The Project Gutenberg eBook of Odd Bits of Travel with Brush and Camera
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Odd Bits of Travel with Brush and Camera

Author: Charles M. Taylor

Release date: May 15, 2011 [eBook #36110]

Language: English

Credits: Produced by Marius Masi, Juliet Sutherland and the Online
        Distributed Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK ODD BITS OF TRAVEL WITH BRUSH AND CAMERA ***




Produced by Marius Masi, Juliet Sutherland and the Online
Distributed Proofreading Team at http://www.pgdp.net









Transcriber's note:

The following typographical errors have been corrected:

    Page 58: "From street to street we pass, viewing the wretched
      tenements, and more wretched inmates huddling together over a faint
      spark of fire ..." 'tenements' amended from 'temements'.

    Page 167: "I am quite anxious to capture, by camera, not by force
      of arms, some of these rare types of strength and beauty, and
      observing two pretty young girls standing in the doorway of one of
      the houses, both perfect specimens of physical health, I think this
      an opportunity not to be neglected." 'two' amended from 'too'.

    Page 290: "A halo of romance surrounds this region, and in the many
      excursions from this point, the lover of the weird and visionary
      will find his every step accompanied by imaginary maidens of rare
      grace and beauty, brave knights, crafty priests, wild huntsmen,
      cruel dragons, super-human heroes, and all the wonderful personages
      of legendary lore." 'weird' amended from 'wierd'.

    Page 296: "Just below are Rhöndorf, Honnef, Rheinbreitbach, Unkel,
      and Erpel ..." 'Rhöndorf' amended from 'Rhondörf'.




[Illustration: THE CANAL AT MONNIKENDAM]



  Odd Bits of Travel

  with

  Brush and Camera


  by

  CHARLES M. TAYLOR, JR.

  Author of "Vacation Days in Hawaii and Japan" and "The British Isles
  Through an Opera Glass," Etc., Etc.


  Profusely Illustrated by the Author


  Philadelphia

  GEORGE W. JACOBS & CO.

  103 and 105 South Fifteenth Street




  Copyright, 1900, by
  GEORGE W. JACOBS & CO


  TO MY WIFE




Preface.


In almost every walk of life, even among artists and photographers, we
find those who are enthusiasts, and who work with such ardor and
perseverance as to overcome all difficulties; while there are others who
seem to desire the hard and rough places smoothed down, and the
obstacles removed from their pathways. In writing this volume, it has
been my purpose to enlist the attention of both of these classes, and to
bring before the ardent worker as well as the ease-loving, but no less
interested, follower of art, places and scenes that afford unusual
attractions for the brush and camera.

It might truthfully be said that in one's city may be found innumerable
subjects of interest to both the amateur and professional artist; but
change of food, scene and atmosphere is beneficial to both mind and
body, and it is ofttimes wise to pass to new scenes and broader fields
of observation.

The places described herein are not linked together by proximity of
location and follow no regular line of travel; but are selected from
various lands and from among widely differing peoples, for the sole
purpose of locating scenes that teem with paintable and photographic
subjects. I have endeavored to select nooks and corners where the artist
and photographer will have suitable accommodations, and where the
country with its fresh, pure air, and wholesome food may build up the
health, while at the same time an opportunity is afforded for filling
the portfolio with delightful bits of scenery and characteristic figure
studies. It has also been my aim to tell of countries and places
comparatively easy of access, and where those of limited means may find
satisfactory accommodations.

At times I digress in my pictorial descriptions and offer some Bits of
personal experience that have befallen me upon my journeys, which I
trust may prove of interest and perhaps be of service to others
travelling through the same places. It is with these purposes in view
that the following pages have been written, and my hope is that they may
serve to guide other lovers of the beautiful to some of the attractive
spots and fascinating views which I have attempted to describe in these
ODD BITS OF TRAVEL.

  _Philadelphia, 1900._      C. M. T., JR.




CONTENTS


                                                                    PAGE
  SCENES OF THE PRESENT AND RELICS OF THE PAST

  Passing Vessels--The Ocean--Sudden Changes--Taking
  Photographs--The Landing-Stage at Liverpool--New Brighton--In the
  Country--Liverpool by Night--Salvationists--Old
  Taverns--Chester--An English Home--Relics--The Cathedral--The
  River Dee--Leamington--The River Leam--Warwick Castle--An Old
  Mill--Through Kenilworth, Coventry and Stoneleigh--"The King's
  Arms"--Nature's Pictures                                            15

  LIGHTS AND SHADOWS OF LONDON LIFE

  The Shadow Side--The Slums--The City by Night--Vice and
  Misery--"Chinese Johnson's" Opium Den--The "Bunco" Man--An
  English Guard--"The Grand Old Man"--Caution to Tourists--Great
  Cities by Night--The Seven Dials--Derby Day--The Tally-Ho--Old
  Robin Hood Inn--Epsom Hill--The Races--Exciting Scenes--Side
  Shows--The Close of the Day                                         57

  SCENES IN THE GAY CAPITAL

  Dover to Calais--Paris---The Gay Capital by
  Night--Boulevards--Life in the Streets--Champs Élysées--Place de
  la Concorde--Arc d'Etoile--Place Vendome--Louvre--Opera
  House--Palais Royal--Church of the Invalides--Versailles--Notre
  Dame--Jardin Mabille--The Madeleine--The Pantheon--The Banks of
  the Seine--French Funeral Ceremonies--La Morgue--Pere Lachaise      83

  ANTWERP AND THE CITY OF WINDMILLS

  From Paris to Antwerp--Along the Route--Thrifty
  Farmers--Antwerp--Dogs in Harness--The River--Old
  Churches--Chimes--An Inappreciative Listener--Steen
  Museum--Instruments of Torture--Lace Industry--Living
  Expenses--Hospitality--The City of Windmills--Watery Highways--A
  City of Canals--The Maas River--The Houses on the Canals--Travel
  by Boat--Novel Scenes--Costly Headgear--Dutch Costumes--Powerful
  Draught Horses--No Bonbons--Chocolate Candy--In the
  Market-Place--The Belle of the Market--Photographs--Wooden
  Shoes--Drawbridges--Blowing the Horn--Ancient Relics--The Sword
  of Columbus                                                        101

  A CITY OF MANY ISLANDS

  Amsterdam--The People of Holland--Amstel River--Merry
  Excursionists--Interesting Institutions--Origin of the
  City--Source of Prosperity--A Cousin to Venice--Ninety
  Islands--Beams and Gables--Block and Tackle--Old Salesmen--Street
  Markets--Haarlem--Railway Travel at Home and Abroad--Ancient
  Buildings--Historic Associations--In the Canal--Groote Kerk--The
  Great Organ--Picturesque Subjects--Zandvoort--Eau de Cologne--The
  Beach--Dutch Sail Boats--Seamen--Hooded Chairs--Peddlers--Music
  in Holland and Germany--Gypsies--We Meet an
  Artist--Hospitality--A Banquet                                     127

  EXCURSIONS TO BROEK AND THE ISLAND OF MARKEN

  A Charming Journey--Fellow-Passengers--National Costumes--The
  Children--A Lovely Landscape--Holstein
  Cattle--Windmills--Irrigation--Farmers--A Typical Dutch
  Village--Washing-Day--The Red, White and Blue--Suppose a Bull
  Should Appear--A Brilliant Picture--Drawing the Canal
  Boat--Honesty and Cleanliness--A Thrifty and Industrious
  People--Farming and Cheese-making--As Evening Falls--Scenes for
  an Artist--Dead Cities of Holland--Monnikendam--Behind the
  Age--City Lamps--Houses and People--The Island of Marken--An
  Isolated Wonderland--First Impressions--Rare Holidays--The Family
  Doctor--Absence of the Men--The Fishing--Healthy and Industrious
  Population--The Women of Marken--Pretty Girls--They Will not be
  Taken--A Valuable Experience--Photographs                          149

  THE ANCIENT TOWN OF MONNIKENDAM

  Marken Homes--Beds in the Wall--Family Heirlooms--An Ancient
  Clock--Precious Treasures--Quaint Customs--Betrothed Couples--The
  Hotel--Its Interior--A Lack of Patrons--Costumes of a By-gone
  Age--Farewell to Marken--Remote Districts--Monnikendam--Ancient
  Houses--Hotel de Posthoorn--The Postman of the Past--A Difficult
  Stairway--We Stroll about the Town--Our Retinue--In Front of the
  Hotel--Such Curious Children--Supper--We Visit the
  Shops--Pantomime--A Novel Experience--They Cannot Understand--No
  Candles--We Attract a Crowd--The Clothing Store--A Marken
  Suit--"Too High"--Bargaining--A Stranger to the Rescue             177

  OLD CUSTOMS AND QUAINT PICTURES

  Segars and Tobacco--Row Boats--"Gooden Morgen"--The Zuyder
  Zee--By Candle Light--Total Darkness--The Town by Night--Women
  and Girls--Shoes and Stockings--The Shuffling Man--Streets and
  Sidewalks--The Town Crier--The Daily News--A Message to the
  People--Draught Dogs--Milkmaids--The Barber Shop--Drug
  Stores--Horretje--A Street Auction--Selling Curios--They Leave
  their Shoes at the Door--An Old Grist Mill--The Holland Draught
  Girl                                                               205

  A DUTCH CHEESE-MAKING DISTRICT

  A Cheese-making Country--Edam Cheese--A Picturesque Inn--An
  Interesting Interior--A Thrifty Farmer--At Sunrise--In the Cow
  Stable--The Pretty Maid--Stall and Parlor--The Cheese Room--The
  Process of Making Cheese--"I Have Listened and Listened"--A Trip
  to Volendam--A Fine Country Road--A Charming Day--Muzzled
  Dogs--The Only Street--A Multitude of Children--Gay
  Decorations--A United People--As a Hen and Her Brood--Their
  Wealth is Their Health--In Sunday Dress--Stalwart Men and Sturdy
  Women--A Higher Type--"I Have Enough"--Fishermen--The
  Anchorage--A Volendam Suit                                         233

  VOLENDAM SIGHTS, AND THE OLDEST TOWN ON THE RHINE

  Church is Out--The Promenade--"Every Man is a Volume"--An Old
  Suit--His Sunday Clothes--"Let Him Have It"--An Obedient Son--The
  Silver Buttons--The Last Straw--An Uncommon Action--The Hotel--An
  Artist's Resort--An Unfinished Painting--Good-bye--The Ancient
  City of Cologne--The Cathedral--Within the "Dom"--A Wonderful
  Collection--Foundation of the Town--History--Vicissitudes--Public
  Gardens--Eau de Cologne--The Palace of Brühl                       255

  ALONG THE BANKS OF THE RHINE

  Bonn--The Birthplace of Beethoven--The Museum--Monument--A Famous
  Restaurant--College Students--Beer Mugs--Special Tables--Affairs
  of Honor--Königswinter--Magnificent Views--Drachenfels--The
  Castle--The Dombruch--Siegfried and the Dragon--A Desecrated
  Ruin--The Splendor of the Mountains--Many Visitors--View from the
  Summit--The Students' Chorus--German Life--A German
  Breakfast--The Camera--Old Castles and Lofty Mountains--Legends
  of the Rhine--The Waters of the Rhine--Vineyards                   283

  FROM BINGEN ON THE RHINE TO FRANKFORT-ON-THE-MAIN

  Vast Vineyards--Bingen--The Hotel--The Down Quilt--A German
  Maid--Taverns--The Mouse Tower--Rüdesheim--Niederwald--The
  Rheingau--The National Monument--The Castle of Niederburg--Wine
  Vaults--The River--Street Musicians--A
  Misunderstanding--Frankfort-on-the-Main--The Crossing of the
  Ford--A Free City--Monument of Goethe--History--A Convocation of
  Bishops--The City Monument of Gutenberg--The House in which
  Rothschild was Born--Luther                                        313

  A PRUSSIAN CAPITAL AND A FASHIONABLE RESORT

  We Start for Berlin--Mountain and Valley--Harvesters--Villages--A
  Great City--Unter den Linden--Kroll Theatre and Garden--The City
  Streets--The Brandenburg Gate--Potsdam--The Old Palace--Sans
  Souci--Ostend--A Fashionable Watering-Place--The Promenade--The
  Kursaal--On the Beach--Bathing Machines--Studies for an
  Artist--The Race-Course--Sunday--The Winning Horse--Fickle Dame
  Fortune--The English Channel--A Bureau of
  Information--Queenstown--An Irish Lass--The Last Stop--The End of
  the Journey                                                        333




List of Illustrations.


                                                                   PAGE
  Canal at Monnikendam                            (_Frontispiece_)

  We feel the heart throbs of old Neptune                            17

  She proves to be a Barkentine under full sail                      22

  The sailors in the rigging are swaying to and fro                  26

  Amongst these are two typical products of the British Isles,       30

  This is a fine field for the student of human nature               35

  Wayside Inn, New Brighton                                          39

  Typical English houses with their massive thatched roofs           43

  Suburban residence                                                 48

  White Hall Horse Guards' Barracks                                  65

  A short run of an hour                                             74

  The chalky cliffs of Dover                                         79

  The largest and handsomest Gothic church in the Netherlands       106

  The place is intersected everywhere by canals                     112

  In many cases the balconies of residences overhang the water      117

  The belle of the market                                           123

  The Amstel River                                                  132

  Wicker chairs offer rest to the weary pedestrian                  141

  The flat landscape is varied by herds of cattle                   152

  Most of the houses have a canal at the back                       156

  The blue stream finds its outlet in the river                     161

  All persuasions accomplish naught                                 165

  One old woman is fascinated with the camera                       170

  We walk along the narrow streets                                  176

  Sheep, grazing upon the green pasture lands, form a homelike
    scene                                                           182

  Hotel de Posthoorn                                                187

  De Hooflstraat, Monnikendam                                       193

  There is a young man whose walk is all his own                    200

  The streets and sidewalks are kept scrupulously clean             204

  The whole place is a succession of quaint and picturesque houses  208

  A street auction                                                  213

  At the farthest end of the street stands an old windmill          217

  A beautifully shaded walk just outside the town                   221

  Land and water                                                    228

  A good road for the bicycle                                       232

  This strange looking highway runs lengthwise through the town     241

  The houses are roofed with red tiles                              245

  The delicate lace caps frame smiling faces                        254

  As the congregation draws nearer we halt before the foremost
    group                                                           258

  Every man is a volume if you know how to read him                 263

  Goeden dag. Tot weerziens                                         267

  Palace of Brühl                                                   276

  Lovely walks, and bowery avenues                                  282

  Not far off stands the statue of the artist                       287

  The great peak known as the Drachenfels, or Dragon Rock           293

  How noble and defiant is the appearance of these venerable
    fortresses                                                      302

  Every turn of the river presents a different view                 306

  Now we behold the little church surrounded by picturesque houses  311

  Approaching Bingen we see vineyards covering the mountain side    315

  Thousands of fashionably dressed people appear upon this
    promenade                                                       338

  There are many odd and fantastic sights here                      342

  One's portfolio might soon be filled with interesting subjects    346

  Many typical Irish characters come aboard our vessel              350

  Several small boats are floating at our side                      355

  Beyond is all abyss, Eternity, whose end no eye can reach         359




Scenes of the Present and Relics of the Past.




_Scenes of the Present and Relics of the Past._

  Passing Vessels--The Ocean--Sudden Changes--Taking Photographs--The
  Landing Stage at Liverpool--New Brighton--In the Country--Liverpool by
  Night--Salvationists--Old Taverns--Chester--An English
  Home--Relics--The Cathedral--The River Dee--Leamington--The River
  Leam--Warwick Castle--An Old Mill--Through Kenilworth, Coventry and
  Stoneleigh--"The King's Arms"--Nature's Pictures.


We sight a steamer on our leeward side. A passing vessel is a great
excitement on an ocean voyage. From the time when she first appears, a
tiny speck on the distant horizon, every one is on deck watching her as
she slowly climbs into full view, then draws nearer and nearer to our
floating palace. How companionable she seems in the vast waste around
us. We wonder to which line she belongs; what is her name; her speed,
and whither she is bound: and now that she is within hailing distance,
we await eagerly the result of the usual interchange of questions and
answers by means of small flags and a certain code of signals, well
understood throughout the nautical world. The following are some of the
questions asked: "To what line do you belong?" "What is your port?"
"Have you seen any icebergs?" "Met any wrecks?" "Are you a tramp?" and
so on, until both sides are satisfied, then away she speeds on her
course, while the passengers and sailors on both ships gaze at one
another through their glasses until they are lost in the distance. The
excitement is over, and we all return to our former occupations, or
stand looking idly out to sea until once more there is a cry: "A sail! A
sail!" and we begin to hope that she too is coming our way. Straining
our eyes through the powerful field-glasses, we perceive that she is
coming toward us, and will probably cross our line. Larger and larger
she appears as she steadily advances, until she attracts the attention
of every one on deck. She is now quite close to us, and proves to be a
Barkentine under full sail. We shout a greeting to the crew, and wave
our handkerchiefs as she passes, and the sailors smile in return and
take off their caps.

[Illustration: "We feel the heart throbs of old Neptune." (_See page
16._)]

The ocean air is delightful and invigorating, the sky a perfect azure,
and the translucent waves with their foamy edges stretch away in long
beautiful curves. We feel the heart throbs of old Neptune, as the waters
plash softly over the steamer's sides, and we speed steadily forward,
with the rush and swish of the sea sounding in our ears with a wild
sweet melody all its own. To fall asleep on deck amid these charming
conditions is delightful indeed. But how quickly the scene changes.
Suddenly a shrill whistle from the Quartermaster summons all hands to
the deck. Orders are rapidly given in quick sharp tones: "Aloft. Take
sail in." "Aye, aye, sir," is the swift response, in a twinkling the
sure-footed sailors are up among the yards, perched in seemingly
impossible places, reefing the flapping sails in preparation for the
coming storm. Dark clouds above are reflected in gloomy waves below, and
heaving billows surround us, uniting with a furious wind that seems bent
on the destruction of our noble ship. The sailors in the rigging are
swaying to and fro, and the panic-stricken passengers in the cabins are
telling each other with pale faces that belie their words that they are
not afraid, for there is no danger; yet they listen anxiously for every
sound from above, and will not allow their dear ones to move beyond
reach of their hands. There is no music now in the rushing of the waves
or the flapping of the sails. Old Neptune in his angry moods is not a
desirable companion. But nothing lasts forever, and from storm and night
and black despair the flower of hope arises, for there comes a lull,
followed by a furious blinding onslaught, and then the spirit of the
hurricane calls his followers and flies up, away, somewhere beyond our
ken: the captain's face relaxes from its tense expression, and he looks
proudly around his good ship which has come out victor in the struggle
with the elements. One by one, the passengers appear on deck, the purple
clouds, after a final frown of disapproval at things in general, break
into smiles, life on shipboard resumes its everyday attitude, and all
goes "merry as a marriage bell." Life is full of contrasts. This is a
picture for which neither brush nor camera is ready. He who would paint
it must draw it from its recess in his memory, or from some sheltered
nook on shore, and be cool and calm enough to follow his favorite
occupation in spite of the consciousness that life and death are
struggling for mastery in yonder thrilling scene that will make him
famous if he can but truly portray it upon his canvas.

[Illustration: "She proves to be a Barkentine under full sail." (_See
page 16._)]

But there are many tableaux and picturesque situations here, very
tempting to the traveller who carries with him his sketch book or
camera, and I entertain my companions as well as myself by photographing
many a little group both comical and interesting in the world around us.
I invite our friends to the lower deck, where I wish to take pictures
of some of the steerage passengers. Amongst these are two typical
products of the British Isles--one a robust Irishman of shillalah fame,
and the other a bonny boy from Scotland. I make known to them my desire
to have their photographs, whereupon the quick witted Irishman, without
doubt knowing the quality of his face, which is one of the ugliest I
have ever seen, begins at once to bargain with me for the privilege of
transferring it to my camera. It is true I could have stolen a march on
him by a snap shot, and he been all unconscious of the act, but wishing
to keep up the comedy I asked at what price he values his face. He
replies that if I will take up a collection from the passengers around
us, he will accept that as full pay. My friends of the cabin enter into
the spirit of the play, and quite a goodly sum finds its way into the
horny hand of the Hibernian athlete, who now, with a broad smile of
satisfaction, intimates that he is ready to be "taken."

These pictures too join the gallery of our yesterdays. Swift has truly
said: "It is the talent of human nature to run from one extreme to
another." The long voyage is over, and all hearts rejoice in the sight
of land, and now we are upon the landing stage at Liverpool, amidst the
throng of excited passengers, all moving hither and thither in search of
baggage which seems hopelessly lost in the confusion of trunks, porters,
policemen, drays and ubiquitous small boys. This is a fine field for the
student of human nature. Here are groups of inexperienced travellers
looking anxiously about them, wondering how it is possible to extricate
their belongings from the indistinguishable mass before them, and
laboring under the dread that when found, a fierce and merciless
custom-house official will seize upon trunks and boxes, and deaf to all
protestations, dump the contents, from a shoe to a hat, upon the floor,
to the everlasting confusion of the owners and the amusement of the
spectators. The cool indifference of those who have crossed the ocean
many times is in marked contrast to these panic-stricken, and really
pitiable creatures.

[Illustration: "The sailors in the rigging are swaying to and fro." (See
page 19.)]

Then there is the "happy-go-lucky" youth, who finds all this tumult a
great joke, and who wanders carelessly about, with the serene confidence
that "things" will turn out all right; which they generally do. Here is
the fashionable mother with her pretty daughters who evince a charming
delight in everything that happens; the fussy mama who is sure that
her baggage has not come ashore, or that the officers of the
custom-house are in league against her; children separated from parents
or nurses, shrieking wildly in their terror, while others, more
venturesome and curious, are in every one's way. Porters elbow their way
through the crowd, cabmen shout in stentorian tones, policemen watch the
masses, and now and then in sharp curt tones call a delinquent to order.
A placid looking old gentleman with silvery hair and dignified demeanor
stands in the midst of a picturesque party of young people, evidently
his grandchildren. They all look so happy that it seems contagious, for
the troubled countenances of their neighbors break into sympathetic
smiles as they glance at this joyous family group. Every shade of human
expression may be observed in this motley throng, and he who has eyes to
see will find many a charming tableau, many a pathetic scene or
diverting situation that would enrich a sketch book, or prove a valuable
addition to the collection made by the ready camera. The various changes
of expression are worth studying, for where "luxuriant joy and pleasure
in excess" appear at one moment, the next may behold an angry frown, and
a struggle as if for life amid the surging tide of humanity.

  "Now one's the better--then the other best
   Both tugging to be victor, breast to breast
   Yet neither conqueror, or is conquered."

Taking a small steamer which plies between Liverpool and New Brighton,
one may for a few cents, after a half hour's ride, land at an attractive
and much frequented watering-place upon the bank of the Mersey River,
opposite Liverpool. This resort is the pleasure-ground of the middle
classes, and is well worth a visit. Upon a holiday many thousands flock
to its shores which remind one of Vanity Fair, where numerous phases and
conditions of life are represented. Here is the indefatigable and
annoying travelling photographer with his "Four for a shilling. Take you
in two minutes. Ladies and gentlemen, step in and see the finest
pictures to be found in this country. Bridal groups a specialty."

[Illustration: "Amongst these are two typical products of the British
Isles." (_See page 23._)]

Here are games of all kinds, pony and donkey riding, and all the shows
to be found at the popular seashore resort. The "merry-go-round" is in
full swing, with a crowd of spectators, among them many wistful
children, watching the prancing camels and gaily caparisoned horses. The
music here is quite inspiring, and the numerous small boys and maidens
who lack the necessary pennies for this ravishing entertainment gaze
at their more fortunate companions with woe-begone countenances. Strains
less animated, but more melodious attract us to a fine dancing hall,
where the older lads and lasses are tripping about in a lively manner.
The light dresses, colored ribbons and happy faces make a pretty
picture. Along the beach are beautiful views, worthy of a master hand,
while out in the country the typical English houses with their massive
thatched roofs and lovely surroundings of trees, lawns and gardens fair,
cannot fail to captivate the artist's eyes.

A stroll through the streets and byways of Liverpool at night is a sad
but interesting experience. Alas for the misery and crime and want that
exist in all the great cities! Girls, young and pretty, but no longer
innocent, may be seen in scores in every locality: children with poverty
and depravity written on their faces boldly address one at the street
corners: men and women, with sharp, pinched features and misery and
despair in their voices, beseech one for alms, or with fierce cunning
lie in wait for the unwary. Sick at heart and with inexpressible pity we
wend our way from one point to another. Vice, crime, want, suffering
meet our eyes on every side: and the old hopeless cry: Why must these
things be? rises up again in our souls. Through the whole night long
upon the curb stones, at the corners, lounging against the windows and
doors of closed houses or shops, this lower stratum of life appears with
its atmosphere of dusky gloom. When the daylight dawns upon the city, it
seems to shrivel up and shrink into the mouths of the yawning black
cellars and foul alleys whose very breath is a deadly poison. There are
dozens of taverns scattered about the city, and within these rooms or
stalls are partitioned off where sin may be screened from public view,
for even those dyed deepest in crime sometimes fall so low that they
dare not carry on their nefarious operations in the face of their
everyday companions. These dens are countenanced by the authorities, and
one may find within them criminals of every grade who prey upon each
other for their sustenance: but in the long run, it is the proprietor
who comes out with a substantial bank account.

Beggars, peddlers, musicians, singers of both sexes, and itinerant
vendors of all kinds jostle each other in these haunts of sin, and great
caution should be exercised in visiting them, for in certain localities,
crimes of the most brutal character are of daily, I might say hourly
occurrence. I would suggest that the tourist should at such times
depend for safety upon the company of a first-class detective.

Let praise be given where it is due. The Salvationists of Europe have by
their indefatigable labors reclaimed thousands of these men and women
from their lives of sin and misery. You will meet these untiring workers
everywhere, exhorting, praying, pleading with fallen humanity. These
noble bands of Christians enter fearlessly the most loathsome hovels,
and, wrestling with filth and disease, in many cases come off
victorious. They have been known to wash the clothing and cleanse the
houses of fever-stricken families, and supply wholesome food and care
for helpless infants, defied at every step by a drunken son or father.
They fear nothing, knowing that their cause is God's cause, and that in
the end Almighty Goodness shall win an eternal conquest.

It is customary throughout England to close all the saloons on Sundays
until noon, after which time they open their doors, and remain open till
midnight as upon week-days.

Of the many cities whose haunts I have visited at night, I think that
without exception, unless it be London, Liverpool leads in depravity and
vice.

The country from Liverpool to Chester abounds in attractive scenery,
local in character and possessing the additional charm of novelty for
the American tourist. Along the route are scattered a number of old
taverns, such as "The Horn," "The Green Tree," and similar names.
Dismounting from bicycle or trap, the traveller who enters one of these
ancient landmarks will find everything in "apple pie order": the floor
clean and shining like a bright new dollar just launched from the mint.
He will sit at a table within one of the three stalls on either side of
the little room, and the landlord's wife will bring him a bumper of
"good auld Al," the effect of which will prove lasting and beneficial,
if it corresponds with my experience.

[Illustration: "This is a fine field for the student of human nature."
(_See page 24._)]

Chester, oldest of English cities, is full of quaint residences and
other ancient buildings. The old wall which surrounds the town is the
only one in Great Britain which has been preserved entire. It forms a
continuous ring, although in some places the earth has climbed so far
above its base, that it appears no higher than a terrace. Its rugged
outer parapet is still complete, and the wide flagging forms a
delightful promenade, with a fine view of the surrounding country. The
earliest date which we find upon the wall is A. D. 61, when it was
erected by the Romans. Twelve years later, Marius, king of the
Britons, extended the wall. The Britons were defeated under it in 607,
and after a lapse of three centuries, it was rebuilt by the daughter of
Alfred the Great. It has a long and eventful history, and the old
Cathedral whose edge it skirts, is one of the largest and most ancient
in England. The sculptures in this magnificent edifice are worn smooth
by the hand of time. The stained glass windows are marvels of art, the
groined arches, dreamy cloisters, and antique carving upon seats and
pews fill one with admiration mingled with awe. There are many fine
mosaics here, and specimens of wood from the Holy Land. Costly gems
adorn the choir; here too is a Bible whose cover is inlaid with precious
stones. The massive Gothic pillars are still in a perfect state of
preservation, as well as the numerous ancient monuments and relics of
the past. The vast size of the Cathedral is a perpetual source of wonder
to the stranger, who, wandering among its curious historic mementos,
gazing upon its storied nave, transepts and choir, and upon the Bible
scenes pictured in these glorious windows, feels that he has been
transported by some magician's hand into an age long buried in the past.
The Cathedral is said to have been founded in the year 200. Its height
within, from floor to the lofty dome lighted by these exquisite windows
is from sixty to one hundred feet. The Church of St. John the Baptist
rivals the Cathedral in antiquity, but it is now a picturesque ruin
covered with moss and ivy.

Chester itself contains many antiquities that are to be found nowhere
else in the world. The houses, dating back to 1500, or even earlier, are
of every degree of shade and color, with little windows with
diamond-shaped panes, and gable ends facing the streets whose sidewalks
are on a level with the second stories. Everything here seems to belong
to the past, excepting the fine, modern station, ten hundred and fifty
feet long, with its projecting iron roofed wings for the protection of
vehicles waiting for passengers from the trains. This station is one of
the longest in England. The famous Chester Rows are public passages
running through the second stories of the houses facing the four
principal streets. These arcades are reached by flights of steps at the
corners of the streets, and contain some very attractive shops. The old
timber-built houses of Chester with their curious inscriptions are all
preserved in their original ancient style, and nowhere in England can
the artist or photographer find a more interesting spot, or one
richer in ancient and mediæval relics than this little town.

[Illustration: "Wayside Inn, New Brighton." (_See page 31._)]

The quaint old taverns carry one back, back, to the life of the past.
Drop in at the Bear & Billet Inn some day, or The Falcon Inn, and yield
yourself up to the charming mediæval atmosphere of the place. Seat
yourself at the little table beside the window, and look out upon the
same scene which your English ancestors looked upon more than two
hundred years ago. The landlord's wife will bring you a foaming tankard
of ale. It is the same tankard from which your forefathers quenched
their thirst, and if you are of a contented, philosophical temperament,
you will experience the same comfort and enjoyment as they, in this
truly English beverage. If you are not fired with enthusiasm by this
old-time picture, wend your way to the banks of the River Dee, where you
may paint the greens in every variety of light and shade, with one of
the picturesque old farmhouses which abound here in the foreground, and
some "blooded" cattle resting quietly beneath the wide-spreading
branches of the trees. Or here is the single wide arch of Grosvenor
Bridge crossing the river, with a span of two hundred feet. This is one
of the largest stone arches in Europe. Or here is a bit of the old wall
skirting the water, and the charming picture of the Old Bridge, which
dates back to the thirteenth century; and here too are the vast mills of
the Dee, associated with the history and traditions of eight hundred
years. With its surrounding country, and the succession of lovely
gardens bordering the Dee, surely Chester is one of the choice spots in
England for the lover of the quaint and beautiful. Within the pretty
residences of the suburbs may be found all the comforts and recreations
of a happy prosperous family life, united with genuine English
hospitality, and a cordial welcome for the stranger. The owner of one of
these charming homes orders up his cart, and insists upon taking us for
a drive through this delightful locality, and for miles and miles our
hearts and eyes are captivated by lovely landscapes and enchanting bits
of scenery. We wind up with a cup of good hot tea, thinly cut buttered
bread, and other dainties.

[Illustration: "Typical English houses with their massive thatched
roofs." (_See page 31._)]

A decided change from the ancient and mediæval associations of Chester
is the prosperous city of Leamington, a watering-place situated on the
Leam River, a tributary of the Avon. The natural mineral springs
discovered here in 1797 have proved the source of great benefit to this
town, as the springs are highly recommended by physicians, and many
invalids resort thither. But as health is not our object in coming,
we do not follow the popular custom, but proceeding to the banks of the
River Leam, engage one of the many small boats which may be hired, and
drift leisurely down the stream with the current, revelling in the
wealth of beauty which surrounds us. Hundreds of lovely nooks disclose
themselves to our eager eyes--typical English scenes--and as we float
along life assumes an ideal aspect under the witchery of this
picturesque river. Here are old farmhouses in the foreground, with their
richly cultivated fields stretching away for hundreds of acres, and here
are velvet lawns, with their dainty high-bred air, surrounding noble
homes, stately and silent. Now a group of merry children dance about the
water side, and a great Newfoundland dog dashes wildly into the stream
after a ball or stick, swimming gallantly out until he seizes his prize.
How the children scream and run away as he rushes joyously up to them,
shaking the spray over their dresses and into their faces. Oh fair River
Leam! these lofty elms and giant oaks that look down upon your waters
love you, and we too, strangers from a foreign shore, here yield our
tribute of loving praise for the happy hours we owe to you, lingering
often, reluctant to leave some especially charming spot where the
branches of the trees overhang the stream, and touch our faces with
soft caressing fingers.

  "Nature was here so lavish of her store,
   That she bestowed until she had no more."

This scene too fades as we board one of the many tram-cars, and in a few
moments are carried to the very gateway of the world-renowned Warwick
Castle, which occupies a commanding position, overlooking the Avon. This
ancient pile is artistically poised, and presents grand effects of
color, light and shade. Upon the payment of a shilling for each person,
the massive iron doors which for centuries have guarded this stately and
historic stronghold, open as if by magic, and a passageway cut through
the solid rock leads us to an open space, where we have a fine view of
the magnificent round towers and embattled walls. A visit of two hours
gives us opportunity to climb to the top of the ancient towers which for
ages have loomed up as monuments of power and defiance in the face of
the enemy. We are impressed with the vast size of the castle. The view
from the towers and the windows is beautiful and romantic. In the
spacious courtyard there are magnificent old trees and soft velvety
turf, and the hand of time has colored towers and battlements a rich
brown hue that blends harmoniously with the ivy creeping in and out
wherever it can find a place.

[Illustration: "Suburban residence." (_See page 42._)]

The gardens slope down to the Avon, from whose banks there is a
picturesque view of the river front of the castle, and here as well as
in the park we see some fine old cedars of Lebanon, brought from the
East by the Warwick Crusaders. In the main castle we enter a number of
the apartments which are furnished in a style of regal splendor. The
Great Entrance Hall, sixty two feet long and forty wide, is rich in dark
old oak wainscoting, and curious ancient armor; and shields and coronets
of the earls of many generations, as well as the "Bear and Ragged
Staff," of Robert Dudley's crest are carved upon its Gothic ceiling. The
Gilt Drawing-room contains a rare collection of the masterpieces of
great artists. This room is so called from the richly gilded panels
which cover its walls and ceiling. In the Cedar Drawing-room are
wonderful antique vases, furniture and other curios, which would well
repay a much longer inspection than we can give them. But all the rooms
in this magnificent old feudal castle are filled with the finest
specimens of works of ancient art in every line. The paintings alone
fill us with despair, for they line the walls in close succession, and
the artists' names are Murillo, Rubens, Rembrandt, Vandyke, Sir Peter
Lely, Guido, Andrea del Sarto, and many others of like celebrity. What
an opportunity for those who have the time to linger in this atmosphere
of lofty genius!

Many beautiful old shade trees surround the castle, and the restful
silence inspires one with the desire to be alone and yield himself up to
the spirit of the place, hallowed by such wealth of associations and the
presence of immortal art.

A short distance from the castle, and outside the Warwick enclosure,
stands an old mill upon the bank of the Avon. This ancient and
picturesque structure was originally built for the purpose of grinding
wheat, but the all-observing eye of the artist quickly discovered in it
a mission of a higher order, and for years it has posed as the central
figure in the romantic landscapes portrayed by the brush of the painter
or the camera of the photographer.

Taking a drag and driving through Kenilworth, Coventry and Stoneleigh,
will give one delightful views of some of the most beautiful portions of
England. The roads are macadamized, and in good condition. This is a
fine farming country, and here we see the typical English farmhouses,
built of brick and stone, surrounded by well-cultivated fields,
stretching away into a peacefully smiling landscape. The fields are
separated by green hedges, and the whole scene is one that can hardly be
surpassed throughout "Merrie England."

From these lovely quiet homes, we pass through roads bordered with wild
flowers to the ruins of one of the most magnificent castles in Great
Britain. It is hardly necessary to say that Kenilworth is inseparably
associated with Sir Walter Scott, and his graphic descriptions of the
scenes and events that have taken place here in the days of its glory.
This castle, one of the finest and most extensive baronial ruins in
England, dates back to about 1120 A. D. It covered an area of seven
acres, but is now a mass of ivy-covered ruins, from which one can form
but a faint idea of its appearance in the height of its prosperity. Yet
the hand of nature has invested it with another kind of beauty, and in
place of the pomp and majesty of power, the brilliant pageants of the
court of Queen Elizabeth, we behold the clinging robe of ivy, the
daylight illuminating the gallery tower in place of the hundreds of wax
torches which flashed their lights upon the royal cavalcade, and a
little country road where once a stately avenue led to the tower, and
listened to the court secrets, lovers' vows and merry badinage uttered
within its shades. The castle has passed through many changes, and
experienced stormy days as well as those of prosperity and luxury, but
the pen of Scott has immortalized it on the summit of its glory, and
though the ages may cast their blight upon its visible form, it will
ever live in the soul of the artist, the poet, the lover of beauty, as a
scene of splendor, of sorrowful tragedy, of magnificent design.

But a few steps beyond the Kenilworth grounds is an old English inn--The
King's Arms. It is so picturesque and romantic-looking, that I feel like
rechristening it: "The Entire Royal Family."

Let us enter its hospitable doors and enjoy its old-time atmosphere and
many curious attractions. Here the artist is in his element, for on
every side are quaint corners, cozy nooks, and relics for which the
lover of the antique would give a fortune; while outside the windows the
beautiful English landscape beams upon one with inviting smiles. The
landlady, with her cheerful bustling air and broad accent, imparts a
pleasant thrill of anticipation, which is more than realized upon the
appearance of the savory chops,--grown on the neighboring hillside,
whose rich green pasturage is a guarantee for the flavor and quality of
the meat,--the delicious hot cakes, and the unfailing tankard, or if
one prefers it, the cup of fragrant tea. And so we sit and refresh the
inner man, while the soul revels in the world of beauty around us, and
picture after picture passes before the mental vision, connecting these
scenes with famous historic characters, or wonderful events of legendary
lore. So lovely are these views, that one could gaze for hours, and
never weary of the "living jewels dropp'd unstained from heaven," for
this picturesque country possesses a peculiar freshness, as though free
from the touch of care and the hand of time, like the fair maiden who
has received from the fountain of youth the gift of eternal life and
beauty.




Lights and Shadows of London Life.




_Lights and Shadows of London Life._

  The Shadow Side--The Slums--The City by Night--Vice and
  Misery--"Chinese Johnson's" Opium Den--The "Bunco" Man--An English
  Guard--"The Grand Old Man"--Caution to Tourists--Great Cities by
  Night--The Seven Dials--Derby Day--The Tally-Ho--Old Robin Hood
  Inn--Epsom Hill--The Races--Exciting Scenes--Side Shows--The Close of
  the Day.


As nature derives much of its charm from the intermingling of light and
shade, so in life there are many scenes of sharp contrast, and we often
have a deeper appreciation of its beauties after beholding the reverse
side of the picture. Some one has said: "In actions of life, who seeth
not the filthiness of evil, wanteth a great foil to perceive the beauty
of virtue."

What better opportunity of studying this phase of life can there be,
than in the faces of those whose existence is passed amid associations
of suffering, want and crime; who not only witness, but experience all
these in their different shades and degrees.

Take with me a walk through the worst portions of the greatest
metropolis in the world, and observe a few of the pictures in the
localities where humanity is born and nourished in misery, filth and
sin. Guarded by three of England's best paid detectives, I follow
closely in their footsteps, not daring to speak lest I rouse in his lair
the slumbering lion of passion and revenge. From street to street we
pass, viewing the wretched tenements, and more wretched inmates huddling
together over a faint spark of fire, or vainly trying to impart to their
little ones some of the natural warmth which still exists in their
bodies, in spite of hunger, cold and fatigue. The crumbs from the tables
of the rich would be a lavish feast to these poor creatures. Clean water
is as great a stranger to their stomachs as to their bodies; loathsome
rags cover their emaciated forms, and the destroyer drink has left his
signet upon their countenances. A little farther on is the vile dance
house into which the inhabitants of this neighborhood crawl for the
lowest stage of their degradation. A motley throng is assembled here,
and the sound of a violin mingles with shrill laughter and drunken
oaths.

I am guarded so carefully that many times I am hurried away from a scene
more quickly than I wish, the officers fearing that our presence may
create a disturbance among these reckless characters. We enter a low
saloon in a cellar dimly lighted by an old oil lamp: the atmosphere is
gruesome, and one of the detectives warns me that the men who frequent
this haunt are desperate fellows who would not hesitate to stab me for
the sake of my clothing. Old and grizzled habitués line reeking walls,
with depravity written upon every countenance, and I fully realize that
my life would not be worth a moment's purchase here should my attendants
forsake me.

Now we are in a long narrow alley, as black as Erebus, which gives one
the feeling of being in a subterranean passage upon some mysterious
mission. In a few minutes a light appears ahead--a dull glimmering
bluish light, like that which is supposed to hover above graveyards--and
we pause in front of a small frame house of two stories. A knock upon
the door brings to the threshold a little dried up, wizened Chinaman,
made feeble by long dissipation, who in his broken language makes us
welcome. The place is "Chinese Johnson's" opium den. How can I describe
the scene that is before me? In this room are many small dirty cots
filled with unconscious human beings, willing victims of the pernicious
drug--a loathsome spectacle--and here on a small couch sits the
proprietor of the establishment. This is his throne of state, and here
he can smoke with impunity the deadly drug, which has no perceptible
effect upon his depraved body. We are glad to end this experience and
banish from our minds the unattractive picture of the Chinaman in his
elysian fields.

We are not the only ones who have the privilege of viewing these scenes.
Any one who desires and possesses the necessary courage may invade the
haunts and dens of the lower world, and be profited by the lessons here
learned; but he must exercise great caution. The studies are not only
for the brush and camera: they are food for the thoughtful mind which
can apply the wisdom thus gained, and seek in these conditions for the
solution of knotty problems. One can better appreciate, by reason of
this contrast, the blessings of his own life; of purity, honesty and
contentment as opposed to ignorance, poverty and vice.

This evening, fatigued in mind and body by my experience in the slums of
London, I enter the Holborn Restaurant, hoping to enjoy a good dinner,
and at the same time be entertained by the delightful music of skilled
musicians. I seat myself at a table on the second floor, and supposing
myself free from intrusion, yield myself up to the charming melody,
when a good-looking and well-dressed man approaches, and with many
apologies asks if the seat opposite me is engaged. I assure him that I
do not lay claim to ownership of any portion of the Holborn, and that I
can speak only of the chair upon which I am sitting. Upon this he takes
the opposite place and gives to the waiter an order for quite an
extravagant supply of the dainties enumerated on the bill of fare.
During the time intervening between the giving of the order and its
delivery, no conversation passes between us, but I have an unpleasant
consciousness of his presence, and occasionally feel his eyes resting
upon me. The appearance of the epicurean repast seems to impart the
confidence he requires, and he addresses me with the remark that I must
pardon him for staring at me so impolitely, but he is sure he has met me
before. Am I not an American? to which I assent. "Are you a New Yorker?"
is the next interrogation from this experienced catechiser. He can
readily perceive that I am an American by my foreign accent.

To the last question I also respond in the affirmative, and may heaven
forgive the falsehood. "Ah," he says, "do you frequent the races at
Sheepshead Bay?" "Yes, generally," I reply. (I have never seen the
place.) "It is there, then, that I have met you. Were you not there last
summer?" "Many times." (Another breach of truth.) "Will you kindly give
me your name?" follows as a matter of course. I reach my hand into my
pocket and draw out a card upon which is engraved simply my name, and
extending it toward him, remark: "My name is Charles M. Taylor, Jr., and
I am associated with Mr. ----, one of the chief detectives at Scotland
Yard. My present mission is to look up some 'Bunco' men from New York
who have headquarters in London. Here is my card." But the stranger does
not take the card. He glances hastily at his watch, and rising
hurriedly, says: "It is nine o'clock. I did not know it was so late. I
must be off, as I have an important engagement."

As he pushes back his chair, I quickly call a waiter, and tell him to
collect the money for this gentleman's order, as I do not wish to be
held responsible for it. He pays for the meal which he has not touched,
and in his haste to depart forgets his manners, for he does not wish me
"good-night."

Did he think I was a tender lamb? This hurts my pride somewhat. I am
sorry, however, that I was obliged to deceive him so.

One evening while discussing matters in general with an English friend,
born and bred in the city of London, we touch upon the order and
unswerving obedience of the soldiers, policemen and good citizens who
dwell under the dominion of her gracious Majesty, the Queen, in the
great metropolis; and my friend cites as an example, the guards who
patrol nightly the White Hall Horse Guards Barracks, as adhering so
strictly to their line of march that they will not turn out of their way
one inch for any person or obstacle in their direct course. I accept the
wager of a dinner at the Holborn to be given by me if I do not succeed
in inducing one of these guards to move out of his line of march.
Selecting a dark night for the one in which to make good my assertion, I
approach the barracks, and espy the guard with bayonet at "Carry arms,"
making a "bee line" toward me. I walk in his direction with head bent
low, and come so close that there would be a collision were it not for
the stern and firmly-uttered "Halt" that comes from his lips. I halt
face to face with this noble specimen of humanity, standing fully six
feet one in his boots, and as straight as "Jack's bean pole." "Sir," I
say, "you are in my way, will you please move out?" He makes no
response. "Will you please step aside and allow me to pass?" No
response. "Come, my good fellow," I continue in persuasive tones, "I
have made a wager that you will move out of line for me, and if you do I
will share the bet with you." No reply. But I see in the immovable
countenance an inflexible determination to do his duty which all the
bribes in Christendom will not be able to change. I feel that death only
can prevent his obedience to orders. "Well," I conclude, "you are a good
fellow, and the power you serve, be it queen, emperor, or president, is
to be envied for having such a faithful subject. I respect your
obedience to law and order. Good-night." No response. It is needless to
say that I pay the forfeit willingly, and my friend and I enjoy a good
dinner at the Holborn.

[Illustration: "White Hall Horse Guards' Barracks." (_See page 63._)]

Strolling one morning about London, with nothing better to do than to
take in "odd bits" that come in my way, I observe a large crowd of
citizens assembled opposite the entrance to Parliament, and going up to
a policeman, I ask what has happened, or is about to happen? But the
officer looks perfectly blank, and can give me no information whatever.
I bethink suddenly of my remissness and the rules governing information
sought from guards, cab-drivers, and omnibus whips in the city of
London, and straightway putting my hand in my pocket, I produce
several pennies which I give him for a mug of "Half and Half." A change
comes over his countenance, his vanished senses quickly return, and with
a courteous smile he remarks that Gladstone is expected to appear in
Parliament for the first time after an illness of some weeks. And this
obliging "cop" not only gives me the desired information, but escorts me
to a good position in the crowd, just in time to behold the "Grand Old
Man," who, holding his hat in his hand, bows smilingly in response to
the enthusiastic greetings which come from every side. He walks briskly
along, and as he comes close to me, moved by an irresistible impulse, I
step out from the throng, and extend my hand, saying: "I am an American,
who wishes to shake the hand of the man who has so bravely fought a hard
battle." The proud old face looks pleasantly into mine, his hand meets
mine with a cordial grasp, and replying that he is glad to meet an
American, Gladstone passes on to the scene of his many conflicts and
victories.

The tourist who is bent on seeing the various sections of a great city,
and especially those localities which are best observed by night, should
be very cautious in visiting the haunts of vice and poverty: such for
example as the old Seven Dials of London, as it used to be. I have had
many unpleasant and untold encounters, and been placed in situations,
not only trying, but extremely dangerous, while attempting to explore
these hidden regions unattended and alone. Experience has taught me that
it is best to go "well heeled," that is accompanied by the best informed
and most expert detectives, as what they may charge for their services
is cheap in comparison with a mutilated head or body. One's own ready
wit and shrewdness are all very well in some cases, but there are times
when these fail, and the man at the other end, drunken, brutal, and
excited, will make you wish you had "let sleeping dogs lie."

It is well for travellers and others to visit the slums of large cities
by night. Here is food for comparison and reflection, and from these may
perhaps arise a different feeling from that with which we are accustomed
to regard the poor wretches who have lacked the advantages of birth,
education and environment.

In company with four detectives, I visited the "Seven Dials" of London,
and the experience of those nights spent in scenes of horror, vice and
degradation would fill volumes. Picture to yourself a small narrow
street, with low wooden houses of two stories on either side. There are
dim glimmering lights at intervals of about fifty feet. The hour is two
o'clock in the morning, as one tourist attended by four officers wends
his way through an atmosphere filled with dread and horror. We enter
some of the houses which present scenes of indescribable squalor and
confusion. A perfect bedlam of tongues reigns here. Men and women hurl
abusive epithets at each other, from windows and doors, as well as from
one end of the street to the other. The entire neighborhood enters into
the quarrel, and the transition from words to blows is sudden and
fierce. The street is filled in an instant with ragged, and almost naked
beings, whom one can hardly call human, and the battle which ensues with
clubs, knives and fists is beyond imagination. Cut heads, broken limbs,
bruised bodies, bleeding countenances appear on every side, and it is
quite evident that many are scarred for life. The sight is loathsome,
yet it makes one's heart ache. Such scenes are of frequent occurrence in
the slums of nearly every large city, where drink and depravity count
their victims by thousands. In these vile abodes are the haunts of the
thief, the smuggler, the fallen, and the pictures once seen, are
indelibly impressed on the memory, with the long train of reflections
awakened by such sights, and the inevitable query: Why is not something
done to render such scenes impossible in this age of civilization?

At last the great Derby Day has arrived, and the whole atmosphere is
filled with the importance of the occasion. The sprinkling rain does not
dampen the ardor and enthusiasm of the true Englishman, for I am told
that the races have never been postponed on account of the weather.
After breakfast we stroll to the street corner where stands our tally-ho
in readiness for the day's excursion. Having engaged our seats the
previous day, we take our places and start forth, drawn by four spirited
horses under the guidance of an experienced driver. The whip is cracked,
the horn sends forth its musical signal, and away we go amid the cheers
and applause of numerous spectators. Swiftly we roll over the well paved
streets, and the high spirits of the company, accompanied by the
frequent winding of the horn, render the ride extremely pleasant. The
race-course is about eighteen miles out of London, and our road is
through a beautiful portion of the country. Every lane and avenue is
thronged with people, walking, driving, or on bicycles, but all going to
the Derby. We stop for refreshment at the old Robin Hood Inn, an ancient
hostelry, established, we are told, in 1409. Here we have a beverage,
supposed to be soda water or milk, but which is in truth a stronger
concoction, to brace us for the mental and physical strain of this
exciting day. "All aboard," cries the coachman, and there is a general
scramble for places. At last we are all seated, and proceed on our way,
changing horses when half the distance is covered.

We take the main thoroughfare within three miles of the Epsom grounds,
and now a wonderful sight bursts upon us. Thousands of pedestrians of
both sexes and every age are flocking toward the race course: hundreds
of carriages, vans, dog carts, tally-hos, vehicles of every description
throng the road. Enormous trains are constantly arriving, bearing their
thousands to the Downs, now covered with a vast moving mass. London
empties itself on this all-important day, and proceeds to Epsom by every
possible means of locomotion. The grand stand, a handsome and commodious
structure, is quickly filled to overflowing. There are numerous other
stands. The appearance of the Downs, with the countless booths and the
waving multitude which cover it as far as the eye can reach, is a
spectacle that cannot fail to thrill the soul of the most phlegmatic. No
other event in England can concentrate such an amount of interest and
excitement as is found on the scene of the Derby. Every one is in high
spirits: young and old, men, women and children all seem merry and
happy, laughing, singing, dancing along on this one great day of the
year. Behold the party on our right. A large wagon contains ten or more
men and women, who are singing and laughing in great glee, and who
invite us to join them. Here a group of a half dozen men with musical
instruments at their sides are singing to their own accompaniment. The
dust rises in clouds, and we are covered from head to foot with it as
with a garment: we all wear veils pinned around our heads to protect our
eyes.

At last we reach Epsom Hill, and here we pay two guineas for the
admission of our party and conveyance. We are also entitled to a place
anywhere on the hill which overlooks the race-course. Our horses are
picketed after being taken from the wagon, and our two attendants spread
before us a most sumptuous repast. Coaches of every kind are so thickly
jumbled together that for a vast distance the hill seems covered with a
coat of dark paint.

[Illustration: "A short run of an hour." (_See page 83._)]

Thousands and thousands of men, women and children are assembled upon
this hillside, while tens of thousands fill the stands and encircle the
race-course. It is estimated that no less than from one hundred
thousand to one hundred and fifty thousand persons are massed together
at these races.

The race-course is not like those in the United States, but is a sodded
strip extending about half a mile in a straight line. The ringing of a
bell announces the commencement of the races, and the mass of humanity
surges to and fro in great excitement. Now is the book-maker's time, and
he passes hither and thither, shouting his offers to the enthusiastic
multitude, who accept or reject his propositions with eagerness or
scorn, corresponding with their knowledge or ignorance of the horses
ventured. Gambling and betting are at their height: vast sums of money
change hands at the conclusion of the races, and many inexperienced as
well as reckless ones leave the field at night ruined men. Meanwhile the
confusion is indescribable.

But these sounds drop away, and silence prevails as five slender
well-shaped racers appear, ridden by jockeys, but when the wild mad race
begins in which each endeavors to outdo the others, the excitement and
tumult know no bounds: shouts, groans, cheers fill the air, and every
eye is strained along the course: one could readily believe that a
whole world of mad spirits has been let loose to fill the air with
their hoarse discordant sounds.

As the winning horse reaches the goal, a placard of large dimensions, on
which his number is conspicuously painted, is raised within full view of
the swaying crowd. The shouts and cheers burst forth afresh, and jubilee
and pandemonium mingle their extremes in a scene to be imagined only by
those who have experienced it.

As the first excitement cools, bets are paid, and accounts squared.
Again the bell rings: another race, and a repetition of the previous
scene, and so it continues for several hours.

But the racing is not the sole attraction, as is evidenced by the crowds
surrounding the refreshment booths and side tents, where for a small fee
one may see the Fat Woman, the Skeleton Man, or the Double-Headed Boy;
or listen to the colored minstrels who charm the soul with plantation
melodies; or have his fortune told in the gypsy tent by a dark-eyed maid
in gorgeous attire, who will tell of a wonderful future which is "sure
to come true." Or you may have your photograph taken on the spot, and
finished while you wait. Here is a phonograph representing a variety
entertainment, and the little group around it are laughing heartily at
the jokes of the "funny man," the ventriloquist, and the story-teller.
Here are fine bands of musicians, and dozens of oddities, and curious
tricksters: and the whole forms one grand panorama of human life, the
counterpart of which is to be seen nowhere else in the world.

At five o'clock, the horses are harnessed to our tally-ho, and with
smiling but dusty and sunburned faces we bid farewell to the scene of
gayety and start for home. Every road and byway in the surrounding
country is swarming with people, and the scale of pleasure,
disappointment, grief, hilarity and fatigue is reflected in the
countenances of riders and pedestrians. Here is a group, overheated,
weary, dejected, trudging slowly along the way, interchanging scarcely a
word with each other: here a merry party, filled with life, singing,
laughing, recounting the events of the day, as they wander on, arm in
arm. Now a little lame boy smiles in our faces from the tiny cart which
his sister pushes cheerily forward, and now a gay belle dashes by in a
carriage drawn by fast horses, holding the ribbons and whip in correct
style, while her companion leans back, indolently enjoying the
situation.

The countenances of the men tell various tales, as the triumphs or
failures of the day are expressed in their faces. Some few wear a
stolid, impassive air, while others talk, talk, talk, as though they
have never had an opportunity till now. As we ride along amid the
stupendous throngs, many thoughts are aroused, and many a picture is put
away in the recesses of memory to be brought forth and pondered over on
a future day.

With the shades of night the curtain falls upon a scene of such
magnitude that the brain is weary of contemplating it, and is glad to
find temporary forgetfulness in "tired nature's sweet restorer." And so
ends the great Derby Day.

[Illustration: "The chalky cliffs of Dover." (_See page 83._)]




Scenes in the Gay Capital.




_Scenes in the Gay Capital._

  Dover to Calais--Paris--The Gay Capital by Night--Boulevards--Life in
  the Streets--Champs Élysées--Place de la Concorde--Arc d'Etoile--Place
  Vendome--Louvre--Opera House--Palais Royal--Church of the
  Invalides--Versailles--Notre Dame--Jardin Mabille--The Madeleine--The
  Pantheon--The Banks of the Seine--French Funeral Ceremonies--La
  Morgue--Pere Lachaise.


We travel from London to Dover by train, thence by steamer to Calais.
The chalky cliffs of Dover with their high precipitous sides are a
pleasant and restful farewell picture of the shores of old England. A
short run of an hour or more lands us amid scenes so different from
those of the past few weeks that we feel that the magician's wand has
again been exercised and the "Presto, change," has transported us to a
region of maliciously disposed genii, who will not understand us, or
allow us to comprehend their mysterious utterances; and the
transformation scene is complete as we enter Paris, the home of the
light, the gay, the fantastic.

Let the lover of the bright, the gay, the jovial, visit the broad
boulevards of Paris by night, especially the Avenue des Champs Élysées,
which seems to be the favorite promenade of the populace. Upon both
sides are groves of trees, brilliantly illuminated by myriads of colored
lights, and here amid these bowers is to be found every variety of
entertainment for the people. Games of chance are played in the gay
booths, Punch and Judy shows attract crowds of children, wonderful feats
of horsemanship are performed, singers in aërial costumes draw many to
the Cafés Chantants, and the lights of innumerable cabs and carriages
flit to and fro in every direction like will-o'-the-wisps. Here is fine
military music, as well as exhibitions of skillful playing on almost
every known instrument.

The wide boulevards are long, straight and marvels of beauty, with their
lovely gardens, handsome houses, and fine shops.

There are strong contrasts in the lives of those one sees upon these
streets under the gaslight. I think Dante's three realms are pretty
clearly represented along the avenues of Paris, beneath the starry dome
of heaven, and within these gayly decorated booths and cafés. Here may
be seen the high and the low, the rich and the poor, the grave and the
gay, the innocent and the hardened in guilt, the adventurer and his
unsuspecting victim. And this heterogeneous throng, this careless
pleasure-loving crowd, may be seen drifting from one point to another
till the cock crows the warning of approaching dawn. The streets of
Paris by night afford abundant material for the artist, the
photographer, the poet, author and clergyman; as well as the adventurer.
Here indeed, if anywhere, one may

                "read the human heart,
    Its strange, mysterious depths explore.
  What tongue could tell, or pen impart
    The riches of its hidden lore?"

The Place de la Concorde is the most beautiful square in Paris. From its
centre are magnificent views of the grand boulevards and many of the
handsome public buildings, and here are the great bronze fountains
marking the historic spot upon which stood the guillotine during the
French Revolution. The lovely walks, the sparkling waters, and the
statues and monuments, the obelisk, the merry strollers, and picturesque
tableaux seen at every turn are positively enchanting. Up the broad
vista of the Champs Élysées the eye rests upon the wonderful Arc
d'Etoile, one of the most conspicuous monuments in Paris. It stands in
the Place d'Etoile, one of the most fashionable sections of the city,
and is surrounded by elegant residences and pleasant gardens. From this
point radiate twelve of the most beautiful avenues in Paris, and from
the summit of the arch one can see for miles down these grand
boulevards. The magnificent arch of triumph, commenced in 1806 by
Napoleon, was not finished until 1836. It is a vast structure, rising
one hundred and fifty feet from the ground. The great central arch is
ninety feet high and forty-five feet wide, and is crossed by a spacious
transverse arch. Upon the outside of the arch are groups of splendidly
executed statuary, representing scenes of conquest and allegorical
figures. A spiral staircase leads to the platform on top, where one
beholds this superb prospect which well deserves its world-wide
celebrity.

We come upon the Place Vendome through the Rue de la Paix, and here
stands the great historic column, erected by the first Napoleon in
commemoration of his victories over the Russians and Austrians. The
monument is constructed of twelve hundred pieces of cannon, captured in
the campaign of 1805. Upon the pedestal and around the shaft which is
one hundred and thirty-five feet high, are bas-reliefs representing
warlike implements and the history of the war from the departure of the
troops from Boulogne to its end on the famous field of Austerlitz.

In front of the central entrance to the court of the Tuileries, in the
Place du Carrousel, is the Arc de Triomphe du Carrousel, also erected by
Napoleon I., in 1806, in imitation of the triumphal arch of Severus at
Rome. In the garden of the Tuileries, with its old-time atmosphere, its
statues, fountains and pillars, its groves and terraces, its historic
ruins, its lovely flower-beds, we find a quaint and charming picture of
a past age; yet when these groves and paths resound with the hum of
human voices, when the many chairs and benches are filled with joyous
human beings, the link between the past and present is established, and
we are in one of the favorite resorts of the Parisians of to-day.

Between the Tuileries and the Louvre is Napoleon's triumphal Arc du
Carrousel--or rather between the courtyards of the two famous piles,
which now form one continuous structure of magnificent architectural
design, whose façade is adorned with Corinthian columns, elaborate
sculptures and lofty pavilions. Groups of statuary, representing the
most distinguished men of France, allegorical figures, floral designs
and other decorations on a vast scale ornament these magnificent
pavilions. The space enclosed by the old and new Louvres and the
Tuileries is about sixty acres.

Some of the most beautiful of the architectural designs of the Louvre
were completed by Napoleon I.,--to whom it owes much of its
restoration,--from the drawings of Perrault, the famous author of
Bluebeard, and the Sleeping Beauty.

We cross a square and quickly find ourselves in the garden of the Palais
Royal, once the Palais Cardinal, and the home of Richelieu. The ground
floor of the palace is occupied by shops. The garden which is enclosed
by the four sides of the square, is about a thousand feet long and
nearly four hundred feet wide. Here is a quadruple row of elms, also
long flower-beds, shrubbery, a fountain and some statues. A military
band plays here in the afternoon, but the garden presents the gayest
scene in the evening, when it is brilliantly illuminated, and the chairs
under the elms, as well as the long walks are filled with gay
pleasure-seekers.

There is a magnificent opera house near the Grand Hotel, whose vast
exterior is ornamented with beautiful statuary, medallions, gilding and
other rich decorations.

In the Church of the Invalides we find the tomb of Napoleon I., who in
his will expressed a desire that his ashes might rest on the banks of
the Seine, in the midst of the French people whom he had loved so well.
The open circular crypt is beneath the lofty dome, whose light falls
upon it through colored glass, and with a wonderful effect. The pavement
of the crypt is a mosaic, representing a great crown of laurels, within
which are inscribed the names of Napoleon's most important victories;
and twelve colossal figures symbolizing conquests, surround the wreath.
The sarcophagus rests upon the mosaic pavement within the crypt, which
is twenty feet in depth. This is an enormous block of red sandstone,
weighing more than sixty tons, which surmounts another huge block
supported by a splendid rock of green granite. The scene is solemn and
grandly impressive, the faint bluish light from above, producing an
effect wholly indescribable. In the higher of the two cupolas, directly
over the crypt, is a painting, with figures which appear of life-size
even at this great distance, of Christ presenting to St. Louis the sword
with which he vanquished the enemies of Christianity.

Here is Versailles, with its "little park of twelve miles in extent, and
its great park of forty," with its beautiful fountains and grottos, its
wonderful groves and flower-beds. Here are velvety lawns adorned with
fine statuary, green alleys, shrubberies and terraces, in which art and
nature are so cunningly intermingled that they are often mistaken for
each other. The fountains are representations of mythological
characters, and the figures are carried out in their immediate
surroundings. Apollo is in his grotto, served by seven graceful nymphs:
while close by the steeds of the sun-god are being watered by tritons.
Again, the basin of this god appears surrounded by tritons, nymphs and
dolphins, with Neptune and Amphitrite in the centre, reposing in an
immense shell.

Latona, Apollo and Diana are represented by a fine group: the goddess is
imploring Jupiter to punish the Lycian peasants who have refused her a
draught of water, while all around her, in swift answer to her appeal,
are the peasants, some partially transformed, others wholly changed into
huge frogs and tortoises, condemned here to an endless penalty of
casting jets of water toward the offended deity.

Here is the famous old cathedral of Notre Dame de Paris with which
Victor Hugo has made the world familiar. This grand Gothic structure was
commenced in the twelfth century, and finished in the fourteenth. We
view its exterior from a position facing the fine west façade, with its
wonderful rose window between the huge square towers. The three
beautiful portals are ornamented with rich sculptures and imposing
statuary. These doors form a succession of receding arches, dating from
the early part of the thirteenth century. The central portion is a fine
representation of the Last Judgment. The interior is vast and impressive
with its vaulted arches and long rows of columns. The ancient stained
glass of Notre Dame is represented by three magnificent rose windows.
From the summit of the tower there is a glorious view of the Seine and
its picturesque banks and bridges: indeed one of the loveliest views in
Paris.

Another famous and beautiful edifice is the Madeleine, or church of St.
Mary Magdalene, which stands in an open space not far from the Place de
la Concorde. It is in the form of a Grecian temple, surrounded by
Corinthian columns, and the flight of twenty-eight steps by which one
approaches the church, extends across its entire breadth. The great
bronze doors are adorned with illustrations of the ten commandments.
Within, the walls and floors are of marble richly ornamented, and the
side chapels contain fine statues, and paintings of scenes from the life
of Mary Magdalene. The high altar is a magnificent marble group
representing angels bearing Mary Magdalene into Paradise. This whole
interior is indescribably beautiful, and to enter into its details one
would require a volume. From this sublime spectacle we pass to the
Church of St. Genevieve, the protectress of the city of Paris,
familiarly known as the Pantheon. This also is a magnificent structure,
with three rows of beautiful Corinthian columns supporting its portico.
The handsome pediment above this portico contains a splendid group of
statuary in high relief, representing France in the act of distributing
garlands to her famous sons. The central figure is fifteen feet in
height. The edifice is in the form of a Greek cross, surmounted by a
majestic dome, two hundred and eighty feet high.

Within the church the spacious rotunda is encircled by Corinthian
columns which support a handsome gallery, and he who ascends to the dome
will have an opportunity of observing closely the wonderful painting,
covering a space of thirty-seven hundred square feet, which represents
St. Genevieve receiving homage from Clovis, the first Christian monarch
of France, Charlemagne, St. Louis, and Louis XVIII., while the royal
martyrs of the French Revolution are pictured in the heavenly regions
above. In the gloomy vaults below we behold the tombs of a number of
eminent men, among them those of Rousseau, Voltaire, and Soufflot, the
architect of the Pantheon. In the middle of the vaults is an astonishing
echo. The roll of a drum here would sound like the thunder of artillery;
a board dropped upon the pavement is like the report of a cannon, and
the reverberations are repeated over and over again as though these
subterranean spirits are loth to resign the opportunity of speech so
seldom afforded them.

The tourist in Paris rarely fails to spend at least one evening in the
Jardin Mabille; that is the male tourist, who is curious to behold life
in all its phrases, and whom the fame of the garden attracts as the
candle draws the moth. This is a pretty spot, with bowery paths, gay
flowers, sparkling fountains, arbors and sheltered corners where lovers
and others may enjoy tête-à-têtes undisturbed, and refreshments may be
ordered to suit purses of all dimensions. There is a good orchestra on
the brilliantly illuminated stand, and here the soubrette is in the
height of her glory, while the better class of the visitors are as a
rule, only spectators. There is some pretty gay dancing here, but order
is preserved. On certain nights fine displays of fireworks attract many
spectators. But the great feature is the dance, and the proprietors
generally employ some girls distinguished by peculiar grace, beauty, or
other characteristics who serve as magnets to the light and
pleasure-loving throngs.

But why attempt to give even a faint idea of the innumerable attractions
of the city whose abundant resources bewilder the tourist whose time is
limited. It teems with life. It is overflowing with beauty, passion and
love. Wandering along its gay boulevards, whether in the bright
sunshine, or beneath the starry vault of night, with picturesque
mansions or gay shops on either side, or amid the bowery paths and
bewitching avenues, the gardens, statues, music and laughter, one feels
that he is in an enchanted land, where high and low, rich and poor share
alike in the universal beauty and happiness.

The charming banks of the Seine offer endless attractions. Here are many
beautiful bridges, from which one may have picturesque views of the
lovely gardens and palaces. These bridges are handsomely ornamented with
statuary, bronzes, and reliefs, and bear interesting inscriptions.
Floating bathing establishments are to be seen along these banks, and
swimming schools for both sexes. Here are also large floats or boats
capable of accommodating at least fifty women, who wash their clothing
in the Seine. It is quite interesting to watch these robust girls and
women, as they pat and slap the heaps of muslin with the large paddles
provided for this purpose.

When a death occurs in a family of the middle class in Paris, it is
customary to drape the whole lower story of the house with black, and
place the body of the deceased in the front room. Holy water is placed
at the head, also candles and a crucifix, and any one may enter and view
the body, or sprinkle it with holy water, and offer a prayer for the
soul of the departed.

The men who pass a house so distinguished reverently uncover their
heads: they also take off their hats on the appearance of a funeral, and
remain so until the procession has passed.

For him who is interested in such sights, the morgue presents a curious
but sad attraction. Here lie on marble slabs, kept cool by a continuous
stream of water, the bodies of unknown persons who have met their death
in the river or by accident. Their clothing is suspended above their
heads, and any one may enter and view these silent rows. After a certain
period, if not identified, they are buried at the public expense. I
behold many pathetic sights here, as broken-hearted relatives find their
worst fears realized and lost and erring ones are recognized. Sad, sad
are the pictures to be seen at the morgue. Here is a fair young girl, of
not more than twenty years, resting peacefully upon her marble bed, her
troubles in this world over forever. Her body was found yesterday
floating on the Seine.

  "One more unfortunate
     Weary of breath,
   Sadly importunate,
     Gone to her death.

  "Touch her not scornfully;
   Think of her mournfully,
     Gently and humanly;
   Not of the stains of her,
   All that remains of her
     Now is pure womanly.

  "Make no deep scrutiny
   Into her mutiny
     Rash and undutiful:
   Past all dishonor,
   Death has left on her
     Only the beautiful."

Pere Lachaise, once an old Jesuit stronghold, is now the largest
cemetery in Paris. It is said that there are more than eighteen
thousand monuments here. The older part is much crowded, and we find
here famous names connected with every age and profession.

Here is a granite pyramid, here one of white marble, and here the love
of a nation commemorates with flowers the grave of a man whose
resting-place no lofty monument marks, but who "lives forever in the
hearts of the French people." Here a monument whose sides exhibit
bas-reliefs of the fable of the fox and stork, and the wolf and lamb, is
surmounted by the figure of a fox carved in black marble. This is the
tomb of Lafontaine. The little Gothic chapel yonder is the tomb of
Abelard, whose effigy lies upon the sarcophagus within, and beside it is
that of Heloise. This double monument is very lovely, although the signs
of neglect and decay are plainly visible.

The military chiefs of Napoleon's day sleep in this cemetery, and here
lie the mortal remains of St. Pierre, the author of Paul and Virginia,
of the great painter, David, of Pradier, the sculptor, the actress
Rachel, and hundreds of others with whose names we are all familiar. The
grounds are picturesque with winding paths, and cypress groves, and
wreaths and flowers everywhere testify to the loving remembrance in
which the dead are held by the living. The elevated position of Pere
Lachaise gives one a fine view of the city. The grounds when first laid
out in 1804, covered upward of forty acres; they now extend over more
than two hundred acres, and it is said that $25,000,000 have been
expended in monuments since this cemetery was opened.




Antwerp and the City of Windmills.




_Antwerp and the City of Windmills._

  From Paris to Antwerp--Along the Route--Thrifty Farmers--Antwerp--Dogs
  in Harness--The River--Old Churches--Chimes--An Inappreciative
  Listener--Steen Museum--Instruments of Torture--Lace Industry--Living
  Expenses--Hospitality--The City of Windmills--Watery Highways--A City
  of Canals--The Maas River--The Houses on the Canals--Travel by
  Boats--Novel Scenes--Costly Headgear--Dutch Costumes--Powerful Draught
  Horses--No Bonbons--Chocolate Candy--In the Market-Place--The Belle of
  the Market--Photographs--Wooden Shoes--Drawbridges--Blowing the
  Horn--Ancient Relics--The Sword of Columbus.


The country between Paris and Antwerp is delightful, and very different
from the lovely landscapes of England. Farms, towns, villages, all
present a novel aspect, and the people speak a language very strange to
our ears. The great fields along the road are not fenced in but are only
distinguished from one another by the difference in the appearance of
the crops. In England, as I have said, there are beautiful hedges
everywhere separating the fields and meadows.

Here are strong men and women working side by side in the fields. Here
are buxom country lasses, rope in hand, one end of which is attached to
the horns of the leader of a herd of cattle. These are glowing pictures,
and the clean farmhouses, fields and roads are abundant evidences of the
industry and thrift of the people.

Antwerp may well be termed a city of charms and fascinations. It is the
most attractive and interesting town in Belgium, and at the same time
one of the strongest fortresses in Europe. Our first impression of this
place is of clean orderly streets, paved with the square Belgian blocks
which endure so well the wear and tear of constant travel. The houses
and shops are of a quaint, ancient style of architecture, and very
picturesque effect. During the middle ages, Antwerp was a very
important, as well as wealthy city, and its splendid docks, its
wonderful cathedral, its magnificent paintings all testify that a period
of exceptional prosperity has been granted to it in the past.

A strange sight are the heavy freight wagons, with their broad wheels
and various loads, drawn by large powerful dogs. In many cases the dogs,
of which there are sometimes two or three, are strapped under the body
of the wagon by a kind of leather harness, or, if the owner be too poor,
rope is substituted. A man or woman assists in drawing the load, which
is frequently so massive as to appear disproportioned to the combined
strength of man and beast. The dogs are bred and trained for their
peculiar vocation, and are never allowed to shirk their part of the
burden imposed upon them. Should they attempt to do so, they are quickly
recalled to their duty by a small whip, hence the maximum result may be
obtained from their labor. Their muscular limbs show plainly that they
possess great strength and endurance. Large powerful draught horses with
well defined muscles are also used. These horses must weigh fully from
twelve to sixteen hundred pounds, and when four or six are harnessed
abreast, tons of merchandise may be moved in one load. Antwerp, a city
of about 260,000 inhabitants, is one of the greatest seaports of Europe,
having splendid facilities for ships of every size, and huge warehouses
for the landing and storage of immense quantities of merchandise. It is
finely situated on the Schelde, which is at this point one third of a
mile wide and thirty feet deep, and serves as an outlet for the commerce
of Germany as well as Belgium. The town was founded in the seventh
century, and has passed through many vicissitudes, attaining the summit
of its glory under the Emperor Charles V., about the close of the
fifteenth century. At that period it is said that thousands of vessels
lay in the Schelde at one time, and a hundred or more arrived and
departed daily. Its decline began under the Spanish rule, when the
terrors of the Inquisition banished thousands of its most valuable
citizens, who sought refuge in other countries, especially in England,
where they established silk factories, and assisted greatly in
stimulating the commerce of the country. After scenes of war and
frightful devastation, varied by brief seasons of prosperity, the tide
of success once more returned to the old harbors about 1863, and since
then its commerce has increased in a greater ratio than that of any
other European city. The Flemish population predominates, and its
characteristics are those of a German town.

We enjoy many lovely views along the river frontage, where dozens upon
dozens of ships lining the banks, offer a variety of pictures to the
lover of water scenes, besides the fine prospect of the town from the
river.

[Illustration: "The largest and handsomest Gothic church in the
Netherlands." (_See page 107._)]

That the Cathedral is the first attraction for the tourist goes without
saying, and those are well repaid who climb far up into its magnificent
spire, even beyond the great group of bells that captivate the soul with
their wonderful sweetness and melody. At a height of four hundred feet,
the vast prospect spread out before one is indescribably beautiful.
This Cathedral, the largest and handsomest Gothic church in the
Netherlands, was begun in 1352, but was not completed until about 1616.
The chimes consist of ninety-nine bells, the smallest of which is only
fifteen inches in circumference, while the largest weighs eight tons.
The chimes are rung every fifteen minutes, a musical reminder that the
soul of man, no matter what his occupation, should be elevated by
continual aspiration toward the living God. Oh, these beautiful chimes!
What wondrous harmony they peal forth, and what a multitude of loving
thoughts they gather up and waft hourly to the very gates of heaven!

A stranger in the town, and a traveller, made the remark to me that
these bells must be very annoying, ringing at such short intervals, and
especially at night. "It is worse than a swarm of mosquitoes," he said,
"for one can escape the attentions of these insects by placing a net
over his couch, but the piercing sounds of these monstrous bells
penetrate one like the chill of zero weather." This reminded me of a man
who shared our compartment in one of the French railway cars, who
interrupted my enthusiastic remarks on Westminster Abbey, its exquisite
associations, and the sacred atmosphere which impressed all who came
within its hallowed walls, by an eager question regarding the luncheon
to be served an hour later.

The interior of the Cathedral impresses one with its grand simplicity,
and the long vistas of its six aisles present a fine effect. Here is
Rubens' famous masterpiece, the Descent from the Cross, and his earlier
painting, the Elevation of the Cross, both magnificent works, remarkable
for the easy and natural attitudes of the figures. The high altarpiece
is an Assumption by Rubens, in which the Virgin is pictured in the
clouds surrounded by a heavenly choir, with the apostles and other
figures below.

There are many other paintings here; also stained glass windows, both
ancient and modern. The tower is an open structure of beautiful and
elaborate design, from which lovely views may be seen during the journey
to its summit.

Another interesting landmark is the "Steen" originally forming part of
the Castle of Antwerp, but in 1549 Charles V. made it over to the
burghers of Antwerp. It was afterward the seat of the Spanish
Inquisition. It is now occupied by the Museum van Oudheden, a collection
of ancient and curious relics from the Roman times till the eighteenth
century. Within this building one may view the identical instruments of
torture so mercilessly used by the Spanish inquisitors in the name of
religion. It would not be difficult to photograph these diabolical
inventions, for many of them are quite free from the surrounding
objects, and not encased. In this collection we see also specimens of
antique furniture, and a variety of ornaments, coins, costumes, tapestry
curtains, ancient prints and engravings, and many other objects well
worthy of observation.

In Antwerp we have the opportunity of seeing some exquisite laces and
embroideries. A visit to one of the many establishments here cannot fail
to interest the stranger. At one of the shops we are conducted to a room
in which a dozen girls are at work upon a delicate piece of lace. They
have been engaged upon this masterpiece for about three months, and the
proprietor tells us that as much more time will be required to finish
it. The design is a huge web, in the centre of which is the sly spider
apparently watching the victims who have strayed beyond the line of
safety. A number of handsome and rare specimens of this valuable
handwork are exhibited in the shop window, and one's desire to possess
them may be satisfied by a moderate expenditure of money.


Antwerp is the city of Rubens. We find his tomb in the beautiful church
of St. Jacques, rich in carvings and noble paintings, not far from the
fine altarpiece painted by his hand. He lies in the Rubens Chapel, and
here too are monuments of two of his descendants. The house in which the
illustrious artist died stands in a street named for him, and in the
Place Verte, formerly the churchyard of the Cathedral, stands a bronze
statue of Rubens, thirteen feet in height upon a pedestal twenty feet
high. At the feet of the master lie scrolls and books, also brushes,
palette and hat; allusions to the talented diplomatist and statesman, as
well as to the painter.

One need not feel alarmed as to his expenses in this charming old town,
for comfortable accommodations and good board may be enjoyed at less
than moderate rates. I love this dear city, not only for its magnificent
Cathedral, its rare paintings, its picturesque surroundings; but also
for the remarkable hospitality of its people, their genial manner, their
smiling faces. Their candor and honesty win the admiration and the heart
of the tourist, and the stranger is quickly at home, and able to enjoy
most fully the many attractions which the place affords.

[Illustration: "The place is intersected everywhere by canals." (_See
page 113._)]

But the time has come to bid it adieu; we take the train and in two
hours find ourselves in the ever quaint and picturesque town of
Rotterdam, fitly named the "City of Windmills."

Comfortable quarters may be found here at the Maas Hotel. Rotterdam,
whose population is something over two hundred thousand, is the second
city in commercial importance in Holland. Among its numerous attractions
are art galleries, parks, gardens, the markets, bridges and canals,
without mentioning the many windmills which wave their arms in blessing
over the city. The place is intersected everywhere by canals, all deep
enough for the passage of heavily laden ships, and with such names as
the Oude Haven, Scheepmakershaven, Leuvehaven, Nieuwe Haven, Wynhaven,
Blaak, and Haringvliet.

Our hotel is situated upon the bank of the Maas River, and our windows
overlook this body of water, which is in reality a highway. Instead of
wagons drawn by strong muscular horses, however, barges, schooners, sail
boats, and every kind of small craft, overflowing with fruits,
vegetables and other produce, traverse the river as well as the canals.
Looking over these watery roads, the mind is confused by the hundreds of
boats which seem inextricably mingled in one great mass, and appear to
form a blockade as far as the eye can reach. Rotterdam might fitly add
to its title of "City of Windmills," that of the "City of Canals."
Houses, stores and other buildings are built directly upon the banks,
and in fact, the foundations of these form the sides of the canals. In
many cases the balconies of residences overhang the water, and passages
are made beneath, by means of which produce, freight and other articles
are conveyed to and from the buildings by boats, much as the wagons
deliver goods in our cities from the streets to the houses.

All these novel sights impress the visitor with the great difference
between the manners and customs of this nation and our own; the result
of the peculiar environment of the two countries. A stroll about the
city affords abundant opportunity for interesting observations. Here one
sees hundreds of Dutch women in their costly headgear of gold and
silver, heirlooms of many generations. These head ornaments sometimes
cover the entire scalp, and have curious filigree additions extending
over the ears and temples. The head is first covered with a scrupulously
clean and beautiful lace cap, upon which the gold or silver ornament is
placed. These heirlooms are valued beyond all price, and I have handled
some which are two hundred years old, and which are held as sacred
charges to be transmitted to posterity.

As we traverse the streets of this quaint city, we feel indeed that
fashion has stood still here for many years. The custom is universal
throughout Holland for the natives of the different provinces, as
Volendam, Marken, Brock, etc., to wear in public, and especially when
travelling, the costume peculiar to their own province, and it is by no
means uncommon to see many odd and quaintly dressed women in close
proximity to one another, each one representing by some peculiarity, a
different province or section of the country. For instance; when I see
the skirt of blue homespun made in full folds, and worn with a jacket of
striped red and white, and the peaked bonnet trimmed with red and white
tape, I know that the wearer is a native of the island of Marken. These
various costumes, all gay and picturesque, are the source of great
pleasure to the stranger, and add new life and interest to his travels
in this country.

Here also we notice the huge, powerful draught horses, with their
massive hoofs and shaggy legs, drawing strange looking wagons laden with
curious boxes and furniture. The wooden shoes worn by the working
classes also attract our attention and many other novel sights and
customs give us the impression that we have chartered one of Jules
Verne's original conveyances and wandered off to a country not located
on this earthly planet.

Wishing to purchase some bonbons, we enter a candy shop and ask the fair
maid behind the counter to put up a pound of this confection: our
amazement is great when she replies that this form of sweetmeat is not
to be found in Rotterdam. "What," I exclaim, "no sweets for the sweet
girls of Holland?" "No, only chocolate candy." And this indeed is the
only kind of bonbon to be had in Rotterdam. The sweet chocolate is
moulded into various shapes. It is delicious, excelling in purity and
flavor that which is made in any other part of the world.

[Illustration: "In many cases the balconies of residences overhang the
water." (_See page 114._)]

Our guide is very attentive and energetic; and anxious to show us
everything of interest about the town, he conducts us through the
numerous market-places. At one of these some amusement is excited by my
photographs and sketches of the market people and the buyers. The market
man stands beside his wares with a happy, good-natured face that seems
to say that the cares and worries of this world affect him not at
all. The whole scene is like some vividly colored picture, and I think
as I look upon it that this life bears with it pleasures of which we of
the outside world know nothing. Apparently the people of this country
possess the rare blessing of contentment with the lot which God has
bestowed upon them.

An old man and woman are particularly anxious for me to photograph their
daughter, who they assure me is the belle of the market. This assertion,
I think, may be true without much compliment to the girl, for a homelier
set of human beings it would not be easy to find. After some
preliminaries relating to posing and keeping back the curious country
people who crowd closely around me and the camera, I finally succeed in
making a good picture of the Belle of the Rotterdam Market, with her
father and mother on either side. They are all as proud as Punch of this
performance, and seem quite "set up" by the occasion.

One day being near to a manufacturer of the wooden shoes worn by the
peasants, our party of four slips within the shop, and are fitted after
trying on at least a dozen pairs, to the apparent delight of Meinherr.
It is necessary to wear a heavy woollen stocking to secure comfort in
these shoes. The ordinary American stocking would soon be rubbed into
holes by the hard surface of the shoe. Indeed it is quite a feat to be
able to walk rapidly and gracefully in this clumsy footwear.

Over many of the watery streets of the city drawbridges are built, which
are opened at intervals to allow the streams of boats to pass. The
incessant blowing of a trumpet or horn similar to that of the tally-ho
notifies the watchman of the approach of boats. This sound may be heard
at all hours of the day or night in any part of the city, and is at
first, especially at night, rather disturbing to the stranger, but like
other annoyances which are inevitable, the exercise of a little patience
and endurance will enable one to eventually like the trumpet, or else to
become as deaf to them as old "Dame Eleanor Spearing."

I know of no place in which the lover of the antique, whether he is a
collector of ancient coins, jewels, china, furniture, or a seeker after
rare curios and relics, can experience greater delight than in this old
city of Rotterdam. Here are hundreds of shops, whose proprietors devote
their whole lives to the accumulation of such objects, and it is
needless to say that their stock is rich and unique, and possesses
abundant variety. We visit a number of these establishments, and I
succeed in gathering up a large assortment of old swords which please my
fancy. One of these is said to have been owned by Christopher
Columbus(?). The shopkeeper vouches for the truth of the statement, and
as I am willing to believe it, in the absence of proof to the contrary,
I label it as the sword of the great navigator who added a new
hemisphere to our globe. The remaining swords have been the personal
property of lords, generals or other warlike celebrities, and again I
take comfort in the thought that if the records are not truthful, it is
a minor consideration when taking into account the moderate prices which
I have paid for the articles.

The artist will find in Rotterdam a wealth of material both for figure
subjects, and odd and picturesque bits of landscape. Here too are
wonderful interiors, with all the quaint associations of a bygone age.
Here are scenes on the canals, the bridges, and the ever changing life
on the river. By all means visit Rotterdam if you desire original
studies for your sketch book.

[Illustration: "The belle of the Market." (_See page 119._)]




A City of Many Islands.




_A City of Many Islands._

  Amsterdam--The People of Holland---Amstel River--Merry
  Excursionists--Interesting Institutions--Origin of the City--Source of
  Prosperity--A Cousin to Venice--Ninety Islands--Beams and
  Gables--Block and Tackle--Old Salesmen--Street
  Markets--Haarlem--Railway Travel at Home and Abroad--Ancient
  Buildings--Historic Associations--In the Canal--Groote Kerk--The Great
  Organ--Picturesque Subjects--Zandvoort--Eau de Cologne--The
  Beach--Dutch Sail Boats--Seamen--Hooded Chairs--Peddlers--Music in
  Holland and Germany--Gypsies--We Meet an Artist--Hospitality--A
  Banquet.


Amsterdam, the commercial capital of Holland, is but a short ride from
Rotterdam, and like all the other "dam" cities of this region, possesses
many attractions of its own, besides being the centre or hub from which
radiate trips to many picturesque towns and other points of interest.

These irreverent sounding terminations do not by any means imply that
the cities so called are steeped in wickedness and crime. On the
contrary they are remarkable as being towns of exceptional purity and
honesty, possessing churches, libraries and schools which bear witness
to the good and loving aspirations of a conscientious Christian people.

The natives of Holland are kind and peaceable in disposition, and fair
in their dealings with one another. They are personally very attractive
on account of the natural simplicity of their everyday lives, and the
high principle of honor and morality upon which they conduct their
business transactions. They train their children in accordance with
these principles, and the visitor cannot fail to appreciate their
virtues, and rest securely in the confidence that he will receive fair
and courteous treatment from both young and old.

The Amstel River, viewed from the windows of our hotel, presents a
beautiful picture. Upon the opposite bank are handsome residences, of
substantial, square and regular architecture, while in slow, calm motion
on the river may be seen boats of every description, many of them with a
cargo of human beings; and the gay national flags and other brilliant
bunting floating in the fresh breeze have a gala appearance as the boats
steam or row past our hotel. Merry songs and happy laughter drift back
to our ears, and it seems as though we have at last reached a land
exempt from the cares and sorrows of the everyday world.

The Dutch people are as a class happy and satisfied, with a cheerful
manner, and a cordial and genuine welcome.

Amsterdam is indeed a great city, with numberless points of interest for
the visitor, without mentioning its museums, art galleries, theatres,
libraries, churches and other institutions; its botanical garden,
university, parks and tramways.

The town was founded by Gysbrecht II., Lord of Amstel, who built a
castle here in 1204, and constructed the dam to which it owes its name.
In the fourteenth century it began to increase in importance, becoming
at that time a refuge for the merchants who were banished from Brabant.
At the close of the sixteenth century, when Antwerp was ruined by the
Spanish war, and many merchants, manufacturers, artists and other men of
talent and enterprise fled from the horrors of the Inquisition to
Holland, Amsterdam nearly doubled its population, and the conclusion of
peace in 1609, and the establishment of the East India Company combined
to raise the town within a short time to the rank of the greatest
commercial city in Europe. Its population in 1890, excluding the
suburbs, was 406,300.

Amsterdam is generally at first sight compared with Venice, which it
certainly resembles in two points. Both cities are intersected by
numerous canals, and the buildings of both are constructed upon piles;
but there the similarity ends. There are wide, bustling thoroughfares in
Amsterdam, traversed by wagons and drays which could have no place in
the city of gondolas and ancient palaces.

[Illustration: "The Amstel River." (_See page 128._)]

The canals, or Grachten, which intersect Amsterdam in every direction,
are of various sizes, and divide the city into ninety islands; and these
are connected by nearly three hundred bridges. There are four principal,
or grand canals, which are in broad, handsome avenues, bordered with
trees, and with sidewalks for pedestrians. The other canals intersect
these and serve to connect one part of the town with another, as short
streets cross wide highways and main thoroughfares in other places. Rows
of fine-looking houses line the banks of these watercourses, and as all
the buildings are constructed on foundations of piles, the old quotation
of "a city whose inhabitants dwell on the tops of trees like rooks," is
not without considerable truth. The quaint old architecture of the
stores and houses is of itself a source of great interest to the
visitor. We have seen so many pictures of these odd gabled and tiled
roofs overhanging the windows, that at first one has the impression of
awakening from a dream to its reality. Remarkable order and
cleanliness prevail everywhere, adding to this feeling, for the wear and
tear of daily living do not seem to affect the almost immaculate
atmosphere of the place. Windows are as clear as crystal, and the
woodwork of the houses everywhere looks as if freshly scrubbed and
sanded. Projecting from the attic windows of many buildings may be seen
a pole or beam, from which hangs a block and tackle used to hoist
furniture and other heavy or bulky articles from the sidewalk to the
upper stories. These things are not carried up the winding stairway, as
with us, scratching and defacing the walls and paint, as well as the
furniture, and resulting in much vexation and the utterance of unseemly
swear words. All this is avoided by the methods of the people of
Holland, and the citizens of America would profit by adopting them, if
only as a means of avoiding the temptation to express one's feelings in
violent and irreligious language.

Among the thousand and one attractions of this interesting city, the
curious-looking old junks, or salesmen and women stationed at various
points on the streets, are not unworthy the notice of the photographer
or artist. Their wares consist of old scrap iron, rusty saws, perhaps
toothless, hammers without handles, nails of every size, files, beds
and other articles of furniture apparently dating back to scriptural
ages. Such markets, where odds and ends of every imaginable kind are
gathered into piles and sold to the poorer classes of the people, seem
to be sanctioned by the authorities, and sometimes present a very active
and thriving appearance. They are not unpicturesque in their odd
combinations of color, attitude and expression.

The great windmills along the canal, with their huge revolving arms, and
the boats with their loads of merchandise; the peasant women with their
quaint costumes and elaborate yet funny head-dresses; the tall Dutch
houses with their red and yellow brick fronts and lofty tiles and
gables, the beautiful avenues of elms along the grand Grachten, the vast
docks, with forests of masts, and countless ships from all parts of the
world, and products of every country, the wonderful dikes, all form a
succession of views of charming variety and individual beauty that are
fascinating to the newcomer.

Many short trips may be taken from here either by boat or train, and he
who would fill his portfolio with quaint and lovely pictures, will find
his enthusiasm aroused, no matter in which direction he may venture, or
whether his expedition be on land or water. Interesting localities are
always within easy reach, and the moderate rate for transportation and
accommodation render all points accessible to the traveller whose purse
is of the most slender dimensions.

Take with me the trip to Haarlem and Zandvoort. Proceeding to the
Central Railroad Station, we purchase tickets which entitle us to the
short ride in the usual compartment car. And here one may note the
difference between railroad travel throughout England and on the
Continent, and the American system. Instead of having one car into which
passengers of all kinds, black and white, rich and poor, merchants and
emigrants crowd as in free America, European trains are divided into
three sections, viz: first, second and third class. Although the more
general experience is that the second class compartments are quite as
comfortable, clean and attractive as the first class compartments, the
price of the latter is nearly double that of the former, and the fare of
the second class nearly double that of the third. In many sections of
England, Scotland and Germany, the third class accommodations are by no
means unpleasant: but do not take third class tickets when travelling in
Ireland, for should you do so, it is more than probable that just as you
are waxing into lofty enthusiasm over the romantic and beautiful
scenery around you, Paddy with his wife and progeny, several pigs, and
whatever other small live stock can be conveniently or inconveniently
dragged along, will be planted by your side, or roam about you in such
unpleasant proximity as to change all your romantic visions into the
most unromantic prose.

Here we are in the quaint old town of Haarlem, famous in past years for
its tulips, and now noted for its well-kept gardens and avenues, as well
as for the curious old houses of brick and stone which are the delight
of all the visitors to Holland. These lofty steeples and rows of ancient
and picturesque houses have looked down upon many generations, and
witnessed scenes of suffering and endurance that have been registered on
the pages of history; for like Leyden, Haarlem sustained a long siege
during the war for independence, and stories of the heroism of both men
and women have come down through the long centuries to tell us of
experiences of which these ancient structures, stately and silent, give
no sign. So well cared for are the old buildings, that one can readily
imagine that they will appear as they do to-day for many centuries to
come.

How we enjoy this historic old place! The very air we breathe seems
laden with odors of the past. The flower-beds are wonderfully
attractive, with their gay colors and delicious fragrance. Whole fields
of tulips, hyacinths, lilies, and other brilliant blooming plants in
every shade of color are to be seen here, and this town supplies many of
the largest gardens of Europe with roots. The Spaarne River winds
through the town, which possesses the characteristic cleanliness of the
other cities of Holland.

While driving along the bank of the canal here, our attention is
attracted by the sound of loud, shrill cries which seem to come from the
water. "What!" I say, "do the lurking spirits of the slain thus make
themselves known to the living? Are there still lingering 'pale gliding
ghosts, with fingers dropping gore'?" Whatever it may be, dead or
living, ghost or mortal, I bid the driver halt, and alighting, hasten to
the edge of the canal. Looking into the dark muddy water, I see a lad of
about twelve years, just able to keep his head above the stream, and
screaming lustily for help. A young man reaches the spot at the same
moment, and plunges instantly into the canal to the rescue of the boy
who is too much frightened and exhausted to give any account of himself.

The "Groote" market is in the middle of the town, and here is to be seen
one of the finest old buildings in this part of the country. This is the
ancient meat market, built in 1603, of brick and stone, and quaint and
picturesque enough to charm the soul of an artist with an irresistible
desire to carry it home upon his canvas.

In the market-place also stands the Groote Kerk, an imposing and lofty
structure, dating back to the end of the fifteenth century, with its
tower of two hundred and fifty-five feet adding grace and beauty to the
edifice. The interior will more than repay one for the time spent in
examining it. The old walls are whitewashed to hide the ravages of time
and cover the scars, many of which, history tells us, are the results of
the Spanish siege. Here are odd and elaborate carvings, crude, primitive
benches, and the crossbeams forming the ceiling alone would convince one
of the antiquity of this relic of the middle ages. The organ,
constructed in 1735, was for many years looked upon as the most powerful
in the world, and still ranks as one of the largest instruments in
existence. It contains four keyboards, sixty-four stops, and five
thousand pipes, the greatest of which is fifteen inches in diameter, and
thirty two feet in length. We endeavor to persuade the rector to allow
us to play upon this wonderful instrument, but he is beyond flattery,
coaxing or bribery; faithfully adhering to the rigid rules, which decree
that recitals shall be held only on certain regular days. How we long to
hear the voice of this noble masterpiece which has uplifted the soul of
man, and bidden him look to God in his times of tribulation, or fill
this lofty dome with joyous notes of praise and thanksgiving in days of
peace and prosperity. I think of the stories these old walls could tell
of the cruelties of the Spanish intruders; for here are marks too deep
for paint to conceal, or time to efface. But one could write
interminably of these old towns with their quaint and glowing pictures.
At every turn a new and attractive scene presents itself, and we
reluctantly tear ourselves away, only half satisfied, and proceed to
Zandvoort, a somewhat fashionable resort on the coast of the Noord Zee.
At the railway stations and on the streets one can buy the Cologne water
in small glass bottles which is so popular throughout Holland, and which
is sold much as peanuts and pretzels are sold in our country. The
quality is excellent, and the price is so moderate that the use of this
perfume is really carried to excess by tourists, who find that it not
only refreshes one after the fatigue of a journey, but cleanses the
face from dust and cinders.

We alight at a small unpretentious station, the terminus of this
railroad, and walk a short distance to the beach. The pure salt air
seems like a delightful tonic. This is a beautiful coast, sloping
gradually to the water which is very deep. With the white sand for a
carpet, we wander on for miles, feasting our eyes upon the lovely scene
which at every turn presents a new attraction. Here are old Dutch sail
boats drawn up on the beach, and the picture is enhanced by the groups
of sailors waiting for the tide. Their blue homespun jackets, rugged
faces and not ungraceful attitudes are very suggestive to the artist.

[Illustration: "Wicker chairs offer rest to the weary pedestrian." (_See
page 140._)]

The season seems to be either early or late, for the people along the
shore are scant in number. Fresh looking wicker chairs, with large
comfortable seats and sheltering hoods, stand in front of the hotels and
at the water's edge, and at a trifling cost, offer rest to the weary
pedestrian, and protection to the shy lovers who seek to escape the
embarrassing gaze of the public. Here is the ubiquitous and persevering
fruit and cake or sandwich vendor, with basket suspended from the
shoulder, pausing before the chairs, or waylaying passers-by with
importunities to purchase grapes, plums, candies and various other
dainties. Close by us is a band of musicians with stringed instruments,
who charm us with their delightful melodies. Their music is superior to
that which greets the ear in the streets of Philadelphia. In truth, in
Holland and Germany, one rarely hears anything but good music from these
bands of itinerant players, and operatic selections of the higher class
are frequently heard at the popular beer gardens of these countries.

A short distance off are the wagons of a gypsy encampment, and the quick
witted members of these roving tribes gain a livelihood by fortune
telling. We are told that they are always to be found here during the
summer season, and are quite popular among the young and the credulous,
who willingly exchange their silver for a glimpse into the future, and
the wonderful predictions of fame and fortune made by these glib tongued
southerners. Their gay dresses, in some of which are displayed all the
colors of the rainbow, are beautiful in effect: and now I discover in
one of the great hooded chairs a lady artist, with a well covered
canvas, upon which she is painting the portrait of a handsome gypsy
girl, while the wagons and the sea form a beautiful background. I enter
into conversation with her, and learn that she is from Amsterdam, and
is filled with enthusiasm for the charms of this country. She says: "If
one will but open his eyes, he will see delightful pictures in every
corner of the province." And it is true. Nature has indeed been lavish
in her gifts to Holland. Here are scenes and subjects unlimited in
number, and indescribably attractive.

The citizens of Amsterdam are most kind and hospitable. As an instance
of their cordiality I mention a sumptuous banquet given in our honor by
a townsman Mr. L----, who says we must not return home without a glimpse
of the social life of the city. The banquet is held at the largest and
most popular banqueting hall (Maison Couturier), and besides our host
and his family, a few intimate friends and some young people are
present. At the appointed hour we are driven to a spacious and handsome
building, and are conducted to a beautiful apartment with most
attractive surroundings. The first floor of this hall is elegantly
furnished, and lit by electric lights. Flowers, palms, and other
tropical plants adorn the halls and rooms. After a cordial welcome from
our host, we are led to the banqueting hall, where we are dazzled by the
light and beauty around us, and delighted by the artistic effect.
Covers are laid for sixteen guests. Flowers, plants and fruits are
picturesquely arranged, and even the electric lights exhibit various
glowing designs. The feast is prepared under the direction of an
experienced chef, and here we speedily become aware that the city of
Amsterdam is not one whit behind the great centres of the world in this
line of achievement. After many toasts to Amsterdam and its people have
been responded to, the hospitalities are concluded with one to "America
and its beautiful women," and we take our departure after three hours
most delightfully spent in social intercourse with our friends. Upon
this occasion four languages, French, Dutch, German and English are
fluently spoken.




Excursions to Broek and the Island of Marken.




_Excursions to Broek and the Island of Marken._

  A Charming Journey--Fellow-Passengers--National Costumes--The
  Children--A Lovely Landscape--Holstein
  Cattle--Windmills--Irrigation--Farmers--A Typical Dutch
  Village--Washing-Day--The Red, White and Blue--Suppose a Bull Should
  Appear--A Brilliant Picture--Drawing the Canal Boat--Honesty and
  Cleanliness--A Thrifty and Industrious People--Farming and
  Cheese-making--As Evening Falls--Scenes for an Artist--Dead Cities of
  Holland--Monnikendam--Behind the Age--City Lamps--Houses and
  People--The Island of Marken--An Isolated Wonderland--First
  Impressions--Rare Holidays--The Family Doctor--Absence of the Men--The
  Fishing--Healthy and Industrious population--The Women of
  Marken--Pretty Girls--They Will not be Taken--A Valuable
  Experience--Photographs.


A beautiful trip is that to Broek. We take the small steamer that lies
in the river a short distance from our hotel, the Amstel, and after a
sail of three-quarters of an hour, are landed at an insignificant
station on the opposite shore. Here a little car with bare wooden seats
running lengthwise, and a queer looking engine waits for passengers from
the boat. And now we ride through a picturesque farming country, passing
numerous small stations. This road terminates at Edam, but we do not go
that far. Our fellow-passengers are most interesting. Many of the women
wear their gold heirlooms with the finely embroidered caps which are so
quaint and becoming, and all wear the customary wooden shoes.

The men have rugged brown faces, and sinewy arms: some of them wear the
heavy wooden shoes, others slippers, while a number are barefooted. How
they all stare at us, and it is just as impossible for us to withdraw
our eyes from them. We are novel sights to each other. I wonder what
they think of our appearance. Their faces are impassive, but ours must
surely express wonder, admiration and a strong desire on the part of one
at least, to capture these studies in color and figure that surround us
on every side.

The children, with their rosy cheeks and round healthy forms, seem merry
and happy, although none of them are sociable or talkative with us. They
look at us in amazement. This is a delightful ride over a smooth velvety
road, with rich pasture land on either side. Now we pass great dikes
which hold back the waters from these fertile fields; and now short
canals with their little boats, on which perhaps the Dutch vrow in her
snowy cap and gold head-dress is seated beside her husband who smokes
his pipe with a meditative air. The flat landscape is varied by
innumerable herds of cattle, principally of Holstein breed, with the
great white bands encircling the bodies, which reminds me of the story
of the Yankee who used this band for a foundation upon which to paint
his sign: "The finest milk and cream in the world within. Price two
cents per quart."

[Illustration: "The flat landscape is varied by herds of cattle." (_See
page 153._)]

Hundreds of windmills may be seen with their long wings gracefully
moving at the touch of a gentle breeze, in perfect harmony with the
surrounding landscape. These mills have been used for many centuries in
Holland, which is their mother country, and serve for draining the land,
or for manufacturing purposes. They are placed upon a substantial
foundation of brick or stone, and their enormous sails describe a circle
of over a hundred feet in diameter: some run saws that cut through logs
of great thickness, while others are huge grain mills. The smaller
windmills are made of wood like those seen in some portions of our own
country. The system of irrigation by means of windmills is very complete
in Holland, thus it is that we see everywhere such beautiful fertile
fields. Many of the farms in this locality employ three or four, and
even more windmills for this purpose.

We see many farmers, with their wives and children, working in the
fields, and they all stop for an instant as our train passes, to shout a
merry greeting. Here a milkmaid in her snowy cap passes along the road.
Flocks of sheep stand in the shadow of the trees, and armies of quacking
ducks emerge from a marshy pool and spread themselves across the green.

The average speed of our antediluvian express is from five to seven
miles an hour, but it is perfectly satisfactory to these deliberate
people; and as to ourselves, we are enjoying everything too much to wish
it shortened by one minute. We arrive, however, at Broek, which is
celebrated as one of the cleanest towns in the world. It contains about
sixteen hundred inhabitants, and its narrow streets are paved with
yellow bricks which are kept scrupulously clean. The small frame houses
have tiled roofs, and with their flower gardens, present an orderly
appearance. The whole atmosphere of the place is one of primitive
simplicity. Some of the buildings are painted white, some green, and
others of a variety of hues. They all wear an indescribable air of
repose: and it is said that the front doors are not opened from the
beginning to the end of the year, except on the occasion of a wedding or
a funeral. The gardens are veritable curiosities, with their
old-fashioned flower-beds, and box-bushes cut into various fantastic
shapes, and all so diminutive that one feels as though he has fallen
upon an animated edition of the Noah's Ark of his childish days.

[Illustration: "Most of the houses have a canal at the back." (_See page
157._)]

Most of the houses have a canal or small stream at the back, and close
by, upon a washing-day, the garments of the family may be seen flying in
the breeze, displaying to the stranger the prevailing colors of the
community, which are red, white and blue. Red predominates, however,
since red flannel is universally worn by the middle and lower classes in
Holland. I think of the fine bull which we saw but a short time ago,
grazing so peacefully in the meadow, and wonder what effect this
exposure of tantalizing color would have upon his equanimity. Should he
be let loose among the back gardens of Broek upon a washing-day, the
order of this immaculate village would certainly receive a shock. For
once in the history of the place, things would be topsy-turvy, and the
excitement would doubtless surpass anything previously seen in this
peaceful town.

What beautiful and picturesque combinations are here! The varying shades
of green and blue, mingled with harmonious tints of yellow, produce a
scene for the impressionist, while the effect is enhanced by the
streams and canals which wind in and out with many a turn and twist,
apparently for the sole purpose of adding to the attraction of this
quaint and unique locality.

Occasionally we see a canal boat of larger size drawn by a buxom Dutch
maiden and her brother; or not infrequently it is the old man and his
wife, and sometimes the entire family all strenuously tugging the stout
rope which is securely fastened to the bow of the boat, while the
dilapidated old craft, laden with merchandise or produce creaks slowly
on its way, breaking the placid surface of the water with a soft musical
plash.

Honesty and truthfulness are unmistakably impressed upon the faces of
all whom we meet in this section. The people hereabouts do not possess
the shrewd business capacity of our Wall Street brokers, but they are
mild and pleasant, with a wholesome appearance of health and good
appetite. They are individually as clean and orderly as is their
village. Water is as cheap here as in America, but in this place there
seems to be an extravagance in the use of it which far exceeds that of
the same class in our country.

There are no beggars or idlers here. The people are so thrifty and
industrious that no portion of the day is wasted. Every one seems to
have an appointed task, even the small children, whom we see feeding the
ducks and pigs. All are engaged in some useful occupation.

Farming and cheese-making are the principal industries, although other
branches of business, such as stock-raising, fishing, boat-making, and
the manufacture of wooden shoes, are carried on to some extent.

Our visit to the village naturally attracts some attention, as
foreigners are rarely seen in these out of the way corners.

As evening steals upon us, the scene grows indescribably lovely, for the
sun in his descent illumines the whole landscape with vivid gleams of
many colors. The blue stream which finds its outlet in the larger river,
changes its sombre hue to one of dazzling gold, which throws out rich
reflections of clouds and foliage. A fairy-like transformation seems to
have taken place in the streets and houses; and, as we leave the village
and the shades of night fall about us, my thoughts are with the artist,
the photographer, the impressionist, who would feel the most exquisite
delight in such an opportunity; for he who could do justice to this
landscape either with brush or camera, would produce a picture worthy
of place among the noblest works of art.

We have heard so much of the "Dead cities of Holland," and especially of
the secluded life on the island of Marken, that we determine to see for
ourselves what this term really signifies. On our way thither, we pass
through the old town of Monnikendam, in which we behold many strange and
curious sights. People and buildings impress us with the idea that
"Father Time" has forgotten this place altogether in his rounds of
cutting down and making place for newcomers. The ancient and picturesque
houses look as though coeval with Time himself; but in truth they are
only mediæval; it is the people who have stood still. The present age
has no place in their lives.

The population of the town numbers about twenty-three hundred, and this
is largely made up of children, judging from the appearance of the
streets. The main street is wide and attractive, but the side streets
are narrow, and all are paved with hard bricks placed edgewise. At night
the town is lighted by lamps balanced upon rude posts: coal is generally
used for fuel, but some of the residents use gasoline, which also serves
for light. The houses are primitive in construction, and the people
seem odd and inquisitive, but simple and economical in dress and
habit. As we expect to return in a short time, we direct our course
without delay to the Island of Marken.

[Illustration: "The blue stream finds its outlet in the river." (_See
page 159._)]

A good-sized yacht lies at anchor in the Zuyder Zee, beside the banks of
Monnikendam. The captain is a full-blooded "Markenite," born and bred on
the island. Having made arrangements with him, we go on board and are
soon on our way to the strange city: our hearts beat more quickly, and
all eyes are eagerly strained toward it, when the distant island appears
in the direction of our yacht's bow. After an hour's sail, we come to
anchor in the harbor of this secluded wonderland. As we approach the
town, the view from our boat seems to justify the title which has been
given to it of "the Dead City." It lies away from everything and
everybody, and save the deep sea which surrounds it, and which supplies
its inhabitants with food, the island of Marken has for centuries known
no association outside its own boundaries.

No news is carried to or from this isolated region. At rare intervals an
islander, by temperament more adventurous or enterprising than his
fellows, makes the daring undertaking of a visit to Monnikendam, or the
bolder flight to Amsterdam, although there are but few instances on
record of such a reckless proceeding as the last. The place has a
population of about thirteen hundred souls, and one may form an idea of
the health of its inhabitants from the fact that one doctor, without an
assistant, is the family physician for all the people on the island, and
we are told that calls upon his professional attention are not
sufficiently frequent to keep the cobwebs from forming on his medicine
chest.

The Dutch language is spoken here, and it is so rare to find any one who
understands English, that it is necessary to bring an interpreter as
well as guide in visiting this secluded spot. The inhabitants look upon
us as though we have dropped from the clouds, or sprung suddenly out of
the earth. It is unfortunate that we have come here on Monday, for on
this day the men of the island go off in their fishing boats, and do not
return till Saturday night. Only the old and crippled are left with the
women and children. Sunday is the one day in the week which the men may
spend with their wives and sweethearts. Fishing is the sole means of
subsistence here. The native inhabitants are industrious and economical,
but of a low type of intellect, rarely if ever displaying interest in
literary attainments. Health and good appetites seem to be their
chief characteristics, and a more law-abiding, innocent and virtuous
people it would be difficult to find. The women are large, muscular and
well shaped, and appear fully able to protect and care for their
households in the absence of the men.

[Illustration: "All persuasions accomplish naught." (_See page 168._)]

I am quite anxious to capture, by camera, not by force of arms, some of
these rare types of strength and beauty, and observing two pretty young
girls standing in the doorway of one of the houses, both perfect
specimens of physical health, I think this an opportunity not to be
neglected. What a fine picture they present with their erect forms,
their firm round arms, rosy cheeks and bright eyes! They are well
proportioned, and looking at their smiling faces one can readily
understand that a physician in a locality whose residents are
represented by such glowing life as that which is now before me, may
easily find time to be absent from his duties a year or two.

Fired with enthusiasm, I approach the girls who are talking to a couple
of old women, and am about to make a "snap shot" of the group, when
suddenly perceiving my intention, they fly into the house like
frightened deer, to the amusement of the old women, and the grief of the
writer. Determined not to be outdone, for now this picture beyond all
others is the desire of my heart, I enter the house and learn that the
young damsels have sought refuge in the loft, and are hiding, ostrich
like, with their heads buried in a mass of clothing. All my persuasions,
aided by those of the older women, accomplish nought, even the liberal
offer of silver guilders is not sufficient to move these obdurate maids,
and I am obliged to relinquish my desire. However, I have made a
valuable discovery, and that is that it is better under some
circumstances not to ask for the privilege, but to resort to strategy. I
request one or more of our party to engage the proposed subject in
conversation, while I retire to a suitable distance with my camera,
focus the group, then fire away. This plan succeeds admirably, and my
collection increases steadily and satisfactorily.

[Illustration: "One old woman is fascinated with the camera." (_See page
171._)]

However, upon better acquaintance with the townspeople and the repeated
assurances of our skipper, who speaks some English, that our purpose is
an innocent one, we are allowed to photograph the whole town freely, and
all its valuable possessions. Occasionally a guilder slipped quietly
into the hand of one of the older women opens a new vein of good
fortune, for they insist that "the gentleman shall be allowed to take
the picture;" whether it be an old-fashioned interior with its quaint
belongings, or a pretty maid too shy to hold her head up properly. One
old woman is so fascinated with the camera that she asks me to take
picture after picture of her homely wrinkled countenance. At first I do
so to her extreme delight, but finally I only pretend to take her
picture, and the last bewildering poses and bewitching smiles are all
wasted upon an unimpressionable plate.




The Ancient Town of Monnikendam.

[Illustration: "We walk along the narrow streets." (_See page 177._)]




_The Ancient Town of Monnikendam._

  Marken Homes--Beds in the Wall--Family Heirlooms--An Ancient
  Clock--Precious Treasures--Quaint Customs--Betrothed Couples--The
  Hotel--Its Interior--A Lack of Patrons--Costumes of a By-gone
  Age--Farewell to Marken--Remote Districts--Monnikendam--Ancient
  Houses--Hotel de Posthoorn--The Postman of the Past--A Difficult
  Stairway--We Stroll about the Town--Our Retinue--In Front of the
  Hotel--Such Curious Children--Supper--We Visit the Shops--Pantomime--A
  Novel Experience--They Cannot Understand--No Candles--We Attract a
  Crowd--The Clothing Store--A Marken Suit--"Too High"--Bargaining--A
  Stranger to the Rescue.


We walk along the narrow streets, some of which are paved with little
footways, and now and then visit one of the whitewashed frame houses
with their red tiled roofs. These houses are built after one pattern,
and resemble each other so closely in their crude architecture, that a
stranger might easily make a mistake, and enter the wrong door, without
having previously taken anything stronger than a glass of water. The
interior consists of four small rooms, which are kept scrupulously clean
and orderly. One of these is used as a living-room, and one as
dining-room and kitchen. The beds of the family are simply close, dark
recesses in the wall, in which there are bunks or shelves, and on these
the mattresses and bed clothing are placed, the occupants mounting by
means of wooden steps to this ill-ventilated and most uninviting
resting-place. We shudder as we glance into these dismal closets, and
feel a touch of nightmare at the thought of sleeping in one of them.

In every house there seems to be reserved a special apartment, as a
storage-place for the family heirlooms, and here are preserved articles
which have been handed down from generation to generation for centuries.
Dolls of various primitive shapes, broken and torn, with black, dusty
clothing; clocks long since arrested in their career by age or accident;
chairs of rude manufacture, with perhaps a broken leg or back; watches
and jewelry of ancient design; odd furniture and pieces of china,
besides other relics which would be useful only in an exhibition of the
antique. All these things are sacred in the eyes of their owners, who
would as soon think of parting with one of their children as of allowing
one of these treasures to pass out of the family.

At one of the houses I see stored among the heirlooms a clock, which
the owner informs me has been in the family for two hundred and fifty
years. I do not doubt the assertion, for it looks as though the dust of
a _thousand_ years has silently but steadily accumulated upon its
venerable face. I am about with my handkerchief to brush off some of
this precious dust, in order to see the wood and brass in their peculiar
coloring and design, but am quietly stopped by the hand of my host.

There is a noticeable rivalry between the different families in regard
to these treasures which are placed carefully away, as if too sacred for
the light of day, and are shown to the visitor much as the guide
employed in the mint allows one to touch a piece of gold or silver in
the early process of coinage. Each family tries to outdo the others in
its collection, and in the ancient appearance of the hoard. It is
amusing to watch their faces, when exhibiting the wonders: they seem
very uneasy if the stranger offers to touch one of the pieces, as though
in terror lest it should thus lose some of those precious particles
which enhance its value.

At another house I am allowed, as a great favor, to examine one of the
dolls, and really the anxiety shown until the owner has placed it once
more in its place in his collection is ludicrous. The most delicate
human being, or a piece of frail egg-shell china could not be more
tenderly handled.

These people are quite as quaint in appearance as in their customs. The
old-time costume of the island is worn as in other parts of Holland, but
here there is an intensity of ancientness, if I may use the expression,
which must be seen in order to be fully appreciated. They really seem
the remnants of a dead era, and in all their ways display a want of
experience of the outside world, a lack of that perception which the men
and women of to-day seem to inhale with the very atmosphere, which is
truly astonishing. The marriage and betrothal customs are especially
peculiar. We learn that an engaged couple cannot wed until five years
have elapsed since the announcement of the betrothal; and should a death
occur in either family in the meantime, it is considered such an ill
omen that the engagement is broken off altogether: at the end of a year,
however, a new engagement may be entered into, and after a second long
period of waiting the wedding is consummated.

[Illustration: "Sheep, grazing upon the green pasture lands, form a
homelike scene." (_See page 185._)]

There are many rigid rules of etiquette connected with these
engagements; for instance: should the young lover, upon each meeting,
neglect to impress a kiss upon the cheek of every member of the
family of his fiancée, the contract is annulled. One can readily believe
almost any statement regarding these strange people who seem like a
peculiar race stranded upon a desert island. Still from ocular
demonstration, we feel very certain that notwithstanding these stringent
rules, there is no lack of weddings among the young people, for there is
an overwhelming number of children upon the island.

Marken boasts of a hotel, and the owner and landlord tells us as he
stands proudly upon its stoop, that this bold enterprise issued from his
fertile brain, and that he is looking for a rich return for his venture.
I respond with as much enthusiasm as I can gather upon this occasion,
but fear he would receive but cold comfort from the true state of my
mind on the subject. The building consists of six rooms which he
pronounces quite modern. On the lower floor are a kitchen, ten feet by
ten, and a dining-room, twelve by fourteen, which also serves as a
barroom, sitting-room and smoking den, all rolled into one. Here the
guests are supposed to reach the acme of ease and comfort. A bare wooden
table and six chairs comprise the furniture of the room, and there is
nothing else visible save the snowy muslin curtains which hang at the
windows. Upstairs are three bedrooms, scantily furnished; here too the
windows are curtained. The freshness of these rooms and their
surroundings gives us the impression that they have never been occupied
since the erection of the hotel a year ago, by any one of greater
importance than the myriads of flies and mosquitoes which cling in lazy
groups to the walls and ceilings. My sympathy goes out to these ignorant
creatures who do not seem to have strength enough to get away, and seek
their nourishment in other quarters.

We find tolerably comfortable accommodations here, and view things very
philosophically on account of the curious and interesting life by which
we are surrounded. The men and women in their odd costumes are rare
pictures. The clothing worn here is of a style worn hundreds of years
ago, and there is no consciousness on the part of its wearers that there
is anything unusual in its appearance. "Where ignorance is bliss, 'tis
folly to be wise," and it is more than probable that they will continue
to wear this antediluvian garb for centuries to come.

Much of the washing is done in the little canal which flows through the
town, and this is easily accomplished, as linen is not worn to any great
extent, as in other places, and the coarse homespun garments are
cleansed by a very simple process.

Sheep, grazing upon many of the green pasture lands, form a homelike,
peaceful scene which is very attractive. The air is fresh, yet balmy,
imparting tone and vigor to the sturdy natives.

At last we bid adieu to this stationary spot upon the earth's surface,
wondering if an earthquake or any other startling event will ever happen
here to rouse it from its lethargy, and compel it to take its place in
the march of the ages. If not, it will remain as of old, a boon to the
artist, an infinite source from which he may draw quaint, ideal and most
original studies of a people and an era whose counterpart has long since
vanished from our everyday world.

In our travels in the northern portion of Holland, and away from the
larger cities, as Amsterdam and Rotterdam, which are more visited by
tourists, we find that our letters of credit extend over an astonishing
space of time, for a little money goes a long way among these people.
The regions seem to be too remote for the regular tourist, and as there
is no great influx of capital from that source, there is no inducement
for the people to change their simple and primitive mode of living,
hence honesty, frugality and contentment reign here, and the visitor
may enjoy to its full extent, the beautiful country and the pure,
innocent life of its inhabitants.

The quaint and simple town of Monnikendam lies some fifteen or sixteen
miles north of Amsterdam, and here is a rich and rare scene of ancient
associations. Eyes, ears and brain are almost bewildered by the
exquisite strangeness of our surroundings. Here are houses with the date
of their birth inscribed over the doorways, and the odd designs of
bygone centuries still clinging to their walls.

These ancient dates and the rich beauty of these aged tenements impress
us with a feeling of awe, and we walk softly as we pass the hallowed
ground upon which so many lives have risen, passed their little day,
then vanished to make place for the next players. Of the two hotels
which the town supports, we choose the oldest, the Hotel de Posthoorn,
which derives its name from the fact that at an early date the building
was used as a post office station. In those days the postman carried a
horn, which he blew when approaching a station, as a notice to the
townfolk to have their mail ready for collection, that he might not be
detained, as his route was long and wearisome.

[Illustration: "Hotel de Posthoorn." (_See page 186._)]

We are conducted to the second floor of the hotel by a steep and narrow
stairway, which requires much ingenuity in the ascent, as the steps are
constructed at such a peculiar angle that it is difficult to balance
one's self upon them. We reach the top as gracefully as possible under
the circumstances, and find two pleasant communicating rooms overlooking
the main street. Rooms, beds and all our surroundings are wonderfully
clean, and filled with an atmosphere of the past, which is very
charming. The rates charged here are seven dollars a week for each
person, and this includes meals and attendance: the latter simply a
pleasant fiction, with no meaning whatever.

The sheets upon our beds are of homespun linen of good quality, but
emitting such an odor of antiquity, that there is no doubt whatever in
our minds that they are heirlooms of many generations, and we wish that
this genuine, ancient and unpleasant smell could be scattered abroad, or
adulterated in some way, even to the extent of a pair of modern sheets,
for concentrated age is more attractive in sights than in odors.

Our hotel bears the date 1697 upon a fancifully carved tablet above the
middle window, but the Stadhuis Tower is still older, dating back to
1592. The proprietor, his wife and daughter are pleasant, hospitable
people, who make our stay with them, both comfortable and enjoyable.
Before supper we stroll about the town, which consists of a main or
central avenue, with small narrow streets diverging from it. As we walk
along, a little crowd, composed chiefly of children, follows us closely.
These young people stare at us, and laugh as though we are a freshly
imported menagerie. On our return, we sit in front of the hotel where
some chairs and small tables are placed for the convenience of those who
wish to rest and sip their glass of beer or genuine Holland gin in the
open. The favorite beverages in Holland are beer, porter and gin, the
latter of an excellent quality, and genuinely "old."

We are soon surrounded by a group of children, who watch our motions and
by words and gestures freely express their wonder and amusement at the
odd-looking stranger people. They seem greatly surprised that we do not
understand their language: not even such simple phrases as "Goeden
avond," (Good-evening), or "Ja," (Yes), and "Nee," (No). When I make
them understand that in English yes and no are the same as their ja and
nee, they laugh immoderately, and repeat in their own broad accents,
yes and no, as if greatly amused.

After supper, which consists of cold fish, coffee, cheese, boiled
potatoes and tea with a private nip of the real ancient Holland gin, we
walk out again without a guide, to do some shopping. We have a funny
experience, as we are compelled to resort to pantomime in making the
various purchases. Entering a "general" store in search of candles, we
at first ask for them in English: the good-natured shopwoman smiles and
shakes her head. I repeat the word "candles," at the same time going
through the motion of striking a match on the counter, and holding it up
to the end of my forefinger. This strange proceeding attracts the
attention of a young man and woman, who draw near the counter, followed
by several other members of the family, but I cannot make them
comprehend. We then try the French language, but this also proves a
failure, so we are obliged to depart without our candles, although I am
confident they have them somewhere in the store.

Scene after scene of this kind is gone through with in the different
shops, and now our curious actions have attracted a large crowd of
people who follow close at our heels, wondering what we will do next,
and thinking, no doubt, that we are a very good kind of free show. Such
strange beings rarely visit their isolated town, and they are certainly
enjoying their opportunity to its full extent. When we stop to look into
a shop-window, they stop too, and follow our example like very shadows.
The expression of wonder and merriment depicted on the countenances of
both young and old is a fine study for an artist.

As we saunter leisurely along, we espy a clothing store, which we enter,
and find half-a-dozen men lounging about with long clay pipes in their
mouths, and their hands in the pockets of their baggy trousers. Their
faces wear a peaceful, contented expression, which changes to a look of
surprise as we approach them, and they scan our attire, as something
wholly different from anything to which they are accustomed. The gaping
throng outside besieges the doorway. As the men still gaze curiously at
us, I draw near the one who appears to be the proprietor of the
establishment, and in pantomime, aided by English, interspersed with a
little French, ask for a Marken suit of clothes. The man laughs and
looks perplexed; his companions also shake their heads in token that
they do not understand. With serious countenances and widely-opened
eyes, they follow the motions of my lips and hands. Uttering slowly
the words: "Marken suit," I point to my own trousers, coat and vest.
Their eyes follow my hands, first to my trousers, then to my coat and
vest. It is a difficult position; but what a treat to watch their
puzzled countenances, now smiling, now with a look of actual pain in
their efforts to understand.

[Illustration: "De Hooflstraat, Monnikendam." (_See page 190._)]

At last my perseverance and their attention are rewarded, and the
storekeeper takes from a shelf a dusty bundle, and carefully unfolds it.
Within the bundle is a Marken suit: yes, the very kind I wish to
possess, an entire woman's dress. I am anxious to purchase it at any
reasonable figure. The garment is passed to us for inspection. We nod in
indication that it is just what we desire. Now for the tug of war; the
price. "Combien? Combien?" Finally thirty guilders is named as the price
set upon the dress. We motion, "Too high," and I point to the ceiling.
The six weary men all look up in the direction of my finger: they smile,
and think it is a good joke, and look at me as though saying: "What
next?" They laugh heartily at my vain endeavors. Alas! How can I make
them understand? "Fifteen guilders," I say. The proprietor seems to
understand. "Nee. Nee. Ik kan het niet doen." (No. No. I cannot do it.)

After long deliberation, still holding the cherished suit in his hands,
he turns to his companions, and seems to ask their opinion. Several
shake their heads and utter: "Nee. Nee," others say: "Ja. Ja." One
suggests twenty-five guilders as the price; another twenty guilders. The
bargaining goes on without drawing any nearer to a conclusion, when to
our relief a gentleman enters the shop who understands the language of
these people. He has learned from the outsiders that some Americans are
in the store trying to buy a suit of clothes. Through the kindness of
this stranger, matters are speedily adjusted, and the sale effected, as
he speaks both Dutch and English fluently. We purchase the complete suit
for fifteen guilders, or about six dollars in the currency of the United
States.

These suits are rarely made for sale, but only when needed for immediate
use. The natives of the island make them for personal wear, or for each
other. Every man and woman generally owns two suits: one to wear every
day, and one for Sundays.

As we move toward the door to take our departure, after spending
three-quarters of an hour over this transaction, we perceive that the
throng around the door has increased in numbers. What an assemblage!
And we are the curiosities. I count them, and find there are thirty men,
women and children, all full of excitement at the presence of strangers
in Monnikendam. One young girl is so shy and timid, that as we advance
toward her on our way out, she starts and runs hurriedly away, and gazes
at us from a distance of some twenty feet, as though we are dangerous
animals.

We make several other purchases; partly because we desire the articles,
but chiefly on account of our enjoyment of this novel mode of shopping.

[Illustration: "There is a young man whose walk is all his own." (_See
page 211._)]




Old Customs and Quaint Pictures.

[Illustration: "The streets and sidewalks are kept scrupulously clean."
(_See page 211._)]




_Old Customs and Quaint Pictures._

  Segars and Tobacco--Row Boats--"Goeden Morgan"--The Zuyder Zee--By
  Candle Light--Total Darkness--The Town by Night--Women and
  Girls--Shoes and Stockings--The Shuffling Man--Streets and
  Sidewalks--The Town Crier--The Daily News--A Message to the
  People--Draught Dogs--Milkmaids--The Barber Shop--Drug
  Stores--"Horretje"--A Street Auction--Selling Curios--They Leave their
  Shoes at the Door--An Old Grist Mill--The Holland Draught Girl.


In Holland, segars and tobacco of very good quality are sold at low
prices: it is not uncommon to buy two segars for one cent (United States
currency) and should you be detected smoking an article costing more
than a penny, you are immediately stamped as a wealthy and extravagant
personage. This reputation is easily acquired in a town of such thrifty
habits as Monnikendam, and here my fondness for a good smoke lays me
open to both charges.

A row boat may be hired for twenty cents a day, if you do your own
rowing; with a man to row, the charge is forty cents. We find it
convenient to hire a man, who also serves as guide and interpreter, and
who rows us to many lovely nooks and out-of-the-way spots, which we
would otherwise miss seeing.

The inhabitants of the town are kind and hospitable, and we are charmed
with their good, honest countenances. We are always greeted with a
pleasant "Goeden morgen," or "Goeden avond," or it may be: "Hoe staat
het leven?" (How are you?), when we pass them on the street.

The country about here is principally farm land, with rich and abundant
pasturage. A short distance from us is the placid Zuyder Zee, with its
shining waters stretching eastward for miles. From its picturesque banks
may be seen boats of every size and kind, from the tiniest row boat to
craft of many tons' burden, and it is interesting to observe from this
point the busy life upon the water, as produce, farm implements and
merchandise are carried to and fro.

[Illustration: "The whole place is a succession of quaint and
picturesque houses." (_See page 216._)]

As I sit writing in my room, by the light of a homemade candle, I now
and then pause in my occupation to look around with an ever increasing
wonder, at the dark old furniture over which the light casts a ghostly
gleam. The spirit of the past seems lurking in the corners, with their
long forgotten history, and around yonder ancient cupboard and brass
trimmed chest of drawers. I can almost feel upon my shoulder the
touch of the hand which has carried this quaint old candlestick in those
olden days, and in imagination, hear the rustle of her gown as she
stands behind me waiting for her own. It is ten o'clock, and I walk to
the window and draw aside the curtain, curious to see the life that is
abroad in the town at this hour. To my astonishment there are no signs
of life of any kind. The town lies in total darkness. There is not a
glimmer of light anywhere, save the dim glow from a lantern dangling
carelessly by the side of a pedestrian who moves slowly and quietly
along the sidewalk. There is no other evidence of any living thing. Even
the frogs and crickets, which enliven a night scene at home, are not
heard here. Dead silence prevails, while

  "Night, sable goddess, from her ebon throne,
   In rayless majesty now stretches forth
   Her leaden sceptre o'er a slumbering world."

Even the stars are slumbering, or their sparkle has been engulfed by
this all-devouring darkness. The light of my candle seems out of harmony
with the peaceful repose around me: with a half-guilty feeling I
extinguish it, and wrapping myself in sheets of Holland linen, am soon
slumbering with the rest of the world.

In the morning, when seated at the breakfast table, my first question to
our host is as to the reason for such all-pervading darkness, and the
absence of the townspeople from the streets at night. He tells me that
it is so rare for any one to be abroad after nine o'clock in the
evening, that the street lamps, of which there are but few, are never
lighted. At ten o'clock every one is supposed to be at home and in bed.

The women and girls of this and the neighboring towns are thrifty and
industrious. When resting after their daily labors, whether at noon or
in the evening, they will invariably take from their deep side-pockets a
ball of thread or yarn, and with the short knitting needle, or the long
ones of steel, continue their work on an unfinished stocking, cap or
other article of wearing apparel.

The prevailing foot-covering for men, women and children is a heavy
woolen stocking; this fits the foot snugly, and protects it from the
hardness of the clumsy wooden shoe or clog as it is called. These shoes
are carved from a single block of wood: when they are worn and shabby
they are painted black, and a strap is placed across the instep. They
are of all sizes, but only one style or pattern. In the larger cities,
however, such as Rotterdam, one can obtain from the manufacturers a
painted wooden shoe, with buttons and stitches carved upon it as
ornaments. But this variation is found only in men's shoes. In Holland
the ordinary American slipper is frequently worn by both men and women.

The clatter of the wooden shoes is at first an unpleasant sound,
especially when several persons are walking together, but the ear soon
becomes accustomed to it, as to all other odd noises. There is a young
man in this place, who walks with a peculiar shuffle, all his own. He is
so strange looking altogether that I snap my camera on him one day as he
innocently passes by me. The peculiar sound of his walk has taught me to
know that he is coming long before his figure is visible. I sometimes
feel like telling him in the words of Byron, that

            "He has no singing education,
  An ignorant, noteless, timeless, tuneless fellow."

The streets and sidewalks are kept scrupulously clean, as the women of
each household scrub not only their sidewalks, but half-way across the
street in front of their dwellings. One may thus imagine what a charming
and inviting place this is for the pedestrian.

In this peaceful town where the golden rule is not simply a precept to
frame and hang upon the wall, it is not necessary to employ officials
with such high sounding but meaningless titles as "Street Commissioner,"
"Director of the Highways," etc., etc. No, here each individual
possesses sufficient honor and self-respect to accomplish his own share
of municipal work, to the benefit and comfort of the whole community.

There is one very ancient custom still existing here which interests and
entertains us greatly. This is the old fashion of employing a town
crier, who after beating a brass disk which is suspended by a cord from
his shoulder, calls out in a loud, clear voice, the news of the day,
events in foreign lands, transfers of property, sales and auctions which
have already taken place or are to occur in the near future, lost and
found articles and the like. For instance: he walks a distance of a
block or two, then stops in the middle of the street, beats the brass
disk vigorously with a small striker, and casting his head heavenward,
utters the phrases which have been prepared and given to him in
stereotyped tones. Thus the town receives its news, and the crier keeps
those who never stir from their homes as well as the business men of the
city informed of the most prominent events of their own and other
countries. What better method could be employed in the absence of
newspapers? The community is kept in touch with the outside world and
with its own members by means of this odd and ancient custom.

[Illustration: "A street auction." (_See page 220._)]

I have the pleasure of a personal association with the crier. Our party
is so much annoyed by the continual staring of the people, who seem
unable to become accustomed to our appearance in the town, and who
follow us constantly day and evening when we walk upon the streets, that
I decide to try some means to stop it. The proprietor of the hotel, at
my request, adds another sentence to the daily bulletin; it runs as
follows: "The three Americans now stopping at the Posthoorn Hotel must
not be annoyed by the good people of this town. It is not good manners
to stare at them and follow them, and it is unpleasant to these
strangers."

The day following my request, I listen anxiously for the voice of the
crier, and his appearance in our neighborhood. Here he comes; and the
message is rolled forth in sonorous tones. I seek the landlord and ask
him if the notice is to be circulated throughout the town; and he
replies in the affirmative. In justice to the inhabitants, I must state
that they heed the request, and hereafter go on their way without undue
excitement or comment when we appear among them; much to our own comfort
and enjoyment.

Few horses are seen upon these streets: wagons are drawn by two, three,
or four huge draught dogs, trained for this purpose. Men are also
frequently harnessed to wagons, as well as women, and sometimes a woman
and dog will appear together drawing a load of merchandise.

Milk is delivered by buxom young girls who carry on their shoulders a
strong wooden yoke: from the ends of this the milk pails are suspended
by ropes. Vegetables and other provisions are delivered in the same
manner. The milkmaid passes from door to door, rapping on each with the
ancient brass knocker, and serving her customer with the milk as it is
served with us.

The whole place is a succession of quaint and picturesque houses. The
shapes are various, and the heavy red-tiled roofs and many gables have a
charming effect as they stand in rows on either side of the street. Each
house seems to possess an individual style of its own, and many are so
old that they lean quite out of the perpendicular.

[Illustration: "At the farthest end of the street stands an old
windmill." (_See page 223._)]

While travelling in Holland one is constantly confronted with a sign in
the form of a wooden arm stretched from a doorway, with a brass disk
suspended from it containing the words:

  Hier scheert en snyd men het haar,

which signifies that here one can be shaved and have his hair cut: in
other words, it is the sign of a barber, who in America designates his
calling by the gayly-colored pole. The brass disks in front of these
places are polished to a high state of brilliancy, and being suspended
so that they swing loosely in the breeze, they cast dazzling reflections
in all directions which cannot fail to attract the attention of the
passer-by. Another advertisement which differs greatly from those in our
country is that of the drug store. While with us huge glass vases and
globes of different colors are displayed in the window of the
apothecary, in Holland a wooden head of a man in great agony, with
protruding tongue, indicates that here the sufferer can find relief and
medicine for all his aches and pains. This head is conspicuously placed
over the entrance to the drug store.

Another odd custom in this strange country is that of placing a large
screen called a "Horetje" in the front windows of private houses, or on
the first floors. The screen is sometimes shaped like a fan, sometimes
it is heart-shaped or oval, and is intended to protect the person
seated at the door or window from the idle gaze of the pedestrian.
Indeed it often hides a charming picture of maiden grace and modesty.

One day as I am sitting at the door of the hotel attempting to sketch
some of the picturesque houses in the neighborhood, with many wondering
eyes directed toward my canvas, I notice a crowd of people beginning to
gather a short distance off. I do not see the centre of attraction, but
seizing my camera, which is my constant companion, together with pencils
and brushes, which are as close friends as Robinson Crusoe and his man
Friday, I hasten to the scene of action, feeling that probably something
is going to happen which will add a new page to my experience. It is
true: something interesting is about to take place; and that is a street
auction, a common occurrence in this town. The auctioneer, perched above
the heads of his audience upon an old wooden box, is calling out his
sales in Dutch. The articles which he is about to dispose of to the
highest bidders are dress goods, linen and wearing apparel. Much
persuasion is necessary before a sale is effected, as the strong desire
of the customers to obtain bargains is met by an equally strong
determination on the part of the auctioneer to sell his stock at good
prices. A funny sort of a seesaw is the result, which is the source of
much merriment among the spectators. I join in some of these outbursts
from pure sympathy, as most of the time I do not understand either the
jokes or allusions. A lively business is frequently carried on at these
auctions; but whether the purchaser really obtains more for his money
than by the ordinary method of buying I cannot ascertain. I presume they
think they have some advantage, or they would not flock to the sales in
such numbers.

[Illustration: "A beautifully shaded walk just outside the town." (_See
page 224._)]

An active branch of business here is the sale of curios, antique
silverware, china, gold, jewels, and bric-a-brac; in fact ancient
articles of every description.

As we walk down the Main street, admiring the clean highway and lovely
old houses on either side of us, we observe many pairs of wooden shoes
lying in front of the different residences near the doorways, and upon
inquiry learn that when one person goes to call upon another, he leaves
his heavy wooden shoes outside the door, and enters in his stocking
feet.

At the farthest end of the street stands an old windmill with its huge
arms moving slowly and regularly in harmony with the gentle breeze which
blows across the Zuyder Zee. As we draw nearer, we see that it is an
ancient grist mill, and here is the owner, who invites us in to view the
interior, and with whom we have a pleasant chat in our own colloquial
style, adopted since our arrival in this city. Dozens of windmills can
be seen from this point, and, as I have already said, they are used for
many different purposes. The foundation story is the home of the family,
and in a number of these you will find quaint, delightful pictures of
old Dutch interiors, with their odd chairs and dressers, ancient clocks
and brass bound chests, old-fashioned china, and tiled fireplaces.

There is a beautifully shaded walk just outside the town, encircling the
whole city. Large trees here protect Monnikendam from the heavy wind and
rain storms which come from the Zuyder Zee, when old Neptune rises in
one of his dreadful tantrums. We enjoy this lovely walk, but what do we
not enjoy in this town which surely has bound us by some magic spell;
for the longer we stay here, the more loath we are to leave its borders.

One day we take a boat and direct our course along one of the canals, on
which there is considerable traffic. Here we behold the pitiable sight
of two young girls, harnessed like mules, and attached to a lead rope,
pulling inch by inch, and foot by foot, a large canal-boat filled with
merchandise.

I can imagine no harder work than this, for the poor creatures are
exposed to the intense heat of the sun, with no protection against its
direct rays, and they have a long slow journey before them, ere the
heavily-laden boat making its progress foot by foot shall reach its
destination. The toil of the factory girl in America is play when
compared with that of the draught girl in Holland.

[Illustration: "Land and water." (_See page 224._)]




A Dutch Cheese-making District.

[Illustration: "A good road for the bicycle." (_See page 239._)]




_A Dutch Cheese-making District._

  A Cheese-making Country--Edam Cheese--A Picturesque Inn--An
  Interesting Interior--A Thrifty Farmer--At Sunrise--In the Cow
  Stable--The Pretty Maid--Stall and Parlor--The Cheese Room--The
  Process of Making Cheese--"I Have Listened and Listened"--A Trip to
  Volendam--A Fine Country Road--A Charming Day--Muzzled Dogs--The Only
  Street--A Multitude of Children--Gay Decorations--A United People--As
  a Hen and Her Brood--Their Wealth is Health--In Sunday Dress--Stalwart
  Men and Sturdy Women--A Higher Type--"I have enough"--Fishermen--The
  Anchorage--A Volendam Suit.


To-day we take the train for Edam, of world-wide fame as a cheese-making
centre. This town, situated about five miles north of Monnikendam,
abounds in beautiful old trees which protect it from the heat of the
sun, and render it very attractive. All of these towns seem to possess
individual interest, and the traveller is constantly surprised in this
region by new and unexpected scenes: but the imprint of truth and
honesty upon the faces of the dwellers in every town, village and
settlement in Holland is observed as the common bond of union, and leads
us to understand the happiness and prosperity for which this region is
justly celebrated.

It is hardly necessary to say that many cheese factories are scattered
throughout this section of the country. At one of these factories,
located on the bank of the canal, we see a large barge being loaded with
five thousand of the delicious Edam cheeses, intended for foreign
markets. We stop for rest and refreshment at one of the many inns on the
way. This house is a fine subject for an artist. The room in which our
meal is served is in itself a masterpiece. The floor, composed of large
stone flags, is spotlessly clean, and the walls are covered with odd
pieces of china, evidently associated with family history: the woodwork
is as white as soap and sand can make it, and the windows are as clear
as crystal. In a corner stands the old Dutch clock, with the moon, now
nearly full, represented above its time-worn face, and on one side is
the dark dresser, rich in ancient plates, and other quaint old-fashioned
crockery. The table at which we sit is covered with a snowy cloth of
homespun linen, and the blue and white dishes with the stories upon them
which have been thus told for unknown ages almost charm us into
forgetfulness of our luncheon itself, until a healthy cheerful country
girl appears, and with deft movements and smiling face places before us
the appetizing cheese, delicious bread, freshly churned butter, and new
milk as well as buttermilk. For this but a trifling charge is made, but
we feel that a glimpse into this quaint old Dutch interior, the sight of
these brass-bound chests and claw-footed chairs, and the picture of the
cheerful Holland maid are worth many times the cost of the meal.

We are much entertained by our visit to a thrifty farmer whose home is
about a mile from Monnikendam. This well-to-do personage owns a large
dairy farm, and learning that we are interested in this subject, invites
us to be present at sunrise to witness the process of cheese-making. An
early hour finds us on the way, and in good time a rap on the door of
the farmhouse brings us into the presence of a bright middle-aged Dutch
vrow, who with a cherry "Goeden morgen" bids us enter. We are first
ushered into the parlor, which is a room of considerable size,
immaculately clean, with comfortable chairs and sofas placed in various
corners, and a supply of delft ware and shining brass candlesticks that
fill our hearts with longing. In a few moments we are invited to the
adjoining room, which we suppose to be the kitchen or dining-room, but
to our surprise find ourselves in the cow-stable, a spacious, well
lighted apartment, about seventy feet long and fifteen feet wide. A row
of stalls runs along one side of the room, and here stand as many of the
genuine, full blooded Holstein cattle. They are handsome creatures,
looking as sleek and clean as those which take the premiums at the state
and county fairs at home. Here they stand, patiently awaiting the
appearance of the milkmaid; not however the milkmaid, "all forlorn" of
nursery rhyme, but in truth

  The pretty maid with dress so clean,
  With shining pail and face serene,
  Who milks the cows with happy smile,
  And sings her joyous songs the while.

The stalls are as sweet, clean and orderly as is the parlor which we
have just left, and snowy curtains hang above the windows over them, the
only apparent difference between the stable and the parlor being that
the cattle stand upon fresh, fragrant straw, instead of a clean carpet.
From the stable we are conducted to an adjoining building, which is the
cheese factory, and to the room in which are assembled the farmer, his
wife and two servants. Everything is in readiness: the fresh milk is
poured into a huge iron kettle which stands upon the floor, and which
is capable of holding about twenty gallons: a small quantity of rennet
is put into the milk, and in perhaps twenty minutes a kind of sieve is
passed quickly to and fro through the curdled mass. These sieves or
curd-knives have handles by which they are held while the blades are
drawn from side to side, cutting the curd into myriads of tiny cubes.
Then the farmer's wife rolls up her sleeves, exposing to view a pair of
round, shapely arms which would be the pride of a city belle, and dips
both hands and arms deep in the floating mass. She presses, and kneads
and rolls this thickening body until it assumes the consistency of
dough: the whey is bluish in color, and as thin as water. This is
drained off, and water is poured over the mass several times, until the
cheese is thoroughly cleansed of all the floating particles. It is now
ready to be placed in five pound moulds made of wood: the moulds are put
into a powerful press which shapes the cheese, and extracts any lurking
remnants of water. After about eight hours in the press, the cheeses are
salted and placed on shelves to dry. Now for a month it is necessary to
turn them every day, and after that, every other day for a month. They
are also sponged with lukewarm water and dried in the open air, and the
final process is a thin coat of linseed oil. It is a tedious operation;
great care is necessary to keep the chamber in which they are shelved
perfectly clean and dry, and of an even temperature. At last the
articles are ready for shipment to all parts of the world. This is an
enormous industry: in North Holland alone, we are informed that
twenty-six million pounds of cheese are produced per annum.

The portion of the process witnessed by us occupies about an hour and a
half: these cheeses are worth from the farmer's hands fifty or sixty
cents apiece.

There is a little boy ten or twelve years of age about here who seems to
derive great pleasure from our society, although he cannot understand
one word of English. One day, after sitting quietly for a long time,
while we are conversing together, he repeats impatiently in his own
language: "I have listened and listened to your talk, and I cannot
understand one word. I do not think you are talking sense at all."

Alas, poor child! You are not the only one who has listened and
listened, trying in vain to find a gleam of intelligence in the
foreigner's gibberish. Ignorance of the language of a nation causes it
to appear to one like a vast sealed volume, which he knows only by the
pictures on the title page.

I have written at length of the Island of Marken, one of the most noted
of the "Dead cities of Holland," and now, let us take a peep at the
sister city of Volendam, which lies four miles north of Monnikendam. As
we do not wish to visit this place when all the men are off on their
fishing expeditions, we choose for our excursion a clear bright Sunday,
a day on which the men will surely be at home, and their sea horses at
anchor in the harbor.

Procuring a large carriage and a powerful horse, a difficult thing to
obtain at short notice, we direct our driver to jog along slowly that we
may enjoy the beauty of the surrounding country. We drive over a fine
road, level and well ballasted; a good road for the bicycle: in fact all
the roads of Holland, city and country, are kept in perfect condition.
It is a charming day, and the balmy atmosphere and the refreshing breeze
which sweeps over the Zuyder Zee have a soothing effect upon mind and
body. This would be a great country for invalids, and those who seek
rest and change from the demands of fashion and social life. There is no
fashion here; only pure air and lovely peaceful beauty everywhere, with
good wholesome food and kind hearts to extend a cordial welcome to the
weary stranger. Added to this is the very moderate cost of a sojourn in
this delightful region.

Occasionally we pass a small cart or wagon drawn by dogs, the driver a
young girl who is comfortably seated in the vehicle, now and then
administering to the animals, by means of a short stick, reminders not
to lag on the way. These dogs are not the ordinary house dog which is
seen in our country; but are powerful and muscular creatures, as perhaps
I have already said, and so cross and savage when roused, that to secure
the safety of the persons near them they are closely muzzled. Being
ignorant of their peculiar traits, one day while admiring a couple of
fine draught dogs which are resting near a wagon, I approach them too
closely; my enthusiasm is suddenly cooled as one of them springs
viciously at me, striking me heavily on the chest, and he certainly
would have chipped a good sized piece of flesh from my body had his
muzzle not prevented this catastrophe. Hereafter I keep a distance of
many feet between me and these animals, and others of their species.

[Illustration: "This strange looking highway runs lengthwise through the
town." (_See page 243._)]

After a lovely drive of an hour, we arrive at the old town which is as
wonderful and interesting as its sister city. It too is built upon the
banks of the Zuyder Zee. We stand upon the only street in the place,
which in appearance resembles the back bone of a whale, with small brick
houses on either side. This strange looking highway runs lengthwise
through the town. The street is narrow: horses and dogs are never seen
upon it, but there are hundreds of children, who gather in great throngs
around our horse, wondering at the strange animal, and declaring him to
be a huge dog, for many of them have never seen a horse before. Our
appearance is also a great event to them, and the visit creates as much
excitement on one side as the other. It is a "red letter day" for both
the townspeople and ourselves.

The houses are roofed with red tiles, which exhibit many different
shapes and styles, and we perceive numerous flags floating from the
windows, and decorations of gay bunting. Upon asking the reason of this
festive appearance in the isolated and usually quiet city, we are
informed that they are in honor of a wedding which is to take place
within a few days. A wedding in this town is an occasion of great
rejoicing, and every household enters into the spirit of the
entertainment with enthusiasm, as the whole community resembles one
large family, and from the least to the greatest, they are all well
known to each other. The affairs of one are the affairs of all, hence a
single marriage becomes the festive occasion of the entire population.
This is not strange when one recollects that the people have no other
means of entertainment, such as theatres, concert halls or libraries,
whist or euchre parties. They have nothing save the individual
happenings in the domestic lives of the different families.

A woman whose children are sitting quietly upon the curb stone near us,
looks hurriedly around the door of her house, and seeing the commotion
which our arrival excites, calls anxiously for her "kids" to come to her
protecting arms, in mortal fear lest one of her brood should be carried
off by these strange and unexpected visitors. As I look around, and
behold the robust and muscular physiques of both men and women, I think
any one would be daring indeed who would attempt to carry off a child or
any other possession from these people in opposition to their wills.

[Illustration: "The houses are roofed with red tiles." (_See page
243._)]

The women and children here are richly endowed with the blessings of
health and strength. The whole population of thirteen hundred people
employ but one doctor, who has time to grow rusty in his profession, so
few are the demands upon his skill. I suggest to him on the occasion
of a meeting, that he adopt the Chinese plan of remuneration, that is
that the people pay him an annuity as long as they are well, and that
when they are sick, they be entitled to his services gratis.

The natives of Holland are not inclined to excesses of any kind, and
they thus enjoy the full benefit of naturally sound constitutions, and
are able to transmit to their children perfect, unimpaired health. As we
stroll along this backbone of a street without name or pretensions, we
stop at many of the doorways to talk with the residents, and soon become
impressed with the hospitality of the people, who are arrayed in all the
glory of their Sunday finery, and appear at the fronts of their homes
happy in the consciousness that they as well as all their surroundings
are in "apple pie order." We are as much interested in them as they are
in us, and that is saying a great deal.

The great, stalwart fellows with their broad shoulders and rugged faces
are indeed true types of all that is brave and manly. A loose shirt and
baggy trousers, with a small cloth cap is the ordinary costume of the
men, many of whom wear wooden shoes; leather slippers are also worn. The
women are equally brave and strong in appearance, and as large in
proportion as the men. Their sturdy forms and healthy faces are rare
models for the artist's brush. Their dress is of homespun linen,
generally dyed blue, and is composed of several pieces; sometimes these
are of various colors combined in a picturesque and effective
arrangement. The head-dress is of lace and is pretty and becoming:
indeed many of our fashionable belles might greatly improve their
appearance by adopting the charming coiffure of these pretty and
apparently unconscious Holland girls and women. These people represent a
higher type of humanity than the inhabitants of Marken: their
intelligence and refinement are more marked, but they have the sunny
temperaments and contented dispositions characteristic of the
Hollanders, and though ignorant of the customs of the outside world, and
limited in their lives to a narrow sphere, they are a happy and
satisfied people. They seem in that happy state of mind, so rarely
possessed, in which they can say _I have enough_. Happiness consists not
in possessing much, but in being content with what we possess. He who
wants little always has enough.

These men, like those in the neighboring Island of Marken, obtain their
livelihood by fishing. They leave their homes in small boats or yachts
every Monday morning, and do not return until late Saturday night,
allowing them but one day in the week, Sunday, to spend in their homes.
Close by us is the anchorage, so called from the fact that dozens of
fishing boats anchor within its harbor. I suppose that fully a hundred
of these yachts are lying there now, and, shifting from side to side as
the wind stirs the waters of the Zuyder Zee, present the appearance of a
city of masts in a hurricane.

As we wander about it occurs to me that I should like to become the
possessor of one of the odd and picturesque suits of clothing worn here;
especially one of the better kind of the men's suits, for I know that
this quaint and ancient dress would be interesting to a number of
friends far away in dear America. Filled with the idea, I stop many of
the natives, and through our good and genial friend Mr. L---- inquire if
it is possible to purchase from one of them a suit of clothing, and
suggest that if they have none themselves to sell, perhaps one of their
comrades would part with a suit in exchange for my bright guilders. We
talk to a great many men, but receive the same answer from all: that is
that each possesses but two suits; a best or Sunday suit, and a week-day
or fishing suit, neither of which it is possible to sell for any price
that I may offer. I ask again if there is not some one else among the
men who may be willing to oblige me, and learn that most of the men and
women are in church, but that if we will wait until the service is over,
we can talk with them, and may succeed in our quest.




Volendam Sights and the Oldest Town on the Rhine.

[Illustration: "The delicate lace caps frame smiling faces." (_See page
256._)]




_Volendam Sights and the Oldest Town on the Rhine._

  Church is out--The Promenade--Every man is a Volume--An Old Suit--His
  Sunday Clothes--"Let him have it"--An Obedient Son--The Silver
  Buttons--The Last Straw--An Uncommon Action--The Hotel--An Artist's
  Resort--An Unfinished Painting--Good-bye--The Ancient City of
  Cologne--The Cathedral--Within the "Dom"--A Wonderful
  Collection--Foundation of the Town--History--Vicissitudes--Public
  Gardens--Eau de Cologne--The Palace of Brühl.


Within a short time we perceive a large number of people slowly
advancing in our direction. Church is over, and it is customary after
the service for every one to promenade up and down this street. Here
friends and relatives greet each other, exchange items of local interest
and have their little gossips over family affairs. The sight is one long
to be remembered. The round weather-beaten faces of the men, as they
roll along in true sailor fashion, the merry chattering women and girls
in their picturesque costume, the children running hither and thither,
and the gayly decorated houses that line the long street are worthy the
brush of an artist.

Truly these people seem to practice the Golden Rule, for no one appears
to be thinking of himself, but every one cares for the comfort and
happiness of his family, friends or neighbors. The delicate lace caps of
the women frame smiling faces, and the maidens in their quaint homespun
gowns look as though they are a part of a play at one of our theatres.
As the congregation draws nearer, we halt before the foremost group, and
having attracted their attention by our novel appearance, ask through
our friend Mr. L----, the oft-repeated question about the suit of
Volendam clothes, which we are anxious to carry home to show our friends
in America. In an instant they all shake their heads in the negative,
looking very serious at the idea of such a proposition. Their manly and
straightforward manner charms me. I look into the open countenances, in
which there is much individuality, and say to myself: it is as true here
as in the great cities of the world that _Every man is a volume if you
know how to read him._ There is a story in the heart of each one of
these sturdy fishermen, whether it has seen the light of day or not, and
many a noble deed and heroic action that in another town would receive a
medal of honor, or at least the applause of the public, passes here as a
common incident of everyday life. These people do not live for show:
the only medals which they wear, and which they transmit to their
children are the records of pure, honest lives which are proudly handed
down from one generation to another.

[Illustration: "As the congregation draws nearer, we halt before the
foremost group." (_See page 256._)]

Meanwhile I stand before them watching the varying expressions and
wondering if there is any prospect of obtaining my desire. At last one
man says hesitatingly that he has an old suit at home that he no longer
wears, and if we will accompany him to his house, a few doors away, he
will show it to us. We turn and follow him, and a score or more of the
people follow us. What must an old suit look like in this thrifty
community where the men and women never discard anything until it is
utterly hopeless as regards service?

A suit which one of these is willing to dispose of must indeed be a
peculiar object. I wonder if it has that "ancient and fish-like smell,"
described by Shakespeare. The fates forbid! Perhaps it is a relic of a
beloved father or grandfather, handed down as a family heirloom. We
enter the house, still surrounded by curious spectators, and our
obliging friend takes from a closet a carefully-wrapped bundle, which
upon being opened discloses a worn and aged suit: unfortunately its age
does not add to its beauty or value as in the cases of old masterpieces
in art, as a painting by Murillo or Rembrandt. The clothes are old,
dirty, and faded, and only fit for the receptacle of the ragman, but
they do not fail to serve their purpose, for while this young athlete
holds them out, with an expression of pride and pleasure, a sudden
thought fills me with hope. The suit which this young man wears is of
the highest type of the Volendam fashion, and is quite new. The flannel
blouse with its gay undervest showing at the chest, and the baggy brown
velveteen trousers form an ideal specimen of the costume of these
people. I must have this suit. No other will answer my purpose. Without
preliminaries, I boldly propose to him to sell me the suit he wears, and
put on the old one until he can procure another. His countenance falls,
and with a look of positive fear, he draws back, shaking his head and
repeating: "Nee. Nee. Nee."

Then he moves farther away, as though in terror lest I then and there
strip him of his garments. He cannot sell the suit, he says, especially
as the wedding festivities of one of his neighbors are so soon to take
place. In a corner of the room, quietly smoking a clay pipe, sits the
old father, watching without a word the little drama taking place
before him. As the boy reiterates his refusal, the man talks to him in
expostulatory tones, and as we learn, says: "The gentleman from America
is a good man. Let him have the suit: you shall have another." At this
advice the son, though looking rather sulky, yields, and withdrawing to
the adjoining room, exchanges the suit he wears for the old one, and
returns with the desire of my heart rolled up and wrapped in a clean
paper. The evidence of good will on the part of the parent, and the
obedience of the son charm me even more than the possession of the
coveted garments. The boy is a noble lad. As we are about leaving, I
suddenly espy the silver coin buttons which are such an ornament to the
dress, and which are considered a mark of distinction, when worn by old
or young. They are rare and valuable decorations, being buttons made of
coins, and held together by a link, as our sleeve-buttons. They are worn
in the bands of the trousers and shirts, serving the purpose of
suspenders.

The coins are brilliantly polished and present a striking appearance.
They are generally heirlooms, and some of them are of very ancient date.

In general they are cherished as treasures beyond price: these worn by
the boy are exceedingly rare, and are more than a hundred years old,
having belonged to his great-grandfather. The outer and larger coins are
three guilder pieces, the smaller ones one guilder.

To ask for these is indeed the "last straw," and when the father
requests his son to put them in the bundle with the clothing, he bursts
into tears, and his hands tremble as he gives them to me.

For this final test of obedience I thank him heartily, and bestow upon
him a liberal reward for the sacrifice, together with much praise. As he
looks at the guilders with which I have filled his hand, his countenance
brightens, and the rainfall is changed into radiant sunshine. The
neighbors look on this scene with surprise, and many of them declare
that this is a very uncommon occurrence in Volendam, as they have never
known any one heretofore to dispose of family heirlooms to a foreigner.
It is unnecessary to say that I also value the coins beyond price, and
treasure them for their association, and the interesting picture which
they never fail to bring before me.

[Illustration: "Every man is a volume if you know how to read him."
(_See page 256._)]

There is but one hotel in the place, and thither we resort. It is a
small building without pretensions, containing about ten rooms, of no
great size, but clean and comfortable. We learn that board and
accommodations may be had here for four guilders (one dollar) a day.
This hotel has entertained artists from all parts of the world. The
good-natured landlord will do everything in his power to make his guests
comfortable. In the general sitting-room or parlor, there is abundant
evidence that these efforts have been appreciated in the beautiful
paintings presented to him by some of the most famous artists of our
day. He is a loyal upholder of art and artists. His daughter, a fresh
looking maiden, is so much pleased when I say that I too, am an artist
and photographer, that she insists upon taking me up to the third floor
to see the fine view from the windows which overlook the Zuyder Zee. She
also shows me a room which was fitted up for a lady artist from New
York. Here is an unfinished picture upon the easel, of an old Volendam
woman, in her fancy cap and bright colored homespun costume.

This secluded spot offers many attractions for both brush and camera in
interesting studies of figures and landscape, as well as charming water
scenes. We would gladly spend a longer time amid these delightful
pictures, but it is impossible, so we take our departure amid a hundred
good wishes, and as we drive away, the inhabitants who have gathered
from all parts of the town to see the queer Americans, call after us:
"Goeden dag," and "Tot weerziens," (Until we meet again). A dozen or
more children run by the side of the carriage shouting and laughing for
a considerable distance. And so we bid farewell to a hearty and
attractive people and their quaint surroundings.

Let us take a somewhat hasty glance at Cologne, the oldest city on the
Rhine, and one of the largest towns in the Rhenish Province of Prussia.
We cannot afford to miss this town, were it only on account of the great
Cathedral whose lofty towers rise heavenward to a height of five hundred
and twelve feet. How one longs to find himself within these sacred
walls, to stand and gaze upon the wondrous arches, pillars, and dome,
the stained glass and statues, the frescoes and carving, the work of an
endless succession of artists and artisans. Next to St. Peter's at Rome,
this Cathedral is the largest church in the world. It stands upon the
old Roman camping ground, and more than six centuries have passed since
its foundations were laid. The name of its architect is unknown, and
even the original designs have been forgotten. Its interior is four
hundred and thirty feet long and one hundred and forty feet broad.
The portion appropriated to divine service covers an area of seventy
thousand square feet. It is useless to attempt to describe this vast
structure whose buttresses, turrets, gargoyles, canopies and tracery are
innumerable and bewildering. The Gothic arches and countless pillars
form a grand perspective. There are seven chapels which present a wealth
of paintings, and relics. In the Chapel of the Three Magi is a
marvellous casket of crystal, whose cover is set with precious stones,
which is said to contain the skulls of Caspar, Melchior and Balthazar,
the three Wise Men from the East who followed the star to the cradle of
the infant Christ.

[Illustration: "Goeden dag. Tot weerziens." (_See page 266._)]

In the great treasury of the Cathedral are untold treasures. Here are
silver censers, paintings set in diamonds, shrines of silver, and rare
and priceless relics of every description, besides gold and silver
chalices, fonts, and other church vessels, and a collection of
magnificent vestments.

Many are the vicissitudes through which this wonderful structure has
passed, since its commencement in 1248. At times it seemed abandoned to
ruin, then again the work was taken up and vast sums of money
contributed, and the masterpiece of Gothic architecture was carried on
toward completion, until once more the money was exhausted. It seems as
though the old legend of the architect who sold his soul to the devil in
exchange for the plan of the edifice must have some foundation, for
tradition relates that Satan was finally outwitted by the architect, and
in revenge vowed that the Cathedral should never be finished, and the
architect's name be forgotten. Immense fortunes have been expended upon
it by monarchs and others of the faithful. The great southern portal
alone cost half a million dollars: the bells in the south tower, the
largest of which was cast in 1874, from the metal of French guns, weighs
twenty-five tons. The combined efforts of twenty-eight ringers are
required to set it in motion. The next two in point of size, cast in
1447 and 1448, weigh respectively eleven and six tons. The magnificent
stained glass windows were contributed by famous and royal donors, such
as the Emperor Frederick III., Archbishop Von Daun, Archbishop Von
Hessen, King Lewis I. of Bavaria, Emperor William I., and many others. A
number of these were executed as far back as 1508.

Few structures can compete with this in beauty, grace and elegance of
form. How solemn is the atmosphere within these ancient walls! How
impressive the picture of this apparently boundless interior! In one of
the great pillars is a flight of one hundred steps, which leads to a
gallery extending across the transept, and still nearly forty steps
higher one reaches the gallery which makes the tour of the whole
Cathedral, and upon this one has a beautiful view of the city of
Cologne, the Rhine and the surrounding country. Within the church there
is a corresponding gallery, from which the visitor may observe the
interior decorations, and from the loftiest gallery of all, there is a
vast and delightful panorama which includes river and country as far as
the eye can see. What can be more beautiful than this scene? Where can
one find a grander, more solemn atmosphere than within these walls where
the spirits and the hands of men have worked for ages? Where can he
experience more lofty aspirations toward

  "The glorious Author of the universe
   Who reins the minds, gives the vast ocean bounds,
   And circumscribes the floating worlds their rounds"?

The city of Cologne was founded by the Ubii at the time when they were
compelled by Agrippa to migrate from the right to the left bank of the
Rhine, (B. C. 38). In A. D. 51, Agrippina, daughter of Germanicus, and
mother of Nero, founded here a colony of Roman veterans which at first
was called Colonia Agrippinensis, and afterward Colonia Claudia
Agrippina. In 308 Constantine the Great began a stone bridge over the
Rhine to Deutz. From the end of the fifth century Cologne belonged to
the Franks and was long occupied by the Ripuarian kings. Charlemagne
raised the bishopric which had been founded here in the fourth century
to an archbishopric, the first archbishop being the imperial chaplain
Hildebold who built the oldest cathedral church, and presented to it a
valuable library which still exists.

"The noble city has passed through many vicissitudes, and it was not
until after 1815 under Prussian rule that it began to enjoy a degree of
permanent prosperity. The rapid progress of its steamboat and railway
systems, and the enterprise of the citizens, many of whom possess great
wealth, have combined to make Cologne the centre of the Rhenish trade,
and one of the most considerable commercial cities in Germany."

The town is built with long narrow streets curving in semicircles toward
the river. Its sidewalks have the peculiarity of frequently dwindling
away until only a few feet in width. The great Cathedral tower may be
seen for miles, reaching far above the surrounding buildings. Cologne is
a city of legends and relics: old and historic buildings dating back
many centuries are scattered in all directions, and here the visionary,
the lover of myth and legend, can find abundant food for his
imagination. The great and valued possessions of the city are the bones
of the eleven thousand virgins. This is the legend: Fourteen hundred
years ago, St. Ursula and eleven thousand virgins went on a pilgrimage
to Rome, and returning were all slain by the Huns. Their bones were
gathered together and brought to Cologne, where they were buried, and
later the church of St. Ursula, now nearly nine hundred years old, was
built over their tomb. Within this church the bones of the virgins are
enclosed in stone caskets, with apertures through which they may be
seen. The skulls are covered with needlework and ornamented with pearls
and precious stones.

Among other relics, is also to be found here the alabaster vase or
rather one of the vases, in which the Saviour turned the water into wine
at the marriage in Cana. The vase or jar is evidently a very ancient
article: it is much cracked, and one handle is broken off. There are
many points of interest in this old city, for here are museums, gardens,
galleries and churches, and always the picturesque river with its
countless views and pleasure trips.

If one is weary of these legendary stories, or even of sightseeing
itself, let him rest with me in one of the many public gardens,
listening to the charming music of a good orchestra.

There are skilled musicians in these gardens, and their selections are
always well rendered. No loud or idle conversation is indulged in during
these recitals. Should any such breach of good manners occur, the
transgressors are requested to observe the rule of the garden, and if
the offence is repeated, they are ejected from the premises. The
Germans, being such lovers of good music, tolerate no other in their
gardens. There is no admission fee, but the expenses are supposed to be
met by the sale of beer, wine, pretzels and Frankfurt sausages.

Before leaving Cologne I must not forget to mention the refreshing
perfume which has made this city famous all over the world. The
celebrated Eau de Cologne is said to have been invented by Jean Antoine
Marie Farina of Domodossola in the year 1709. One could almost bathe in
the perfume here for the money it would cost to filter our muddy
Philadelphia water. There is an enormous quantity of it manufactured,
and almost every store seems to have it for sale.

[Illustration: "Palace of Brühl." (_See page 277._)]

A short distance from Cologne, or Köln as the Germans call it, is the
almost forsaken station of Brühl. I would advise the tourist to alight
here, and take a close view of the imperial palace known as the Palace
of Brühl, a handsome building erected about the year 1725. As we advance
toward the beautiful and spacious grounds, it is not difficult to
imagine the magnificent structure looming up in the distance as the home
of royalty. The approach to the palace is studded with marble statues,
and the palace itself is a classic example of the French and German
rococo style of architecture; from it radiate many lovely walks and
bowery avenues which are adorned with fine statuary. Here too are velvet
lawns, noble trees and glowing flower beds, and should one wish to view
the interior of this elegant palace, he will find that some of the rooms
are open to visitors.

Our stay within is necessarily brief. Retracing our steps to the
station, we take the train, and are carried swiftly toward the old town
of Bonn.




Along the Banks of the Rhine.

[Illustration: "Lovely walks and bowery avenues." (_See page 277._)]




_Along the Banks of the Rhine._

  Bonn--The Birthplace of Beethoven--The Museum--Monument--A Famous
  Restaurant--College Students--Beer Mugs--Special Tables--Affairs of
  Honor--Königswinter--Magnificent Views--Drachenfels--The Castle--The
  Dombruch--Siegfried and the Dragon--A Desecrated Ruin--The Splendor of
  the Mountains--Many Visitors--View from the Summit--The Students'
  Chorus--German Life--A German Breakfast--The Camera--Old Castles and
  Lofty Mountains--Legends of the Rhine--The Waters of the
  Rhine--Vineyards.


This town like its sister cities is of ancient foundation, having been
one of the first Roman fortresses on the Rhine. It is the seat of a
university which attracts students from all parts of the world. It is a
prosperous looking place with pleasant villas on the river banks, and
ancient picturesque houses. There are lovely shaded walks in the public
gardens, and a fine view from the Alte Zoll, but the chief interest of
the town for us lies in the fact that it is the birthplace of Beethoven.
In a small unpretentious house the great musician was born in 1770, and
here were composed many of those wonderful harmonies which have thrilled
the souls of lovers of music all over the world. The room in which this
noble genius first saw the light of day is in the top of the house, a
garret ten feet by twelve in size, and contains no furniture whatever:
nor is it necessary to remind those who enter it, by aught save the
wreath of green which lies peacefully upon the floor, that the spirit
whose earthly tabernacle dwelt here breathed forth the fire of heaven.

  "Creative genius. From thy hand
     What shapes of order, beauty rise,
   Where waves thy potent, mystic wand,
     To people ocean, earth and skies."

In an adjoining room are stored some pieces of furniture which belonged
to Beethoven, and the piano used by him in the composition of some of
his most famous sonatas. Some of the ladies of our party are permitted
to play upon this sacred instrument. Do they hope to be inspired by the
magic spell of the master's touch still lingering among the keys? The
dwelling has been purchased by lovers of the celebrated composer, and
fitted up as a Beethoven Museum. Not far off stands the statue of the
artist and the monument dedicated to him.

Before leaving Bonn, we visit the famous restaurant which is the nightly
resort of the students during the college term. The spacious rooms
composing this café communicate with each other by a wide and lofty
doorway. The furniture consists of bare wooden tables, a long counter,
and dozens of shabby chairs which look as if they have seen hard
service. The corpulent and jovial proprietor informs us that these rooms
are filled to overflowing with both gay and serious students every night
in the week, and that here, notwithstanding the ofttimes boisterous
merriment, questions of grave import are often discussed, together with
all the current topics of interest; and that speeches are made brilliant
enough for publication in the daily papers. Here the young orator first
tests his powers, and in all his future career, he will find no more
critical audience than this composed of his fellow-students. Here too
are nights given up to fun and jollity, to college songs and wild and
reckless mirth, when there is not a serious countenance among the crowd.

  "He cannot try to speak with gravity,
   But one perceives he wags an idle tongue;
   He cannot try to look demure, but spite
   Of all he does he shows a laugher's cheek;
   He cannot e'en essay to walk sedate,
   But in his very gait one sees a jest
   That's ready to break out in spite of all
   His seeming."

Hundreds of voices make the roof ring with tuneful harmony: choruses,
glees and comic ballads follow each other, interspersed with jokes and
puffs at pipes and sips of beer, for the German student is a

  "Rare compound of oddity, frolic and fun,
   To relish a joke and rejoice at a pun."

Pounds of poor tobacco are smoked, and gallons of good beer consumed at
these gatherings, and the landlord is always on the side of the boys
when there is any trouble, and rejoices in all their collegiate honors
and their success in every other line.

Upon the shelves above the tables are long rows of individual beer mugs,
with the owners' names or crests conspicuously painted in gay colors
upon them. These mugs vary in capacity from a pint to two quarts, and
the host assures me gravely that many of the students drain even the
largest ones nine or ten times in the course of an evening. I ponder, as
he speaks, upon the wonderful power of expansion of the human stomach
which performs this feat.

[Illustration: "Not far off stands the statue of the artist." (_See page
284._)]

As a natural consequence of this enormous appetite for beer, one sees in
the restaurants in many of the German cities an especial table
constructed with a deep semicircular curve in the side, which allows
the corpulent guest to drink his favorite beverage in comfortable
proximity to the bottle. Such as these must have been in Shakespeare's
mind, when he wrote: "He was a man of an unbounded stomach."

The deep cuts and scars upon the faces of many of the students, are
matters of great pride with them, as evidences of the number of "affairs
of honor" in which they have been engaged. They look with scorn upon the
fellow collegian whose countenance does not display one or more of these
signs of bloody combat, and are always ready to seize an occasion of
this kind for the exhibition of their bravery or their skill at arms.
Sometimes these duels are a result of the silliest arguments, at others
they are sought by deliberate insult given by the one who wishes to
fight. A glance is sometimes sufficient for a sanguinary meeting.

Will they ever learn that no stain can ever be washed out with blood, no
honor redeemed by the sword, no moral bravery displayed by an encounter
of this kind? It is falling to the level of the brute, with perhaps a
little more skill evinced in the choice of the weapons of warfare. It
cannot but detract from the dignity of the human being, and this is true
to a far greater extent in the case of those who entertain themselves
by witnessing such unnatural sports as prize fights, cock fights, and
most degrading of all, but thank heaven a rare sight in civilized
countries, the bull fight;--all relics of barbarism.

Let us leave this unpleasant subject, however, and allow ourselves to be
spirited away to a veritable fairy land of beauty, and quaint legendary
associations. The little town of Königswinter nestles at the foot of the
Seven Mountains, from which there are innumerable views of the Rhine and
the surrounding country. A halo of romance surrounds this region, and in
the many excursions from this point, the lover of the weird and
visionary will find his every step accompanied by imaginary maidens of
rare grace and beauty, brave knights, crafty priests, wild huntsmen,
cruel dragons, super-human heroes, and all the wonderful personages of
legendary lore. The town is a thriving, modern looking place of about
thirty-five hundred inhabitants, excluding the floating population of
tourists who throng the hotels and scatter themselves among the private
families.

We arrive here early in the afternoon, and establish ourselves in a
comfortable and attractive hotel. The day is clear and pleasant, and
desiring to make good use of the hours of daylight before us, we
determine to make the ascent of the Drachenfels. There are a number of
different routes or paths, by which one may reach the summit of this
mountain on foot; or, should the tourist prefer to ride, he can use the
Mountain Railway which approaches the top in a line almost straight.
Protected by stout shoes, carrying wraps, and armed with long and strong
wooden staffs, we walk slowly along the mountain road, pausing at
intervals to gaze upon the beautiful scenes which surround us in every
direction. The great peak known as the Drachenfels or Dragon rock, in
which from the river a vast cavern may be seen, owes its name to the
numerous legends which are connected with it. In the cave, it is said,
lived a terrible monster who daily demanded of the people the sacrifice
of a young maiden, who was bound and decorated with flowers, and placed
near the entrance to his lair. Siegfried slew the dragon and by bathing
in his blood, became invulnerable. The maiden whose life he thus saved
was Hildegarde, the beautiful daughter of the Lord of Drachenfels, whom
he afterward married and bore to the castle whose crumbling and
picturesque ruins seem to cling to the lofty crag, fifteen hundred feet
above the Rhine. This castle was once a mighty stronghold of the robber
chieftains; its foundation is associated with Arnold, Archbishop of
Cologne at the beginning of the twelfth century, who in 1149 bestowed it
upon the Cassius Monastery at Bonn. It was held as a fief by the counts
of the castle.

Henry, Count of Drachenfels, furnished the chapter of the Cathedral of
Cologne with the stone for its construction from a quarry which from
this fact still bears the name of Dombruch, or cathedral quarry. In the
Thirty Years' War the half-ruined castle was occupied by the Swedes, but
was besieged and taken from them by Duke Ferdinand of Bavaria, Elector
of Cologne, who completed its destruction.

The cliff is now surmounted by a beautiful new castle, the Drachenburg,
built in 1883 for the Baron von Sarter. It is in the Gothic style, and
is elaborately decorated with frescoes and stained glass. The upper part
of the mountain is covered with trees below the cliff, the lower part
with grapevines, while along the banks of the Rhine at its foot are
picturesque cottages, nestling among trees and vines. The Drachenfels is
the loftiest of the Seven Mountains, and its summit commands one of the
finest prospects on the Rhine. In the ruins of the old castle, ingenious
and progressive man has seen fit to ignore sentiment, and thrust a
modern restaurant, where in spite of his shocked sensibilities, the
weary traveller may in return for German marks, rest and refresh himself
with sparkling wine which is famous for its fine quality and flavor,
while the cool breezes fan his brow and soothe his excited brain.

[Illustration: "The great peak known as the Drachenfels, or Dragon
Rock." (_See page 291._)]

One lingers long, dazzled by the splendor of this superb view. Mountains
and valley, river and islands unite in a glorious picture which
entrances the soul, and thrills the heart with gladness; while the pure,
bracing mountain air, laden with the perfume of the grape, fills the
lungs with "a perpetual feast of nectar's sweets."

Many tourists surround us, and we hear a perfect babel of tongues:
French, English, German and other languages greet our ears, assuring us
that visitors from all parts of the world are enjoying this magnificent
panorama with us.

What a pity the camera will not encompass the wonderful scene.

  "The castled crag of Drachenfels
     Frowns o'er the wide and winding Rhine,
   Whose breast of waters broadly swells
     Between the banks which bear the vine;
   And hills all riched with blossom'd trees,
     And fields which promise corn and wine;
   And scatter'd cities crowning these,
     Whose fair white walls along them shine,
   Have strew'd a scene which I should see,
   With double joy wert thou with me."

Several of the Siebengebirge are visible toward the east, the basaltic
heights sloping toward the Rhine. Just below are Rhöndorf, Honnef,
Rheinbreitbach, Unkel, and Erpel; on the left bank of the river are
Remagen and the Gothic church on the Apollinarisberg, with the heights
of the Eifel and the ruin of Olbrück Castle on a height of 1,550 feet.
In the neighborhood are Oberwinter, the islands of Grafenwerth and
Nonnenworth and the beautiful ruins of Rolandseck with its surrounding
villas and gardens. To the right, one may behold Kreuzberg, Bonn and
even the city of Cologne in the distance.

It seems as though one could gaze upon this scene of grandeur and beauty
forever. As twilight falls, the picture receives a new and entrancing
sublimity. "The weary sun hath made a golden set," and silently the
sparkling stars appear, one by one, while the deepening shadows blend
the scene into a vast harmonious whole which seems to draw the soul up
to the very threshold of heaven.

We descend the mountain rather silently, unwilling to break the
impression made by our journey, and slowly through the gloom make our
way back to the hotel.

While sitting upon the porch in the evening, surrounded by the majestic
watch towers of the Rhine, and expatiating on the pleasures of the day,
we suddenly hear a rich full chorus, harmoniously sung by at least one
hundred male and female voices. The singers are invisible, and the notes
seem to float out from one of the neighboring mountain caves. We all
listen with delight to the sounds, which now approaching nearer,
convince us that the singers are not the denizens of another world, but
are beings of flesh and blood like ourselves. In the distance we can
discern a procession of gay and jovial students with their sweethearts
at their sides. The young men are carrying lighted torches and lanterns
which illuminate them and the road, and are merrily singing the popular
glees and college songs as they wend their way to the boat landing close
by.

The party is returning from a German students' picnic, and as they board
the little steamer, which immediately leaves her moorings, the air is
rent by cheer after cheer, and we hear the gay laughter and happy voices
long after the boat has disappeared from our eyes down the silent
flowing river. Such is the German student life, and such is the
character of the German people: not averse to pleasure, sociable,
jovial, kind and happy.

We rise early this morning, and partake of a good German breakfast; and
of what do you suppose a good German breakfast consists? Dishes of
greasy sausage or bacon swimming in its own gravy, kale or saurkraut,
onions and hot sauces, potatoes soaked in lard; black bread which has
also been soaked in lard to save the expense of butter: and all this
washed down with innumerable mugs of beer or Rhine wine, with a "thank
heaven" when the unsavory repast can no longer offend our eyes or
olfactories? No, my dear friend; our breakfast is a most agreeable
contrast to the picture just drawn. We are served with deliciously
cooked steak and chops, and the connoisseur of any nationality would not
disdain these meats or the daintily prepared chicken, coffee and fresh
rolls. The eggs are fresh and not underdone: one can find no fault with
the butter or the sweet new milk, and it is with a feeling of great
satisfaction that we rise from the table at the close of the meal, and
exclaim that we have had a breakfast "fit for a king."

A small steamer with an upper deck waits at the landing to convey
passengers and a limited amount of freight from Königswinter to Bingen.
It is ten o'clock when we step on this attractive little boat with our
numerous wraps and parcels. We are well laden, for the camera occupies
one hand, and is always ready for an unexpected shot at some picturesque
figure, group, building or landscape. And I will here say to the tourist
who wishes to illustrate his notes, that it is best to keep camera and
sketch book handy, for you little know what fine opportunities are
missed while you are stopping to unstrap your needed friend. Let your
sketching outfit hang over your shoulder, and as to the camera, have one
which will respond to your touch within five seconds, or you will lose
many a scene of beauty which otherwise would rejoice the hearts of
friends at home. We are much amused at the bulky apparatus of a friend,
which is always carried neatly strapped in its box, while mine hangs
over my shoulder, ready to snap instantly to a demand upon it. The
difference in the result of the two methods is that I have a collection
of many valuable pictures, while our friend spends most of his time
strapping and unstrapping his camera. The day is chilly and threatening,
and as we leave the landing, we find ourselves in a heavy fog, much to
my disappointment, for I have anticipated great pleasure in seeing and
photographing the many beautiful ruins of old castles and the landscape
along our route. However as the mist lightens now and then, I "shoot"
away here and there with as much ardor as the circumstances will allow:
not idly or carelessly, as the enthusiastic amateur, reckless of plates
and results, but at unquestionably fine points, such as lofty castles
and picturesque mountains, half fearing sometimes that in spite of my
precautions the longed-for view will prove but a blur upon my plate. It
is bold indeed to attempt to capture such sublime pictures with such
faulty exposures.

The country around Königswinter is extremely beautiful. Upon both sides
of the Rhine rise the lofty peaks of the wooded mountains, with in
almost every case a ruined castle upon the summit. How noble and defiant
is the appearance of these venerable fortresses with their eventful
histories and wonderful legends. Here near Remagen within full view of
the river is the church dedicated to St. Apollinaris, at one time a
great resort for pilgrims. It is said to be beautifully decorated with
ancient and modern works of art; the view from the church tower so
charmed the artist who first ornamented it that he painted his portrait
upon the tower that his eyes might forever look upon the mountains and
valleys and follow the winding course of the glistening river. Near
the church, at the foot of the mountain, is the celebrated Apollinaris
fountain, whose waters are bottled and sent to all parts of the world
for their medicinal properties.

[Illustration: "How noble and defiant is the appearance of these
venerable fortresses." (_See page 300._)]

At times the blue breaks through the clouds, and then the pictures are
surpassingly lovely. The castles in their sorrowful majesty are very
imposing: they are generally built of stone, are of fine architectural
design, and are frequently the centre of charming old gardens, or are
embowered in trees and shrubbery. Here they stand year after year,
looking down upon the ever youthful river. Some of them are occupied,
while others are desolate ruins.

  "High towers, fair temples,
   Strong walls, rich porches, princely palaces,
   All these (oh pity), now are turned to dust,
   And overgrown with black oblivion's rust."

One can hardly realize the grandeur of this scenery. Every turn of the
river presents a different view: it is an ever varying kaleidoscope of
natural beauty. Now we behold the mountains with their masses of foliage
reaching to the very summits; now the charming village amid its
vineyards, with its odd little church surrounded by picturesque frame
houses with plain roofs and quaint gables. While sitting silently on
deck gazing upon the old castles and ever changing scenes which border
this beautiful body of water, I hear solemn tones proceeding from the
belfry of an old church, and behold a little procession of mourners
slowly following the hearse which is bearing the remains of some loved
relative or friend to their final resting-place;--a pathetic little
group walking sadly along through the drenching rain from the church to
the burying ground.

One is compelled to notice here the numerous signs with huge letters
emblazoned upon them, informing the passers-by that here are bottled
popular waters of medicinal qualities. The tottering establishments are,
I observe, close to the water's edge, and whether or not the Rhine
contributes the greater part in the composition of these famous waters
is an open question. However it may be, the waters, or mineral springs,
of genuine virtue or otherwise, are the source of a considerable profit
in this region. Water as a beverage is seldom used by the Germans, for
the light Rhine wines are to be had in perfection at a trifling cost.

[Illustration: "Every turn of the river presents a different view."
(_See page 303._)]

We glide along, passing island and vineyard, and castle crowned height,
with now and then a wide curve in the river, which looks with its
smiling face to-day much as it did centuries ago when the old
strongholds reared up their piles of masonry in regal splendor, and
noble retinues defiled down the narrow mountain paths to the water's
edge.

  "Thou, unchanged from year to year
   Gayly shalt play and glitter here;
   Amid young flowers and tender grass,
   Thine endless infancy shalt pass;
   And, singing down thy narrow glen,
   Shall mock the fading race of men."




From Bingen on the Rhine to Frankfort-on-the-Main.

[Illustration: "Now we behold the little church surrounded by
picturesque houses." (_See page 303._)]




_From Bingen on the Rhine to Frankfort-on-the-Main._

  Vast Vineyards--Bingen--The Hotel--The Down Quilt--A German
  Maid--Taverns--The Mouse Tower--Rüdesheim--Niederwald--The
  Rheingau--The National Monument--The Castle of Niederburg--Wine
  Vaults--The River--Street Musicians--A
  Misunderstanding--Frankfort-on-the-Main--The Crossing of the Ford--A
  Free City--Monument of Goethe--History--A Convocation of Bishops--The
  City--Monument of Gutenberg--The House in which Rothschild was
  Born--Luther.


After leaving Königswinter, we pass vast vineyards on both sides of the
Rhine, and as we approach Bingen we see them covering the whole
mountain-side. Among the vines may be seen what seem like steps
encircling the mountain to its very summit, but which in reality are
roads or paths through the vineyard. The sturdy and prolific vines grow
close to these walks. In this section of the country the greatest care
is given to grape culture, hence in Bingen is to be found the finest
wine made in the country. In this region are located great breweries and
wine vaults extending into the mountain-sides for hundreds of feet. On
arriving at Bingen we proceed at once to the Victoria Hotel, a quiet
house situated at a convenient distance from both railroad station and
steamboat landing. The charges are moderate, and the accommodations
good.

Upon entering our sleeping apartment, I observe upon the beds huge
fluffy quilts stuffed with soft feathers, and forming a pile at least
two feet in thickness, which covers the entire surface from bolster to
footboard. This ominous appearance fills me with strange forebodings and
wondering thoughts. I say to myself: "God made the country, and man made
the town, but who on earth has manufactured these monstrous
counterpanes, and for what purpose?" Surely not for ornament, for they
are the most unsightly objects I have ever beheld in the line of
needlework, and look as if intended to smother hydrophobia patients. But
as few dogs are seen hereabout, this does not seem probable. The
appearance of a smiling innocent-faced chambermaid interrupts my
meditations. She informs me that these great masses of feathers are used
to keep the body warm at night. I conclude from this that the Germans
are a cold-blooded people, since such a slaughter of the "feathery
tribe" is necessary to maintain their normal temperature when in a
state of repose. As night advances, I summon up courage to crawl under
this fluffy mountain, and in a few moments feel as if a great loaf of
freshly-baked bread is lying upon me. The heat is intense, and makes me
think of "Eternal torments, baths of boiling sulphur, vicissitudes of
fires." I cast it off, and as the nights are chilly, soon find myself
too cool. But I will not allow the enemy to return and overpower me, for
there is much to be seen hereabout on the morrow, and I know that
overgrown spread would absorb all the strength reserved for the
occasion. Placing my steamer rug upon the bed, I am soon oblivious to
all surroundings and happy in a land of pleasant dreams.

[Illustration: "Approaching Bingen we see vineyards covering the
mountain side." (_See page 313._)]

This house is indeed delightfully located in the midst of a beautiful
country. Bingen is a lovely town at the entrance of the romantic Nahe
valley, looking out upon mountain, glen and river on every side, upon
lofty castles and vine-embowered cottages. Quaint narrow streets and
ancient buildings, whose history is buried in the distant centuries,
tempt the lover of the picturesque to linger in this neighborhood. The
place was known to the Romans, who erected a castle here, which was
destroyed by the French in 1689, but which has been restored and
extended. There is a beautiful view from the tower, and footpaths
ascend to it both from the Nahe and the Rhine.

Here are old historic taverns, whose floors are composed of large slabs
of stone. The primitive chairs and tables are of rude workmanship, and
devoid of paint or style, but heavy and strong enough to support the
weary travellers who resort thither.

We wander about, revelling in nature's enchanting pictures, and
rejoicing in the mysterious atmosphere of the dense forests, which form
the background. The smiling river, with its silver sheen beneath the
moon, or its golden reflections of the setting sun, is ever an
inspiration and a suggestion for some new trip or point of vantage. Yes,
here are scenes for the artist, and pictures ready for the camera. Here
too, on a quartz rock in the middle of the Rhine is the Mouse Tower
which is said to owe its name to the well-known legend of the cruel
Archbishop Hatto of Mayence.

In the year 914, a protracted rain ruined the harvest in this region,
and a terrible famine ensued among the poor people, who in their
distress finally applied to the archbishop, as his granaries were
overflowing with the harvests of former years. But the hard-hearted
prelate would not listen to them. At last they wearied him so with their
importunities, that he bade them assemble in an empty barn, promising
to meet them on a certain day and quiet their demands.

Delighted with the prospect of relief, the people gathered on the
appointed day in such numbers that the barn was soon filled. The
archbishop ordered his servants to fasten all the doors and windows so
that none could escape, and then set fire to the building, declaring
that they were as troublesome as rats, and should perish in the same
way.

The following day, when the bishop entered his dining-room, he found
that the rats had gnawed his recently finished portrait from the frame,
and it lay in a heap of fragments on the floor. While he stood gazing at
it a messenger burst into the room with the news that a great army of
fierce looking rats were coming toward the castle. Without a moment's
delay the archbishop flung himself on a horse and rode rapidly away
followed by thousands of rats all animated by the revengeful spirits of
the starving population he had burned. He had scarcely dismounted and
entered a small boat on the Rhine, when the rats fell upon his horse and
devoured it. Rowing to his tower in the middle of the Rhine, he locked
himself in, thinking he had escaped his voracious foes; but the rats
boldly swam across the Bingerloch, and gnawed thousands of holes in the
tower, through which they rushed to their victim. Southey in his ballad,
thus describes their entrance into the tower:

  "And in at the windows, and in at the door,
   And through the walls, helter-skelter they pour,
   And down from the ceiling, and up from the floor,
   From the right and the left, from behind and before,
   From within and without, from above and below,
   And all at once to the bishop they go.

  "They have whetted their teeth against the stones,
   And now they pick the bishop's bones;
   They knawed the flesh from every limb,
   For they were sent to do judgment on him."

This is the old legend; but now comes the searcher after truth with the
information that the tower was in reality erected in the middle ages as
a watch tower, and the name is derived from the old German "musen," to
spy. These ruins were again converted into a station for signalling
steamers, which in descending the Rhine are required to slacken speed
here when other vessels are coming up the river.

Taking one of the small steamboats which run from Bingen to the opposite
bank, we land at the little town of Rüdesheim which lies at the base of
the mountain. This old town is one of the most famous on the river, not
only for its wines but for the legend of the beautiful Gisela, who was
commanded by her father to become a nun in fulfillment of his vow made
in Palestine during the crusade against the Saracens. The maiden had a
lover, and finding that no entreaties could save her from her fate,
Gisela leaped from a tower into the river, and the fishermen declare
that her spirit still lingers about the Bingerloch, and her voice is
often heard amid the rushing torrent.

The first vineyards here are said to have been planted by Charlemagne,
who observed that the snow disappeared earlier from the hills behind the
town than from other regions in the neighborhood. The Rüdesheimer Berg
is covered with walls and arches, and terrace rises above terrace, to
prevent the falling of the soil.

We drive to the top of this charming hill whose sunny slopes are clothed
with vineyards. Upon the summit, as on most of the others in the
neighborhood, there is a hotel with grounds prettily laid out, and here
one may remain and enjoy the pure air and enchanting views, for a day, a
week, or for the whole season.

Here, too, is the National Monument, in describing which I will copy
the words of my guide book:

"The National Monument on the Niederwald, erected in commemoration of
the unanimous rising of the people and the foundation of the new German
Empire in 1870-71, stands upon a projecting spur of the hill (980 feet
above the sea level; 740 feet above the Rhine), opposite Bingen, and is
conspicuous far and wide. It was begun in 1877 from the designs of
Professor Schilling of Dresden, and was inaugurated in 1883 in presence
of Emperor William I. and numerous other German princes. The huge
architectural basis is seventy-eight feet high, while the noble figure
of Germania, with the imperial crown and the laurel-wreathed sword, an
emblem of the unity and strength of the empire, is thirty-three feet in
height. The principal relief on the side of the pedestal facing the
river, symbolizes the 'Wacht am Rhein.' It contains portraits of King
William of Prussia and other German princes and generals, together with
representatives of the troops from the different parts of Germany, with
the text of the famous song below; to the right and left are allegorical
figures of Peace and War, while below are Rhenus and Mosella, the latter
as the future guardian of the western frontier of the empire. The fine
reliefs on the sides of the pedestal represent the departure and the
return of the troops."

We visit many of the most noted breweries and wine vaults in the
neighborhood. Those of Herr J. Hufnagel are the largest in this section
of the country. They are cut in the base of the mountain, and extend
inward many hundred feet. Here the choice wines are stored, many of the
enormous casks containing upwards of twenty thousand quarts. Hundreds of
barrels and hogsheads are seen; in fact every nook and corner of the
vault is filled, and so extensive is this subterranean apartment, that
avenues are made from one part to another, and along these we walk, the
guide bearing a lamp to light the way.

After visiting these great storerooms, we are invited to the hotel of
the proprietor, which is close by, and on the porch we are served with
an enjoyable lunch flavored with choice German wine.

There is a beautiful drive along the river bank, and if one is tired, he
may stop at one of the inviting restaurants in this neighborhood, and
while resting and refreshing himself, look out at the tourists and
others passing along the wide airy street, or as is a common custom, he
may have his luncheon served upon the porch, from which there is a
delightful and extended view of the Rhine. With plenty of shade and
comfortable chairs, and the beautiful river before us, how swiftly the
time passes! Sometimes, in consequence of our ignorance of the language,
laughable mistakes are made in the ordering of our meals, which seem to
increase the jollity of both the waiters and our party. On one of these
occasions, while eating our luncheon in the open air, a band of eight or
ten street musicians station themselves upon the porch but a few feet
from us. They are healthy, hearty-looking men, but contrary to our
previous experience in this country, they play the most inharmonious
airs. We endure this for a short time, then as the discordant sounds
become more and more annoying, we bestow upon the leader a number of
small coins, and entreat them to begone. They evidently misunderstand
us, and think, from our liberal contribution, that we appreciate their
efforts, for they continue their playing with increased vigor
and--discord. We do not wish to leave our pleasant quarters, so resign
ourselves to the situation. After repeating their repertoire, which
seems endless, with profuse smiling bows and thanks they leave us at
last to the peaceful enjoyment of the day.

The Niederberg is a massive rectangular castle whose three vaulted
stories, belonging to the twelfth century, were joined to the remains of
a structure of earlier date. It was originally the seat of the Knights
of Rüdesheim, who were compelled to become vassals of the Archbishop of
Mayence for brigandage.

At Rüdesheim begins the Rheingau, which is the very "vineyard" of this
country. Here every foot of ground is cultivated, and the grape is the
monarch of the land. All the hillsides are covered with the vines, and
here in the midst of the verdure appears the picturesque villa of the
planter or wine merchant. It is a rich and beautiful region.

From Bingen and Rüdesheim we go to Frankfort-on-the-Main. This town
which has witnessed the coronation of many of the German emperors, is
noted for its ancient legends, and to one of these it is said it owes
its name. This is the story: Charlemagne, having penetrated into the
forests to wage war against the Saxons, was once compelled to retreat
with his brave Franks. A heavy fog lay over the country which was
unknown to him. Fearing that his little army would be cut to pieces if
he lingered, and unable to see more than a few feet ahead of him,
Charlemagne prayed to the Lord for help and guidance. The next moment
the heavy fog parted, and the emperor saw a doe leading her young
through the stream. He instantly called to his men, and they forded the
river in safety. The fog closed behind them and hid them from the
pursuing enemy.

In commemoration of his deliverance, Charlemagne called the place
Frankford (the ford of the Franks), and the city which grew up shortly
afterward retained the name.

This, one of the important cities of Germany, is said to have been a
small Roman military station in the first century, A. D.

It is first mentioned as Franconoford and the seat of the royal
residence in 793; and the following year Charlemagne held a convocation
of bishops and dignitaries of the empire here. The town attained such a
degree of prosperity that in 876, at the death of Lewis the German, it
was looked upon as the capital of the east Franconian Empire. On the
dissolution of the empire in 1806, Frankfort was made over to the
Primate of the Rhenish Confederation, and in 1810 it became the capital
of the grand-duchy of Frankfort.

It was one of the four free cities of the German Confederation, and the
seat of the Diet from 1815 to 1866, in which year it passed to Prussia.
To-day we find it a handsome city of two hundred and twenty-nine
thousand inhabitants, with beautiful streets, stately houses surrounded
by lovely gardens, and fine stores, parks, monuments and many
attractions for the tourist. Here are churches, theatres, libraries and
museums, and an opera house which will accommodate two thousand
spectators.

In the Rossmarkt stands the monument of Gutenberg, which consists of
three figures, Gutenberg in the centre with Fust and Schoffer on either
side, upon a large sandstone pedestal. On the frieze are portrait heads
of celebrated printers, and in the niches beneath are the arms of the
four towns where printing was first practiced: Mayence, Frankfort,
Venice and Strassburg. Around the base are figures representing
Theology, Poetry, Natural Science and Industry. This monument was
erected in 1858.

This is the birthplace of Goethe, and here is the house in which the
poet was born, with its inscription recording that event, (August 28,
1749). The handsome monument of Goethe, erected in 1844, twelve years
after his death adorns the Goethe-Platz. The pedestal of the monument
bears allegorical figures in relief in front, while on the sides are
figures from the poems of the great writer.

There are twenty-three thousand Jews in Frankfort, and in the quarter to
which these people are limited, we are shown the house in which the
Senior Rothschild was born. It is an unassuming brick building of three
stories, in good repair. As I gaze upon this modest dwelling, I think of
the man who from such unpromising beginning, became the founder of the
greatest financial firm the world has known.

There is a stone effigy of Luther not far from the Cathedral, in memory
of a tradition that the great reformer preached a sermon here on his
journey to Worms. It is true that these associations are to be found in
almost every European town; but none the less are we impressed as we
stand before the monuments of the great ones of the earth--the men who
have left their indelible marks--"footprints on the sands of time
"--which the years have no power to efface. These men must have truly
lived.

                  "He most lives
  Who thinks most, feels the noblest, acts the best."

The Cathedral of Frankford is a conspicuous edifice towering above the
other buildings, quaint and picturesque in spite of a lack of harmony in
many of its details. From the platform of the tower, one may have a
beautiful view of the city, with its thick border of trees, and of the
fields and meadows beyond along the shining waters of the Main. This
Church of St. Bartholomew was founded by Lewis the German in 852, and
was rebuilt in the Gothic style 1235-39. The different portions
represent various periods. The tower, left unfinished in 1512, now three
hundred and twelve feet high, was completed from the designs of the
architect which were discovered in the municipal archives.




A Prussian Capital and a Fashionable Resort.




_A Prussian Capital and a Fashionable Resort._

  We Start for Berlin--Mountain and Valley--Harvesters--Villages--A
  Great City--Unter den Linden--Kroll Theatre and Garden--The City
  Streets--Ostend--A Fashionable Watering Place--The Promenade--The
  Kursaal--On the Beach--Bathing Machines--Studies for an Artist--The
  Race Course--Sunday--The Winning Horse--Fickle Dame Fortune--The
  English Channel--A Bureau of Information--Queenstown--An Irish
  Lass--The Last Stop--The End of the Journey.


The journey from Frankfort to Berlin is through a pleasant and
interesting country. For many miles we look from the car windows upon an
undulating landscape: hills and valleys follow each other in rapid
succession as our train dashes along at the rate of a mile a minute. Now
and then we pass men and women in the fields; and now young girls with
bare feet and short skirts busily raking the hay,--true pictures of
"Maud Muller on a summer day." And here is a whole group of "nut brown
maids" laughing merrily at their work, while over in a corner of the
field is the belle of the countryside listening shyly to the stalwart
young harvester who stands on the border of the adjoining meadow.

  "Her tresses loose behind
   Play on her neck and wanton with the wind;
   The rising blushes which her cheeks o'erspread
   Are opening roses in the lily's bed."

Now we pass the harvesters at rest, sitting under the green trees and
hedges with their dinner pails beside them. It is a pleasant, peaceful
picture. Here is a picturesque village with quaint looking houses, and a
little gurgling brook in the foreground. An echo from the distant
mountain answers the shrill whistle of our engine and we can see the
silvery cloud of smoke that follows us wander off to the right, then
fade away in misty fragments. In many of these settlements, there are
shaded nooks where tables and chairs are placed, and here the villagers
are sipping their beer, in happy social converse.

The young people wave their hands and caps to us as we pass, and with
their bright costumes animate the lovely scenes which, although so close
to each other, are of such different character. At last we reach Berlin,
and our great iron horse stands puffing in the station, defying man to
detect upon him any sign of exhaustion.

In this large city entertainment can be found for people of every kind
and taste. The street known throughout the world as Unter-den-Linden is
a splendid avenue, one hundred and sixty-five feet in width, and takes
its name from the double row of linden trees with which it is
ornamented. It is the busiest portion of the city, contains handsome
hotels, beautiful palaces, large shops, and many fine statues of
celebrated men.

The first day or two after your arrival in the city, engage a carriage
and take in the general appearance of the city, its parks and suburbs;
then visit the art galleries, museums, palaces and churches until the
brain becomes accustomed to the bewildering array of subjects which
demand attention. Stroll quietly along Unter-den-Linden stopping now and
then at one of the many stores which line this beautiful avenue. At one
end of this thoroughfare is the celebrated Brandenburg Gate, a sort of
triumphal arch. It is a fine structure, two hundred feet wide and
seventy-five feet high, supported by Doric columns. There are five
entrances, the central one being reserved for the passage of members of
the royal family.

The Kroll Theatre and Gardens are a popular resort for the people of
Berlin. These gardens are illuminated every evening by thousands of
electric lights, arranged in various designs, as flowers, harps and
other graceful forms, and this illuminated scene is the centre of a gay
throng of pleasure seekers, who promenade the paths, or sit about in
groups listening to the music of the fine orchestras stationed at each
end of the spacious grounds. The entertainment is not over until a very
late hour.

There are a number of these gardens throughout the city, which are not,
as may be supposed, frequented by the lower classes of the people, but
by persons of every rank in society. One can hardly appreciate this
scene without having passed an evening amid its light-hearted crowds.
Here may be seen officers of many honors, with conspicuous gold and
silver badges, mingling with the groups gathered around the tables, or
sauntering up and down the garden walks, as well as the private soldier
in his regimentals happily quaffing his beer with his sweetheart by his
side. Title and rank here as well as elsewhere throughout Germany, are
honored and respected by all classes, and the salute is gracefully made
whenever one of the army or navy men meets his superior officer.

[Illustration: "Thousands of fashionably dressed people appear upon this
promenade." (_See page 343._)]

Berlin with its life and gayety, its grandeur and simplicity, its
hospitality and good cheer, captivates our hearts, and we enter
joyously into the many diversions it offers; as we sit among the honest
and kind-hearted people, we feel the charm of their social atmosphere
and wonder why other nations do not allow themselves more time for
relaxation and the simple pleasures which abound here.

The Friedrichs-Strasse is the longest street in the city: it is well
laid out, and contains many handsome stores. Wilhelms-Strasse is a
beautiful avenue, and is considered the most aristocratic street in
Berlin, as it contains the palaces of princes, ministers and other
distinguished personages. A handsome square opens from this avenue,
ornamented with flower-beds and fine statuary.

The museums here are called the Old Museum and the New Museum; they are
connected by a passage gallery. The entrance to the Old Museum is
adorned by handsome statuary, and the grand portico is beautifully
painted with allegorical and mythological subjects: within, the walls
are decorated with frescoes representing barbarous and civilized life,
and in the great rotunda are ancient statues of gods and goddesses. From
this one passes to the Gallery of Gods and Heroes, the Grecian cabinet,
the Hall of the Emperors, and that of Greek, Roman and Assyrian
sculptures. But it is vain to attempt a description of this vast
collection of paintings, and other works of art in the short space I
have to devote to the subject. To appreciate a collection of this kind,
one should visit it in person.

The Thiergarten is a great park, two miles long, beautifully laid out,
and containing many splendid old trees, rustic paths, and artificial
ponds and streams. The grounds are ornamented with statuary, and the
fine zoölogical collection is in good condition and well arranged. But
we must leave fascinating Berlin, and pass on to other scenes.

Now we reach Ostend on the coast of Belgium, one of the most fashionable
watering-places of Europe. During the season it attracts thousands of
visitors, especially from Belgium and Holland. It was originally a
fishing station, but was enlarged by Philip the Good, and fortified by
the Prince of Orange in 1583. In the early part of the seventeenth
century it sustained one of the most remarkable sieges on record,
holding out against the Spanish for a period of three years, and finally
surrendering only at the command of the States General.

[Illustration: "There are many odd and fantastic sights here." (_See
page 347._)]

To-day promenades take the places of the old fortifications, and
handsome residences stand where the simple sturdy fisherfolk once dwelt
in their cottages. The tide of fashion rolls where a simple people
lived their daily life of care and toil. Here congregate people of every
nation, the old and the young; and the cosmopolitan character of the
promenade is a source of great entertainment to the stranger. As we
approach the Digue or chief promenade, which is elevated fully a hundred
feet above the beach, we are struck with the beauty of this grand
esplanade, a hundred feet wide and extending miles along the shore. On
the city side are many handsome buildings; residences, hotels, cafés and
some stores. These buildings occupy a space fully a mile in length, but
the promenade with its tiled pavement skirts the sea for many miles.
Chairs and benches are placed at convenient intervals for the use of the
public, and every day, especially in the afternoon, thousands of
fashionably dressed people appear upon this walk, rejoicing in the
opportunity to display elaborate gowns; some by strolling to and fro
before the benches and chairs, and others by more ostentatiously driving
by in handsome equipages, with coachmen and footmen in appropriate
livery.

Yet it is delightful to sit here on a clear evening, listening to the
harmonious melody of the sea, as it mingles its voice with the strains
of a fine orchestra, and watching the merry throng passing and
repassing. The silent night afar out on the glistening waters seems like
a brooding spirit.

  "Thou boundless, shining, glorious sea,
   With ecstasy I gaze on thee;
   And as I gaze, thy billowy roll
   Wakes the deep feelings of my soul."

We extend our walk and take in the Kursaal, a handsome structure of
marble and iron built upon the side of the promenade. It covers a large
area, and within its walls, the sounds of choice music are constantly
heard. Dances, concerts and many other forms of entertainment keep this
fashionable resort in a whirl both day and night. On many of these
occasions the dressing is the most important feature of the affair. The
people who resort thither are families of considerable wealth, and can,
when they choose, run to extremes in paying court to Dame Fashion.

[Illustration: "One's portfolio might soon be filled with interesting
subjects." (_See page 347._)]

Let us descend about noon, by the long low steps, from the promenade to
the beach below, and here we will find a long unbroken line of wagons
facing the sea. These wagons have large numbers painted conspicuously on
their backs: upon one side is a window with a curtain carelessly drawn,
and a pair of strong shafts is attached to each vehicle. The stranger
will wonder what on earth these unsightly things are designed for, and
why they thus mar the beauty of the beach. Have patience; inexperienced
stranger, and you will see these inanimate wagons suddenly break ranks
and now one, now another be hauled rapidly forward, some to the water's
edge, others into the ocean up to the hubs. In explanation of this I
would state that when the bathing hour arrives, a horse is attached to
each wagon, and the occupant or occupants, when it reaches the water's
edge, open the door and spring forth a nymph and her companions, in
their scant bathing robes, ready for the plunge. The costumes of both
men and women are not such as find favor with fastidious mortals, and
many of the scenes witnessed on this beach would not be tolerated at any
of our American watering-places.

It is quite common for men, women and children to remove their shoes and
stockings and wade ankle deep in the surf.

However, there are many odd and fantastic sights here, and many pretty
tableaux on the beach which would delight the eyes of an artist, and I
often think that one's portfolio might soon be filled with interesting
subjects.

As the races are to be held this afternoon at the Course, a mile beyond
the Kursaal, and just off the promenade, we wend our way thither. The
race-course is similar to those in England and France. As the appointed
hour approaches, a throng of fashionable people seat themselves upon the
grand stand, until every place is filled, and even the aisles are
crowded with the élite of Ostend.

I forgot to mention the fact that the day is Sunday, but this seems to
make little difference to these gayety-loving people.

The horses start, and now betting and excitement go hand in hand.

  "Some play for gain: to pass time, others play
       For nothing; both do play the fool."

I have the peculiar good fortune on this occasion, of predicting the
winning horse a number of consecutive times in my conversation with one
of our party who sits beside me. These lucky guesses attract the
attention of a stranger who is on my other side, and considering them as
so many evidences of remarkable judgment or knowledge, he resolves to
profit thereby. Accordingly before the next running, as the horses walk
slowly before the spectators and the judges' stand, the man quietly asks
me to name the winner in the next race. I quickly make a choice and
mention the horse's name. The stranger bids me good-day and hastens away
to place his "pile" with some bookmaker on the identical horse which I
have named.

[Illustration: "Many typical Irish characters come aboard our vessel."
(_See page 353._)]

With a rush of spirit and courage the noble animals fly over the course,
and every jockey seated in a saddle looks determined to win. Faster and
faster they urge the flying steeds with spur and voice, and the animals
themselves, with distended nostrils and steaming breath dash past the
judges' stand in frenzied effort. The merry jingle of the bell proclaims
that the goal is reached: the great sign-board with the winner's name
upon it is visible to all. What has become of my luck? And what has
become of the stranger who relied on my judgment a few moments ago? My
horse has lost. Goodness! I feel as though I have committed a crime, and
I am very sure that Dame Fortune receives from me in private a score of
epithets, not the most complimentary in the world for her unprincipled
desertion. I feel sure that if I had my instantaneous camera, or pencil
handy, this disappointed man's face would make a foreground in the
picture that would surely be a "_winner_."

We leave Ostend on the steamer La Flandre. The schedule time is 10:40 A.
M. We go on board amid shouts of kindly farewell from our friends on
shore. As it is a clear bright day with a delightful salt breeze, there
is much pleasure in sitting on deck and enjoying the view. The English
Channel is generally a turbulent body of water, noted for its many
victories over the unfortunates who trust themselves in its power, but
to-day it is mild and calm, probably plotting mischief to the next boat
load of passengers that shall come its way.

Indescribable confusion reigns in our hotel, at Liverpool, for more than
a hundred of its guests are on the point of sailing for America.
Innumerable packages, grips, umbrellas and walking sticks line the
corridors. Every one is moving to and fro in hot haste. One lady asks me
if I know at what hour the steamer on which she has taken passage will
sail: another wants information in regard to her steamer: a man with
perspiration trickling down his face begs me to tell him how to send his
five trunks and other baggage to the landing stage. These and many more
annoying and importunate people make life a burden to me. I do not know
why they choose me to share in their misery. Do I look like a walking
bureau of information, I wonder! If I do, I shall learn how to change my
expression. But in truth the faces of these bewildered people are a
study, and I am genuinely sorry for them.

The steamer cuts loose from her moorings, and moves gracefully out into
the great ocean. As we approach Queenstown, we observe the small farms
and dwellings close to the edge of the water. Then the lighthouse and
the forts which guard the entrance to the harbor come into view, and now
we drop anchor and wait for passengers and the mails. A little steam tug
becomes visible, and as she draws nearer, we learn that she is bearing
the mails and passengers to our ship. At last she is close beside us,
and when made fast, the transfer takes place. Now is the time for the
camera or sketch book, for many typical Irish characters come aboard our
vessel, with strange, half-frightened faces, and their worldly
belongings carried on their backs, or clutched tightly in their hands.
Among the group I notice a middle-aged woman with a young pig nestling
peacefully under her arm. Whether it is a pet, or simply a piece of live
stock to begin housekeeping with in the new country, I cannot say, but
with a contented expression on both faces, Bridget and her pig disappear
into the special quarters which are reserved for the emigrants. This
whole scene is very interesting. The old-fashioned black glazed
oilcloth bag and trunk play a conspicuous part in the picture, and here
and there are seen bundles tied in red bandanna handkerchiefs and
carried on the end of a stick, which is slung over the shoulder, while
the corduroy knee breeches, woollen stockings, heavy shoes and
pea-jackets with caps to match give us a fine representation of the
Irishman on his native heath.

Several small boats are floating at our side: from one of these a rope
is thrown to a sailor on our deck, and a bright and comely Irish girl
climbs nimbly up, hand over hand, and stands among the cabin passengers.
With quick, deft movements she pulls up a basket filled with Irish
knickknacks, such as pipes, crosses, pigs, spoons and forks made of
bog-wood; these, with knit shawls and similar articles, she displays on
deck, and it would be difficult to find a prettier, wittier, more
attractive specimen of old Ireland's lasses than this. By means of her
ready tongue she disposes of all her wares, and when the whistle warns
all hands to leave the deck, she glides gracefully down the rope, and
settling herself in her little boat, pulls for the shore.

[Illustration: "Several small boats are floating at our side." (_See
page 354._)]

This is our last stop until we reach New York. The anchor is pulled up,
and away we go steaming on our homeward voyage. The little steam tug
runs along beside us for a time, then the whistles of both vessels
blow a farewell to each other, and our little comrade gradually fades
from our sight.

Suddenly a heavy fog comes up, and the incessant blowing of the fog-horn
is a tiresome sound: but the wind follows up the mist and scatters it
far and wide, and now we have the boundless prospect of the ocean before
us.

  "Strongly it bears us along in smiling and limitless billows,
   Nothing before and nothing behind but the sky and the ocean."

As we gaze upon it day after day, its beauty and grandeur grow upon us
more and more. I can think of no better words than those of Childe
Harold which so beautifully express the thoughts the scene inspires.

  "Roll on, thou deep and dark blue ocean, roll.
     Ten thousand fleets sweep over thee in vain;
   Man marks the earth with ruin--his control
     Stops with the shore; upon the watery plain
     The wrecks are all thy deeds, nor doth remain
   A shadow of man's ravage, save his own,
     When, for a moment, like a drop of rain,
   He sinks into thy depths with bubbling groan,
   Without a grave, unknelled, uncoffined and unknown."

Then, as if by magic, the huge waves lessen in their angry murmurs, the
surface becomes quiet and calm; evening creeps on, and the glow from a
descending sun illuminates the scene. As I look upon this beautiful and
restful picture, I think how true the words:

  "Beyond is all abyss,
   Eternity, whose end no eye can reach."




_The reading of this book has no doubt been a pleasure and a profit to
you. Then why not recommend it to your friends? You will find cards on
the inside of the back cover to assist you._

[Illustration: "Beyond is all abyss, Eternity, whose end no eye can
reach." (_See page 358._)]




  BY THE AUTHOR OF ODD BITS

  British Isles through an Opera Glass
  By CHARLES M. TAYLOR, Jr.

  Author of "Vacation Days in Hawaii and Japan." With 48 full-page
  illustrations, principally from photographs. Crown 8vo, about 350
  pages, deckle edge paper, cloth jacket, in box, $2.00.


What is said of "The British Isles"

Mr. Taylor has the knack of making the story of his journeyings
entertaining to the public. The usual descriptions of time-worn scenes
give place to charming personal narrative, and a wealth of incident and
episode gives to the book an exceptional interest. The fine half-tones
of English scenes liberally scattered through the work greatly enhance
its charm.--_The Philadelphia Call._

It is a record of a pleasant tour by the less frequented paths of
travel, not only in England, but in Scotland and Ireland. The author
takes little from the guide books and their familiar histories, but
notes many interesting details that attracted his own attention.
Furthermore he has illustrated his book with a large number of
photographs, both of places and people, that are quite out of the common
run, and the pictures alone would suffice to give the volume
distinction.--_The Philadelphia Times._

The book is all the eye could wish, and as we turn the pages quickly
from one to another of the forty-eight beautiful photographic
illustrations a veritable panorama passes before us. The author is
enthusiastic over what he saw in the British Isles, and he is evidently
desirous of sharing his pleasure with those who have not been privileged
to see for themselves.--_The Philadelphia American._

It is a luxurious volume that records the interesting travels of one who
knows how to pen vivid word pictures of places where those who love
travel would like to be.--_The Bookseller._

Mr. Taylor traveled through the British Isles with an observing eye, a
ready note-book, and a camera which he used with discreet intelligence.
The narrative is brightly written and abounds in anecdote, while the
personal point of view is ever present and adds a touch of piquancy. The
volume is beautifully made, and the photographs, about fifty in number,
are particularly well reproduced in half-tones--_The Philadelphia
Press._

For sale by all booksellers, or sent post-paid upon receipt of the price
by the publishers

  GEORGE W. JACOBS & CO.

  103-105 South Fifteenth Street         Philadelphia, Pa.




  BY THE AUTHOR OF ODD BITS

  Vacation Days in Hawaii and Japan
  By CHARLES M. TAYLOR, Jr.

  With over 100 half-tone illustrations, principally from photographs.
  Crown 8vo. 361 pages, gilt top, uncut edges. With unique cover design.
  Price, $2.00.


What is said of "Vacation Days"

Mr. Taylor is a keen observer, who penetrated beyond the beaten track of
the usual tourist, and his sketches of Home Life, Natural Beauties and
Every-day scenes, have individuality and charm.--_Literary News._

The narrative is written in a clear, easy style, with an aptitude for
giving just that kind of information concerning everyday life which
people miss too often in books of travel.--_Philadelphia Press._

A very interesting feature of the book is the numerous pictures from
photographs taken by the author of "Japanese people," men, women and
children, engaged at their ordinary vocations, also pictures of Japanese
scenery, shops, living rooms and temples. These illustrations are
remarkable for their realism.--_Indianapolis Journal._

The book recounts the incidents of a recent tour through Hawaii and
Japan. The special value of the narrative is that it covers points of
interest in these specially interesting countries not usually recorded
in the guide books and ordinary books of travel.---_The Philadelphia
Call._

A four months' trip through Hawaii and Japan is narrated in this compact
and entertaining volume. Mr. Taylor applies systematic methods to his
sight-seeing. He is an appreciative observer as well. He was not content
with well beaten paths and hence his record is clear, picturesque and
fresh.--_The Philadelphia Ledger._

Two conspicuous merits this capital travel book has over the average in
its class; it describes new grounds and scenes, and the narrative
ripples along with the ease and liveliness of a brook. Without
professing to be specially instructive, Mr. Taylor conveys a great
amount of information such as we all enjoy when told in this pleasant
way, blending the matter of fact with the entertaining.--_The
Philadelphia American._

For sale by all booksellers, or sent post-paid upon receipt of the price
by the publishers

  GEORGE W. JACOBS & CO.

  103-105 South Fifteenth Street         Philadelphia, Pa.










*** END OF THE PROJECT GUTENBERG EBOOK ODD BITS OF TRAVEL WITH BRUSH AND CAMERA ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.