The Project Gutenberg eBook of Angel Children, by Charlotte M. Higgins

Entered according to Act of Congress, in the year 1854, by
PHILLIPS, SAMPSON & CO.,
In the Clerk's Office of the District Court of the District of Massachusetts.

Stereotyped by
HOBART & ROBBINS,
New England Type and Stereotype Foundery
BOSTON.

CONTENTS.

VACATION STORY BOOKS.

WORTH NOT WEALTH.
COUNTRY LIFE.
THE CHARM.
KARL KEIGLER.
WALTER SEYTON.
HOLIDAYS AT CHESTNUT HILL.

ROSY DIAMOND STORY BOOKS.

THE GREAT ROSY DIAMOND.
DAISY; or, The Fairy Spectacles.
VIOLET: A Fairy Story.
MINNIE; or, The Little Woman.
THE ANGEL CHILDREN.
LITTLE BLOSSOM'S REWARD.

These volumes are finely and profusely illustrated from designs by Hoppin and other eminent artists. They are elegantly bound, and neatly packed in ornamental boxes. As gifts for holidays and birthdays, where a uniform value and appearance is desired, they are excellent.

STORIES.

HEPSA AND GENEVIEVE.

Genevieve lived in a large, handsome house, which had beautiful gardens all about it. She had no brother or sister, but she had a large play-room, filled with the nicest toys, so that a good many children who came to play in it thought she must be perfectly happy; but Genevieve had often thought how willingly she would give the room and all its playthings for a little brother of her own, whom she might take out in the garden for a walk, and watch carefully, just as her mother watched her.

One day, while she was walking in the garden, thinking of the little brother she so much wanted, who she was sure would look like her dear mother, with her blue eyes, and golden curls, what should she hear but the noise of some one crying[Pg 6] outside the garden fence. Now, as she could not look through the fence,—for it was quite high and made of thick boards,—she ran quickly to the gate, and then round to the place where she had heard the crying. There she saw a little girl sitting upon the side-walk, with bare feet and legs, which were none of the whitest, wearing a dress of brown cloth with many tatters in it, and short black hair hanging over her face and head. Genevieve looked at her in amazement.

At this question the child stopped her crying, and pulling away her hair with both of her hands from her face, disclosed a pair of large black eyes, which, swollen with tears, regarded little Genevieve with sly, sleepy wonder.

It was not wonderful she should be astonished to behold so neat and pretty a child close by her side. Genevieve wore a blue frock and white apron, neat stockings and slippers, and pantalettes with broad ruffles. So she only gazed at Genevieve, without dreaming of answering her question.[Pg 7]

"Hepsa. Do you live in there?" and Hepsa nodded her head towards the fence. Genevieve replied that she did.

"Because Tom beat my black cat this morning and threw her into the pond, and she was everything I had." Hepsa burst into tears again, and little Genevieve's heart was so filled with compassion, that she sat down upon the dirty ground, at the side of the afflicted child, without ever thinking of the blue frock and clean pantalettes she was soiling.

"O, dear, dear!" she cried, shocked at Tom's cruelty. "How wicked he was! What made him do so,—your brother, too?" Genevieve thought in her heart that little brother, of whom she so often thought, never would have done such a thing.

"You needn't keep telling me he is my[Pg 8] brother! I'm sure I don't want him to be, and wish he wasn't. I don't love him a bit, he always plagues me so much."

"O, Hepsa, don't say so; pray don't!" cried Genevieve, shocked at Hepsa's passion. "If he is your brother, you ought to love him, you know."

"I don't know any such thing, I tell you! You may love him yourself if you want to; but I guess, when he kicks you, and beats you, and steals your things, and knocks your mud-houses down, you won't love him. I'd like to know why I've got to love him?" Hepsa demanded this of Genevieve in a very fierce manner.

"Because he is your brother I suppose, and because he ought to be good; and perhaps he plagues you because you don't love him," answered Genevieve, somewhat perplexed how she should answer the question, thinking in her own heart Hepsa had a very wicked brother. "At any rate," she continued, "God gave him to you; and I have read how he tells us all to love each other."

"I never did," replied Hepsa; "and if God[Pg 9] gave Tom to me, I wish he'd take him back, for I don't want him."

"Why, Hepsa; how wicked you are! You shall not talk so!" almost shrieked Genevieve. The tears came fast into her eyes, she was so grieved to hear Hepsa talk in that way.

"But I'm not wicked!" retorted Hepsa indignantly. "I don't know who God is. Why should I? He never comes to see me. I suppose he comes to see you, and is some great person; while I am poor and live in a mean house, and nobody comes to see me, of course." Hepsa looked away from Genevieve's blue frock, and seemed to be searching for something away down the street.

Genevieve could not sit still any longer, but, rising, she remonstrated with Hepsa in this manner:

"God is not a man, Hepsa; and he goes into poor houses as often as into rich ones."

"Ha! Don't you be telling me stories; why don't I see him ever, I'd like to know? Haven't I got eyes?"[Pg 10]

"I don't know," said Genevieve, doubtfully. "Father was reading this morning about people who had eyes, but could not see."

Hepsa looked at her a moment, and then nodded her head towards her, and said, speaking low as to a third person, "She's cracked a little, I think;" then, as she looked towards the fence, she remembered the garden which was behind it, and asked Genevieve for some flowers. But Genevieve only said "O, yes," and went on to say, "Of course you can't see God, Hepsa! He lives in the skies."

"And he made everything you see, Hepsa, and a great deal more beside," continued Genevieve.

"There, there!" said Hepsa, impatiently; "don't talk any more; it sounds odd." Genevieve looked at Hepsa, and the wild, petulant look of[Pg 11] her face grieved and shocked her so much, that she burst into tears.

"What is the matter?" said Hepsa. "I thought you were going to get me the flowers."

"And so I will," said Genevieve, wiping up her tears as well as she could; and she ran into the garden, and picked a large bunch of flowers. There were the sweet mignonette and heliotrope, the pink verbena, and the beautiful white scented verbena, the gay phlox, the pure candytuft, bits of lemon blossoms, and the faithful pansies. It was such a beautiful bunch as to melt poor Hepsa's heart to gratitude.

"I do think I should love to kiss you," she said to Genevieve, "if my face were not so dirty, and you look so clean."

"I don't care!" said Genevieve, and so she kissed Hepsa and said, "Hepsa, I wish you would never again talk so about God, for I love him very dearly, and so do my father and mother."

"No, indeed; I can't read at all!" exclaimed Hepsa, astonished at Genevieve's questions.

"O, away down that lane, the other side of the village! I work nearly all the time, some way or other."

"Yes;" and Hepsa looked as though she did not love him better than she loved Tom.

"May I teach you to read?" asked Genevieve, looking into Hepsa's eyes entreatingly. The child turned away her head as she answered,

"But," pursued Genevieve, "I'll come down to your house, and bring some books, and help[Pg 13] you tend the baby. O! don't you love the baby?"

"Yes it does, too; your big brother knew better than to kill your pretty pussy, and that is why it was so naughty in him to do it." This was a new kind of argument for Hepsa; but she thought over it a moment, and then told her little teacher she thought she might be right. "I almost wish you would come to teach me to read. I don't know but I might like it; and then it would be rather good to see you. Now, are you sure there is such a person as God?" said Hepsa, glancing at Genevieve from the corners of her eyes.

"Of course I am, Hepsa; who do you think made the sky and the ground, the trees and grass?"

"And the sun and the moon, and the stars," continued Genevieve, with a mysterious tone. Hepsa shook her head by way of saying no.[Pg 14]

"And all the fathers and mothers and children?" at which question Hepsa looked so perplexed.

"I asked mother once," she said, musingly, "who made all these things; but she told me I'd better be minding the cradle. I guess she didn't know; but I've always had spells of wondering about it."

"But I know it was; the Bible says so, and father and mother say so, too; beside, I feel it in my heart, when I see the sun and the flowers, and everything looks so pretty."

"Do you?" cried Hepsa, seeming to feel a new interest in her companion. "I wonder if you ever hear pretty voices in the trees when the wind blows, and in the night when it is warm, and you are looking up to the moon, and see the light that comes down through the holes in the sky, does something great seem to come close to you?"[Pg 15]

"Why, yes, Hepsa, ever so many times, and I think it is God. And when Katie leaves me to go to sleep, and it is all dark, I know God comes then, for I feel him all around, and the room seems so big—bigger than it ever did before, bigger than the garden, bigger than the fields, bigger than the sky. I can't tell you how big."

"It is rather odd," said Hepsa, trying to repeat the name; "but I want to know if you ever laid down on the ground when it rained, and listened."

"Well, it is real beautiful; in the grass, it sounds like bells—it sounds better where the grass is tall."

"I wish I could hear it," said Genevieve, sadly; "but my mother wouldn't like to have me lie on the ground when it rained."

"Why, Hepsa, I shouldn't want to if she wouldn't like it—I shouldn't want to at all."

So Hepsa told her where she lived, and Genevieve went into the house, and Hepsa went home, feeling very happy about the flowers, and thinking of the things her new friend had told her.

"She says I must love Tom, and that is so queer; but if the God who gave me Tom, is the One who comes so near to me sometimes, I'll try; and, perhaps, if I hadn't called Tom such names this morning, he wouldn't have killed my poor cat." So Genevieve's words had sunk into Hepsa's heart already.

Genevieve went to her mother, and told her what a strange little girl she had found that morning, and that she had promised to go and teach her to read, that she might know about God.

On the next day she took some of her books, and, with some of her prettiest playthings for a [Pg 17]present to Hepsa, she went in search of the house down the lane, on the other side of the village.

She found a gentler pupil than on the day before; and Hepsa's hair was laid smoothly upon her forehead, her face clean, and though there were some tatters in her dress, Genevieve did not much mind them.

The baby was in his cradle, fast asleep, and Genevieve went and knelt down by the side of it, and looked at it carefully, as though she was afraid of awaking it, and then whispered to Hepsa her admiration of the little hands, which lay cunningly upon the quilt, and said how much she wanted to kiss him; would he wake, she wondered, if she just kissed his cheek, and didn't make any noise? Hepsa told her no; so she kissed him; and then, after looking at him to see how sweetly he slept,—now frowning, and now smiling in his dreams,—she went away with Hepsa, and they talked a great while together, telling each other what the other didn't know. Genevieve was often shocked and grieved at Hepsa's undutiful remarks about her father, mother and brother; and when she felt they didn't love Hepsa, as her own dear father[Pg 18] and mother loved her, still she could not understand why Hepsa did not love them better. She was often a good deal perplexed to know what she should say to the strange child; but of one thing she felt always certain, that her new companion needed to have her heart cleansed and purified before she could be loved well. She felt a strong love for Hepsa, and longed to teach her more of God, and show her how to read, that she might teach herself.

Hepsa was amazed when her friend took out the playthings from the bag and gave them to her; no one had before shown her such kindness; and Genevieve thought in her heart she was just as happy giving those things to Hepsa, as when they were given to her.

Poor Hepsa had never been to school, and so she didn't even know the alphabet; but Genevieve sat down patiently to teach her, and found truly that much patience was necessary to accomplish the work she had undertaken. Hepsa would soon grow discouraged when she found so much to learn, and saw her little teacher reading so readily; and her mother would often scold when she saw Hepsa[Pg 19] with a book in her hand, declaring it was foolish nonsense; but, as time went on, and the first difficulties were overcome, and her mother began to find Hepsa growing very gentle, and Tom had less occasion to plague his sister, they all felt that the books Hepsa had studied, and the little girl who came so often to see her, were kind friends, and love began to bind them all together. Hepsa no longer wore torn clothes; Genevieve's mother had given her some neat dresses, and Genevieve had given her needles and thread, and taught her to sew, and now many a rent was carefully mended, and even Tom began to look neater than formerly. She was careful too to keep the room nicely, and one day was amply rewarded for this, when Tom came in before she had had time to do it, and complained of its being dirty. "Tom begins to like a clean room," she said to herself with joy, and received his few harsh words as though they had been those of love. The baby too was always clean, for she knew Genevieve always depended upon kissing him.

Hepsa's father was not a good man; he was unkind to his poor wife and children; so it was no[Pg 20] wonder Tom had gone on, following the example constantly placed before him; but he was a child yet, and when he saw how Hepsa began to love him, that she grieved without being angry when he was unkind to her, it could not but touch his heart. He was half ashamed, too, when she saved for him some of the good things Genevieve had brought her. At first, 't is true, he thought little about it, but when often, after he had been so ugly to her, she came just the same, and offered him half of her orange, or a part of her nuts, he began to feel that he was a naughty boy, and that Hepsa was better than she used to be.

It was very natural he should ask her the reason of this, and very natural, too, that she should answer in this way:

"Why, Tom, I have learned a great deal about God from Genevieve, and then she has taught me to read, and I have learned a great deal that way. Tom, where do you think Susan went when she died?"

Tom couldn't tell. Susan was an elder sister of theirs, whom they had loved very dearly, and who had died some two years before.[Pg 21]

"Well, Tom; there are angels who take all the children, as soon as they die, and show them wonderful things, and teach them, so they can go into a beautiful place called heaven, and live with God. Well, if you begin to be good here, and love people, you will go into that heaven sooner, when you die, than if you are naughty, and don't think about these things while you are here. I want to go there very much, and so I try to be good, though I don't always make out well." Tom looked thoughtful at his sister's words, and then said:

"I think that little Genevieve will go very fast, when she dies. But I don't think father will get there very soon, now I tell you!"

"O, but Tom," said Hepsa sadly, "we must not think who will not go, but how we may go."

"I wish I knew how to read," said Tom; "but I never can go to school, father makes me saw so much wood."

Then Hepsa asked him to let her teach him; and, after a good deal of hesitation, he told her he didn't care if she did.

Some time after this, Genevieve's father and[Pg 22] mother went away from that place, and she parted from Hepsa with many tears in her eyes, and much grief in her heart. "If I never see you again," she said, "don't forget we are both going into the gardens up there," and Hepsa always remembered.

Genevieve was a very quiet girl, but she was always ready to do something to please her dear mother, and at night brought her father's slippers from the closet, and placed them ready by his chair. She did, too, many little things for the servants, who all loved her very dearly; so when, a few years afterwards, she fell sick, and nothing they could do for her was able to make her any better, but the doctor said she must die, they all wept very much, and no comfort or joy could come into their hearts. But Genevieve gently kissed them, and told them a beautiful peace had come into her heart, for that, in the night, Christ often came to her, and told her how the angel was all ready to take her into his beautiful garden, and teach her out of his great golden books.

At last, one morning she died, and they laid her away in the garden near by the fountain; and[Pg 23] they planted the mignonette and myrtle, that, mingling with the moss, it might grow over her grave.

And her mother said in her heart, "Let her lie here, that, as often as I come hither, I may be reminded of the more beautiful gardens of God, to which she has flown. And when, in the cool night, the stars look down, the soft fragrance of the mignonette shall tell them of her loveliness, and the myrtle and the moss of the constant love twining together the souls of the mother and the daughter."

It was as Christ had said; the angel stood ready, and when Genevieve closed her eyes in death, he caught her in his arms, and placed her before the Great Gate, which led into the gardens around the kingdom of heaven. A great many men, women and children stood about it, waiting for it to be opened, when suddenly a very bright angel, brighter than any she had ever seen in her dreams, came among them, seated on glorious clouds.

Then one by one did the crowd go before him, telling him what things they had done on earth, in order to be admitted into the gardens, to be[Pg 24] prepared still more for the heavens. One said he had built a large college, given it a large sum of money, and called it by his name, that the world might see his works, and praise the Lord. Another told him how he had toiled in heathen lands, and dwelt among savages, that they might know and love God; another that he had prophesied; another that he had built a hospital for the poor, and had sheltered them from the cold winds; another still that he had delivered slaves from cruel masters, and brought them to the light of freedom. O, there cannot be counted all the men and women who came before the angel, and told of the things they had accomplished! And, as the words came upon Genevieve, her heart trembled for fear, and had it not been for the remembrance of those kind tones of Christ, poor Genevieve would have shrieked aloud.

What should she do? Rapidly she recalled every act of her life; but nowhere in it could she find one act worthy to be brought before the great bright angel. Alas! she had neither founded colleges nor hospitals; she had never toiled in heathen lands, nor prophesied, nor delivered slaves from[Pg 25] bondage. Alas! must she lose those gardens when still so near?

The angel's glance fell upon Genevieve, and she drooped down in fear; but what was her surprise when the angel came down from the cloud, and raising her up, said, in tones of loving cadence,

"Look, little one, thy work was accepted long ago!" and, looking as he bade her, she saw Hepsa at her side, to whom, so long ago, she had spoken of heaven, when she had found her a dirty, ignorant girl.

"You have worked well," said the angel tenderly. "Go now into the garden, and ere long I will come to put you into the Christ's arms."

So Hepsa and Genevieve together walked through the gates, and the angels who would be their teachers went with them; but I cannot tell you of the beauty and glory of those scenes. I only beg you too to work well, that the angel may speak as lovingly to you.[Pg 26]

THE GARDEN OF GOD;

OR,

THE BABY'S FIRST SMILE.

In a very lovely little cottage, around which grew sweet-briers and rose-trees, and up whose windows climbed honeysuckles and jessamines, lived a mother with her baby.

The mother was a young woman, with golden hair, kind blue eyes, and fair white skin. There was always a look of love in her eye, and in the gentle tones of her voice the most soothing tenderness. People said the baby looked like her; but he cried so much that his face was continually distorted, and so the resemblance was not of any use to him.

Now there was a great deal of discussion about the baby's looks, as to which he most resembled, his father or mother; some decided in favor of[Pg 27] his father, who was a tall man, with black hair, and black eyes, and large, sharp features. It was a difficult question to answer, inasmuch as the baby had yet but a very few hairs on his head, and his features were not easily distinguishable; and as each person's decision affected only his own opinion, there was a great deal of discussion and comparing of the poor baby's little face with those of his parents, and, through dint of being often shown them, the father and mother began to find the most remarkable resemblance to each other in their little child.

Well, one day he had been crying very hard, and his poor mother was nearly worn sick with trying to quiet him. She had walked all over the house, shown him everything on the tables, taken up books and shaken them before his eyes, carried him to the windows and cried "See there! see there!" with fresh tones of love and pity, without his seeming to be in the least edified by it all. She tossed him before the looking-glass; but he did not seem to be comforted by the glimpse of himself, done up in a blanket, which he caught; until, at last, after putting everything into every[Pg 28] place in which it didn't belong, and trying to make him look at things he didn't care to see, she resolutely put him in the cradle, rocked him with his head moving now on this and now on that side of the pillow, until he fell fast asleep.

He had no sooner closed his eyes to sleep than he left his baby's body in the cradle, and ran straight off to the gardens of God in heaven, towards that place where dwell the angel-children who are yet to go down and live upon the earth. As he came near the tall flowers, whose golden petals were spread, and in whose cups lay sweet dew, he clapped his hands with joy, and a bright smile lay on his lips, which before had been distorted with grief.

Not far from him there rose a bright fountain, which, falling, dashed its water gently down into a broad, silvery basin beneath. In the midst of the falling spray a large bird, with long, blue plumage, played, now diving beneath the water, and now catching the drops as they fell from the fountain. Then came other birds, some in gay scarlet plumage, with white feathers about their necks and at the tips of their wings and tails;[Pg 29] they, too, played in the fountain, and chased each other over the sparkling waters.

Then there were tall trees, of such a bright green as is seldom seen on the earth, and on them were fruits which looked a little like those we see here, but a thousand times more beautiful, for they shone like precious stones. About everything was a glory which it is impossible to describe.

At a little distance was a troop of fair children at play, and when they had seen the little child from the earth they ran towards him, and would have kissed him joyously, but that they saw the tears he had so recently shed still standing upon his cheeks; at this, sorrow shone over their faces, and tears like pearls entered their own eyes, as, in the tenderest manner, they asked him the cause of his grief.

"Do not ask me, dear brothers and sisters," he entreated; "I wish only to think how I am with you now for a little while, and I long to forget the earth-scenes." Speaking thus he kissed them all, and led them away off among the bright fields.

Very gayly they played a long time; they[Pg 30] plucked the golden apples from the trees, and threw them far up in the sky, and the apples bounded so lightly that they still went on, till at last they dropped down to the earth into some dark rooms where poor people lived, who, when they found them, rejoiced exceedingly.

Then they went riding on the clouds, and the light of their faces gave a brightness to the edge of the clouds, so that the people on the earth loved to stand watching them, never fancying what a troop of angel-children were frolicking on them.

At last they became weary of this sport, and bent their way quite towards the earth. At this our earth-child saddened, and did not wing his flight as quickly as the others did. Upon this they looked around upon him and said:

"Why tarry you? Do you not know we go to the earth, to do there what our dear Teacher bids us? You have played with us, and will you not now do the work which you have so often done with us before?" So he sped on with them, but his voice was silent and his heart wept.

They soon came to the earth, and then, unseen by any one, they made their way towards a little,[Pg 31] dingy house, in one room of which sat a little boy upon a bench, driving pegs into the sole of a boot. On one side lay all the boots in which he had driven pegs, and on the other a great many more in which he must still drive them. He looked sad and pale, and the sweat lay in large drops upon his forehead. By his side sat a large, stout man, with his shirt-sleeves rolled up, displaying strong, brawny arms, while his face was red and stern. He was also at work, but watched the boy well, and if he saw his arm rested for a moment he would give him a little push, bidding him mind his work; and so the poor boy had to drive the pegs into the soles of the boots, even though he was weary and his face pale and sad.

Then the angel-children, seized with one feeling of love and pity (for they could remember how the poor boy used to be one of them and play in the garden of God), soared above him. One came down and wiped off the drops of sweat from his brow; another passed his soft hands over the boy's face, and rested him; and another put comforting thoughts into his soul.

Then the master looked up, and when he saw[Pg 32] how the boy seemed suddenly refreshed, he told him it was good to work and silly to be tired; and when the boy heard these hard words, tears came into his eyes, and he thought of his mother who used so tenderly to care for him, but had now been gone long to the home of the angels.

Then some of the angel-children wiped away the tears which had come into the boy's eyes, and another shook his beautiful wings over his head, so that at once a cool breeze fell over him and hopeful words entered his soul. Some of the children moved his arm up and down as he drove the pegs into the boot, and he wondered how easily he was able to work.

All this time our earth-child stood apart, nodding his head sadly, and when the others asked him the cause, he answered, "O, you do not know how hard it is to live on the earth! See this poor boy; how far different was it with him when he played with us in the gardens up there!"

The children were silent; they knew not how to comfort him. They thought, too, of the time when they should live on the earth.

Then they flew along and came to a large city,[Pg 33] in which lived many homeless children, who were led about by unkind and evil spirits; and passed constantly by men and women, who did not so much as give them one kind word.

As the angel-children wandered among them they shuddered: such strange words filled the air, and so dark and dingy looked the houses where they went in and out. Could it be that these children, who talked together in angry moods, who rather sought the opportunity to trouble each other, had ever played in that fountain, and laughed together in the heavenly fields? "O," they sighed, "could we but once drive the evil spirits from one of them, and whisper in his ear of the kind love of God!"

Then their wings fluttered and folded themselves over the head of a large boy, whose clothes were dirty and tattered, his hair matted and disordered, his body thin and wan, while the expression of his face was very old and vacant. A slight girl, holding a little pail in her hand, came along near him, and made as if she would go by him; but the boy would not suffer her to pass on, and, stopping her, said to her,[Pg 34]

The child looked at him fearfully, and remained silent; but the boy did not heed her half-imploring look, but proceeded to lay hold of her pail, in which she had had hot corn to sell, and, opening it, discovered there six pennies instead.

"Ah," he cried exultingly, "that is what I wanted! You have done well with your corn; you may go on now;" and, despite the poor child's cries, he took away the pennies, and, in resisting the little struggle the child was able to make, he threw her down upon the pavement.

This was in a dark street, filled with people wicked like this boy, and where was no one who cared to take the child's part.

But those angel-children were silent witnesses of this scene, and they put out their hands, so the little girl was not much hurt in her fall. Then they looked at each other in dismay; the pearly tears again came into their bright eyes, and they asked each other what they might do for this wretched boy. They remembered when the boy and girl played together in the fair garden of God; and it was not possible for them to remember that,[Pg 35] and look unmoved upon this fearful change which had come over him. "O, this is a sad earth-life!" murmured the baby's spirit; and he nodded his head again in sorrow. "Why may not I, too, become like this boy?"

"But must the earth-life bring this change?" asked another of the angel-children, who saw the anguish of his friend, but knew not how to comfort him. "Do we not remember the poor boy who worked so hard, and had no rest, yet he was patient and good, and kept bright, and hung the cord which tied his soul to heaven with the tear-drops which fell for his dear, dead mother? When tried, he gave back no hard words. He was better than we, who are happy always and have no trials."

Not long after, they found the wicked boy asleep; he had thrown himself down, in the corner of a dirty alley, on a little straw. The children hovered over him, trying how they might approach him. They drove hence the dark spirits, one by one, who hindered their approach, and then they carried him off by the sea-shore in a dream; they made him sit upon the sand and listen to the roar[Pg 36]ing of the waters; the large rocks stood scattered on the beach, and the sea-mosses and shells were thrown up by the waves. Afar off, upon the water, he saw a long line of bright clouds, which seemed to climb up to heaven to meet the bright, twinkling stars. The moonlight shone softly down upon him.

Then they laid him down upon the sand, and made him look up into the sky to feel the rest and peace of it; still more came the moonlight upon him, and the stars seemed to open and close their eyes for pity. The wind came towards him and passed along his brow and over his heart. Then came into his soul an indescribable longing, such as he had never felt before—a longing which the noise of the sea, the beauty of the clouds, the peace of the sky, and the tenderness of the wind, had aroused in him.

He felt that something inexpressibly dear had been lost to him, and he feared never again to regain it; the quiet moon and the pitying stars made him fear. A deep grief entered his heart, and he wept as from an everlasting sorrow. As he wept the angels rejoiced, and hovered over his head in a[Pg 37] halo of light; for they knew that these tears would bring him into the path that led to heaven!

Not far off lived a man who cared for destitute and ignorant children; the angel-band flew to bring him, and when the boy opened his eyes, in which the tears of repentance still lay, the ocean and bright clouds had disappeared; but there was bent upon him a pitying, benignant look, which went to the boy's heart, and a kind voice lingered in his ear, subduing him by its very strangeness. So he at once received the proffered hand, and arose and went with him to his home.

After that, the angel-children went into a splendid mansion, where, in a large, handsome chamber, lay a little girl suffering under severe pain. Her little couch was hung in blue silk, and rich laces adorned her pillows. On a little table by the side of her bed stood golden goblets, to refresh her parched mouth with pleasant drinks. Yet, still the little girl moaned in pain. Her eyelids were closed, and her weary hand lay still upon the bed. At her side sat her nurse, watching her wants and longing to relieve them. Costly toys lay uncared for on the rich, heavy carpet. The flowers had lost their[Pg 38] charm, the delicious fruit lay, full and ripe, neglected on their dish.

Sleep would not come to the child; weary and in pain, she had laid there a long, long time, her poor little body wasting slowly away towards the grave.

"Let us give her rest and comfort," said the angel-children; and, waving their wings over her, she fell to sleeping.

The nurse said, then, there might be hope. Listen and hear,—what bright hope there was, indeed!

They whispered to her, that soon her pain should cease, and that, for her trust and patience, she should go to God's beautiful garden. They showed her the fountains and the birds; they told her how she should again ride upon the clouds, and study from the great books of God. Then in her sleep she smiled, and the nurse, who was watching her face, wept for joy, and exclaimed,

When the little girl awoke, there was a more[Pg 39] heavenly patience still, in her soul, and a longing to meet the loving glances of the angel-children again.

As the children wended their flight back to the gardens, and sat down beneath the green trees, and ate of their delicious fruit, they strove in vain to bring back the brightness to the face of the earth-baby.

"Ah, it would be so beautiful to stay with you!" he said. "I would like always to comfort these afflicted ones; but, alas! I shall need comfort myself, and you will come to me, as we have been to others. When I am on the earth there seems something gone and lost, and what is before me is confused and dim. I find myself so weak and helpless, when here I am so sprightly and strong! I cannot move myself at all, and when I remember these gardens I have left, and you with whom I have played, I can but cry all the time! It looks cold and bleak there, as it never does here. Then, should I grow up to be wicked, like those children we have seen, and so go far away from heaven, how wretched should I[Pg 40] become,—how much better that I never had left these gardens!"

Thus he complained, and the other children were silent, for they knew how they, too, at some time, must go down and try their fortunes upon the earth; and, too, they sorrowed to lose their companion, for they knew that soon he could not come to them any more;—and while they told him, very eagerly, how they would come to watch over him, a soft tread fell on their ears, and their dear teacher approached them.

Her hair floated in long curls upon the cool air, and her eyes were bent down in sorrow upon the earth-child.

"Have you so soon forgotten the lessons you have learned from the book of God?" she asked; and the tones of her voice were like the soft harmonies of heaven. She held in her hand a book, along whose pages the letters sparkled in the brightness of gold and silver. At the sight of her, the earth-child threw himself at her feet, and besought her thus:

"Keep me with you, dear teacher, and teach[Pg 41] me from your book! Why should I go to the earth-home again?"

Tenderly did the angel-teacher embrace and uplift the imploring child. She pointed to a distant part of the garden, towards a grate of lattice-work, in gold, silver and pearls, whence issued a glorious light. Beyond this they saw angels walking, in their hands bearing still more glorious books than the one she held.

"When I taught you, long ago, how beautiful was the life there, how pure the love, did you not long to go thither? And when I told you that the way thither was only through the earth,—that it was long and difficult and narrow,—that many troubles must make you strong to walk in it,—did you not long to go, promising not to complain? Do you so soon falter? Have I not told you that the book you carry in your hands there must first be formed on the earth?—that there you shall pick up one by one the shining letters which compose it? Why do you complain?—have you forgotten that your home is better than those miserable ones which have been given to those who were your beloved playmates here? This is your[Pg 42] last visit to the garden of God. The angel-children shall come and whisper to you in your dreams; and, when they in their turns go down to live upon the earth, hold your arms out to them, and, when their steps are weak, help them along. And when you see children with tattered clothes, in poor cottages, look not proudly on your own, but remember that here, in the garden of God, you played together in the same fountain, drank the same dew; and think no more of yourself or your beautiful earth-home, for God gave it to you for the same purpose he gave the wretched cottage to the other. Remember, too, the good mother, who has patiently hushed your cries, and will yet bear you through many dark places. She has never yet tired in caring for you, and you have given her little else but trouble. Go; be henceforth patient and loving."

Sorrow came into the heart of the child for his selfishness; and, as he thought of his beautiful mother, how she always smiled upon him, and would help him to heaven, his heart filled up with love to her.

At that moment he opened his eyes, and there[Pg 43] by his side sat the mother, watching for his awaking; a heavenly smile stole over his features, and he held up his arms to her. The mother caught him from the cradle, and wept over him in the ecstasy of a new-found joy and love; for it was the First Smile her baby had given her.[Pg 44]

CYBELE, THE TAMBOURINE GIRL.

Cybele was a little girl; she had large gray eyes, and brown hair smoothly parted over her forehead, while there was a pitiful expression round her mouth, that pleaded with you so earnestly, you could scarce help stopping, as you met her, to give her a few pennies.

Her real home was not in this country. Long ago she had come over from the bright land of Italy,—from its warm, sunny skies and beautiful gardens, where the birds sang so joyfully, and gay music sounded on the air,—all which she longed to see and hear again; and as all things there had been so beautiful, and here so dreary, all beauty grew to be the same thing as that dear Italy, so that when she even saw flowers in the window of some lordly house, she would stand, gazing tearfully through them at the far-off home!

Cybele's mother had died in that beautiful land,[Pg 45] and it was in one of its lovely gardens her body rested while her spirit soared heavenward. The little girl knew this place so well;—the orange-trees grew about it, and the song of the waterfall, near by, played and sparkled in the tones of the birds. But Cybele's aunt had taken the little girl with her to this distant land, and the child could no longer go and weep over the grave where her mother's body had been laid; but her heart was there—it could not forget. She dreamed of it in the long nights; and, when she played upon her tambourine, the remembrance inspired her notes, making people love to listen to her.

Away down in an uncomfortable, out-of-the-way part of the city dwell a great many poor people, who have come from distant countries to find here some bread, which may keep them from starving. The streets where they dwell are dirty, and the houses look smoky and wretched. There are queer little shops, with oranges and cigars, bread and tobacco, in the windows, and if you go in you smell yeast, and see milk-cans standing about, while a man in a green jacket sells you what you ask for. To such shops do the people[Pg 46] near by come for their bread and cent's worth of milk. To such a shop little Cybele came, early in the morning, and late at night; and so dingy looked the shops and people, that her aunt's room seemed bright and cheerful in comparison. This room, nevertheless, was small and quite dark, having but one window, which looked down into a brown back-yard; but her aunt kept the room neat and clean; the bed stood off by itself, in one corner, the two chairs on either side of the table, and in the cupboard were a few plates and cups, with which the scanty table was spread; yet was this room dear to the child, since the dreams she had dreamed there hung over her still with their light and love.

It chanced, one day, that her aunt fell sick—so sick as to be obliged to lie on the bed. For a long time she had not been able to do any hard work, but had sat at home and made little brooms for Cybele to take out with her when she went to play the tambourine about the streets. And Cybele had seen how her aunt grew pale, day by day, but she had not dreamed the time would come when her aunt must lay still on the bed for weariness.[Pg 47]

With a heavy heart she took the brooms and the tambourine, and went out, hoping to get a few pennies, and bring home a doctor for her aunt.

But it was a sad day for Cybele. She was rudely sent away from the doors at which she stopped, and though she stood long before the windows of lordly houses, in which she felt were many persons, still the sashes were left down, and no kind group appeared to encourage her. So she passed on, through quiet squares and noisy streets, but everywhere met with a repulse.

What should she do? It was impossible to go home without money. She thought of the poor aunt who was sick, and of the mother who lay away in the gardens of Italy, and new courage came into her soul. A gentleman came toward her, with ruddy cheeks and smooth, rich clothes. Surely he will not turn away from the little child. So she stepped forward, and, when he came near, she looked up in his face, saying,

But he brushed by her, unheeding her gentle tones, and leaving her eyes filled with tears.[Pg 48]

Then came along a careless boy, whistling a merry tune, and with his hands thrust into his pockets. Confidence and hope made her ask him also.

The boy stopped, and, still whistling, looked into her face, glanced over her dress, tambourine and brooms; and, as his eyes rested upon these last, he replied:

"Buy a broom! Pray, what think you I want with one of those flimsy things?" And then he looked at her as though he thought her so absurd!

Cybele was abashed by his manner, and began to think she had asked him to do a very foolish thing, so she hurried to reply:

"Flies!" he repeated, contemptuously, at the same time taking one of the brooms from her little bundle, and thrusting it about him in all conceivable ways; pulling open the brush, and altogether ruining it. "Flies! it is getting too cool for flies; and, besides, my mother never lets any get into the house; so it's no use any way. Why don't you go home? It's a shame to be walking round the streets so. You ought to be in school, or at work, or something else."

"I don't know how to do anything else," replied Cybele, the blood rushing to her cheeks; "my aunt is sick, and I want to get some money."

"Tush!—always sick!" replied the boy, contemptuously; "how silly! I wonder the beggars don't all die some day, they've been sick so long!"

"We are not beggars!" said Cybele, raising her head somewhat proudly, and preparing to move away. "If you don't want the broom, I'll take it, if you please."

"Proud, too—if it isn't funny! Here, don't go away—I want to hear your tambourine."

So she laid down her bundle of brooms, and, arranging her tambourine, played him some merry tunes.

"Can't you dance, too?" asked the boy, when she had finished. So she danced and played to[Pg 50] him; and, when she stopped, he placed a penny in her hand, and coolly walked away.

She looked at the penny lying in her hand, and then after the boy, who was walking up the street, and she couldn't help thinking how very little it was, and how she hoped he would have given her more. She looked at the little broom he had ruined, and everything seemed sadder than before. Then, by some strange freak, her mind ran off to the gardens where her mother slept, as it always did when darkness gathered round her, and she longed, more than ever before, to throw herself on the ground there, and quietly sleep a long, long time. During the whole day she had received but a few pennies; so few, they would not induce a doctor to go down to her sick aunt. If she only could have met some kind heart, which would have gone home with her, and given kind words and soothing draughts to the sick one! But it was not brought into her path.

When she came home and saw how much worse her aunt was than when she had left her in the morning, her little heart grew sick; and Cybele, who had seen her mother grow thin and die,[Pg 51] began to be terrified, lest the aunt too would be taken.

So, she went up to her gently, and kissed her brow, and the poor aunt opened her eyes and smiled mournfully; and when she heard how little money the tambourine had brought that day, she tried to conceal her sorrow lest the little child should be grieved.

Then Cybele lighted a small fire in their bit of a fireplace, and made a little tea for her aunt. It was the very last she had; but when she thought how much her aunt needed it, and how she would need still more on the morrow, hope whispered, quite cheerfully, that with the tambourine she would win from people's pockets many a bright cent. With these thoughts, she looked very lovingly towards the tambourine, which lay quietly upon the floor in the corner, its gay bells silent, as if it, too, felt sorrow for the aunt's sickness.

After Cybele had toasted a bit of bread, and given it, with the tea, to the aunt—had received the kind kiss, and saw her close her eyes—she thought she slept, and new courage filled her heart; she began to think of the pleasant people[Pg 52] she should see to-morrow. What a kind crowd she drew about her! They looked on her with loving eyes, and the sweet smiles played about their lips. There were the groups of pretty children, in gay frocks and rosy cheeks, which should gather about the parlor-window, when she should stop before it and strike the tambourine with her hand; and they would smile upon her, and then the elder sister, who should be so mild and gentle, would come and throw up the sash, and speak with her; and, perhaps, even she would throw down to her a sprig of the geranium which stood near by on the flower-stand. Then she was lured further on, to think of a great fortune which was to be obtained, that she might go back to the laughing skies of Italy, and spend her days in the lovely garden where her mother slept.

But when Cybele arose in the morning, and told her aunt how she was going out to gather in the pennies, the poor aunt sighed, and bade her stay at home a while, for she could not bear to be alone.

So Cybele sat down upon the floor, and, taking the tambourine, sang and played the softest and[Pg 53] sweetest airs she could remember; and, as she played, it seemed as though new tones, and words even, were given to speak out of it.

She astonished herself, and a kind of sorrowful ecstasy came into her soul. She played on, and on, and forgot that the day was passing off, in which she was to earn so many bright pennies, in order to bring home the kind physician who was to make the dear aunt well at once. She went to the far-off land, and sang of the vineyards and the soft, warm air; of the gently-moving waters, and the fragrant blossoms around the banks of the lakes. O, the moon rose up before her, and she drank from its loving beams; the stars sent down their misty light, as if shrouded because of their great beauty! Once in that land, how had she forgotten all things else! A holy inspiration had come down over her; an angel of light appeared to her enchanted eyes, beckoning her to rest her head upon his bosom.

"Fear not!" he said, "for I will yet take you to the lovely gardens where your mother dwells."

But, when she eagerly stretched out her arms[Pg 54] and cried, "Take me now," he disappeared, and she found the song stayed upon her lips, the room hushed, and only the glory, which the angel's presence had shed about, still lingered there. The holy stillness came into her heart also, and she sat quietly upon the floor a long time; and when, at last, she rose and went up to her aunt's bedside, she found the brow she kissed was cold, the hand she clasped was chilly; and, in looking with fear upon the aunt's face, she found the dews of death resting there.

The aunt was dead! Those songs, which flowed so easily from Cybele's lips, had become the requiem of the dead, and those soft tones had been the last sigh of a passing soul.

Cybele knew that when the angel had over-shadowed her, as she sang, he had borne hence her aunt's spirit.

But, O, it was so hard to be left all alone! And when the people from the other room came in and prepared her aunt for the burial; when they took her from the bed and put her in the rude coffin, the child's heart felt like breaking, and, had it not been for the words the angel had spoken to her[Pg 55] when he came to bear hence the dear aunt, she would have wept without ever smiling again.

Then they carried away the coffin into a dismal place, where was neither green grass nor pleasant brook, nor even a flower, might it be ever so little; and there was a row of square, black doors against the walls, one of which they opened, and shoved the coffin into a dark place.

O, it was so dreary a place, with the high fence all about it, and the cold, dismal, gray clouds above! It did not seem to Cybele that she could leave the aunt there. Could she only lie away in the beautiful land where the mother slept, where the birds rested their wings upon the lemon-trees, and the blue sky smiled in quiet peacefulness!

But the people who stood around could not understand her grief, and so they hurried her from the yard and locked up the gate.

That night Cybele lay alone upon the bed on which her aunt had died, and the lonely grief came so fast upon her that she could not sleep, and the morning found her weary and heart-broken.

Then there came into her room a coarse man,[Pg 56] who told her she must go out, for she could no longer live there; that she might be allowed to take her tambourine with her, but all the rest,—and there was little enough, the two chairs, the bed, the kettle and the few things in the cupboard,—were his, to pay for the rent of the room and he told her, if she brought a few pennies to the people who lived in the next room, when night was come, they would take care of her.

Now the man had no sooner spoken these words, than Cybele decided to have nothing to do with the people in the next room, for she could not love them. The father and mother were so coarse and cross, and the boys were so rude and big;—they had often refused to help her aunt, and while she was sick they had never come with kind words to smooth her pillow. Even after she had died, they had but come to put her in a rude coffin, and carry her to a dismal place, from which they thrust out the only heart who yearned for her.

So Cybele did not think of going to them. She tied the large silk handkerchief over her head, which had served her for a bonnet since she had[Pg 57] left Italy, and, taking her dear tambourine in her hand, and the poor, neglected brooms, she went away out of the rooms where she had lived so long, where she had seen the angel, and where her aunt had died. Then, after standing upon the sill of the door a few moments, looking down the long staircase, out into the world to which she was going, she raised her gray eyes, and sweetly said, as though replying to the angel's admonition, "I'm not afraid." Ah, dearest one, you need not fear when the heavenly Father is so near unto your heart!

Without more hesitation she said "Good-by" to the room, and quickly sped down the staircase out into the world, while thus she talked to her tambourine:

"Don't you be afraid either, dear little Tambourine!" and she held it tenderly in her arms; "nor you, dear Brooms! We shall have happy times together yet. Only think of the beautiful tunes I'll play on you, and how the children will clap their hands when they hear your bells! No, don't be in the least afraid; I'll play on you as I never have before since once,"—here the little[Pg 58] lip quivered in spite of itself,—"only try and play real pretty—do, so I shan't ever be lonesome with thinking of the lovely gardens at home! Ah, Tambourine! Tambourine! you and I are all alone!" Just then, a sweet tone came from the bells of the tambourine, and comforted Cybele's heart.

She wandered up the streets, and stopped to look in upon the windows of the toy-shops; but the toy-carts, and those wonderful witches, who would always stand on their heads, had no charm for her longer. Her heart was saddened, and when she tried to strike out gay tunes, they would not come—only sad ones, and sad words from her lips. The children pitied her grave looks, and, when they could not persuade her to dance for them, they would leave her in silence.

When she looked about her and saw all the children, how they were never alone, that their eye's danced, and their voices were mirthful, she would ask herself why she, too, was not happy. Then courage would come to her, and she would strike a gay air, and call the children to her side; but, when she had finished, she was glad to creep[Pg 59] away by herself, and lean her head upon her tambourine to weep. Then, when the voice of the angel sounded in her heart, she would raise her head to reply, meekly, "No, I'm not afraid."

It chanced, one day, that she wandered into the obscure corner of a church. It was evening service, and at first she was only glad to get away from the cold, biting air; but she had not been there long before a strange feeling of gladness rose up in her heart. The organ awoke from its stillness, and the tones gladdened her as the tambourine, dear as it was, had never done. The hazy light poured in through the windows, and lit up the faces of the scattered worshippers with seraphic beauty, and it gave golden edges to the spotless robe of the priest in the chancel, played upon his white, flowing hair, and shone upon his uplifted countenance. The priest spoke out blessed words of the Father in heaven, how he calls the tired and weary to come and be folded up in his arms; how he even says, "Suffer little children to come unto mo, and forbid them not, for of such is the kingdom of heaven." These words fell into the parched heart of little Cybele, and ran all along[Pg 60] there in low sobs, and, stretching up her tiny arms, she murmured:

"Take me, take me now,—I want to come!" And she began to think of the angel who had said to her:

"Fear not, for I will yet take you to the lovely gardens where your mother dwells."

The organ ceased, the priest went out from the chancel, one by one the people passed out from the church, the sexton closed up the doors and went away, and Cybele sat in her corner, longing to see again the angel who was so often in her thoughts, until the hazy light had faded away in the darkness.

Then the moon rose, and streamed into the church, down the long aisles, and up into the chancel; and from the window above the place where the priest had spoken those holy words there flooded a glory of light, while the columns and galleries stood still in their deepened shadows. It was so holy a calm as to fill Cybele with a joyful awe. The tambourine slid from her lap; she crossed her hands upon her breast, and bent forward her head with closed eyes. Low notes of[Pg 61] the sweetest music swelled on the air; louder they grew; until they seemed like the voices of those rejoicing for deliverance from great sorrow. Louder, louder yet the voices of angels mingled with them. As Cybele looked up there she saw great bands of holy angels rejoicing over her; among them the very one whose words of consolation had been with her so many days. Quickly to him she stretched out her arms, and he reached low down and raised her up to him. And they soared up, up to the region of the sun and the moon, hearing about them the soft voices of loving angels; the air was loaded with the perfumes of celestial flowers, while every angel they met gave them a word of welcome.

The angel did as he had promised, and the heavenly Father, whom Cybele had prayed to take her, gave her into the loving arms of the mother, who dwelt in lovelier gardens than those of fair Italy, even the gardens of heaven.

When the people next opened the church, they found a dead child in one of its corners. A little tambourine lay by its side, which, when they[Pg 62] picked it up, gave out pleasant, cheering tones; but, when they laid the dead body of the child in a cold, damp grave, they little thought what happy songs the living spirit of it sang with its mother in the lovely gardens of God.[Pg 63]

THE STORY OF MAGGIE'S JOURNEY.

Little Maggie lived all alone in a small house which contained but one room. She had lived alone ever since the time her mother had gone to the palace of the Great King. At first Maggie had cried very bitterly to think of living alone without her mother; so did her mother, too, as for that matter, for no mother ever loved her child more dearly than she did Maggie.

"Maggie," she had said to her, when she knew she must go, "I shall love you just as tenderly as ever, and always think of you, even while I am in the Great King's palace. It is a long journey thither, and I expect I shall be obliged to go through a great many dark and strange places before coming there; and I fear, the most of all, to leave you in this little old house all alone; but you know I cannot disobey the King, and so must[Pg 64] follow this servant whom he has sent to bring me. But, O, Maggie, do follow me some time, for I shall be anxiously watching for you till you come! Be sure, now, and don't disappoint me; and when you come I think you had better start early in the morning, for the road is a long and dangerous one."

Perhaps this was a long speech to make; but when mothers go on such journeys as Maggie's mother was to go on, it is not an unusual custom for them to do so,—and especially when we remember how she would leave Maggie all alone; it was only to be wondered she said no more.

When her mother had really gone, the first thing Maggie did was to sit down upon the door-step and cry bitterly. She could not bear to think her mother had really gone, and that if ever she wanted to see her she must start upon that long, long journey. At first I don't think she loved to think about the Great King who had taken her mother away, and she was obliged to think over the beautiful things her mother had said of him many times, before she could be glad he had called her mother. But at last she rose[Pg 65] from the door-step, and went into the house. She had not much in it, 'tis true; she hadn't much to put in it; and if she had had more, the house was so small there would have been no place for anything but what already was there. The principal thing in the room was the chimney-place. It was so large as to cover the whole of one side of the room. There was a broad stone hearth, on which sometimes Maggie would place a few sticks she had picked up in the streets, and light them; but the little fire they made looked just as if it were ashamed of itself for burning in such a great fireplace; and the winds, indignant at its presumption, would rush down the chimney at a more desperate rate than usual, blowing the ashes into Maggie's eyes, as she sat before the little fire, and sending the smoke curling in funny forms about the room. So Maggie would run and cover herself in her poor bed, and say to herself that it was a comfort to have ashes and smoke; for, though they did blow in her eyes, still they came from the fire. Sometimes she would gather up sawdust, and by this fire she was able to warm her feet a little, though not much;[Pg 66] for, as fast as she warmed them, the winds blew down again, so they were as cold as before.

You see it was a cold kind of a place in which Maggie lived; so cold that, although it was summer, still a good many people's hearts were frozen quite stiff, so their friends despaired of their ever being thawed out; and their tongues too were affected, so they could not speak gentle, kind words. I don't mean to say the cold ever dealt quite so shabbily by Maggie or Maggie's mother, which was rather strange, perhaps, since they could have but little fire; and the frost could walk very boldly in through the cracks all about the house. Still it was almost as bad that such things should happen to their neighbors, as every one knows it is uncomfortable to behold such misery.

Beside the chimney-place and bed, Maggie had some cracked plates and saucers, which she arranged on the chimney-shelf, and some bits of china, which she had found in piles of rubbish, and which she thought very beautiful. Now the chimney-shelf was very high, and she managed to put these things up there by climbing up the bed-post, which was rather a dangerous thing for her to do, and[Pg 67] as it was a very little difficult, too, she did not often take down those things.

Now those cracked plates and saucers, and bits of china, were all the ornaments Maggie had for her house; and they were very precious to her. She would sit and look at them, wondering what people did who hadn't got any, and thinking how strange it would seem there in her house if they were taken away. You see Maggie knew how to prize little things; and so some day great ones may fall to her.

I did wrong to say she lived all alone; for she had a beautiful white Dove. Wasn't it nice? It was very white, and nestled close in Maggie's bosom when she carried it out of the house, and in the night it lay close to her heart. O, there was nothing Maggie prized like the Dove; for it was given her by her mother just before she went away, and she told her it would guide her when she began her journey; so it was not strange Maggie should love it so well.

It was a lovely, sensitive thing. When Maggie had become thoroughly weary and tired of living all alone by herself, she told her grief to the Dove,[Pg 68] and it would press nearer and nearer to her heart, and when its mistress' tears fell on its head, its moans were so sorrowful that Maggie quickly forgot her own grief, and strove to comfort it.

Now it was in the summer time, and Maggie got along pretty well, for all the cold winds which blew in that region; but winter was coming on, and she feared it might be more uncomfortable for her. It happened, one night, that she heard a great noise, and awoke in a great fright. The moon shone very brightly, and, by its light, she saw a tall, strong-looking man carrying away her door. At first she thought she must be mistaken, and that, if she waited a while, she would see that he was about to do something very different. But no; he took first the door well off the hinges, put the hinges in his pocket, the door on his back, and went off. Then Maggie jumped quickly from her bed, and, running to the open doorway, cried out,

But the man certainly did not hear Maggie; at all events he did not once turn back, but went away quite out of sight.[Pg 69]

"But what could he want with my door?" said Maggie, in a high state of amazement. "Houses all have doors; so he can't want it for his house." She stood a long time, wondering and perplexed; and I must acknowledge, if I had been there, I should have wondered too. It was quite a long time before Maggie could persuade herself to go to bed again, and sleep till morning, which she finally did, feeling very thankful the man didn't take the bed.

In the morning a new joy was in store for her; she found that the sun now, when it rose, could look directly in upon her, and his warm rays would give warmth to her little room. As she looked up to the mantel-shelf, on which her bits of broken china were glowing from the sunshine, she jumped out of bed in an ecstasy of delight.

"O, dear, dear!" she cried, "what if that man had taken away those?—how I should have cried! But now he has, by taking the door, given the sun a chance to make them look more beautiful!"

Now she began to love the sun better than ever, for he had become one of the things which beautified her little home; and she always woke early,[Pg 70] so as to meet his first look, when he came into the room.

Still it must be confessed that the absence of her door did at times make her poor home more desolate; when, for instance, the winds went mad, and the rain came down in torrents from the clouds, O, such a frolicking as there was down her large chimney, and out through the doorway! Then round and round the house they would run, chasing each other,—now bursting into a boisterous mirth, now howling in low, dull tones, until in again at the door they swept, and up through the chimney.

In Maggie's mind, the chimney and open doorway belonged especially to the winds. She always thought of them in connection, and, when they began their frolicking, she would seat herself in one corner, and listen. Sometimes it seemed as though the winds rushed at one another,—one coming down the chimney, and the other in at the door; then, when they met, there was a kind of explosion, a thick, quick quarrel, and then they would draw off in merry laughter; then would Maggie clap her hands with glee, thinking it fine[Pg 71] sport; but when a whole blast burst at once upon the house, and seemed desperately to struggle through every crevice, she would crouch with fear, and upbraid the winds with their sudden freaks.

There was one mystery which Maggie found herself unable to unravel; it was this: She felt perfectly certain the chimney was made for the winds to come down through, and still she knew it was intended for her to make a smoky kind of fire once in a while on its hearth, with which the winds quarrelled, and destroyed it. Here were two things irreconcilable. Often would she stand on the hearth, and look up the black throat of the chimney, wondering how this inconsistency happened, wishing again and again that the winds would like the fire, and let it burn well; but she never thought of asking them to desist. She looked upon their freaks as privileged.

To the dear Dove did Maggie always turn for comfort and relief. Its love was a guarantee of her mother's, and, as often as she looked upon and held it to her heart, so often did she feel sure that[Pg 72] one day she would feel the pressure of her mother's hand upon her head.

Once, when Maggie was talking to the Dove, and thinking of her mother, it came into her head to begin that journey to the Great King's palace. "Why not?" said she; "why do I live here? The cold winter is coming, and my door is gone, and the sun already gives me warning that he shall not look in at the door as usual; the neighbors will be colder than ever, and some of them will quite freeze. I've a mind to go away. What do you think, Dovey?"

"Would you like it? Well, I don't know but I had better start. But I should have to leave the house,—and that would be rather bad,—and the chimney where the winds play. I think it would seem lonesome for them, and I don't know as they would like it, for there would be no one to listen to them; still I do want to go, and I think I'd better."

"I'm sure," said Maggie, after some pause, during which she lovingly caressed the Dove's[Pg 73] head, "I'm sure I don't see why I didn't go before. I don't know why I should have lived here so long alone. I can take some of the best china, and leave all the rest. Perhaps some little child may like to live here after I am gone, and watch the winds as I have done; but I do hope they won't frighten her at first, or she will want to go away."

Maggie was an expeditious child, and when she had decided to do something, she went at once about accomplishing it. So she left the door-step on which she had been sitting, and went in the house, to see what she wanted to take; and, as she had so few things, the preparations were not long, but she soon found herself with her blanket pinned over her head, ready to start.

'Tis true a few tears came into her eyes as she bid farewell to the bed which had been her shelter against every unpleasant sight and sound; but when she turned to the chimney, and some perplexing thought of the quarrels of the wind and the fire came over her, she rather rejoiced she would soon be away from it, where this one[Pg 74] mystery of their disagreement should never again trouble her.

Laying the white Dove in her bosom, she turned from the house, and so beheld herself fairly launched on her journey.

A little while she found it pleasant; the road was straight, and lined with flowers; the Dove raised his head, and looked in Maggie's eyes with delight.

But soon she came to a place where two roads met, forming the one she had been travelling. Here was a perplexity: which should she take—which would lead her where she wanted to go?

There was a house close by; so she stepped up to the door of it, and knocked. A lady, who was very pretty to look at, and who wore a very rich dress, opened the door; but just at the moment when Maggie asked, "Will you tell me which road leads to the palace of the Great King?" that same terrible cold wind came round and blew directly into the lady's mouth, so that she replied, "I know nothing about it, and very much doubt if there be any Great King at all;" and then she[Pg 75] shut the door in great haste, leaving poor Maggie in much distress and doubt.

She was astonished at the woman's words, and wondered why she shut the door so soon; for, if she had not, she would have told her about the King; how she was sure he was alive, and had a great palace. And, too, she could have told her, his servant had come once and taken her mother with him, and she could never forget him; he had been dressed in black, but on his head he wore a crown of the most glorious stars, and their brightness had filled the little house with holy light, so that, even after he had departed, it still lingered around.

She thought some of knocking again and telling the poor lady, for she thought it was sad enough not to know about the Great King; but, though she knocked a long time, no one came to the door, and, finally, she was obliged to leave the steps of the house and gather some directions else-where.

One of the roads seemed cold, and looked narrow, and Maggie, who had suffered so much from the cold, turned from it with a shudder towards the[Pg 76] other, which looked much gayer, and many more people walked in it; but the Dove looked anxiously towards the narrow one, which grieved Maggie, and made her cry out, "O, Dovey, Dovey! how can you love the cold so well, or ask me to go where it is? Let us rather walk this way a little, and do you not see there are plenty of cross-roads?—so, if we wish, we can go on to that narrow road at any time."

So, notwithstanding the Dove's remonstrances, Maggie entered this road, and found the air so pleasant and warm, that she liked nothing better than to walk in it.

She saw a great many people here; but they took no notice of the little girl, who walked along so quietly, with her Dove in her bosom, and the bits of china in her pocket. But, if they did not notice her, she noticed them well, and thought them strange enough.

To her surprise she found the air, which had at first seemed so warm, began to grow cold, and more like the air about the old house; and, shivering with cold, and seeing the people about her wearing large cloaks, it was quite natural she[Pg 77] should ask them to let her in beneath the warm folds of them. To her civil request some of them paid no attention; others looked at her in wonder, and some were so rude as to speak cruel words to her, and bid her not dare speak to them again.

So Maggie saw them walk on, wrapped in their warm cloaks, and complained not. Indeed, she had lived too long in the little house without a door, not to be able to bear the cold bravely—only she could not help wishing sometimes that she had the bed with her, that she might jump in between its clothes and warm herself a while; but she was patient, remembering that she was journeying towards the Great King's palace, where her mother lived. Suddenly it occurred to her that the road to the Great King's palace lay through a remarkably cold country, and that the people who were travelling thither seemed in no haste, for they often sat down by the road-side and played; and some even went back, instead of forward, while all those little side-roads, which she thought she had seen before, had vanished. So, one day, she said to one of the people who sat down:[Pg 78]

"The Great King, indeed!" he said whom she had addressed. "I am in no hurry to see him."

And others intimated as much as the lady long ago had said, that they themselves doubted very much if there were any Great King at all.

"What shall I do?" cried Maggie. "I cannot be in the right way. O, how shall I get to the Great King's palace!" And, upon this, the Dove rose up from Maggie's bosom, and turned backwards whither they had come. Though long and dreary seemed the cold road she must retrace, yet, such was her confidence in the Dove, she turned very gladly; and though not one of those people had cared for Maggie before, now they clustered around her, begging her not to leave them, and seeking to draw her away from her purpose. And when she saw how they seemed to love her, and feel sorrow at her going, she said to them:

"I am grieved to leave you, since you have just begun to love me; but I promised my mother I[Pg 79] would go to the Great King's palace, and I must go where Dovey leads me."

"How silly to mind a bird!" cried one; and, picking up a stone, he hurled it at the Dove, who was hovering in the air, and broke its wing, so it could not fly.

Then, indeed, it seemed as though her grief was very great, and she could not help wishing she were already in the Great King's palace, or that he would send his servant for her, who was dressed in the black robe, and wore the crown of stars. She often saw this servant now; he came to bear many away; but the crown of stars was not on his brow, and his face shed no light around, only gloom.

Well, Maggie was obliged to stop and bind up the Dove's wing, and tend it a little before she could proceed on her journey. All delay was unwelcome to her; for, as the journeying thus far had been in pain, the true journey was still to begin. She was so hungry and thirsty, too! So it seemed impossible she could proceed when once she had started forward. There was no one to give her a crust of bread, or offer her a cup of[Pg 80] cold water; nevertheless, she wouldn't tell the poor Dove, who was moaning with pain, for she thought, and well enough, that he had as much of his own trouble as he could well endure.

She had another trouble, too; there were some people whom she could not think desired to go away from the King's palace, and so she would tell them how they were going altogether in the wrong path; but they would either laugh or stare at her in wonder. Then she would almost have stood weeping in the road at their strange conduct, but the Dove would incessantly warn her to go on. At last, between grief and hunger, she fell sick, and thought she should die there, without ever seeing her mother or the Great King. But, lo! a gentle being, clothed in a white, spotless garment, came and put to her lips a cup of medicine, which she told Maggie, if she would but drink, would make her quite well again, and protect her against hunger and thirst for the rest of the journey. Upon this, Maggie drank it all but the dregs, and she found it so bitter that she thought it far worse than any cold she had ever endured. But, when the bright being saw she left the dregs[Pg 81] in her cup, she was not satisfied, and bade her drink those, even with tears in her eyes. Maggie drank them as she bade her, and then the bright one vanished, leaving the child quite well and vigorous. The weariness vanished from her frame, the parching thirst from her mouth, and, what was yet more amazing, she found the little Dove quite well, and she stood with it in her arms before the two roads again.

So she commenced her journey upon the road she had so long ago rejected, and soon found that the snow vanished from the ground and shook itself from the tree-tops; the grass sprang up, the flowers played beneath her footsteps, and gay birds hopped among the boughs of the trees, making the air melodious with their songs; the brooklets ran murmuring by the road-side, and Maggie's Dove cooed with joy.

O, Maggie knew this was the road leading to the palace of the Great King—the very one her mother had travelled—the road, too, which she had been told did not exist! She met many children here, who sought the same she did; and they talked with Maggie, and she loved them, and with[Pg 82] them thanked the King who had made for them such a lovely road to his palace.

At last, one day, there came the same servant who had carried away her brother, and gently, softly, took her in his arms. So often had she thought of his coming that she felt no kind of fear. He told her that the Great King wanted her, and that her mother was all ready to receive her. O, how her heart leaped at this, to hear a real word from her mother, and to think the Great King wanted her! As she lay in his arms, the servant, who wore on his head his bright stars, kissed her eyes and her brow. He carried her a long distance, sped through many a long, dark valley, and then they came out upon a bright shore, where were many people dressed in shining clothes.

Maggie looked at herself, and saw, with amazement, that she too was dressed likewise, and that the servant who had brought her hither had no longer a black robe, but a silver one, which sparkled so, Maggie was scarce able to look upon it. She had soon crossed the sea, and then her mother caught her in her arms, and wept for joy.[Pg 83]

"O, Maggie, Maggie!" she said; "I have watched your journey all along, and my sorrow was so deep when I saw you mistake the roads. It was I whom the Great King sent when you was sick, that I might bear his love to you, and make you well. Come, now, and go with me before his throne."

Upon this they joined the crowd who were entering the palace;—but we cannot enter it,—we must first finish our journey.[Pg 84]

THE OLD WOMAN AND THE ENCHANTED SONG.

Ruth had two sisters,—Grace and Jessie. Now Grace and Jessie were twins, and everybody praised their blue eyes and rosy cheeks, and when they laughed, people said, "How sweetly they smile!"—and when they wept, people said, "Poor little ones!" and immediately took them in their arms, and strove to bring back the dimpling smile to their faces.

Grace and Jessie played together always, and little Ruth, who was younger than either of them, was left often alone. No one ever called her beautiful, nor stroked her hair, nor kissed her brow; and when she stood by the side of the twin sisters at the gate, and the people, in passing, praised the flaxen curls of Grace and Jessie, then they would turn towards her, and, their smiles[Pg 85] vanishing, they would regard her with a pitiful air, turning silently away. Then she would creep off by herself into some favorite nook of the garden, thoroughly ashamed that she should so far have forgotten herself as to stand by the side of her beautiful sisters.

Her mother, too, often took her in her lap, and, kissing her brow sorrowfully, would exclaim, in sad tones:

Her father never caressed her. His love seemed to be kept for the twins, whose two bright faces peered over his chair, and whose glad voices were always ready to greet him on his return home.

And still Ruth loved her father so much, and, nestling close in the corner of the garden away off by herself, mourned that he never kissed her, nor called her his dear, pretty Ruth.

"O," thought the child, "how I do wish I could do something for my father, which might please him, so that only once he might call me his[Pg 86] dear child! O, why was not I made a twin?" Thus the poor child mourned to herself.

She had a doll, which she made her constant companion, and she played it was very lovely like Grace and Jessie; she told it all her griefs, and really came to feel that the doll understood all she said to it.

She had also another pleasure; it was that of reading. Her mother had given her many books, and she loved to sit among the rose-bushes, and read their beautiful stories. She liked to read about a man who lived off alone upon an island, and had only some cats and monkeys for his companions; how the cave was his house, and the skins of beasts were his garments; how he looked off upon the ocean, and saw not one sail, and wandered about upon his island, without hearing one human sound.

This story had a wild fascination for our little Ruth, so that she read it again and again; yet still the book was as new to her in its interest as at first.

Then there were other stories she loved to read; some about lonely, patient, lovely young girls,[Pg 87] who went out into the world alone to seek their fortunes, and returned home with wealth and honor. She often wished she might go forth in this way, so that when she came back no one should dare call her plain or unlovable. Then she longed to hold some secret charm, so that whoever she should desire to do so, should love and caress her. But still no bright fairy stooped down from the skies to change her black, stiff hair into shining ringlets, or her dark-brown skin into the fairness of that of her sisters; and so Ruth only read, and wondered, and wished.

One day when, as usual, Ruth had found herself quite alone,—Grace and Jessie had gone to take a walk, and her mother was reading by herself,—she had taken her book, and sat down beneath the shade of a broad tree in the garden. She was reading the story of a fair princess, who had many suitors and splendid gifts, and who was called the Queen of Beauty.

"Alas!" she cried, "why was not I beautiful, so I might be loved! Then I should not be the sober, odd thing I am now!"

"Would you, then, so much like to be beauti[Pg 88]ful, dear child?" said a voice close at her side, and, when Ruth looked up, she saw an old woman whom she never had seen before. She was clothed in a long blue dress, and her face was full of motherly love. Ruth's heart was filled with gladness, for seldom had so affectionate a glance been shed on her; and when the old woman bent down and kissed her, how all remembrance of the indifference of father, mother, friends, vanished from her mind, and it seemed that her whole life was given to her new friend, that she might do with her whatever she willed!

All strangeness at her sudden appearance vanished, too, as soon as she had kissed her. Ruth felt under the control of a great power, and watched her movements with as much love as confidence.

When the old woman had looked into Ruth's eyes, and had seen the thoughts which beamed there, she looked up into the sky, and beckoned to a very light, beautiful cloud, which was sailing carelessly along.

She had no sooner done this than the cloud began to descend slowly towards them, just as though it understood her summons, and, when it had [Pg 89]reached the place where she stood, it remained motionless.

Then she took up little Ruth in her arms, and stepped on to the cloud and sat down; and, after arranging herself and Ruth quite comfortably, she said something, which Ruth could not understand, and then the cloud began to rise, moving as easily as it had done before it came down from the sky.

While they were going up, Ruth was amazed to see how the garden and the beloved tree below became continually smaller and smaller; how, by-and-by, she could only distinguish the house, and how that became dimmer and dimmer, until it entirely disappeared from her sight.

Then she turned towards the old woman, and saw that her kind blue eyes lovingly regarded her; and so she still more forgot the home below, where, without doubt, her departure would pass unnoticed.

New objects began to attract her attention. The cloud on which they sat did not, like the others, just float over the earth, but it went proudly on, and came among the stars, and constellations of[Pg 90] stars, and she saw how many were clustered together, and no tongue could describe their beauty; and then the deep blue was ever about her, and she saw it away off in the distance, growing to a darker and darker shade, until it became like the air of midnight; while ever from its darkness shone out those immense stars, and clusters of stars.

Then the most beautiful sight of all was when some star glided past her, and shot afar off into the dark blue beyond—there was such dazzling glory in it!

Sometimes they would be quite near enough to the stars they passed to discern the people who dwelt upon them, and she felt for them a friendship at once, and only longed that she might go down and tell them so.

The child had forgotten she was plain and odd; she did not think to ask herself whether the people on those bright stars, so beautiful and happy, might not repulse her for her homeliness.

At last they did approach one bright star, and Ruth saw, to her delight, that, when the cloud had come down into a lovely garden, the old woman[Pg 91] stepped off from it, then took her up also, and placed her on the ground. Then the cloud, which had been their chariot (and a far better one it was than ever king had to be drawn in), rose upward, and began its gentle course in the sky.

"I use all the clouds in that way, more or less, and all those about your earth do many such a service while the people little dream of it. In fact, every one there looks down upon the ground too much; they have no idea of the goodly things they would find if they searched upwards more."

The old woman sighed as she said this. Such a happy and pleasant looking old woman to have sighed so deeply!

Then she took Ruth's hand, and led her towards her cottage, which was the most beautiful thing you ever could imagine. Without, it had the tints of the mother-of-pearl, while its framework was of silver. The windows and doors were of diamonds, and there sparkled from them continually all the rich tints of the rainbow. Within, everything was wrought of the finest silver, and the[Pg 92] rooms were hung, some in delicate blue silk, others in rose colors.

Ruth was entirely overwhelmed with the beauty of the house,—so much so, as to stand still, looking at the things about her.

"You must be tired with your long ride," the woman said, "and I wish you to rest well; for there are many things I will show you. After you have rested, I will bring you some food."

And, with this, she put Ruth upon a sofa, and made her lay quite down, to refresh herself with sleep. But Ruth thought, in her heart, "Rest! Does she think I can be tired, when I have been sitting upon that soft cloud, looking at the wonderful stars? How could I ever be either tired or hungry?" But she said nothing aloud, for the charm of the old woman's presence hovered over her, and, as soon as she closed her eyes, she fell into a soft and beautiful slumber.

O the dreams Ruth dreamed then! Strangely enough, she thought her father and mother, as well as Grace and Jessie, were riding and playing on clouds; and they were all so happy together, and they seemed to love her very dearly; so that,[Pg 93] in her dream, she remembered nothing of their former neglect. She dreamed how her father called her to him, and laid his hand upon her head; and it was such a gentle pressure, and it made her so happy, that she awoke,—and there really was a gentle hand upon her head, and a soft kiss fell upon her lips,—such a touch, and such a kiss, as poor Ruth had scarce ever known before, and which made her quickly twine her arms around the old woman's neck, and kiss her warmly.

Then the old woman put her in one of the silver-wrought chairs, and put before her, on plates sparkling with precious stones, soft, ripe fruit, with a delicious flavor, such as she had never before tasted. She could not help thinking how glad Grace and Jessie would be to see such before them; and so, as at that moment she looked up, and saw the old woman smiling upon her, she took two of the most beautiful and the largest of the fruit and put them in her pocket, for she had no doubt but what, at some time, all too soon, she should go back to the earth.

When she had done this, and finished her delicious repast, which, however, was slowly, for she[Pg 94] was so filled with delight, the old woman bade her leave her chair, and come to her; upon which she took her in her arms, and, looking lovingly down upon her, said:

"My dear Ruth, I am going to show you all the treasures which the children upon the earth gather together, in order some time to take with them to heaven. I call their treasures what they love most in their hearts, and put into actions. Everything they do or say is kept very carefully; for one day they will want them. So you see they cannot lose anything. Everything in nature, every cloud that seems only leisurely floating in the sky, is serving some purpose. And all that is done below is borne up here."

Ruth could not help thinking that the old woman might show her some very beautiful and some very curious things to keep; and in sorrow she began to think what unpleasant things of her own were treasured up, to be given back to her some day when she least expected or desired them.

But the old woman said nothing about Ruth's[Pg 95] things, but, taking her hand, led her forth into the garden again.

"I am going to show you some things there are here," said her friend; "and if they seem ridiculous to you, don't laugh at them. For my part, I think it sad children will treasure up such miserable things."

They had soon passed into the garden, where Ruth saw the most delicate flowers she had ever seen—they were so tall, and nodded their heads gayly to each other; but when she came to a bed of violets—white ones and blue, so large, larger than she thought it was possible for them to grow—she stopped to gaze upon them in complete admiration; the fragrance, too, was delicious—more so than those her brother had, although those were very fine ones.

"Take some, my child," said the old woman, who watched her delight with a kind smile. So down upon her knees she dropped, and took them, and she could not help thinking how beautiful and lovely a smile would fall upon her from her mother's face, as she gave them to her. So the[Pg 96] violets, too, were carefully laid in her pocket for her mother.

Then they passed out from the garden, and came to a gray house; withered flowers lay about it, while briers and nettle-bushes clung to its walls; but, worse than all this, there came forth from the house angry, hateful words, and noises of a mad strife. Ruth feared to pass this place, and clung closely to the old woman's side.

"Here," said the old woman, kindly putting her arm around Ruth, "are kept all those angry words which children speak to each other and their friends; all their little fretful words when they are impatient, and which they will never wish to see again, but which, alas! will be given back to them at a most unwelcome time."

Then they went on to another house, the walls of which were black, and not a green thing grew about it.

"There," said the old woman, "are the treasures of those children who care most for themselves, and do not think of others' pleasures. Those things which they have so loved are kept carefully for them; but they will only tell them[Pg 97] of what they have done for themselves." So she opened the door, and Ruth looked in. There was such a medley of things! Candies of gay colors, nice waxen dolls, a great many broken toys, nice fruit, and, indeed, I could not begin to tell you of all Ruth saw there. There had come, too, a mould upon many of the things, so many of them had grown tarnished; and a bad stench rose from some fruit which had been there a long time.

"You see, my child," said the old woman, as she locked up the door, "these things cannot be preserved to look so brightly as when they were first brought here; they all grow rotten; and I cannot prevent the worms creeping in to corrupt them."

Then they met some very black-looking clouds, loaded with things like those Ruth had seen in the two houses, and they were put in with the rest.

Ruth rejoiced to see that, with quick step, her kind guide passed by many more such houses; for they terrified her. She feared she might hear,[Pg 98] if she listened well, some complaint she had uttered, or should see some tarnished toy which she had selfishly treasured. No wonder she liked to hasten by the houses!

Then they passed away from the dreary desert places where black houses were, into beautiful plains where the grass was mingled with bright and lovely flowers, and rivulets gracefully flowed along; and here were lovely temples, shining with precious stones, so that Ruth clapped her hands at beholding them. "Here," said the old woman, "are more beautiful treasures, which are my great glory and delight."

She showed Ruth one, round which the whitest blossoms grew among green leaves, in which were treasured all the smiles ever given to comfort people who had grief in their heart; and these smiles shed about the whole temple a light like a halo of glory.

In another were the soft, loving words which many children had given others, poorer and lowlier than themselves, to encourage their weak hearts; words which they had given and forgotten, but which had yet been carefully gathered[Pg 99] up, and put in this temple. From this temple a low sound of sweet music rose, which filled Ruth's heart with a perfect peace, as if she had found everything she could ever desire.

In another temple yet were all the words of love, which children express and feel in their hearts to each other. From this temple proceeded louder tones, but yet those of sweetest harmony.

"It is very strange," said she, looking upon the temples, "that I find these precious treasures thrown about very carelessly upon the earth. The children never dream of their worth, and were I not always ready there, some would be lost. But remember, Ruth, none are suffered to be lost; and so, when the children to whom these belong are going into heaven, they shall find there many a treasure they did not dream of possessing. Thus shall the treasures they had forgotten grow brighter and brighter, while others they had perhaps remembered have grown corrupted and vain!"

At these words, Ruth longed to lay many treas[Pg 100]ures in the temples, and she heard a song, which the different tones of the temple formed in the air. It melted her heart with its divine harmony.

"O," cried Ruth "could I but sing such a song to my father! he who loves songs so well. What joy it would be to him!"

"And would you patiently sing the song though he thanked you not?" asked the old woman.

"I desire him only to hear it," replied Ruth; and at that moment the power came to her, and such a song poured from her throat!

She was so enchanted! But, when glancing in the brook, she saw her own figure so lit up with beauty as scarcely to be able to recognize it. The old woman saw her amazement, and replied to it:

"I will send you back to your home that you may sing this song to your father; and remember, little Ruth, that beauty only is worthy to have which proceeds from the sweetness of thy words and the loveliness of thy smile. In heaven thou mayst be as lovely as thou wilt. Send up, then, fit treasures for the temple, and they will be kept safely until thou needest them."[Pg 101]

Then, as the tones of the old woman's voice died away, Ruth found herself in the garden again, near her mother's house, and, had it not been for the fruit and bunch of violets in her pocket, she would have believed it a dream; but, when she went into the house, and gave Grace and Jessie the peaches, and her mother the big, beautiful violets, and began doing all sorts of kind things for every one, she felt how very real it all had been. And then, too, she would sing that beautiful song she had heard in the old woman's star, and her father, delighted, caught her up in his arms, kissing her again and again.

Ruth did not forget what the old woman had told her—how she might bring the beauty of heaven about her form; and when she grew up people loved her, and said, "I would rather look like Ruth, to smile and speak like her, than to have the brightest hair and bluest eyes of any court beauty."[Pg 102]

THE OLD MAN'S STORY.

Come about me, little ones, and I will tell you my story. I seem old to you now; but once I was as young as you. I had twelve brothers and sisters; but now they are all gone before me into the better land, and I remain here alone upon the earth without them.

I am very old. My teeth have fallen away from my mouth one by one, until they are all gone. My bald head has a very few gray hairs; my ears are deaf, so I can scarcely hear your young, sweet voices: and the bright sky is dimmed to my eyes. Slowly my footsteps totter along the earth, as when I first stepped into my mother's outstretched arms.

My wife long ago went before me to the grave, and I have left many children there. Many a time have I seen the green sod laid over the grave of loved ones. Often have I wept at the sight[Pg 103] of God's servant, Death; but when next he comes I shall hail him with joy, for he will be to me the beloved friend who bears me to my home above.

Now that I am grown old, God lovingly carries me back to the days of my childhood. He sends many a loving spirit upon the wings of consolation to bear me into the fair region of youth. The scenes of the few years since—all the noise and bustle of my manhood's prime—are banished far away from me, and only the stillness and quiet of my childhood close around the last moments of my earthly existence. Thus, dear children, bathing me in the innocence and trustful spirit of my childhood, does God prepare me for my home in his beautiful garden.

I told you I had twelve brothers and sisters. O, well do I recall them all! They come near, and I feel their presence as of old! I am glad to linger mostly on their early days; for, in after life, their hearts were filled with sorrow, their fresh spirits wearied, and care brought and filled their souls with other feelings than those of love and sympathy to others.

Our fairest and brightest brother was Fred. I[Pg 104] was only one year younger than he, and I remember well how I watched my mother while she nursed him, and sent me away from the arms which a little before had been my sole possession. I could not understand it, and my little heart was filled with dismay. I would creep away by myself, sit down, and in the most pitiful manner repeat to myself, "Poor Sammy! poor Sammy!" The sense of desolation was very great; and in the whole course of my life I do not remember to have known a more distressing grief. When I grew to be a man, and disappointments came upon me; when I laid my wife and children in their graves, and knew there was not one left of my line but myself—a miserable old man—there was hope in my sorrow, light in my darkness; for I knew the love of God and the life of eternity. These deep sorrows had, also, bright heights; but it was not so then. I could not feel God's love. My mother's care had been all I knew; and, now that it seemed given to another, I was alone and wretched. There was a terrible sense of injustice, which nearly broke my heart. I could not under[Pg 105]stand how my little brother could have the right to what was denied me.

I have always tenderly pitied children who had griefs; then they need our care more than the grown children, who feel God's love and wisdom. But these little ones grope in a kind of darkness. Suffering is a mystery to them; they can perceive no cause or end for it; they only know they suffer.

After a while, I, too, was allowed to sit on my mother's lap with this brother, and then I began to love him, he was so beautiful. There was no child in the county which could be compared with him, and, simply because of his beauty and his cunning ways, he gained the power of a king over the household, so that as soon as he began to run about he ruled it, and me even more than the rest.

The country was very new then, and all the gay, flourishing towns and villages, which are now scattered in every direction, scarcely existed even in the minds of the first sanguine settlers. Dark woods and sombre swamps covered the surface; and what do you think we had instead of roads,[Pg 106] when we wanted to go from one town to another? The first one who found his way along cut pieces of bark out of the trees, and others followed these marks, until after a time they cut down the trees and made a road. I think this is the reason old roads in this country are so crooked; for you know a man cannot walk very straight through a forest.

Our near neighbors lived a mile from us, and it was quite a little journey to go and see them. We had a village, too, in which were but two buildings, the meeting-house and blacksmith's shop. You children would hardly think you could live in such a place; yet such was the state of things ninety-three years ago.

Well, my father and mother had come up from a town near Boston, because my grandfather could give them some land here, and they built their house, and made it their home. The house stands now; it is the very one in which my brothers and sisters were all born.

In her parlor my mother had a very nice piece of furniture, which her mother had given her as a wedding present, and of which she was very proud,[Pg 107] inasmuch as no parlor in the county could boast the like. It was a looking-glass!

Well, laugh! No wonder it seems funny to you that any one should so prize a looking-glass, when you all have so many of them; but you can have no idea how different everything was then. The people were very poor, and, although they owned many acres of land, yet they could frequently sell it but for one dollar an acre, and thought that a fine bargain. You see we had no money to buy the elegant luxuries you have in your houses—the carpets, and sofas, and rocking-chairs. Our floors were hard, covered now and then with a little sand, perhaps, as a great luxury. The chairs were straight and high, while our tables were small and low, and the cups from which we drank our tea as small as those you play with. But, before I say any more, I want to tell you of the fate of mother's looking-glass.

The great room (as mother's parlor was called) was always kept carefully closed, and a very sacred, awful and mysterious place it was to us children. It so happened, one day when mother had gone away, that my little brother Fred began[Pg 108] to be acted upon very powerfully by a desire to take one peep into that room. By some strange neglect mother had left the door unlatched—for she kept her bonnet in there, and always put it on before the glass. The temptation to go in was altogether too powerful for Fred to withstand, and, especially as others had never pronounced the little monosyllable no, to him, he had no mind to begin by saying it to himself. So in he went, and almost the first thing he saw was mother's looking-glass, hanging over the table between the two front windows. As he went towards it he saw a little boy, who seemed to be peering and staring at him from between the windows. He had no idea it was himself he saw, never having seen the looking-glass before, nor his own reflected image. You may be sure he looked right earnestly upon the strange child. If he stepped forward, so did the boy; if he turned away, and then looked cautiously back to watch the boy, there he was, looking at him in a very sly manner. Freddy, enraged at this, rushed out for a stone, and, bringing it in, hurled it at the looking-glass. But it was all in vain, for, even after the glass rattled[Pg 109] down and strewed the floor with its many pieces, that impudent boy peeped at him from every bit of glass in which he looked.

When my mother came home, and went to put away her bonnet in the great room, as usual, she found her beautiful looking-glass lying on the floor, broken into a hundred pieces. When she came out, and demanded of us what it meant, Fred told her of a little boy he saw behind it, at whom he was offended and hurled a stone, but that still the boy looked at him from the pieces of glass and made him very angry.

Then mother laughed when she heard Fred's story, and, catching him up in her arms, kissed him again and again. She forgot to chide him for his disobedience in going where he had been forbidden to go, and for his foolish anger at the supposed boy. She was so much amused at his version of the story, that she did not explain to him what the boy was, and how the looking-glass reflected figures before it, but he was left to find that out by his experience afterwards.

If my brother, long before that, had learned lessons of love and forbearance, this circumstance,[Pg 110] slight as it may seem, would never have occurred. Instead of the threatening and distrustful look in the mirror, he would have found a laughing face, and a tiny, loving hand would have been given him. O, my dear children, this story has a higher meaning than I thought of when I commenced! In the feelings of those whom we approach we see the reflection of our own; if we approach any one with love, it is given to us from them. Think of this: it will serve you well, and teach you to be careful, ere you hurl the stone, to know what is the object of your anger.

I have often thought that we all helped to make my brother selfish. He was so very beautiful that we indulged him in every whim he had; so he came to look upon us at last as bound to serve him. I do not blame him only; they who had the nurturing of him, they to whom his young spirit was sent so fair from God's heavenly gardens, in their unwise love taught him to think of himself, and make others serve his purposes.

These dear, helpless little ones—they come to us in fresh beauty like a spring morning, and[Pg 111] we taint their spirits with selfishness, and darken them with worldly care!

Years after, when my brother and myself had grown to men, we bound our interests in one. He had quicker parts than I—was a much better scholar; so I trusted all our business confidently in his hands. But I grieve to say he did not meet my confidence with honor—he took from my purse to enrich his own; and when I stood by his bedside, at last, and saw how the deep wrinkles were worn in by care upon his once round cheek, I wept. I wept that he should die without having found in life that peace which any one would have predicted for him over his cradle, when the rosy cheeks sank into the soft pillow, and the long lashes of his baby eyelids rested upon them! I love that brother now, and his child, who had become penniless after his death, I warmed in my chimney-corner, and held to my heart as though she had been my own child. Brother, I know thou hast repented, long ago, of the wrongs thou didst inflict, and that some time, in the presence of God, I shall clasp thee in my arms, pure again as when we sat together on our mother's knee![Pg 112]

Let me tell you how we got our clothes. Did you ever ask yourself what we could do then, when there were so few shops, and so little money to carry to the shops?

We had sheep, who gave us wool, which my mother spun, and wove it into cloth. Just think of that! Do you imagine you would have as fine clothes, if your mothers had to spin all the cloth? She knit, too, O, so fast! as well in the dark as the light. I have known her to knit a coarse stocking easily of an evening—her fingers flew along the needles! Cotton cloth was a great rarity among us. I remember once my mother had a cotton gown, and it was esteemed very precious.

Father made our shoes, and rough ones they were too, and which we only wore in the coldest part of the winter. The long winter evenings were so beautiful to us! Father taught us to read and spell, and chalked out sums on the wall for us; then we would draw profiles on the wall, for the great blaze of the wood-fire cast a bright light, and, consequently, the shadow was well marked. A[Pg 113] huge chimney-place we had, with a broad hearth, and all about this would we sit, roasting apples and popping corn by the heat of the fire.

So we lived; in the summer, playing "hi-spy" around the corners of the barn, and, in the winter, living snugly in the chimney-corner, telling stories.

When the revolutionary war broke out,—you've heard of that, of course; but then I'm afraid you'll never know how much we endured then; our feeling against the injustice of Mother England was very great. You do not know how we had loved her, nor how we children used to listen to stories of that beautiful country beyond the sea. Our father and mother spoke of it as "Home," and we all hoped that some time, when we were men and women, we might go "Home." Then, when she began to tax us for more money than we were able to pay, in order to build grand palaces, it seemed hard to us; and, even after we had remonstrated again and again, she took no notice of our petitions. She laid a heavy tax on some little comforts we had, such as sugar and molasses; and then, when we refused to buy them rather than[Pg 114] pay the tax, she imposed a heavy tax on tea, and sent a great deal of it here to force us to buy it. We wouldn't have the tea, however, and you must have heard how a party of men, disguised as Indians, threw it all into Boston harbor.

All these things seemed the more cruel because they came from "Home." And, finally, worn out with the injustice constantly experienced at their hands, we prepared to resist them by war.

The declaration of independence, which you celebrate every fourth of July, was received with mingled emotions of joy and sorrow. It was severing an old tie which had once been sweet; but yet it promised us, through the doubtful conflict, freedom and independence.

How enthusiastic we children were! Father made us rude wooden guns; and drilled us every morning, for no one knew how long the war would last; but we were determined to conquer, even though our fathers died in the war, and our children succeeded to it. I remember when the recruiting army came round. I seized my gun, and manfully joined its ranks. But to my dismay I was sent back; my wooden gun, and extreme[Pg 115] youth, were thought insufficient to meet the demands of a soldier's duty. I remember well when the battle was fought on Bunker Hill. A great part of the town was gathered upon a slight elevation, from which we could distinctly hear the roaring of the cannons and the clashing of the artillery. It was a terrible day! There was many a woman there who had a father or husband in the battle; and, at each report which filled their ears, they fancied they saw them falling before the foe, and trampled beneath the feet of the conquerors.

Those were trying times. Children, I pray God you may never know such; and you never can, for you will not struggle with poverty as we did. When I look upon your happy faces, and see the satchel full of books on your arm,—when I look in upon your happy homes, upon the career of honor and usefulness before you in the future,—I am, by the strong contrast, transported to those "trying times" when we lived in the cold houses, and wore the coarse cloth; when we sacrificed the refinements of knowledge, and the pleasures of luxury, to the bold struggle of liberty against tyranny; when our hard-working mothers at home[Pg 116] melted their last pewter plate, that the guns should know no lack of bullets, and sent all the little comforts of food and clothing they could find, to bless the husbands and fathers toiling in the war; and when the fathers fought with the fangs of thirst and hunger fast upon them, and leaving behind them, upon the sharp ice, the traces of their footsteps, engraven by their bleeding feet. Then, children, tears of joy and gratitude fill my eyes; for we did not toil in vain. In you all do I behold the fruits of our labor. We were ignorant, that you might be wise; poor, that you might be rich; outlawed and disgraced, that you might build up a free and generous nation. And, in reaping these privileges, do not forget the old man, and the old woman, who, bowed and wrinkled with age, need your kind hand. We have given you these things gladly; and now, before we go to our further toil in eternity, let us hear your blessed voices speaking to us in kind tones of love; let us feel your young lips pressed upon our old brows; let us clasp your little hands, and feel the gladness with which your attentions come to us. And when you see an old man, alone, with those of his gen[Pg 117]eration passed away, treat him tenderly. Guide his tottering footsteps, and bear with him when he is slow; for he is waiting for the kind servant, Death. He is thinking of a dear little girl, who, long ago, with her blue eyes and golden hair, her light step and soft embrace, went up to live with the angels; and the tears fall fast over his worn cheeks, as he remembers the lone place she left in his heart, for she was the last thing which had been left him from his broken family. Speak to the old man gently, for his heart is often in converse with the beautiful past! Speak to him gently, for his soul dwells among the angels of heaven![Pg 118]

A STORY OF THE CHRIST-CHILD.

In one of those tall, splendid houses, standing in proud streets, in which some poor people imagine heaven to dwell, lived a little girl by the name of Helen.

It was Christmas-day; and early in the morning did she jump from her bed, and run to look at her stocking by the fireplace, where it was hung that Santa Claus need not be troubled to hunt for it.

There it hung, filled full, and all about on the sides had fallen the presents it was not large enough to hold. O, how quickly did she empty its contents; and how delighted were her exclamations!

"A beautiful bracelet!" she said to herself, sitting down on the carpet and drawing her little white feet under her; "just such a one, with the opal stone, as I saw in the window, yesterday, when[Pg 119] I went to walk with mamma on Washington-street; and she sent me home, I know, so she could buy it. O, and this beautiful book! how its edges shine! What pictures! Let me see;—'From your affectionate father,'—I knew father gave me that;—and see the pretty cushion, and the box, and the china cups and plates for my doll; and O, a new silk dress for dolly, and something little, away down!" continued Helen, drawing out her hand and peeping into the little stocking; then, putting her hand back, drew out a pretty ring for her finger. "If this is not nice! I never did see anything so pretty,—a ring and a bracelet! O, dear, dear! how happy I am!" She actually danced about the room for joy; and, when Katie came to wash and dress her, she scampered around and around her, for she could not keep still.

There was ever so much candy too, and she wanted only to sit down and eat it, unmindful of Katie's remonstrances.

She had been so delighted with her presents as almost to forget the merry Christmas she was to bid her father and mother; and so, when she went down stairs into the breakfast-room, where the hot[Pg 120] rolls were smoking, and the loving parents waiting, they had almost surprised her with their wishes before she bethought herself.

Then she began to think of a party which was to be at her teacher's house, and of the Christmas-tree and the Christ-child, which so many children would go to see in their best frocks and best looks.

So, after the famous Christmas-dinner with its nice roast-meats, and puddings, and pies,—after the game of romps with her father, and the ride on the rocking-horse with her brother, who, at last, from mere mischief, had tipped her off, and sent her crying to her mother,—she began to think about going there. She had seen herself nicely arrayed in the pretty plaid dress, with the ring on her finger, and the opal bracelet on her arm, which she had found in her stocking that morning. Then she bethought herself of how all the children were to bring a few pieces of silver for an offering to the Christ-child, that it might be sent off into distant lands to children who knew nothing of the blessed Christ-child and the Christmas he brought.

It is true Helen had a bright box with a hole[Pg 121] in the lid, through which she had dropped many a bright piece of silver; and it is also true that the box had a lock, and the key of the lock lay quietly in one of Helen's drawers; but the money there was destined to some very great and vague purpose; and she never would have dreamed of unlocking the box and taking from it any silver for the Christ-child. She knew well enough papa would give her money for that purpose. So to papa she went, and told him what she wanted; and he, proud that his little girl should carry as much as others whom she would meet there, gave her a beautiful gold piece of money—a veritable five dollars!

Then did Helen speed along with exultation in her heart—exultation for the gold in her tiny pocket, and exultation in the very bright dress, quilted pink bonnet, and pretty white furs. And she was so often thinking, "What will Mary say when she sees this?" Not once did Helen ask herself what the Christ-child, or he whom the Christ-child represented, the Saviour in heaven would say to the gold she brought.

She was not bringing the gold for the children so far away. She was bringing it because the others would bring some, and she wanted hers seen of them!

Away down in an obscure street, where you would not look for anything kind or beautiful, lived a brother and sister, who made each other very happy in their love. Their names were Johnny and Susan. Johnny was a lame, sick boy, who could not run out of doors and play like other children. It was Christmas morning there too, even, and early had Susan, his sister, awoke to think of the pleasant visit she should make in the afternoon at her teacher's house; and she had even stolen from her bed up to Johnny's bedside to see if he, too, was awake; and when she saw that he was awake and his countenance thoughtful, they began to talk together about the day's pleasure, and how Susan was to remember everything to tell it over by night to Johnny.

"O," said Susan, "to think how beautiful it will be, and I never in a fine house before, and the two sixpences we have earned this week! How glad shall I be to put them in my teacher's[Pg 123] hand! Johnny dear," said the little Susan, looking tenderly on her poor brother, "do you not think you need the sixpence yourself? I could buy you a sweet orange, or something nice for you to eat, it is so long since you had anything but bread and water."

"No," said Johnny, "I'd rather much give it to the Christ-child. I love to lie here and think about it, and of those children so far away, who will be glad when they, too, know of this beautiful day. I think of them so much that I love them, Susan, and I wish I had more than the sixpence to send them."

Susan busied herself in preparing the breakfast of bread and water, and then, when it was over and the work done up, she sat down by the side of Johnny's bed, and read to him out of the little book she had brought from her Sunday-school; and Johnny forgot, in the quiet peace of the day, how hard it was to lie still upon the bed, when he so often longed to run out and play; thoughts of love came into his heart, and tears of gentleness into his eyes.

Their dinner was very different from the one[Pg 124] Helen had eaten; but they were happy, their hearts were full of expectation,—and Susan had got herself quite ready, and, wrapping the two pieces of silver in a piece of paper, she kissed Johnny, and set off on her way to the teacher's house.

But when Susan came among the children there, somehow they all shunned her. In their plays, if they had occasion to speak to her, they passed on quickly, with a suppressed smile and hurried glance on each other. If, by any means, she spoke to them, they looked upon her in astonishment, without answering her words. They often whispered one to another, casting curious looks upon her; so she knew easily they spoke of her. What could it mean? What had she done?

I cannot answer this well. She had a gentle, sweet face; her manners were neither rude nor obtrusive, and when she spoke, though her tones were low, half fearful and trembling, still were her words as kind and polite, if not kinder and politer, than those of the other children.

Poor Susan! and she had thought to be so happy that afternoon; she had anticipated only[Pg 125] kindly faces, and loving glances, and kind hands stretched out to her in the plays. For once she had thought to mingle with those pretty children as if they had been her sisters, and, when she went back to dear Johnny, to tell him of their loving words. But now—what! could she tell Johnny, to grieve him, of the sad afternoon she was passing? She looked upon them more closely, trying to find out what it was that separated her from them. 'Tis true she wore no bright plaid dress and delicate cloth boots; she wore no bracelets on her arm; she had not found them in her stocking that morning. There was no necklace about her neck; her hair was not bright and curling; yet, still, what could be the reason they shunned her so?

Susan tremblingly looked over her own dress. Her gown was scanty and of cotton, her pantalets were long and narrow, but they were the best she had; her mother had made them long ago, and Susan had so carefully preserved them. On her feet she wore thick leather shoes; but she knew how the money had been saved, little by little, from week to week, that they might be bought. If they were thick, it was that they might last the[Pg 126] longer; and her hair was combed smoothly over her brow and braided on her neck. Her hands, it is true, were not delicate, like theirs—they were hard and red; but they had become so in working for the home, to keep it clean, and working early and late, that the mother might not be detained from her work out, and that the lame, sick brother should have no little want unsupplied.

And was it that her hands were red and her clothes coarse that the children shunned her—even, too, before they looked into her little home, and saw what she did there, how she comforted Johnny, and swept clean the floor, and even found some time to read out of her books? Could they, with their bright frocks and rosy cheeks, have such very weak and wicked causes for their displeasure against this poor child? Could they so willingly hurt her heart, when she had come from so many days of toil to what she had thought would be a day of pleasure, so that she must often turn her head to wipe off the tears with her little red hand? And these children, had they come to honor the Christ-child?

Their teacher had watched their games, and saw[Pg 127] how they played among themselves, and cast out the little Susan from their play; and she thought that not only did they dishonor the Christ-child, but her who had brought them all together.

But Susan still thought of the Christmas-tree, the present it should bear for her, and how she should take hers home for Johnny; and she thought, too, of the two little sixpences done up in the paper in her pocket. Helen, too, was not unmindful of her bright gold-piece, and had taken good care to show it before the eyes of all the children; and Susan had seen it, and thought of Johnny,—how he had said he wished he had still more to send to the children so far away,—and she thought the little girl with the gold-piece must be happy enough to send it; and she began to feel half ashamed that she had no more money, and, as their unkind looks continued, she asked herself if she had any right to be there.

But the Christmas-tree was ready. A servant came in and closed tightly the shutters, so the room was all dark, and then the parlor-doors were thrown open, and there stood the tall, beautiful tree, with candles of all colors, which were[Pg 128] burning like so many stars, and above it hung the Christ-child, with a smile as of love, and his arms stretched out as he would call them to him. And on the tree were nice gifts, books and toys, pictures, and lace bags, tied with gay ribbons, filled with candies. But Helen, and all the children who had found rich gifts in their stockings that morning, turned indifferently from these, admiring the novelty of the Christmas-tree.

But to the child they had neglected,—the little girl in the cotton gown and coarse, thick shoes, the little Susan,—these gifts, as well as the tree, were very precious; for she had not jumped eagerly from her bed that morning to find rich presents in her stockings, for she did not expect them to be there; she had awoke early to think of the visit to the teacher's house, the sight at the tree, and the gifts it should bear for her and Johnny.

When the children saw how carefully she put the little bags of sweetmeats in her pocket, instead of eating them as they did, they laughed among themselves, and said something about her which[Pg 129] was so cruel and so unjust, that I shall not even tell you what it was. They did not know she was saving the candy to eat with Johnny. Then, when she pondered over her little book, in admiration, and held it carefully in her hands, as though she was fearful of stretching it, they said to themselves, she must be very ignorant to care for such a thing. But Susan only shrank off by herself, thankful to have her portion in these things.

After this, came the time when they would bring their offerings for those children who live in the far-off lands, where there is no Christmas; and the children began to wonder if Susan had any money, and to show each other what they had. Then their teacher drew her chair among them, and began to tell them what it really was to wish that others might enjoy what we did; what it was to help them to do so, and be careful not to rob them of one smile.

"This money which you would send to those children, that they may be happy as you are, if it does not tell them of your love, is useless to them. And if, to obtain it, you have, in any way, denied yourself of one little thing, be sure God will look[Pg 130] very lovingly upon you; and those children, when you meet them in heaven, will put their arms about you, and tell you of their gratitude."

When the teacher said these last words, Susan's lip quivered, and her eye sparkled, for they were words of meaning to her; but they did not affect the other children, for they were words of no meaning to them.

But Susan saw those children in heaven, in her fancy, and Johnny was there, no longer lame and sick; they ran and played over bright fields, and no one laughed at them, or repulsed them, or wore brighter clothes than they. They threw garlands of flowers to each other, and when they laughed the tones of their voices were like music.

Then the teacher called Susan to her side, and Susan put in her hand the two little pieces of silver; and the children, when they saw how carefully they had been wrapped in the bit of paper, exchanged glances, and they who had the most money in their pockets smiled scornfully, as children can, upon one another. The teacher asks Susan how the little money was got, and the child answers in a low tone:[Pg 131]

"Please, ma'am, they are Johnny's and mine; we saved them since you told us so long ago."

And the teacher, as she thinks of the lame, sick Johnny, and what those pennies might have bought him—how he had denied himself—feels the tears come into her eyes, and she speaks to the children of Johnny, and tells Susan that when she comes into heaven, she shall certainly see the children she blesses now. But when she calls the others to her, and they show her the money so easily obtained, the teacher will not take it.

"Since you denied yourself not one thing for it, how do I know love made you bring it. And if love did not send it, how could it make the far-off children happy? And how can you love those so far off, when you have all helped to make this Christmas afternoon so unhappy a one to one of the children I invited here with you? If you love not those close by you, you cannot love those at a distance.

She told them how Susan nursed her sick brother; how she read to him, watched over him with cheerful smile and kind love; what she did for her brother's comfort, and she showed them[Pg 132] that the two pieces of silver from Johnny and Susan were really worth more in the sight of God than their silver dollars and gold pieces.

Then she told them a story. When Christ was one day sitting in the temple, he looked upon all those who came to put money in the treasury. Many rich people, with proud airs and haughty hearts, threw in large sums of money; people called them benevolent, and sang loud praises to them.

At last came a poor widow, bringing with her two mites, which made one penny. She had saved them of all she had, and humbly, with love in her heart, she threw them into the treasury. What a little, in comparison with what the others had thrown there! and yet Jesus, who before had not spoken, said of her:

"I say unto you, this poor widow hath cast more in than all they which have cast into the treasury. For all they did cast in of their abundance, but she, of her want, did cast in all that she had, even her living!"[Pg 133]

And the teacher was careful to tell them, it was the spirit of love in which the two mites were brought, not simply that they were two mites, which made Christ bless the woman; for if, in the same spirit, she had brought twenty mites, her blessing would have been the same.

The children saw, then, how shameful had been their conduct, and it seemed just to them that the Christ-child should refuse their offerings.

"No," replied the teacher; "she does not need your money; she could give you nothing in return for it. But, instead, you may give her your love;—that she would like, and can return;—and, by-and-by, when you have learned well your lessons of kindness, give the money where love prompts you."

And, from that time, they began to learn these lessons; they saw how Susan, if her clothes were coarse, had in her heart what was worth more than fine clothes, and all the riches which are in the world; and if they would have their gifts accept[Pg 134]able to the Christ-child, they must have such in their hearts!

Susan went home happy—bearing on her arm a basket of grapes and oranges for Johnny, to tell him how the teacher had sent them to him, and that they must be more and more loving and self-denying, since their God would love them.

The only Original Illustrated Juvenile Magazine published Once a Week.

The cost of which, in book form, would be $5.00,—double the subscription price of the Magazine. Every number contains part of a new Story by Oliver Optic, illustrated by designs from the best artists, headed by Thomas Nast, the great American Artist. Then follow

A department exclusively in charge of Oliver Optic, gives every other week a selection for Declamation, marked for delivery according to the most approved rules of elocution; 26 Marked Declamations each Year.

Some of the best writers find a place under this head every other week, giving the subscriber 26 Original Dialogues every Year.

Containing Geographical Rebuses, Puzzles, Syncopations, Geographical Questions, Proverbial Anagrams, Enigmas, Charades, and Numerical Puzzles, contributed by the subscribers, and rendered unusually attractive by original features NOT TO BE FOUND IN ANY OTHER MAGAZINE.

In addition to the above-mentioned departments, there are regular contributions on Natural History, History, the Sciences, Facts and Figures from some of the most learned men in the country.

OLIVER OPTIC'S MAGAZINE contains more reading matter than any other juvenile publication, and is the CHEAPEST and the BEST Periodical of the kind in the United States.

Any boy or girl who will write to the publishers shall receive a specimen copy by mail, free.

TERMS, IN ADVANCE.—Single Subscriptions, One Year, $2.50; One Volume, Six Months, $1.25; Single copies, 6 cents. Three copies, $6.50; five copies, $10.00; ten copies (with an extra copy free), $20.00.

"One noticeable feature of this author's books is their purity. Not a line is to be found in any work of his but what will tend to elevate and purify the mind of the boy or girl who may peruse it."

"All Aboard" was written to gratify the reasonable curiosity of the readers of the "Boat Club," to know what occurred at Woodlake during the second season; and though it is a sequel, it has no direct connection with its predecessor. The Introduction in the first chapter contains a brief synopsis of the principal events of the first season; so that those who have not read the "Boat Club" will labor under no disadvantage on that account.

The author has been for many years a successful teacher in one of the Boston Public Schools, and the knowledge of youthful character thus obtained has been used to good advantage in his works.

The story of Harry West is a record of youthful experience designed to illustrate the necessity and the results of perseverance in well doing. The true success of life is the attainment of a pure and exalted character; and he who at three-score-and-ten has won nothing but wealth and a name, has failed to achieve the noblest purpose of his being. This is the moral of the story contained in this volume.

Paul Duncan, the hero of this volume, is a nautical young gentleman, and most of the events of the story occur upon the water, and possess that exciting and captivating character for which this author's books are famous. But the author hopes that something more than exciting incidents will be found upon his pages; that though he has seldom, if ever, gone out of his way to define the moral quality, or measure the moral quantity, of the words and deeds of his characters, the story will not be found wanting in a true Christian spirit.

The history of a smart girl, where fortunes are made to depend upon her good principles, her politeness, her determined perseverance, and her over-coming that foolish pride, which is a snare to the feet. In these respects she is a worthy example for the young.

Sold by all booksellers and newsdealers, and sent by mail, post-paid, on receipt of price.

A Library of Travel and Adventure in Foreign Lands. 16mo. Illustrated by Nast, Stevens, Perkins, and others.

"In Outward Bound," "the Ship Young America, sails for Europe, with a school of eighty-seven boys aboard her, who pursue the studies of a school, and at the same time work the ship across the Atlantic, being amenable to regular naval discipline."

"This volume continues the history of the academy ship and her crew of boys, with their trips into the interior as well as voyages along the coast of Ireland and Scotland. The young scholar will get a truer and fuller conception of these countries by reading this unpretentious journal of travel, than by weeks of hard study upon the geographies and histories."

"The third volume of Oliver Optic's Library of travel and adventure chronicles the doings of the Young America and her crew in British ports and waters, and is replete with thrilling adventures and descriptions of noted places."

"The author takes his readers on voyages up the rivers and canals of Holland and Belgium, on tramps through the cities, their schools, their art galleries, and their wonderful buildings, giving at every turn vivid impressions of what is seen and heard therein and thereabouts."

"This volume relates the history of the American Squadron (Young America and Josephine) in the waters of France, with the journey of the students to Paris and through a portion of Switzerland. As an episode, the story of the runaway cruise of the Josephine is introduced, inculcating the moral that 'the way of the transgressor is hard.'"

This volume concludes the first series of Young America, and is as interesting and instructive as the preceding volumes. So great has been the success of this series, that Oliver Optic is now preparing a second. "Up the Baltic" will be the first volume, to be followed by "Northern Lands," "Vine and Olive," "Sunny Shores," "Cross and Crescent" and "Isles of the Sea." Sold by all book-sellers and news-dealers, and sent by mail on receipt of price.

"No author is more welcomed by the young, and no books can be more safely placed in their hands. His writings, as in this volume of 'Rich and Humble,' inspire the reader with a lofty purpose. They show the wrong courses of life only to present, by contrast, the true and right path, and make it the way which youth will wish to walk in, because of its being the most pleasant and inviting."—Mass. Teacher.

"Oliver Optic is as well known and as highly appreciated among the young people of our land as Charles Dickens is among the older folks. 'In School and Out' is equal to anything he has written. It is a story that will deeply interest boys particularly, and make them better."—Notices of the Press.

The author has used, to the best advantage, the many exciting incidents that naturally attend the career of a fugitive slave, and the seeds that he may sow in youthful hearts will perhaps bear a hundred-fold.

"A nautical story of adventure and endurance, written to delineate the upward progress of a boy whose moral attributes were of the lowest order, in consequence of neglected education, but in whom high religious principles were afterwards developed."—Notices of the Press.

"This is a story of Western adventure and of peril among the Indians, and contains the experience of Fanny Grant, who, from a very naughty girl, became a very good one, by the influence of a pure and beautiful example exhibited by an erring child, in the hour of her greatest wandering from the path of virtue."—Philadelphia Age.

"This is a story of boyish daring and integrity upon Lake Champlain, and older heads than those of sixteen may read and profit by it."

The stories in the "Woodville" series are hinged together only so far as the same characters have been retained in each.

"The early history of Levi Fairfield, the boy hero of this volume, as it is graphically traced by Oliver Optic, will be apt to hold boy-readers spell-bound. His manly virtue, his determined character, his superiority to mean vice, his industry, and his stirring adventures, will suggest good lessons for imitation."—Presbyterian.

"In this volume Oliver Optic opens the school-room door, and shows the nature, construction, and workings of the school system; its lights and shadows; its discipline, and the serious consequences that come from want of discipline."—Patriot.

Earnest Thornton, the "smart boy" of this story, is a clear headed, well intentioned, plucky boy, that has a high aim and means right even where he is wrong, and his adventures will be read with interest.

FREAKS OF FORTUNE; or, Half around the World,—a sequel to "The Starry Flag." $1.25.

"The adventures of Levi Fairfield, the noble young Captain of the Starry Flag, excited such an interest among the young folks that the continuance of his story was called for, with which demand the ever ready author has complied, with a story equally attractive and interesting."

"This is a lively, stirring volume, full of interest and instruction from one cover to the other. Just the book a smart, wide-awake boy will enjoy intensely."—Press.

"These stories are not only written in a manner well calculated to enchain the attention of young readers, but teach at the same time such important lessons of sobriety, industry and cheerfulness, that we should like to see them in the hands of every boy in the land."—Galesburg Free Press.

Sold by all booksellers and newsdealers, and sent by mail, post-paid, on receipt of price.

LITTLE PRUDY.
LITTLE PRUDY'S Sister Susy.
LITTLE PRUDY'S Captain Horace.
LITTLE PRUDY'S Cousin Grace.
LITTLE PRUDY'S Story Book.
LITTLE PRUDY'S Dotty Dimple.

DOTTY DIMPLE at her Grandmother's.
DOTTY DIMPLE at Home.
DOTTY DIMPLE out West.
DOTTY DIMPLE at Play.
DOTTY DIMPLE at School.
DOTTY DIMPLE'S Flyaway.

Read the high commendation of the North American Review, which places Sophie May's Books at the

"Genius comes in with 'Little Prudy.' Compared with her, all other book-children are cold creations of Literature only; she alone is the real thing. All the quaintness of childhood, its originality, its tenderness and its teasing,—its infinite, unconscious drollery, the serious earnestness of its fun, the fun of its seriousness, the natural religion of its plays, and the delicious oddity of its prayers,—all these waited for dear Little Prudy to embody them. Sam Weller is not more piquant; Hans Anderson's nutcrackers and knitting-needles are not more thoroughly charged with life. There are six little green volumes in the series, and of course other dramatis personæ must figure; but one eagerly watches for every reappearance of Prudy, as one watches at the play for Owens or Warren to re-enter upon the stage. Who is our benefactress in the authorship of these books, the world knows not. Sophie May must doubtless be a fancy name, by reason of the spelling, and we have only to be greatful that the author did not inflict on us the customary alliteration in her pseudonyme. The rare gift of delineating childhood is hers, and may the line of 'Little Prudy' go out to the end of the earth.... To those oversaturated with transatlantic traditions we recommend a course of 'Little Prudy,'"

Sold by all booksellers and newsdealers, and sent by mail, post-paid, on receipt of price.

WORTH NOT WEALTH.
COUNTRY LIFE.
THE CHARM.
KARL KEIGLER.
WALTER SEYTON.
HOLIDAYS AT CHESTNUT HILL.

THE GREAT ROSY DIAMOND.
DAISY; or, The Fairy Spectacles.
VIOLET: A Fairy Story.
MINNIE; or, The Little Woman.
THE ANGEL CHILDREN.
LITTLE BLOSSOM'S REWARD.

PLAY AND STUDY.
THE MOTHERLESS CHILDREN.
HOWARD AND HIS TEACHER.
JACK, THE CHIMNEY-SWEEP.

For family reading and Sabbath School libraries there are no better books written than these by Mrs. Leslie. With attractive and interesting stories are mingled wholesome truths and moral lessons. Of all these books large editions have been printed, and they may be found largely circulated in Sabbath Schools.

Sold by all booksellers and newsdealers, and sent by mail, post-paid, on receipt of price.

Six volumes, profusely illustrated from new designs by Billings. In neat box. Cloth. Per vol., .45.

Little Merchant. Young Voyagers. Dolly and I. Proud and Lazy. Careless Kate. Robinson Crusoe, Jr.

These little volumes are very interesting and attractive, and they carry a moral with them, which, if heeded, there is no doubt will set Youth in the right direction for its own benefit.

Companions to the above. Six volumes, profusely illustrated from new designs by Billings. In neat box. Cloth. Per volume, .45.

Christmas Gift. Uncle Ben. Birthday Party. The Picnic Party. The Gold Thimble. The Do-Somethings.

These stories are written in "Oliver Optic's" best style, and all are interesting and attractive.

OUR STANDARD BEARER; Or, The Life of Gen'l Ulysses S. Grant: His Youth, His Manhood, His Campaigns, and his eminent Services in the Reconstruction of the Nation his Sword has redeemed. As seen and related by Captain Bernard Galligasken, Cosmopolitan, and written out by Oliver Optic. Illustrated by Thos. Nast. 16mo. Cloth. $1.50.

"This is a book for young men to read; for boys to read; and old men will find their dull blood stirred by its graphic descriptions, its thrilling narrative, and its hearty enthusiasm."—New Bedford Mercury.

"This excellent writer for children has here tried his hand at writing for grown people, and has succeeded admirably."—Times.

"The Way of the World is a popular story of the intense class, full of thrilling incidents and exciting scenes, such as boys delight to read."—Congregationalist.

Sold by all book-sellers and news-dealers, and sent by mail, post-paid, on receipt of price.

"This is a story of the rebellion, narrating the adventures of a patriotic youth, who left the comforts of home to share the dangers of the field. He is carried through several battles, and for a while shared the hospitalities of the rebels as a prisoner. The story is true to history, giving in the form of personal adventure correct accounts of many stirring scenes of the war.—Hartford Courant.

"Jack is the brother of Tom, the Soldier Boy, whose adventures in the army were so much enjoyed. We have only to repeat that there are few better stories for boys than these of Mr. Adams'. Always bright and even sparkling with animation, the story never drags; there are no stupid tasks or tiresome descriptions; the boys whose characters are drawn are real boys, impulsive, with superabundant animal life, and the heroes are manly, generous, healthy creations.—Hartford Press.

THE YOUNG LIEUTENANT; or, The Adventures of an Army Officer. 16mo. Illustrated. $1.50

"The Young Lieutenant" is a sequel to "The Soldier Boy," and carries the reader through the stormy scenes of the rebellion, creates Thomas Somers an officer, and as such he performs much difficult work in the rebellion.

"The incidents of the story are those which have occurred on the ocean, and on the bays, inlets, and rivers of the South, common in the experience of all our naval officers who have been actively employed during the war."—Notices of the Press.

"The description of battles and sieges, of picket and skirmishing, of camp life and marching, are wrought out with thrilling detail, making the story truly fascinating; while, in connection with this, useful and practical information respecting men and places is conveyed, and a proper spirit of morality and patriotism inculcated."—Notices of the Press.

A book of adventure, of personal experience, describing a living hero, and exhibiting the great truth that, by fidelity of conscience, country, and God, earthly and heavenly blessings are secured.

Sold by all booksellers and newsdealers, and sent by mail, post-paid, on receipt of price.

*** END OF THE PROJECT GUTENBERG EBOOK THE ANGEL CHILDREN ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

	PAGE
Hepsa and Genevieve,	5
The Garden of God; or, the Baby's First Smile,	26
Cybele, the Tambourine Girl,	44
The Story of Maggie's Journey,	63
The Old Woman and the Enchanted Song,	84
The Old Man's Story,	102
A Story of the Christ-Child,	118

The Project Gutenberg eBook of The Angel Children

THE ANGEL CHILDREN;

OR,

STORIES FROM CLOUD-LAND.

BY

CHARLOTTE M. HIGGINS.

BOSTON:
LEE AND SHEPARD.

CONTENTS.

VACATION STORY BOOKS.

ROSY DIAMOND STORY BOOKS.

STORIES.

HEPSA AND GENEVIEVE.

THE GARDEN OF GOD;

OR,

THE BABY'S FIRST SMILE.

CYBELE, THE TAMBOURINE GIRL.

THE STORY OF MAGGIE'S JOURNEY.

THE OLD WOMAN AND THE ENCHANTED SONG.

THE OLD MAN'S STORY.

A STORY OF THE CHRIST-CHILD.

The only Original Illustrated Juvenile Magazine published Once a Week.

THE FULL PROJECT GUTENBERG LICENSE

The Project Gutenberg eBook of The Angel Children

THE ANGEL CHILDREN;

OR,

STORIES FROM CLOUD-LAND.

BY

CHARLOTTE M. HIGGINS.

BOSTON: LEE AND SHEPARD.

CONTENTS.

VACATION STORY BOOKS.

ROSY DIAMOND STORY BOOKS.

STORIES.

HEPSA AND GENEVIEVE.

THE GARDEN OF GOD;

OR,

THE BABY'S FIRST SMILE.

CYBELE, THE TAMBOURINE GIRL.

THE STORY OF MAGGIE'S JOURNEY.

THE OLD WOMAN AND THE ENCHANTED SONG.

THE OLD MAN'S STORY.

A STORY OF THE CHRIST-CHILD.

The only Original Illustrated Juvenile Magazine published Once a Week.

THE FULL PROJECT GUTENBERG LICENSE

BOSTON:
LEE AND SHEPARD.