Title: The Poetical Works of William Wordsworth — Volume 7 (of 8)
Author: William Wordsworth
Editor: William Angus Knight
Release date: October 18, 2014 [eBook #47143]
Most recently updated: October 24, 2024
Language: English
Credits: Produced by Richard Tonsing, Jonathan Ingram and the Online
Distributed Proofreading Team at http://www.pgdp.net
The cover image was created by the transcriber and is placed in the public domain.
THE POETICAL WORKS
OF
WILLIAM WORDSWORTH
VOL. VII
EDITED BY
WILLIAM KNIGHT
VOL. VII
London
MACMILLAN AND CO., Ltd.
NEW YORK: MACMILLAN & CO.
1896
All rights reserved
1821-2 | ||
---|---|---|
PAGE | ||
Ecclesiastical Sonnets. In Series— | ||
Part I.—From the Introduction of Christianity into Britain, to the Consummation of the Papal Dominion— | ||
I. | Introduction | 4 |
II. | Conjectures | 5 |
III. | Trepidation of the Druids | 6 |
IV. | Druidical Excommunication | 7 |
V. | Uncertainty | 7 |
VI. | Persecution | 8 |
VII. | Recovery | 9 |
VIII. | Temptations from Roman Refinements | 10 |
IX. | Dissensions | 10 |
X. | Struggle of the Britons against the Barbarians | 11 |
XI. | Saxon Conquest | 12 |
XII. | Monastery of Old Bangor | 13 |
XIII. | Casual Incitement | 14 |
XIV. | Glad Tidings | 15 |
XV. | Paulinus | 15 |
XVI. | Persuasion[Pg vi] | 16 |
XVII. | Conversion | 17 |
XVIII. | Apology | 18 |
XIX. | Primitive Saxon Clergy | 19 |
XX. | Other Influences | 19 |
XXI. | Seclusion | 20 |
XXII. | Continued | 21 |
XXIII. | Reproof | 21 |
XXIV. | Saxon Monasteries, and Lights and Shades of the Religion | 22 |
XXV. | Missions and Travels | 23 |
XXVI. | Alfred | 24 |
XXVII. | His Descendants | 25 |
XXVIII. | Influence Abused | 26 |
XXIX. | Danish Conquests | 27 |
XXX. | Canute | 27 |
XXXI. | The Norman Conquest | 28 |
XXXII. | "Coldly we spake. The Saxons, overpowered" | 29 |
XXXIII. | The Council of Clermont | 30 |
XXXIV. | Crusades | 31 |
XXXV. | Richard I | 31 |
XXXVI. | An Interdict | 32 |
XXXVII. | Papal Abuses | 33 |
XXXVIII. | Scene in Venice | 34 |
XXXIX. | Papal Dominion | 34 |
Part II.—To the Close of the Troubles in the Reign of Charles I— | ||
I. | "How soon—alas! did Man, created pure" | 33 |
II. | "From false assumption rose, and fondly hail'd" | 36 |
III. | Cistertian Monastery[Pg vii] | 37 |
IV. | "Deplorable his lot who tills the ground" | 38 |
V. | Monks and Schoolmen | 39 |
VI. | Other Benefits | 40 |
VII. | Continued | 40 |
VIII. | Crusaders | 41 |
IX. | "As faith thus sanctified the warrior's crest" | 42 |
X. | "Where long and deeply hath been fixed the root" | 43 |
XI. | Transubstantiation | 44 |
XII. | The Vaudois | 44 |
XIII. | "Praised be the Rivers, from their mountain springs" | 45 |
XIV. | Waldenses | 46 |
XV. | Archbishop Chichely to Henry V. | 47 |
XVI. | Wars of York and Lancaster | 48 |
XVII. | Wicliffe | 49 |
XVIII. | Corruptions of the Higher Clergy | 49 |
XIX. | Abuse of Monastic Power | 50 |
XX. | Monastic Voluptuousness | 51 |
XXI. | Dissolution of the Monasteries | 52 |
XXII. | The Same Subject | 52 |
XXIII. | Continued | 53 |
XXIV. | Saints | 54 |
XXV. | The Virgin | 54 |
XXVI. | Apology | 55 |
XXVII. | Imaginative Regrets | 56 |
XXVIII. | Reflections | 57 |
XXIX. | Translation of the Bible | 58 |
XXX. | The Point at Issue | 58 |
XXXI. | Edward VI[Pg viii] | 59 |
XXXII. | Edward signing the Warrant for the Execution of Joan of Kent | 60 |
XXXIII. | Revival of Popery | 61 |
XXXIV. | Latimer and Ridley | 61 |
XXXV. | Cranmer | 62 |
XXXVI. | General View of the Troubles of the Reformation | 64 |
XXXVII. | English Reformers in Exile | 64 |
XXXVIII. | Elizabeth | 65 |
XXXIX. | Eminent Reformers | 66 |
XL. | The Same | 67 |
XLI. | Distractions | 68 |
XLII. | Gunpowder Plot | 69 |
XLIII. | Illustration. The Jung-frau and the Fall of the Rhine near Schaffhausen | 70 |
XLIV. | Troubles of Charles the First | 71 |
XLV. | Laud | 71 |
XLVI. | Afflictions of England | 72 |
Part III.—From the Restoration to the Present Times— | ||
I. | "I saw the figure of a lovely Maid" | 74 |
II. | Patriotic Sympathies | 74 |
III. | Charles the Second | 75 |
IV. | Latitudinarianism | 76 |
V. | Walton's Book of Lives | 77 |
VI. | Clerical Integrity | 78 |
VII. | Persecution of the Scottish Covenanters | 79 |
VIII. | Acquittal of the Bishops | 79 |
IX. | William the Third | 80 |
X. | Obligations of Civil to Religious Liberty | 81 |
XI. | Sacheverel[Pg ix] | 82 |
XII. | "Down a swift Stream, thus far, a bold design" | 83 |
XIII. | Aspects of Christianity in America.—1. The Pilgrim Fathers | 84 |
XIV. | 2. Continued | 85 |
XV. | 3. Concluded.—American Episcopacy | 85 |
XVI. | "Bishops and Priests, blessèd are ye, if deep" | 86 |
XVII. | Places of Worship | 87 |
XVIII. | Pastoral Character | 87 |
XIX. | The Liturgy | 88 |
XX. | Baptism | 89 |
XXI. | Sponsors | 90 |
XXII. | Catechising | 91 |
XXIII. | Confirmation | 92 |
XXIV. | Confirmation Continued | 92 |
XXV. | Sacrament | 93 |
XXVI. | The Marriage Ceremony | 94 |
XXVII. | Thanksgiving after Childbirth | 95 |
XXVIII. | Visitation of the Sick | 96 |
XXIX. | The Commination Service | 96 |
XXX. | Forms of Prayer at Sea | 97 |
XXXI. | Funeral Service | 97 |
XXXII. | Rural Ceremony | 98 |
XXXIII. | Regrets | 99 |
XXXIV. | Mutability | 100 |
XXXV. | Old Abbeys | 100 |
XXXVI. | Emigrant French Clergy | 101 |
XXXVII. | Congratulation | 102 |
XXXVIII. | New Churches | 102 |
XXIX. | Church to be erected | 103 |
XL. | Continued | 104 |
XLI. | New Churchyard[Pg x] | 104 |
XLII. | Cathedrals, etc. | 105 |
XLIII. | Inside of King's College Chapel, Cambridge | 106 |
XLIV. | The Same | 106 |
XLV. | Continued | 107 |
XLVI. | Ejaculation | 107 |
XLVII. | Conclusion | 108 |
To the Lady Fleming, on seeing the Foundation preparing for the Erection of Rydal Chapel, Westmoreland | 109 | |
On the Same Occasion | 114 | |
1823 | ||
Memory | 117 | |
"Not Love, not War, nor the tumultuous swell" | 118 | |
"A volant Tribe of Bards on earth are found" | 119 | |
1824 | ||
To —— | 121 | |
To —— | 122 | |
"How rich that forehead's calm expanse!" | 123 | |
To —— | 124 | |
A Flower Garden, at Coleorton Hall, Leicestershire | 125 | |
To the Lady E. B. and the Hon. Miss P. | 128 | |
To the Torrent at the Devil's Bridge, North Wales, 1824 | 129 | |
Composed among the Ruins of a Castle in North Wales | 131 | |
Elegiac Stanzas | 132 | |
Cenotaph | 135 | |
1825 | ||
The Pillar of Trajan | 137 | |
The Contrast: The Parrot and the Wren | 141 | |
To a Skylark[Pg xi] | 143 | |
1826 | ||
"Ere with cold beads of midnight dew" | 145 | |
Ode composed on May Morning | 146 | |
To May | 148 | |
"Once I could hail (howe'er serene the sky)" | 152 | |
"The massy Ways, carried across these heights" | 154 | |
Farewell Lines | 155 | |
1827 | ||
On seeing a Needlecase in the Form of a Harp | 157 | |
Miscellaneous Sonnets— | ||
Dedication | 159 | |
To —— | 159 | |
"Her only pilot the soft breeze, the boat" | 160 | |
"Why, Minstrel, these untuneful murmurings" | 161 | |
To S. H. | 162 | |
Decay of Piety | 163 | |
"Scorn not the Sonnet; Critic, you have frowned" | 163 | |
"Fair Prime of life! were it enough to gild" | 164 | |
Retirement | 165 | |
"There is a pleasure in poetic pains" | 166 | |
Recollection of the Portrait of King Henry Eighth, Trinity Lodge, Cambridge | 166 | |
"When Philoctetes in the Lemnian isle" | 167 | |
"While Anna's peers and early playmates tread" | 168 | |
To the Cuckoo | 169 | |
The Infant M—— M—— | 170 | |
To Rotha Q—— | 171 | |
To ——, in her Seventieth Year | 172 | |
"In my mind's eye a Temple, like a cloud"[Pg xii] | 173 | |
"Go back to antique ages, if thine eyes" | 174 | |
"If thou indeed derive thy light from Heaven" | 174 | |
In the Woods of Rydal | 176 | |
Conclusion. To —— | 177 | |
1828 | ||
A Morning Exercise | 178 | |
The Triad | 181 | |
The Wishing-Gate | 189 | |
The Wishing-Gate Destroyed | 192 | |
A Jewish Family | 195 | |
Incident at Brugès | 198 | |
A Grave-Stone upon the Floor in the Cloisters of Worcester Cathedral | 201 | |
The Gleaner | 202 | |
On the Power of Sound | 203 | |
1829 | ||
Gold and Silver Fishes in a Vase | 214 | |
Liberty. (Sequel to the above) | 216 | |
Humanity | 222 | |
"This Lawn, a carpet all alive" | 227 | |
Thoughts on the Seasons | 229 | |
A Tradition of Oker Hill in Darley Dale, Derbyshire | 230 | |
Filial Piety | 231 | |
1830 | ||
The Armenian Lady's Love | 232 | |
The Russian Fugitive[Pg xiii] | 239 | |
The Egyptian Maid; or, The Romance of the Water Lily | 252 | |
The Poet and the Caged Turtledove | 265 | |
Presentiments | 266 | |
"In these fair vales hath many a Tree" | 269 | |
Elegiac Musings | 269 | |
"Chatsworth! thy stately mansion, and the pride" | 272 | |
1831 | ||
The Primrose of the Rock | 274 | |
To B. R. Haydon, on seeing his Picture of Napoleon Bonaparte on the Island of St. Helena | 276 | |
Yarrow Revisited, and Other Poems— | ||
I. | "The gallant Youth, who may have gained" | 280 |
II. | On the Departure of Sir Walter Scott from Abbotsford, for Naples | 284 |
III. | A Place of Burial in the South of Scotland | 285 |
IV. | On the Sight of a Manse in the South of Scotland | 286 |
V. | Composed in Roslin Chapel, during a Storm | 287 |
VI. | The Trosachs | 288 |
VII. | "The pibroch's note, discountenanced or mute" | 290 |
VIII. | Composed after reading a Newspaper of the Day | 290 |
IX. | Composed in the Glen of Loch Etive | 291 |
X. | Eagles | 292 |
XI. | In the Sound of Mull | 293 |
XII. | Suggested at Tyndrum in a Storm | 294 |
XIII. | The Earl of Breadalbane's Ruined Mansion, and Family Burial-Place, near Killin | 295 |
XIV. | "Rest and be Thankful!" | 295 |
XV. | Highland Hut | 296 |
XVI. | The Brownie | 297 |
XVII. | To the Planet Venus, an Evening Star[Pg xiv] | 299 |
XVIII. | Bothwell Castle | 299 |
XIX. | Picture of Daniel in the Lions' Den, at Hamilton Palace | 301 |
XX. | The Avon | 303 |
XXI. | Suggested by a View from an Eminence in Inglewood Forest | 304 |
XXII. | Hart's-Horn Tree, near Penrith | 305 |
XXIII. | Fancy and Tradition | 306 |
XXIV. | Countess' Pillar | 307 |
XXV. | Roman Antiquities | 308 |
XXVI. | Apology for the Foregoing Poems | 309 |
XXVII. | The Highland Broach | 310 |
1832 | ||
Devotional Incitements | 314 | |
"Calm is the fragrant air, and loth to lose" | 317 | |
To the Author's Portrait | 318 | |
Rural Illusions | 319 | |
Loving and Liking | 320 | |
Upon the late General Fast | 323 | |
1833 | ||
A Wren's Nest | 325 | |
To ——, upon the Birth of her First-born Child, March 1833 | 328 | |
The Warning. A Sequel to the Foregoing | 330 | |
"If this great world of joy and pain" | 336 | |
On a High Part of the Coast of Cumberland | 337 | |
(By the Sea-Side) | 338 | |
Composed by the Sea-Shore[Pg xv] | 340 | |
Poems, composed or suggested during a Tour in the Summer of 1833— | ||
I. | "Adieu, Rydalian Laurels! that have grown" | 342 |
II. | "Why should the Enthusiast, journeying through this Isle" | 343 |
III. | "They called Thee Merry England, in old time" | 343 |
IV. | To the River Greta, near Keswick | 344 |
V. | To the River Derwent | 345 |
VI. | In Sight of the Town of Cockermouth | 346 |
VII. | Address from the Spirit of Cockermouth Castle | 347 |
VIII. | Nun's Well, Brigham | 347 |
IX. | To a Friend | 348 |
X. | Mary Queen of Scots | 349 |
XI. | Stanzas suggested in a Steam-Boat off Saint Bees' Heads, on the Coast of Cumberland | 351 |
XII. | In the Channel, between the Coast of Cumberland and the Isle of Man | 358 |
XIII. | At Sea off the Isle of Man | 359 |
XIV. | "Desire we past illusions to recal?" | 360 |
XV. | On entering Douglas Bay, Isle of Man | 360 |
XVI. | By the Sea-Shore, Isle of Man | 361 |
XVII. | Isle of Man | 362 |
XVIII. | Isle of Man | 363 |
XIX. | By a Retired Mariner | 364 |
XX. | At Bala-Sala, Isle of Man | 365 |
XXI. | Tynwald Hill | 366 |
XXII. | "Despond who will—I heard a Voice exclaim" | 368 |
XXIII. | In the Frith of Clyde, Ailsa Crag, during an Eclipse of the Sun, July 17 | 369 |
XXIV. | On the Frith of Clyde | 370 |
XXV. | On revisiting Dunolly Castle | 371 |
XXVI. | The Dunolly Eagle[Pg xvi] | 372 |
XXVII. | Written in a Blank Leaf of Macpherson's Ossian | 373 |
XXVIII. | Cave of Staffa | 376 |
XXIX. | Cave of Staffa. (After the Crowd had departed) | 377 |
XXX. | Cave of Staffa | 377 |
XXXI. | Flowers on the Top of the Pillars at the Entrance of the Cave | 378 |
XXXII. | Iona | 379 |
XXXIII. | Iona. (Upon Landing) | 380 |
XXXIV. | The Black Stones of Iona | 381 |
XXXV. | "Homeward we turn. Isle of Columba's Cell" | 382 |
XXXVI. | Greenock | 383 |
XXXVII. | "'There!' said a Stripling, pointing with meet pride" | 383 |
XXXVIII. | The River Eden, Cumberland | 385 |
XXXIX. | Monument of Mrs. Howard, in Wetheral Church, near Corby, on the Banks of the Eden | 386 |
XL. | Suggested by the Foregoing | 387 |
XLI. | Nunnery | 388 |
XLII. | Steamboats, Viaducts, and Railways | 389 |
XLIII. | The Monument, commonly called Long Meg and her Daughters, near the River Eden | 390 |
XLIV. | Lowther | 391 |
XLV. | To the Earl of Lonsdale | 392 |
XLVI. | The Somnambulist | 393 |
XLVII. | To Cordelia M—— | 400 |
XLVIII. | "Most sweet it is with unuplifted eyes"[Pg xvii] | 401 |
1834 | ||
"Not in the lucid intervals of life" | 402 | |
By the Side of Rydal Mere | 403 | |
"Soft as a cloud is yon blue Ridge—the Mere" | 405 | |
"The leaves that rustled on this oak-crowned hill" | 406 | |
The Labourer's Noon-Day Hymn | 408 | |
The Redbreast | 410 | |
Addenda | 415 |
The only poems belonging to the years 1821-2 were the "Ecclesiastical Sonnets," originally called "Ecclesiastical Sketches." These were written at intervals, from 1821 onwards, but the great majority belong to 1821. They were first published in 1822, in three parts; 102 Sonnets in all. Ten were added in the edition of 1827, several others in the years 1835 and 1836, and fourteen in 1845,—the final edition of 1850 containing 132.
After Wordsworth's return from the Continent in 1820, he visited the Beaumonts at Coleorton, and as Sir George was then about to build a new Church on his property, conversation turned frequently to ecclesiastical topics, and gave rise to the idea of embodying the History of the Church of England in a series of "Ecclesiastical Sketches" in verse. The Sonnets Nos. XXXIX., XL., and XLI., in the third series, entitled, Church to be erected, and New Churchyard, are probably those to which Wordsworth refers as written first, in memory of his morning walk with Sir George Beaumont to fix the site of the Church: but it was the discussions which were being carried on in the British Parliament and elsewhere, in 1821, on the subject of Catholic Disabilities, that led him to enlarge his idea, and project a series of Sonnets dealing with the whole course of the Ecclesiastical History of his country. His brother Christopher—while Dean and Rector of Bocking, and domestic chaplain to the Archbishop of Canterbury—had published, in 1809, six volumes of Ecclesiastical Biography; or, the Lives of Eminent Men connected with the History of Religion in England. Southey's Book of the Church,—to which Wordsworth refers in[Pg 2] the Fenwick note prefixed to his Sonnets—was not published till 1823; and Wordsworth says, in a note to the edition of 1822, that his own work was far advanced before he was aware that Southey had taken up the subject. As several of the Sonnets, however, are well illustrated by passages in Southey's book, I have given a number of extracts from the latter work in the editorial notes.
Southey, writing to C. H. Townshend, on 6th May 1821, says: "Wordsworth was with me lately. His thoughts and mine have for some time unconsciously been travelling in the same direction; for while I have been sketching a brief history of the English Church, and the systems which it has subdued or struggled with, he has been pursuing precisely the same subject in a series of sonnets, to which my volume will serve for a commentary, as completely as if it had been written with that intent." (See Life and Correspondence of R. Southey, vol. v. p. 65.)
Wordsworth's own notes appended to the Sonnets, and others which are added, will show his indebtedness to such writers as Bede, Strype, Foxe, Walton, Whitaker, and Sharon Turner. The subjects of the sonnets on the "Aspects of Christianity in America" were suggested to him by Bishop Doane and Professor Henry Reed; and others in the series, dealing with offices of the English Liturgy, were also suggested by Mr. Reed.—Ed.
Composed 1821.—Published 1822
[My purpose in writing this Series was, as much as possible, to confine my view to the introduction, progress, and operation [Pg 3]of the Church in England, both previous and subsequent to the Reformation. The Sonnets were written long before ecclesiastical history and points of doctrine had excited the interest with which they have been recently enquired into and discussed. The former particular is mentioned as an excuse for my having fallen into error in respect to an incident which had been selected as setting forth the height to which the power of the Popedom over temporal sovereignty had attained, and the arrogance with which it was displayed. I allude to the last Sonnet but one in the first series, where Pope Alexander the Third at Venice is described as setting his foot on the neck of the Emperor Barbarossa. Though this is related as a fact in history, I am told it is a mere legend of no authority. Substitute for it an undeniable truth not less fitted for my purpose, namely the penance inflicted by Gregory the Seventh upon the Emperor Henry the Fourth.
Before I conclude my notice of these Sonnets, let me observe that the opinion I pronounced in favour of Laud (long before the Oxford Tract Movement) and which had brought censure upon me from several quarters, is not in the least changed. Omitting here to examine into his conduct in respect to the persecuting spirit with which he has been charged, I am persuaded that most of his aims to restore ritual practices which had been abandoned were good and wise, whatever errors he might commit in the manner he sometimes attempted to enforce them. I further believe that, had not he, and others who [Pg 4]shared his opinions and felt as he did, stood up in opposition to the reformers of that period, it is questionable whether the Church would ever have recovered its lost ground and become the blessing it now is, and will, I trust, become in a still greater degree, both to those of its communion and to those who unfortunately are separated from it.—I. F.]
[1] During the month of December, 1820, I accompanied a much-beloved and honoured Friend[2] in a walk through different parts of his estate, with a view to fix upon the site of a new Church which he intended to erect. It was one of the most beautiful mornings of a mild season,—our feelings were in harmony with the cherishing[3] influences of the scene; and such being our purpose, we were naturally led to look back upon past events with wonder and gratitude, and on the future with hope. Not long afterwards, some of the Sonnets which will be found towards the close of this series were produced as a private memorial of that morning's occupation.
The Catholic Question, which was agitated in Parliament about that time, kept my thoughts in the same course; and it struck me that certain points in the Ecclesiastical History of our Country might advantageously be presented to view in verse. Accordingly, I took up the subject, and what I now offer to the reader was the result.
When this work was far advanced, I was agreeably surprised to find that my friend, Mr. Southey, had been engaged with similar views in writing a concise History of the Church in England. If our Productions, thus unintentionally coinciding, shall be found to illustrate each other, it will prove a high gratification to me, which I am sure my friend will participate.
W. Wordsworth.
Rydal Mount, January 24, 1822.
For the convenience of passing from one point of the subject to another without shocks of abruptness, this work has taken the shape of a series of Sonnets: but the Reader, it is to be hoped, will find that the pictures are often so closely connected as to have jointly the effect of passages of a poem in a form of stanza to which there is no objection but one that bears upon the Poet only—its difficulty.—W. W. 1822.
[2] Sir George Beaumont.—Ed.
[3] This occurs in all the editions. It maybe a misprint for "cheering."—Ed.
[4] Compare, in George Herbert's "The Temple," The Church Porch, i. 1—
[5] 1827.
[7] See "The River Duddon, a Series of Sonnets" (vol. vi. p. 225).—Ed.
[8] 1827.
[9] See the series of "Poems dedicated to National Independence and Liberty."—Ed.
[10] 1827.
[12] 1837.
[13] It may not be unworthy of note that in the first edition of this sonnet Wordsworth made the stream of the Duddon masculine, that of Liberty feminine, and that of the Church neuter.—Ed.
[14] Stillingfleet adduces many arguments in support of this opinion, but they are unconvincing. The latter part of this Sonnet refers to a favourite notion of Roman Catholic writers, that Joseph of Arimathea and his companions brought Christianity into Britain, and built a rude church at Glastonbury; alluded to hereafter, in a passage upon the dissolution of monasteries.—W. W. 1822.
[15] St. Peter.—Ed.
[16] This water-fowl was, among the Druids, an emblem of those traditions connected with the deluge that made an important part of their mysteries. The Cormorant was a bird of bad omen.—W. W. 1822.
[17] 1827.
[18] The reference is to the conquest of Britain by Julius Cæsar.—Ed.
[19] 1827.
[20] The reference is to Yorkshire. The Brigantes inhabited England from sea to sea, from Cumberland to Durham, but more especially Yorkshire. See Tacitus, Annals, book xii. 32; Ptolemy, Geographia, 27, 1; Camden, Britannia, 556-648.—Ed.
[21] 1827.
[22] Compare the four sonnets on Iona, in the "Poems composed or suggested during a Tour in the Summer of 1833."—Ed.
[23] 1841.
[25] 1840.
[26] "The first man who laid down his life in Britain for the Christian faith was Saint Alban.... During the tenth, and most rigorous of the persecutions, a Christian priest, flying from his persecutors, came to the City of Verulamium, and took shelter in Alban's house: he, not being of the faith himself, concealed him for pure compassion; but when he observed the devotion of his guest, how fervent it was, and how firm, his heart was touched.... When the persecutors came to search the house, Alban, putting on the hair-cassock of his teacher, delivered himself into their hands, as if he had been the fugitive, and was carried before the heathen governor.... Because he refused to betray his guest or offer sacrifices to the Roman gods, he was scourged, and then led to execution upon the spot where the abbey now stands, which in after times was erected to his memory, and still bears his name. That spot was then a beautiful meadow upon a little rising ground, 'seeming,' says the venerable Bede, 'a fit theatre for the martyr's triumph.'" (Southey's Book of the Church, vol. i.—pp. 13-14.)—Ed.
[27] This hill at St. Albans must have been an object of great interest to the imagination of the venerable Bede, who thus describes it, with a delicate feeling, delightful to meet with in that rude age, traces of which are frequent in his works:—"Variis herbarum floribus depictus imo usquequaque vestitus, in quo nihil repente arduum, nihil præceps, nihil abruptum, quem lateribus longe lateque deductum in modum æquoris natura complanat, dignum videlicet eum pro insita sibi specie venustatis jam olim reddens, qui beati martyris cruore dicaretur."—W. W. 1822.
[28] Arianism had spread into Britain, and British Bishops were summoned to councils held concerning it, at Sardica, A.D. 347, and at Ariminum, A.D. 360. See Fuller's Church History, p. 25; and Churton's Early English Church, p. 9.—Ed.
[29] 1827.
[30] Aneurin was the bard who—in the poem named the Gododin—celebrated the struggle between the Cymri and the Teutons in the middle of the sixth century, which ended in the great battle of Catterick, or Cattreath, in Yorkshire. Aneurin was himself chieftain as well as bard.—Ed.
[31] 1837.
[32] Urien was chief of the Cymri, and led them in the great conflict of the sixth century against the Angles.—Ed.
[33] Such as Aneurin, Taliesin, Llywarch Hen, and Merlin.—Ed.
[34] Alluding to the victory gained under Germanus. See Bede.—W. W. 1822.
The Saxons and Picts threatening the Britons, the latter asked the assistance of Germanus. The following is Bede's account:—"Germanus bearing in his hands the standard, instructed his men all in a loud voice to repeat his words, and the enemy advancing securely, as thinking to take them by surprise, the priests three times cried Hallelujah. A universal shout of the same word followed, and the hills resounding the echo on all sides, the enemy was struck with dread.... They fled in disorder, casting away their arms." (Bede, Ecclesiastica Historia gentis Anglorum, book i. chap. xx.)—Ed.
[35] The last six lines of this Sonnet are chiefly from the prose of Daniel; and here I will state (though to the Readers whom this Poem will chiefly interest it is unnecessary) that my obligations to other prose writers are frequent,—obligations which, even if I had not a pleasure in courting, it would have been presumptuous to shun, in treating an historical subject. I must, however, particularise Fuller, to whom I am indebted in the Sonnet upon Wicliffe and in other instances. And upon the acquittal of the Seven Bishops I have done little more than versify a lively description of that event in the MS. Memoirs of the first Lord Lonsdale.—W. W. 1822.
[36] 1827.
[37] 1827.
[38] 1827.
[39] "Ethelforth reached the convent of Bangor, he perceived the Monks, twelve hundred in number, offering prayers for the success of their countrymen: 'If they are praying against us,' he exclaimed, 'they are fighting against us'; and he ordered them to be first attacked: they were destroyed; and, appalled by their fate, the courage of Brocmail wavered, and he fled from the field in dismay. Thus abandoned by their leader, his army soon gave way, and Ethelforth obtained a decisive conquest. Ancient Bangor itself soon fell into his hands, and was demolished; the noble monastery was levelled to the ground; its library, which is mentioned as a large one, the collection of ages, the repository of the most precious monuments of the ancient Britons, was consumed; half ruined walls, gates, and rubbish were all that remained of the magnificent edifice." (See Turner's valuable history of the Anglo-Saxons.)
The account Bede gives of this remarkable event, suggests a most striking warning against National and Religious prejudices.—W. W. 1822. Appendix note.
[40] Taliesin was present at the battle which preceded this desolation.—W. W. 1822.
Taliesin was chief bard and retainer in the Hall of Urien, the great North England Cymric chief. He sang of Urien's and his son Owain's victories, in the middle of the sixth century. See Pitseus, Relationes Historicae de rebus Anglicis, 1619, vol. i. p. 95, De Thelesino. See also Sharon Turner's History of the Anglo-Saxons (vol. i. book iii. chap, iv.).—Ed.
[41] 1827.
[42] e.g. in the Lake District, the Greta, Derwent, etc.—Ed.
[43] e.g. in the Lake District, Stone Arthur, Blencathara, and Catbells.—Ed.
[44] 1827.
[45] 1837.
[46] The story is told of Gregory who was afterwards Pope, and is known as Gregory the Great, that "he was one day led into the market-place at Rome to look at a large importation from, abroad. Among other things there were some boys exposed for sale like cattle. He was struck by the appearance of the boys, their fine clear skins, their flaxen or golden hair, and their ingenuous countenances; so that he asked from what country they came; and when he was told from the island of Britain, ... and were Angles, he played upon the word and said, 'Well may they be so called, for they are like Angels.' ... Then demanding from what province they were brought, the answer was 'from Deira'; and in the same humour he observed that rightly might this also be said, for de Dei ira, from the wrath of God were they to be delivered. And when he was told that their King was Ælla, he replied that Hallelujahs ought to be sung in his dominions. This trifling sprung from serious thought. From that day the conversion of the Anglo-Saxons became a favourite object with Gregory." (Southey's Book of the Church, vol. i. pp. 22, 23.)—Ed.
[47] Augustin was prior of St. Gregory's Monastery, dedicated to St. Andrew in Rome, and was sent by Gregory in the year 597 with several other monks into Britain. Ethelbert was then king of Kent, and, as they landed on the Isle of Thanet, he ordered them to stay there. According to Bede, "Some days after, the king came into the island and ordered Augustin and his companions to be brought into his presence.... They came ... bearing a silver cross for their banner, and an image of our Lord and Saviour painted on a board; and singing the litany they offered up their prayers to the Lord for the eternal salvation both of themselves and of those to whom they were come." (Ecclesiastica Historia gentis Anglorum, book i. chap, xxv.)—Ed.
[48] The person of Paulinus is thus described by Bede, from the memory of an eye-witness:—"Longæ staturæ, paululum incurvus, nigro capillo, facie macilenta, naso adunco, pertenui, venerabilis simul et terribilis aspectu."—W. W. 1822.
[49] 1832.
[50] Paulinus won over Edwin, king of the Northumbrians, to the Christian faith, and baptized him "with his people," A.D. 627. (See The Anglo-Saxon Chronicle.)—Ed.
[51] See the original of this speech in Bede.—The Conversion of Edwin, as related by him, is highly interesting—and the breaking up of this Council accompanied with an event so striking and characteristic, that I am tempted to give it at length in a translation. "Who, exclaimed the King, when the Council was ended, shall first desecrate the altars and the temples? I, answered the Chief Priest: for who more fit than myself, through the wisdom which the true God hath given me, to destroy, for the good example of others, what in foolishness I worshipped? Immediately, casting away vain superstition, he besought the King to grant him what the laws did not allow to a priest, arms and a courser (equum emissarium); which mounting, and furnished with a sword and lance, he proceeded to destroy the Idols. The crowd, seeing this, thought him mad—he however, halted not, but, approaching, he profaned the temple, casting it against the lance which he had held in his hand, and, exulting in acknowledgement of the worship of the true God, he ordered his companions to pull down the temple, with all its enclosures. The place is shown where those idols formerly stood, not far from York, at the source of the river Derwent, and is at this day called Gormund Gaham [W. W. 1822], ubi pontifex ille, inspirante Deo vero, polluit ac destruxit eas, quas ipse sacraverat aras." The last expression is a pleasing proof that the venerable monk of Wearmouth was familiar with the poetry of Virgil.—W. W. 1832.
The following is Bede's account of the speech of "another of the king's chief men":—"The present life of man, O king, seems to me in comparison of that time which is unknown to us, like to the swift flight of a sparrow through the room wherein you sit, at supper in winter, with your commanders and ministers, and a good fire in the midst, whilst the storms of rain and snow prevail abroad. The sparrow, I say—flying in at one door, and immediately out at another—whilst he is within, is safe from the misty storm; but, after a short space of fair weather, he immediately vanishes out of your sight into the dark winter from which he had emerged. So this life of man appears for a short space, but of what went before, and of what is to follow, we are utterly ignorant. If therefore this new doctrine contains something more certain, it seems justly to deserve to be followed."—Ed.
[52] 1837.
[53] See Wordsworth's note to Sonnet XVI.—Ed.
[54] The early propagators of Christianity were accustomed to preach near rivers, for the convenience of baptism.—W. W. 1822.
[55] 1827.
[56] 1837.
[57] Having spoken of the zeal, disinterestedness, and temperance of the clergy of those times, Bede thus proceeds:—"Unde et in magna erat veneratione tempore illo religionis habitus, ita ut ubicunque clericus aliquis aut monachus adveniret, gaudenter ab omnibus tanquam Dei famulus exciperetur. Etiam si in itinere pergens inveniretur, accurrebant, et flexa cervice, vel manu signari, vel ore illius se benedici, gaudebant. Verbis quoque horum exhortatonis diligenter auditum praebebant" (Lib. iii. cap. 26.)—W. W. 1822.
[58] 1837.
[59] 1832.
[60] This, and the two following sonnets, were published in Time's Telescope, July 2, 1823.—Ed.
[61] The "ancient elm," with ivy twisting round it "in grisly folds and strictures serpentine," which suggested these lines, grew in Rydal Park, near the path to the upper waterfall.—Ed.
[62] 1837.
[63] 1837.
[64] 1827.
[65] There are several natural "hermitages," such as this, near the Rydal beck.—Ed.
[66] 1827.
[67] 1827.
[68] Bede spent the most of his life in the seclusion of the monastery of Jarrow, near the mouth of the Tyne; the wild coast referred to in the Sonnet being the coast of Northumberland.—Ed.
[69] He expired in the act of concluding a translation of St. John's Gospel.—W. W. 1822.
He expired dictating the last words of a translation of St. John's Gospel.—W. W. 1827.
[70] See, in Turner's History, vol. iii. p. 528, the account of the erection of Ramsey Monastery. Penances were removable by the performance of acts of charity and benevolence.—W. W. 1822.
"Wherever monasteries were founded, marshes were drained, or woods cleared, and wastes brought into cultivation; the means of subsistence were increased by improved agriculture, and by improved horticulture new comforts were added to life. The humblest as well as the highest pursuits were followed in these great and most beneficial establishments. While part of the members were studying the most inscrutable points of theology, ... others were employed in teaching babes and children the rudiments of useful knowledge; others as copyists, limners, carvers, workers in wood, and in stone, and in metal, and in trades and manufactures of every kind which the community required." (Southey's Book of the Church, vol. i. chap. iv. pp. 61, 62.)—Ed.
[71] 1832.
[72] 1827.
[73] "The memory of the life and doings of the noblest of English rulers has come down to us living and distinct through the mist of exaggeration and legend that gathered round it.... He lived solely for the good of his people. He is the first instance in the history of Christendom of the Christian king, of a ruler who put aside every personal aim or ambition to devote himself to the welfare of those whom he ruled. So long as he lived he strove 'to live worthily'; but in his mouth a life of worthiness meant a life of justice, temperance, and self-sacrifice. Ardent warrior as he was, with a disorganised England before him, he set aside at thirty-one the dream of conquest to leave behind him the memory, not of victories, but of 'good works,' of daily toils by which he secured peace, good government, education for his people.... The spirit of adventure that made him in youth the first huntsman of his day took later and graver form in an activity that found time amidst the cares of state for the daily duties of religion, for converse with strangers, for study and translation, for learning poems by heart, for planning buildings and instructing craftsmen in gold work, for teaching even falconers and dog-keepers their business.... He himself superintended a school for the young nobles of the court." (Green's Short History of the English People, chap. i. sec. 5.)—Ed.
[74] Compare Voltaire, Essai sur les Mœurs, chap. xxvi.; and Herder's Ideen zur Philosophie der Geschichte der Menschheit. Werke (1820), vol. vi. p. 153.—Ed.
[75] Through the whole of his life, Alfred was subject to grievous maladies.—W. W. 1822.
"Although disease succeeded disease, and haunted him with tormenting agony, nothing could suppress his unwearied and inextinguishable genius." (Sharon Turner's History of the Anglo-Saxons, vol. i. book iv. chap. v. p. 503.)—Ed.
[76] "His mind was far from being prisoned within his own island. He sent a Norwegian shipmaster to explore the White Sea.... Envoys bore his presents to the Christians of India and Jerusalem, and an annual mission carried Peter's-pence to Rome." (Green's Short History of the English People, i. 5.)—Ed.
[77] 1827.
[78] "With Alfred" is in all the editions. The late Bishop of St. Andrews, Charles Wordsworth, suggested that "of Alfred" or "from Alfred" would be a better reading.—Ed.
[79] 1837.
[80] 1832.
[81] In Eadward the elder, his son; Eadmund I., his grandson; Eadward (the Martyr), grandson of Eadmund I.; and Eadward (the Confessor), nephew to the Martyr.—Ed.
[82] 1827.
[83] As, pre-eminently, in the wood by the road, half-way from Rydal to Ambleside.—Ed.
[84] Dunstan was made Abbot of Glastonbury by Eadmund, and there he introduced the Benedictine rule, being the first Benedictine Abbot in England. His aim was a remodelling of the Anglo-Saxon Church, "for which," says Southey, "he was qualified by his rank, his connections, his influence at court, his great and versatile talents, and more than all, it must be added, by his daring ambition, which scrupled at nothing for the furtherance of its purpose." (Book of the Church, i. 6.) "Dunstan stands first in the line of ecclesiastical statesmen, who counted among them Lanfranc and Wolsey, and ended in Laud." "Raised to the See of Canterbury, he wielded for sixteen years, as the minister of Eadgar, the secular and ecclesiastical powers of the realm." (Green, i. 6.) In the effort to retain the ascendency he had won, he lent himself, however, to superstition and to fraud, to craft and mean device. He was a type of the ecclesiastical sorcerer.—Ed.
[85] 1837.
[86] The violent measures carried on under the influence of Dunstan, for strengthening the Benedictine Order, were a leading cause of the second series of Danish invasions. See Turner.—W. W. 1822.
[87] 1837.
[88] e.g. Anlaef, Haco, Svein. (See Turner's History of the Anglo-Saxons, book ii. chaps. iii., viii., ix.)—Ed.
[89] 1837.
[90] A monk of Ely, who wrote a History of the Church (circa 1166), records a fragment of song, said to have been composed by Canute when on his way to a church festival. He told his rowers to proceed slowly, and near the shore, that he might hear the chanting of the Psalter by the monks, and he then composed a song himself.
[91] 1827.
[92] 1827.
[93] Which is still extant.—W. W. 1822. See last note.—Ed.
[94] Edward the Confessor (1042-1066).—"There was something shadowlike in the thin form, the delicate complexion, the transparent womanly hands, that contrasted with the blue eyes and golden hair of his race; and it is almost as a shadow that he glides over the political stage. The work of government was done by sterner hands." (Green's Short History of the English People, chap. ii. sec. 2.)—Ed.
Published 1837
[95] 1827.
[96] The introduction of the curfew-bell (couvre-feu, cover fire) into England is ascribed to the Conqueror, but the custom was common in Europe long before his time.—Ed.
[97] 1837.
[98] 1827.
[99] 1827.
[100] Compare Fuller's Holy War, I. 8.—Ed.
[101] 1837.
[102] The decision of this Council was believed to be instantly known in remote parts of Europe.—W. W. 1822.
There were several Councils of Clermont, the chief of them being that of 1095, at which the Crusade was definitely planned. Pope Urban II. addressed the Council in such a way that at the close the whole multitude exclaimed simultaneously Deus Vult; and this phrase became the war-cry of the Crusade.—Ed.
[103] Ten successive armies, amounting to nearly 950,000 men, took part in the first Crusade. "The most distant islands and savage countries," says William of Malmesbury, "were inspired with this ardent passion"—Ed.
[104] 1827.
[105] Richard I. (Cœur de Lion), one of the two leaders in the third Crusade, after conquering Cyprus—on his way to Palestine—while in that island married Berengaria, daughter of Sanchez, King of Navarre.—Ed.
[106] 1837.
[107] At the command of Pope Innocent III., the Bishops of London, Ely, and Worcester were charged to lay England under an interdict. They did so, in defiance of King John, and left England. Southey's description of the result maybe compared with this sonnet. "All the rites of a Church whose policy it was to blend its institutions with the whole business of private life were suddenly suspended: no bell heard, no taper lighted, no service performed, no church open; only baptism was permitted, and confession and sacrament for the dying. The dead were either interred in unhallowed ground, without the presence of a priest, or any religious ceremony, ... or they were kept unburied.... Some little mitigation was allowed, lest human nature should have rebelled against so intolerable a tyranny. The people, therefore, were called to prayers and sermon on the Sunday, in the churchyards, and marriages were performed at the church door." (Southey's Book of the Church, vol. i. chap. ix. pp. 261, 262.)—Ed.
[108] 1845.
[109] Compare Aubrey de Vere's Thomas à Becket.—Ed.
[110] After Becket's murder and canonisation Henry II., from political motives, did penance publicly at his shrine. Clad in a coarse garment, he walked three miles barefoot to Canterbury, and at the shrine submitted to the discipline of the Church. Four bishops, abbots, and eighty clergy were present, each with a knotted cord, and inflicted 380 lashes. Bleeding he threw sackcloth over his shoulders, and continued till midnight kneeling at prayer, then visited all the altars, and returned fainting to Becket's shrine, where he remained till morning.—Ed.
[111] On the festival of the Ascension, John "laid his crown at Pandulph's feet, and signed an instrument by which, for the remission of his sins, and those of his family, he surrendered the kingdoms of England and Ireland to the Pope, to hold them thenceforth under him, and the Roman see." Pandulph "kept the crown five days before he restored it to John." (Southey, Book of the Church, vol. i. p. 218.)—Ed.
[112] The reference is to the legend of Pope Alexander III. and Frederick Barbarossa. See the Fenwick note prefixed to these sonnets.—Ed.
[113] Soldan, or Sultan, "Soldanus quasi solus dominus."—Ed.
[114] Compare Measure for Measure, act III. scene i. l. 124.—Ed.
[115] According to the canons of the Church, the Pope was above all kings, "He was king of kings and lord of lords, although he subscribed himself the servant of servants." He might dethrone kings, and tax nations, or destroy empires, as he pleased. All power had been committed to him, and any secular law that was opposed to a papal decree was, ipso facto, null and void.—Ed.
Published 1845
[116] 1845.
[117] 1845.
[118] 1845.
Published 1845
[119] The following version of this sonnet is from a MS. copy of it in Wordsworth's own handwriting.—Ed.
[120] The Cistertian order was named after the monastery of Citéaux or Cistercium, near Dijon, founded in 1098 by the Benedictine abbot, Robert of Molême.—Ed.
[121] 1837.
[122] "Bonum est nos hic esse, quia homo vivit purius, cadit rarius, surgit velocius, incedit cautius, quiescit securius, moritur felicius, purgatur citius, praemiatur copiosius."—Bernard. "This sentence," says Dr. Whitaker, "is usually inscribed on some conspicuous part of the Cistertian houses."—W. W. 1822.
[123] 1827.
Published 1835
[124] The following note, referring to Sonnets IV., XII., and XIII., appears in the volume of 1835—entitled Yarrow Revisited, and other Poems—immediately after the poem St. Bees—
"The three following Sonnets are an intended addition to the 'Ecclesiastical Sketches,' the first to stand second; and the two that succeed, seventh and eighth, in the second part of the Series. (See the Author's Poems.) They are placed here as having some connection with the foregoing Poem."—Ed.
[125] Cenobites ([Greek: koinobioi]κοινόβιοι), monks who live in common, as distinguished from hermits or anchorites, who live alone.—Ed.
[126] "Counts, kings, bishops," says F.D. Maurice, "in the fulness of their wealth and barbaric splendour, may be bowing before a monk, who writes them letters from a cell in which he is living upon vegetables and water." (Moral and Metaphysical Philosophy (Edition 1873), vol. i., Mediæval Philosophy, chap. iv. p. 534.)—Ed.
[127] e.g. Anselm (1033-1109); Albertus Magnus (1193-1280); Thomas Aquinas (1226-1274); Duns Scotus (1265-1308).—Ed.
[128] St. George's Chapel, Windsor, begun by Henry III. and finished by Edward III., rebuilt by Henry VII., and enlarged by Cardinal Wolsey.—Ed.
[129] 1837.
[130] 1827.
[131] Edward the Third (1336-1360). See The Wonderful Deeds of Edward the Third, by Robert of Avesbury; and Longman's History of Edward the Third.—Ed.
[132] 1845.
[133] 1837.
[134] 1837.
Composed 1842.—Published 1845
[135] In a letter to Professor Henry Reed, Philadelphia, September 4, 1842, Wordsworth writes: "To the second part of the Series" (the "Ecclesiastical Sonnets") "I have also added two, in order to do more justice to the Papal Church for the services which she did actually render to Christianity and humanity in the Middle Ages."—Ed.
Composed 1842.—Published 1845
[136] 1845.
[137] 1845.
[138] 1845.
[139] 1845.
[140] 1837.
[141] Peter Waldo (or Valdo), a rich merchant of Lyons (1160 or 1170), becoming religious, dedicated himself to poverty and almsgiving. Disciples gathered round him; and they were called the poor men of Lyons—a modest, frugal, and industrious order. They were reformers before the Reformation. Peter Waldo exposed the corruption of the clergy, had the four gospels translated for the people, and maintained the rights of the laity to read them to the masses. He was condemned by the Lateran Council in 1179.—Ed.
[142] 1837.
Published 1835
Published 1835
[143] See the story of the rebuilding of Rome after its plunder by the Gauls.—Ed.
[144] 1837.
[145] 1837.
[146] 1840.
[147] The followers of Peter Waldo afterwards became a separate community, and multiplied in the valleys of Dauphiné and Piedmont. They suffered persecutions in 1332, 1400, and 1478, but these only drove them into fresh districts in Europe. Francis I. of France ordered them to be extirpated from Piedmont in 1541, and many were massacred. In 1560 the Duke of Savoy renewed the persecution at the instance of the Papal See. Charles Emmanuel II., in 1655, continued it.—Ed.
[148] 1845.
[149] 1840.
[150] 1845.
[151] 1840.
[152] 1840.
[153] The list of foul names bestowed upon those poor creatures is long and curious:—and, as is, alas! too natural, most of the opprobrious appellations are drawn from circumstances into which they were forced by their persecutors, who even consolidated their miseries into one reproachful term, calling them Patarenians, or Paturins, from pati, to suffer.
[154] 1827.
[155] Henry Chichele, Archbishop of Canterbury in 1414, persuaded Henry V. to carry on war with France, and helped to raise money for the purpose. Henry crossed to Harfleur, Chichele accompanying him, with an army of 30,000, and won the battle of Agincourt.—Ed.
[156] e.g. the battles of St. Albans, Wakefield, Mortimer's Cross, Towton, Barnet, Tewkesbury, Bosworth.—Ed.
[157] 1827.
[158] 1827.
[159] The Council of Constance condemned Wicliffe as a heretic, and issued an order that his remains should be exhumed, and burnt. "Accordingly, by order of the Bishop of Lincoln, as Diocesan of Lutterworth, his grave, which was in the chancel of the church, was opened, forty years after his death; the bones were taken out and burnt to ashes, and the ashes thrown into a neighbouring brook called the Swift." (Southey's Book of the Church, vol. i. p. 384.) "Thus this brook," says Fuller, "hath conveyed his ashes into Avon, Avon into Severn, Severn into the narrow seas, they into the main ocean; and thus the ashes of Wicliffe are the emblem of his doctrine, which now is dispersed all the world over." (The Church History of Britain from the Birth of Christ until the year MDCXLVIII. endeavoured, book iv. p. 424.) In the note to the 11th Sonnet of Part I., Wordsworth acknowledges his obligations to Fuller in connection with this Sonnet on Wicliffe.
See Charles Lamb's comment on this passage of Fuller's, Prose Works (1876), vol. iv. p. 277.—Ed.
[160] The secular clergy are the priests of the Roman church, who belong to no special religious order, but have the charge of parishes, and so live in the world (seculum). The regular clergy are the monks belonging to one or other of the monastic orders, and are subject to its rules (regulæ).—Ed.
[161] 1827.
[162] 1827.
[163] 1845.
[164] 1832.
[165] See Wordsworth's note to the next Sonnet.—Ed.
[166] These two lines are adopted from a MS., written about the year 1770, which accidentally fell into my possession. The close of the preceding Sonnet on monastic voluptuousness is taken from the same source, as is the verse, "Where Venus sits," etc. [W. W. 1822], and the line, "Once ye were holy, ye are holy still," in a subsequent Sonnet.—W. W. 1837.
[167] Waltham Abbey is in Essex, on the Lea.—Ed.
[171] 1840.
[172] St. George, patron Saint of England, supposed to have suffered A.D. 284. The Greek Church honours him as "the great martyr."—Ed.
[173] St. Margaret, supposed to have suffered martyrdom at Antioch, A.D. 275.—Ed.
[174] St. Cecilia, patron Saint of Music, has been enrolled as a martyr by the Latin Church from the fifth century.—Ed.
[175] Compare the Stanzas suggested in a Steam-boat off Saint Bees' Head, (l. 114); also the following sonnet by the late John Nichol, Professor of English Literature in the University of Glasgow. (See The Death of Themistocles, and other Poems, p. 189.)
AVE MARIA
[176] This sonnet was published in Time's Telescope, July 2, 1823, p. 136.—Ed.
[177] "To the second part of the same series" (the "Ecclesiastical Sonnets") "I have added two, in order to do more justice to the Papal Church for the services which she did actually render to Christianity and Humanity in the Middle Ages."—W. W. (in a letter to Professor Reed, Sept. 4, 1842).—Ed.
[178] John Fisher, born in 1469, became Bishop of Rochester in 1504, was one of the first in England to write against Luther, opposed the divorce of Henry VIII., was sent to the Tower in 1534, and his see declared void, was made a Cardinal by the Pope while in prison, and beheaded on Tower Hill, 1535.—Ed.
[179] Sir Thomas More, the author of Utopia, born in 1478, was Speaker of the House of Commons in 1523, and succeeded Wolsey as Lord Chancellor in 1529. Disapproving of the king's divorce, he resigned office, was committed to the Tower for refusing to take the oath of supremacy, found guilty of treason, and beheaded in 1535.—Ed.
[180] See Romeo and Juliet, act V. scene i. l. 3—
[181] Compare the echo of the Lady's voice in the lines To Joanna, in the "Poems on the Naming of Places" (vol. ii. p. 157).—Ed.
[182] The desert around Mecca.—Ed.
[183] Mahomet affirmed that he had constant visits from angels; and that the angel Gabriel dictated to him the Koran.—Ed.
[184] 1837.
[185] The mirage.—Ed.
[186] Pillars of sand raised by whirlwinds in the desert, which correspond to waterspouts at sea.—Ed.
[187] 1827.
[188] See Paradise Lost, book iii. ll. 474, 475—
[189] Hades.—Ed.
[190] As was the case during the French Revolution.—Ed.
Published 1827
[191] 1832.
[192] 1832.
[193] 1832.
[194] 1845.
[195] The quotation is not from The Prioress's Tale of Chaucer, but from Wordsworth's own Selections from Chaucer modernized, stanza ix. Wordsworth adds an idea, not found in the original, and to make room for it, he extends the stanza from seven to eight lines.—Ed.
[196] King Edward VI. ascended the throne in 1547, at the age of ten, and reigned for six years.—Ed.
[197] Joan Bocher, of Kent, a woman of good birth, friend of Ann Askew at Court, was accused, and condemned to die for maintaining that Christ was human only in appearance. Cranmer, by order of the Council, obtained from Edward a warrant for her execution. Edward, who was then in his thirteenth year, signed it, telling Cranmer that he must be answerable for the deed.—Ed.
Published 1827
[198] 1832.
[199] Edward died in 1553, aged sixteen.—Ed.
[200] 1832.
[201] On the death of Edward and the accession of Mary Tudor, the Roman Catholic worship was restored, all the statutes of Edward VI. with regard to religion being repealed by Parliament.—Ed.
Published 1827
[202] Hugh Latimer, Bishop of Worcester, and Nicholas Ridley, Bishop of Winchester, were sent to the Tower, and subsequently burnt together at Oxford in the front of Balliol College, October 16, 1555.—Ed.
[203] M. Latimer suffered his keeper very quietly to pull off his hose, and his other array, which to looke unto was very simple: and being stripped into his shrowd, he seemed as comely a person to them that were present, as one should lightly see: and whereas in his clothes hee appeared a withered and crooked sillie (weak) olde man, he now stood bolt upright, as comely a father as one might lightly behold.... Then they brought a faggotte, kindled with fire, and laid the same downe at doctor Ridley's feete. To whome M. Latimer spake in this manner, "Bee of good comfort, master Ridley, and play the man: wee shall this day light such a candle by God's grace in England, as I trust shall never bee put out." (Fox's Acts, etc.)
Similar alterations in the outward figure and deportment of persons brought to like trial were not uncommon. See note to the above passage in Dr. Wordsworth's Ecclesiastical Biography, for an example in an humble Welsh fisherman.—W. W. 1827. (Ecclesiastical Biography, vol. iii. pp. 287, 288.)—Ed.
[204] Cranmer, Archbishop of Canterbury, and leader in the ecclesiastical affairs of England during the latter part of Henry VIII. and Edward VI.'s reign, was, on the accession of Mary Tudor, committed to the Tower, tried on charges of heresy, and condemned. He recanted his opinions, but was nevertheless condemned to die. He then recanted his recantation. "They brought him to the spot where Latimer and Ridley had suffered. After a short prayer, he put off his clothes with a cheerful countenance and a willing mind. His feet were bare; his head appeared perfectly bald. Called to abide by his recantation, he stretched forth his right arm, and replied, 'This is the hand that wrote it, and therefore it shall suffer punishment first.' Firm to his purpose, as soon as the flame rose, he held his hand out to meet it, and retained it there steadfastly, so that all the people saw it sensibly burning before the fire reached any other part of his body; and after he repeated with a loud and firm voice, 'This hand hath offended, this unworthy right hand.' Never did martyr endure the fire with more invincible resolution; no cry was heard from him, save the exclamation of the protomartyr Stephen, 'Lord Jesus, receive my spirit!' The fire did its work soon—and his heart was found unconsumed amid the ashes." (Southey's Book of the Church, vol. ii. pp. 240, 241.)—Ed.
[205] 1827.
[206] 1837.
[207] 1837.
[208] 1827.
[209] For the belief in this fact, see the contemporary Historians.—W. W. 1827.
[210] During Mary's reign, fully 800 of the English clergy and laity sought refuge on the Continent, and they were hospitably received in Switzerland, the Low Countries, and along the Rhine. Some of the best known were Coverdale, Sandys, Jewel, Knox, Whittingham, and Foxe. They lived in Basle, Zurich, Geneva, Strasburg, Worms, and Frankfort; and it was in the latter town that the dissensions prevailed, referred to in the sonnet. These were unfolded in a Tract entitled The Troubles of Frankfort. The chief point in dispute was the use of the English Book of Common Prayer. Knox and Whittingham, under the guidance of Calvin, wished a modification of this book. The dispute ended in the Frankfort magistrates requesting Knox to leave the city. He retired to Geneva. On the accession of Elizabeth, the Frankfort exiles returned to England.—Ed.
[211] 1827.
[212] Alluding doubtless to the foreign conspiracies against Elizabeth, the intrigues of Mary Queen of Scots, the Pope's excommunication, and conspiracies in the North of England, etc. See The White Doe of Rylstone.—Ed.
[213] 1827.
[214] An allusion probably to the Court of High Commission, and perhaps also to the execution of the Scottish Queen.—Ed.
[215] 1845.
[216] "On foot they[218] went, and took Salisbury in their way, purposely to see the good Bishop, who made Mr. Hooker sit at his own table; which Mr. Hooker boasted of with much joy and gratitude when he saw his mother and friends; and at the Bishop's parting with him, the Bishop gave him good counsel and his benediction, but forgot to give him money; which when the Bishop had considered, he sent a servant in all haste to call Richard back to him, and at Richard's return, the Bishop said to him, 'Richard, I sent for you back to lend you a horse which hath carried me many a mile, and I thank God with much ease,' and presently delivered into his hand a walking-staff, with which he professed he had travelled through many parts of Germany; and he said, 'Richard, I do not give, but lend you my horse; be sure you be honest, and bring my horse back to me, at your return this way to Oxford. And I do now give you ten groats to bear your charges to Exeter; and here is ten groats more, which I charge you to deliver to your mother, and tell her I send her a Bishop's benediction with it, and beg the continuance of her prayers for me. And if you bring my horse back to me, I will give you ten groats more to carry you on foot to the college; and so God bless you, good Richard.'" (See Walton's Life of Richard Hooker.)—W. W. 1822.
[217] 1827.
[218] i.e. Richard Hooker and a College companion.—Ed.
[219] The reading, "Their new-born Church," printed in all editions of the poems from 1822 till 1842, had been objected to by several correspondents; and out of deference to their suggestions it was altered to "Their Church reformed": but Wordsworth wrote to his nephew and biographer, November 12, 1846, "I don't like the term reformed; if taken in its literal sense as a transformation, it is very objectionable" (see Memoirs, vol. ii. p. 113), and in the "postscript" to Yarrow Revisited, etc., he says, "The great Religious Reformation of the sixteenth century did not profess to be a new construction, but a restoration of something fallen into decay, or put out of sight."—Ed.
[220] 1845.
[221] 1827.
[222] 1827.
[223] The first nonconforming sect in England originated in 1556. It broke off from the Church, on a question of vestments. The chief divisions of English Nonconformity in the latter half of the sixteenth century were (1) the Brunists, or Barronists. The disciples of Brun quarrelled and divided amongst themselves. (2) The Familists, an offshoot of the Dutch Anabaptists, a mystic sect which quarrelled with the Puritans. (3) The Anabaptists, who were not only religious sectaries, but who differed with the Church on sundry social and civil matters. "They denied the sanctity of an oath, the binding power of laws, the right of the magistrate to punish, and the rights of property." (Perry's History of the English Church, p. 315.) See also Hooker's Preface to his Ecclesiastical Polity, c. viii. 6-12; and the "Life of Sir Matthew Hale," Eccl. Biog. iv. 533, on the "indigested enthusiastical scheme called The Kingdom of Christ, or of his Saints."—Ed.
[224] A common device in religious and political conflicts. See Strype, in support of this instance.—W. W. 1822.
Probably the reference is to the case of Cussin, a Dominican Friar. He pretended to be a Puritan minister; and, in his devotions, assumed the airs of madness. See in Strype's The Life and Acts of Matthew Parker, Archbishop of Canterbury, vol. i. chaps, xiii. and xvi.—Ed.
[225] 1827.
[226] See the note to the previous sonnet, No. XL.—Ed.
[227] Originated by Robert Catesby, the intention being to destroy King, Lords, and Commons, by an explosion at Westminster, when James I. went in person to open Parliament on the 5th November 1605.—Ed.
[228] The massacre of St. Bartholomew, which occurred on August 24, 1572.—Ed.
The Jung-frau and the Fall of the Rhine near Schaffhausen
[229] The Jung-frau.—W. W. 1822.
[230] This Sonnet was included among the "Memorials of a Tour on the Continent" (1822), and the following note was added:—"This Sonnet belongs to another publication, but from its fitness for this place is inserted here also, 'Voilà un énfer d'eau,' cried out a German Friend of Ramond, falling on his knees on the scaffold in front of this Waterfall. See Ramond's Translation of Coxe."—W. W.
The following extracts from Mrs. Wordsworth's Journal of the Continental Tour in 1820 illustrate it. "Aug. 9.—I am seated before Jung-frau, in the green vale of Interlaken, 'green to the very door,' with rich shade of walnut trees, the river behind the house.... Mountains and that majestic Virgin closing up all.... By looking across into a nook at the entrance of the Vale of Lauterbrunnen, Jung-frau presses forward and seems to preside over and give a character to the whole of the vale that belongs only to this one spot," ... "Aug. 10th.— ... Reached Grindelwald, by the pass close to Jung-frau (at least separated from it by a deep cleft only), which sent forth its avalanches,—one grand beyond all description. It was an awful and a solemn sound." ... "Aug. 1st.— ... Nothing could exceed my delight when, through an opening between buildings at the skirts of the town, we unexpectedly hailed our old and side-by-side companion, the Rhine, now roaring like a lion, along his rocky channel. Never beheld so soft, so lovely a green, as is here given to the waters of this lordly river; and then, how they glittered and heaved to meet the sunshine."—Ed.
[231] 1832.
[232] Compare Hamlet, act I. scene i. l. 112.—Ed.
[233] See the Fenwick note preceding the Series.—Ed.
In this age a word cannot be said in praise of Laud, or even in compassion for his fate, without incurring a charge of bigotry; but fearless of such imputation, I concur with Hume, "that it is sufficient for his vindication to observe that his errors were the most excusable of all those which prevailed during that zealous period." A key to the right understanding of those parts of his conduct that brought the most odium upon him in his own time, may be found in the following passage of his speech before the bar of the House of Peers:—"Ever since I came in place, I have laboured nothing more than that the external publick worship of God, so much slighted in divers parts of this kingdom, might be preserved, and that with as much decency and uniformity as might be. For I evidently saw that the public neglect of God's service in the outward face of it, and the nasty lying of many places dedicated to that service, had almost cast a damp upon the true and inward worship of God, which while we live in the body, needs external helps, and all little enough to keep it in any vigour."—W. W. 1827.
[234] 1827.
[235] 1827.
[236] 1827.
[237] 1827.
[238] In his address, before his execution, Archbishop Laud said, "I am not in love with this passage through the Red Sea, and I have prayed ut transiret calix iste, but if not, God's will be done."—Ed.
[When I came to this part of the series I had the dream described in this Sonnet.[241] The figure was that of my daughter, and the whole passed exactly as here represented. The Sonnet was composed on the middle road leading from Grasmere to Ambleside: it was begun as I left the last house of the vale, and finished, word for word as it now stands, before I came in view of Rydal. I wish I could say the same of the five or six hundred I have written: most of them were frequently retouched in the course of composition, and, not a few, laboriously.
I have only further to observe that the intended Church which prompted these Sonnets was erected on Coleorton Moor towards the centre of a very populous parish between three and four miles from Ashby-de-la-Zouch, on the road to Loughborough, and has proved, I believe, a great benefit to the neighbourhood.—I.F.]
[242] 1837.
[243] 1845.
[244] 1827.
[245] 1832.
[246] 1832.
[247] 1832.
[248] 1832.
[249] 1832.
[250] "No event ever marked a deeper or a more lasting change in the temper of the English people, than the entry of Charles the Second into Whitehall. With it modern England begins." (Green's Short History of the English People, chap. ix. sec. 1.)—Ed.
[251] "The Restoration brought Charles to Whitehall; and in an instant the whole face of England was changed. All that was noblest and best in Puritanism was whirled away." (Green, chap. ix. sec. I.) The excesses of every kind that came in with the Restoration were notorious.—Ed.
[252] 1837.
[253] In 1672 the Duke of York was publicly received into the Church of Rome.—Ed.
[254] As in the case of John Hales of Eton, William Chillingworth, who wrote The Religion of Protestants, and Jeremy Taylor, author of The Liberty of Prophesying.—Ed.
[255] The Cambridge Platonists, Ralph Cudworth, John Smith, and Henry More, are referred to.—Ed.
[256] Milton.—Ed.
[257] Compare Paradise Lost, book iii. ll. 54, 55.—Ed.
[258] Izaak Walton, author of The Complete Angler, wrote also The Lives of John Donne, Sir Henry Wotton, Richard Hooker, George Herbert, and Robert Sanderson.—Ed.
[259] With those lines of Wordsworth compare the following: a Sonnet addressed "to the King of Scots," in Henry Constable's Diana, published in 1594—
A sonnet by Dorothy Berry, prefixed to Diana Primrose's Chain of Pearl, a memorial of the peerless graces, etc., of Queen Elizabeth, London, 1639—
Also John Evelyn, in his Life of Mrs. Godolphin, "It would become the pen of an angel's wing to describe the life of a saint," etc.—Ed.
[260] 1827.
[261] By the Act of Uniformity (1662), nearly 2000 Presbyterian and Independent Ministers, who had been admitted to benefices in the Church of England during the Puritan Ascendency, were ejected from their livings.—Ed.
[262] 1827.
Published 1827
[263] See Milton's Sonnet XVIII., On the late Massacre in Piedmont, beginning—
This was in 1655. In the following year Cromwell, to whom the persecuted Vaudois subjects of the Duke of Savoy had appealed, interposed in their behalf. Nearly £40,000 were collected in England for their relief.—Ed.
[264] Compare The Excursion, book i. 11. 175, 176.—Ed.
[265] The Bishops who protested against James II.'s Declaration of Indulgence and refused to read it. He ordered the Ecclesiastical Commissioners, to deprive them of their Sees, and the Bishops were sent to the Tower. "They passed to their prison amidst the shouts of a great multitude, the sentinels knelt for their blessing as they entered the gates, and the soldiers of the garrison drank their healths.... The Bishops appeared as criminals at the bar of the King's Bench. The jury had been packed, the judges were mere tools of the Crown, but judges and jury were alike overawed by the indignation of the people at large. No sooner had the foreman of the jury uttered the words 'Not guilty,' than a roar of applause burst from the crowd, and horsemen spurred along every road to carry over the country the news of the acquittal." (Green.) See Wordsworth's note to the eleventh sonnet in Part I. (p. 12.)—Ed.
[266] 1827.
[267] 1827.
[268] William III. of Nassau, Prince of Orange, was invited over to England by the nobles and commons who were disaffected towards James II., and landed at Torbay in November 1688.—Ed.
[269] 1845.
[270] 1845.
[271] King James II., who fled to France in December 1688.—Ed.
[272] Algernon Sidney, second son of the Earl of Leicester, equally opposed to the tyranny of Charles and of Cromwell, was implicated in the Rye House Plot, arraigned before the chief-justice Jeffries, condemned illegally, and executed at Tower Hill in December 1683.—Ed.
[273] Lord William Russell, third son of the Duke of Bedford, member of the House of Commons like Sidney, and like him implicated in the Rye House Plot, condemned at the Old Bailey, and beheaded at Lincoln's-Inn-Fields in July 1683.—Ed.
Published 1827
[274] Henry Sacheverel, a high-church clergyman, preached two sermons in 1709, one at Derby, and the other in St. Paul's, London, in which he attacked the principles of the Revolution Settlement, taught the doctrine of non-resistance, and decried the Act of Toleration. He was impeached by the Commons, and tried before the House of Lords in 1710, was found guilty, and suspended from office for three years. This made him for the time the most popular man in England; and the general election which followed was fatal to the Government which condemned him. He was a weak and a vain man, who attained to notoriety without fame.—Ed.
[275] 1832.
Published 1827
[276] Compare the extracts from Mary and Dorothy Wordsworth's Journals in the "Memorials of a Tour on the Continent" (vol. vi. p. 300).—Ed.
[277] 1845.
[278] 1845.
Published 1845
[279] In a letter to Professor Henry Reed, dated March 1, 1842, Wordsworth wrote:—"I have sent you three sonnets upon certain 'Aspects of Christianity in America,' having, as you will see, a reference to the subject upon which you wished me to write. I wish they had been more worthy of the subject: I hope, however, you will not disapprove of the connection which I have thought myself warranted in tracing between the Puritan fugitives and Episcopacy."—Ed.
[280] American episcopacy, in union with the church in England, strictly belongs to the general subject; and I here make my acknowledgments to my American friends, Bishop Doane, and Mr. Henry Reed of Philadelphia, for having suggested to me the propriety of adverting to it, and pointed out the virtues and intellectual qualities of Bishop White, which so eminently fitted him for the great work he undertook. Bishop White was consecrated at Lambeth, Feb. 4, 1787, by Archbishop Moore; and before his long life was closed, twenty-six bishops had been consecrated in America, by himself. For his character and opinions, see his own numerous Works, and a "Sermon in commemoration of him, by George Washington Doane, Bishop of New Jersey."—W. W. 1845.
Published 1845
[281] The Book of Common Prayer of the American Episcopal Church was avowedly derived from that of England, and substantially agrees with it.—Ed.
Published 1845
[282] "I hope you will not disapprove of the connection which I have thought myself warranted in tracing between the Puritan fugitives and Episcopacy." (Wordsworth to Henry Reed, March 1, 1842.)—Ed.
[283] Dr. Seabury was consecrated Bishop of Connecticut by Scottish Bishops at Aberdeen, in November 1784. Dr. White was consecrated Bishop of Pennsylvania, and Dr. Provoost, Bishop of New York, at Lambeth, in February 1787. It was Wordsworth's intention, in 1841, to add a sonnet to his "Ecclesiastical Series" "On the union of the two Episcopal Churches of England and America."—Ed.
Published 1845
[284] Compare The Excursion, book vi. ll. 17-29 (vol. v. p. 236).—Ed.
[285] Among the benefits arising, as Mr. Coleridge has well observed, from a Church establishment of endowments corresponding with the wealth of the country to which it belongs, may be reckoned as eminently important, the examples of civility and refinement which the Clergy stationed at intervals, afford to the whole people. The established clergy in many parts of England have long been, as they continue to be, the principal bulwark against barbarism, and the link which unites the sequestered peasantry with the intellectual advancement of the age. Nor is it below the dignity of the subject to observe, that their taste, as acting upon rural residences and scenery, often furnishes models which country gentlemen, who are more at liberty to follow the caprices of fashion, might profit by. The precincts of an old residence must be treated by ecclesiastics with respect, both from prudence and necessity. I remember being much pleased, some years ago, at Rose Castle, the rural seat of the See of Carlisle, with a style of garden and architecture which, if the place had belonged to a wealthy layman, would no doubt have been swept away. A parsonage-house generally stands not far from the church; this proximity imposes favourable restraints, and sometimes suggests an affecting union of the accommodations and elegancies of life with the outward signs of piety and mortality. With pleasure I recall to mind a happy instance of this in the residence of an old and much-valued Friend in Oxfordshire. The house and church stand parallel to each other, at a small distance; a circular lawn or rather grass-plot, spreads between them; shrubs and trees curve from each side of the dwelling, veiling, but not hiding, the church. From the front of this dwelling, no part of the burial-ground is seen; but as you wind by the side of the shrubs towards the steeple-end of the church, the eye catches a single, small, low, monumental headstone, moss-grown, sinking into, and gently inclining towards the earth. Advance, and the churchyard, populous and gay with glittering tombstones, opens upon the view. This humble, and beautiful parsonage called forth a tribute which will not be out of its place here.—W. W. 1822.
He then quotes the seventh of the "Miscellaneous Sonnets," Part III. (see vol. vi. p. 217).—Ed.
[286] Compare the sonnet, On the sight of a Manse in the South of Scotland, belonging to the Tour in the year 1831.—Ed.
[287] 1837
[288] Compare The Christian Year, by Keble, passim.—Ed.
[289] 1845.
(Or)
[290] See The Revelation of St. John, chapter xx. v. II.—Ed.
Published 1827
Published 1832
[296] Compare Macbeth, act IV. scene i. l. 83.—Ed.
[299] This Sonnet was sent by Wordsworth in holograph MS. to Orton Hall in the form indicated in the footnotes, dated Dec. 7, 1827.—Ed.
[300] See Wordsworth's reference to his Mother in his Autobiographical Memoranda.—Ed.
Published 1827
[301] 1837.
[302] Compare the tribute to a Daughter, who died within the year after her confirmation, in A Presbyterian Clergyman looking for the Church, by the Rev. Flavel S. Mines, p. 95.—Ed.
Published 1827
[303] 1827.
[304] 1845.
[305] 1845.
Composed 1842.—Published 1845
[306] In a letter to Professor Henry Reed, dated "Rydal Mount, Sept. 4, 1842," Wordsworth says: "A few days ago, after a very long interval, I returned to poetical composition; and my first employment was to write a couple of Sonnets upon subjects recommended by you to take place in the Ecclesiastical Series. They are upon the Marriage Ceremony and the Funeral Service. I have, about the same time, added two others, both upon subjects taken from the Services of our Liturgy."—Ed.
[307] 1842.
Composed 1842.—Published 1845
[308] Compare Spenser's Epithalamion, stanza xl. ll. 216, 217—
Also, Southey's All for Love, or a sinner well saved, Part IV. stanza 46—
Composed 1842.—Published 1845
Published 1845
[309] 1845.
Published 1845
Composed 1842.—Published 1845
[310] This is still continued in many churches in Westmoreland. It takes place in the month of July, when the floor of the stalls is strewn with fresh rushes; and hence it is called the "Rush-bearing."—W. W. 1822.
[311] 1822.
[312] 1845.
[313] 1827.
[314] 1827.
[315] 1845.
[319] 1837.
[320] This is borrowed from an affecting passage in Mr. George Dyer's History of Cambridge.—W. W. 1822.
Published 1827
[321] 1837.
[322] The Statesmen of the Revolution, who hailed the arrival of William of Orange from Holland.—Ed.
[323] See Burnet, who is unusually animated on this subject; the east wind, so anxiously expected and prayed for, was called the "Protestant wind."—W. W. 1822.
[324] In 1818, under the ministry of Lord Liverpool, £1,000,000 was voted by Parliament to build new churches in England.—Ed.
[325] 1837.
[326] This, and the two following sonnets, were probably the first composed of these "Ecclesiastical Sketches." The "church to be erected" was a new one built on Coleorton Moor by Sir George Beaumont. (See Prefatory note to the series, p. 1.)—Ed.
[327] 1840.
[328] 1827.
[329] The Lutherans have retained the Cross within their churches: it is to be regretted that we have not done the same.—W. W. 1822.
It has always been retained without, and is now scarcely less common within the churches of England. Did the poet confound the Cross with the Crucifix?—Ed.
[330] Compare Gray's Elegy, stanza v.—
[331] 1837.
[332] 1827.
[333] This Sonnet was published in Time's Telescope, September 1823, p. 260.—Ed.
[334] King Henry VI., who founded King's College, Cambridge.—Ed.
[335] 1827.
[336] Compare The Excursion, book v. l. 145—
[337] St. Paul's Cathedral, designed by Sir Christopher Wren (1675-1710).—Ed.
[338] Some say that Monte Rosa takes its name from a belt of rock at its summit—a very unpoetical and scarcely a probable supposition.—W. W. 1822.
[339] 1827.
Composed 1822.—Published 1827
[After thanking Lady Fleming in prose for the service she had done to her neighbourhood by erecting this Chapel, I have nothing to say beyond the expression of regret that the architect did not furnish an elevation better suited to the site in a narrow mountain-pass, and, what is of more consequence, better constructed in the interior for the purposes of worship. It has no chancel; the altar is unbecomingly confined; the pews are so narrow as to preclude the possibility of kneeling with comfort; there is no vestry; and what ought to have been first mentioned, the font, instead of standing at its proper place at the entrance, is thrust into the farther end of a pew. When these defects shall be pointed out to the munificent Patroness, they will, it is hoped, be corrected.—I. F.[342]]
One of the "Poems of Sentiment and Reflection," from the edition of 1827 to that of 1843; but transferred, in 1845, to the "Miscellaneous Poems." From 1827 to 1836 the title was "To the Lady ——, on seeing the foundation preparing for the erection of —— Chapel, Westmoreland."—Ed.
I
II
III[346]
IV
V
VI
VII
VIII
IX
X
[340] 1840.
[341] 1840.
[342] Rydal Chapel remained in the state mentioned in the Fenwick note till the year 1884.—Ed.
[343] 1827.
Or ... MS. sent to Lady Beaumont.
[344] The Fleming family is descended from Sir Michael le Fleming, a relative of Baldwin, Earl of Flanders, brother-in-law to William the Conqueror. This Sir Michael le Fleming, who came over with the Conqueror, was sent into Cumberland against the Scots, and was rewarded for his services by the gift of several manors in Copeland, Cumberland.—Ed.
[345] Bekangs Ghyll—or the dell of Nightshade—in which stands St. Mary's Abbey in Low Furness.—W. W. 1827.
[346] In the edition of 1827, stanzas iii. and iv. are numbered iv. and iii. respectively.—Ed.
[347] 1832.
[348] Compare Glen-Almain (vol. ii. p. 394)—
[350] 1827.
MS. sent to Lord Lonsdale.
[351] 1832.
[352] Compare the last stanza of The Wishing Gate.—Ed.
[353] Compare the Ode, Intimations of Immortality, stanza xi.—Ed.
[355] 1827.
[357] 1827.
MS. to Lady Beaumont.
[359] See The Faërie Queene, book I. canto i. stanza 37. Also Shakespeare's Henry VIII., act II. scene ii. l. 44.—Ed.
[360] See Paradise Lost, book ii. l. 58.—Ed.
[361] 1832.
MS. to Lady Beaumont.
[362] Dorothy Wordsworth wrote to Henry Crabb Robinson (December 21, 1822), "William has just written a poem upon the Foundation of a Church, which Lady Fleming is about to erect at Rydal. It is about 80 lines. I like it much." This letter was obviously written before the poem reached its final form.—Ed.
Composed 1822.—Published 1827
One of the "Poems of Sentiment and Reflection" from the edition of 1827 to that of 1843. In 1835 transferred to the "Miscellaneous Poems."—Ed.
Our churches, invariably perhaps, stand east and west, but why is by few persons exactly known; nor, that the degree of deviation from due east often noticeable in the ancient ones was determined, in each particular case, by the point in the horizon, at which the sun rose upon the day of the saint to whom the church was dedicated.[363] These observances of our ancestors, and the causes of them, are the subject of the following stanzas.
[363] St. Oswald's Day is the 8th of August in the Calendar.—Ed.
[364] Doubtless Grasmere Church (itself originally a chapelry under Kendal), the advowson of which was sold in 1573 to the Le Flemings of Rydal. The date of the foundation is prehistoric. There is a thirteenth century window in it, but the tower is older. The church is dedicated to St. Oswald, King of Northumbria.—Ed.
[365] Compare Ode, Intimations of Immortality, l. 117—
Only one poem and two sonnets were written in 1823.—Ed.
Composed 1823.—Published 1827
One of the "Poems of Sentiment and Reflection." See the Fenwick note to the lines Written in a Blank Leaf of Macpherson's Ossian (p. 373 of this volume), where Wordsworth says that the poem was "suggested from apprehensions of the fate of his friend, H. C." (Hartley Coleridge).—Ed.
Composed 1823.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[366] 1832.
[368] 1837.
[369] 1837.
[370] Compare Tintern Abbey, II. 17, 18.—Ed.
[371] e. g. The Rothay, or the Duddon.—Ed.
[372] 1827.
[373] See the same reading in The Poetical Album, 1829, vol. i. p. 43, edited by Alaric Watts.—Ed.
Composed 1823.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[374] Macbeth, act I. scene vi. l. 7.—Ed.
[375] 1827.
[376] Compare Alexander Hume's Day's Estival (1599). This and the preceding sonnet were first published in 1823 in A Collection of Poems, chiefly manuscript, and from living authors, edited for the benefit of a Friend, by Joanna Baillie. The collection includes Sir Walter Scott's Macduff's Cross, and Southey's The Cataract of Lodore.—Ed.
The poems written in 1824 were few. They include two addressed to Mrs. Wordsworth, two or three composed at Coleorton, and a couple of memorial sonnets suggested during a tour in North Wales.—Ed.
Composed 1824.—Published 1827
[Written at Rydal Mount. On Mrs. Wordsworth.—I.F.]
One of the "Poems founded on the Affections."—Ed.
[378] 1832.
Composed 1824.—Published 1827
[Written at Rydal Mount. To Mrs. W.—I. F.]
One of the "Poems founded on the Affections."—Ed.
[379] See Comus, l. 263.—Ed.
[380] 1836.
[381] 1836.
[382] 1836.
[383] 1836.
Composed 1824.—Published 1827
[Written at Rydal Mount. Mrs. Wordsworth's impression is that the Poem was written at Coleorton: it was certainly suggested by a Print at Coleorton Hall.—I. F.]
One of the "Poems founded on the Affections."—Ed.
[384] Compare Dryden's Alexander's Feast, an Ode in honour of St. Cecilia's Day—
Composed 1824.—Published 1827
[Written at Rydal Mount. Prompted by the undue importance attached to personal beauty by some dear friends of mine.—I. F.]
One of the "Poems founded on the Affections."—Ed.
[385] Compare Robert Herrick's poem To Daffodils—
See also his poem To Blossoms.—Ed.
[386] 1836.
[387] Compare Lyly's Endymion, v. 3—
[388] 1836.
Composed 1824.—Published 1827
[Planned by my friend, Lady Beaumont, in connection with the garden at Coleorton.—I. F.]
One of the "Poems of the Fancy."—Ed.
In a letter from Mrs. Wordsworth to Lady Beaumont, dated "Rydal Mount, Feb. 28" (1824), the following occurs:—
"This garden is made out of Lady Caroline Price's, and your own, combining the recommendations of both. Like you, I enjoy the beauty of flowers, but do not carry my admiration so far as my sister, not to feel how very troublesome they are. I have more pleasure in clearing away thickets, and making such arrangements as produced the Winter Garden, and those sweet glades behind Coleorton Church."—Ed.
[389] 1836.
A Flower Garden. 1827.
[390] The flower garden was constructed below the terrace to the east of the Hall.—Ed.
[391] 1836.
MS. sent by Mrs. Wordsworth to Lady Beaumont.
[392] 1836.
MS. sent by Mrs. Wordsworth to Lady Beaumont.
[394] 1836.
Composed in the Grounds of Plass Newidd,[396] near Llangollen, 1824.
Composed 1824.—Published 1827
[In this Vale of Meditation my friend Jones resided, having been allowed by his diocesan to fix himself there without resigning his Living in Oxfordshire. He was with my wife and daughter and me when we visited these celebrated ladies who had retired, as one may say, into notice in this vale. Their cottage lay directly in the road between London and Dublin, and they were of course visited by their Irish friends as well as innumerable strangers. They took much delight in passing jokes on our friend Jones's plumpness, ruddy cheeks and smiling countenance, as little suited to a hermit living in the Vale of Meditation. We all thought there was ample room for retort on his part, so curious was the appearance of these ladies, so [Pg 129]elaborately sentimental about themselves and their Caro Albergo as they named it in an inscription on a tree that stood opposite, the endearing epithet being preceded by the word Ecco! calling upon the saunterer to look about him. So oddly was one of these ladies attired that we took her, at a little distance, for a Roman Catholic priest, with a crucifix and relics hung at his neck. They were without caps, their hair bushy and white as snow, which contributed to the mistake.—I. F.]
One of the "Miscellaneous Sonnets."—Ed.
[396] Plass Newidd is close to Llangollen, a small cottage a quarter of a mile to the south of the town. The ladies referred to in the Fenwick note, Lady Eleanor Butler and the Hon. Miss Ponsonby, formed a romantic attachment; and, having an extreme love of independence, they withdrew from society, and settled in this remote and secluded cottage. Lady Butler died in 1829, aged ninety, and Miss Ponsonby in 1831, aged seventy-six, their faithful servant, Mary Caroll, having predeceased them. The three are buried in the same grave in Llangollen Churchyard, and an inscription to the memory of each is carved on a triangular pillar beside their tomb.
In a letter to Sir George Beaumont from Hindwell, Radnorshire, Wordsworth gives an account of this tour in North Wales.... "We turned from the high-road three or four miles to visit the 'Valley of Meditation' (Glyn Myvyr), where Mr. Jones has, at present, a curacy with a comfortable parsonage. We slept at Corwen, and went down the Dee to Llangollen, which you and dear Lady B. know well. Called upon the celebrated Recluses, who hoped that you and Lady B. had not forgotten them.... Next day I sent them the following sonnet from Ruthin, which was conceived, and in a great measure composed, in their grounds." Compare Sir Walter Scott's account of his visit to these Ladies in 1825 (Lockhart's Life of Scott, vol. viii. pp. 48, 49).—Ed.
[397] Glyn Myvyr.—W. W. The word is misspelt in most of the editions.—Ed.
Composed 1824.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[398] The Devil's Bridge in North Wales is at Hafod, near Aberystwyth, in Cardiganshire. Like the Teufelsbrücke, on the road from Göschenen to Airola, over the St. Gotthard in Switzerland, which spans the Reuss, the Devil's Bridge in Wales is double; i.e. an upper and an under bridge span the river Mynach. This Pont-y-Mynach was built either by the monks of Strata Florida, or by the Knights Hospitallers.
In the letter to Sir George Beaumont, referred to in a previous note, Wordsworth writes: "We went up the Rhydiol to the Devil's Bridge, where we passed the following day in exploring these two rivers, and Hafod in the neighbourhood. I had seen these things long ago, but either my memory or my powers of observation had not done them justice. It rained heavily in the night, and we saw the waterfalls in perfection. While Dora was attempting to make a sketch from the chasm in the rain, I composed by her side the following address to the torrent,
[399] There are several consecutive falls on the river Mynach, at the Devil's Bridge, the longest being one of 114 feet, and the whole taken together amounting to 314 feet.—Ed.
[400] The lofty ridge of mountains in northern Greece between Thessaly and Epirus, which, like the Apennines in Italy, form the back-bone of the country.—Ed.
[401] The Rhine. The Via Mala is the gorge between Thusis and Zillis, near the source of the Rhine. Compare Descriptive Sketches (vol. i. p. 46)—
Composed 1824.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[402] 1837.
[403] Compare The White Doe of Rylstone, canto i. ll. 118, 119 (vol. iv. p. 110)—
This was doubtless Carnarvon Castle, which Wordsworth visited in September 1824, at the close of his three weeks' ramble in North Wales, of which he wrote to Sir George Beaumont, "We employed several hours in exploring the interior of the noble castle, and looking at it from different points of view in the neighbourhood."—Ed.
(ADDRESSED TO SIR G.H.B. UPON THE DEATH OF HIS SISTER-IN-LAW)
1824[404]
Composed 1824.—Published 1827
[On Mrs. Fermor. This lady had been a widow long before I knew her. Her husband was of the family of the lady celebrated in the Rape of the Lock, and was, I believe, a Roman Catholic. The sorrow which his death caused her was fearful in its character as described in this poem, but was subdued in course of time by the strength of her religious faith. I have been for many weeks at a time, an inmate with her at Coleorton Hall, as were also Mrs. Wordsworth and my sister. The truth in the sketch of her character here given was acknowledged with gratitude by her nearest relatives. She was eloquent in conversation, energetic upon public matters, open in respect to those, but slow to communicate her personal feelings; upon these she never touched in her intercourse with me, so that I could not regard myself as her confidential friend, and was accordingly surprised when I learnt she had left me a legacy of £100, as a token of her esteem. See in further illustration the second stanza inscribed upon her cenotaph in Coleorton church.—I.F.]
One of the "Epitaphs and Elegiac Pieces." In 1827 the title was simply, Elegiac Stanzas, 1824, and the title of the group was then, and in 1832, "Epitaphs and Elegiac Poems."—Ed.
In a letter from Mrs. Wordsworth to Lady Beaumont, dated "Rydal Mount, Feb. 25, 1825," she says:—
"We are all much moved by the manner in which Miss Willes has received the verses,—particularly Wm., who feels [Pg 135]himself more than rewarded for the labour I cannot call it of the composition—for the tribute was poured forth with a deep stream of fervour that was something beyond labour, and it has required very little correction. In one instance a single word in the 'Address to Sir George' is changed since we sent the copy, viz.: 'graciously' for 'courteously,' as being a word of more dignity."
The following inscription was "copied from the Churchyard of Claines, Sept. 14, 1826," by Dorothy Wordsworth, in a MS. book, containing numerous epitaphs on tombstones, and inscriptions on rural monuments in Cathedrals and Churches, in various parts of the country.
[404] 1837.
Elegiac Stanzas, 1824. 1827.
[405] 1845.
[406] 1837.
[409] 1840.
In affectionate remembrance of Frances Fermor, whose remains are deposited in the church of Claines, near Worcester, this stone is erected by her sister, Dame Margaret, wife of Sir George Beaumont, Bart., who, feeling not less than the love of a brother for the deceased, commends this memorial to the care of his heirs and successors in the possession of this place.
Composed 1824.—Published 1842
[See "Elegiac Stanzas. (Addressed to Sir G.H.B., upon the death of his sister-in-law.)"—I.F.]
One of the "Epitaphs and Elegiac Pieces."—Ed.
"I am the way, the truth, and the life."
In the letter to Lady Beaumont, referred to in the notes, the title of this poem is "Inscription in the Church of Coleorton," and a footnote is added, "Say, to the left of the vista, within the thicket, below the churchyard wall.—M. W."
Mrs. Wordsworth also says, "To fit the lines, intended for an urn, for a Monument, W. has altered the closing stanza, which (though they are not what he would have produced had he first cast them with a view to the Church) he hopes you will not disapprove."—Ed.
[410] 1842.
MS. Mrs. Wordsworth to Lady Beaumont.
MS. Mrs. Wordsworth to Lady Beaumont.
Three Poems were written in 1825, The Pillar of Trajan, The Contrast: The Parrot and the Wren, and the lines To a Skylark.—Ed.
Composed 1825.—Published 1827
[These verses perhaps had better be transferred to the class of "Italian Poems." I had observed in the newspaper, that the Pillar of Trajan was given as a subject for a prize-poem in English verse. I had a wish perhaps that my son, who was then an undergraduate at Oxford, should try his fortune, and I told him so; but he, not having been accustomed to write verse, wisely declined to enter on the task; whereupon I showed him these lines as a proof of what might, without difficulty, be done on such a subject.—I.F.]
From 1827 to 1842 one of the "Poems of Sentiment and Reflection"; in 1845 one of the "Memorials of a Tour in Italy."—Ed.
Trajan's Column was set up by the Senate and people of Rome, in honour of the Emperor, about A.D. 114. It is one of the most remarkable pillars in the world; and still stands, little injured by time, in the centre of the Forum Trajanum (now a ruin); its height—132 feet—marking the height of the earth removed when the Forum was made. On the pedestal bas-reliefs were carved in series showing the arms and armour of the Romans; and round the shaft of the column similar reliefs, exhibiting pictorially the whole story of the Decian campaign of the Emperor. These are of great value as illustrating the history of the period, the costume of the Roman soldiers and the barbarians. A colossal statue of Trajan crowned the column; and, when it fell, Pope Sixtus V. replaced it by a figure of St. Peter. It is referred to by Pausanias (v. 12. 6), and by all the ancient topographers. See a minute account of it, with excellent illustrations, in Hertzberg's Geschichte des Römischen Kaiserreiches, pp. 330-345 (Berlin: 1880); a[Pg 141]lso Müller's Denkmäler der alten Kunst, p. 51. The book, however, from which Wordsworth gained his information of this pillar was evidently Joseph Forsyth's Remarks on Antiquities, Arts, and Letters, during an Excursion in Italy in 1802-3 (London: 1813). It is thus that Dean Merivale speaks of it:—
"Amid this profusion of splendour" (i.e. in the Forum Trajanum) "the great object to which the eye was principally directed was the column, which rose majestically in the centre of the forum to the height of 126 feet, sculptured from the base of the shaft to the summit with the story of the Decian wars, shining in every volute and moulding, with gold and pigments, and crowned with the colossal effigy of the august conqueror.... The proportions of the Trajan column are peculiarly graceful; the compact masses of stone, nineteen in number, of which the whole shaft is composed, may lead us to admire the skill employed in its construction; but the most interesting feature of this historic monument is the spiral band of figures which throughout enriches it. To the subjects of Trajan himself, this record of his exploits in bold relief must have given a vivid and sufficient idea of the people, the places, and the actions indicated; even to us, after so many centuries, they furnish a correct type of the arms, the arts, and the costume both of the Romans and barbarians which we should vainly seek for elsewhere. The Trajan column forms a notable chapter in the pictorial history of Rome." (History of the Romans under the Empire, vol. viii. pp. 46, 47.)
In the Fenwick note, Wordsworth mentions that, what gave rise to this poem was, his observing in the newspapers that "the Pillar of Trajan" was prescribed as a subject for a prize poem at Oxford. This determines the date of composition. The Pillar of Trajan was the Newdigate prize poem, won by W. W. Tireman, Wadham Coll., in 1826. We may therefore assume that the subject was proposed about the summer of 1825.—Ed.
[411] As Wordsworth says, in his note of 1827, "See Forsyth," it may be interesting to add Forsyth's account of the Pillar, in footnotes. "Trajan's Column, considered as a long historical record to be read round and round a long convex surface, made perspective impossible. Every perspective has one fixed point of view, but here are ten thousand. The eye, like the relievos of the column, must describe a spiral round them, widening over the whole piazza. Hence, to be legible the figures must be lengthened as they rise. This licence is necessary here; but in architecture it may be contested against Vitruvius himself." (Forsyth's Remarks on Antiquities, Arts, and Letters, during an Excursion in Italy in 1802-3, pp. 250, 251.)—Ed.
[412] "In detailing the two wars, this column sets each nation in contrast: here the Moorish horse, all naked and unharnessed" (Forsyth's Remarks, etc., p. 251.)—Ed.
[413] See Forsyth.—W. W. 1827.
"There the Taranatians, in complete mail down to the fingers and the hoofs. It exhibits without embellishment all the tactics of that age, and forms grand commentary on Vegetius and Frontinus." (Remarks, etc., p. 252.)—Ed.
[414] "How unlike the modern relievos, where dress appears in all its distinctions, and prostration in all its angles! none kneel here but priests and captives; no Roman appears in a fallen state: none are wounded or slain but the foe.
"No monument gives the complete and real costume of its kind so correctly as this column.... On this column we can see parts of the subarmalia; we can see real drawers falling down to the officers' legs; and some figures have focalia, like invalids, round the neck." (Remarks, etc., p. 251-2.)—Ed.
[415] "This column is an immense field of antiquities, where the emperor appears in a hundred different points, as sovereign, as general, as priest." (Remarks, etc., p. 251.)—Ed.
[416] "His dignity he derives from himself or his duties; not from the trappings of power, for he is dressed like any of his officers, not from the debasement of others, for the Romans stand bold and erect before him." (Remarks, etc., p. 251.)—Ed.
Composed 1825.—Published 1827
[The Parrot belonged to Mrs. Luff while living at Fox-Ghyll. The Wren was one that haunted for many years the summerhouse between the two terraces at Rydal Mount.—I. F.]
One of the "Poems of the Fancy."—Ed.
I
II
The "moss-lined shed, green, soft, and dry," still remains at Rydal Mount, as it was in the poet's time.—Ed.
Composed 1825.—Published 1827
[Written at Rydal Mount, where there are no skylarks, but the Poet is everywhere.—I. F.]
One of the "Poems of the Imagination."—Ed.
Compare this with the earlier poem To a Skylark, written in 1805, and both poems with Shelley's still finer lyric to the same bird, written in 1820. See also the Morning Exercise (1828), stanzas v.-x. The eighth stanza of that poem was, from 1827 to 1842, the second stanza of this one. The poem was published in the Poetical Album, for 1829, edited by Alaric Watts, vol. ii. p. 30.—Ed.
[419] 1827.
[420] The following second stanza occurs only in the editions 1827-43—
[421] 1827.
[422] 1832.
The poems composed in 1826 were six. They include two referring to the month of May, and two descriptive of places near Rydal Mount.—Ed.
Composed 1826.—Published 1827
[Written at Rydal Mount. Suggested by the condition of a friend.—I. F.]
One of the "Poems founded on the Affections."—Ed.
Composed 1826.—Published 1835
[This and the following poem originated in the lines, "How delicate the leafy veil," etc. My daughter and I left Rydal Mount upon a tour through our mountains, with Mr. and Mrs. Carr,[423] in the month of May, 1826, and as we were going up the Vale of Newlands I was struck with the appearance of the little chapel gleaming through the veil of half-opened leaves; and the feeling which was then conveyed to my mind was expressed in the stanza referred to above. As in the case of Liberty and Humanity, my first intention was to write only one poem, but subsequently I broke it into two, making additions to each part so as to produce a consistent and appropriate whole.—I. F.]
In 1835, included in the Poems on Yarrow Revisited, etc. In 1837, one of the "Poems of Sentiment and Reflection."—Ed.
[423] Doubtless the Rev. Mr. Carr, of Bolton Abbey, and his wife.—Ed.
[424] Compare Thoughts on the Seasons, written in 1829.—Ed.
Composed 1826-34.—Published 1835
One of the "Poems of Sentiment and Reflection."—Ed.
[425] Some of the stanzas of this poem were composed in Nov. 1830, on the way from Rydal to Cambridge. See Wordsworth's letter to W. R. Hamilton, Nov. 26, 1830.—Ed.
[426] Compare Lycidas, l. 142.—Ed.
Composed 1826.—Published 1827
Ballad of Sir Patrick Spence, Percy's Reliques.—W. W.
Afterwards, when I could not avoid seeing it, I wondered at this, and the more so because, like most children, I had been in the habit of watching the moon through all her changes, and had often continued to gaze at it when at the full till half blinded.—I. F.]
From 1827 to 1842, one of the "Epitaphs and Elegiac Poems." In 1845 transferred to the "Miscellaneous Poems."—Ed.
Composed 1826.—Published 1835[429]
[The walk is what we call the Far-terrace, beyond the summerhouse at Rydal Mount. The lines were written when we were afraid of being obliged to quit the place to which we were so much attached.—I.F.]
One of the "Inscriptions."—Ed.
[429] The title of these lines in the edition of 1835 was Inscription.—Ed.
[430] 1835.
[431] Referring to the Roman Way, fragments of which are to be seen on High Street. Ambleside was a Roman station. "At the upper corner of Windermere lieth the dead carcase of an ancient city, with great ruins of walls, and many heaps of rubbish, one from another, remaining of building without the walls, yet to be seen. The fortress thereof was somewhat long, fenced with a ditch and rampire, took up in length 132 ells, and breadth 80. That it had been the Romans' work is evident by the British bricks, by the mortar tempered with little pieces of brick among it, by small earthen pots or pitchers, by small cruets or phials of glass, by pieces of Roman money oftentimes found, and by round stones as big as millstones or quernstones, of which laid and couched together they framed in old times their columns, and by the paved ways leading to it. Now the ancient name is gone, unless a man would guess at it, and think it were that Amboglana, whereof the book of notices maketh mention, seeing at this day it is called Ambleside."—See Camden's Britannia, 645 (edition 1590).—Ed.
[432] 1835.
[433] 1835.
[434] 1835.
Composed 1826.—Published 1842
[These lines were designed as a farewell to Charles Lamb and his sister, who had retired from the throngs of London to comparative solitude in the village of Enfield—I.F.]
One of the "Poems founded on the Affections."—Ed.
[435] As Charles Lamb retired to Enfield in 1826, these lines cannot have been composed much later than that year, although they were not published till 1842. Lamb wrote thus to Wordsworth on the 6th of April 1825: "I came home FOR EVER on Tuesday in last week. The incomprehensibleness of my condition overwhelmed me. It was like passing from life into eternity. ... I wandered about, thinking I was happy, but feeling I was not. But that tumultuousness is passing off, and I begin to understand the nature of the gift. Holidays, even the annual month, were always uneasy joys: their conscious fugitiveness; the craving after making the most of them. Now, when all is holiday, there are no holidays. I can sit at home, in rain or shine, without a restless impulse for walkings. I am daily steadying, and shall soon find it as natural to me to be my own master, as it has been irksome to have had a master. Mary wakes every morning with an obscure feeling that some good has happened to us."—Ed.
[436] See Thomson's lines To the Reverend Patrick Murdoch, Rector of Stradishall, in Suffolk, 1738, l. 10.—Ed.
The poems composed in 1827 were for the most part sonnets. But several of those first published in 1827 evidently belong to an earlier year, the date of which it is impossible to discover.—Ed.
THE WORK OF E. M. S.[437]
Composed 1827.—Published 1827
One of the "Poems of the Fancy."—Ed.
[437] Edith May Southey.—Ed.
[438] Arachne, daughter of a dyer of Colophon, skilful with her needle, challenged Minerva to a trial of skill. Minerva defeated her, and committing suicide, she was changed by the goddess into a spider.—Ed.
[439] 1845.
[440] Pygmæi, the nation of Lilliputian dwarfs, fabled to dwell in India, or Ethiopia. (See Ovid, Metamorphoses, vi. 90; Aristotle, De Anima, viii. 12.)—Ed.
[441] According to mediæval belief, the Sylphs were elemental spirits of the air; the Gnomes the elemental spirits of the earth. "The Gnomes or Dæmons of Earth delight in mischief; but the Sylphs, whose habitation is in the Air, are the best-condition'd creatures imaginable."—(See Pope, Rape of the Lock, Preface.)—Ed.
[442] 1832.
[443] 1827.
Composed 1827.—Published 1827
[In the cottage, Town-end, Grasmere, one afternoon in 1801, my Sister read to me the Sonnets of Milton. I had long been well acquainted with them, but I was particularly struck on that occasion by the dignified simplicity and majestic harmony that runs through most of them,—in character so totally different from the Italian, and still more so from Shakespeare's fine Sonnets. I took fire, if I may be allowed to say so, and produced three Sonnets the same afternoon, the first I ever wrote except an irregular one at school. Of these three, the only one I distinctly remember is "I grieved for Buonaparté." One was never written down: the third, which was, I believe, preserved, I cannot particularise.—I. F.]
One of the "Miscellaneous Sonnets."—Ed.
[444] This dedicatory sonnet may possibly have been inscribed to his sister, whose reading of Milton's sonnets in 1801 first led him (as the Fenwick note tells us) to write sonnets.—Ed.
[445] See the note on the previous page.—Ed.
[446] 1837.
[447] 1837.
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[449] The reminiscence of a day spent on Grasmere Lake with Mrs. Wordsworth.
Compare Robert Browning's lines—
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[450] Castaly (Castalius fons), a fountain near Parnassus sacred to the Muses. See Virgil, Georgics, iii. 293.—Ed.
[451] 1837.
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[452] Sarah Hutchinson, Mrs. Wordsworth's sister.—Ed.
[453] 1837.
[454] Either Wansfell, or Loughrigg.—Ed.
[455] 1840.
[456] Lachesis, the second of the three Parcæ, who was supposed to spin out the actions of our life.
[457] 1837.
[458] Referring to the introduction of steam-looms, which displaced the hand-loom spinning of a previous generation.—Ed.
[459] Compare The Excursion, book viii. ll. 165-185.—Ed.
[460] 1837.
[461] 1837.
Composed 1827.—Published 1827
[Attendance at church on prayer-days, Wednesdays and Fridays and Holidays, received a shock at the Revolution. It is now, however, happily reviving. The ancient people described in this Sonnet were among the last of that pious class. May we hope that the practice, now in some degree renewed, will continue to spread.—I. F.]
One of the "Miscellaneous Sonnets."—Ed.
Composed 1827.—Published 1827
[Composed, almost extempore, in a short walk on the western side of Rydal Lake.—I. F.]
One of the "Miscellaneous Sonnets."—Ed.
[462] Shakespeare's sonnets are autobiographical: compare Nos. 24, 30, 39, 105, 116.—Ed.
[463] Petrarch's were all inspired by his devotion to Laura.—Ed.
[464] Tasso's works include two volumes of sonnets, first published in 1581 and 1592.—Ed.
[465] 1837.
[466] For his satire Disparates na India, Camöens was banished to Macao in 1556, where he wrote the Os Lusiadas, also many sonnets and lyric poems.—Ed.
[467] Compare the Vita Nuova, passim.—Ed.
[468] Spenser wrote ninety-two sonnets. From the eightieth sonnet it would seem that the writing of them was a relaxation, after the labour spent upon the Faërie Queene. It is to this sonnet that Wordsworth alludes.
[469] Milton's twenty-three sonnets were written partly in English, partly in Italian. Compare Wordsworth's sonnet, addressed to him in 1802, beginning:—
[470] Compare the sonnet beginning—
Composed 1827.—Published 1827
[Suggested by observation of the way in which a young friend, whom I do not choose to name, misspent his time and [Pg 165]misapplied his talents. He took afterwards a better course, and became a useful member of society, respected, I believe, wherever he has been known.—I. F.]
One of the "Miscellaneous Sonnets."—Ed.
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[471] See Cowper's Task, book ii. l. 285.—Ed.
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[472] Trinity College, Cambridge, was founded by King Henry VIII. in 1546, on the site of King's Hall, founded by Edward III. in 1337. Two of the gateways of the latter remain, as parts of the great court of Trinity. Over one of these—the King's or entrance gate way—the statue of Henry VIII. is erected. The portrait, described in the sonnet, is in the Hall of the College.—Ed.
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[473] The original title of this sonnet in MS. was Suggested by the same Incident (referring to the previous sonnet); and its original form, with one line awanting, was as follows:—
Philoctetes, one of the Argonauts, received from the dying Hercules his arrows. Called by Menelaus to go with the Greeks to the Trojan war, he was sent to the island of Lemnos, owing to a wound in his foot. There he remained for ten years, till the oracle informed the Greeks that Troy could not be taken without the arrows of Hercules. The sonnet refers to the legend of his life in Lemnos.—Ed.
[474] 1837.
[475] 1837.
[476] 1837.
[477] 1837.
[478] Compare the sonnet To Toussaint l'Ouverture (vol. ii. p. 339).—Ed.
Composed 1827.—Published 1827
[This is taken from the account given by Miss Jewsbu̇ry of the pleasure she derived, when long confined to her bed by [Pg 169]sickness, from the inanimate object on which this sonnet turns.—I.F.]
One of the "Miscellaneous Sonnets."—Ed.
[479] Anna Jewsbury, afterwards Mrs. William Fletcher. Compare Liberty, in this volume, stanza 1, and the note (p. 222).—Ed.
[480] 1837.
[481] 1832.
[482] 1837.
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[483] Compare To the Cuckoo—1802 (vol. ii. p. 290)—
Also Robert Browning's A Lovers' Quarrel, stanza 18—
[484] Compare (vol. ii. p. 289)—
Composed 1827.—Published 1827
[The infant was Mary Monkhouse,[485] the only daughter of my friend and cousin, Thomas Monkhouse.—I. F.]
One of the "Miscellaneous Sonnets."—Ed.
[485] Afterwards Mrs. Henry Dew of Whitney Rectory, Herefordshire.—Ed.
[486] 1837.
[487] 1837.
Composed 1827.—Published 1827
[Rotha, the daughter of my son-in-law, Mr. Quillinan.—I. F.]
[488] The river Rotha, which flows into Windermere from the lakes of Grasmere and Rydal.—Ed.
[489] 1827.
[490] Compare the poem on the Borrowdale Yew Trees.—Ed.
Composed 1827.—Published 1827
[Lady Fitzgerald, as described to me by Lady Beaumont.—I.F.]
One of the "Miscellaneous Sonnets."—Ed.
[491] 1832.
[492] 1832.
[493] Another version of this sonnet is given in a letter from Mrs. Wordsworth to Lady Beaumont:—
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
Composed 1827.—Published 1827
One of the "Poems dedicated to National Independence and Liberty."—Ed.
[494] 1837.
Published 1827
[These verses were written some time after we had become residents at Rydal Mount, and I will take occasion from them to observe upon the beauty of that situation, as being backed and flanked by lofty fells, which bring the heavenly bodies to touch, as it were, the earth upon the mountain-tops, while the [Pg 175]prospect in front lies open to a length of level valley, the extended lake, and a terminating ridge of low hills; so that it gives an opportunity to the inhabitants of the place of noticing the stars in both the positions here alluded to, namely, on the tops of the mountains, and as winter-lamps at a distance among the leafless trees.—I. F.]
These lines, first published in 1827, found a place in the edition of that year, amongst the "Poems of Sentiment and Reflection." In the edition of 1845 they appeared as a Preface to the entire volume of Poems.—Ed.
[495] 1837.
[496] 1837.
[497] 1837.
[498] 1837.
[499] The last three lines were added in 1837.—Ed.
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[500] The original title (in MS.) was "To a Redbreast." In the Woods of Rydal was added in 1836.—Ed.
[501] This Sonnet, as Poetry, explains itself, yet the scene of the incident having been a wild wood, it may be doubted, as a point of natural history, whether the bird was aware that his attentions were bestowed upon a human, or even a living creature. But a Redbreast will perch upon the foot of a gardener at work, and alight on the handle of the spade when his hand is half upon it,—this I have seen. And under my own roof I have witnessed affecting instances of the creature's friendly visits to the chambers of sick persons, as described in the verses to the Redbreast. One of these welcome intruders used frequently to roost upon a nail in the wall, from which a picture had hung, and was ready, as morning came, to pipe his song in the hearing of the Invalid, who had been long confined to her room. These attachments to a particular person, when marked and continued, used to be reckoned ominous; but the superstition is passing away.—W. W. 1827.
[502] Jemima Quillinan.—Ed.
[503] 1837.
[504] 1827.
[505] Compare The Ancient Mariner, Part vii., stanza 23.—Ed.
[506] 1837.
Composed 1827.—Published 1827
One of the "Miscellaneous Sonnets."—Ed.
[507] I have been unable to discover to whom this Conclusion was addressed. It may have been to his daughter.—Ed.
[508] This line alludes to Sonnets which will be found in another Class.—W. W. 1837.
He refers to the sonnets on Liberty, etc.—Ed.
The poems belonging to 1828 include A Morning Exercise, The Triad, two on The Wishing-Gate, The Gleaner, a sonnet, two short pieces suggested during the fortnight which Wordsworth spent on the Rhine with his daughter and S. T. Coleridge in that year, and the ode on The Power of Sound.—Ed.
Composed 1828.—Published 1832
[Written at Rydal Mount. I could wish the last five stanzas of this to be read with the poem addressed to the skylark.—I.F.]
One of the "Poems of the Fancy."—Ed.
[509] See Waterton's Wanderings in South America.—W. W. 1832.
Compare the reference to the "Melancholy Muccawiss" in The Excursion, book iii. l. 947 (vol. v. p. 140), and the note † in that page, with the appendix note C, p. 393.—Ed.
[510] Compare the two last lines of the poem To a Skylark, 1825—
[511] Compare in Shelley's Ode to the Skylark, stanza ii.—
[512] This stanza was included in the Morning Exercise, for the first time, in 1845. It had been previously the second stanza of the poem To a Skylark, composed in 1825, and first published in 1827.—Ed.
[513] 1836.
[514] 1836.
[515] The muse who presided over astronomy.—Ed.
[516] Compare, in Addison's hymn in The Spectator, No. 465 (August 23), stanza iii. l. 7—
Composed 1828.—Published 1829 (in The Keepsake)
[Written at Rydal Mount. The girls, Edith Southey, my daughter Dora, and Sara Coleridge.—I. F.]
One of the "Poems of the Imagination."—Ed.
The Triad was first published in The Keepsake, in 1829, and next in the 1832 edition of the Poems. See the criticism passed upon it by one of the three described, viz., Sara Coleridge, in her Memoirs, vol. ii. pp. 409-10. Of this poem Mr. Aubrey de Vere writes, "perhaps the most accomplished of Wordsworth's works, and the most unlike his earlier manner."—Ed.
[517] This poem is called The Promise, in a letter written upon its publication in The Keepsake.—Ed.
[518] The Phrygian Ida was a many-branched range of mountains; two subordinate ranges, parting from the principal summit, enclosed Troy as with a crescent. The Cretan Ida terminated in three snowy peaks. There may be a reference to Skiddaw's triple summit in the "British hill."—Ed.
[519] The Charites—Aglaia, Thalia, and Euphrosyne—were usually represented with hands joined, as a token of graciousness and friendship.—Ed.
[520] 1836.
[521] 1836.
[522] 1836.
[523] Edith Southey.—Ed.
[524] 1845.
[525] The peacock.—Ed.
[526] 1845.
[527] Robin Hood.—Ed.
[528] The following version of ll. 80-101, is given in a MS. letter:—
[529] Dora Wordsworth.—Ed.
[530] 1836.
[531] 1836.
[532] 1836.
[533] Compare L'Allegro, ll. 11-13—
[534] 1832.
[535] The wild anemone.—Ed.
[536] 1836.
[537] 1836.
[538] According to Sara Coleridge this was an allusion to a likeness supposed to have been found in the poet's daughter's countenance to the Memnon Head in the British Museum. See Sara Coleridge's Memoirs, vol. ii. p. 410.—Ed.
[539] 1840.
[540] 1845.
[541] 1832.
[542] 1829.
[543] 1832.
[544] Sara Coleridge.—Ed.
[545] Compare in The Wishing-Gate Destroyed, stanza 4—
Composed 1828.—Published 1829
[Written at Rydal Mount. See also Wishing-gate Destroyed.—I. F.]
In the vale of Grasmere, by the side of the old high-way [Pg 190]leading to Ambleside, is a gate, which, time out of mind, has been called the Wishing-gate, from a belief that wishes formed or indulged there have a favourable issue.—W. W. 1828.[546]
One of the "Poems of the Imagination."—Ed.
The Wishing-gate was first published in The Keepsake in 1829, and next in the 1832 edition of the Poems.—Ed.
[546] Having been told, upon what I thought good authority, that this gate had been destroyed, and the opening where it hung walled up, I gave vent immediately to my feelings in these stanzas. But going to the place some time after, I found, with much delight, my old favourite unmolested.—W. W. 1832.
"The same triumphant power attributed to the Wishing-gate is fancifully attributed to an image of St. Bridget in the ruined Franciscan convent at Adare." (Mr. Aubrey de Vere.)
[547] 1832.
[548] 1836.
[549] Grasmere Church.—Ed.
Composed 1828.—Published 1842
One of the "Poems of the Imagination."—Ed.
A gate—though not the "moss-grown bar" of 1828—still stands at the old place, where Wordsworth tells us one had stood "time out of mind;" so that a "blank wall" does not now shut out the "bright landscape," at the old, and classic, spot. Long may this gate stand, defying wind and weather!—Ed.
(IN A SMALL VALLEY OPPOSITE ST. GOAR, UPON THE RHINE)
Composed 1828.—Published 1835
[Coleridge, my daughter, and I, in 1828, passed a fortnight upon the banks of the Rhine, principally under the hospitable roof of Mr. Aders of Gotesburg, but two days of the time we spent at St. Goar in rambles among the neighbouring valleys. It was at St. Goar that I saw the Jewish family here described. Though exceedingly poor, and in rags, they were not less beautiful than I have endeavoured to make them appear. We had taken a little dinner with us in a basket, and invited them to partake of it, which the mother refused to do, both for herself and children, saying it was with them a fast-day; adding, diffidently, that whether such observances were right or wrong, she felt it her duty to keep them strictly. The Jews, who are numerous on this part of the Rhine, greatly surpass the German peasantry in the beauty of their features and in the intelligence of their countenances. But the lower classes of the German peasantry have, here at least, the air of people grievously opprest. Nursing mothers, at the age of seven or eight-and-twenty, often look haggard and far more decayed and withered than women of Cumberland and Westmoreland twice their age. This comes from being under-fed and over-worked in their vineyards in a hot and glaring sun.—I. F.]
One of the "Poems of the Imagination."—Ed.
The title given to this poem by Dorothy Wordsworth, in the letter to Lady Beaumont in which the different MS. readings occur, is "A Jewish Family, met with in a Dingle near the Rhine." During the Continental Tour of 1820,—in which Wordsworth was accompanied by his wife and sister and other friends,—they went up the Rhine (see the notes to the poems recording that Tour). An extract from Mrs. Wordsworth's Journal, referring to the road from St. Goar to Bingen, may illustrate this poem, written in 1828. "From St. Goar to Bingen, castles commanding innumerable small fortified villages. Nothing could exceed the delightful variety, and at first the postilions whisked us too fast through these scenes; and afterwards, the same variety so often repeated, we became quite exhausted, at least D. and I were; and, beautiful as the road continued to be, we could scarcely keep our eyes open; but, on [Pg 198]my being roused from one of these slumbers, no eye wide-awake ever beheld such celestial pictures as gleamed before mine, like visions belonging to dreams. The castles seemed now almost stationary, a continued succession always in sight, rarely without two or three before us at once. There they rose from the craggy cliffs, out of the centre of the stately river, from a green island, or a craggy rock, etc., etc."
In Dorothy Wordsworth's record of the same Tour, the following occurs:—"July 24.—We looked down into one of the vales tributary to the Rhine, which, in memory of the mountain recesses of Ullswater, I named Deep-dale, a green quiet place, spotted with villages and single houses, and enlivened by a sinuous brook." ... "A lovely dell runs behind one of these hills. At its opening, where it pours out its stream into the Rhine, we espied a one-arched Borrowdale bridge; and, behind the bridge, a village almost buried between the abruptly rising steeps."—Ed.
[554] Compare The Russian Fugitive, ll. 1-4.—Ed.
[555] 1835.
MS. by Dorothy Wordsworth.
Composed 1828.—Published 1835
[This occurred at Brugès in 1828. Mr. Coleridge, my daughter, and I made a tour together in Flanders, upon the Rhine, and returned by Holland. Dora and I, while taking a walk along a retired part of the town, heard the voice as here described, and were afterwards informed it was a convent in which were many English. We were both much touched, I might say affected, and Dora moved as appears in the verses.—I. F.]
One of the "Memorials of a Tour on the Continent."—Ed.
In the final arrangement of the poems, this one was published amongst the Memorials of a Tour on the Continent (1820), where it followed the two sonnets on Brugès. The poems suggested by the shorter Tour of 1828 are here published together, in their chronological order.
In an undated letter of Dorothy Wordsworth's to Lady Beaumont, before copying out this poem and A Jewish Family, she says, "The two following poems were taken from incidents recorded in Dora's journal of her tour with her father and S. T. Coleridge. As I well recollect, she has related the incidents very pleasingly, and I hope you will agree with me in thinking that the poet has made good use of them."—Ed.
[558] 1835.
MS. by Dorothy Wordsworth.
MS. by Mrs. Wordsworth.
[559] 1835.
MS. by Mrs. Wordsworth.
MS. by Dorothy Wordsworth.
[561] Compare the Sonnet—
Composed 1828.[565]—Published 1829 (in The Keepsake)
["Miserrimus." Many conjectures have been formed as to the person who lies under this stone. Nothing appears to be known for a certainty. Query—The Rev. Mr. Morris, a non-conformist, a sufferer for conscience-sake; a worthy man who, having been deprived of his benefice after the accession of William III., lived to an old age in extreme destitution, on the alms of charitable Jacobites.—I.F.]
One of the "Miscellaneous Sonnets."—Ed.
[565] This, and the following sonnet on the tradition of Oker Hill, first published in The Keepsake of 1829, appeared in the 1832 edition of the Poetical Works.—Ed.
[566] The stone is in the cloisters of Worcester Cathedral, at the north-west corner of the quadrangle, just below the doorway leading into the nave of the cathedral. It is a small stone, two feet, by one and a half. The Reverend Thomas Maurice (or Morris)—a minor canon of Worcester, and vicar of Clains—refused to take the oath of allegiance at the Revolution Settlement, and was accordingly deprived of his benefice. He lived to the age of 88, on the generosity of the richer non-jurors, and died 1748. (See Murray's Guide to Warwickshire, and Richard King's Handbook to the Cathedral of Worcester.)—Ed.
(SUGGESTED BY A PICTURE)
Composed 1828.—Published 1829
[This poem was first printed in the annual called The Keepsake. The painter's name I am not sure of, but I think it was Holmes.[567]—I.F.]
In 1832 one of the "Poems of Sentiment and Reflection." Transferred in 1845 to "Miscellaneous Poems."—Ed.
The year of the publication of this poem in The Keepsake was 1829. It then appeared under the title of The Country Girl, and it was afterwards included in the 1832 edition of the poems.—Ed.
[567] The painter was J. Holmes, and his picture was engraved by C. Heath.—Ed.
[568] 1837.
[569] 1837.
[570] 1832.
Composed December 1828.—Published 1835
[Written at Rydal Mount. I have often regretted that my tour in Ireland, chiefly performed in the short days of October in a carriage-and-four (I was with Mr. Marshall), supplied my memory with so few images that were new, and with so little motive to write. The lines however in this poem, "Thou too be heard, lone eagle!" were suggested near the Giants' Causeway, [Pg 204]or rather at the promontory of Fairhead, where a pair of eagles wheeled above our heads and darted off as if to hide themselves in a blaze of sky made by the setting sun.—I.F.]
One of the "Poems of the Imagination."-Ed.
ARGUMENT
The Ear addressed, as occupied by a spiritual functionary, in communion with sounds, individual, or combined in studied harmony.—Sources and effects of those sounds (to the close of 6th Stanza).—The power of music, whence proceeding, exemplified in the idiot.—Origin of music, and its effect in early ages—how produced (to the middle of 10th Stanza).—The mind recalled to sounds acting casually and severally.—Wish uttered (11th Stanza) that these could be united into a scheme or system for moral interests and intellectual contemplation.—(Stanza 12th.) The Pythagorean theory of numbers and music, with their supposed power over the motions of the universe—imaginations consonant with such a theory.—Wish expressed (in 11th Stanza) realised, in some degree, by the representation of all sounds under the form of thanksgiving to the Creator.—(Last Stanza) the destruction of earth and the planetary system—the survival of audible harmony, and its support in the Divine Nature, as revealed in Holy Writ.
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
[571] 1836.
Stanzas on ... 1835.
[572] Compare Gray's Elegy, l. 39.—Ed.
[573] Compare L'Allegro, II. 135-37—
Ed.
[574] The deception of the senses.—Ed.
[575] Orpheus, is search of his lost Eurydice, gained admittance with his lyre to the infernal regions. Pluto was charmed with his music, the wheel of Ixion stopped, the stone of Sisyphus stood still, Tantalus forgot his thirst, and the Furies relented, while Pluto and Proserpine consented to restore Eurydice. The sequel is well known.—Ed.
[576] The fable of Amphion moving stones and raising the walls of Thebes by his melody is explained by supposing him gifted with an eloquence and power of persuasion that roused the savage people to rise and build the town of Thebes.—Ed.
[577] The story of Arion, lyric poet and musician of Lesbos, was that having gone into Italy, settled there, and grown rich, he wished to revisit his native country, taking some of his fortune with him. The sailors of the ship determined to murder him, and steal his treasure. He asked, as a last favour, that he might play a tune on his lyre. As soon as he began he attracted the creatures of the deep, and leaping into the sea, one of the dolphins carried him, lyre in hand, to the shore.—Ed.
[578] Compare A Midsummer Night's Dream, act II. scene i. l. 150.—Ed.
[579] Mænalus, a mountain in Arcadia, sacred to Pan, covered with pine trees, a favourite haunt of shepherds.—See Virgil, Eclogues, viii. 24; Georgics, i. 17; Ovid, Metamorphoses, i. 216.—Ed.
[580] Compare Gray's Progress of Poesy, ll. 33-35.—Ed.
[581] In his expedition to the East, Bacchus was clothed in a panther's skin. He was accompanied by all the Satyrs, and by Silenus crowned with flowers and almost always intoxicated.—Ed.
[582] I have been unable to trace this quotation.—Ed.
[583] The nightingale.—Ed.
[584] Compare To the Cuckoo, vol. ii. p. 289—
[585] 1836.
[586] 1836
[587] 1835.
MS. copy by Dorothy Wordsworth.
[588] The fundamental idea, both in the intellectual and moral philosophy of the Pythagoreans, was that of harmony or proportion. Their natural science or cosmology was dominated by the same idea, that as the world and all spheres within the universe were constructed symmetrically, and moved around a central focus, the forms and the proportions of things were best expressed by number. All good was due to the principle of order; all evil to disorder. In accordance with the mathematical conception of the universe which ruled the Pythagoreans, justice was equality ([Greek: isotês]ισότης), that is to say it consisted in each one receiving equally according to his deserts. Friendship too was equality of feeling and relationship; harmony being the radical idea, alike in the ethics and in the cosmology of the school.—Ed.
[589] Compare Keats, in a letter to his friend Bailey, in 1817: "The great elements we know of are no mean comforters; the open sky sits upon our senses like a sapphire crown; the air is our robe of state; the earth is our throne; and the sea a mighty minstrel playing before it."—Ed.
[590] Compare The Excursion, book iv. l. 1163 (vol. v. p. 188)—
[591] See the Fenwick note prefixed to this poem.—Ed.
[592] Genesis i.—Ed.
[593] "And God said, Let there be light, and there was light" (Genesis i. 3).
Ed.
[594] 1 Corinthians xv. 52.—Ed.
[595] Compare Ode, Intimations of Immortality, in stanza ix.—
[596] St. Luke xxi. 33.—Ed.
The Poems of 1829 were few; and were, for the most part, suggested by incidents or occurrences at Rydal Mount.—Ed.
Composed 1829.—Published 1835
[They were a present from Miss Jewsbury, of whom mention is made in the note at the end of the next poem. The fish were healthy to all appearance in their confinement for a long time, but at last, for some cause we could not make out, they languished, and, one of them being all but dead, they were taken to the pool under the old pollard-oak. The apparently dying one lay on its side unable to move. I used to watch it, and about the tenth day it began to right itself, and in a few days more was able to swim about with its companions. For many months they continued to prosper in their new place of abode; but one night by an unusually great flood they were swept out of the pool, and perished to our great regret.—I. F.]
One of the "Miscellaneous Poems."—Ed.
[597] Compare Cymbeline, act II. scene iii. l. 21.—Ed.
[599] 1837.
[ADDRESSED TO A FRIEND; THE GOLD AND SILVER FISHES HAVING BEEN REMOVED TO A POOL IN THE PLEASURE-GROUND OF RYDAL MOUNT.]
Composed 1829.—Published 1835
"The liberty of a people consists in being governed by laws which they have made for themselves, under whatever form it be of government. The liberty of a private man, in [Pg 217]being master of his own time and actions, as far as may consist with the laws of God and of his country. Of this latter we are here to discourse."—Cowley.
One of the "Miscellaneous Poems."—Ed.
[603] This "elfin pool," to which the gold and silver fishes were removed, still exists beneath the pollard oak tree in "Dora's Field," at Rydal Mount. The field is now the property of Mr. Gordon Wordsworth.—Ed.
[604] 1845.
[605] 1845.
[606] 1845.
[607] See the reference to the Eagle in The Power of Sound (p. 212), and in the "Poems composed or suggested during a Tour in the Summer of 1833," The Dunolly Eagle.—Ed.
[608] See, in "The Canterbury Tales," The Squire's Tale, ll. 598-611.—Ed.
[609] 1837.
[610] These last five lines are amongst the best instances of Wordsworth's appreciation of one of his great predecessors. Compare the second of the two poems September 1819.—Ed.
[611] "The Sabine farm was situated in the valley of Ustica, thirty miles from Rome and twelve miles from Tivoli. It possessed the attraction, no small one to Horace, of being very secluded: yet, at the same time, within an easy distance of Rome. When his spirits wanted the stimulus of society or the bustle of the capital, which they often did, his ambling mule would speedily convey him thither; and when jaded, on the other hand, by the noise and racket and dissipations of Rome, he could, in the same homely way, bury himself in a few hours among the hills, and there, under the shadow of his favourite Lucretilis, or by the banks of the clear-flowing and ice-cold Digentia, either stretch himself to dream upon the grass, lulled by the murmurs of the stream, or do a little farming in the way of clearing his fields of stones, or turning over a furrow here and there with the hoe." (See Sir Theodore Martin's Horace, p. 68.)—Ed.
[612] See Horace, Odes, II. 18—
[613] See Odes, III. 13.—Ed.
[614] Abraham Cowley (born 1618), educated at Westminster and Trinity College, Cambridge, a Royalist, and therefore expelled from Cambridge, settled in St. John's College, Oxford, crossed over with the Queen Mother to France for twelve years, returned at the Restoration, but was neglected at Court, and retired to a farm at Chertsey, on the Thames, where he lived for some years, "the melancholy Cowley."—Ed.
[615] 1837.
[616] There is now, alas! no possibility of the anticipation, with which the above Epistle concludes, being realised: nor were the verses ever seen by the Individual for whom they were intended. She accompanied her husband, the Rev. Wm. Fletcher, to India, and died of cholera, at the age of thirty-two or thirty-three years, on her way from Shalapore to Bombay, deeply lamented by all who knew her.
Her enthusiasm was ardent, her piety steadfast; and her great talents would have enabled her to be eminently useful in the difficult path of life to which she had been called. The opinion she entertained of her own performances, given to the world under her maiden name, Jewsbury, was modest and humble, and, indeed, far below their merits; as is often the case with those who are making trial of their powers, with a hope to discover what they are best fitted for. In one quality, viz., quickness in the motions of her mind, she had,[617] within the range of the Author's acquaintance, no equal.—W. W. 1835.
[617] 1837.
Composed 1829.—Published 1835
The Rocking-stones, alluded to in the beginning of the following verses, are supposed to have been used, by our British ancestors, both for judicial and religious purposes. Such stones are not uncommonly found, at this day, both in Great Britain and in Ireland.—W. W. 1835.
[These verses and those entitled "Liberty" were composed as one piece, which Mrs. Wordsworth complained of as unwieldy and ill-proportioned; and accordingly it was divided into two, on her judicious recommendation.—I. F.]
One of the "Poems of Sentiment and Reflection."—Ed.
[618] 1837.
[619] There are several, so-called, "rocking-stones" in Yorkshire and Lancashire, in Derbyshire, in Cornwall, and in Wales. There are one or two in Scotland, and there used to be several in the Lake District. Some are natural; others artificial.—Ed.
[620] 1837.
[621] The author is indebted, here, to a passage in one of Mr. Digby's valuable works.—W. W. 1835.
See his Of Bodies, and of man's Soul.—Ed.
[622] Genesis xxviii. 12.—Ed.
[623] 1845.
[624] 1837.
[625] 1840.
[626] 1837.
[627] 1840.
[628] 1837.
[629] Compare Richard Lovelace, To Althea, from Prison—
[630] 1837.
[631] Compare Cowper's Task, book ii. l. 40.—Ed.
[632] 1837.
[634] Compare The Prelude, book xiii. ll. 77, 78—
[636] 1837.
[637] Compare the closing lines of the Ode, Intimations of Immortality—
Composed 1829.—Published 1835
[This Lawn is the sloping one approaching the kitchen-garden, and was made out of it. Hundreds of times have I watched the dancing of shadows amid a press of sunshine, and other beautiful appearances of light and shade, flowers and shrubs. What a contrast between this and the cabbages and onions and carrots that used to grow there on a piece of ugly-shaped unsightly ground! No reflection, however, either upon cabbages or onions; the latter we know were worshipped by the Egyptians, and he must have a poor eye for beauty who has not observed how much of it there is in the form and colour which cabbages and plants of that genus exhibit through the various stages of their growth and decay. A richer display of colour in vegetable nature can scarcely be conceived than Coleridge, my sister, and I saw in a bed of potato-plants in blossom near a hut upon the moor between Inversneyd and Loch Katrine.[638] These blossoms were of such extraordinary beauty and richness that no one could have passed them without [Pg 228]notice. But the sense must be cultivated through the mind before we can perceive these inexhaustible treasures of Nature, for such they really are, without the least necessary reference to the utility of her productions, or even to the laws whereupon, as we learn by research, they are dependent. Some are of opinion that the habit of analysing, decomposing, and anatomising, is inevitably unfavourable to the perception of beauty. People are led into this mistake by overlooking the fact that such processes being to a certain extent within the reach of a limited intellect, we are apt to ascribe to them that insensibility of which they are in truth the effect and not the cause. Admiration and love, to which all knowledge truly vital must tend, are felt by men of real genius in proportion as their discoveries in natural Philosophy are enlarged; and the beauty in form of a plant or an animal is not made less but more apparent as a whole by more accurate insight into its constituent properties and powers. A Savant who is not also a poet in soul and a religionist in heart is a feeble and unhappy creature.—I. F.]
One of the "Poems of Sentiment and Reflection."—Ed.
[638] In 1803, Miss Wordsworth thus records it:—"We passed by one patch of potatoes that a florist might have been proud of; no carnation-bed ever looked more gay than this square plot of ground on the waste common. The flowers were in very large bunches, and of an extraordinary size, and of every conceivable shade of colouring from snow-white to deep purple. It was pleasing in that place, where perhaps was never yet a flower cultivated by man for his own pleasure, to see these blossoms grow more gladly than elsewhere, making a summer garden near the mountain dwellings." (Recollections of a Tour made in Scotland in 1803, p. 85).—Ed.
[639] Compare The Prelude, book iv. l. 378.—Ed.
Composed 1829.—Published 1835
[Written at Rydal Mount.—I. F.]
One of the "Poems of Sentiment and Reflection."—Ed.
Composed 1829.—Published 1829[643]
[This pleasing tradition was told me by the coachman at whose side I sate while he drove down the dale, he pointing to the trees on the hill as he related the story.—I.F.]
One of the "Miscellaneous Sonnets."—Ed.
[642] 1837.
A Tradition of Darley Dale, Derbyshire. 1832.
[643] In The Keepsake.—Ed.
[644] Mr. T. W. Shore (Southampton), writes to me: "The two trees referred to by the poet are still on the hill, and called the Shore Trees. The family of Shore is an ancient one in Derbyshire, extending back to the reign of Richard II. In the time of Charles I, several members of the family impoverished themselves in support of the Royalist cause.... The trees on Oker Hill are supposed to have been planted by those who remembered the family misfortunes, or who succeeded the family which took part in the 17th century struggle."—Ed.
(ON THE WAYSIDE BETWEEN PRESTON AND LIVERPOOL)
Composed 1829 (probably).—Published 1832
[This was also communicated to me by a coachman in the same way.[645] In the course of my many coach rambles and journeys, which, during the day-time always, and often in the night, were taken on the outside of the coach, I had good and frequent opportunities of learning the characteristics of this class of men. One remark I made that is worth recording; that whenever I had occasion especially to notice their well-ordered, respectful and kind behaviour to women, of whatever age, I found them, I may say almost always, to be married men.—I.F.]
This happened near Ormskirk. Thomas Scarisbrick was killed by a flash of lightning, whilst building a turf-stack in 1799. His son James completed the work, and kept it intact during his life-time. James was buried April 21st, 1824. Wordsworth was therefore wrong as to the "fifty winters."—Ed.
One of the "Miscellaneous Sonnets."—Ed.
[646] 1837.
The Poems written in 1830 include, The Armenian Lady's Love, The Russian Fugitive, The Egyptian Maid, the Elegiac Stanzas on Sir George Beaumont, and several minor pieces.—Ed.
Composed 1830.—Published 1835
The subject of the following poem is from the Orlandus of the author's friend, Kenelm Henry Digby: and the liberty is taken of inscribing it to him as an acknowledgment, however unworthy, of pleasure and instruction derived from his numerous and valuable writings, illustrative of the piety and chivalry of the olden time.—W. W.
[Written at Rydal Mount.—I. F.]
One of the "Poems founded on the Affections."—Ed.
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
XXII
XXIII
XXIV
XXV
XXVI
[647] See, in Percy's Reliques, that fine old ballad, "The Spanish Lady's Love;" from which Poem the form of stanza, as suitable to dialogue, is adopted.—W. W. 1835.
[648] A small town in Prussian-Saxony, the residence of the Counts of Stolberg-Stolberg.—Ed.
Composed 1830.—Published 1835
[Early in life this story had interested me, and I often thought it would make a pleasing subject for an opera or musical drama.—I. F.]
In 1837 this poem was placed among those grouped as "Yarrow revisited, etc." In 1845 it was transferred to the "Miscellaneous Poems."—Ed.
Part I
Part II
Part III
Part IV
[650] Peter Henry Bruce, having given in his entertaining Memoirs the substance of this Tale,[666] affirms that, besides the concurring reports of others, he had the story from the lady's own mouth.
The Lady Catherine, mentioned towards the close, is[667] the famous Catherine, then bearing that name as the acknowledged Wife of Peter the Great.—W. W. 1835.
The title of this poem in the MS. copy by Mrs. Wordsworth is—
INA, OR, THE LODGE IN THE FOREST, A Russian Tale.
Ed.
[651] Compare S. T. Coleridge's verses, To a Lady—
And Keats' lines beginning—
Also Wordsworth's Jewish Family, II. 25-28.—Ed.
[652] 1835.
[654] 1837.
[655] 1837.
[657] 1850.
[660] In the edition of 1835 the two preceding lines were placed within quotation marks, and the following added "From Golding's Translation of Ovid's Metamorphoses. See also his Dedicatory Epistle prefixed to the same work."-Ed.
[661] "Not a Russian house, Bruce tells us, was, at his time, without a picture of the Virgin." (MS. note to a copy of this poem, in Mrs. Wordsworth's handwriting.)—Ed.
[662] The Royal Palace at Moscow.—Ed.
[663] 1835.
MS.
[664] 1837.
[665] 1837.
[666] 1845.
[667] 1837.
Composed 1830.—Published 1835
For the names and persons in the following poem, see the "History of the renowned Prince Arthur and his Knights of the Round Table"; for the rest the Author is answerable; only it may be proper to add, that the Lotus, with the bust of the Goddess appearing to rise out of the full-blown flower, was suggested by the beautiful work of ancient art, once included among the Townley Marbles, and now in the British Museum.—W. W. 1835.
[In addition to the short notice prefixed to this poem, it may be worth while here to say, that it rose out of a few words casually used in conversation by my nephew, Henry Hutchinson. He was describing with great spirit the appearance and movement of a vessel which he seemed to admire more than any other he had ever seen, and said her name was the Water Lily. This plant has been my delight from my boyhood, as I have seen it floating on the lake; and that conversation put me upon constructing and composing the poem. Had I not heard those words, it would never have been written. The form of the stanza is new, and is nothing but a repetition of the first five lines as they were thrown off, and is not perhaps well suited to narrative, and certainly would not have been trusted to had I thought at the beginning that the poem would have gone to such a length.—I. F.]
In the editions of 1835 and 1837 this poem was assigned a place of its own. In 1845 it was placed among the "Memorials of a Tour in Italy, 1837."—Ed.
[668] 1837.
[669] 1837.
[670] 1837.
[671] Compare Paradise Lost, book i. l. 768.—Ed.
Composed 1830.—Published 1835
[Written at Rydal Mount. This dove was one of a pair that had been given to my daughter by our excellent friend, Miss Jewsbury,[673] who went to India with her husband, Mr. Fletcher, where she died of cholera. The dove survived its mate many years, and was killed, to our great sorrow, by a neighbour's cat that got in at the window and dragged it partly out of the cage. These verses were composed extempore, to the letter, in the Terrace Summer-house before spoken of. It was the habit of the bird to begin cooing and murmuring whenever it heard me making my verses.—I.F.]
One of the "Poems of the Fancy."—Ed.
[672] In a MS. letter to Sir George Beaumont I find the poem entitled "Twenty minutes Exercise on the Terrace last night, but Scene within doors."—Ed.
[674] Compare A Midsummer Night's Dream, act II. scene i. l. 164.—Ed.
Composed 1830.—Published 1835
[Written at Rydal Mount.—I. F.]
One of the "Poems of the Imagination."—Ed.
[675] Compare Robert Browning's Bishop Blougram's Apology, ll. 191-197—
Composed 1830.—Published 1835
[Engraven, during my absence in Italy, upon a brass plate inserted in the Stone.—I. F.]
This poem was classed among the "Inscriptions." In 1835 its title was Inscription intended for a Stone in the grounds of Rydal Mount. In 1845, and afterwards, the first line of the poem was its only title.—Ed.
The inscription is still preserved on the "brass plate inserted in the stone," within the grounds at Rydal Mount.—Ed.
IN THE GROUNDS OF COLEORTON HALL, THE SEAT OF THE LATE[676] SIR G.H. BEAUMONT, BART.
Composed 1830.—Published 1835
In these grounds stands the Parish Church, wherein is a mural monument bearing an inscription which,[677] in deference to [Pg 270]the earnest request of the deceased, is confined to name, dates, and these words:—"Enter not into judgment with thy servant, O Lord!"—W. W.
[These verses were in part composed on horseback during a storm, while I was on my way from Colcorton to Cambridge: they are alluded to elsewhere.[678]—I.F.]
One of the "Epitaphs and Elegiac Pieces."—Ed.
[676] Sir George Beaumont died on 7th February 1827.—Ed.
[677] 1837.
[678] See the Fenwick note to the next poem.—Ed.
[679] 1837.
[680] 1837.
[681] Sir George Beaumont used frequently to read Shakspeare aloud to his household and friends at Coleorton.—Ed.
[682] 1837.
[683] See, in Constable's "England's Helicon," Dametus' song to his Diaphenia, stanza 2—
Also in Fairfax's translation of Tasso's Godfrey of Bullogne; or the Recovery of Jerusalem, book ii. stanza 18—
[684] This "votive Tablet" may still be seen, with its "green ivy," "fringing the lettered stone." Compare the Sonnet To the Author's Portrait, p. 318.—Ed.
[685] 1827.
Composed 1830.—Published 1835.
[I have reason to remember the day that gave rise to this Sonnet, the 6th of November, 1830. Having undertaken, a great feat for me, to ride my daughter's pony from Westmoreland to Cambridge, that she might have the use of it while on a visit to her uncle at Trinity Lodge, on my way from Bakewell to Matlock I turned aside to Chatsworth, and had scarcely gratified my curiosity by the sight of that celebrated place before there came on a severe storm of wind and rain which continued till I reached Derby, both man and pony in a pitiable plight. For myself, I went to bed at noon-day. In the course of that journey I had to encounter a storm worse if possible, in which the pony could (or would) only make his way slantwise.
I mention this merely to add that notwithstanding this battering I composed, on horseback, the lines to the memory of Sir George Beaumont, suggested during my recent visit to Coleorton.—I.F.]
One of the "Miscellaneous Sonnets."—Ed.
The Poems of 1831 included The Primrose of the Rock, a few Sonnets, and Yarrow Revisited, and other Poems, composed during a tour in Scotland, and on the English Border, in the Autumn of 1831.—Ed.
Composed 1831.—Published 1835
[Written at Rydal Mount. The Rock stands on the right hand a little way leading up the middle road from Rydal to Grasmere. We have been in the habit of calling it the glow-worm rock from the number of glow-worms we have often seen hanging on it as described. The tuft of primrose has, I fear, been washed away by the heavy rains.—I.F.]
One of the "Poems of the Imagination."—Ed.
[686] 1835.
[687] In Dorothy Wordsworth's Grasmere Journal the following occurs:—April 24, 1802.—"We walked in the evening to Rydal. Coleridge and I lingered behind. We all stood to look at Glow-worm Rock—a primrose that grew there, and just looked out on the road from its own sheltered bower."
The Primrose had disappeared when the Fenwick note was dictated, and Glow-worms have now almost deserted the district; but the Rock is unmistakable, and it is one of the most interesting spots connected with Wordsworth in the Lake District.—Ed.
[688] 1836.
Composed 1831.—Published 1832
[This Sonnet, though said to be written on seeing the Portrait of Napoleon, was, in fact, composed some time after, extempore, in the wood at Rydal Mount.—I.F.]
[689] Haydon, as he tells us in his Autobiography, received a commission from Sir Robert Peel, in December 1830, "to paint Napoleon musing, the size of life." He finished it in June 1831, and thus described it himself:—
"Napoleon was peculiarly alive to poetical association as produced by scenery or sound; village bells with their echoing ding, dong, dang, now bursting full on the ear, now dying in the wind, affected him as they affect everybody alive to natural impressions, and on the eve of all his great battles you find him stealing away in the dead of the night, between the two hosts, and indulging in every species of poetical reverie. It was impossible to think of such a genius in captivity, without mysterious associations of the sky, the sea, the rock, and the solitude with which he was enveloped. I never imagined him but as if musing at dawn, or melancholy at sunset, listening at midnight to the beating and roaring of the Atlantic, or meditating as the stars gazed and the moon shone on him; in short Napoleon never appeared to me but at those seasons of silence and twilight, when nature seems to sympathise with the fallen, and when if there be moments in this turbulent earth fit for celestial intercourse, one must imagine these would be the times immortal spirits might select to descend within the sphere of mortality, to soothe and comfort, to inspire and support the afflicted.
"Under such impressions the present picture was produced.... I imagined him standing on the brow of an impending cliff, and musing on his past fortunes, ... sea-birds screaming at his feet, ... the sun just down, ... the sails of his guard-ship glittering on the horizon, and the Atlantic, calm, silent, awfully deep, and endlessly extensive."—Life of Benjamin Robert Haydon, vol. ii. pp. 301, 302.
This picture, one of the noblest which Haydon painted, is still at Drayton Manor.—Ed.
COMPOSED (TWO EXCEPTED) DURING A TOUR IN SCOTLAND, AND ON THE ENGLISH BORDER, IN THE AUTUMN OF 1831.
Composed 1831.—Published 1835
[In the autumn of 1831, my daughter and I set off from Rydal to visit Sir Walter Scott before his departure for Italy. This journey had been delayed by an inflammation in my eyes till we found that the time appointed for his leaving home would be too near for him to receive us without considerable inconvenience. Nevertheless we proceeded and reached Abbotsford on Monday. I was then scarcely able to lift up my eyes to the light. How sadly changed did I find him from the man I had seen so healthy, gay, and hopeful, a few years before, when he said at the inn at Paterdale, in my presence, his daughter Anne also being there, with Mr. Lockhart, my own wife and daughter, and Mr. Quillinan,—"I mean to live till I am eighty, and I shall write as long as I live." But to return to Abbotsford: the inmates and guests we found there were Sir Walter, Major Scott, Anne Scott, and Mr. and Mrs. Lockhart, Mr. Liddell, his Lady and Brother, and Mr. Allan the painter, and Mr. Laidlaw, a very old friend of Sir Walter's. One of Burns's sons, an officer in the Indian service, had left the house a day or two before, and had kindly expressed his regret that he could not wait my arrival, a regret that I may truly say was mutual. In the evening, Mr. and Mrs. Liddell sang, and Mrs. Lockhart chanted old ballads to her harp; and Mr. Allan, hanging over the back of a chair, told and acted old stories in a humorous way. With this exhibition and his daughter's singing, Sir Walter was much amused, as indeed were we all as far as circumstances would allow. But what is[Pg 279] most worthy of mention is the admirable demeanour of Major Scott during the following evening when the Liddells were gone and only ourselves and Mr. Allan were present. He had much to suffer from the sight of his father's infirmities and from the great change that was about to take place at the residence he had built, and where he had long lived in so much prosperity and happiness. But what struck me most was the patient kindness with which he supported himself under the many fretful expressions that his sister Anne addressed to him or uttered in his hearing. She, poor thing, as mistress of that house, had been subject, after her mother's death, to a heavier load of care and responsibility and greater sacrifices of time than one of such a constitution of body and mind was able to bear. Of this, Dora and I were made so sensible, that, as soon as we had crossed the Tweed on our departure, we gave vent at the same moment to our apprehensions that her brain would fail and she would go out of her mind, or that she would sink under the trials she had passed and those which awaited her. On Tuesday morning Sir Walter Scott accompanied us and most of the party to Newark Castle on the Yarrow. When we alighted from the carriages he walked pretty stoutly, and had great pleasure in revisiting those his favourite haunts. Of that excursion the verses Yarrow Revisited are a memorial. Notwithstanding the romance that pervades Sir Walter's works and attaches to many of his habits, there is too much pressure of fact for these verses to harmonise as much as I could wish with other poems. On our return in the afternoon we had to cross the Tweed directly opposite Abbotsford. The wheels of our carriage grated upon the pebbles in the bed of the stream that there flows somewhat rapidly: a rich but sad light of rather a purple than a golden hue was spread over the Eildon Hills at that moment; and, thinking it probable that it might be the last time Sir Walter would cross the stream, I was not a little moved, and expressed some of my feelings in the Sonnet beginning—"A trouble, not of clouds, or weeping rain." At noon on Thursday we left Abbotsford, and in the morning of that day Sir Walter and I had a serious conversation tête-à-tête, when he spoke with gratitude of the happy life which upon the whole he had led. He had written in my daughter's Album, before he came into the breakfast-room that morning, a few stanzas addressed to her, and, while putting the book into her hand, in his own study, standing by his desk, he said to her in my presence—"I should not have done anything of this kin[Pg 280]d but for your father's sake: they are probably the last verses I shall ever write." They show how much his mind was impaired, not by the strain of thought but by the execution, some of the lines being imperfect, and one stanza wanting corresponding rhymes: one letter, the initial S, had been omitted in the spelling of his own name. In this interview also it was that, upon my expressing a hope of his health being benefited by the climate of the country to which he was going, and by the interest he would take in the classic remembrances of Italy, he made use of the quotation from Yarrow Unvisited as recorded by me in the Musings of Aquapendente six years afterwards. Mr. Lockhart has mentioned in his life of him what I heard from several quarters while abroad, both at Rome and elsewhere, that little seemed to interest him but what he could collect or hear of the fugitive Stuarts and their adherents who had followed them into exile. Both the Yarrow Revisited and the "Sonnet" were sent him before his departure from England. Some further particulars of the conversations which occurred during this visit I should have set down had they not been already accurately recorded by Mr. Lockhart. I first became acquainted with this great and amiable man—Sir Walter Scott—in the year 1803, when my sister and I, making a tour in Scotland, were hospitably received by him in Lasswade upon the banks of the Esk, where he was then living. We saw a good deal of him in the course of the following week; the particulars are given in my sister's Journal of that tour.—I.F.]
TO
SAMUEL ROGERS, Esq.
AS A TESTIMONY OF FRIENDSHIP, AND ACKNOWLEDGMENT OF INTELLECTUAL OBLIGATIONS, THESE MEMORIALS ARE AFFECTIONATELY INSCRIBED.
Rydal Mount, Dec. 11, 1834.
[The following Stanzas are a memorial of a day passed with Sir Walter Scott, and other Friends visiting the Banks of the Yarrow under his guidance, immediately befo[Pg 281]re his departure from Abbotsford, for Naples.
The title Yarrow Revisited will stand in no need of explanation, for Readers acquainted with the Author's previous poems, suggested by that celebrated Stream.—I.F.]
[690] Wordsworth arrived at Abbotsford with his daughter to say farewell to Scott on the 21st September 1831. "On the 22nd," says Mr. Lockhart, "these two great poets, who had through life loved each other well, and in spite of very different theories as to art, appreciated each other's genius more justly than infirm spirits ever did either of them, spent the morning together in a visit to Newark. Hence the last of the three poems by which Wordsworth has connected his name to all time with the most romantic of Scottish streams."—Memoirs of the Life of Sir Walter Scott, vol. x. ch. lxxx. p. 104.
Compare the note to Musings near Aquapendente, in the Poems of the Italian Tour of 1837.—Ed.
[691] Compare Tennyson's Brook, and Burns's Epistle to William Simpson, Ochiltree, stanza 15.—Ed.
[692] 1837.
[693] 1837.
With the closing lines of this sonnet addressed to the "winds of ocean," and Sir Walter's departure for Naples, compare Horace's ode to the Ship carrying Virgil to Athens (Odes, I. 3).
On the 19th October 1833, Henry Crabb Robinson wrote thus to his friend Masquerier—"It is, I think, the most perfect sonnet in the language. Every word is a gem, from the 'pathetic light' in the second to the 'soft Parthenope' in the last line. It is composed with that deep feeling and perfection of style united that bespeak the master." (Diary, Reminiscences, etc., vol. iii. p. 32.)
The sonnet was sent to Alaric Watts for his Souvenir in 1832. Wordsworth wrote, "I enclose a sonnet for your next volume if you choose to insert it. It would have appeared with more advantage in this year's, but was not written in time. It is proper that I should mention it has been sent to Sir Walter Scott, and one or two of my other friends." (See Alaric Watts, a Narrative of his Life, vol. ii. p. 190.)—Ed.
[Similar places for burial are not unfrequent in Scotland. The one that suggested this sonnet lies on the banks of a[Pg 286] small stream called the Wauchope that flows into the Esk near Langholme. Mickle, who, as it appears from his poem on Sir Martin, was not without genuine poetic feelings, was born and passed his boyhood in this neighbourhood, under his father who was a minister of the Scotch Kirk. The Esk, both above and below Langholme, flows through a beautiful country, and the two streams of the Wauchope and the Ewes, which join it near that place, are such as a pastoral poet would delight in.—I.F.]
[The Manses in Scotland and the gardens and grounds about them have seldom that attractive appearance which is common about our English parsonages, even when the clergyman's income falls below the average of the Scotch minister's. This is not merely owing to the one country being poor in comparison with the other, but arises rather out of the equality of their benefices, so that no one has enough to spare for decorations that might serve as an example for others; [Pg 287]whereas, with us, the taste of the richer incumbent extends its influence more or less to the poorest. After all, in these observations the surface only of the matter is touched. I once heard a conversation in which the Roman Catholic Religion was decried on account of its abuses. "You cannot deny, however," said a lady of the party, repeating an expression used by Charles II., "that it is the religion of a gentleman." It may be left to the Scotch themselves to determine how far this observation applies to their Kirk, while it cannot be denied, if it is wanting in that characteristic quality, the aspect of common life, so far as concerns its beauty, must suffer. Sincere christian piety may be thought not to stand in need of refinement or studied ornament; but assuredly it is ever ready to adopt them, when they fall within its notice, as means allow; and this observation applies not only to manners, but to everything a christian (truly so in spirit) cultivates and gathers round him, however humble his social condition.—I.F.]
[694] 1845.
[We were detained by incessant rain and storm at the small inn near Roslin Chapel, and I passed a great part of the day [Pg 288]pacing to and fro in this beautiful structure, which, though not used for public service, is not allowed to go to ruin. Here, this sonnet was composed. If it has at all done justice to the feeling which the place and the storm raging without inspired, I was as a prisoner. A painter delineating the interior of the chapel and its minute features under such circumstances would have, no doubt, found his time agreeably shortened. But the movements of the mind must be more free while dealing with words than with lines and colours; such at least was then and has been on many other occasions my belief, and, as it is allotted to few to follow both arts with success, I am grateful to my own calling for this and a thousand other recommendations which are denied to that of the painter.—I. F.]
[695] "I cannot agree with you in admiring the cathedral of Melrose more than the chapel at Roslin. As far as it goes, as a whole, the chapel at Roslin appeared to me to be perfection, most beautiful in form, and of entire simplicity." (Dorothy Wordsworth to Mrs. Marshall, Sept. 1807.)—Ed.
[As recorded in my sister's Journal, I had first seen the Trosachs in her and Coleridge's company. The sentiment that[Pg 289] runs through this Sonnet was natural to the season in which I again saw this beautiful spot; but this and some other Sonnets that follow were coloured by the remembrance of my recent visit to Sir Walter Scott, and the melancholy errand on which he was going.—I. F.]
[696] Compare The Excursion, book iii. 11. 468-474.—Ed.
[697] 1837.
[698] A supposed reading of this line printed, but placed by Wordsworth amongst the errata of the edition of 1835, may be quoted, as it has given rise to some controversy. In that edition the phrase was "Thrice happy Guest." In a copy of the same edition of 1835, which Wordsworth presented to the Rev. T.C. Judkin, he crossed out the G and wrote in Q in pencil. It was a point on which the late Matthew Arnold was much interested; and although he retained, in his Selections, the reading finally sanctioned by the poet, he thought, as many others have done, that a good deal might be said in favour of the other reading.—Ed.
[699] 1837.
[702] This Sonnet ought to have followed No. vii. in the series of 1831, but was omitted by mistake.—W. W. 1835.
As the above note indicates Wordsworth's own wish as to where this sonnet should be placed, and approximately gives the date of composition, it is placed as No. VIII. in the sonnets of 1831. In later editions, Wordsworth placed it as the first in the series of "Sonnets dedicated to Liberty and Order." The original title was Sonnet, composed after reading a Newspaper of the Day.—Ed.
["That make the Patriot spirit." It was mortifying to have frequent occasions to observe the bitter hatred of the lower orders of the Highlanders to their superiors; love of country seemed to have passed into its opposite. Emigration was the only relief looked to with hope.[703]—I. F.]
[703] This Fenwick note is significant. These things repeat themselves, and are as true in 1896, as they were in 1831.—Ed.
COMPOSED AT DUNOLLIE CASTLE IN THE BAY OF OBAN
["The last I saw was on the wing," off the promontory of Fairhead, county of Antrim. I mention this because, though my tour in Ireland with Mr. Marshall and his son was made many years ago, this allusion to the eagle is the only image supplied by it to the poetry I have since written. We travelled through that country in October, and to the shortness of the days and the speed with which we travelled (in a carriage and four) may be ascribed this want of notices, in my verse, of a country so interesting. The deficiency I am somewhat ashamed of, and it is the more remarkable as contrasted with my Scotch and Continental tours, of which are to be found in these volumes so many memorials.—I. F.]
[704] 1835.
MS. copy sent to Sir William Rowan Hamilton.
[Touring late in the season in Scotland is an uncertain speculation. We were detained a week by rain at Bunaw on Loch Etive in a vain hope that the weather would clear up and allow me to show my daughter the beauties at Glencoe. Two days we were at the Isle of Mull, on a visit to Major Campbell; but it rained incessantly, and we were obliged to give up our intention of going to Staffa. The rain pursued us to Tyndrum, where the Twelfth Sonnet was composed in a storm.—I. F.]
[707] 1837.
[708] 1837.
[709] In Gaelic, Buachaill Etive.—W. W. 1835.
[712] This phrase is used by James Graham, in The Poor Man's Funeral; by Southey, in Joan of Arc (book viii.); by Ossian (frequently); and by Burns, in his Lament of Mary Queen of Scots (l. 53). Wordsworth probably refers to Burns.—Ed.
[713] Finlarig, near Killin, is the burial-place of the Breadalbane family. "The modern mausoleum occupies a solitary position in the vicinity of the old ruins."—Ed.
AT THE HEAD OF GLENCROE
[714] This sonnet describes the exterior of a Highland hut, as often seen under morning or evening sunshine. To the authoress of the Address to the Wind, and other poems, in these volumes, who was my fellow-traveller in this tour, I am indebted for the following extract from her journal, which[715] accurately describes, under particular circumstances, the beautiful appearance of the interior of one of these rude habitations.
"On our return from the Trosachs the evening began to darken, and it rained so heavily that we were completely wet before we had come two miles, and it was dark when we landed with our boatman, at his hut upon the banks of Loch Katrine. I was faint from cold: the good woman had provided, according to her promise, a better fire than we had found in the morning; and, indeed, when I sat down in the chimney-corner of her smoky biggin, I thought I had never felt more comfortable in my life: a pan of coffee was boiling for us, and, having put our clothes in the way of drying, we all sat down thankful for a shelter. We could not prevail upon our boatman, the master of the house, to draw near the fire, though he was cold and wet, or to suffer his wife to get him dry clothes till she had served us, which she did most willingly, though not very expeditiously.
"A Cumberland man of the same rank would not have had such a notion of what was fit and right in his own house, or, if he had, one would have accused him of servility; but in the Highlander it only seemed like politeness (however erroneous and painful to us), naturally growing out of the dependence of the inferiors of the clan upon their laird; he did not, however, refuse to let his wife bring out the whisky bottle for his refreshment, at our request. 'She keeps a dram,' as the phrase is: indeed, I believe there is scarcely a lonely house by the way-side, in Scotland, where travellers may not be accommodated with a dram. We asked for sugar, butter, barley-bread, and milk; and, with a smile and a stare more of kindness than wonder, she replied, 'Ye'll get that,' bringing each article separately. We caroused our cups of coffee, laughing like children at the strange atmosphere in which we were: the smoke came in gusts, and spread along the walls; and above our heads in the chimney (where the hens were roosting) it appeared like clouds[716] in the sky. We laughed and laughed again, in spite of the smarting of our eyes, yet had a quieter pleasure in observing the beauty of the beams and rafters gleaming between the clouds of smoke: they had been crusted over, and varnished by many winters, till, where the firelight fell upon them, they had become as glossy as black rocks, on a sunny day, cased in ice. When we had eaten our supper we sat about half an hour, and I think I never felt so deeply the blessing of a hospitable welcome and a warm fire. The man of the house repeated from time to time that we should often tell of this night when we got to our homes, and interposed praises of his own lake, which he had more than once, when we were returning in the boat, ventured to say was 'bonnier than Loch Lomond.' Our companion from the Trosachs, who, it appeared, was an Edinburgh drawing-master going, during the vacation, on a pedestrian tour to John o' Groat's house, was to sleep in the barn with my fellow-travellers, where the man said he had plenty of dry hay. I do not believe that the hay of the Highlands is ever very dry, but this year it had a better chance than usual: wet or dry, however, the next morning they said they had slept comfortably. When I went to bed, the mistress, desiring me to 'go ben,' attended me with a candle, and assured me that the bed was dry, though not 'sic as I had been used to.' It was of chaff; there were two others in the room, a cupboard and two chests, upon one of which stood milk in wooden vessels, covered over. The walls of the house were of stone unplastered: it consisted of three apartments, the cowhouse at one end, the kitchen or house in the middle, and the spence at the other end; the rooms were divided, not up to the rigging, but only to the beginning of the roof, so that there was a free passage for light and smoke from one end of the house to the other. I went to bed some time before the rest of the family; the door was shut between us, and they had a bright fire, which I could not see, but the light it sent up amongst[717] the varnished rafters and beams, which crossed each other in almost as intricate and fantastic a manner as I have seen the under-boughs of a large beech tree withered by the depth of shade above, produced the most beautiful effect that can be conceived. It was like what I should suppose an under-ground cave or temple to be, with a dripping or moist roof, and the moonlight entering in upon it by some means or other: and yet the colours were more like those of melted gems. I lay looking up till the light of the fire faded away, and the man and his wife and child had crept into their bed at the other end of the room: I did not sleep much, but passed a comfortable night; for my bed, though hard, was warm and clean: the unusualness of my situation prevented me from sleeping. I could hear the waves beat against the shore of the lake: a little rill close to the door made a much louder noise, and, when I sat up in my bed, I could see the lake through an open window-place at the bed's head. Add to this, it rained all night. I was less occupied by remembrance of the Trosachs, beautiful as they were, than the vision of the Highland hut, which I could not get out of my head; I thought of the Faery-land of Spenser, and what I had read in romance at other times; and then what a feast it would be for a London Pantomime-maker could he but transplant it to Drury-lane, with all its beautiful colours!"—MS. W. W. 1835.
[715] 1837.
... sunshine. The reader may not be displeased with the following extract from the journal of a Lady, my fellow-traveller in Scotland in the autumn of 1803, which ... 1835.
[716] 1837.
[717] 1845.
Upon a small island not far from the head of Loch Lomond, are some remains of an ancient building, which was for several years the abode of a solitary Individual, one of the last survivors of the clan of Macfarlane, once powerful in that neighbourhood. Passing along the shore opposite this island in the year 1814, the Author learned these particulars, and that this person then living there had acquired the appellation of "The Brownie." See The Brownie's Cell (vol. vi. p. 16), to which the following[718] is a sequel.—W. W.
[718] 1837.
COMPOSED AT LOCH LOMOND
(PASSED UNSEEN, ON ACCOUNT OF STORMY WEATHER)
[In my Sister's Journal is an account o[Pg 300]f Bothwell Castle as it appeared to us at that time.—I.F.]
[719] The following is from the same MS., and gives an account of the visit to Bothwell Castle here alluded to:—
"It was exceedingly delightful to enter thus unexpectedly upon such a beautiful region. The castle stands nobly, overlooking the Clyde. When we came up to it, I was hurt to see that flower-borders had taken place of the natural overgrowings of the ruin, the scattered stones and wild plants. It is a large and grand pile of red freestone, harmonising perfectly with the rocks of the river, from which, no doubt, it has been hewn. When I was a little accustomed to the unnaturalness of a modern garden, I could not help admiring the excessive beauty and luxuriance of some of the plants, particularly the purple-flowered clematis, and a broad-leafed creeping plant without flowers, which scrambled up the castle wall, along with the ivy, and spread its vine-like branches so lavishly that it seemed to be in its natural situation, and one could not help thinking that, though not self-planted among the ruins of this country, it must somewhere have its native abode in such places. If Bothwell Castle had not been close to the Douglas mansion, we should have been disgusted with the possessor's miserable conception of adorning such a venerable ruin; but it is so very near to the house, that of necessity the pleasure-grounds must have extended beyond it, and perhaps the neatness of a shaven lawn and the complete desolation natural to a ruin might have made an unpleasing contrast; and, besides being within the precincts of the pleasure-grounds, and so very near to the dwelling of a noble family, it has forfeited, in some degree, its independent majesty, and becomes a tributary to the mansion: its solitude being interrupted, it has no longer the command over the mind in sending it back into past times, or excluding the ordinary feelings which we bear about us in daily life. We had then only to regret that the castle and the house were so near to each other; and it was impossible not to regret it; for the ruin presides in state over the river, far from city or town, as if it might have a peculiar privilege to preserve its memorials of past ages, and maintain its own character for centuries to come. We sat upon a bench under the high trees, and had beautiful views of the different reaches of the river, above and below. On the opposite bank, which is finely wooded with elms and other trees, are the remains of a priory built upon a rock; and rock and ruin are so blended, that it is impossible to separate the one from the other. Nothing can be more beautiful than the little remnant of this holy place: elm trees (for we were near enough to distinguish them by their branches) grow out of the walls, and overshadow a small, but very elegant window. It can scarcely be conceived what a grace the castle and priory impart to each other; and the river Clyde flows on, smooth and unruffled below, seeming to my thoughts more in harmony with the sober and stately images of former times, than if it had roared over a rocky channel, forcing its sound upon the ear. It blended gently with the warbling of the smaller birds, and the chattering of the larger ones, that had made their nests in the ruins. In this fortress the chief of the English nobility were confined after the battle of Bannockburn. If a man is to be a prisoner, he scarcely could have a more pleasant place to solace his captivity; but I thought that, for close confinement, I should prefer the banks of a lake, or the seaside. The greatest charm of a brook or river is in the liberty to pursue it through its windings: you can then take it in whatever mood you like; silent or noisy, sportive or quiet. The beauties of a brook or river must be sought, and the pleasure is in going in search of them; those of a lake or of the sea come to you of themselves. These rude warriors cared little, perhaps, about either; and yet, if one may judge from the writings of Chaucer, and from the old romances, more interesting passions were connected with natural objects in the days of chivalry than now; though going in search of scenery, as it is called, had not then been thought of. I had previously heard nothing of Bothwell Castle, at least nothing that I remembered; therefore, perhaps, my pleasure was greater, compared with what I received elsewhere, than others might feel."—MS. Journal.—W. W. 1835.
[720] 1837.
Henry Crabb Robinson gives an account of this picture in his Diary, etc. (vol. ii. pp. 214, 215):—
"On September the 29th, from Lanark I visited the Duke of Hamilton's palace, and had unusual pleasure in the paintings to be seen there. I venture to copy my remarks on the famous Rubens' 'Daniel in the Lions' Den:'—'The variety of character in the lions is admirable. Here is indignation at the unintelligible power which restrains them; there reverence towards the being whom they dare not touch. One of them is consoled by the contemplation of the last skull he has been picking; one is anticipating his next meal; two are debating the subject together. But the Prophet, with a face resembling Curran's (foreshortened so as to lose its best expression), has all the muscles of his countenance strained from extreme terror. He is without joy or hope; and though his doom is postponed, he has no faith in the miracle which is to reward his integrity. It is a painting rather to astonish than delight.'"
In a footnote Robinson adds, "Daniel's head is thrown back, and he looks upwards with an earnest expression and clasped hands, as if vehemently supplicating. The picture formerly belonged to King Charles I. It was at that time entered as follows in the Catalogue of the Royal Pictures:—'A piece of Daniel in the Lions' Den with lions about him, given by the deceased Lord Dorchester to the king, being so big as the life. Done by Sir Peter Paul Rubens.' Dr. Waagen very justly observes that, upon the whole, the figure of Daniel is only an accessory employed by the great master to introduce, in the most perfect form, nine figures of lions and lionesses the size of life. Rubens, in a letter to Sir Dudley Carleton (who presented the picture to the king), dated April 28th, 1618, expressly states that it was wholly his own workmanship. The price was six hundred florins. Engraved in mezzotint by W. Ward, 1789."
This famous picture, after having been in the possession of [Pg 303]the Duke of Hamilton, was sold—in 1882—to Mr. Denison, Yorkshire. The following is from the catalogue of the Hamilton Palace sale:—
Rubens—Daniel in the Den of Lions.—The prophet is represented sitting naked in the middle of the den, his hands clasped, and his countenance directed upward with an expression of earnest prayer. Nine lions are prowling around him. Engraved by Blooteling, Van der Leuw, and Lamb, and in mezzotint by J. Ward. There is also an etching of it by Street, extremely rare. This is one of the few great pictures by Rubens which we know with certainty to have been entirely executed by his own hand. Rubens says this explicitly in an Italian letter to Sir Dudley Carleton, which Mr. Carpenter has printed in his Pictorial Notices, p. 140. This picture was presented by Sir Dudley Carleton to Charles I., and is inserted in the printed catalogue of his collection at page 87.
"No. 14. | |
Done by Sir Peter Paul Rubens. | Item.—A piece of Daniel in the lions' den, with lions about him. Given by the deceased Lord Dorchester to the king, so big as the life, in a black gilded frame." |
It was sold to Mr. Denison for £5145.—Ed.
[721] 1840.
[722] 1845.
[723] 1837.
(A FEEDER OF THE ANNAN)
["Yet is it one that other rivulets bear." There is the Shakespeare Avon, the Bristol Avon; the one that flows by Salisbury, and a small river in Wales, I believe, bear the name; Avon being in the ancient tongue the general name for river.—I. F.]
[The extensive forest of Inglewood has been enclosed within my memory. I was well acquainted with it in its ancient state. The Hart's-horn tree mentioned in the next Sonnet was one of its remarkable objects, as well as another tree that grew upon an eminence not far from Penrith: it was single and conspicuous; and being of a round shape, though it was universally known to be a Sycamore, it was always called the "Round Thorn," so difficult is it to chain fancy down to fact.—I.F.]
[724] 1845.
[725] This tree has perished, but its site is still well known. Compare the note to Roman Antiquities, p. 308.—Ed.
[726] "In the time of the first Robert de Clifford, in the year 1333 or 1334, Edward Baliol king of Scotland came into Westmoreland, and stayed some time with the said Robert at his castles of Appleby, Brougham, and Pendragon. And during that time they ran a stag by a single greyhound out of Whinfell Park, to Redkirk, in Scotland,[727] and back again to this place; where, being both spent, the stag leaped over the pales, but died on the other side; and the greyhound, attempting to leap, fell, and died on the contrary side. In memory of this fact the stag's horns were nailed upon a tree just by, and (the dog being named Hercules) this rhythm was made upon them:
The tree to this day bears the name of Hart's-horn Tree. The horns in process of time were almost grown over by the growth of the tree, and another pair was put up in their place."—Nicholson and Burn's History of Westmoreland and Cumberland.
The tree has now disappeared, but I well remember its[728] imposing appearance as it stood, in a decayed state, by the side of the high road leading from Penrith to Appleby. This whole neighbourhood abounds in interesting traditions and vestiges of antiquity, viz., Julian's Bower; Brougham and Penrith Castles; Penrith Beacon, and the curious remains in Penrith Churchyard; Arthur's Round Table,[729] and, close by, Maybrough; the excavation, called the Giant's Cave, on the banks of the Emont; Long Meg and her Daughters, near Eden, etc., etc.—W. W. 1835.
[727] "So say the Countess's Memoirs; but they probably mistake Redkirk for Ninekirks in this parish. A runnel, called Hart-horn Sike, in Whinfell Park, is mentioned in the partition of the Veteripont estate, between Isabella and Idonea."—Burn's History of Westmoreland and Cumberland.—Ed.
[728] 1845.
[729] 1845.
[730] 1835.
MS.
On the roadside between Penrith and Appleby, there stands a pillar with the following inscription:—
"This Pillar was erected, anno 1656, By ye Rt honoble Anne Countess Dowager of Pembrock etc., Daughter and sole heire of ye Rt honoble George Earl of Cumberland, etc., for a memorial of her last parting in this place with her good and pious mother, ye Rt honoble Margaret, Countess Dowagr of Cumberland ye 2d of April 1616. In memory whereof she also left an annuity of four pounds to be distributed to ye poor within this parish of Brougham every 2d day of April for ever, upon ye stone table here hard by. Laus Deo!"—W. W.
[Suggested by the recollection of Julian's Bower and other traditions connected with this ancient forest.—I.F.]
[734] The Countess' Pillar is an octagonal one, on the high road from Penrith, a couple of miles out of the town on the Appleby road, a quarter of a mile from Brougham Castle, and over eleven miles from Appleby. It is somewhat weather-worn, but is preserved with care. On the north side of the pillar are the Pembroke Arms, and the date 1654. The inscription is in a copper plate, sunk in the stone. I have copied the "inscription" from the pillar itself, and have corrected, in what is given above, some errata in the poet's transcript of it.—Ed.
[FROM THE ROMAN STATION AT OLD PENRITH]
I am indebted to Dr. Taylor of Penrith for the following note in reference to these "Roman Antiquities" at Old Penrith:—"I have great pleasure in giving you what information I can, concerning the Roman Station of Old Penrith. It is called 'Petriana' by Camden, but most archaeologists now allocate it in the '2nd Iter,' as the Station 'Voreda'—on the road between York and Carlisle. This road passes over [Pg 309]Stanemoor, by Bowes, Brough, Kirkbythore, Brougham, and Plumpton Wall (or Voreda), to Lugovallum or Carlisle. The Roman Camps are visible at all these places, and the old Roman road is recognisable in many parts. This Old Penrith, Plumpton Wall, or Voreda, is a camp of the third class. At a time, probably about the period which Wordsworth alludes to, several Roman stones and altars were dug up at Voreda, and are now deposited in Lowther Castle. Wordsworth had relations living in Penrith, whom he used to visit occasionally, and it is probable that after a visit to Voreda, which is about six miles from here, he wrote the Sonnet alluded to. The 'Hart-horn Tree' referred to in the 'Legend of the Hunt of the Stag' stood in the park of Whinfell, in the parish of Brougham, but has disappeared for many years."—Ed.
[735] 1837.
[736] In the edition of 1835 the title was Apology.
[737] 1845.
[738] Compare Processions in the Vale of Chamouny, in the "Memorials of a Tour on the Continent," 1820, vol. vi. p. 363.—Ed.
[739] 1837.
[740] 1837.
The exact resemblance which the old Broach (still in use, though rarely met with, among the Highlanders) bears to the [Pg 311]Roman Fibula must strike every one, and concurs, with the plaid and kilt, to recall to mind the communication which the ancient Romans had with this remote country.—W. W. 1835.
[On ascending a hill that leads from Loch Awe towards Inverary, I fell into conversation with a woman of the humbler class who wore one of those Highland Broaches. I talked with her about it; and upon parting with her, when I said with a kindness I truly felt—"May that Broach continue in your family through many generations to come, as you have already possessed it"—she thanked me most becomingly and seemed not a little moved.—I.F.]
[741] How much the Broach is sometimes prized by persons in humble stations may be gathered from an occurrence mentioned to me by a female friend. She had had an opportunity of benefiting a poor old woman in her own hut, who, wishing to make a return, said to her daughter in Erse, in a tone of plaintive earnestness, "I would give anything I have, but I hope she does not wish for my Broach!" and, uttering these words, she put her hand upon the Broach which fastened her kerchief, and which, she imagined, had attracted the eye of her benefactress.—W. W. 1835.
The poems written in 1832 were few. They include Devotional Incitements, an Evening Voluntary, Rural Illusions, and a few sonnets.—Ed.
Composed 1832.—Published 1835
[Written at Rydal Mount.—I. F.]
One of the "Poems of the Imagination."—Ed.
[742] See Paradise Lost, book v. ll. 78-80—
Ed.
[743] Compare, in Bacon's Essays, No. 46, 'Of Gardens,' "The Breath of Flowers is farre Sweeter in the Aire, when it comes and goes, like the Warbling of Musick."—Ed.
[744] 1836.
[745] Compare a passage in Daniel's Musopilus, beginning—
[746] 1836.
[747] 1845.
Composed 1832.—Published 1835
One of the "Evening Voluntaries."—Ed.
[748] 1837.
[749] 1837.
[750] 1837.
Painted at Rydal Mount, by W. Pickersgill, Esq., for St. John's College, Cambridge.—Ed.
Composed 1832.—Published 1835
[The last six lines of this Sonnet are not written for poetical effect, but as a matter of fact, which, in more than one instance, could not escape my notice in the servants of the house.—I. F.]
One of the "Miscellaneous Sonnets."—Ed.
[751] The colour has already faded somewhat. The portrait is reproduced in volume vi. of this edition.—Ed.
[753] 1835.
MS.
[754] 1837.
Composed 1832.—Published 1835
[Written at Rydal Mount. Observed a hundred times in the grounds there.—I. F.]
One of the "Poems of the Fancy."—Ed.
[756] 1836.
IRREGULAR VERSES ADDRESSED TO A CHILD
(BY MY SISTER)[757]
Composed 1832.—Published 1835.
[Written at Rydal Mount. It arose, I believe, out of a casual expression of one of Mr. Swinburne's children.—I. F.]
One of the "Poems founded on the Affections."—Ed.
[757] 1845.
In the former editions of the author's "Miscellaneous
Poems" are three pieces addressed to Children:—the following,
a few lines excepted, is by the same Writer; and as it
belongs to the same unassuming class of compositions, she
has been prevailed upon to consent to its publication.
W. W. 1835.
By the author of the Poem, "Address to a child, during a boisterous winter evening."
W. W. 1836.
[758] 1845.
[759] 1845.
[760] 1836.
[761] 1840.
[762] 1845.
MARCH, 1832
Composed 1832.—Published 1832
One of the "Sonnets dedicated to Liberty and Order."—Ed.
[763] 1837.
The title in 1832 was Sonnet on the Late General
Fast, March 21, 1832.
[764] 1840.
[765] 1837.
[766] The fast was appointed because of an outbreak of cholera in England.—Ed.
The most important of the poems written in 1833 were the Memorials of the Tour undertaken during the summer of that year. They refer to several Cumbrian localities, to the Isle of Man, to the Clyde, the Western Islands of Scotland, and again to Cumberland.—Ed.
Composed 1833.—Published 1835
[Written at Rydal Mount. This nest was built, as described, in a tree that grows near the pool in Dora's field, next the Rydal Mount garden.[767]—I. F.]
One of the "Poems of the Fancy."—Ed.
[767] Wrens still build (1896) in the same pollard oak tree, which survives in "Dora's Field"; and primroses grow beneath it.—Ed.
Composed March 1833.—Published 1835
[Written at Moresby near Whitehaven, when I was on a visit to my son, then incumbent of that small living. While I am dictating these notes to my friend, Miss Fenwick, January 24, 1843, the child upon whose birth these verses were written is under my roof, and is of a disposition so promising that the wishes and prayers and prophecies which I then breathed forth in verse are, through God's mercy, likely to be realised.—I. F.]
One of the "Poems of Sentiment and Reflection."—Ed.
[768] See De Rerum Naturae, lib. v. ll. 222-3.—Ed.
[769] Compare The Primrose of the Rock, ll. 11-12.—Ed.
Composed March 1833.—Published 1835
[These lines were composed during the fever spread through the nation by the Reform Bill. As the motives which led to this measure, and the good or evil which has attended or has risen from it, will be duly appreciated by future historians, there is no call for dwelling on the subject in this place. I will content myself with saying that the then condition of the people's mind is not, in these verses, exaggerated.—I. F.]
One of the "Poems of Sentiment and Reflection."—Ed.
[770] 1835.
[771] 1837.
[772] "The Warning was composed on horseback when I was riding from Moresby in a snow-storm."—(W. W. to his nephew, the late Bishop of Lincoln.)
[773] 1840.
[774] 1837.
[775] 1837.
[776] Compare The Lay of the Last Minstrel, canto vi. ll. 1-3.—Ed.
[777] Compare "Ecclesiastical Sonnets," Part I. XXVI., XXVII.—Ed.
[778] At the Revolution, 1792.—Ed.
[779] 1840.
[780] 1840.
[781] 1840.
[782] 1837.
[783] 1837.
[784] See the Fenwick note prefixed to the poem.—Ed.
Composed 1833.—Published 1835
One of the "Poems of Sentiment and Reflection."—Ed.
Easter Sunday, April 7
THE AUTHOR'S SIXTY-THIRD BIRTH-DAY
Composed 1833.—Published 1835
[The lines were composed on the road between Moresby and Whitehaven while I was on a visit to my son, then rector of the former place. This succession of Voluntaries, with the exception of the 8th and 9th, originated in the concluding lines of the last paragraph of this poem. With this coast I have been familiar from my earliest childhood, and remember being struck for the first time by the town and port of Whitehaven and the white waves breaking against its quays and piers, as the whole came into view from the top of the high ground down which the road (it has since been altered) then descended abruptly. My sister, when she first heard the voice of the sea from this point, and beheld the scene before her, burst into tears. Our family then lived at Cockermouth, and this fact was often mentioned among us as indicating the sensibility for which she was so remarkable.—I. F.]
One of the "Evening Voluntaries."—Ed.
[785] 1837.
In 1835 the title was "The Sun, that seemed so mildly to retire."
[786] Compare the Elegiac Stanzas, suggested by a Picture of Peele Castle, in a Storm (1805), vol. iii. p. 54; also the sonnet (written in 1807), "Two Voices are there; one is of the sea," vol. iv. p. 61, and the second sonnet on the Cave of Staffa, in the poems descriptive of the tour in Scotland in 1833.—Ed.
Composed 1833.—Published 1835
One of the "Evening Voluntaries."—Ed.
[787] Compare the previous poem.—Ed.
[788] Compare Robert Browning's Home-thoughts from the Sea—
[789] See Young's Night Thoughts, book ii. l. 95.—Ed.
Composed 1834.—Published 1845
[These lines were suggested during my residence under my son's roof at Moresby, on the coast near Whitehaven, at the time when I was composing those verses among the "Evening Voluntaries" that have reference to the sea. It was in that neighbourhood I first became acquainted with the ocean and its appearances and movements. My infancy and early childhood were passed at Cockermouth, about eight miles from the coast, and I well remember that mysterious awe with which I used to listen to anything said about storms and shipwrecks. Sea-shells of many descriptions were common in the town; and I was not a little surprised when I heard that Mr. Landor[790] had denounced me as a plagiarist from himself for having described a boy applying a sea-shell to his ear and listening to it for intimations of what was going on in its native element. This I had done myself scores of times, and it was a belief among us that we could know from the sound whether the tide was ebbing or flowing.—I.F.]
One of the "Evening Voluntaries."—Ed.
[790] The passage in Landor's Gebir, book i., is quoted in a note to the fourth book of The Excursion (see vol. v. p. 188).—Ed.
Composed 1833.—Published 1835
Having been prevented by the lateness of the season, in 1831, from visiting Staffa and Iona, the author made these the principal objects of a short tour in the summer of 1833, of which the follow[Pg 342]ing series of poems is a Memorial. The course pursued was down the Cumberland river Derwent, and to Whitehaven; thence (by the Isle of Man, where a few days were passed) up the Frith of Clyde to Greenock, then to Oban, Staffa, Iona; and back towards England by Loch Awe, Inverary, Loch Goilhead, Greenock, and through parts of Renfrewshire, Ayrshire, and Dumfries-shire to Carlisle, and thence up the river Eden, and homewards by Ullswater.—W. W.
[My companions were H. C. Robinson and my son John.—I. F.]
[791] 1845.
The Title in the 1835 edition was Sonnets composed or suggested during a tour in Scotland, in the Summer of 1833.
[792] 1835.
MS.
MS.
[794] The yellow flowering poppy and the wild geranium. Compare the poem Poor Robin, March 1840.—Ed.
[795] 1845.
Compare The Prelude, book i. l. 269 (vol. iii. p. 140):—
Ed.
[798] Many years ago, when I was at Greta Bridge, in Yorkshire, the hostess of the inn, proud of her skill in etymology, said, that "the name of the river was taken from the bridge, the form of which, as every one must notice, exactly resembled a great A." Dr. Whitaker has derived it from the word of common occurrence in the North of England, "to greet;" signifying to lament aloud, mostly with weeping: a conjecture rendered more probable from the stony and rocky channel of both the Cumberland and Yorkshire rivers. The Cumberland Greta, though it does not, among the country people, take up that name till within three miles of its disappearance in the River Derwent, may be considered as having its source in the mountain cove of Wythburn, and flowing through Thirlmere, the beautiful features of which lake are known only to those who, travelling between Grasmere and Keswick, have quitted the main road in the vale of Wythburn, and, crossing over to the opposite side of the lake, have proceeded with it on the right hand.
The channel of the Greta, immediately above Keswick, has, for the purposes of building, been in a great measure cleared of the immense stones which, by their concussion in high floods, produced the loud and awful noises described in the sonnet.
"The scenery upon this river," says Mr. Southey in his Colloquies, "where it passes under the woody side of Latrigg, is of the finest and most rememberable kind:—
W. W. 1835.
[799] The Cocytus was a tributary of the Acheron, in Epirus, but was supposed to have some connection with the underworld, doubtless, as Wordsworth puts it,
Compare Homer, Odyssey x. 513, and Virgil, Aenid vi. 295.—Ed.
[800] This sonnet has already appeared in several editions of the author's poems; but he is tempted to reprint it in this place, as a natural introduction to the two that follow it.—W. W. 1835.
It was first published in 1819.—Ed.
[801] The river Derwent rises in Langstrath valley, Borrowdale, in which is Eagle Crag, so named from its having been the haunt of a bird that is now extinct in Cumberland.—Ed.
[802] The Nemæan games were celebrated every third or fifth year at Nemæa in Argolis. The victor was crowned with a wreath of olive.—Ed.
(Where the Author was born, and his Father's remains are laid.)
[803] His children, Catherine and Thomas, who died in infancy at the Parsonage, Grasmere, and were buried in Grasmere Churchyard.—Ed.
[804] Compare To a Butterfly (1802), vol. ii. p. 284—
Ed.
[805] Compare The Prelude, book i. ll. 283-85—
Compare also the sonnet At Furness Abbey, written in 1844.—Ed.
[So named from the religious House that stood close by. I have rather an odd anecdote to relate of the Nun's Well. One day the landlady of a public-house, a field's length from the well, on the roadside, said to me—"You have been to see the [Pg 348]Nun's Well, Sir?" "The Nun's Well! what is that?" said the Postman, who in his royal livery stopt his mail-car at the door. The landlady and I explained to him what the name meant, and what sort of people the nuns were. A countryman who was standing by, rather tipsy, stammered out—"Aye, those nuns were good people; they are gone; but we shall soon have them back again." The Reform mania was just then at its height.—I.F.]
[806] 1837.
[807] Attached to the church of Brigham was formerly a chantry, which held a moiety of the manor; and in the decayed parsonage some vestiges of monastic architecture are still to be seen.—W. W. 1835.
[808] See Pope's Eloïsa to Abelard, l. 224.—Ed.
(ON THE BANKS OF THE DERWENT)
[My son John, who was then building a parsonage on his small living at Brigham.—I.F.]
[809] John Wordsworth, the poet's son, the subject of this sonnet, was incumbent of Moresby, near Whitehaven, before he went to Brigham. See the Fenwick note to the lines, Composed by the Sea-shore, p. 340. In 1833 Wordsworth wrote to Lady Beaumont:—
"Were you ever told that my son is building a parsonage-house upon a small living, to which he was lately presented by the Earl of Lonsdale. The situation is beautiful, commanding the windings of the Derwent both above and below the site of the house; the mountain Skiddaw terminating the view one way, at a distance of six miles, and the ruins of Cockermouth Castle appearing nearly in the centre of the same view. In consequence of some discouraging thoughts expressed by my son when he had entered upon this undertaking, I addressed to him the following Sonnet, which you may perhaps read with some interest at the present crisis."—Ed.
(LANDING AT THE MOUTH OF THE DERWENT, WORKINGTON)[812]
[I will mention for the sake of the friend who is writing down these notes, that it was among the fine Scotch firs near [Pg 350]Ambleside, and particularly those near Green Bank, that I have over and over again paused at the sight of this image. Long may they stand to afford a like gratification to others!—This wish is not uncalled for, several of their brethren having already disappeared.—I. F.]
[812] "The fears and impatience of Mary were so great," says Robertson, "that she got into a fisher-boat, and with about twenty attendants landed at Workington, in Cumberland; and thence she was conducted with many marks of respect to Carlisle." The apartment in which the Queen had slept at Workington Hall (where she was received by Sir Henry Curwen as became her rank and misfortunes) was long preserved, out of respect to her memory, as she had left it; and one cannot but regret that some necessary alterations in the mansion could not be effected without its destruction.—W. W. 1835.
[813] 1837.
[814] 1840.
[815] 1835.
[816] Compare The Triad, ll. 189, 190 (p. 188)—
[817] 1835.
MS.
[818] St. Bees' Heads, anciently called the Cliff of Baruth, are a conspicuous sea-mark for all vessels sailing in the N.E. parts of the Irish Sea. In a bay, one side of which is formed by the southern headland, stands the village of St. Bees; a place distinguished, from very early times, for its religious and scholastic foundations.
"St. Bees," say Nicholson and Burns, "had its name from Bega, an holy woman from Ireland, who is said to have founded here, about the year of our Lord 650, a small monastery, where afterwards a church was built in memory of her.
"The aforesaid religious house, being destroyed by the Danes, was restored by William de Meschiens, son of Ranulph, and brother of Ranulph de Meschiens, first Earl of Cumberland after the Conquest; and made a cell of a prior and six Benedictine monks to the Abbey of St. Mary at York."
Several traditions of miracles, connected with the foundation of the first of these religious houses, survive among the people of the neighbourhood; one of which is alluded to in these Stanzas; and another, of a somewhat bolder and more peculiar character, has furnished the subject of a spirited poem by the Rev. R. Parkinson, M.A., late Divinity Lecturer of St. Bees' College, and now Fellow of the Collegiate Church of Manchester.
After the dissolution of the monasteries, Archbishop Grindal founded a free school at St. Bees, from which the counties of Cumberland and Westmoreland have derived great benefit; and recently, under the patronage of the Earl of Lonsdale, a college has been established there for the education of ministers for the English Church. The old Conventual Church has been repaired under the superintendence of the Rev. Dr. Ainger, the Head of the College; and is well worthy of being visited by any strangers who might be led to the neighbourhood of this celebrated spot.
The form of stanza in this Poem, and something in the style of versification, are adopted from the St. Monica, a poem of much beauty upon a monastic subject, by Charlotte Smith: a lady to whom English verse is under greater obligations than are likely to be either acknowledged or remembered. She wrote little, and that little unambitiously, but with true feeling for rural nature,[839] at a time when nature was not much regarded by English Poets; for in point of time her earlier writings preceded, I believe, those of Cowper and Burns.[840]—W. W. 1835.
[819] 1845.
[821] 1837.
[822] The Danes, and the Cymric aborigines.—Ed.
[823] 1837.
[824] See the extract from Nicholson and Burn's History of Cumberland, in Wordsworth's note, p. 351.—Ed.
[825] 1837.
[826] 1837.
[827] 1837.
[828] I am aware that I am here treading upon tender ground; but to the intelligent reader I feel that[841] no apology is due. The prayers of survivors, during passionate grief for the recent loss of relatives and friends, as the object of those prayers could no longer be the suffering body of the dying, would naturally be ejaculated for the souls of the departed; the barriers between the two worlds dissolving before the power of love and faith. The ministers of religion, from their habitual attendance upon sick-beds, would be daily witnesses of these benign results; and hence would be strongly tempted to aim at giving to them permanence, by embodying them in rites and ceremonies, recurring at stated periods. All this, as it was in course of nature, so was it blameless, and even praiseworthy; since some of its effects, in that rude state of society, could not but be salutary. No reflecting person, however, can view[842] without sorrow the abuses which rose out of thus formalizing sublime instincts, and disinterested movements of passion, and perverting them into means of gratifying the ambition and rapacity of the priesthood. But, while we deplore and are indignant at these abuses, it would be a great mistake if we imputed the origin of the offices to prospective selfishness on the part of the monks and clergy: they were at first sincere in their sympathy, and in their degree dupes rather of their own creed, than artful and designing men. Charity is, upon the whole, the safest guide that we can take in judging our fellow-men, whether of past ages, or of the present time.—W. W. 1835.
[829] 1837.
[830] 1837.
[831] Compare The Virgin, in the "Ecclesiastical Sonnets," Part II. xxv.—Ed.
[832] 1845.
[833] See "The English Town" in Green's Short History of the English People, ch. iv. sec. 4.—Ed.
[834] This stanza and the preceding one were added in 1845.—Ed.
[835] This College was founded for the education of clerks in holy orders who did not mean to proceed to Oxford or Cambridge.—Ed.
[836] 1835.
[837] 1837.
[838] See The Excursion, seventh part; and "Ecclesiastical Sonnets," second part, near the beginning.—W. W. 1850.
The passages referred to are the following: The Excursion, book vii. l. 1008, etc. (vol. v. p. 324), beginning—
and alluding to Sir Alfred Irthing; and in the "Ecclesiastical Sonnets," Part II. iii., iv., v., Cistercian Monastery, and Monks and Schoolmen.—Ed.
[839] 1837.
[840] From "at a time" to "Burns" was added in 1837.
[841] 1845.
[842] 1837.
[843] 1837.
[844] Compare the View from the top of Black Comb (vol. iv. p. 279); also the Inscription, Written with a Slate Pencil on a Stone, on the Side of the Mountain of Black Comb (vol. iv. p. 281).
The atmospheric phenomena referred to in the sonnet are frequently seen from the Cumberland hills, overspreading the peaks and ridges of the Isle of Man; and a similar appearance is often visible on the Cumbrian hills, as seen from Mona.—Ed.
[845] 1837.
[846] 1837.
"Dignum laude virum Musa vetat mori."[847]
[847] See Horace, Odes, book iv. ode viii. l. 28.—Ed.
[848] Baron Menno van Cohorn (or Cœhoorn) was a Dutch military engineer of genius (1641-1704). His fame rests on discoveries connected with the effect of projectiles on fortifications. His practical successes against the French, under Vauban, were great; and the fortifications he designed and constructed, of which that of Bergen-op-Zoom was the chief, give him a place in the history of military science, greater than that derived from his writings. He devised a kind of small mortar or howitzer, for use in siege operations, which is named after him a Cohorn.—Ed.
[849] 1845.
[850] The Tower of Refuge, an ornament to Douglas Bay, was erected chiefly through the humanity and zeal of Sir William Hillary; and he also was the founder of the lifeboat establishment, at that place; by which, under his superintendence, and often by his exertions at the imminent hazard of his own life, many seamen and passengers have been saved.—W. W. 1835.
In Dorothy Wordsworth's Journal of a visit to the Isle of Man in 1826, the following occurs:—"Monday, 3rd July.—Sir William Hillary saved a boy's life to-day in harbour. He raised a regiment for government, and chose his own reward, viz., a Baronetcy! and now lives here on £300 per annum, etc. etc."—Ed.
[852] The sea-water on the coast of the Isle of Man is singularly pure and beautiful.—W. W. 1837.
[My son William[853] is here the person alluded to as saving the life of the youth, and the circumstances were as mentioned in the Sonnet.—I. F.]
[853] But it was his son John, and not William, who accompanied the poet in this Tour. See the first Fenwick note (p. 342).—Ed.
[854] 1835.
MS.
MS.
[855] Compare Ariel's Song in The Tempest, act I. scene ii.—
[856] 1837.
MS.
[857] 1837.
[858] 1837.
[859] 1837.
[860] 1837.
[861] 1835.
[862] Henry Hutchinson. See the Fenwick note to the next sonnet.—Ed.
[863] 1835.
MS.
(A FRIEND OF THE AUTHOR)
[Mrs. Wordsworth's Brother, Henry.[865]—I. F.]
[864] This unpretending Sonnet is by a gentleman nearly connected with me, and I hope, as it falls so easily into its place, that both the writer and the reader will excuse its appearance here.—W. W. 1835.
[865] Mr. Henry Hutchinson, Mrs. Wordsworth's brother, was—the Bishop of Lincoln tells us—"a person of great originality and vigour of mind, a very enterprising sailor, and a writer of verses distinguished by no ordinary merit."—See the Memoirs of Wordsworth, vol. ii. p. 246.—Ed.
(SUPPOSED TO BE WRITTEN BY A FRIEND)
[Supposed to be written by a friend (Mr. Cookson), who died there a few years after.[866]—I. F.]
[866] Henry Crabb Robinson—the Wordsworths' companion in the tour, wrote in his Journal, 14th July: "At Ballasalla called on Mr. and Mrs. Cookson, esteemed friends of the W.'s, whom adversity had driven to this asylum."—Ed.
[867] Rushen Abbey.—W. W. 1835.
[869] The "old Tower" is that of Rushen Abbey, close to Bala-Sala, the latest dissolved monastery in the British Isles. Little of it survives; only the tower, refectory, and dormitory. The tower is still yellowed with lichen stains. The following occurs in one of Mr. H. C. Robinson's letters on the Italian Tour of 1837:—"This reminds me that I was once privy to the conception of a Sonnet with a distinctness which did not once occur on the longer Italian journey. This was when I accompanied him into the Isle of Man. We had been drinking tea with Mr. and Mrs. Cookson, and left them when the weather was dull. Very soon after leaving them we passed the Church Tower of Bala-Sala. The upper part of the tower had a sort of frieze of yellow lichens. Mr. W. Pointed it out to me, and said, 'It's a Perpetual sunshine.' I thought no more of it till I had read the beautiful sonnet,
[Mr. Robinson and I walked the greater part of the way from Castle-town to Piel, and stopped some time at Tynwald Hill. One of my companions was an elderly man who, in a muddy way (for he was tipsy), explained and answered, as far as he could, my enquiries about this place and the ceremonies held here. I found more agreeable company in some little children; one of them, upon my request, recited the Lord's Prayer to me, and I helped her to a clearer understanding of it as well as I could; but I was not at all satisfied with my own part; hers was much better done, and I am persuaded that, like other children, she knew more about it than she was able to express, especially to a stranger.—I. F.]
[871] The ground at Tynwald Hill (as it is called) remains unchanged. Here, on a small plot of ground, the whole Manx people meet annually on Midsummer Day, July 5th, to appoint officers and enact new laws. The first historical notice of these meetings is in 1417. The name Tynwald is derived from the Scandinavian thing, "court of justice," and wald, "fenced." The mound is only 12 feet high, rising by four circular platforms, each 3 feet higher than the one below it. The circumference at the base is 240 feet, and at the top 18 feet. It used once to be walled round, and had two gates. The approach now is by twenty-one steps cut in the turf.
In his Diary, etc., Robinson wrote of Tynwald—"It brought to my mind a similar monument of simple manners at Sarnen in Switzerland."—Ed.
[872] 1835.
MS.
MS.
[873] 1835.
MS.
MS.
[876] The summit of this mountain is well chosen by Cowley as the scene of the "Vision," in which the spectral angel discourses with him concerning the government of Oliver Cromwell. "I found myself," says he, "on the top of that famous hill in the Island Mona, which has the prospect of three great, and not long since most happy, kingdoms. As soon as ever I looked upon them, they called forth the sad representation of all the sins and all the miseries that had overwhelmed them these twenty years." It is not to be denied that the changes now in progress, and the passions, and the way in which they work, strikingly resemble those which led to the disasters the philosophic writer so feelingly bewails. God grant that the resemblance may not become still more striking as months and years advance!—W. W. 1835.
The top of Snaefell (which Wordsworth names "Snafell"), the highest mountain in the Isle of Man, whence England, Scotland, and Ireland are to be seen, as mentioned in the Sonnet, is not visible from Tynwald Hill.—Ed.
[877] 1835.
MS.
[The morning of the eclipse was exquisitely beautiful while we passed the Crag as described in the Sonnet. On the deck of the steam-boat were several persons of the poor and labouring class, and I could not but be struck by their cheerful talk with each other, while not one of them seemed to notice the magnificent objects with which we were surrounded; and even the phenomenon of the eclipse attracted but little of their attention. Was it right not to regret this? They appeared to me, however, so much alive in their own minds to their own concerns that I could not look upon it as a misfortune that they had little perception for such pleasures as cannot be cultivated without ease and leisure. Yet, if one surveys life in all its duties and relations, such ease and leisure will not be found so enviable a privilege as it may at first appear. Natural Philosophy, Painting, and Poetry, and refined taste are no doubt great acquisitions to society; but among those who dedicate themselves to such pursuits, it is to be feared that few are as happy, and as consistent in the management of their lives, as the class of persons who at that time led me into this course of reflection. I do not mean by this to be understood to derogate from intellectual pursuits, for that would be monstrous: I say it in deep gratitude for this compensation to those whose cares are limited to the necessities of daily life. Among them, self-tormentors, so numerous in the higher classes of society, are r[Pg 370]are.—I. F.]
[881] 1845.
[882] Compare The Eclipse of the Sun, 1820, in the "Memorials of a Tour on the Continent, 1820" (vol. vi. p. 345).—Ed.
[883] 1837.
(IN A STEAM-BOAT)
[The mountain outline on the north of this island, as seen from the Frith of Clyde,[884] is much the finest I have ever noticed in Scotland or elsewhere—I.F.]
[884] He doubtless refers to the view of Goatfell and Kaim-na-Calliach, with Loch Ranza in front.—Ed.
[885] 1837.
[886] Compare The Triad, II. 145-148—
(See former series, "Yarrow Revisited," etc., p. 278.)
Lieutenant-Colonel M'Dougal of Dunollie wrote to me (October 1883) that "the mosaic picture of an eagle—if it may be called so—still exists, though it is rather a rude work of art. I believe it was executed by a gardener, who was here about the time of Wordsworth's visit. It was made of small stones, and is now a good deal overgrown with weeds, moss, etc., as the second story of the old ruin is open to the weather. An eagle was for many years kept in a cage, made against a wall of the ruin, and this no doubt was the cause of the rude picture being made."—Ed.
[888] 1837.
[889] This ingenious piece of workmanship, as I afterwards learned, had been executed for their own amusement by some labourers employed about the place.—W. W. 1835.
[890] 1837.
MS.
Composed 1824.—Published 1827
[The verses,
were, I am sorry to say, suggested from apprehensions of the fate of my friend, H.C.,[893] the subject of the verses addressed to H.C. when six years old. The piece to "Memory" arose out of similar feelings.[894]—I. F.]
[892] This poem was first published among the Poems of Sentiment and Reflection in the edition of 1827. In the edition of 1836 Wordsworth gave 1824 as the year of its composition. It is here printed in the series to which it was finally assigned, although slightly out of its chronological place.—Ed.
[893] Hartley Coleridge.—Ed.
[895] 1832.
[896] The genuine Orphic Literature included some Hymns, a Theogony, Oracles, Songs, and Sacred Legends, [Greek: hieroi logoi]ἱεροὶ λόγοι: but none have come down to modern times. The Orphica which have survived are spurious.—Ed.
[897] None of the fragments attributed to Musæus by the ancients—the [Greek: Chrêsmoi], [Greek: Hypothêkai], [Greek: Theogonia]Χρησμοί, Ὑποθῆκαι, Θεογονία, etc.—have survived.—Ed.
[898] Compare vol. ii. p. 163—
[899] Homer; so called from the fact that Mæonia in Lydia was, by some, claimed as his birth-place.—Ed.
[900] The reader may be tempted to exclaim, "How came this and the two following sonnets to be written, after the dissatisfaction expressed in the preceding one?" In fact, at the risk of incurring the reasonable displeasure of the master of the steam-boat, I returned[902] to the cave, and explored it under circumstances more favourable to those imaginative impressions which it is so wonderfully fitted to make upon the mind.—W. W. 1835.
[901] Staffa, or the island of Staves, as some derive the name.—Ed.
[902] 1845.
[903] 1845.
Cave of Staffa. 1835.
[904] Note the topographical accuracy of this description.—Ed.
[905] 1837.
[907] Upon the head of the columns which form the front of the cave, rests a body of decomposed basaltic matter, which was richly decorated with that large bright flower, the ox-eyed daisy. I had[911] noticed the same flower growing with profusion among the bold rocks on the western coast of the Isle of Man; making a brilliant contrast with their black and gloomy surfaces.—W. W. 1835.
[908] They still survive, and flourish above the pillars.—Ed.
[909] 1840 and C.
[911] 1845.
[912] St. Columba took up his residence at Iona, in 563.—Ed.
[913] 1837.
[914] 1837.
[915] 1835.
MS.
[916] 1837.
[917] This refers to the modern parish Church on the Island, not to St. Oran's Chapel, or the Cathedral Church of St. Mary.—Ed.
[918] 1837.
[920] The four last lines of this sonnet are adopted from a well-known sonnet of Russel, as conveying my feeling[921] better than any words of my own[922] could do.—W. W. 1835.
These "last four lines" are taken from sonnet No. x. of Sonnets and Miscellaneous Poems, by the late Thomas Russel, Fellow of New College Oxford, printed for D. Price and J. Cooke, 1789. The Rev. Thomas Russell, author of these Sonnets, was born 1762, died 1788. He was a Wykehamist, and is referred to in a letter by Wordsworth to Dyce in 1833.—Ed.
[921] 1845
[922] 1845
[See Martin's Voyage among the Western Isles.[923]]
[923] Description of the Western Islands of Scotland; including an account of the Manners, Customs, Religion, Language, Dress, etc., of the Inhabitants, by M. Martin, 1703.—Ed.
[924] In Johnson's Journey to the Western Islands of Scotland the following occurs in the section on "Icolmkill:"—"The place is said to be known where the Black Stones lie concealed, on which the old Highland chiefs, when they made contracts and alliances, used to take the oath, which was considered more sacred than any other obligation, and which could not be violated without the blackest infamy. In these days of violence and rapine, it was of great importance to impose upon savage minds the sanctity of an oath, by some particular and extraordinary circumstances—they would not have recourse to the Black Stones upon small or common occasions; and when they had established their faith by this tremendous sanction, inconstancy and treachery were no longer feared."—Ed.
[925] 1835.
MS.
[927] St. Kilda is sixty miles to the north-west of Harris, in the Outer Hebrides.—Ed.
[928] 1837.
Per me si va nella Città dolente.[929]
[929] See Dante, Inferno, iii. I.—Ed.
[930] They came down from Inveraray to Loch Goil by Hell's Glen.—Ed.
[931] 1837.
[932] Above Elvanfoot, near the watershed, at "Summit" on the Caledonian Railway line, where the Clyde rises.—Ed.
[Mosgiel was thus pointed out to me by a young man on the top of the coach on my way from Glasgow to Kilmarnock. It is remarkable that, though Burns lived some time here, and during much the most productive period of his poetical life, he nowhere adverts to the splendid prospects stretching towards the sea and bounded by the peaks of Arran on one part, which in clear weather he must have had daily before his eyes. In one of his poetical effusions he speaks of describing "fair Nature's face" as a privilege on which he sets a high value; nevertheless, natural appearances rarely take a lead in his poetry. It is as a human being, eminently sensitive and intelligent, and not as a poet, clad in his priestly robes and carrying the ensigns of sacerdotal office, that he interests and affects us. Whether he speaks of rivers, hills and woods, it is not so much on account of the properties with which they are absolutely endowed, as relatively to local patriotic remembrances and associations, or as they ministered to personal feelings, especially those of love, whether happy or otherwise;—yet it is not always so. Soon after we had passed Mosgiel Farm we crossed the Ayr, murmuring and winding through a narrow woody hollow. His line—"Auld hermit Ayr strays through his woods"—came at once to my mind with Irwin, Lugar, Ayr, and Doon,—Ayrshire streams over which he breathes a sigh as being unnamed in song; and surely his own attempts to make them known were as successful as his heart could desire.—I. F.]
[933] See Burns's poem To a Mountain Daisy, or as it was originally called, The Gowan.—Ed.
This can scarcely be true to the letter; but, without stretching the point at all, I can say that the soil and air appear more congenial with many upon the banks of this river than I have observed in any other parts of Great Britain.—I. F.]
[934] 1835.
MS.
MS.
[935] It is to be feared that there is more of the poet than the sound etymologist in this derivation of the Eden. On the western coast of Cumberland is a rivulet which enters the sea at Moresby, known also in the neighbourhood by the name of Eden. May not the latter syllable come from the word Dean, a valley? Langdale, near Ambleside, is by the inhabitants called Langden. The former syllable occurs in the name Emont, a principal feeder of the Eden; and the stream which flows, when the tide is out, over Cartmel Sands, is called the Ea—French, eau—Latin, aqua.—W. W. 1835.
[936] Especially on the upper reaches of the river, as seen from the Midland Railway line beyond Appleby.—Ed.
[939] 1845.
[Before this monument was put up in the Church at Wetheral, I saw it in the sculptor's studio. Nollekens, who, by-the-bye, was a strange and grotesque figure that interfered much with one's admiration of his works, showed me at the same time the various models in clay which he had made, one after another, of the Mother and her Infant: the improvement on each was surprising; and how so much grace, beauty, and tenderness had come out of such a head I was sadly puzzled to conceive. Upon a window-seat in his parlour lay two casts of faces, one of the Duchess of Devonshire, so noted in her day; and the other of Mr. Pitt, taken after his death, a ghastly resemblance, as these things always are, even when taken from the living subject, and more ghastly in this instance from the peculiarity of the features. The heedless and apparently [Pg 387]neglectful manner in which the faces of these two persons were left—the one so distinguished in London society, and the other upon whose counsels and public conduct, during a most momentous period, depended the fate of this great Empire and perhaps of all Europe—afforded a lesson to which the dullest of casual visitors could scarcely be insensible. It touched me the more because I had so often seen Mr. Pitt upon his own ground at Cambridge and upon the floor of the House of Commons.—I. F.]
[941] 1845.
[942] In the edition of 1835 there is no title to this sonnet.
[943] [Greek: Ataraxia]Ἀταραξία, was the aim of Stoic, Epicurean, and Sceptic alike.—Ed.
[944] 1840.
[945] 1840.
[I became acquainted with the walks of Nunnery when a boy: they are within easy reach of a day's pleasant excursion from the town of Penrith, where I used to pass my summer holidays under the roof of my maternal Grandfather. The place is well worth visiting; though, within these few years, its privacy, and therefore the pleasure which the scene is so well fitted to give, has been injuriously affected by walks cut in the rocks on that side the stream which had been left in its natural state.—I. F.]
[946] Nunnery; so named from the House for Benedictine Nuns established by William Rufus.—Ed.
[948] The two streams of the Croglin and the Eden unite in the grounds of Nunnery.—Ed.
[950] 1835.
MS.
[952] At Corby, a few miles below Nunnery, the Eden is crossed by a magnificent viaduct; and another of these works is thrown over a deep glen or ravine at a very short distance from the main stream.—W. W. 1835.
[953] 1845.
[954] 1835.
[955] Compare the Sonnet On the Projected Kendal and Windermere Railway, written in 1844.—Ed.
Composed, probably, in 1821.—Published 1822
[956] It first appeared in A Description of the Scenery of the Lakes in the North of England, third edition, 1822.—Ed.
[957] 1837.
[958] 1837.
[959] The daughters of Long Meg, placed in a perfect circle eighty yards in diameter, are seventy-two in number above ground; a little way out of the circle stands Long Meg herself, a single stone, eighteen feet high. When I first saw this monument, as I came upon it by surprise, I might over-rate its importance as an object; but, though it will not bear a comparison with Stonehenge, I must say, I have not seen any other relique of those dark ages, which can pretend to rival it in singularity and dignity of appearance.—W. W. 1837.
The text of this note, in the edition of 1822, is slightly different.—Ed.
In a letter to Sir George Beaumont, January 6, 1821, Wordsworth wrote, "My road brought me suddenly and unexpectedly upon that ancient monument, called by the country people Long Meg and her Daughters. Everybody has heard of it, and so had I from very early childhood; but had never seen it before. Next to Stonehenge it is beyond dispute the most noble relic of the kind that this or probably any other country contains. Long Meg is a single block of unhewn stone, eighteen feet high, at a small distance from a vast circle of other stones, some of them of huge size, though curtailed of their stature, by their own incessant pressure upon it." Compare a note in Wordsworth's Guide to the Scenery of the Lakes, section 2.—Ed.
[960] 1837.
["Cathedral pomp." It may be questioned whether this union was in the contemplation of the artist when he planned the edifice. However this might be, a poet may be excused for taking the view of the subject presented in this Sonnet.—I. F.]
[961] There was no title in the edition of 1835.
[964] The present Castle was begun in 1808. It is in the style of the 13th and 14th century structures. The arched corridors surrounding the staircase—which is sixty feet square and ninety feet high—may justify the description in the sonnet. These stone corridors open on each side, through the centre of the castle. Compare the reference to Lowther in Barren's Travels in China, p. 134, in the course of his description of "Gehol's matchless gardens," referred to in The Prelude, book viii. (vol. iii. p. 274.)—Ed.
[965] The Lowther family have been, for generations, the representatives of the Conservative cause in Cumberland.—Ed.
"Magistratus indicat virum."
[967] 1835.
MS.
[968] This sonnet was written immediately after certain trials, which took place at the Cumberland Assizes, when the Earl of Lonsdale, in consequence of repeated and long-continued attacks upon his character, through the local press, had thought it right to prosecute the conductors and proprietors of three several journals. A verdict of libel was given in one case; and, in the others, the prosecutions were withdrawn, upon the individuals retracting and disavowing the charges, expressing regret that they had been made, and promising to abstain from the like in future.—W. W. 1835.
[This poem might be dedicated to my friends, Sir G. Beaumont and Mr. Rogers jointly. While we were making an [Pg 394]excursion together in this part of the Lake District we heard that Mr. Glover, the artist, while lodging at Lyulph's Tower, had been disturbed by a loud shriek, and upon rising he had learnt that it had come from a young woman in the house who was in the habit of walking in her sleep. In that state she had gone down stairs, and, while attempting to open the outer door, either from some difficulty or the effect of the cold stone upon her feet, had uttered the cry which alarmed him. It seemed to us all that this might serve as a hint for a poem, and the story here told was constructed and soon after put into verse by me as it now stands.—I. F.]
This poem was translated into Latin verse by the poet's son, and published in the second edition of Yarrow Revisited, and other Poems, 1835.—Ed.
[969] The original title of the Poem (in MS.) was
Aira Force,
or
Sir Eglamore and Elva.
There were no changes of text in the published editions of this poem. The various readings given are from MS. copies of the poem, in Mrs. Wordsworth's handwriting.—Ed.
[971] A pleasure-house built by the late Duke of Norfolk upon the banks of Ullswater. Force is the word used in the Lake District for Waterfall.—W. W. 1835.
[972] Compare Airey-Force Valley—
[980] See Macbeth, act IV. scene V.—Ed.
[986] Compare the Ode to Duty, vol. iii. p. 37:—
HALLSTEADS, ULLSWATER
[987] Cordelia Marshall.—Ed.
[988] 1845.
[989] 1845.
[990] The title to this sonnet, in the editions previous to 1845, was Conclusion.
[992] 1835.
MS.
The Poems of 1834 include four of the Evening Voluntaries, The Labourer's Noon-day Hymn, and the stanzas to The Redbreast.—Ed.
Composed 1834.—Published 1835
[The lines following "nor do words" were written with Lord Byron's character as a poet before me, and that of others his contemporaries who wrote under like influences.—I. F.]
One of the "Evening Voluntaries."—Ed.
Composed 1834.—Published 1835
One of the "Evening Voluntaries."—Ed.
[995] Compare the Lines, composed at Grasmere in 1806 (vol iv. p. 48), when Mr. Fox's death was hourly expected—
[996] The nightingale is not usually heard in England farther north than the valley of the Trent.
Compare The Excursion, book iv. l. 1167 (vol. v. p. 188); also the lines (vol. iv, p. 67) beginning—
[997] 1837.
[998] The Thessalian valley, five miles long, from Olympus to Ossa, through which the Peneus makes its way to the Ægean sea.—Ed.
Composed 1834.—Published 1835
One of the "Evening Voluntaries."—Ed.
[999] The "mere" was probably Rydal, and the "ridge" that of Silver How.—Ed.
Composed 1834.—Published 1835
[Composed by the side of Grasmere lake. The mountains that enclose the vale, especially towards Easdale, are most favorable to the reverberation of sound. There is a pass[Pg 407]age in The Excursion towards the close of the fourth book, where the voice of the raven in flight is traced through the modifications it undergoes, as I have often heard it in that vale and others of this district.[1000]
One of the "Evening Voluntaries."—Ed.
[1000] See also the extract from Dorothy Wordsworth's Journal, in the note to The Excursion (vol. v. p. 189).—Ed.
[1001] 1837.
[1002] The owl became the emblem of Athens—and was associated with Minerva—because the birds abounded there.—Ed.
Composed 1834.—Published 1835
[Bishop Ken's Morning and Evening Hymns are, as they deserve to be, familiarly known. Many other hymns have also been written on the same subject; but, not being aware of any designed for noon-day, I was induced to compose these verses. Often one has occasion to observe cottage children carrying, in their baskets, dinner to their Fathers engaged with their daily labours in the fields and woods. How gratifying would it be to me could I be assured that any portion of these stanzas had been sung by such a domestic concert under such circumstances. A friend of mine has told me th[Pg 409]at she introduced this Hymn into a village-school which she superintended, and the stanzas in succession furnished her with texts to comment upon in a way which without difficulty was made intelligible to the children, and in which they obviously took delight, and they were taught to sing it to the tune of the old 100th Psalm.—I.F.]
One of the "Poems of Sentiment and Reflection."—Ed.
[1003] 1845.
(SUGGESTED IN A WESTMORELAND COTTAGE)
Composed 1834.—Published 1835
[Written at Rydal Mount. All our cats having been banished the house, it was soon frequented by redbreasts. Two or three of them, when the window was open, would come in, particularly when Mrs. Wordsworth was breakfasting alone, and hop about the table picking up the crumbs. My sister being then confined to her room by sickness, as, dear creature, she still is, had one that, without being caged, took up its abode with her, and at night used to perch upon a nail from which a picture had hung. It used to sing and fan her face with its wings in a manner that was very touching.—I.F.]
One of the "Poems founded on the Affections."—Ed.
[1004] 1836.
[1005] 1845.
[1006] 1845.
[1007] 1845.
[1008] 1845.
[1009] The words—
are part of a child's prayer, still in general use through the northern counties.—W. W. 1835.
[1010] 1836.
(1) p. 35. How soon—alas! etc.
The following version is written in the late Lord Coleridge's copy of the Poems:—
C.
(2) p. 83. Down a swift stream, etc., l. 14—
C.
(3) p. 86. Bishops and Priests, etc., l. 1—
C.
The extract is from The Shepherd and the Calm, p. 113, in Miscellany Poems on Several Occasions, written by a Lady, Anne Finch, Countesse of W., 1713.
(5) p. 306. Fancy and Tradition, l. 4—
MS.
(6) p. 307. Fancy and Tradition, l. 12—
MS.
(7) p. 342. Adieu, Rydalian Laurels, etc., l. 2—
MS.
(8) p. 358. Stanzas suggested in a Steam-boat, ll. 156-9—
C.
END OF VOL. VII
Printed by R. & R. Clark, Limited, Edinburgh.
Simple spelling, grammar, and typographical errors were corrected.
Punctuation normalized.
Anachronistic and non-standard spellings retained as printed.