Arabi and his household
Date: 2024-08-13T00:00:00+00:00
Keywords: Egypt -- History -- British occupation; 1882-1936; Egypt -- History -- Tawfīq; 1879-1892; Urabi; Ahmad; 1840 or 1841-1911

The Project Gutenberg eBook of Arabi and his household

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Arabi and his household

Author: Lady Gregory

Release date: August 13, 2024 [eBook #74246]

Language: English

Original publication: London: Kegan Paul, Trench & Co, 1882

Credits: Jamie Brydone-Jack, Chris Hapka and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.)

*** START OF THE PROJECT GUTENBERG EBOOK ARABI AND HIS HOUSEHOLD ***

ARABI
AND
HIS HOUSEHOLD

BY

LADY GREGORY

LONDON

KEGAN PAUL, TRENCH, & CO., 1 PATERNOSTER SQUARE

1882

Price Twopence

ARABI AND HIS HOUSEHOLD.

‘Report me and my cause aright to the unsatisfied.’ I wrote these last words of Hamlet on a photograph of Arabi which a friend asked me for at Cairo. But that friend had personal reason for supporting the rule of the English officials in Egypt, and had also doubt as to the possibility of a constitutional government succeeding in a country which could not boast a House of Peers. Other Englishmen have said to me, since I have come home: ‘Arabi is a good man, and his aims are honest. I know it and you know it, but we dare not say it. A lady may say what she likes, but a man is called unpatriotic who ventures to say a word that is good of the man England is determined to crush; it may injure us if we speak as we think.’ But I, like Master Shadow, present no mark to the enemy. I have spoken what I knew to be the truth all through the war, and I wrote down these recollections of Arabi and his family, which I knew must make him appear less of an ogre than he was generally supposed to be some time ago, though not intending them for immediate publication. But now news has reached me from Cairo that Arabi’s wife has had to find a refuge with a high-minded princess, who has always been known as one who loved Egypt, and that that princess is consequently in danger of arrest; that Arabi’s mother is hidden in a poor quarter of the town, afraid to face the vengeance of his enemies now in power; and it is hoping to interest Englishmen in this family—simple, honest, hospitable, as I found them, and who are now poor, hunted, in danger—that I publish them now.

In appearance Arabi is a tall, strongly-built man; his face is grave, almost stern, but his smile is very pleasant. His photographs reproduce the sternness, but not the smile, and are, I believe, partly responsible for the ready belief which the absurd tales of his ferocity and bloodthirstiness have gained. He always wears the blue Egyptian uniform, the red tarboosh pushed back on his head, and the sword, whose imaginary feats rival those of Excalibur, by his side. ‘I make no more jokes,’ said M. de Blignières, the sharp-tongued Controller, after Arabi had been made Minister of War; ‘Arabi comes to the Council with his big sword on, and I think it better to be silent.’ ‘Arabi drew his sword, threatened the Notables, and told Sultan Pasha he would make his children fatherless and his wife a widow,’ was the story sent to England when the Chamber demanded the right of voting the Budget. It was hardly necessary for the old and childless Sultan Pasha to deny this story altogether when brought to his ears. ‘Arabi flourished his sword and broke several windows,’ cries the hysterical correspondent of an English newspaper later on.

As a matter of fact, I believe him to be exceedingly gentle and humane. An English official, one of the fairest of his class, said to me: ‘He has too much of the gentleness of the fellah, and too little of the brute in him to succeed. If he would take lessons in brutality at 100 francs a week, he would have a much better chance of getting on.’ He was for months the almost absolute ruler of Egypt, and even from his enemies comes no story of cruelty or oppression, except that of the torture of the Circassian officers; and having searched the Blue-book laid before Parliament for proof of this, I can only find a despatch from our Minister saying a European gentleman has told him that two natives had told him that they had heard cries proceeding from the prison where the Circassians were confined, from which is inferred that they were being tortured.

I do not understand Arabic, the only language spoken by Arabi, so could not judge of his eloquence. It is said to be striking, and his words well chosen. His intimate knowledge of the Koran and all the literature of his religion, including our own Old Testament books, will account for this, just as a life-long study of the English Bible is said to lend force and vigour to the language of one of our own great orators. He speaks very earnestly, looking you straight in the face with honest eyes. I have an entire belief in his truthfulness; partly from his manner; partly because from everyone, without exception, who had known him long or watched his career—some of them members of the Viceregal family—I heard on this point the same report—‘He is incapable of speaking untruth’; partly because it was many months ago—it was in November—that my husband first saw and spoke with him, and to every word he said then he has adhered ever since. The abhorrence of Ismail which he then expressed has been proved to be real, though long disbelieved, by the refusal to allow his emissaries to land at Alexandria in April, and the proposal to cut his name out of the Civil List when he was found to be spending his money in intrigues in Egypt. And his sentiments towards the Sultan seem to be the same now as when he said: ‘We honour him as Caliph and as suzerain; we belong to him; his dominion is a great house, and Egypt is one of the rooms in that house; we acknowledge him as our lord, but we like to have our room to ourselves.’ ‘You may believe every word spoken by him,’ said a Princess of the family of Mehemet Ali, ‘because he is a man who fears God.’ I believe it is the implicit faith in his honesty and truth which prevails that accounts for much of his immense influence, which undoubtedly exists. At Luxor, in January, we noticed the eager interest taken by the people in hearing of him; and European gentlemen, living as overseers on estates still higher up, told us that his was the name continually on men’s lips. I have been told that when Sir Rivers Wilson first went to Egypt, and found the people groaning under the tyranny of Ismail, his name took possession of the people in the same way, and whenever a man suffered an injustice or a wrong, he said: ‘The Wilson will be sure to set it right.’ But later on the Control did not inspire enthusiasm, and Arabi became the centre of the people’s desire. Of his childhood I know nothing, except that his old mother told me he was ‘always a good son.’ The first noteworthy action of his I can hear of was in the days of Said Pasha. Said devoted himself to his army, its drill and discipline. At one time he took it into his head that keeping the Fast of Ramadan was injurious to the troops, and he issued an order that the fast was not to be observed. After a few days he was told that some of the soldiers were neglecting his orders. Indignant at their disobedience, he himself went out, and, walking along the ranks, asked each man, ‘Do you fast?’ ‘Do you?’ A few confessed with fear and trembling—many denied. At last a young soldier stepped forward and said very respectfully, ‘Oh, Effendina! I have read in the Commandment of God, given in the Koran, that we must fast. If I neglect the commands of my God, how shall I be faithful to those of an earthly ruler?’ ‘What is your name?’ ‘Ahmed Arabi.’ ‘Take him from my sight!’ No one expected ever to see him again, but next day he was not only sent back to his regiment, but with the increased rank of corporal. This is the man of whom we read in the despatches of last winter that the motive power of all his actions is cowardice.

I next hear of him in the disastrous Abyssinian War. His duty was to arrange for the transport of provisions and baggage—not much glory or fame to be gathered there, though no fault was found with his efficiency or discipline. But even then, I have been told by a European officer who went through the campaign, his influence was growing. Each night, when the day’s work was done, it was round him that the soldiers gathered, and he preached, or spoke, or recited the Koran to them.

It was in February, last year, that the Egyptian authorities, having no ground of accusation against Arabi, but distrusting him as ‘a man with ideas,’ tried to put him out of the way quietly, but failed. He had a short time before, in conjunction with two other colonels, Abdullal, of the Black Regiment, and Ali Fehmy, presented a petition asking for an inquiry into the grievances of the army, which was accepted. In February, these three colonels received a summons from the Khedive to come to the Abdin Palace to receive orders for the arrangement of a procession which was to be formed next day on the occasion of the marriage of one of the Princesses. Their suspicions were aroused, and before going to the Palace they left a message with their regiments—‘If we are not back at sunset, come for us.’ As soon as they arrived at the Palace they were seized, thrown into a room, their swords taken from them, and the doors locked. Whether their friends would ever have seen them again is a matter for speculation; all Cairo to this day says ‘No’; but at sunset the soldiers arrived, demanding their officers, and then it was too late to do anything but throw the doors open as quickly as might be and let the prisoners out. Those who saw the release say that the two other colonels seemed in a great hurry to be safe in their barracks again, but Arabi walked slowly out, calm and unmoved as usual, Those who take the trouble may read this story, plainly told in the Blue-books published in June. Why is it that one hears so often of Arabi’s mutiny, but never of the first act in the piece which led to it?

I am not writing a history of Arabi, and need not go into the details of the September demonstration, when the soldiers who had learnt their way to the Palace to release the colonels appeared there again with a demand for a Constitution, which was promised them. In December the Khedive made him Under-Secretary of War, whether with the idea of strengthening the Government, or that Arabi’s popularity would be lessened by his acceptance of office, I cannot tell.

In the Government of Mahmoud Samy, which came into office on the 3rd of February, he became Minister of War. His popularity was then at its height in Cairo. Many European officials paying the necessary formal visits to the new Ministers met him for the first time, and one and all came away with a more favourable impression of him than they had before. Men who a month earlier had spoken of him as beneath contempt now boasted of a few civil words from him. At the American public dinner, at which he was a guest and made a short speech in Arabic, those who were present, unable to judge of his eloquence, could talk of nothing but the charm of his smile.

It was just at this time that the Sacred Carpet was brought back from Mecca. It is a time of great rejoicing among the people, and all Cairo went out to meet it. When Arabi appeared in the procession the enthusiasm of the people knew no bounds. They threw themselves upon him, kissed his hands, his knees, his feet, tore his gloves into fragments to keep in memory of him. The soldiers tried in vain to beat them back, but he stopped them, and, lifting his hand, said quietly, ‘Go back, my children,’ and in an instant was obeyed. The Khedive’s wife was looking on from a window ill-pleased. ‘See,’ she said, ‘how this man is stealing the hearts of the people.’ Her own husband had passed, receiving but little notice, just before.

I had already seen and spoken with Arabi, but it was not until the end of February that I went, with Lady Anne Blunt, to see his wife. They had moved some little time before to a new house, large and dilapidated looking, and which Arabi was represented as having fitted up in a luxurious style; in fact, at that time the crime most frequently alleged against him was that he had bought carpets to the amount of £120. I must confess that there were some pieces of new and not beautiful European carpets in the chief rooms, but I must add that if Arabi paid £120 for them he made a very bad bargain. I do not know how he has spent his official salary, but I have heard very lately, from one who has taken the trouble to investigate the truth of the stories of his avarice, that he has the same small amount of money to his credit now that he had before he was either Pasha or Minister, and that the foundation of the story of his having become a large landed proprietor is his having become trustee for the orphan child of an old friend of his who had been kind to him.

The sole furniture of the reception room of Arabi’s wife consisted of small hard divans covered with brown linen and a tiny table with a crochet antimacassar thrown over it. On the whitewashed walls the only ornaments were photographs of him in black wooden frames, and one larger photograph of the Sacred Stone at Mecca. In the room where Arabi himself sat and received were a similar hard divan, two or three chairs, a table, and an inkstand covered with stains. His wife was ready to receive us, having heard an hour or two earlier of our intended visit. She greeted us warmly, speaking in Arabic, which Lady Anne interpreted to me. She has a pleasant, intelligent expression; but, having five children living out of fourteen that have been born to her, looked rather overcome with the cares of maternity, her beauty dimmed since the time when the tall, grave soldier she had seen passing under her window every day looked up at last, and saw and loved her. She wore a long dress of green silk. ‘My husband hates this long train,’ she told us afterwards; ‘he would like to take a knife and cut it off, but I say I must have a fashionable dress to wear when I visit the Khedive’s wife and other ladies.’ I think there are English husbands who, in this grievance at least, will sympathise with Arabi.

An old woman with white hair, dressed in the common country fashion—a woollen petticoat and blue cotton jacket—came into the room and occupied herself with the children. Presently we found that she was Arabi’s mother. She spoke with great energy and vivacity, welcoming us and talking of her son with much affection and pride. ‘I am only a fellah woman,’ she said, ‘but I am the mother of Ahmed Arabi.’ She took me twice into another room to see an oleograph, of which she was very proud, representing him in staring colours. After a short time, a negro boy, the only visible attendant, brought in a tray, and we were invited to sit down and eat. The meal began with boiled chicken and broth, which were followed by forcemeat balls, rice, vegetables, sweet pastry, and other native dishes in abundance, though our hostess lamented the short notice she had been given of our visit. If she had known in time she would have had a cow killed. Two little girls, her daughters, waited on us, and brought water to wash our hands. She, herself, kept up an animated conversation, and gave us a vivid account of the imprisonment of the three colonels and their rescue. When they were in prison the others were frightened, but Arabi was not. He said: ‘It is not the will of God that we should perish.’ ‘When I heard what had happened, though I was almost too ill to leave the house, I hired a carriage and drove up towards the palace to ask for news of them, but could hear nothing, and soon I had to come back, and that evening my baby was born. At the moment of her birth came the news that my husband had been released by the soldiers, so I called her “Bushra”’ (good tidings). She was brought in for us to see, a tiny, thin, black-eyed creature, clinging to her grandmother. She is her father’s favourite, they said—she and Saida, the eldest girl, who was with him when he was quartered at Alexandria, and Hassan, a bright-eyed little imp of four years. We had paid a long visit, and got away after many leave-takings and hopes for their wellbeing as well as that of ‘El Bey.’ ‘Inshallah,’ his wife answered rather sadly. ‘They say the Christian Powers want to do something to my husband. I don’t understand it at all. We can’t get on without the Christians, or they without us. Why can’t we all live in peace together?’

In November I had been taken to see Madame Sherif Pasha, a voluble lady, full of importance, and telling us between the puffs of her cigarette how she had had a visit from Arabi’s wife, and had spoken severely to her, and told her to go home and make her husband behave better and keep him from these bêtises, and the poor woman had cried and promised to do her best. Now, in February, Madame Sherif had retired to obscurity, and Madame Arabi was wife of the Minister of War.

Sherif himself I did not know, but those who knew him found him a pleasant companion, a plausible speaker, and a crack billiard-player. Arabi, terribly in earnest about some important question, calling at his house and finding him engrossed in a game of billiards, would retire in disgust. A clear-sighted foreign Consul said of him: ‘Sherif is full of good intentions, but he has never any intention of carrying them out.’ The most able of our English officials said of him, ‘He is honest in intention, hazy in his ideas, indolent in action; but, as partisanship for his Ministry seems to be one of the chief causes that has led us into war, let us say the best of him now.’

Towards the end of March, before we left Cairo, Arabi came to say good-bye to us. A little worried and troubled by false accusations made against him in English newspapers, he was still confident that some day his character would be cleared. ‘They must know some day that it is the good of the people that we seek.’ A little time before their work was judged, that was all he asked. This has been denied him, and those who thought it well to ‘bring things to a crisis and hasten intervention’ by raising a quarrel between him and the Khedive have done their work. I spoke of my visit to his house, and he said: ‘Our women have not been in the habit of receiving the visits of the ladies of Europe, so if in any way they failed in the courtesy and attention due to a guest, I hope you will understand it was not from want of goodwill, but from want of knowledge.’ I showed him a picture of my little boy; he raised it to his lips and kissed it, hoping he would some day come to Egypt to be the friend of his children. Perhaps I have not been a fair judge in his cause since then.

A day or two before we left I went again to see his wife. She looked a little sadder, a little more anxious, than when I had last seen her, but was on hospitable cares intent, and soon went out of the room to see to the preparation of dinner. I had an Italian lady with me as interpreter, who spoke French and Arabic very well. They had expected me this time, and made more preparations, and when the meal was ready and I saw dish after dish coming in, I was in despair until I found that one of the children, my little bright-eyed friend Hassan, was quite ready to sit by me, and be fed from my plate, and so I disposed of my share to his great satisfaction. ‘I like this better than having to wait downstairs till dinner is over,’ he said; ‘then they forget me and eat up all the good things.’ By the time dessert arrived he said he liked me but hated other ladies, and would like to come and see me in England, but did not know how he could manage it, as his papa wanted the carriage every day. I advised him to learn English, and his mother said she would like to send him to one of the Christian schools in Cairo, ‘But how can I send him where he would hear his father spoken ill of?’ She seemed troubled, poor woman, because the Khedive’s wife, who used to be good and kind to her, now says: ‘How can we be friends when your husband is such a bad man?’ The old mother sat in the corner attending to the children and counting over her beads. I said, ‘Are you not proud now your son is a Pasha?’ ‘No,’ she said, ‘we were happier in the old days when we had him with us always and feared nothing. Now he gets up at daybreak and has only time to say his prayers before there are people waiting for him with petitions, and he has to attend to them and then go to his business, and often he is not back here until after midnight, and until he comes I cannot sleep, I cannot rest; I can do nothing but pray for him all the time. There are many who wish him evil and they will try to destroy him. A few days ago he came home suffering great pain, and I was sure then he had been poisoned; but I got him a hot bath and remedies and he grew better, and since then I keep even the water that he drinks locked up. But, say all I can, I cannot frighten him or make him take care of himself; he always says, “God will preserve me.”’

‘God will preserve me!’ ‘It is not the will of God that we should perish.’ The words of a man who believes God has given him work to do and will support him while he does it—not the words of a coward. But those who wrote the published despatches say that cowardice is the mainspring of his character, and surely they know better than his old mother!

‘The Khedive is unjust to him,’ she went on; ‘he will give him no help or support, and yet if anything goes wrong, or there is a disturbance ever so far away, Arabi is blamed for it.’ She had a grievance against her son also. He had been already working hard towards the abolition of slavery, and I found that in this matter his foes were they of his own household. ‘He ought not to do it,’ the old woman said; ‘he does not see the consequences as I do. All the slaves will leave as soon as they are freed, and European women will take their places, and they will seduce their masters, and their children will be stronger than ours, and we shall be driven out of the country.’ Poor old soul! she must have had sore and anxious days since then. I often think of her, and of the poor wife, puzzled and troubled, ‘Why should the Christian Powers want to harm my husband?’

Spottiswoode & Co., Printers, New-street Square, London.

Transcriber’s Notes

Itemized changes from the original text:

- p. 10: Removed comma after “wife” (…his wife answered…)

*** END OF THE PROJECT GUTENBERG EBOOK ARABI AND HIS HOUSEHOLD ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- ARABI AND HIS HOUSEHOLD

- THE FULL PROJECT GUTENBERG LICENSE