.

"You are amazed, my pretty monk," began Iole, "to find all this show
and finery here! Know that this is the farewell which I mean to take of
the world, and, at the same time, I will lay aside the inclination
which, unfortunately, I cannot help feeling for you. But you must help
me to this end to the best of your ability, and after the fashion that
I have devised and request of you. I mean that when you address me in
these garments and as a cleric it is always the same. The bearing of a
churchman fails to convince me, for I belong to the world. I cannot be
cured of love by a monk, who is unacquainted with love, and does not
know what he is talking about. If you really mean to afford me rest and
put me on the way to Heaven, go into that closet, where you will find
secular clothes laid out ready for you. Exchange your monk's clothes
there for them, array yourself like a man of the world, then seat
yourself beside me to partake of a little repast with me, and in such
worldly externals exert all your acuteness and understanding to wean me
from you and incline me to piety."

Vitalis made no reply, but bethought himself a while. Then he decided
to end all his difficulties at one stroke, and to put the devil of this
world to flight with his own weapons by acceding to Iole's eccentric
proposal.

So he actually betook himself into an adjoining closet, where a couple
of servants awaited him with splendid garments of purple and fine
linen. Scarcely had he put them on, when he looked a good head taller,
and it was with a noble mien that he strode back to Iole, who could not
take her eyes off him, and clapped her hands for joy.

Now, however, a real miracle and a strange transformation was wrought
on the monk. For scarcely had he sat down in his worldly array beside
the charming woman, when the immediate past was blown away like a dream
from his mind, and he forgot all about his purpose. Instead of speaking
so much as a word, he listened eagerly to what was said by Iole, who
had taken possession of his hand and begun to tell him her true story,
who she was, where she lived, and how it was her most heart-felt desire
that he should give over his strange manner of life, and ask her father
for her hand, so that he might become a good husband, well-pleasing to
God. She also said many wonderful things in the most beautiful words
about the history of a happy and chaste love, but concluded with a sigh
that she saw well how hopeless her desire was, and that he was now at
liberty to argue her out of all those ideas, but not before he had
fortified himself duly for his task with meat and drink.

Then at her signal the servants set drinking-vessels on the table
together with a basket of cakes and fruits. Iole mixed a goblet of wine
for the silent Vitalis, and affectionately handed him something to eat,
so that he felt quite at home, and was reminded of his childhood, when
as a little boy he was tenderly fed by his mother. He ate and drank,
and, when he had done so, it seemed to him as if he might now venture
to rest from his long, weary toil, and lo! our Vitalis leant his head
to one side, towards Iole, and without more ado fell asleep, and lay
till sunrise.

When he awoke, he was alone, and no one was to be seen or heard. He
sprang up hastily, and was horrified at the splendid garment in which
he was dressed. He rushed madly through the house from top to bottom,
seeking for his monk's frock. But not the smallest trace of it could he
find, until he chanced to see a little heap of cinders and ashes, on
which a sleeve of his priest's dress was lying half consumed, whereupon
he rightly concluded that there it had been solemnly burned.

Next he put his head out cautiously, first at one, then at another of
the windows which looked on to the street, drawing it in every time
that any one approached. At last he flung himself down upon the silken
couch as comfortable and at ease as if he had never lain on a monk's
hard bed. Then he roused himself, put his dress straight, and stole in
high excitement to the street-door. There he still hesitated a moment;
but suddenly he flung it wide open, and went out into the world a
magnificent and imposing figure. No one recognized him; every one took
him for some fine gentleman from abroad, who was enjoying a few gay
days at Alexandria.

He looked neither to right nor left, else he would have seen Iole on
her house-top. So he went straight back to his convent, where, however,
all the monks and their superior had just resolved to expel him from
their fellowship; for the measure of his iniquities was now full, and
he contributed only to the scandal and disgrace of the Church. The
sight of him, actually coming among them in his worldly gallant's
attire, knocked the bottom out of the tub of their patience; they
drenched him and doused him with water from all sides, and drove him
with crosses, besoms, pitchforks and kitchen-ladles out of the convent.

Once on a time this rough handling would have been the height of
felicity to him, and a triumph of his martyrdom. True, he laughed
inwardly even now, but for a somewhat different reason. He took one
more stroll round about the city-walls, and let his red cloak wave in
the wind. A fine breeze from the Holy Land blew across the sparkling
sea; but Vitalis was becoming more and more worldly-minded. Suddenly he
retraced his steps into the bustling streets of the city, sought the
house where Iole dwelt, and did what she wished.

He now made as excellent and complete a layman and husband as he had
been a martyr. The Church, however, when she understood the real facts
of the case, was inconsolable over the loss of such a saint, and made
every endeavour to recall the fugitive to her bosom. But Iole held him
fast and gave it to be understood that he was in very good hands with
her.




                        DOROTHEA'S FLOWER-BASKET

      To lose oneself so is rather to find oneself.

                                    Franciscus Ludovicus Blosius,
                                   _Spiritual Instruction_, c. 12.


On the south coast of the Euxine sea, not far from the mouth of the
river Halys, a Roman country-house lay in the light of the brightest of
spring mornings. From the waters of the sea a north-east wind wafted a
refreshing coolness through the gardens, as grateful to the pagans and
to the secret Christians as it was to the trembling leaves upon the
trees.

In a summer-house by the sea-shore, shut off from the rest of the
world, stood a young couple, a handsome young man with the daintiest
maiden imaginable. She was holding out a large, beautifully-shaped bowl
of translucent, warm-hued marble for the youth to admire, and the
morning sun shone with great effect through the bowl, so that its ruddy
glow concealed the blush on the maiden's visage.

She was Dorothea, a patrician's daughter, to whom Fabricius, governor
of the province of Cappadocia, was paying assiduous court. But as he
was a bigoted persecutor of the Christians, and Dorothea's parents felt
attracted by the new philosophy of life and were making diligent
endeavours to adopt it, they were offering the best resistance they
could to the powerful inquisitor's importunity. Not that they wished to
involve their children in religious controversies, or that they would
condescend to barter their hearts for a faith--they were too noble and
liberal for that; but they were of opinion that a religious persecutor
would never make a good heart's consoler.

Dorothea for her part had no need of such considerations, since she
possessed another safeguard against the governor's attentions in the
shape of her liking for his private secretary, Theophilus, who was
standing beside her at that moment, and looking with interest at the
rosy bowl.

Theophilus was an exceedingly refined, cultivated man of Greek descent,
who had risen in spite of adverse circumstances and was held in high
esteem by all. But the hardships of his early years had left him
somewhat suspicious and reserved, and, while he was satisfied with what
he owed to his own exertions, he was loth to believe that any one
attached himself to him from disinterested motives. The sight of the
young Dorothea was dear to him as his life, but the very fact that the
chief man in Cappadocia was paying court to her prevented him from
cherishing any hopes for himself, and he would not at any price have
run the risk of cutting a ridiculous figure beside his lordship.

Nevertheless, Dorothea sought to conduct her desires to a happy issue,
and in the meantime to assure herself of his presence as often as
possible. Because he always appeared calm and indifferent, her passion
provoked her to dangerous little stratagems, and she tried to move him
by means of jealousy by pretending to be interested in the governor
Fabricius, and to be on friendly terms with him. But poor Theophilus
was an innocent in such tricks, and, even if he had understood them,
was far too proud to show any jealousy. Yet by degrees he became
distracted and perplexed, and sometimes betrayed himself, but always
promptly recollected himself and recovered his reserve, so that his
tender sweetheart had nothing for it but to proceed somewhat forcibly,
and pull in her net unexpectedly when opportunity offered.

He was out in Pontus on state business, and Dorothea, who was aware of
this, had accompanied her parents from Cæsarea to the country-house for
the spring, which had just begun. Thus she had managed, after
painfully-devised and ingenious man[oe]uvres, to get him into the
arbour that morning, partly as if by accident, partly as if with
friendly intent, so that both his good luck and her good graces should
make him happy and confiding, as indeed they did.

She wished to show him the vase, which a kind uncle had sent her as a
birthday present from Trebizond. Her countenance was radiant from sheer
joy at having her beloved beside her alone, and at being able to show
him something pretty, and he too was genuinely happy. Besides, there
was sunshine in his heart at last, so that he could no longer keep his
lips from smiling trustfully nor his eyes from sparkling.

But the ancients have forgotten to give a name to the envious divinity,
the rival of gentle Eros, who, at the critical moment when good fortune
is closest at hand, throws a veil over lovers' eyes, and twists the
word in their mouth.

As she gave the bowl trustfully into his hands, and he asked who had
sent it to her, a merry rashness misled her into the jest of answering
"Fabricius." She felt sure that Theophilus could not fail to see the
joke. But, as she was unable to give her merry excited smile that shade
of mockery at the mention of the absent one, which would have made the
jest evident, Theophilus was firmly convinced that her sweet and
genuine joy was due to the present and its giver, and that he had
fallen into a nasty trap by intruding into a circle which was forbidden
and strange to him. Confounded and ashamed, he cast down his eyes,
began to tremble, and let the glittering ornament fall to the ground,
where it was shivered to pieces.

In her first dismay, Dorothea forgot all about her joke, and almost
forgot Theophilus, and could only stoop aghast to pick up the pieces,
exclaiming "How clumsy!" without bestowing a look upon him; so that she
did not see the alteration in his features, and had no suspicion that
he had misunderstood her.

But, when she had risen, and, recovering herself quickly, turned
towards him, Theophilus had already regained his proud self-command. He
looked at her inscrutably and indifferently, begged almost mockingly
for pardon, promising her full restitution for the vase which had come
to grief, then bowed and left the garden.

Pale and sorrowful she looked after his slim figure, with the white
toga wrapped closely about it, and his black curly head bent to one
side as if his thoughts were already far away from her.

The waves of the silvery sea lapped soft and lazy against the marble
steps on the beach, all else around was still, and Dorothea's little
devices were at an end.

Weeping, she slipped away with the collected fragments of the vase to
hide them in her room.

They did not see each other again for many months. Theophilus returned
at once to the capital, and when Dorothea went back there in the
autumn, he sedulously avoided encountering her; for the mere
possibility of meeting her alarmed and excited him. So all their
happiness was gone for the nonce.

The natural result was that she sought consolation in the new faith of
her parents, and as soon as they observed this, they lost no time in
deciding their child in her resolution, and initiating her fully into
their faith and practice.

Meanwhile, Dorothea's assumed friendliness for the governor had also
its unfortunate effect, in that Fabricius considered himself justified
in renewing his courtship with redoubled energy. He was all the more
surprised, therefore, when Dorothea could scarcely endure the sight of
him, and he seemed to have become more repugnant to her than Misfortune
herself. But he did not draw back on that account; rather, he increased
his importunity and began to quarrel with her because of her new
faith, and to assail her conscience as he mingled flatteries with
thinly-veiled threats.

Dorothea, however, acknowledged her faith openly and fearlessly, and
turned away from him as from an unsubstantial shadow which cannot be
seen.

Theophilus heard of all this, and how the good maiden was not having
the happiest life of it. What surprised him most was the news that she
would have nothing whatever to do with the proconsul. Although he was
old-world or indifferent in the matter of religion, he was not offended
at the maiden's new faith, and with his partiality for her he began to
be more in her company again, the better to see and hear how she was
faring. But in her present mood, she could speak of nothing except in
the tenderest and most languishing accents of a Heavenly Bridegroom
whom she had found, who was awaiting her in immortal beauty, to take
her to His radiant breast, and give her the rose of eternal life, and
so forth.

He could make neither head nor tail of this language. It offended and
annoyed him, and filled his heart with a strange, painful jealousy of
the unknown God who perverted a weak woman's mind; for he could not
understand and interpret the excited and enthusiastic Dorothea's
expressions otherwise than in the old mythological fashion. Jealousy of
a superhuman being did not hurt his pride, but it blunted his sympathy
with the woman who boasted of being united to deities. Yet it was
nothing else than her unrequited love for himself that put such
language into her mouth, just as he himself had the thorn of passion
always fixed in his heart.

Matters had dragged on thus for some little time, when Fabricius
suddenly pounced down. Taking advantage of renewed Imperial orders for
a persecution of Christians, he had Dorothea and her parents
imprisoned. The daughter, however, was placed in a separate gaol, and
put to the question about her faith. Full of curiosity, he went in
person and heard her loudly repudiating the ancient gods, and
confessing as the only Lord of the world Christ, whose betrothed bride
she was. At that, a savage jealousy took possession of the governor
also. He resolved on her destruction, and ordered her to be tortured
and, if she still persisted, to be put to death. Then he departed. She
was laid on a gridiron, under which coals were fanned to a glow in such
a fashion that the heat only increased slowly. Still, it hurt her
tender frame. She uttered stifled screams for a time, while her limbs,
which were chained down to the gridiron, quivered, and tears flowed
from her eyes. Theophilus, who usually refrained from taking any part
in such persecutions, had heard of the business, and hastened to her
full of horror and disquiet. Forgetful of his own safety, he thrust his
way through the gaping populace, and, when with his own ears he heard
Dorothea's low moans, he snatched a sword from a soldier's hand, and
stood at one bound before her bed of torture.

"Does it hurt, Dorothea?" he enquired with a bitter smile, intending to
cut her fastenings. But she answered, feeling suddenly as if all pain
had left her and she were filled with the most perfect bliss, "How
could it hurt me, Theophilus? It is the roses of my well-beloved
Bridegroom that I am lying upon. See! To-day is my wedding-day!"

Her lips played as if it were one of her favourite dainty jests, while
her eyes looked at him blissfully. An unearthly radiance seemed to
illumine her and her couch, a triumphant calm settled upon her.
Theophilus lowered his sword, threw it from him, and once again
retreated ashamed and confounded as on that morning in the garden by
the sea.

Then the coals glowed red again. Dorothea sighed and longed for death.
And her desire was granted; she was led away to the place of execution,
to be beheaded.

She went to her fate with a light step, followed by the unthinking,
shouting mob. Standing by the roadside she saw Theophilus, who never
took his eyes off her. Their eyes met. Dorothea stood still an instant,
and said cheerfully, "Theophilus, if you only knew how beautiful and
splendid are my Lord's rose-gardens, where I shall soon be walking, and
how sweet his apples taste which grow there, you would come along with
me!"

Theophilus responded with a bitter smile: "I'll tell you what,
Dorothea! Send me some of your roses and apples for a sample when you
get there!"

She gave a friendly nod, and went on her way.

Theophilus followed her with his eyes until the cloud of dust, golden
in the evening sunshine, which accompanied the procession, had vanished
in the distance, and the street was empty and silent. Then with
shrouded head he went home, and ascended with faltering steps to the
house-top, from which there was a view out to the Argeus mountains. The
place of execution was situated on one of the foot-hills. He could
easily make out a dark cluster of humanity there, and he stretched out
his longing arms in its direction. He fancied that in the light of the
departing sun he could see the flash of the falling axe, and he dropped
down and lay prone on the terrace. And, as a matter of fact, Dorothea's
head did fall about that time.

But he had not long lain thus motionless, when a clear shining
lightened the twilight, and pierced with blinding radiance beneath
Theophilus's hands in which his face lay buried, and poured itself into
his closed eyes like liquid gold. At the same time a rare fragrance
filled the air. The young man arose as if pervaded by some new and
unknown life. Before him stood a wondrous lovely boy, with golden
ringlets, clad in a star-spangled garment, and with radiant naked feet,
bearing a small basket in no less radiant hands. The basket was filled
with the most beautiful roses, the like of which were never seen, and
among the roses lay three apples of Paradise.

With an infinitely true-hearted and frank childish smile, yet not
without a certain pleasant roguishness, the child said, "This is from
Dorothea!" put the basket in his hands with the question, "Have you got
it?" and vanished.

The basket did not vanish, and Theophilus had really got it in his
hands. He found the three apples lightly marked by two tiny teeth, as
was the custom among lovers in ancient times. He ate them slowly, with
the blazing starry heavens above him. A mighty longing permeated him
with a sweet fire, and, clasping the basket to his breast and
concealing it with his mantle, he hastened down from the house-top,
through the streets and into the palace of the governor, who was
sitting at table endeavouring to drown his wild rage in untempered
Colchian wine.

With flashing eyes, Theophilus advanced towards him, without uncovering
the basket, and exclaimed before the whole company, "I declare that I
am of the same faith as Dorothea, whom you have just now murdered. It
is the only true faith!"

"Then go after the witch!" retorted the governor, who, racked by sudden
wrath and consuming jealousy, sprang to his feet, and had his secretary
beheaded that same hour.

Thus Theophilus was, after all, united for ever to Dorothea on that
same day. She welcomed him with the restful look of the blessed. Like
two doves, separated by the tempest, who have found each other again,
and first fly in a wide circuit round their home, so the united pair
swept hand in hand swiftly, swiftly, and unceasingly around the outmost
circles of Heaven, freed from every weight, yet still themselves. Then
they separated sportively and lost themselves in wide infinity, while
each knew where the other tarried, and what the other thought, and
joined with him in embracing every creature and all existence in sweet
love. Then they sought each other again with waxing desire, which knew
no pain and no impatience. They found each other, and once more eddied
about, or reposed in contemplation of themselves and gazed near and far
into the world of infinitude. But once in blissful forgetfulness they
ventured too near the crystal habitation of the Holy Trinity, and
entered within. There they lost all consciousness, and like twins
beneath a mother's heart they fell on sleep, and no doubt are sleeping
still, unless meantime they have been able to make their way out.




                         A LEGEND OF THE DANCE

      O virgin of Israel: thou shalt again be adorned
      with thy tabrets, and shalt go forth in the dances....
      Then shall the virgin rejoice in the dance, both
      young men and old together.

                                            Jeremiah, xxxi. 4, 13.


According to Saint Gregory, Musa was the dancer among the saints. The
child of good people, she was a bright young lady, a diligent servant
of the Mother of God, and subject only to one weakness, such an
uncontrollable passion for the dance, that when the child was not
praying she was dancing without fail, and that on all imaginable
occasions. Musa danced with her playmates, with children, with the
young men, and even by herself. She danced in her own room and every
other room in the house, in the garden, in the meadows. Even when she
went to the altar, it was to a gracious measure rather than at a walk,
and even on the smooth marble flags before the church-door she did not
scruple to practise a few hasty steps.

In fact, one day when she found herself alone in the church, she could
not refrain from executing some figures before the altar, and, so to
speak, dancing a pretty prayer to the Virgin Mary. She became so
oblivious of all else that she fancied she was merely dreaming when she
saw an oldish but handsome gentleman dancing opposite her, and
supplementing her figures so skilfully that the pair got into the most
elaborate dance imaginable. The gentleman had a royal purple robe, a
golden crown on his head, and a glossy black curled beard, which the
silvery streaks of age had touched as with distant starlight. At the
same time music sounded from the choir, where half-a-dozen small angels
stood or sat with their chubby little legs hanging over the screen, and
fingered or blew their various instruments. The urchins were very
pleasant and skilful. Each rested his music on one of the stone angels
with which the choir-screen was adorned, except the smallest, a
puffy-cheeked piper, who sat cross-legged, and contrived to hold his
music with his pink toes. He was the most diligent of them all. The
others dangled their feet, kept spreading their pinions, one or other
of them, with a rustle, so that their colours shimmered like doves'
breasts, and they teased each other as they played.

Musa found no time to wonder at all this until the dance, which lasted
a pretty long time, was over; for the merry gentleman seemed to enjoy
himself as much as the maid, who felt as if she were dancing about in
Heaven. But when the music ceased, and Musa stood there panting, she
began to be scared in good earnest, and looked in astonishment at the
ancient, who was neither out of breath nor warm, and who now began to
speak. He introduced himself as David, the Virgin Mary's royal ancestor
and her ambassador. And he asked if she would like to pass eternal
bliss in an unending pleasure-dance, compared with which the dance they
had just finished could only be called a miserable crawl.

To this she promptly answered that there was nothing she desired
better. Whereupon the blessed King David said again that in that case
she had nothing more to do than to renounce all pleasure and all
dancing for the rest of her days on earth, and devote herself wholly to
penance and spiritual exercises, and that without hesitation or
relapse.

The maiden was taken aback at these conditions, and she asked whether
she must really give up dancing altogether. She questioned, indeed,
whether there was any dancing in Heaven; for there was a time for
everything: this earth looked very fit and proper for dancing; it stood
to reason that Heaven must have very different attractions, else death
were a superfluity.

But David explained to her that her notions on this subject were quite
erroneous, and proved from many Bible texts, and from his own example,
that dancing was most assuredly a sanctified occupation for the
blessed. But what was wanted just now was an immediate decision, Yes or
No, whether she wished to enter into eternal joy by way of temporal
self-denial or not. If she did not, then he would go farther on; for
they wanted some dancers in Heaven.

Musa stood, still doubtful and undecided, and fumbled anxiously with
her finger-tips in her mouth. It seemed too hard never to dance again
from that moment, all for the sake of an unknown reward.

At that David gave a signal, and suddenly the musicians struck up some
bars of a dance of such unheard-of bliss and unearthliness that the
girl's soul leapt in her body, and all her limbs twitched; but she
could not get one of them to dance, and she noted that her body was far
too heavy and stiff for that tune. Full of longing she struck her hand
into the king's, and made the promise which he demanded.

Forthwith he was no more to be seen, and the angel-musicians whirred
and fluttered, and crowded out and away through an open window; but, in
mischievous, childish fashion, before going, they dealt the patient
stone angels a sounding slap on the cheeks with their rolled-up music.

Musa went home with devout step, carrying that celestial melody in her
ears; and, having laid all her dainty raiment aside, she got a coarse
gown made and put it on. At the same time, she built herself a cell at
the bottom of her parents' garden, where the deep shade of the trees
lingered, made a scant bed of moss, and from that day onwards separated
herself from all her kindred, and took up her abode there as a penitent
and saint. She spent all her time in prayer, and often disciplined
herself with a scourge. But her severest penance consisted in holding
her limbs stiff and immovable; for whenever she heard a sound, the
twitter of a bird, or the rustling of the leaves in the wind, her feet
twitched, as much as to tell her they must dance.

As this involuntary twitching would not forsake her, and often seduced
her to a little skip before she was aware, she caused her tender little
feet to be fastened together by a light chain. Her relatives and
friends marvelled day and night at the transformation, rejoiced to
possess such a saint, and guarded the hermitage under the trees as the
apple of their eye. Many came for her counsel and intercession. In
particular, they used to bring young girls to her who were rather
clumsy on their feet; for it was observed that every one whom she
touched at once became light and graceful in gait.

So she spent three years in her cell; but, by the end of the third
year, Musa had become almost as thin and transparent as a summer cloud.
She lay continually on her bed of moss, gazed wistfully into Heaven,
and was convinced that she could already see the golden sandals of the
blessed, dancing and gliding about through the azure.

At last, one harsh autumn day, the tidings spread that the saint lay on
her death-bed. She had taken off her dark penitential robe, and caused
herself to be arrayed in bridal garments of dazzling white. So she lay
with folded hands, and smilingly awaited the hour of death. The garden
was all filled with devout persons, the breezes murmured, and the
leaves were falling from the trees on all sides. But suddenly the
sighing of the wind changed into music, which appeared to be playing in
the tree-tops, and, as the people looked up, lo! all the branches were
clad in fresh green, the myrtles and pomegranates put out blossom and
fragrance, the earth decked itself with flowers, and a rosy glow
settled upon the white, frail form of the dying saint.

That same instant, she yielded up her spirit. The chain about her feet
sprang asunder with a sharp twang, Heaven opened wide all around, full
of unbounded radiance, so that all could see in. Then they saw many
thousands of beautiful young men and maidens in the utmost splendour,
dancing circle upon circle farther than the eye could reach. A
magnificent king, throned on a cloud with a special band of six small
angels seated on its edge, bore down a little way towards earth, and
received the form of the sainted Musa from before the eyes of all the
beholders who filled the garden. They saw, too, how she sprang into the
opened Heaven, and immediately danced out of sight among the jubilant,
radiant circles.

That was a high feast-day in Heaven. Now the custom--to be sure, it is
denied by Saint Gregory of Nyssa; but it is stoutly maintained by his
namesake of Nazianza--the custom on feast-days was to invite the Nine
Muses, who sat for the rest of their time in Hell, and to admit them to
Heaven, that they might be of assistance. They were well entertained;
but, once the feast was over, had to go back to the other place.

When now the dances and songs and all the ceremonies had come to an
end, and the Heavenly company sat down, Musa was taken to a table
where the Nine Muses were being served. They sat huddled together
half-scared, glancing about them with their fiery black or dark-blue
eyes. The busy Martha of the gospels was caring for them in person; she
had on her finest kitchen-apron and a tiny little smut on her white
chin, and was pressing all manner of good things on the Muses in the
friendliest possible way. But when Musa and Saint Cæcilia and some
other artistic women arrived, and greeted the shy Pierians cheerfully
and joined their company, they began to thaw, grew confidential, and
the feminine circle became quite pleasant and happy. Musa sat beside
Terpsiehore, and Cæcilia between Polyhymnia and Euterpe, and all took
one another's hands. Next came the little minstrel urchins, and made up
to the pretty women, with an eye to the bright fruit which shone on the
ambrosial table. King David himself came and brought a golden cup, out
of which all drank, so that gracious joy warmed them. He went round the
table in high good-spirits, not omitting, as he passed, to chuck pretty
Erato under the chin. While things were going on so famously at the
Muses' table, our Gracious Lady herself appeared in all her beauty and
goodness, sat down a few minutes beside the Muses, and kissed the
august Urania with the starry coronet tenderly upon the lips, when she
took her departure, whispering to her that she would not rest until the
Muses could remain in Paradise for ever.

But that never came about. To declare their gratitude for the kindness
and friendliness which had been shown them, and to prove their good
will, the Muses took counsel together and practised a hymn of praise in
a retired corner of the under-world. They tried to give it the form of
the solemn chorals which were the fashion in Heaven. They arranged it
in two parts of four voices each, with a sort of principal part which
Urania took, and they thus produced a remarkable piece of vocal music.

The next time that a feast-day was celebrated in Heaven, and the Muses
again rendered their assistance, they seized what appeared to be a
favourable moment for their purpose, took their places, and commenced
their song. It began softly, but soon swelled out mightily. But in
those regions it sounded so dismal, almost defiant and harsh, yet so
wistful and mournful, that first of all a horrified silence prevailed,
and next the whole assembly was seized with a sad longing for earth and
home, and broke into universal weeping.

A sigh without end throbbed through Heaven. All the Elders and Prophets
hastened up in dismay, while the Muses, with the best of intentions,
sang louder and more mournfully, and all Paradise with the Patriarchs
and Elders and Prophets, and all who ever walked or lay in the green
pastures, lost all command of themselves. Until at last, the High and
Mighty Trinity Himself came to put things right, and reduced the
too-zealous Muses to silence with a long, reverberating peal of
thunder.

Then quiet and composure were restored to Heaven. But the poor Nine
Sisters had to depart, and never dared enter it again from that day.



                                THE END




                                CONTENTS


      Introduction

      Eugenia

      The Virgin and the Devil

      The Virgin as Knight

      The Virgin and the Nun

      The Naughty Saint Vitalis

      Dorothea's Flower-Basket

      A Legend of the Dance



     GLASGOW: PRINTED AT THE UNIVERSITY PRESS BY ROBERT MACLEHOSE
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                              MEISTERWERKE
                           IN TASCHENAUSGABEN


                With Introductions by Richard M. Meyer,
                    Professor at Berlin University.

This series is intended to supply readers of German with some of the
greatest works of German literature, and these only, printed in an
attractive, handy, and cheap form in accordance with English tastes,
but edited by a great German critic.

The volumes are printed in Roman type; as there is no doubt the study
of German in this country has been much hindered hitherto by fear of
damage to the eyes from reading Gothic type.


                                _Ready_.


1.--Goethe. Die Wahlverwandschaften.
2.--Ludwig. Zwischen Himmel und Erde.


                           _In Preparation_.


3.--Schiller. Der Geisterseher und andere Erzählungen.


                         _Others will follow_.


                        _Price of each volume:_

      _cloth, gilt top, 1s. net; leather limp, gilt top, 2s. net_;
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                           DIE MEISTERSTÜCKE
                          DER DEUTSCHEN LYRIK

                    With Introductions and Notes by

                           Richard M. Meyer,

                    Professor at Berlin University.


This new series will contain only the finest lyrics in the German
language. Believing that, other things being equal, a native critic is
the best judge of his country's writers, the publishers have entrusted
the editing of the series to Dr. Meyer, of Berlin University, one of
the most eminent living authorities on German literature. The _format_
is uniform with that of "Les Chefs-d'[Oe]uvre de la Poésie lyrique
française," which have already proved very successful, not least in
France itself.


                                _Ready_.


1.--Die Meisterstücke des deutschen Volks- und Kirchenliedes.

2.--Die Meisterstücke der vorgoethischen Lyrik.

3-4.--Die lyrischen Meisterstücke von Goethe. _Zwei Bände_.


                           _In Preparation_.


5.--Die lyrischen Meisterstücke von Schiller.


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                       LES CHEFS-D'[Oe]UVRE DE LA
                        POESIE LYRIQUE FRANÇAISE


             Selected, with Biographical Introductions, by

                           Auguste Dorchain,

                 the well-known French Poet and Critic.


                           _In Preparation_.


1.--Les Chefs-d'[Oe] uvre lyriques de Villon, de Marot, et des autres
Poètes antérieurs a Ronsard.


                                _Ready_.


2.--Les Chefs-d'[Oe]uvre lyriques de Ronsard et de son École.

3-4.--Les Chefs-d'[Oe]uvre lyriques de Malherbe et de l'École classique
[de Ronsard à Chénier]. _Deux volumes_.

5.--Les Chefs-d'[Oe]uvre lyriques d'André Chénier.

6.--Les Chefs-d'[Oe]uvre lyriques de Marceline Desbordes-Valmore.

12.--Les Chefs-d'[Oe]uvre lyriques d'Alfred de Musset.


                         _Others will follow_.


These pretty little volumes contain the best poems, and those only, of
the authors included.


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                       CHEFS-D'[Oe]UVRE DE POCHE


                               Edited by

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This series has been inaugurated with the object of providing readers
of French all the world over with some of the great masterpieces of
French literature in an attractive form. The cheap reprints that are
published in France are not always neat, according to British tastes,
and the publishers believe that their attempts to supply reprints at
once cheap and pretty will be appreciated.


                                _Ready_.


1.--Balzac. Eugénie Grandet.

2.--A. de Musset. La Confession d'un Enfant du Siècle.

3.--Balzac. Ursule Mirouët.


                           _In Preparation_.


4.--Mme de La Fayette. La Princesse de Clèves.


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