Fenris, the Wolf: A Tragedy
Date: 2018-06-21T00:00:00+00:00
Keywords: Tragedies (Drama); Iceland -- Drama; Mythology; Norse -- Drama

The Project Gutenberg eBook of Fenris, the Wolf: A Tragedy

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Fenris, the Wolf: A Tragedy

Author: Percy MacKaye

Release date: June 21, 2018 [eBook #57371]

Language: English

Credits: E-text prepared by Paul Marshall, Mary Glenn Krause, MFR, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org)

*** START OF THE PROJECT GUTENBERG EBOOK FENRIS, THE WOLF: A TRAGEDY ***

E-text prepared by
Paul Marshall, Mary Glenn Krause, MFR,
and the Online Distributed Proofreading Team
(http://www.pgdp.net)
from page images generously made available by
Internet Archive
(https://archive.org)

Note:

Images of the original pages are available through
Internet Archive. See https://archive.org/details/fenriswolftraged00mack

FENRIS, THE WOLF

FENRIS, THE WOLF

A TRAGEDY

BY
PERCY MACKAYE

AUTHOR OF “THE CANTERBURY PILGRIMS”

New York
THE MACMILLAN COMPANY
LONDON: MACMILLAN & CO., Ltd.
1905
All rights reserved

Copyright, 1905,
By THE MACMILLAN COMPANY.

Set up and electrotyped. Published April, 1905.

Norwood Press
J. S. Cushing & Co.—Berwick & Smith Co.
Norwood, Mass., U.S.A.

TO
NORMAN HAPGOOD
CRITIC AND FRIEND

AUTHOR’S NOTE

The invocation of Ingimund to Odin, on page 38, is adapted from Fragments of a Spell Song, preserved as an insertion in the Great
Play of the Wolsungs, and to be found, both original and translation, in the Corpus Poeticum Boreale of Vigfusson and Powell, Oxford, 1883.

For dramatic reasons, various liberties have been taken by the writer with those elements of this play which are drawn from Scandinavian mythology. For example, according to mythology, the Fenris-wolf is the offspring, not of Odin, but of Loki; the wolf and Baldur are not brothers; no mention is made of the wolf’s Pack. Moreover, in the Old
Icelandic utterances of the Pack—for purposes of sound merely—a preterite form has twice been used for a present tense, as in Ulfr sofnathi, “the wolf sleepeth.”

Where authenticity, however, has harmonised with the dramatic idea, it has equally been the writer’s aim.

Cornish, N.H., March, 1905.

- CHARACTERS
- Of the Prologue
- ODIN
- BALDUR
- THOR
- LOKI
- FENRIS
- FENRIS’S PACK
- FREYJA
- Of the Play
- INGIMUND, Priest of Odin
- EGIL, a Hunter
- ARFI, a Dwarf, his brother
- YORUL, liegeman of Egil
- ROLF, liegeman of Egil
- ERIC, liegeman of Egil
- WULDOR, liegeman of Arfi
- A LITTLE BOY

- THORDIS, daughter of Ingimund and priestess of Odin’s temple

- FRIDA, one of her Virgins
- A LITTLE GIRL
- Folk, Priests, Virgins, Children

SCENES
THE | PROLOGUE. | The crater of a volcano; dawn.
ACT | FIRST. |
| Scene I. | The rune-stone of Odin, outside a tribal temple; morning.
| Scene II. | Egil’s lodge in the forest; toward twilight.
ACT | SECOND. |
| Scene I. | A prison chamber; day.
| Scene II. | The same; night.
ACT | THIRD. | A forest glade; the pool of Freyja; early morning.
ACT | FOURTH. | The rune-stone again; sunset.

Time and Place

The Age of Northern Mythology; Iceland. The incidents of
the play are conceived as taking place within the cycle
of a year.

THE PROLOGUE

Foreground—a frozen crater

At back, a cavern. Overhanging this, at left and back,
snow-crusted cliffs, partly bared by the winds, stand
out against the stars.

On one of these, Odin seated; on his shoulders,
two ravens. Beneath him, in the crater and
cavern, half-discernible, Fenris and his Pack.

ODIN
He sleeps, yet restive still; with eyelids squint
Through which his eyes, in dreams still shifting, flash
Like flame through knot-holes. Yet he sleeps; beside him
His wild pack, crouching, share his chain.—A lull:
Betwixt moonset and sunrise, one at least,
One lull in that insensate harsh defiance,
The beast-night-barking of my wolfish son.
You stars! Fenris is quiet. Now the dews
May fall in silence, now the mountain birds
Nest silent by the unawakened morning,
The wide dark fold its wings and dream. Now peace,
The infinite soliloquy of thought,
Descends on Odin.

[A silent pause, during which the first pale signs of dawn appear on the crags. Odin whispers to the ravens on his shoulders and they fly away. He sits motionless and serene.]

THE PACK
[Slumbrously.]
Ulfr! Ulfr sofnathi!

ODIN
[Gazes again on Fenris.]
That this dread should breathe!
And yon beast born from out my loins—to me,
To me, that from this forehead plucked an eye
To pawn for Mimi’s knowledge.—Wisdom, truth,
Beauty, and law, the tranquil goals of mind,
All these had I attained, and I a god;
Yet on the lank, alluring hag of Chaos
Begat this son, this living fang.

THE PACK
[Slumbrously.]
Ulfr! Ulfr sofnathi!

ODIN
O thou
Dumb spirit of the mind! O mystery!
Were there a god whom Odin might invoke,
To thee would Odin sue for pity.—Ages,
A thousand ages, anguish;
Anguish, remorse, forgiveness, malediction,
Light into darkness, horror into hope,
Revolving evermore.—O pain, O pain,
Sear not my spirit blind!—Thou, tameless wolf,
God of the void eternal retrograde,
Prone deity of self, by that thou art—
Illimitable passion, joyance mad
Of being, hate, brute-cunning, gnawing lust,
Fenris, I curse thee.

[Fenris wakes.]

THE PACK
[Wildly.]
Ulfr! Ulfr vaknathi!

FENRIS
Father!

ODIN
Still that name!

FENRIS
Father!

ODIN
Fenris, my son, forgive me.

FENRIS
Fetch Fenris Freyja.

ODIN
Bastard wolf,
Be silent.

FENRIS
Baldur, my brother’s bride betrothèd,
Freyja, fetch me.

ODIN
Still no longing but ’tis lust,
No aspiration but ’tis appetite.

FENRIS
Anarch! anarch! anarch! Father, free me!

ODIN
Free thee, thou poor antagonist. Knowest thou
Not yet why thou art chained? Retarded thing,
Emancipate thyself! What might it avail
Though Odin burst these links and loosed thee?—Thou
Thyself art thine own bondage and thy pain.

THE PACK
Ulfr! Ulfr!

FENRIS
Anarch! anarch! Ulfr!

ODIN
Yet could’st thou show some genesis of good,
Some spring of growth. Hadst thou, in all these ages,
Waxed toward my stature imperceptibly
Even as the seed, that germinates in darkness,
Feels toward the sky; yea, hadst thou now one pale
Potential spark of godhood, nobler desire,
Evolving intellect, one lineal trait
To prove that upward through thy brutish heart
Yearns infinite Reason, even now, poor son,
Would I strike off these fetters, set thee free,
Thee and thy pack, and put my hope in time.

THE PACK
Heil! Heil, Othinn!

FENRIS
Fenris! Free him.

ODIN
But lo! instead, what art thou? Ye faint stars,
Before you close your eyes in day, once more
Behold him! Ye icy craters and hoar caves,
Thou solitary dawn, eternal sky,
Perennial snows—you timeless presences,
Behold your consummation: this, even this,
Is Odin’s elder son, creation’s heir!

FENRIS
Anarch! anarch! anarch! anarch! anarch!

[Odin, covering his face, turns away and disappears behind the crag. Fenris, with his pack, retires into the cavern, dragging his chain. Outside Baldur is heard singing, joined, in chorus, by the voices of nature on whom he calls.]

BALDUR
Flushing peak, fainting star,
Freyja!
Torches in thy temple are,
Freyja!
Spirits of air,
Anses and elves,
Brightens the dawn,
Freyja is gone.
Come! let us go to her, girding ourselves.

CHORUS
Freyja, where art thou?
Where? Where?

[Freyja enters, looking fearfully around her.]

FREYJA
Those giant beards and backs!—They turn and look.
The peaks pursue me, and the nudging cliffs
Thrust out great chins and stare. Where should this lead?

BALDUR
[Outside.]
Mortal day, man’s desires,
Freyja!
Feed on earth thine altar-fires,
Freyja!
Spirits of earth,
Wood-sprites and Wanes,
Gone is our mirth,
Sorrow remains.
Come! let us hasten and bid her beware!

CHORUS
Freyja, where art thou?
Where? Where?

FREYJA
Can this place be i’ the world? And were such shapes
Wrought in the dear creation? And that voice—
Was it this crater’s frozen mouth that moaned
For blossoms and the south wind and my love?

BALDUR
[Enters.]
Freyja!

FREYJA
O Baldur, come!

BALDUR
What hast thou seen?
Why hast thou left the silver roof of shields,
Thy lover’s eyes, the laughter of the gods,
To wander forth in night?

FREYJA
Barkings I heard.

BALDUR
Hush, Freyja!

FREYJA
Through the music of the gods
Faintly I heard it knell and yearn for me;
And so I stole away. But tell me—

BALDUR
Come!

FREYJA
Tell me what thing of nameless woe—

BALDUR
Oh, come
And ask not. Come away to Valhal.

[He leads her impetuously away from the crater toward the sunrise.]

FREYJA
[Resists gently.]
Baldur!

BALDUR
Freyja, look down! Spring leaps among the valleys
And calls his universal flocks, to drink
The love of Freyja.
The forests rush together and the groves,
And the male oaks, like herded elk at war,
Tangle their budding antlers, and moan loud
For Freyja’s love.

Look down! The silvered pastures and the lakes
Lift all their sacrificial clouds, to crave
The love of Freyja;
And day’s bright stallion, snorting in the east,
Paws the pale stream of morning into gold
And champs his golden curb to burning foam
For Freyja’s love.

[He draws her farther away.]

FREYJA
But if one yearn in vain—

[The rattle of Fenris’s manacles echoes in the crater.]

THE PACK
Ulfr! Ulfr vaknathi!

FREYJA
Listen! They cry—
“The wolf awakeneth!” What wolf? And why
That clang of steel?

BALDUR
His chain.

FREYJA
[In dreadful wonder.]
But he?

BALDUR
A beast
Untamed and tameless.—Ask not with thine eyes!—
Fenris, my brother.

FREYJA
[Springs joyfully toward the crater.]
Ah!

BALDUR
[Stays her.]
Where art thou going?

FREYJA
To greet my lover’s kindred. Were it not well?

BALDUR
Oh, would it were! Look not; this kin is monstrous.

FREYJA
Is it not a god as we?

BALDUR
It is a god,
Freyja, but not as we.—It is the wolf-god,
Lord of the dumb and kithless wild, that live
To breed and kill their forms of dreadful beauty—
A vacant sacrifice to him: the doe,
That stills all night her knocking heart, to hear
The wood-cat’s footfall, breathes mute prayer to Fenris;
The frothing stag, that blazons the black boar
With gules of death, bruits hymns to Fenris; yet
Their pangs assuage him not, for he himself
Remains the abject deity of lust,
His rites, the stretched claw and the stiffened mane;
His priest—a sated fang; his altar—fear.

FREYJA
But why makes he his sanctuary thus
Lonely in desolation?

BALDUR
’Tis the will
Of Odin. Ask no more. This cleft he chose
Wherein to hide the secret woe of the world,
That never thou shouldst look upon its face.

FREYJA

I?

BALDUR
Thou, O maiden! Thou art the hope of the world.

FENRIS
Freyja!

FREYJA
He calls me.

FENRIS
Freyja!

FREYJA
Hark! He yearns
For me!

BALDUR
[Urging her away.]
’Tis Odin’s will.

FENRIS
Freyja!

FREYJA
He cries
In pain. Hold me no longer.—Fenris!

ODIN
[Entering, intercepts her path with his spear.]
Stay!

FREYJA
Allfather! hark his pain. Alas, poor wolf!

ODIN
Poor wolf? Poor world! poor blind, precarious Reason,
Beneath whose sovereign throne this horror sits,
Cat-crouching to usurp it.—Fear him; go!

FENRIS
Ai! ai! anarch! Freyja!

FREYJA
He yearns for me. Am I not beautiful?
Am I not holy? Wherefore should I fear?
All living things love Freyja; gods and men,
Anses and elves and helpless animals.
Where I walk glittering, there lovers press
And consecrate their eyes and beat their hearts
Like moths against the moon. And shall I go
Nor smile once kindly on him? Even the moon
Is kinder to her loves.

ODIN
He craves no smile
From thee, nor ever smiled into the face
Of love since his birth-hour. He lusts for thee.

FREYJA
Why should he not? Hath Odin never lusted?
What mind that knows the lust of intellect
Shall mock desire? Ah! Who that ever yearned,
Yearned not in ignorance?

BALDUR
Have pity, father!

ODIN
[To Freyja.]
Child, pitiest thou this thing?

FREYJA
Hath not its voice
Cried out immortally and craved me? Pity?
Love is a kind of pity for itself
That longs so endlessly. Allfather, never
Ere now hast thou gainsaid me.

ODIN
Yet must now!
This bitterness is mine alone to bear.
O Freyja! O my Baldur! You of all
The creatures of my will, bright lovers, you
Only are happy. Be so still. Depart!
Forget these wolvish cries; seek not to help
Evil unsolvable.

FREYJA
What then is evil,
That lovers may not solve it?

ODIN
[His face turning wistful with a beautiful light, lifts his obstructive spear, and stands from the path.]
Hope of the world!

FENRIS
Freyja!

ODIN
Behold!

[He watches with the look of wistfulness as Freyja and
Baldur, springing to the brink of the crater, gaze down upon Fenris.]

FREYJA
Ah me!

BALDUR
Fenris, my brother!

FREYJA
O pain! Why dost thou look upon me so?

FENRIS
Fair art, Freyja; shalt Fenris fear not?

FREYJA
What wouldst thou?

FENRIS
Lithe thy limbs are; lief am to lie with thee.

FREYJA
Are these snows thy dwelling-place?
No flowers grow here. Take these.

[Freyja lets fall some of her flowers into the crater.]

FENRIS
[Tearing them, as the Pack yells.]
Anarch! anarch!

FREYJA
[Drawing back.]
Alas!

BALDUR
Peace, brother!

FREYJA
Thou lovest me. Why, then, art thou not glad?

FENRIS
Chafe, choke me, chains; chaffeth the churl at me!

FREYJA
Take heart; we come to bring thee peace. O Baldur!

[Clinging to Baldur, she gazes with fascinated awe upon
Fenris, who, pacing ever in and out, amid his involving
Pack, with the swift, incessant shuttle movement of a caged wild thing, upturns his shifting eyes in yearning.]

FENRIS
Free me, Freyja; frore am I, frost-bit,
Go we together into greenwood glad.
Mirk under moon-mist mad will meet thee,
Hunt thee from hiding, thy heart-beats hear!
Press thee, panting!

THE PACK
Ulfr! Ulfr!

FENRIS
Bite—bark at thee—

THE PACK
Ulfr! Ulfr!

FENRIS
Miles, miles, miles!

FREYJA
[To Baldur.]
He loves me, yet his looks are terrible.
He saw me, yet he smiled not. Flowers I gave him,
But he destroyed them. Sorrowful he is,
Yet hath no tears in his eyes.—What shall we do?

FENRIS
Free me, Freyja; fair art thou, froward—
Go we together into greenwood glad.
Burns thine eyebeam bright as the bitch-wolf’s,
Longeth Fenris in thy lair to lie;
Longeth to chase thee.

THE PACK
Ulfr! Ulfr!

FENRIS
Chafe, champ thee—

THE PACK
Ulfr! Ulfr!

FENRIS
Leave thee with child.

FREYJA
Baldur, what reeling darkness snows around us
From heaven? The rose of dawn is stung with blight.

ODIN
[Aside.]
O mystery! O will behind the will,
How shall this end?

BALDUR
From heaven no darkness falls;
It is the glamour of his woeful eyes,
That spet the night within them.

FREYJA
[Half wildly, whispers at Baldur’s ear.]
It must cease!
The shy bird hath his song within the wood,
The shepherd’s call is sweet along the hills,
To husband and to lover are the sounds
Of gracious voices in the home places,—
To him, the ceaseless clanging of his chain.

BALDUR
O Freyja, we will minister to him,
Until for him the shy bird’s song is sweet,
And sweet the shepherd’s call along the hills.
Fenris!

[Swinging from the brink of the crater, he lets himself down. As he descends, Fenris springs toward him to the limit of his chain.]

FENRIS
Hail, Baldur! hail, brother! Boast thy beauty now;
Woo now and wive thee, welcome to Fenris’ woe.
All elf-gifts thou asked Odin gave thee,
Sunlight, summer, song for solace,
Fair face, freedom, Freyja to friend.
Me what gave he? Mark!—Mountain-mist, madness,
Monstrous made me, marr’d, wolf-masked,
Cramped in snow-crater, frost-crusted, chained;
Numb, naked, night-winds gnaw me,
Blistereth black ice, biteth my bones.

BALDUR
Thou shalt be free.

FENRIS
Me mocketh, mocketh! Ai!

BALDUR
Fenris, my brother, hear me!
I bring thee freedom.

FENRIS
[Holding out his chain to Baldur.]
Liest;—loose me!

BALDUR
Hush! I know the secret
How thou mayst slip these shackles. I have learned
From Odin how he binds thee. Wilt thou hear?

FENRIS
[Craftily beckoning Baldur under the shadow of a cleft.]
Tss! Wise is the One-Eyed. Tss! read me thy riddle now.

BALDUR
Know then, O Fenris, Odin of himself
Is weak to hold thee. Of his kin, another
Conniveth with him.

FENRIS
Kin, sayst?

BALDUR
Thou, his son. Thou forgest
Chains stubborner than Odin’s, links of lust
Mightier than these of steel, which are themselves
The might of these thou wearest. O my brother,
Lay off thine own, and Odin’s shall be straw.

FENRIS
Thus readest thy riddle?

BALDUR
Thus findest thou freedom: do our father’s will.
His law is wisdom. All the folk of heaven
And earth and hell obey him gladly; thou—
Submit thou also; make thine oath to Odin.

FENRIS
Oathless be Odin; am I earth’s overlord!

[Odin beckons to the eastward with his spear. From the distance comes a flash of fire and faint thunder.]

BALDUR
Hush, brother, hush! He hears; for thy pain’s sake
Remember he is Allfather. Be meek.

FENRIS
Am I Asa’s heir!—I—I—I am Allfather!

[By a dazzling river of light and thunder-peal, the whole scene is riven. On the peaks at either side appear
Loki and Thor. Loki holds in his hand a serpentine whip of many lashes, as of glittering brass; Thor, a white hammer. The Pack cower, moaning; Fenris stands glaring, with head bent backward as in sudden pain.]

ODIN
Hail, Loki! Welcome, Thor! in happy time.
Are ye not come to crown me Odin the Wise?
Shake out the live scorn of thy withering laughter,
Loki, over the world: Odin hath been defied!
Hammer it, Thor, on the clanged doors of hell,
Till their intestine thunders toll our doom—
“The wolf shall sit alone, at Valhal’s feast,
And eat of Odin’s heart!”

FREYJA
Alas! What words

ODIN
This is mine heir. Hath it not spoken? This
Shall sit one day in Odin’s seat. Mine heir!
The heir of all the gods. Behold then, gods,
How this, your prince, receives his tutelage.

BALDUR
Father, what wilt thou do?

ODIN
Tame him, the tameless;
The eternal goad against the eternal stone.
Yea, though I tame him not till doomsday darken.
[To Loki.]
Loosen thy scourge.

[Held by his chain, Fenris flees wildly in circles, and seeking to hide himself, finally crouches in terror, centre. He is prevented from entering the cavern by Thor, who stands there.]

FENRIS
Anarch! Ai! anarch! Anarch! Ulfr! Ulfr!

BALDUR AND FREYJA
Have pity!

ODIN
Pity ask
Of him; this wolf must reign or I. Strike, Loki!
Let thy bright lashes scorch with all their snakes
Till the live, brassy serum eats and crawls
Into the writhing blood. Begin!

BALDUR AND FREYJA
Have mercy!

[As Loki swings his whip of fire, the Pack beneath fall on their faces. Amid them Fenris crouches at half stature.
Baldur and Freyja kneel as frozen, with lifted hands toward Odin. Thus in sudden twilight and silence, fine silent lashes of unintermittent lightning uncoil and coil, as the scourge is whirled, around the cringing body of the wolf. A shudder only reveals his extreme pangs.]

ODIN
Cease! [Loki ceases.] Wolf, what of thine oath?

FENRIS
Oathless am I.

BALDUR
Fenris, be tamed!

FENRIS
I—I—I am Allfather!

ODIN
Sublime inanity! heroic ape!
This strong defiance were itself divine,
And thou a titan-martyr, had thy pride
One rational aim commensurate with thy woe.
But all thy suffering is purposeless.
Strike, Thor! Make of his obdurate heart thine anvil.

THE PACK
[Some fawning toward Odin, others seeking protection of Fenris.]
Heil, Othinn! Ulfr, heil!

[As Fenris, by a gesture of rage, drives these from him into the cavern, Thor raises his hammer. Immediate night shuts out the scene. In this surge of darkness the deep rolling of thunder swells and culminates, as by waves, in the blank burst of the thunder-bolt. Through a half-lull, amid moaning of the Pack, are heard voices from the crater.]

BALDUR’S VOICE
She leaps. Hold, Thor! She casteth herself down.

FREYJA’S VOICE
Beat on my heart, for mine containeth his.

ODIN
Light! light once more!
[The thunder dies away. Sudden dawn breaks, ripening soon to daylight. Within the crater, Freyja is revealed, standing over the exhausted form of
Fenris.]
Freyja, what hast thou dared?

FREYJA
The bolt of iron and the scourge of brass
Avail not, Odin.—Let me conquer him
For thee!

ODIN
How wouldst thou tame him?

FREYJA
By my love,
Yea, and the exceeding might of Baldur’s love,
Whose gracious arts of poesie shall aid me.
Grant him to us!

BALDUR
Grant him to us, O father!

ODIN
[Going apart.]
O thou unknown Destroyer and Deliverer,
Rape not again from me this nestling hope!
[He descends into the crater.]

BALDUR AND FREYJA
Grant him to us, Allfather, to be tamed!

FENRIS
[Clutching the snow at their feet, feebly.]
I—I am Allfather!

ODIN
Lovers, I grant him to you; but not here,
For this concession must be darkly hid
Till you have proved its beauteous consummation.
Not, therefore, here I grant, but yonder.
[Indicates the earth below them.]
There
You shall enact a vast experiment,
Whereof the pregnant sequel none may know
Save only him, the master magian,
Whose prentices we gods and titans are,
And the blind wills of men his medium.
For he, with silent face from us averted,
Holds in the awful hollow of his hand
The world—his crucible, and plies with them
Ordeals of anguish and of ecstasy.
Therefore the earth must be your place of passion,
And there in slumber, even as mortals dream,
Slumb’ring, that they are bright immortal gods,
You shall be mortals, and shall walk as men,
Forgetful of your immortality.

[Faintly, as from a great distance, there rises a sound of many voices crying, “Odin! Asa Odin!” and the rumour of beasts in pain.]

Hark, now! from far below us, the deep moan
And lowing of a mortal sacrifice.
Speak, Thor! What seest thou at Odin’s altar?

THOR
A mighty hunter and a twisted dwarf
Make sacrifice; rivals they seem, in feud,
And claim the hand of Thordis, thy priest’s daughter,
And the priest cries on Odin for a portent
To choose which of the brothers shall be bridegroom.

ODIN
Lo, then, my portent! We ourselves, we four,
Shall be those rival brothers, priest and bride;
Loki and Thor shall ravish them with death
That we, in resurrection, may take on
Their bodies as our mortal vestiture.
For I will act with you this mystery,
Dreaming myself the priest of mine own shrine;
And Freyja, child, thy goddess heart shall beat
Within the heart of Thordis, mortal maid;
Thy boundless spirit, Baldur, shall be pinched
Within the gnarled limbs of the stunted dwarf,
Twisted with pain, as now thy brother is;
Thou, envious wolf, jealous of Baldur’s joys!
Thy feverish being shall invest the power
And glorious stature of the hunter. So
Shalt thou have scope and license measureless
To woo the heart of Freyja. So shall ye,
Lovers, make proof of your conjoinèd love
And trothèd meekness, whether these be strong
To tame this wolf, and from his blinding lusts
Evolve a nobler consciousness, or weak
To let themselves be blasted, and the world
Itself eclipsed in universal chaos.

FREYJA
If we be strong?

ODIN
The wolf-god shall be tamed.

FENRIS
[In rage, half rising.]
Oathless am I unto Odin ever!
[He sinks back, faint.]

BALDUR
[To Odin.]
And tamed?

ODIN
He shall go free.

FREYJA
Even in such freedom
As ours?

ODIN
O Freyja, larger liberty—
The mightier peace which mortals only know—
Even death.

FENRIS
Freedom! Anarch—anarch! Freedom!

LOKI
Hail, Odin; smoketh thine altar afar.
Burneth to thee the cloven bullock’s heart;
The sacrificers watch and wait thy sign.

ODIN
Let them behold it! Thou and Thor, stretch out
Your wings in storm, and ravish up their souls
With night and death.
[To Baldur and Freyja.]
Come, you my children! Now
Shall our immortal fires be mixed with clay
In the great crucible, and these our spirits
No more shall know themselves for gods, until
The shadowy Master shows the great solution.

[In faint lightning and thunder, Loki and Thor disappear.
Odin ascends the crater, followed by Baldur and Freyja.
Climbing together the steep slope, these two look backward upon the prostrate wolf who, following them with his eyes, moves not until they reach the summit.
There, against a sky of sunlit storm, Freyja pauses and stretches forth her arm to him.]

FREYJA
Dear wolf!

FENRIS
[Starts up madly.]
Freyja! death—freedom! freedom! death!—Now—now!

[As Freyja and the gods pass from sight beyond the cliffs,
Fenris gnaws at his chain in inarticulate fury.]

ACT I

Scene I: Outside a tribal temple.

The gable beams are low; only the entrance end of the building, set at an angle, on the left, is visible. In the distance rises a snow-capped volcano, its slopes—in the nearer background—pied with the young leaves and blossoms of early spring; against these, jutting from behind the temple, a gallows-tree. On the right, at back, a solitary pine of great age sways solemn boughs over half the scene, the centre of which is occupied by a vast monolith, or boulder, tapering upward to a jagged end. The face of this stone, graved deeply with runes, is (on its lower half) dark carmine and smooth as ivory; from behind it blue smoke is rising; before it stands an altar of stone, on which is set a silver bowl.

In front of this altar stands Ingimund, the temple priest, clad in a sleeveless leathern smock to the knees; his arms are reddened with sacrifice; from his throat—beneath his long, grey hair—hangs an image of Odin; on his right wrist a ring of plain gold; in his left hand a spear. On either side of him an altar priest holds a bunch of sprinkling twigs. From the temple four other priests are bearing a slaughtered bullock to the fire behind the rune-stone. Massed in the right foreground are Egil and his men; on the left, Arfi and his men. Egil, noble of stature, stands moodily filing the grooves of a crossbow; Arfi, bent and dwarfed, sits with his ear close to a harp, which he thrums softly.

From the right background, beneath the pine, enters, singing, a procession of the folk, escorting an ark on wheels, drawn by oxen, whose flanks are wreathed with flowers, and whose horns are adorned with gold.
Following the ark, which passes on into the temple, horses and sheep are led to the sacrifice. These, as they pass before him, Ingimund marks with the sign of a spear, while the altar priests sprinkle them with blood from the silver bowl.

At the entrance of the temple stand Thordis and her
Virgins, who take from the beasts their garlands and hang them on the doors and outer walls. The men and women of the throng, chanting to a barbaric cadence, lift up their arms and faces to the sky.

THE FOLK
Wanderer of earth and air,
Walker on the giant flood,
Odin! Asa Odin!
Pilgrim of the storm!

Lyer in the Sybil’s lair,
Reader of the runes of blood,
Thou who hearkenest all prayer—
World-spirit and worm,
Odin! Asa Odin!
Hear us, Allfather!

[Distant thunder.]

FRIDA
Thordis, he hears.

THE VIRGINS
He hears!

THE FOLK
He hears!

YORUL
[To Rolf.]
Behold
The dwarf, where he sits shrivelled by his harp.
Ho, Arfi! hear’st thou Odin? Hast invited
The trolls, thy cousins, to the bridal?

WULDOR
Silence!
He listens to the stars behind the storm.

YORUL
The tree-frogs, Wuldor. He, thy master, is
Their father.

WULDOR
So thy master is their uncle.

YORUL
My master shall be bridegroom, never fear!
Hath Arfi slain his boar?

WULDOR
Hath Egil sung
The slaying of his boar?

YORUL
Hath Arfi leashed
The wild stag by the horns and led him home?

WULDOR
Hath Egil read the runes on Odin’s stone?

YORUL
Weaklings and women ye!

WULDOR
Thou liest, Yorul.

YORUL
[Strikes Wuldor.]

Ho, Egil, here!

WULDOR
[Retaliating.]
Ho, Arfi!

[The followers, from either side, spring forward and fight fiercely. Ingimund strikes among them with his spear.]

INGIMUND
Fools of anger!
This ground is Odin’s; he alone may judge
Which of your masters shall betroth his priestess.
Back! and await his sign.—Come, Thordis.

FRIDA
[Parting with Thordis by the temple.]
Joy
And love be thine, dear lady.

[Leaving her maidens, Thordis comes quietly from the temple and stands before the rune-stone and Ingimund, who, with his spear, beckons also Egil and Arfi. As these join
Thordis, the altar priests, with a heavy chain of gold, enclose the four in a circular space, while the folk chant as before.]

THE FOLK
Save us, Lord, from lovers’ hate,
Shelter us from brothers’ feud!
Odin! Asa Odin!
Only thou art wise.

Choose unto this maid a mate
Hallowed by thy sanctitude,
Send thine omen while we wait,
Making sacrifice.
Odin! Asa Odin!
Save us, Allfather!

[Thunder; storm gathers and the scene grows darker, as bigger clouds of smoke roll upward from behind the rune-stone.]

INGIMUND
[Removing the gold circlet from his wrist.]
Here,
Your right hands here—all three—on Odin’s ring.
[To Egil, then Arfi.]
Press deeper in the sand thy foot, now thine.
[To the Priests.]
Fill up the footprints with the sacred blood.
Brother in brother’s footstep, hark your oath—
Your oath to abide by Asa Odin’s will.

[As Egil and Arfi grasp the ring, lightning begins to play over the scene, and thunder deepens the voices of the people.]

THE FOLK
Odin! Odin! Asa Odin!
Send upon thy folk a portent!

INGIMUND
[Lifting his face and spear toward the sky, intones.]
By thy runes forever writ
On Allwaker’s ear and Allswift’s hoof,
On Sleipni’s teeth and the sledge-bands,
On the Wolf’s claw and the eagle’s beak,
On the bloody wings and the bridge’s end!—

THE FOLK
Odin! Odin! Asa Odin!
Send upon thy folk a portent!

INGIMUND
By thy runes forever writ
On Brage’s tongue and the bear’s paw,
On the midwife’s palm and the amber god,
On Norna’s nail and the owl’s neb,
On wine and wort and the Sibyl’s seat!—

THE FOLK
Odin! Odin! Asa Odin!
Send thy portent, O Allfather!

FRIDA
Look! look! himself doth come.

THE FOLK
Fly! fly! Oh, fly!

FRIDA
Himself doth come, and with him all the gods!

[Amid supernatural darkness and thunder-peal, Ingimund,
Thordis, Egil, and Arfi are struck to the earth, and all the people flee, except Yorul and Frida, who crouch beside the temple.]

THE FOLK
[In the distance.]
Bow down! bow down!
[Pause; the passing of the storm; silence.]

FRIDA
[Rising.]
Yorul!—You do not speak.
Yorul!

YORUL
O Frida, hush!

FRIDA
And did you see them?
Four were they all together, and they passed
Like fire, and four returned, in robes of flame,
But paler.

YORUL
May be so; I saw them not.

FRIDA
Two others stood on Odin’s stone, and one
Laughed loud, and whirled a whip of blazing brass,
And one thrust through his beard a smoking hammer.

YORUL
May be; may be. What did you say? Speak not!
[Embracing her.]
O heart of mine, thou beatest yet. We live.
The sun—how still it is! What’s that?

FRIDA
A bird
Singing under the temple’s eaves.

YORUL
And all
Are fled. What be those four that lie so still?

[Together they approach the bodies.]

FRIDA
Alas! O lady dear!

YORUL
Dead! they are dead.
Egil, my master! Odin’s voice hath slain him.
Cursed be Odin!

FRIDA
Yorul—take them back,
Those words! Their sacrilege shall work us woe.

YORUL
What matter? He is dead.

FRIDA
Oh, do not think it!
Perhaps they sleep. Look how their brows still wear
High thoughts. I think they dream. Go! fetch a leech.

YORUL
A leech for death?

FRIDA
Go quickly, Yorul!

YORUL
Well!
[Going out.]
A leech here for the dead! A leech, ho!
[Exit.]

FRIDA
[Alone with the four bodies, stands before the rune-stone.]
Odin!
Have pity on the dead; let them awake!
[Slowly the bodies rise and look upon her; she crouches before them.]
Ah me! Your eyes! They burn. O turn away
Your bright eternal eyes!

[She falls unconscious. Egil, who has risen with the gold altar chain wound about him, gnaws it.]

EGIL
Death! Freedom! freedom!

[Enter Yorul and a Leech, followed by the folk.]

THE LEECH
Who calls for leechcraft here?

YORUL
[Stands bewildered.]
A miracle!

THORDIS
[Bends over Frida.]
The child is stricken.

ARFI
Let me lift her, Thordis.

YORUL
A miracle! O Frida, speak to me!

THE LEECH
[To the folk.]
Stand off! Give air!

WULDOR
[To the folk.]
Hath Yorul then deceived us?

ROLF
Behold, they live!

FRIDA
[Rising, faintly.]
Thanks; lead me to the temple.

INGIMUND
What hath befallen?

WULDOR
Hail, Ingimund! The portent
Of Odin hath befallen.

INGIMUND
Saw ye, or what?

[Wuldor and the folk whisper among themselves.
Yorul supports Frida toward the temple.]

YORUL
But how? What chanced?

FRIDA
Their eyes! their burning eyes!
Oh, I have seen their souls: they are not theirs.
Four bright ones came, four pale ones went away.

YORUL
Clean reft of wit!

FRIDA
Oh, shut me in the dark!

[Taking Frida from Yorul, the temple virgins lead her into the temple.]

INGIMUND
[To Wuldor.]
Saw ye, I say, or what?

WULDOR
Ask Yorul, father.

INGIMUND
Speak thou! What hath befallen?

YORUL
[Returning dazed from the temple.]
Odin is wise;
Ye that were dead are risen from the dead,
And Frida, my betrothèd, is reft of reason.—
She said it would be, for I cursed him.—Egil!
Master and lord, welcome to life!

[Egil, who, with fixed gaze, has been eyeing Thordis, starts wildly, paces back and forth, dragging the altar chain as he moves.]

EGIL
A verdict!
A verdict, priest and earls! Thordis is mine.

EGIL’S MEN
Thordis for Egil!

ARFI’S MEN
Thordis for Arfi!

INGIMUND
Peace!
Heaven’s omen still is dark, and Odin’s sign
Ambiguous. Not one, but four of us,
His hand hath stricken. Wherefore thus I read
His riddle: Thordis shall herself decide.

THORDIS
Father, not I!

INGIMUND
This ancient feud must end.
These two have sworn to abide by Odin’s will;
His will it is that thou make choice of them.
Hearken their pleas, and choose.

THORDIS
To one must I
Give pain?

INGIMUND
To one give joy. Speak, Arfi.

ARFI
Lady,
That those who love are blind I pray be so
That, loving, so you may behold me not—
What thing I seem, but only hear my voice—
What truth I am. Thordis, even now I dreamed
A dream more high and awful than the clouds
And breathless peaks afire of poesie:
We stood together on the morning’s brink;
Crater and frozen cliff and snowy scar
Hung, avalanche on avalanche, below,
Below them still,—the world! You spoke to me;
Sweeter than measures of imagined song
Before the harp is struck, your voice! “Listen!” you said;
And echoing from scar and crater rose
The clanging of a chain. You clung to me;
You clung to me and spoke not.—I have done.

INGIMUND
Egil!

[Springing forward, Egil seizes Thordis’s hand, which he raises to his lips.]

EGIL
I love—I love thee!

[He bites her hand. Screaming, she draws away from him and clings to the dwarf.]

THORDIS
Arfi!

ARFI
[Facing Egil.]
Brother!

WULDOR
Blood! He hath bit her hand. Ho, sacrilege!

EGIL
The maid is mine.

ARFI
The maid is Odin’s.

ROLF
[Seizing Yorul’s arm, points at Egil.]
See!
His eyes grow small and blaze!

YORUL
He is possessed;
Some god afflicts him.

[With a gesture of fury, Egil rushes upon Arfi.]

EGIL
Mine!

INGIMUND
[Stays him.]
The maid is Arfi’s,
For she herself hath chosen him.

ARFI
[Quietly.]
A clout,
To stanch the blood.

WULDOR
[As Arfi binds her hand, gazes on Thordis, whose eyes have closed.]
O fair beyond this world!

EGIL
[Clutching the air, in passion for coherence.]
A rape! a rape! Thordis for Egil!

YORUL
[Drawing.]
Thordis
For Egil, here!

ARFI’S MEN
Thordis for Arfi!

EGIL’S MEN
Egil!

INGIMUND
Beware! Put back your weapons all, on pain
Of Odin’s wrath.

THE FOLK
[Murmur.]
Remember Odin’s wrath.

EGIL
Egil recks not for Odin’s wrath nor will.
Who fights for Thordis?

INGIMUND
This is blasphemy.

EGIL
Who fights with Egil for the maiden?

YORUL
I,
And all of us.

EGIL’S MEN
Till death.

INGIMUND
Enough, mine earls!
The patience of the lord of peace hath end.
Egil, thy words and deed have violated
The sacred place of Odin. Thou art banned!
The lord hath put thee from his high place. Go!
I cast thee forth, and all who follow thee.

THE FOLK
[Falling back.]
Accurst! accurst!

EGIL
[Stands alone in a great circle.]
Behold they cast him forth!
Egil is banned! Who fights with Egil now?

YORUL
I, master!

ONE OF EGIL’S MEN
Fly! he is accurst.

[The men hesitate; then all—except twelve, including
Yorul, who step into the circle—depart fearfully.]

THE TWELVE
Hail, Egil!

[The folk cry out; some go from the scene, others into the temple.]

EGIL
[Seizing up with both hands the silver bowl.]
Hail, liegemen! Twelve and one, we are enough
To vow ourselves to vengeance ’gainst the world.
A pledge, here! Ho, a pledge to groom and bride!
Drink pledge with me, in Odin’s altar blood.
Thordis and vengeance! Hail!

THE TWELVE
Thordis and vengeance!

[Egil drinks from the silver bowl.]

Scene II: The interior of Egil’s lodge in the
forest; toward twilight.

The room is roughly built of logs, long cross-beams overhead. From these (in the right corner, back) hang suspended the bodies and skins of antelope, bear, and wild game; and beneath these—piled upon a bench against the wall—a heap of furs and hides. Centre, back, a door. Left, in the earthen floor, a hearth with ashes; above it, a hole in the roof. Beyond this hearth, left, sitting at the open window, Frida, alone. She looks out dreamily toward the forest, from which horns echo and answer. Suddenly she starts up, gazes intently, gives a low cry, and, dodging down as she passes the window, springs across to the heap of hides, among which she conceals herself. After a pause, the door opens;
Egil enters, panting—evidently pursued. His brow is bleeding, and he limps. Turning to bar the door, he lets fall a bloodied wolf’s skin. Immediately he snatches it up caressingly; gazes around, listens enraged to the horns, limps swiftly to the hearth, hesitates; then, as a sudden horn-blast resounds close by, falls on his knees, digs ferociously in the ashes with his two hands like an animal, thrusts the wolf’s skin in the cavity, and covers it over with the ashes, carefully replacing the charred brands on top. Swiftly, then, binding up his bleeding brow and thigh, he unbars the door, seizes a whip from a corner, and springs stealthily out of the window. At the same moment, horses are heard to gallop up to the lodge; the door bursts open; Yorul and Rolf appear on the sill.

YORUL
He came this way. Look here, Rolf, in the sand—
And here: are not these paw-prints?

ROLF
May be so.
I saw him last back yonder in the forest.

YORUL
I saw him slinking hither across the open.
Look, here again; here’s blood.

ROLF
What! was he wounded?

YORUL
Did not you see?

ROLF
You know I did not; tell me.

YORUL
Twice; once across the eye, once in the shank.
’Twas Ingimund struck both wounds.

ROLF
Ingimund!

YORUL
Yes, when we left you, Egil rode ahead,
I and the others after. We had ridden
A half-mile, when I heard our master shout:
“Here comes our brother with his bride ahunting.”
And sure, there burst into our narrow glen
Horse, hound, and horn, the whole bright cavalcade;
And Thordis rode ahead, and Arfi next,
Last, Ingimund. We reined our horses back—

ROLF
Not to pollute the lady with the sight
Of your accursed faces, eh?

YORUL
Say rather
To keep our scanty numbers hid.

ROLF
Well—well?

YORUL
Well, I had hardly reined back in the wood
And Thordis passed me by—Man, it was awful!
Under the very hoofs of the dwarf’s horse—
Out of the earth, it seemed—there sprang a wolf
And bit the stallion’s loin. The horse rolled over—
A wolf—a giant wolf!

ROLF
What then?

YORUL
I say
It stood as high as that, Rolf, yet I swear
If it were not a wolf, yet what—

ROLF
What happened?

YORUL
There rang a great shout and the riders all
Leapt to the ground where, in the midst of them,
Tangled together with the kicking steed,
Rolled the huge wolf and Arfi; him the beast
Held by the gorge between his grinning jaws,
Throttling him like a whelp. But Ingimund—

ROLF
Hel have him! Did he save the dwarf?

YORUL
He dragged
The wolf away, and struck him with his spear
Twice, as I told you. But the beast escaped.

ROLF
And Arfi lives?

YORUL
I know not. I made after
The wolf, and met you as I tracked him here.

ROLF
But what said Egil?

YORUL
I was too amazed
To look for him.

ROLF
There winds his horn in the wood,
And yonder he comes riding with the others.
Come; we’ll go meet them.
[Exit.]
[As Yorul is following Rolf, Frida steps forward.]

FRIDA
[Speaks low.]
Yorul!

YORUL
Her voice! Frida! Frida!

FRIDA
Keep me!

YORUL
Stand farther off. O girl, what brings you here?
How found you out this solitary place?

FRIDA
I left my mistress’ side at dawn, and searched
All day the forest.

YORUL
Little Frida, thou!

FRIDA
Come with me!

YORUL
Stand away! You have forgot
I am accurst. This place is Egil’s lodge,
And all who dwell here banned and castaway.

FRIDA
Where you are must I fear to be?

YORUL
Yes, Frida,
For Ingimund has cursed me with my master.

FRIDA
Leave him.

YORUL
Whom?

FRIDA
Leave him, Yorul.

YORUL
Leave whom, child?

FRIDA
Egil, your master.

YORUL
[In amazement.]
Frida!

FRIDA
Hush!
[She goes to the hearth.]

YORUL
[In scorn.]
Desert
My lord! His liegeman, I a traitor!

FRIDA
Look.
[She brushes back the ashes, revealing the beast’s head.]

YORUL
The wolf! By heaven, dead! What—you killed him?

FRIDA
No.

YORUL
And flayed, the very brute! Here are the marks
Of Ingimund, his spear. Saw you the beast
Alive?

FRIDA
Yes.

YORUL
Here?

FRIDA
I watched it limping here,
Wounded, from out the forest.

YORUL
Ha! I said so.
Here to the very door-sill?

FRIDA
Yes; it pushed
The door ajar.

YORUL
But—

FRIDA
Egil entered.

YORUL
Egil!

FRIDA
His brow was bleeding and he limped. He buried
That thing beneath the ashes, and sprang forth
Out at the window.

YORUL
Buried this?

FRIDA
As dogs
Bury their secrets, claw and nozzle.—Yorul!

YORUL
You saw?

FRIDA
I saw. O Yorul, ’tis a werewolf.

YORUL
[Drops the hide and steps back.]
Ah! do not name it!

FRIDA
Leave him. Come away!

YORUL
Bleeding—his brow, you said?

FRIDA
Yes; come away!

YORUL
So be it.

FRIDA
Gracious Odin! he will come.

YORUL
Since that wild day he bit your mistress’ hand
It hath misgiven me the gods torment him.
Once, for seven days, ceaseless he paced this hall,
Spoke not, nor ate, but ground and ground his teeth;
And in the night, once, when I watched him sleeping,
His eyelids lay rolled back and filled with fire.

FRIDA
That day the storm burst over Odin’s stone
And I beheld those mighty four in flame—
Oh, since then, Yorul, they have changed, my mistress
Even as your master, save that she has grown
Lovelier than herself, and seems to bear
About with her the loadstone of desire,
For the poor hinds and churls that wait upon her
Serve her with souls enamoured. If I thought
You would believe my vision, I could tell—
But come, Yorul. Yorul! you will not come?

YORUL
Never! Stop, Frida; do not name the thing
He is. It matters not to me; for me
He is my lord, my master; that is all.

FRIDA
But if—

YORUL
If he were that eternal beast
Whom Odin chains until the dawn of doom,
Fenris, the wolf—

FRIDA
No, say not that!

YORUL
I say
Still it should matter not; I am his liegeman,
His vassal, and his bondslave. I will serve him.

[Enter, with his followers, Egil, cracking his whip.]

EGIL
The wolf! Where is your wolf?

ROLF
We tracked him here.

EGIL
Lies! lies! He lurks yet in the forest.

ERIC
[Pointing at Yorul, who holds up the skin.]
Look!

THE MEN
The wolf!

EGIL
[Leaping upon Yorul, flings him to the ground.]
Traitor!

YORUL
Hold, master—

FRIDA
[Coming forward.]
Save him!

ROLF
Thou!
Thou, maiden, here?

FRIDA
Oh, help him!

ERIC
[With the others’ help, separates the two.]
Egil! off!

EGIL
A ferret, ho! a ferret, earls; hath scent
And sight and hearing—what, for rats? No, no,
For wolves!

ROLF
[Aside to Eric.]
The madness!

YORUL
Master, ’tis the wolf.
I killed him.

EGIL
Killed him? Thou?
[Craftily.]
What wolf?

YORUL
The beast
That bit the dwarf.

EGIL
Dead; so ’tis dead. Let see!
[Taking the pelt from Yorul, he drops it on the hearth.]
It should, methinks, be buried too.  Thy kill?

YORUL
Mine, Egil.

EGIL
[With his foot, covering the pelt with the ashes.]
Killed and flayed. Huzza, mine earls,
For Yorul and his kill.

THE MEN
[Gather round Yorul.]
Huzza!

EGIL
’Tis buried.
[Aside.]
He knows, he knows; I will avenge me.
[Looks keenly at Rolf.]
Well,
What art thou gazing on?

ROLF
On nothing.

EGIL
Liest,
Liest; art gazing on my brow. What, what?
’Tis bandaged, ah! What then? What then, I say?

ERIC
Why, he is wounded.

EGIL
Traitors! traitors all!
Aha, by Loki, but you lie. I fell—
You lie! My horse was diked. I fell and gashed me,
My brow, my thigh. Why not my brow and thigh?
May not a huntsman fall from ’s saddle? Liars!
I limp, but not for that. I will limp!
[Suddenly changing.]
Hark!
[He springs to the window.]

YORUL
What dost thou hear?

EGIL
They smell the blood. They come
To dig it up. Their nozzles scour the gorse.
Yorul! Yorul!

YORUL
[To whom Egil clings.]
’Tis nothing.

EGIL
They have found
The scent. You cannot make them lose it, Yorul.
You loop and loop for miles, plunge in the lake,
Swim over, double through the thickets, spring
All-feet from rock to rock in the ravine,
Crouch in the fern and listen: still you hear them
Belling behind you, all their big chests panting,
Their red tongues lolled, the great hot breathing,—bloodhounds!
Bloodhounds!

ROLF
[At the window.]
By Odin, see, yonder the dogs
Of Ingimund; he hath them in the leash;
Behind him, on a litter, they are bringing
Arfi, the dwarf.

EGIL
Yorul! Keep back the hounds!
Mercy! Thou art no kin of theirs. They have
No feud of blood with thee. Keep back the hounds!
Mercy!

ERIC
[Aside to men.]
Still madder!

ROLF
They are twoscore men,
And we a handful; shall we fight?

EGIL
Fight, madmen?
Have ye not heard the hounds? Keep back the hounds.
Go forth and bind their leashes to the trees.
Bind them, and guard them, every slave of you!
Go! Go!

ROLF
What! fear their dogs?

ERIC
Yorul, his eyes—
They burn!

YORUL
Be patient, master!

EGIL
Treachery!
You’ve lured ’em on. They come to dig it out;
They smell the wounds. Ye have betrayed me.

YORUL
Men,
Come forth and let us bind the hounds.

EGIL
[Swinging his whip.]
Slaves! cowards!
Traitors! the lash shall teach you.
[Striking Rolf.]
Bind the hounds!

ROLF
This goes too far.

YORUL
[Imploring.]
Come!

EGIL
Mercy! Ah! their fangs!
Their fangs! Devils, go forth and bind the hounds.
[Follows the men, lashing them.]

ERIC
By Loki!

YORUL
[Aside.]
Humour him.

[The men go forth, whipped wildly by Egil, who sinks exhausted by the closed door.]

EGIL
Keep back the hounds—
Their fangs!

YORUL
[Outside.]
Fear nothing; we will bind them.

FRIDA
[Starts for the door.]
Yorul!

[Egil, rolling in her way, gazes at her, and rises, panting; she draws back.]

EGIL
Thou art the maid of Yorul.

FRIDA
I am his.

EGIL
Who hid the wolf—he knows.

FRIDA
He knows.

EGIL
His maiden!
Shalt make a fair revenge.

FRIDA
Ah! Save me, Yorul!
[She faints.]

EGIL
Yorul, a dear revenge!
[Lifting her in his arms, he bears her off, left.]
A lair! a lair!

[A pause; sunset glows through the window; the outer door is partly opened by Rolf, who calls in.]

ROLF
O Egil! Ingimund demands to enter
And rest here for the night. Thy brother’s wound
Grows worse; they doubt his life. Shall we resist them,
Or welcome? They are armed.—Egil!—Not here?

[Exit, closing the door. Another pause; the room grows dimmer; Egil slowly reënters, left.]

EGIL
Now will I sleep.—The time is strangely sweet,
Blank, and untroubled. Soon it will be starlight.
My limbs are filled with peace, mine ears with sounds
Of brooks and breezy leafage murmurous,
Mine eyes with slumber. Well, I will lie down
And sleep.

[As Egil goes to the hearth, enter Ingimund,
Thordis, Wuldor, and a number of Arfi’s men, carrying a litter, on which lies Arfi; these accompanied by Yorul, Rolf, Eric, and Egil’s men.]

INGIMUND
Slow; bear him softly, Wuldor. Let
The others stay without, and place our men
Most carefully on guard. For this one night,
Yorul, thy master’s bann shall be suspended.
The need is great.

THORDIS
[By the litter.]
Father, he hath grown paler.

INGIMUND
Here set him down.

EGIL
[Gazing at Thordis.]
Dreaming!

THORDIS
Gently! his side.

WULDOR
Lady, what more to do?

ARFI’S MEN
[Some kneel, some kiss her robe; all give to her their eyes and hearts unconsciously.]
What more?

THORDIS
Bring water.

YORUL
[Aside.]
Master, the hounds are tethered. Where is Frida?

EGIL
Dreaming! still dreaming!

YORUL
Frida?

EGIL
Wake me not.

THORDIS
Arfi! O gentle earl, look up! Let not
Your ears be as the turf to our great sorrow.
Arfi! I love you; live!

YORUL
[To Rolf.]
Hast thou seen Frida?

ROLF
No.
[Exit Yorul, left; Egil approaches Arfi’s litter.]

EGIL
Will he die?

INGIMUND
The virus of the wolf
Corrupts his blood; yet he may live.

EGIL
May live.

WULDOR
O God! I could take heart to bear this woe
But that the damnèd beast that bit my master
Still breathes.

INGIMUND
I wounded him.

WULDOR
Yet he escaped us.

ROLF
You, Wuldor, but not us. The wolf is dead;
Behold his skin!
[Reënter Yorul. He staggers forward.]

INGIMUND
Who killed him?

ERIC
Egil’s man
Yorul.

INGIMUND
Hail, Yorul! This deed shall atone
For much of thy defiance and thy master’s.
Well done!

YORUL
[Wildly.]
A lie! a lie! the wolf still lives.

ALL
Lives?

YORUL
There!

EGIL
[Crouching back.]
Ai! anarch!

YORUL
[Grappling Egil, tears off his bandages.]
Look! Look, Ingimund!
The wounds: you struck them with your hunting-spear.

INGIMUND
Forehead and thigh!

YORUL
He sprang on Arfi’s horse,
And bit his brother’s throat—his murderer.
There lies his changeling skin. He buried it
Here in the ashes.

THE MEN
[Falling away.]
Werewolf! Werewolf!

INGIMUND
Earl,
Thou art accused of sin unnameable.
Speak: art thou guilty?

EGIL
[Glares about him in fear and rage.]
Ai! Ai! anarch!

INGIMUND
Demon!

YORUL
Ah, Frida! Master—Frida!

ROLF
What of her?
Not dead?

YORUL
No, no; would God she were, and I!
Frida!
[Exit, left.]

INGIMUND
Destroy the wolf.

THORDIS
[To Wuldor, who is about to attack Egil with a spear.]
Stop, earl! Your master;
He has heard all.

ARFI
[Raises his body painfully on the litter.]
My brother—Egil—spare him.

WULDOR
But ’tis a werewolf!

INGIMUND
He has sought your life.

ARFI
The life he sought to take I give to him.
My strength is little; if you love me, spare him.

WULDOR
’Tis madness!

THORDIS
Nay, ’tis mercy, but to you
Reason is vengeance. Father, look; he sinks
Again. Will you deny the prayer of him—
[Lowering her voice.]
Perchance who dies.

ARFI
[Faintly.]
Egil!

INGIMUND
Egil shall live;
So much I grant thee, Arfi, but no more.
Henceforth thy brother shall be cast in chains,
Until the demon-beast that plagues his body
Is exorcised and tamed.—Lay on the chains.

[As the men approach with fetters, Egil seizes a chain from one, and, springing fearfully to Thordis’s side, there crouches and lifts it to her.]

EGIL
Not those—but thou!

[Thordis puts the chain upon Egil.]

ACT II

Scene I: A prison chamber, dim, built of stone

On the right stands a high, framed tapestry, the design partly worked; beside it, on a table, several harps and instruments of music. On the left, extending centre, the half-completed model of a structure resembling the temple in Act I, Scene I; beside it, wooden blocks and miniature beams; in front of it a stone tablet, upon which Egil—stooped, with an instrument in his hand—is laboriously carving runes. Behind him stands Arfi, at times guiding the hand of his brother, who is evidently being overcome by weariness, against which he struggles for concentration. Finally Egil’s head droops, his hand falls, and his body sinks prone.
At the door, Thordis enters.

THORDIS
Asleep?

ARFI
Quite, quite outworn.

THORDIS
The task is done?
The runes?

ARFI
He has mastered them.

THORDIS
[Sighs unconsciously.]
How swift he learns!

ARFI
Yes, hourly he hath grown through the strange months
Since Ingimund entrusted him to us
To dispossess the beast that plagues him.

THORDIS
Look
Now where he lies and dreams.

ARFI
There lies a block
Of chaos, for our wills to fuse and kindle
Into a world, glowing with vital forms
Of law and loveliness. Yea, Thordis, we—
We are his being’s seasons, you and I;
The sun and moon, the starshine and the dew,
Of this stark heath and breeding moor of passion,
And the large jurisdiction of our love
Must ripen there the temperate growths of reason,
And stablish the mind’s palaces.

THORDIS
You speak
In sadness.

ARFI
Nay, in awe. The thought grows vast
And awful.

THORDIS
So? I do not feel it, I!
I feel as elemental as the air,
That holds secure within its crystal veins
As many thousand summers and their blooms
As the earth may yearn for.

ARFI
’Tis because you are
Bounteous as the air, that from your presence all
Take breath and power. Since you elected me
Beside the altar stone, even I, that was
A warped and ailing mannikin of woe,
Prickling with sensibilities and pangs,
Have felt myself exalted and at peace
With this poor twisted mask of torse and limb,
So simple it seems, so sane, so actual,
That what I am was your immortal friend
Elsewhere.

THORDIS
And have you felt the same? We two
Have walked eternal mountains hand in hand,
And watched the morning of our little lives
Break over our birth-hour, and we shall stand
Together at the sundown, and behold
The passion clouds of death grow pale.

ARFI
And then
We shall pass on together.

[In his sleep, Egil moans.]

THORDIS
We forget;
We must not leave him as we found him, love.

ARFI
The wolf torments him still in sleep.

THORDIS
Poor dreamer!
And have you told him yet we are to wed
To-morrow?

ARFI
No; I dreaded to rouse up
The old, jealous hate; for since my wound has healed,
He seems to have forgotten that old feud,
And looks on you and me no more, methinks,
As keepers of his prison-house, but rather
As his accomplices, that smuggle in
Subtle devices for his liberation,
To comprehend the use of which he expends
All of his time and powers.

THORDIS
Accomplices:
It may be so; for he, that used to hang
With looks of fire upon my merest motion,
Will gaze beyond me now with eyes that gloat
Blank as a miser’s on some buried hoard.

ARFI
The gold he hoards is knowledge, and ’tis well,
For that preoccupation may assuage
The pain he else might feel, when he shall learn
Our joy to-morrow.

[Egil cries out again.]

THORDIS
Yearning heart! how deep
It labours still in pain! Let us take care
To acquaint him gently with our happiness.
We must divert him.—Why, what’s here?

ARFI
[Smiling.]
A temple;
We’re architects.

THORDIS
He helped you build it?

ARFI
I
Am helping him.

THORDIS
But how shall this avail
To tame the wolf?

ARFI
His genius is destruction;
His breath and bondage—to annihilate;
And therefore Egil must be shown to build
And not destroy; of mean, chaotic things—
These blocks—to make admired harmony,
And shape, however rude, some tangible
Earnest of his constructive will.

THORDIS
I see;
Who would have thought of it but you? Not I!
[Egil moans.]
Hark!

EGIL
[Low, in his sleep.]
Freyja!

THORDIS
Did he call?

EGIL
Freyja!

THORDIS
That name!
You heard?

ARFI
The goddess Spring’s.

THORDIS
You taught him, then,
To pray?

ARFI
Not I.

EGIL
[Starting to his feet.]
Freyja!

THORDIS
Can this be Egil?

EGIL
[Crouched, pacing to and fro.]
Free me, Freyja! Frore am I, frost-bit;
Go we together into greenwood glad!
Mirk under moon-mist mad will meet thee,
Hunt thee from hiding, thy heart-beats hear.

ARFI
It is the wolf that wakes, while Egil slumbers.

EGIL
[Looking, with closed eyes, as toward a height.]
Free me, Freyja! Fair art thou, froward;
Go we together into greenwood glad!
Burns thine eyebeam bright as the bitch-wolf’s;
Longeth Fenris in thy lair to lie.

THORDIS
What other name spake he?

ARFI
I could not hear.

EGIL
[In sudden terror, seeking to fly.]
Ai! anarch! anarch! Ulfr!

THORDIS
Wake him.

ARFI
Wait;
What this reveals to us may prove of help
To him.

EGIL
[Defiantly.]
Oathless am I!

THORDIS
But see! he suffers.

EGIL
I—I am Allfather!
[Swaying with anguish, as under the blows of a scourge, he sinks upon the floor, overwhelmed and quivering.]
Oathless—am—I—

THORDIS
Egil, awake! awake! ’Tis nothing.

EGIL
[Gradually waking, rises to his knees.]
Freyja!

THORDIS
No goddess I, poor Egil, but your friend
Thordis, the maiden.

EGIL
She thou art—the same
Even now that saved me. [Starting.] What is that?

ARFI
Your brother.

EGIL
My brother he is tall and beautiful,
Happy and glorious, and I hate him for’t.

ARFI
Nay, you have hated me, but not for that.
Look on me, Egil.

EGIL
Arfi!

THORDIS
’Twas a dream.

EGIL
What’s that—a dream? Is it a mist that steals
Between the eyelids, filling them with shap
Begot of its own vapour,—shadows? lies?
If so, which shapes are dreams—your forms, or those,
Those even now that beheld me, where I crouched
Among the crater’s hoar crusts, numb with cold,
Yet writhing in the brassy flames, that eat
And crawled into my vitals? Mine? No, no!
That was not I, that nameless thing, not I!
Say “No.”

ARFI
It was the wolf. You fell asleep,
Wearied, and dreamed of him.

EGIL
If that be sleep,
Then let me sleep no more. O friends, sweet friends,
You that have weaned and reared me from this thing,
Promise I nevermore may droop mine eyes
But you will prod them open.

THORDIS
You forget
How you have grown. Soon you will be once more—
But oh! how milder, mightier, than before—
Egil, the hunter.

EGIL
Till then, Egil the hunted!
O Thordis, could I meet—as many a time
I’ve met within the forest, face to face,
My quarry, and destroyed it—could I so
Confront this inward beast and grapple him
To the death-struggle,—ha! but with a dream!
A spectral wolf, that lurks ever in the dusk
And tangled thickets of my brain and will,
A wraith invulnerable, that makes his lair
In my bosom, that, when I would strike,
I lacerate myself, draw life—myself
The beast, the bait, the hunter and the hunted!

THORDIS
Nay, you are still the hunter, he the quarry,
Only to track him hath grown harder, for
He hath grown duskier as your mind hath dawned,
And can no more take shape, as he was wont,
In tangible horror to the eyes of all.
Yet we will track him—you and I.

EGIL
But how?

THORDIS
With flaming torches we will set ablaze
His ancient wilderness, till through the gap
Of sundering boughs the quiet stars shall mock him,
Naked and overwhelmed.

EGIL
But where? What boughs?
What fire?

THORDIS
[Taking up, among the instruments, a reed-pipe.]
The way is wild; this pipe shall lead us.
Play, Arfi!

[Sitting beside the block temple, Arfi begins to play upon the reed.]

EGIL
But this pipe—

THORDIS
Do you not hear
Her voice alluring us? It is a wood-sprite,
The elf-child Harmony.

EGIL
Where can she lead us?
This is a prison.

THORDIS
She can lead us forth
Into the beauteous world. Hark! even now—
Do you not see?—the walls are crumbling, bright
With ivy-dew and morning.—Don’t you hear?
The birds! the birds!—Now, Egil, now your hand!
Now on the dance with me! We’ll follow her
On—to the chase!

[Taking hands, they dance whilst Arfi blows the mellow pipe. Eager, impetuous, Egil becomes kindled by the sound and motion till, in the midst, dropping Thordis’s hand, he gropes toward the wall.]

EGIL
The chase! the chase! the chase!
Ho, torches for the chase!

ARFI
[Stops playing, and rises.]
A metaphor
Transforms him.

EGIL
Torches!
[Stumbling against the blocks.]
What is this?

ARFI
Our temple;
We’ve left it uncompleted.

EGIL
This!—the chase!
To sit block-building like a little child?
To ask vague questions that await strange answers?
No! do not mock me! Summon the great hunt.
Hand me a torch into my gripping palm,
Point where to leap, and let the whirlwinds sing
And the great jungles crash in conflagration.
The wolf! reveal the wolf! that I may rend
The demon limb from limb.

ARFI
He rages blind
Now in your eyes.

EGIL
[Controlling himself, shudders.]
Emancipate me!

ARFI
Come;
Here let us sit, as we were boys again,
And pile our blocks.

THORDIS
Go, Egil! Build with him.
The forest-sprite has led you to her temple.

[Going to the tapestry frame, while Egil joins Arfi, she begins to work upon the embroidery, observing from time to time their block-building.]

EGIL
A temple! Still they mock me.—’Tis a toy.

ARFI
Why, true, a toy, and yet a temple, if
The mind bring incense here, and the bow’d heart
Make sacrifice.

EGIL
We are not pigmies, we,
To creep under this gable.

ARFI
Are we not?
Are we so great? Who hath not stood beneath
A sparrow’s egg-shell, speckled o’er with stars,
And dwindled there with wonder? Who so small
But hath, to quench desire, drunk of the sun
Or set his parch’d lips to the moon’s pale rim?
So great, so small, neither and both, our stature
Waxes and wanes, inconstant as a shadow
’Twixt night and noon and night. This temple, lad,
Will be as cramped or spacious as the spirit
Which consecrates it.

EGIL
Dark! Thou speakest darkness.

ARFI
Listen! This house of toy-wood is the altar
Where you must supplicate the immortal gods
For freedom.

EGIL
So; the immortal gods! What, then,
Are they that I should sue to them for freedom?

ARFI
They are the powers of the inevitable
To whom we mortals must submit our wills
Or perish.

[Egil’s structure falls.]

EGIL
Ah! it breaks. What made it fall?

ARFI
A god: the same that holds these prison walls
Stone upon stone; the same that mortises
The rock-seams of the solid hills, and hangs
Aloft the glittering roof-tree of the world.—
You builded weak, and the god chided you.

EGIL
Are then the gods so near?

ARFI
In all our acts
We feel the might of their invisible hands,
But only in prayer behold them face to face.

EGIL
In prayer?

ARFI
The abnegation of our wills
For theirs, the affirmation of their laws,
Which to the god’s “Thou must” answers “I will.”

EGIL
And that is freedom?

ARFI
That alone is freedom.

EGIL
I will be free then, Arfi. Why, ’tis simpler
Than playing with these blocks. I will be free!
Teach me to pray.

ARFI
I cannot.

EGIL
Teach me, Thordis.
[She shakes her head and smiles.]
Alas! who will?

ARFI
Yourself alone.

EGIL
But how?
How may I know when I have learned to pray?

ARFI
When, in the full sight of your goal of yearning,
Your spirit, pausing, cries out to the gods—
“This is my heart’s desire—take it—’tis yours!”
That instant of renunciation will
Be prayer and freedom both and the wolf’s passing-bell.
[Enter Wuldor; he goes to Arfi and speaks aside.]
Admit him.

WULDOR
But—

ARFI
Why not?

WULDOR
His looks are wild,
His words were bitter. When he spoke of thee,
He laughed and scowled.

ARFI
Say we will come to him.
[Exit Wuldor.]

THORDIS
[Whom Arfi approaches, with a warning gesture.]
Who is it?

ARFI
[Aside.]
Yorul; he has asked to speak
With Egil.

THORDIS
Ought we to admit him?

ARFI
It is wise,
For so may Egil measure what he is
By what he was. Look; he has knelt to pray.
The time is fitting; we will leave him so.

THORDIS
[Leaving the tapestry.]
How noble he looks! Shall we not tell him now
About to-morrow?

ARFI
We will tell him all
When he has prayed.
[Exeunt.]

EGIL
[Solus.]
To pray—to pray is simple:
“This is my heart’s desire—take it—’tis yours!”
And so—emancipation. O you gods,
If through these prison walls you may behold
The mock rites of this childish temple, hear me!
Knowledge—knowledge, that is my heart’s desire.
That is the soul-inebriating cup
Which hath transformed me half unto your image
And still hath drugg’d the other brutish half
To lethargy and dreams. To know, to learn,
And evermore to learn! To watch new worlds
Kindling from out the dark of consciousness,
Fresh firmaments gathering from drop to drop
Of common morning dew; to be upborne
On the light-trailing wings of understanding
And scan far off the former crawling-place
And wolf-haunt of the spirit, to spread those wings
At one’s own will and mount into the sun,
Searing the mind with ecstasy—you gods!
That is my heart’s desire: take it from me!
Take it, ’tis yours, for it hath come from you,
But when of that you have bereft me, leave
Freedom instead, and innocence.
[Enter Yorul.]
What’s there?
Speak.

YORUL
[As Egil starts up, bows himself at his feet.]
Thy betrayer.

EGIL
Oh, art thou a god?
And art thou come in answer to my prayer?

YORUL
Master—

EGIL
I know thy voice.

YORUL
[Turning upward his face.]
Destroy me.

EGIL
[Dreamily.]
Yorul!
Yorul, my liegeman!

YORUL
Once thou named me so;
Once and the world was sweet—once and ’twas sweet.

EGIL
Why have they sent thee, Yorul?

YORUL
Who, my lord?

EGIL
Thou art their messenger; be swift; declare
Their grace, or doom.—Shall I go free?

YORUL
Destroy me
With blows of steel, not of remorse. None sent me.
Myself hath driven me here, here to the cell
Wherein my treachery consigned my master.
Hear me!

EGIL
I hear thee, Yorul.

YORUL
Since that night,
That bitter sunset when she—since that night
Till now, I have not left the forest, nor
Spoken with friend or foe; but I have stopped
My heart in the deep silentness of trees
Till it hath burst for pain. My wrong and thine,
Thy wrong and mine—I dared to balance them,
To let my woe condone my treachery
And prove it justified, as if my heart
Were not itself thy vassal, and its pangs
Feudal to thy desires. And so I sinned
Until to-day.

EGIL
These are enigmas. Speak!
How have the gods made answer to my prayer?

YORUL
To-day I met with peasants in the wood
Who drove their herds of swine all garlanded
With green arbutus. Hailing me, they cried,
“Why come ye not with us to Odin’s stone
Against to-morrow’s wedding-day?” “Who weds?”
Quoth I. “Our priestess Thordis weds the dwarf;
Come with us!” Then I bit my arm and vowed
That I would come to thee and speak my shame,
And say, “Destroy me, lord, or let me serve thee.”

EGIL
Peasants they were; they said—what was’t they said?

YORUL
“To-morrow our priestess Thordis”—

EGIL
“Weds the dwarf!”
Those were thy words; thou shalt not change them now.

YORUL
I would not change them.

EGIL
Wouldst thou not? Well said!
“To-morrow the maiden Thordis”—nay, not so;
“To-morrow our priestess Thordis—weds the dwarf.”
And all their swine were garlanded.—Was it so?

YORUL
Even so, and I—

EGIL
Even so!

YORUL
I vowed to come—

EGIL
[Laughing.]
Knowledge—knowledge—that was my heart’s desire!

YORUL
And make confession—

EGIL
Why, here have I sat
And licked the crumbs of knowledge from his hand
As I had been his beagle; and for what?
To grow! to be transmuted from a wolf
Into my brother’s ape! To evolve a mind
That knows at last the rapture it must lose.
Oh, noble!

YORUL
And make confession of my crime
As of my love.

EGIL
[Beginning to pace back and forth.]
Ha!

YORUL
For I loved her well,
More than I dreamed. Love leads us from the truth
And blinds us to ourselves.

EGIL
Ah!

YORUL
So when I
Beheld that deed—forgive me!

EGIL
Ah!

YORUL
I spake
Those traitor’s words that damned thee to this cell;
For I was mad. O God! the memory
Maddens me now.

EGIL
Ha!

YORUL
Look not on me so,
For I am weak and passionate. Take care!
The truth deserts me!—Nay, forgive me, master,
’Tis love is falsehood.

EGIL
Ah!

YORUL
I am thy liegeman,
And what was mine was thine to take, unquestioned.

EGIL
Ah!

YORUL
Yet my soul would question, and I claimed her
In spite of thee, for that same night—
[Draws nearer and whispers.]
I killed her.
Mine! She is mine! Thou canst not touch her now.
She lies out yonder with the virgin stars
White and inviolable. Dead, she is mine
Whom, living, ’twas thy title not to spare.
Master, pity my triumph! Leave me yet
This foible of my arrogance, for which
Henceforth I am thy loyal slave, to do
Or die for thee.

EGIL
Wouldst serve me—ah?

YORUL
Say how!

EGIL
Seems thou canst kill.

YORUL
Speak but that word.

[They look long at each other.]

EGIL
’Tis spoken.
Go!—Stay!

YORUL
What more?

EGIL
Thine oath!—for sometimes, Yorul,
The resolute grow sick with afterthought,
And hot will cool—thine oath, to shun my sight,
To speak not nor be spoken with, until
’Tis done.

YORUL
[Raising his right arm.]
By Frida’s cold and virgin hand,
To shun my master’s sight, to speak not, nor
Be spoken with, until ’tis done.

EGIL
’Tis sworn;
Go now.
[Yorul covers his face, and exit.]
To-morrow she shall wed—not him.
O dupe of lovers! Bond-slave to a dwarf!
O gods, your fool! your fool!

[Throwing himself down beside the temple of blocks, he destroys it, insensate, and crouches, laughing, amid the ruins.]

Scene II

[The curtain rises presently upon the same: a taper burns low. Thordis, seated with a harp, is playing; near her Egil stands amid the block ruins. Ceasing to play, Thordis rises, looks at Egil (who stands oblivious), passes silently to the window and looks out.]

THORDIS
The moon has set.

EGIL
[Stirs as from a trance.]
Can, then, the eternal cease?
That perfect architecture pale in air?
You built again my temple of sweet sounds
And peopled it with deathless visitants,
And shed around their forms a nameless grace
Medicinal as moonlight, and as calm.
I walked with them, and they discoursed with me.
Almost it seemed myself was one of them.—
And then you ceased.

THORDIS
’Tis beauty’s paradox
To prove itself immortal—and to die.

EGIL
Die? Must this godlike transmutation lapse
Into the lurking wolf again? Ah, no!
That music died in labour, and its yearning
Hath borne a man-child, that lives after it
Here in my soul. Henceforth I nevermore
May be that groping hypocrite of prayer
Whom you uplifted from this ruined altar,
With passion-sealèd eyes seeking the light
Of freedom. No, henceforth I shall be strong,
Clear-eyed, serene, and dauntless. See! I take
Your hand and bid you go from me.—Thou only,
Thou art my heart’s desire. See! I renounce thee.
Go from me, for I love you. Leave me! Yet
You leave me not alone; that passionate presence
Which the blind wrath and hunger for possession
Cries out for from my clay—of that I am
Bereft indeed; but losing that, I gain
The stellar part of you, the exceeding light
Of fellowship and human sympathy.—
Leave me! I love you.

THORDIS
Is this Egil speaks?

EGIL
Egil, your lover, I!

THORDIS
The gods are mighty,
And music is the lordliest. O Egil,
Thou art emancipated, and to-morrow
They will fling wide thy prison doors.—Good night!
[Giving him the harp.]
Keep here thy god with thee.
[At the door, as they clasp hands.]
Brother!—Good night.
[Exit.]

EGIL
Sister!—Emancipated! Mine at last
Freedom and innocence! The occult beast
That crouched beside the sweet wells of my spirit
Is exorcised at last.—To-morrow dawn
I shall go forth and taste the wild, spring air,
And gather the hamlet children in the woods
To pluck arbutus for her wedding-day,
Her wedding-day—and his. I have renounced her.
Emancipated—but I have renounced her
Even for that, for freedom. What were freedom
Without—his! his! forever his own! And I
Am happy, rapt, triumphant? His! What power
Hath wrought in me this ignominy?
[Lifting the harp.]
Thou!
Wast thou, imperious instrument! Wast thou,
Delirious god!
[Fiercely he plucks out several strings.]
Thou hast decoyed me!
[Pausing.]
Still,
There’s Yorul; Yorul’s true.
[Wrenching with both hands the harp’s frame, he breaks it in halves, and exultant, raises them above his head, with a great breath.]
Emancipated!

ACT III

Scene: A forest glade

On the left, a green bank and a pool, back of which is a thicket; on the right, a vista, beneath boughs, of a distant volcano, rising through the wet light of dawn.

EGIL’S VOICE
[Outside.]
Help—O! help—O!

SHRILL VOICES
[Outside.]
A troll! a troll! a troll!

[Enter, right, Egil, running. He is completely surrounded and swarmed over by little children in bright spring garb. One little girl has climbed upon his shoulder, where she clings.]

THE CHILDREN
Heigh! hold him fast. Troll! troll!

EGIL
Help, gentle greenwood!
Am I but now escaped men’s prison walls
To fall into this ambush of thine elves!
Save me, you wrens and warblers! Fetch me wings!

THE CHILDREN
[Taking hands, dance about him, singing.]
Thrice, thrice,
Thrice around thee!
Star-wise
Our steps surround thee;
Now yield thee, yield thee, proud Sir Troll!
Body and soul
Our spells have bound thee.

EGIL
Thrice, thrice,
Thrice around me!
Star-wise
Your steps surround me.
Now yield I me and pay my toll—
Body and soul
As ye have bound me.
[He lies down, pretending death; each child places his foot upon him, with a shout. At this he springs up, laughing, seizes a little boy and girl, and, seating himself on a log, places them on his knees. The others cluster about him.]
Ha, sirrah! is this maid thy sister?

THE LITTLE BOY
Yes,
She’s mine.

EGIL
What wouldst thou do if I should steal her?

THE LITTLE BOY
I’d kill you.

EGIL
Ha! wouldst let him?

THE LITTLE GIRL
Oh, of course;
He is my brother.

EGIL
’Tis a brother’s right
To kill, I see.

THE LITTLE GIRL
In play, you know.

EGIL
In play.

THE CHILDREN
Come play! Come play!

EGIL
What now?

THE CHILDREN
[Severally.]
Fox and wild geese!
Glass-mountain, Spinning-fairy, Cat-skin, Crows,
Frog-bridegroom!

THE LITTLE GIRL
I know what!

EGIL
[Takes both her hands, smiling.]
Well, what?

THE LITTLE GIRL
I’ll be
Red Riding-hood, and you shall be the wolf.

[Egil drops her hands and rises.]

THE LITTLE BOY
I’m the good hunter and these are my men.

EGIL
[Vassal-like to the little boy.]
Beseech you, sir, may I not play your part?
I’d fain be the good hunter.

THE LITTLE BOY
Granted, earl.
I’d fainer be the wolf.
[To the children.]
Come! gather your flowers.

EGIL
And when you’ve filled your laps and aprons up
With wind-flowers and arbutus, bring them here.
Mind! ’tis our lady Thordis’ wedding-day.

THE CHILDREN
[Running from the little boy.]
The wolf! the wolf!

[Passing left into the wood, they are seen for some time gathering flowers and watching, in their game, the stealthy approachments of the little boy.]

EGIL
O freedom! happy world!
Hark, how they laugh, with bubbling undersong
Sweetening the over-choir of the birds.
And I—I, too, can laugh; can loose my soul
Free-wing’d into the open with a cry
Unfetter’d as a lark.
[Looking up into the tree-tops, he laughs again.]
O rarest laughter!
O medicine of the long-languish’d mind!
O welling of the heart’s sweet waters up,
Washing the acid tang of cynic woe
Sere from the spirit’s lips. O benison
Of innocence! And have I lived before
This hour? Is not this day creation’s dawn?
[Flinging himself upon the bank.]
These children, with their lifted flowerlike faces,
These flowers, with their dewy childlike eyes,
These parting vapours on the golden hills,
Yea, all these leaves of little twinkling grass
Whose roots strike down to tears of yesterday—
Now shine like things immaculate, new-born,
And I, and they, like issue of one mother,
The offspring of an universal birth.
Oh, what exceeding power hath loveliness
For her beholder!

[Where he lies thus rapt in the sylvan landscape, the first sunlight breaks through the wood, and by it the
Shadow of a man is thrown sharply, from the left, across the reclining form of Egil. At the same time, from the right, is heard Arfi’s voice, singing.]

THE VOICE OF ARFI
Thy heart, love, give or take
Or cast away;
Mine shall not break
Forever and a day;
For lovers kiss their mates where thoughts are kind.
Love lives within the mind—the mind—the mind.

[Slowly having risen to his feet, Egil perceives the human shadow and starts.]

EGIL
Yorul!
[The shadow recedes, left, from the scene.]
Yorul, stay!
Come back!

THE VOICE OF ARFI
The redstart and the rose,
The clear sunrise,
What mortal knows
Their grace to immortalise?
Seek them again, where Death can never find,
By love, within the mind—the enamour’d mind.

EGIL
It must not be.—Yorul!—What, I
Was mad, who now am sane and innocent.
Come back! It shall not—Yorul!

THORDIS
[Calls outside.]
Egil!

EGIL
[Pausing.]
She!

[Enter, right, Thordis and Arfi. They are dressed in white, the dwarf being quaintly garlanded. They are followed by
Wuldor. Thordis goes gaily toward Egil, extending both her hands.]

THORDIS
Deserter! runagate!—Look, Arfi, here’s
Our truant brought to bay. And will not yield!
And will not even surrender up his eyes
To his imploring gaolers.—O proud brother!
Not even a hand-clasp in return for all
Thy struck-off shackles?
[Taking her hands, he still looks off left.]

EGIL
Lady!

THORDIS
Still no eyes
For mortals? Quite enamoured of a wood-sprite?
Alas! we’ve broke a tryst and she has flown!
Call her: perchance she’ll hear.

EGIL
[Looking upon Thordis.]
Lady!—
[Quickly then turning away, speaks under his breath to Wuldor.]
A word,
A word!

ARFI
He’s deeply moved.

THORDIS
He’s deeply changed.
Saw you his eyes when they turned full on me,
And he said, “Lady”? There were tears in them,
Tears, and yet through them glowed the ancient fire,
Not now in wrath, but tenderness.

EGIL
[Aside to Wuldor.]
Overtake him;
The oath he swore to Egil—tell him—Egil
Now countermands. Bid him do nothing; go!
[Watches Wuldor off, left. Arfi, quietly looking at him, speaks to Thordis.]

ARFI
You love him dearly?

THORDIS
Very dearly.

EGIL
Brother,
Thordis, your hands again!

ARFI
[Smiling.]
Have you despatched
Wuldor to find the lady wood-sprite?

EGIL
Friends,
Were we less deeply known to one another,
And chiefly I to you—what thing I was,
What now, perchance, am grown—well, I suppose
’Twere custom, were it not? to wreathe our lips
With honey-blossoms of superfluous
Congratulation: you are to be wed,
And I am free, and my emancipation
Owes all itself to you.—“Heaven be with you!”
“I thank you well,” “Joy is to me!”—But these
Things being said, and rung with all the chimes
Of truth, I beg of you let now these hands
Speak the unsaid remainder for our hearts
In silence.
[The three hold hands.]

ARFI
[After a pause.]
Vaster powers than we have wrought
This friendship. Whom the gods join hand in hand
Their fates thenceforth are mingled.

THORDIS
[Loosening her hands with a laugh.]
So, dear lord,
Be merry!

ARFI
[Speaks low, with a smile.]
Have I not divinest reason?
This is the place.

THORDIS
Arfi! The sacred pool?

ARFI
The pool of Freyja—there! The wood-folk call it
Her mirror, for they say that once i’ the year,
Ever at May-day, the fresh goddess comes
To sit beside it with her elves, whilst they
Comb her bright hair.

THORDIS
And then she peers within it?

ARFI
As you do now.—Sweetest, good-bye!

THORDIS
Good-bye?
But where are you going?

ARFI
The wood pathway to heaven.
I’m going to hasten that laggard priest, your father,
To make him make you mine.

EGIL
Stop! You’re alone.

ARFI
Well?

EGIL
[Embarrassed.]
Will it be now?

ARFI
Am I not written large
With bridal runes? Hang not these garlands thick
As invocations from an inn-house gable?
“Here light ye down, fair guests! Light down, light down,
Dear lady, at the sign of the ‘Green Bridegroom!’”—
Farewell, sweetheart. This day is clothed in green
For joy. I will return with Ingimund
As swift as longing.

EGIL
Stay; we must be wise.
You must not leave me here alone with her.

ARFI
Why? Are you not my brother?

EGIL
I am he
Who vowed against you hatred and revenge.

ARFI
Also you are my brother.

EGIL
I am he
That with a brutish fang struck at your life.

ARFI
Good-bye, dear brother.

EGIL
Wait! Was I not then
Your brother—then? Will not a brother lust?
A brother covet? Are not beauty, grace,
Lures to a brother’s eyes? Are brothers’ souls
By nature kin? Or is that name a spell
To render heart and mind innocuous
That else might murder, ravish? Oh, be not
So rash as put your trust in me because
I am your brother.

ARFI
[Returning to Egil, embraces him.]
Lad, keep this with you.
I would not be so rash as not to trust
In you a power more august than yourself
For all the joy and honour which this day
Holds out to me.—Adieu! This day is joy’s.
[Exit, right.]

EGIL
Now we’re alone. How is it with you—sister?

THORDIS
Strangely, my brother; how is it with you?

EGIL
O God!
How many waking dawns and desperate nights
Have I, in sharp imagination, moaned
For this sweet hour, to stand—as now
I stand—alone with you, in liberty.

THORDIS
And now that time has come.

[She reaches to him her hand; he does not take it.]

EGIL
Now it is come,
But ah! how sternly different is this truth
From all I dreamed. Can this be freedom? See!
What hangs upon these arms? They wear no chains.
Why, then, do they not catch you breathless up
And bear you hence in rapture? In your eyes—
Lo! veilless I behold your virgin soul!
And yet she does not fly, nor I pursue.

THORDIS
What should she fear?

EGIL
What should she not?—These eyes
Renouncing hers; these hands that dare not press
Her vesture’s hem, lest they consume like coals
That robèd sanctuary; these desires
That burn around her like the hedge of flames
Round Brunhild’s bower; this waiting dawn, this hush
And solitary wood—What fear? Herself,
Herself that, all resolved to beauty, breathes
Herself unto these eyes, these hands, this dawn,
These leash’d desires!

THORDIS
You love me, you would say.
Why should you not?

EGIL
I have renounced you.

THORDIS
Me,
But not your love for me. Surely that still
Is happiness.

EGIL
Why, yes, I must be happy;
For this is pain, and pain is very sweet
To those who love; and this is bitter sweet
To breathe the name of “sister” ’gainst your cheek
Where but so late the sigh of “sweetheart” stole
Warm from my brother’s lips.—O lure and vision!
Do you not see? I have climbed up to you
Out of the rank abyss; this is the verge:
One word, one look, from you must hurl me back,
Or save me.

THORDIS
Look.

EGIL
How have you dared to trust me?

THORDIS
When have we ever ceased to trust you?

EGIL
“We”?

THORDIS
Arfi and I. Oh, he is very wise.
His judgment is as gracious as a child’s
That in the wonderland of its own wisdom
Imagines nothing baser than itself.

EGIL
But I am baser.

THORDIS
Hath it proved so?

EGIL
[After a pause.]
No!
No; thanks to you and him and my own pain,
It shall not prove so. This at last is power
And innocence; this—this at last is freedom.
Now when I clasp your hand I clasp his also—
My saviour’s; now beneath your face, for shrine,
I will confess my spirit to you both,
For are you not my gods? You have created
My heaven and hell, and builded my path heavenward.
Now from your eyes nothing—nothing within
This heart shall be concealed.

THORDIS
[Smiling.]
What then is your secret?

[On the edge of the scene, left, unobserved by them, reappears the human Shadow.]

EGIL
[Slowly rises.]
My secret?

THORDIS
Come, sit with me on this bank,
And I will be a listening stream, a bird,
An opening flower, to overhear you.

[He follows and sits beside her; the Shadow slowly moves toward them.]

EGIL
But—

THORDIS
That thought which falters now behind your lips.

EGIL
I have no thought which hides from you.
[The Shadow moves between them. Egil starts up with a cry.]
Again!
Again it falls upon me!

THORDIS
What?

EGIL
’Tis gone.

THORDIS
What’s gone?

EGIL
It is no matter.

THORDIS
A surprise!
I see: a wedding-day surprise for us.

EGIL
No, but a lie. I lied to you. Last night
I told you I renounced you, but I lied.

THORDIS
Egil!

EGIL
It was the music, the harp-demon;
It blinded and then tempted me; it lured me
To obtain my freedom falsely. But to-day,
This morning when my body fetterless
Roamed in this wood-side, and the little children
Climbed over me in laughter, and I too
Laughed with them, and all nature laughed and echoed
“Thou art emancipated!”—I was healed;
Then I was healed and now all’s well again;
All’s well; no harm shall come to him.

THORDIS
To whom?
I do not understand.

EGIL
You have no need;
I claim your own assurance. Will you trust me?

THORDIS
So well that, now you have put your secret by,
I will tell mine.

EGIL
What secret can you have
For me?

THORDIS
You have been wicked; so perhaps
Have I.

EGIL
[Smiling.]
You!

THORDIS
[Showing her hand.]
Look! look there.

EGIL
A scar.

THORDIS
The mark
Of fangs.

EGIL
What thing has dared to give you pain?

THORDIS
Have you forgot?

EGIL
Ah me! I had forgot.
Cannot you, too, forget?

THORDIS
I would not; that’s
My secret. Yes, this scar is dear to me.

EGIL
That sign of blasphemy, of him—the werewolf—

THORDIS
Is dear to me.

EGIL
Thordis!

THORDIS
I loved the wolf.
It was a life to nourish and protect,
A being alien and mysterious,
Yearning and captive. It was terrible,
And yet so eager, swift, and passionate
It fascinated me. It was ignoble,
Cruel, yet infinite of promise; cunning,
Malicious, yet beautifully animate,
Sublimely animal.

EGIL
O pain!

THORDIS
To take it
Into my bosom, foster its wild growth
From hour to hour, to watch from day to day
The fierce light of its eyes glow deeper, milder,
To nestle it only to set it free—these joys
Were pangs to me.

EGIL
[Low.]
Have pity!

THORDIS
Then it was
So lordly, so imperious of strength,
In grace so sinuous, in pride so ardent—
Who had not been enamoured of it?

EGIL
Cease!
It wrought some monstrous spell to make you wanton.

THORDIS
If that be wantonness which fain would take
No joy of loving but the giving joy.

EGIL
But for that beast you turned your thoughts from Arfi?

THORDIS
You do not understand; Arfi and I
Are one; it needs no murmured wedding vows
To make us that. But I am beautiful,
And all who look upon me love to press
Nearer and touch my gown, and when I pass
I feel the ruddy mantling of their cheeks
And the wild admiration start; and these
Are joys to Arfi as to me, and we
Return their love.

EGIL
Even so you loved me?

THORDIS
No,
More than all those, for you alone of those
Had need of me.—And so you have my secret.
I fear indeed it is a wicked one;
For I have been like a too-doting nurse
That lets her heart hang backward in regret
And whispers her loved one, “Grow, but do not leave me!”

EGIL
For what then have I grown, O gods?

THORDIS
For this:
To be yourself, and free of that nurse-bondage.

EGIL
Free! but alone, adrift! Oh, take me back
Into the bosom of your care. Once more
Nestle me there, the wild thing!

THORDIS
That once more
So you might struggle for your freedom? Nay,
The wild thing now is dead.

[Enter Wuldor, left; he goes to Egil.]

WULDOR
I cannot speak
With him. When I approached, he fled from me,
Silent. I called, but both his hands he pressed
Over his ears, and silently among
The trees eluded me.

EGIL
[Seizing Wuldor’s wrists, speaks huskily.]
I have not willed this;
They cannot lay this crime on me—these gods,
For I have annulled it, I have cancelled it.
Come here, look in my heart; is it not clean?
Woe thou mayest see there, yearning, pain, but not—
Say, canst thou see there—murder? Answer not,
But go! What will come will come; what have I
To do with it? Go, go, I say.
[Exit Wuldor, right, looking darkly.]

THORDIS
You are ill,
Your gestures—they are wild.

EGIL
Why should they not be?
The wild thing is not dead, but is exalted.
Gods, why should we, your hinds, coin and devise
Dreams of emancipation! We are quibblers
And hypocrites, damned, every slave of us,
To hug our chains in secret. Rather than
Acknowledge what we are, the mind outwits
The heart, the heart hoodwinks the mind, the tongue
Cajoles and counterplots them both, while truth—
[Breaks into laughter.]

THORDIS
Tell me the truth.

EGIL
Again? Another version?
Why, listen then: I love you; not in the awful,
Serene idea of self-sacrifice,
But passion, which of right demands return
Of passion, nature’s just and ancient barter.
I want you; I demand you—all yourself.
I offer all myself.

THORDIS
What of your brother?

EGIL
I ask you nothing which he does not ask.
He offers nothing which I do not offer.
There was a difference between us once,
Not now.

THORDIS
Hath he not made you what you are?

EGIL
Yes, he and you.

THORDIS
And in requital now
You would seduce his bride?

EGIL
No, not seduce;
Demand. Yes, though I seem to rave, I speak
Love and conviction. Judge me, dear my lady.
You chose between us brothers when we were
Contrasted in our souls as some meek bard
Of pity, with a beast. Look on us now
Again, before it be too late, and choose
Between us now.

THORDIS
I have chosen once for all.

EGIL
But have you chosen blindly?
[Points into the wood.]
Do you see,
By yonder pine, that wild crab-apple tree?

THORDIS
I see a tree just bursting into flower.

EGIL
Is not it beautiful?

THORDIS
’Tis ravishing.

EGIL
Last winter, had you passed, you might have seen it
Writhing its frozen limbs there like a thing
Accurst, all pinched and scrambled by the pangs
Of screaming winds; you would have shrunk from it
Beneath the verdurous pine, in whose sad boughs
The same winds sung like voices of tuned lyres.

THORDIS
It may be so.

EGIL
Yet now behold it, now!
A pale-rose pyre of fragrance and of flame,
Wherein, like sacrificial spirits, sit
The tawny and vermilion birds, and strike
Their silvery chants in unison, and hung
Amid the tangled bloom, in murmurous choirs,
The blazing gold bees shrill their mellow horns.
Look, Thordis, look again! If you were Freyja,
Herself, goddess of spring, which would you choose
For shelter now, and joy?

THORDIS
[Gazing at him.]
Ah me!

EGIL
If spring—
If spring and the sweet south can so transform,
What cannot love? Your warmth, your breath, your soul,
Soft on my numbness, my deformity,
Breathed, and I sprung—a burning tree of bloom—
Beside you. Have you eyes for flights unseen?
Hearing for choirs unheard? Here, too, beside you
Fierce swarms of golden fancies work in song
The fecund pollen of my passion, here
A thousand bird-wing’d visions nest them down
Into the heart of me, to chant your praise.
You that have so transformed me, you repulse me
Now?

[Enter right, in the background, Arfi; he pauses unseen.]

THORDIS
Take your eyes from mine.

EGIL
You love me; you
Who fostered me, the wild thing, love me still.
My secret scar is on you; you are mine,
Not his.

THORDIS
Oh, leave me!

EGIL
Yet you seize my hand.

THORDIS
Leave me, leave me!

EGIL
Yet you take me to your heart.

THORDIS
A myriad loves the heart hath, but one mate.
Once only may the cry of soul and body
Be answered; the great need can be but once.

EGIL
Now is the great need come.

THORDIS
How may we know?

EGIL
I am your being’s master. If his soul
Were listening to us now, I would cry out:
“I have outgrown thee, brother. What thou art
I am and more, for I have wrung from thee
Thy potent mind, and forged it to my passions
To make a lordlier instrument. Mine, therefore,
Not thine, the ordainèd need of her. Mine!”

THORDIS
Love me!
[He kisses her. Arfi moves into the thicket and disappears.
Thordis, putting Egil from her, draws a dagger upon herself.]
Ah, my betrayer! It is ended.

EGIL
[Seizing the knife from her.]
No;
You shall not choose so. If that name indeed
Be mine, keep silence now, while I avenge
The kiss of thy seducer.

[As he turns the knife upon himself, Thordis cries out.]

THORDIS
Egil!

EGIL
Love!
[Springing to her, beside the pool, he recoils.]
Impending image! persecuting shape!
Depart.

THORDIS
Alas! are we both mad?

EGIL
Remove
The prying horror of thine eyes. Not now—
At this the utmost instant of my joy
Intrude not now.

THORDIS
Whom do you speak to?

EGIL
[Staring past Thordis into the pool.]
There!
Look, we have murdered him. It comes to tell us;
It points at thee, to say thou, too, art guilty.
We have betrayed and killed him, thou and I.
See, see! It kneels and craves our sanction.—Rise,
Remorseless shadow! Go! I give it thee.

[He hurls the dagger into the pool. As he staggers back,
Thordis rests his head on her shoulder.]

THORDIS
Peace, brain and heart!

VOICES
[Far away, right, sing.]
How should the bed, the bridal bed,
Freyja, be spread?
Pine garlands at the foot, rose garlands at the head.

EGIL
Is it gone?

THORDIS
Nothing is there.
Rest, rest, poor dreamer!

THE VOICES
[Sing.]
What on the maid, the bride and maid,
Freyja, be laid?
The rose’s innocence, ere those fresh garlands fade.

EGIL
Hark! the bridal virgins!
[Thordis shrinks from him.]
Stay, Thordis; now the awful need is come.
While yet we are alone in the great silence,
Now, now, before they find it, pale and red,
Heaped in the path of roses, now—be mine.

THORDIS
Freyja, help me! Freyja, goddess and maiden!

EGIL
His soul descends upon us both, and seals
This act with blood of sacrifice. His blood
Our nuptial rite hath reddened.

THORDIS
Save me!

EGIL
Hush!
This is the vernal god, the appalling arm
That clasped the world i’ the primal age, and moaned—
“Let there be life!”—Hush, love; do not you hear
The stealing saps stir through the forest, feel
The seeking joys of all wild, mating things
Throb in their blood and ours, their kindred,—

THORDIS
[Breaking from him.]
Help!
Help, Arfi!

[She escapes, right, into the wood. As Egil pursues her, there steps from the thicket, into his path, Arfi. Egil pauses.]

EGIL
May the dead be summoned back
To curse us with forgiveness?—Spirit, be stern
And not compassionate. Come in your wounds,
Fell and disfigured, not benignly thus.
Oh, not your love-your vengeance! Not your love!
[Shields his eyes with his arms. As he does so, Arfi, with a serene gesture, is about to speak, when from the thicket Yorul springs silently out and stabs him. Arfi falls motionless; Yorul withdraws. Slowly Egil looks again.]
Yea, now thou hast resumed thy murder-garment,
And hast drawn on thy bridal-robe of wounds,
And laid thee at my feet in vengeance. Now
This is indeed thy vengeance—brother! master!
[Stoops beside the body.]

VOICES OF THE VIRGINS
[Sing, near.]
What o’er the man the maid shall wed,
Freyja, be shed?
The pine’s immortal breath, ere those green boughs are dead.

[Starting up, fearful, Egil hales the body toward the left, but having reached the centre pauses, as the laughter of children rises in the way before him. Turning, he is dragging the body down scene, when the children, scampering in, left, with their aprons and baskets full of wild flowers, run towards him. Finger on lip, he motions them silence; their laughter and shouts die away, awed.]

EGIL
He is asleep; the bridegroom is asleep.
Scatter your wild flowers over him. Look, he smiles,
He’ll laugh when he awakes and sees them.—Soft!

THE CHILDREN
[Whispering, gather in a circle and, pleased as at some game of mystery, heap the flowers upon Arfi, and sing low.]

Flowers bring
And fairy numbers!
Sweet Spring
His spirit cumbers.
Still be highhole! still be thrush!
Hush! hush!
Now he slumbers.

[Treading softly, with covert laughter and “hushes,” the children steal away. Heaped over the body of Arfi and completely concealing it, they have left behind them a great pile of arbutus, violets, and other flowers. Some of these Egil is replacing more carefully, when the pile is shaken from within, and up through it rises the form
Baldur. Dazzled, Egil kneels.]

BALDUR
Hail, brother!

EGIL
Art thou sunlight, or a voice?

BALDUR
This is the word of Odin!
[Egil sinks prostrate.]
If the wolf
Seduce to his desire his brother’s bride,
He shall be lord with her of heaven and earth
And hell, and by their passion the serene
And stablished beacons of the gods shall be
Eclipsed in night, anarchical and void,
Where, staggering with lust, the blinded world
Reels back to chaos and the primal dark.

EGIL
[Hiding his face.]
And if the wolf renounce her?

BALDUR
He shall perish,
Slain by his own self-mastery, and all
The spirits of light, freed from that awful dread,
Shall strew his charnel, singing.

EGIL
Ah! but she—

BALDUR
She falters yet; she hangs upon his will.
The lure of imperfection is the sin
Of gods, the lure of godhood that of mortals.
She wavers still.

EGIL
Bright shadow, golden voice,
Say what thou art.

BALDUR
Baldur, the son of Odin.

EGIL
[Starts up.]
Then I—?

BALDUR
Fenris, the wolf-god!

[He sinks again into the flowers, and is gone.]

EGIL
Ah! the dream!
The dream is true; the truth is visionary.

[From the left, two or three of the children return from the wood, and stand silent. From the right, the lutes and pipes of the bridal procession grow louder, and shortly enter the virgins, Ingimund, Thordis,
Wuldor, and others, as Egil still stands lost in soliloquy.]

“And there, in slumber, even as mortals dream,
Slumb’ring, that they are bright, immortal gods,
You shall be mortals, and shall walk as men,
Forgetful of your immortality.”

THORDIS
Was not he with you, father?

INGIMUND
He went before
A little space, to greet you first.—My child,
Why do you cling to me?

EGIL
[Approaching her.]
Goddess and maiden!

THORDIS
He’s mad. Save us! We both are mad.

INGIMUND
Thy brother,
Where is he?

EGIL
Father, he hath gone before
A little space, but left thy word with me.

INGIMUND
My word?

EGIL
The word of truth.

[A little girl, moving back some of the flowers, has disclosed the dead body of Arfi, blood-stained.]

THE LITTLE GIRL
He’s still asleep.

THORDIS
[Goes to it with a cry.]
Arfi!

WULDOR
I thought it, Ingimund; he’s murdered.

INGIMUND
His bane! What hand struck this?

EGIL
Lo, I will tell;
The dream must end. Thou saidest: He shall perish,
And all the spirits of light, freed from that dread,
Shall strew his charnel, singing.

INGIMUND
Madman! Thou—

YORUL
[Entering from the thicket.]
I murdered him.

THORDIS
[Starting up from the body.]
Yorul!

YORUL
[Showing dagger.]
His blood is here.

EGIL
Yet shall the dreamers wake, the truth prevail.

YORUL
’Twas I! This hand—

EGIL
And shall that hand put out
The beacons of the gods with primal dark,
And hurl the blinded world to chaos?

THORDIS
Egil!
Thou art innocent! Oh, in this blank of death
That truth remains.

EGIL
[Turning upon Yorul.]
Scourge and seductor!

INGIMUND
[To Egil.]
Speak!
Hath this man done this deed?

EGIL
[Slowly.]
Yes; it was Yorul.

[Yorul is seized.]

ACT IV

Scene: The rune-stone.

A white-rose bush, beside it, in bloom; a flame on the altar; sunset.

Enter Egil, alone.

EGIL
Put it away? To put all from me—all—
Or else despoil! Renounce, or with a kiss
Consume the bright seduction! Mar—relinquish,
In either path, to suffer; yet to see
Myself at last for what I am, to know
The inexorable bars, the nudging rafters,
The starry lych-gate and the pit of tears
Of this my soul and penthouse.—And the escape!
To know that I—myself the miracle
I worshipped—am a god, a sovereign lord
Of nature, powerful to make the bounds
And marches of the heaven my petty fiefs
Of mind,—yet what a god! A clawed usurper,
That snatches from the shoulders of the gods
The green and azure cloth of summer-time,
This human tapestry of spring and harvest
Star-wrought with sanguine hearts and golden sheaves,
And tears it, tooth-meal, for a wolf’s lair.—This,
This also must have challenge: Might not Egil
O’ermaster Fenris? Can the mind o’ermaster
The will?

[Supplicating the rune-stone.]

O mystery, that made us two
Yet one, resolve thyself and this and seal it!
To put all, all away, or with a kiss consume?

[Pausing, he breaks a white rose, and holding it near and nearer the altar-flame watches it—as though for a sign—till it scorches; then snatching it back, extinguishes the flame. While he is bending over thus,
Thordis enters,—in her hands a rope of twined arbutus-flowers. All in white, she is very pale; approaching behind Egil, she watches over his shoulder the rose petals and the flame. Suddenly, throwing the rope of arbutus over his head, she winds it about him.
Turning, he drops the rose, and they gaze at each other, anguished.]

EGIL
[After a silence.]
Why have you left the body?

THORDIS
[Binding his arms down with the blossoms.]
I have come
To bring you back in chains to prison.

EGIL
Where—

THORDIS
I know a dungeon where the dead are not.

EGIL
Where—have you left the body?

THORDIS
They are bringing
Their burden here.

EGIL
These flowers?

THORDIS
Arbutus.

EGIL
Those?
And you could weave of those this chain for me?

THORDIS
Could weave a garland of a winding-sheet?
I could; I did; and whilst I wove, I heard
Above my head the small birds singing “Horror,”
And underfoot “Horror” the sweet grass sang;
But in my bosom sung, “He loves me.”

EGIL
Keep
From me, lest thou be scorched.

THORDIS
Was he not gentle,
Exalted, tender? Who that saw his smile
But thought “A star breaks”?—Now for us all dark,
A shape of clay. Oh, why should sudden love
Come like the tempest, and blot out from skies
Of memory all golden yesterdays?
But so it is; the storm of thee shuts down
Over my world; thy lightnings have put out
His smile.

EGIL
Is it not enough that I have spilled
His blood upon my soul, but must that, more,
Pollute the whiteness of a goddess’ heart
And desecrate perfection?

THORDIS
[With a wan smile of pain, drawing him with the arbutus toward her.]
Come—to prison.

EGIL
His blood, I said; did you not hear? Not Yorul—
I murdered him!

THORDIS
You do not understand;
It was not you; ’twas I.

EGIL
The hand of Yorul
Stabbed him, but my intent.

THORDIS
You do not ask
Where I’ve prepared your dungeon.—Come.

EGIL
Too late,
You precious chains! I am free.

THORDIS
Thy words again!
“Free, but alone, adrift!” I hear thee still,
Forever, calling in thy need of me—
“O take me back, the wild thing!” Come!—I take thee;
I nestle thee once more, a captive. Come,
Alone no more!

EGIL
It is too late. ’Tis he,
Your god and lover, whom they are bringing back
To claim you.

THORDIS
[Clinging to him.]
Who shall claim me from your side?

[Enter a procession of folk, virgins, and children, bearing a low bier, covered with a cloth of green, behind which walks Yorul, bound. Ingimund, who enters first, ascends, by the stone steps, the altar, before which the bier is set down. While this is being borne, the dirge continues.]

VIRGINS AND CHILDREN
[Chant.]
Heiri! heiri! heiri!
Othin ok Æsir!

[Ingimund signs to a priest to loosen the hands of Yorul, who stands in front of the bier.]

INGIMUND
Give him the cup. The murderer shall drink
The bane of murder.

[The priest hands to Yorul a cup, which, as he raises it quietly to his lips, is wrenched from his hand by Egil, who embraces him.]

EGIL
My deliverer!—
Brother, awake! I give thee back thy bride.

[On the bier, the green cloth is thrown back, and
Baldur, rising, steps upon the altar.
Thordis gazes upon him.]

This is my heart’s desire—take it! ’tis yours.

BALDUR
Freyja!

THORDIS
[With a wild cry, going to him.]
Baldur!

THE FOLK
[Prostrating themselves.]
The gods! the gods!

[Thordis and Ingimund, by Baldur’s side, are transfigured, and a hedge of flowers and flame springs up before the altar, encircling the three.]

EGIL
[Apart, drinks from the cup.]
To freedom!

[Baldur and Thordis, clinging to each other, look at Egil.]

YORUL
[Staring at Baldur, speaks to Egil.]
Whom, lord, dost thou name “brother”?

EGIL
Him—and thee,
Both, for through me henceforward you are kindred.
Yorul! my men, my liegemen! you—you also
Conceived in chains and born in passion, you
Also, who from an immemorial brute
Rage for emancipation, oh, forget not
Your brother Fenris, him who was brought forth
A glorious miscarriage of the gods,
To be exalted to a man.
[He sinks upon the bier.]
The chains!
Yorul—the chains!

[Striving to break the arbutus links, which hang loosely upon him, he falls back.]

YORUL
Master!

ODIN
The wolf is tamed.

[In sudden fire, the gods disappear, leaving deep twilight.
Vague, the body of Egil lies dead on the bier. Beside it, amid the prostrate folk, rising alone, stands Yorul, with arms upreached toward the rune-stone.]

THE VIRGINS AND CHILDREN
[Singing.]
Heiri! heiri! heiri!
Balthur ok Freyja!

[Far off, the ice-crown of the volcano flushes in the afterglow.]

Transcriber's Note:

The cover image is in the public domain.

Uncertain or antiquated spellings or ancient words were not corrected.

Typographical errors have been silently corrected but other variations in spelling and punctuation remain unaltered.

Each act in the original had a full page identifying the act as well as a heading at the beginning of the act. The full page act numbers have been removed from this edition as being redundant.

*** END OF THE PROJECT GUTENBERG EBOOK FENRIS, THE WOLF: A TRAGEDY ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- E-text prepared by Paul Marshall, Mary Glenn Krause, MFR, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org)

- FENRIS, THE WOLF

- THE PROLOGUE

- ACT I

- Scene I: Outside a tribal temple.

- Scene II: The interior of Egil’s lodge in the forest; toward twilight.

- ACT II

- Scene I: A prison chamber, dim, built of stone

- Scene II

- ACT III
- ACT IV
- THE FULL PROJECT GUTENBERG LICENSE