Bailey’s Dam, by Steven D. Smith and George J. Castille III

Dr. Charles E. Orser, Jr.
Mr. Brian J. Duhe
Mr. Marc Dupuy, Jr.
Dr. Lorraine Heartfield
Dr. J. Richard Shenkel
Mrs. Lanier Simmons
Dr. Clarence H. Webb

This public document was published at a total cost of $3,995.00. Ninety-five hundred copies of this public document were published in this first printing at a cost of $3,995.00. The total cost of all printings of this document including reprints is $3,995.00. This document was published for the Division of Archaeology by Bourque Printing, Inc., P.O. Box 45070, Baton Rouge, LA 70895-4070 to make available to the citizens of Louisiana information about prehistoric and historic archaeology under authorization of La. R.S. 41:1601-1613. This material was printed in accordance with standards for printing by state agencies established pursuant to R.S. 43:31. Printing of this material was purchased in accordance with the provisions of Title 43 of the Louisiana Revised Statutes. This publication has been funded entirely by the U.S. Army Corp of Engineers, Vicksburg District.

BAILEY’S DAM

I trust some future historian will treat this matter as it deserves to be treated, because it is a subject in which the whole country should feel an interest, and the noble men who succeeded so admirably in this arduous task should not lose one atom of credit so justly due them.

STATE ARCHAEOLOGIST’S NOTE

Louisiana has a rich cultural heritage dating back over 12,000 years. During these 12,000 years, many different peoples have lived and worked in the state. Archaeologists, who study the remains of these long gone people, learn much about their ways of life. The Anthropological Study series published by the Department of Culture, Recreation and Tourism provides a readable account of the various activities of these different groups. Bailey’s Dam is the eighth in this series.

The Bailey’s Dam volume is somewhat different than its predecessors in that it highlights a relatively recent event of Louisiana’s long cultural past—the building of Bailey’s Dam during the Civil War. The research for this volume resulted from work initiated by the U.S. Army Corps of Engineers, Vicksburg District to record important historical resources within the Red River Waterway Project. Steven D. Smith of the Division of Archaeology and George J. Castille III of Coastal Environments, Inc., the authors of this volume, have taken the technical reports resulting from this research and have provided a very readable account of the events surrounding the construction of Bailey’s Dam. The Corps of Engineers funded the publication of this volume.

We are pleased to make the Bailey’s Dam story available and trust that you will enjoy this volume.

ACKNOWLEDGEMENTS

This booklet is a synthesis of two, more detailed and scholarly, manuscripts about the history of Bailey’s Dam sponsored by the Vicksburg District, U.S. Army Corps of Engineers. These two excellently prepared documents are “Gunboats, Low Water, & Yankee Ingenuity: A History of Bailey’s Dam” by Dr. Michael C. Robinson, Division Historian, Lower Mississippi Valley Division, U.S. Army Corps of Engineers, and “Archaeological Investigation and Preparation of Historic American Engineering Record Documentation for Lower Bailey’s Dam (16RA90), Rapides Parish, Louisiana” by David B. Kelley and George J. Castille, archaeologists with Coastal Environments, Inc. Undoubtedly, we owe Dr. Robinson and Mr. Kelley a great deal of thanks for allowing us to use their research to complete this booklet. We also would like to thank Corps archaeologists Kate Yarbrough, Thomas Birchett, and Sheila Lewis for their help. Finally, this booklet would not have been possible without the editing skills of archaeologist Nancy W. Hawkins of the Louisiana Division of Archaeology.

INTRODUCTION

Major General Nathaniel P. Banks, Union commander of the Red River military expedition, found himself in a particularly tight situation in April of 1864. He had been defeated at the Battle of Mansfield while attempting to capture Shreveport, Louisiana, and now he was retreating down the Red River, harassed by Confederate troops at every turn. Throughout the campaign, the river’s low water level had been a constant problem to his naval support of gunboats under the command of Rear Admiral David D. Porter. Now, Banks and Porter discovered that the river was so low that the gunboats were trapped above the rapids at Alexandria.

To save the flotilla, Lieutenant Colonel Joseph Bailey suggested that the river could be dammed to raise the water level and float the gunboats over the shallow rapids. Despite the doubts and jeers of many, Banks authorized Bailey to begin construction. Through the next two weeks, troops struggled to build the dam which eventually made it possible for the fleet to escape.

In 1976 the archaeological remains of Bailey’s Dam were placed on the National Register of Historic Places, and through 1986, they could be seen at times of low water. However, the U.S. Army Corps of Engineers is constructing a modern lock and dam downstream of this historic site, and the Red River will permanently cover Bailey’s Dam. Recognizing the historical and archaeological importance of the dam, the Corps sponsored archaeological excavations there in 1984.

This booklet relates the history and archaeology of the dam complex, a series of different types of dams collectively called Bailey’s Dam. The story combines the rich annals of the 1864 Red River Campaign with the finds of modern archaeological investigations. This combination provides a fascinating glimpse into a desperate period in Louisiana history.

ADVANCE TO SHREVEPORT

With this communication to the Secretary of the Navy, Rear Admiral David D. Porter foretold the crisis that would come close to destroying his squadron of gunboats two months later. Low water on the Red River in early March was an unexpected sight. Since 1855 the annual spring rise had appeared without fail. But now in 1864, while Porter waited at the mouth of the Red River for his fleet to assemble and for Major General Nathaniel P. Banks’s army to begin its march north from Franklin, Louisiana, the Red River’s water level was causing Porter to have doubts about the upcoming campaign.

Doubts concerning the Red River Campaign were shared by other Federal officers, but for different reasons. The necessity of a thrust up the Red River in 1864 had been debated since the fall of Vicksburg the previous year. Generals Grant and Sherman, and even the Red River expedition’s commander, General Banks, believed that the North’s next logical military objective was to capture Mobile, Alabama. But Commanding General of the Army Henry W. Halleck and President Lincoln felt that control of Texas was urgently needed to keep Mexico from joining the Southern cause. The Red River presented the best route to Texas.

There was another underlying reason for the expedition, which may have changed Banks’s mind. The Red River area was rumored to contain large stores of cotton critically needed by the North. Some historians feel that Banks’s desire to secure this cotton influenced his decision to promote the campaign, and that the capture of cotton became all important to him. After the campaign, the Joint Committee on the Conduct of the War charged that the expedition failed because Banks and Porter were overly concerned about capturing cotton. How much their attention strayed is unknown, but it is true that competition between the army and navy for cotton caused great tension during the campaign. At Alexandria soldiers were angered “to see the navy seizing the cotton for prize on land, while they did not get any” (J.C.C.W. n.d.:18,74).

Whatever the real motivation for the campaign, the official military objective was Shreveport. Once Shreveport was in Union control, Texas would lay open to invasion. To capture Shreveport, Banks’s army, supported by Porter’s flotilla, would drive up the Red River while another force under Major General Frederic Steele would move south from Arkansas.

Opposing the Federal attack in Louisiana was Confederate Major General Richard Taylor, who had only around 6,000 troops scattered throughout Louisiana in Monroe, Alexandria, Marksville, and on Bayou Teche. Badly outnumbered, Taylor worked to gather his forces and then waited for reinforcements from Texas so he could eventually make a stand.

On March 12, 1864, Porter began his move up the Red River. Within three days, he captured Fort De Russy, near Marksville, with the help of a detachment of infantry. Meanwhile, Banks’s main army began its march north from Franklin, Louisiana, fighting rain and muck.

The forward units of the army reached Alexandria on March 24. Arriving as a tired yet conquering army, they had already traveled 165 muddy road miles. Still, “the colors were unfurled, the band struck up, and the men marched through the streets” with Banks watching the troops pass in review from a house veranda (Beecher 1866:298-299). Once assembled, the Federal forces numbered nearly 30,000 troops, 13 gunboats, and 60 assorted transport vessels.

Here Banks and Porter had their second warning that the Red River was not going to cooperate. It quickly became obvious that the expedition would be delayed by the low water at the rapids. Although eventually the water level rose, the expedition was forced to leave many vessels 5 behind. North of Alexandria, Porter’s fleet consisted of only 12 gunboats and 30 transports. To carry all the supplies needed by the army, wagons had to be used to make up for the supply boats left in Alexandria. Banks was also forced to leave behind troops to protect the fleet and the town.

While they waited for the Red to rise, the soldiers and sailors had to use the water for washing and cooking. As one member of the 114th New York described it:

Naturally, the delays in Alexandria were a godsend to Confederate General Taylor. Some 5,000 cavalry reinforcements arrived from Texas to help block the Yankee advance from Alexandria. Now, despite still being outnumbered, Taylor boldly looked for an opportunity to engage Banks before they reached Shreveport. As Taylor later related in his memoirs, “My confidence of success in the impending engagement was inspired by accurate knowledge of the Federal movements, as well as the character of their commander, General Banks, whose measure had been taken in the Virginia campaigns of 1862 and since” (Taylor 1879:161).

Taylor’s opportunity came when Banks reached Grand Ecore, a landing north of Natchitoches. There, Banks decided that the bulk of his land forces would approach Shreveport along a narrow road, twisting away from the Red River and passing through the villages of Pleasant Hill and Mansfield. This decision prevented Banks’s army and Porter’s gunboats from mutually supporting each other during their advance. The army soon became strung out for some 20 miles along the slender road Banks chose. Awaiting him near Mansfield on April 8 were Taylor’s smaller but better concentrated forces. In the battle, the tired Federal troops panicked and were thrown back down the road.

The next day Banks was able to pull his army together. They stood against Taylor’s attack at Pleasant Hill, forcing the Confederates to withdraw. But despite this success, Banks was left with a disheartened army that was quickly losing confidence in his leadership. After the retreat to Grand Ecore, one “officer in high position” even suggested putting Banks on a steamer to New Orleans (Hoffman 1877:96-97).

RETREAT TO ALEXANDRIA

In spite of his army’s loss of courage, Banks wanted to continue the attack. But realizing that the troops were discouraged, and that General Steele was not coming down from Arkansas to support the Union attack on Shreveport, Banks’s officers convinced him to fall back to Alexandria. With this turn of events, the campaign’s goal of capturing Shreveport was all but forgotten. Now the main concern of Banks and Porter was to get their troops and boats out of the Red River area while keeping their forces intact.

After Porter’s gunboats returned to Grand Ecore from their own advance upstream, the dispirited soldiers began their retreat. Confederate General Taylor was now in a position to do real damage to the Union expedition. Confederate cavalry constantly tormented the retreating Union forces along the road to Alexandria. Meanwhile, others ambushed the gunboats along the twisting riverbanks. The river itself resisted the Federals as the boats continually ran aground in the shallow stream. One gunboat, the Eastport, was sunk by a rebel mine, refloated, towed, run aground several times, and finally blown up by the navy, to prevent her from being captured by Taylor’s rebels. Frank Church, a Marine officer aboard the tinclad Cricket, described what must have been a typical skirmish during the retreat:

Eventually, the army and its naval support made their way back to Alexandria, where the rest of the Union forces waited. As the weary Yankees dragged into the town, an officer recorded in his diary:

By April 28, Banks and Porter had reassembled their forces at Alexandria. Now the low water dilemma, which had teased and threatened the fleet throughout the campaign, became a crisis. The water in the Red had dropped so low that portions of the rocky rapids were exposed, and at some points, the water was only 3 feet deep. Even the lightest gunboats needed at least 7 feet of water to pass. Ten of Porter’s gunboats were trapped above the rapids. Unless some means were found to get them below the rapids, they would have to be destroyed like the Eastport, otherwise they would be lost to the rebels. While many officers, including the expedition’s formally trained engineers, were preparing for the disastrous loss of the backbone of Porter’s fleet, Lieutenant Colonel Joseph Bailey was proposing the solution—a dam.

JOSEPH BAILEY AND HIS DAM

Military engineer Joseph Bailey’s presence with the Red River expedition was, in a sense, one of those coincidences of history that sometimes result in turning the course of events. His knowledge of engineering was not acquired through formal study at West Point. Instead, he had learned practical engineering on the Wisconsin frontier, where damming was a skill perfected by lumbermen to float logs to their sawmills.

Born in Ashtabula County, Ohio on May 6, 1827, Bailey grew up in Illinois. In 1850 he moved to Wisconsin, where for the next 20 years he was involved in the construction of dams, mills, and bridges. At the beginning of the war, Bailey formed a company of lumbermen and became a captain. Soon, though, his construction genius was recognized and he was supervising various engineering projects for the North, including construction at Fort Dix in Washington D.C. and the attempts to build canals during the Vicksburg campaign.

In 1863 Bailey won distinction at the battle of Port Hudson. There, despite the scoffs of formally trained military engineers, he constructed a gun emplacement in full sight of rebel fortifications and proceeded to silence the Confederate guns. He also built a dam during the siege to refloat two grounded steamboats.

All this had been accomplished while he was, officially, an officer in the Wisconsin 4th Cavalry. Recognizing Bailey’s talent, General Banks, without authority, promoted him to colonel. But this promotion was the right of the Governor of Wisconsin, and it was retracted. Instead, Bailey was made a Lieutenant Colonel of Volunteers. Bailey was infuriated at this seeming injustice, and fortunately for Porter’s stranded fleet, he had applied for and received a staff position as engineer for Major General William B. Franklin, one of Banks’s officers.

To Bailey, constructing a dam to float the gunboats over the rapids was a challenging but not impossible task. After all, he had undertaken similar work in Wisconsin and at Port Hudson. In fact, he had foreseen the problem as early as April 9 and offered to construct a dam at that time. But while Franklin liked the idea, the matter was not yet critical, and other more important problems needed tending.

Most of the staff officers thought Bailey’s idea was outrageous. Porter had joked about an earlier proposition by Bailey to build a dam to refloat the stranded gunboat Eastport saying: “Well, major, if you can dam better than I can, you must be a good hand at it, for I have been d——g all night” (Hoffman 1877:99). Now, though, a major part of the fleet was about to be lost and Porter instructed a messenger, “Tell General Franklin that if he [Bailey] will build a dam or any thing else, and get me out of this scrape, I’ll be eternally grateful to him” (Hoffman 1877:101). Later, Porter would record that “the proposition looked like madness, and the best engineers ridiculed it, but Colonel Bailey was so sanguine of success that I requested General Banks to have it done, and he entered heartily in the work” (Beecher 1866:342).

Fortunately, once Franklin and Banks decided to accept Bailey’s idea, they ordered everyone’s cooperation. Some 3,000 troops were put to work chopping down trees, gathering stones and bricks, and dragging the raw materials down to where the dam would be constructed. On the Pineville side of the river, Maine, New York, and Wisconsin soldiers cut down trees, while on the Alexandria side, black troops were put to work gathering wood from buildings. One historical account describes the scene:

In the midst of this furious activity, Bailey was constantly on hand directing the construction. On site, the soldiers toiled through the day and night; the slightest disobedience was harshly corrected. Two officers were even arrested for allowing a barge, which was to be part of the dam, to sink in the wrong place. Meanwhile, on shore, the dam and Bailey were the main source of amusement. To most of the navy, half the army, and much of the townspeople, the dam was a great joke. Word of Bailey’s dam quickly spread to the rebels, who would taunt their enemy with “How’s your big dam progressing?” (Moore 1868:12). But Bailey ignored the wisecracks and concentrated on his plan.

ENGINEERING AND ARCHAEOLOGY

During the Civil War, the rapids at Alexandria were composed of rocky outcroppings of sandstone and siltstone forming shoals along a mile stretch of the Red River, even at times of high water. At low water, the upper and lower ends of the rapids were exposed. Long before the war, the rapids had been a problem to river traffic. When the water was low, goods being transported by steamboat up and down the river had to be unloaded, carried past the rapids by wagon, and reloaded on different boats.

Numerous ideas had been proposed to improve the river passage; even the famous Henry Miller Shreve proposed a solution, but no action was taken. By 1864 the only navigational aid at the rapids was a small channel cut out of the rocky river bottom. While this was an improvement, the water was still too low to navigate the rapids during the campaign.

It is a strange twist of history, but we can say that today we know more about some details of Bailey’s dam construction than did the soldiers who built it. Those men were laboring day and night to build the dam as quickly as possible. In the confusion and fury of activity, there was little time for anyone but Bailey to fully comprehend the plan. Today, 14 historians have studied the many reports and eyewitness accounts of the dam construction to piece together what happened. In addition, careful archaeological excavation of the actual dam remains provided undeniable evidence of the techniques used. In 1984 a combined historical and archaeological study was undertaken by a historian from the Corps of Engineers and archaeologists from Coastal Environments, Inc. The results of their studies provide a detailed view of the activities at Bailey’s Dam and testify to the magnitude of Bailey’s engineering feat.

Historical documents indicate that Bailey first built his dam just above the lower, downstream rapids. There, the river was around 758 feet wide, and a 10-mile-per-hour current rushed over the shoals. By constructing the dam at that particular location, he hoped the water would rise enough behind the dam to allow the gunboats to float over the upper rapids. Then, with the built-up water pressure, the dam could be broken through at the proper time and the gunboats could rush over the lower rapids, carried by the force of the released water.

Following Bailey’s practical nature, the dam was built with any locally available material readily at hand. To do so, he used different methods of construction for each riverbank. On the west (Alexandria) bank, he built the dam of large wooden boxes called cribs. Bailey constructed 15 a number of cribs which were placed side by side from the bank out into the river.

Archaeologists investigated these structures during a low water period by carefully digging two small excavation units around partially exposed crib remains. These units were 4 feet wide and 8 feet long. As the archaeologists removed the surrounding mud and dirt and exposed the cribs, they painstakingly recorded the position of each timber and beam. Afterward they studied their photographs and notes, comparing their findings with the historical records.

Historical accounts indicate that lumber from Alexandria mills, homes, and barns was quickly stripped for use in building the cribs. Bricks, stone, and even machinery were used to fill and anchor the cribs. Additionally, historical illustrations show that iron bars were placed vertically in the four corners of each crib, to provide a supporting framework.

The evidence from modern archaeological excavations generally supports the historical accounts with some interesting variations. Both lines of evidence testify to the ingenuity of Lieutenant Colonel Bailey. The excavations revealed that the crib framework was constructed of hand hewn 4-by-10-inch timbers, which is strong evidence that the lumber was from nearby buildings. The ends of these timbers were notched so that they fit tightly together at the corners of the cribs. The corners were supported by smaller vertical wood posts. However, in the cribs excavated by the archaeologists, there was no evidence of the iron support bars. Furthermore, there was no evidence of machinery parts in the cribs. Instead, they found that the cribs were filled mostly with sand and mud and only capped with a layer of loose brick and stone. A metal fragment of a large sugar kettle was also found among this brick and stone. A sugar kettle was just the kind of loose but heavy object that could be quickly transported to the cribs for anchoring material.

On the east (Pineville) bank, there were no town buildings to strip for lumber but there was, quite conveniently, a forest. With abundant trees available, Bailey constructed a “self-loading” tree dam. According to historical diagrams, trees were stacked lengthwise with the flow of the stream. The upstream treetops were anchored to the river bottom with stones. The downstream trunks were raised higher than the upstream 16 tops by alternating layers of other logs running perpendicular to, or across, the stream. This technique presented a dam face of logs angled upward with the stream flow. As the river was held back by the log face, the water pressure actually made the dam stronger or “self-loading.”

The archaeological investigation of the tree dam was completed in a manner similar to the excavations at the crib structures. But here a trench excavation unit was dug. This trench was 22 feet long and 5 feet wide, and it was positioned parallel to the flow of the river. During these investigations, the river began to rise, and when the excavation unit was finally abandoned, the archaeologists were working about 2 feet below the water level. The field crew was successful in reaching that depth only with the aid of a water pump. Archaeologists had hoped to excavate a slice of the dam completely down to its base, but attempts to excavate deeper were halted when the pump could not keep out the incoming water.

The tree dam excavations revealed that both pine and hardwood logs were used and that the tree bark was left intact. The tree limbs had been cut off, but by observing the knots on the tree trunks, archaeologists were able to note the direction in which the trees were positioned. They found that many of the trees were positioned with their tops downstream, exactly opposite of that shown in historical illustrations. Also, all of the upstream ends of the trees had been trimmed of their branches, and their tips had been pointed with an axe. Spaces between the logs were filled with sand and mud, and the entire structure was covered with brick and stone. Interestingly, the archaeologists also found a hewn, octagonal, wood column among the logs. The upstream end of the column had been rough cut, seemingly to fit into that particular spot in the tree dam. The column was most likely a mast from a riverboat.

Together, the crib and tree dam sections did not cross the entire 758-foot riverbed. A 150-foot gap existed between the two dams. To close this gap, four coal barges were used. While the remains of these barges were not found in the archaeological excavations, historical photographs provide a fairly detailed picture of their appearance. These 24-by-170-foot barges were sunk in the gap, lying lengthwise with the current, and more stones, brick, and iron rails were used to anchor them. Braces and ropes, anchored to the riverbanks, were also needed to secure the barges against the rising water pressure.

Bailey directed that the second barge from the Alexandria side be only partially filled with anchoring materials. This was the barge that he hoped either to ram or blast out of the way, creating a flood that the gunboats would ride like kayaks. As it turned out, Bailey’s idea worked, but not exactly as he would have liked.

THE DAM WORKS

To the amazement of practically everybody except Bailey, the dam complex was working. By May 6, the water held by the dam had risen 4 feet. By May 8, the water level was up 5 feet 4 inches. Three of the lighter vessels even crossed the upper rapids and now waited behind the dam for the heavier gunboats. As the soldiers worked to finish the dam, the water continued to build until the pressure against the dam became tremendous. General Banks feared the pressure would soon burst the dam, and the next day, at around 5:30 in the morning, one officer “heard a great crashing in the direction of the dam. Jumping out of the blankets and slipping on my coat, cap, and boots, I ran down to the bank. The water was rushing through at a great rate” (Tyson May 9, 1864).

Two of the barges used in the dam had broken loose, and the water was gushing through. Porter, seeing the crisis, quickly ordered the gunboat Lexington to run the gap:

The Lexington’s run was followed by the three gunboats waiting behind the dam. Had the rest of the fleet been prepared, all of the boats might have escaped at that time. However, the navy’s lack of confidence in the dam had given way to apathy, and as the released water rushed through the break, valuable time was wasted as the fleet gathered steam to attempt the run. Eventually, the water behind the dam fell and six gunboats still remained trapped.

But the Lexington’s adventure had proven that the dam could work, and troops confidently went back to work. Bailey worried that the dam would break again and decided to leave the 70-foot gap in the dam as it was. But this time he added smaller, lighter dams near the upper rapids. Like the dam sections at the lower rapids, both crib and tree dam methods were employed. These dams helped channel the water while reducing the pressure on the main dam. Thus, instead of relying on one dam to hold back the water until another run could be made, a series of dams were built to create a deep channel of water along the whole course of the shoals in that part of the Red River.

Unfortunately, during Coastal Environments’s archaeological excavations, this dam complex at the upper rapids was believed to be destroyed by modern development. Later, the U.S. Army Corps of Engineers conducted an underwater survey, locating what clearly appear to be parts of these upper works. If so, these submerged dam sections are preserved so that perhaps someday archaeologists may have an opportunity to investigate more of Bailey’s engineering feat.

While the army labored to build the upper dam, the navy, more confident of rescue, worked to lighten the loads on the trapped gunboats. From May 10 through 12, the remaining gunboats above the rapids struggled through the upper shoals to the pool behind the main dam. Yet another dam had to be built to refloat a gunboat that got stuck during this passage. Then on the twelfth of May, the Mound City, the largest gunboat of the fleet, ran for the gap in the main dam. The previous scene was repeated, with thousands lining the banks to watch the excitement. Marching bands played the “Star Spangled Banner” and the “Battle Cry for Freedom.” Like the Lexington before it, as the Mound City hit the gap, it ground against the rocky river bottom, and then shot through. The next day all of the trapped vessels lay safely below the rapids.

THE CAMPAIGN ENDS

While Federal troops labored to build the dam, Taylor’s Confederate army was not idle. Some rebels continued to harass the outposts around Alexandria, while others destroyed bridges and blocked roads in an attempt to entrap the Union forces. Federal boats already below the rapids were constantly ambushed along the lower Red River as they attempted to supply the army. In fact, the Confederate soldiers were able to cut off all navigation on the river for a while, isolating the Yankees.

On May 13, with all the gunboats now safely below the rapids, Union forces moved out of Alexandria. The Union soldiers left with mixed feelings. They had been beaten in battle, harassed, and almost completely destroyed. They were exhausted. Still, they had accomplished a magnificent feat in building the dam and rescuing the fleet, and some had even made friends among the townsfolk.

But for the local population this was a critical time. Rumors spread that the town would be torched when the army left. Banks ordered a 24 detail of 500 men to be left behind to protect the town from arson. But fires quickly broke out as soon as the main army was out of town. It is unclear who started the fires, as some accounts describe soldiers looting and setting fires, while other accounts note that army guards shot looters. Probably, both Union troops and local looters were involved. One detachment, the 92nd Colored Infantry who also helped build the dams, was known to have fought a fire for many hours, until the building was doomed and the troops were forced to continue their retreat. One Yankee soldier described the scene:

As the expedition retreated south down the Red River, Confederate cavalry did what it could to badger the Union forces at every opportunity. However, no matter how courageously the men fought, the rebel army was too small to seriously oppose the retreat of the entire expedition. At Mansura, Louisiana, Taylor attempted to stand against the Federals, but after a four-hour artillery duel, he had to withdraw.

Though the campaign seemed about at an end, Banks found that he had to call on the services of Lieutenant Colonel Bailey once more. At the Atchafalaya River, Bailey directed the construction of a bridge which he promptly fashioned out of transport vessels. Around 24 transports were placed across the river and held together with large timbers. Then, long planks were laid across the prows of the transports to form a temporary bridge. Banks’s army was able to cross the river quickly and safely and continue the retreat south to Baton Rouge. By that time, every soldier knew and appreciated the frontier engineer from Wisconsin.

EPILOGUE

Measured against the backdrop of the entire Civil War, the results of the Red River Campaign cannot be considered critical to either side. Overall, the end of the war simply had been delayed. Some of the Federal troops on the expedition were from Sherman’s army and could have been of great help to him. Furthermore, an attack against Mobile, Alabama, which General Grant wanted, was postponed for 10 months by the Red River escapade.

The campaign had also cost the Union army 5,200 men and 21 artillery pieces. The navy lost some 320 men, two pump boats, one ironclad, two tinclads, and four transports. Yet Banks still had his army relatively intact, and just as importantly, the fleet was saved, thanks to Lieutenant Colonel Joseph Bailey.

On the other hand, the campaign was of tremendous significance to Louisiana. The invasion brought the war home to thousands of Red 26 River settlers, destroying their property, economy, and lives. Beyond civilian casualties, 4,000 Confederate troops were lost. On the positive side, victory at Mansfield and the failure of the Union expedition must have helped to strengthen Southern resolve.

For Lieutenant Colonel Joseph Bailey, the campaign brought fame. Porter praised Bailey in newspapers and wrote letters of thanks and approval. Congress gave Bailey a gold medal, Porter personally gave him a gold inlaid sword, and other naval officers gave him a silver punch bowl.

Eventually, Bailey’s distinguished military career earned him a promotion to brigadier general. But after the war, the hero of the Red River campaign met a tragic end. On March 21, 1867, Sheriff Joseph Bailey, of Vernon County, Missouri, was murdered by two prisoners he was taking to jail. Today, Joseph Bailey is buried in Evergreen Cemetery, at Fort Scott, Kansas.

Historian Michael Robinson best summed up the significance of Bailey’s Dam when he wrote:

Today, “the dam still remains intact as we left it, and bids fair, if undisturbed, to stand a hundred years—an imperishable monument of American energy, ingenuity, and skill” (Moore 1868:13-14).

REFERENCES CITED

1866 Record of the 114th Regiment N.Y.S.V. J. F. Hubbard, Jr., Norwich, New York.

n.d. Red River expedition. The report of the Joint Committee on the Conduct of the War (Vol. 11). 38th U.S. Congress, 2nd Session.

1975 Civil War Marine: a diary of the Red River expedition, 1864. History and Museums Division, Headquarters, U.S. Marine Corps, Washington, D.C.

1985 Archaeological investigation and preparation of historic American engineering record documentation for lower Bailey’s Dam (16RA90), Rapides Parish, Louisiana. Report prepared for the U.S. Army Corps of Engineers, Vicksburg District, Purchase Order No. DACW38-84-P-3510, Coastal Environments, Inc., Baton Rouge, Louisiana.

1868 Document No. 2: the Red River Dam. The rebellion record: a diary of American events (Vol. 11). D. Van Nostrand, New York.

1866 History of the 114th Regiment, New York State Volunteers. Telegraph and Chronicle Power Press Print, Norwich, New York.

1914 Letters to Hon. Gideon Welles. In Official records of the Union and Confederate navies in the War of the Rebellion (Series I, Vol. 26). Washington, D.C.

1985 Gunboats, low water, and Yankee ingenuity: a history of Bailey’s Dam. Report prepared for the Lower Mississippi Valley Division, U.S. Army Corps of Engineers, Vicksburg, Mississippi.

1864 Diary. Department of Archives and Manuscripts, Louisiana State University, Baton Rouge, Louisiana.

1891-1895 Atlas to accompany the official records of the Union and Confederate armies. Government Printing Office, Washington, D.C.

1910 Diary of an enlisted man. Tuttle, Morehouse, & Taylor, New Haven, Connecticut.

Transcriber’s Notes

*** END OF THE PROJECT GUTENBERG EBOOK BAILEY'S DAM ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Dr. Kathleen Byrd	State Archaeologist
Mr. Robert B. DeBlieux	Assistant Secretary, Office of Cultural Development
Mr. B. Jim Porter	Secretary, Department of Natural Resources
Mrs. Dorothy M. Taylor	Secretary, Department of Urban and Community Affairs

The Project Gutenberg eBook of Bailey's Dam

BAILEY’S DAM

BAILEY’S DAM

STATE ARCHAEOLOGIST’S NOTE

ACKNOWLEDGEMENTS

INTRODUCTION

ADVANCE TO SHREVEPORT

RETREAT TO ALEXANDRIA

JOSEPH BAILEY AND HIS DAM

ENGINEERING AND ARCHAEOLOGY

THE DAM WORKS

THE CAMPAIGN ENDS

EPILOGUE

REFERENCES CITED

Transcriber’s Notes

THE FULL PROJECT GUTENBERG LICENSE