Masterpieces of Adventure—Adventures within Walls
Author: Unknown
Date: 2020-08-23T00:00:00+00:00
Keywords: Fiction; Short stories; Adventure stories

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Title: Masterpieces of Adventure—Adventures within Walls

Editor: Nella Braddy

Release date: August 23, 2020 [eBook #63016]

Language: English

Credits: Produced by Al Haines

*** START OF THE PROJECT GUTENBERG EBOOK MASTERPIECES OF ADVENTURE—ADVENTURES WITHIN WALLS ***

Masterpieces of
Adventure

In Four Volumes

ADVENTURES WITHIN WALLS

Edited by
Nella Braddy

Garden City New York
Doubleday, Page & Company
1922

COPYRIGHT, 1921, BY
DOUBLEDAY, PAGE & COMPANY

ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION
INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN

PRINTED IN THE UNITED STATES
AT
THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.

GRATEFULLY DEDICATED
TO
BLANCHE COLTON WILLIAMS, PH.D.

EDITOR'S NOTE

In these volumes the word adventure has been used in its broadest sense to cover not only strange happenings in strange places but also love and life and death—all things that have to do with the great adventure of living. Questions as to the fitness of a story were settled by examining the qualities of the narrative as such rather than by reference to a technical classification of short stories.

It is the inalienable right of the editor of a work of this kind to plead copyright difficulties in extenuation for whatever faults it may possess. We beg the reader to believe that this is why his favorite story was omitted while one vastly inferior was included.

CONTENTS

I. THE SIRE DE MALÉTROIT'S DOOR
Robert Louis Stevenson

II. A DOUBLE-DYED DECEIVER
O. Henry

III. THE BOLD DRAGOON
Washington Irving

IV. THE BET
Anton Chekhov

V. LA GRANDE BRETÈCHE
Honoré de Balzac

VI. THE MASQUE OF THE RED DEATH
Edgar Allan Poe

VII. DR. MANETTE'S MANUSCRIPT
Charles Dickens

VIII. SILENCE
Leonidas Andreiyeff

MASTERPIECES OF ADVENTURE

Masterpieces of Adventure

ADVENTURES WITHIN WALLS

I

THE SIRE DE MALÉTROIT'S DOOR*

ROBERT LOUIS STEVENSON

*Reprinted by permission of Charles Scribner's Sons.

Denis de Beaulieu was not yet two-and-twenty, but he counted himself a grown man, and a very accomplished cavalier into the bargain. Lads were early formed in that rough, warfaring epoch; and when one has been in a pitched battle and a dozen raids, has killed one's man in an honourable fashion, and knows a thing or two of strategy and mankind, a certain swagger in the gait is surely to be pardoned. He had put up his horse with due care, and supped with due deliberation; and then, in a very agreeable frame of mind, went out to pay a visit in the grey of the evening. It was not a very wise proceeding on the young man's part. He would have done better to remain beside the fire or go decently to bed. For the town was full of the troops of Burgundy and England under a mixed command; and though Denis was there on safe-conduct, his safe-conduct was like to serve him little on a chance encounter.

It was September 1429; the weather had fallen sharp; a flighty, piping wind, laden with showers, beat about the township; and the dead leaves ran riot along the streets. Here and there a window was already lighted up; and the noise of men-at-arms making merry over supper within, came forth in fits and was swallowed up and carried away by the wind. The night fell swiftly; the flag of England, fluttering on the spire-top, grew ever fainter and fainter against the flying clouds—a black speck like a swallow in the tumultuous, leaden chaos of the sky. As the night fell the wind rose, and began to hoot under archways and roar amid the tree-tops in the valley below the town.

Denis de Beaulieu walked fast and was soon knocking at his friend's door; but though he promised himself to stay only a little while and make an early return, his welcome was so pleasant, and he found so much to delay him, that it was already long past midnight before he said good-bye upon the threshold. The wind had fallen again in the meanwhile; the night was as black as the grave; not a star, nor a glimmer of moonshine, slipped through the canopy of cloud. Denis was ill-acquainted with the intricate lanes of Château Landon; even by daylight he had found some trouble in picking his way; and in this absolute darkness he soon lost it altogether. He was certain of one thing only—to keep mounting the hill; for his friend's house lay at the lower end, or tail, of Château Landon, while the inn was up at the head, under the great church spire. With this clue to go upon he stumbled and groped forward, now breathing more freely in open places where there was a good slice of sky overhead, now feeling along the wall in stifling closes. It is an eerie and mysterious position to be thus submerged in opaque blackness in an almost unknown town. The silence is terrifying in its possibilities. The touch of cold window bars to the exploring hand startles the man like the touch of a toad; the inequalities of the pavement shake his heart into his mouth; a piece of denser darkness threatens an ambuscade or a chasm in the pathway; and where the air is brighter, the houses put on strange and bewildering appearances, as if to lead him farther from his way. For Denis, who had to regain his inn without attracting notice, there was real danger as well as mere discomfort in the walk; and he went warily and boldly at once, and at every corner paused to make an observation.

He had been for some time threading a lane so narrow that he could touch a wall with either hand, when it began to open out and go sharply downward. Plainly this lay no longer in the direction of his inn; but the hope of a little more light tempted him forward to reconnoitre. The lane ended in a terrace with a bartizan wall, which gave an outlook between high houses, as out of an embrasure, into the valley lying dark and formless several hundred feet below. Denis looked down, and could discern a few tree-tops waving and a single speck of brightness where the river ran across a weir. The weather was clearing up, and the sky had lightened, so as to show the outline of the heavier clouds and the dark margin of the hills. By the uncertain glimmer, the house on his left hand should be a place of some pretensions; it was surmounted by several pinnacles and turret-tops; the round stern of a chapel, with a fringe of flying buttresses, projected boldly from the main block; and the door was sheltered under a deep porch carved with figures and overhung by two long gargoyles. The windows of the chapel gleamed through their intricate tracery with a light as of many tapers, and threw out the buttresses and the peaked roof in a more intense blackness against the sky. It was plainly the hotel of some great family of the neighbourhood; and as it reminded Denis of a town house of his own at Bourges, he stood for some time gazing up at it and mentally gauging the skill of the architects and the consideration of the two families.

There seemed to be no issue to the terrace but the lane by which he had reached it; he could only retrace his steps, but he had gained some notion of his whereabouts, and hoped by this means to hit the main thoroughfare and speedily regain the inn. He was reckoning without that chapter of accidents which was to make this night memorable above all others in his career; for he had not gone back above a hundred yards before he saw a light coming to meet him, and heard loud voices speaking together in the echoing narrows of the lane. It was a party of men-at-arms going the night round with torches. Denis assured himself that they had all been making free with the wine-bowl, and were in no mood to be particular about safe-conducts or the niceties of chivalrous war. It was as like as not that they would kill him like a dog and leave him where he fell. The situation was inspiriting but nervous. Their own torches would conceal him from sight, he reflected; and he hoped that they would drown the noise of his footsteps with their own empty voices. If he were but fleet and silent, he might evade their notice altogether.

Unfortunately, as he turned to beat a retreat, his foot rolled upon a pebble; he fell against the wall with an ejaculation, and his sword rang loudly on the stones. Two or three voices demanded who went there—some in French, some in English; but Denis made no reply, and ran the faster down the lane. Once upon the terrace, he paused to look back. They still kept calling after him, and just then began to double the pace in pursuit, with a considerable clank of armour, and great tossing of the torchlight to and fro in the narrow jaws of the passage.

Denis cast a look around and darted into the porch. There he might escape observation, or—if that were too much to expect—was in a capital posture whether for parley or defence. So thinking, he drew his sword and tried to set his back against the door. To his surprise, it yielded behind his weight; and though he turned in a moment, continued to swing back on oiled and noiseless hinges, until it stood wide open on a black ulterior. When things fall out opportunely for the person concerned, he is not apt to be critical about the how or why, his own immediate personal convenience seeming a sufficient reason for the strangest oddities and revolutions in our sublunary things; and so Denis, without a moment's hesitation, stepped within and partly closed the door behind him to conceal his place of refuge. Nothing was further from his thoughts than to close it altogether; but for some inexplicable reason—perhaps by a spring or a weight—the ponderous mass of oak whipped itself out of his fingers and clanked to, with a formidable rumble and a noise like the falling of an automatic bar.

The round, at that very moment, debouched upon the terrace and proceeded to summon him with shouts and curses. He heard them ferreting in the dark corners; the stock of a lance even rattled along the outer surface of the door behind which he stood; but these gentlemen were in too high a humour to be long delayed, and soon made off down a corkscrew pathway which had escaped Denis's observation, and passed out of sight and hearing along the battlements of the town.

Denis breathed again. He gave them a few minutes' grace for fear of accidents, and then groped about for some means of opening the door and slipping forth again. The inner surface was quite smooth, not a handle, not a moulding, not a projection of any sort. He got his finger-nails round the edges and pulled, but the mass was immovable. He shook it, it was as firm as a rock. Denis de Beaulieu frowned and gave vent to a little noiseless whistle. What ailed the door? he wondered. Why was it open? How came it to shut so easily and so effectually after him? There was something obscure and underhand about all this, that was little to the young man's fancy. It looked like a snare; and yet who could suppose a snare in such a quiet by-street and in a house of so prosperous and even noble an exterior? And yet—snare or no snare, intentionally or unintentionally—here he was, prettily trapped; and for the life of him he could see no way out of it again. The darkness began to weigh upon him. He gave ear; all was silent without, but within and close by he seemed to catch a faint sighing, a faint sobbing rustle, a little stealthy creek—as though many persons were at his side, holding themselves quite still, and governing even their respiration with the extreme of slyness. The idea went to his vitals with a shock, and he faced about suddenly as if to defend his life. Then, for the first time, he became aware of a light about the level of his eyes and at some distance in the interior of the house—a vertical thread of light, widening toward the bottom, such as might escape between two wings of arras over a doorway. To see anything was a relief to Denis; it was like a piece of solid ground to a man labouring in a morass; his mind seized upon it with avidity; and he stood staring at it and trying to piece together some logical conception of his surroundings. Plainly there was a flight of steps ascending from his own level to that of this illuminated doorway; and indeed he thought he could make out another thread of light, as fine as a needle and as faint as phosphorescence, which might very well be reflected along the polished wood of a handrail. Since he had begun to suspect that he was not alone, his heart had continued to beat with smothering violence, and an intolerable desire for action of any sort had possessed itself of his spirit. He was in deadly peril, he believed. What could be more natural than to mount the staircase, lift the curtain, and confront his difficulty at once? At least he would be dealing with something tangible; at least he would be no longer in the dark. He stepped slowly forward with outstretched hands, until his foot struck the bottom step; then he rapidly scaled the stairs, stood for a moment to compose his expression, lifted the arras and went in.

He found himself in a large apartment of polished stone. There were three doors; one on each of three sides; all similarly curtained with tapestry. The fourth side was occupied by two large windows and a great stone chimney-piece, carved with the arms of the Malétroits. Denis recognized the bearings, and was gratified to find himself in such good hands. The room was strongly illuminated; but it contained little furniture except a heavy table and a chair or two, the hearth was innocent of fire, and the pavement was but sparsely strewn with rushes clearly many days old.

On a high chair beside the chimney, and directly facing Denis as he entered, sat a little old gentleman in a fur tippet. He sat with his legs crossed and his hands folded, and a cup of spiced wine stood by his elbow on a bracket on the wall. His countenance had a strongly masculine cast; not properly human, but such as we see in the bull, the goat, or the domestic boar; something equivocal and wheedling, something greedy, brutal, and dangerous. The upper lip was inordinately full, as though swollen by a blow or a toothache; and the smile, the peaked eyebrows, and the small, strong eyes were quaintly and almost comically evil in expression. Beautiful white hair hung straight all round his head, like a saint's, and fell in a single curl upon the tippet. His beard and moustache were the pink of venerable sweetness. Age, probably in consequence of inordinate precautions, had left no mark upon his hands; and the Malétroit hand was famous. It would be difficult to imagine anything at once so fleshly and so delicate in design; the taper, sensual fingers were like those of one of Leonardo's women; the fork of the thumb made a dimpled protuberance when closed; the nails were perfectly shaped, and of a dead, surprising whiteness. It rendered his aspect tenfold more redoubtable, that a man with hands like these should keep them devoutly folded in his lap like a virgin martyr—that a man with so intense and startling an expression of face should sit patiently on his seat and contemplate people with an unwinking stare, like a god or a god's statue. His quiescence seemed ironical and treacherous, it fitted so poorly with his looks. Such was Alain, Sire de Malétroit.

Denis and he looked silently at each other for a second or two.

"Pray step in," said the Sire de Malétroit. "I have been expecting you all evening."

He had not risen, but he accompanied his words with a smile and a slight but courteous inclination of the head. Partly from the smile, partly from the strange musical murmur with which the Sir prefaced his observation, Denis felt a strong shudder of disgust go through his marrow. And what with disgust and honest confusion of mind, he could scarcely get words together in reply.

"I fear," he said, "that this is a double accident. I am not the person you suppose me. It seems you were looking for a visit; but for my part, nothing was further from my thoughts—nothing could be more contrary to my wishes—than this intrusion."

"Well, well," replied the old gentleman indulgently, "here you are, which is the main point. Seat yourself, my friend, and put yourself entirely at your ease. We shall arrange our little affairs presently."

Denis perceived that the matter was still complicated with some misconception, and he hastened to continue his explanations.

"Your door..." he began.

"About my door?" asked the other, raising his peaked eyebrows. "A little piece of ingenuity." And he shrugged his shoulders. "A hospitable fancy! By your own account, you were not desirous of making my acquaintance. We old people look for such reluctance now and then; and when it touches our honour, we cast about until we find some way of overcoming it. You arrive uninvited, but, believe me, very welcome."

"You persist in error, sir," said Denis. "There can be no question between you and me. I am a stranger in this countryside. My name is Denis, damoiseau de Beaulieu. If you see me in your house, it is only——"

"My young friend," interrupted the other, "you will permit me to have my own ideas on that subject. They probably differ from yours at the present moment," he added with a leer, "but time will show which of us is in the right."

Denis was convinced he had to do with a lunatic. He seated himself with a shrug, content to wait the upshot; and a pause ensued, during which he thought he could distinguish a hurried gabbling as of prayer from behind the arras immediately opposite him. Sometimes there seemed to be but one person engaged, sometimes two; and the vehemence of the voice, low as it was, seemed to indicate either great haste or an agony of spirit. It occurred to him that this piece of tapestry covered the entrance to the chapel he had noticed from without.

The old gentleman meanwhile surveyed Denis from head to foot with a smile, and from time to time emitted little noises like a bird or a mouse, which seemed to indicate a high degree of satisfaction. This state of matters became rapidly insupportable; and Denis, to put an end to it, remarked politely that the wind had gone down.

The old gentleman fell into a fit of silent laughter, so prolonged and violent that he became quite red in the face. Denis got upon his feet at once, and put on his hat with a flourish.

"Sir," he said, "if you are in your wits, you have affronted me grossly. If you are out of them, I flatter myself I can find better employment for my brains than to talk with lunatics. My conscience is clear; you have made a fool of me from the first moment; you have refused to hear my explanations; and now there is no power under God will make me stay here any longer; and if I cannot make my way out in a more decent fashion, I will hack your door in pieces with my sword."

The Sire de Malétroit raised his right hand and wagged it at Denis with the fore and little fingers extended.

"My dear nephew," he said, "sit down."

"Nephew!" retorted Denis, "you lie in your throat;" and he snapped his fingers in his face.

"Sit down, you rogue!" cried the old gentleman, in a sudden, harsh voice, like the barking of a dog. "Do you fancy," he went on, "that when I had made my little contrivance for the door, I had stopped short with that? If you prefer to be bound hand and foot till your bones ache, rise and try to go away. If you choose to remain a free young buck, agreeably conversing with an old gentleman—why, sit where you are in peace, and God be with you."

"Do you mean I am a prisoner?" demanded Denis.

"I state the facts," replied the other. "I would rather leave the conclusion to yourself."

Denis sat down again. Externally he managed to keep pretty calm; but within, he was now boiling with anger, now chilled with apprehension. He no longer felt convinced that he was dealing with a madman. And if the old gentleman was sane, what, in God's name, had he to look for? What absurd or tragical adventure had befallen him? What countenance was he to assume?

While he was thus unpleasantly reflecting, the arras that overhung the chapel door was raised, and a tall priest in his robes came forth and, giving a long, keen stare at Denis, said something in an undertone to the Sire de Malétroit.

"She is in a better frame of spirit?" asked the latter.

"She is more resigned, messire," replied the priest.'

"Now the Lord help her, she is hard to please!" sneered the old gentleman. "A likely stripling—not ill-born—and of her own choosing, too? Why, what more would the jade have?"

"The situation is not usual for a young damsel," said the other, "and somewhat trying to her blushes."

"She should have thought of that before she began the dance? It was none of my choosing, God knows that: but since she is in it, by our lady, she shall carry it to an end." And then addressing Denis, "Monsieur de Beaulieu," he asked, "may I present you to my niece? She has been waiting your arrival, I may say, with even greater impatience than myself."

Denis had resigned himself with a good grace—all he desired was to know the worst of it as speedily as possible; so he rose at once, and bowed in acquiescence. The Sire de Malétroit followed his example and limped, with the assistance of the chaplain's arm, toward the chapel-door. The priest pulled aside the arras, and all three entered. The building had considerable architectural pretensions. A light groining sprang from six stout columns, and hung down in two rich pendants from the centre of the vault. The place terminated behind the altar in a round end, embossed and honey-combed with a superfluity of ornament in relief, and pierced by many little windows shaped like stars, trefoils, or wheels. These windows were imperfectly glazed, so that the night air circulated freely in the chapel. The tapers, of which there must have been half a hundred burning on the altar, were unmercifully blown about; and the light went through many different phases of brilliancy and semi-eclipse. On the steps in front of the altar knelt a young girl richly attired as a bride. A chill settled over Denis as he observed her costume; he fought with desperate energy against the conclusion that was being thrust upon his mind; it could not—it should not—be as he feared.

"Blanche," said the Sire, in his most flute-like tones, "I have brought a friend to see you, my little girl; turn round and give him your pretty hand. It is good to be devout; but it is necessary to be polite, my niece."

The girl rose to her feet and turned toward the newcomers. She moved all of a piece; and shame and exhaustion were expressed in every line of her fresh young body; and she held her head down and kept her eyes upon the pavement, as she came slowly forward. In the course of her advance, her eyes fell upon Denis de Beaulieu's feet—feet of which he was justly vain, be it remarked, and wore in the most elegant accoutrement even while travelling. She paused—started, as if his yellow boots had conveyed some shocking meaning—and glanced suddenly up into the wearer's countenance. Their eyes met; shame gave place to horror and terror in her looks; the blood left her lips; with a piercing scream she covered her face with her hands and sank upon the chapel-floor.

"That is not the man!" she cried. "My uncle, that is not the man!"

The Sire de Malétroit chirped agreeably. "Of course not," he said, "I expected as much. It was so unfortunate you could not remember his name."

"Indeed," she cried, "indeed, I have never seen this person till this moment—I have never so much as set eyes upon him—I never wish to see him again. Sir," she said, turning to Denis, "if you are a gentleman, you will bear me out. Have I ever seen you—have you ever seen me—before this accursed hour?"

"To speak for myself, I have never had that pleasure," answered the young man. "This is the first time, messire, that I have met with your engaging niece."

The old gentleman shrugged his shoulders.

"I am distressed to hear it," he said. "But it is never too late to begin. I had little more acquaintance with my own late lady ere I married her; which proves," he added with a grimace, "that these impromptu marriages may often produce an excellent understanding in the long run. As the bridegroom is to have a voice in the matter, I will give him two hours to make up for lost time before we proceed with the ceremony." And he turned toward the door, followed by the clergyman.

The girl was on her feet in a moment. "My uncle, you cannot be in earnest," she said. "I declare before God I will stab myself rather than be forced on that young man. The heart rises at it; God forbids such marriages; you dishonour your white hair. Oh, my uncle, pity me! There is not a woman in all the world but would prefer death to such a nuptial. Is it possible," she added, faltering—"is it possible that you do not believe me—that you still think this"—and she pointed at Denis with a tremor of anger and contempt—"that you still think this to be the man?"

"Frankly," said the old gentleman, pausing on the threshold, "I do. But let me explain to you once for all, Blanche de Malétroit, my way of thinking about this affair. When you took it into your head to dishonour my family and the name that I have borne, in peace and war, for more than three-score years, you forfeited, not only the right to question my designs, but that of looking me in the face. If your father had been alive, he would have spat on you and turned you out of doors. His was the hand of iron. You may bless your God you have only to deal with the hand of velvet, mademoiselle. It was my duty to get you married without delay. Out of pure goodwill, I have tried to find your own gallant for you. And I believe I have succeeded. But before God and all the holy angels, Blanche de Malétroit, if I have not, I care not one jack-straw. So let me recommend you to be polite to our young friend; for upon my word, your next groom may be less appetising."

And with that he went out, with the chaplain at his heels; and the arras fell behind the pair.

The girl turned upon Denis with flashing eyes.

"And what, sir," she demanded, "may be the meaning of all this?"

"God knows," returned Denis gloomily. "I am a prisoner in this house, which seems full of mad people. More I know not; and nothing do I understand."

"And pray how came you here?" she asked.

He told her as briefly as he could. "For the rest," he added, "perhaps you will follow my example, and tell me the answer to all these riddles, and what, in God's name, is like to be the end of it."

She stood silent for a little, and he could see her lips tremble and her tearless eyes burn with a feverish lustre. Then she pressed her forehead in both hands.

"Alas, how my head aches!" she said wearily—"to say nothing of my poor heart! But it is due to you to know my story, unmaidenly as it must seem. I am called Blanche de Malétroit; I have been without father or mother for—oh! for as long as I can recollect, and indeed I have been most unhappy all my life. Three months ago a young captain began to stand near me every day in church. I could see that I pleased him; I am afraid I am silly, but I was so glad that any one should love me; and when he passed me a letter, I took it home with me and read it with great pleasure. Since that time he has written many. He was so anxious to speak with me, poor fellow! and kept asking me to leave the door open some evening that we might have two words upon the stair. For he knew how much my uncle trusted me." She gave something like a sob at that, and it was a moment before she could go on. "My uncle is a hard man, but he is very shrewd," she said at last. "He has performed many feats in war, and was a great person at court, and much trusted by Queen Isabeau in old days. How he came to suspect me I cannot tell; but it is hard to keep anything from his knowledge; and this morning, as we came from mass, he took my hand in his, forced it open, and read my little billet, walking by my side all the while. When he had finished, he gave it back to me with great politeness. It contained another request to have the door left open; and this has been the ruin of us all. My uncle kept me strictly in my room until evening, and then ordered me to dress myself as you see me—a hard mockery for a young girl, do you not think so? I suppose, when he could not prevail with me to tell him the young captain's name, he must have laid a trap for him: into which, alas! you have fallen in the anger of God. I looked for much confusion; for how could I tell whether he was willing to take me for his wife on these sharp terms? He might have been trifling with me from the first; or I might have made myself too cheap in his eyes. But truly I had not looked for such a shameful punishment as this! I could not think that God would let a girl be so disgraced before a young man. And now I have told you all, as I am true-born; although I can scarcely hope that you will believe me, since I fear that my own uncle does not."

Denis made her a respectful inclination.

"Madam," he said, "you have honoured me by your confidence. It remains for me to prove that I am not unworthy of the honour. Is Messire de Malétroit at hand?"

"I believe he is writing in the salle without," she answered.

"May I lead you thither, madam?" asked Denis, offering his hand with his most courtly bearing.

She accepted it; and the pair passed out of the chapel, Blanche in a very drooping and shamefaced condition, but Denis strutting and ruffling in the consciousness of a mission, and the boyish certainty of accomplishing it with honour.

The Sire de Malétroit rose to meet them with an ironical obeisance.

"Sir," said Denis, with the grandest possible air, "I believe I am to have some say in the matter of this marriage; and let me tell you at once, I will be no party to forcing the inclination of this young lady. Had it been freely offered to me, I should have been proud to accept her hand, for I perceive she is as good as she is beautiful; but as things are, I have now the honour, messire, of refusing."

Blanche looked at him with gratitude in her eyes; but the old gentleman only smiled and smiled, until his smile grew positively sickening to Denis.

"I am afraid," he said, "Monsieur de Beaulieu, that you do not perfectly understand the choice I have to offer you. Follow me, I beseech you, to this window." And he led the way to one of the large windows which stood open on the night. "You observe," he went on, "there is an iron ring in the upper masonry, and reeved through that, a very efficacious rope. Now, mark my words: if you should find your disinclination to my niece's person insurmountable, I shall have you hanged out of this window before sunrise. I shall only proceed to such an extremity with the greatest regret, you may believe me. For it is not at all your death that I desire, but my niece's establishment in life. At the same time, it must come to that if you prove obstinate. Your family, Monsieur de Beaulieu, is very well in its way; but if you sprang from Charlemagne, you should not refuse the hand of a Malétroit with impunity—not if she had been as common as the Paris road—not if she were as hideous as the gargoyle over my door. Neither my niece nor you, nor my own private feelings, move me at all in this matter. The honour of my house has been compromised; I believe you to be the guilty person; at least you are now in the secret; and you can hardly wonder if I request you to wipe out the stain. If you will not, your blood be on your own head! It will be no great satisfaction to me to have your interesting relics kicking their heels in the breeze below my windows; but half a loaf is better than no bread, and if I cannot cure the dishonour, I shall at least stop the scandal."

There was a pause.

"I believe there are other ways of settling such imbroglios among gentlemen," said Denis. "You wear a sword, and I hear you have used it with distinction."

The Sire de Malétroit made a signal to the chaplain, who crossed the room with long silent strides and raised the arras over the third of the three doors. It was only a moment before he let it fall again; but Denis had time to see a dusky passage full of armed men.

"When I was a little younger, I should have been delighted to honour you, Monsieur de Beaulieu," said Sire Alain; "but I am now too old. Faithful retainers are the sinews of age, and I must employ the strength I have. This is one of the hardest things to swallow as a man grows up in years; but with a little patience, even this becomes habitual. You and the lady seem to prefer the salle for what remains of your two hours; and as I have no desire to cross your preference, I shall resign it to your use with all the pleasure in the world. No haste!" he added, holding up his hand, as he saw a dangerous look come into Denis de Beaulieu's face. "If your mind revolts against hanging, it will be time enough two hours hence to throw yourself out of the window or upon the pikes of my retainers. Two hours of life are always two hours. A great many things may turn up in even as little a while as that. And, besides, if I understand her appearance, my niece has still something to say to you. You will not disfigure your last hours by a want of politeness to a lady?"

Denis looked at Blanche, and she made him an imploring gesture.

The old gentleman was hugely pleased at this symptom of an understanding. "Let us give them all the rope we can," he thought; and then he continued aloud: "If you will give me your word of honour, Monsieur de Beaulieu, to await my return at the end of the two hours before attempting anything desperate, I shall withdraw my retainers, and let you speak in greater privacy with mademoiselle."

Denis again glanced at the girl, who seemed to beseech him to agree.

"I give you my word of honour," he said.

Messire de Malétroit bowed, and proceeded to limp about the apartment, clearing his throat the while with that odd musical chirp which had already grown so irritating in the ears of Denis de Beaulieu. He first possessed himself of some papers which lay upon the table; then he went to the mouth of the passage and appeared to give an order to the men behind the arras; and lastly he hobbled out through the door by which Denis had come in, turning upon the threshold to address a last smiling bow to the young couple, and followed by the chaplain with a hand-lamp.

No sooner were they alone than Blanche advanced toward Denis with her hands extended. Her face was flushed and excited, and her eyes shone with tears.

"You shall not die!" she cried, "you shall marry me after all."

"You seem to think, madam," replied Denis, "that I stand much in fear of death."

"Oh no, no," she said, "I see you are no poltroon. It is for my own sake—I could not bear to have you slain for such a scruple."

"I am afraid," returned Denis, "that you underrate the difficulty, madam. What you may be too generous to refuse, I may be too proud to accept. In a moment of noble feeling toward me, you forget what you perhaps owe to others."

He had the decency to keep his eyes upon the floor as he said this, and after he had finished, so as not to spy upon her confusion. She stood silent for a moment, then walked suddenly away, and sitting down in her uncle's chair, fairly burst out sobbing. Denis was in the acme of embarrassment. He looked round, as if to seek for inspiration, and seeing a stool, plumped down upon it for something to do. There he sat, playing with the guard of his rapier, and wishing himself dead a thousand times over, and buried in the nastiest kitchen-heap in France. His eyes wandered round the apartment, but found nothing to arrest them. There were such wide spaces between the furniture, the light fell so baldly and cheerlessly over all, the dark outside air looked in so coldly through the windows, that he thought he had never seen a church so vast, nor a tomb so melancholy. The regular sobs of Blanche de Malétroit measured out the time like the ticking of a clock. He read the device upon the shield over and over again, until his eyes became obscured; he stared into shadowy corners until he imagined they were swarming with horrible animals; and every now and again he awoke with a start, to remember that his last two hours were running, and death was on the march.

Oftener and oftener, as the time went on, did his glance settle on the girl herself. Her face was bowed forward and covered with her hands, and she was shaken at intervals by the convulsive hiccup of grief. Even thus she was not an unpleasant object to dwell upon, so plump and yet so fine, with a warm brown skin, and the most beautiful hair, Denis thought, in the whole world of womankind. Her hands were like her uncle's; but they were more in place at the end of her young arms, and looked infinitely soft and caressing. He remembered how her blue eyes had shone upon him, full of anger, pity, and innocence. And the more he dwelt on her perfections, the uglier death looked, and the more deeply was he smitten with penitence at her continued tears. Now he felt that no man could have the courage to leave a world which contained so beautiful a creature; and now he would have given forty minutes of his last hour to have unsaid his cruel speech.

Suddenly a hoarse and ragged peal of cockcrow rose to their ears from the dark valley below the windows. And this shattering noise in the silence of all around was like a light in a dark place, and shook them both out of their reflections.

"Alas, can I do nothing to help you?" she said, looking up.

"Madam," replied Denis, with a fine irrelevancy, "if I have said anything to wound you, believe me, it was for your own sake and not for mine."

She thanked him with a tearful look.

"I feel your position cruelly," he went on. "The world has been bitter hard on you. Your uncle is a disgrace to mankind. Believe me, madam, there is no young gentleman in all France but would be glad of my opportunity, to die in doing you a momentary service."

"I know already that you can be very brave and generous," she answered. "What I want to know is whether I can serve you—now or afterward," she added, with a quaver.

"Most certainly," he answered with a smile. "Let me sit beside you as if I were a friend, instead of a foolish intruder; try to forget how awkwardly we are placed to one another; make my last moments go pleasantly; and you will do me the chief service possible."

"You are very gallant," she added, with a yet deeper sadness ... "very gallant ... and it somehow pains me. But draw nearer, if you please; and if you find anything to say to me, you will at least make certain of a very friendly listener. Ah! Monsieur de Beaulieu," she broke forth—"ah! Monsieur de Beaulieu, how can I look you in the face?" And she fell to weeping again with a renewed effusion.

"Madam," said Denis, taking her hand in both of his, "reflect on the little time I have before me, and the great bitterness into which I am cast by the sight of your distress. Spare me, in my last moments, the spectacle of what I cannot cure even with the sacrifice of my life."

"I am very selfish," answered Blanche. "I will be braver, Monsieur de Beaulieu, for your sake. But think if I can do you no kindness in the future—if you have no friends to whom I could carry your adieux. Charge me as heavily as you can; every burden will lighten, by so little, the invaluable gratitude I owe you. Put it in my power to do something more for you than weep."

"My mother is married again, and has a young family to care for. My brother Guichard will inherit my fiefs; and if I am not in error, that will content him amply for my death. Life is a little vapour that passeth away, as we are told by those in holy orders. When a man is in a fair way and sees all life open in front of him, he seems to himself to make a very important figure in the world. His horse whinnies to him; the trumpets blow and the girls look out of windows as he rides into a town before his company; he receives many assurances of trust and regard—sometimes by express in a letter—sometimes face to face, with persons of great consequence falling on his neck. It is not wonderful if his head is turned for a time. But once he is dead, were he as brave as Hercules or as wise as Solomon, he is soon forgotten. It is not ten years since my father fell, with many other knights around him, in a very fierce encounter, and I do not think that any one of them, nor so much as the name of the fight, is now remembered. No, no, madam, the nearer you come to it, you see that death is a dark and dusty corner, where a man gets into his tomb and has the door shut after him till the judgment day. I have few friends just now, and once I am dead I shall have none."

"Ah, Monsieur de Beaulieu!" she exclaimed, "you forget Blanche de Malétroit."

"You have a sweet nature, madam, and you are pleased to estimate a little service far beyond its worth."

"It is not that," she answered. "You mistake me if you think I am so easily touched by my own concerns. I say so, because you are the noblest man I have ever met; because I recognize in you a spirit that would have made even a common person famous in the land."

"And yet here I die in a mousetrap—with no more noise about it than my own squeaking," answered he.

A look of pain crossed her face, and she was silent for a little while. Then a light came into her eyes, and with a smile she spoke again.

"I cannot have my champion think meanly of himself. Anyone who gives his life for another will be met in Paradise by all the heralds and angels of the Lord God. And you have no such cause to hang your head. For ... Pray, do you think me beautiful?" she asked, with a deep flush.

"Indeed, madam, I do," he said.

"I am glad of that," she answered heartily. "Do you think there are many men in France who have been asked in marriage by a beautiful maiden—with her own lips—and who have refused her to her face? I know you men would half despise such a triumph; but believe me, we women know more of what is precious in love. There is nothing that should set a person higher in his own esteem; and we women would prize nothing more dearly."

"You are very good," he said; "but you cannot make me forget that I was asked in pity and not for love."

"I am not so sure of that," she replied, holding down her head. "Hear me to an end, Monsieur de Beaulieu. I know how you must despise me; I feel you are right to do so; I am too poor a creature to occupy one thought of your mind, although, alas! you must die for me this morning. But when I asked you to marry me, indeed, and indeed, it was because I respected and admired you, and loved you with my whole soul, from the very moment that you took my part against my uncle. If you had seen yourself, and how noble you looked, you would pity rather than despise me. And now," she went on, hurriedly checking him with her hand, "although I have laid aside all reserve and told you so much, remember that I know your sentiments toward me already. I would not, believe me, being nobly born, weary you with importunities into consent. I, too, have a pride of my own; and I declare before the holy mother of God, if you should now go back from your word already given, I would no more marry you than I would marry my uncle's groom."

Denis smiled a little bitterly.

"It is a small love," he said, "that shies at a little pride."

She made no answer, although she probably had her own thoughts.

"Come hither to the window," he said, with a sigh. "Here is the dawn."

And indeed the dawn was already beginning. The hollow of the sky was full of essential daylight, colourless and clean; and the valley underneath was flooded with a grey reflection. A few thin vapours clung in the coves of the forest or lay along the winding course of the river. The scene disengaged a surprising effect of stillness, which was hardly interrupted when the cocks began once more to crow among the steadings. Perhaps the same fellow who had made so horrid a clangour in the darkness not half an hour before, now sent up the merriest cheer to greet the coming day. A little wind went bustling and eddying among the tree-tops underneath the windows. And still the daylight kept flooding insensibly out of the east, which was soon to grow incandescent and cast up that red-hot cannon-ball, the rising sun.

Denis looked out over all this with a bit of a shiver. He had taken her hand, and retained it in his almost unconsciously.

"Has the day begun already?" she said; and then, illogically enough: "The night has been so long! Alas! what shall we say to my uncle when he returns?"

"What you will," said Denis, and he pressed her fingers in his. She was silent.

"Blanche," he said, with a swift, uncertain, passionate utterance, "you have seen whether I fear death. You must know well enough that I would as gladly leap out of that window into the empty air as lay a finger on you without your free and full consent. But if you care for me at all do not let me lose my life in a misapprehension; for I love you better than the whole world; and though I will die for you blithely, it would be like all the joys of Paradise to live on and spend my life in your service."

As he stopped speaking, a bell began to ring loudly in the interior of the house; and a clatter of armour in the corridor showed that the retainers were returning to their post, and the two hours were at an end.

"After all that you have heard?" she whispered, leaning toward him with her lips and eyes.

"I have heard nothing," he replied.

"The captain's name was Florimond de Champdivers," she said in his ear.

"I did not hear it," he answered, taking her supple body in his arms and covering her wet face with kisses.

A melodious chirping was audible behind, followed by a beautiful chuckle, and the voice of Messire de Malétroit wished his new nephew a good morning.

II

A DOUBLE-DYED DECEIVER

O. HENRY

The trouble began in Laredo. It was the Llano Kid's fault, for he should have confined his habit of manslaughter to Mexicans. But the Kid was past twenty; and to have only Mexicans to one's credit at twenty is to blush unseen on the Rio Grande border.

It happened in old Justo Valdo's gambling house. There was a poker game at which sat players who were not all friends, as happens often where men ride in from afar to shoot Folly as she gallops. There was a row over so small a matter as a pair of queens; and when the smoke had cleared away it was found that the Kid had committed an indiscretion, and his adversary had been guilty of a blunder. For, the unfortunate combatant, instead of being a Greaser, was a high-blooded youth from the cow ranches, of about the Kid's own age and possessed of friends and champions. His blunder in missing the Kid's right ear only a sixteenth of an inch when he pulled his gun did not lessen the indiscretion of the better marksman.

The Kid, not being equipped with a retinue, nor bountifully supplied with personal admirers and supporters—on account of a rather umbrageous reputation, even for the border—considered it not incompatible with his indisputable gameness to perform that judicious tractional act known as "pulling his freight."

Quickly the avengers gathered and sought him. Three of them overtook him within a rod of the station. The Kid turned and showed his teeth in that brilliant but mirthless smile that usually preceded his deeds of insolence and violence, and his pursuers fell back without making it necessary for him even to reach for his weapon.

But in this affair the Kid had not felt the grim thirst for encounter that usually urged him on to battle. It had been a purely chance row, born of the cards and certain epithets impossible for a gentleman to brook that had passed between the two. The Kid had rather liked the slim, haughty, brown-faced young chap whom his bullet had cut off in the first pride of manhood. And now he wanted no more blood. He wanted to get away and have a good long sleep somewhere in the sun on the mesquit grass with his handkerchief over his face. Even a Mexican might have crossed his path in safety while he was in this mood.

The Kid openly boarded the north-bound passenger train that departed five minutes later. But at Webb, a few miles out, where it was flagged to take on a traveller, he abandoned that manner of escape. There were telegraph stations ahead; and the Kid looked askance at electricity and steam. Saddle and spur were his rocks of safety.

The man whom he had shot was a stranger to him. But the Kid knew that he was of the Coralitos outfit from Hidalgo; and that the punchers from that ranch were more relentless and vengeful than Kentucky feudists when wrong or harm was done to one of them. So, with the wisdom that has characterized many great fighters, the Kid decided to pile up as many leagues as possible of chaparral and pear between himself and the retaliation of the Coralitos bunch.

Near the station was a store; and near the store, scattered among the mesquits and elms, stood the saddled horses of the customers. Most of them waited, half asleep, with sagging limbs and drooping heads. But one, a long-legged roan with a curved neck, snorted and pawed the turf. Him the Kid mounted, gripped with his knees, and slapped gently with the owner's own quirt.

If the slaying of the temerarious card-player had cast a cloud over the Kid's standing as a good and true citizen, this last act of his veiled his figure in the darkest shadows of disrepute. On the Rio Grande border if you take a man's life you sometimes take trash; but if you take his horse, you take a thing the loss of which renders him poor, indeed, and which enriches you not—if you are caught. For the Kid there was no turning back now.

With the springing roan under him he felt little care or uneasiness. After a five-mile gallop he drew in to the plainsman's jogging trot, and rode north-eastward toward the Nueces River bottoms. He knew the country well—its most tortuous and obscure trails through the great wilderness of brush and pear, and its camps and lonesome ranches where one might find safe entertainment. Always he bore to the east; for the Kid had never seen the ocean, and he had a fancy to lay his hand upon the mane of the great gulf, the gamesome colt of the greater waters.

So after three days he stood on the shore at Corpus Christi, and looked out across the gentle ripples of a quiet sea.

Captain Boone, of the schooner Flyaway, stood near his skiff, which one of his crew was guarding in the surf. When ready to sail he had discovered that one of the necessaries of life, in the parallelogrammatic shape of plug tobacco, had been forgotten. A sailor had been dispatched for the missing cargo. Meanwhile the captain paced the sands, chewing profanely at his pocket store.

A slim, wiry youth in high-heeled boots came down to the water's edge. His face was boyish, but with a premature severity that hinted at a man's experience. His complexion was naturally dark; and the sun and wind of an outdoor life had burned it to a coffee brown. His hair was as black and straight as an Indian's; his face had not yet been upturned to the humiliation of a razor; his eyes were a cold and steady blue. He carried his left arm somewhat away from his body, for pearl-handled .45s are frowned upon by town marshals, and are a little bulky when packed in the left armhole of one's vest. He looked beyond Captain Boone at the gulf with the impersonal and expressionless dignity of a Chinese emperor.

"Thinkin' of buyin' that'ar gulf, buddy?" asked the captain, made sarcastic by his narrow escape from the tobaccoless voyage.

"Why, no," said the Kid gently, "I reckon not. I never saw it before. I was just looking at it. Not thinking of selling it, are you?"

"Not this trip," said the captain. "I'll send it to you C.O.D. when I get back to Buenas Tierras. Here comes that capstanfooted lubber with the chewin'. I ought to've weighed anchor an hour ago."

"Is that your ship out there?" asked the Kid.

"Why, yes," answered the captain, "if you want to call a schooner a ship, and I don't mind lyin'. But you better say Miller and Gonzales, owners, and ordinary plain, Billy-be-damned old Samuel K. Boone, skipper."

"Where are you going to?" asked the refugee.

"Buenas Tierras, coast of South America—I forgot what they called the country the last time I was there. Cargo—lumber, corrugated iron, and machetes."

"What kind of a country is it?" asked the Kid—"hot or cold?"

"Warmish, buddy," said the captain. "But a regular Paradise Lost for elegance of scenery and be-yooty of geography. Ye're wakened every morning by the sweet singin' of red birds with seven purple tails, and the sighin' of breezes in the posies and roses. And the inhabitants never work, for they can reach out and pick steamer baskets of choicest hothouse fruit without gettin' out of bed. And there's no Sunday and no ice and no rent and no troubles and no use and no nothin'. It's a great country for a man to go to sleep with, and wait for somethin' to turn up. The bananays and oranges and hurricanes and pineapples that ye eat comes from there."

"That sounds to me!" said the Kid, at last betraying interest. "What'll the expressage be to take me out there with you?"

"Twenty-four dollars," said Captain Boone; "grub and transportation. Second cabin. I haven't got a first cabin."

"You've got my company," said the Kid, pulling out a buckskin bag.

With three hundred dollars he had gone to Laredo for his regular "blowout." The duel in Valdos's had cut short his season of hilarity, but it had left him with nearly $200 for aid in the flight that it had made necessary.

"All right, buddy," said the captain. "I hope your ma won't blame me for this little childish escapade of yours." He beckoned to one of the boat's crew. "Let Sanchez lift you out to the skiff so you won't get your feet wet."

Thacker, the United States consul at Buenas Tierras, was not yet drunk. It was only eleven o'clock; and he never arrived at his desired state of beatitude—a state where he sang ancient maudlin vaudeville songs and pelted his screaming parrot with banana peels—until the middle of the afternoon. So, when he looked up from his hammock at the sound of a slight cough, and saw the Kid standing in the door of the consulate, he was still in a condition, to extend the hospitality and courtesy due from the representative of a great nation. "Don't disturb yourself," said the Kid easily. "I just dropped in. They told me it was customary to light at your camp before starting in to round up the town. I just came in on a ship from Texas."

"Glad to see you, Mr.——," said the consul.

The Kid laughed.

"Sprague Dalton," he said. "It sounds funny to me to hear it. I'm called the Llano Kid in the Rio Grande country."

"I'm Thacker," said the consul. "Take that cane-bottom chair. Now if you've come to invest, you want somebody to advise you. These dingies will cheat you out of the gold in your teeth if you don't understand their ways. Try a cigar?"

"Much obliged," said the Kid, "but if it wasn't for my corn shucks and the little bag in my back pocket I couldn't live a minute." He took out his "makings," and rolled a cigarette.

"They speak Spanish here," said the consul. "You'll need an interpreter. If there's anything I can do, why, I'd be delighted. If you're buying fruit lands or looking for a concession of any sort, you'll want somebody who knows the ropes to look out for you."

"I speak Spanish," said the Kid, "about nine times better than I do English. Everybody speaks it on the range where I come from. And I'm not in the market for anything."

"You speak Spanish?" said Thacker thoughtfully. He regarded the Kid absorbedly.

"You look like a Spaniard, too," he continued. "And you're from Texas. And you can't be more than twenty or twenty-one. I wonder if you've got any nerve."

"You got a deal of some kind to put through?" asked the Texan, with unexpected shrewdness.

"Are you open to a proposition?" said Thacker.

"What's the use to deny it?" said the Kid. "I got into a little gun frolic down in Laredo and plugged a white man. There wasn't any Mexican handy. And I come down to your parrot-and-monkey range just for to smell the morning-glories and marigolds. Now, do you sabe?"

Thacker got up and closed the door.

"Let me see your hand," he said.

He took the Kid's left hand, and examined the back of it closely.

"I can do it," he said excitedly. "Your flesh is as hard as wood and as healthy as a baby's. It will heal in a week."

"If it's a fist fight you want to back me for," said the Kid, "don't put your money up yet. Make it gun work, and I'll keep you company. But no barehanded scrapping, like ladies at a tea-party, for me."

"It's easier than that," said Thacker. "Just step here, will you?"

Through the window he pointed to a two-story white-stuccoed house with wide galleries rising amid the deep-green tropical foliage on a wooded hill that sloped gently from the sea.

"In that house," said Thacker, "a fine old Castilian gentleman and his wife are yearning to gather you into their arms and fill your pockets with money. Old Santos Urique lives there. He owns half the gold-mines in the country."

"You haven't been eating loco weed, have you?" asked the Kid.

"Sit down again," said Thacker, "and I'll tell you. Twelve years ago they lost a kid. No, he didn't die—although most of 'em here do from drinking the surface water. He was a wild little devil even if he wasn't but eight years old. Everybody knows about it. Some Americans who were through here prospecting for gold had letters to Señor Urique, and the boy was a favourite with them. They filled his head with big stories about the States; and about a month after they left, the kid disappeared, too. He was supposed to have stowed himself away among the banana bunches on a fruit steamer, and gone to New Orleans. He was seen once afterward in Texas, it was thought, but they never heard anything more of him. Old Urique has spent thousands of dollars having him looked for. The madam was broken up worst of all. The kid was her life. She wears mourning yet. But they say she believes he'll come back to her some day, and never gives up hope. On the back of the boy's left hand was tattooed a flying eagle carrying a spear in his claws. That's old Urique's coat of arms or something that he inherited in Spain."

The Kid raised his left hand slowly and gazed at it curiously.

"That's it," said Thacker, reaching behind the official desk for his bottle of smuggled brandy. "You're not so slow. I can do it. What was I consul at Sandakan for? I never knew till now. In a week I'll have the eagle bird with the frog-sticker blended in so you'd think you were born with it. I brought a set of the needles and ink just because I was sure you'd drop in some day, Mr. Dalton."

"Oh, hell," said the Kid. "I thought I told you my name!"

"All right, 'Kid,' then. It won't be that long. How does Señorito Urique sound, for a change?"

"I never played son any that I remember of," said the Kid. "If I had any parents to mention they went over the divide about the time I gave my first bleat. What is the plan of your round-up?"

Thacker leaned back against the wall and held his glass up to the light.

"We've come now," said he, "to the question of how far you're willing to go in a little matter of the sort."

"I told you why I came down here," said the Kid simply.

"A good answer," said the consul. "But you won't have to go that far. Here's the scheme. After I get the trademark tattooed on your hand I'll notify old Urique. In the meantime I'll furnish you with all of the family history I can find out, so you can be studying up points to talk about. You've got the looks, you speak the Spanish, you know the facts, you can tell about Texas, you've got the tattoo mark. When I notify them that the rightful heir has returned and is waiting to know whether he will be received and pardoned, what will happen? They'll simply rush down here and fall on your neck, and the curtain goes down for refreshments and a stroll in the lobby."

"I'm waiting," said the Kid. "I haven't had my saddle off in your camp long, pardner, and I never met you before; but if you intend to let it go at a parental blessing, why, I'm mistaken in my man, that's all."

"Thanks," said the consul. "I haven't met anybody in a long time that keeps up with an argument as well as you do. The rest of it is simple. If they take you in only for a while it's long enough. Don't give 'em time to hunt up the strawberry mark on your left shoulder. Old Urique keeps anywhere from $50,000 to $100,000 in his house all the time in a little safe that you could open with a shoe buttoner. Get it. My skill as a tattooer is worth half the boodle. We go halves and catch a tramp steamer for Rio Janeiro. Let the United States go to pieces if it can't get along without my services. Que dice, señor?"

"It sounds to me!" said the Kid, nodding his head. "I'm out for the dust."

"All right, then," said Thacker. "You'll have to keep close until we get the bird on you. You can live in the back room here. I do my own cooking, and I'll make you as comfortable as a parsimonious Government will allow me."

Thacker had set the time at a week, but it was two weeks before the design that he patiently tattooed upon the Kid's hand was to his notion. And then Thacker called a muchacho, and dispatched this note to the intended victim:

EL SEÑOR DON SANTOS URIQUE,
La Casa Blanca,

MY DEAR SIR:

I beg permission to inform you that there is in my house as a temporary guest a young man who arrived in Buenas Tierras from the United States some days ago. Without wishing to excite any hopes that may not be realized, I think there is a possibility of his being your long-absent son. It might be well for you to call and see him. If he is, it is my opinion that his intention was to return to his home, but upon arriving here, his courage failed him from doubts as to how he would be received.

Your true servant,
THOMPSON THACKER.

Half an hour afterward—quick time for Buenas Tierras—Señor Urique's ancient landau drove to the consul's door, with the barefooted coachman beating and shouting at the team of fat, awkward horses.

A tall man with a white moustache alighted, and assisted to the ground a lady who was dressed and veiled in unrelieved black.

The two hastened inside, and were met by Thacker with his best diplomatic bow. By his desk stood a slender young man with clear-cut, sunbrowned features and smoothly brushed black hair.

Señora Urique threw back her heavy veil with a quick gesture. She was past middle age, and her hair was beginning to silver, but her full, proud figure and clear olive skin retained traces of the beauty peculiar to the Basque province. But, once you had seen her eyes, and comprehended the great sadness that was revealed in their deep shadows and hopeless expression, you saw that the woman lived only in some memory.

She bent upon the young man a long look of the most agonized questioning. Then her great black eyes turned, and her gaze rested upon his left hand. And then with a sob, not loud, but seeming to shake the room, she cried "Hijo mio!" and caught the Llano Kid to her heart.

A month afterward the Kid came to the consulate in response to a message sent by Thacker.

He looked the young Spanish caballero. His clothes were imported, and the wiles of the jewellers had not been spent upon him in vain. A more than respectable diamond shone on his finger as he rolled a shuck cigarette.

"What's doing?" asked Thacker.

"Nothing much," said the Kid calmly. "I eat my first iguana steak to-day. They're them big lizards, you sabe? I reckon, though, that frijoles and side bacon would do me about as well. Do you care for iguanas, Thacker?"

"No, nor for some other kinds of reptiles," said Thacker.

It was three in the afternoon, and in another hour he would be in his state of beatitude.

"It's time you were making good, sonny," he went on, with an ugly look on his reddened face. "You're not playing up to me square. You've been the prodigal son for four weeks now, and you could have had veal for every meal on a gold dish if you'd wanted it. Now, Mr. Kid, do you think it's right to leave me out so long on a husk diet? What's the trouble? Don't you get your filial eyes on anything that looks like cash in the Casa Blanca? Don't tell me you don't. Everybody knows where old Urique keeps his stuff. It's U.S. currency, too; he don't accept anything else. What's doing? Don't say 'nothing' this time."

"Why, sure," said the Kid, admiring his diamond, "there's plenty of money up there. I'm no judge of collateral in bunches, but I will undertake for to say that I've seen the rise of $50,000 at a time in that tin grub box that my adopted father calls his safe. And he lets me carry the key sometimes just to show me that he knows I'm the real little Francisco that strayed from the herd a long time ago."

"Well, what are you waiting for?" asked Thacker angrily. "Don't you forget that I can upset your apple-cart any day I want to. If old Urique knew you were an impostor, what sort of things would happen to you? Oh, you don't know this country, Mr. Texas Kid. The laws here have got mustard spread between 'em. These people here'd stretch you out like a frog that had been stepped on, and give you about fifty sticks at every corner of the plaza. And they'd wear every stick out, too. What was left of you they'd feed to alligators."

"I might as well tell you now, pardner," said the Kid, sliding down low on his steamer chair, "that things are going to stay just as they are. They're about right now."

"What do you mean?" asked Thacker, rattling the bottom of his glass on his desk.

"The scheme's off," said the Kid. "And whenever you have the pleasure of speaking to me address me as Don Francisco Urique. I'll guarantee I'll answer to it. We'll let Colonel Urique keep his money. His little tin safe is as good as the time-locker in the First National Bank of Laredo as far as you and me are concerned."

"You're going to throw me down, then, are you?" said the consul.

"Sure," said the Kid cheerfully. "Throw you down. That's it. And now I'll tell you why. The first night I was up at the colonel's house they introduced me to a bedroom. No blankets on the floor—a real room, with a bed and things in it. And before I was asleep, in comes this artificial mother of mine and tucks in the covers. 'Panchito,' she says, 'my little lost one, God has brought you back to me. I bless His name forever.' It was that, or some truck like that, she said. And down comes a drop or two of rain and hits me on the nose. And all that stuck by me, Mr. Thacker. And it's been that way ever since. And it's got to stay that way. Don't you think that it's for what's in it for me, either, that I say so. If you have any such ideas, keep 'em to yourself. I haven't had much truck with women in my life, and no mothers to speak of, but here's a lady that we've got to keep fooled. Once she stood it; twice she won't. I'm a low-down wolf, and the devil may have sent me on this trail instead of God, but I'll travel it to the end. And now, don't forget that I'm Don Francisco Urique whenever you happen to mention my name."

"I'll expose you to-day, you—you double-dyed traitor," stammered Thacker.

The Kid arose and, without violence, took Thacker by the throat with a hand of steel, and shoved him slowly into a corner. Then he drew from under his left arm his pearl-handled .45 and poked the cold muzzle of it against the consul's mouth.

"I told you why I come here," he said, with his old freezing smile. "If I leave here, you'll be the reason. Never forget it, pardner. Now, what is my name?"

"Er—Don Francisco Urique," gasped Thacker.

From outside came a sound of wheels, and the shouting of some one, and the sharp thwacks of a wooden whipstock upon the backs of fat horses.

The Kid put up his gun, and walked toward the door. But he turned again and came back to the trembling Thacker, and held up his left hand with its back toward the consul.

"There's one more reason," he said slowly, "why things have got to stand as they are. The fellow I killed in Laredo had one of them same pictures on his left hand."

Outside, the ancient landau of Don Santos Urique rattled to the door. The coachman ceased his bellowing. Señora Urique, in a voluminous gay gown of white lace and flying ribbons, leaned forward with a happy look in her great soft eyes.

"Are you within, dear son?" she called, in the rippling Castilian.

"Madre mia, yo vengo [mother, I come]," answered the young Don Francisco Urique.

III

THE BOLD DRAGOON
OR THE
ADVENTURE OF MY GRANDFATHER

WASHINGTON IRVING

My grandfather was a bold dragoon, for it's a profession, d'ye see, that has run in the family. All my forefathers have been dragoons, and died on the field of honour, except myself, and I hope my posterity may be able to say the same; however, I don't mean to be vainglorious. Well, my grandfather, as I said, was a bold dragoon, and had served in the Low Countries. In fact, he was one of that very army which, according to my uncle Toby, swore so terribly in Flanders. He could swear a good stick himself; and moreover was the very man that introduced the doctrine Corporal Trim mentions of radical heat and radical moisture; or, in other words, the mode of keeping out the damps of ditchwater by burnt brandy. Be that as it may, it's nothing to the purport of my story. I only tell it to show you that my grandfather was a man not easily to be humbugged. He had seen service, or, according to his own phrase, he had seen the devil—and that's saying every thing.

Well, gentlemen, my grandfather was on his way to England, for which he intended to embark from Ostend—bad luck to the place! for one where I was kept by storms and headwinds for three long days, and the devil of a jolly companion or pretty girl to comfort me. Well, as I was saying, my grandfather was on his way to England, or rather to Ostend—no matter which, it's all the same. So one evening, towards nightfall, he rode jollily into Bruges.—Very like you all know Bruges, gentlemen; a queer old-fashioned Flemish town, once, they say, a great place for trade and money-making in old times, when the Mynheers were in their glory; but almost as large and as empty as an Irishman's pocket at the present day.—Well, gentlemen, it was at the time of the annual fair. All Bruges was crowded; and the canals swarmed with Dutch boats, and the streets swarmed with Dutch merchants; and there was hardly any getting along for goods, wares, and merchandise, and peasants in big breeches, and women in half a score of petticoats.

My grandfather rode jollily along, in his easy, slashing way, for he was a saucy, sunshiny fellow—staring about him at the motley crowd, and the old houses with gable ends to the street, and storks' nests in the chimneys; winking at the yafrows who showed their faces at the windows, and joking the women right and left in the street; all of whom laughed, and took it in amazing good part; for though he did not know a word of the language, yet he had always a knack of making himself understood among the women.

Well, gentlemen, it being the time of the annual fair, all the town was crowded, every inn and tavern full, and my grandfather applied in vain from one to the other for admittance. At length he rode up to an old rickety inn, that looked ready to fall to pieces, and which all the rats would have run away from, if they could have found room in any other house to put their heads. It was just such a queer building as you see in Dutch pictures, with a tall roof that reached up into the clouds, and as many garrets, one over the other, as the seven heavens of Mahomet. Nothing had saved it from tumbling down but a stork's nest on the chimney, which always brings good luck to a house in the Low Countries; and at the very time of my grandfather's arrival, there were two of these long-legged birds of grace standing like ghosts on the chimney-top. Faith, but they've kept the house on its legs to this very day, for you may see it any time you pass through Bruges, as it stands there yet, only it is turned into a brewery of strong Flemish beer,—at least it was so when I came that way after the battle of Waterloo.

My grandfather eyed the house curiously as he approached. It might not have altogether struck his fancy, had he not seen in large letters over the door,

HEER VERKOOPT MAN GOEDEN DRANK.

My grandfather had learnt enough of the language to know that the sign promised good liquor. "This is the house for me," said he, stopping short before the door.

The sudden appearance of a dashing dragoon was an event in an old inn frequented only by the peaceful sons of traffic. A rich burgher of Antwerp, a stately ample man in a broad Flemish hat, and who was the great man and great patron of the establishment, sat smoking a clean long pipe on one side of the door; a fat little distiller of Geneva, from Schiedam, sat smoking on the other; and the bottle-nosed host stood in the door, and the comely hostess, in crimped cap, beside him; and the hostess's daughter, a plump Flanders lass, with long gold pendants in her ears, was at a side window.

"Humph!" said the rich burgher of Antwerp, with sulky glance at the stranger.

"De duyvel!" said the fat little distiller of Schiedam.

The landlord saw, with the quick glance of a publican, that the new guest was not at all to the taste of the old ones; and, to tell the truth, he did not like my grandfather's saucy eye. He shook his head. "Not a garret in the house but was full."

"Not a garret!" echoed the landlady.

"Not a garret!" echoed the daughter.

The burgher of Antwerp, and the little distiller of Schiedam, continued to smoke their pipes sullenly, eyeing the enemy askance from under their broad hats, but said nothing.

My grandfather was not a man to be browbeaten. He threw the reins on his horse's neck, cocked his head on one side, stuck one arm akimbo,—"Faith and troth!" said he, "but I'll sleep in this house this very night."—As he said this he gave a slap on his thigh, by way of emphasis—the slap went to the landlady's heart.

He followed up the vow by jumping off his horse, and making his way past the staring Mynheers into the public room.—May be you've been in the bar-room of an old Flemish inn—faith, but a handsome chamber it was as you'd wish to see; with a brick floor, and a great fireplace, with the whole Bible history in glazed tiles; and then the mantelpiece, pitching itself head foremost out of the wall, with a whole regiment of cracked teapots and earthen jugs paraded on it; not to mention half a dozen great Delft platters, hung about the room by way of pictures; and the little bar in one corner, and the bouncing bar-maid inside of it, with a red calico cap, and yellow ear-drops.

My grandfather snapped his fingers over his head, as he cast an eye round the room—"Faith, this is the very house I've been looking after," said he.

There was some further show of resistance on the part of the garrison; but my grandfather was an old soldier, and an Irishman to boot, and not easily repulsed, especially after he had got into the fortress. So he blarneyed the landlord, kissed the landlord's wife, tickled the landlord's daughter, chucked the bar-maid under the chin; and it was agreed on all hands that it would be a thousand pities, and a burning shame into the bargain, to turn such a bold dragoon into the streets. So they laid their heads together, that is to say, my grandfather and the landlady, and it was at length agreed to accommodate him with an old chamber, that had been for some time shut up.

"Some say it's haunted," whispered the landlord's daughter; "but you are a bold dragoon, and I dare say don't fear ghosts."

"The devil a bit!" said my grandfather, pinching her plump cheek. "But if I should be troubled by ghosts, I've been to the Red Sea in my time, and have a pleasant way of laying them, my darling."

And then he whispered something to the girl which made her laugh, and give him a good-humoured box on the ear. In short, there was nobody knew better how to make his way among the petticoats than my grandfather.

In a little while, as was his usual way, he took complete possession of the house, swaggering all over it; into the stable to look after his horse, into the kitchen to look after his supper. He had something to say or do with everyone; smoked with the Dutchman, drank with the Germans, slapped the landlord on the shoulder, romped with his daughter and the bar-maid:—never, since the days of Alley Croaker, had such a rattling blade been seen. The landlord stared at him with astonishment; the landlord's daughter hung her head and giggled whenever he came near; and as he swaggered along the corridor, with his sword trailing by his side, the maids looked after him, and whispered to one another, "What a proper man!"

At supper, my grandfather took command of the table-d'hôte as though he had been at home; helped everybody, not forgetting himself; talked with everyone, whether he understood their language or not; and made his way into the intimacy of the rich burgher of Antwerp, who had never been known to be sociable with anyone during his life. In fact, he revolutionised the whole establishment, and gave it such a rouse, that the very house reeled with it. He outsat everyone at table, excepting the little fat distiller of Schiedam, who sat soaking a long time before he broke forth; but when he did, he was a very devil incarnate. He took a violent affection for my grandfather; so they sat drinking and smoking, and telling stories, and singing Dutch and Irish songs, without understanding a word each other said, until the little Hollander was fairly swamped with his own gin and water, and carried off to bed, whooping and hickuping, and trolling the burden of a Low Dutch love-song.

Well, gentlemen, my grandfather was shown to his quarters up a large staircase, composed of loads of hewn timber; and through long rigmarole passages, hung with blackened paintings of fish, and fruit, and game, and country frolics, and huge kitchens, and portly burgomasters, such as you see about old-fashioned Flemish inns, till at length he arrived at his room.

An old-time chamber it was, sure enough, and crowded with all kinds of trumpery. It looked like an infirmary for decayed and superannuated furniture, where everything diseased or disabled was sent to nurse or to be forgotten. Or rather it might be taken for a general congress of old legitimate movables, where every kind and country had a representative. No two chairs were alike. Such high backs and low backs, and leather bottoms, and worsted bottoms, and straw bottoms, and no bottoms; and cracked marble tables with curiously carved legs, holding balls in their claws, as though they were going to play at nine-pins.

My grandfather made a bow to the motley assemblage as he entered, and, having undressed himself, placed his light in the fireplace, asking pardon of the tongs, which seemed to be making love to the shovel in the chimney-corner, and whispering soft nonsense in its ear.

The rest of the guests were by this time sound asleep, for your Mynheers are huge sleepers. The housemaids, one by one, crept up yawning to their attics; and not a female head in the inn was laid on a pillow that night without dreaming of the bold dragoon.

My grandfather, for his part, got into bed, and drew over him one of those great bags of down, under which they smother a man in the Low Countries; and there he lay, melting between two feather beds, like an anchovy sandwich between two slices of toast and butter. He was a warm complexioned man, and this smothering played the very deuce with him. So, sure enough, in a little time it seemed as if a legion of imps were twitching at him, and all the blood in his veins was in a fever heat.

He lay still, however, until all the house was quiet, excepting the snoring of the Mynheers from the different chambers; who answered one another in all kinds of tones and cadences, like so many bullfrogs in a swamp. The quieter the house became, the more unquiet became my grandfather. He waxed warmer and warmer, until at length the bed became too hot to hold him.

"May be the maid had warmed it too much?" said the curious gentleman, inquiringly.

"I rather think the contrary," replied the Irishman. "But, be that as it may, it grew too hot for my grandfather."

"Faith, there's no standing this any longer," says he. So he jumped out of bed and went strolling about the house.

"What for?" said the inquisitive gentleman.

"Why to cool himself, to be sure—or perhaps to find a more comfortable bed—or perhaps— But no matter what he went for—he never mentioned—and there's no use in taking up our time in conjecturing."

Well, my grandfather had been for some time absent from his room, and was returning, perfectly cool, when just as he reached the door, he heard a strange noise within. He paused and listened. It seemed as if someone were trying to hum a tune in defiance of the asthma. He recollected the report of the room being haunted; but he was no believer in ghosts, so he pushed the door gently open and peeped in.

Egad, gentlemen, there was a gambol carrying on within enough to have astonished St. Anthony himself. By the light of the fire he saw a pale weazen-faced fellow, in a long flannel gown and a tall white night-cap with a tassel to it, who sat by the fire with a bellows under his arm by way of bagpipe, from which he forced the asthmatical music that had bothered my grandfather. As he played, too, he kept twitching about with a thousand queer contortions, nodding his head, and bobbing about his tasselled night-cap.

My grandfather thought this very odd and mighty presumptuous, and was about to demand what business he had to play his wind instrument in another gentleman's quarters, when a new cause of astonishment met his eye. From the opposite side of the room a long-backed, bandy-legged chair covered with leather, and studded all over in a cox-combical fashion with little brass nails, got suddenly into motion, thrust out first a claw-foot, then a crooked arm, and at length, making a leg, slided gracefully up to an easy chair of tarnished brocade, with a hole in its bottom, and led it gallantly out in a ghostly minuet about the floor.

The musician now played fiercer and fiercer, and bobbed his head and his night-cap about like mad. By degrees the dancing mania seemed to seize upon all the other pieces of furniture. The antique, long-bodied chairs paired off in couples and led down a country dance; a three-legged stool danced a horn-pipe, though horribly puzzled by its supernumerary limb; while the amorous tongs seized the shovel round the waist, and whirled it about the room in a German waltz. In short, all the movables got in motion: pirouetting hands across, right and left, like so many devils; all except a great clothes-press, which kept courtesying and courtesying in a corner, like a dowager, in exquisite time to the music; being rather too corpulent to dance, or, perhaps at a loss for a partner.

My grandfather concluded the latter to be the reason; so being, like a true Irishman, devoted to the sex, and at all times ready for a frolic, he bounced into the room, called to the musician to strike up Paddy O'Rafferty, capered up to the clothes-press, and seized upon the two handles to lead her out:——when—whirr! the whole revel was at an end. The chairs, tables, tongs, and shovel slunk in an instant as quietly into their places as if nothing had happened, and the musician vanished up the chimney, leaving the bellows behind him in his hurry. My grandfather found himself seated in the middle of the floor with the clothes-press sprawling before him, and the two handles jerked off, and in his hands.

"Then, after all, this was a mere dream!" said the inquisitive gentleman.

"The divil a bit of a dream!" replied the Irishman. "There never was a truer fact in this world. Faith, I should have liked to see any man tell my grandfather it was a dream."

Well, gentlemen, as the clothes-press was a mighty heavy body, and my grandfather likewise, particularly in rear, you may easily suppose that two such heavy bodies coming to the ground would make a bit of a noise. Faith, the old mansion shook as though it had mistaken it for an earthquake. The whole garrison was alarmed. The landlord, who slept below, hurried up with a candle to inquire the cause, but with all his haste his daughter had arrived at the scene of uproar before him. The landlord was followed by the landlady, who was followed by the bouncing bar-maid, who was followed by the simpering chambermaids, all holding together, as well as they could, such garments as they first laid hands on; but all in a terrible hurry to see what the deuce was to pay in the chamber of the bold dragoon.

My grandfather related the marvellous scene he had witnessed, and the broken handles of the prostrate clothes-press bore testimony to the fact. There was no contesting such evidence; particularly with a lad of my grandfather's complexion, who seemed able to make good every word either with sword or shillelah. So the landlord scratched his head and looked silly, as he was apt to do when puzzled. The landlady scratched—no, she did not scratch her head but she knit her brow, and did not seem half pleased with the explanation. But the landlady's daughter corroborated it by recollecting that the last person who had dwelt in that chamber was a famous juggler who died of St. Vitus's dance, and had no doubt infected all the furniture.

This set all things to rights, particularly when the chambermaids declared that they had all witnessed strange carryings on in that room; and as they declared this "upon their honours," there could not remain a doubt upon the subject.

"And did your grandfather go to bed again in that room?" said the inquisitive gentleman.

"That's more than I can tell. Where he passed the rest of the night was a secret he never disclosed. In fact, though he had seen much service, he was but indifferently acquainted with geography, and apt to make blunders in his travels about inns at night, which it would have puzzled him sadly to account for in the morning."

"Was he ever apt to walk in his sleep?" said the knowing old gentleman.

"Never that I heard of."

IV

THE BET*

ANTON CHEKHOV

*Reprinted by permission of John W. Luce and Company.

I

It was a dark autumn night. The old banker was pacing from corner to corner of his study, recalling to his mind the party he gave in the autumn fifteen years ago. There were many clever people at the party and much interesting conversation. They talked among other things of capital punishment. The guests, among them not a few scholars and journalists, for the most part disapproved of capital punishment. They found it obsolete as a means of punishment, unfitted to a Christian state and immoral. Some of them thought that capital punishment should be replaced universally by life-imprisonment.

"I don't agree with you," said the host. "I myself have experienced neither capital punishment nor life-imprisonment, but if one may judge a priori, then in my opinion capital punishment is more moral and more humane than imprisonment. Execution kills instantly, life-imprisonment kills by degrees. Who is the more humane executioner, one who kills you in a few seconds or one who draws the life out of you incessantly, for years?"

"They're both equally immoral," remarked one of the guests, "because their purpose is the same, to take away life. The state is not God. It has no right to take away that which it cannot give back, if it should so desire."

Among the company was a lawyer, a young man of about twenty-five. On being asked his opinion, he said:

"Capital punishment and life-imprisonment are equally immoral; but if I were offered the choice between them, I would certainly choose the second. It's better to live somehow than not to live at all."

There ensued a lively discussion. The banker who was then younger and more nervous suddenly lost his temper, banged his fist on the table, and turning to the young lawyer, cried out:

"It's a lie. I bet you two millions you wouldn't stick in a cell even for five years."

"If that's serious," replied the lawyer, "then I bet I'll stay not five but fifteen."

"Fifteen! Done!" cried the banker. "Gentlemen, I stake two millions."

"Agreed. You stake two millions, I my freedom," said the lawyer.

So this wild, ridiculous bet came to pass. The banker, who at that time had too many millions to count, spoiled and capricious, was beside himself with rapture. During supper he said to the lawyer jokingly:

"Come to your senses, young man, before it's too late. Two millions are nothing to me, but you stand to lose three or four of the best years of your life. I say three or four, because you'll never stick it out any longer. Don't forget either, you unhappy man, that voluntary is much heavier than enforced imprisonment. The idea that you have the right to free yourself at any moment will poison the whole of your life in the cell. I pity you."

And now the banker pacing from corner to corner recalled all this and asked himself:

"Why did I make this bet? What's the good? The lawyer loses fifteen years of his life and I throw away two millions. Will it convince people that capital punishment is worse or better than imprisonment for life? No, No! all stuff and rubbish. On my part, it was the caprice of a well-fed man; on the lawyer's, pure greed of gold."

He recollected further what happened after the evening party. It was decided that the lawyer must undergo his imprisonment under the strictest observation, in a garden-wing of the banker's house. It was agreed that during the period he would be deprived of the right to cross the threshold, to see living people, to hear human voices, and to receive letters and newspapers. He was permitted to have a musical instrument, to read books, to write letters, to drink wine and smoke tobacco. By the agreement he could communicate, but only in silence with the outside world through a little window specially constructed for this purpose. Everything necessary, books, music, wine, he could receive in any quantity by sending a note through the window. The agreement provided for all the minutest details, which made the confinement strictly solitary, and it obliged the lawyer to remain exactly fifteen years from twelve o'clock of November 14th 1870 to twelve o'clock of November 14th 1885. The least attempt on his part to violate the conditions, to escape if only for two minutes before the time freed the banker from the obligation to pay him the two millions.

During the first year of imprisonment, the lawyer, as far as it was possible to judge from his short notes, suffered terribly from loneliness and boredom. From his wing day and night came the sound of the piano. He rejected wine and tobacco. "Wine," he wrote, "excites desires, and desires are the chief foes of a prisoner; besides, nothing is more boring than to drink good wine alone," and tobacco spoils the air in his room. During the first year the lawyer was sent books of a light character; novels with a complicated love interest, stories of crime and fantasy, comedies, and so on.

In the second year the piano was heard no longer and the lawyer asked only for classics. In the fifth year music was heard again, and the prisoner asked for wine. Those who watched him said that during the whole of that year he was only eating, drinking, and lying on his bed. He yawned often and talked angrily to himself. Books he did not read. Sometimes at nights he would sit down to write. He would write for a long time and tear it all up in the morning. More than once he was heard to weep.

In the second half of the sixth year, the prisoner began zealously to study languages, philosophy, and history. He fell on these subjects so hungrily that the banker hardly had time to get books enough for him. In the space of four years about six hundred volumes were bought at his request. It was while that passion lasted that the banker received the following letter from the prisoner: "My dear gaoler, I am writing these lines in six languages. Show them to experts. Let them read them. If they do not find one single mistake, I beg you to give orders to have a gun fired off in the garden. By the noise I shall know that my efforts have not been in vain. The geniuses of all ages and countries speak in different languages; but in them all burns the same flame. Oh, if you knew my heavenly happiness now that I can understand them!" The prisoner's desire was fulfilled. Two shots were fired in the garden by the banker's order.

Later on, after the tenth year, the lawyer sat immovable before his table and read only the New Testament. The banker found it strange that a man who in four years had mastered six hundred erudite volumes, should have spent nearly a year in reading one book, easy to understand and by no means thick. The New Testament was then replaced by the history of religions and theology.

During the last two years of his confinement the prisoner read an extraordinary amount, quite haphazard. Now he would apply himself to the natural sciences, then would read Byron or Shakespeare. Notes used to come from him in which he asked to be sent at the same time a book on chemistry, a textbook of medicine, a novel, and some treatise on philosophy or theology. He read as though he were swimming in the sea among the broken pieces of wreckage, and in his desire to save his life was eagerly grasping one piece after another.

II

The banker recalled all this, and thought:

"To-morrow at twelve o'clock he receives his freedom. Under the agreement, I shall have to pay him two millions. If I pay, it's all over with me. I am ruined for ever...."

Fifteen years before he had too many millions to count, but now he was afraid to ask himself which he had more of, money or debts. Gambling on the Stock-Exchange, risky speculation, and the recklessness of which he could not rid himself even in old age, had gradually brought his business to decay; and the fearless, self-confident, proud man of business had become an ordinary banker, trembling at every rise and fall in the market.

"That cursed bet," murmured the old man, clutching his head in despair.... "Why didn't the man die? He's only forty years old. He will take away my last farthing, marry, enjoy life, gamble on the Exchange, and I will look on like an envious beggar and hear the same words from him every day: 'I'm obliged to you for the happiness of my life. Let me help you.' No, it's too much! The only escape from bankruptcy and disgrace—is that the man should die."

The clock had just struck three. The banker was listening. In the house everyone was asleep, and one could hear only the frozen trees whining outside the windows. Trying to make no sound, he took out of his safe the key of the door which had not been opened for fifteen years, put on his overcoat, and went out of the house. The garden was dark and cold. It was raining. A keen damp wind hovered howling over all the garden and gave the trees no rest. Though he strained his eyes, the banker could see neither the ground, nor the white statues, nor the garden-whig, nor the trees. Approaching the place where the garden wing stood, he called the watchman twice. There was no answer. Evidently the watchman had taken shelter from the bad weather and was now asleep somewhere in the kitchen or the greenhouse.

"If I have the courage to fulfil my intention," thought the old man, "the suspicion will fall on the watchman first of all."

In the darkness he groped for the stairs and the door and entered the hall of the garden-wing, then poked his way into a narrow passage and struck a match. Not a soul was there. Someone's bed, with no bedclothes on it, stood there, and an iron stove was dark in the corner. The seals on the door that led into the prisoner's room were unbroken.

When the match went out, the old man, trembling from agitation, peeped into the little window.

In the prisoner's room a candle was burning dim. The prisoner himself sat by the table. Only his back, the hair on his head and his hands were visible. On the table, the two chairs, and the carpet by the table open books were strewn.

Five minutes passed and the prisoner never once stirred. Fifteen years' confinement had taught him to sit motionless. The banker tapped on the window with his finger, but the prisoner gave no movement in reply. Then the banker cautiously tore the seals from the door and put the key into the lock. The rusty lock gave a hoarse groan and the door creaked. The banker expected instantly to hear a cry of surprise and the sound of steps. Three minutes passed and it was as quiet behind the door as it had been before. He made up his mind to enter.

Before the table sat a man, unlike an ordinary human being. It was a skeleton, with tight-drawn skin, with a woman's long curly hair, and a shaggy beard. The colour of his face was yellow, of an earthy shade; the cheeks were sunken, the back long and narrow, and the hand upon which he leaned his hairy head was so lean and skinny that it was painful to look upon. His hair was already silvering with grey, and no one who glanced at the senile emaciation of the face would have believed that he was only forty years old. On the table, before his bended head, lay a sheet of paper on which something was written in a tiny hand.

"Poor devil," thought the banker, "he's asleep and probably seeing millions in his dreams. I have only to take and throw this half-dead thing on the bed, smother him a moment with the pillow, and the most careful examination will find no trace of unnatural death. But, first, let us read what he has written here."

The banker took the sheet from the table and read:

"To-morrow at twelve o'clock midnight, I shall obtain my freedom and the right to mix with people. But before I leave this room and see the sun I think it necessary to say a few words to you. On my own clear conscience and before God who sees me I declare to you that I despise freedom, life, health, and all that your books call the blessings of the world.

"For fifteen years I have diligently studied earthly life. True, I saw neither the earth nor the people, but in your books I drank fragrant wine, sang songs, hunted deer and wild boar in the forests, loved women.... And beautiful women, like clouds ethereal, created by the magic of your poets' genius, visited me by night and whispered me wonderful tales, which made my head drunken. In your books I climbed the summits of Elbruz and Mont Blanc and saw from thence how the sun rose in the morning, and in the evening overflowed the sky, the ocean, and the mountain ridges with a purple gold. I saw from thence how above me lightnings glimmered cleaving the clouds; I saw green forests, fields, rivers, lakes, cities; I heard syrens singing, and the playing of the pipes of Pan; I touched the wings of beautiful devils who came flying to me to speak of God.... In your books I cast myself into bottomless abysses, worked miracles, burned cities to the ground, preached new religions, conquered whole countries....

"Your books gave me wisdom. All that unwearying human thought created in the centuries is compressed to a little lump in my skull. I know that I am more clever than you all.

"And I despise your books, despise all worldly blessings and wisdom. Everything is void, frail, visionary and delusive like a mirage. Though you be proud and wise and beautiful, yet will death wipe you from the face of the earth like the mice underground; and your posterity, your history, and the immortality of your men of genius will be as frozen slag, burnt down together with the terrestrial globe.

"You are mad, and gone the wrong way. You take lie for truth and ugliness for beauty. You would marvel if by certain conditions there should suddenly grow on apple and orange trees, instead of fruit, frogs and lizards, and if roses should begin to breathe the odour of a sweating horse. So do I marvel at you, who have bartered heaven for earth. I do not want to understand you.

"That I may show you in deed my contempt for that by which you live, I waive the two millions of which I once dreamed as of paradise, and which I now despise. That I may deprive myself of my right to them, I shall come out from here five minutes before the stipulated term, and thus shall violate the agreement."

When he had read, the banker put the sheet on the table, kissed the head of the strange man, and began to weep. He went out of the wing. Never at any other time, not even after his terrible losses on the Exchange, had he felt such contempt for himself as now. Coming home, he lay down on his bed, but agitation and tears kept him long from sleep....

The next morning the poor watchman came running to him and told him that they had seen the man who lived in the wing climbing through the window into the garden. He had gone to the gate and disappeared. Together with his servants the banker went instantly to the wing and established the escape of his prisoner. To avoid unnecessary rumours he took the paper with the renunciation from the table and, on his return, locked it in his safe.

V

LA GRANDE BRETÈCHE*

HONORÉ DE BALZAC

*Translated by Katherine Prescott Wormeley. Reprinted by permission of Little, Brown, and Company.

"Ah! Madame," replied Doctor Horace Bianchon to the lady at whose house he was supping, "it is true that I have many terrible histories in my repertory; but every tale has its due hour in a conversation, according to the clever saying reported by Chamfort and said to the Duc de Fronsac: 'There are ten bottles of champagne between your joke and the present moment.'"

"But it is past midnight; what better hour could you have?" said the mistress of the house.

"Yes, tell us, Monsieur Bianchon," urged the assembled company.

At a gesture from the complying doctor, silence reigned.

"About a hundred yards from Vendôme," he said, "on the banks of the Loire, is an old brown house, covered with very steep roofs, and so completely isolated that there is not so much as an evil-smelling tannery, nor a shabby inn such as you see at the entrance of all little towns, in its neighbourhood. In front of this dwelling is a garden overlooking the river, where the box edgings, once carefully clipped, which bordered the paths, now cross them and straggle as they fancy. A few willows with their roots in the Loire have made a rapid growth, like the enclosing hedge, and together they half hide the house. Plants which we call weeds drape the bank toward the river with their beautiful vegetation. Fruit-trees, neglected for half a score of years, no longer yield a product, and their shoots and suckers have formed an undergrowth. The espaliers are like a hornbeam hedge. The paths, formerly gravelled, are full of purslain; so that, strictly speaking, there are no paths at all.

"From the crest of the mountain, on which hang the ruins of the old castle of Vendôme (the only spot whence the eye can look down into this enclosure) we say to ourselves that at an earlier period, now difficult to determine, this corner of the earth was the delight of some gentleman devoted to roses and tulips, in a word, to horticulture, but above all possessing a keen taste for good fruits. An arbour is still standing, or rather the remains of one, and beneath it is a table which time has not yet completely demolished.

"From the aspect of this garden, now no more, the negative joys of the peaceful life of the provinces can be inferred, just as we infer the life of some worthy from the epitaph on his tomb. To complete the sad and tender ideas which take possession of the soul, a sundial on the wall bears this inscription, Christian yet bourgeois, 'ULTIMAM COGITA.' The roofs are dilapidated, the blinds always closed, the balconies are filled with swallows' nests, the gates are locked. Tall herbs and grasses trace in green lines the chinks and crevices of the stone portico; the locks are rusty. Sun and moon, summer and winter and snow have rotted the wood, warped the planks, and worn away the paint. The gloomy silence is unbroken save by the birds, the cats, the martens, the rats, the mice, all free to scamper or fly, and to fight, and to eat themselves up.

"An invisible hand has written the word 'MYSTERY' everywhere. If, impelled by curiosity, you wish to look at this house, on the side toward the road you will see a large gate with an arched top, in which the children of the neighbourhood have made large holes. This gate, as I heard later, had been disused for ten years. Through these irregular holes you can observe the perfect harmony which exists between the garden side and the courtyard side of the premises. The same neglect everywhere. Lines of grass surround the paving-stones. Enormous cracks furrow the walls, the blackened eaves of which are festooned with pellitory. The steps of the portico are disjointed, the rope of the bell is rotten, the gutters are dropping apart. What fire from heaven has fallen here? What tribunal has ordained that salt be cast upon this dwelling? Has God been mocked here; or France betrayed? These are the questions we ask as we stand there; the reptiles crawl about but they give no answer.

"This empty and deserted house is a profound enigma, whose solution is known to none. It was formerly a small fief, and is called La Grande Bretèche. During my stay at Vendôme, where Desplein had sent me in charge of a rich patient, the sight of this strange dwelling was one of my keenest pleasures. It was better than a ruin. A ruin possesses memories of positive authenticity; but this habitation, still standing, though slowly demolished by an avenging hand, contained some secret, some mysterious thought,—it betrayed at least a strange caprice.

"More than once of an evening I jumped the hedge, now a tangle, which guarded the enclosure. I braved the scratches; I walked that garden without a master, that property which was neither public nor private; for hours I stayed there contemplating its decay. Not even to obtain the history which underlay (and to which no doubt was due) this strange spectacle would I have asked a single question of any gossiping countryman. Standing there I invented enchanting tales; I gave myself up to debauches of melancholy which fascinated me. Had I known the reason, perhaps a common one, for this strange desertion, I should have lost the unwritten poems with which I intoxicated myself. To me this sanctuary evoked the most varied images of human life darkened by sorrows; sometimes it was a cloister without the nuns; sometimes a graveyard and its peace, without the dead who talk to you in epitaphs; to-day the house of the leper, to-morrow that of the Atrides; but above all was it the provinces with their composed ideas, their hour-glass life.

"Often I wept there, but I never smiled. More than once an involuntary terror seized me, as I heard above my head the muffled whirr of a ringdove's wings hurrying past. The soil is damp; care must be taken against the lizards, the vipers, the frogs, which wander about with the wild liberty of nature; above all, it is well not to fear cold, for there are moments when you feel an icy mantle laid upon your shoulders like the hand of the Commander on the shoulder of Don Juan. One evening I shuddered; the wind had caught and turned a rusty vane. Its creak was like a moan issuing from the house; at a moment, too, when I was ending a gloomy drama in which I explained to myself the monumental dolor of that scene.

"That night I returned to my inn, a prey to gloomy thoughts. After I had supped the landlady entered my room with a mysterious air, and said to me, 'Monsieur, Monsieur Regnault is here.'

"'Who is Monsieur Regnault?'

"'Is it possible that monsieur doesn't know Monsieur Regnault? Ah, how funny!' she said, leaving the room.

"Suddenly I beheld a long, slim man, clothed in black, holding his hat in his hand, who presented himself, much like a ram about to leap on a rival, and showed me a retreating forehead, a small, pointed head and a livid face, in colour somewhat like a glass of dirty water. You would have taken him for the usher of a minister. This unknown personage wore an old coat much worn in the folds, but he had a diamond in the frill of his shirt, and gold earrings in his ears.

"'Monsieur, to whom have I the honour of speaking?' I said.

"He took a chair, sat down before my fire, laid his hat on my table and replied, rubbing his hands: 'Ah! it is very cold. Monsieur, I am Monsieur Regnault.'

"I bowed, saying to myself: 'Il bondo cani! seek!'

"'I am,' he said, 'the notary of Vendôme.'

"'Delighted, monsieur,' I replied, 'but I am not in the way of making my will,—for reasons, alas, too well-known to me.'

"'One moment!' he resumed, raising his hand as if to impose silence; 'Permit me, monsieur, permit me! I have learned that you sometimes enter the garden of La Grande Bretèche and walk there—'

"'Yes, monsieur.'

"'One moment!' he said, repeating his gesture. 'That action constitutes a misdemeanor. Monsieur, I come in the name and as testamentary executor of the late Comtesse de Merret to beg you to discontinue your visits. One moment! I am not a Turk; I do not wish to impute a crime to you. Besides, it is quite excusable that you, a stranger, should be ignorant of the circumstances which compel me to let the handsomest house in Vendôme go to ruin. Nevertheless, monsieur, as you seem to be a person of education, you no doubt know that the law forbids trespassers on enclosed property. A hedge is the same as a wall. But the state in which that house is left may well excuse your curiosity. I should be only too glad to leave you free to go and come as you liked there, but charged as I am to execute the wishes of the testatrix, I have the honour, monsieur, to request that you do not again enter that garden. I myself, monsieur, have not, since the reading of the will, set foot in that house, which, as I have already had the honour to tell you, I hold under the will of Madame de Merret. We have only taken account of the number of the doors and windows so as to assess the taxes which I pay annually from the funds left by the late countess for that purpose. Ah, monsieur, that will made a great deal of noise in Vendôme!'

"There the worthy man paused to blow his nose. I respected his loquacity, understanding perfectly that the testamentary bequest of Madame de Merret had been the most important event of his life, the head and front of his reputation, his glory, his Restoration. So then, I must bid adieu to my beautiful reveries, my romances! I was not so rebellious as to deprive myself of getting the truth, as it were officially, out of the man of law, so I said,—

"'Monsieur, if it is not indiscreet, may I ask the reason of this singularity?'

"At these words a look which expressed the pleasure of a man who rides a hobby passed over Monsieur Regnault's face. He pulled up his shirt-collar with a certain conceit, took out his snuff-box, opened it, offered it to me, and on my refusal, took a strong pinch himself. He was happy. A man who hasn't a hobby doesn't know how much can be got out of life. A hobby is the exact medium between a passion and a monomania. At that moment I understood Sterne's fine expression to its fullest extent, and I formed a complete idea of the joy with which my Uncle Toby—Trim assisting—bestrode his war-horse.

"'Monsieur,' said Monsieur Regnault, 'I was formerly head-clerk to Maître Roguin in Paris. An excellent lawyer's office of which you have doubtless heard? No! And yet a most unfortunate failure made it, I may say, celebrated. Not having the means to buy a practice in Paris at the price to which they rose in 1816, I came here to Vendôme, where I have relations,—among them a rich aunt, who gave me her daughter in marriage.'

"Here he made a slight pause, and then resumed:

"'Three months after my appointment was ratified by Monseigneur the Keeper of the Seals, I was sent for one evening just as I was going to bed (I was not then married) by Madame la Comtesse de Merret, then living in her château at Merret. Her lady's-maid, an excellent girl who is now serving in this inn, was at the door with the countess's carriage. Ah! one moment! I ought to tell you, monsieur, that Monsieur le Comte de Merret had gone to die in Paris about two months before I came here. He died a miserable death from excesses of all kinds, to which he gave himself up. You understand? Well, the day of his departure Madame la Comtesse left La Grande Bretèche, and dismantled it. They do say that she even burned the furniture, and the carpets, and all appurtenances whatsoever and wheresoever contained on the premises leased to the said—Ah! beg pardon; what am I saying? I thought I was dictating a lease. Well, monsieur, she burned everything, they say, in the meadow at Merret. Were you ever at Merret, monsieur?'

"Not waiting for me to speak, he answered for me: 'No. Ah! it is a fine spot? For three months, or thereabouts,' he continued, nodding his head, 'Monsieur le Comte and Madame la Comtesse had been living at La Grande Bretèche in a very singular way. They admitted no one to the house; madame lived on the ground-floor, and monsieur on the first floor. After Madame la Comtesse was left alone she never went to church. Later, in her own château she refused to see the friends who came to visit her. She changed greatly after she left La Grande Bretèche and came to Merret. That dear woman (I say dear, though I never saw her but once, because she gave me this diamond),—that good lady was very ill; no doubt she had given up all hope of recovery, for she died without calling in a doctor; in fact, some of our ladies thought she was not quite right in her mind. Consequently, monsieur, my curiosity was greatly excited when I learned that Madame de Merret needed my services; and I was not the only one deeply interested; that very night, though it was late, the whole town knew I had gone to Merret.'

"The good man paused a moment to arrange his facts, and then continued: 'The lady's maid answered rather vaguely the questions which I put to her as we drove along; she did, however, tell me that her mistress had received the last sacraments that day from the curate of Merret, and that she was not likely to live through the night. I reached the château about eleven o'clock. I went up the grand staircase. After passing through a number of dark and lofty rooms, horribly cold and damp, I entered the state bedroom where Madame la Comtesse was lying. In consequence of the many stories that were told about this lady (really, monsieur, I should never end if I related all of them) I expected to find her a fascinating coquette. Would you believe it, I could scarcely see her at all in the huge bed in which she lay. It is true that the only light in that vast room, with friezes of the old style powdered with dust enough to make you sneeze on merely looking at them, was one Argand lamp. Ah! but you say you have never been at Merret. Well, monsieur, the bed was one of those old-time beds with a high tester covered with flowered chintz. A little night-table stood by the bed, and on it I noticed a copy of the "Imitation of Christ."

"'Allow me a parenthesis,' he said, interrupting himself. 'I bought that book subsequently, also the lamp, and presented them to my wife. In the room was a large sofa for the woman who was taking care of Madame de Merret, and two chairs. That was all. No fire. The whole would not have made ten lines of an inventory. Ah! my dear monsieur, could you have seen her as I saw her then, in that vast room hung with brown tapestry, you would have imagined you were in the pages of a novel. It was glacial,—better than that, funereal,' added the worthy man, raising his arm theatrically and making a pause. Presently he resumed:

"'By dint of peering round and coming close to the bed I at length saw Madame de Merret, thanks to the lamp which happened to shine on the pillows. Her face was as yellow as wax, and looked like two hands joined together. Madame la Comtesse wore a lace cap, which, however, allowed me to see her fine hair, white as snow. She was sitting up in the bed, but apparently did so with difficulty. Her large black eyes, sunken no doubt with fever, and almost lifeless, hardly moved beneath the bones where the eyebrows usually grow. Her forehead was damp. Her fleshless hands were like bones covered with thin skin; the veins and muscles could all be seen. She must once have been very handsome, but now I was seized with—I couldn't tell you what feeling, as I looked at her. Those who buried her said afterward that no living creature had ever been as wasted as she without dying. Well, it was awful to see. Some mortal disease had eaten up that woman till there was nothing left of her but a phantom. Her lips, of a pale violet, seemed not to move when she spoke. Though my profession had familiarised me with such scenes, in bringing me often to the bedside of the dying, to receive their last wishes, I must say that the tears and the anguish of families and friends which I have witnessed were as nothing compared to this solitary woman in that vast building. I did not hear the slightest noise, I did not see the movement which the breathing of the dying woman would naturally give to the sheet that covered her; I myself remained motionless, looking at her in a sort of stupor. Indeed, I fancy I am there still. At last her large eyes moved; she tried to lift her right hand, which fell back upon the bed; then these words issued from her lips like a breath, for her voice was no longer a voice,—

"'"I have awaited you with impatience."

"'Her cheeks coloured. The effort to speak was great. The old woman who was watching her here rose and whispered in my ear: "Don't speak; Madame la Comtesse is past hearing the slightest sound; you would only agitate her." I sat down. A few moments later Madame de Merret collected all her remaining strength to move her right arm and put it, not without great difficulty, under her bolster. She paused an instant; then she made a last effort and withdrew her hand which now held a sealed paper. Great drops of sweat rolled from her forehead.

"'"I give you my will," she said. "Oh, my God! Oh!"

"'That was all. She seized a crucifix which lay on her bed, pressed it to her lips, and died. The expression of her fixed eyes still makes me shudder when I think of it. I brought away the will. When it was opened I found that Madame de Merret had appointed me her executor. She bequeathed her whole property to the hospital of Vendôme, save and excepting certain bequests. The following disposition was made of La Grande Bretèche. I was directed to leave it in the state in which it was at the time of her death for a period of fifty years from the date of her decease; I was to forbid all access to it, by any- and everyone, no matter who; to make no repairs, and to put by from her estate a yearly sum to pay watchers, if they were necessary, to insure the faithful execution of these intentions. At the expiration of that time the estate was, if the testatrix's will had been carried out in all particulars, to belong to my heirs (because, as monsieur is doubtless well aware, notaries are forbidden by law to receive legacies); if otherwise, then La Grande Bretèche was to go to whoever might establish a right to it, but on condition of fulfilling certain orders contained in a codicil annexed to the will and not to be opened until the expiration of the fifty years. The will has never been attacked, consequently—'

"Here the oblong notary, without finishing his sentence, looked at me triumphantly. I made him perfectly happy with a few compliments.

"'Monsieur,' I said, in conclusion, 'you have so deeply impressed that scene upon me that I seem to see the dying woman, whiter than the sheets; those glittering eyes horrify me; I shall dream of her all night. But you must have formed some conjectures as to the motive of that extraordinary will.'

"'Monsieur,' he replied, with comical reserve, 'I never permit myself to judge of the motives of those who honour me with the gift of a diamond.'

"However, I managed to unloose the tongue of the scrupulous notary so far that he told me, not without long digressions, certain opinions on the matter emanating from the wise-heads of both sexes whose judgments made the social law of Vendôme. But these opinions and observations were so contradictory, so diffuse, that I well-nigh went to sleep in spite of the interest I felt in this authentic story. The heavy manner and monotonous accent of the notary, who was no doubt in the habit of listening to himself and making his clients and compatriots listen to him, triumphed over my curiosity. Happily, he did at last go away.

"'Ha, ha! monsieur,' he said to me at the head of the stairs, 'many persons would like to live their forty-five years longer, but, one moment!'—here he laid the forefinger of his right hand on his nose as if he meant to say, Now pay attention to this!—'in order to do that, to do that, they ought to skip the sixties.'

"I shut my door, the notary's jest, which he thought very witty, having drawn me from my apathy; then I sat down in my armchair and put both feet on the andirons. I was plunged in a romance à la Radcliffe, based on the notarial disclosures of Monsieur Regnault, when my door, softly opened by the hand of a woman, turned noiselessly on its hinges.

"I saw my landlady, a jovial, stout woman, with a fine, good-humoured face, who had missed her true surroundings; she was from Flanders, and might have stepped out of a picture by Teniers.

"'Well, monsieur,' she said, 'Monsieur Regnault has no doubt recited to you his famous tale of La Grande Bretèche?'

"'Yes, Madame Lepas.'

"'What did he tell you?'

"I repeated in a few words the dark and chilling story of Madame de Merret as imparted to me by the notary. At each sentence my landlady ran out her chin and looked at me with the perspicacity of an inn-keeper, which combines the instinct of a policeman, the astuteness of a spy, and the cunning of a shopkeeper.

"'My dear Madame Lepas,' I added, in conclusion, 'you evidently know more than that. If not, why did you come up here to me?'

"'On the word, now, of an honest woman, just as true as my name is Lepas—'

"'Don't swear, for your eyes are full of the secret. You knew Monsieur de Merret. What sort of man was he?'

"'Goodness! Monsieur de Merret? well, you see, he was a handsome man, so tall you never could see the top of him,—a very worthy gentleman from Picardy, who had, as you may say, a temper of his own; and he knew it. He paid everyone in cash so as to have no quarrels. But, I tell you, he could be quick. Our ladies thought him very pleasant.'

"'Because of his temper?' I asked.

"'Perhaps,' she replied. 'You know, monsieur, a man must have something to the fore, as they say, to marry a lady like Madame de Merret, who, without disparaging others, was the handsomest and the richest woman in Vendôme. She had an income of nearly twenty thousand francs. All the town was at the wedding. The bride was so dainty and captivating, a real little jewel of a woman. Ah! they were a fine couple in those days!'

"'Was their home a happy one?'

"'Hum, hum! yes and no, so far as anyone can say; for you know well enough that the like of us don't live hand and glove with the like of them. Madame de Merret was a good woman and very charming, who no doubt had to bear a good deal from her husband's temper; we all liked her though she was rather haughty. Bah! that was her bringing up, and she was born so. When people are noble—don't you see?'

"'Yes, but there must have been some terrible catastrophe, for Monsieur and Madame de Merret to separate violently.'

"'I never said there was a catastrophe, monsieur; I know nothing about it.'

"'Very good; now I am certain that you know all.'

"'Well, monsieur, I'll tell you all I do know. When I saw Monsieur Regnault coming after you I knew he would tell you about Madame de Merret and La Grande Bretèche; and that gave me the idea of consulting monsieur, who seems to be a gentleman of good sense, incapable of betraying a poor woman like me, who has never done harm to anyone, but who is, somehow, troubled in her conscience. I have never dared to say a word to the people about here, for they are all gossips, with tongues like steel blades. And there's never been a traveller who has stayed as long as you have, monsieur, to whom I could tell all about the fifteen thousand francs—

"'My dear Madame Lepas,' I replied, trying to stop the flow of words, 'if your confidence is of a nature to compromise me, I wouldn't hear it for worlds.'

"'Oh, don't be afraid,' she said, interrupting me. 'You'll see—'

"This haste to tell made me quite certain I was not the first to whom my good landlady had communicated the secret of which I was to be the sole repository, so I listened.

"'Monsieur,' she said, 'when the Emperor sent the Spanish and other prisoners of war to Vendôme I lodged one of them (at the cost of the government),—a young Spaniard on parole. But in spite of his parole he had to report every day to the sub-prefect. He was a grandee of Spain, with a name that ended in os and in dia, like all Spaniards—Bagos de Férédia. I wrote his name on the register, and you can see it if you like. Oh, he was a handsome young fellow for a Spaniard, who, they tell me, are all ugly. He wasn't more than five feet two or three inches, but he was well made. He had pretty little hands which he took care of—ah, you should just have seen him! He had as many brushes for those hands as a woman has for her head. He had fine black hair, a fiery eye, a rather copper-coloured skin, but it was pleasant to look at all the same. He wore the finest linen I ever saw on anyone, and I have lodged princesses, and, among others, General Bertrand, the Duc and Duchesse d'Abrantès, Monsieur Decazes, and the King of Spain. He didn't eat much; but he had such polite manners and was always so amiable that I couldn't find fault with him. Oh! I did really love him, though he never said four words a day to me; if anyone spoke to him, he never answered,—that's an oddity those grandees have, a sort of mania, so I'm told. He read his breviary like a priest, and he went to mass and to all the services regularly. Where do you think he sat? close to the chapel of Madame de Merret. But as he took that place the first time he went to church nobody attached any importance to the fact, though it was remembered later. Besides, he never took his eyes off his prayer-book, poor young man!'

"My jovial landlady paused a moment, overcome with her recollections; then she continued her tale:

"'From that time on, monsieur, he used to walk up the mountain every evening to the ruins of the castle. It was his only amusement, poor man! and I dare say it recalled his own country; they say Spain is all mountains. From the first he was always late at night in coming in. I used to be uneasy at never seeing him before the stroke of midnight; but we got accustomed to his ways and gave him a key to the door, so that we didn't have to sit up. It so happened that one of our grooms told us that one evening when he went to bathe his horses he thought he saw the grandee in the distance, swimming in the river like a fish. When he came in I told him he had better take care not to get entangled in the sedges; he seemed annoyed that anyone had seen him in the water. Well, monsieur, one day, or rather, one morning, we did not find him in his room; he had not come in. He never returned. I looked about and into everything, and at last I found a writing in a table drawer where had put away fifty of those Spanish gold coins called "portugaise," which bring a hundred francs apiece; there were also diamonds worth ten thousand francs sealed up in a little box. The paper said that in case he should not return some day, he bequeathed to us the money and the diamonds, with a request to found masses of thanksgiving to God for his escape and safety. In those days my husband was living, and he did everything he could to find the young man. But, it was the queerest thing! he found only the Spaniard's clothes under a big stone in a sort of shed on the banks of the river, on the castle side, just opposite to La Grande Bretèche. My husband went so early in the morning that no one saw him. He burned the clothes after we had read the letter, and gave out, as Comte Férédia requested, that he had fled. The sub-prefect sent the whole gendarmerie on his traces, but bless your heart! they never caught him. Lepas thought the Spaniard had drowned himself. But, monsieur, I never thought so. I think he was somehow mixed up in Madame de Merret's trouble; and I'll tell you why. Rosalie has told me that her mistress had a crucifix she valued so much that she was buried with it, and it was made of ebony and silver; now when Monsieur de Férédia first came to lodge with us he had just such a crucifix, but I soon missed it. Now, monsieur, what do you say? isn't it true that I need have no remorse about those fifteen thousand francs? are not they rightfully mine?'

"'Of course they are. But how is it you have never questioned Rosalie?' I said.

"'Oh, I have, monsieur; but I can get nothing out of her. That girl is a stone wall. She knows something, but there is no making her talk.'

"After a few more remarks, my landlady left me, a prey to a romantic curiosity, to vague and darkling thoughts, to a religious terror that was something like the awe which comes upon us when we enter by night a gloomy church and see in the distance beneath the arches a feeble light; a formless figure glides before us, the sweep of a robe—of priest or woman—is heard; we shudder. La Grande Bretèche, with its tall grasses, its shuttered windows, its rusty railings, its barred gates, its deserted rooms, rose fantastically and suddenly before me. I tried to penetrate that mysterious dwelling and seek the knot of this most solemn history, this drama which had killed three persons.

"Rosalie became to my eyes the most interesting person in Vendôme. Examining her, I discovered the traces of an ever-present inward thought. In spite of the health which bloomed upon her dimpled face, there was in her some element of remorse, or of hope; her attitude bespoke a secret, like that of devotees who pray with ardour, or that of a girl who has killed her child and forever after hears its cry. And yet her postures were naïve, and even vulgar; her silly smile was surely not criminal; you would have judged her innocent if only by the large neckerchief of blue and red squares which covered her vigorous bust, clothed, confined, and set off by a gown of purple and white stripes. 'No,' thought I; 'I will not leave Vendôme without knowing the history of La Grande Bretèche. I'll even make love to Rosalie, if it is absolutely necessary.'

"'Rosalie!' I said to her one day.

"'What is it, monsieur?'

"'You are not married, are you?'

She trembled slightly.

"'Oh! when the fancy takes me to be unhappy there'll be no lack of men,' she said, laughing.

"She recovered instantly from her emotion, whatever it was; for all women, from the great lady to the chambermaid of an inn, have a self-possession of their own.

"'You are fresh enough and taking enough to please a lover,' I said, watching her. 'But tell me, Rosalie, why did you take a place at an inn after you left Madame de Merret? Didn't she leave you an annuity?'

"'Oh, yes, she did. But, monsieur, my place is the best in all Vendôme.'

"This answer was evidently what judges and lawyers call 'dilatory.' Rosalie's position in this romantic history was like that of a square on a checkerboard; she was at the very centre, as it were, of its truth and its interest; she seemed to me to be tied into the knot of it. The last chapter of the tale was in her, and, from the moment that I realized this, Rosalie became to me an object of attraction. By dint of studying the girl I came to find in her, as we do in every woman whom we make a principal object of our attention, that she had a host of good qualities. She was clean, and careful of herself, and therefore handsome. Some two or three weeks after the notary's visit I said to her, suddenly: 'Tell me all you know about Madame de Merret.'

"'Oh, no!' she replied, in a tone of terror, 'don't ask me that, monsieur.'

"I persisted in urging her. Her pretty face darkened, her bright colour faded, her eyes lost their innocent, liquid light.

"'Well!' she said, after a pause, 'if you will have it so, I will tell you; but keep the secret.'

"'I'll keep it with the faithfulness of a thief, which is the most loyal to be found anywhere.'

"'If it is the same to you, monsieur, I'd rather you kept it with your own.'

"Thereupon, she adjusted her neckerchief and posed herself to tell the tale; for it is very certain that an attitude of confidence and security is desirable in order to make a narration. The best tales are told at special hours,—like that in which we are now at table. No one ever told a story well, standing or fasting.

"If I were to reproduce faithfully poor Rosalie's diffuse eloquence, a whole volume would scarce suffice. But as the event of which she now gave me a hazy knowledge falls into place between the facts revealed by the garrulity of the notary, and that of Madame Lepas, as precisely as the mean terms of an arithmetical proposition lie between its two extremes, all I have to do is to tell it to you in few words. I therefore give a summary of what I heard from Rosalie.

"The chamber which Madame de Merret occupied at La Grande Bretèche was on the ground-floor. A small closet about four feet in depth was made in the wall, and served as a wardrobe. Three months before the evening when the facts I am about to relate to you happened, Madame de Merret had been so seriously unwell that her husband left her alone in her room and slept himself in a chamber on the first floor. By one of those mere chances which it is impossible to foresee, he returned, on the evening in question, two hours later than usual from the club where he went habitually to read the papers and talk politics with the inhabitants of the town. His wife thought him at home and in bed and asleep. But the invasion of France had been the subject of a lively discussion; the game of billiards was a heated one; he had lost forty francs, an enormous sum for Vendôme, where everybody hoards his money, and where manners and customs are restrained within modest limits worthy of all praise,—which may, perhaps, be the source of a certain true happiness which no Parisian cares anything at all about.

"For some time past Monsieur de Merret had been in the habit of asking Rosalie, when he came in, if his wife were in bed. Being told, invariably, that she was, he at once went to his own room with the contentment that comes of confidence and custom. This evening, on returning home, he took it into his head to go to Madame de Merret's room and tell her his ill-luck, perhaps to be consoled for it. During dinner he had noticed that his wife was coquettishly dressed; and as he came from the club the thought crossed his mind that she was no longer ill, that her convalescence had made her lovelier than ever,—a fact he perceived, as husbands are wont to perceive things, too late.

"Instead of calling Rosalie, who at that moment was in the kitchen watching a complicated game of 'brisque,' at which the cook and the coachman were playing, Monsieur de Merret went straight to his wife's room by the light of his lantern, which he had placed on the first step of the stairway. His step, which was easily recognized, resounded under the arches of the corridor. Just as he turned the handle of his wife's door he fancied he heard the door of the closet, which I mentioned to you, shut; but when he entered, Madame de Merret was alone, standing before the fireplace. The husband thought to himself that Rosalie must be in the closet; and yet a suspicion, which sounded in his ears like the ringing of bells, made him distrustful. He looked at his wife, and fancied he saw something wild and troubled in her eyes.

"'You are late in coming home,' she said. That voice, usually so pure and gracious, seemed to him slightly changed.

"Monsieur de Merret made no answer, for at that moment Rosalie entered the room. Her appearance was a thunderbolt to him. He walked up and down the room with his arms crossed, going from one window to another with a uniform movement.

"'Have you heard anything to trouble you?' asked his wife, timidly, while Rosalie was undressing her. He made no answer.

"'You can leave the room,' said Madame de Merret to the maid. 'I will arrange my hair myself.'

"She guessed some misfortune at the mere sight of her husband's face, and wished to be alone with him.

"When Rosalie was gone, or supposed to be gone, for she went no further than the corridor, Monsieur de Merret came to his wife and stood before her. Then he said, coldly:

"'Madame, there is someone in your closet.'

"She looked at her husband with a calm air, and answered, 'No, monsieur.'

"That 'no' agonised Monsieur de Merret, for he did not believe it. And yet his wife had never seemed purer nor more saintly than she did at that moment. He rose and went toward the closet to open the door; Madame de Merret took him by the hand and stopped him; she looked at him with a sad air and said, in a voice that was strangely shaken: 'If you find no one, remember that all is over between us.'

"The infinite dignity of his wife's demeanour restored her husband's respect for her, and suddenly inspired him with one of those resolutions which need some wider field to become immortal.

"'No, Josephine,' he said, 'I will not look there. In either case we should be separated forever. Listen to me: I know the purity of your soul, I know that you lead a saintly life; you would not commit a mortal sin to save yourself from death.'

"At these words, Madame de Merret looked at her husband with a haggard eye.

"'Here is your crucifix,' he went on. 'Swear to me before God that there is no one in that closet and I will believe you; I will not open that door.'

"Madame de Merret took the crucifix and said, 'I swear it.'

"'Louder!' said her husband; 'repeat after me,—I swear before God that there is no person in that closet.'

"She repeated the words composedly.

"'That is well,' said Monsieur de Merret, coldly. After a moment's silence he added, examining the ebony crucifix inlaid with silver, 'That is a beautiful thing; I did not know you possessed it; it is very artistically wrought.'

"'I found it at Duvivier's,' she replied; 'he bought it of a Spanish monk when those prisoners-of-war passed through Vendôme last year.'

"'Ah!' said Monsieur de Merret, replacing the crucifix on the wall. He rang the bell. Rosalie was not long in answering it. Monsieur de Merret went quickly up to her, took her into the recess of a window on the garden side, and said to her in a low voice:—

"'I am told that Gorenflot wants to marry you, and that poverty alone prevents it, for you have told him you will not be his wife until he is a master-mason. Is that so?'

"'Yes, monsieur.'

"'Well, go and find him; tell him to come here at once and bring his trowel and other tools. Take care not to wake anyone at his house but himself; he will soon have enough money to satisfy you. No talking to anyone when you leave this room, mind, or—'

"He frowned. Rosalie left the room. He called her back; 'Here, take my pass-key,' he said.

"Monsieur de Merret, who had kept his wife in view while giving these orders, now sat down beside her before the fire and began to tell her of his game of billiards, and the political discussions at the club. When Rosalie returned she found Monsieur and Madame de Merret talking amicably.

"The master had lately had the ceilings of all the reception rooms on the lower floor restored. Plaster is very scarce at Vendôme, and the carriage of it makes it expensive. Monsieur de Merret had therefore ordered an ample quantity for his own wants, knowing that he could readily find buyers for what was left. This circumstance inspired the idea that now possessed him.

"'Monsieur, Gorenflot has come,' said Rosalie.

"'Bring him in,' said her master.

"Madame de Merret turned slightly pale when she saw the mason.

"'Gorenflot,' said her husband, 'fetch some bricks from the coach-house,—enough to wall up that door; use the plaster that was left over to cover the wall.'

"Then he called Rosalie and the mason to the end of the room, and, speaking in a low voice, added, 'Listen to me, Gorenflot; after you have done this work you will sleep in the house; and to-morrow morning I will give you a passport into a foreign country, and six thousand francs for the journey. Go through Paris where I will meet you. There, I will secure to you legally another six thousand francs, to be paid to you at the end of ten years if you still remain out of France. For this sum, I demand absolute silence on what you see and do this night. As for you, Rosalie, I give you a dowry of ten thousand francs, on condition that you marry Gorenflot, and keep silence, if not—'

"'Rosalie,' said Madame de Merret, 'come and brush my hair.'

"The husband walked up and down the room, watching the door, the mason, and his wife, but without allowing the least distrust or misgiving to appear in his manner. Gorenflot's work made some noise; under cover of it Madame de Merret said hastily to Rosalie, while her husband was at the farther end of the room: 'A thousand francs annuity if you tell Gorenflot to leave a crevice at the bottom;' then aloud she added, composedly, 'Go and help the mason.'

"Monsieur and Madame de Merret remained silent during the whole time it took Gorenflot to wall up the door. The silence was intentional on the part of the husband to deprive his wife of all chance of saying words with a double meaning which might be heard within the closet; with Madame de Merret it was either prudence or pride.

"When the wall was more than half up, the mason's tool broke one of the panes of glass in the closet door; Monsieur de Merret's back was at that moment turned away. The action proved to Madame de Merret that Rosalie had spoken to the mason. In that one instant she saw the dark face of a man with black hair and fiery eyes. Before her husband turned the poor creature had time to make a sign with her head which meant 'Hope.'

"By four o'clock, just at dawn, for it was in the month of September, the work was done. Monsieur de Merret remained that night in his wife's room. The next morning, on rising, he said, carelessly: 'Ah! I forgot, I must go to the mayor's office about that passport.'

"He put on his hat, made three steps to the door, then checked himself, turned back, and took the crucifix.

"His wife trembled with joy; 'He will go to Duvivier's,' she thought.

"The moment her husband had left the house she rang for Rosalie. 'The pick-axe!' she cried, 'the pick-axe! I watched how Gorenflot did it; we shall have time to make a hole and close it again.'

"In an instant Rosalie had brought a sort of cleaver, and her mistress, with a fury no words can describe, began to demolish the wall. She had knocked away a few bricks, and was drawing back to strike a still more vigorous blow with all her strength, when she saw her husband behind her. She fainted.

"'Put madame on her bed,' said her husband, coldly.

"Foreseeing what would happen, he had laid this trap for his wife; he had written to the mayor, and sent for Duvivier. The jeweller arrived just as the room had been again put in order.

"'Duvivier,' said Monsieur de Merret, 'I think you bought some crucifixes of those Spaniards who were here last year?'

"'No, monsieur, I did not.'

"'Very good; thank you,' he said, with a tigerish glance at his wife. 'Jean,' he added to the footman, 'serve my meals in Madame de Merret's bedroom; she is very ill, and I shall not leave her till she recovers.'

"For twenty days that man remained beside his wife. During the first hours, when sounds were heard behind the walled door, and Josephine tried to implore mercy for the dying stranger, he answered, without allowing her to utter a word:—

"'You swore upon the cross that no one was there.'"

As the tale ended the women rose from table, and the spell under which Bianchon had held them was broken. Nevertheless, several of them were conscious of a cold chill as they recalled the last words.

VI

THE MASQUE OF THE RED DEATH

EDGAR ALLAN POE

The "Red Death" had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal—the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body, and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress, and termination of the disease were the incidents of half-an-hour.

But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys. This was an extensive and magnificent structure, the creation of the prince's own eccentric yet august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave means neither of ingress or egress to the sudden impulses of despair or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve, or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was beauty, there was wine. All these and security were within. Without was the "Red Death."

It was toward the close of the fifth or sixth month of his seclusion, and while the pestilence raged most furiously abroad, that the Prince Prospero entertained his thousand friends at a masked ball of the most unusual magnificence.

It was a voluptuous scene, that masquerade. But first let me tell of the rooms in which it was held. There were seven—an imperial suite. In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extent is scarcely impeded. Here the case was very different, as might have been expected from the duke's love of the bizarre. The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect. To the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained glass, whose colour varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example, in blue—and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange—the fifth with white—the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only the colour of the windows failed to correspond with the decorations. The panes here were scarlet—a deep blood colour. Now in no one of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro, or depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite to each window, a heavy tripod, bearing a brazier of fire, that projected its rays through the tinted glass, and so glaringly illumined the room. And thus were produced a multitude of gaudy and fantastic appearances. But in the western or black chamber the effect of the firelight that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme, and produced so wild a look upon the countenances of those who entered, that there were few of the company bold enough to set foot within its precincts at all.

It was in this apartment, also, that there stood against the western wall a gigantic clock of ebony. Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical; but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused reverie or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes (which embrace three thousand and six hundred seconds of the Time that flies), there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as before.

But, in spite of these things, it was a gay and magnificent revel. The tastes of the duke were peculiar. He had a fine eye for colours and effects. He disregarded the decora of mere fashion. His plans were bold and fiery, and his conceptions glowed with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not. It was necessary to hear and see and touch him to be sure that he was not.

He had directed, in great part, the movable embellishments of the seven chambers, upon occasion of this great fête; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm—much of what has been since seen in "Hernani." There were arabesque figures with unsuited limbs and appointments. There were delirious fancies as the madman fashions. There were much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these—the dreams—writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away—they have endured but an instant—and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many tinted windows through which stream the rays from the tripods. But to the chamber which lies most westwardly of the seven, there are now none of the maskers who venture; for the night is waning away; and there flows a ruddier light through the blood-coloured panes; and the blackness of the sable drapery appals; and to him whose foot falls upon the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches their ears who indulge in the more remote gaieties of the other apartments.

But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length there commenced the sounding of midnight upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps, that more of thought crept, with more of time, into the meditations of the thoughtful among those who revelled. And thus, too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumour of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive of disapprobation and surprise—then, finally, of terror, of horror, and of disgust.

In an assembly of phantasms, such as I have painted, it may well be supposed that no ordinary appearance could have excited such sensation. In truth the masquerade license of the night was nearly unlimited; but the figure in question had out-Heroded Herod, and gone beyond the bounds of even the prince's indefinite decorum. There are chords in the hearts of the most reckless which cannot be touched without emotion. Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jests can be made. The whole company, indeed, seemed now deeply to feel that in the costume and bearing of the stranger neither wit nor propriety existed. The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave. The mask which concealed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have had difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone so far as to assume the type of the Red Death. His vesture was dabbled in blood—and his broad brow, with all the features of the face, was besprinkled with the scarlet horror.

When the eyes of Prince Prospero fell upon this spectral image (which with a slow and solemn movement, as if more fully to sustain its rôle, stalked to and from among the waltzers), he was seen to be convulsed, in the first moment, with a strong shudder either of terror or distaste; but, in the next, his brow reddened with rage.

"Who dares?" he demanded hoarsely of the courtiers who stood near him—"who dares insult us with this blasphemous mockery? Seize him and unmask him—that we may know whom we have to hang at sunrise from the battlements!"

It was in the eastern or blue chamber in which stood the Prince Prospero as he uttered these words. They rang throughout the seven rooms loudly and clearly—for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.

It was in the blue room where stood the prince with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who, at the moment, was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth hand to seize him; so that, unimpeded, he passed within a yard of the prince's person; and while the vast assembly, as if with one impulse, shrank from the centres of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple—through the purple to the green—through the green to the orange—through this again to the white—and even thence to the violet, ere a decided movement had been made to arrest him. It was then, however, that the Prince Prospero, maddened with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had seized upon all. He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attained the extremity of the velvet apartment, turned suddenly and confronted his pursuer. There was a sharp cry—and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterward, fell prostrate in death the Prince Prospero. Then, summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and, seizing the mummer, whose tall figure stood erect and motionless within the shadow of the ebony clock, gasped in unutterable horror at finding the grave cerements and corpse-like mask which they handled with so violent a rudeness, untenanted by any tangible form.

And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revellers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.

VII

DR. MANETTE'S MANUSCRIPT

CHARLES DICKENS

"I, Alexandre Manette, unfortunate physician, native of Beauvais, and afterward resident in Paris, write this melancholy paper in my doleful cell in the Bastille, during the last month of the year, 1767. I write it at stolen intervals, under every difficulty. I design to secrete it in the wall of the chimney, where I have slowly and laboriously made a place of concealment for it. Some pitying hand may find it there, when I and my sorrows are dust.

"These words are formed by the rusty iron point with which I write with difficulty in scrapings of soot and charcoal from the chimney, mixed with blood, in the last month of the tenth year of my captivity. Hope has quite departed from my breast. I know from terrible warnings I have noted in myself that my reason will not long remain unimpaired, but I solemnly declare that I am at this time in the possession of my right mind—that my memory is exact and circumstantial—and that I write the truth as I shall answer for these my last recorded words, whether they be ever read by men or not, at the Eternal Judgment-seat.

"One cloudy moonlight night, in the third week of December (I think the twenty-second of the month) in the year 1757, I was walking on a retired part of the quay by the Seine for the refreshment of the frosty air, at an hour's distance from my place of residence in the Street of the School of Medicine, when a carriage came along behind me, driven very fast. As I stood aside to let that carriage pass, apprehensive that it might otherwise run me down, a head was put out at the window, and a voice called to the driver to stop.

"The carriage stopped as soon as the driver could rein in his horses, and the same voice called to me by my name. I answered. The carriage was then so far in advance of me that two gentlemen had time to open the door and alight before I came up with it. I observed that they were both wrapped in cloaks, and appeared to conceal themselves. As they stood side by side near the carriage door, I also observed that they both looked of about my own age, or rather younger, and that they were greatly alike, in stature, manner, voice, and (as far as I could see) £ace too.

"'You are Doctor Manette?' said one.

"'I am.'

"'Doctor Manette, formerly of Beauvais,' said the other; 'the young physician, originally an expert surgeon, who within the last year or two has made a rising reputation in Paris?'

"'Gentlemen,' I returned, 'I am that Doctor Manette of whom you speak so graciously.'

"'We have been to your residence,' said the first, 'and not being so fortunate as to find you there, and being informed that you were probably walking in this direction, we followed, in the hope of overtaking you. Will you please to enter the carriage?'

"The manner of both was imperious, and they both moved, as these words were spoken, so as to place me between themselves and the carriage door. They were armed. I was not.

"'Gentlemen,' said I, 'pardon me; but I usually inquire who does me the honour to seek my assistance, and what is the nature of the case to which I am summoned.'

"The reply to this was made by him who had spoken second. 'Doctor, your clients are people of condition. As to the nature of the case, our confidence in your skill assures us that you will ascertain it for yourself better than we can describe it. Enough. Will you please to enter the carriage?'

"I could do nothing but comply, and I entered it in silence. They both entered after me—the last springing in, after putting up the steps. The carriage turned about, and drove on at its former speed.

"I repeat this conversation exactly as it occurred. I have no doubt that it is, word for word, the same. I describe everything exactly as it took place, constraining my mind not to wander from the task. Where I make the broken marks that follow here, I leave off for the time, and put my paper in its hiding-place. * * * *

"The carriage left the streets behind, passed the North Barrier, and emerged upon the country road. At two-thirds of a league from the Barrier—I did not estimate the distance at that time, but afterward when I traversed it—it struck out of the main avenue, and presently stopped at a solitary house. We all three alighted, and walked, by a damp soft footpath in a garden where a neglected fountain had overflowed, to the door of the house. It was not opened immediately, in answer to the ringing of the bell, and one of my two conductors struck the man who opened it, with his heavy riding glove, across the face.

"There was nothing in this action to attract my particular attention, for I had seen common people struck more commonly than dogs. But, the other of the two, being angry likewise, struck the man in like manner with his arm; the look and bearing of the brothers were then so exactly alike, that I then first perceived them to be twin brothers.

"From the time of our alighting at the outer gate (which we found locked, and which one of the brothers had opened to admit us, and had relocked), I had heard cries proceeding from an upper chamber. I was conducted to this chamber straight, the cries growing louder as we ascended the stairs, and I found a patient in a high fever of the brain, lying on a bed.

"The patient was a woman of great beauty, and young; assuredly not much past twenty. Her hair was torn and ragged, and her arms were bound to her sides with sashes and handkerchiefs. I noticed that these bonds were all portions of a gentleman's dress. On one of them, which was a fringed scarf for a dress of ceremony, I saw the armorial bearings of a Noble, and the letter E.

"I saw this, within the first minute of my contemplation of the patient; for, in her restless strivings she had turned over on her face on the edge of the bed, had drawn the end of the scarf into her mouth, and was in danger of suffocation. My first act was to put out my hand to relieve her breathing; and in moving the scarf aside, the embroidery in the corner caught my sight.

"I turned her gently over, placed my hands upon her breast to calm her and keep her down, and looked into her face. Her eyes were dilated and wild, and she constantly uttered piercing shrieks, and repeated the words, 'My husband, my father, and my brother!' and then counted up to twelve, and said, 'Hush!' For an instant, and no more, she would pause to listen, and then the piercing shrieks would begin again, and she would repeat the cry, 'My husband, my father, and my brother!' and would count up to twelve, and say, 'Hush!' There was no variation in the order, or the manner. There was no cessation, but the regular moment's pause in the utterance of these sounds.

"'How long,' I asked, 'has this lasted?'

"To distinguish the brothers, I will call them the elder and the younger; by the elder, I mean him who exercised the most authority. It was the elder who replied, 'Since about this hour last night.'

"'She has a husband, a father, and a brother?'

"'A brother.'

"'I do not address her brother?'

"He answered with great contempt, 'No.'

"'She has some recent association with the number twelve?'

"The younger brother impatiently rejoined, 'With twelve o'clock.'

"'See, gentlemen,' said I, still keeping my hands upon her breast, 'how useless I am, as you have brought me! If I had known what I was coming to see, I could have come provided. As it is, time must be lost. There are no medicines to be obtained in this lonely place.'

"The elder brother looked to the younger, who said haughtily, 'There is a case of medicines here;' and brought it from a closet, and put it on the table. * * * *

"I opened some of the bottles, smelt them, and put the stoppers to my lips. If I had wanted to use anything save narcotic medicines that were poisons in themselves, I would not have administered any of those.

"'Do you doubt them?' asked the younger brother.

"'You see, monsieur, I am going to use them,' I replied, and said no more.

"I made the patient swallow, with great difficulty, and after many efforts, the dose that I desired to give. As I intended to repeat it after a while, and as it was necessary to watch its influence, I then sat down by the side of the bed. There was a timid and suppressed woman in attendance (wife of the man downstairs), who had retreated into a corner. The house was damp and decayed, indifferently furnished—evidently, recently occupied and temporarily used. Some thick old hangings had been nailed up before the windows, to deaden the sound of the shrieks. They continued to be uttered in their regular succession, with the cry, 'My husband, my father, and my brother!' the counting up to twelve, and 'Hush!' The frenzy was so violent, that I had not unfastened the bandages restraining the arms; but, I had looked to them, to see that they were not painful. The only spark of encouragement in the case, was, that my hand upon the sufferer's breast had this much soothing influence, that for minutes at a time it tranquillised the figure. It had no effect upon the cries; no pendulum could be more regular.

"For the reason that my hand had this effect (I assume), I had sat by the side of the bed for half an hour, with the two brothers looking on, before the elder said:

"'There is another patient.'

"I was startled, and asked, 'Is it a pressing case?'

"'You had better see,' he carelessly answered; and took up a light. * * * *

"The other patient lay in a back room across a second staircase, which was a species of loft over a stable. There was a low plastered ceiling to a part of it; the rest was open, to the ridge of the tiled roof, and there were beams across. Hay and straw were stored in that portion of the place, fagots for firing, and a heap of apples in sand. I had to pass through that part to get at the other. My memory is circumstantial and unshaken. I try it with these details, and I see them all, in this my cell in the Bastille, near the close of the tenth year of my captivity, as I saw them all that night.

"On some hay on the ground, with a cushion thrown under his head, lay a handsome peasant boy—a boy of not more than seventeen at the most. He lay on his back, with his teeth set, his right hand clenched on his breast, and his glaring eyes looking straight upward. I could not see where his wound was, as I kneeled on one knee over him; but, I could see that he was dying of a wound from a sharp point.

"'I am a doctor, my poor fellow,' said I. 'Let me examine it.'

'"I do not want it examined,' he answered; 'let it be.'

"It was under his hand, and I soothed him to let me move his hand away. The wound was a sword-thrust, received from twenty to twenty-four hours before, but no skill could have saved him if it had been looked to without delay. He was then dying fast. As I turned my eyes to the elder brother, I saw him looking down at this handsome boy whose life was ebbing out, as if he were a wounded bird, or hare, or rabbit; not at all as if he were a fellow-creature.

"'How has this been done, monsieur?' said I.

"'A crazed young common dog! A serf! Forced my brother to draw upon him, and has fallen by my brother's sword—like a gentleman.'

"There was no touch of pity, sorrow, or kindred humanity in this answer. The speaker seemed to acknowledge that it was inconvenient to have that different order of creature dying there, and that it would have been better if he had died in the usual obscure routine of his vermin kind. He was quite incapable of any compassionate feeling about the boy, or about his fate.

"The boy's eyes had slowly moved to him as he had spoken, and they now slowly moved to me.

"'Doctor, they are very proud, these Nobles; but we common dogs are proud too, sometimes. They plunder us, outrage us, beat us, kill us; but we have a little pride left, sometimes. She—have you seen her, Doctor?'

"The shrieks and the cries were audible there, though subdued by the distance. He referred to them, as if she were lying in our presence.

"I said, 'I have seen her.'

"'She is my sister, Doctor. They have had their shameful rights, these Nobles, in the modesty and virtue of our sisters, many years, but we have had good girls among us. I know it, and have heard my father say so. She was a good girl. She was betrothed to a good young man, too: a tenant of his. We were all tenants of his—that man's who stands there. The other is his brother, the worst of a bad race.'

"It was with the greatest difficulty that the boy gathered bodily force to speak; but, his spirit spoke with a dreadful emphasis.

"'We were so robbed by that man who stands there, as all we common dogs are by those superior Beings—taxed by him without mercy, obliged to work for him without pay, obliged to grind our corn at his mill, obliged to feed scores of his tame birds on our wretched crops, and forbidden for our lives to keep a single tame bird of our own, pillaged and plundered to that degree that when we chanced to have a bit of meat, we ate it in fear, with the door barred and the shutters closed, that his people should not see it and take it from us—I say, we were so robbed, and hunted, and were made so poor, that our father told us it was a dreadful thing to bring a child into the world, and that what we should most pray for was, that our women might be barren and our miserable race die out!'

"I had never before seen the sense of being oppressed bursting forth like a fire. I had supposed that it must be latent in the people somewhere; but, I had never seen it break out, until I saw it in the dying boy.

"'Nevertheless, Doctor, my sister married. He was ailing at that time, poor fellow, and she married her lover, that she might tend and comfort him in our cottage—our dog-hut, as that man would call it. She had not been married many weeks, when that man's brother saw her and admired her, and asked that man to lend her to him—for what are husbands among us! He was willing enough, but my sister was good and virtuous, and hated his brother with a hatred as strong as mine. What did the two then, to persuade her husband to use his influence with her, to make her willing?'

"The boy's eyes, which had been fixed on mine, slowly turned to the looker-on, and I saw in the two faces that all he said was true. The two opposing kinds of pride confronting one another, I can see, even in this Bastille; the gentleman's, all negligent indifference; the peasant's, all trodden-down sentiment, and passionate revenge.

"'You know, Doctor, that it is among the Rights of these Nobles to harness us common dogs to carts, and drive us. They so harnessed him and drove him. You know that it is among their Rights to keep us in their grounds all night, quieting the frogs, in order that their noble sleep may not be disturbed. They kept him out in the unwholesome mists at night and ordered him back into his harness in the day. But he was not persuaded. No! Taken out of harness one day at noon, to feed—if he could find food—he sobbed twelve times, once for every stroke of the bell, and died on her bosom.'

"Nothing human could have held life in the boy but his determination to tell all his wrong. He forced back the gathering shadows of death, as he forced his clenched right hand to remain clenched, and to cover his wound.

"'Then, with that man's permission and even with his aid, his brother took her away; in spite of what I know she must have told his brother—and what that is, will not be long unknown to you, Doctor, if it is now—his brother took her away—for his pleasure and diversion, for a little while. I saw her pass me on the road. When I took the tidings home, our father's heart burst; he never spoke one of the words that filled it. I took my young sister (for I have another) to a place beyond the reach of this man, and where, at least, she will never be his vassal. Then, I tracked the brother here, and last night climbed in—a common dog, but sword in hand.— Where is the loft window? It was somewhere here?'

"The room was darkening to his sight; the world was narrowing around him. I glanced about me, and saw that the hay and straw were trampled over the floor, as if there had been a struggle.

"'She heard me, and ran in. I told her not to come near us till he was dead. He came in and first tossed me some pieces of money; then struck at me with a whip. But I, though a common dog, so struck at him as to make him draw. Let him break into as many pieces as he will, the sword that he stained with my common blood; he drew to defend himself—thrust at me with all his skill for his life.'

"My glance had fallen, but a few moments before, on the fragments of a broken sword, lying among the hay. That weapon was a gentleman's. In another place, lay an old sword that seemed to have been a soldier's.

"'Now, lift me up, Doctor; lift me up. Where is he?'

"'He is not here,' I said, supporting the boy, and thinking that he referred to the brother.

"'He! Proud as these nobles are, he is afraid to see me. Where is the man who was here? Turn my face to him.'

"I did so, raising the boy's head against my knee. But, invested for the moment with extraordinary power, he raised himself completely: obliging me to rise too, or I could not have still supported him.

"'Marquis,' said the boy, turned to him with his eyes opened wide, and his right hand raised, 'in the days when all these things are to be answered for, I summon you and yours, to the last of your bad race, to answer for them. I mark this cross of blood upon you, as a sign that I do it. In the days when all these things are to be answered for, I summon your brother, the worst of the bad race, to answer for them separately. I mark this cross of blood upon him, as a sign that I do it.'

"Twice, he put his hand to the wound in his breast, and with his forefinger drew a cross in the air. He stood for an instant with the finger yet raised, and as it dropped, he dropped with it, and I laid him down dead. * * * *

"When I returned to the bedside of the young woman, I found her raving in precisely the same order of continuity. I knew that this might last for many hours, and that it would probably end in the silence of the grave.

"I repeated the medicines I had given her, and I sat at the side of the bed until the night was far advanced. She never abated the piercing quality of her shrieks, never stumbled in the distinctness or order of her words. They were always 'My husband, my father, and my brother! One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve. Hush!'

"This lasted twenty-six hours from the time when I first saw her. I had come and gone twice, and was again sitting by her, when she began to falter. I did what little could be done to assist that opportunity, and by-and-bye she sank into a lethargy, and lay like the dead.

"It was as if the wind and rain had lulled at last, after a long and fearful storm. I released her arms, and called the woman to assist me to compose her figure and the dress she had torn. It was then that I knew her condition to be that of one in whom the first expectations of being a mother have arisen; and it was then that I lost the little hope I had had of her.

"'Is she dead?' asked the Marquis, whom I will still describe as the elder brother, coming booted into the room from his horse.

"'Not dead,' said I; 'but like to die.'

"'What strength there is in these common bodies!' he said, looking down at her with some curiosity.

"'There is prodigious strength,' I answered him, 'in sorrow and despair.'

"He first laughed at my words, and then frowned at them. He moved a chair with his foot near to mine, ordered the woman away, and said in a subdued voice,

"'Doctor, finding my brother in this difficulty with these hinds, I recommend that your aid should be invited. Your reputation is high, and, as a young man with your fortune to make, you are probably mindful of your interest. The things that you see here are things to be seen, and not spoken of.'

"I listened to the patient's breathing, and avoided answering.

"'Do you honour me with your attention, Doctor?'

"'Monsieur,' said I, 'in my profession, the communications of patients are always received in confidence.' I was guarded in my answer, for I was troubled in my mind with what I had heard and seen.

"Her breathing was so difficult to trace, that I carefully tried the pulse and the heart. There was life, and no more. Looking round as I resumed my seat, I found both the brothers intent upon me. * * * *

"I write with so much difficulty, the cold is so severe, I am so fearful of being detected and consigned to an underground cell and total darkness, that I must abridge this narrative. There is no confusion or failure in my memory; I can recall, and could detail, every word that was ever spoken between me and those brothers.

"She lingered for a week. Toward the last, I could understand some few syllables that she said to me, by placing my ear close to her lips. She asked me where she was, and I told her; who I was, and I told her. It was in vain that I asked her for her family name. She faintly shook her head upon the pillow and kept her secret, as the boy had done.

"I had no opportunity of asking her any question, until I had told the brothers she was sinking fast, and could not live another day. Until then, though no one was ever presented to her consciousness save the woman and myself, one or the other of them had always jealously sat behind the curtain at the head of the bed when I was there. But when it came to that, they seemed careless what communication I might hold with her; as if—the thought passed through my mind—I were dying too.

"I always observed that their pride bitterly resented the younger brother's (as I call him) having crossed swords with a peasant, and that peasant a boy. The only consideration that appeared to affect the mind of either of them was the consideration that this was highly degrading to the family, and was ridiculous. As often as I caught the younger brother's eyes, their expression reminded me that he disliked me deeply, for knowing what I knew from the boy. He was smoother and more polite to me than the elder; but I saw this. I also saw that I was an incumbrance in the mind of the elder, too.

"My patient died, two hours before midnight—at a time, by my watch, answering almost to the minute when I had first seen her. I was alone with her, when her forlorn young head drooped gently on one side, and all her earthly wrongs and sorrows ended.

"The brothers were waiting in a room downstairs, impatient to ride away. I had heard them, alone at the bedside, striking their boots with their riding-whips, and loitering up and down.

"'At last she is dead?' said the elder, when I went in.

"'She is dead,' said I.

"'I congratulate you, my brother,' were his words as he turned round.

"He had before offered me money, which I had postponed taking. He now gave me a rouleau of gold. I took it from his hand, but laid it on the table. I had considered the question, and had resolved to accept nothing.

"'Pray excuse me,' said I. 'Under the circumstances, no.'

"They exchanged looks, but bent their heads to me as I bent mine to them, and we parted without another word on either side. * * * *

"I am weary, weary, weary—worn down by misery. I cannot read what I have written with this gaunt hand.

"Early in the morning, the rouleau of gold was left at my door in a little box, with my name on the outside. From the first, I had anxiously considered what I ought to do. I decided, that day, to write privately to the Minister, stating the nature of the two cases to which I had been summoned, and the place to which I had gone: in effect, stating all the circumstances. I knew what Court influence was, and what the immunities of the Nobles were, and I expected that the matter would never be heard of; but, I wished to relieve my own mind. I had kept the matter a profound secret, even from my wife; and this, too, I resolved to state in my letter. I had no apprehension whatever of my real danger; but I was conscious that there might be danger for others, if others were compromised by possessing the knowledge that I possessed.

"I was much engaged that day, and could not complete my letter that night. I rose long before my usual time next morning to finish it. It was the last day of the year. The letter was lying before me just completed, when I was told that a lady waited, who wished to see me. * * * *

"I am growing more and more unequal to the task I have set myself. It is so cold, so dark, my senses are so benumbed, and the gloom upon me is so dreadful.

"The lady was young, engaging, and handsome, but not marked for long life. She was in great agitation. She presented herself to me as the wife of the Marquis St. Evrémonde. I connected the title by which the boy had addressed the elder brother, with the initial letter embroidered on the scarf, and had no difficulty in arriving at the conclusion that I had seen that nobleman very lately.

"My memory is still accurate, but I cannot write the words of our conversation. I suspect that I am watched more closely than I was, and I know not at what times I may be watched. She had in part suspected, and in part discovered, the main facts of the cruel story, of her husband's share in it, and my being resorted to. She did not know that the girl was dead. Her hope had been, she said in great distress, to show her, in secret, a woman's sympathy. Her hope had been to avert the wrath of Heaven from a House that had long been hateful to the suffering many.

"She had reasons for believing that there was a young sister living, and her greatest desire was, to help that sister. I could tell her nothing but that there was such a sister; beyond that, I knew nothing. Her inducement to come to me, relying on my confidence, had been the hope that I could tell her the name and place of abode. Whereas, to this wretched hour I am ignorant of both. * * * *

"These scraps of paper fail me. One was taken from me, with a warning, yesterday. I must finish my record to-day.

"She was a good, compassionate lady, and not happy in her marriage. How could she be! The brother distrusted and disliked her, and his influence was all opposed to her; she stood in dread of him, and in dread of her husband too. When I handed her down to the door, there was a child, a pretty boy from two to three years old, in her carriage.

"'For his sake, Doctor,' she said, pointing to him in tears, 'I would do all I can to make what poor amends I can. He will never prosper in his inheritance otherwise. I have a presentiment that if no other innocent atonement is made for this, it will one day be required of him. What I have left to call my own—it is little beyond the worth of a few jewels—I will make it the first charge of his life to bestow, with the compassion and lamentation of his dead mother, on this injured family, if the sister can be discovered.'

"She kissed the boy, and said, caressing him, 'It is for thine own dear sake. Thou wilt be faithful, little Charles?' The child answered her bravely, 'Yes!' I kissed her hand, and she took him in her arms, and went away caressing him. I never saw her more.

"As she had mentioned her husband's name in the faith that I knew it, I added no mention of it to my letter. I sealed my letter, and, not trusting it out of my own hands, delivered it myself that day.

"That night, the last night of the year, toward nine o'clock, a man in a black dress rang at my gate, demanded to see me, and softly followed my servant, Ernest Defarge, a youth, up-stairs. When my servant came into the room where I sat with my wife—O my wife, beloved of my heart! My fair young English wife!—we saw the man, who was supposed to be at the gate, standing silent behind him.

"An urgent case in the Rue St. Honoré, he said. It would not detain me, he had a coach in waiting.

"It brought me here, it brought me to my grave. When I was clear of the house, a black muffler was drawn tightly over my mouth from behind, and my arms were pinioned. The two brothers crossed the road from a dark corner, and identified me with a single gesture. The Marquis took from his pocket the letter I had written, showed it me, burnt it in the light of a lantern that was held, and extinguished the ashes with his foot. Not a word was spoken. I was brought here, I was brought to my living grave.

"If it had pleased God to put it in the hard heart of either of the brothers, in all these frightful years, to grant me any tidings of my dearest wife—so much as to let me know by a word whether alive or dead—I might have thought that He had not quite abandoned them. But, now I believe that the mark of the red cross is fatal to them, and that they have no part in His mercies. And them and their descendants, to the last of their race, I, Alexandre Manette, unhappy prisoner, do this last night of the year 1767, in my unbearable agony, denounce to the times when all these things shall be answered for. I denounce them to Heaven and to earth."

VIII

SILENCE*

LEONIDAS ANDREIYEFF

*Reprinted by permission of Nicholas L. Brown, Publisher.

I

One moonlight night in May, while the nightingales sang, Father Ignatius' wife entered his chamber. Her countenance expressed suffering, and the little lamp she held in her hand trembled. Approaching her husband, she touched his shoulder, and managed to say between her sobs:

"Father, let us go to Verochka."

Without turning his head, Father Ignatius glanced severely at his wife over the rims of his spectacles, and looked long and intently, till she waved her unoccupied hand and dropped on a low divan.

"That one toward the other be so pitiless!" she pronounced slowly, with emphasis on the final syllables, and her good plump face was distorted with a grimace of pain and exasperation, as if in this manner she wished to express what stern people they were—her husband and daughter.

Father Ignatius smiled and arose. Closing his book, he removed his spectacles, placed them in the case, and meditated. His long, black beard, inwoven with silver threads, lay dignified on his breast, and it slowly heaved at every deep breath.

"Well, let us go!" said he.

Olga Stepanovna quickly arose and entreated in an appealing, timid voice:

"Only don't revile her, father! You know the sort she is."

Vera's chamber was in the attic, and the narrow, wooden stair bent and creaked under the heavy tread of Father Ignatius. Tall and ponderous, he lowered his head to avoid striking the floor of the upper story, and frowned disdainfully when the white jacket of his wife brushed his face. Well he knew that nothing would come of their talk with Vera.

"Why do you come?" asked Vera, raising a bared arm to her eyes. The other arm lay on top of a white summer blanket hardly distinguishable from the fabric, so white, translucent, and cold was its aspect.

"Verochka!" began her mother, but sobbing, she grew silent.

"Vera!" said her father, making an effort to soften his dry and hard voice. "Vera, tell us, what troubles you?"

Vera was silent.

"Vera, do not we, your mother and I, deserve your confidence? Do we not love you? And is there someone nearer to you than we? Tell us about your sorrow, and, believe me, you'll feel better for it. And we too. Look at your aged mother, how much she suffers!"

"Verochka!"

"And I..." The dry voice trembled, truly something had broken in it. "And I ... do you think I find it easy? As if I did not see that some sorrow is gnawing at you—and what is it? And I, your father, do not know what it is. Is it right that it should be so?"

Vera was silent. Father Ignatius very cautiously stroked his beard, as if afraid that his fingers would enmesh themselves involuntarily in it, and continued:

"Against my wish you went to St. Petersburg—did I pronounce a curse upon you, you who disobeyed me? Or did I not give you money? Or, you'll say, I have not been kind? Well, why then are you silent? There, you've had your St. Petersburg!"

Father Ignatius became silent, and an image arose before him of something huge, of granite, and terrible, full of invisible dangers and strange and indifferent people. And there, alone and weak, was his Vera and there they had lost her. An awful hatred against that terrible and mysterious city grew in the soul of Father Ignatius, and an anger against his daughter who was silent, obstinately silent.

"St. Petersburg has nothing to do with it," said Vera, morosely, and closed her eyes. "And nothing is the matter with me. Better go to bed, it is late."

"Verochka," whimpered her mother. "Little daughter, do confess to me."

"Akh, mamma!" impatiently Vera interrupted her.

Father Ignatius sat down on a chair and laughed.

"Well, then it's nothing?" he inquired, ironically.

"Father," sharply put in Vera, raising herself from the pillow, "you know that I love you and mother. Well, I do feel a little weary. But that will pass. Do go to sleep, and I also wish to sleep. And to-morrow, or some other time, we'll have a chat."

Father Ignatius impetuously arose so that the chair hit the wall, and took his wife's hand.

"Let us go."

"Verochka!"

"Let us go, I tell you!" shouted Father Ignatius. "If she has forgotten God, shall we..."

Almost forcibly he led Olga Stepanovna out of the room, and when they descended the stairs, his wife, decreasing her gait, said in a harsh whisper:

"It was you, priest, who have made her such. From you she learnt her ways. And you'll answer for it. Akh, unhappy creature that I am!"

And she wept, and, as her eyes filled with tears, her foot, missing a step, would descend with a sudden jolt, as if she were eager to fall into some existent abyss below.

From that day Father Ignatus ceased to speak with his daughter, but she seemed not to notice it. As before she lay in her room, or walked about, continually wiping her eyes with the palms of her hands as if they contained some irritating foreign substance. And crushed between these two silent people, the jolly, fun-loving wife of the priest quailed and seemed lost, not knowing what to say or do.

Occasionally Vera took a stroll. A week following the interview she went out in the evening, as was her habit. She was not seen alive again, as on this evening she threw herself under the train, which cut her in two.

Father Ignatius himself directed the funeral. His wife was not present in church, as at the news of Vera's death she was prostrated by a stroke. She lost control of her feet, hands, and tongue, and she lay motionless in the semi-darkened room when the church bells rang out. She heard the people, as they issued out of church and passed the house, intone the chants, and she made an effort to raise her hand, and to make a sign of the cross, but her hand refused to obey; she wished to say: "Farewell, Vera!" but the tongue lay in her mouth huge and heavy. And her attitude was so calm, that it gave one an impression of restfulness or sleep. Only her eyes remained open.

At the funeral, in church, were many people who knew Father Ignatius, and many strangers, and all bewailed Vera's terrible death, and tried to find in the movements and voice of Father Ignatius tokens of a deep sorrow. They did not love Father Ignatius because of his severity and proud manners, his scorn of sinners, for his unforgiving spirit, his envy and covetousness, his habit of utilising every opportunity to extort money from his parishioners. They all wished to see him suffer, to see his spirit broken, to see him conscious in his two-fold guilt for the death of his daughter—as a cruel father and a bad priest—incapable of preserving his own flesh from sin. They cast searching glances at him, and he, feeling these glances directed toward his back, made efforts to hold erect its broad and strong expanse, and his thoughts were not concerning his dead daughter, but concerning his own dignity.

"A hardened priest!" said, with a shake of his head, Karzenoff, a carpenter, to whom Father Ignatius owed five roubles for frames.

And thus, hard and erect, Father Ignatius reached the burial ground, and in the same manner he returned. Only at the door of his wife's chamber did his spine relax a little, but this may have been due to the fact that the height of the door was inadequate to admit his tall figure. The change from broad daylight made it difficult for him to distinguish the face of his wife, but, after scrutiny, he was astonished at its calmness and because the eyes showed no tears. And there was neither anger, nor sorrow in the eyes—they were dumb, and they kept silent with difficulty, reluctantly, as did the entire plump and helpless body, pressing against the feather bedding.

"Well, how do you feel?" inquired Father Ignatius.

The lips, however, were dumb; the eyes also were silent. Father Ignatius laid his hand on her forehead; it was cold and moist, and Olga Stepanovna did not show in any way that she had felt the hand's contact. When Father Ignatius removed his hand there gazed at him, immobile, two deep grey eyes, seeming almost entirely dark from the dilated pupils, and there was neither sadness in them, nor anger.

"I am going into my own room," said Father Ignatius, who began to feel cold and terror.

He passed through the drawing-room, where everything appeared neat and in order, as usual, and where, attired in white covers, stood tall chairs, like corpses in their shrouds. Over one window hung an empty wire cage, with the door open.

"Nastasya!" shouted Father Ignatius, and his voice seemed to him coarse, and he felt ill at ease because he raised his voice so high in these silent rooms, so soon after his daughter's funeral. "Nastasya!" he called out in a lower tone of voice, "where is the canary?"

"She flew away, to be sure."

"Why did you let it out?"

Nastasya began to weep, and wiping her face with the edges of her calico headkerchief, said through her tears:

"It was my young mistress's soul. Was it right to hold it?"

And it seemed to Father Ignatius that the yellow, happy little canary, always singing with inclined head, was really the soul of Vera, and if it had not flown away it wouldn't have been possible to say that Vera had died. He became even more incensed at the maid-servant, and shouted:

"Off with you!"

And when Nastasya did not find the door at once he added:

"Fool!"

II

From the day of the funeral silence reigned in the little house. It was not stillness, for stillness is merely the absence of sounds; it was silence, because it seemed that they who were silent could say something but would not. So thought Father Ignatius each time he entered his wife's chamber and met that obstinate gaze, so heavy in its aspect that it seemed to transform the very air into lead, which bore down one's head and spine. So thought he, examining his daughter's music sheets, which bore imprints of her voice, as well as her books and her portrait, which she brought with her from St. Petersburg. Father Ignatius was accustomed to scrutinise the portrait in established order: First, he would gaze on the cheek upon which a strong light was thrown by the painter; in his fancy he would see upon it a slight wound, which he had noticed on Vera's cheek in death, and the source of which he could not understand. Each time he would meditate upon causes; he reasoned that if it was made by the train the entire head would have been crushed, whereas the head of Vera remained wholly untouched. It was possible that someone did it with his foot when the corpse was removed, or accidentally with a finger nail.

To contemplate at length upon the details of Vera's death taxed the strength of Father Ignatius, so that he would pass on to the eyes. These were dark, handsome, with long lashes, which cast deep shadows beneath, causing the whites to seem particularly luminous, both eyes appearing to be inclosed in black, mourning frames. A strange expression was given them by the unknown but talented artist; it seemed as if in the space between the eyes and the object upon which they gazed there lay a thin, transparent film. It resembled somewhat the effect obtained by an imperceptible layer of dust on the black top of a piano, softening the shine of polished wood. And no matter how Father Ignatius placed the portrait, the eyes insistently followed him, but there was no speech in them, only silence; and this silence was so clear that it seemed it could be heard. And gradually Father Ignatius began to think that he heard silence.

Every morning after breakfast Father Ignatius would enter the drawing-room, throw a rapid glance at the empty cage and the other familiar objects, and seating himself in the armchair would close his eyes and listen to the silence of the house. There was something grotesque about this. The cage kept silence, stilly and tenderly, and in this silence were felt sorrow and tears, and distant dead laughter. The silence of his wife, softened by the walls, continued insistent, heavy as lead, and terrible, so terrible that on the hottest day Father Ignatius would be seized by cold shivers. Continuous and cold as the grave, and mysterious as death, was the silence of his daughter. The silence itself seemed to share this suffering and struggled, as it were, with the terrible desire to pass into speech; however, something strong and cumbersome, as a machine, held it motionless and stretched it out as a wire. And somewhere at the distant end, the wire would begin to agitate and resound subduedly, feebly, and plaintively. With joy, yet with terror, Father Ignatius would seize upon this engendered sound, and resting with his arms upon the arms of the chair, would lean his head forward, awaiting the sound to reach him. But the sound would break and pass into silence.

"How stupid!" muttered Father Ignatius, angrily, arising from the chair, still erect and tall. Through the window he saw, suffused with sunlight, the street, which was paved with round, even-sized stones, and directly across, the stone wall of a long, windowless shed. On the corner stood a cab-driver, resembling a clay statue, and it was difficult to understand why he stood there, when for hours there was not a single passer-by.

III

Father Ignatius had occasion for considerable speech outside his house. There was talking to be done with the clergy, with the members of his flock, while officiating at ceremonies, sometimes with acquaintances at social evenings; yet, upon his return he would feel invariably that the entire day he had been silent. This was due to the fact that with none of those people he could talk upon that matter which concerned him most, and upon which he would contemplate each night: Why did Vera die?

Father Ignatius did not seem to understand that now this could not be known, and still thought it was possible to know. Each night—all his nights had become sleepless—he would picture that minute when he and his wife, in dead midnight, stood near Vera's bed, and he entreated her: "Tell us!" And when in his recollection, he would reach these words, the rest appeared to him not as it was in reality. His closed eyes, preserving in their darkness a live and undimmed picture of that night, saw how Vera raised herself in her bed, smiled and tried to say something. And what was that she tried to say? That unuttered word of Vera's, which should have solved all, seemed so near, that if one only had bent his ear and suppressed the beats of his heart, one could have heard it, and at the same time it was so infinitely, so hopelessly distant. Father Ignatius would arise from his bed, stretch forth his joined hands and, wringing them, would exclaim:

"Vera!"

And he would be answered by silence.

One evening Father Ignatius entered the chamber of Olga Stepanovna, whom he had not come to see for a week, seated himself at her head, and turning away from that insistent, heavy gaze, said:

"Mother! I wish to talk to you about Vera. Do you hear?"

Her eyes were silent, and Father Ignatius raising his voice, spoke sternly and powerfully, as he was accustomed to speak with penitents:

"I am aware that you are under the impression that I have been the cause of Vera's death. Reflect, however, did I love her less than you loved her? You reason absurdly. I have been stern; did that prevent her from doing as she wished? I have forfeited the dignity of a father, I humbly bent my neck, when she defied my malediction and departed hence. And you—did you not entreat her to remain, until I commanded you to be silent. Did I beget cruelty in her? Did I not teach her about God, about humility, about love?"

Father Ignatius quickly glanced into the eyes of his wife, and turned away.

"What was there for me to do when she did not wish to reveal her sorrow? Did I not command her? Did I not entreat her? I suppose, in your opinion, I should have dropped on my knees before the maid, and cried like an old woman! How should I know what was going on in her head! Cruel, heartless daughter!"

Father Ignatius hit his knees with his fist.

"There was no love in her—that's what! As far as I'm concerned, that's settled, of course—I'm a tyrant! Perhaps she loved you—you, who wept and humbled yourself?"

Father Ignatius gave a hollow laugh.

"There's love for you! And as a solace for you, what a death she chose! A cruel, ignominious death. She died in the dust, in the dirt—as a d-dog who is kicked in the jaw."

The voice of Father Ignatius sounded low and hoarse:

"I feel ashamed! Ashamed to go out in the street! Ashamed before the altar! Ashamed before God! Cruel, undeserving daughter! Accurst in thy grave!"

When Father Ignatius glanced at his wife she was unconscious, and revived only after several hours. When she regained consciousness her eyes were silent, and it was impossible to tell whether or not she remembered what Father Ignatius had said.

That very night—it was a moonlit, calm, warm and deathly-still night in May—Father Ignatius, proceeding on his tip-toes, so as not to be overheard by his wife and the sick-nurse, climbed up the stairs and entered Vera's room. The window in the attic had remained closed since the death of Verar and the atmosphere was dry and warm, with a light odour of burning that comes from heat generated during the day in the iron roof. The air of lifelessness and abandonment permeated the apartment, which for a long time had remained unvisited, and where the timber of the walls, the furniture, and other objects gave forth a slight odour of continued putrescence. A bright streak of moonlight fell on the window-sill, and on the floor, and, reflected by the white, carefully washed boards, cast a dim light into the room's corners, while the white, clean bed, with two pillows, one large and one small, seemed phantom-like and aerial. Father Ignatius opened the window, causing to pour into the room a considerable current of fresh air, smelling of dust, of the nearby river, and the blooming linden. An indistinct sound as of voices in chorus also entered occasionally; evidently young people rowed and sang.

Quietly treading with naked feet, resembling a white phanton, Father Ignatius made his way to the vacant bed, bent his knees and fell face down on the pillows, embracing them—on that spot where should have been Vera's face. Long he lay thus; the song grew louder, then died out; but he still lay there, while his long, black hair spread over his shoulders and the bed.

The moon had changed its position, and the room grew darker, when Father Ignatius raised his head and murmured, putting into his voice the entire strength of his long-suppressed and unconscious love and hearkening to his own words, as if it were not he who was listening, but Vera.

"Vera, daughter mine! Do you understand what you are to me, daughter? Little daughter! My heart, my blood, and my life. Your father—your old father—is already grey, and also feeble."

The shoulders of Father Ignatius shook and the entire burdened figure became agitated. Suppressing his agitation, Father Ignatius murmured tenderly, as to an infant:

"Your old father entreats you. No, little Vera, he supplicates. He weeps. He never has wept before. Your sorrow, little child, your sufferings—they are also mine. Greater than mine."

Father Ignatius shook his head.

"Greater, Verochka. What is death to an old man like me? But you—if you only knew how delicate and weak and timid you are! Do you recall how you bruised your finger once and the blood trickled and you cried a little? My child! I know that you love me, love me intensely. Every morning you kiss my hand. Tell me, do tell me, what grief troubles your little head, and I—with these hands—shall smother your grief. They are still strong, Vera, these hands."

The hair of Father Ignatius shook.

"Tell me!"

Father Ignatius fixed his eyes on the wall, and wrung his hands.

"Tell me!"

Stillness prevailed in the room, and from afar was heard the prolonged and broken whistle of a locomotive.

Father Ignatius, gazing out of his dilated eyes, as if there had arisen suddenly before him the frightful phantom of the mutilated corpse, slowly raised himself from his knees, and with a credulous motion reached for his head with his hand, with spread and tensely stiffened fingers. Making a step toward the door, Father Ignatius whispered brokenly:

"Tell me!"

And he was answered by silence.

IV

The next day, after an early and lonely dinner, Father Ignatius went to the graveyard, the first time since his daughter's death. It was warm, deserted and still; it seemed more like an illumined night. Following habit, Father Ignatius, with effort, straightened his spine, looked severely about him, and thought that he was the same as formerly; he was conscious neither of the new, terrible weakness in his legs, nor that his long beard had become entirely white as if a hard frost had hit it. The road to the graveyard led through a long, direct street, slightly on an upward incline, and at its termination loomed the arch of the graveyard gate, resembling a dark, perpetually open mouth, edged with glistening teeth.

Vera's grave was situated in the depth of the grounds, where the sandy little pathways terminated, and Father Ignatius, for a considerable time, was obliged to blunder along the narrow footpaths, which led in a broken line between green mounds, by all forgotten and abandoned. Here and there appeared, green with age, sloping tombstones, broken railings, and large, heavy stones planted in the ground, and seemingly crushing it with some cruel, ancient spite. Near one such stone was the grave of Vera. It was covered with fresh turf, turned yellow; around, however, all was in bloom. Ash embraced maple tree; and the widely spread hazel bush stretched out over the grave its bending branches with their downy, shaggy foliage. Sitting down on a neighbouring grave and catching his breath, Father Ignatius looked around him, throwing a glance upon the cloudless, desert sky, where in complete immovability hung the glowing sun disk—and here he only felt that deep, incomparable stillness which reigns in graveyards, when the wind is absent and the slumbering foliage has ceased its rustling. And anew the thought came to Father Ignatius that this was not a stillness but a silence. It extended to the very brick walls of the graveyard, crept over them and occupied the city. And it terminated only—in those grey, obstinate and reluctantly silent eyes.

Father Ignatius' shoulders shivered, and he lowered his eyes upon the grave of Vera. He gazed long upon the little tufts of grass uprooted together with the earth from some open, wind-swept field and not successful in adapting themselves to a strange soil; he could not imagine that there, under this grass, only a few feet from him, lay Vera. And this nearness seemed incomprehensible and brought confusion into the soul and a strange agitation. She, of whom Father Ignatius was accustomed to think of as one passed away forever into the dark depths of eternity, was here, close by—and it was hard to understand that she, nevertheless, was no more and never again would be. And in the mind's fancy of Father Ignatius it seemed that if he could only utter some word, which was almost upon his lips, or if he could make some sort of movement, Vera would issue forth from her grave and arise to the same height and beauty that was once hers. And not alone would she arise, but all corpses, intensely sensitive in their solemnly-cold silence.

Father Ignatius removed his wide-brimmed black hat, smoothed down his disarranged hair, and whispered:

"Vera!"

Father Ignatius felt ill at ease, fearing to be overheard by a stranger, and stepping on the grave he gazed around him. No one was present, and this time he repeated loudly:

"Vera!"

It was the voice of an aged man, sharp and demanding, and it was strange that a so powerfully expressed desire should remain without answer.

"Vera!"

Loudly and insistently the voice called, and when it relapsed into silence, it seemed for a moment that somewhere from underneath came an incoherent answer. And Father Ignatius, clearing his ear of his long hair, pressed it to the rough, prickly turf.

"Vera, tell me!"

With terror, Father Ignatius felt pouring into his ear something cold as of the grave, which froze his marrow; Vera seemed to be speaking—speaking, however, with the same unbroken silence. This feeling became more racking and terrible, and when Father Ignatius forced himself finally to tear away his head, his face was pale as that of a corpse, and he fancied that the entire atmosphere trembled and palpitated from a resounding silence, and that this terrible sea was being swept by a wild hurricane. The silence strangled him; with icy waves it rolled through his head and agitated the hair; it smote against his breast, which groaned under the blows. Trembling from head to foot, casting around him sharp and sudden glances, Father Ignatius slowly raised himself and with a prolonged and torturous effort attempted to straighten his spine and to give proud dignity to his trembling body. He succeeded in this. With measured protractiveness, Father Ignatius shook the dirt from his knees, put on his hat, made the sign of the cross three times over the grave, and walked away with an even and firm gait, not recognising, however, the familiar burial ground and losing his way.

"Well, here I've gone astray!" smiled Father Ignatius, halting at the branching of the footpaths.

He stood there for a moment, and, unreflecting turned to the left, because it was impossible to stand and wait. The silence drove him on. It arose from the green graves; it was the breath issuing from the grey, melancholy crosses; in thin, stifling currents it came from all pores of the earth, satiated with the dead. Father Ignatius increased his stride. Dizzy, he circled the same paths, jumped over graves, stumbled across railings, clutching with his hands the prickly, metallic garlands, and tearing the soft material of his dress into tatters. His sole thought was to escape. He fled from one place to another, and finally broke into a dead run, seeming very tall and unusual in the flowing cassock, with his hair streaming in the wind. A corpse arisen from the grave could not have frightened a passer-by more than this wild figure of a man, running and leaping, and waving his arms, his face distorted and insane, and the open mouth breathing with a dull, hoarse sound. With one long leap, Father Ignatius landed on a little street, at one end of which appeared the small church attached to the graveyard. At the entrance, on a low bench, dozed an old man, seemingly a distant pilgrim, and near him, assailing each other, were two quarrelling old beggar women, filling the air with their oaths.

When Father Ignatius reached his home, it was already dusk, and there was light in Olga Stepanovna's chamber. Not undressing and without removing his hat, dusty and tattered, Father Ignatius approached his wife and fell on his knees. "Mother ... Olga ... have pity on me!" he wept. "I shall go mad."

He dashed his head against the edge of the table and he wept with anguish, as one who was weeping for the first time. Then he raised his head, confident that a miracle would come to pass, that his wife would speak and would pity him.

"My love!"

With his entire big body he drew himself toward his wife—and met the gaze of those grey eyes. There was neither compassion in them, nor anger. It was possible his wife had forgiven him, but in her eyes there was neither pity, nor anger. They were dumb and silent.

* * * * * * *

And silent was the entire dark, deserted house.

END

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Table of Contents

- ADVENTURES WITHIN WALLS
- I THE SIRE DE MALÉTROIT'S DOOR*
- II A DOUBLE-DYED DECEIVER

- III THE BOLD DRAGOON OR THE ADVENTURE OF MY GRANDFATHER

- IV THE BET*
- V LA GRANDE BRETÈCHE*
- VI THE MASQUE OF THE RED DEATH
- VII DR. MANETTE'S MANUSCRIPT
- VIII SILENCE*
- THE FULL PROJECT GUTENBERG LICENSE