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Title: The Arrow of Gold: A Story Between Two Notes

Author: Joseph Conrad

Release date: October 1, 1997 [eBook #1083]
                Most recently updated: January 2, 2012

Language: English

Credits: Transcribed from the 1921 T. Fisher Unwin by David Price


*** START OF THE PROJECT GUTENBERG EBOOK THE ARROW OF GOLD: A STORY BETWEEN TWO NOTES ***


Transcribed from the 1921 T. Fisher Unwin by David Price, email
ccx074@pglaf.org





                                   THE
                              ARROW OF GOLD


                        A STORY BETWEEN TWO NOTES

                                    BY
                              JOSEPH CONRAD

                      Celui qui n'a connu que des hommes
                   polis et raisonnables, ou ne connait pas
                     l'homme, ou ne le connait qu'a demi.

                                                               CARACTERES.

                                * * * * *

                          T. FISHER UNWIN, LTD.
                         LONDON: ADELPHI TERRACE

                                * * * * *

_First published_          _August_ 1919
_Reprinted_              _December_ 1919
_Reprinted_               _October_ 1921

                                  * * * * *

                           ALL RIGHTS RESERVED

                                * * * * *

                                    TO
                              RICHARD CURLE

                                * * * * *




FIRST NOTE


The pages which follow have been extracted from a pile of manuscript
which was apparently meant for the eye of one woman only.  She seems to
have been the writer's childhood's friend.  They had parted as children,
or very little more than children.  Years passed.  Then something
recalled to the woman the companion of her young days and she wrote to
him: "I have been hearing of you lately.  I know where life has brought
you.  You certainly selected your own road.  But to us, left behind, it
always looked as if you had struck out into a pathless desert.  We always
regarded you as a person that must be given up for lost.  But you have
turned up again; and though we may never see each other, my memory
welcomes you and I confess to you I should like to know the incidents on
the road which has led you to where you are now."

And he answers her: "I believe you are the only one now alive who
remembers me as a child.  I have heard of you from time to time, but I
wonder what sort of person you are now.  Perhaps if I did know I wouldn't
dare put pen to paper.  But I don't know.  I only remember that we were
great chums.  In fact, I chummed with you even more than with your
brothers.  But I am like the pigeon that went away in the fable of the
Two Pigeons.  If I once start to tell you I would want you to feel that
you have been there yourself.  I may overtax your patience with the story
of my life so different from yours, not only in all the facts but
altogether in spirit.  You may not understand.  You may even be shocked.
I say all this to myself; but I know I shall succumb!  I have a distinct
recollection that in the old days, when you were about fifteen, you
always could make me do whatever you liked."

He succumbed.  He begins his story for her with the minute narration of
this adventure which took about twelve months to develop.  In the form in
which it is presented here it has been pruned of all allusions to their
common past, of all asides, disquisitions, and explanations addressed
directly to the friend of his childhood.  And even as it is the whole
thing is of considerable length.  It seems that he had not only a memory
but that he also knew how to remember.  But as to that opinions may
differ.

This, his first great adventure, as he calls it, begins in Marseilles.
It ends there, too.  Yet it might have happened anywhere.  This does not
mean that the people concerned could have come together in pure space.
The locality had a definite importance.  As to the time, it is easily
fixed by the events at about the middle years of the seventies, when Don
Carlos de Bourbon, encouraged by the general reaction of all Europe
against the excesses of communistic Republicanism, made his attempt for
the throne of Spain, arms in hand, amongst the hills and gorges of
Guipuzcoa.  It is perhaps the last instance of a Pretender's adventure
for a Crown that History will have to record with the usual grave moral
disapproval tinged by a shamefaced regret for the departing romance.
Historians are very much like other people.

However, History has nothing to do with this tale.  Neither is the moral
justification or condemnation of conduct aimed at here.  If anything it
is perhaps a little sympathy that the writer expects for his buried
youth, as he lives it over again at the end of his insignificant course
on this earth.  Strange person--yet perhaps not so very different from
ourselves.

A few words as to certain facts may be added.

It may seem that he was plunged very abruptly into this long adventure.
But from certain passages (suppressed here because mixed up with
irrelevant matter) it appears clearly that at the time of the meeting in
the cafe, Mills had already gathered, in various quarters, a definite
view of the eager youth who had been introduced to him in that
ultra-legitimist salon.  What Mills had learned represented him as a
young gentleman who had arrived furnished with proper credentials and who
apparently was doing his best to waste his life in an eccentric fashion,
with a bohemian set (one poet, at least, emerged out of it later) on one
side, and on the other making friends with the people of the Old Town,
pilots, coasters, sailors, workers of all sorts.  He pretended rather
absurdly to be a seaman himself and was already credited with an
ill-defined and vaguely illegal enterprise in the Gulf of Mexico.  At
once it occurred to Mills that this eccentric youngster was the very
person for what the legitimist sympathizers had very much at heart just
then: to organize a supply by sea of arms and ammunition to the Carlist
detachments in the South.  It was precisely to confer on that matter with
Dona Rita that Captain Blunt had been despatched from Headquarters.

Mills got in touch with Blunt at once and put the suggestion before him.
The Captain thought this the very thing.  As a matter of fact, on that
evening of Carnival, those two, Mills and Blunt, had been actually
looking everywhere for our man.  They had decided that he should be drawn
into the affair if it could be done.  Blunt naturally wanted to see him
first.  He must have estimated him a promising person, but, from another
point of view, not dangerous.  Thus lightly was the notorious (and at the
same time mysterious) Monsieur George brought into the world; out of the
contact of two minds which did not give a single thought to his flesh and
blood.

Their purpose explains the intimate tone given to their first
conversation and the sudden introduction of Dona Rita's history.  Mills,
of course, wanted to hear all about it.  As to Captain Blunt--I suspect
that, at the time, he was thinking of nothing else.  In addition it was
Dona Rita who would have to do the persuading; for, after all, such an
enterprise with its ugly and desperate risks was not a trifle to put
before a man--however young.

It cannot be denied that Mills seems to have acted somewhat
unscrupulously.  He himself appears to have had some doubt about it, at a
given moment, as they were driving to the Prado.  But perhaps Mills, with
his penetration, understood very well the nature he was dealing with.  He
might even have envied it.  But it's not my business to excuse Mills.  As
to him whom we may regard as Mills' victim it is obvious that he has
never harboured a single reproachful thought.  For him Mills is not to be
criticized.  A remarkable instance of the great power of mere
individuality over the young.




PART ONE


CHAPTER I


Certain streets have an atmosphere of their own, a sort of universal fame
and the particular affection of their citizens.  One of such streets is
the Cannebiere, and the jest: "If Paris had a Cannebiere it would be a
little Marseilles" is the jocular expression of municipal pride.  I, too,
I have been under the spell.  For me it has been a street leading into
the unknown.

There was a part of it where one could see as many as five big cafes in a
resplendent row.  That evening I strolled into one of them.  It was by no
means full.  It looked deserted, in fact, festal and overlighted, but
cheerful.  The wonderful street was distinctly cold (it was an evening of
carnival), I was very idle, and I was feeling a little lonely.  So I went
in and sat down.

The carnival time was drawing to an end.  Everybody, high and low, was
anxious to have the last fling.  Companies of masks with linked arms and
whooping like red Indians swept the streets in crazy rushes while gusts
of cold mistral swayed the gas lights as far as the eye could reach.
There was a touch of bedlam in all this.

Perhaps it was that which made me feel lonely, since I was neither
masked, nor disguised, nor yelling, nor in any other way in harmony with
the bedlam element of life.  But I was not sad.  I was merely in a state
of sobriety.  I had just returned from my second West Indies voyage.  My
eyes were still full of tropical splendour, my memory of my experiences,
lawful and lawless, which had their charm and their thrill; for they had
startled me a little and had amused me considerably.  But they had left
me untouched.  Indeed they were other men's adventures, not mine.  Except
for a little habit of responsibility which I had acquired they had not
matured me.  I was as young as before.  Inconceivably young--still
beautifully unthinking--infinitely receptive.

You may believe that I was not thinking of Don Carlos and his fight for a
kingdom.  Why should I?  You don't want to think of things which you meet
every day in the newspapers and in conversation.  I had paid some calls
since my return and most of my acquaintance were legitimists and
intensely interested in the events of the frontier of Spain, for
political, religious, or romantic reasons.  But I was not interested.
Apparently I was not romantic enough.  Or was it that I was even more
romantic than all those good people?  The affair seemed to me
commonplace.  That man was attending to his business of a Pretender.

On the front page of the illustrated paper I saw lying on a table near
me, he looked picturesque enough, seated on a boulder, a big strong man
with a square-cut beard, his hands resting on the hilt of a cavalry
sabre--and all around him a landscape of savage mountains.  He caught my
eye on that spiritedly composed woodcut.  (There were no inane
snapshot-reproductions in those days.)  It was the obvious romance for
the use of royalists but it arrested my attention.

Just then some masks from outside invaded the cafe, dancing hand in hand
in a single file led by a burly man with a cardboard nose.  He gambolled
in wildly and behind him twenty others perhaps, mostly Pierrots and
Pierrettes holding each other by the hand and winding in and out between
the chairs and tables: eyes shining in the holes of cardboard faces,
breasts panting; but all preserving a mysterious silence.

They were people of the poorer sort (white calico with red spots,
costumes), but amongst them there was a girl in a black dress sewn over
with gold half moons, very high in the neck and very short in the skirt.
Most of the ordinary clients of the cafe didn't even look up from their
games or papers.  I, being alone and idle, stared abstractedly.  The girl
costumed as Night wore a small black velvet mask, what is called in
French a "_loup_."  What made her daintiness join that obviously rough
lot I can't imagine.  Her uncovered mouth and chin suggested refined
prettiness.

They filed past my table; the Night noticed perhaps my fixed gaze and
throwing her body forward out of the wriggling chain shot out at me a
slender tongue like a pink dart.  I was not prepared for this, not even
to the extent of an appreciative "_Tres foli_," before she wriggled and
hopped away.  But having been thus distinguished I could do no less than
follow her with my eyes to the door where the chain of hands being broken
all the masks were trying to get out at once.  Two gentlemen coming in
out of the street stood arrested in the crush.  The Night (it must have
been her idiosyncrasy) put her tongue out at them, too.  The taller of
the two (he was in evening clothes under a light wide-open overcoat) with
great presence of mind chucked her under the chin, giving me the view at
the same time of a flash of white teeth in his dark, lean face.  The
other man was very different; fair, with smooth, ruddy cheeks and burly
shoulders.  He was wearing a grey suit, obviously bought ready-made, for
it seemed too tight for his powerful frame.

That man was not altogether a stranger to me.  For the last week or so I
had been rather on the look-out for him in all the public places where in
a provincial town men may expect to meet each other.  I saw him for the
first time (wearing that same grey ready-made suit) in a legitimist
drawing-room where, clearly, he was an object of interest, especially to
the women.  I had caught his name as Monsieur Mills.  The lady who had
introduced me took the earliest opportunity to murmur into my ear: "A
relation of Lord X."  (_Un proche parent de Lord X_.)  And then she
added, casting up her eyes: "A good friend of the King."  Meaning Don
Carlos of course.

I looked at the _proche parent_; not on account of the parentage but
marvelling at his air of ease in that cumbrous body and in such tight
clothes, too.  But presently the same lady informed me further: "He has
come here amongst us _un naufrage_."

I became then really interested.  I had never seen a shipwrecked person
before.  All the boyishness in me was aroused.  I considered a shipwreck
as an unavoidable event sooner or later in my future.

Meantime the man thus distinguished in my eyes glanced quietly about and
never spoke unless addressed directly by one of the ladies present.
There were more than a dozen people in that drawing-room, mostly women
eating fine pastry and talking passionately.  It might have been a
Carlist committee meeting of a particularly fatuous character.  Even my
youth and inexperience were aware of that.  And I was by a long way the
youngest person in the room.  That quiet Monsieur Mills intimidated me a
little by his age (I suppose he was thirty-five), his massive
tranquillity, his clear, watchful eyes.  But the temptation was too
great--and I addressed him impulsively on the subject of that shipwreck.

He turned his big fair face towards me with surprise in his keen glance,
which (as though he had seen through me in an instant and found nothing
objectionable) changed subtly into friendliness.  On the matter of the
shipwreck he did not say much.  He only told me that it had not occurred
in the Mediterranean, but on the other side of Southern France--in the
Bay of Biscay.  "But this is hardly the place to enter on a story of that
kind," he observed, looking round at the room with a faint smile as
attractive as the rest of his rustic but well-bred personality.

I expressed my regret.  I should have liked to hear all about it.  To
this he said that it was not a secret and that perhaps next time we
met. . .

"But where can we meet?" I cried.  "I don't come often to this house, you
know."

"Where?  Why on the Cannebiere to be sure.  Everybody meets everybody
else at least once a day on the pavement opposite the _Bourse_."

This was absolutely true.  But though I looked for him on each succeeding
day he was nowhere to be seen at the usual times.  The companions of my
idle hours (and all my hours were idle just then) noticed my
preoccupation and chaffed me about it in a rather obvious way.  They
wanted to know whether she, whom I expected to see, was dark or fair;
whether that fascination which kept me on tenterhooks of expectation was
one of my aristocrats or one of my marine beauties: for they knew I had a
footing in both these--shall we say circles?  As to themselves they were
the bohemian circle, not very wide--half a dozen of us led by a sculptor
whom we called Prax for short.  My own nick-name was "Young Ulysses."

I liked it.

But chaff or no chaff they would have been surprised to see me leave them
for the burly and sympathetic Mills.  I was ready to drop any easy
company of equals to approach that interesting man with every mental
deference.  It was not precisely because of that shipwreck.  He attracted
and interested me the more because he was not to be seen.  The fear that
he might have departed suddenly for England--(or for Spain)--caused me a
sort of ridiculous depression as though I had missed a unique
opportunity.  And it was a joyful reaction which emboldened me to signal
to him with a raised arm across that cafe.

I was abashed immediately afterwards, when I saw him advance towards my
table with his friend.  The latter was eminently elegant.  He was exactly
like one of those figures one can see of a fine May evening in the
neighbourhood of the Opera-house in Paris.  Very Parisian indeed.  And
yet he struck me as not so perfectly French as he ought to have been, as
if one's nationality were an accomplishment with varying degrees of
excellence.  As to Mills, he was perfectly insular.  There could be no
doubt about him.  They were both smiling faintly at me.  The burly Mills
attended to the introduction: "Captain Blunt."

We shook hands.  The name didn't tell me much.  What surprised me was
that Mills should have remembered mine so well.  I don't want to boast of
my modesty but it seemed to me that two or three days was more than
enough for a man like Mills to forget my very existence.  As to the
Captain, I was struck on closer view by the perfect correctness of his
personality.  Clothes, slight figure, clear-cut, thin, sun-tanned face,
pose, all this was so good that it was saved from the danger of banality
only by the mobile black eyes of a keenness that one doesn't meet every
day in the south of France and still less in Italy.  Another thing was
that, viewed as an officer in mufti, he did not look sufficiently
professional.  That imperfection was interesting, too.

You may think that I am subtilizing my impressions on purpose, but you
may take it from a man who has lived a rough, a very rough life, that it
is the subtleties of personalities, and contacts, and events, that count
for interest and memory--and pretty well nothing else.  This--you see--is
the last evening of that part of my life in which I did not know that
woman.  These are like the last hours of a previous existence.  It isn't
my fault that they are associated with nothing better at the decisive
moment than the banal splendours of a gilded cafe and the bedlamite yells
of carnival in the street.

We three, however (almost complete strangers to each other), had assumed
attitudes of serious amiability round our table.  A waiter approached for
orders and it was then, in relation to my order for coffee, that the
absolutely first thing I learned of Captain Blunt was the fact that he
was a sufferer from insomnia.  In his immovable way Mills began charging
his pipe.  I felt extremely embarrassed all at once, but became
positively annoyed when I saw our Prax enter the cafe in a sort of
mediaeval costume very much like what Faust wears in the third act.  I
have no doubt it was meant for a purely operatic Faust.  A light mantle
floated from his shoulders.  He strode theatrically up to our table and
addressing me as "Young Ulysses" proposed I should go outside on the
fields of asphalt and help him gather a few marguerites to decorate a
truly infernal supper which was being organized across the road at the
Maison Doree--upstairs.  With expostulatory shakes of the head and
indignant glances I called his attention to the fact that I was not
alone.  He stepped back a pace as if astonished by the discovery, took
off his plumed velvet toque with a low obeisance so that the feathers
swept the floor, and swaggered off the stage with his left hand resting
on the hilt of the property dagger at his belt.

Meantime the well-connected but rustic Mills had been busy lighting his
briar and the distinguished Captain sat smiling to himself.  I was
horribly vexed and apologized for that intrusion, saying that the fellow
was a future great sculptor and perfectly harmless; but he had been
swallowing lots of night air which had got into his head apparently.

Mills peered at me with his friendly but awfully searching blue eyes
through the cloud of smoke he had wreathed about his big head.  The slim,
dark Captain's smile took on an amiable expression.  Might he know why I
was addressed as "Young Ulysses" by my friend? and immediately he added
the remark with urbane playfulness that Ulysses was an astute person.
Mills did not give me time for a reply.  He struck in: "That old Greek
was famed as a wanderer--the first historical seaman."  He waved his pipe
vaguely at me.

"Ah!  _Vraiment_!"  The polite Captain seemed incredulous and as if
weary.  "Are you a seaman?  In what sense, pray?"  We were talking French
and he used the term _homme de mer_.

Again Mills interfered quietly.  "In the same sense in which you are a
military man."  (_Homme de guerre_.)

It was then that I heard Captain Blunt produce one of his striking
declarations.  He had two of them, and this was the first.

"I live by my sword."

It was said in an extraordinary dandified manner which in conjunction
with the matter made me forget my tongue in my head.  I could only stare
at him.  He added more naturally: "2nd Reg.  Castille, Cavalry."  Then
with marked stress in Spanish, "_En las filas legitimas_."

Mills was heard, unmoved, like Jove in his cloud: "He's on leave here."

"Of course I don't shout that fact on the housetops," the Captain
addressed me pointedly, "any more than our friend his shipwreck
adventure.  We must not strain the toleration of the French authorities
too much!  It wouldn't be correct--and not very safe either."

I became suddenly extremely delighted with my company.  A man who "lived
by his sword," before my eyes, close at my elbow!  So such people did
exist in the world yet!  I had not been born too late!  And across the
table with his air of watchful, unmoved benevolence, enough in itself to
arouse one's interest, there was the man with the story of a shipwreck
that mustn't be shouted on housetops.  Why?

I understood very well why, when he told me that he had joined in the
Clyde a small steamer chartered by a relative of his, "a very wealthy
man," he observed (probably Lord X, I thought), to carry arms and other
supplies to the Carlist army.  And it was not a shipwreck in the ordinary
sense.  Everything went perfectly well to the last moment when suddenly
the _Numancia_ (a Republican ironclad) had appeared and chased them
ashore on the French coast below Bayonne.  In a few words, but with
evident appreciation of the adventure, Mills described to us how he swam
to the beach clad simply in a money belt and a pair of trousers.  Shells
were falling all round till a tiny French gunboat came out of Bayonne and
shooed the _Numancia_ away out of territorial waters.

He was very amusing and I was fascinated by the mental picture of that
tranquil man rolling in the surf and emerging breathless, in the costume
you know, on the fair land of France, in the character of a smuggler of
war material.  However, they had never arrested or expelled him, since he
was there before my eyes.  But how and why did he get so far from the
scene of his sea adventure was an interesting question.  And I put it to
him with most naive indiscretion which did not shock him visibly.  He
told me that the ship being only stranded, not sunk, the contraband cargo
aboard was doubtless in good condition.  The French custom-house men were
guarding the wreck.  If their vigilance could be--h'm--removed by some
means, or even merely reduced, a lot of these rifles and cartridges could
be taken off quietly at night by certain Spanish fishing boats.  In fact,
salved for the Carlists, after all.  He thought it could be done. . . .

I said with professional gravity that given a few perfectly quiet nights
(rare on that coast) it could certainly be done.

Mr. Mills was not afraid of the elements.  It was the highly inconvenient
zeal of the French custom-house people that had to be dealt with in some
way.

"Heavens!" I cried, astonished.  "You can't bribe the French Customs.
This isn't a South-American republic."

"Is it a republic?" he murmured, very absorbed in smoking his wooden
pipe.

"Well, isn't it?"

He murmured again, "Oh, so little."  At this I laughed, and a faintly
humorous expression passed over Mills' face.  No.  Bribes were out of the
question, he admitted.  But there were many legitimist sympathies in
Paris.  A proper person could set them in motion and a mere hint from
high quarters to the officials on the spot not to worry over-much about
that wreck. . . .

What was most amusing was the cool, reasonable tone of this amazing
project.  Mr. Blunt sat by very detached, his eyes roamed here and there
all over the cafe; and it was while looking upward at the pink foot of a
fleshy and very much foreshortened goddess of some sort depicted on the
ceiling in an enormous composition in the Italian style that he let fall
casually the words, "She will manage it for you quite easily."

"Every Carlist agent in Bayonne assured me of that," said Mr. Mills.  "I
would have gone straight to Paris only I was told she had fled here for a
rest; tired, discontented.  Not a very encouraging report."

"These flights are well known," muttered Mr. Blunt.  "You shall see her
all right."

"Yes.  They told me that you . . . "

I broke in: "You mean to say that you expect a woman to arrange that sort
of thing for you?"

"A trifle, for her," Mr. Blunt remarked indifferently.  "At that sort of
thing women are best.  They have less scruples."

"More audacity," interjected Mr. Mills almost in a whisper.

Mr. Blunt kept quiet for a moment, then: "You see," he addressed me in a
most refined tone, "a mere man may suddenly find himself being kicked
down the stairs."

I don't know why I should have felt shocked by that statement.  It could
not be because it was untrue.  The other did not give me time to offer
any remark.  He inquired with extreme politeness what did I know of South
American republics?  I confessed that I knew very little of them.
Wandering about the Gulf of Mexico I had a look-in here and there; and
amongst others I had a few days in Haiti which was of course unique,
being a negro republic.  On this Captain Blunt began to talk of negroes
at large.  He talked of them with knowledge, intelligence, and a sort of
contemptuous affection.  He generalized, he particularized about the
blacks; he told anecdotes.  I was interested, a little incredulous, and
considerably surprised.  What could this man with such a boulevardier
exterior that he looked positively like, an exile in a provincial town,
and with his drawing-room manner--what could he know of negroes?

Mills, sitting silent with his air of watchful intelligence, seemed to
read my thoughts, waved his pipe slightly and explained: "The Captain is
from South Carolina."

"Oh," I murmured, and then after the slightest of pauses I heard the
second of Mr. J. K. Blunt's declarations.

"Yes," he said.  "_Je suis Americain_, _catholique et gentil-homme_," in
a tone contrasting so strongly with the smile, which, as it were,
underlined the uttered words, that I was at a loss whether to return the
smile in kind or acknowledge the words with a grave little bow.  Of
course I did neither and there fell on us an odd, equivocal silence.  It
marked our final abandonment of the French language.  I was the one to
speak first, proposing that my companions should sup with me, not across
the way, which would be riotous with more than one "infernal" supper, but
in another much more select establishment in a side street away from the
Cannebiere.  It flattered my vanity a little to be able to say that I had
a corner table always reserved in the Salon des Palmiers, otherwise Salon
Blanc, where the atmosphere was legitimist and extremely decorous
besides--even in Carnival time.  "Nine tenths of the people there," I
said, "would be of your political opinions, if that's an inducement.
Come along.  Let's be festive," I encouraged them.

I didn't feel particularly festive.  What I wanted was to remain in my
company and break an inexplicable feeling of constraint of which I was
aware.  Mills looked at me steadily with a faint, kind smile.

"No," said Blunt.  "Why should we go there?  They will be only turning us
out in the small hours, to go home and face insomnia.  Can you imagine
anything more disgusting?"

He was smiling all the time, but his deep-set eyes did not lend
themselves to the expression of whimsical politeness which he tried to
achieve.  He had another suggestion to offer.  Why shouldn't we adjourn
to his rooms?  He had there materials for a dish of his own invention for
which he was famous all along the line of the Royal Cavalry outposts, and
he would cook it for us.  There were also a few bottles of some white
wine, quite possible, which we could drink out of Venetian cut-glass
goblets.  A _bivouac_ feast, in fact.  And he wouldn't turn us out in the
small hours.  Not he.  He couldn't sleep.

Need I say I was fascinated by the idea?  Well, yes.  But somehow I
hesitated and looked towards Mills, so much my senior.  He got up without
a word.  This was decisive; for no obscure premonition, and of something
indefinite at that, could stand against the example of his tranquil
personality.



CHAPTER II


The street in which Mr. Blunt lived presented itself to our eyes, narrow,
silent, empty, and dark, but with enough gas-lamps in it to disclose its
most striking feature: a quantity of flag-poles sticking out above many
of its closed portals.  It was the street of Consuls and I remarked to
Mr. Blunt that coming out in the morning he could survey the flags of all
nations almost--except his own.  (The U. S. consulate was on the other
side of the town.)  He mumbled through his teeth that he took good care
to keep clear of his own consulate.

"Are you afraid of the consul's dog?" I asked jocularly.  The consul's
dog weighed about a pound and a half and was known to the whole town as
exhibited on the consular fore-arm in all places, at all hours, but
mainly at the hour of the fashionable promenade on the Prado.

But I felt my jest misplaced when Mills growled low in my ear: "They are
all Yankees there."

I murmured a confused "Of course."

Books are nothing.  I discovered that I had never been aware before that
the Civil War in America was not printed matter but a fact only about ten
years old.  Of course.  He was a South Carolinian gentleman.  I was a
little ashamed of my want of tact.  Meantime, looking like the
conventional conception of a fashionable reveller, with his opera-hat
pushed off his forehead, Captain Blunt was having some slight difficulty
with his latch-key; for the house before which we had stopped was not one
of those many-storied houses that made up the greater part of the street.
It had only one row of windows above the ground floor.  Dead walls
abutting on to it indicated that it had a garden.  Its dark front
presented no marked architectural character, and in the flickering light
of a street lamp it looked a little as though it had gone down in the
world.  The greater then was my surprise to enter a hall paved in black
and white marble and in its dimness appearing of palatial proportions.
Mr. Blunt did not turn up the small solitary gas-jet, but led the way
across the black and white pavement past the end of the staircase, past a
door of gleaming dark wood with a heavy bronze handle.  It gave access to
his rooms he said; but he took us straight on to the studio at the end of
the passage.

It was rather a small place tacked on in the manner of a lean-to to the
garden side of the house.  A large lamp was burning brightly there.  The
floor was of mere flag-stones but the few rugs scattered about though
extremely worn were very costly.  There was also there a beautiful sofa
upholstered in pink figured silk, an enormous divan with many cushions,
some splendid arm-chairs of various shapes (but all very shabby), a round
table, and in the midst of these fine things a small common iron stove.
Somebody must have been attending it lately, for the fire roared and the
warmth of the place was very grateful after the bone-searching cold
blasts of mistral outside.

Mills without a word flung himself on the divan and, propped on his arm,
gazed thoughtfully at a distant corner where in the shadow of a
monumental carved wardrobe an articulated dummy without head or hands but
with beautifully shaped limbs composed in a shrinking attitude, seemed to
be embarrassed by his stare.

As we sat enjoying the _bivouac_ hospitality (the dish was really
excellent and our host in a shabby grey jacket still looked the
accomplished man-about-town) my eyes kept on straying towards that
corner.  Blunt noticed this and remarked that I seemed to be attracted by
the Empress.

"It's disagreeable," I said.  "It seems to lurk there like a shy skeleton
at the feast.  But why do you give the name of Empress to that dummy?"

"Because it sat for days and days in the robes of a Byzantine Empress to
a painter. . . I wonder where he discovered these priceless stuffs. . .
You knew him, I believe?"

Mills lowered his head slowly, then tossed down his throat some wine out
of a Venetian goblet.

"This house is full of costly objects.  So are all his other houses, so
is his place in Paris--that mysterious Pavilion hidden away in Passy
somewhere."

Mills knew the Pavilion.  The wine had, I suppose, loosened his tongue.
Blunt, too, lost something of his reserve.  From their talk I gathered
the notion of an eccentric personality, a man of great wealth, not so
much solitary as difficult of access, a collector of fine things, a
painter known only to very few people and not at all to the public
market.  But as meantime I had been emptying my Venetian goblet with a
certain regularity (the amount of heat given out by that iron stove was
amazing; it parched one's throat, and the straw-coloured wine didn't seem
much stronger than so much pleasantly flavoured water) the voices and the
impressions they conveyed acquired something fantastic to my mind.
Suddenly I perceived that Mills was sitting in his shirt-sleeves.  I had
not noticed him taking off his coat.  Blunt had unbuttoned his shabby
jacket, exposing a lot of starched shirt-front with the white tie under
his dark shaved chin.  He had a strange air of insolence--or so it seemed
to me.  I addressed him much louder than I intended really.

"Did you know that extraordinary man?"

"To know him personally one had to be either very distinguished or very
lucky.  Mr. Mills here . . ."

"Yes, I have been lucky," Mills struck in.  "It was my cousin who was
distinguished.  That's how I managed to enter his house in Paris--it was
called the Pavilion--twice."

"And saw Dona Rita twice, too?" asked Blunt with an indefinite smile and
a marked emphasis.  Mills was also emphatic in his reply but with a
serious face.

"I am not an easy enthusiast where women are concerned, but she was
without doubt the most admirable find of his amongst all the priceless
items he had accumulated in that house--the most admirable. . . "

"Ah!  But, you see, of all the objects there she was the only one that
was alive," pointed out Blunt with the slightest possible flavour of
sarcasm.

"Immensely so," affirmed Mills.  "Not because she was restless, indeed
she hardly ever moved from that couch between the windows--you know."

"No.  I don't know.  I've never been in there," announced Blunt with that
flash of white teeth so strangely without any character of its own that
it was merely disturbing.

"But she radiated life," continued Mills.  "She had plenty of it, and it
had a quality.  My cousin and Henry Allegre had a lot to say to each
other and so I was free to talk to her.  At the second visit we were like
old friends, which was absurd considering that all the chances were that
we would never meet again in this world or in the next.  I am not
meddling with theology but it seems to me that in the Elysian fields
she'll have her place in a very special company."

All this in a sympathetic voice and in his unmoved manner.  Blunt
produced another disturbing white flash and muttered:

"I should say mixed."  Then louder: "As for instance . . . "

"As for instance Cleopatra," answered Mills quietly.  He added after a
pause: "Who was not exactly pretty."

"I should have thought rather a La Valliere," Blunt dropped with an
indifference of which one did not know what to make.  He may have begun
to be bored with the subject.  But it may have been put on, for the whole
personality was not clearly definable.  I, however, was not indifferent.
A woman is always an interesting subject and I was thoroughly awake to
that interest.  Mills pondered for a while with a sort of dispassionate
benevolence, at last:

"Yes, Dona Rita as far as I know her is so varied in her simplicity that
even that is possible," he said.  "Yes.  A romantic resigned La Valliere
. . . who had a big mouth."

I felt moved to make myself heard.

"Did you know La Valliere, too?" I asked impertinently.

Mills only smiled at me.  "No.  I am not quite so old as that," he said.
"But it's not very difficult to know facts of that kind about a
historical personage.  There were some ribald verses made at the time,
and Louis XIV was congratulated on the possession--I really don't
remember how it goes--on the possession of:

   ". . . de ce bec amoureux
   Qui d'une oreille a l'autre va,
   Tra la la.

or something of the sort.  It needn't be from ear to ear, but it's a fact
that a big mouth is often a sign of a certain generosity of mind and
feeling.  Young man, beware of women with small mouths.  Beware of the
others, too, of course; but a small mouth is a fatal sign.  Well, the
royalist sympathizers can't charge Dona Rita with any lack of generosity
from what I hear.  Why should I judge her?  I have known her for, say,
six hours altogether.  It was enough to feel the seduction of her native
intelligence and of her splendid physique.  And all that was brought home
to me so quickly," he concluded, "because she had what some Frenchman has
called the 'terrible gift of familiarity'."

Blunt had been listening moodily.  He nodded assent.

"Yes!"  Mills' thoughts were still dwelling in the past.  "And when
saying good-bye she could put in an instant an immense distance between
herself and you.  A slight stiffening of that perfect figure, a change of
the physiognomy: it was like being dismissed by a person born in the
purple.  Even if she did offer you her hand--as she did to me--it was as
if across a broad river.  Trick of manner or a bit of truth peeping out?
Perhaps she's really one of those inaccessible beings.  What do you
think, Blunt?"

It was a direct question which for some reason (as if my range of
sensitiveness had been increased already) displeased or rather disturbed
me strangely.  Blunt seemed not to have heard it.  But after a while he
turned to me.

"That thick man," he said in a tone of perfect urbanity, "is as fine as a
needle.  All these statements about the seduction and then this final
doubt expressed after only two visits which could not have included more
than six hours altogether and this some three years ago!  But it is Henry
Allegre that you should ask this question, Mr. Mills."

"I haven't the secret of raising the dead," answered Mills good
humouredly.  "And if I had I would hesitate.  It would seem such a
liberty to take with a person one had known so slightly in life."

"And yet Henry Allegre is the only person to ask about her, after all
this uninterrupted companionship of years, ever since he discovered her;
all the time, every breathing moment of it, till, literally, his very
last breath.  I don't mean to say she nursed him.  He had his
confidential man for that.  He couldn't bear women about his person.  But
then apparently he couldn't bear this one out of his sight.  She's the
only woman who ever sat to him, for he would never suffer a model inside
his house.  That's why the 'Girl in the Hat' and the 'Byzantine Empress'
have that family air, though neither of them is really a likeness of Dona
Rita. . . You know my mother?"

Mills inclined his body slightly and a fugitive smile vanished from his
lips.  Blunt's eyes were fastened on the very centre of his empty plate.

"Then perhaps you know my mother's artistic and literary associations,"
Blunt went on in a subtly changed tone.  "My mother has been writing
verse since she was a girl of fifteen.  She's still writing verse.  She's
still fifteen--a spoiled girl of genius.  So she requested one of her
poet friends--no less than Versoy himself--to arrange for a visit to
Henry Allegre's house.  At first he thought he hadn't heard aright.  You
must know that for my mother a man that doesn't jump out of his skin for
any woman's caprice is not chivalrous.  But perhaps you do know? . . ."

Mills shook his head with an amused air.  Blunt, who had raised his eyes
from his plate to look at him, started afresh with great deliberation.

"She gives no peace to herself or her friends.  My mother's exquisitely
absurd.  You understand that all these painters, poets, art collectors
(and dealers in bric-a-brac, he interjected through his teeth) of my
mother are not in my way; but Versoy lives more like a man of the world.
One day I met him at the fencing school.  He was furious.  He asked me to
tell my mother that this was the last effort of his chivalry.  The jobs
she gave him to do were too difficult.  But I daresay he had been pleased
enough to show the influence he had in that quarter.  He knew my mother
would tell the world's wife all about it.  He's a spiteful, gingery
little wretch.  The top of his head shines like a billiard ball.  I
believe he polishes it every morning with a cloth.  Of course they didn't
get further than the big drawing-room on the first floor, an enormous
drawing-room with three pairs of columns in the middle.  The double doors
on the top of the staircase had been thrown wide open, as if for a visit
from royalty.  You can picture to yourself my mother, with her white hair
done in some 18th century fashion and her sparkling black eyes,
penetrating into those splendours attended by a sort of bald-headed,
vexed squirrel--and Henry Allegre coming forward to meet them like a
severe prince with the face of a tombstone Crusader, big white hands,
muffled silken voice, half-shut eyes, as if looking down at them from a
balcony.  You remember that trick of his, Mills?"

Mills emitted an enormous cloud of smoke out of his distended cheeks.

"I daresay he was furious, too,"  Blunt continued dispassionately.  "But
he was extremely civil.  He showed her all the 'treasures' in the room,
ivories, enamels, miniatures, all sorts of monstrosities from Japan, from
India, from Timbuctoo . . . for all I know. . . He pushed his
condescension so far as to have the 'Girl in the Hat' brought down into
the drawing-room--half length, unframed.  They put her on a chair for my
mother to look at.  The 'Byzantine Empress' was already there, hung on
the end wall--full length, gold frame weighing half a ton.  My mother
first overwhelms the 'Master' with thanks, and then absorbs herself in
the adoration of the 'Girl in the Hat.'  Then she sighs out: 'It should
be called Diaphaneite, if there is such a word.  Ah!  This is the last
expression of modernity!'  She puts up suddenly her face-a-main and looks
towards the end wall.  'And that--Byzantium itself!  Who was she, this
sullen and beautiful Empress?'

"'The one I had in my mind was Theodosia!'  Allegre consented to answer.
'Originally a slave girl--from somewhere.'

"My mother can be marvellously indiscreet when the whim takes her.  She
finds nothing better to do than to ask the 'Master' why he took his
inspiration for those two faces from the same model.  No doubt she was
proud of her discerning eye.  It was really clever of her.  Allegre,
however, looked on it as a colossal impertinence; but he answered in his
silkiest tones:

"'Perhaps it is because I saw in that woman something of the women of all
time.'

"My mother might have guessed that she was on thin ice there.  She is
extremely intelligent.  Moreover, she ought to have known.  But women can
be miraculously dense sometimes.  So she exclaims, 'Then she is a
wonder!'  And with some notion of being complimentary goes on to say that
only the eyes of the discoverer of so many wonders of art could have
discovered something so marvellous in life.  I suppose Allegre lost his
temper altogether then; or perhaps he only wanted to pay my mother out,
for all these 'Masters' she had been throwing at his head for the last
two hours.  He insinuates with the utmost politeness:

"'As you are honouring my poor collection with a visit you may like to
judge for yourself as to the inspiration of these two pictures.  She is
upstairs changing her dress after our morning ride.  But she wouldn't be
very long.  She might be a little surprised at first to be called down
like this, but with a few words of preparation and purely as a matter of
art . . .'

"There were never two people more taken aback.  Versoy himself confesses
that he dropped his tall hat with a crash.  I am a dutiful son, I hope,
but I must say I should have liked to have seen the retreat down the
great staircase.  Ha!  Ha!  Ha!"

He laughed most undutifully and then his face twitched grimly.

"That implacable brute Allegre followed them down ceremoniously and put
my mother into the fiacre at the door with the greatest deference.  He
didn't open his lips though, and made a great bow as the fiacre drove
away.  My mother didn't recover from her consternation for three days.  I
lunch with her almost daily and I couldn't imagine what was the matter.
Then one day . . ."

He glanced round the table, jumped up and with a word of excuse left the
studio by a small door in a corner.  This startled me into the
consciousness that I had been as if I had not existed for these two men.
With his elbows propped on the table Mills had his hands in front of his
face clasping the pipe from which he extracted now and then a puff of
smoke, staring stolidly across the room.

I was moved to ask in a whisper:

"Do you know him well?"

"I don't know what he is driving at," he answered drily.  "But as to his
mother she is not as volatile as all that.  I suspect it was business.
It may have been a deep plot to get a picture out of Allegre for
somebody.  My cousin as likely as not.  Or simply to discover what he
had.  The Blunts lost all their property and in Paris there are various
ways of making a little money, without actually breaking anything.  Not
even the law.  And Mrs. Blunt really had a position once--in the days of
the Second Empire--and so. . ."

I listened open-mouthed to these things into which my West-Indian
experiences could not have given me an insight.  But Mills checked
himself and ended in a changed tone.

"It's not easy to know what she would be at, either, in any given
instance.  For the rest, spotlessly honourable.  A delightful,
aristocratic old lady.  Only poor."

A bump at the door silenced him and immediately Mr. John Blunt, Captain
of Cavalry in the Army of Legitimity, first-rate cook (as to one dish at
least), and generous host, entered clutching the necks of four more
bottles between the fingers of his hand.

"I stumbled and nearly smashed the lot," he remarked casually.  But even
I, with all my innocence, never for a moment believed he had stumbled
accidentally.  During the uncorking and the filling up of glasses a
profound silence reigned; but neither of us took it seriously--any more
than his stumble.

"One day," he went on again in that curiously flavoured voice of his, "my
mother took a heroic decision and made up her mind to get up in the
middle of the night.  You must understand my mother's phraseology.  It
meant that she would be up and dressed by nine o'clock.  This time it was
not Versoy that was commanded for attendance, but I.  You may imagine how
delighted I was. . . ."

It was very plain to me that Blunt was addressing himself exclusively to
Mills: Mills the mind, even more than Mills the man.  It was as if Mills
represented something initiated and to be reckoned with.  I, of course,
could have no such pretensions.  If I represented anything it was a
perfect freshness of sensations and a refreshing ignorance, not so much
of what life may give one (as to that I had some ideas at least) but of
what it really contains.  I knew very well that I was utterly
insignificant in these men's eyes.  Yet my attention was not checked by
that knowledge.  It's true they were talking of a woman, but I was yet at
the age when this subject by itself is not of overwhelming interest.  My
imagination would have been more stimulated probably by the adventures
and fortunes of a man.  What kept my interest from flagging was Mr. Blunt
himself.  The play of the white gleams of his smile round the suspicion
of grimness of his tone fascinated me like a moral incongruity.

So at the age when one sleeps well indeed but does feel sometimes as if
the need of sleep were a mere weakness of a distant old age, I kept
easily awake; and in my freshness I was kept amused by the contrast of
personalities, of the disclosed facts and moral outlook with the rough
initiations of my West-Indian experience.  And all these things were
dominated by a feminine figure which to my imagination had only a
floating outline, now invested with the grace of girlhood, now with the
prestige of a woman; and indistinct in both these characters.  For these
two men had _seen_ her, while to me she was only being "presented,"
elusively, in vanishing words, in the shifting tones of an unfamiliar
voice.

She was being presented to me now in the Bois de Boulogne at the early
hour of the ultra-fashionable world (so I understood), on a light bay
"bit of blood" attended on the off side by that Henry Allegre mounted on
a dark brown powerful weight carrier; and on the other by one of
Allegre's acquaintances (the man had no real friends), distinguished
frequenters of that mysterious Pavilion.  And so that side of the frame
in which that woman appeared to one down the perspective of the great
Allee was not permanent.  That morning when Mr. Blunt had to escort his
mother there for the gratification of her irresistible curiosity (of
which he highly disapproved) there appeared in succession, at that
woman's or girl's bridle-hand, a cavalry general in red breeches, on whom
she was smiling; a rising politician in a grey suit, who talked to her
with great animation but left her side abruptly to join a personage in a
red fez and mounted on a white horse; and then, some time afterwards, the
vexed Mr. Blunt and his indiscreet mother (though I really couldn't see
where the harm was) had one more chance of a good stare.  The third party
that time was the Royal Pretender (Allegre had been painting his portrait
lately), whose hearty, sonorous laugh was heard long before the mounted
trio came riding very slowly abreast of the Blunts.  There was colour in
the girl's face.  She was not laughing.  Her expression was serious and
her eyes thoughtfully downcast.  Blunt admitted that on that occasion the
charm, brilliance, and force of her personality was adequately framed
between those magnificently mounted, paladin-like attendants, one older
than the other but the two composing together admirably in the different
stages of their manhood.  Mr. Blunt had never before seen Henry Allegre
so close.  Allegre was riding nearest to the path on which Blunt was
dutifully giving his arm to his mother (they had got out of their fiacre)
and wondering if that confounded fellow would have the impudence to take
off his hat.  But he did not.  Perhaps he didn't notice.  Allegre was not
a man of wandering glances.  There were silver hairs in his beard but he
looked as solid as a statue.  Less than three months afterwards he was
gone.

"What was it?" asked Mills, who had not changed his pose for a very long
time.

"Oh, an accident.  But he lingered.  They were on their way to Corsica.
A yearly pilgrimage.  Sentimental perhaps.  It was to Corsica that he
carried her off--I mean first of all."

There was the slightest contraction of Mr. Blunt's facial muscles.  Very
slight; but I, staring at the narrator after the manner of all simple
souls, noticed it; the twitch of a pain which surely must have been
mental.  There was also a suggestion of effort before he went on: "I
suppose you know how he got hold of her?" in a tone of ease which was
astonishingly ill-assumed for such a worldly, self-controlled,
drawing-room person.

Mills changed his attitude to look at him fixedly for a moment.  Then he
leaned back in his chair and with interest--I don't mean curiosity, I
mean interest: "Does anybody know besides the two parties concerned?" he
asked, with something as it were renewed (or was it refreshed?) in his
unmoved quietness.  "I ask because one has never heard any tales.  I
remember one evening in a restaurant seeing a man come in with a lady--a
beautiful lady--very particularly beautiful, as though she had been
stolen out of Mahomet's paradise.  With Dona Rita it can't be anything as
definite as that.  But speaking of her in the same strain, I've always
felt that she looked as though Allegre had caught her in the precincts of
some temple . . . in the mountains."

I was delighted.  I had never heard before a woman spoken about in that
way, a real live woman that is, not a woman in a book.  For this was no
poetry and yet it seemed to put her in the category of visions.  And I
would have lost myself in it if Mr. Blunt had not, most unexpectedly,
addressed himself to me.

"I told you that man was as fine as a needle."

And then to Mills: "Out of a temple?  We know what that means."  His dark
eyes flashed: "And must it be really in the mountains?" he added.

"Or in a desert," conceded Mills, "if you prefer that.  There have been
temples in deserts, you know."

Blunt had calmed down suddenly and assumed a nonchalant pose.

"As a matter of fact, Henry Allegre caught her very early one morning in
his own old garden full of thrushes and other small birds.  She was
sitting on a stone, a fragment of some old balustrade, with her feet in
the damp grass, and reading a tattered book of some kind.  She had on a
short, black, two-penny frock (_une petite robe de deux sous_) and there
was a hole in one of her stockings.  She raised her eyes and saw him
looking down at her thoughtfully over that ambrosian beard of his, like
Jove at a mortal.  They exchanged a good long stare, for at first she was
too startled to move; and then he murmured, "_Restez donc_."  She lowered
her eyes again on her book and after a while heard him walk away on the
path.  Her heart thumped while she listened to the little birds filling
the air with their noise.  She was not frightened.  I am telling you this
positively because she has told me the tale herself.  What better
authority can you have . . .?" Blunt paused.

"That's true.  She's not the sort of person to lie about her own
sensations," murmured Mills above his clasped hands.

"Nothing can escape his penetration," Blunt remarked to me with that
equivocal urbanity which made me always feel uncomfortable on Mills'
account.  "Positively nothing."  He turned to Mills again.  "After some
minutes of immobility--she told me--she arose from her stone and walked
slowly on the track of that apparition.  Allegre was nowhere to be seen
by that time.  Under the gateway of the extremely ugly tenement house,
which hides the Pavilion and the garden from the street, the wife of the
porter was waiting with her arms akimbo.  At once she cried out to Rita:
'You were caught by our gentleman.'

"As a matter of fact, that old woman, being a friend of Rita's aunt,
allowed the girl to come into the garden whenever Allegre was away.  But
Allegre's goings and comings were sudden and unannounced; and that
morning, Rita, crossing the narrow, thronged street, had slipped in
through the gateway in ignorance of Allegre's return and unseen by the
porter's wife.

"The child, she was but little more than that then, expressed her regret
of having perhaps got the kind porter's wife into trouble.

"The old woman said with a peculiar smile: 'Your face is not of the sort
that gets other people into trouble.  My gentleman wasn't angry.  He says
you may come in any morning you like.'

"Rita, without saying anything to this, crossed the street back again to
the warehouse full of oranges where she spent most of her waking hours.
Her dreaming, empty, idle, thoughtless, unperturbed hours, she calls
them.  She crossed the street with a hole in her stocking.  She had a
hole in her stocking not because her uncle and aunt were poor (they had
around them never less than eight thousand oranges, mostly in cases) but
because she was then careless and untidy and totally unconscious of her
personal appearance.  She told me herself that she was not even conscious
then of her personal existence.  She was a mere adjunct in the twilight
life of her aunt, a Frenchwoman, and her uncle, the orange merchant, a
Basque peasant, to whom her other uncle, the great man of the family, the
priest of some parish in the hills near Tolosa, had sent her up at the
age of thirteen or thereabouts for safe keeping.  She is of peasant
stock, you know.  This is the true origin of the 'Girl in the Hat' and of
the 'Byzantine Empress' which excited my dear mother so much; of the
mysterious girl that the privileged personalities great in art, in
letters, in politics, or simply in the world, could see on the big sofa
during the gatherings in Allegre's exclusive Pavilion: the Dona Rita of
their respectful addresses, manifest and mysterious, like an object of
art from some unknown period; the Dona Rita of the initiated Paris.  Dona
Rita and nothing more--unique and indefinable."  He stopped with a
disagreeable smile.

"And of peasant stock?" I exclaimed in the strangely conscious silence
that fell between Mills and Blunt.

"Oh!  All these Basques have been ennobled by Don Sanche II," said
Captain Blunt moodily.  "You see coats of arms carved over the doorways
of the most miserable _caserios_.  As far as that goes she's Dona Rita
right enough whatever else she is or is not in herself or in the eyes of
others.  In your eyes, for instance, Mills.  Eh?"

For a time Mills preserved that conscious silence.

"Why think about it at all?" he murmured coldly at last.  "A strange bird
is hatched sometimes in a nest in an unaccountable way and then the fate
of such a bird is bound to be ill-defined, uncertain, questionable.  And
so that is how Henry Allegre saw her first?  And what happened next?"

"What happened next?" repeated Mr. Blunt, with an affected surprise in
his tone.  "Is it necessary to ask that question?  If you had asked _how_
the next happened. . .  But as you may imagine she hasn't told me
anything about that.  She didn't," he continued with polite sarcasm,
"enlarge upon the facts.  That confounded Allegre, with his impudent
assumption of princely airs, must have (I shouldn't wonder) made the fact
of his notice appear as a sort of favour dropped from Olympus.  I really
can't tell how the minds and the imaginations of such aunts and uncles
are affected by such rare visitations.  Mythology may give us a hint.
There is the story of Danae, for instance."

"There is," remarked Mills calmly, "but I don't remember any aunt or
uncle in that connection."

"And there are also certain stories of the discovery and acquisition of
some unique objects of art.  The sly approaches, the astute negotiations,
the lying and the circumventing . . . for the love of beauty, you know."

With his dark face and with the perpetual smiles playing about his
grimness, Mr. Blunt appeared to me positively satanic.  Mills' hand was
toying absently with an empty glass.  Again they had forgotten my
existence altogether.

"I don't know how an object of art would feel," went on Blunt, in an
unexpectedly grating voice, which, however, recovered its tone
immediately.  "I don't know.  But I do know that Rita herself was not a
Danae, never, not at any time of her life.  She didn't mind the holes in
her stockings.  She wouldn't mind holes in her stockings now. . . That is
if she manages to keep any stockings at all," he added, with a sort of
suppressed fury so funnily unexpected that I would have burst into a
laugh if I hadn't been lost in astonishment of the simplest kind.

"No--really!"  There was a flash of interest from the quiet Mills.

"Yes, really,"  Blunt nodded and knitted his brows very devilishly
indeed.  "She may yet be left without a single pair of stockings."

"The world's a thief," declared Mills, with the utmost composure.  "It
wouldn't mind robbing a lonely traveller."

"He is so subtle."  Blunt remembered my existence for the purpose of that
remark and as usual it made me very uncomfortable.  "Perfectly true.  A
lonely traveller.  They are all in the scramble from the lowest to the
highest.  Heavens!  What a gang!  There was even an Archbishop in it."

"_Vous plaisantez_," said Mills, but without any marked show of
incredulity.

"I joke very seldom," Blunt protested earnestly.  "That's why I haven't
mentioned His Majesty--whom God preserve.  That would have been an
exaggeration. . . However, the end is not yet.  We were talking about the
beginning.  I have heard that some dealers in fine objects, quite
mercenary people of course (my mother has an experience in that world),
show sometimes an astonishing reluctance to part with some specimens,
even at a good price.  It must be very funny.  It's just possible that
the uncle and the aunt have been rolling in tears on the floor, amongst
their oranges, or beating their heads against the walls from rage and
despair.  But I doubt it.  And in any case Allegre is not the sort of
person that gets into any vulgar trouble.  And it's just possible that
those people stood open-mouthed at all that magnificence.  They weren't
poor, you know; therefore it wasn't incumbent on them to be honest.  They
are still there in the old respectable warehouse, I understand.  They
have kept their position in their _quartier_, I believe.  But they didn't
keep their niece.  It might have been an act of sacrifice!  For I seem to
remember hearing that after attending for a while some school round the
corner the child had been set to keep the books of that orange business.
However it might have been, the first fact in Rita's and Allegre's common
history is a journey to Italy, and then to Corsica.  You know Allegre had
a house in Corsica somewhere.  She has it now as she has everything he
ever had; and that Corsican palace is the portion that will stick the
longest to Dona Rita, I imagine.  Who would want to buy a place like
that?  I suppose nobody would take it for a gift.  The fellow was having
houses built all over the place.  This very house where we are sitting
belonged to him.  Dona Rita has given it to her sister, I understand.  Or
at any rate the sister runs it.  She is my landlady . . ."

"Her sister here!" I exclaimed.  "Her sister!"

Blunt turned to me politely, but only for a long mute gaze.  His eyes
were in deep shadow and it struck me for the first time then that there
was something fatal in that man's aspect as soon as he fell silent.  I
think the effect was purely physical, but in consequence whatever he said
seemed inadequate and as if produced by a commonplace, if uneasy, soul.

"Dona Rita brought her down from her mountains on purpose.  She is asleep
somewhere in this house, in one of the vacant rooms.  She lets them, you
know, at extortionate prices, that is, if people will pay them, for she
is easily intimidated.  You see, she has never seen such an enormous town
before in her life, nor yet so many strange people.  She has been keeping
house for the uncle-priest in some mountain gorge for years and years.
It's extraordinary he should have let her go.  There is something
mysterious there, some reason or other.  It's either theology or Family.
The saintly uncle in his wild parish would know nothing of any other
reasons.  She wears a rosary at her waist.  Directly she had seen some
real money she developed a love of it.  If you stay with me long enough,
and I hope you will (I really can't sleep), you will see her going out to
mass at half-past six; but there is nothing remarkable in her; just a
peasant woman of thirty-four or so.  A rustic nun. . . ."

I may as well say at once that we didn't stay as long as that.  It was
not that morning that I saw for the first time Therese of the whispering
lips and downcast eyes slipping out to an early mass from the house of
iniquity into the early winter murk of the city of perdition, in a world
steeped in sin.  No.  It was not on that morning that I saw Dona Rita's
incredible sister with her brown, dry face, her gliding motion, and her
really nun-like dress, with a black handkerchief enfolding her head
tightly, with the two pointed ends hanging down her back.  Yes, nun-like
enough.  And yet not altogether.  People would have turned round after
her if those dartings out to the half-past six mass hadn't been the only
occasion on which she ventured into the impious streets.  She was
frightened of the streets, but in a particular way, not as if of a danger
but as if of a contamination.  Yet she didn't fly back to her mountains
because at bottom she had an indomitable character, a peasant tenacity of
purpose, predatory instincts. . . .

No, we didn't remain long enough with Mr. Blunt to see even as much as
her back glide out of the house on her prayerful errand.  She was
prayerful.  She was terrible.  Her one-idead peasant mind was as
inaccessible as a closed iron safe.  She was fatal. . . It's perfectly
ridiculous to confess that they all seem fatal to me now; but writing to
you like this in all sincerity I don't mind appearing ridiculous.  I
suppose fatality must be expressed, embodied, like other forces of this
earth; and if so why not in such people as well as in other more glorious
or more frightful figures?

We remained, however, long enough to let Mr. Blunt's half-hidden acrimony
develop itself or prey on itself in further talk about the man Allegre
and the girl Rita.  Mr. Blunt, still addressing Mills with that story,
passed on to what he called the second act, the disclosure, with, what he
called, the characteristic Allegre impudence--which surpassed the
impudence of kings, millionaires, or tramps, by many degrees--the
revelation of Rita's existence to the world at large.  It wasn't a very
large world, but then it was most choicely composed.  How is one to
describe it shortly?  In a sentence it was the world that rides in the
morning in the Bois.

In something less than a year and a half from the time he found her
sitting on a broken fragment of stone work buried in the grass of his
wild garden, full of thrushes, starlings, and other innocent creatures of
the air, he had given her amongst other accomplishments the art of
sitting admirably on a horse, and directly they returned to Paris he took
her out with him for their first morning ride.

"I leave you to judge of the sensation," continued Mr. Blunt, with a
faint grimace, as though the words had an acrid taste in his mouth.  "And
the consternation," he added venomously.  "Many of those men on that
great morning had some one of their womankind with them.  But their hats
had to go off all the same, especially the hats of the fellows who were
under some sort of obligation to Allegre.  You would be astonished to
hear the names of people, of real personalities in the world, who, not to
mince matters, owed money to Allegre.  And I don't mean in the world of
art only.  In the first rout of the surprise some story of an adopted
daughter was set abroad hastily, I believe.  You know 'adopted' with a
peculiar accent on the word--and it was plausible enough.  I have been
told that at that time she looked extremely youthful by his side, I mean
extremely youthful in expression, in the eyes, in the smile.  She must
have been . . ."

Blunt pulled himself up short, but not so short as not to let the
confused murmur of the word "adorable" reach our attentive ears.

The heavy Mills made a slight movement in his chair.  The effect on me
was more inward, a strange emotion which left me perfectly still; and for
the moment of silence Blunt looked more fatal than ever.

"I understand it didn't last very long," he addressed us politely again.
"And no wonder!  The sort of talk she would have heard during that first
springtime in Paris would have put an impress on a much less receptive
personality; for of course Allegre didn't close his doors to his friends
and this new apparition was not of the sort to make them keep away.
After that first morning she always had somebody to ride at her bridle
hand.  Old Doyen, the sculptor, was the first to approach them.  At that
age a man may venture on anything.  He rides a strange animal like a
circus horse.  Rita had spotted him out of the corner of her eye as he
passed them, putting up his enormous paw in a still more enormous glove,
airily, you know, like this" (Blunt waved his hand above his head), "to
Allegre.  He passes on.  All at once he wheels his fantastic animal round
and comes trotting after them.  With the merest casual '_Bonjour_,
Allegre' he ranges close to her on the other side and addresses her, hat
in hand, in that booming voice of his like a deferential roar of the sea
very far away.  His articulation is not good, and the first words she
really made out were 'I am an old sculptor. . . Of course there is that
habit. . . But I can see you through all that. . . '

He put his hat on very much on one side.  'I am a great sculptor of
women,' he declared.  'I gave up my life to them, poor unfortunate
creatures, the most beautiful, the wealthiest, the most loved. . . Two
generations of them. . . Just look at me full in the eyes, _mon enfant_.'

"They stared at each other.  Dona Rita confessed to me that the old
fellow made her heart beat with such force that she couldn't manage to
smile at him.  And she saw his eyes run full of tears.  He wiped them
simply with the back of his hand and went on booming faintly.  'Thought
so.  You are enough to make one cry.  I thought my artist's life was
finished, and here you come along from devil knows where with this young
friend of mine, who isn't a bad smearer of canvases--but it's marble and
bronze that you want. . . I shall finish my artist's life with your face;
but I shall want a bit of those shoulders, too. . . You hear, Allegre, I
must have a bit of her shoulders, too.  I can see through the cloth that
they are divine.  If they aren't divine I will eat my hat.  Yes, I will
do your head and then--_nunc dimittis_.'

"These were the first words with which the world greeted her, or should I
say civilization did; already both her native mountains and the cavern of
oranges belonged to a prehistoric age.  'Why don't you ask him to come
this afternoon?' Allegre's voice suggested gently.  'He knows the way to
the house.'

"The old man said with extraordinary fervour, 'Oh, yes I will,' pulled up
his horse and they went on.  She told me that she could feel her
heart-beats for a long time.  The remote power of that voice, those old
eyes full of tears, that noble and ruined face, had affected her
extraordinarily she said.  But perhaps what affected her was the shadow,
the still living shadow of a great passion in the man's heart.

"Allegre remarked to her calmly: 'He has been a little mad all his
life.'"



CHAPTER III


Mills lowered the hands holding the extinct and even cold pipe before his
big face.

"H'm, shoot an arrow into that old man's heart like this?  But was there
anything done?"

"A terra-cotta bust, I believe.  Good?  I don't know.  I rather think
it's in this house.  A lot of things have been sent down from Paris here,
when she gave up the Pavilion.  When she goes up now she stays in hotels,
you know.  I imagine it is locked up in one of these things," went on
Blunt, pointing towards the end of the studio where amongst the
monumental presses of dark oak lurked the shy dummy which had worn the
stiff robes of the Byzantine Empress and the amazing hat of the "Girl,"
rakishly.  I wondered whether that dummy had travelled from Paris, too,
and whether with or without its head.  Perhaps that head had been left
behind, having rolled into a corner of some empty room in the dismantled
Pavilion.  I represented it to myself very lonely, without features, like
a turnip, with a mere peg sticking out where the neck should have been.
And Mr. Blunt was talking on.

"There are treasures behind these locked doors, brocades, old jewels,
unframed pictures, bronzes, chinoiseries, Japoneries."

He growled as much as a man of his accomplished manner and voice could
growl.  "I don't suppose she gave away all that to her sister, but I
shouldn't be surprised if that timid rustic didn't lay a claim to the lot
for the love of God and the good of the Church. . .

"And held on with her teeth, too," he added graphically.

Mills' face remained grave.  Very grave.  I was amused at those little
venomous outbreaks of the fatal Mr. Blunt.  Again I knew myself utterly
forgotten.  But I didn't feel dull and I didn't even feel sleepy.  That
last strikes me as strange at this distance of time, in regard of my
tender years and of the depressing hour which precedes the dawn.  We had
been drinking that straw-coloured wine, too, I won't say like water
(nobody would have drunk water like that) but, well . . . and the haze of
tobacco smoke was like the blue mist of great distances seen in dreams.

Yes, that old sculptor was the first who joined them in the sight of all
Paris.  It was that old glory that opened the series of companions of
those morning rides; a series which extended through three successive
Parisian spring-times and comprised a famous physiologist, a fellow who
seemed to hint that mankind could be made immortal or at least
everlastingly old; a fashionable philosopher and psychologist who used to
lecture to enormous audiences of women with his tongue in his cheek (but
never permitted himself anything of the kind when talking to Rita); that
surly dandy Cabanel (but he only once, from mere vanity), and everybody
else at all distinguished including also a celebrated person who turned
out later to be a swindler.  But he was really a genius. . . All this
according to Mr. Blunt, who gave us all those details with a sort of
languid zest covering a secret irritation.

"Apart from that, you know," went on Mr. Blunt, "all she knew of the
world of men and women (I mean till Allegre's death) was what she had
seen of it from the saddle two hours every morning during four months of
the year or so.  Absolutely all, with Allegre self-denyingly on her right
hand, with that impenetrable air of guardianship.  Don't touch!  He
didn't like his treasures to be touched unless he actually put some
unique object into your hands with a sort of triumphant murmur, 'Look
close at that.'  Of course I only have heard all this.  I am much too
small a person, you understand, to even . . ."

He flashed his white teeth at us most agreeably, but the upper part of
his face, the shadowed setting of his eyes, and the slight drawing in of
his eyebrows gave a fatal suggestion.  I thought suddenly of the
definition he applied to himself: "_Americain_, _catholique et
gentil-homme_" completed by that startling "I live by my sword" uttered
in a light drawing-room tone tinged by a flavour of mockery lighter even
than air.

He insisted to us that the first and only time he had seen Allegre a
little close was that morning in the Bois with his mother.  His Majesty
(whom God preserve), then not even an active Pretender, flanked the girl,
still a girl, on the other side, the usual companion for a month past or
so.  Allegre had suddenly taken it into his head to paint his portrait.
A sort of intimacy had sprung up.  Mrs. Blunt's remark was that of the
two striking horsemen Allegre looked the more kingly.

"The son of a confounded millionaire soap-boiler," commented Mr. Blunt
through his clenched teeth.  "A man absolutely without parentage.
Without a single relation in the world.  Just a freak."

"That explains why he could leave all his fortune to her," said Mills.

"The will, I believe," said Mr. Blunt moodily, "was written on a half
sheet of paper, with his device of an Assyrian bull at the head.  What
the devil did he mean by it?  Anyway it was the last time that she
surveyed the world of men and women from the saddle.  Less than three
months later. . ."

"Allegre died and. . . " murmured Mills in an interested manner.

"And she had to dismount," broke in Mr. Blunt grimly.  "Dismount right
into the middle of it.  Down to the very ground, you understand.  I
suppose you can guess what that would mean.  She didn't know what to do
with herself.  She had never been on the ground.  She . . . "

"Aha!" said Mills.

"Even eh! eh! if you like," retorted Mr. Blunt, in an unrefined tone,
that made me open my eyes, which were well opened before, still wider.

He turned to me with that horrible trick of his of commenting upon Mills
as though that quiet man whom I admired, whom I trusted, and for whom I
had already something resembling affection had been as much of a dummy as
that other one lurking in the shadows, pitiful and headless in its
attitude of alarmed chastity.

"Nothing escapes his penetration.  He can perceive a haystack at an
enormous distance when he is interested."

I thought this was going rather too far, even to the borders of
vulgarity; but Mills remained untroubled and only reached for his tobacco
pouch.

"But that's nothing to my mother's interest.  She can never see a
haystack, therefore she is always so surprised and excited.  Of course
Dona Rita was not a woman about whom the newspapers insert little
paragraphs.  But Allegre was the sort of man.  A lot came out in print
about him and a lot was talked in the world about her; and at once my
dear mother perceived a haystack and naturally became unreasonably
absorbed in it.  I thought her interest would wear out.  But it didn't.
She had received a shock and had received an impression by means of that
girl.  My mother has never been treated with impertinence before, and the
aesthetic impression must have been of extraordinary strength.  I must
suppose that it amounted to a sort of moral revolution, I can't account
for her proceedings in any other way.  When Rita turned up in Paris a
year and a half after Allegre's death some shabby journalist (smart
creature) hit upon the notion of alluding to her as the heiress of Mr.
Allegre.  'The heiress of Mr. Allegre has taken up her residence again
amongst the treasures of art in that Pavilion so well known to the elite
of the artistic, scientific, and political world, not to speak of the
members of aristocratic and even royal families. . . '  You know the sort
of thing.  It appeared first in the _Figaro_, I believe.  And then at the
end a little phrase: 'She is alone.'  She was in a fair way of becoming a
celebrity of a sort.  Daily little allusions and that sort of thing.
Heaven only knows who stopped it.  There was a rush of 'old friends' into
that garden, enough to scare all the little birds away.  I suppose one or
several of them, having influence with the press, did it.  But the gossip
didn't stop, and the name stuck, too, since it conveyed a very certain
and very significant sort of fact, and of course the Venetian episode was
talked about in the houses frequented by my mother.  It was talked about
from a royalist point of view with a kind of respect.  It was even said
that the inspiration and the resolution of the war going on now over the
Pyrenees had come out from that head. . . Some of them talked as if she
were the guardian angel of Legitimacy.  You know what royalist gush is
like."

Mr. Blunt's face expressed sarcastic disgust.  Mills moved his head the
least little bit.  Apparently he knew.

"Well, speaking with all possible respect, it seems to have affected my
mother's brain.  I was already with the royal army and of course there
could be no question of regular postal communications with France.  My
mother hears or overhears somewhere that the heiress of Mr. Allegre is
contemplating a secret journey.  All the noble Salons were full of
chatter about that secret naturally.  So she sits down and pens an
autograph: 'Madame, Informed that you are proceeding to the place on
which the hopes of all the right thinking people are fixed, I trust to
your womanly sympathy with a mother's anxious feelings, etc., etc.,' and
ending with a request to take messages to me and bring news of me. . .
The coolness of my mother!"

Most unexpectedly Mills was heard murmuring a question which seemed to me
very odd.

"I wonder how your mother addressed that note?"

A moment of silence ensued.

"Hardly in the newspaper style, I should think," retorted Mr. Blunt, with
one of his grins that made me doubt the stability of his feelings and the
consistency of his outlook in regard to his whole tale.  "My mother's
maid took it in a fiacre very late one evening to the Pavilion and
brought an answer scrawled on a scrap of paper: 'Write your messages at
once' and signed with a big capital R.  So my mother sat down again to
her charming writing desk and the maid made another journey in a fiacre
just before midnight; and ten days later or so I got a letter thrust into
my hand at the _avanzadas_ just as I was about to start on a night
patrol, together with a note asking me to call on the writer so that she
might allay my mother's anxieties by telling her how I looked.

"It was signed R only, but I guessed at once and nearly fell off my horse
with surprise."

"You mean to say that Dona Rita was actually at the Royal Headquarters
lately?" exclaimed Mills, with evident surprise.  "Why,
we--everybody--thought that all this affair was over and done with."

"Absolutely.  Nothing in the world could be more done with than that
episode.  Of course the rooms in the hotel at Tolosa were retained for
her by an order from Royal Headquarters.  Two garret-rooms, the place was
so full of all sorts of court people; but I can assure you that for the
three days she was there she never put her head outside the door.
General Mongroviejo called on her officially from the King.  A general,
not anybody of the household, you see.  That's a distinct shade of the
present relation.  He stayed just five minutes.  Some personage from the
Foreign department at Headquarters was closeted for about a couple of
hours.  That was of course business.  Then two officers from the staff
came together with some explanations or instructions to her.  Then Baron
H., a fellow with a pretty wife, who had made so many sacrifices for the
cause, raised a great to-do about seeing her and she consented to receive
him for a moment.  They say he was very much frightened by her arrival,
but after the interview went away all smiles.  Who else?  Yes, the
Archbishop came.  Half an hour.  This is more than is necessary to give a
blessing, and I can't conceive what else he had to give her.  But I am
sure he got something out of her.  Two peasants from the upper valley
were sent for by military authorities and she saw them, too.  That friar
who hangs about the court has been in and out several times.  Well, and
lastly, I myself.  I got leave from the outposts.  That was the first
time I talked to her.  I would have gone that evening back to the
regiment, but the friar met me in the corridor and informed me that I
would be ordered to escort that most loyal and noble lady back to the
French frontier as a personal mission of the highest honour.  I was
inclined to laugh at him.  He himself is a cheery and jovial person and
he laughed with me quite readily--but I got the order before dark all
right.  It was rather a job, as the Alphonsists were attacking the right
flank of our whole front and there was some considerable disorder there.
I mounted her on a mule and her maid on another.  We spent one night in a
ruined old tower occupied by some of our infantry and got away at
daybreak under the Alphonsist shells.  The maid nearly died of fright and
one of the troopers with us was wounded.  To smuggle her back across the
frontier was another job but it wasn't my job.  It wouldn't have done for
her to appear in sight of French frontier posts in the company of Carlist
uniforms.  She seems to have a fearless streak in her nature.  At one
time as we were climbing a slope absolutely exposed to artillery fire I
asked her on purpose, being provoked by the way she looked about at the
scenery, 'A little emotion, eh?'  And she answered me in a low voice:
'Oh, yes!  I am moved.  I used to run about these hills when I was
little.'  And note, just then the trooper close behind us had been
wounded by a shell fragment.  He was swearing awfully and fighting with
his horse.  The shells were falling around us about two to the minute.

"Luckily the Alphonsist shells are not much better than our own.  But
women are funny.  I was afraid the maid would jump down and clear out
amongst the rocks, in which case we should have had to dismount and catch
her.  But she didn't do that; she sat perfectly still on her mule and
shrieked.  Just simply shrieked.  Ultimately we came to a curiously
shaped rock at the end of a short wooded valley.  It was very still there
and the sunshine was brilliant.  I said to Dona Rita: 'We will have to
part in a few minutes.  I understand that my mission ends at this rock.'
And she said: 'I know this rock well.  This is my country.'

"Then she thanked me for bringing her there and presently three peasants
appeared, waiting for us, two youths and one shaven old man, with a thin
nose like a sword blade and perfectly round eyes, a character well known
to the whole Carlist army.  The two youths stopped under the trees at a
distance, but the old fellow came quite close up and gazed at her,
screwing up his eyes as if looking at the sun.  Then he raised his arm
very slowly and took his red _boina_ off his bald head.  I watched her
smiling at him all the time.  I daresay she knew him as well as she knew
the old rock.  Very old rock.  The rock of ages--and the aged
man--landmarks of her youth.  Then the mules started walking smartly
forward, with the three peasants striding alongside of them, and vanished
between the trees.  These fellows were most likely sent out by her uncle
the Cura.

"It was a peaceful scene, the morning light, the bit of open country
framed in steep stony slopes, a high peak or two in the distance, the
thin smoke of some invisible _caserios_, rising straight up here and
there.  Far away behind us the guns had ceased and the echoes in the
gorges had died out.  I never knew what peace meant before. . .

"Nor since," muttered Mr. Blunt after a pause and then went on.  "The
little stone church of her uncle, the holy man of the family, might have
been round the corner of the next spur of the nearest hill.  I dismounted
to bandage the shoulder of my trooper.  It was only a nasty long scratch.
While I was busy about it a bell began to ring in the distance.  The
sound fell deliciously on the ear, clear like the morning light.  But it
stopped all at once.  You know how a distant bell stops suddenly.  I
never knew before what stillness meant.  While I was wondering at it the
fellow holding our horses was moved to uplift his voice.  He was a
Spaniard, not a Basque, and he trolled out in Castilian that song you
know,

   "'Oh bells of my native village,
   I am going away . . . good-bye!'

He had a good voice.  When the last note had floated away I remounted,
but there was a charm in the spot, something particular and individual
because while we were looking at it before turning our horses' heads away
the singer said: 'I wonder what is the name of this place,' and the other
man remarked: 'Why, there is no village here,' and the first one
insisted: 'No, I mean this spot, this very place.'  The wounded trooper
decided that it had no name probably.  But he was wrong.  It had a name.
The hill, or the rock, or the wood, or the whole had a name.  I heard of
it by chance later.  It was--Lastaola."

A cloud of tobacco smoke from Mills' pipe drove between my head and the
head of Mr. Blunt, who, strange to say, yawned slightly.  It seemed to me
an obvious affectation on the part of that man of perfect manners, and,
moreover, suffering from distressing insomnia.

"This is how we first met and how we first parted," he said in a weary,
indifferent tone.  "It's quite possible that she did see her uncle on the
way.  It's perhaps on this occasion that she got her sister to come out
of the wilderness.  I have no doubt she had a pass from the French
Government giving her the completest freedom of action.  She must have
got it in Paris before leaving."

Mr. Blunt broke out into worldly, slightly cynical smiles.

"She can get anything she likes in Paris.  She could get a whole army
over the frontier if she liked.  She could get herself admitted into the
Foreign Office at one o'clock in the morning if it so pleased her.  Doors
fly open before the heiress of Mr. Allegre.  She has inherited the old
friends, the old connections . . . Of course, if she were a toothless old
woman . . . But, you see, she isn't.  The ushers in all the ministries
bow down to the ground therefore, and voices from the innermost sanctums
take on an eager tone when they say, '_Faites entrer_.'  My mother knows
something about it.  She has followed her career with the greatest
attention.  And Rita herself is not even surprised.  She accomplishes
most extraordinary things, as naturally as buying a pair of gloves.
People in the shops are very polite and people in the world are like
people in the shops.  What did she know of the world?  She had seen it
only from the saddle.  Oh, she will get your cargo released for you all
right.  How will she do it? . . Well, when it's done--you follow me,
Mills?--when it's done she will hardly know herself."

"It's hardly possible that she shouldn't be aware," Mills pronounced
calmly.

"No, she isn't an idiot," admitted Mr. Blunt, in the same matter-of-fact
voice.  "But she confessed to myself only the other day that she suffered
from a sense of unreality.  I told her that at any rate she had her own
feelings surely.  And she said to me: Yes, there was one of them at least
about which she had no doubt; and you will never guess what it was.
Don't try.  I happen to know, because we are pretty good friends."

At that moment we all changed our attitude slightly.  Mills' staring eyes
moved for a glance towards Blunt, I, who was occupying the divan, raised
myself on the cushions a little and Mr. Blunt, with half a turn, put his
elbow on the table.

"I asked her what it was.  I don't see," went on Mr. Blunt, with a
perfectly horrible gentleness, "why I should have shown particular
consideration to the heiress of Mr. Allegre.  I don't mean to that
particular mood of hers.  It was the mood of weariness.  And so she told
me.  It's fear.  I will say it once again: Fear. . . ."

He added after a pause, "There can be not the slightest doubt of her
courage.  But she distinctly uttered the word fear."

There was under the table the noise of Mills stretching his legs.

"A person of imagination," he began, "a young, virgin intelligence,
steeped for nearly five years in the talk of Allegre's studio, where
every hard truth had been cracked and every belief had been worried into
shreds.  They were like a lot of intellectual dogs, you know . . ."

"Yes, yes, of course," Blunt interrupted hastily, "the intellectual
personality altogether adrift, a soul without a home . . . but I, who am
neither very fine nor very deep, I am convinced that the fear is
material."

"Because she confessed to it being that?" insinuated Mills.

"No, because she didn't," contradicted Blunt, with an angry frown and in
an extremely suave voice.  "In fact, she bit her tongue.  And considering
what good friends we are (under fire together and all that) I conclude
that there is nothing there to boast of.  Neither is my friendship, as a
matter of fact."

Mills' face was the very perfection of indifference.  But I who was
looking at him, in my innocence, to discover what it all might mean, I
had a notion that it was perhaps a shade too perfect.

"My leave is a farce," Captain Blunt burst out, with a most unexpected
exasperation.  "As an officer of Don Carlos, I have no more standing than
a bandit.  I ought to have been interned in those filthy old barracks in
Avignon a long time ago. . . Why am I not?  Because Dona Rita exists and
for no other reason on earth.  Of course it's known that I am about.  She
has only to whisper over the wires to the Minister of the Interior, 'Put
that bird in a cage for me,' and the thing would be done without any more
formalities than that. . . Sad world this," he commented in a changed
tone.  "Nowadays a gentleman who lives by his sword is exposed to that
sort of thing."

It was then for the first time I heard Mr. Mills laugh.  It was a deep,
pleasant, kindly note, not very loud and altogether free from that
quality of derision that spoils so many laughs and gives away the secret
hardness of hearts.  But neither was it a very joyous laugh.

"But the truth of the matter is that I am '_en mission_,'" continued
Captain Blunt.  "I have been instructed to settle some things, to set
other things going, and, by my instructions, Dona Rita is to be the
intermediary for all those objects.  And why?  Because every bald head in
this Republican Government gets pink at the top whenever her dress
rustles outside the door.  They bow with immense deference when the door
opens, but the bow conceals a smirk because of those Venetian days.  That
confounded Versoy shoved his nose into that business; he says
accidentally.  He saw them together on the Lido and (those writing
fellows are horrible) he wrote what he calls a vignette (I suppose
accidentally, too) under that very title.  There was in it a Prince and a
lady and a big dog.  He described how the Prince on landing from the
gondola emptied his purse into the hands of a picturesque old beggar,
while the lady, a little way off, stood gazing back at Venice with the
dog romantically stretched at her feet.  One of Versoy's beautiful prose
vignettes in a great daily that has a literary column.  But some other
papers that didn't care a cent for literature rehashed the mere fact.
And that's the sort of fact that impresses your political man, especially
if the lady is, well, such as she is . . ."

He paused.  His dark eyes flashed fatally, away from us, in the direction
of the shy dummy; and then he went on with cultivated cynicism.

"So she rushes down here.  Overdone, weary, rest for her nerves.
Nonsense.  I assure you she has no more nerves than I have."

I don't know how he meant it, but at that moment, slim and elegant, he
seemed a mere bundle of nerves himself, with the flitting expressions on
his thin, well-bred face, with the restlessness of his meagre brown hands
amongst the objects on the table.  With some pipe ash amongst a little
spilt wine his forefinger traced a capital R.  Then he looked into an
empty glass profoundly.  I have a notion that I sat there staring and
listening like a yokel at a play.  Mills' pipe was lying quite a foot
away in front of him, empty, cold.  Perhaps he had no more tobacco.  Mr.
Blunt assumed his dandified air--nervously.

"Of course her movements are commented on in the most exclusive
drawing-rooms and also in other places, also exclusive, but where the
gossip takes on another tone.  There they are probably saying that she
has got a '_coup de coeur_' for some one.  Whereas I think she is utterly
incapable of that sort of thing.  That Venetian affair, the beginning of
it and the end of it, was nothing but a _coup de tete_, and all those
activities in which I am involved, as you see (by order of Headquarters,
ha, ha, ha!), are nothing but that, all this connection, all this
intimacy into which I have dropped . . . Not to speak of my mother, who
is delightful, but as irresponsible as one of those crazy princesses that
shock their Royal families. . . "

He seemed to bite his tongue and I observed that Mills' eyes seemed to
have grown wider than I had ever seen them before.  In that tranquil face
it was a great play of feature.  "An intimacy," began Mr. Blunt, with an
extremely refined grimness of tone, "an intimacy with the heiress of Mr.
Allegre on the part of . . . on my part, well, it isn't exactly . . .
it's open . . . well, I leave it to you, what does it look like?"

"Is there anybody looking on?" Mills let fall, gently, through his kindly
lips.

"Not actually, perhaps, at this moment.  But I don't need to tell a man
of the world, like you, that such things cannot remain unseen.  And that
they are, well, compromising, because of the mere fact of the fortune."

Mills got on his feet, looked for his jacket and after getting into it
made himself heard while he looked for his hat.

"Whereas the woman herself is, so to speak, priceless."

Mr. Blunt muttered the word "Obviously."

By then we were all on our feet.  The iron stove glowed no longer and the
lamp, surrounded by empty bottles and empty glasses, had grown dimmer.

I know that I had a great shiver on getting away from the cushions of the
divan.

"We will meet again in a few hours," said Mr. Blunt.

"Don't forget to come," he said, addressing me.  "Oh, yes, do.  Have no
scruples.  I am authorized to make invitations."

He must have noticed my shyness, my surprise, my embarrassment.  And
indeed I didn't know what to say.

"I assure you there isn't anything incorrect in your coming," he
insisted, with the greatest civility.  "You will be introduced by two
good friends, Mills and myself.  Surely you are not afraid of a very
charming woman. . . ."

I was not afraid, but my head swam a little and I only looked at him
mutely.

"Lunch precisely at midday.  Mills will bring you along.  I am sorry you
two are going.  I shall throw myself on the bed for an hour or two, but I
am sure I won't sleep."

He accompanied us along the passage into the black-and-white hall, where
the low gas flame glimmered forlornly.  When he opened the front door the
cold blast of the mistral rushing down the street of the Consuls made me
shiver to the very marrow of my bones.

Mills and I exchanged but a few words as we walked down towards the
centre of the town.  In the chill tempestuous dawn he strolled along
musingly, disregarding the discomfort of the cold, the depressing
influence of the hour, the desolation of the empty streets in which the
dry dust rose in whirls in front of us, behind us, flew upon us from the
side streets.  The masks had gone home and our footsteps echoed on the
flagstones with unequal sound as of men without purpose, without hope.

"I suppose you will come," said Mills suddenly.

"I really don't know," I said.

"Don't you?  Well, remember I am not trying to persuade you; but I am
staying at the Hotel de Louvre and I shall leave there at a quarter to
twelve for that lunch.  At a quarter to twelve, not a minute later.  I
suppose you can sleep?"

I laughed.

"Charming age, yours," said Mills, as we came out on the quays.  Already
dim figures of the workers moved in the biting dawn and the masted forms
of ships were coming out dimly, as far as the eye could reach down the
old harbour.

"Well," Mills began again, "you may oversleep yourself."

This suggestion was made in a cheerful tone, just as we shook hands at
the lower end of the Cannebiere.  He looked very burly as he walked away
from me.  I went on towards my lodgings.  My head was very full of
confused images, but I was really too tired to think.




PART TWO


CHAPTER I


Sometimes I wonder yet whether Mills wished me to oversleep myself or
not: that is, whether he really took sufficient interest to care.  His
uniform kindliness of manner made it impossible for me to tell.  And I
can hardly remember my own feelings.  Did I care?  The whole recollection
of that time of my life has such a peculiar quality that the beginning
and the end of it are merged in one sensation of profound emotion,
continuous and overpowering, containing the extremes of exultation, full
of careless joy and of an invincible sadness--like a day-dream.  The
sense of all this having been gone through as if in one great rush of
imagination is all the stronger in the distance of time, because it had
something of that quality even then: of fate unprovoked, of events that
didn't cast any shadow before.

Not that those events were in the least extraordinary.  They were, in
truth, commonplace.  What to my backward glance seems startling and a
little awful is their punctualness and inevitability.  Mills was
punctual.  Exactly at a quarter to twelve he appeared under the lofty
portal of the Hotel de Louvre, with his fresh face, his ill-fitting grey
suit, and enveloped in his own sympathetic atmosphere.

How could I have avoided him?  To this day I have a shadowy conviction of
his inherent distinction of mind and heart, far beyond any man I have
ever met since.  He was unavoidable: and of course I never tried to avoid
him.  The first sight on which his eyes fell was a victoria pulled up
before the hotel door, in which I sat with no sentiment I can remember
now but that of some slight shyness.  He got in without a moment's
hesitation, his friendly glance took me in from head to foot and (such
was his peculiar gift) gave me a pleasurable sensation.

After we had gone a little way I couldn't help saying to him with a
bashful laugh: "You know, it seems very extraordinary that I should be
driving out with you like this."

He turned to look at me and in his kind voice:

"You will find everything extremely simple," he said.  "So simple that
you will be quite able to hold your own.  I suppose you know that the
world is selfish, I mean the majority of the people in it, often
unconsciously I must admit, and especially people with a mission, with a
fixed idea, with some fantastic object in view, or even with only some
fantastic illusion.  That doesn't mean that they have no scruples.  And I
don't know that at this moment I myself am not one of them."

"That, of course, I can't say," I retorted.

"I haven't seen her for years," he said, "and in comparison with what she
was then she must be very grown up by now.  From what we heard from Mr.
Blunt she had experiences which would have matured her more than they
would teach her.  There are of course people that are not teachable.  I
don't know that she is one of them.  But as to maturity that's quite
another thing.  Capacity for suffering is developed in every human being
worthy of the name."

"Captain Blunt doesn't seem to be a very happy person," I said.  "He
seems to have a grudge against everybody.  People make him wince.  The
things they do, the things they say.  He must be awfully mature."

Mills gave me a sidelong look.  It met mine of the same character and we
both smiled without openly looking at each other.  At the end of the Rue
de Rome the violent chilly breath of the mistral enveloped the victoria
in a great widening of brilliant sunshine without heat.  We turned to the
right, circling at a stately pace about the rather mean obelisk which
stands at the entrance to the Prado.

"I don't know whether you are mature or not," said Mills humorously.
"But I think you will do.  You . . . "

"Tell me," I interrupted, "what is really Captain Blunt's position
there?"

And I nodded at the alley of the Prado opening before us between the rows
of the perfectly leafless trees.

"Thoroughly false, I should think.  It doesn't accord either with his
illusions or his pretensions, or even with the real position he has in
the world.  And so what between his mother and the General Headquarters
and the state of his own feelings he. . . "

"He is in love with her," I interrupted again.

"That wouldn't make it any easier.  I'm not at all sure of that.  But if
so it can't be a very idealistic sentiment.  All the warmth of his
idealism is concentrated upon a certain '_Americain_, _Catholique et
gentil-homme_. . . '"

The smile which for a moment dwelt on his lips was not unkind.

"At the same time he has a very good grip of the material conditions that
surround, as it were, the situation."

"What do you mean?  That Dona Rita" (the name came strangely familiar to
my tongue) "is rich, that she has a fortune of her own?"

"Yes, a fortune," said Mills.  "But it was Allegre's fortune before. . .
And then there is Blunt's fortune: he lives by his sword.  And there is
the fortune of his mother, I assure you a perfectly charming, clever, and
most aristocratic old lady, with the most distinguished connections.  I
really mean it.  She doesn't live by her sword.  She . . . she lives by
her wits.  I have a notion that those two dislike each other heartily at
times. . . Here we are."

The victoria stopped in the side alley, bordered by the low walls of
private grounds.  We got out before a wrought-iron gateway which stood
half open and walked up a circular drive to the door of a large villa of
a neglected appearance.  The mistral howled in the sunshine, shaking the
bare bushes quite furiously.  And everything was bright and hard, the air
was hard, the light was hard, the ground under our feet was hard.

The door at which Mills rang came open almost at once.  The maid who
opened it was short, dark, and slightly pockmarked.  For the rest, an
obvious "_femme-de-chambre_," and very busy.  She said quickly, "Madame
has just returned from her ride," and went up the stairs leaving us to
shut the front door ourselves.

The staircase had a crimson carpet.  Mr. Blunt appeared from somewhere in
the hall.  He was in riding breeches and a black coat with ample square
skirts.  This get-up suited him but it also changed him extremely by
doing away with the effect of flexible slimness he produced in his
evening clothes.  He looked to me not at all himself but rather like a
brother of the man who had been talking to us the night before.  He
carried about him a delicate perfume of scented soap.  He gave us a flash
of his white teeth and said:

"It's a perfect nuisance.  We have just dismounted.  I will have to lunch
as I am.  A lifelong habit of beginning her day on horseback.  She
pretends she is unwell unless she does.  I daresay, when one thinks there
has been hardly a day for five or six years that she didn't begin with a
ride.  That's the reason she is always rushing away from Paris where she
can't go out in the morning alone.  Here, of course, it's different.  And
as I, too, am a stranger here I can go out with her.  Not that I
particularly care to do it."

These last words were addressed to Mills specially, with the addition of
a mumbled remark: "It's a confounded position."  Then calmly to me with a
swift smile: "We have been talking of you this morning.  You are expected
with impatience."

"Thank you very much," I said, "but I can't help asking myself what I am
doing here."

The upward cast in the eyes of Mills who was facing the staircase made us
both, Blunt and I, turn round.  The woman of whom I had heard so much, in
a sort of way in which I had never heard a woman spoken of before, was
coming down the stairs, and my first sensation was that of profound
astonishment at this evidence that she did really exist.  And even then
the visual impression was more of colour in a picture than of the forms
of actual life.  She was wearing a wrapper, a sort of dressing-gown of
pale blue silk embroidered with black and gold designs round the neck and
down the front, lapped round her and held together by a broad belt of the
same material.  Her slippers were of the same colour, with black bows at
the instep.  The white stairs, the deep crimson of the carpet, and the
light blue of the dress made an effective combination of colour to set
off the delicate carnation of that face, which, after the first glance
given to the whole person, drew irresistibly your gaze to itself by an
indefinable quality of charm beyond all analysis and made you think of
remote races, of strange generations, of the faces of women sculptured on
immemorial monuments and of those lying unsung in their tombs.  While she
moved downwards from step to step with slightly lowered eyes there
flashed upon me suddenly the recollection of words heard at night, of
Allegre's words about her, of there being in her "something of the women
of all time."

At the last step she raised her eyelids, treated us to an exhibition of
teeth as dazzling as Mr. Blunt's and looking even stronger; and indeed,
as she approached us she brought home to our hearts (but after all I am
speaking only for myself) a vivid sense of her physical perfection in
beauty of limb and balance of nerves, and not so much of grace, probably,
as of absolute harmony.

She said to us, "I am sorry I kept you waiting."  Her voice was low
pitched, penetrating, and of the most seductive gentleness.  She offered
her hand to Mills very frankly as to an old friend.  Within the
extraordinarily wide sleeve, lined with black silk, I could see the arm,
very white, with a pearly gleam in the shadow.  But to me she extended
her hand with a slight stiffening, as it were a recoil of her person,
combined with an extremely straight glance.  It was a finely shaped,
capable hand.  I bowed over it, and we just touched fingers.  I did not
look then at her face.

Next moment she caught sight of some envelopes lying on the round
marble-topped table in the middle of the hall.  She seized one of them
with a wonderfully quick, almost feline, movement and tore it open,
saying to us, "Excuse me, I must . . . Do go into the dining-room.
Captain Blunt, show the way."

Her widened eyes stared at the paper.  Mr. Blunt threw one of the doors
open, but before we passed through it we heard a petulant exclamation
accompanied by childlike stamping with both feet and ending in a laugh
which had in it a note of contempt.

The door closed behind us; we had been abandoned by Mr. Blunt.  He had
remained on the other side, possibly to soothe.  The room in which we
found ourselves was long like a gallery and ended in a rotunda with many
windows.  It was long enough for two fireplaces of red polished granite.
A table laid out for four occupied very little space.  The floor inlaid
in two kinds of wood in a bizarre pattern was highly waxed, reflecting
objects like still water.

Before very long Dona Rita and Blunt rejoined us and we sat down around
the table; but before we could begin to talk a dramatically sudden ring
at the front door stilled our incipient animation.  Dona Rita looked at
us all in turn, with surprise and, as it were, with suspicion.  "How did
he know I was here?" she whispered after looking at the card which was
brought to her.   She passed it to Blunt, who passed it to Mills, who
made a faint grimace, dropped it on the table-cloth, and only whispered
to me, "A journalist from Paris."

"He has run me to earth," said Dona Rita.  "One would bargain for peace
against hard cash if these fellows weren't always ready to snatch at
one's very soul with the other hand.  It frightens me."

Her voice floated mysterious and penetrating from her lips, which moved
very little.  Mills was watching her with sympathetic curiosity.  Mr.
Blunt muttered: "Better not make the brute angry."  For a moment Dona
Rita's face, with its narrow eyes, its wide brow, and high cheek bones,
became very still; then her colour was a little heightened.  "Oh," she
said softly, "let him come in.  He would be really dangerous if he had a
mind--you know," she said to Mills.

The person who had provoked all those remarks and as much hesitation as
though he had been some sort of wild beast astonished me on being
admitted, first by the beauty of his white head of hair and then by his
paternal aspect and the innocent simplicity of his manner.  They laid a
cover for him between Mills and Dona Rita, who quite openly removed the
envelopes she had brought with her, to the other side of her plate.  As
openly the man's round china-blue eyes followed them in an attempt to
make out the handwriting of the addresses.

He seemed to know, at least slightly, both Mills and Blunt.  To me he
gave a stare of stupid surprise.  He addressed our hostess.

"Resting?  Rest is a very good thing.  Upon my word, I thought I would
find you alone.  But you have too much sense.  Neither man nor woman has
been created to live alone. . . ."  After this opening he had all the
talk to himself.  It was left to him pointedly, and I verily believe that
I was the only one who showed an appearance of interest.  I couldn't help
it.  The others, including Mills, sat like a lot of deaf and dumb people.
No.  It was even something more detached.  They sat rather like a very
superior lot of waxworks, with the fixed but indetermined facial
expression and with that odd air wax figures have of being aware of their
existence being but a sham.

I was the exception; and nothing could have marked better my status of a
stranger, the completest possible stranger in the moral region in which
those people lived, moved, enjoying or suffering their incomprehensible
emotions.  I was as much of a stranger as the most hopeless castaway
stumbling in the dark upon a hut of natives and finding them in the grip
of some situation appertaining to the mentalities, prejudices, and
problems of an undiscovered country--of a country of which he had not
even had one single clear glimpse before.

It was even worse in a way.  It ought to have been more disconcerting.
For, pursuing the image of the cast-away blundering upon the
complications of an unknown scheme of life, it was I, the castaway, who
was the savage, the simple innocent child of nature.  Those people were
obviously more civilized than I was.  They had more rites, more
ceremonies, more complexity in their sensations, more knowledge of evil,
more varied meanings to the subtle phrases of their language.  Naturally!
I was still so young!  And yet I assure you, that just then I lost all
sense of inferiority.  And why?  Of course the carelessness and the
ignorance of youth had something to do with that.  But there was
something else besides.  Looking at Dona Rita, her head leaning on her
hand, with her dark lashes lowered on the slightly flushed cheek, I felt
no longer alone in my youth.  That woman of whom I had heard these things
I have set down with all the exactness of unfailing memory, that woman
was revealed to me young, younger than anybody I had ever seen, as young
as myself (and my sensation of my youth was then very acute); revealed
with something peculiarly intimate in the conviction, as if she were
young exactly in the same way in which I felt myself young; and that
therefore no misunderstanding between us was possible and there could be
nothing more for us to know about each other.  Of course this sensation
was momentary, but it was illuminating; it was a light which could not
last, but it left no darkness behind.  On the contrary, it seemed to have
kindled magically somewhere within me a glow of assurance, of
unaccountable confidence in myself: a warm, steady, and eager sensation
of my individual life beginning for good there, on that spot, in that
sense of solidarity, in that seduction.



CHAPTER II


For this, properly speaking wonderful, reason I was the only one of the
company who could listen without constraint to the unbidden guest with
that fine head of white hair, so beautifully kept, so magnificently
waved, so artistically arranged that respect could not be felt for it any
more than for a very expensive wig in the window of a hair-dresser.  In
fact, I had an inclination to smile at it.  This proves how unconstrained
I felt.  My mind was perfectly at liberty; and so of all the eyes in that
room mine was the only pair able to look about in easy freedom.  All the
other listeners' eyes were cast down, including Mills' eyes, but that I
am sure was only because of his perfect and delicate sympathy.  He could
not have been concerned otherwise.

The intruder devoured the cutlets--if they were cutlets.  Notwithstanding
my perfect liberty of mind I was not aware of what we were eating.  I
have a notion that the lunch was a mere show, except of course for the
man with the white hair, who was really hungry and who, besides, must
have had the pleasant sense of dominating the situation.  He stooped over
his plate and worked his jaw deliberately while his blue eyes rolled
incessantly; but as a matter of fact he never looked openly at any one of
us.  Whenever he laid down his knife and fork he would throw himself back
and start retailing in a light tone some Parisian gossip about prominent
people.

He talked first about a certain politician of mark.  His "dear Rita" knew
him.  His costume dated back to '48, he was made of wood and parchment
and still swathed his neck in a white cloth; and even his wife had never
been seen in a low-necked dress.  Not once in her life.  She was buttoned
up to the chin like her husband.  Well, that man had confessed to him
that when he was engaged in political controversy, not on a matter of
principle but on some special measure in debate, he felt ready to kill
everybody.

He interrupted himself for a comment.  "I am something like that myself.
I believe it's a purely professional feeling.  Carry one's point whatever
it is.  Normally I couldn't kill a fly.  My sensibility is too acute for
that.  My heart is too tender also.  Much too tender.  I am a Republican.
I am a Red.  As to all our present masters and governors, all those
people you are trying to turn round your little finger, they are all
horrible Royalists in disguise.  They are plotting the ruin of all the
institutions to which I am devoted.  But I have never tried to spoil your
little game, Rita.  After all, it's but a little game.  You know very
well that two or three fearless articles, something in my style, you
know, would soon put a stop to all that underhand backing of your king.
I am calling him king because I want to be polite to you.  He is an
adventurer, a blood-thirsty, murderous adventurer, for me, and nothing
else.  Look here, my dear child, what are you knocking yourself about
for?  For the sake of that bandit?  _Allons donc_!  A pupil of Henry
Allegre can have no illusions of that sort about any man.  And such a
pupil, too!  Ah, the good old days in the Pavilion!  Don't think I claim
any particular intimacy.  It was just enough to enable me to offer my
services to you, Rita, when our poor friend died.  I found myself handy
and so I came.  It so happened that I was the first.  You remember, Rita?
What made it possible for everybody to get on with our poor dear Allegre
was his complete, equable, and impartial contempt for all mankind.  There
is nothing in that against the purest democratic principles; but that
you, Rita, should elect to throw so much of your life away for the sake
of a Royal adventurer, it really knocks me over.  For you don't love him.
You never loved him, you know."

He made a snatch at her hand, absolutely pulled it away from under her
head (it was quite startling) and retaining it in his grasp, proceeded to
a paternal patting of the most impudent kind.  She let him go on with
apparent insensibility.  Meanwhile his eyes strayed round the table over
our faces.  It was very trying.  The stupidity of that wandering stare
had a paralysing power.  He talked at large with husky familiarity.

"Here I come, expecting to find a good sensible girl who had seen at last
the vanity of all those things; half-light in the rooms; surrounded by
the works of her favourite poets, and all that sort of thing.  I say to
myself: I must just run in and see the dear wise child, and encourage her
in her good resolutions. . . And I fall into the middle of an _intime_
lunch-party.  For I suppose it is _intime_.  Eh?  Very?  H'm, yes . . . "

He was really appalling.  Again his wandering stare went round the table,
with an expression incredibly incongruous with the words.  It was as
though he had borrowed those eyes from some idiot for the purpose of that
visit.  He still held Dona Rita's hand, and, now and then, patted it.

"It's discouraging," he cooed.  "And I believe not one of you here is a
Frenchman.  I don't know what you are all about.  It's beyond me.  But if
we were a Republic--you know I am an old Jacobin, sans-culotte and
terrorist--if this were a real Republic with the Convention sitting and a
Committee of Public Safety attending to national business, you would all
get your heads cut off.  Ha, ha . . . I am joking, ha, ha! . . . and
serve you right, too.  Don't mind my little joke."

While he was still laughing he released her hand and she leaned her head
on it again without haste.  She had never looked at him once.

During the rather humiliating silence that ensued he got a leather cigar
case like a small valise out of his pocket, opened it and looked with
critical interest at the six cigars it contained.  The tireless
_femme-de-chambre_ set down a tray with coffee cups on the table.  We
each (glad, I suppose, of something to do) took one, but he, to begin
with, sniffed at his.  Dona Rita continued leaning on her elbow, her lips
closed in a reposeful expression of peculiar sweetness.  There was
nothing drooping in her attitude.  Her face with the delicate carnation
of a rose and downcast eyes was as if veiled in firm immobility and was
so appealing that I had an insane impulse to walk round and kiss the
forearm on which it was leaning; that strong, well-shaped forearm,
gleaming not like marble but with a living and warm splendour.  So
familiar had I become already with her in my thoughts!  Of course I
didn't do anything of the sort.  It was nothing uncontrollable, it was
but a tender longing of a most respectful and purely sentimental kind.  I
performed the act in my thought quietly, almost solemnly, while the
creature with the silver hair leaned back in his chair, puffing at his
cigar, and began to speak again.

It was all apparently very innocent talk.  He informed his "dear Rita"
that he was really on his way to Monte Carlo.  A lifelong habit of his at
this time of the year; but he was ready to run back to Paris if he could
do anything for his "_chere enfant_," run back for a day, for two days,
for three days, for any time; miss Monte Carlo this year altogether, if
he could be of the slightest use and save her going herself.  For
instance he could see to it that proper watch was kept over the Pavilion
stuffed with all these art treasures.  What was going to happen to all
those things? . . . Making herself heard for the first time Dona Rita
murmured without moving that she had made arrangements with the police to
have it properly watched.  And I was enchanted by the almost
imperceptible play of her lips.

But the anxious creature was not reassured.  He pointed out that things
had been stolen out of the Louvre, which was, he dared say, even better
watched.  And there was that marvellous cabinet on the landing, black
lacquer with silver herons, which alone would repay a couple of burglars.
A wheelbarrow, some old sacking, and they could trundle it off under
people's noses.

"Have you thought it all out?" she asked in a cold whisper, while we
three sat smoking to give ourselves a countenance (it was certainly no
enjoyment) and wondering what we would hear next.

No, he had not.  But he confessed that for years and years he had been in
love with that cabinet.  And anyhow what was going to happen to the
things?  The world was greatly exercised by that problem.  He turned
slightly his beautifully groomed white head so as to address Mr. Blunt
directly.

"I had the pleasure of meeting your mother lately."

Mr. Blunt took his time to raise his eyebrows and flash his teeth at him
before he dropped negligently, "I can't imagine where you could have met
my mother."

"Why, at Bing's, the curio-dealer," said the other with an air of the
heaviest possible stupidity.  And yet there was something in these few
words which seemed to imply that if Mr. Blunt was looking for trouble he
would certainly get it.  "Bing was bowing her out of his shop, but he was
so angry about something that he was quite rude even to me afterwards.  I
don't think it's very good for _Madame votre mere_ to quarrel with Bing.
He is a Parisian personality.  He's quite a power in his sphere.  All
these fellows' nerves are upset from worry as to what will happen to the
Allegre collection.  And no wonder they are nervous.  A big art event
hangs on your lips, my dear, great Rita.  And by the way, you too ought
to remember that it isn't wise to quarrel with people.  What have you
done to that poor Azzolati?  Did you really tell him to get out and never
come near you again, or something awful like that?  I don't doubt that he
was of use to you or to your king.  A man who gets invitations to shoot
with the President at Rambouillet!  I saw him only the other evening; I
heard he had been winning immensely at cards; but he looked perfectly
wretched, the poor fellow.  He complained of your conduct--oh, very much!
He told me you had been perfectly brutal with him.  He said to me: 'I am
no good for anything, _mon cher_.  The other day at Rambouillet, whenever
I had a hare at the end of my gun I would think of her cruel words and my
eyes would run full of tears.  I missed every shot' . . . You are not fit
for diplomatic work, you know, _ma chere_.  You are a mere child at it.
When you want a middle-aged gentleman to do anything for you, you don't
begin by reducing him to tears.  I should have thought any woman would
have known that much.  A nun would have known that much.  What do you
say?  Shall I run back to Paris and make it up for you with Azzolati?"

He waited for her answer.  The compression of his thin lips was full of
significance.  I was surprised to see our hostess shake her head
negatively the least bit, for indeed by her pose, by the thoughtful
immobility of her face she seemed to be a thousand miles away from us
all, lost in an infinite reverie.

He gave it up.  "Well, I must be off.  The express for Nice passes at
four o'clock.  I will be away about three weeks and then you shall see me
again.  Unless I strike a run of bad luck and get cleaned out, in which
case you shall see me before then."

He turned to Mills suddenly.

"Will your cousin come south this year, to that beautiful villa of his at
Cannes?"

Mills hardly deigned to answer that he didn't know anything about his
cousin's movements.

"A _grand seigneur_ combined with a great connoisseur," opined the other
heavily.  His mouth had gone slack and he looked a perfect and grotesque
imbecile under his wig-like crop of white hair.  Positively I thought he
would begin to slobber.  But he attacked Blunt next.

"Are you on your way down, too?  A little flutter. . . It seems to me you
haven't been seen in your usual Paris haunts of late.  Where have you
been all this time?"

"Don't you know where I have been?" said Mr. Blunt with great precision.

"No, I only ferret out things that may be of some use to me," was the
unexpected reply, uttered with an air of perfect vacancy and swallowed by
Mr. Blunt in blank silence.

At last he made ready to rise from the table.  "Think over what I have
said, my dear Rita."

"It's all over and done with," was Dona Rita's answer, in a louder tone
than I had ever heard her use before.  It thrilled me while she
continued: "I mean, this thinking."  She was back from the remoteness of
her meditation, very much so indeed.  She rose and moved away from the
table, inviting by a sign the other to follow her; which he did at once,
yet slowly and as it were warily.

It was a conference in the recess of a window.  We three remained seated
round the table from which the dark maid was removing the cups and the
plates with brusque movements.  I gazed frankly at Dona Rita's profile,
irregular, animated, and fascinating in an undefinable way, at her
well-shaped head with the hair twisted high up and apparently held in its
place by a gold arrow with a jewelled shaft.  We couldn't hear what she
said, but the movement of her lips and the play of her features were full
of charm, full of interest, expressing both audacity and gentleness.  She
spoke with fire without raising her voice.  The man listened
round-shouldered, but seeming much too stupid to understand.  I could see
now and then that he was speaking, but he was inaudible.  At one moment
Dona Rita turned her head to the room and called out to the maid, "Give
me my hand-bag off the sofa."

At this the other was heard plainly, "No, no," and then a little lower,
"You have no tact, Rita. . . ."  Then came her argument in a low,
penetrating voice which I caught, "Why not?  Between such old friends."
However, she waved away the hand-bag, he calmed down, and their voices
sank again.  Presently I saw him raise her hand to his lips, while with
her back to the room she continued to contemplate out of the window the
bare and untidy garden.  At last he went out of the room, throwing to the
table an airy "_Bonjour, bonjour_," which was not acknowledged by any of
us three.



CHAPTER III


Mills got up and approached the figure at the window.  To my extreme
surprise, Mr. Blunt, after a moment of obviously painful hesitation,
hastened out after the man with the white hair.

In consequence of these movements I was left to myself and I began to be
uncomfortably conscious of it when Dona Rita, near the window, addressed
me in a raised voice.

"We have no confidences to exchange, Mr. Mills and I."

I took this for an encouragement to join them.  They were both looking at
me.  Dona Rita added, "Mr. Mills and I are friends from old times, you
know."

Bathed in the softened reflection of the sunshine, which did not fall
directly into the room, standing very straight with her arms down, before
Mills, and with a faint smile directed to me, she looked extremely young,
and yet mature.  There was even, for a moment, a slight dimple in her
cheek.

"How old, I wonder?" I said, with an answering smile.

"Oh, for ages, for ages," she exclaimed hastily, frowning a little, then
she went on addressing herself to Mills, apparently in continuation of
what she was saying before.

. . .  "This man's is an extreme case, and yet perhaps it isn't the
worst.  But that's the sort of thing.  I have no account to render to
anybody, but I don't want to be dragged along all the gutters where that
man picks up his living."

She had thrown her head back a little but there was no scorn, no angry
flash under the dark-lashed eyelids.  The words did not ring.  I was
struck for the first time by the even, mysterious quality of her voice.

"Will you let me suggest," said Mills, with a grave, kindly face, "that
being what you are, you have nothing to fear?"

"And perhaps nothing to lose," she went on without bitterness.  "No.  It
isn't fear.  It's a sort of dread.  You must remember that no nun could
have had a more protected life.  Henry Allegre had his greatness.  When
he faced the world he also masked it.  He was big enough for that.  He
filled the whole field of vision for me."

"You found that enough?" asked Mills.

"Why ask now?" she remonstrated.  "The truth--the truth is that I never
asked myself.  Enough or not there was no room for anything else.  He was
the shadow and the light and the form and the voice.  He would have it
so.  The morning he died they came to call me at four o'clock.  I ran
into his room bare-footed.  He recognized me and whispered, 'You are
flawless.'  I was very frightened.  He seemed to think, and then said
very plainly, 'Such is my character.  I am like that.'  These were the
last words he spoke.  I hardly noticed them then.  I was thinking that he
was lying in a very uncomfortable position and I asked him if I should
lift him up a little higher on the pillows.  You know I am very strong.
I could have done it.  I had done it before.  He raised his hand off the
blanket just enough to make a sign that he didn't want to be touched.  It
was the last gesture he made.  I hung over him and then--and then I
nearly ran out of the house just as I was, in my night-gown.  I think if
I had been dressed I would have run out of the garden, into the
street--run away altogether.  I had never seen death.  I may say I had
never heard of it.  I wanted to run from it."

She paused for a long, quiet breath.  The harmonized sweetness and daring
of her face was made pathetic by her downcast eyes.

"_Fuir la mort_," she repeated, meditatively, in her mysterious voice.

Mills' big head had a little movement, nothing more.  Her glance glided
for a moment towards me like a friendly recognition of my right to be
there, before she began again.

"My life might have been described as looking at mankind from a
fourth-floor window for years.  When the end came it was like falling out
of a balcony into the street.  It was as sudden as that.  Once I remember
somebody was telling us in the Pavilion a tale about a girl who jumped
down from a fourth-floor window. . . For love, I believe," she
interjected very quickly, "and came to no harm.  Her guardian angel must
have slipped his wings under her just in time.  He must have.  But as to
me, all I know is that I didn't break anything--not even my heart.  Don't
be shocked, Mr. Mills.  It's very likely that you don't understand."

"Very likely," Mills assented, unmoved.  "But don't be too sure of that."

"Henry Allegre had the highest opinion of your intelligence," she said
unexpectedly and with evident seriousness.  "But all this is only to tell
you that when he was gone I found myself down there unhurt, but dazed,
bewildered, not sufficiently stunned.  It so happened that that creature
was somewhere in the neighbourhood.  How he found out. . . But it's his
business to find out things.  And he knows, too, how to worm his way in
anywhere.  Indeed, in the first days he was useful and somehow he made it
look as if Heaven itself had sent him.  In my distress I thought I could
never sufficiently repay. . . Well, I have been paying ever since."

"What do you mean?" asked Mills softly.  "In hard cash?"

"Oh, it's really so little," she said.  "I told you it wasn't the worst
case.  I stayed on in that house from which I nearly ran away in my
nightgown.  I stayed on because I didn't know what to do next.  He
vanished as he had come on the track of something else, I suppose.  You
know he really has got to get his living some way or other.  But don't
think I was deserted.  On the contrary.  People were coming and going,
all sorts of people that Henry Allegre used to know--or had refused to
know.  I had a sensation of plotting and intriguing around me, all the
time.  I was feeling morally bruised, sore all over, when, one day, Don
Rafael de Villarel sent in his card.  A grandee.  I didn't know him, but,
as you are aware, there was hardly a personality of mark or position that
hasn't been talked about in the Pavilion before me.  Of him I had only
heard that he was a very austere and pious person, always at Mass, and
that sort of thing.  I saw a frail little man with a long, yellow face
and sunken fanatical eyes, an Inquisitor, an unfrocked monk.  One missed
a rosary from his thin fingers.  He gazed at me terribly and I couldn't
imagine what he might want.  I waited for him to pull out a crucifix and
sentence me to the stake there and then.  But no; he dropped his eyes and
in a cold, righteous sort of voice informed me that he had called on
behalf of the prince--he called him His Majesty.  I was amazed by the
change.  I wondered now why he didn't slip his hands into the sleeves of
his coat, you know, as begging Friars do when they come for a
subscription.  He explained that the Prince asked for permission to call
and offer me his condolences in person.  We had seen a lot of him our
last two months in Paris that year.  Henry Allegre had taken a fancy to
paint his portrait.  He used to ride with us nearly every morning.
Almost without thinking I said I should be pleased.  Don Rafael was
shocked at my want of formality, but bowed to me in silence, very much as
a monk bows, from the waist.  If he had only crossed his hands flat on
his chest it would have been perfect.  Then, I don't know why, something
moved me to make him a deep curtsy as he backed out of the room, leaving
me suddenly impressed, not only with him but with myself too.  I had my
door closed to everybody else that afternoon and the Prince came with a
very proper sorrowful face, but five minutes after he got into the room
he was laughing as usual, made the whole little house ring with it.  You
know his big, irresistible laugh. . . ."

"No," said Mills, a little abruptly, "I have never seen him."

"No," she said, surprised, "and yet you . . . "

"I understand," interrupted Mills.  "All this is purely accidental.  You
must know that I am a solitary man of books but with a secret taste for
adventure which somehow came out; surprising even me."

She listened with that enigmatic, still, under the eyelids glance, and a
friendly turn of the head.

"I know you for a frank and loyal gentleman. . . Adventure--and books?
Ah, the books!  Haven't I turned stacks of them over!  Haven't I? . . ."

"Yes," murmured Mills.  "That's what one does."

She put out her hand and laid it lightly on Mills' sleeve.

"Listen, I don't need to justify myself, but if I had known a single
woman in the world, if I had only had the opportunity to observe a single
one of them, I would have been perhaps on my guard.  But you know I
hadn't.  The only woman I had anything to do with was myself, and they
say that one can't know oneself.  It never entered my head to be on my
guard against his warmth and his terrible obviousness.  You and he were
the only two, infinitely different, people, who didn't approach me as if
I had been a precious object in a collection, an ivory carving or a piece
of Chinese porcelain.  That's why I have kept you in my memory so well.
Oh! you were not obvious!  As to him--I soon learned to regret I was not
some object, some beautiful, carved object of bone or bronze; a rare
piece of porcelain, _pate dure_, not _pate tendre_.  A pretty specimen."

"Rare, yes.  Even unique," said Mills, looking at her steadily with a
smile.  "But don't try to depreciate yourself.  You were never pretty.
You are not pretty.  You are worse."

Her narrow eyes had a mischievous gleam.  "Do you find such sayings in
your books?" she asked.

"As a matter of fact I have," said Mills, with a little laugh, "found
this one in a book.  It was a woman who said that of herself.  A woman
far from common, who died some few years ago.  She was an actress.  A
great artist."

"A great! . . . Lucky person!  She had that refuge, that garment, while I
stand here with nothing to protect me from evil fame; a naked temperament
for any wind to blow upon.  Yes, greatness in art is a protection.  I
wonder if there would have been anything in me if I had tried?  But Henry
Allegre would never let me try.  He told me that whatever I could achieve
would never be good enough for what I was.  The perfection of flattery!
Was it that he thought I had not talent of any sort?  It's possible.  He
would know.  I've had the idea since that he was jealous.  He wasn't
jealous of mankind any more than he was afraid of thieves for his
collection; but he may have been jealous of what he could see in me, of
some passion that could be aroused.  But if so he never repented.  I
shall never forget his last words.  He saw me standing beside his bed,
defenceless, symbolic and forlorn, and all he found to say was, 'Well, I
am like that.'"

I forgot myself in watching her.  I had never seen anybody speak with
less play of facial muscles.  In the fullness of its life her face
preserved a sort of immobility.  The words seemed to form themselves,
fiery or pathetic, in the air, outside her lips.  Their design was hardly
disturbed; a design of sweetness, gravity, and force as if born from the
inspiration of some artist; for I had never seen anything to come up to
it in nature before or since.

All this was part of the enchantment she cast over me; and I seemed to
notice that Mills had the aspect of a man under a spell.  If he too was a
captive then I had no reason to feel ashamed of my surrender.

"And you know," she began again abruptly, "that I have been accustomed to
all the forms of respect."

"That's true," murmured Mills, as if involuntarily.

"Well, yes," she reaffirmed.  "My instinct may have told me that my only
protection was obscurity, but I didn't know how and where to find it.
Oh, yes, I had that instinct . . . But there were other instincts and
. . . How am I to tell you?  I didn't know how to be on guard against myself,
either.  Not a soul to speak to, or to get a warning from.  Some woman
soul that would have known, in which perhaps I could have seen my own
reflection.  I assure you the only woman that ever addressed me directly,
and that was in writing, was . . . "

She glanced aside, saw Mr. Blunt returning from the hall and added
rapidly in a lowered voice,

"His mother."

The bright, mechanical smile of Mr. Blunt gleamed at us right down the
room, but he didn't, as it were, follow it in his body.  He swerved to
the nearest of the two big fireplaces and finding some cigarettes on the
mantelpiece remained leaning on his elbow in the warmth of the bright
wood fire.  I noticed then a bit of mute play.  The heiress of Henry
Allegre, who could secure neither obscurity nor any other alleviation to
that invidious position, looked as if she would speak to Blunt from a
distance; but in a moment the confident eagerness of her face died out as
if killed by a sudden thought.  I didn't know then her shrinking from all
falsehood and evasion; her dread of insincerity and disloyalty of every
kind.  But even then I felt that at the very last moment her being had
recoiled before some shadow of a suspicion.  And it occurred to me, too,
to wonder what sort of business Mr. Blunt could have had to transact with
our odious visitor, of a nature so urgent as to make him run out after
him into the hall?  Unless to beat him a little with one of the sticks
that were to be found there?  White hair so much like an expensive wig
could not be considered a serious protection.  But it couldn't have been
that.  The transaction, whatever it was, had been much too quiet.  I must
say that none of us had looked out of the window and that I didn't know
when the man did go or if he was gone at all.  As a matter of fact he was
already far away; and I may just as well say here that I never saw him
again in my life.  His passage across my field of vision was like that of
other figures of that time: not to be forgotten, a little fantastic,
infinitely enlightening for my contempt, darkening for my memory which
struggles still with the clear lights and the ugly shadows of those
unforgotten days.



CHAPTER IV


It was past four o'clock before I left the house, together with Mills.
Mr. Blunt, still in his riding costume, escorted us to the very door.  He
asked us to send him the first fiacre we met on our way to town.  "It's
impossible to walk in this get-up through the streets," he remarked, with
his brilliant smile.

At this point I propose to transcribe some notes I made at the time in
little black books which I have hunted up in the litter of the past; very
cheap, common little note-books that by the lapse of years have acquired
a touching dimness of aspect, the frayed, worn-out dignity of documents.

Expression on paper has never been my forte.  My life had been a thing of
outward manifestations.  I never had been secret or even systematically
taciturn about my simple occupations which might have been foolish but
had never required either caution or mystery.  But in those four hours
since midday a complete change had come over me.  For good or evil I left
that house committed to an enterprise that could not be talked about;
which would have appeared to many senseless and perhaps ridiculous, but
was certainly full of risks, and, apart from that, commanded discretion
on the ground of simple loyalty.  It would not only close my lips but it
would to a certain extent cut me off from my usual haunts and from the
society of my friends; especially of the light-hearted, young,
harum-scarum kind.  This was unavoidable.  It was because I felt myself
thrown back upon my own thoughts and forbidden to seek relief amongst
other lives--it was perhaps only for that reason at first I started an
irregular, fragmentary record of my days.

I made these notes not so much to preserve the memory (one cared not for
any to-morrow then) but to help me to keep a better hold of the
actuality.  I scribbled them on shore and I scribbled them on the sea;
and in both cases they are concerned not only with the nature of the
facts but with the intensity of my sensations.  It may be, too, that I
learned to love the sea for itself only at that time.  Woman and the sea
revealed themselves to me together, as it were: two mistresses of life's
values.  The illimitable greatness of the one, the unfathomable seduction
of the other working their immemorial spells from generation to
generation fell upon my heart at last: a common fortune, an unforgettable
memory of the sea's formless might and of the sovereign charm in that
woman's form wherein there seemed to beat the pulse of divinity rather
than blood.

I begin here with the notes written at the end of that very day.

--Parted with Mills on the quay.  We had walked side by side in absolute
silence.  The fact is he is too old for me to talk to him freely.  For
all his sympathy and seriousness I don't know what note to strike and I
am not at all certain what he thinks of all this.  As we shook hands at
parting, I asked him how much longer he expected to stay.  And he
answered me that it depended on R.  She was making arrangements for him
to cross the frontier.  He wanted to see the very ground on which the
Principle of Legitimacy was actually asserting itself arms in hand.  It
sounded to my positive mind the most fantastic thing in the world, this
elimination of personalities from what seemed but the merest political,
dynastic adventure.  So it wasn't Dona Rita, it wasn't Blunt, it wasn't
the Pretender with his big infectious laugh, it wasn't all that lot of
politicians, archbishops, and generals, of monks, guerrilleros, and
smugglers by sea and land, of dubious agents and shady speculators and
undoubted swindlers, who were pushing their fortunes at the risk of their
precious skins.  No.  It was the Legitimist Principle asserting itself!
Well, I would accept the view but with one reservation.  All the others
might have been merged into the idea, but I, the latest recruit, I would
not be merged in the Legitimist Principle.  Mine was an act of
independent assertion.  Never before had I felt so intensely aware of my
personality.  But I said nothing of that to Mills.  I only told him I
thought we had better not be seen very often together in the streets.  He
agreed.  Hearty handshake.  Looked affectionately after his broad back.
It never occurred to him to turn his head.  What was I in comparison with
the Principle of Legitimacy?

Late that night I went in search of Dominic.  That Mediterranean sailor
was just the man I wanted.  He had a great experience of all unlawful
things that can be done on the seas and he brought to the practice of
them much wisdom and audacity.  That I didn't know where he lived was
nothing since I knew where he loved.  The proprietor of a small, quiet
cafe on the quay, a certain Madame Leonore, a woman of thirty-five with
an open Roman face and intelligent black eyes, had captivated his heart
years ago.  In that cafe with our heads close together over a marble
table, Dominic and I held an earnest and endless confabulation while
Madame Leonore, rustling a black silk skirt, with gold earrings, with her
raven hair elaborately dressed and something nonchalant in her movements,
would take occasion, in passing to and fro, to rest her hand for a moment
on Dominic's shoulder.  Later when the little cafe had emptied itself of
its habitual customers, mostly people connected with the work of ships
and cargoes, she came quietly to sit at our table and looking at me very
hard with her black, sparkling eyes asked Dominic familiarly what had
happened to his Signorino.  It was her name for me.  I was Dominic's
Signorino.  She knew me by no other; and our connection has always been
somewhat of a riddle to her.  She said that I was somehow changed since
she saw me last.  In her rich voice she urged Dominic only to look at my
eyes.  I must have had some piece of luck come to me either in love or at
cards, she bantered.  But Dominic answered half in scorn that I was not
of the sort that runs after that kind of luck.  He stated generally that
there were some young gentlemen very clever in inventing new ways of
getting rid of their time and their money.  However, if they needed a
sensible man to help them he had no objection himself to lend a hand.
Dominic's general scorn for the beliefs, and activities, and abilities of
upper-class people covered the Principle of Legitimacy amply; but he
could not resist the opportunity to exercise his special faculties in a
field he knew of old.  He had been a desperate smuggler in his younger
days.  We settled the purchase of a fast sailing craft.  Agreed that it
must be a balancelle and something altogether out of the common.  He knew
of one suitable but she was in Corsica.  Offered to start for Bastia by
mail-boat in the morning.  All the time the handsome and mature Madame
Leonore sat by, smiling faintly, amused at her great man joining like
this in a frolic of boys.  She said the last words of that evening: "You
men never grow up," touching lightly the grey hair above his temple.

A fortnight later.

. . . In the afternoon to the Prado.  Beautiful day.  At the moment of
ringing at the door a strong emotion of an anxious kind.  Why?  Down the
length of the dining-room in the rotunda part full of afternoon light
Dona R., sitting cross-legged on the divan in the attitude of a very old
idol or a very young child and surrounded by many cushions, waves her
hand from afar pleasantly surprised, exclaiming: "What!  Back already!"
I give her all the details and we talk for two hours across a large brass
bowl containing a little water placed between us, lighting cigarettes and
dropping them, innumerable, puffed at, yet untasted in the overwhelming
interest of the conversation.  Found her very quick in taking the points
and very intelligent in her suggestions.  All formality soon vanished
between us and before very long I discovered myself sitting cross-legged,
too, while I held forth on the qualities of different Mediterranean
sailing craft and on the romantic qualifications of Dominic for the task.
I believe I gave her the whole history of the man, mentioning even the
existence of Madame Leonore, since the little cafe would have to be the
headquarters of the marine part of the plot.

She murmured, "_Ah_! _Une belle Romaine_," thoughtfully.  She told me
that she liked to hear people of that sort spoken of in terms of our
common humanity.  She observed also that she wished to see Dominic some
day; to set her eyes for once on a man who could be absolutely depended
on.  She wanted to know whether he had engaged himself in this adventure
solely for my sake.

I said that no doubt it was partly that.  We had been very close
associates in the West Indies from where we had returned together, and he
had a notion that I could be depended on, too.  But mainly, I suppose, it
was from taste.  And there was in him also a fine carelessness as to what
he did and a love of venturesome enterprise.

"And you," she said.  "Is it carelessness, too?"

"In a measure," I said.  "Within limits."

"And very soon you will get tired."

"When I do I will tell you.  But I may also get frightened.  I suppose
you know there are risks, I mean apart from the risk of life."

"As for instance," she said.

"For instance, being captured, tried, and sentenced to what they call
'the galleys,' in Ceuta."

"And all this from that love for . . ."

"Not for Legitimacy," I interrupted the inquiry lightly.  "But what's the
use asking such questions?  It's like asking the veiled figure of fate.
It doesn't know its own mind nor its own heart.  It has no heart.  But
what if I were to start asking you--who have a heart and are not veiled
to my sight?"  She dropped her charming adolescent head, so firm in
modelling, so gentle in expression.  Her uncovered neck was round like
the shaft of a column.  She wore the same wrapper of thick blue silk.  At
that time she seemed to live either in her riding habit or in that
wrapper folded tightly round her and open low to a point in front.
Because of the absence of all trimming round the neck and from the deep
view of her bare arms in the wide sleeve this garment seemed to be put
directly on her skin and gave one the impression of one's nearness to her
body which would have been troubling but for the perfect unconsciousness
of her manner.  That day she carried no barbarous arrow in her hair.  It
was parted on one side, brushed back severely, and tied with a black
ribbon, without any bronze mist about her forehead or temple.  This
smoothness added to the many varieties of her expression also that of
child-like innocence.

Great progress in our intimacy brought about unconsciously by our
enthusiastic interest in the matter of our discourse and, in the moments
of silence, by the sympathetic current of our thoughts.  And this rapidly
growing familiarity (truly, she had a terrible gift for it) had all the
varieties of earnestness: serious, excited, ardent, and even gay.  She
laughed in contralto; but her laugh was never very long; and when it had
ceased, the silence of the room with the light dying in all its many
windows seemed to lie about me warmed by its vibration.

As I was preparing to take my leave after a longish pause into which we
had fallen as into a vague dream, she came out of it with a start and a
quiet sigh.  She said, "I had forgotten myself."  I took her hand and was
raising it naturally, without premeditation, when I felt suddenly the arm
to which it belonged become insensible, passive, like a stuffed limb, and
the whole woman go inanimate all over!  Brusquely I dropped the hand
before it reached my lips; and it was so lifeless that it fell heavily on
to the divan.

I remained standing before her.  She raised to me not her eyes but her
whole face, inquisitively--perhaps in appeal.

"No!  This isn't good enough for me," I said.

The last of the light gleamed in her long enigmatic eyes as if they were
precious enamel in that shadowy head which in its immobility suggested a
creation of a distant past: immortal art, not transient life.  Her voice
had a profound quietness.  She excused herself.

"It's only habit--or instinct--or what you like.  I have had to practise
that in self-defence lest I should be tempted sometimes to cut the arm
off."

I remembered the way she had abandoned this very arm and hand to the
white-haired ruffian.  It rendered me gloomy and idiotically obstinate.

"Very ingenious.  But this sort of thing is of no use to me," I declared.

"Make it up," suggested her mysterious voice, while her shadowy figure
remained unmoved, indifferent amongst the cushions.

I didn't stir either.  I refused in the same low tone.

"No.  Not before you give it to me yourself some day."

"Yes--some day," she repeated in a breath in which there was no irony but
rather hesitation, reluctance what did I know?

I walked away from the house in a curious state of gloomy satisfaction
with myself.

                                * * * * *

And this is the last extract.  A month afterwards.

--This afternoon going up to the Villa I was for the first time
accompanied in my way by some misgivings.  To-morrow I sail.

First trip and therefore in the nature of a trial trip; and I can't
overcome a certain gnawing emotion, for it is a trip that _mustn't_ fail.
In that sort of enterprise there is no room for mistakes.  Of all the
individuals engaged in it will every one be intelligent enough, faithful
enough, bold enough?  Looking upon them as a whole it seems impossible;
but as each has got only a limited part to play they may be found
sufficient each for his particular trust.  And will they be all punctual,
I wonder?  An enterprise that hangs on the punctuality of many people, no
matter how well disposed and even heroic, hangs on a thread.  This I have
perceived to be also the greatest of Dominic's concerns.  He, too,
wonders.  And when he breathes his doubts the smile lurking under the
dark curl of his moustaches is not reassuring.

But there is also something exciting in such speculations and the road to
the Villa seemed to me shorter than ever before.

Let in by the silent, ever-active, dark lady's maid, who is always on the
spot and always on the way somewhere else, opening the door with one
hand, while she passes on, turning on one for a moment her quick, black
eyes, which just miss being lustrous, as if some one had breathed on them
lightly.

On entering the long room I perceive Mills established in an armchair
which he had dragged in front of the divan.  I do the same to another and
there we sit side by side facing R., tenderly amiable yet somehow distant
among her cushions, with an immemorial seriousness in her long, shaded
eyes and her fugitive smile hovering about but never settling on her
lips.  Mills, who is just back from over the frontier, must have been
asking R. whether she had been worried again by her devoted friend with
the white hair.  At least I concluded so because I found them talking of
the heart-broken Azzolati.  And after having answered their greetings I
sit and listen to Rita addressing Mills earnestly.

"No, I assure you Azzolati had done nothing to me.  I knew him.  He was a
frequent visitor at the Pavilion, though I, personally, never talked with
him very much in Henry Allegre's lifetime.  Other men were more
interesting, and he himself was rather reserved in his manner to me.  He
was an international politician and financier--a nobody.  He, like many
others, was admitted only to feed and amuse Henry Allegre's scorn of the
world, which was insatiable--I tell you."

"Yes," said Mills.  "I can imagine."

"But I know.  Often when we were alone Henry Allegre used to pour it into
my ears.  If ever anybody saw mankind stripped of its clothes as the
child sees the king in the German fairy tale, it's I!  Into my ears!  A
child's!  Too young to die of fright.  Certainly not old enough to
understand--or even to believe.  But then his arm was about me.  I used
to laugh, sometimes.  Laugh!  At this destruction--at these ruins!"

"Yes," said Mills, very steady before her fire.  "But you have at your
service the everlasting charm of life; you are a part of the
indestructible."

"Am I? . . . But there is no arm about me now.  The laugh!  Where is my
laugh?  Give me back my laugh. . . ."

And she laughed a little on a low note.  I don't know about Mills, but
the subdued shadowy vibration of it echoed in my breast which felt empty
for a moment and like a large space that makes one giddy.

"The laugh is gone out of my heart, which at any rate used to feel
protected.  That feeling's gone, too.  And I myself will have to die some
day."

"Certainly," said Mills in an unaltered voice.  "As to this body you . . ."

"Oh, yes!  Thanks.  It's a very poor jest.  Change from body to body as
travellers used to change horses at post houses.  I've heard of this
before. . . ."

"I've no doubt you have," Mills put on a submissive air.  "But are we to
hear any more about Azzolati?"

"You shall.  Listen.  I had heard that he was invited to shoot at
Rambouillet--a quiet party, not one of these great shoots.  I hear a lot
of things.  I wanted to have a certain information, also certain hints
conveyed to a diplomatic personage who was to be there, too.  A personage
that would never let me get in touch with him though I had tried many
times."

"Incredible!" mocked Mills solemnly.

"The personage mistrusts his own susceptibility.  Born cautious,"
explained Dona Rita crisply with the slightest possible quiver of her
lips.  "Suddenly I had the inspiration to make use of Azzolati, who had
been reminding me by a constant stream of messages that he was an old
friend.  I never took any notice of those pathetic appeals before.  But
in this emergency I sat down and wrote a note asking him to come and dine
with me in my hotel.  I suppose you know I don't live in the Pavilion.  I
can't bear the Pavilion now.  When I have to go there I begin to feel
after an hour or so that it is haunted.  I seem to catch sight of
somebody I know behind columns, passing through doorways, vanishing here
and there.  I hear light footsteps behind closed doors. . . My own!"

Her eyes, her half-parted lips, remained fixed till Mills suggested
softly, "Yes, but Azzolati."

Her rigidity vanished like a flake of snow in the sunshine.  "Oh!
Azzolati.  It was a most solemn affair.  It had occurred to me to make a
very elaborate toilet.  It was most successful.  Azzolati looked
positively scared for a moment as though he had got into the wrong suite
of rooms.  He had never before seen me _en toilette_, you understand.  In
the old days once out of my riding habit I would never dress.  I draped
myself, you remember, Monsieur Mills.  To go about like that suited my
indolence, my longing to feel free in my body, as at that time when I
used to herd goats. . . But never mind.  My aim was to impress Azzolati.
I wanted to talk to him seriously."

There was something whimsical in the quick beat of her eyelids and in the
subtle quiver of her lips.  "And behold! the same notion had occurred to
Azzolati.  Imagine that for this tete-a-tete dinner the creature had got
himself up as if for a reception at court.  He displayed a brochette of
all sorts of decorations on the lapel of his _frac_ and had a broad
ribbon of some order across his shirt front.  An orange ribbon.
Bavarian, I should say.  Great Roman Catholic, Azzolati.  It was always
his ambition to be the banker of all the Bourbons in the world.  The last
remnants of his hair were dyed jet black and the ends of his moustache
were like knitting needles.  He was disposed to be as soft as wax in my
hands.  Unfortunately I had had some irritating interviews during the
day.  I was keeping down sudden impulses to smash a glass, throw a plate
on the floor, do something violent to relieve my feelings.  His
submissive attitude made me still more nervous.  He was ready to do
anything in the world for me providing that I would promise him that he
would never find my door shut against him as long as he lived.  You
understand the impudence of it, don't you?  And his tone was positively
abject, too.  I snapped back at him that I had no door, that I was a
nomad.  He bowed ironically till his nose nearly touched his plate but
begged me to remember that to his personal knowledge I had four houses of
my own about the world.  And you know this made me feel a homeless
outcast more than ever--like a little dog lost in the street--not knowing
where to go.  I was ready to cry and there the creature sat in front of
me with an imbecile smile as much as to say 'here is a poser for you.
. . .'  I gnashed my teeth at him.  Quietly, you know . . . I suppose you two
think that I am stupid."

She paused as if expecting an answer but we made no sound and she
continued with a remark.

"I have days like that.  Often one must listen to false protestations,
empty words, strings of lies all day long, so that in the evening one is
not fit for anything, not even for truth if it comes in one's way.  That
idiot treated me to a piece of brazen sincerity which I couldn't stand.
First of all he began to take me into his confidence; he boasted of his
great affairs, then started groaning about his overstrained life which
left him no time for the amenities of existence, for beauty, or
sentiment, or any sort of ease of heart.  His heart!  He wanted me to
sympathize with his sorrows.  Of course I ought to have listened.  One
must pay for service.  Only I was nervous and tired.  He bored me.  I
told him at last that I was surprised that a man of such immense wealth
should still keep on going like this reaching for more and more.  I
suppose he must have been sipping a good deal of wine while we talked and
all at once he let out an atrocity which was too much for me.  He had
been moaning and sentimentalizing but then suddenly he showed me his
fangs.  'No,' he cries, 'you can't imagine what a satisfaction it is to
feel all that penniless, beggarly lot of the dear, honest, meritorious
poor wriggling and slobbering under one's boots.'  You may tell me that
he is a contemptible animal anyhow, but you should have heard the tone!
I felt my bare arms go cold like ice.  A moment before I had been hot and
faint with sheer boredom.  I jumped up from the table, rang for Rose, and
told her to bring me my fur cloak.  He remained in his chair leering at
me curiously.  When I had the fur on my shoulders and the girl had gone
out of the room I gave him the surprise of his life.  'Take yourself off
instantly,' I said.  'Go trample on the poor if you like but never dare
speak to me again.'  At this he leaned his head on his arm and sat so
long at the table shading his eyes with his hand that I had to ask,
calmly--you know--whether he wanted me to have him turned out into the
corridor.  He fetched an enormous sigh.  'I have only tried to be honest
with you, Rita.'  But by the time he got to the door he had regained some
of his impudence.  'You know how to trample on a poor fellow, too,' he
said.  'But I don't mind being made to wriggle under your pretty shoes,
Rita.  I forgive you.  I thought you were free from all vulgar
sentimentalism and that you had a more independent mind.  I was mistaken
in you, that's all.'  With that he pretends to dash a tear from his
eye-crocodile!--and goes out, leaving me in my fur by the blazing fire,
my teeth going like castanets. . . Did you ever hear of anything so
stupid as this affair?" she concluded in a tone of extreme candour and a
profound unreadable stare that went far beyond us both.  And the
stillness of her lips was so perfect directly she ceased speaking that I
wondered whether all this had come through them or only had formed itself
in my mind.

Presently she continued as if speaking for herself only.

"It's like taking the lids off boxes and seeing ugly toads staring at
you.  In every one.  Every one.  That's what it is having to do with men
more than mere--Good-morning--Good evening.  And if you try to avoid
meddling with their lids, some of them will take them off themselves.
And they don't even know, they don't even suspect what they are showing
you.  Certain confidences--they don't see it--are the bitterest kind of
insult.  I suppose Azzolati imagines himself a noble beast of prey.  Just
as some others imagine themselves to be most delicate, noble, and refined
gentlemen.  And as likely as not they would trade on a woman's
troubles--and in the end make nothing of that either.  Idiots!"

The utter absence of all anger in this spoken meditation gave it a
character of touching simplicity.  And as if it had been truly only a
meditation we conducted ourselves as though we had not heard it.  Mills
began to speak of his experiences during his visit to the army of the
Legitimist King.  And I discovered in his speeches that this man of books
could be graphic and picturesque.  His admiration for the devotion and
bravery of the army was combined with the greatest distaste for what he
had seen of the way its great qualities were misused.  In the conduct of
this great enterprise he had seen a deplorable levity of outlook, a fatal
lack of decision, an absence of any reasoned plan.

He shook his head.

"I feel that you of all people, Dona Rita, ought to be told the truth.  I
don't know exactly what you have at stake."

She was rosy like some impassive statue in a desert in the flush of the
dawn.

"Not my heart," she said quietly.  "You must believe that."

"I do.  Perhaps it would have been better if you. . . "

"No, _Monsieur le Philosophe_.  It would not have been better.  Don't
make that serious face at me," she went on with tenderness in a playful
note, as if tenderness had been her inheritance of all time and
playfulness the very fibre of her being.  "I suppose you think that a
woman who has acted as I did and has not staked her heart on it is . . .
How do you know to what the heart responds as it beats from day to day?"

"I wouldn't judge you.  What am I before the knowledge you were born to?
You are as old as the world."

She accepted this with a smile.  I who was innocently watching them was
amazed to discover how much a fleeting thing like that could hold of
seduction without the help of any other feature and with that unchanging
glance.

"With me it is _pun d'onor_.  To my first independent friend."

"You were soon parted," ventured Mills, while I sat still under a sense
of oppression.

"Don't think for a moment that I have been scared off," she said.  "It is
they who were frightened.  I suppose you heard a lot of Headquarters
gossip?"

"Oh, yes," Mills said meaningly.  "The fair and the dark are succeeding
each other like leaves blown in the wind dancing in and out.  I suppose
you have noticed that leaves blown in the wind have a look of happiness."

"Yes," she said, "that sort of leaf is dead.  Then why shouldn't it look
happy?  And so I suppose there is no uneasiness, no occasion for fears
amongst the 'responsibles.'"

"Upon the whole not.  Now and then a leaf seems as if it would stick.
There is for instance Madame . . ."

"Oh, I don't want to know, I understand it all, I am as old as the
world."

"Yes," said Mills thoughtfully, "you are not a leaf, you might have been
a tornado yourself."

"Upon my word," she said, "there was a time that they thought I could
carry him off, away from them all--beyond them all.  Verily, I am not
very proud of their fears.  There was nothing reckless there worthy of a
great passion.  There was nothing sad there worthy of a great
tenderness."

"And is _this_ the word of the Venetian riddle?" asked Mills, fixing her
with his keen eyes.

"If it pleases you to think so, Senor," she said indifferently.  The
movement of her eyes, their veiled gleam became mischievous when she
asked, "And Don Juan Blunt, have you seen him over there?"

"I fancy he avoided me.  Moreover, he is always with his regiment at the
outposts.  He is a most valorous captain.  I heard some people describe
him as foolhardy."

"Oh, he needn't seek death," she said in an indefinable tone.  "I mean as
a refuge.  There will be nothing in his life great enough for that."

"You are angry.  You miss him, I believe, Dona Rita."

"Angry?  No!  Weary.  But of course it's very inconvenient.  I can't very
well ride out alone.  A solitary amazon swallowing the dust and the salt
spray of the Corniche promenade would attract too much attention.  And
then I don't mind you two knowing that I am afraid of going out alone."

"Afraid?" we both exclaimed together.

"You men are extraordinary.  Why do you want me to be courageous?  Why
shouldn't I be afraid?  Is it because there is no one in the world to
care what would happen to me?"

There was a deep-down vibration in her tone for the first time.  We had
not a word to say.  And she added after a long silence:

"There is a very good reason.  There is a danger."

With wonderful insight Mills affirmed at once:

"Something ugly."

She nodded slightly several times.  Then Mills said with conviction:

"Ah!  Then it can't be anything in yourself.  And if so . . . "

I was moved to extravagant advice.

"You should come out with me to sea then.  There may be some danger there
but there's nothing ugly to fear."

She gave me a startled glance quite unusual with her, more than wonderful
to me; and suddenly as though she had seen me for the first time she
exclaimed in a tone of compunction:

"Oh!  And there is this one, too!  Why!  Oh, why should he run his head
into danger for those things that will all crumble into dust before
long?"

I said: "_You_ won't crumble into dust."  And Mills chimed in:

"That young enthusiast will always have his sea."

We were all standing up now.  She kept her eyes on me, and repeated with
a sort of whimsical enviousness:

"The sea!  The violet sea--and he is longing to rejoin it! . . . At
night!  Under the stars! . . . A lovers' meeting," she went on, thrilling
me from head to foot with those two words, accompanied by a wistful smile
pointed by a suspicion of mockery.  She turned away.

"And you, Monsieur Mills?" she asked.

"I am going back to my books," he declared with a very serious face.  "My
adventure is over."

"Each one to his love," she bantered us gently.  "Didn't I love books,
too, at one time!  They seemed to contain all wisdom and hold a magic
power, too.  Tell me, Monsieur Mills, have you found amongst them in some
black-letter volume the power of foretelling a poor mortal's destiny, the
power to look into the future?  Anybody's future . . ."  Mills shook his
head. . . "What, not even mine?" she coaxed as if she really believed in
a magic power to be found in books.

Mills shook his head again.  "No, I have not the power," he said.  "I am
no more a great magician, than you are a poor mortal.  You have your
ancient spells.  You are as old as the world.  Of us two it's you that
are more fit to foretell the future of the poor mortals on whom you
happen to cast your eyes."

At these words she cast her eyes down and in the moment of deep silence I
watched the slight rising and falling of her breast.  Then Mills
pronounced distinctly: "Good-bye, old Enchantress."

They shook hands cordially.  "Good-bye, poor Magician," she said.

Mills made as if to speak but seemed to think better of it.  Dona Rita
returned my distant bow with a slight, charmingly ceremonious inclination
of her body.

"_Bon voyage_ and a happy return," she said formally.

I was following Mills through the door when I heard her voice behind us
raised in recall:

"Oh, a moment . . . I forgot . . ."

I turned round.  The call was for me, and I walked slowly back wondering
what she could have forgotten.  She waited in the middle of the room with
lowered head, with a mute gleam in her deep blue eyes.  When I was near
enough she extended to me without a word her bare white arm and suddenly
pressed the back of her hand against my lips.  I was too startled to
seize it with rapture.  It detached itself from my lips and fell slowly
by her side.  We had made it up and there was nothing to say.  She turned
away to the window and I hurried out of the room.




PART THREE


CHAPTER I


It was on our return from that first trip that I took Dominic up to the
Villa to be presented to Dona Rita.  If she wanted to look on the
embodiment of fidelity, resource, and courage, she could behold it all in
that man.  Apparently she was not disappointed.  Neither was Dominic
disappointed.  During the half-hour's interview they got into touch with
each other in a wonderful way as if they had some common and secret
standpoint in life.  Maybe it was their common lawlessness, and their
knowledge of things as old as the world.  Her seduction, his
recklessness, were both simple, masterful and, in a sense, worthy of each
other.

Dominic was, I won't say awed by this interview.  No woman could awe
Dominic.  But he was, as it were, rendered thoughtful by it, like a man
who had not so much an experience as a sort of revelation vouchsafed to
him.  Later, at sea, he used to refer to La Senora in a particular tone
and I knew that henceforth his devotion was not for me alone.  And I
understood the inevitability of it extremely well.  As to Dona Rita she,
after Dominic left the room, had turned to me with animation and said:
"But he is perfect, this man."  Afterwards she often asked after him and
used to refer to him in conversation.  More than once she said to me:
"One would like to put the care of one's personal safety into the hands
of that man.  He looks as if he simply couldn't fail one."  I admitted
that this was very true, especially at sea.  Dominic couldn't fail.  But
at the same time I rather chaffed Rita on her preoccupation as to
personal safety that so often cropped up in her talk.

"One would think you were a crowned head in a revolutionary world," I
used to tell her.

"That would be different.  One would be standing then for something,
either worth or not worth dying for.  One could even run away then and be
done with it.  But I can't run away unless I got out of my skin and left
that behind.  Don't you understand?  You are very stupid . . ."  But she
had the grace to add, "On purpose."

I don't know about the on purpose.  I am not certain about the stupidity.
Her words bewildered one often and bewilderment is a sort of stupidity.
I remedied it by simply disregarding the sense of what she said.  The
sound was there and also her poignant heart-gripping presence giving
occupation enough to one's faculties.  In the power of those things over
one there was mystery enough.  It was more absorbing than the mere
obscurity of her speeches.  But I daresay she couldn't understand that.

Hence, at times, the amusing outbreaks of temper in word and gesture that
only strengthened the natural, the invincible force of the spell.
Sometimes the brass bowl would get upset or the cigarette box would fly
up, dropping a shower of cigarettes on the floor.  We would pick them up,
re-establish everything, and fall into a long silence, so close that the
sound of the first word would come with all the pain of a separation.

It was at that time, too, that she suggested I should take up my quarters
in her house in the street of the Consuls.  There were certain advantages
in that move.  In my present abode my sudden absences might have been in
the long run subject to comment.  On the other hand, the house in the
street of Consuls was a known out-post of Legitimacy.  But then it was
covered by the occult influence of her who was referred to in
confidential talks, secret communications, and discreet whispers of
Royalist salons as: "Madame de Lastaola."

That was the name which the heiress of Henry Allegre had decided to adopt
when, according to her own expression, she had found herself precipitated
at a moment's notice into the crowd of mankind.  It is strange how the
death of Henry Allegre, which certainly the poor man had not planned,
acquired in my view the character of a heartless desertion.  It gave one
a glimpse of amazing egoism in a sentiment to which one could hardly give
a name, a mysterious appropriation of one human being by another as if in
defiance of unexpressed things and for an unheard-of satisfaction of an
inconceivable pride.  If he had hated her he could not have flung that
enormous fortune more brutally at her head.  And his unrepentant death
seemed to lift for a moment the curtain on something lofty and sinister
like an Olympian's caprice.

Dona Rita said to me once with humorous resignation: "You know, it
appears that one must have a name.  That's what Henry Allegre's man of
business told me.  He was quite impatient with me about it.  But my name,
_amigo_, Henry Allegre had taken from me like all the rest of what I had
been once.  All that is buried with him in his grave.  It wouldn't have
been true.  That is how I felt about it.  So I took that one."  She
whispered to herself: "Lastaola," not as if to test the sound but as if
in a dream.

To this day I am not quite certain whether it was the name of any human
habitation, a lonely _caserio_ with a half-effaced carving of a coat of
arms over its door, or of some hamlet at the dead end of a ravine with a
stony slope at the back.  It might have been a hill for all I know or
perhaps a stream.  A wood, or perhaps a combination of all these: just a
bit of the earth's surface.  Once I asked her where exactly it was
situated and she answered, waving her hand cavalierly at the dead wall of
the room: "Oh, over there."  I thought that this was all that I was going
to hear but she added moodily, "I used to take my goats there, a dozen or
so of them, for the day.  From after my uncle had said his Mass till the
ringing of the evening bell."

I saw suddenly the lonely spot, sketched for me some time ago by a few
words from Mr. Blunt, populated by the agile, bearded beasts with cynical
heads, and a little misty figure dark in the sunlight with a halo of
dishevelled rust-coloured hair about its head.

The epithet of rust-coloured comes from her.  It was really tawny.  Once
or twice in my hearing she had referred to "my rust-coloured hair" with
laughing vexation.  Even then it was unruly, abhorring the restraints of
civilization, and often in the heat of a dispute getting into the eyes of
Madame de Lastaola, the possessor of coveted art treasures, the heiress
of Henry Allegre.  She proceeded in a reminiscent mood, with a faint
flash of gaiety all over her face, except her dark blue eyes that moved
so seldom out of their fixed scrutiny of things invisible to other human
beings.

"The goats were very good.  We clambered amongst the stones together.
They beat me at that game.  I used to catch my hair in the bushes."

"Your rust-coloured hair," I whispered.

"Yes, it was always this colour.  And I used to leave bits of my frock on
thorns here and there.  It was pretty thin, I can tell you.  There wasn't
much at that time between my skin and the blue of the sky.  My legs were
as sunburnt as my face; but really I didn't tan very much.  I had plenty
of freckles though.  There were no looking-glasses in the Presbytery but
uncle had a piece not bigger than my two hands for his shaving.  One
Sunday I crept into his room and had a peep at myself.  And wasn't I
startled to see my own eyes looking at me!  But it was fascinating, too.
I was about eleven years old then, and I was very friendly with the
goats, and I was as shrill as a cicada and as slender as a match.
Heavens!  When I overhear myself speaking sometimes, or look at my limbs,
it doesn't seem to be possible.  And yet it is the same one.  I do
remember every single goat.  They were very clever.  Goats are no trouble
really; they don't scatter much.  Mine never did even if I had to hide
myself out of their sight for ever so long."

It was but natural to ask her why she wanted to hide, and she uttered
vaguely what was rather a comment on my question:

"It was like fate."  But I chose to take it otherwise, teasingly, because
we were often like a pair of children.

"Oh, really," I said, "you talk like a pagan.  What could you know of
fate at that time?  What was it like?  Did it come down from Heaven?"

"Don't be stupid.  It used to come along a cart-track that was there and
it looked like a boy.  Wasn't he a little devil though.  You understand,
I couldn't know that.  He was a wealthy cousin of mine.  Round there we
are all related, all cousins--as in Brittany.  He wasn't much bigger than
myself but he was older, just a boy in blue breeches and with good shoes
on his feet, which of course interested and impressed me.  He yelled to
me from below, I screamed to him from above, he came up and sat down near
me on a stone, never said a word, let me look at him for half an hour
before he condescended to ask me who I was.  And the airs he gave
himself!  He quite intimidated me sitting there perfectly dumb.  I
remember trying to hide my bare feet under the edge of my skirt as I sat
below him on the ground.

"_C'est comique_, _eh_!" she interrupted herself to comment in a
melancholy tone.  I looked at her sympathetically and she went on:

"He was the only son from a rich farmhouse two miles down the slope.  In
winter they used to send him to school at Tolosa.  He had an enormous
opinion of himself; he was going to keep a shop in a town by and by and
he was about the most dissatisfied creature I have ever seen.  He had an
unhappy mouth and unhappy eyes and he was always wretched about
something: about the treatment he received, about being kept in the
country and chained to work.  He was moaning and complaining and
threatening all the world, including his father and mother.  He used to
curse God, yes, that boy, sitting there on a piece of rock like a
wretched little Prometheus with a sparrow pecking at his miserable little
liver.  And the grand scenery of mountains all round, ha, ha, ha!"

She laughed in contralto: a penetrating sound with something generous in
it; not infectious, but in others provoking a smile.

"Of course I, poor little animal, I didn't know what to make of it, and I
was even a little frightened.  But at first because of his miserable eyes
I was sorry for him, almost as much as if he had been a sick goat.  But,
frightened or sorry, I don't know how it is, I always wanted to laugh at
him, too, I mean from the very first day when he let me admire him for
half an hour.  Yes, even then I had to put my hand over my mouth more
than once for the sake of good manners, you understand.  And yet, you
know, I was never a laughing child.

"One day he came up and sat down very dignified a little bit away from me
and told me he had been thrashed for wandering in the hills.

"'To be with me?' I asked.  And he said: 'To be with you!  No.  My people
don't know what I do.'  I can't tell why, but I was annoyed.  So instead
of raising a clamour of pity over him, which I suppose he expected me to
do, I asked him if the thrashing hurt very much.  He got up, he had a
switch in his hand, and walked up to me, saying, 'I will soon show you.'
I went stiff with fright; but instead of slashing at me he dropped down
by my side and kissed me on the cheek.  Then he did it again, and by that
time I was gone dead all over and he could have done what he liked with
the corpse but he left off suddenly and then I came to life again and I
bolted away.  Not very far.  I couldn't leave the goats altogether.  He
chased me round and about the rocks, but of course I was too quick for
him in his nice town boots.  When he got tired of that game he started
throwing stones.  After that he made my life very lively for me.
Sometimes he used to come on me unawares and then I had to sit still and
listen to his miserable ravings, because he would catch me round the
waist and hold me very tight.  And yet, I often felt inclined to laugh.
But if I caught sight of him at a distance and tried to dodge out of the
way he would start stoning me into a shelter I knew of and then sit
outside with a heap of stones at hand so that I daren't show the end of
my nose for hours.  He would sit there and rave and abuse me till I would
burst into a crazy laugh in my hole; and then I could see him through the
leaves rolling on the ground and biting his fists with rage.  Didn't he
hate me!  At the same time I was often terrified.  I am convinced now
that if I had started crying he would have rushed in and perhaps
strangled me there.  Then as the sun was about to set he would make me
swear that I would marry him when I was grown up.  'Swear, you little
wretched beggar,' he would yell to me.  And I would swear.  I was hungry,
and I didn't want to be made black and blue all over with stones.  Oh, I
swore ever so many times to be his wife.  Thirty times a month for two
months.  I couldn't help myself.  It was no use complaining to my sister
Therese.  When I showed her my bruises and tried to tell her a little
about my trouble she was quite scandalized.  She called me a sinful girl,
a shameless creature.  I assure you it puzzled my head so that, between
Therese my sister and Jose the boy, I lived in a state of idiocy almost.
But luckily at the end of the two months they sent him away from home for
good.  Curious story to happen to a goatherd living all her days out
under God's eye, as my uncle the Cura might have said.  My sister Therese
was keeping house in the Presbytery.  She's a terrible person."

"I have heard of your sister Therese," I said.

"Oh, you have!  Of my big sister Therese, six, ten years older than
myself perhaps?  She just comes a little above my shoulder, but then I
was always a long thing.  I never knew my mother.  I don't even know how
she looked.  There are no paintings or photographs in our farmhouses
amongst the hills.  I haven't even heard her described to me.  I believe
I was never good enough to be told these things.  Therese decided that I
was a lump of wickedness, and now she believes that I will lose my soul
altogether unless I take some steps to save it.  Well, I have no
particular taste that way.  I suppose it is annoying to have a sister
going fast to eternal perdition, but there are compensations.  The
funniest thing is that it's Therese, I believe, who managed to keep me
out of the Presbytery when I went out of my way to look in on them on my
return from my visit to the _Quartel Real_ last year.  I couldn't have
stayed much more than half an hour with them anyway, but still I would
have liked to get over the old doorstep.  I am certain that Therese
persuaded my uncle to go out and meet me at the bottom of the hill.  I
saw the old man a long way off and I understood how it was.  I dismounted
at once and met him on foot.  We had half an hour together walking up and
down the road.  He is a peasant priest, he didn't know how to treat me.
And of course I was uncomfortable, too.  There wasn't a single goat about
to keep me in countenance.  I ought to have embraced him.  I was always
fond of the stern, simple old man.  But he drew himself up when I
approached him and actually took off his hat to me.  So simple as that!
I bowed my head and asked for his blessing.  And he said 'I would never
refuse a blessing to a good Legitimist.'  So stern as that!  And when I
think that I was perhaps the only girl of the family or in the whole
world that he ever in his priest's life patted on the head!  When I think
of that I . . . I believe at that moment I was as wretched as he was
himself.  I handed him an envelope with a big red seal which quite
startled him.  I had asked the Marquis de Villarel to give me a few words
for him, because my uncle has a great influence in his district; and the
Marquis penned with his own hand some compliments and an inquiry about
the spirit of the population.  My uncle read the letter, looked up at me
with an air of mournful awe, and begged me to tell his excellency that
the people were all for God, their lawful King and their old privileges.
I said to him then, after he had asked me about the health of His Majesty
in an awfully gloomy tone--I said then: 'There is only one thing that
remains for me to do, uncle, and that is to give you two pounds of the
very best snuff I have brought here for you.'  What else could I have got
for the poor old man?  I had no trunks with me.  I had to leave behind a
spare pair of shoes in the hotel to make room in my little bag for that
snuff.  And fancy!  That old priest absolutely pushed the parcel away.  I
could have thrown it at his head; but I thought suddenly of that hard,
prayerful life, knowing nothing of any ease or pleasure in the world,
absolutely nothing but a pinch of snuff now and then.  I remembered how
wretched he used to be when he lacked a copper or two to get some snuff
with.  My face was hot with indignation, but before I could fly out at
him I remembered how simple he was.  So I said with great dignity that as
the present came from the King and as he wouldn't receive it from my hand
there was nothing else for me to do but to throw it into the brook; and I
made as if I were going to do it, too.  He shouted: 'Stay, unhappy girl!
Is it really from His Majesty, whom God preserve?'  I said
contemptuously, 'Of course.'  He looked at me with great pity in his
eyes, sighed deeply, and took the little tin from my hand.  I suppose he
imagined me in my abandoned way wheedling the necessary cash out of the
King for the purchase of that snuff.  You can't imagine how simple he is.
Nothing was easier than to deceive him; but don't imagine I deceived him
from the vainglory of a mere sinner.  I lied to the dear man, simply
because I couldn't bear the idea of him being deprived of the only
gratification his big, ascetic, gaunt body ever knew on earth.  As I
mounted my mule to go away he murmured coldly: 'God guard you, Senora!'
Senora!  What sternness!  We were off a little way already when his heart
softened and he shouted after me in a terrible voice: 'The road to Heaven
is repentance!'  And then, after a silence, again the great shout
'Repentance!' thundered after me.  Was that sternness or simplicity, I
wonder?  Or a mere unmeaning superstition, a mechanical thing?  If there
lives anybody completely honest in this world, surely it must be my
uncle.  And yet--who knows?

"Would you guess what was the next thing I did?  Directly I got over the
frontier I wrote from Bayonne asking the old man to send me out my sister
here.  I said it was for the service of the King.  You see, I had thought
suddenly of that house of mine in which you once spent the night talking
with Mr. Mills and Don Juan Blunt.  I thought it would do extremely well
for Carlist officers coming this way on leave or on a mission.  In hotels
they might have been molested, but I knew that I could get protection for
my house.  Just a word from the ministry in Paris to the Prefect.  But I
wanted a woman to manage it for me.  And where was I to find a
trustworthy woman?  How was I to know one when I saw her?  I don't know
how to talk to women.  Of course my Rose would have done for me that or
anything else; but what could I have done myself without her?  She has
looked after me from the first.  It was Henry Allegre who got her for me
eight years ago.  I don't know whether he meant it for a kindness but
she's the only human being on whom I can lean.  She knows . . . What
doesn't she know about me!  She has never failed to do the right thing
for me unasked.  I couldn't part with her.  And I couldn't think of
anybody else but my sister.

"After all it was somebody belonging to me.  But it seemed the wildest
idea.  Yet she came at once.  Of course I took care to send her some
money.  She likes money.  As to my uncle there is nothing that he
wouldn't have given up for the service of the King.  Rose went to meet
her at the railway station.  She told me afterwards that there had been
no need for me to be anxious about her recognizing Mademoiselle Therese.
There was nobody else in the train that could be mistaken for her.  I
should think not!  She had made for herself a dress of some brown stuff
like a nun's habit and had a crooked stick and carried all her belongings
tied up in a handkerchief.  She looked like a pilgrim to a saint's
shrine.  Rose took her to the house.  She asked when she saw it: 'And
does this big place really belong to our Rita?'  My maid of course said
that it was mine.  'And how long did our Rita live here?'--'Madame has
never seen it unless perhaps the outside, as far as I know.  I believe
Mr. Allegre lived here for some time when he was a young man.'--'The
sinner that's dead?'--'Just so,' says Rose.  You know nothing ever
startles Rose.  'Well, his sins are gone with him,' said my sister, and
began to make herself at home.

"Rose was going to stop with her for a week but on the third day she was
back with me with the remark that Mlle. Therese knew her way about very
well already and preferred to be left to herself.  Some little time
afterwards I went to see that sister of mine.  The first thing she said
to me, 'I wouldn't have recognized you, Rita,' and I said, 'What a funny
dress you have, Therese, more fit for the portress of a convent than for
this house.'--'Yes,' she said, 'and unless you give this house to me,
Rita, I will go back to our country.  I will have nothing to do with your
life, Rita.  Your life is no secret for me.'

"I was going from room to room and Therese was following me.  'I don't
know that my life is a secret to anybody,' I said to her, 'but how do you
know anything about it?'  And then she told me that it was through a
cousin of ours, that horrid wretch of a boy, you know.  He had finished
his schooling and was a clerk in a Spanish commercial house of some kind,
in Paris, and apparently had made it his business to write home whatever
he could hear about me or ferret out from those relations of mine with
whom I lived as a girl.  I got suddenly very furious.  I raged up and
down the room (we were alone upstairs), and Therese scuttled away from me
as far as the door.  I heard her say to herself, 'It's the evil spirit in
her that makes her like this.'  She was absolutely convinced of that.
She made the sign of the cross in the air to protect herself.  I was
quite astounded.  And then I really couldn't help myself.  I burst into a
laugh.  I laughed and laughed; I really couldn't stop till Therese ran
away.  I went downstairs still laughing and found her in the hall with
her face to the wall and her fingers in her ears kneeling in a corner.  I
had to pull her out by the shoulders from there.  I don't think she was
frightened; she was only shocked.  But I don't suppose her heart is
desperately bad, because when I dropped into a chair feeling very tired
she came and knelt in front of me and put her arms round my waist and
entreated me to cast off from me my evil ways with the help of saints and
priests.  Quite a little programme for a reformed sinner.  I got away at
last.  I left her sunk on her heels before the empty chair looking after
me.  'I pray for you every night and morning, Rita,' she said.--'Oh, yes.
I know you are a good sister,' I said to her.  I was letting myself out
when she called after me, 'And what about this house, Rita?'  I said to
her, 'Oh, you may keep it till the day I reform and enter a convent.'
The last I saw of her she was still on her knees looking after me with
her mouth open.  I have seen her since several times, but our intercourse
is, at any rate on her side, as of a frozen nun with some great lady.
But I believe she really knows how to make men comfortable.  Upon my word
I think she likes to look after men.  They don't seem to be such great
sinners as women are.  I think you could do worse than take up your
quarters at number 10.  She will no doubt develop a saintly sort of
affection for you, too."

I don't know that the prospect of becoming a favourite of Dona Rita's
peasant sister was very fascinating to me.  If I went to live very
willingly at No. 10 it was because everything connected with Dona Rita
had for me a peculiar fascination.  She had only passed through the house
once as far as I knew; but it was enough.  She was one of those beings
that leave a trace.  I am not unreasonable--I mean for those that knew
her.  That is, I suppose, because she was so unforgettable.  Let us
remember the tragedy of Azzolati the ruthless, the ridiculous financier
with a criminal soul (or shall we say heart) and facile tears.  No
wonder, then, that for me, who may flatter myself without undue vanity
with being much finer than that grotesque international intriguer, the
mere knowledge that Dona Rita had passed through the very rooms in which
I was going to live between the strenuous times of the sea-expeditions,
was enough to fill my inner being with a great content.  Her glance, her
darkly brilliant blue glance, had run over the walls of that room which
most likely would be mine to slumber in.  Behind me, somewhere near the
door, Therese, the peasant sister, said in a funnily compassionate tone
and in an amazingly landlady-of-a-boarding-house spirit of false
persuasiveness:

"You will be very comfortable here, Senor.  It is so peaceful here in the
street.  Sometimes one may think oneself in a village.  It's only a
hundred and twenty-five francs for the friends of the King.  And I shall
take such good care of you that your very heart will be able to rest."



CHAPTER II


Dona Rita was curious to know how I got on with her peasant sister and
all I could say in return for that inquiry was that the peasant sister
was in her own way amiable.  At this she clicked her tongue amusingly and
repeated a remark she had made before: "She likes young men.  The younger
the better."  The mere thought of those two women being sisters aroused
one's wonder.  Physically they were altogether of different design.  It
was also the difference between living tissue of glowing loveliness with
a divine breath, and a hard hollow figure of baked clay.

Indeed Therese did somehow resemble an achievement, wonderful enough in
its way, in unglazed earthenware.  The only gleam perhaps that one could
find on her was that of her teeth, which one used to get between her dull
lips unexpectedly, startlingly, and a little inexplicably, because it was
never associated with a smile.  She smiled with compressed mouth.  It was
indeed difficult to conceive of those two birds coming from the same
nest.  And yet . . . Contrary to what generally happens, it was when one
saw those two women together that one lost all belief in the possibility
of their relationship near or far.  It extended even to their common
humanity.  One, as it were, doubted it.  If one of the two was
representative, then the other was either something more or less than
human.  One wondered whether these two women belonged to the same scheme
of creation.  One was secretly amazed to see them standing together,
speaking to each other, having words in common, understanding each other.
And yet! . . . Our psychological sense is the crudest of all; we don't
know, we don't perceive how superficial we are.  The simplest shades
escape us, the secret of changes, of relations.  No, upon the whole, the
only feature (and yet with enormous differences) which Therese had in
common with her sister, as I told Dona Rita, was amiability.

"For, you know, you are a most amiable person yourself," I went on.
"It's one of your characteristics, of course much more precious than in
other people.  You transmute the commonest traits into gold of your own;
but after all there are no new names.  You are amiable.  You were most
amiable to me when I first saw you."

"Really.  I was not aware.  Not specially . . . "

"I had never the presumption to think that it was special.  Moreover, my
head was in a whirl.  I was lost in astonishment first of all at what I
had been listening to all night.  Your history, you know, a wonderful
tale with a flavour of wine in it and wreathed in clouds, with that
amazing decapitated, mutilated dummy of a woman lurking in a corner, and
with Blunt's smile gleaming through a fog, the fog in my eyes, from
Mills' pipe, you know.  I was feeling quite inanimate as to body and
frightfully stimulated as to mind all the time.  I had never heard
anything like that talk about you before.  Of course I wasn't sleepy, but
still I am not used to do altogether without sleep like Blunt . . ."

"Kept awake all night listening to my story!"  She marvelled.

"Yes.  You don't think I am complaining, do you?  I wouldn't have missed
it for the world.  Blunt in a ragged old jacket and a white tie and that
incisive polite voice of his seemed strange and weird.  It seemed as
though he were inventing it all rather angrily.  I had doubts as to your
existence."

"Mr. Blunt is very much interested in my story."

"Anybody would be," I said.  "I was.  I didn't sleep a wink.  I was
expecting to see you soon--and even then I had my doubts."

"As to my existence?"

"It wasn't exactly that, though of course I couldn't tell that you
weren't a product of Captain Blunt's sleeplessness.  He seemed to dread
exceedingly to be left alone and your story might have been a device to
detain us . . ."

"He hasn't enough imagination for that," she said.

"It didn't occur to me.  But there was Mills, who apparently believed in
your existence.  I could trust Mills.  My doubts were about the
propriety.  I couldn't see any good reason for being taken to see you.
Strange that it should be my connection with the sea which brought me
here to the Villa."

"Unexpected perhaps."

"No.  I mean particularly strange and significant."

"Why?"

"Because my friends are in the habit of telling me (and each other) that
the sea is my only love.  They were always chaffing me because they
couldn't see or guess in my life at any woman, open or secret. . ."

"And is that really so?" she inquired negligently.

"Why, yes.  I don't mean to say that I am like an innocent shepherd in
one of those interminable stories of the eighteenth century.  But I don't
throw the word love about indiscriminately.  It may be all true about the
sea; but some people would say that they love sausages."

"You are horrible."

"I am surprised."

"I mean your choice of words."

"And you have never uttered a word yet that didn't change into a pearl as
it dropped from your lips.  At least not before me."

She glanced down deliberately and said, "This is better.  But I don't see
any of them on the floor."

"It's you who are horrible in the implications of your language.  Don't
see any on the floor!  Haven't I caught up and treasured them all in my
heart?  I am not the animal from which sausages are made."

She looked at me suavely and then with the sweetest possible smile
breathed out the word: "No."

And we both laughed very loud.  O! days of innocence!  On this occasion
we parted from each other on a light-hearted note.  But already I had
acquired the conviction that there was nothing more lovable in the world
than that woman; nothing more life-giving, inspiring, and illuminating
than the emanation of her charm.  I meant it absolutely--not excepting
the light of the sun.

From this there was only one step further to take.  The step into a
conscious surrender; the open perception that this charm, warming like a
flame, was also all-revealing like a great light; giving new depth to
shades, new brilliance to colours, an amazing vividness to all sensations
and vitality to all thoughts: so that all that had been lived before
seemed to have been lived in a drab world and with a languid pulse.

A great revelation this.  I don't mean to say it was soul-shaking.  The
soul was already a captive before doubt, anguish, or dismay could touch
its surrender and its exaltation.  But all the same the revelation turned
many things into dust; and, amongst others, the sense of the careless
freedom of my life.  If that life ever had any purpose or any aim outside
itself I would have said that it threw a shadow across its path.  But it
hadn't.  There had been no path.  But there was a shadow, the inseparable
companion of all light.  No illumination can sweep all mystery out of the
world.  After the departed darkness the shadows remain, more mysterious
because as if more enduring; and one feels a dread of them from which one
was free before.  What if they were to be victorious at the last?  They,
or what perhaps lurks in them: fear, deception, desire, disillusion--all
silent at first before the song of triumphant love vibrating in the
light.  Yes.  Silent.  Even desire itself!  All silent.  But not for
long!

This was, I think, before the third expedition.  Yes, it must have been
the third, for I remember that it was boldly planned and that it was
carried out without a hitch.  The tentative period was over; all our
arrangements had been perfected.  There was, so to speak, always an
unfailing smoke on the hill and an unfailing lantern on the shore.  Our
friends, mostly bought for hard cash and therefore valuable, had acquired
confidence in us.  This, they seemed to say, is no unfathomable roguery
of penniless adventurers.  This is but the reckless enterprise of men of
wealth and sense and needn't be inquired into.  The young _caballero_ has
got real gold pieces in the belt he wears next his skin; and the man with
the heavy moustaches and unbelieving eyes is indeed very much of a man.
They gave to Dominic all their respect and to me a great show of
deference; for I had all the money, while they thought that Dominic had
all the sense.  That judgment was not exactly correct.  I had my share of
judgment and audacity which surprises me now that the years have chilled
the blood without dimming the memory.  I remember going about the
business with light-hearted, clear-headed recklessness which, according
as its decisions were sudden or considered, made Dominic draw his breath
through his clenched teeth, or look hard at me before he gave me either a
slight nod of assent or a sarcastic "Oh, certainly"--just as the humour
of the moment prompted him.

One night as we were lying on a bit of dry sand under the lee of a rock,
side by side, watching the light of our little vessel dancing away at sea
in the windy distance, Dominic spoke suddenly to me.

"I suppose Alphonso and Carlos, Carlos and Alphonso, they are nothing to
you, together or separately?"

I said: "Dominic, if they were both to vanish from the earth together or
separately it would make no difference to my feelings."

He remarked: "Just so.  A man mourns only for his friends.  I suppose
they are no more friends to you than they are to me.  Those Carlists make
a great consumption of cartridges.  That is well.  But why should we do
all those mad things that you will insist on us doing till my hair," he
pursued with grave, mocking exaggeration, "till my hair tries to stand up
on my head? and all for that Carlos, let God and the devil each guard his
own, for that Majesty as they call him, but after all a man like another
and--no friend."

"Yes, why?" I murmured, feeling my body nestled at ease in the sand.

It was very dark under the overhanging rock on that night of clouds and
of wind that died and rose and died again.  Dominic's voice was heard
speaking low between the short gusts.

"Friend of the Senora, eh?"

"That's what the world says, Dominic."

"Half of what the world says are lies," he pronounced dogmatically.  "For
all his majesty he may be a good enough man.  Yet he is only a king in
the mountains and to-morrow he may be no more than you.  Still a woman
like that--one, somehow, would grudge her to a better king.  She ought to
be set up on a high pillar for people that walk on the ground to raise
their eyes up to.  But you are otherwise, you gentlemen.  You, for
instance, Monsieur, you wouldn't want to see her set up on a pillar."

"That sort of thing, Dominic," I said, "that sort of thing, you
understand me, ought to be done early."

He was silent for a time.  And then his manly voice was heard in the
shadow of the rock.

"I see well enough what you mean.  I spoke of the multitude, that only
raise their eyes.  But for kings and suchlike that is not enough.  Well,
no heart need despair; for there is not a woman that wouldn't at some
time or other get down from her pillar for no bigger bribe perhaps than
just a flower which is fresh to-day and withered to-morrow.  And then,
what's the good of asking how long any woman has been up there?  There is
a true saying that lips that have been kissed do not lose their
freshness."

I don't know what answer I could have made.  I imagine Dominic thought
himself unanswerable.  As a matter of fact, before I could speak, a voice
came to us down the face of the rock crying secretly, "Ola, down there!
All is safe ashore."

It was the boy who used to hang about the stable of a muleteer's inn in a
little shallow valley with a shallow little stream in it, and where we
had been hiding most of the day before coming down to the shore.  We both
started to our feet and Dominic said, "A good boy that.  You didn't hear
him either come or go above our heads.  Don't reward him with more than
one peseta, Senor, whatever he does.  If you were to give him two he
would go mad at the sight of so much wealth and throw up his job at the
Fonda, where he is so useful to run errands, in that way he has of
skimming along the paths without displacing a stone."

Meantime he was busying himself with striking a fire to set alight a
small heap of dry sticks he had made ready beforehand on that spot which
in all the circuit of the Bay was perfectly screened from observation
from the land side.

The clear flame shooting up revealed him in the black cloak with a hood
of a Mediterranean sailor.  His eyes watched the dancing dim light to
seaward.  And he talked the while.

"The only fault you have, Senor, is being too generous with your money.
In this world you must give sparingly.  The only things you may deal out
without counting, in this life of ours which is but a little fight and a
little love, is blows to your enemy and kisses to a woman. . . . Ah! here
they are coming in."

I noticed the dancing light in the dark west much closer to the shore
now.  Its motion had altered.  It swayed slowly as it ran towards us,
and, suddenly, the darker shadow as of a great pointed wing appeared
gliding in the night.  Under it a human voice shouted something
confidently.

"_Bueno_," muttered Dominic.  From some receptacle I didn't see he poured
a lot of water on the blaze, like a magician at the end of a successful
incantation that had called out a shadow and a voice from the immense
space of the sea.  And his hooded figure vanished from my sight in a
great hiss and the warm feel of ascending steam.

"That's all over," he said, "and now we go back for more work, more toil,
more trouble, more exertion with hands and feet, for hours and hours.
And all the time the head turned over the shoulder, too."

We were climbing a precipitous path sufficiently dangerous in the dark,
Dominic, more familiar with it, going first and I scrambling close behind
in order that I might grab at his cloak if I chanced to slip or miss my
footing.  I remonstrated against this arrangement as we stopped to rest.
I had no doubt I would grab at his cloak if I felt myself falling.  I
couldn't help doing that.  But I would probably only drag him down with
me.

With one hand grasping a shadowy bush above his head he growled that all
this was possible, but that it was all in the bargain, and urged me
onwards.

When we got on to the level that man whose even breathing no exertion, no
danger, no fear or anger could disturb, remarked as we strode side by
side:

"I will say this for us, that we are carrying out all this deadly
foolishness as conscientiously as though the eyes of the Senora were on
us all the time.  And as to risk, I suppose we take more than she would
approve of, I fancy, if she ever gave a moment's thought to us out here.
Now, for instance, in the next half hour, we may come any moment on three
carabineers who would let off their pieces without asking questions.
Even your way of flinging money about cannot make safety for men set on
defying a whole big country for the sake of--what is it exactly?--the
blue eyes, or the white arms of the Senora."

He kept his voice equably low.  It was a lonely spot and but for a vague
shape of a dwarf tree here and there we had only the flying clouds for
company.  Very far off a tiny light twinkled a little way up the seaward
shoulder of an invisible mountain.  Dominic moved on.

"Fancy yourself lying here, on this wild spot, with a leg smashed by a
shot or perhaps with a bullet in your side.  It might happen.  A star
might fall.  I have watched stars falling in scores on clear nights in
the Atlantic.  And it was nothing.  The flash of a pinch of gunpowder in
your face may be a bigger matter.  Yet somehow it's pleasant as we
stumble in the dark to think of our Senora in that long room with a shiny
floor and all that lot of glass at the end, sitting on that divan, you
call it, covered with carpets as if expecting a king indeed.  And very
still . . ."

He remembered her--whose image could not be dismissed.

I laid my hand on his shoulder.

"That light on the mountain side flickers exceedingly, Dominic.  Are we
in the path?"

He addressed me then in French, which was between us the language of more
formal moments.

"_Prenez mon bras_, _monsieur_.  Take a firm hold, or I will have you
stumbling again and falling into one of those beastly holes, with a good
chance to crack your head.  And there is no need to take offence.  For,
speaking with all respect, why should you, and I with you, be here on
this lonely spot, barking our shins in the dark on the way to a
confounded flickering light where there will be no other supper but a
piece of a stale sausage and a draught of leathery wine out of a stinking
skin.  Pah!"

I had good hold of his arm.  Suddenly he dropped the formal French and
pronounced in his inflexible voice:

"For a pair of white arms, Senor.  _Bueno_."

He could understand.



CHAPTER III


On our return from that expedition we came gliding into the old harbour
so late that Dominic and I, making for the cafe kept by Madame Leonore,
found it empty of customers, except for two rather sinister fellows
playing cards together at a corner table near the door.  The first thing
done by Madame Leonore was to put her hands on Dominic's shoulders and
look at arm's length into the eyes of that man of audacious deeds and
wild stratagems who smiled straight at her from under his heavy and, at
that time, uncurled moustaches.

Indeed we didn't present a neat appearance, our faces unshaven, with the
traces of dried salt sprays on our smarting skins and the sleeplessness
of full forty hours filming our eyes.  At least it was so with me who saw
as through a mist Madame Leonore moving with her mature nonchalant grace,
setting before us wine and glasses with a faint swish of her ample black
skirt.  Under the elaborate structure of black hair her jet-black eyes
sparkled like good-humoured stars and even I could see that she was
tremendously excited at having this lawless wanderer Dominic within her
reach and as it were in her power.  Presently she sat down by us, touched
lightly Dominic's curly head silvered on the temples (she couldn't really
help it), gazed at me for a while with a quizzical smile, observed that I
looked very tired, and asked Dominic whether for all that I was likely to
sleep soundly to-night.

"I don't know," said Dominic, "He's young.  And there is always the
chance of dreams."

"What do you men dream of in those little barques of yours tossing for
months on the water?"

"Mostly of nothing," said Dominic.  "But it has happened to me to dream
of furious fights."

"And of furious loves, too, no doubt," she caught him up in a mocking
voice.

"No, that's for the waking hours," Dominic drawled, basking sleepily with
his head between his hands in her ardent gaze.  "The waking hours are
longer."

"They must be, at sea," she said, never taking her eyes off him.  "But I
suppose you do talk of your loves sometimes."

"You may be sure, Madame Leonore," I interjected, noticing the hoarseness
of my voice, "that you at any rate are talked about a lot at sea."

"I am not so sure of that now.  There is that strange lady from the Prado
that you took him to see, Signorino.  She went to his head like a glass
of wine into a tender youngster's.  He is such a child, and I suppose
that I am another.  Shame to confess it, the other morning I got a friend
to look after the cafe for a couple of hours, wrapped up my head, and
walked out there to the other end of the town. . . . Look at these two
sitting up!  And I thought they were so sleepy and tired, the poor
fellows!"

She kept our curiosity in suspense for a moment.

"Well, I have seen your marvel, Dominic," she continued in a calm voice.
"She came flying out of the gate on horseback and it would have been all
I would have seen of her if--and this is for you, Signorino--if she
hadn't pulled up in the main alley to wait for a very good-looking
cavalier.  He had his moustaches so, and his teeth were very white when
he smiled at her.  But his eyes are too deep in his head for my taste.  I
didn't like it.  It reminded me of a certain very severe priest who used
to come to our village when I was young; younger even than your marvel,
Dominic."

"It was no priest in disguise, Madame Leonore," I said, amused by her
expression of disgust.  "That's an American."

"Ah!  _Un Americano_!  Well, never mind him.  It was her that I went to
see."

"What!  Walked to the other end of the town to see Dona Rita!"  Dominic
addressed her in a low bantering tone.  "Why, you were always telling me
you couldn't walk further than the end of the quay to save your life--or
even mine, you said."

"Well, I did; and I walked back again and between the two walks I had a
good look.  And you may be sure--that will surprise you both--that on the
way back--oh, Santa Madre, wasn't it a long way, too--I wasn't thinking
of any man at sea or on shore in that connection."

"No.  And you were not thinking of yourself, either, I suppose," I said.
Speaking was a matter of great effort for me, whether I was too tired or
too sleepy, I can't tell.  "No, you were not thinking of yourself.  You
were thinking of a woman, though."

"_Si_.  As much a woman as any of us that ever breathed in the world.
Yes, of her!  Of that very one!  You see, we women are not like you men,
indifferent to each other unless by some exception.  Men say we are
always against one another but that's only men's conceit.  What can she
be to me?  I am not afraid of the big child here," and she tapped
Dominic's forearm on which he rested his head with a fascinated stare.
"With us two it is for life and death, and I am rather pleased that there
is something yet in him that can catch fire on occasion.  I would have
thought less of him if he hadn't been able to get out of hand a little,
for something really fine.  As for you, Signorino," she turned on me with
an unexpected and sarcastic sally, "I am not in love with you yet."  She
changed her tone from sarcasm to a soft and even dreamy note.  "A head
like a gem," went on that woman born in some by-street of Rome, and a
plaything for years of God knows what obscure fates.  "Yes, Dominic!
_Antica_.  I haven't been haunted by a face since--since I was sixteen
years old.  It was the face of a young cavalier in the street.  He was on
horseback, too.  He never looked at me, I never saw him again, and I
loved him for--for days and days and days.  That was the sort of face he
had.  And her face is of the same sort.  She had a man's hat, too, on her
head.  So high!"

"A man's hat on her head," remarked with profound displeasure Dominic, to
whom this wonder, at least, of all the wonders of the earth, was
apparently unknown.

"_Si_.  And her face has haunted me.  Not so long as that other but more
touchingly because I am no longer sixteen and this is a woman.  Yes, I
did think of her, I myself was once that age and I, too, had a face of my
own to show to the world, though not so superb.  And I, too, didn't know
why I had come into the world any more than she does."

"And now you know," Dominic growled softly, with his head still between
his hands.

She looked at him for a long time, opened her lips but in the end only
sighed lightly.

"And what do you know of her, you who have seen her so well as to be
haunted by her face?" I asked.

I wouldn't have been surprised if she had answered me with another sigh.
For she seemed only to be thinking of herself and looked not in my
direction.  But suddenly she roused up.

"Of her?" she repeated in a louder voice.  "Why should I talk of another
woman?  And then she is a great lady."

At this I could not repress a smile which she detected at once.

"Isn't she?  Well, no, perhaps she isn't; but you may be sure of one
thing, that she is both flesh and shadow more than any one that I have
seen.  Keep that well in your mind: She is for no man!  She would be
vanishing out of their hands like water that cannot be held."

I caught my breath.  "Inconstant," I whispered.

"I don't say that.  Maybe too proud, too wilful, too full of pity.
Signorino, you don't know much about women.  And you may learn something
yet or you may not; but what you learn from her you will never forget."

"Not to be held," I murmured; and she whom the quayside called Madame
Leonore closed her outstretched hand before my face and opened it at once
to show its emptiness in illustration of her expressed opinion.  Dominic
never moved.

I wished good-night to these two and left the cafe for the fresh air and
the dark spaciousness of the quays augmented by all the width of the old
Port where between the trails of light the shadows of heavy hulls
appeared very black, merging their outlines in a great confusion.  I left
behind me the end of the Cannebiere, a wide vista of tall houses and
much-lighted pavements losing itself in the distance with an extinction
of both shapes and lights.  I slunk past it with only a side glance and
sought the dimness of quiet streets away from the centre of the usual
night gaieties of the town.  The dress I wore was just that of a sailor
come ashore from some coaster, a thick blue woollen shirt or rather a
sort of jumper with a knitted cap like a tam-o'-shanter worn very much on
one side and with a red tuft of wool in the centre.  This was even the
reason why I had lingered so long in the cafe.  I didn't want to be
recognized in the streets in that costume and still less to be seen
entering the house in the street of the Consuls.  At that hour when the
performances were over and all the sensible citizens in their beds I
didn't hesitate to cross the Place of the Opera.  It was dark, the
audience had already dispersed.  The rare passers-by I met hurrying on
their last affairs of the day paid no attention to me at all.  The street
of the Consuls I expected to find empty, as usual at that time of the
night.  But as I turned a corner into it I overtook three people who must
have belonged to the locality.  To me, somehow, they appeared strange.
Two girls in dark cloaks walked ahead of a tall man in a top hat.  I
slowed down, not wishing to pass them by, the more so that the door of
the house was only a few yards distant.  But to my intense surprise those
people stopped at it and the man in the top hat, producing a latchkey,
let his two companions through, followed them, and with a heavy slam cut
himself off from my astonished self and the rest of mankind.

In the stupid way people have I stood and meditated on the sight, before
it occurred to me that this was the most useless thing to do.  After
waiting a little longer to let the others get away from the hall I
entered in my turn.  The small gas-jet seemed not to have been touched
ever since that distant night when Mills and I trod the black-and-white
marble hall for the first time on the heels of Captain Blunt--who lived
by his sword.  And in the dimness and solitude which kept no more trace
of the three strangers than if they had been the merest ghosts I seemed
to hear the ghostly murmur, "_Americain_, _Catholique et gentilhomme_.
_Amer. . . _"  Unseen by human eye I ran up the flight of steps swiftly
and on the first floor stepped into my sitting-room of which the door was
open . . . "_et gentilhomme_."  I tugged at the bell pull and somewhere
down below a bell rang as unexpected for Therese as a call from a ghost.

I had no notion whether Therese could hear me.  I seemed to remember that
she slept in any bed that happened to be vacant.  For all I knew she
might have been asleep in mine.  As I had no matches on me I waited for a
while in the dark.  The house was perfectly still.  Suddenly without the
slightest preliminary sound light fell into the room and Therese stood in
the open door with a candlestick in her hand.

She had on her peasant brown skirt.  The rest of her was concealed in a
black shawl which covered her head, her shoulders, arms, and elbows
completely, down to her waist.  The hand holding the candle protruded
from that envelope which the other invisible hand clasped together under
her very chin.  And her face looked like a face in a painting.  She said
at once:

"You startled me, my young Monsieur."

She addressed me most frequently in that way as though she liked the very
word "young."  Her manner was certainly peasant-like with a sort of
plaint in the voice, while the face was that of a serving Sister in some
small and rustic convent.

"I meant to do it," I said.  "I am a very bad person."

"The young are always full of fun," she said as if she were gloating over
the idea.  "It is very pleasant."

"But you are very brave," I chaffed her, "for you didn't expect a ring,
and after all it might have been the devil who pulled the bell."

"It might have been.  But a poor girl like me is not afraid of the devil.
I have a pure heart.  I have been to confession last evening.  No.  But
it might have been an assassin that pulled the bell ready to kill a poor
harmless woman.  This is a very lonely street.  What could prevent you to
kill me now and then walk out again free as air?"

While she was talking like this she had lighted the gas and with the last
words she glided through the bedroom door leaving me thunderstruck at the
unexpected character of her thoughts.

I couldn't know that there had been during my absence a case of atrocious
murder which had affected the imagination of the whole town; and though
Therese did not read the papers (which she imagined to be full of
impieties and immoralities invented by godless men) yet if she spoke at
all with her kind, which she must have done at least in shops, she could
not have helped hearing of it.  It seems that for some days people could
talk of nothing else.  She returned gliding from the bedroom hermetically
sealed in her black shawl just as she had gone in, with the protruding
hand holding the lighted candle and relieved my perplexity as to her
morbid turn of mind by telling me something of the murder story in a
strange tone of indifference even while referring to its most horrible
features.  "That's what carnal sin (_peche de chair_) leads to," she
commented severely and passed her tongue over her thin lips.  "And then
the devil furnishes the occasion."

"I can't imagine the devil inciting me to murder you, Therese," I said,
"and I didn't like that ready way you took me for an example, as it were.
I suppose pretty near every lodger might be a potential murderer, but I
expected to be made an exception."

With the candle held a little below her face, with that face of one tone
and without relief she looked more than ever as though she had come out
of an old, cracked, smoky painting, the subject of which was altogether
beyond human conception.  And she only compressed her lips.

"All right," I said, making myself comfortable on a sofa after pulling
off my boots.  "I suppose any one is liable to commit murder all of a
sudden.  Well, have you got many murderers in the house?"

"Yes," she said, "it's pretty good.  Upstairs and downstairs," she
sighed.  "God sees to it."

"And by the by, who is that grey-headed murderer in a tall hat whom I saw
shepherding two girls into this house?"

She put on a candid air in which one could detect a little of her peasant
cunning.

"Oh, yes.  They are two dancing girls at the Opera, sisters, as different
from each other as I and our poor Rita.  But they are both virtuous and
that gentleman, their father, is very severe with them.  Very severe
indeed, poor motherless things.  And it seems to be such a sinful
occupation."

"I bet you make them pay a big rent, Therese.  With an occupation like
that . . ."

She looked at me with eyes of invincible innocence and began to glide
towards the door, so smoothly that the flame of the candle hardly swayed.
"Good-night," she murmured.

"Good-night, Mademoiselle."

Then in the very doorway she turned right round as a marionette would
turn.

"Oh, you ought to know, my dear young Monsieur, that Mr. Blunt, the dear
handsome man, has arrived from Navarre three days ago or more.  Oh," she
added with a priceless air of compunction, "he is such a charming
gentleman."

And the door shut after her.



CHAPTER IV


That night I passed in a state, mostly open-eyed, I believe, but always
on the border between dreams and waking.  The only thing absolutely
absent from it was the feeling of rest.  The usual sufferings of a youth
in love had nothing to do with it.  I could leave her, go away from her,
remain away from her, without an added pang or any augmented
consciousness of that torturing sentiment of distance so acute that often
it ends by wearing itself out in a few days.  Far or near was all one to
me, as if one could never get any further but also never any nearer to
her secret: the state like that of some strange wild faiths that get hold
of mankind with the cruel mystic grip of unattainable perfection, robbing
them of both liberty and felicity on earth.  A faith presents one with
some hope, though.  But I had no hope, and not even desire as a thing
outside myself, that would come and go, exhaust or excite.  It was in me
just like life was in me; that life of which a popular saying affirms
that "it is sweet."  For the general wisdom of mankind will always stop
short on the limit of the formidable.

What is best in a state of brimful, equable suffering is that it does
away with the gnawings of petty sensations.  Too far gone to be sensible
to hope and desire I was spared the inferior pangs of elation and
impatience.  Hours with her or hours without her were all alike, all in
her possession!  But still there are shades and I will admit that the
hours of that morning were perhaps a little more difficult to get through
than the others.  I had sent word of my arrival of course.  I had written
a note.  I had rung the bell.  Therese had appeared herself in her brown
garb and as monachal as ever.  I had said to her:

"Have this sent off at once."

She had gazed at the addressed envelope, smiled (I was looking up at her
from my desk), and at last took it up with an effort of sanctimonious
repugnance.  But she remained with it in her hand looking at me as though
she were piously gloating over something she could read in my face.

"Oh, that Rita, that Rita," she murmured.  "And you, too!  Why are you
trying, you, too, like the others, to stand between her and the mercy of
God?  What's the good of all this to you?  And you such a nice, dear,
young gentleman.  For no earthly good only making all the kind saints in
heaven angry, and our mother ashamed in her place amongst the blessed."

"Mademoiselle Therese," I said, "_vous etes folle_."

I believed she was crazy.  She was cunning, too.  I added an imperious:
"_Allez_," and with a strange docility she glided out without another
word.  All I had to do then was to get dressed and wait till eleven
o'clock.

The hour struck at last.  If I could have plunged into a light wave and
been transported instantaneously to Dona Rita's door it would no doubt
have saved me an infinity of pangs too complex for analysis; but as this
was impossible I elected to walk from end to end of that long way.  My
emotions and sensations were childlike and chaotic inasmuch that they
were very intense and primitive, and that I lay very helpless in their
unrelaxing grasp.  If one could have kept a record of one's physical
sensations it would have been a fine collection of absurdities and
contradictions.  Hardly touching the ground and yet leaden-footed; with a
sinking heart and an excited brain; hot and trembling with a secret
faintness, and yet as firm as a rock and with a sort of indifference to
it all, I did reach the door which was frightfully like any other
commonplace door, but at the same time had a fateful character: a few
planks put together--and an awful symbol; not to be approached without
awe--and yet coming open in the ordinary way to the ring of the bell.

It came open.  Oh, yes, very much as usual.  But in the ordinary course
of events the first sight in the hall should have been the back of the
ubiquitous, busy, silent maid hurrying off and already distant.  But not
at all!  She actually waited for me to enter.  I was extremely taken
aback and I believe spoke to her for the first time in my life.

"_Bonjour_, Rose."

She dropped her dark eyelids over those eyes that ought to have been
lustrous but were not, as if somebody had breathed on them the first
thing in the morning.  She was a girl without smiles.  She shut the door
after me, and not only did that but in the incredible idleness of that
morning she, who had never a moment to spare, started helping me off with
my overcoat.  It was positively embarrassing from its novelty.  While
busying herself with those trifles she murmured without any marked
intention:

"Captain Blunt is with Madame."

This didn't exactly surprise me.  I knew he had come up to town; I only
happened to have forgotten his existence for the moment.  I looked at the
girl also without any particular intention.  But she arrested my movement
towards the dining-room door by a low, hurried, if perfectly unemotional
appeal:

"Monsieur George!"

That of course was not my name.  It served me then as it will serve for
this story.  In all sorts of strange places I was alluded to as "that
young gentleman they call Monsieur George."  Orders came from "Monsieur
George" to men who nodded knowingly.  Events pivoted about "Monsieur
George."  I haven't the slightest doubt that in the dark and tortuous
streets of the old Town there were fingers pointed at my back: there goes
"Monsieur George."  I had been introduced discreetly to several
considerable persons as "Monsieur George."  I had learned to answer to
the name quite naturally; and to simplify matters I was also "Monsieur
George" in the street of the Consuls and in the Villa on the Prado.  I
verily believe that at that time I had the feeling that the name of
George really belonged to me.  I waited for what the girl had to say.  I
had to wait some time, though during that silence she gave no sign of
distress or agitation.  It was for her obviously a moment of reflection.
Her lips were compressed a little in a characteristic, capable manner.  I
looked at her with a friendliness I really felt towards her slight,
unattractive, and dependable person.

"Well," I said at last, rather amused by this mental hesitation.  I never
took it for anything else.  I was sure it was not distrust.  She
appreciated men and things and events solely in relation to Dona Rita's
welfare and safety.  And as to that I believed myself above suspicion.
At last she spoke.

"Madame is not happy."  This information was given to me not emotionally
but as it were officially.  It hadn't even a tone of warning.  A mere
statement.  Without waiting to see the effect she opened the dining-room
door, not to announce my name in the usual way but to go in and shut it
behind her.  In that short moment I heard no voices inside.  Not a sound
reached me while the door remained shut; but in a few seconds it came
open again and Rose stood aside to let me pass.

Then I heard something: Dona Rita's voice raised a little on an impatient
note (a very, very rare thing) finishing some phrase of protest with the
words " . . . Of no consequence."

I heard them as I would have heard any other words, for she had that kind
of voice which carries a long distance.  But the maid's statement
occupied all my mind.  "_Madame n'est pas heureuse_."  It had a dreadful
precision . . . "Not happy . . ."  This unhappiness had almost a concrete
form--something resembling a horrid bat.  I was tired, excited, and
generally overwrought.  My head felt empty.  What were the appearances of
unhappiness?  I was still naive enough to associate them with tears,
lamentations, extraordinary attitudes of the body and some sort of facial
distortion, all very dreadful to behold.  I didn't know what I should
see; but in what I did see there was nothing startling, at any rate from
that nursery point of view which apparently I had not yet outgrown.

With immense relief the apprehensive child within me beheld Captain Blunt
warming his back at the more distant of the two fireplaces; and as to
Dona Rita there was nothing extraordinary in her attitude either, except
perhaps that her hair was all loose about her shoulders.  I hadn't the
slightest doubt they had been riding together that morning, but she, with
her impatience of all costume (and yet she could dress herself admirably
and wore her dresses triumphantly), had divested herself of her riding
habit and sat cross-legged enfolded in that ample blue robe like a young
savage chieftain in a blanket.  It covered her very feet.  And before the
normal fixity of her enigmatical eyes the smoke of the cigarette ascended
ceremonially, straight up, in a slender spiral.

"How are you," was the greeting of Captain Blunt with the usual smile
which would have been more amiable if his teeth hadn't been, just then,
clenched quite so tight.  How he managed to force his voice through that
shining barrier I could never understand.  Dona Rita tapped the couch
engagingly by her side but I sat down instead in the armchair nearly
opposite her, which, I imagine, must have been just vacated by Blunt.
She inquired with that particular gleam of the eyes in which there was
something immemorial and gay:

"Well?"

"Perfect success."

"I could hug you."

At any time her lips moved very little but in this instance the intense
whisper of these words seemed to form itself right in my very heart; not
as a conveyed sound but as an imparted emotion vibrating there with an
awful intimacy of delight.  And yet it left my heart heavy.

"Oh, yes, for joy," I said bitterly but very low; "for your Royalist,
Legitimist, joy."  Then with that trick of very precise politeness which
I must have caught from Mr. Blunt I added:

"I don't want to be embraced--for the King."

And I might have stopped there.  But I didn't.  With a perversity which
should be forgiven to those who suffer night and day and are as if drunk
with an exalted unhappiness, I went on: "For the sake of an old cast-off
glove; for I suppose a disdained love is not much more than a soiled,
flabby thing that finds itself on a private rubbish heap because it has
missed the fire."

She listened to me unreadable, unmoved, narrowed eyes, closed lips,
slightly flushed face, as if carved six thousand years ago in order to
fix for ever that something secret and obscure which is in all women.
Not the gross immobility of a Sphinx proposing roadside riddles but the
finer immobility, almost sacred, of a fateful figure seated at the very
source of the passions that have moved men from the dawn of ages.

Captain Blunt, with his elbow on the high mantelpiece, had turned away a
little from us and his attitude expressed excellently the detachment of a
man who does not want to hear.  As a matter of fact, I don't suppose he
could have heard.  He was too far away, our voices were too contained.
Moreover, he didn't want to hear.  There could be no doubt about it; but
she addressed him unexpectedly.

"As I was saying to you, Don Juan, I have the greatest difficulty in
getting myself, I won't say understood, but simply believed."

No pose of detachment could avail against the warm waves of that voice.
He had to hear.  After a moment he altered his position as it were
reluctantly, to answer her.

"That's a difficulty that women generally have."

"Yet I have always spoken the truth."

"All women speak the truth," said Blunt imperturbably.  And this annoyed
her.

"Where are the men I have deceived?" she cried.

"Yes, where?" said Blunt in a tone of alacrity as though he had been
ready to go out and look for them outside.

"No!  But show me one.  I say--where is he?"

He threw his affectation of detachment to the winds, moved his shoulders
slightly, very slightly, made a step nearer to the couch, and looked down
on her with an expression of amused courtesy.

"Oh, I don't know.  Probably nowhere.  But if such a man could be found I
am certain he would turn out a very stupid person.  You can't be expected
to furnish every one who approaches you with a mind.  To expect that
would be too much, even from you who know how to work wonders at such
little cost to yourself."

"To myself," she repeated in a loud tone.

"Why this indignation?  I am simply taking your word for it."

"Such little cost!" she exclaimed under her breath.

"I mean to your person."

"Oh, yes," she murmured, glanced down, as it were upon herself, then
added very low: "This body."

"Well, it is you," said Blunt with visibly contained irritation.  "You
don't pretend it's somebody else's.  It can't be.  You haven't borrowed
it. . . . It fits you too well," he ended between his teeth.

"You take pleasure in tormenting yourself," she remonstrated, suddenly
placated; "and I would be sorry for you if I didn't think it's the mere
revolt of your pride.  And you know you are indulging your pride at my
expense.  As to the rest of it, as to my living, acting, working wonders
at a little cost. . . . it has all but killed me morally.  Do you hear?
Killed."

"Oh, you are not dead yet," he muttered,

"No," she said with gentle patience.  "There is still some feeling left
in me; and if it is any satisfaction to you to know it, you may be
certain that I shall be conscious of the last stab."

He remained silent for a while and then with a polite smile and a
movement of the head in my direction he warned her.

"Our audience will get bored."

"I am perfectly aware that Monsieur George is here, and that he has been
breathing a very different atmosphere from what he gets in this room.
Don't you find this room extremely confined?" she asked me.

The room was very large but it is a fact that I felt oppressed at that
moment.  This mysterious quarrel between those two people, revealing
something more close in their intercourse than I had ever before
suspected, made me so profoundly unhappy that I didn't even attempt to
answer.  And she continued:

"More space.  More air.  Give me air, air."  She seized the embroidered
edges of her blue robe under her white throat and made as if to tear them
apart, to fling it open on her breast, recklessly, before our eyes.  We
both remained perfectly still.  Her hands dropped nervelessly by her
side.  "I envy you, Monsieur George.  If I am to go under I should prefer
to be drowned in the sea with the wind on my face.  What luck, to feel
nothing less than all the world closing over one's head!"

A short silence ensued before Mr. Blunt's drawing-room voice was heard
with playful familiarity.

"I have often asked myself whether you weren't really a very ambitious
person, Dona Rita."

"And I ask myself whether you have any heart."  She was looking straight
at him and he gratified her with the usual cold white flash of his even
teeth before he answered.

"Asking yourself?  That means that you are really asking me.  But why do
it so publicly?  I mean it.  One single, detached presence is enough to
make a public.  One alone.  Why not wait till he returns to those regions
of space and air--from which he came."

His particular trick of speaking of any third person as of a lay figure
was exasperating.  Yet at the moment I did not know how to resent it,
but, in any case, Dona Rita would not have given me time.  Without a
moment's hesitation she cried out:

"I only wish he could take me out there with him."

For a moment Mr. Blunt's face became as still as a mask and then instead
of an angry it assumed an indulgent expression.  As to me I had a rapid
vision of Dominic's astonishment, awe, and sarcasm which was always as
tolerant as it is possible for sarcasm to be.  But what a charming,
gentle, gay, and fearless companion she would have made!  I believed in
her fearlessness in any adventure that would interest her.  It would be a
new occasion for me, a new viewpoint for that faculty of admiration she
had awakened in me at sight--at first sight--before she opened her
lips--before she ever turned her eyes on me.  She would have to wear some
sort of sailor costume, a blue woollen shirt open at the throat. . . .
Dominic's hooded cloak would envelop her amply, and her face under the
black hood would have a luminous quality, adolescent charm, and an
enigmatic expression.  The confined space of the little vessel's
quarterdeck would lend itself to her cross-legged attitudes, and the blue
sea would balance gently her characteristic immobility that seemed to
hide thoughts as old and profound as itself.  As restless, too--perhaps.

But the picture I had in my eye, coloured and simple like an illustration
to a nursery-book tale of two venturesome children's escapade, was what
fascinated me most.  Indeed I felt that we two were like children under
the gaze of a man of the world--who lived by his sword.  And I said
recklessly:

"Yes, you ought to come along with us for a trip.  You would see a lot of
things for yourself."

Mr. Blunt's expression had grown even more indulgent if that were
possible.  Yet there was something ineradicably ambiguous about that man.
I did not like the indefinable tone in which he observed:

"You are perfectly reckless in what you say, Dona Rita.  It has become a
habit with you of late."

"While with you reserve is a second nature, Don Juan."

This was uttered with the gentlest, almost tender, irony.  Mr. Blunt
waited a while before he said:

"Certainly. . . . Would you have liked me to be otherwise?"

She extended her hand to him on a sudden impulse.

"Forgive me!  I may have been unjust, and you may only have been loyal.
The falseness is not in us.  The fault is in life itself, I suppose.  I
have been always frank with you."

"And I obedient," he said, bowing low over her hand.  He turned away,
paused to look at me for some time and finally gave me the correct sort
of nod.  But he said nothing and went out, or rather lounged out with his
worldly manner of perfect ease under all conceivable circumstances.  With
her head lowered Dona Rita watched him till he actually shut the door
behind him.  I was facing her and only heard the door close.

"Don't stare at me," were the first words she said.

It was difficult to obey that request.  I didn't know exactly where to
look, while I sat facing her.  So I got up, vaguely full of goodwill,
prepared even to move off as far as the window, when she commanded:

"Don't turn your back on me."

I chose to understand it symbolically.

"You know very well I could never do that.  I couldn't.  Not even if I
wanted to."  And I added: "It's too late now."

"Well, then, sit down.  Sit down on this couch."

I sat down on the couch.  Unwillingly?  Yes.  I was at that stage when
all her words, all her gestures, all her silences were a heavy trial to
me, put a stress on my resolution, on that fidelity to myself and to her
which lay like a leaden weight on my untried heart.  But I didn't sit
down very far away from her, though that soft and billowy couch was big
enough, God knows!  No, not very far from her.  Self-control, dignity,
hopelessness itself, have their limits.  The halo of her tawny hair
stirred as I let myself drop by her side.  Whereupon she flung one arm
round my neck, leaned her temple against my shoulder and began to sob;
but that I could only guess from her slight, convulsive movements because
in our relative positions I could only see the mass of her tawny hair
brushed back, yet with a halo of escaped hair which as I bent my head
over her tickled my lips, my cheek, in a maddening manner.

We sat like two venturesome children in an illustration to a tale, scared
by their adventure.  But not for long.  As I instinctively, yet timidly,
sought for her other hand I felt a tear strike the back of mine, big and
heavy as if fallen from a great height.  It was too much for me.  I must
have given a nervous start.  At once I heard a murmur: "You had better go
away now."

I withdrew myself gently from under the light weight of her head, from
this unspeakable bliss and inconceivable misery, and had the absurd
impression of leaving her suspended in the air.  And I moved away on
tiptoe.

Like an inspired blind man led by Providence I found my way out of the
room but really I saw nothing, till in the hall the maid appeared by
enchantment before me holding up my overcoat.  I let her help me into it.
And then (again as if by enchantment) she had my hat in her hand.

"No.  Madame isn't happy," I whispered to her distractedly.

She let me take my hat out of her hand and while I was putting it on my
head I heard an austere whisper:

"Madame should listen to her heart."

Austere is not the word; it was almost freezing, this unexpected,
dispassionate rustle of words.  I had to repress a shudder, and as coldly
as herself I murmured:

"She has done that once too often."

Rose was standing very close to me and I caught distinctly the note of
scorn in her indulgent compassion.

"Oh, that! . . . Madame is like a child."  It was impossible to get the
bearing of that utterance from that girl who, as Dona Rita herself had
told me, was the most taciturn of human beings; and yet of all human
beings the one nearest to herself.  I seized her head in my hands and
turning up her face I looked straight down into her black eyes which
should have been lustrous.  Like a piece of glass breathed upon they
reflected no light, revealed no depths, and under my ardent gaze remained
tarnished, misty, unconscious.

"Will Monsieur kindly let me go.  Monsieur shouldn't play the child,
either."  (I let her go.)  "Madame could have the world at her feet.
Indeed she has it there only she doesn't care for it."

How talkative she was, this maid with unsealed lips!  For some reason or
other this last statement of hers brought me immense comfort.

"Yes?" I whispered breathlessly.

"Yes!  But in that case what's the use of living in fear and torment?"
she went on, revealing a little more of herself to my astonishment.  She
opened the door for me and added:

"Those that don't care to stoop ought at least make themselves happy."

I turned in the very doorway: "There is something which prevents that?" I
suggested.

"To be sure there is.  _Bonjour_, Monsieur."




PART FOUR


CHAPTER I


"Such a charming lady in a grey silk dress and a hand as white as snow.
She looked at me through such funny glasses on the end of a long handle.
A very great lady but her voice was as kind as the voice of a saint.  I
have never seen anything like that.  She made me feel so timid."

The voice uttering these words was the voice of Therese and I looked at
her from a bed draped heavily in brown silk curtains fantastically looped
up from ceiling to floor.  The glow of a sunshiny day was toned down by
closed jalousies to a mere transparency of darkness.  In this thin medium
Therese's form appeared flat, without detail, as if cut out of black
paper.  It glided towards the window and with a click and a scrape let in
the full flood of light which smote my aching eyeballs painfully.

In truth all that night had been the abomination of desolation to me.
After wrestling with my thoughts, if the acute consciousness of a woman's
existence may be called a thought, I had apparently dropped off to sleep
only to go on wrestling with a nightmare, a senseless and terrifying
dream of being in bonds which, even after waking, made me feel powerless
in all my limbs.  I lay still, suffering acutely from a renewed sense of
existence, unable to lift an arm, and wondering why I was not at sea, how
long I had slept, how long Therese had been talking before her voice had
reached me in that purgatory of hopeless longing and unanswerable
questions to which I was condemned.

It was Therese's habit to begin talking directly she entered the room
with the tray of morning coffee.  This was her method for waking me up.
I generally regained the consciousness of the external world on some
pious phrase asserting the spiritual comfort of early mass, or on angry
lamentations about the unconscionable rapacity of the dealers in fish and
vegetables; for after mass it was Therese's practice to do the marketing
for the house.  As a matter of fact the necessity of having to pay, to
actually give money to people, infuriated the pious Therese.  But the
matter of this morning's speech was so extraordinary that it might have
been the prolongation of a nightmare: a man in bonds having to listen to
weird and unaccountable speeches against which, he doesn't know why, his
very soul revolts.

In sober truth my soul remained in revolt though I was convinced that I
was no longer dreaming.  I watched Therese coming away from the window
with that helpless dread a man bound hand and foot may be excused to
feel.  For in such a situation even the absurd may appear ominous.  She
came up close to the bed and folding her hands meekly in front of her
turned her eyes up to the ceiling.

"If I had been her daughter she couldn't have spoken more softly to me,"
she said sentimentally.

I made a great effort to speak.

"Mademoiselle Therese, you are raving."

"She addressed me as Mademoiselle, too, so nicely.  I was struck with
veneration for her white hair but her face, believe me, my dear young
Monsieur, has not so many wrinkles as mine."

She compressed her lips with an angry glance at me as if I could help her
wrinkles, then she sighed.

"God sends wrinkles, but what is our face?" she digressed in a tone of
great humility.  "We shall have glorious faces in Paradise.  But meantime
God has permitted me to preserve a smooth heart."

"Are you going to keep on like this much longer?" I fairly shouted at
her.  "What are you talking about?"

"I am talking about the sweet old lady who came in a carriage.  Not a
fiacre.  I can tell a fiacre.  In a little carriage shut in with glass
all in front.  I suppose she is very rich.  The carriage was very shiny
outside and all beautiful grey stuff inside.  I opened the door to her
myself.  She got out slowly like a queen.  I was struck all of a heap.
Such a shiny beautiful little carriage.  There were blue silk tassels
inside, beautiful silk tassels."

Obviously Therese had been very much impressed by a brougham, though she
didn't know the name for it.  Of all the town she knew nothing but the
streets which led to a neighbouring church frequented only by the poorer
classes and the humble quarter around, where she did her marketing.
Besides, she was accustomed to glide along the walls with her eyes cast
down; for her natural boldness would never show itself through that
nun-like mien except when bargaining, if only on a matter of threepence.
Such a turn-out had never been presented to her notice before.  The
traffic in the street of the Consuls was mostly pedestrian and far from
fashionable.  And anyhow Therese never looked out of the window.  She
lurked in the depths of the house like some kind of spider that shuns
attention.  She used to dart at one from some dark recesses which I never
explored.

Yet it seemed to me that she exaggerated her raptures for some reason or
other.  With her it was very difficult to distinguish between craft and
innocence.

"Do you mean to say," I asked suspiciously, "that an old lady wants to
hire an apartment here?  I hope you told her there was no room, because,
you know, this house is not exactly the thing for venerable old ladies."

"Don't make me angry, my dear young Monsieur.  I have been to confession
this morning.  Aren't you comfortable?  Isn't the house appointed richly
enough for anybody?"

That girl with a peasant-nun's face had never seen the inside of a house
other than some half-ruined _caserio_ in her native hills.

I pointed out to her that this was not a matter of splendour or comfort
but of "convenances."  She pricked up her ears at that word which
probably she had never heard before; but with woman's uncanny intuition I
believe she understood perfectly what I meant.  Her air of saintly
patience became so pronounced that with my own poor intuition I perceived
that she was raging at me inwardly.  Her weather-tanned complexion,
already affected by her confined life, took on an extraordinary clayey
aspect which reminded me of a strange head painted by El Greco which my
friend Prax had hung on one of his walls and used to rail at; yet not
without a certain respect.

Therese, with her hands still meekly folded about her waist, had mastered
the feelings of anger so unbecoming to a person whose sins had been
absolved only about three hours before, and asked me with an insinuating
softness whether she wasn't an honest girl enough to look after any old
lady belonging to a world which after all was sinful.  She reminded me
that she had kept house ever since she was "so high" for her uncle the
priest: a man well-known for his saintliness in a large district
extending even beyond Pampeluna.  The character of a house depended upon
the person who ruled it.  She didn't know what impenitent wretches had
been breathing within these walls in the time of that godless and wicked
man who had planted every seed of perdition in "our Rita's" ill-disposed
heart.  But he was dead and she, Therese, knew for certain that
wickedness perished utterly, because of God's anger (_la colere du bon
Dieu_).  She would have no hesitation in receiving a bishop, if need be,
since "our, Rita," with her poor, wretched, unbelieving heart, had
nothing more to do with the house.

All this came out of her like an unctuous trickle of some acrid oil.  The
low, voluble delivery was enough by itself to compel my attention.

"You think you know your sister's heart," I asked.

She made small eyes at me to discover if I was angry.  She seemed to have
an invincible faith in the virtuous dispositions of young men.  And as I
had spoken in measured tones and hadn't got red in the face she let
herself go.

"Black, my dear young Monsieur.  Black.  I always knew it.  Uncle, poor
saintly man, was too holy to take notice of anything.  He was too busy
with his thoughts to listen to anything I had to say to him.  For
instance as to her shamelessness.  She was always ready to run half naked
about the hills. . . "

"Yes.  After your goats.  All day long.  Why didn't you mend her frocks?"

"Oh, you know about the goats.  My dear young Monsieur, I could never
tell when she would fling over her pretended sweetness and put her tongue
out at me.  Did she tell you about a boy, the son of pious and rich
parents, whom she tried to lead astray into the wildness of thoughts like
her own, till the poor dear child drove her off because she outraged his
modesty?  I saw him often with his parents at Sunday mass.  The grace of
God preserved him and made him quite a gentleman in Paris.  Perhaps it
will touch Rita's heart, too, some day.  But she was awful then.  When I
wouldn't listen to her complaints she would say: 'All right, sister, I
would just as soon go clothed in rain and wind.'  And such a bag of
bones, too, like the picture of a devil's imp.  Ah, my dear young
Monsieur, you don't know how wicked her heart is.  You aren't bad enough
for that yourself.  I don't believe you are evil at all in your innocent
little heart.  I never heard you jeer at holy things.  You are only
thoughtless.  For instance, I have never seen you make the sign of the
cross in the morning.  Why don't you make a practice of crossing yourself
directly you open your eyes.  It's a very good thing.  It keeps Satan off
for the day."

She proffered that advice in a most matter-of-fact tone as if it were a
precaution against a cold, compressed her lips, then returning to her
fixed idea, "But the house is mine," she insisted very quietly with an
accent which made me feel that Satan himself would never manage to tear
it out of her hands.

"And so I told the great lady in grey.  I told her that my sister had
given it to me and that surely God would not let her take it away again."

"You told that grey-headed lady, an utter stranger!  You are getting more
crazy every day.  You have neither good sense nor good feeling,
Mademoiselle Therese, let me tell you.  Do you talk about your sister to
the butcher and the greengrocer, too?  A downright savage would have more
restraint.  What's your object?  What do you expect from it?  What
pleasure do you get from it?  Do you think you please God by abusing your
sister?  What do you think you are?"

"A poor lone girl amongst a lot of wicked people.  Do you think I wanted
to go forth amongst those abominations? it's that poor sinful Rita that
wouldn't let me be where I was, serving a holy man, next door to a
church, and sure of my share of Paradise.  I simply obeyed my uncle.
It's he who told me to go forth and attempt to save her soul, bring her
back to us, to a virtuous life.  But what would be the good of that?  She
is given over to worldly, carnal thoughts.  Of course we are a good
family and my uncle is a great man in the country, but where is the
reputable farmer or God-fearing man of that kind that would dare to bring
such a girl into his house to his mother and sisters.  No, let her give
her ill-gotten wealth up to the deserving and devote the rest of her life
to repentance."

She uttered these righteous reflections and presented this programme for
the salvation of her sister's soul in a reasonable convinced tone which
was enough to give goose flesh to one all over.

"Mademoiselle Therese," I said, "you are nothing less than a monster."

She received that true expression of my opinion as though I had given her
a sweet of a particularly delicious kind.  She liked to be abused.  It
pleased her to be called names.  I did let her have that satisfaction to
her heart's content.  At last I stopped because I could do no more,
unless I got out of bed to beat her.  I have a vague notion that she
would have liked that, too, but I didn't try.  After I had stopped she
waited a little before she raised her downcast eyes.

"You are a dear, ignorant, flighty young gentleman," she said.  "Nobody
can tell what a cross my sister is to me except the good priest in the
church where I go every day."

"And the mysterious lady in grey," I suggested sarcastically.

"Such a person might have guessed it," answered Therese, seriously, "but
I told her nothing except that this house had been given me in full
property by our Rita.  And I wouldn't have done that if she hadn't spoken
to me of my sister first.  I can't tell too many people about that.  One
can't trust Rita.  I know she doesn't fear God but perhaps human respect
may keep her from taking this house back from me.  If she doesn't want me
to talk about her to people why doesn't she give me a properly stamped
piece of paper for it?"

She said all this rapidly in one breath and at the end had a sort of
anxious gasp which gave me the opportunity to voice my surprise.  It was
immense.

"That lady, the strange lady, spoke to you of your sister first!" I
cried.

"The lady asked me, after she had been in a little time, whether really
this house belonged to Madame de Lastaola.  She had been so sweet and
kind and condescending that I did not mind humiliating my spirit before
such a good Christian.  I told her that I didn't know how the poor sinner
in her mad blindness called herself, but that this house had been given
to me truly enough by my sister.  She raised her eyebrows at that but she
looked at me at the same time so kindly, as much as to say, 'Don't trust
much to that, my dear girl,' that I couldn't help taking up her hand,
soft as down, and kissing it.  She took it away pretty quick but she was
not offended.  But she only said, 'That's very generous on your sister's
part,' in a way that made me run cold all over.  I suppose all the world
knows our Rita for a shameless girl.  It was then that the lady took up
those glasses on a long gold handle and looked at me through them till I
felt very much abashed.  She said to me, 'There is nothing to be unhappy
about.  Madame de Lastaola is a very remarkable person who has done many
surprising things.  She is not to be judged like other people and as far
as I know she has never wronged a single human being. . . .'  That put
heart into me, I can tell you; and the lady told me then not to disturb
her son.  She would wait till he woke up.  She knew he was a bad sleeper.
I said to her: 'Why, I can hear the dear sweet gentleman this moment
having his bath in the fencing-room,' and I took her into the studio.
They are there now and they are going to have their lunch together at
twelve o'clock."

"Why on earth didn't you tell me at first that the lady was Mrs. Blunt?"

"Didn't I?  I thought I did," she said innocently.  I felt a sudden
desire to get out of that house, to fly from the reinforced Blunt element
which was to me so oppressive.

"I want to get up and dress, Mademoiselle Therese," I said.

She gave a slight start and without looking at me again glided out of the
room, the many folds of her brown skirt remaining undisturbed as she
moved.

I looked at my watch; it was ten o'clock.  Therese had been late with my
coffee.  The delay was clearly caused by the unexpected arrival of Mr.
Blunt's mother, which might or might not have been expected by her son.
The existence of those Blunts made me feel uncomfortable in a peculiar
way as though they had been the denizens of another planet with a subtly
different point of view and something in the intelligence which was bound
to remain unknown to me.  It caused in me a feeling of inferiority which
I intensely disliked.  This did not arise from the actual fact that those
people originated in another continent.  I had met Americans before.  And
the Blunts were Americans.  But so little!  That was the trouble.
Captain Blunt might have been a Frenchman as far as languages, tones, and
manners went.  But you could not have mistaken him for one. . . . Why?
You couldn't tell.  It was something indefinite.  It occurred to me while
I was towelling hard my hair, face, and the back of my neck, that I could
not meet J. K. Blunt on equal terms in any relation of life except
perhaps arms in hand, and in preference with pistols, which are less
intimate, acting at a distance--but arms of some sort.  For physically
his life, which could be taken away from him, was exactly like mine, held
on the same terms and of the same vanishing quality.

I would have smiled at my absurdity if all, even the most intimate,
vestige of gaiety had not been crushed out of my heart by the intolerable
weight of my love for Rita.  It crushed, it overshadowed, too, it was
immense.  If there were any smiles in the world (which I didn't believe)
I could not have seen them.  Love for Rita . . . if it was love, I asked
myself despairingly, while I brushed my hair before a glass.  It did not
seem to have any sort of beginning as far as I could remember.  A thing
the origin of which you cannot trace cannot be seriously considered.  It
is an illusion.  Or perhaps mine was a physical state, some sort of
disease akin to melancholia which is a form of insanity?  The only
moments of relief I could remember were when she and I would start
squabbling like two passionate infants in a nursery, over anything under
heaven, over a phrase, a word sometimes, in the great light of the glass
rotunda, disregarding the quiet entrances and exits of the ever-active
Rose, in great bursts of voices and peals of laughter. . . .

I felt tears come into my eyes at the memory of her laughter, the true
memory of the senses almost more penetrating than the reality itself.  It
haunted me.  All that appertained to her haunted me with the same awful
intimacy, her whole form in the familiar pose, her very substance in its
colour and texture, her eyes, her lips, the gleam of her teeth, the tawny
mist of her hair, the smoothness of her forehead, the faint scent that
she used, the very shape, feel, and warmth of her high-heeled slipper
that would sometimes in the heat of the discussion drop on the floor with
a crash, and which I would (always in the heat of the discussion) pick up
and toss back on the couch without ceasing to argue.  And besides being
haunted by what was Rita on earth I was haunted also by her waywardness,
her gentleness and her flame, by that which the high gods called Rita
when speaking of her amongst themselves.  Oh, yes, certainly I was
haunted by her but so was her sister Therese--who was crazy.  It proved
nothing.  As to her tears, since I had not caused them, they only aroused
my indignation.  To put her head on my shoulder, to weep these strange
tears, was nothing short of an outrageous liberty.  It was a mere
emotional trick.  She would have just as soon leaned her head against the
over-mantel of one of those tall, red granite chimney-pieces in order to
weep comfortably.  And then when she had no longer any need of support
she dispensed with it by simply telling me to go away.  How convenient!
The request had sounded pathetic, almost sacredly so, but then it might
have been the exhibition of the coolest possible impudence.  With her one
could not tell.  Sorrow, indifference, tears, smiles, all with her seemed
to have a hidden meaning.  Nothing could be trusted. . . Heavens!  Am I
as crazy as Therese I asked myself with a passing chill of fear, while
occupied in equalizing the ends of my neck-tie.

I felt suddenly that "this sort of thing" would kill me.  The definition
of the cause was vague, but the thought itself was no mere morbid
artificiality of sentiment but a genuine conviction.  "That sort of
thing" was what I would have to die from.  It wouldn't be from the
innumerable doubts.  Any sort of certitude would be also deadly.  It
wouldn't be from a stab--a kiss would kill me as surely.  It would not be
from a frown or from any particular word or any particular act--but from
having to bear them all, together and in succession--from having to live
with "that sort of thing."  About the time I finished with my neck-tie I
had done with life too.  I absolutely did not care because I couldn't
tell whether, mentally and physically, from the roots of my hair to the
soles of my feet--whether I was more weary or unhappy.

And now my toilet was finished, my occupation was gone.  An immense
distress descended upon me.  It has been observed that the routine of
daily life, that arbitrary system of trifles, is a great moral support.
But my toilet was finished, I had nothing more to do of those things
consecrated by usage and which leave you no option.  The exercise of any
kind of volition by a man whose consciousness is reduced to the sensation
that he is being killed by "that sort of thing" cannot be anything but
mere trifling with death, an insincere pose before himself.  I wasn't
capable of it.  It was then that I discovered that being killed by "that
sort of thing," I mean the absolute conviction of it, was, so to speak,
nothing in itself.  The horrible part was the waiting.  That was the
cruelty, the tragedy, the bitterness of it.  "Why the devil don't I drop
dead now?" I asked myself peevishly, taking a clean handkerchief out of
the drawer and stuffing it in my pocket.

This was absolutely the last thing, the last ceremony of an imperative
rite.  I was abandoned to myself now and it was terrible.  Generally I
used to go out, walk down to the port, take a look at the craft I loved
with a sentiment that was extremely complex, being mixed up with the
image of a woman; perhaps go on board, not because there was anything for
me to do there but just for nothing, for happiness, simply as a man will
sit contented in the companionship of the beloved object.  For lunch I
had the choice of two places, one Bohemian, the other select, even
aristocratic, where I had still my reserved table in the _petit salon_,
up the white staircase.  In both places I had friends who treated my
erratic appearances with discretion, in one case tinged with respect, in
the other with a certain amused tolerance.  I owed this tolerance to the
most careless, the most confirmed of those Bohemians (his beard had
streaks of grey amongst its many other tints) who, once bringing his
heavy hand down on my shoulder, took my defence against the charge of
being disloyal and even foreign to that milieu of earnest visions taking
beautiful and revolutionary shapes in the smoke of pipes, in the jingle
of glasses.

"That fellow (_ce garcon_) is a primitive nature, but he may be an artist
in a sense.  He has broken away from his conventions.  He is trying to
put a special vibration and his own notion of colour into his life; and
perhaps even to give it a modelling according to his own ideas.  And for
all you know he may be on the track of a masterpiece; but observe: if it
happens to be one nobody will see it.  It can be only for himself.  And
even he won't be able to see it in its completeness except on his
death-bed.  There is something fine in that."

I had blushed with pleasure; such fine ideas had never entered my head.
But there was something fine. . . . How far all this seemed!  How mute
and how still!  What a phantom he was, that man with a beard of at least
seven tones of brown.  And those shades of the other kind such as
Baptiste with the shaven diplomatic face, the _maitre d'hotel_ in charge
of the _petit salon_, taking my hat and stick from me with a deferential
remark: "Monsieur is not very often seen nowadays."  And those other
well-groomed heads raised and nodding at my passage--"_Bonjour_."
"_Bonjour_"--following me with interested eyes; these young X.s and Z.s,
low-toned, markedly discreet, lounging up to my table on their way out
with murmurs: "Are you well?"--"Will one see you anywhere this
evening?"--not from curiosity, God forbid, but just from friendliness;
and passing on almost without waiting for an answer.  What had I to do
with them, this elegant dust, these moulds of provincial fashion?

I also often lunched with Dona Rita without invitation.  But that was now
unthinkable.  What had I to do with a woman who allowed somebody else to
make her cry and then with an amazing lack of good feeling did her
offensive weeping on my shoulder?  Obviously I could have nothing to do
with her.  My five minutes' meditation in the middle of the bedroom came
to an end without even a sigh.  The dead don't sigh, and for all
practical purposes I was that, except for the final consummation, the
growing cold, the _rigor mortis_--that blessed state!  With measured
steps I crossed the landing to my sitting-room.



CHAPTER II


The windows of that room gave out on the street of the Consuls which as
usual was silent.  And the house itself below me and above me was
soundless, perfectly still.  In general the house was quiet, dumbly
quiet, without resonances of any sort, something like what one would
imagine the interior of a convent would be.  I suppose it was very
solidly built.  Yet that morning I missed in the stillness that feeling
of security and peace which ought to have been associated with it.  It
is, I believe, generally admitted that the dead are glad to be at rest.
But I wasn't at rest.  What was wrong with that silence?  There was
something incongruous in that peace.  What was it that had got into that
stillness?  Suddenly I remembered: the mother of Captain Blunt.

Why had she come all the way from Paris?  And why should I bother my head
about it?  H'm--the Blunt atmosphere, the reinforced Blunt vibration
stealing through the walls, through the thick walls and the almost more
solid stillness.  Nothing to me, of course--the movements of Mme. Blunt,
_mere_.  It was maternal affection which had brought her south by either
the evening or morning Rapide, to take anxious stock of the ravages of
that insomnia.  Very good thing, insomnia, for a cavalry officer
perpetually on outpost duty, a real godsend, so to speak; but on leave a
truly devilish condition to be in.

The above sequence of thoughts was entirely unsympathetic and it was
followed by a feeling of satisfaction that I, at any rate, was not
suffering from insomnia.  I could always sleep in the end.  In the end.
Escape into a nightmare.  Wouldn't he revel in that if he could!  But
that wasn't for him.  He had to toss about open-eyed all night and get up
weary, weary.  But oh, wasn't I weary, too, waiting for a sleep without
dreams.

I heard the door behind me open.  I had been standing with my face to the
window and, I declare, not knowing what I was looking at across the
road--the Desert of Sahara or a wall of bricks, a landscape of rivers and
forests or only the Consulate of Paraguay.  But I had been thinking,
apparently, of Mr. Blunt with such intensity that when I saw him enter
the room it didn't really make much difference.  When I turned about the
door behind him was already shut.  He advanced towards me, correct,
supple, hollow-eyed, and smiling; and as to his costume ready to go out
except for the old shooting jacket which he must have affectioned
particularly, for he never lost any time in getting into it at every
opportunity.  Its material was some tweed mixture; it had gone
inconceivably shabby, it was shrunk from old age, it was ragged at the
elbows; but any one could see at a glance that it had been made in London
by a celebrated tailor, by a distinguished specialist.  Blunt came
towards me in all the elegance of his slimness and affirming in every
line of his face and body, in the correct set of his shoulders and the
careless freedom of his movements, the superiority, the inexpressible
superiority, the unconscious, the unmarked, the not-to-be-described, and
even not-to-be-caught, superiority of the naturally born and the
perfectly finished man of the world, over the simple young man.  He was
smiling, easy, correct, perfectly delightful, fit to kill.

He had come to ask me, if I had no other engagement, to lunch with him
and his mother in about an hour's time.  He did it in a most _degage_
tone.  His mother had given him a surprise.  The completest . . . The
foundation of his mother's psychology was her delightful unexpectedness.
She could never let things be (this in a peculiar tone which he checked
at once) and he really would take it very kindly of me if I came to break
the tete-a-tete for a while (that is if I had no other engagement.  Flash
of teeth).  His mother was exquisitely and tenderly absurd.  She had
taken it into her head that his health was endangered in some way.  And
when she took anything into her head . . . Perhaps I might find something
to say which would reassure her.  His mother had two long conversations
with Mills on his passage through Paris and had heard of me (I knew how
that thick man could speak of people, he interjected ambiguously) and his
mother, with an insatiable curiosity for anything that was rare (filially
humorous accent here and a softer flash of teeth), was very anxious to
have me presented to her (courteous intonation, but no teeth).  He hoped
I wouldn't mind if she treated me a little as an "interesting young man."
His mother had never got over her seventeenth year, and the manner of the
spoilt beauty of at least three counties at the back of the Carolinas.
That again got overlaid by the _sans-facon_ of a _grande dame_ of the
Second Empire.

I accepted the invitation with a worldly grin and a perfectly just
intonation, because I really didn't care what I did.  I only wondered
vaguely why that fellow required all the air in the room for himself.
There did not seem enough left to go down my throat.  I didn't say that I
would come with pleasure or that I would be delighted, but I said that I
would come.  He seemed to forget his tongue in his head, put his hands in
his pockets and moved about vaguely.  "I am a little nervous this
morning," he said in French, stopping short and looking me straight in
the eyes.  His own were deep sunk, dark, fatal.  I asked with some
malice, that no one could have detected in my intonation, "How's that
sleeplessness?"

He muttered through his teeth, "_Mal_.  _Je ne dors plus_."  He moved off
to stand at the window with his back to the room.  I sat down on a sofa
that was there and put my feet up, and silence took possession of the
room.

"Isn't this street ridiculous?" said Blunt suddenly, and crossing the
room rapidly waved his hand to me, "_A bientot donc_," and was gone.  He
had seared himself into my mind.  I did not understand him nor his mother
then; which made them more impressive; but I have discovered since that
those two figures required no mystery to make them memorable.  Of course
it isn't every day that one meets a mother that lives by her wits and a
son that lives by his sword, but there was a perfect finish about their
ambiguous personalities which is not to be met twice in a life-time.  I
shall never forget that grey dress with ample skirts and long corsage yet
with infinite style, the ancient as if ghostly beauty of outlines, the
black lace, the silver hair, the harmonious, restrained movements of
those white, soft hands like the hands of a queen--or an abbess; and in
the general fresh effect of her person the brilliant eyes like two stars
with the calm reposeful way they had of moving on and off one, as if
nothing in the world had the right to veil itself before their once
sovereign beauty.  Captain Blunt with smiling formality introduced me by
name, adding with a certain relaxation of the formal tone the comment:
"The Monsieur George! whose fame you tell me has reached even Paris."
Mrs. Blunt's reception of me, glance, tones, even to the attitude of the
admirably corseted figure, was most friendly, approaching the limit of
half-familiarity.  I had the feeling that I was beholding in her a
captured ideal.  No common experience!  But I didn't care.  It was very
lucky perhaps for me that in a way I was like a very sick man who has yet
preserved all his lucidity.  I was not even wondering to myself at what
on earth I was doing there.  She breathed out: "_Comme c'est
romantique_," at large to the dusty studio as it were; then pointing to a
chair at her right hand, and bending slightly towards me she said:

"I have heard this name murmured by pretty lips in more than one royalist
salon."

I didn't say anything to that ingratiating speech.  I had only an odd
thought that she could not have had such a figure, nothing like it, when
she was seventeen and wore snowy muslin dresses on the family plantation
in South Carolina, in pre-abolition days.

"You won't mind, I am sure, if an old woman whose heart is still young
elects to call you by it," she declared.

"Certainly, Madame.  It will be more romantic," I assented with a
respectful bow.

She dropped a calm: "Yes--there is nothing like romance while one is
young.  So I will call you Monsieur George," she paused and then added,
"I could never get old," in a matter-of-fact final tone as one would
remark, "I could never learn to swim," and I had the presence of mind to
say in a tone to match, "_C'est evident_, Madame."  It was evident.  She
couldn't get old; and across the table her thirty-year-old son who
couldn't get sleep sat listening with courteous detachment and the
narrowest possible line of white underlining his silky black moustache.

"Your services are immensely appreciated," she said with an amusing touch
of importance as of a great official lady.  "Immensely appreciated by
people in a position to understand the great significance of the Carlist
movement in the South.  There it has to combat anarchism, too.  I who
have lived through the Commune . . ."

Therese came in with a dish, and for the rest of the lunch the
conversation so well begun drifted amongst the most appalling inanities
of the religious-royalist-legitimist order.  The ears of all the Bourbons
in the world must have been burning.  Mrs. Blunt seemed to have come into
personal contact with a good many of them and the marvellous insipidity
of her recollections was astonishing to my inexperience.  I looked at her
from time to time thinking: She has seen slavery, she has seen the
Commune, she knows two continents, she has seen a civil war, the glory of
the Second Empire, the horrors of two sieges; she has been in contact
with marked personalities, with great events, she has lived on her
wealth, on her personality, and there she is with her plumage unruffled,
as glossy as ever, unable to get old:--a sort of Phoenix free from the
slightest signs of ashes and dust, all complacent amongst those inanities
as if there had been nothing else in the world.  In my youthful haste I
asked myself what sort of airy soul she had.

At last Therese put a dish of fruit on the table, a small collection of
oranges, raisins, and nuts.  No doubt she had bought that lot very cheap
and it did not look at all inviting.  Captain Blunt jumped up.  "My
mother can't stand tobacco smoke.  Will you keep her company, _mon cher_,
while I take a turn with a cigar in that ridiculous garden.  The brougham
from the hotel will be here very soon."

He left us in the white flash of an apologetic grin.  Almost directly he
reappeared, visible from head to foot through the glass side of the
studio, pacing up and down the central path of that "ridiculous" garden:
for its elegance and its air of good breeding the most remarkable figure
that I have ever seen before or since.  He had changed his coat.  Madame
Blunt _mere_ lowered the long-handled glasses through which she had been
contemplating him with an appraising, absorbed expression which had
nothing maternal in it.  But what she said to me was:

"You understand my anxieties while he is campaigning with the King."

She had spoken in French and she had used the expression "_mes transes_"
but for all the rest, intonation, bearing, solemnity, she might have been
referring to one of the Bourbons.  I am sure that not a single one of
them looked half as aristocratic as her son.

"I understand perfectly, Madame.  But then that life is so romantic."

"Hundreds of young men belonging to a certain sphere are doing that," she
said very distinctly, "only their case is different.  They have their
positions, their families to go back to; but we are different.  We are
exiles, except of course for the ideals, the kindred spirit, the
friendships of old standing we have in France.  Should my son come out
unscathed he has no one but me and I have no one but him.  I have to
think of his life.  Mr. Mills (what a distinguished mind that is!) has
reassured me as to my son's health.  But he sleeps very badly, doesn't
he?"

I murmured something affirmative in a doubtful tone and she remarked
quaintly, with a certain curtness, "It's so unnecessary, this worry!  The
unfortunate position of an exile has its advantages.  At a certain height
of social position (wealth has got nothing to do with it, we have been
ruined in a most righteous cause), at a certain established height one
can disregard narrow prejudices.  You see examples in the aristocracies
of all the countries.  A chivalrous young American may offer his life for
a remote ideal which yet may belong to his familial tradition.  We, in
our great country, have every sort of tradition.  But a young man of good
connections and distinguished relations must settle down some day,
dispose of his life."

"No doubt, Madame," I said, raising my eyes to the figure
outside--"_Americain_, _Catholique et gentilhomme_"--walking up and down
the path with a cigar which he was not smoking.  "For myself, I don't
know anything about those necessities.  I have broken away for ever from
those things."

"Yes, Mr. Mills talked to me about you.  What a golden heart that is.
His sympathies are infinite."

I thought suddenly of Mills pronouncing on Mme. Blunt, whatever his text
on me might have been: "She lives by her wits."  Was she exercising her
wits on me for some purpose of her own?  And I observed coldly:

"I really know your son so very little."

"Oh, _voyons_," she protested.  "I am aware that you are very much
younger, but the similitudes of opinions, origins and perhaps at bottom,
faintly, of character, of chivalrous devotion--no, you must be able to
understand him in a measure.  He is infinitely scrupulous and recklessly
brave."

I listened deferentially to the end yet with every nerve in my body
tingling in hostile response to the Blunt vibration, which seemed to have
got into my very hair.

"I am convinced of it, Madame.  I have even heard of your son's bravery.
It's extremely natural in a man who, in his own words, 'lives by his
sword.'"

She suddenly departed from her almost inhuman perfection, betrayed
"nerves" like a common mortal, of course very slightly, but in her it
meant more than a blaze of fury from a vessel of inferior clay.  Her
admirable little foot, marvellously shod in a black shoe, tapped the
floor irritably.  But even in that display there was something
exquisitely delicate.  The very anger in her voice was silvery, as it
were, and more like the petulance of a seventeen-year-old beauty.

"What nonsense!  A Blunt doesn't hire himself."

"Some princely families," I said, "were founded by men who have done that
very thing.  The great Condottieri, you know."

It was in an almost tempestuous tone that she made me observe that we
were not living in the fifteenth century.  She gave me also to understand
with some spirit that there was no question here of founding a family.
Her son was very far from being the first of the name.  His importance
lay rather in being the last of a race which had totally perished, she
added in a completely drawing-room tone, "in our Civil War."

She had mastered her irritation and through the glass side of the room
sent a wistful smile to his address, but I noticed the yet unextinguished
anger in her eyes full of fire under her beautiful white eyebrows.  For
she was growing old!  Oh, yes, she was growing old, and secretly weary,
and perhaps desperate.



CHAPTER III


Without caring much about it I was conscious of sudden illumination.  I
said to myself confidently that these two people had been quarrelling all
the morning.  I had discovered the secret of my invitation to that lunch.
They did not care to face the strain of some obstinate, inconclusive
discussion for fear, maybe, of it ending in a serious quarrel.  And so
they had agreed that I should be fetched downstairs to create a
diversion.  I cannot say I felt annoyed.  I didn't care.  My perspicacity
did not please me either.  I wished they had left me alone--but nothing
mattered.  They must have been in their superiority accustomed to make
use of people, without compunction.  From necessity, too.  She
especially.  She lived by her wits.  The silence had grown so marked that
I had at last to raise my eyes; and the first thing I observed was that
Captain Blunt was no longer to be seen in the garden.  Must have gone
indoors.  Would rejoin us in a moment.  Then I would leave mother and son
to themselves.

The next thing I noticed was that a great mellowness had descended upon
the mother of the last of his race.  But these terms, irritation,
mellowness, appeared gross when applied to her.  It is impossible to give
an idea of the refinement and subtlety of all her transformations.  She
smiled faintly at me.

"But all this is beside the point.  The real point is that my son, like
all fine natures, is a being of strange contradictions which the trials
of life have not yet reconciled in him.  With me it is a little
different.  The trials fell mainly to my share--and of course I have
lived longer.  And then men are much more complex than women, much more
difficult, too.  And you, Monsieur George?  Are you complex, with
unexpected resistances and difficulties in your _etre intime_--your inner
self?  I wonder now . . ."

The Blunt atmosphere seemed to vibrate all over my skin.  I disregarded
the symptom.  "Madame," I said, "I have never tried to find out what sort
of being I am."

"Ah, that's very wrong.  We ought to reflect on what manner of beings we
are.  Of course we are all sinners.  My John is a sinner like the
others," she declared further, with a sort of proud tenderness as though
our common lot must have felt honoured and to a certain extent purified
by this condescending recognition.

"You are too young perhaps as yet . . . But as to my John," she broke
off, leaning her elbow on the table and supporting her head on her old,
impeccably shaped, white fore-arm emerging from a lot of precious, still
older, lace trimming the short sleeve.  "The trouble is that he suffers
from a profound discord between the necessary reactions to life and even
the impulses of nature and the lofty idealism of his feelings; I may say,
of his principles.  I assure you that he won't even let his heart speak
uncontradicted."

I am sure I don't know what particular devil looks after the associations
of memory, and I can't even imagine the shock which it would have been
for Mrs. Blunt to learn that the words issuing from her lips had awakened
in me the visual perception of a dark-skinned, hard-driven lady's maid
with tarnished eyes; even of the tireless Rose handing me my hat while
breathing out the enigmatic words: "Madame should listen to her heart."
A wave from the atmosphere of another house rolled in, overwhelming and
fiery, seductive and cruel, through the Blunt vibration, bursting through
it as through tissue paper and filling my heart with sweet murmurs and
distracting images, till it seemed to break, leaving an empty stillness
in my breast.

After that for a long time I heard Mme. Blunt _mere_ talking with extreme
fluency and I even caught the individual words, but I could not in the
revulsion of my feelings get hold of the sense.  She talked apparently of
life in general, of its difficulties, moral and physical, of its
surprising turns, of its unexpected contacts, of the choice and rare
personalities that drift on it as if on the sea; of the distinction that
letters and art gave to it, the nobility and consolations there are in
aesthetics, of the privileges they confer on individuals and (this was
the first connected statement I caught) that Mills agreed with her in the
general point of view as to the inner worth of individualities and in the
particular instance of it on which she had opened to him her innermost
heart.  Mills had a universal mind.  His sympathy was universal, too.  He
had that large comprehension--oh, not cynical, not at all cynical, in
fact rather tender--which was found in its perfection only in some rare,
very rare Englishmen.  The dear creature was romantic, too.  Of course he
was reserved in his speech but she understood Mills perfectly.  Mills
apparently liked me very much.

It was time for me to say something.  There was a challenge in the
reposeful black eyes resting upon my face.  I murmured that I was very
glad to hear it.  She waited a little, then uttered meaningly, "Mr. Mills
is a little bit uneasy about you."

"It's very good of him," I said.  And indeed I thought that it was very
good of him, though I did ask myself vaguely in my dulled brain why he
should be uneasy.

Somehow it didn't occur to me to ask Mrs. Blunt.  Whether she had
expected me to do so or not I don't know but after a while she changed
the pose she had kept so long and folded her wonderfully preserved white
arms.  She looked a perfect picture in silver and grey, with touches of
black here and there.  Still I said nothing more in my dull misery.  She
waited a little longer, then she woke me up with a crash.  It was as if
the house had fallen, and yet she had only asked me:

"I believe you are received on very friendly terms by Madame de Lastaola
on account of your common exertions for the cause.  Very good friends,
are you not?"

"You mean Rita," I said stupidly, but I felt stupid, like a man who wakes
up only to be hit on the head.

"Oh, Rita," she repeated with unexpected acidity, which somehow made me
feel guilty of an incredible breach of good manners.  "H'm, Rita. . . .
Oh, well, let it be Rita--for the present.  Though why she should be
deprived of her name in conversation about her, really I don't
understand.  Unless a very special intimacy . . ."

She was distinctly annoyed.  I said sulkily, "It isn't her name."

"It is her choice, I understand, which seems almost a better title to
recognition on the part of the world.  It didn't strike you so before?
Well, it seems to me that choice has got more right to be respected than
heredity or law.  Moreover, Mme. de Lastaola," she continued in an
insinuating voice, "that most rare and fascinating young woman is, as a
friend like you cannot deny, outside legality altogether.  Even in that
she is an exceptional creature.  For she is exceptional--you agree?"

I had gone dumb, I could only stare at her.

"Oh, I see, you agree.  No friend of hers could deny."

"Madame," I burst out, "I don't know where a question of friendship comes
in here with a person whom you yourself call so exceptional.  I really
don't know how she looks upon me.  Our intercourse is of course very
close and confidential.  Is that also talked about in Paris?"

"Not at all, not in the least," said Mrs. Blunt, easy, equable, but with
her calm, sparkling eyes holding me in angry subjection.  "Nothing of the
sort is being talked about.  The references to Mme. de Lastaola are in a
very different tone, I can assure you, thanks to her discretion in
remaining here.  And, I must say, thanks to the discreet efforts of her
friends.  I am also a friend of Mme. de Lastaola, you must know.  Oh, no,
I have never spoken to her in my life and have seen her only twice, I
believe.  I wrote to her though, that I admit.  She or rather the image
of her has come into my life, into that part of it where art and letters
reign undisputed like a sort of religion of beauty to which I have been
faithful through all the vicissitudes of my existence.  Yes, I did write
to her and I have been preoccupied with her for a long time.  It arose
from a picture, from two pictures and also from a phrase pronounced by a
man, who in the science of life and in the perception of aesthetic truth
had no equal in the world of culture.  He said that there was something
in her of the women of all time.  I suppose he meant the inheritance of
all the gifts that make up an irresistible fascination--a great
personality.  Such women are not born often.  Most of them lack
opportunities.  They never develop.  They end obscurely.  Here and there
one survives to make her mark even in history. . . . And even that is not
a very enviable fate.  They are at another pole from the so-called
dangerous women who are merely coquettes.  A coquette has got to work for
her success.  The others have nothing to do but simply exist.  You
perceive the view I take of the difference?"

I perceived the view.  I said to myself that nothing in the world could
be more aristocratic.  This was the slave-owning woman who had never
worked, even if she had been reduced to live by her wits.  She was a
wonderful old woman.  She made me dumb.  She held me fascinated by the
well-bred attitude, something sublimely aloof in her air of wisdom.

I just simply let myself go admiring her as though I had been a mere
slave of aesthetics: the perfect grace, the amazing poise of that
venerable head, the assured as if royal--yes, royal even flow of the
voice. . . . But what was it she was talking about now?  These were no
longer considerations about fatal women.  She was talking about her son
again.  My interest turned into mere bitterness of contemptuous
attention.  For I couldn't withhold it though I tried to let the stuff go
by.  Educated in the most aristocratic college in Paris . . . at eighteen
. . . call of duty . . . with General Lee to the very last cruel minute
. . . after that catastrophe end of the world--return to France--to old
friendships, infinite kindness--but a life hollow, without occupation
. . . Then 1870--and chivalrous response to adopted country's call and again
emptiness, the chafing of a proud spirit without aim and handicapped not
exactly by poverty but by lack of fortune.  And she, the mother, having
to look on at this wasting of a most accomplished man, of a most
chivalrous nature that practically had no future before it.

"You understand me well, Monsieur George.  A nature like this!  It is the
most refined cruelty of fate to look at.  I don't know whether I suffered
more in times of war or in times of peace.  You understand?"

I bowed my head in silence.  What I couldn't understand was why he
delayed so long in joining us again.  Unless he had had enough of his
mother?  I thought without any great resentment that I was being
victimized; but then it occurred to me that the cause of his absence was
quite simple.  I was familiar enough with his habits by this time to know
that he often managed to snatch an hour's sleep or so during the day.  He
had gone and thrown himself on his bed.

"I admire him exceedingly," Mrs. Blunt was saying in a tone which was not
at all maternal.  "His distinction, his fastidiousness, the earnest
warmth of his heart.  I know him well.  I assure you that I would never
have dared to suggest," she continued with an extraordinary haughtiness
of attitude and tone that aroused my attention, "I would never have dared
to put before him my views of the extraordinary merits and the uncertain
fate of the exquisite woman of whom we speak, if I had not been certain
that, partly by my fault, I admit, his attention has been attracted to
her and his--his--his heart engaged."

It was as if some one had poured a bucket of cold water over my head.  I
woke up with a great shudder to the acute perception of my own feelings
and of that aristocrat's incredible purpose.  How it could have
germinated, grown and matured in that exclusive soil was inconceivable.
She had been inciting her son all the time to undertake wonderful salvage
work by annexing the heiress of Henry Allegre--the woman and the fortune.

There must have been an amazed incredulity in my eyes, to which her own
responded by an unflinching black brilliance which suddenly seemed to
develop a scorching quality even to the point of making me feel extremely
thirsty all of a sudden.  For a time my tongue literally clove to the
roof of my mouth.  I don't know whether it was an illusion but it seemed
to me that Mrs. Blunt had nodded at me twice as if to say: "You are
right, that's so."  I made an effort to speak but it was very poor.  If
she did hear me it was because she must have been on the watch for the
faintest sound.

"His heart engaged.  Like two hundred others, or two thousand, all
around," I mumbled.

"Altogether different.  And it's no disparagement to a woman surely.  Of
course her great fortune protects her in a certain measure."

"Does it?" I faltered out and that time I really doubt whether she heard
me.  Her aspect in my eyes had changed.  Her purpose being disclosed, her
well-bred ease appeared sinister, her aristocratic repose a treacherous
device, her venerable graciousness a mask of unbounded contempt for all
human beings whatever.  She was a terrible old woman with those straight,
white wolfish eye-brows.  How blind I had been!  Those eyebrows alone
ought to have been enough to give her away.  Yet they were as beautifully
smooth as her voice when she admitted: "That protection naturally is only
partial.  There is the danger of her own self, poor girl.  She requires
guidance."

I marvelled at the villainy of my tone as I spoke, but it was only
assumed.

"I don't think she has done badly for herself, so far," I forced myself
to say.  "I suppose you know that she began life by herding the village
goats."

In the course of that phrase I noticed her wince just the least bit.  Oh,
yes, she winced; but at the end of it she smiled easily.

"No, I didn't know.  So she told you her story!  Oh, well, I suppose you
are very good friends.  A goatherd--really?  In the fairy tale I believe
the girl that marries the prince is--what is it?--a _gardeuse d'oies_.
And what a thing to drag out against a woman.  One might just as soon
reproach any of them for coming unclothed into the world.  They all do,
you know.  And then they become--what you will discover when you have
lived longer, Monsieur George--for the most part futile creatures,
without any sense of truth and beauty, drudges of all sorts, or else
dolls to dress.  In a word--ordinary."

The implication of scorn in her tranquil manner was immense.  It seemed
to condemn all those that were not born in the Blunt connection.  It was
the perfect pride of Republican aristocracy, which has no gradations and
knows no limit, and, as if created by the grace of God, thinks it
ennobles everything it touches: people, ideas, even passing tastes!

"How many of them," pursued Mrs. Blunt, "have had the good fortune, the
leisure to develop their intelligence and their beauty in aesthetic
conditions as this charming woman had?  Not one in a million.  Perhaps
not one in an age."

"The heiress of Henry Allegre," I murmured.

"Precisely.  But John wouldn't be marrying the heiress of Henry Allegre."

It was the first time that the frank word, the clear idea, came into the
conversation and it made me feel ill with a sort of enraged faintness.

"No," I said.  "It would be Mme. de Lastaola then."

"Mme. la Comtesse de Lastaola as soon as she likes after the success of
this war."

"And you believe in its success?"

"Do you?"

"Not for a moment," I declared, and was surprised to see her look
pleased.

She was an aristocrat to the tips of her fingers; she really didn't care
for anybody.  She had passed through the Empire, she had lived through a
siege, had rubbed shoulders with the Commune, had seen everything, no
doubt, of what men are capable in the pursuit of their desires or in the
extremity of their distress, for love, for money, and even for honour;
and in her precarious connection with the very highest spheres she had
kept her own honourability unscathed while she had lost all her
prejudices.  She was above all that.  Perhaps "the world" was the only
thing that could have the slightest checking influence; but when I
ventured to say something about the view it might take of such an
alliance she looked at me for a moment with visible surprise.

"My dear Monsieur George, I have lived in the great world all my life.
It's the best that there is, but that's only because there is nothing
merely decent anywhere.  It will accept anything, forgive anything,
forget anything in a few days.  And after all who will he be marrying?  A
charming, clever, rich and altogether uncommon woman.  What did the world
hear of her?  Nothing.  The little it saw of her was in the Bois for a
few hours every year, riding by the side of a man of unique distinction
and of exclusive tastes, devoted to the cult of aesthetic impressions; a
man of whom, as far as aspect, manner, and behaviour goes, she might have
been the daughter.  I have seen her myself.  I went on purpose.  I was
immensely struck.  I was even moved.  Yes.  She might have been--except
for that something radiant in her that marked her apart from all the
other daughters of men.  The few remarkable personalities that count in
society and who were admitted into Henry Allegre's Pavilion treated her
with punctilious reserve.  I know that, I have made enquiries.  I know
she sat there amongst them like a marvellous child, and for the rest what
can they say about her?  That when abandoned to herself by the death of
Allegre she has made a mistake?  I think that any woman ought to be
allowed one mistake in her life.  The worst they can say of her is that
she discovered it, that she had sent away a man in love directly she
found out that his love was not worth having; that she had told him to go
and look for his crown, and that, after dismissing him she had remained
generously faithful to his cause, in her person and fortune.  And this,
you will allow, is rather uncommon upon the whole."

"You make her out very magnificent,"  I murmured, looking down upon the
floor.

"Isn't she?" exclaimed the aristocratic Mrs. Blunt, with an almost
youthful ingenuousness, and in those black eyes which looked at me so
calmly there was a flash of the Southern beauty, still naive and
romantic, as if altogether untouched by experience.  "I don't think there
is a single grain of vulgarity in all her enchanting person.  Neither is
there in my son.  I suppose you won't deny that he is uncommon."  She
paused.

"Absolutely," I said in a perfectly conventional tone, I was now on my
mettle that she should not discover what there was humanly common in my
nature.  She took my answer at her own valuation and was satisfied.

"They can't fail to understand each other on the very highest level of
idealistic perceptions.  Can you imagine my John thrown away on some
enamoured white goose out of a stuffy old salon?  Why, she couldn't even
begin to understand what he feels or what he needs."

"Yes," I said impenetrably, "he is not easy to understand."

"I have reason to think," she said with a suppressed smile, "that he has
a certain power over women.  Of course I don't know anything about his
intimate life but a whisper or two have reached me, like that, floating
in the air, and I could hardly suppose that he would find an exceptional
resistance in that quarter of all others.  But I should like to know the
exact degree."

I disregarded an annoying tendency to feel dizzy that came over me and
was very careful in managing my voice.

"May I ask, Madame, why you are telling me all this?"

"For two reasons," she condescended graciously.  "First of all because
Mr. Mills told me that you were much more mature than one would expect.
In fact you look much younger than I was prepared for."

"Madame," I interrupted her, "I may have a certain capacity for action
and for responsibility, but as to the regions into which this very
unexpected conversation has taken me I am a great novice.  They are
outside my interest.  I have had no experience."

"Don't make yourself out so hopeless," she said in a spoilt-beauty tone.
"You have your intuitions.  At any rate you have a pair of eyes.  You are
everlastingly over there, so I understand.  Surely you have seen how far
they are . . ."

I interrupted again and this time bitterly, but always in a tone of
polite enquiry:

"You think her facile, Madame?"

She looked offended.  "I think her most fastidious.  It is my son who is
in question here."

And I understood then that she looked on her son as irresistible.  For my
part I was just beginning to think that it would be impossible for me to
wait for his return.  I figured him to myself lying dressed on his bed
sleeping like a stone.  But there was no denying that the mother was
holding me with an awful, tortured interest.  Twice Therese had opened
the door, had put her small head in and drawn it back like a tortoise.
But for some time I had lost the sense of us two being quite alone in the
studio.  I had perceived the familiar dummy in its corner but it lay now
on the floor as if Therese had knocked it down angrily with a broom for a
heathen idol.  It lay there prostrate, handless, without its head,
pathetic, like the mangled victim of a crime.

"John is fastidious, too," began Mrs. Blunt again.  "Of course you
wouldn't suppose anything vulgar in his resistances to a very real
sentiment.  One has got to understand his psychology.  He can't leave
himself in peace.  He is exquisitely absurd."

I recognized the phrase.  Mother and son talked of each other in
identical terms.  But perhaps "exquisitely absurd" was the Blunt family
saying?  There are such sayings in families and generally there is some
truth in them.  Perhaps this old woman was simply absurd.  She continued:

"We had a most painful discussion all this morning.  He is angry with me
for suggesting the very thing his whole being desires.  I don't feel
guilty.  It's he who is tormenting himself with his infinite
scrupulosity."

"Ah," I said, looking at the mangled dummy like the model of some
atrocious murder.  "Ah, the fortune.  But that can be left alone."

"What nonsense!  How is it possible?  It isn't contained in a bag, you
can't throw it into the sea.  And moreover, it isn't her fault.  I am
astonished that you should have thought of that vulgar hypocrisy.  No, it
isn't her fortune that cheeks my son; it's something much more subtle.
Not so much her history as her position.  He is absurd.  It isn't what
has happened in her life.  It's her very freedom that makes him torment
himself and her, too--as far as I can understand."

I suppressed a groan and said to myself that I must really get away from
there.

Mrs. Blunt was fairly launched now.

"For all his superiority he is a man of the world and shares to a certain
extent its current opinions.  He has no power over her.  She intimidates
him.  He wishes he had never set eyes on her.  Once or twice this morning
he looked at me as if he could find it in his heart to hate his old
mother.  There is no doubt about it--he loves her, Monsieur George.  He
loves her, this poor, luckless, perfect _homme du monde_."

The silence lasted for some time and then I heard a murmur: "It's a
matter of the utmost delicacy between two beings so sensitive, so proud.
It has to be managed."

I found myself suddenly on my feet and saying with the utmost politeness
that I had to beg her permission to leave her alone as I had an
engagement; but she motioned me simply to sit down--and I sat down again.

"I told you I had a request to make," she said.  "I have understood from
Mr. Mills that you have been to the West Indies, that you have some
interests there."

I was astounded.  "Interests!  I certainly have been there," I said, "but
. . ."

She caught me up.  "Then why not go there again?  I am speaking to you
frankly because . . ."

"But, Madame, I am engaged in this affair with Dona Rita, even if I had
any interests elsewhere.  I won't tell you about the importance of my
work.  I didn't suspect it but you brought the news of it to me, and so I
needn't point it out to you."

And now we were frankly arguing with each other.

"But where will it lead you in the end?  You have all your life before
you, all your plans, prospects, perhaps dreams, at any rate your own
tastes and all your life-time before you.  And would you sacrifice all
this to--the Pretender?  A mere figure for the front page of illustrated
papers."'

"I never think of him,"  I said curtly, "but I suppose Dona Rita's
feelings, instincts, call it what you like--or only her chivalrous
fidelity to her mistakes--"

"Dona Rita's presence here in this town, her withdrawal from the possible
complications of her life in Paris has produced an excellent effect on my
son.  It simplifies infinite difficulties, I mean moral as well as
material.  It's extremely to the advantage of her dignity, of her future,
and of her peace of mind.  But I am thinking, of course, mainly of my
son.  He is most exacting."

I felt extremely sick at heart.  "And so I am to drop everything and
vanish," I said, rising from my chair again.  And this time Mrs. Blunt
got up, too, with a lofty and inflexible manner but she didn't dismiss me
yet.

"Yes," she said distinctly.  "All this, my dear Monsieur George, is such
an accident.  What have you got to do here?  You look to me like somebody
who would find adventures wherever he went as interesting and perhaps
less dangerous than this one."

She slurred over the word dangerous but I picked it up.

"What do you know of its dangers, Madame, may I ask?"  But she did not
condescend to hear.

"And then you, too, have your chivalrous feelings," she went on,
unswerving, distinct, and tranquil.  "You are not absurd.  But my son is.
He would shut her up in a convent for a time if he could."

"He isn't the only one," I muttered.

"Indeed!" she was startled, then lower, "Yes.  That woman must be the
centre of all sorts of passions," she mused audibly.  "But what have you
got to do with all this?  It's nothing to you."

She waited for me to speak.

"Exactly, Madame," I said, "and therefore I don't see why I should
concern myself in all this one way or another."

"No," she assented with a weary air, "except that you might ask yourself
what is the good of tormenting a man of noble feelings, however absurd.
His Southern blood makes him very violent sometimes.  I fear--"  And then
for the first time during this conversation, for the first time since I
left Dona Rita the day before, for the first time I laughed.

"Do you mean to hint, Madame, that Southern gentlemen are dead shots?  I
am aware of that--from novels."

I spoke looking her straight in the face and I made that exquisite,
aristocratic old woman positively blink by my directness.  There was a
faint flush on her delicate old cheeks but she didn't move a muscle of
her face.  I made her a most respectful bow and went out of the studio.



CHAPTER IV


Through the great arched window of the hall I saw the hotel brougham
waiting at the door.  On passing the door of the front room (it was
originally meant for a drawing-room but a bed for Blunt was put in there)
I banged with my fist on the panel and shouted: "I am obliged to go out.
Your mother's carriage is at the door."  I didn't think he was asleep.
My view now was that he was aware beforehand of the subject of the
conversation, and if so I did not wish to appear as if I had slunk away
from him after the interview.  But I didn't stop--I didn't want to see
him--and before he could answer I was already half way up the stairs
running noiselessly up the thick carpet which also covered the floor of
the landing.  Therefore opening the door of my sitting-room quickly I
caught by surprise the person who was in there watching the street half
concealed by the window curtain.  It was a woman.  A totally unexpected
woman.  A perfect stranger.  She came away quickly to meet me.  Her face
was veiled and she was dressed in a dark walking costume and a very
simple form of hat.  She murmured: "I had an idea that Monsieur was in
the house," raising a gloved hand to lift her veil.  It was Rose and she
gave me a shock.  I had never seen her before but with her little black
silk apron and a white cap with ribbons on her head.  This outdoor dress
was like a disguise.  I asked anxiously:

"What has happened to Madame?"

"Nothing.  I have a letter," she murmured, and I saw it appear between
the fingers of her extended hand, in a very white envelope which I tore
open impatiently.  It consisted of a few lines only.  It began abruptly:

"If you are gone to sea then I can't forgive you for not sending the
usual word at the last moment.  If you are not gone why don't you come?
Why did you leave me yesterday?  You leave me crying--I who haven't cried
for years and years, and you haven't the sense to come back within the
hour, within twenty hours!  This conduct is idiotic"--and a sprawling
signature of the four magic letters at the bottom.

While I was putting the letter in my pocket the girl said in an earnest
undertone: "I don't like to leave Madame by herself for any length of
time."

"How long have you been in my room?" I asked.

"The time seemed long.  I hope Monsieur won't mind the liberty.  I sat
for a little in the hall but then it struck me I might be seen.  In fact,
Madame told me not to be seen if I could help it."

"Why did she tell you that?"

"I permitted myself to suggest that to Madame.  It might have given a
false impression.  Madame is frank and open like the day but it won't do
with everybody.  There are people who would put a wrong construction on
anything.  Madame's sister told me Monsieur was out."

"And you didn't believe her?"

"_Non_, Monsieur.  I have lived with Madame's sister for nearly a week
when she first came into this house.  She wanted me to leave the message,
but I said I would wait a little.  Then I sat down in the big porter's
chair in the hall and after a while, everything being very quiet, I stole
up here.  I know the disposition of the apartments.  I reckoned Madame's
sister would think that I got tired of waiting and let myself out."

"And you have been amusing yourself watching the street ever since?"

"The time seemed long," she answered evasively.  "An empty _coupe_ came
to the door about an hour ago and it's still waiting," she added, looking
at me inquisitively.

"It seems strange."

"There are some dancing girls staying in the house," I said negligently.
"Did you leave Madame alone?"

"There's the gardener and his wife in the house."

"Those people keep at the back.  Is Madame alone?  That's what I want to
know."

"Monsieur forgets that I have been three hours away; but I assure
Monsieur that here in this town it's perfectly safe for Madame to be
alone."

"And wouldn't it be anywhere else?  It's the first I hear of it."

"In Paris, in our apartments in the hotel, it's all right, too; but in
the Pavilion, for instance, I wouldn't leave Madame by herself, not for
half an hour."

"What is there in the Pavilion?" I asked.

"It's a sort of feeling I have," she murmured reluctantly . . . "Oh!
There's that _coupe_ going away."

She made a movement towards the window but checked herself.  I hadn't
moved.  The rattle of wheels on the cobble-stones died out almost at
once.

"Will Monsieur write an answer?" Rose suggested after a short silence.

"Hardly worth while," I said.  "I will be there very soon after you.
Meantime, please tell Madame from me that I am not anxious to see any
more tears.  Tell her this just like that, you understand.  I will take
the risk of not being received."

She dropped her eyes, said: "_Oui_, Monsieur," and at my suggestion
waited, holding the door of the room half open, till I went downstairs to
see the road clear.

It was a kind of deaf-and-dumb house.  The black-and-white hall was empty
and everything was perfectly still.  Blunt himself had no doubt gone away
with his mother in the brougham, but as to the others, the dancing girls,
Therese, or anybody else that its walls may have contained, they might
have been all murdering each other in perfect assurance that the house
would not betray them by indulging in any unseemly murmurs.  I emitted a
low whistle which didn't seem to travel in that peculiar atmosphere more
than two feet away from my lips, but all the same Rose came tripping down
the stairs at once.  With just a nod to my whisper: "Take a fiacre," she
glided out and I shut the door noiselessly behind her.

The next time I saw her she was opening the door of the house on the
Prado to me, with her cap and the little black silk apron on, and with
that marked personality of her own, which had been concealed so perfectly
in the dowdy walking dress, very much to the fore.

"I have given Madame the message," she said in her contained voice,
swinging the door wide open.  Then after relieving me of my hat and coat
she announced me with the simple words: "_Voila_ Monsieur," and hurried
away.  Directly I appeared Dona Rita, away there on the couch, passed the
tips of her fingers over her eyes and holding her hands up palms outwards
on each side of her head, shouted to me down the whole length of the
room: "The dry season has set in."  I glanced at the pink tips of her
fingers perfunctorily and then drew back.  She let her hands fall
negligently as if she had no use for them any more and put on a serious
expression.

"So it seems," I said, sitting down opposite her.  "For how long, I
wonder."

"For years and years.  One gets so little encouragement.  First you bolt
away from my tears, then you send an impertinent message, and then when
you come at last you pretend to behave respectfully, though you don't
know how to do it.  You should sit much nearer the edge of the chair and
hold yourself very stiff, and make it quite clear that you don't know
what to do with your hands."

All this in a fascinating voice with a ripple of badinage that seemed to
play upon the sober surface of her thoughts.  Then seeing that I did not
answer she altered the note a bit.

"_Amigo_ George," she said, "I take the trouble to send for you and here
I am before you, talking to you and you say nothing."

"What am I to say?"

"How can I tell?  You might say a thousand things.  You might, for
instance, tell me that you were sorry for my tears."

"I might also tell you a thousand lies.  What do I know about your tears?
I am not a susceptible idiot.  It all depends upon the cause.  There are
tears of quiet happiness.  Peeling onions also will bring tears."

"Oh, you are not susceptible," she flew out at me.  "But you are an idiot
all the same."

"Is it to tell me this that you have written to me to come?" I asked with
a certain animation.

"Yes.  And if you had as much sense as the talking parrot I owned once
you would have read between the lines that all I wanted you here for was
to tell you what I think of you."

"Well, tell me what you think of me."

"I would in a moment if I could be half as impertinent as you are."

"What unexpected modesty," I said.

"These, I suppose, are your sea manners."

"I wouldn't put up with half that nonsense from anybody at sea.  Don't
you remember you told me yourself to go away?  What was I to do?"

"How stupid you are.  I don't mean that you pretend.  You really are.  Do
you understand what I say?  I will spell it for you.  S-t-u-p-i-d.  Ah,
now I feel better.  Oh, _amigo_ George, my dear fellow-conspirator for
the king--the king.  Such a king!  _Vive le Roi_!  Come, why don't you
shout _Vive le Roi_, too?"

"I am not your parrot," I said.

"No, he never sulked.  He was a charming, good-mannered bird, accustomed
to the best society, whereas you, I suppose, are nothing but a heartless
vagabond like myself."

"I daresay you are, but I suppose nobody had the insolence to tell you
that to your face."

"Well, very nearly.  It was what it amounted to.  I am not stupid.  There
is no need to spell out simple words for me.  It just came out.  Don Juan
struggled desperately to keep the truth in.  It was most pathetic.  And
yet he couldn't help himself.  He talked very much like a parrot."

"Of the best society," I suggested.

"Yes, the most honourable of parrots.  I don't like parrot-talk.  It
sounds so uncanny.  Had I lived in the Middle Ages I am certain I would
have believed that a talking bird must be possessed by the devil.  I am
sure Therese would believe that now.  My own sister!  She would cross
herself many times and simply quake with terror."

"But you were not terrified," I said.  "May I ask when that interesting
communication took place?"

"Yesterday, just before you blundered in here of all days in the year.  I
was sorry for him."

"Why tell me this?  I couldn't help noticing it.  I regretted I hadn't my
umbrella with me."

"Those unforgiven tears!  Oh, you simple soul!  Don't you know that
people never cry for anybody but themselves? . . . _Amigo_ George, tell
me--what are we doing in this world?"

"Do you mean all the people, everybody?"

"No, only people like you and me.  Simple people, in this world which is
eaten up with charlatanism of all sorts so that even we, the simple,
don't know any longer how to trust each other."

"Don't we?  Then why don't you trust him?  You are dying to do so, don't
you know?"

She dropped her chin on her breast and from under her straight eyebrows
the deep blue eyes remained fixed on me, impersonally, as if without
thought.

"What have you been doing since you left me yesterday?" she asked.

"The first thing I remember I abused your sister horribly this morning."

"And how did she take it?"

"Like a warm shower in spring.  She drank it all in and unfolded her
petals."

"What poetical expressions he uses!  That girl is more perverted than one
would think possible, considering what she is and whence she came.  It's
true that I, too, come from the same spot."

"She is slightly crazy.  I am a great favourite with her.  I don't say
this to boast."

"It must be very comforting."

"Yes, it has cheered me immensely.  Then after a morning of delightful
musings on one thing and another I went to lunch with a charming lady and
spent most of the afternoon talking with her."

Dona Rita raised her head.

"A lady!  Women seem such mysterious creatures to me.  I don't know them.
Did you abuse her?  Did she--how did you say that?--unfold her petals,
too?  Was she really and truly . . .?"

"She is simply perfection in her way and the conversation was by no means
banal.  I fancy that if your late parrot had heard it, he would have
fallen off his perch.  For after all, in that Allegre Pavilion, my dear
Rita, you were but a crowd of glorified _bourgeois_."

She was beautifully animated now.  In her motionless blue eyes like
melted sapphires, around those red lips that almost without moving could
breathe enchanting sounds into the world, there was a play of light, that
mysterious ripple of gaiety that seemed always to run and faintly quiver
under her skin even in her gravest moods; just as in her rare moments of
gaiety its warmth and radiance seemed to come to one through infinite
sadness, like the sunlight of our life hiding the invincible darkness in
which the universe must work out its impenetrable destiny.

"Now I think of it! . . . Perhaps that's the reason I never could feel
perfectly serious while they were demolishing the world about my ears.  I
fancy now that I could tell beforehand what each of them was going to
say.  They were repeating the same words over and over again, those great
clever men, very much like parrots who also seem to know what they say.
That doesn't apply to the master of the house, who never talked much.  He
sat there mostly silent and looming up three sizes bigger than any of
them."

"The ruler of the aviary," I muttered viciously.

"It annoys you that I should talk of that time?" she asked in a tender
voice.  "Well, I won't, except for once to say that you must not make a
mistake: in that aviary he was the man.  I know because he used to talk
to me afterwards sometimes.  Strange!  For six years he seemed to carry
all the world and me with it in his hand. . . . "

"He dominates you yet," I shouted.

She shook her head innocently as a child would do.

"No, no.  You brought him into the conversation yourself.  You think of
him much more than I do."  Her voice drooped sadly to a hopeless note.
"I hardly ever do.  He is not the sort of person to merely flit through
one's mind and so I have no time.  Look.  I had eleven letters this
morning and there were also five telegrams before midday, which have
tangled up everything.  I am quite frightened."

And she explained to me that one of them--the long one on the top of the
pile, on the table over there--seemed to contain ugly inferences directed
at herself in a menacing way.  She begged me to read it and see what I
could make of it.

I knew enough of the general situation to see at a glance that she had
misunderstood it thoroughly and even amazingly.  I proved it to her very
quickly.  But her mistake was so ingenious in its wrongheadedness and
arose so obviously from the distraction of an acute mind, that I couldn't
help looking at her admiringly.

"Rita," I said, "you are a marvellous idiot."

"Am I?  Imbecile," she retorted with an enchanting smile of relief.  "But
perhaps it only seems so to you in contrast with the lady so perfect in
her way.  What is her way?"

"Her way, I should say, lies somewhere between her sixtieth and
seventieth year, and I have walked tete-a-tete with her for some little
distance this afternoon."

"Heavens," she whispered, thunderstruck.  "And meantime I had the son
here.  He arrived about five minutes after Rose left with that note for
you," she went on in a tone of awe.  "As a matter of fact, Rose saw him
across the street but she thought she had better go on to you."

"I am furious with myself for not having guessed that much," I said
bitterly.  "I suppose you got him out of the house about five minutes
after you heard I was coming here.  Rose ought to have turned back when
she saw him on his way to cheer your solitude.  That girl is stupid after
all, though she has got a certain amount of low cunning which no doubt is
very useful at times."

"I forbid you to talk like this about Rose.  I won't have it.  Rose is
not to be abused before me."

"I only mean to say that she failed in this instance to read your mind,
that's all."

"This is, without exception, the most unintelligent thing you have said
ever since I have known you.  You may understand a lot about running
contraband and about the minds of a certain class of people, but as to
Rose's mind let me tell you that in comparison with hers yours is
absolutely infantile, my adventurous friend.  It would be contemptible if
it weren't so--what shall I call it?--babyish.  You ought to be slapped
and put to bed."  There was an extraordinary earnestness in her tone and
when she ceased I listened yet to the seductive inflexions of her voice,
that no matter in what mood she spoke seemed only fit for tenderness and
love.  And I thought suddenly of Azzolati being ordered to take himself
off from her presence for ever, in that voice the very anger of which
seemed to twine itself gently round one's heart.  No wonder the poor
wretch could not forget the scene and couldn't restrain his tears on the
plain of Rambouillet.  My moods of resentment against Rita, hot as they
were, had no more duration than a blaze of straw.  So I only said:

"Much _you_ know about the management of children."  The corners of her
lips stirred quaintly; her animosity, especially when provoked by a
personal attack upon herself, was always tinged by a sort of wistful
humour of the most disarming kind.

"Come, _amigo_ George, let us leave poor Rose alone.  You had better tell
me what you heard from the lips of the charming old lady.  Perfection,
isn't she?  I have never seen her in my life, though she says she has
seen me several times.  But she has written to me on three separate
occasions and every time I answered her as if I were writing to a queen.
_Amigo_ George, how does one write to a queen?  How should a goatherd
that could have been mistress of a king, how should she write to an old
queen from very far away; from over the sea?"

"I will ask you as I have asked the old queen: why do you tell me all
this, Dona Rita?"

"To discover what's in your mind," she said, a little impatiently.

"If you don't know that yet!" I exclaimed under my breath.

"No, not in your mind.  Can any one ever tell what is in a man's mind?
But I see you won't tell."

"What's the good?  You have written to her before, I understand.  Do you
think of continuing the correspondence?"

"Who knows?" she said in a profound tone.  "She is the only woman that
ever wrote to me.  I returned her three letters to her with my last
answer, explaining humbly that I preferred her to burn them herself.  And
I thought that would be the end of it.  But an occasion may still arise."

"Oh, if an occasion arises," I said, trying to control my rage, "you may
be able to begin your letter by the words '_Chere Maman_.'"

The cigarette box, which she had taken up without removing her eyes from
me, flew out of her hand and opening in mid-air scattered cigarettes for
quite a surprising distance all over the room.  I got up at once and
wandered off picking them up industriously.  Dona Rita's voice behind me
said indifferently:

"Don't trouble, I will ring for Rose."

"No need," I growled, without turning my head, "I can find my hat in the
hall by myself, after I've finished picking up . . . "

"Bear!"

I returned with the box and placed it on the divan near her.  She sat
cross-legged, leaning back on her arms, in the blue shimmer of her
embroidered robe and with the tawny halo of her unruly hair about her
face which she raised to mine with an air of resignation.

"George, my friend," she said, "we have no manners."

"You would never have made a career at court, Dona Rita," I observed.
"You are too impulsive."

"This is not bad manners, that's sheer insolence.  This has happened to
you before.  If it happens again, as I can't be expected to wrestle with
a savage and desperate smuggler single-handed, I will go upstairs and
lock myself in my room till you leave the house.  Why did you say this to
me?"

"Oh, just for nothing, out of a full heart."

"If your heart is full of things like that, then my dear friend, you had
better take it out and give it to the crows.  No! you said that for the
pleasure of appearing terrible.  And you see you are not terrible at all,
you are rather amusing.  Go on, continue to be amusing.  Tell me
something of what you heard from the lips of that aristocratic old lady
who thinks that all men are equal and entitled to the pursuit of
happiness."

"I hardly remember now.  I heard something about the unworthiness of
certain white geese out of stuffy drawing-rooms.  It sounds mad, but the
lady knows exactly what she wants.  I also heard your praises sung.  I
sat there like a fool not knowing what to say."

"Why?  You might have joined in the singing."

"I didn't feel in the humour, because, don't you see, I had been
incidentally given to understand that I was an insignificant and
superfluous person who had better get out of the way of serious people."

"Ah, _par exemple_!"

"In a sense, you know, it was flattering; but for the moment it made me
feel as if I had been offered a pot of mustard to sniff."

She nodded with an amused air of understanding and I could see that she
was interested.  "Anything more?" she asked, with a flash of radiant
eagerness in all her person and bending slightly forward towards me.

"Oh, it's hardly worth mentioning.  It was a sort of threat wrapped up, I
believe, in genuine anxiety as to what might happen to my youthful
insignificance.  If I hadn't been rather on the alert just then I
wouldn't even have perceived the meaning.  But really an allusion to 'hot
Southern blood' I could have only one meaning.  Of course I laughed at
it, but only '_pour l'honneur_' and to show I understood perfectly.  In
reality it left me completely indifferent."

Dona Rita looked very serious for a minute.

"Indifferent to the whole conversation?"

I looked at her angrily.

"To the whole . . . You see I got up rather out of sorts this morning.
Unrefreshed, you know.  As if tired of life."

The liquid blue in her eyes remained directed at me without any
expression except that of its usual mysterious immobility, but all her
face took on a sad and thoughtful cast.  Then as if she had made up her
mind under the pressure of necessity:

"Listen, _amigo_," she said, "I have suffered domination and it didn't
crush me because I have been strong enough to live with it; I have known
caprice, you may call it folly if you like, and it left me unharmed
because I was great enough not to be captured by anything that wasn't
really worthy of me.  My dear, it went down like a house of cards before
my breath.  There is something in me that will not be dazzled by any sort
of prestige in this world, worthy or unworthy.  I am telling you this
because you are younger than myself."

"If you want me to say that there is nothing petty or mean about you,
Dona Rita, then I do say it."

She nodded at me with an air of accepting the rendered justice and went
on with the utmost simplicity.

"And what is it that is coming to me now with all the airs of virtue?
All the lawful conventions are coming to me, all the glamours of
respectability!  And nobody can say that I have made as much as the
slightest little sign to them.  Not so much as lifting my little finger.
I suppose you know that?"

"I don't know.  I do not doubt your sincerity in anything you say.  I am
ready to believe.  You are not one of those who have to work."

"Have to work--what do you mean?"

"It's a phrase I have heard.  What I meant was that it isn't necessary
for you to make any signs."

She seemed to meditate over this for a while.

"Don't be so sure of that," she said, with a flash of mischief, which
made her voice sound more melancholy than before.  "I am not so sure
myself," she continued with a curious, vanishing, intonation of despair.
"I don't know the truth about myself because I never had an opportunity
to compare myself to anything in the world.  I have been offered mock
adulation, treated with mock reserve or with mock devotion, I have been
fawned upon with an appalling earnestness of purpose, I can tell you; but
these later honours, my dear, came to me in the shape of a very loyal and
very scrupulous gentleman.  For he is all that.  And as a matter of fact
I was touched."

"I know.  Even to tears," I said provokingly.  But she wasn't provoked,
she only shook her head in negation (which was absurd) and pursued the
trend of her spoken thoughts.

"That was yesterday," she said.  "And yesterday he was extremely correct
and very full of extreme self-esteem which expressed itself in the
exaggerated delicacy with which he talked.  But I know him in all his
moods.  I have known him even playful.  I didn't listen to him.  I was
thinking of something else.  Of things that were neither correct nor
playful and that had to be looked at steadily with all the best that was
in me.  And that was why, in the end--I cried--yesterday."

"I saw it yesterday and I had the weakness of being moved by those tears
for a time."

"If you want to make me cry again I warn you you won't succeed."

"No, I know.  He has been here to-day and the dry season has set in."

"Yes, he has been here.  I assure you it was perfectly unexpected.
Yesterday he was railing at the world at large, at me who certainly have
not made it, at himself and even at his mother.  All this rather in
parrot language, in the words of tradition and morality as understood by
the members of that exclusive club to which he belongs.  And yet when I
thought that all this, those poor hackneyed words, expressed a sincere
passion I could have found in my heart to be sorry for him.  But he ended
by telling me that one couldn't believe a single word I said, or
something like that.  You were here then, you heard it yourself."

"And it cut you to the quick," I said.  "It made you depart from your
dignity to the point of weeping on any shoulder that happened to be
there.  And considering that it was some more parrot talk after all (men
have been saying that sort of thing to women from the beginning of the
world) this sensibility seems to me childish."

"What perspicacity," she observed, with an indulgent, mocking smile, then
changed her tone.  "Therefore he wasn't expected to-day when he turned
up, whereas you, who were expected, remained subject to the charms of
conversation in that studio.  It never occurred to you . . . did it?  No!
What had become of your perspicacity?"

"I tell you I was weary of life," I said in a passion.

She had another faint smile of a fugitive and unrelated kind as if she
had been thinking of far-off things, then roused herself to grave
animation.

"He came in full of smiling playfulness.  How well I know that mood!
Such self-command has its beauty; but it's no great help for a man with
such fateful eyes.  I could see he was moved in his correct, restrained
way, and in his own way, too, he tried to move me with something that
would be very simple.  He told me that ever since we became friends, we
two, he had not an hour of continuous sleep, unless perhaps when coming
back dead-tired from outpost duty, and that he longed to get back to it
and yet hadn't the courage to tear himself away from here.  He was as
simple as that.  He's a _tres galant homme_ of absolute probity, even
with himself.  I said to him: The trouble is, Don Juan, that it isn't
love but mistrust that keeps you in torment.  I might have said jealousy,
but I didn't like to use that word.  A parrot would have added that I had
given him no right to be jealous.  But I am no parrot.  I recognized the
rights of his passion which I could very well see.  He is jealous.  He is
not jealous of my past or of the future; but he is jealously mistrustful
of me, of what I am, of my very soul.  He believes in a soul in the same
way Therese does, as something that can be touched with grace or go to
perdition; and he doesn't want to be damned with me before his own
judgment seat.  He is a most noble and loyal gentleman, but I have my own
Basque peasant soul and don't want to think that every time he goes away
from my feet--yes, _mon cher_, on this carpet, look for the marks of
scorching--that he goes away feeling tempted to brush the dust off his
moral sleeve.  That!  Never!"

With brusque movements she took a cigarette out of the box, held it in
her fingers for a moment, then dropped it unconsciously.

"And then, I don't love him," she uttered slowly as if speaking to
herself and at the same time watching the very quality of that thought.
"I never did.  At first he fascinated me with his fatal aspect and his
cold society smiles.  But I have looked into those eyes too often.  There
are too many disdains in this aristocratic republican without a home.
His fate may be cruel, but it will always be commonplace.  While he sat
there trying in a worldly tone to explain to me the problems, the
scruples, of his suffering honour, I could see right into his heart and I
was sorry for him.  I was sorry enough for him to feel that if he had
suddenly taken me by the throat and strangled me slowly, _avec delices_,
I could forgive him while I choked.  How correct he was!  But bitterness
against me peeped out of every second phrase.  At last I raised my hand
and said to him, 'Enough.'  I believe he was shocked by my plebeian
abruptness but he was too polite to show it.  His conventions will always
stand in the way of his nature.  I told him that everything that had been
said and done during the last seven or eight months was inexplicable
unless on the assumption that he was in love with me,--and yet in
everything there was an implication that he couldn't forgive me my very
existence.  I did ask him whether he didn't think that it was absurd on
his part . . . "

"Didn't you say that it was exquisitely absurd?" I asked.

"Exquisitely! . . . " Dona Rita was surprised at my question.  "No.  Why
should I say that?"

"It would have reconciled him to your abruptness.  It's their family
expression.  It would have come with a familiar sound and would have been
less offensive."

"Offensive," Dona Rita repeated earnestly.  "I don't think he was
offended; he suffered in another way, but I didn't care for that.  It was
I that had become offended in the end, without spite, you understand, but
past bearing.  I didn't spare him.  I told him plainly that to want a
woman formed in mind and body, mistress of herself, free in her choice,
independent in her thoughts; to love her apparently for what she is and
at the same time to demand from her the candour and the innocence that
could be only a shocking pretence; to know her such as life had made her
and at the same time to despise her secretly for every touch with which
her life had fashioned her--that was neither generous nor high minded; it
was positively frantic.  He got up and went away to lean against the
mantelpiece, there, on his elbow and with his head in his hand.  You have
no idea of the charm and the distinction of his pose.  I couldn't help
admiring him: the expression, the grace, the fatal suggestion of his
immobility.  Oh, yes, I am sensible to aesthetic impressions, I have been
educated to believe that there is a soul in them."

With that enigmatic, under the eyebrows glance fixed on me she laughed
her deep contralto laugh without mirth but also without irony, and
profoundly moving by the mere purity of the sound.

"I suspect he was never so disgusted and appalled in his life.  His
self-command is the most admirable worldly thing I have ever seen.  What
made it beautiful was that one could feel in it a tragic suggestion as in
a great work of art."

She paused with an inscrutable smile that a great painter might have put
on the face of some symbolic figure for the speculation and wonder of
many generations.  I said:

"I always thought that love for you could work great wonders.  And now I
am certain."

"Are you trying to be ironic?" she said sadly and very much as a child
might have spoken.

"I don't know," I answered in a tone of the same simplicity.  "I find it
very difficult to be generous."

"I, too," she said with a sort of funny eagerness.  "I didn't treat him
very generously.  Only I didn't say much more.  I found I didn't care
what I said--and it would have been like throwing insults at a beautiful
composition.  He was well inspired not to move.  It has spared him some
disagreeable truths and perhaps I would even have said more than the
truth.  I am not fair.  I am no more fair than other people.  I would
have been harsh.  My very admiration was making me more angry.  It's
ridiculous to say of a man got up in correct tailor clothes, but there
was a funereal grace in his attitude so that he might have been
reproduced in marble on a monument to some woman in one of those
atrocious Campo Santos: the bourgeois conception of an aristocratic
mourning lover.  When I came to that conclusion I became glad that I was
angry or else I would have laughed right out before him."

"I have heard a woman say once, a woman of the people--do you hear me,
Dona Rita?--therefore deserving your attention, that one should never
laugh at love."

"My dear," she said gently, "I have been taught to laugh at most things
by a man who never laughed himself; but it's true that he never spoke of
love to me, love as a subject that is.  So perhaps . . . But why?"

"Because (but maybe that old woman was crazy), because, she said, there
was death in the mockery of love."

Dona Rita moved slightly her beautiful shoulders and went on:

"I am glad, then, I didn't laugh.  And I am also glad I said nothing
more.  I was feeling so little generous that if I had known something
then of his mother's allusion to 'white geese' I would have advised him
to get one of them and lead it away on a beautiful blue ribbon.  Mrs.
Blunt was wrong, you know, to be so scornful.  A white goose is exactly
what her son wants.  But look how badly the world is arranged.  Such
white birds cannot be got for nothing and he has not enough money even to
buy a ribbon.  Who knows!  Maybe it was this which gave that tragic
quality to his pose by the mantelpiece over there.  Yes, that was it.
Though no doubt I didn't see it then.  As he didn't offer to move after I
had done speaking I became quite unaffectedly sorry and advised him very
gently to dismiss me from his mind definitely.  He moved forward then and
said to me in his usual voice and with his usual smile that it would have
been excellent advice but unfortunately I was one of those women who
can't be dismissed at will.  And as I shook my head he insisted rather
darkly: 'Oh, yes, Dona Rita, it is so.  Cherish no illusions about that
fact.'  It sounded so threatening that in my surprise I didn't even
acknowledge his parting bow.  He went out of that false situation like a
wounded man retreating after a fight.  No, I have nothing to reproach
myself with.  I did nothing.  I led him into nothing.  Whatever illusions
have passed through my head I kept my distance, and he was so loyal to
what he seemed to think the redeeming proprieties of the situation that
he has gone from me for good without so much as kissing the tips of my
fingers.  He must have felt like a man who had betrayed himself for
nothing.  It's horrible.  It's the fault of that enormous fortune of
mine, and I wish with all my heart that I could give it to him; for he
couldn't help his hatred of the thing that is: and as to his love, which
is just as real, well--could I have rushed away from him to shut myself
up in a convent?  Could I?  After all I have a right to my share of
daylight."



CHAPTER V


I took my eyes from her face and became aware that dusk was beginning to
steal into the room.  How strange it seemed.  Except for the glazed
rotunda part its long walls, divided into narrow panels separated by an
order of flat pilasters, presented, depicted on a black background and in
vivid colours, slender women with butterfly wings and lean youths with
narrow birds' wings.  The effect was supposed to be Pompeiian and Rita
and I had often laughed at the delirious fancy of some enriched
shopkeeper.  But still it was a display of fancy, a sign of grace; but at
that moment these figures appeared to me weird and intrusive and
strangely alive in their attenuated grace of unearthly beings concealing
a power to see and hear.

Without words, without gestures, Dona Rita was heard again.  "It may have
been as near coming to pass as this."  She showed me the breadth of her
little finger nail.  "Yes, as near as that.  Why?  How?  Just like that,
for nothing.  Because it had come up.  Because a wild notion had entered
a practical old woman's head.  Yes.  And the best of it is that I have
nothing to complain of.  Had I surrendered I would have been perfectly
safe with these two.  It is they or rather he who couldn't trust me, or
rather that something which I express, which I stand for.  Mills would
never tell me what it was.  Perhaps he didn't know exactly himself.  He
said it was something like genius.  My genius!  Oh, I am not conscious of
it, believe me, I am not conscious of it.  But if I were I wouldn't pluck
it out and cast it away.  I am ashamed of nothing, of nothing!  Don't be
stupid enough to think that I have the slightest regret.  There is no
regret.  First of all because I am I--and then because . . . My dear,
believe me, I have had a horrible time of it myself lately."

This seemed to be the last word.  Outwardly quiet, all the time, it was
only then that she became composed enough to light an enormous cigarette
of the same pattern as those made specially for the king--_por el Rey_!
After a time, tipping the ash into the bowl on her left hand, she asked
me in a friendly, almost tender, tone:

"What are you thinking of, _amigo_?"

"I was thinking of your immense generosity.  You want to give a crown to
one man, a fortune to another.  That is very fine.  But I suppose there
is a limit to your generosity somewhere."

"I don't see why there should be any limit--to fine intentions!  Yes, one
would like to pay ransom and be done with it all."

"That's the feeling of a captive; and yet somehow I can't think of you as
ever having been anybody's captive."

"You do display some wonderful insight sometimes.  My dear, I begin to
suspect that men are rather conceited about their powers.  They think
they dominate us.  Even exceptional men will think that; men too great
for mere vanity, men like Henry Allegre for instance, who by his
consistent and serene detachment was certainly fit to dominate all sorts
of people.  Yet for the most part they can only do it because women
choose more or less consciously to let them do so.  Henry Allegre, if any
man, might have been certain of his own power; and yet, look: I was a
chit of a girl, I was sitting with a book where I had no business to be,
in his own garden, when he suddenly came upon me, an ignorant girl of
seventeen, a most uninviting creature with a tousled head, in an old
black frock and shabby boots.  I could have run away.  I was perfectly
capable of it.  But I stayed looking up at him and--in the end it was HE
who went away and it was I who stayed."

"Consciously?" I murmured.

"Consciously?  You may just as well ask my shadow that lay so still by me
on the young grass in that morning sunshine.  I never knew before how
still I could keep.  It wasn't the stillness of terror.  I remained,
knowing perfectly well that if I ran he was not the man to run after me.
I remember perfectly his deep-toned, politely indifferent '_Restez
donc_.'  He was mistaken.  Already then I hadn't the slightest intention
to move.  And if you ask me again how far conscious all this was the
nearest answer I can make you is this: that I remained on purpose, but I
didn't know for what purpose I remained.  Really, that couldn't be
expected. . . . Why do you sigh like this?  Would you have preferred me
to be idiotically innocent or abominably wise?"

"These are not the questions that trouble me," I said.  "If I sighed it
is because I am weary."

"And getting stiff, too, I should say, in this Pompeiian armchair.  You
had better get out of it and sit on this couch as you always used to do.
That, at any rate, is not Pompeiian.  You have been growing of late
extremely formal, I don't know why.  If it is a pose then for goodness'
sake drop it.  Are you going to model yourself on Captain Blunt?  You
couldn't, you know.  You are too young."

"I don't want to model myself on anybody," I said.  "And anyway Blunt is
too romantic; and, moreover, he has been and is yet in love with you--a
thing that requires some style, an attitude, something of which I am
altogether incapable."

"You know it isn't so stupid, this what you have just said.  Yes, there
is something in this."

"I am not stupid," I protested, without much heat.

"Oh, yes, you are.  You don't know the world enough to judge.  You don't
know how wise men can be.  Owls are nothing to them.  Why do you try to
look like an owl?  There are thousands and thousands of them waiting for
me outside the door: the staring, hissing beasts.  You don't know what a
relief of mental ease and intimacy you have been to me in the frankness
of gestures and speeches and thoughts, sane or insane, that we have been
throwing at each other.  I have known nothing of this in my life but with
you.  There had always been some fear, some constraint, lurking in the
background behind everybody, everybody--except you, my friend."

"An unmannerly, Arcadian state of affairs.  I am glad you like it.
Perhaps it's because you were intelligent enough to perceive that I was
not in love with you in any sort of style."

"No, you were always your own self, unwise and reckless and with
something in it kindred to mine, if I may say so without offence."

"You may say anything without offence.  But has it never occurred to your
sagacity that I just, simply, loved you?"

"Just--simply," she repeated in a wistful tone.

"You didn't want to trouble your head about it, is that it?"

"My poor head.  From your tone one might think you yearned to cut it off.
No, my dear, I have made up my mind not to lose my head."

"You would be astonished to know how little I care for your mind."

"Would I?  Come and sit on the couch all the same," she said after a
moment of hesitation.  Then, as I did not move at once, she added with
indifference: "You may sit as far away as you like, it's big enough,
goodness knows."

The light was ebbing slowly out of the rotunda and to my bodily eyes she
was beginning to grow shadowy.  I sat down on the couch and for a long
time no word passed between us.  We made no movement.  We did not even
turn towards each other.  All I was conscious of was the softness of the
seat which seemed somehow to cause a relaxation of my stern mood, I won't
say against my will but without any will on my part.  Another thing I was
conscious of, strangely enough, was the enormous brass bowl for cigarette
ends.  Quietly, with the least possible action, Dona Rita moved it to the
other side of her motionless person.  Slowly, the fantastic women with
butterflies' wings and the slender-limbed youths with the gorgeous
pinions on their shoulders were vanishing into their black backgrounds
with an effect of silent discretion, leaving us to ourselves.

I felt suddenly extremely exhausted, absolutely overcome with fatigue
since I had moved; as if to sit on that Pompeiian chair had been a task
almost beyond human strength, a sort of labour that must end in collapse.
I fought against it for a moment and then my resistance gave way.  Not
all at once but as if yielding to an irresistible pressure (for I was not
conscious of any irresistible attraction) I found myself with my head
resting, with a weight I felt must be crushing, on Dona Rita's shoulder
which yet did not give way, did not flinch at all.  A faint scent of
violets filled the tragic emptiness of my head and it seemed impossible
to me that I should not cry from sheer weakness.  But I remained
dry-eyed.  I only felt myself slipping lower and lower and I caught her
round the waist clinging to her not from any intention but purely by
instinct.  All that time she hadn't stirred.  There was only the slight
movement of her breathing that showed her to be alive; and with closed
eyes I imagined her to be lost in thought, removed by an incredible
meditation while I clung to her, to an immense distance from the earth.
The distance must have been immense because the silence was so perfect,
the feeling as if of eternal stillness.  I had a distinct impression of
being in contact with an infinity that had the slightest possible rise
and fall, was pervaded by a warm, delicate scent of violets and through
which came a hand from somewhere to rest lightly on my head.  Presently
my ear caught the faint and regular pulsation of her heart, firm and
quick, infinitely touching in its persistent mystery, disclosing itself
into my very ear--and my felicity became complete.

It was a dreamlike state combined with a dreamlike sense of insecurity.
Then in that warm and scented infinity, or eternity, in which I rested
lost in bliss but ready for any catastrophe, I heard the distant, hardly
audible, and fit to strike terror into the heart, ringing of a bell.  At
this sound the greatness of spaces departed.  I felt the world close
about me; the world of darkened walls, of very deep grey dusk against the
panes, and I asked in a pained voice:

"Why did you ring, Rita?"

There was a bell rope within reach of her hand.  I had not felt her move,
but she said very low:

"I rang for the lights."

"You didn't want the lights."

"It was time," she whispered secretly.

Somewhere within the house a door slammed.  I got away from her feeling
small and weak as if the best part of me had been torn away and
irretrievably lost.  Rose must have been somewhere near the door.

"It's abominable," I murmured to the still, idol-like shadow on the
couch.

The answer was a hurried, nervous whisper: "I tell you it was time.  I
rang because I had no strength to push you away."

I suffered a moment of giddiness before the door opened, light streamed
in, and Rose entered, preceding a man in a green baize apron whom I had
never seen, carrying on an enormous tray three Argand lamps fitted into
vases of Pompeiian form.  Rose distributed them over the room.  In the
flood of soft light the winged youths and the butterfly women reappeared
on the panels, affected, gorgeous, callously unconscious of anything
having happened during their absence.  Rose attended to the lamp on the
nearest mantelpiece, then turned about and asked in a confident
undertone.

"_Monsieur dine_?"

I had lost myself with my elbows on my knees and my head in my hands, but
I heard the words distinctly.  I heard also the silence which ensued.  I
sat up and took the responsibility of the answer on myself.

"Impossible.  I am going to sea this evening."

This was perfectly true only I had totally forgotten it till then.  For
the last two days my being was no longer composed of memories but
exclusively of sensations of the most absorbing, disturbing, exhausting
nature.  I was like a man who has been buffeted by the sea or by a mob
till he loses all hold on the world in the misery of his helplessness.
But now I was recovering.  And naturally the first thing I remembered was
the fact that I was going to sea.

"You have heard, Rose," Dona Rita said at last with some impatience.

The girl waited a moment longer before she said:

"Oh, yes!  There is a man waiting for Monsieur in the hall.  A seaman."

It could be no one but Dominic.  It dawned upon me that since the evening
of our return I had not been near him or the ship, which was completely
unusual, unheard of, and well calculated to startle Dominic.

"I have seen him before," continued Rose, "and as he told me he has been
pursuing Monsieur all the afternoon and didn't like to go away without
seeing Monsieur for a moment, I proposed to him to wait in the hall till
Monsieur was at liberty."

I said: "Very well," and with a sudden resumption of her extremely busy,
not-a-moment-to-lose manner Rose departed from the room.  I lingered in
an imaginary world full of tender light, of unheard-of colours, with a
mad riot of flowers and an inconceivable happiness under the sky arched
above its yawning precipices, while a feeling of awe enveloped me like
its own proper atmosphere.  But everything vanished at the sound of Dona
Rita's loud whisper full of boundless dismay, such as to make one's hair
stir on one's head.

"_Mon Dieu_!  And what is going to happen now?"

She got down from the couch and walked to a window.  When the lights had
been brought into the room all the panes had turned inky black; for the
night had come and the garden was full of tall bushes and trees screening
off the gas lamps of the main alley of the Prado.  Whatever the question
meant she was not likely to see an answer to it outside.  But her whisper
had offended me, had hurt something infinitely deep, infinitely subtle
and infinitely clear-eyed in my nature.  I said after her from the couch
on which I had remained, "Don't lose your composure.  You will always
have some sort of bell at hand."

I saw her shrug her uncovered shoulders impatiently.  Her forehead was
against the very blackness of the panes; pulled upward from the
beautiful, strong nape of her neck, the twisted mass of her tawny hair
was held high upon her head by the arrow of gold.

"You set up for being unforgiving," she said without anger.

I sprang to my feet while she turned about and came towards me bravely,
with a wistful smile on her bold, adolescent face.

"It seems to me," she went on in a voice like a wave of love itself,
"that one should try to understand before one sets up for being
unforgiving.  Forgiveness is a very fine word.  It is a fine invocation."

"There are other fine words in the language such as fascination,
fidelity, also frivolity; and as for invocations there are plenty of
them, too; for instance: alas, heaven help me."

We stood very close together, her narrow eyes were as enigmatic as ever,
but that face, which, like some ideal conception of art, was incapable of
anything like untruth and grimace, expressed by some mysterious means
such a depth of infinite patience that I felt profoundly ashamed of
myself.

"This thing is beyond words altogether," I said.  "Beyond forgiveness,
beyond forgetting, beyond anger or jealousy. . . . There is nothing
between us two that could make us act together."

"Then we must fall back perhaps on something within us, that--you admit
it?--we have in common."

"Don't be childish," I said.  "You give one with a perpetual and intense
freshness feelings and sensations that are as old as the world itself,
and you imagine that your enchantment can be broken off anywhere, at any
time!  But it can't be broken.  And forgetfulness, like everything else,
can only come from you.  It's an impossible situation to stand up
against."

She listened with slightly parted lips as if to catch some further
resonances.

"There is a sort of generous ardour about you," she said, "which I don't
really understand.  No, I don't know it.  Believe me, it is not of myself
I am thinking.  And you--you are going out to-night to make another
landing."

"Yes, it is a fact that before many hours I will be sailing away from you
to try my luck once more."

"Your wonderful luck," she breathed out.

"Oh, yes, I am wonderfully lucky.  Unless the luck really is yours--in
having found somebody like me, who cares at the same time so much and so
little for what you have at heart."

"What time will you be leaving the harbour?" she asked.

"Some time between midnight and daybreak.  Our men may be a little late
in joining, but certainly we will be gone before the first streak of
light."

"What freedom!" she murmured enviously.  "It's something I shall never
know. . . ."

"Freedom!" I protested.  "I am a slave to my word.  There will be a
siring of carts and mules on a certain part of the coast, and a most
ruffianly lot of men, men you understand, men with wives and children and
sweethearts, who from the very moment they start on a trip risk a bullet
in the head at any moment, but who have a perfect conviction that I will
never fail them.  That's my freedom.  I wonder what they would think if
they knew of your existence."

"I don't exist," she said.

"That's easy to say.  But I will go as if you didn't exist--yet only
because you do exist.  You exist in me.  I don't know where I end and you
begin.  You have got into my heart and into my veins and into my brain."

"Take this fancy out and trample it down in the dust," she said in a tone
of timid entreaty.

"Heroically," I suggested with the sarcasm of despair.

"Well, yes, heroically," she said; and there passed between us dim
smiles, I have no doubt of the most touching imbecility on earth.  We
were standing by then in the middle of the room with its vivid colours on
a black background, with its multitude of winged figures with pale limbs,
with hair like halos or flames, all strangely tense in their strained,
decorative attitudes.  Dona Rita made a step towards me, and as I
attempted to seize her hand she flung her arms round my neck.  I felt
their strength drawing me towards her and by a sort of blind and
desperate effort I resisted.  And all the time she was repeating with
nervous insistence:

"But it is true that you will go.  You will surely.  Not because of those
people but because of me.  You will go away because you feel you must."

With every word urging me to get away, her clasp tightened, she hugged my
head closer to her breast.  I submitted, knowing well that I could free
myself by one more effort which it was in my power to make.  But before I
made it, in a sort of desperation, I pressed a long kiss into the hollow
of her throat.  And lo--there was no need for any effort.  With a stifled
cry of surprise her arms fell off me as if she had been shot.  I must
have been giddy, and perhaps we both were giddy, but the next thing I
knew there was a good foot of space between us in the peaceful glow of
the ground-glass globes, in the everlasting stillness of the winged
figures.  Something in the quality of her exclamation, something utterly
unexpected, something I had never heard before, and also the way she was
looking at me with a sort of incredulous, concentrated attention,
disconcerted me exceedingly.  I knew perfectly well what I had done and
yet I felt that I didn't understand what had happened.  I became suddenly
abashed and I muttered that I had better go and dismiss that poor
Dominic.  She made no answer, gave no sign.  She stood there lost in a
vision--or was it a sensation?--of the most absorbing kind.  I hurried
out into the hall, shamefaced, as if I were making my escape while she
wasn't looking.  And yet I felt her looking fixedly at me, with a sort of
stupefaction on her features--in her whole attitude--as though she had
never even heard of such a thing as a kiss in her life.

A dim lamp (of Pompeiian form) hanging on a long chain left the hall
practically dark.  Dominic, advancing towards me from a distant corner,
was but a little more opaque shadow than the others.  He had expected me
on board every moment till about three o'clock, but as I didn't turn up
and gave no sign of life in any other way he started on his hunt.  He
sought news of me from the _garcons_ at the various cafes, from the
_cochers de fiacre_ in front of the Exchange, from the tobacconist lady
at the counter of the fashionable _Debit de Tabac_, from the old man who
sold papers outside the _cercle_, and from the flower-girl at the door of
the fashionable restaurant where I had my table.  That young woman, whose
business name was Irma, had come on duty about mid-day.  She said to
Dominic: "I think I've seen all his friends this morning but I haven't
seen him for a week.  What has become of him?"

"That's exactly what I want to know," Dominic replied in a fury and then
went back to the harbour on the chance that I might have called either on
board or at Madame Leonore's cafe.

I expressed to him my surprise that he should fuss about me like an old
hen over a chick.  It wasn't like him at all.  And he said that "_en
effet_" it was Madame Leonore who wouldn't give him any peace.  He hoped
I wouldn't mind, it was best to humour women in little things; and so he
started off again, made straight for the street of the Consuls, was told
there that I wasn't at home but the woman of the house looked so funny
that he didn't know what to make of it.  Therefore, after some
hesitation, he took the liberty to inquire at this house, too, and being
told that I couldn't be disturbed, had made up his mind not to go on
board without actually setting his eyes on me and hearing from my own
lips that nothing was changed as to sailing orders.

"There is nothing changed, Dominic," I said.

"No change of any sort?" he insisted, looking very sombre and speaking
gloomily from under his black moustaches in the dim glow of the alabaster
lamp hanging above his head.  He peered at me in an extraordinary manner
as if he wanted to make sure that I had all my limbs about me.  I asked
him to call for my bag at the other house, on his way to the harbour, and
he departed reassured, not, however, without remarking ironically that
ever since she saw that American cavalier Madame Leonore was not easy in
her mind about me.

As I stood alone in the hall, without a sound of any sort, Rose appeared
before me.

"Monsieur will dine after all," she whispered calmly.

"My good girl, I am going to sea to-night."

"What am I going to do with Madame?" she murmured to herself.  "She will
insist on returning to Paris."

"Oh, have you heard of it?"

"I never get more than two hours' notice," she said.  "But I know how it
will be," her voice lost its calmness.  "I can look after Madame up to a
certain point but I cannot be altogether responsible.  There is a
dangerous person who is everlastingly trying to see Madame alone.  I have
managed to keep him off several times but there is a beastly old
journalist who is encouraging him in his attempts, and I daren't even
speak to Madame about it."

"What sort of person do you mean?"

"Why, a man," she said scornfully.

I snatched up my coat and hat.

"Aren't there dozens of them?"

"Oh!  But this one is dangerous.  Madame must have given him a hold on
her in some way.  I ought not to talk like this about Madame and I
wouldn't to anybody but Monsieur.  I am always on the watch, but what is
a poor girl to do? . . . Isn't Monsieur going back to Madame?"

"No, I am not going back.  Not this time."  A mist seemed to fall before
my eyes.  I could hardly see the girl standing by the closed door of the
Pempeiian room with extended hand, as if turned to stone.  But my voice
was firm enough.  "Not this time," I repeated, and became aware of the
great noise of the wind amongst the trees, with the lashing of a rain
squall against the door.

"Perhaps some other time," I added.

I heard her say twice to herself: "_Mon Dieu_!  _Mon_, _Dieu_!" and then
a dismayed: "What can Monsieur expect me to do?"  But I had to appear
insensible to her distress and that not altogether because, in fact, I
had no option but to go away.  I remember also a distinct wilfulness in
my attitude and something half-contemptuous in my words as I laid my hand
on the knob of the front door.

"You will tell Madame that I am gone.  It will please her.  Tell her that
I am gone--heroically."

Rose had come up close to me.  She met my words by a despairing outward
movement of her hands as though she were giving everything up.

"I see it clearly now that Madame has no friends," she declared with such
a force of restrained bitterness that it nearly made me pause.  But the
very obscurity of actuating motives drove me on and I stepped out through
the doorway muttering: "Everything is as Madame wishes it."

She shot at me a swift: "You should resist," of an extraordinary
intensity, but I strode on down the path.  Then Rose's schooled temper
gave way at last and I heard her angry voice screaming after me furiously
through the wind and rain: "No!  Madame has no friends.  Not one!"




PART FIVE


CHAPTER I


That night I didn't get on board till just before midnight and Dominic
could not conceal his relief at having me safely there.  Why he should
have been so uneasy it was impossible to say but at the time I had a sort
of impression that my inner destruction (it was nothing less) had
affected my appearance, that my doom was as it were written on my face.
I was a mere receptacle for dust and ashes, a living testimony to the
vanity of all things.  My very thoughts were like a ghostly rustle of
dead leaves.  But we had an extremely successful trip, and for most of
the time Dominic displayed an unwonted jocularity of a dry and biting
kind with which, he maintained, he had been infected by no other person
than myself.  As, with all his force of character, he was very responsive
to the moods of those he liked I have no doubt he spoke the truth.  But I
know nothing about it.  The observer, more or less alert, whom each of us
carries in his own consciousness, failed me altogether, had turned away
his face in sheer horror, or else had fainted from the strain.  And thus
I had to live alone, unobserved even by myself.

But the trip had been successful.  We re-entered the harbour very quietly
as usual and when our craft had been moored unostentatiously amongst the
plebeian stone-carriers, Dominic, whose grim joviality had subsided in
the last twenty-four hours of our homeward run, abandoned me to myself as
though indeed I had been a doomed man.  He only stuck his head for a
moment into our little cuddy where I was changing my clothes and being
told in answer to his question that I had no special orders to give went
ashore without waiting for me.

Generally we used to step on the quay together and I never failed to
enter for a moment Madame Leonore's cafe.  But this time when I got on
the quay Dominic was nowhere to be seen.  What was it?
Abandonment--discretion--or had he quarrelled with his Leonore before
leaving on the trip?

My way led me past the cafe and through the glass panes I saw that he was
already there.  On the other side of the little marble table Madame
Leonore, leaning with mature grace on her elbow, was listening to him
absorbed.  Then I passed on and--what would you have!--I ended by making
my way into the street of the Consuls.  I had nowhere else to go.  There
were my things in the apartment on the first floor.  I couldn't bear the
thought of meeting anybody I knew.

The feeble gas flame in the hall was still there, on duty, as though it
had never been turned off since I last crossed the hall at half-past
eleven in the evening to go to the harbour.  The small flame had watched
me letting myself out; and now, exactly of the same size, the poor little
tongue of light (there was something wrong with that burner) watched me
letting myself in, as indeed it had done many times before.  Generally
the impression was that of entering an untenanted house, but this time
before I could reach the foot of the stairs Therese glided out of the
passage leading into the studio.  After the usual exclamations she
assured me that everything was ready for me upstairs, had been for days,
and offered to get me something to eat at once.  I accepted and said I
would be down in the studio in half an hour.  I found her there by the
side of the laid table ready for conversation.  She began by telling
me--the dear, poor young Monsieur--in a sort of plaintive chant, that
there were no letters for me, no letters of any kind, no letters from
anybody.  Glances of absolutely terrifying tenderness mingled with
flashes of cunning swept over me from head to foot while I tried to eat.

"Are you giving me Captain Blunt's wine to drink?" I asked, noting the
straw-coloured liquid in my glass.

She screwed up her mouth as if she had a twinge of toothache and assured
me that the wine belonged to the house.  I would have to pay her for it.
As far as personal feelings go, Blunt, who addressed her always with
polite seriousness, was not a favourite with her.  The "charming, brave
Monsieur" was now fighting for the King and religion against the impious
Liberals.  He went away the very morning after I had left and, oh! she
remembered, he had asked her before going away whether I was still in the
house.  Wanted probably to say good-bye to me, shake my hand, the dear,
polite Monsieur.

I let her run on in dread expectation of what she would say next but she
stuck to the subject of Blunt for some time longer.  He had written to
her once about some of his things which he wanted her to send to Paris to
his mother's address; but she was going to do nothing of the kind.  She
announced this with a pious smile; and in answer to my questions I
discovered that it was a stratagem to make Captain Blunt return to the
house.

"You will get yourself into trouble with the police, Mademoiselle
Therese, if you go on like that," I said.  But she was as obstinate as a
mule and assured me with the utmost confidence that many people would be
ready to defend a poor honest girl.  There was something behind this
attitude which I could not fathom.  Suddenly she fetched a deep sigh.

"Our Rita, too, will end by coming to her sister."

The name for which I had been waiting deprived me of speech for the
moment.  The poor mad sinner had rushed off to some of her wickednesses
in Paris.  Did I know?  No?  How could she tell whether I did know or
not?  Well!  I had hardly left the house, so to speak, when Rita was down
with her maid behaving as if the house did really still belong to her
. . .

"What time was it?" I managed to ask.  And with the words my life itself
was being forced out through my lips.  But Therese, not noticing anything
strange about me, said it was something like half-past seven in the
morning.  The "poor sinner" was all in black as if she were going to
church (except for her expression, which was enough to shock any honest
person), and after ordering her with frightful menaces not to let anybody
know she was in the house she rushed upstairs and locked herself up in my
bedroom, while "that French creature" (whom she seemed to love more than
her own sister) went into my salon and hid herself behind the window
curtain.

I had recovered sufficiently to ask in a quiet natural voice whether Dona
Rita and Captain Blunt had seen each other.  Apparently they had not seen
each other.  The polite captain had looked so stern while packing up his
kit that Therese dared not speak to him at all.  And he was in a hurry,
too.  He had to see his dear mother off to Paris before his own
departure.  Very stern.  But he shook her hand with a very nice bow.

Therese elevated her right hand for me to see.  It was broad and short
with blunt fingers, as usual.  The pressure of Captain Blunt's handshake
had not altered its unlovely shape.

"What was the good of telling him that our Rita was here?" went on
Therese.  "I would have been ashamed of her coming here and behaving as
if the house belonged to her!  I had already said some prayers at his
intention at the half-past six mass, the brave gentleman.  That maid of
my sister Rita was upstairs watching him drive away with her evil eyes,
but I made a sign of the cross after the fiacre, and then I went upstairs
and banged at your door, my dear kind young Monsieur, and shouted to Rita
that she had no right to lock herself in any of my _locataires_' rooms.
At last she opened it--and what do you think?  All her hair was loose
over her shoulders.  I suppose it all came down when she flung her hat on
your bed.  I noticed when she arrived that her hair wasn't done properly.
She used your brushes to do it up again in front of your glass."

"Wait a moment," I said, and jumped up, upsetting my wine to run upstairs
as fast as I could.  I lighted the gas, all the three jets in the middle
of the room, the jet by the bedside and two others flanking the
dressing-table.  I had been struck by the wild hope of finding a trace of
Rita's passage, a sign or something.  I pulled out all the drawers
violently, thinking that perhaps she had hidden there a scrap of paper, a
note.  It was perfectly mad.  Of course there was no chance of that.
Therese would have seen to it.  I picked up one after another all the
various objects on the dressing-table.  On laying my hands on the brushes
I had a profound emotion, and with misty eyes I examined them
meticulously with the new hope of finding one of Rita's tawny hairs
entangled amongst the bristles by a miraculous chance.  But Therese would
have done away with that chance, too.  There was nothing to be seen,
though I held them up to the light with a beating heart.  It was written
that not even that trace of her passage on the earth should remain with
me; not to help but, as it were, to soothe the memory.  Then I lighted a
cigarette and came downstairs slowly.  My unhappiness became dulled, as
the grief of those who mourn for the dead gets dulled in the overwhelming
sensation that everything is over, that a part of themselves is lost
beyond recall taking with it all the savour of life.

I discovered Therese still on the very same spot of the floor, her hands
folded over each other and facing my empty chair before which the spilled
wine had soaked a large portion of the table-cloth.  She hadn't moved at
all.  She hadn't even picked up the overturned glass.  But directly I
appeared she began to speak in an ingratiating voice.

"If you have missed anything of yours upstairs, my dear young Monsieur,
you mustn't say it's me.  You don't know what our Rita is."

"I wish to goodness," I said, "that she had taken something."

And again I became inordinately agitated as though it were my absolute
fate to be everlastingly dying and reviving to the tormenting fact of her
existence.  Perhaps she had taken something?  Anything.  Some small
object.  I thought suddenly of a Rhenish-stone match-box.  Perhaps it was
that.  I didn't remember having seen it when upstairs.  I wanted to make
sure at once.  At once.  But I commanded myself to sit still.

"And she so wealthy," Therese went on.  "Even you with your dear generous
little heart can do nothing for our Rita.  No man can do anything for
her--except perhaps one, but she is so evilly disposed towards him that
she wouldn't even see him, if in the goodness of his forgiving heart he
were to offer his hand to her.  It's her bad conscience that frightens
her.  He loves her more than his life, the dear, charitable man."

"You mean some rascal in Paris that I believe persecutes Dona Rita.
Listen, Mademoiselle Therese, if you know where he hangs out you had
better let him have word to be careful.  I believe he, too, is mixed up
in the Carlist intrigue.  Don't you know that your sister can get him
shut up any day or get him expelled by the police?"

Therese sighed deeply and put on a look of pained virtue.

"Oh, the hardness of her heart.  She tried to be tender with me.  She is
awful.  I said to her, 'Rita, have you sold your soul to the Devil?' and
she shouted like a fiend: 'For happiness!  Ha, ha, ha!'  She threw
herself backwards on that couch in your room and laughed and laughed and
laughed as if I had been tickling her, and she drummed on the floor with
the heels of her shoes.  She is possessed.  Oh, my dear innocent young
Monsieur, you have never seen anything like that.  That wicked girl who
serves her rushed in with a tiny glass bottle and put it to her nose; but
I had a mind to run out and fetch the priest from the church where I go
to early mass.  Such a nice, stout, severe man.  But that false, cheating
creature (I am sure she is robbing our Rita from morning to night), she
talked to our Rita very low and quieted her down.  I am sure I don't know
what she said.  She must be leagued with the devil.  And then she asked
me if I would go down and make a cup of chocolate for her Madame.
Madame--that's our Rita.  Madame!  It seems they were going off directly
to Paris and her Madame had had nothing to eat since the morning of the
day before.  Fancy me being ordered to make chocolate for our Rita!
However, the poor thing looked so exhausted and white-faced that I went.
Ah! the devil can give you an awful shake up if he likes."

Therese fetched another deep sigh and raising her eyes looked at me with
great attention.  I preserved an inscrutable expression, for I wanted to
hear all she had to tell me of Rita.  I watched her with the greatest
anxiety composing her face into a cheerful expression.

"So Dona Rita is gone to Paris?" I asked negligently.

"Yes, my dear Monsieur.  I believe she went straight to the railway
station from here.  When she first got up from the couch she could hardly
stand.  But before, while she was drinking the chocolate which I made for
her, I tried to get her to sign a paper giving over the house to me, but
she only closed her eyes and begged me to try and be a good sister and
leave her alone for half an hour.  And she lying there looking as if she
wouldn't live a day.  But she always hated me."

I said bitterly, "You needn't have worried her like this.  If she had not
lived for another day you would have had this house and everything else
besides; a bigger bit than even your wolfish throat can swallow,
Mademoiselle Therese."

I then said a few more things indicative of my disgust with her rapacity,
but they were quite inadequate, as I wasn't able to find words strong
enough to express my real mind.  But it didn't matter really because I
don't think Therese heard me at all.  She seemed lost in rapt amazement.

"What do you say, my dear Monsieur?  What!  All for me without any sort
of paper?"

She appeared distracted by my curt: "Yes."  Therese believed in my
truthfulness.  She believed me implicitly, except when I was telling her
the truth about herself, mincing no words, when she used to stand
smilingly bashful as if I were overwhelming her with compliments.  I
expected her to continue the horrible tale but apparently she had found
something to think about which checked the flow.  She fetched another
sigh and muttered:

"Then the law can be just, if it does not require any paper.  After all,
I am her sister."

"It's very difficult to believe that--at sight," I said roughly.

"Ah, but that I could prove.  There are papers for that."

After this declaration she began to clear the table, preserving a
thoughtful silence.

I was not very surprised at the news of Dona Rita's departure for Paris.
It was not necessary to ask myself why she had gone.  I didn't even ask
myself whether she had left the leased Villa on the Prado for ever.
Later talking again with Therese, I learned that her sister had given it
up for the use of the Carlist cause and that some sort of unofficial
Consul, a Carlist agent of some sort, either was going to live there or
had already taken possession.  This, Rita herself had told her before her
departure on that agitated morning spent in the house--in my rooms.  A
close investigation demonstrated to me that there was nothing missing
from them.  Even the wretched match-box which I really hoped was gone
turned up in a drawer after I had, delightedly, given it up.  It was a
great blow.  She might have taken that at least!  She knew I used to
carry it about with me constantly while ashore.  She might have taken it!
Apparently she meant that there should be no bond left even of that kind;
and yet it was a long time before I gave up visiting and revisiting all
the corners of all possible receptacles for something that she might have
left behind on purpose.  It was like the mania of those disordered minds
who spend their days hunting for a treasure.  I hoped for a forgotten
hairpin, for some tiny piece of ribbon.  Sometimes at night I reflected
that such hopes were altogether insensate; but I remember once getting up
at two in the morning to search for a little cardboard box in the
bathroom, into which, I remembered, I had not looked before.  Of course
it was empty; and, anyway, Rita could not possibly have known of its
existence.  I got back to bed shivering violently, though the night was
warm, and with a distinct impression that this thing would end by making
me mad.  It was no longer a question of "this sort of thing" killing me.
The moral atmosphere of this torture was different.  It would make me
mad.  And at that thought great shudders ran down my prone body, because,
once, I had visited a famous lunatic asylum where they had shown me a
poor wretch who was mad, apparently, because he thought he had been
abominably fooled by a woman.  They told me that his grievance was quite
imaginary.  He was a young man with a thin fair beard, huddled up on the
edge of his bed, hugging himself forlornly; and his incessant and
lamentable wailing filled the long bare corridor, striking a chill into
one's heart long before one came to the door of his cell.

And there was no one from whom I could hear, to whom I could speak, with
whom I could evoke the image of Rita.  Of course I could utter that word
of four letters to Therese; but Therese for some reason took it into her
head to avoid all topics connected with her sister.  I felt as if I could
pull out great handfuls of her hair hidden modestly under the black
handkerchief of which the ends were sometimes tied under her chin.  But,
really, I could not have given her any intelligible excuse for that
outrage.  Moreover, she was very busy from the very top to the very
bottom of the house, which she persisted in running alone because she
couldn't make up her mind to part with a few francs every month to a
servant.  It seemed to me that I was no longer such a favourite with her
as I used to be.  That, strange to say, was exasperating, too.  It was as
if some idea, some fruitful notion had killed in her all the softer and
more humane emotions.  She went about with brooms and dusters wearing an
air of sanctimonious thoughtfulness.

The man who to a certain extent took my place in Therese's favour was the
old father of the dancing girls inhabiting the ground floor.  In a tall
hat and a well-to-do dark blue overcoat he allowed himself to be
button-holed in the hall by Therese who would talk to him interminably
with downcast eyes.  He smiled gravely down at her, and meanwhile tried
to edge towards the front door.  I imagine he didn't put a great value on
Therese's favour.  Our stay in harbour was prolonged this time and I kept
indoors like an invalid.  One evening I asked that old man to come in and
drink and smoke with me in the studio.  He made no difficulties to
accept, brought his wooden pipe with him, and was very entertaining in a
pleasant voice.  One couldn't tell whether he was an uncommon person or
simply a ruffian, but in any case with his white beard he looked quite
venerable.  Naturally he couldn't give me much of his company as he had
to look closely after his girls and their admirers; not that the girls
were unduly frivolous, but of course being very young they had no
experience.  They were friendly creatures with pleasant, merry voices and
he was very much devoted to them.  He was a muscular man with a high
colour and silvery locks curling round his bald pate and over his ears,
like a _barocco_ apostle.  I had an idea that he had had a lurid past and
had seen some fighting in his youth.  The admirers of the two girls stood
in great awe of him, from instinct no doubt, because his behaviour to
them was friendly and even somewhat obsequious, yet always with a certain
truculent glint in his eye that made them pause in everything but their
generosity--which was encouraged.  I sometimes wondered whether those two
careless, merry hard-working creatures understood the secret moral beauty
of the situation.

My real company was the dummy in the studio and I can't say it was
exactly satisfying.  After taking possession of the studio I had raised
it tenderly, dusted its mangled limbs and insensible, hard-wood bosom,
and then had propped it up in a corner where it seemed to take on, of
itself, a shy attitude.  I knew its history.  It was not an ordinary
dummy.  One day, talking with Dona Rita about her sister, I had told her
that I thought Therese used to knock it down on purpose with a broom, and
Dona Rita had laughed very much.  This, she had said, was an instance of
dislike from mere instinct.  That dummy had been made to measure years
before.  It had to wear for days and days the Imperial Byzantine robes in
which Dona Rita sat only once or twice herself; but of course the folds
and bends of the stuff had to be preserved as in the first sketch.  Dona
Rita described amusingly how she had to stand in the middle of her room
while Rose walked around her with a tape measure noting the figures down
on a small piece of paper which was then sent to the maker, who presently
returned it with an angry letter stating that those proportions were
altogether impossible in any woman.  Apparently Rose had muddled them all
up; and it was a long time before the figure was finished and sent to the
Pavilion in a long basket to take on itself the robes and the hieratic
pose of the Empress.  Later, it wore with the same patience the
marvellous hat of the "Girl in the Hat."  But Dona Rita couldn't
understand how the poor thing ever found its way to Marseilles minus its
turnip head.  Probably it came down with the robes and a quantity of
precious brocades which she herself had sent down from Paris.  The
knowledge of its origin, the contempt of Captain Blunt's references to
it, with Therese's shocked dislike of the dummy, invested that summary
reproduction with a sort of charm, gave me a faint and miserable illusion
of the original, less artificial than a photograph, less precise, too.
. . . But it can't be explained.  I felt positively friendly to it as if it
had been Rita's trusted personal attendant.  I even went so far as to
discover that it had a sort of grace of its own.  But I never went so far
as to address set speeches to it where it lurked shyly in its corner, or
drag it out from there for contemplation.  I left it in peace.  I wasn't
mad.  I was only convinced that I soon would be.



CHAPTER II


Notwithstanding my misanthropy I had to see a few people on account of
all these Royalist affairs which I couldn't very well drop, and in truth
did not wish to drop.  They were my excuse for remaining in Europe, which
somehow I had not the strength of mind to leave for the West Indies, or
elsewhere.  On the other hand, my adventurous pursuit kept me in contact
with the sea where I found occupation, protection, consolation, the
mental relief of grappling with concrete problems, the sanity one
acquires from close contact with simple mankind, a little self-confidence
born from the dealings with the elemental powers of nature.  I couldn't
give all that up.  And besides all this was related to Dona Rita.  I had,
as it were, received it all from her own hand, from that hand the clasp
of which was as frank as a man's and yet conveyed a unique sensation.
The very memory of it would go through me like a wave of heat.  It was
over that hand that we first got into the habit of quarrelling, with the
irritability of sufferers from some obscure pain and yet half unconscious
of their disease.  Rita's own spirit hovered over the troubled waters of
Legitimity.  But as to the sound of the four magic letters of her name I
was not very likely to hear it fall sweetly on my ear.  For instance, the
distinguished personality in the world of finance with whom I had to
confer several times, alluded to the irresistible seduction of the power
which reigned over my heart and my mind; which had a mysterious and
unforgettable face, the brilliance of sunshine together with the
unfathomable splendour of the night as--Madame de Lastaola.  That's how
that steel-grey man called the greatest mystery of the universe.  When
uttering that assumed name he would make for himself a guardedly solemn
and reserved face as though he were afraid lest I should presume to
smile, lest he himself should venture to smile, and the sacred formality
of our relations should be outraged beyond mending.

He would refer in a studiously grave tone to Madame de Lastaola's wishes,
plans, activities, instructions, movements; or picking up a letter from
the usual litter of paper found on such men's desks, glance at it to
refresh his memory; and, while the very sight of the handwriting would
make my lips go dry, would ask me in a bloodless voice whether perchance
I had "a direct communication from--er--Paris lately."  And there would
be other maddening circumstances connected with those visits.  He would
treat me as a serious person having a clear view of certain
eventualities, while at the very moment my vision could see nothing but
streaming across the wall at his back, abundant and misty, unearthly and
adorable, a mass of tawny hair that seemed to have hot sparks tangled in
it.  Another nuisance was the atmosphere of Royalism, of Legitimacy, that
pervaded the room, thin as air, intangible, as though no Legitimist of
flesh and blood had ever existed to the man's mind except perhaps myself.
He, of course, was just simply a banker, a very distinguished, a very
influential, and a very impeccable banker.  He persisted also in
deferring to my judgment and sense with an over-emphasis called out by
his perpetual surprise at my youth.  Though he had seen me many times (I
even knew his wife) he could never get over my immature age.  He himself
was born about fifty years old, all complete, with his iron-grey whiskers
and his bilious eyes, which he had the habit of frequently closing during
a conversation.  On one occasion he said to me.  "By the by, the Marquis
of Villarel is here for a time.  He inquired after you the last time he
called on me.  May I let him know that you are in town?"

I didn't say anything to that.  The Marquis of Villarel was the Don
Rafael of Rita's own story.  What had I to do with Spanish grandees?  And
for that matter what had she, the woman of all time, to do with all the
villainous or splendid disguises human dust takes upon itself?  All this
was in the past, and I was acutely aware that for me there was no
present, no future, nothing but a hollow pain, a vain passion of such
magnitude that being locked up within my breast it gave me an illusion of
lonely greatness with my miserable head uplifted amongst the stars.  But
when I made up my mind (which I did quickly, to be done with it) to call
on the banker's wife, almost the first thing she said to me was that the
Marquis de Villarel was "amongst us."  She said it joyously.  If in her
husband's room at the bank legitimism was a mere unpopulated principle,
in her salon Legitimacy was nothing but persons.  "_Il m'a cause beaucoup
de vous_," she said as if there had been a joke in it of which I ought to
be proud.  I slunk away from her.  I couldn't believe that the grandee
had talked to her about me.  I had never felt myself part of the great
Royalist enterprise.  I confess that I was so indifferent to everything,
so profoundly demoralized, that having once got into that drawing-room I
hadn't the strength to get away; though I could see perfectly well my
volatile hostess going from one to another of her acquaintances in order
to tell them with a little gesture, "Look!  Over there--in that corner.
That's the notorious Monsieur George."  At last she herself drove me out
by coming to sit by me vivaciously and going into ecstasies over "_ce
cher_ Monsieur Mills" and that magnificent Lord X; and ultimately, with a
perfectly odious snap in the eyes and drop in the voice, dragging in the
name of Madame de Lastaola and asking me whether I was really so much in
the confidence of that astonishing person.  "_Vous devez bien regretter
son depart pour Paris_," she cooed, looking with affected bashfulness at
her fan. . . . How I got out of the room I really don't know.  There was
also a staircase.  I did not fall down it head first--that much I am
certain of; and I also remember that I wandered for a long time about the
seashore and went home very late, by the way of the Prado, giving in
passing a fearful glance at the Villa.  It showed not a gleam of light
through the thin foliage of its trees.

I spent the next day with Dominic on board the little craft watching the
shipwrights at work on her deck.  From the way they went about their
business those men must have been perfectly sane; and I felt greatly
refreshed by my company during the day.  Dominic, too, devoted himself to
his business, but his taciturnity was sardonic.  Then I dropped in at the
cafe and Madame Leonore's loud "Eh, Signorino, here you are at last!"
pleased me by its resonant friendliness.  But I found the sparkle of her
black eyes as she sat down for a moment opposite me while I was having my
drink rather difficult to bear.  That man and that woman seemed to know
something.  What did they know?  At parting she pressed my hand
significantly.  What did she mean?  But I didn't feel offended by these
manifestations.  The souls within these people's breasts were not
volatile in the manner of slightly scented and inflated bladders.
Neither had they the impervious skins which seem the rule in the fine
world that wants only to get on.  Somehow they had sensed that there was
something wrong; and whatever impression they might have formed for
themselves I had the certitude that it would not be for them a matter of
grins at my expense.

That day on returning home I found Therese looking out for me, a very
unusual occurrence of late.  She handed me a card bearing the name of the
Marquis de Villarel.

"How did you come by this?" I asked.  She turned on at once the tap of
her volubility and I was not surprised to learn that the grandee had not
done such an extraordinary thing as to call upon me in person.  A young
gentleman had brought it.  Such a nice young gentleman, she interjected
with her piously ghoulish expression.  He was not very tall.  He had a
very smooth complexion (that woman was incorrigible) and a nice, tiny
black moustache.  Therese was sure that he must have been an officer _en
las filas legitimas_.  With that notion in her head she had asked him
about the welfare of that other model of charm and elegance, Captain
Blunt.  To her extreme surprise the charming young gentleman with
beautiful eyes had apparently never heard of Blunt.  But he seemed very
much interested in his surroundings, looked all round the hall, noted the
costly wood of the door panels, paid some attention to the silver
statuette holding up the defective gas burner at the foot of the stairs,
and, finally, asked whether this was in very truth the house of the most
excellent Senora Dona Rita de Lastaola.  The question staggered Therese,
but with great presence of mind she answered the young gentleman that she
didn't know what excellence there was about it, but that the house was
her property, having been given to her by her own sister.  At this the
young gentleman looked both puzzled and angry, turned on his heel, and
got back into his fiacre.  Why should people be angry with a poor girl
who had never done a single reprehensible thing in her whole life?

"I suppose our Rita does tell people awful lies about her poor sister."
She sighed deeply (she had several kinds of sighs and this was the
hopeless kind) and added reflectively, "Sin on sin, wickedness on
wickedness!  And the longer she lives the worse it will be.  It would be
better for our Rita to be dead."

I told "Mademoiselle Therese" that it was really impossible to tell
whether she was more stupid or atrocious; but I wasn't really very much
shocked.  These outbursts did not signify anything in Therese.  One got
used to them.  They were merely the expression of her rapacity and her
righteousness; so that our conversation ended by my asking her whether
she had any dinner ready for me that evening.

"What's the good of getting you anything to eat, my dear young Monsieur,"
she quizzed me tenderly.  "You just only peck like a little bird.  Much
better let me save the money for you."  It will show the
super-terrestrial nature of my misery when I say that I was quite
surprised at Therese's view of my appetite.  Perhaps she was right.  I
certainly did not know.  I stared hard at her and in the end she admitted
that the dinner was in fact ready that very moment.

The new young gentleman within Therese's horizon didn't surprise me very
much.  Villarel would travel with some sort of suite, a couple of
secretaries at least.  I had heard enough of Carlist headquarters to know
that the man had been (very likely was still) Captain General of the
Royal Bodyguard and was a person of great political (and domestic)
influence at Court.  The card was, under its social form, a mere command
to present myself before the grandee.  No Royalist devoted by conviction,
as I must have appeared to him, could have mistaken the meaning.  I put
the card in my pocket and after dining or not dining--I really don't
remember--spent the evening smoking in the studio, pursuing thoughts of
tenderness and grief, visions exalting and cruel.  From time to time I
looked at the dummy.  I even got up once from the couch on which I had
been writhing like a worm and walked towards it as if to touch it, but
refrained, not from sudden shame but from sheer despair.  By and by
Therese drifted in.  It was then late and, I imagine, she was on her way
to bed.  She looked the picture of cheerful, rustic innocence and started
propounding to me a conundrum which began with the words:

"If our Rita were to die before long . . ."

She didn't get any further because I had jumped up and frightened her by
shouting: "Is she ill?  What has happened?  Have you had a letter?"

She had had a letter.  I didn't ask her to show it to me, though I
daresay she would have done so.  I had an idea that there was no meaning
in anything, at least no meaning that mattered.  But the interruption had
made Therese apparently forget her sinister conundrum.  She observed me
with her shrewd, unintelligent eyes for a bit, and then with the fatuous
remark about the Law being just she left me to the horrors of the studio.
I believe I went to sleep there from sheer exhaustion.  Some time during
the night I woke up chilled to the bone and in the dark.  These were
horrors and no mistake.  I dragged myself upstairs to bed past the
indefatigable statuette holding up the ever-miserable light.  The
black-and-white hall was like an ice-house.

The main consideration which induced me to call on the Marquis of
Villarel was the fact that after all I was a discovery of Dona Rita's,
her own recruit.  My fidelity and steadfastness had been guaranteed by
her and no one else.  I couldn't bear the idea of her being criticized by
every empty-headed chatterer belonging to the Cause.  And as, apart from
that, nothing mattered much, why, then--I would get this over.

But it appeared that I had not reflected sufficiently on all the
consequences of that step.  First of all the sight of the Villa looking
shabbily cheerful in the sunshine (but not containing her any longer) was
so perturbing that I very nearly went away from the gate.  Then when I
got in after much hesitation--being admitted by the man in the green
baize apron who recognized me--the thought of entering that room, out of
which she was gone as completely as if she had been dead, gave me such an
emotion that I had to steady myself against the table till the faintness
was past.  Yet I was irritated as at a treason when the man in the baize
apron instead of letting me into the Pompeiian dining-room crossed the
hall to another door not at all in the Pompeiian style (more Louis XV
rather--that Villa was like a _Salade Russe_ of styles) and introduced me
into a big, light room full of very modern furniture.  The portrait _en
pied_ of an officer in a sky-blue uniform hung on the end wall.  The
officer had a small head, a black beard cut square, a robust body, and
leaned with gauntleted hands on the simple hilt of a straight sword.
That striking picture dominated a massive mahogany desk, and, in front of
this desk, a very roomy, tall-backed armchair of dark green velvet.  I
thought I had been announced into an empty room till glancing along the
extremely loud carpet I detected a pair of feet under the armchair.

I advanced towards it and discovered a little man, who had made no sound
or movement till I came into his view, sunk deep in the green velvet.  He
altered his position slowly and rested his hollow, black, quietly burning
eyes on my face in prolonged scrutiny.  I detected something comminatory
in his yellow, emaciated countenance, but I believe now he was simply
startled by my youth.  I bowed profoundly.  He extended a meagre little
hand.

"Take a chair, Don Jorge."

He was very small, frail, and thin, but his voice was not languid, though
he spoke hardly above his breath.  Such was the envelope and the voice of
the fanatical soul belonging to the Grand-master of Ceremonies and
Captain General of the Bodyguard at the Headquarters of the Legitimist
Court, now detached on a special mission.  He was all fidelity,
inflexibility, and sombre conviction, but like some great saints he had
very little body to keep all these merits in.

"You are very young," he remarked, to begin with.  "The matters on which
I desired to converse with you are very grave."

"I was under the impression that your Excellency wished to see me at
once.  But if your Excellency prefers it I will return in, say, seven
years' time when I may perhaps be old enough to talk about grave
matters."

He didn't stir hand or foot and not even the quiver of an eyelid proved
that he had heard my shockingly unbecoming retort.

"You have been recommended to us by a noble and loyal lady, in whom His
Majesty--whom God preserve--reposes an entire confidence.  God will
reward her as she deserves and you, too, Senor, according to the
disposition you bring to this great work which has the blessing (here he
crossed himself) of our Holy Mother the Church."

"I suppose your Excellency understands that in all this I am not looking
for reward of any kind."

At this he made a faint, almost ethereal grimace.

"I was speaking of the spiritual blessing which rewards the service of
religion and will be of benefit to your soul," he explained with a slight
touch of acidity.  "The other is perfectly understood and your fidelity
is taken for granted.  His Majesty--whom God preserve--has been already
pleased to signify his satisfaction with your services to the most noble
and loyal Dona Rita by a letter in his own hand."

Perhaps he expected me to acknowledge this announcement in some way,
speech, or bow, or something, because before my immobility he made a
slight movement in his chair which smacked of impatience.  "I am afraid,
Senor, that you are affected by the spirit of scoffing and irreverence
which pervades this unhappy country of France in which both you and I are
strangers, I believe.  Are you a young man of that sort?"

"I am a very good gun-runner, your Excellency," I answered quietly.

He bowed his head gravely.  "We are aware.  But I was looking for the
motives which ought to have their pure source in religion."

"I must confess frankly that I have not reflected on my motives," I said.
"It is enough for me to know that they are not dishonourable and that
anybody can see they are not the motives of an adventurer seeking some
sordid advantage."

He had listened patiently and when he saw that there was nothing more to
come he ended the discussion.

"Senor, we should reflect upon our motives.  It is salutary for our
conscience and is recommended (he crossed himself) by our Holy Mother the
Church.  I have here certain letters from Paris on which I would consult
your young sagacity which is accredited to us by the most loyal Dona
Rita."

The sound of that name on his lips was simply odious.  I was convinced
that this man of forms and ceremonies and fanatical royalism was
perfectly heartless.  Perhaps he reflected on his motives; but it seemed
to me that his conscience could be nothing else but a monstrous thing
which very few actions could disturb appreciably.  Yet for the credit of
Dona Rita I did not withhold from him my young sagacity.  What he thought
of it I don't know. The matters we discussed were not of course of high
policy, though from the point of view of the war in the south they were
important enough.  We agreed on certain things to be done, and finally,
always out of regard for Dona Rita's credit, I put myself generally at
his disposition or of any Carlist agent he would appoint in his place;
for I did not suppose that he would remain very long in Marseilles.  He
got out of the chair laboriously, like a sick child might have done.  The
audience was over but he noticed my eyes wandering to the portrait and he
said in his measured, breathed-out tones:

"I owe the pleasure of having this admirable work here to the gracious
attention of Madame de Lastaola, who, knowing my attachment to the royal
person of my Master, has sent it down from Paris to greet me in this
house which has been given up for my occupation also through her
generosity to the Royal Cause.  Unfortunately she, too, is touched by the
infection of this irreverent and unfaithful age.  But she is young yet.
She is young."

These last words were pronounced in a strange tone of menace as though he
were supernaturally aware of some suspended disasters.  With his burning
eyes he was the image of an Inquisitor with an unconquerable soul in that
frail body.  But suddenly he dropped his eyelids and the conversation
finished as characteristically as it had begun: with a slow, dismissing
inclination of the head and an "Adios, Senor--may God guard you from
sin."



CHAPTER III


I must say that for the next three months I threw myself into my unlawful
trade with a sort of desperation, dogged and hopeless, like a fairly
decent fellow who takes deliberately to drink.  The business was getting
dangerous.  The bands in the South were not very well organized, worked
with no very definite plan, and now were beginning to be pretty closely
hunted.  The arrangements for the transport of supplies were going to
pieces; our friends ashore were getting scared; and it was no joke to
find after a day of skilful dodging that there was no one at the landing
place and have to go out again with our compromising cargo, to slink and
lurk about the coast for another week or so, unable to trust anybody and
looking at every vessel we met with suspicion.  Once we were ambushed by
a lot of "rascally Carabineers," as Dominic called them, who hid
themselves among the rocks after disposing a train of mules well in view
on the seashore.  Luckily, on evidence which I could never understand,
Dominic detected something suspicious.  Perhaps it was by virtue of some
sixth sense that men born for unlawful occupations may be gifted with.
"There is a smell of treachery about this," he remarked suddenly, turning
at his oar.  (He and I were pulling alone in a little boat to
reconnoitre.)  I couldn't detect any smell and I regard to this day our
escape on that occasion as, properly speaking, miraculous.  Surely some
supernatural power must have struck upwards the barrels of the
Carabineers' rifles, for they missed us by yards.  And as the Carabineers
have the reputation of shooting straight, Dominic, after swearing most
horribly, ascribed our escape to the particular guardian angel that looks
after crazy young gentlemen.  Dominic believed in angels in a
conventional way, but laid no claim to having one of his own.  Soon
afterwards, while sailing quietly at night, we found ourselves suddenly
near a small coasting vessel, also without lights, which all at once
treated us to a volley of rifle fire.  Dominic's mighty and inspired
yell: "_A plat ventre_!" and also an unexpected roll to windward saved
all our lives.  Nobody got a scratch.  We were past in a moment and in a
breeze then blowing we had the heels of anything likely to give us chase.
But an hour afterwards, as we stood side by side peering into the
darkness, Dominic was heard to mutter through his teeth: "_Le metier se
gate_."  I, too, had the feeling that the trade, if not altogether
spoiled, had seen its best days.  But I did not care.  In fact, for my
purpose it was rather better, a more potent influence; like the stronger
intoxication of raw spirit.  A volley in the dark after all was not such
a bad thing.  Only a moment before we had received it, there, in that
calm night of the sea full of freshness and soft whispers, I had been
looking at an enchanting turn of a head in a faint light of its own, the
tawny hair with snared red sparks brushed up from the nape of a white
neck and held up on high by an arrow of gold feathered with brilliants
and with ruby gleams all along its shaft.  That jewelled ornament, which
I remember often telling Rita was of a very Philistinish conception (it
was in some way connected with a tortoiseshell comb) occupied an undue
place in my memory, tried to come into some sort of significance even in
my sleep.  Often I dreamed of her with white limbs shimmering in the
gloom like a nymph haunting a riot of foliage, and raising a perfect
round arm to take an arrow of gold out of her hair to throw it at me by
hand, like a dart.  It came on, a whizzing trail of light, but I always
woke up before it struck.  Always.  Invariably.  It never had a chance.
A volley of small arms was much more likely to do the business some
day--or night.

                                * * * * *

At last came the day when everything slipped out of my grasp.  The little
vessel, broken and gone like the only toy of a lonely child, the sea
itself, which had swallowed it, throwing me on shore after a shipwreck
that instead of a fair fight left in me the memory of a suicide.  It took
away all that there was in me of independent life, but just failed to
take me out of the world, which looked then indeed like Another World fit
for no one else but unrepentant sinners.  Even Dominic failed me, his
moral entity destroyed by what to him was a most tragic ending of our
common enterprise.  The lurid swiftness of it all was like a stunning
thunder-clap--and, one evening, I found myself weary, heartsore, my brain
still dazed and with awe in my heart entering Marseilles by way of the
railway station, after many adventures, one more disagreeable than
another, involving privations, great exertions, a lot of difficulties
with all sorts of people who looked upon me evidently more as a
discreditable vagabond deserving the attentions of gendarmes than a
respectable (if crazy) young gentleman attended by a guardian angel of
his own.  I must confess that I slunk out of the railway station shunning
its many lights as if, invariably, failure made an outcast of a man.  I
hadn't any money in my pocket.  I hadn't even the bundle and the stick of
a destitute wayfarer.  I was unshaven and unwashed, and my heart was
faint within me.  My attire was such that I daren't approach the rank of
fiacres, where indeed I could perceive only two pairs of lamps, of which
one suddenly drove away while I looked.  The other I gave up to the
fortunate of this earth.  I didn't believe in my power of persuasion.  I
had no powers.  I slunk on and on, shivering with cold, through the
uproarious streets.  Bedlam was loose in them.  It was the time of
Carnival.

Small objects of no value have the secret of sticking to a man in an
astonishing way.  I had nearly lost my liberty and even my life, I had
lost my ship, a money-belt full of gold, I had lost my companions, had
parted from my friend; my occupation, my only link with life, my touch
with the sea, my cap and jacket were gone--but a small penknife and a
latchkey had never parted company with me.  With the latchkey I opened
the door of refuge.  The hall wore its deaf-and-dumb air, its
black-and-white stillness.

The sickly gas-jet still struggled bravely with adversity at the end of
the raised silver arm of the statuette which had kept to a hair's breadth
its graceful pose on the toes of its left foot; and the staircase lost
itself in the shadows above.  Therese was parsimonious with the lights.
To see all this was surprising.  It seemed to me that all the things I
had known ought to have come down with a crash at the moment of the final
catastrophe on the Spanish coast.  And there was Therese herself
descending the stairs, frightened but plucky.  Perhaps she thought that
she would be murdered this time for certain.  She had a strange,
unemotional conviction that the house was particularly convenient for a
crime.  One could never get to the bottom of her wild notions which she
held with the stolidity of a peasant allied to the outward serenity of a
nun.  She quaked all over as she came down to her doom, but when she
recognized me she got such a shock that she sat down suddenly on the
lowest step.  She did not expect me for another week at least, and,
besides, she explained, the state I was in made her blood take "one
turn."

Indeed my plight seemed either to have called out or else repressed her
true nature.  But who had ever fathomed her nature!  There was none of
her treacly volubility.  There were none of her "dear young gentlemans"
and "poor little hearts" and references to sin.  In breathless silence
she ran about the house getting my room ready, lighting fires and
gas-jets and even hauling at me to help me up the stairs.  Yes, she did
lay hands on me for that charitable purpose.  They trembled.  Her pale
eyes hardly left my face.  "What brought you here like this?" she
whispered once.

"If I were to tell you, Mademoiselle Therese, you would see there the
hand of God."

She dropped the extra pillow she was carrying and then nearly fell over
it.  "Oh, dear heart," she murmured, and ran off to the kitchen.

I sank into bed as into a cloud and Therese reappeared very misty and
offering me something in a cup.  I believe it was hot milk, and after I
drank it she took the cup and stood looking at me fixedly.  I managed to
say with difficulty: "Go away," whereupon she vanished as if by magic
before the words were fairly out of my mouth.  Immediately afterwards the
sunlight forced through the slats of the jalousies its diffused glow, and
Therese was there again as if by magic, saying in a distant voice: "It's
midday". . . Youth will have its rights.  I had slept like a stone for
seventeen hours.

I suppose an honourable bankrupt would know such an awakening: the sense
of catastrophe, the shrinking from the necessity of beginning life again,
the faint feeling that there are misfortunes which must be paid for by a
hanging.  In the course of the morning Therese informed me that the
apartment usually occupied by Mr. Blunt was vacant and added mysteriously
that she intended to keep it vacant for a time, because she had been
instructed to do so.  I couldn't imagine why Blunt should wish to return
to Marseilles.  She told me also that the house was empty except for
myself and the two dancing girls with their father.  Those people had
been away for some time as the girls had engagements in some Italian
summer theatres, but apparently they had secured a re-engagement for the
winter and were now back.  I let Therese talk because it kept my
imagination from going to work on subjects which, I had made up my mind,
were no concern of mine.  But I went out early to perform an unpleasant
task.  It was only proper that I should let the Carlist agent ensconced
in the Prado Villa know of the sudden ending of my activities.  It would
be grave enough news for him, and I did not like to be its bearer for
reasons which were mainly personal.  I resembled Dominic in so far that
I, too, disliked failure.

The Marquis of Villarel had of course gone long before.  The man who was
there was another type of Carlist altogether, and his temperament was
that of a trader.  He was the chief purveyor of the Legitimist armies, an
honest broker of stores, and enjoyed a great reputation for cleverness.
His important task kept him, of course, in France, but his young wife,
whose beauty and devotion to her King were well known, represented him
worthily at Headquarters, where his own appearances were extremely rare.
The dissimilar but united loyalties of those two people had been rewarded
by the title of baron and the ribbon of some order or other.  The gossip
of the Legitimist circles appreciated those favours with smiling
indulgence.  He was the man who had been so distressed and frightened by
Dona Rita's first visit to Tolosa.  He had an extreme regard for his
wife.  And in that sphere of clashing arms and unceasing intrigue nobody
would have smiled then at his agitation if the man himself hadn't been
somewhat grotesque.

He must have been startled when I sent in my name, for he didn't of
course expect to see me yet--nobody expected me.  He advanced soft-footed
down the room.  With his jutting nose, flat-topped skull and sable
garments he recalled an obese raven, and when he heard of the disaster he
manifested his astonishment and concern in a most plebeian manner by a
low and expressive whistle.  I, of course, could not share his
consternation.  My feelings in that connection were of a different order;
but I was annoyed at his unintelligent stare.

"I suppose," I said, "you will take it on yourself to advise Dona Rita,
who is greatly interested in this affair."

"Yes, but I was given to understand that Madame de Lastaola was to leave
Paris either yesterday or this morning."

It was my turn to stare dumbly before I could manage to ask: "For
Tolosa?" in a very knowing tone.

Whether it was the droop of his head, play of light, or some other subtle
cause, his nose seemed to have grown perceptibly longer.

"That, Senor, is the place where the news has got to be conveyed without
undue delay," he said in an agitated wheeze.  "I could, of course,
telegraph to our agent in Bayonne who would find a messenger.  But I
don't like, I don't like!  The Alphonsists have agents, too, who hang
about the telegraph offices.  It's no use letting the enemy get that
news."

He was obviously very confused, unhappy, and trying to think of two
different things at once.

"Sit down, Don George, sit down."  He absolutely forced a cigar on me.
"I am extremely distressed.  That--I mean Dona Rita is undoubtedly on her
way to Tolosa.  This is very frightful."

I must say, however, that there was in the man some sense of duty.  He
mastered his private fears.  After some cogitation he murmured: "There is
another way of getting the news to Headquarters.  Suppose you write me a
formal letter just stating the facts, the unfortunate facts, which I will
be able to forward.  There is an agent of ours, a fellow I have been
employing for purchasing supplies, a perfectly honest man.  He is coming
here from the north by the ten o'clock train with some papers for me of a
confidential nature.  I was rather embarrassed about it.  It wouldn't do
for him to get into any sort of trouble.  He is not very intelligent.  I
wonder, Don George, whether you would consent to meet him at the station
and take care of him generally till to-morrow.  I don't like the idea of
him going about alone.  Then, to-morrow night, we would send him on to
Tolosa by the west coast route, with the news; and then he can also call
on Dona Rita who will no doubt be already there. . . ."  He became again
distracted all in a moment and actually went so far as to wring his fat
hands.  "Oh, yes, she will be there!" he exclaimed in most pathetic
accents.

I was not in the humour to smile at anything, and he must have been
satisfied with the gravity with which I beheld his extraordinary antics.
My mind was very far away.  I thought: Why not?  Why shouldn't I also
write a letter to Dona Rita, telling her that now nothing stood in the
way of my leaving Europe, because, really, the enterprise couldn't be
begun again; that things that come to an end can never be begun again.
The idea--never again--had complete possession of my mind.  I could think
of nothing else.  Yes, I would write.  The worthy Commissary General of
the Carlist forces was under the impression that I was looking at him;
but what I had in my eye was a jumble of butterfly women and winged
youths and the soft sheen of Argand lamps gleaming on an arrow of gold in
the hair of a head that seemed to evade my outstretched hand.

"Oh, yes," I said, "I have nothing to do and even nothing to think of
just now, I will meet your man as he gets off the train at ten o'clock
to-night.  What's he like?"

"Oh, he has a black moustache and whiskers, and his chin is shaved," said
the newly-fledged baron cordially.  "A very honest fellow.  I always
found him very useful.  His name is Jose Ortega."

He was perfectly self-possessed now, and walking soft-footed accompanied
me to the door of the room.  He shook hands with a melancholy smile.
"This is a very frightful situation.  My poor wife will be quite
distracted.  She is such a patriot.  Many thanks, Don George.  You
relieve me greatly.  The fellow is rather stupid and rather bad-tempered.
Queer creature, but very honest!  Oh, very honest!"



CHAPTER IV


It was the last evening of Carnival.  The same masks, the same yells, the
same mad rushes, the same bedlam of disguised humanity blowing about the
streets in the great gusts of mistral that seemed to make them dance like
dead leaves on an earth where all joy is watched by death.

It was exactly twelve months since that other carnival evening when I had
felt a little weary and a little lonely but at peace with all mankind.
It must have been--to a day or two.  But on this evening it wasn't merely
loneliness that I felt.  I felt bereaved with a sense of a complete and
universal loss in which there was perhaps more resentment than mourning;
as if the world had not been taken away from me by an august decree but
filched from my innocence by an underhand fate at the very moment when it
had disclosed to my passion its warm and generous beauty.  This
consciousness of universal loss had this advantage that it induced
something resembling a state of philosophic indifference.  I walked up to
the railway station caring as little for the cold blasts of wind as
though I had been going to the scaffold.  The delay of the train did not
irritate me in the least.  I had finally made up my mind to write a
letter to Dona Rita; and this "honest fellow" for whom I was waiting
would take it to her.  He would have no difficulty in Tolosa in finding
Madame de Lastaola.  The General Headquarters, which was also a Court,
would be buzzing with comments on her presence.  Most likely that "honest
fellow" was already known to Dona Rita.  For all I knew he might have
been her discovery just as I was.  Probably I, too, was regarded as an
"honest fellow" enough; but stupid--since it was clear that my luck was
not inexhaustible.  I hoped that while carrying my letter the man would
not let himself be caught by some Alphonsist guerilla who would, of
course, shoot him.  But why should he?  I, for instance, had escaped with
my life from a much more dangerous enterprise than merely passing through
the frontier line in charge of some trustworthy guide.  I pictured the
fellow to myself trudging over the stony slopes and scrambling down wild
ravines with my letter to Dona Rita in his pocket.  It would be such a
letter of farewell as no lover had ever written, no woman in the world
had ever read, since the beginning of love on earth.  It would be worthy
of the woman.  No experience, no memories, no dead traditions of passion
or language would inspire it.  She herself would be its sole inspiration.
She would see her own image in it as in a mirror; and perhaps then she
would understand what it was I was saying farewell to on the very
threshold of my life.  A breath of vanity passed through my brain.  A
letter as moving as her mere existence was moving would be something
unique.  I regretted I was not a poet.

I woke up to a great noise of feet, a sudden influx of people through the
doors of the platform.  I made out my man's whiskers at once--not that
they were enormous, but because I had been warned beforehand of their
existence by the excellent Commissary General.  At first I saw nothing of
him but his whiskers: they were black and cut somewhat in the shape of a
shark's fin and so very fine that the least breath of air animated them
into a sort of playful restlessness.  The man's shoulders were hunched up
and when he had made his way clear of the throng of passengers I
perceived him as an unhappy and shivery being.  Obviously he didn't
expect to be met, because when I murmured an enquiring, "Senor Ortega?"
into his ear he swerved away from me and nearly dropped a little handbag
he was carrying.  His complexion was uniformly pale, his mouth was red,
but not engaging.  His social status was not very definite.  He was
wearing a dark blue overcoat of no particular cut, his aspect had no
relief; yet those restless side-whiskers flanking his red mouth and the
suspicious expression of his black eyes made him noticeable.  This I
regretted the more because I caught sight of two skulking fellows,
looking very much like policemen in plain clothes, watching us from a
corner of the great hall.  I hurried my man into a fiacre.  He had been
travelling from early morning on cross-country lines and after we got on
terms a little confessed to being very hungry and cold.  His red lips
trembled and I noted an underhand, cynical curiosity when he had occasion
to raise his eyes to my face.  I was in some doubt how to dispose of him
but as we rolled on at a jog trot I came to the conclusion that the best
thing to do would be to organize for him a shake-down in the studio.
Obscure lodging houses are precisely the places most looked after by the
police, and even the best hotels are bound to keep a register of
arrivals.  I was very anxious that nothing should stop his projected
mission of courier to headquarters.  As we passed various street corners
where the mistral blast struck at us fiercely I could feel him shivering
by my side.  However, Therese would have lighted the iron stove in the
studio before retiring for the night, and, anyway, I would have to turn
her out to make up a bed on the couch.  Service of the King!  I must say
that she was amiable and didn't seem to mind anything one asked her to
do.  Thus while the fellow slumbered on the divan I would sit upstairs in
my room setting down on paper those great words of passion and sorrow
that seethed in my brain and even must have forced themselves in murmurs
on to my lips, because the man by my side suddenly asked me: "What did
you say?"--"Nothing," I answered, very much surprised.  In the shifting
light of the street lamps he looked the picture of bodily misery with his
chattering teeth and his whiskers blown back flat over his ears.  But
somehow he didn't arouse my compassion.  He was swearing to himself, in
French and Spanish, and I tried to soothe him by the assurance that we
had not much farther to go.  "I am starving," he remarked acidly, and I
felt a little compunction.  Clearly, the first thing to do was to feed
him.  We were then entering the Cannebiere and as I didn't care to show
myself with him in the fashionable restaurant where a new face (and such
a face, too) would be remarked, I pulled up the fiacre at the door of the
Maison Doree.  That was more of a place of general resort where, in the
multitude of casual patrons, he would pass unnoticed.

For this last night of carnival the big house had decorated all its
balconies with rows of coloured paper lanterns right up to the roof.  I
led the way to the grand salon, for as to private rooms they had been all
retained days before.  There was a great crowd of people in costume, but
by a piece of good luck we managed to secure a little table in a corner.
The revellers, intent on their pleasure, paid no attention to us.  Senor
Ortega trod on my heels and after sitting down opposite me threw an
ill-natured glance at the festive scene.  It might have been about
half-past ten, then.

Two glasses of wine he drank one after another did not improve his
temper.  He only ceased to shiver.  After he had eaten something it must
have occurred to him that he had no reason to bear me a grudge and he
tried to assume a civil and even friendly manner.  His mouth, however,
betrayed an abiding bitterness.  I mean when he smiled.  In repose it was
a very expressionless mouth, only it was too red to be altogether
ordinary.  The whole of him was like that: the whiskers too black, the
hair too shiny, the forehead too white, the eyes too mobile; and he lent
you his attention with an air of eagerness which made you uncomfortable.
He seemed to expect you to give yourself away by some unconsidered word
that he would snap up with delight.  It was that peculiarity that somehow
put me on my guard.  I had no idea who I was facing across the table and
as a matter of fact I did not care.  All my impressions were blurred; and
even the promptings of my instinct were the haziest thing imaginable.
Now and then I had acute hallucinations of a woman with an arrow of gold
in her hair.  This caused alternate moments of exaltation and depression
from which I tried to take refuge in conversation; but Senor Ortega was
not stimulating.  He was preoccupied with personal matters.  When
suddenly he asked me whether I knew why he had been called away from his
work (he had been buying supplies from peasants somewhere in Central
France), I answered that I didn't know what the reason was originally,
but I had an idea that the present intention was to make of him a
courier, bearing certain messages from Baron H. to the Quartel Real in
Tolosa.

He glared at me like a basilisk.  "And why have I been met like this?" he
enquired with an air of being prepared to hear a lie.

I explained that it was the Baron's wish, as a matter of prudence and to
avoid any possible trouble which might arise from enquiries by the
police.

He took it badly.  "What nonsense."  He was--he said--an employe (for
several years) of Hernandez Brothers in Paris, an importing firm, and he
was travelling on their business--as he could prove.  He dived into his
side pocket and produced a handful of folded papers of all sorts which he
plunged back again instantly.

And even then I didn't know whom I had there, opposite me, busy now
devouring a slice of pate de foie gras.  Not in the least.  It never
entered my head.  How could it?  The Rita that haunted me had no history;
she was but the principle of life charged with fatality.  Her form was
only a mirage of desire decoying one step by step into despair.

Senor Ortega gulped down some more wine and suggested I should tell him
who I was.  "It's only right I should know," he added.

This could not be gainsaid; and to a man connected with the Carlist
organization the shortest way was to introduce myself as that "Monsieur
George" of whom he had probably heard.

He leaned far over the table, till his very breast-bone was over the
edge, as though his eyes had been stilettos and he wanted to drive them
home into my brain.  It was only much later that I understood how near
death I had been at that moment.  But the knives on the tablecloth were
the usual restaurant knives with rounded ends and about as deadly as
pieces of hoop-iron.  Perhaps in the very gust of his fury he remembered
what a French restaurant knife is like and something sane within him made
him give up the sudden project of cutting my heart out where I sat.  For
it could have been nothing but a sudden impulse.  His settled purpose was
quite other.  It was not my heart that he was after.  His fingers indeed
were groping amongst the knife handles by the side of his plate but what
captivated my attention for a moment were his red lips which were formed
into an odd, sly, insinuating smile.  Heard!  To be sure he had heard!
The chief of the great arms smuggling organization!

"Oh!" I said, "that's giving me too much importance."  The person
responsible and whom I looked upon as chief of all the business was, as
he might have heard, too, a certain noble and loyal lady.

"I am as noble as she is," he snapped peevishly, and I put him down at
once as a very offensive beast.  "And as to being loyal, what is that?
It is being truthful!  It is being faithful!  I know all about her."

I managed to preserve an air of perfect unconcern.  He wasn't a fellow to
whom one could talk of Dona Rita.

"You are a Basque," I said.

He admitted rather contemptuously that he was a Basque and even then the
truth did not dawn upon me.  I suppose that with the hidden egoism of a
lover I was thinking of myself, of myself alone in relation to Dona Rita,
not of Dona Rita herself.  He, too, obviously.  He said: "I am an
educated man, but I know her people, all peasants.  There is a sister, an
uncle, a priest, a peasant, too, and perfectly unenlightened.  One can't
expect much from a priest (I am a free-thinker of course), but he is
really too bad, more like a brute beast.  As to all her people, mostly
dead now, they never were of any account.  There was a little land, but
they were always working on other people's farms, a barefooted gang, a
starved lot.  I ought to know because we are distant relations.
Twentieth cousins or something of the sort.  Yes, I am related to that
most loyal lady.  And what is she, after all, but a Parisian woman with
innumerable lovers, as I have been told."

"I don't think your information is very correct," I said, affecting to
yawn slightly.  "This is mere gossip of the gutter and I am surprised at
you, who really know nothing about it--"

But the disgusting animal had fallen into a brown study.  The hair of his
very whiskers was perfectly still.  I had now given up all idea of the
letter to Rita.  Suddenly he spoke again:

"Women are the origin of all evil.  One should never trust them.  They
have no honour.  No honour!" he repeated, striking his breast with his
closed fist on which the knuckles stood out very white.  "I left my
village many years ago and of course I am perfectly satisfied with my
position and I don't know why I should trouble my head about this loyal
lady.  I suppose that's the way women get on in the world."

I felt convinced that he was no proper person to be a messenger to
headquarters.  He struck me as altogether untrustworthy and perhaps not
quite sane.  This was confirmed by him saying suddenly with no visible
connection and as if it had been forced from him by some agonizing
process: "I was a boy once," and then stopping dead short with a smile.
He had a smile that frightened one by its association of malice and
anguish.

"Will you have anything more to eat?" I asked.

He declined dully.  He had had enough.  But he drained the last of a
bottle into his glass and accepted a cigar which I offered him.  While he
was lighting it I had a sort of confused impression that he wasn't such a
stranger to me as I had assumed he was; and yet, on the other hand, I was
perfectly certain I had never seen him before.  Next moment I felt that I
could have knocked him down if he hadn't looked so amazingly unhappy,
while he came out with the astounding question: "Senor, have you ever
been a lover in your young days?"

"What do you mean?" I asked.  "How old do you think I am?"

"That's true," he said, gazing at me in a way in which the damned gaze
out of their cauldrons of boiling pitch at some soul walking scot free in
the place of torment.  "It's true, you don't seem to have anything on
your mind."  He assumed an air of ease, throwing an arm over the back of
his chair and blowing the smoke through the gash of his twisted red
mouth.  "Tell me," he said, "between men, you know, has this--wonderful
celebrity--what does she call herself?  How long has she been your
mistress?"

I reflected rapidly that if I knocked him over, chair and all, by a
sudden blow from the shoulder it would bring about infinite complications
beginning with a visit to the Commissaire de Police on night-duty, and
ending in God knows what scandal and disclosures of political kind;
because there was no telling what, or how much, this outrageous brute
might choose to say and how many people he might not involve in a most
undesirable publicity.  He was smoking his cigar with a poignantly
mocking air and not even looking at me.  One can't hit like that a man
who isn't even looking at one; and then, just as I was looking at him
swinging his leg with a caustic smile and stony eyes, I felt sorry for
the creature.  It was only his body that was there in that chair.  It was
manifest to me that his soul was absent in some hell of its own.  At that
moment I attained the knowledge of who it was I had before me.  This was
the man of whom both Dona Rita and Rose were so much afraid.  It remained
then for me to look after him for the night and then arrange with Baron
H. that he should be sent away the very next day--and anywhere but to
Tolosa.  Yes, evidently, I mustn't lose sight of him.  I proposed in the
calmest tone that we should go on where he could get his much-needed
rest.  He rose with alacrity, picked up his little hand-bag, and, walking
out before me, no doubt looked a very ordinary person to all eyes but
mine.  It was then past eleven, not much, because we had not been in that
restaurant quite an hour, but the routine of the town's night-life being
upset during the Carnival the usual row of fiacres outside the Maison
Doree was not there; in fact, there were very few carriages about.
Perhaps the coachmen had assumed Pierrot costumes and were rushing about
the streets on foot yelling with the rest of the population.  "We will
have to walk," I said after a while.--"Oh, yes, let us walk," assented
Senor Ortega, "or I will be frozen here."  It was like a plaint of
unutterable wretchedness.  I had a fancy that all his natural heat had
abandoned his limbs and gone to his brain.  It was otherwise with me; my
head was cool but I didn't find the night really so very cold.  We
stepped out briskly side by side.  My lucid thinking was, as it were,
enveloped by the wide shouting of the consecrated Carnival gaiety.  I
have heard many noises since, but nothing that gave me such an intimate
impression of the savage instincts hidden in the breast of mankind; these
yells of festivity suggested agonizing fear, rage of murder, ferocity of
lust, and the irremediable joylessness of human condition: yet they were
emitted by people who were convinced that they were amusing themselves
supremely, traditionally, with the sanction of ages, with the approval of
their conscience--and no mistake about it whatever!  Our appearance, the
soberness of our gait made us conspicuous.  Once or twice, by common
inspiration, masks rushed forward and forming a circle danced round us
uttering discordant shouts of derision; for we were an outrage to the
peculiar proprieties of the hour, and besides we were obviously lonely
and defenceless.  On those occasions there was nothing for it but to
stand still till the flurry was over.  My companion, however, would stamp
his feet with rage, and I must admit that I myself regretted not having
provided for our wearing a couple of false noses, which would have been
enough to placate the just resentment of those people.  We might have
also joined in the dance, but for some reason or other it didn't occur to
us; and I heard once a high, clear woman's voice stigmatizing us for a
"species of swelled heads" (_espece d'enfles_).  We proceeded sedately,
my companion muttered with rage, and I was able to resume my thinking.
It was based on the deep persuasion that the man at my side was insane
with quite another than Carnivalesque lunacy which comes on at one stated
time of the year.  He was fundamentally mad, though not perhaps
completely; which of course made him all the greater, I won't say danger
but, nuisance.

I remember once a young doctor expounding the theory that most
catastrophes in family circles, surprising episodes in public affairs and
disasters in private life, had their origin in the fact that the world
was full of half-mad people.  He asserted that they were the real
majority.  When asked whether he considered himself as belonging to the
majority, he said frankly that he didn't think so; unless the folly of
voicing this view in a company, so utterly unable to appreciate all its
horror, could be regarded as the first symptom of his own fate.  We
shouted down him and his theory, but there is no doubt that it had thrown
a chill on the gaiety of our gathering.

We had now entered a quieter quarter of the town and Senor Ortega had
ceased his muttering.  For myself I had not the slightest doubt of my own
sanity.  It was proved to me by the way I could apply my intelligence to
the problem of what was to be done with Senor Ortega.  Generally, he was
unfit to be trusted with any mission whatever.  The unstability of his
temper was sure to get him into a scrape.  Of course carrying a letter to
Headquarters was not a very complicated matter; and as to that I would
have trusted willingly a properly trained dog.  My private letter to Dona
Rita, the wonderful, the unique letter of farewell, I had given up for
the present.  Naturally I thought of the Ortega problem mainly in the
terms of Dona Rita's safety.  Her image presided at every council, at
every conflict of my mind, and dominated every faculty of my senses.  It
floated before my eyes, it touched my elbow, it guarded my right side and
my left side; my ears seemed to catch the sound of her footsteps behind
me, she enveloped me with passing whiffs of warmth and perfume, with
filmy touches of the hair on my face.  She penetrated me, my head was
full of her . . . And his head, too, I thought suddenly with a side
glance at my companion.  He walked quietly with hunched-up shoulders
carrying his little hand-bag and he looked the most commonplace figure
imaginable.

Yes.  There was between us a most horrible fellowship; the association of
his crazy torture with the sublime suffering of my passion.  We hadn't
been a quarter of an hour together when that woman had surged up fatally
between us; between this miserable wretch and myself.  We were haunted by
the same image.  But I was sane!  I was sane!  Not because I was certain
that the fellow must not be allowed to go to Tolosa, but because I was
perfectly alive to the difficulty of stopping him from going there, since
the decision was absolutely in the hands of Baron H.

If I were to go early in the morning and tell that fat, bilious man:
"Look here, your Ortega's mad," he would certainly think at once that I
was, get very frightened, and . . . one couldn't tell what course he
would take.  He would eliminate me somehow out of the affair.  And yet I
could not let the fellow proceed to where Dona Rita was, because,
obviously, he had been molesting her, had filled her with uneasiness and
even alarm, was an unhappy element and a disturbing influence in her
life--incredible as the thing appeared!  I couldn't let him go on to make
himself a worry and a nuisance, drive her out from a town in which she
wished to be (for whatever reason) and perhaps start some explosive
scandal.  And that girl Rose seemed to fear something graver even than a
scandal.  But if I were to explain the matter fully to H. he would simply
rejoice in his heart.  Nothing would please him more than to have Dona
Rita driven out of Tolosa.  What a relief from his anxieties (and his
wife's, too); and if I were to go further, if I even went so far as to
hint at the fears which Rose had not been able to conceal from me, why
then--I went on thinking coldly with a stoical rejection of the most
elementary faith in mankind's rectitude--why then, that accommodating
husband would simply let the ominous messenger have his chance.  He would
see there only his natural anxieties being laid to rest for ever.
Horrible?  Yes.  But I could not take the risk.  In a twelvemonth I had
travelled a long way in my mistrust of mankind.

We paced on steadily.  I thought: "How on earth am I going to stop you?"
Had this arisen only a month before, when I had the means at hand and
Dominic to confide in, I would have simply kidnapped the fellow.  A
little trip to sea would not have done Senor Ortega any harm; though no
doubt it would have been abhorrent to his feelings.  But now I had not
the means.  I couldn't even tell where my poor Dominic was hiding his
diminished head.

Again I glanced at him sideways.  I was the taller of the two and as it
happened I met in the light of the street lamp his own stealthy glance
directed up at me with an agonized expression, an expression that made me
fancy I could see the man's very soul writhing in his body like an
impaled worm.  In spite of my utter inexperience I had some notion of the
images that rushed into his mind at the sight of any man who had
approached Dona Rita.  It was enough to awaken in any human being a
movement of horrified compassion; but my pity went out not to him but to
Dona Rita.  It was for her that I felt sorry; I pitied her for having
that damned soul on her track.  I pitied her with tenderness and
indignation, as if this had been both a danger and a dishonour.

I don't mean to say that those thoughts passed through my head
consciously.  I had only the resultant, settled feeling.  I had, however,
a thought, too.  It came on me suddenly, and I asked myself with rage and
astonishment: "Must I then kill that brute?"  There didn't seem to be any
alternative.  Between him and Dona Rita I couldn't hesitate.  I believe I
gave a slight laugh of desperation.  The suddenness of this sinister
conclusion had in it something comic and unbelievable.  It loosened my
grip on my mental processes.  A Latin tag came into my head about the
facile descent into the abyss.  I marvelled at its aptness, and also that
it should have come to me so pat.  But I believe now that it was
suggested simply by the actual declivity of the street of the Consuls
which lies on a gentle slope.  We had just turned the corner.  All the
houses were dark and in a perspective of complete solitude our two
shadows dodged and wheeled about our feet.

"Here we are," I said.

He was an extraordinarily chilly devil.  When we stopped I could hear his
teeth chattering again.  I don't know what came over me, I had a sort of
nervous fit, was incapable of finding my pockets, let alone the latchkey.
I had the illusion of a narrow streak of light on the wall of the house
as if it had been cracked.  "I hope we will be able to get in," I
murmured.

Senor Ortega stood waiting patiently with his handbag, like a rescued
wayfarer.  "But you live in this house, don't you?" he observed.

"No," I said, without hesitation.  I didn't know how that man would
behave if he were aware that I was staying under the same roof.  He was
half mad.  He might want to talk all night, try crazily to invade my
privacy.  How could I tell?  Moreover, I wasn't so sure that I would
remain in the house.  I had some notion of going out again and walking up
and down the street of the Consuls till daylight.  "No, an absent friend
lets me use . . . I had that latchkey this morning . . . Ah! here it is."

I let him go in first.  The sickly gas flame was there on duty,
undaunted, waiting for the end of the world to come and put it out.  I
think that the black-and-white hall surprised Ortega.  I had closed the
front door without noise and stood for a moment listening, while he
glanced about furtively.  There were only two other doors in the hall,
right and left.  Their panels of ebony were decorated with bronze
applications in the centre.  The one on the left was of course Blunt's
door.  As the passage leading beyond it was dark at the further end I
took Senor Ortega by the hand and led him along, unresisting, like a
child.  For some reason or other I moved on tip-toe and he followed my
example.  The light and the warmth of the studio impressed him
favourably; he laid down his little bag, rubbed his hands together, and
produced a smile of satisfaction; but it was such a smile as a totally
ruined man would perhaps force on his lips, or a man condemned to a short
shrift by his doctor.  I begged him to make himself at home and said that
I would go at once and hunt up the woman of the house who would make him
up a bed on the big couch there.  He hardly listened to what I said.
What were all those things to him!  He knew that his destiny was to sleep
on a bed of thorns, to feed on adders.  But he tried to show a sort of
polite interest.  He asked: "What is this place?"

"It used to belong to a painter,"  I mumbled.

"Ah, your absent friend," he said, making a wry mouth.  "I detest all
those artists, and all those writers, and all politicos who are thieves;
and I would go even farther and higher, laying a curse on all idle lovers
of women.  You think perhaps I am a Royalist?  No.  If there was anybody
in heaven or hell to pray to I would pray for a revolution--a red
revolution everywhere."

"You astonish me," I said, just to say something.

"No!  But there are half a dozen people in the world with whom I would
like to settle accounts.  One could shoot them like partridges and no
questions asked.  That's what revolution would mean to me."

"It's a beautifully simple view," I said.  "I imagine you are not the
only one who holds it; but I really must look after your comforts.  You
mustn't forget that we have to see Baron H. early to-morrow morning."
And I went out quietly into the passage wondering in what part of the
house Therese had elected to sleep that night.  But, lo and behold, when
I got to the foot of the stairs there was Therese coming down from the
upper regions in her nightgown, like a sleep-walker.  However, it wasn't
that, because, before I could exclaim, she vanished off the first floor
landing like a streak of white mist and without the slightest sound.  Her
attire made it perfectly clear that she could not have heard us coming
in.  In fact, she must have been certain that the house was empty,
because she was as well aware as myself that the Italian girls after
their work at the opera were going to a masked ball to dance for their
own amusement, attended of course by their conscientious father.  But
what thought, need, or sudden impulse had driven Therese out of bed like
this was something I couldn't conceive.

I didn't call out after her.  I felt sure that she would return.  I went
up slowly to the first floor and met her coming down again, this time
carrying a lighted candle.  She had managed to make herself presentable
in an extraordinarily short time.

"Oh, my dear young Monsieur, you have given me a fright."

"Yes.  And I nearly fainted, too," I said.  "You looked perfectly awful.
What's the matter with you?  Are you ill?"

She had lighted by then the gas on the landing and I must say that I had
never seen exactly that manner of face on her before.  She wriggled,
confused and shifty-eyed, before me; but I ascribed this behaviour to her
shocked modesty and without troubling myself any more about her feelings
I informed her that there was a Carlist downstairs who must be put up for
the night.  Most unexpectedly she betrayed a ridiculous consternation,
but only for a moment.  Then she assumed at once that I would give him
hospitality upstairs where there was a camp-bedstead in my dressing-room.
I said:

"No.  Give him a shake-down in the studio, where he is now.  It's warm in
there.  And remember! I charge you strictly not to let him know that I
sleep in this house.  In fact, I don't know myself that I will; I have
certain matters to attend to this very night.  You will also have to
serve him his coffee in the morning.  I will take him away before ten
o'clock."

All this seemed to impress her more than I had expected.  As usual when
she felt curious, or in some other way excited, she assumed a saintly,
detached expression, and asked:

"The dear gentleman is your friend, I suppose?"

"I only know he is a Spaniard and a Carlist," I said: "and that ought to
be enough for you."

Instead of the usual effusive exclamations she murmured: "Dear me, dear
me," and departed upstairs with the candle to get together a few blankets
and pillows, I suppose.  As for me I walked quietly downstairs on my way
to the studio.  I had a curious sensation that I was acting in a
preordained manner, that life was not at all what I had thought it to be,
or else that I had been altogether changed sometime during the day, and
that I was a different person from the man whom I remembered getting out
of my bed in the morning.

Also feelings had altered all their values.  The words, too, had become
strange.  It was only the inanimate surroundings that remained what they
had always been.  For instance the studio. . . .

During my absence Senor Ortega had taken off his coat and I found him as
it were in the air, sitting in his shirt sleeves on a chair which he had
taken pains to place in the very middle of the floor.  I repressed an
absurd impulse to walk round him as though he had been some sort of
exhibit.  His hands were spread over his knees and he looked perfectly
insensible.  I don't mean strange, or ghastly, or wooden, but just
insensible--like an exhibit.  And that effect persisted even after he
raised his black suspicious eyes to my face.  He lowered them almost at
once.  It was very mechanical.  I gave him up and became rather concerned
about myself.  My thought was that I had better get out of that before
any more queer notions came into my head.  So I only remained long enough
to tell him that the woman of the house was bringing down some bedding
and that I hoped that he would have a good night's rest.  And directly I
spoke it struck me that this was the most extraordinary speech that ever
was addressed to a figure of that sort.  He, however, did not seem
startled by it or moved in any way.  He simply said:

"Thank you."

In the darkest part of the long passage outside I met Therese with her
arms full of pillows and blankets.



CHAPTER V


Coming out of the bright light of the studio I didn't make out Therese
very distinctly.  She, however, having groped in dark cupboards, must
have had her pupils sufficiently dilated to have seen that I had my hat
on my head.  This has its importance because after what I had said to her
upstairs it must have convinced her that I was going out on some midnight
business.  I passed her without a word and heard behind me the door of
the studio close with an unexpected crash.  It strikes me now that under
the circumstances I might have without shame gone back to listen at the
keyhole.  But truth to say the association of events was not so clear in
my mind as it may be to the reader of this story.  Neither were the exact
connections of persons present to my mind.  And, besides, one doesn't
listen at a keyhole but in pursuance of some plan; unless one is
afflicted by a vulgar and fatuous curiosity.  But that vice is not in my
character.  As to plan, I had none.  I moved along the passage between
the dead wall and the black-and-white marble elevation of the staircase
with hushed footsteps, as though there had been a mortally sick person
somewhere in the house.  And the only person that could have answered to
that description was Senor Ortega.  I moved on, stealthy, absorbed,
undecided; asking myself earnestly: "What on earth am I going to do with
him?"  That exclusive preoccupation of my mind was as dangerous to Senor
Ortega as typhoid fever would have been.  It strikes me that this
comparison is very exact.  People recover from typhoid fever, but
generally the chance is considered poor.  This was precisely his case.
His chance was poor; though I had no more animosity towards him than a
virulent disease has against the victim it lays low.  He really would
have nothing to reproach me with; he had run up against me, unwittingly,
as a man enters an infected place, and now he was very ill, very ill
indeed.  No, I had no plans against him.  I had only the feeling that he
was in mortal danger.

I believe that men of the most daring character (and I make no claim to
it) often do shrink from the logical processes of thought.  It is only
the devil, they say, that loves logic.  But I was not a devil.  I was not
even a victim of the devil.  It was only that I had given up the
direction of my intelligence before the problem; or rather that the
problem had dispossessed my intelligence and reigned in its stead side by
side with a superstitious awe.  A dreadful order seemed to lurk in the
darkest shadows of life.  The madness of that Carlist with the soul of a
Jacobin, the vile fears of Baron H., that excellent organizer of
supplies, the contact of their two ferocious stupidities, and last, by a
remote disaster at sea, my love brought into direct contact with the
situation: all that was enough to make one shudder--not at the chance,
but at the design.

For it was my love that was called upon to act here, and nothing else.
And love which elevates us above all safeguards, above restraining
principles, above all littlenesses of self-possession, yet keeps its feet
always firmly on earth, remains marvellously practical in its
suggestions.

I discovered that however much I had imagined I had given up Rita, that
whatever agonies I had gone through, my hope of her had never been lost.
Plucked out, stamped down, torn to shreds, it had remained with me
secret, intact, invincible.  Before the danger of the situation it
sprang, full of life, up in arms--the undying child of immortal love.
What incited me was independent of honour and compassion; it was the
prompting of a love supreme, practical, remorseless in its aim; it was
the practical thought that no woman need be counted as lost for ever,
unless she be dead!

This excluded for the moment all considerations of ways and means and
risks and difficulties.  Its tremendous intensity robbed it of all
direction and left me adrift in the big black-and-white hall as on a
silent sea.  It was not, properly speaking, irresolution.  It was merely
hesitation as to the next immediate step, and that step even of no great
importance: hesitation merely as to the best way I could spend the rest
of the night.  I didn't think further forward for many reasons, more or
less optimistic, but mainly because I have no homicidal vein in my
composition.  The disposition to gloat over homicide was in that
miserable creature in the studio, the potential Jacobin; in that
confounded buyer of agricultural produce, the punctual employe of
Hernandez Brothers, the jealous wretch with an obscene tongue and an
imagination of the same kind to drive him mad.  I thought of him without
pity but also without contempt.  I reflected that there were no means of
sending a warning to Dona Rita in Tolosa; for of course no postal
communication existed with the Headquarters.  And moreover what would a
warning be worth in this particular case, supposing it would reach her,
that she would believe it, and that she would know what to do?  How could
I communicate to another that certitude which was in my mind, the more
absolute because without proofs that one could produce?

The last expression of Rose's distress rang again in my ears: "Madame has
no friends.  Not one!" and I saw Dona Rita's complete loneliness beset by
all sorts of insincerities, surrounded by pitfalls; her greatest dangers
within herself, in her generosity, in her fears, in her courage, too.
What I had to do first of all was to stop that wretch at all costs.  I
became aware of a great mistrust of Therese.  I didn't want her to find
me in the hall, but I was reluctant to go upstairs to my rooms from an
unreasonable feeling that there I would be too much out of the way; not
sufficiently on the spot.  There was the alternative of a live-long night
of watching outside, before the dark front of the house.  It was a most
distasteful prospect.  And then it occurred to me that Blunt's former
room would be an extremely good place to keep a watch from.  I knew that
room.  When Henry Allegre gave the house to Rita in the early days (long
before he made his will) he had planned a complete renovation and this
room had been meant for the drawing-room.  Furniture had been made for it
specially, upholstered in beautiful ribbed stuff, made to order, of dull
gold colour with a pale blue tracery of arabesques and oval medallions
enclosing Rita's monogram, repeated on the backs of chairs and sofas, and
on the heavy curtains reaching from ceiling to floor.  To the same time
belonged the ebony and bronze doors, the silver statuette at the foot of
the stairs, the forged iron balustrade reproducing right up the marble
staircase Rita's decorative monogram in its complicated design.
Afterwards the work was stopped and the house had fallen into disrepair.
When Rita devoted it to the Carlist cause a bed was put into that
drawing-room, just simply the bed.  The room next to that yellow salon
had been in Allegre's young days fitted as a fencing-room containing also
a bath, and a complicated system of all sorts of shower and jet
arrangements, then quite up to date.  That room was very large, lighted
from the top, and one wall of it was covered by trophies of arms of all
sorts, a choice collection of cold steel disposed on a background of
Indian mats and rugs: Blunt used it as a dressing-room.  It communicated
by a small door with the studio.

I had only to extend my hand and make one step to reach the magnificent
bronze handle of the ebony door, and if I didn't want to be caught by
Therese there was no time to lose.  I made the step and extended the
hand, thinking that it would be just like my luck to find the door
locked.  But the door came open to my push.  In contrast to the dark hall
the room was most unexpectedly dazzling to my eyes, as if illuminated _a
giorno_ for a reception.  No voice came from it, but nothing could have
stopped me now.  As I turned round to shut the door behind me noiselessly
I caught sight of a woman's dress on a chair, of other articles of
apparel scattered about.  The mahogany bed with a piece of light silk
which Therese found somewhere and used for a counterpane was a
magnificent combination of white and crimson between the gleaming
surfaces of dark wood; and the whole room had an air of splendour with
marble consoles, gilt carvings, long mirrors and a sumptuous Venetian
lustre depending from the ceiling: a darkling mass of icy pendants
catching a spark here and there from the candles of an eight-branched
candelabra standing on a little table near the head of a sofa which had
been dragged round to face the fireplace.  The faintest possible whiff of
a familiar perfume made my head swim with its suggestion.

I grabbed the back of the nearest piece of furniture and the splendour of
marbles and mirrors, of cut crystals and carvings, swung before my eyes
in the golden mist of walls and draperies round an extremely conspicuous
pair of black stockings thrown over a music stool which remained
motionless.  The silence was profound.  It was like being in an enchanted
place.  Suddenly a voice began to speak, clear, detached, infinitely
touching in its calm weariness.

"Haven't you tormented me enough to-day?" it said. . . . My head was
steady now but my heart began to beat violently.  I listened to the end
without moving, "Can't you make up your mind to leave me alone for
to-night?"  It pleaded with an accent of charitable scorn.

The penetrating quality of these tones which I had not heard for so many,
many days made my eyes run full of tears.  I guessed easily that the
appeal was addressed to the atrocious Therese.  The speaker was concealed
from me by the high back of the sofa, but her apprehension was perfectly
justified.  For was it not I who had turned back Therese the pious, the
insatiable, coming downstairs in her nightgown to torment her sister some
more?  Mere surprise at Dona Rita's presence in the house was enough to
paralyze me; but I was also overcome by an enormous sense of relief, by
the assurance of security for her and for myself.  I didn't even ask
myself how she came there.  It was enough for me that she was not in
Tolosa.  I could have smiled at the thought that all I had to do now was
to hasten the departure of that abominable lunatic--for Tolosa: an easy
task, almost no task at all.  Yes, I would have smiled, had not I felt
outraged by the presence of Senor Ortega under the same roof with Dona
Rita.  The mere fact was repugnant to me, morally revolting; so that I
should have liked to rush at him and throw him out into the street.  But
that was not to be done for various reasons.  One of them was pity.  I
was suddenly at peace with all mankind, with all nature.  I felt as if I
couldn't hurt a fly.  The intensity of my emotion sealed my lips.  With a
fearful joy tugging at my heart I moved round the head of the couch
without a word.

In the wide fireplace on a pile of white ashes the logs had a deep
crimson glow; and turned towards them Dona Rita reclined on her side
enveloped in the skins of wild beasts like a charming and savage young
chieftain before a camp fire.  She never even raised her eyes, giving me
the opportunity to contemplate mutely that adolescent, delicately
masculine head, so mysteriously feminine in the power of instant
seduction, so infinitely suave in its firm design, almost childlike in
the freshness of detail: altogether ravishing in the inspired strength of
the modelling.  That precious head reposed in the palm of her hand; the
face was slightly flushed (with anger perhaps).  She kept her eyes
obstinately fixed on the pages of a book which she was holding with her
other hand.  I had the time to lay my infinite adoration at her feet
whose white insteps gleamed below the dark edge of the fur out of quilted
blue silk bedroom slippers, embroidered with small pearls.  I had never
seen them before; I mean the slippers.  The gleam of the insteps, too,
for that matter.  I lost myself in a feeling of deep content, something
like a foretaste of a time of felicity which must be quiet or it couldn't
be eternal.  I had never tasted such perfect quietness before.  It was
not of this earth.  I had gone far beyond.  It was as if I had reached
the ultimate wisdom beyond all dreams and all passions.  She was That
which is to be contemplated to all Infinity.

The perfect stillness and silence made her raise her eyes at last,
reluctantly, with a hard, defensive expression which I had never seen in
them before.  And no wonder!  The glance was meant for Therese and
assumed in self-defence.  For some time its character did not change and
when it did it turned into a perfectly stony stare of a kind which I also
had never seen before.  She had never wished so much to be left in peace.
She had never been so astonished in her life.  She had arrived by the
evening express only two hours before Senor Ortega, had driven to the
house, and after having something to eat had become for the rest of the
evening the helpless prey of her sister who had fawned and scolded and
wheedled and threatened in a way that outraged all Rita's feelings.
Seizing this unexpected occasion Therese had displayed a distracting
versatility of sentiment: rapacity, virtue, piety, spite, and false
tenderness--while, characteristically enough, she unpacked the
dressing-bag, helped the sinner to get ready for bed, brushed her hair,
and finally, as a climax, kissed her hands, partly by surprise and partly
by violence.  After that she had retired from the field of battle slowly,
undefeated, still defiant, firing as a last shot the impudent question:
"Tell me only, have you made your will, Rita?"  To this poor Dona Rita
with the spirit of opposition strung to the highest pitch answered: "No,
and I don't mean to"--being under the impression that this was what her
sister wanted her to do.  There can be no doubt, however, that all
Therese wanted was the information.

Rita, much too agitated to expect anything but a sleepless night, had not
the courage to get into bed.  She thought she would remain on the sofa
before the fire and try to compose herself with a book.  As she had no
dressing-gown with her she put on her long fur coat over her night-gown,
threw some logs on the fire, and lay down.  She didn't hear the slightest
noise of any sort till she heard me shut the door gently.  Quietness of
movement was one of Therese's accomplishments, and the harassed heiress
of the Allegre millions naturally thought it was her sister coming again
to renew the scene.  Her heart sank within her.  In the end she became a
little frightened at the long silence, and raised her eyes.  She didn't
believe them for a long time.  She concluded that I was a vision.  In
fact, the first word which I heard her utter was a low, awed "No," which,
though I understood its meaning, chilled my blood like an evil omen.

It was then that I spoke.  "Yes," I said, "it's me that you see," and
made a step forward.  She didn't start; only her other hand flew to the
edges of the fur coat, gripping them together over her breast.  Observing
this gesture I sat down in the nearest chair.  The book she had been
reading slipped with a thump on the floor.

"How is it possible that you should be here?" she said, still in a
doubting voice.

"I am really here," I said.  "Would you like to touch my hand?"

She didn't move at all; her fingers still clutched the fur coat.

"What has happened?"

"It's a long story, but you may take it from me that all is over.  The
tie between us is broken.  I don't know that it was ever very close.  It
was an external thing.  The true misfortune is that I have ever seen
you."

This last phrase was provoked by an exclamation of sympathy on her part.
She raised herself on her elbow and looked at me intently.  "All over,"
she murmured.

"Yes, we had to wreck the little vessel.  It was awful.  I feel like a
murderer.  But she had to be killed."

"Why?"

"Because I loved her too much.  Don't you know that love and death go
very close together?"

"I could feel almost happy that it is all over, if you hadn't had to lose
your love.  Oh, _amigo_ George, it was a safe love for you."

"Yes," I said.  "It was a faithful little vessel.  She would have saved
us all from any plain danger.  But this was a betrayal.  It was--never
mind.  All that's past.  The question is what will the next one be."

"Why should it be that?"

"I don't know.  Life seems but a series of betrayals.  There are so many
kinds of them.  This was a betrayed plan, but one can betray confidence,
and hope and--desire, and the most sacred . . ."

"But what are you doing here?" she interrupted.

"Oh, yes!  The eternal why.  Till a few hours ago I didn't know what I
was here for.  And what are you here for?" I asked point blank and with a
bitterness she disregarded.  She even answered my question quite readily
with many words out of which I could make very little.  I only learned
that for at least five mixed reasons, none of which impressed me
profoundly, Dona Rita had started at a moment's notice from Paris with
nothing but a dressing-bag, and permitting Rose to go and visit her aged
parents for two days, and then follow her mistress.  That girl of late
had looked so perturbed and worried that the sensitive Rita, fearing that
she was tired of her place, proposed to settle a sum of money on her
which would have enabled her to devote herself entirely to her aged
parents.  And did I know what that extraordinary girl said?  She had
said: "Don't let Madame think that I would be too proud to accept
anything whatever from her; but I can't even dream of leaving Madame.  I
believe Madame has no friends.  Not one."  So instead of a large sum of
money Dona Rita gave the girl a kiss and as she had been worried by
several people who wanted her to go to Tolosa she bolted down this way
just to get clear of all those busybodies.  "Hide from them," she went on
with ardour.  "Yes, I came here to hide," she repeated twice as if
delighted at last to have hit on that reason among so many others.  "How
could I tell that you would be here?"  Then with sudden fire which only
added to the delight with which I had been watching the play of her
physiognomy she added: "Why did you come into this room?"

She enchanted me.  The ardent modulations of the sound, the slight play
of the beautiful lips, the still, deep sapphire gleam in those long eyes
inherited from the dawn of ages and that seemed always to watch
unimaginable things, that underlying faint ripple of gaiety that played
under all her moods as though it had been a gift from the high gods moved
to pity for this lonely mortal, all this within the four walls and
displayed for me alone gave me the sense of almost intolerable joy.  The
words didn't matter.  They had to be answered, of course.

"I came in for several reasons.  One of them is that I didn't know you
were here."

"Therese didn't tell you?"

"No."

"Never talked to you about me?"

I hesitated only for a moment.  "Never," I said.  Then I asked in my
turn, "Did she tell you I was here?"

"No," she said.

"It's very clear she did not mean us to come together again."

"Neither did I, my dear."

"What do you mean by speaking like this, in this tone, in these words?
You seem to use them as if they were a sort of formula.  Am I a dear to
you?  Or is anybody? . . . or everybody? . . ."

She had been for some time raised on her elbow, but then as if something
had happened to her vitality she sank down till her head rested again on
the sofa cushion.

"Why do you try to hurt my feelings?" she asked.

"For the same reason for which you call me dear at the end of a sentence
like that: for want of something more amusing to do.  You don't pretend
to make me believe that you do it for any sort of reason that a decent
person would confess to."

The colour had gone from her face; but a fit of wickedness was on me and
I pursued, "What are the motives of your speeches?  What prompts your
actions?  On your own showing your life seems to be a continuous running
away.  You have just run away from Paris.  Where will you run to-morrow?
What are you everlastingly running from--or is it that you are running
after something?  What is it?  A man, a phantom--or some sensation that
you don't like to own to?"

Truth to say, I was abashed by the silence which was her only answer to
this sally.  I said to myself that I would not let my natural anger, my
just fury be disarmed by any assumption of pathos or dignity.  I suppose
I was really out of my mind and what in the middle ages would have been
called "possessed" by an evil spirit.  I went on enjoying my own
villainy.

"Why aren't you in Tolosa?  You ought to be in Tolosa.  Isn't Tolosa the
proper field for your abilities, for your sympathies, for your
profusions, for your generosities--the king without a crown, the man
without a fortune!  But here there is nothing worthy of your talents.
No, there is no longer anything worth any sort of trouble here.  There
isn't even that ridiculous Monsieur George.  I understand that the talk
of the coast from here to Cette is that Monsieur George is drowned.  Upon
my word I believe he is.  And serve him right, too.  There's Therese, but
I don't suppose that your love for your sister . . ."

"For goodness' sake don't let her come in and find you here."

Those words recalled me to myself, exorcised the evil spirit by the mere
enchanting power of the voice.  They were also impressive by their
suggestion of something practical, utilitarian, and remote from
sentiment.  The evil spirit left me and I remained taken aback slightly.

"Well," I said, "if you mean that you want me to leave the room I will
confess to you that I can't very well do it yet.  But I could lock both
doors if you don't mind that."

"Do what you like as long as you keep her out.  You two together would be
too much for me to-night.  Why don't you go and lock those doors?  I have
a feeling she is on the prowl."

I got up at once saying, "I imagine she has gone to bed by this time."  I
felt absolutely calm and responsible.  I turned the keys one after
another so gently that I couldn't hear the click of the locks myself.
This done I recrossed the room with measured steps, with downcast eyes,
and approaching the couch without raising them from the carpet I sank
down on my knees and leaned my forehead on its edge.  That penitential
attitude had but little remorse in it.  I detected no movement and heard
no sound from her.  In one place a bit of the fur coat touched my cheek
softly, but no forgiving hand came to rest on my bowed head.  I only
breathed deeply the faint scent of violets, her own particular fragrance
enveloping my body, penetrating my very heart with an inconceivable
intimacy, bringing me closer to her than the closest embrace, and yet so
subtle that I sensed her existence in me only as a great, glowing,
indeterminate tenderness, something like the evening light disclosing
after the white passion of the day infinite depths in the colours of the
sky and an unsuspected soul of peace in the protean forms of life.  I had
not known such quietness for months; and I detected in myself an immense
fatigue, a longing to remain where I was without changing my position to
the end of time.  Indeed to remain seemed to me a complete solution for
all the problems that life presents--even as to the very death itself.

Only the unwelcome reflection that this was impossible made me get up at
last with a sigh of deep grief at the end of the dream.  But I got up
without despair.  She didn't murmur, she didn't stir.  There was
something august in the stillness of the room.  It was a strange peace
which she shared with me in this unexpected shelter full of disorder in
its neglected splendour.  What troubled me was the sudden, as it were
material, consciousness of time passing as water flows.  It seemed to me
that it was only the tenacity of my sentiment that held that woman's
body, extended and tranquil above the flood.  But when I ventured at last
to look at her face I saw her flushed, her teeth clenched--it was
visible--her nostrils dilated, and in her narrow, level-glancing eyes a
look of inward and frightened ecstasy.  The edges of the fur coat had
fallen open and I was moved to turn away.  I had the same impression as
on the evening we parted that something had happened which I did not
understand; only this time I had not touched her at all.  I really didn't
understand.  At the slightest whisper I would now have gone out without a
murmur, as though that emotion had given her the right to be obeyed.  But
there was no whisper; and for a long time I stood leaning on my arm,
looking into the fire and feeling distinctly between the four walls of
that locked room the unchecked time flow past our two stranded
personalities.

And suddenly she spoke.  She spoke in that voice that was so profoundly
moving without ever being sad, a little wistful perhaps and always the
supreme expression of her grace.  She asked as if nothing had happened:

"What are you thinking of, _amigo_?"

I turned about.  She was lying on her side, tranquil above the smooth
flow of time, again closely wrapped up in her fur, her head resting on
the old-gold sofa cushion bearing like everything else in that room the
decoratively enlaced letters of her monogram; her face a little pale now,
with the crimson lobe of her ear under the tawny mist of her loose hair,
the lips a little parted, and her glance of melted sapphire level and
motionless, darkened by fatigue.

"Can I think of anything but you?" I murmured, taking a seat near the
foot of the couch.  "Or rather it isn't thinking, it is more like the
consciousness of you always being present in me, complete to the last
hair, to the faintest shade of expression, and that not only when we are
apart but when we are together, alone, as close as this.  I see you now
lying on this couch but that is only the insensible phantom of the real
you that is in me.  And it is the easier for me to feel this because that
image which others see and call by your name--how am I to know that it is
anything else but an enchanting mist?  You have always eluded me except
in one or two moments which seem still more dream-like than the rest.
Since I came into this room you have done nothing to destroy my
conviction of your unreality apart from myself.  You haven't offered me
your hand to touch.  Is it because you suspect that apart from me you are
but a mere phantom, and that you fear to put it to the test?"

One of her hands was under the fur and the other under her cheek.  She
made no sound.  She didn't offer to stir.  She didn't move her eyes, not
even after I had added after waiting for a while,

"Just what I expected.  You are a cold illusion."

She smiled mysteriously, right away from me, straight at the fire, and
that was all.



CHAPTER VI


I had a momentary suspicion that I had said something stupid.  Her smile
amongst many other things seemed to have meant that, too.  And I answered
it with a certain resignation:

"Well, I don't know that you are so much mist.  I remember once hanging
on to you like a drowning man . . . But perhaps I had better not speak of
this.  It wasn't so very long ago, and you may . . . "

"I don't mind.  Well . . ."

"Well, I have kept an impression of great solidity.  I'll admit that.  A
woman of granite."

"A doctor once told me that I was made to last for ever," she said.

"But essentially it's the same thing," I went on.  "Granite, too, is
insensible."

I watched her profile against the pillow and there came on her face an
expression I knew well when with an indignation full of suppressed
laughter she used to throw at me the word "Imbecile."  I expected it to
come, but it didn't come.  I must say, though, that I was swimmy in my
head and now and then had a noise as of the sea in my ears, so I might
not have heard it.  The woman of granite, built to last for ever,
continued to look at the glowing logs which made a sort of fiery ruin on
the white pile of ashes.  "I will tell you how it is," I said.  "When I
have you before my eyes there is such a projection of my whole being
towards you that I fail to see you distinctly.  It was like that from the
beginning.  I may say that I never saw you distinctly till after we had
parted and I thought you had gone from my sight for ever.  It was then
that you took body in my imagination and that my mind seized on a
definite form of you for all its adorations--for its profanations, too.
Don't imagine me grovelling in spiritual abasement before a mere image.
I got a grip on you that nothing can shake now."

"Don't speak like this," she said.  "It's too much for me.  And there is
a whole long night before us."

"You don't think that I dealt with you sentimentally enough perhaps?  But
the sentiment was there; as clear a flame as ever burned on earth from
the most remote ages before that eternal thing which is in you, which is
your heirloom.  And is it my fault that what I had to give was real
flame, and not a mystic's incense?  It is neither your fault nor mine.
And now whatever we say to each other at night or in daylight, that
sentiment must be taken for granted.  It will be there on the day I
die--when you won't be there."

She continued to look fixedly at the red embers; and from her lips that
hardly moved came the quietest possible whisper: "Nothing would be easier
than to die for you."

"Really," I cried.  "And you expect me perhaps after this to kiss your
feet in a transport of gratitude while I hug the pride of your words to
my breast.  But as it happens there is nothing in me but contempt for
this sublime declaration.  How dare you offer me this charlatanism of
passion?  What has it got to do between you and me who are the only two
beings in the world that may safely say that we have no need of shams
between ourselves?  Is it possible that you are a charlatan at heart?
Not from egoism, I admit, but from some sort of fear.  Yet, should you be
sincere, then--listen well to me--I would never forgive you.  I would
visit your grave every day to curse you for an evil thing."

"Evil thing," she echoed softly.

"Would you prefer to be a sham--that one could forget?"

"You will never forget me," she said in the same tone at the glowing
embers.  "Evil or good.  But, my dear, I feel neither an evil nor a sham.
I have got to be what I am, and that, _amigo_, is not so easy; because I
may be simple, but like all those on whom there is no peace I am not One.
No, I am not One!"

"You are all the women in the world," I whispered bending over her.  She
didn't seem to be aware of anything and only spoke--always to the glow.

"If I were that I would say: God help them then.  But that would be more
appropriate for Therese.  For me, I can only give them my infinite
compassion.  I have too much reverence in me to invoke the name of a God
of whom clever men have robbed me a long time ago.  How could I help it?
For the talk was clever and--and I had a mind.  And I am also, as Therese
says, naturally sinful.  Yes, my dear, I may be naturally wicked but I am
not evil and I could die for you."

"You!" I said.  "You are afraid to die."

"Yes.  But not for you."

The whole structure of glowing logs fell down, raising a small turmoil of
white ashes and sparks.  The tiny crash seemed to wake her up thoroughly.
She turned her head upon the cushion to look at me.

"It's a very extraordinary thing, we two coming together like this," she
said with conviction.  "You coming in without knowing I was here and then
telling me that you can't very well go out of the room.  That sounds
funny.  I wouldn't have been angry if you had said that you wouldn't.  It
would have hurt me.  But nobody ever paid much attention to my feelings.
Why do you smile like this?"

"At a thought.  Without any charlatanism of passion I am able to tell you
of something to match your devotion.  I was not afraid for your sake to
come within a hair's breadth of what to all the world would have been a
squalid crime.  Note that you and I are persons of honour.  And there
might have been a criminal trial at the end of it for me.  Perhaps the
scaffold."

"Do you say these horrors to make me tremble?"

"Oh, you needn't tremble.  There shall be no crime.  I need not risk the
scaffold, since now you are safe.  But I entered this room meditating
resolutely on the ways of murder, calculating possibilities and chances
without the slightest compunction.  It's all over now.  It was all over
directly I saw you here, but it had been so near that I shudder yet."

She must have been very startled because for a time she couldn't speak.
Then in a faint voice:

"For me!  For me!" she faltered out twice.

"For you--or for myself?  Yet it couldn't have been selfish.  What would
it have been to me that you remained in the world?  I never expected to
see you again.  I even composed a most beautiful letter of farewell.
Such a letter as no woman had ever received."

Instantly she shot out a hand towards me.  The edges of the fur cloak
fell apart.  A wave of the faintest possible scent floated into my
nostrils.

"Let me have it," she said imperiously.

"You can't have it.  It's all in my head.  No woman will read it.  I
suspect it was something that could never have been written.  But what a
farewell!  And now I suppose we shall say good-bye without even a
handshake.  But you are safe!  Only I must ask you not to come out of
this room till I tell you you may."

I was extremely anxious that Senor Ortega should never even catch a
glimpse of Dona Rita, never guess how near he had been to her.  I was
extremely anxious the fellow should depart for Tolosa and get shot in a
ravine; or go to the Devil in his own way, as long as he lost the track
of Dona Rita completely.  He then, probably, would get mad and get shut
up, or else get cured, forget all about it, and devote himself to his
vocation, whatever it was--keep a shop and grow fat.  All this flashed
through my mind in an instant and while I was still dazzled by those
comforting images, the voice of Dona Rita pulled me up with a jerk.

"You mean not out of the house?"

"No, I mean not out of this room," I said with some embarrassment.

"What do you mean?  Is there something in the house then?  This is most
extraordinary!  Stay in this room?  And you, too, it seems?  Are you also
afraid for yourself?"

"I can't even give you an idea how afraid I was.  I am not so much now.
But you know very well, Dona Rita, that I never carry any sort of weapon
in my pocket."

"Why don't you, then?" she asked in a flash of scorn which bewitched me
so completely for an instant that I couldn't even smile at it.

"Because if I am unconventionalized I am an old European," I murmured
gently.  "No, _Excellentissima_, I shall go through life without as much
as a switch in my hand.  It's no use you being angry.  Adapting to this
great moment some words you've heard before: I am like that.  Such is my
character!"

Dona Rita frankly stared at me--a most unusual expression for her to
have.  Suddenly she sat up.

"Don George," she said with lovely animation, "I insist upon knowing who
is in my house."

"You insist! . . . But Therese says it is _her_ house."

Had there been anything handy, such as a cigarette box, for instance, it
would have gone sailing through the air spouting cigarettes as it went.
Rosy all over, cheeks, neck, shoulders, she seemed lighted up softly from
inside like a beautiful transparency.  But she didn't raise her voice.

"You and Therese have sworn my ruin.  If you don't tell me what you mean
I will go outside and shout up the stairs to make her come down.  I know
there is no one but the three of us in the house."

"Yes, three; but not counting my Jacobin.  There is a Jacobin in the
house."

"A Jac . . .!  Oh, George, is this the time to jest?" she began in
persuasive tones when a faint but peculiar noise stilled her lips as
though they had been suddenly frozen.  She became quiet all over
instantly.  I, on the contrary, made an involuntary movement before I,
too, became as still as death.  We strained our ears; but that peculiar
metallic rattle had been so slight and the silence now was so perfect
that it was very difficult to believe one's senses.  Dona Rita looked
inquisitively at me.  I gave her a slight nod.  We remained looking into
each other's eyes while we listened and listened till the silence became
unbearable.  Dona Rita whispered composedly: "Did you hear?"

"I am asking myself . . . I almost think I didn't."

"Don't shuffle with me.  It was a scraping noise."

"Something fell."

"Something!  What thing?  What are the things that fall by themselves?
Who is that man of whom you spoke?  Is there a man?"

"No doubt about it whatever.  I brought him here myself."

"What for?"

"Why shouldn't I have a Jacobin of my own?  Haven't you one, too?  But
mine is a different problem from that white-haired humbug of yours.  He
is a genuine article.  There must be plenty like him about.  He has
scores to settle with half a dozen people, he says, and he clamours for
revolutions to give him a chance."

"But why did you bring him here?"

"I don't know--from sudden affection . . . "

All this passed in such low tones that we seemed to make out the words
more by watching each other's lips than through our sense of hearing.
Man is a strange animal.  I didn't care what I said.  All I wanted was to
keep her in her pose, excited and still, sitting up with her hair loose,
softly glowing, the dark brown fur making a wonderful contrast with the
white lace on her breast.  All I was thinking of was that she was
adorable and too lovely for words!  I cared for nothing but that
sublimely aesthetic impression.  It summed up all life, all joy, all
poetry!  It had a divine strain.  I am certain that I was not in my right
mind.  I suppose I was not quite sane.  I am convinced that at that
moment of the four people in the house it was Dona Rita who upon the
whole was the most sane.  She observed my face and I am sure she read
there something of my inward exaltation.  She knew what to do.  In the
softest possible tone and hardly above her breath she commanded: "George,
come to yourself."

Her gentleness had the effect of evening light.  I was soothed.  Her
confidence in her own power touched me profoundly.  I suppose my love was
too great for madness to get hold of me.  I can't say that I passed to a
complete calm, but I became slightly ashamed of myself.  I whispered:

"No, it was not from affection, it was for the love of you that I brought
him here.  That imbecile H. was going to send him to Tolosa."

"That Jacobin!" Dona Rita was immensely surprised, as she might well have
been.  Then resigned to the incomprehensible: "Yes," she breathed out,
"what did you do with him?"

"I put him to bed in the studio."

How lovely she was with the effort of close attention depicted in the
turn of her head and in her whole face honestly trying to approve.  "And
then?" she inquired.

"Then I came in here to face calmly the necessity of doing away with a
human life.  I didn't shirk it for a moment.  That's what a short
twelvemonth has brought me to.  Don't think I am reproaching you, O blind
force!  You are justified because you _are_.  Whatever had to happen you
would not even have heard of it."

Horror darkened her marvellous radiance.  Then her face became utterly
blank with the tremendous effort to understand.  Absolute silence reigned
in the house.  It seemed to me that everything had been said now that
mattered in the world; and that the world itself had reached its ultimate
stage, had reached its appointed end of an eternal, phantom-like silence.
Suddenly Dona Rita raised a warning finger.  I had heard nothing and
shook my head; but she nodded hers and murmured excitedly,

"Yes, yes, in the fencing-room, as before."

In the same way I answered her: "Impossible!  The door is locked and
Therese has the key."  She asked then in the most cautious manner,

"Have you seen Therese to-night?"

"Yes," I confessed without misgiving.  "I left her making up the fellow's
bed when I came in here."

"The bed of the Jacobin?" she said in a peculiar tone as if she were
humouring a lunatic.

"I think I had better tell you he is a Spaniard--that he seems to know
you from early days. . . ."  I glanced at her face, it was extremely
tense, apprehensive.  For myself I had no longer any doubt as to the man
and I hoped she would reach the correct conclusion herself.  But I
believe she was too distracted and worried to think consecutively.  She
only seemed to feel some terror in the air.  In very pity I bent down and
whispered carefully near her ear, "His name is Ortega."

I expected some effect from that name but I never expected what happened.
With the sudden, free, spontaneous agility of a young animal she leaped
off the sofa, leaving her slippers behind, and in one bound reached
almost the middle of the room.  The vigour, the instinctive precision of
that spring, were something amazing.  I just escaped being knocked over.
She landed lightly on her bare feet with a perfect balance, without the
slightest suspicion of swaying in her instant immobility.  It lasted less
than a second, then she spun round distractedly and darted at the first
door she could see.  My own agility was just enough to enable me to grip
the back of the fur coat and then catch her round the body before she
could wriggle herself out of the sleeves.  She was muttering all the
time, "No, no, no."  She abandoned herself to me just for an instant
during which I got her back to the middle of the room.  There she
attempted to free herself and I let her go at once.  With her face very
close to mine, but apparently not knowing what she was looking at she
repeated again twice, "No--No," with an intonation which might well have
brought dampness to my eyes but which only made me regret that I didn't
kill the honest Ortega at sight.  Suddenly Dona Rita swung round and
seizing her loose hair with both hands started twisting it up before one
of the sumptuous mirrors.  The wide fur sleeves slipped down her white
arms.  In a brusque movement like a downward stab she transfixed the
whole mass of tawny glints and sparks with the arrow of gold which she
perceived lying there, before her, on the marble console.  Then she
sprang away from the glass muttering feverishly, "Out--out--out of this
house," and trying with an awful, senseless stare to dodge past me who
had put myself in her way with open arms.  At last I managed to seize her
by the shoulders and in the extremity of my distress I shook her roughly.
If she hadn't quieted down then I believe my heart would have broken.  I
spluttered right into her face: "I won't let you.  Here you stay."  She
seemed to recognize me at last, and suddenly still, perfectly firm on her
white feet, she let her arms fall and, from an abyss of desolation,
whispered, "O! George!  No!  No!  Not Ortega."

There was a passion of mature grief in this tone of appeal.  And yet she
remained as touching and helpless as a distressed child.  It had all the
simplicity and depth of a child's emotion.  It tugged at one's
heart-strings in the same direct way.  But what could one do?  How could
one soothe her?  It was impossible to pat her on the head, take her on
the knee, give her a chocolate or show her a picture-book.  I found
myself absolutely without resource.  Completely at a loss.

"Yes, Ortega.  Well, what of it?" I whispered with immense assurance.



CHAPTER VII


My brain was in a whirl.  I am safe to say that at this precise moment
there was nobody completely sane in the house.  Setting apart Therese and
Ortega, both in the grip of unspeakable passions, all the moral economy
of Dona Rita had gone to pieces.  Everything was gone except her strong
sense of life with all its implied menaces.  The woman was a mere chaos
of sensations and vitality.  I, too, suffered most from inability to get
hold of some fundamental thought.  The one on which I could best build
some hopes was the thought that, of course, Ortega did not know anything.
I whispered this into the ear of Dona Rita, into her precious, her
beautifully shaped ear.

But she shook her head, very much like an inconsolable child and very
much with a child's complete pessimism she murmured, "Therese has told
him."

The words, "Oh, nonsense," never passed my lips, because I could not
cheat myself into denying that there had been a noise; and that the noise
was in the fencing-room.  I knew that room.  There was nothing there that
by the wildest stretch of imagination could be conceived as falling with
that particular sound.  There was a table with a tall strip of
looking-glass above it at one end; but since Blunt took away his
campaigning kit there was no small object of any sort on the console or
anywhere else that could have been jarred off in some mysterious manner.
Along one of the walls there was the whole complicated apparatus of solid
brass pipes, and quite close to it an enormous bath sunk into the floor.
The greatest part of the room along its whole length was covered with
matting and had nothing else but a long, narrow leather-upholstered bench
fixed to the wall.  And that was all.  And the door leading to the studio
was locked.  And Therese had the key.  And it flashed on my mind,
independently of Dona Rita's pessimism, by the force of personal
conviction, that, of course, Therese would tell him.  I beheld the whole
succession of events perfectly connected and tending to that particular
conclusion.  Therese would tell him!  I could see the contrasted heads of
those two formidable lunatics close together in a dark mist of whispers
compounded of greed, piety, and jealousy, plotting in a sense of perfect
security as if under the very wing of Providence.  So at least Therese
would think.  She could not be but under the impression that
(providentially) I had been called out for the rest of the night.

And now there was one sane person in the house, for I had regained
complete command of my thoughts.  Working in a logical succession of
images they showed me at last as clearly as a picture on a wall, Therese
pressing with fervour the key into the fevered palm of the rich,
prestigious, virtuous cousin, so that he should go and urge his
self-sacrificing offer to Rita, and gain merit before Him whose Eye sees
all the actions of men.  And this image of those two with the key in the
studio seemed to me a most monstrous conception of fanaticism, of a
perfectly horrible aberration.  For who could mistake the state that made
Jose Ortega the figure he was, inspiring both pity and fear?  I could not
deny that I understood, not the full extent but the exact nature of his
suffering.  Young as I was I had solved for myself that grotesque and
sombre personality.  His contact with me, the personal contact with (as
he thought) one of the actual lovers of that woman who brought to him as
a boy the curse of the gods, had tipped over the trembling scales.  No
doubt I was very near death in the "grand salon" of the Maison Doree,
only that his torture had gone too far.  It seemed to me that I ought to
have heard his very soul scream while we were seated at supper.  But in a
moment he had ceased to care for me.  I was nothing.  To the crazy
exaggeration of his jealousy I was but one amongst a hundred thousand.
What was my death?  Nothing.  All mankind had possessed that woman.  I
knew what his wooing of her would be: Mine--or Dead.

All this ought to have had the clearness of noon-day, even to the veriest
idiot that ever lived; and Therese was, properly speaking, exactly that.
An idiot.  A one-ideaed creature.  Only the idea was complex; therefore
it was impossible really to say what she wasn't capable of.  This was
what made her obscure processes so awful.  She had at times the most
amazing perceptions.  Who could tell where her simplicity ended and her
cunning began?  She had also the faculty of never forgetting any fact
bearing upon her one idea; and I remembered now that the conversation
with me about the will had produced on her an indelible impression of the
Law's surprising justice.  Recalling her naive admiration of the "just"
law that required no "paper" from a sister, I saw her casting loose the
raging fate with a sanctimonious air.  And Therese would naturally give
the key of the fencing-room to her dear, virtuous, grateful,
disinterested cousin, to that damned soul with delicate whiskers, because
she would think it just possible that Rita might have locked the door
leading front her room into the hall; whereas there was no earthly
reason, not the slightest likelihood, that she would bother about the
other.  Righteousness demanded that the erring sister should be taken
unawares.

All the above is the analysis of one short moment.  Images are to words
like light to sound--incomparably swifter.  And all this was really one
flash of light through my mind.  A comforting thought succeeded it: that
both doors were locked and that really there was no danger.

However, there had been that noise--the why and the how of it?  Of course
in the dark he might have fallen into the bath, but that wouldn't have
been a faint noise.  It wouldn't have been a rattle.  There was
absolutely nothing he could knock over.  He might have dropped a
candle-stick if Therese had left him her own.  That was possible, but
then those thick mats--and then, anyway, why should he drop it? and, hang
it all, why shouldn't he have gone straight on and tried the door?  I had
suddenly a sickening vision of the fellow crouching at the key-hole,
listening, listening, listening, for some movement or sigh of the sleeper
he was ready to tear away from the world, alive or dead.  I had a
conviction that he was still listening.  Why?  Goodness knows!  He may
have been only gloating over the assurance that the night was long and
that he had all these hours to himself.

I was pretty certain that he could have heard nothing of our whispers,
the room was too big for that and the door too solid.  I hadn't the same
confidence in the efficiency of the lock.  Still I . . . Guarding my lips
with my hand I urged Dona Rita to go back to the sofa.  She wouldn't
answer me and when I got hold of her arm I discovered that she wouldn't
move.  She had taken root in that thick-pile Aubusson carpet; and she was
so rigidly still all over that the brilliant stones in the shaft of the
arrow of gold, with the six candles at the head of the sofa blazing full
on them, emitted no sparkle.

I was extremely anxious that she shouldn't betray herself.  I reasoned,
save the mark, as a psychologist.  I had no doubt that the man knew of
her being there; but he only knew it by hearsay.  And that was bad
enough.  I could not help feeling that if he obtained some evidence for
his senses by any sort of noise, voice, or movement, his madness would
gain strength enough to burst the lock.  I was rather ridiculously
worried about the locks.  A horrid mistrust of the whole house possessed
me.  I saw it in the light of a deadly trap.  I had no weapon, I couldn't
say whether he had one or not.  I wasn't afraid of a struggle as far as
I, myself, was concerned, but I was afraid of it for Dona Rita.  To be
rolling at her feet, locked in a literally tooth-and-nail struggle with
Ortega would have been odious.  I wanted to spare her feelings, just as I
would have been anxious to save from any contact with mud the feet of
that goatherd of the mountains with a symbolic face.  I looked at her
face.  For immobility it might have been a carving.  I wished I knew how
to deal with that embodied mystery, to influence it, to manage it.  Oh,
how I longed for the gift of authority!  In addition, since I had become
completely sane, all my scruples against laying hold of her had returned.
I felt shy and embarrassed.  My eyes were fixed on the bronze handle of
the fencing-room door as if it were something alive.  I braced myself up
against the moment when it would move.  This was what was going to happen
next.  It would move very gently.  My heart began to thump.  But I was
prepared to keep myself as still as death and I hoped Dona Rita would
have sense enough to do the same.  I stole another glance at her face and
at that moment I heard the word: "Beloved!" form itself in the still air
of the room, weak, distinct, piteous, like the last request of the dying.

With great presence of mind I whispered into Dona Rita's ear: "Perfect
silence!" and was overjoyed to discover that she had heard me, understood
me; that she even had command over her rigid lips.  She answered me in a
breath (our cheeks were nearly touching): "Take me out of this house."

I glanced at all her clothing scattered about the room and hissed
forcibly the warning "Perfect immobility"; noticing with relief that she
didn't offer to move, though animation was returning to her and her lips
had remained parted in an awful, unintended effect of a smile.  And I
don't know whether I was pleased when she, who was not to be touched,
gripped my wrist suddenly.  It had the air of being done on purpose
because almost instantly another: "Beloved!" louder, more agonized if
possible, got into the room and, yes, went home to my heart.  It was
followed without any transition, preparation, or warning, by a positively
bellowed: "Speak, perjured beast!" which I felt pass in a thrill right
through Dona Rita like an electric shock, leaving her as motionless as
before.

Till he shook the door handle, which he did immediately afterwards, I
wasn't certain through which door he had spoken.  The two doors (in
different walls) were rather near each other.  It was as I expected.  He
was in the fencing-room, thoroughly aroused, his senses on the alert to
catch the slightest sound.  A situation not to be trifled with.  Leaving
the room was for us out of the question.  It was quite possible for him
to dash round into the hall before we could get clear of the front door.
As to making a bolt of it upstairs there was the same objection; and to
allow ourselves to be chased all over the empty house by this maniac
would have been mere folly.  There was no advantage in locking ourselves
up anywhere upstairs where the original doors and locks were much
lighter.  No, true safety was in absolute stillness and silence, so that
even his rage should be brought to doubt at last and die expended, or
choke him before it died; I didn't care which.

For me to go out and meet him would have been stupid.  Now I was certain
that he was armed.  I had remembered the wall in the fencing-room
decorated with trophies of cold steel in all the civilized and savage
forms; sheaves of assegais, in the guise of columns and grouped between
them stars and suns of choppers, swords, knives; from Italy, from
Damascus, from Abyssinia, from the ends of the world.  Ortega had only to
make his barbarous choice.  I suppose he had got up on the bench, and
fumbling about amongst them must have brought one down, which, falling,
had produced that rattling noise.  But in any case to go to meet him
would have been folly, because, after all, I might have been overpowered
(even with bare hands) and then Dona Rita would have been left utterly
defenceless.

"He will speak," came to me the ghostly, terrified murmur of her voice.
"Take me out of the house before he begins to speak."

"Keep still," I whispered.  "He will soon get tired of this."

"You don't know him."

"Oh, yes, I do.  Been with him two hours."

At this she let go my wrist and covered her face with her hands
passionately.  When she dropped them she had the look of one morally
crushed.

"What did he say to you?"

"He raved."

"Listen to me.  It was all true!"

"I daresay, but what of that?"

These ghostly words passed between us hardly louder than thoughts; but
after my last answer she ceased and gave me a searching stare, then drew
in a long breath.  The voice on the other side of the door burst out with
an impassioned request for a little pity, just a little, and went on
begging for a few words, for two words, for one word--one poor little
word.  Then it gave up, then repeated once more, "Say you are there,
Rita, Say one word, just one word.  Say 'yes.'  Come!  Just one little
yes."

"You see," I said.  She only lowered her eyelids over the anxious glance
she had turned on me.

For a minute we could have had the illusion that he had stolen away,
unheard, on the thick mats.  But I don't think that either of us was
deceived.  The voice returned, stammering words without connection,
pausing and faltering, till suddenly steadied it soared into impassioned
entreaty, sank to low, harsh tones, voluble, lofty sometimes and
sometimes abject.  When it paused it left us looking profoundly at each
other.

"It's almost comic," I whispered.

"Yes.  One could laugh," she assented, with a sort of sinister
conviction.  Never had I seen her look exactly like that, for an instant
another, an incredible Rita!  "Haven't I laughed at him innumerable
times?" she added in a sombre whisper.

He was muttering to himself out there, and unexpectedly shouted: "What?"
as though he had fancied he had heard something.  He waited a while
before he started up again with a loud: "Speak up, Queen of the goats,
with your goat tricks. . ."  All was still for a time, then came a most
awful bang on the door.  He must have stepped back a pace to hurl himself
bodily against the panels.  The whole house seemed to shake.  He repeated
that performance once more, and then varied it by a prolonged drumming
with his fists.  It _was_ comic.  But I felt myself struggling mentally
with an invading gloom as though I were no longer sure of myself.

"Take me out," whispered Dona Rita feverishly, "take me out of this house
before it is too late."

"You will have to stand it," I answered.

"So be it; but then you must go away yourself.  Go now, before it is too
late."

I didn't condescend to answer this.  The drumming on the panels stopped
and the absurd thunder of it died out in the house.  I don't know why
precisely then I had the acute vision of the red mouth of Jose Ortega
wriggling with rage between his funny whiskers.  He began afresh but in a
tired tone:

"Do you expect a fellow to forget your tricks, you wicked little devil?
Haven't you ever seen me dodging about to get a sight of you amongst
those pretty gentlemen, on horseback, like a princess, with pure cheeks
like a carved saint?  I wonder I didn't throw stones at you, I wonder I
didn't run after you shouting the tale--curse my timidity!  But I daresay
they knew as much as I did.  More.  All the new tricks--if that were
possible."

While he was making this uproar, Dona Rita put her fingers in her ears
and then suddenly changed her mind and clapped her hands over my ears.
Instinctively I disengaged my head but she persisted.  We had a short
tussle without moving from the spot, and suddenly I had my head free, and
there was complete silence.  He had screamed himself out of breath, but
Dona Rita muttering: "Too late, too late," got her hands away from my
grip and slipping altogether out of her fur coat seized some garment
lying on a chair near by (I think it was her skirt), with the intention
of dressing herself, I imagine, and rushing out of the house.  Determined
to prevent this, but indeed without thinking very much what I was doing,
I got hold of her arm.  That struggle was silent, too; but I used the
least force possible and she managed to give me an unexpected push.
Stepping back to save myself from falling I overturned the little table,
bearing the six-branched candlestick.  It hit the floor, rebounded with a
dull ring on the carpet, and by the time it came to a rest every single
candle was out.  He on the other side of the door naturally heard the
noise and greeted it with a triumphant screech: "Aha!  I've managed to
wake you up," the very savagery of which had a laughable effect.  I felt
the weight of Dona Rita grow on my arm and thought it best to let her
sink on the floor, wishing to be free in my movements and really afraid
that now he had actually heard a noise he would infallibly burst the
door.  But he didn't even thump it.  He seemed to have exhausted himself
in that scream.  There was no other light in the room but the darkened
glow of the embers and I could hardly make out amongst the shadows of
furniture Dona Rita sunk on her knees in a penitential and despairing
attitude.  Before this collapse I, who had been wrestling desperately
with her a moment before, felt that I dare not touch her.  This emotion,
too, I could not understand; this abandonment of herself, this
conscience-stricken humility.  A humbly imploring request to open the
door came from the other side.  Ortega kept on repeating: "Open the door,
open the door," in such an amazing variety of intonations, imperative,
whining, persuasive, insinuating, and even unexpectedly jocose, that I
really stood there smiling to myself, yet with a gloomy and uneasy heart.
Then he remarked, parenthetically as it were, "Oh, you know how to
torment a man, you brown-skinned, lean, grinning, dishevelled imp, you.
And mark," he expounded further, in a curiously doctoral tone--"you are
in all your limbs hateful: your eyes are hateful and your mouth is
hateful, and your hair is hateful, and your body is cold and vicious like
a snake--and altogether you are perdition."

This statement was astonishingly deliberate.  He drew a moaning breath
after it and uttered in a heart-rending tone, "You know, Rita, that I
cannot live without you.  I haven't lived.  I am not living now.  This
isn't life.  Come, Rita, you can't take a boy's soul away and then let
him grow up and go about the world, poor devil, while you go amongst the
rich from one pair of arms to another, showing all your best tricks.  But
I will forgive you if you only open the door," he ended in an inflated
tone: "You remember how you swore time after time to be my wife.  You are
more fit to be Satan's wife but I don't mind.  You shall be my wife!"

A sound near the floor made me bend down hastily with a stern: "Don't
laugh," for in his grotesque, almost burlesque discourses there seemed to
me to be truth, passion, and horror enough to move a mountain.

Suddenly suspicion seized him out there.  With perfectly farcical
unexpectedness he yelled shrilly: "Oh, you deceitful wretch!  You won't
escape me!  I will have you. . . ."

And in a manner of speaking he vanished.  Of course I couldn't see him
but somehow that was the impression.  I had hardly time to receive it
when crash! . . . he was already at the other door.  I suppose he thought
that his prey was escaping him.  His swiftness was amazing, almost
inconceivable, more like the effect of a trick or of a mechanism.  The
thump on the door was awful as if he had not been able to stop himself in
time.  The shock seemed enough to stun an elephant.  It was really funny.
And after the crash there was a moment of silence as if he were
recovering himself.  The next thing was a low grunt, and at once he
picked up the thread of his fixed idea.

"You will have to be my wife.  I have no shame.  You swore you would be
and so you will have to be."  Stifled low sounds made me bend down again
to the kneeling form, white in the flush of the dark red glow.  "For
goodness' sake don't," I whispered down.  She was struggling with an
appalling fit of merriment, repeating to herself, "Yes, every day, for
two months.  Sixty times at least, sixty times at least."  Her voice was
rising high.  She was struggling against laughter, but when I tried to
put my hand over her lips I felt her face wet with tears.  She turned it
this way and that, eluding my hand with repressed low, little moans.  I
lost my caution and said, "Be quiet," so sharply as to startle myself
(and her, too) into expectant stillness.

Ortega's voice in the hall asked distinctly: "Eh?  What's this?" and then
he kept still on his side listening, but he must have thought that his
ears had deceived him.  He was getting tired, too.  He was keeping quiet
out there--resting.  Presently he sighed deeply; then in a harsh
melancholy tone he started again.

"My love, my soul, my life, do speak to me.  What am I that you should
take so much trouble to pretend that you aren't there?  Do speak to me,"
he repeated tremulously, following this mechanical appeal with a string
of extravagantly endearing names, some of them quite childish, which all
of a sudden stopped dead; and then after a pause there came a distinct,
unutterably weary: "What shall I do now?" as though he were speaking to
himself.

I shuddered to hear rising from the floor, by my side, a vibrating,
scornful: "Do!  Why, slink off home looking over your shoulder as you
used to years ago when I had done with you--all but the laughter."

"Rita," I murmured, appalled.  He must have been struck dumb for a
moment.  Then, goodness only knows why, in his dismay or rage he was
moved to speak in French with a most ridiculous accent.

"So you have found your tongue at last--_Catin_!  You were that from the
cradle.  Don't you remember how . . ."

Dona Rita sprang to her feet at my side with a loud cry, "No, George,
no," which bewildered me completely.  The suddenness, the loudness of it
made the ensuing silence on both sides of the door perfectly awful.  It
seemed to me that if I didn't resist with all my might something in me
would die on the instant.  In the straight, falling folds of the
night-dress she looked cold like a block of marble; while I, too, was
turned into stone by the terrific clamour in the hall.

"Therese, Therese," yelled Ortega.  "She has got a man in there."  He ran
to the foot of the stairs and screamed again, "Therese, Therese!  There
is a man with her.  A man!  Come down, you miserable, starved peasant,
come down and see."

I don't know where Therese was but I am sure that this voice reached her,
terrible, as if clamouring to heaven, and with a shrill over-note which
made me certain that if she was in bed the only thing she would think of
doing would be to put her head under the bed-clothes.  With a final yell:
"Come down and see," he flew back at the door of the room and started
shaking it violently.

It was a double door, very tall, and there must have been a lot of things
loose about its fittings, bolts, latches, and all those brass
applications with broken screws, because it rattled, it clattered, it
jingled; and produced also the sound as of thunder rolling in the big,
empty hall.  It was deafening, distressing, and vaguely alarming as if it
could bring the house down.  At the same time the futility of it had, it
cannot be denied, a comic effect.  The very magnitude of the racket he
raised was funny.  But he couldn't keep up that violent exertion
continuously, and when he stopped to rest we could hear him shouting to
himself in vengeful tones.  He saw it all!  He had been decoyed there!
(Rattle, rattle, rattle.)  He had been decoyed into that town, he
screamed, getting more and more excited by the noise he made himself, in
order to be exposed to this!  (Rattle, rattle.)  By this shameless
"_Catin_! _Catin_! _Catin_!"

He started at the door again with superhuman vigour.  Behind me I heard
Dona Rita laughing softly, statuesque, turned all dark in the fading
glow.  I called out to her quite openly, "Do keep your self-control."
And she called back to me in a clear voice: "Oh, my dear, will you ever
consent to speak to me after all this?  But don't ask for the impossible.
He was born to be laughed at."

"Yes," I cried.  "But don't let yourself go."

I don't know whether Ortega heard us.  He was exerting then his utmost
strength of lung against the infamous plot to expose him to the derision
of the fiendish associates of that obscene woman! . . . Then he began
another interlude upon the door, so sustained and strong that I had the
thought that this was growing absurdly impossible, that either the
plaster would begin to fall off the ceiling or he would drop dead next
moment, out there.

He stopped, uttered a few curses at the door, and seemed calmer from
sheer exhaustion.

"This story will be all over the world," we heard him begin.  "Deceived,
decoyed, inveighed, in order to be made a laughing-stock before the most
debased of all mankind, that woman and her associates."  This was really
a meditation.  And then he screamed: "I will kill you all."  Once more he
started worrying the door but it was a startlingly feeble effort which he
abandoned almost at once.  He must have been at the end of his strength.
Dona Rita from the middle of the room asked me recklessly loud: "Tell me!
Wasn't he born to be laughed at?"  I didn't answer her.  I was so near
the door that I thought I ought to hear him panting there.  He was
terrifying, but he was not serious.  He was at the end of his strength,
of his breath, of every kind of endurance, but I did not know it.  He was
done up, finished; but perhaps he did not know it himself.  How still he
was!  Just as I began to wonder at it, I heard him distinctly give a slap
to his forehead.  "I see it all!" he cried.  "That miserable, canting
peasant-woman upstairs has arranged it all.  No doubt she consulted her
priests.  I must regain my self-respect.  Let her die first."  I heard
him make a dash for the foot of the stairs.  I was appalled; yet to think
of Therese being hoisted with her own petard was like a turn of affairs
in a farce.  A very ferocious farce.  Instinctively I unlocked the door.
Dona Rita's contralto laugh rang out loud, bitter, and contemptuous; and
I heard Ortega's distracted screaming as if under torture.  "It hurts!
It hurts!  It hurts!"  I hesitated just an instant, half a second, no
more, but before I could open the door wide there was in the hall a short
groan and the sound of a heavy fall.

The sight of Ortega lying on his back at the foot of the stairs arrested
me in the doorway.  One of his legs was drawn up, the other extended
fully, his foot very near the pedestal of the silver statuette holding
the feeble and tenacious gleam which made the shadows so heavy in that
hall.  One of his arms lay across his breast.  The other arm was extended
full length on the white-and-black pavement with the hand palm upwards
and the fingers rigidly spread out.  The shadow of the lowest step
slanted across his face but one whisker and part of his chin could be
made out.  He appeared strangely flattened.  He didn't move at all.  He
was in his shirt-sleeves.  I felt an extreme distaste for that sight.
The characteristic sound of a key worrying in the lock stole into my
ears.  I couldn't locate it but I didn't attend much to that at first.  I
was engaged in watching Senor Ortega.  But for his raised leg he clung so
flat to the floor and had taken on himself such a distorted shape that he
might have been the mere shadow of Senor Ortega.  It was rather
fascinating to see him so quiet at the end of all that fury, clamour,
passion, and uproar.  Surely there was never anything so still in the
world as this Ortega.  I had a bizarre notion that he was not to be
disturbed.

A noise like the rattling of chain links, a small grind and click
exploded in the stillness of the hall and a voice began to swear in
Italian.  These surprising sounds were quite welcome, they recalled me to
myself, and I perceived they came from the front door which seemed pushed
a little ajar.  Was somebody trying to get in?  I had no objection, I
went to the door and said: "Wait a moment, it's on the chain."  The deep
voice on the other side said: "What an extraordinary thing," and I
assented mentally.  It was extraordinary.  The chain was never put up,
but Therese was a thorough sort of person, and on this night she had put
it up to keep no one out except myself.  It was the old Italian and his
daughters returning from the ball who were trying to get in.

Suddenly I became intensely alive to the whole situation.  I bounded
back, closed the door of Blunt's room, and the next moment was speaking
to the Italian.  "A little patience."  My hands trembled but I managed to
take down the chain and as I allowed the door to swing open a little more
I put myself in his way.  He was burly, venerable, a little indignant,
and full of thanks.  Behind him his two girls, in short-skirted costumes,
white stockings, and low shoes, their heads powdered and earrings
sparkling in their ears, huddled together behind their father, wrapped up
in their light mantles.  One had kept her little black mask on her face,
the other held hers in her hand.

The Italian was surprised at my blocking the way and remarked pleasantly,
"It's cold outside, Signor."  I said, "Yes," and added in a hurried
whisper: "There is a dead man in the hall."  He didn't say a single word
but put me aside a little, projected his body in for one searching
glance.  "Your daughters," I murmured.  He said kindly, "_Va bene_, _va
bene_."  And then to them, "Come in, girls."

There is nothing like dealing with a man who has had a long past of
out-of-the-way experiences.  The skill with which he rounded up and drove
the girls across the hall, paternal and irresistible, venerable and
reassuring, was a sight to see.  They had no time for more than one
scared look over the shoulder.  He hustled them in and locked them up
safely in their part of the house, then crossed the hall with a quick,
practical stride.  When near Senor Ortega he trod short just in time and
said: "In truth, blood"; then selecting the place, knelt down by the body
in his tall hat and respectable overcoat, his white beard giving him
immense authority somehow.  "But--this man is not dead," he exclaimed,
looking up at me.  With profound sagacity, inherent as it were in his
great beard, he never took the trouble to put any questions to me and
seemed certain that I had nothing to do with the ghastly sight.  "He
managed to give himself an enormous gash in his side," was his calm
remark.  "And what a weapon!" he exclaimed, getting it out from under the
body.  It was an Abyssinian or Nubian production of a bizarre shape; the
clumsiest thing imaginable, partaking of a sickle and a chopper with a
sharp edge and a pointed end.  A mere cruel-looking curio of
inconceivable clumsiness to European eyes.

The old man let it drop with amused disdain.  "You had better take hold
of his legs," he decided without appeal.  I certainly had no inclination
to argue.  When we lifted him up the head of Senor Ortega fell back
desolately, making an awful, defenceless display of his large, white
throat.

We found the lamp burning in the studio and the bed made up on the couch
on which we deposited our burden.  My venerable friend jerked the upper
sheet away at once and started tearing it into strips.

"You may leave him to me," said that efficient sage, "but the doctor is
your affair.  If you don't want this business to make a noise you will
have to find a discreet man."

He was most benevolently interested in all the proceedings.  He remarked
with a patriarchal smile as he tore the sheet noisily: "You had better
not lose any time."  I didn't lose any time.  I crammed into the next
hour an astonishing amount of bodily activity.  Without more words I flew
out bare-headed into the last night of Carnival.  Luckily I was certain
of the right sort of doctor.  He was an iron-grey man of forty and of a
stout habit of body but who was able to put on a spurt.  In the cold,
dark, and deserted by-streets, he ran with earnest, and ponderous
footsteps, which echoed loudly in the cold night air, while I skimmed
along the ground a pace or two in front of him.  It was only on arriving
at the house that I perceived that I had left the front door wide open.
All the town, every evil in the world could have entered the
black-and-white hall.  But I had no time to meditate upon my imprudence.
The doctor and I worked in silence for nearly an hour and it was only
then while he was washing his hands in the fencing-room that he asked:

"What was he up to, that imbecile?"

"Oh, he was examining this curiosity," I said.

"Oh, yes, and it accidentally went off," said the doctor, looking
contemptuously at the Nubian knife I had thrown on the table.  Then while
wiping his hands: "I would bet there is a woman somewhere under this; but
that of course does not affect the nature of the wound.  I hope this
blood-letting will do him good."

"Nothing will do him any good," I said.

"Curious house this," went on the doctor, "It belongs to a curious sort
of woman, too.  I happened to see her once or twice.  I shouldn't wonder
if she were to raise considerable trouble in the track of her pretty feet
as she goes along.  I believe you know her well."

"Yes."

"Curious people in the house, too.  There was a Carlist officer here, a
lean, tall, dark man, who couldn't sleep.  He consulted me once.  Do you
know what became of him?"

"No."

The doctor had finished wiping his hands and flung the towel far away.

"Considerable nervous over-strain.  Seemed to have a restless brain.  Not
a good thing, that.  For the rest a perfect gentleman.  And this Spaniard
here, do you know him?"

"Enough not to care what happens to him," I said, "except for the trouble
he might cause to the Carlist sympathizers here, should the police get
hold of this affair."

"Well, then, he must take his chance in the seclusion of that
conservatory sort of place where you have put him.  I'll try to find
somebody we can trust to look after him.  Meantime, I will leave the case
to you."



CHAPTER VIII


Directly I had shut the door after the doctor I started shouting for
Therese.  "Come down at once, you wretched hypocrite," I yelled at the
foot of the stairs in a sort of frenzy as though I had been a second
Ortega.  Not even an echo answered me; but all of a sudden a small flame
flickered descending from the upper darkness and Therese appeared on the
first floor landing carrying a lighted candle in front of a livid, hard
face, closed against remorse, compassion, or mercy by the meanness of her
righteousness and of her rapacious instincts.  She was fully dressed in
that abominable brown stuff with motionless folds, and as I watched her
coming down step by step she might have been made of wood.  I stepped
back and pointed my finger at the darkness of the passage leading to the
studio.  She passed within a foot of me, her pale eyes staring straight
ahead, her face still with disappointment and fury.  Yet it is only my
surmise.  She might have been made thus inhuman by the force of an
invisible purpose.  I waited a moment, then, stealthily, with extreme
caution, I opened the door of the so-called Captain Blunt's room.

The glow of embers was all but out.  It was cold and dark in there; but
before I closed the door behind me the dim light from the hall showed me
Dona Rita standing on the very same spot where I had left her, statuesque
in her night-dress.  Even after I shut the door she loomed up enormous,
indistinctly rigid and inanimate.  I picked up the candelabra, groped for
a candle all over the carpet, found one, and lighted it.  All that time
Dona Rita didn't stir.  When I turned towards her she seemed to be slowly
awakening from a trance.  She was deathly pale and by contrast the
melted, sapphire-blue of her eyes looked black as coal.  They moved a
little in my direction, incurious, recognizing me slowly.  But when they
had recognized me completely she raised her hands and hid her face in
them.  A whole minute or more passed.  Then I said in a low tone: "Look
at me," and she let them fall slowly as if accepting the inevitable.

"Shall I make up the fire?" . . . I waited.  "Do you hear me?"  She made
no sound and with the tip of my finger I touched her bare shoulder.  But
for its elasticity it might have been frozen.  At once I looked round for
the fur coat; it seemed to me that there was not a moment to lose if she
was to be saved, as though we had been lost on an Arctic plain.  I had to
put her arms into the sleeves, myself, one after another.  They were
cold, lifeless, but flexible.  Then I moved in front of her and buttoned
the thing close round her throat.  To do that I had actually to raise her
chin with my finger, and it sank slowly down again.  I buttoned all the
other buttons right down to the ground.  It was a very long and splendid
fur.  Before rising from my kneeling position I felt her feet.  Mere ice.
The intimacy of this sort of attendance helped the growth of my
authority.  "Lie down," I murmured, "I shall pile on you every blanket I
can find here," but she only shook her head.

Not even in the days when she ran "shrill as a cicada and thin as a
match" through the chill mists of her native mountains could she ever
have felt so cold, so wretched, and so desolate.  Her very soul, her
grave, indignant, and fantastic soul, seemed to drowse like an exhausted
traveller surrendering himself to the sleep of death.  But when I asked
her again to lie down she managed to answer me, "Not in this room."  The
dumb spell was broken.  She turned her head from side to side, but oh!
how cold she was!  It seemed to come out of her, numbing me, too; and the
very diamonds on the arrow of gold sparkled like hoar frost in the light
of the one candle.

"Not in this room; not here," she protested, with that peculiar suavity
of tone which made her voice unforgettable, irresistible, no matter what
she said.  "Not after all this!  I couldn't close my eyes in this place.
It's full of corruption and ugliness all round, in me, too, everywhere
except in your heart, which has nothing to do where I breathe.  And here
you may leave me.  But wherever you go remember that I am not evil, I am
not evil."

I said: "I don't intend to leave you here.  There is my room upstairs.
You have been in it before."

"Oh, you have heard of that," she whispered.  The beginning of a wan
smile vanished from her lips.

"I also think you can't stay in this room; and, surely, you needn't
hesitate . . ."

"No.  It doesn't matter now.  He has killed me.  Rita is dead."

While we exchanged these words I had retrieved the quilted, blue slippers
and had put them on her feet.  She was very tractable.  Then taking her
by the arm I led her towards the door.

"He has killed me," she repeated in a sigh.  "The little joy that was in
me."

"He has tried to kill himself out there in the hall," I said.  She put
back like a frightened child but she couldn't be dragged on as a child
can be.

I assured her that the man was no longer there but she only repeated, "I
can't get through the hall.  I can't walk.  I can't . . ."

"Well," I said, flinging the door open and seizing her suddenly in my
arms, "if you can't walk then you shall be carried," and I lifted her
from the ground so abruptly that she could not help catching me round the
neck as any child almost will do instinctively when you pick it up.

I ought really to have put those blue slippers in my pocket.  One dropped
off at the bottom of the stairs as I was stepping over an
unpleasant-looking mess on the marble pavement, and the other was lost a
little way up the flight when, for some reason (perhaps from a sense of
insecurity), she began to struggle.  Though I had an odd sense of being
engaged in a sort of nursery adventure she was no child to carry.  I
could just do it.  But not if she chose to struggle.  I set her down
hastily and only supported her round the waist for the rest of the way.
My room, of course, was perfectly dark but I led her straight to the sofa
at once and let her fall on it.  Then as if I had in sober truth rescued
her from an Alpine height or an Arctic floe, I busied myself with nothing
but lighting the gas and starting the fire.  I didn't even pause to lock
my door.  All the time I was aware of her presence behind me, nay, of
something deeper and more my own--of her existence itself--of a small
blue flame, blue like her eyes, flickering and clear within her frozen
body.  When I turned to her she was sitting very stiff and upright, with
her feet posed hieratically on the carpet and her head emerging out of
the ample fur collar, such as a gem-like flower above the rim of a dark
vase.  I tore the blankets and the pillows off my bed and piled them up
in readiness in a great heap on the floor near the couch.  My reason for
this was that the room was large, too large for the fireplace, and the
couch was nearest to the fire.  She gave no sign but one of her wistful
attempts at a smile.  In a most business-like way I took the arrow out of
her hair and laid it on the centre table.  The tawny mass fell loose at
once about her shoulders and made her look even more desolate than
before.  But there was an invincible need of gaiety in her heart.  She
said funnily, looking at the arrow sparkling in the gas light:

"Ah!  That poor philistinish ornament!"

An echo of our early days, not more innocent but so much more youthful,
was in her tone; and we both, as if touched with poignant regret, looked
at each other with enlightened eyes.

"Yes," I said, "how far away all this is.  And you wouldn't leave even
that object behind when you came last in here.  Perhaps it is for that
reason it haunted me--mostly at night.  I dreamed of you sometimes as a
huntress nymph gleaming white through the foliage and throwing this arrow
like a dart straight at my heart.  But it never reached it.  It always
fell at my feet as I woke up.  The huntress never meant to strike down
that particular quarry."

"The huntress was wild but she was not evil.  And she was no nymph, but
only a goatherd girl.  Dream of her no more, my dear."

I had the strength of mind to make a sign of assent and busied myself
arranging a couple of pillows at one end of the sofa.  "Upon my soul,
goatherd, you are not responsible," I said.  "You are not!  Lay down that
uneasy head," I continued, forcing a half-playful note into my immense
sadness, "that has even dreamed of a crown--but not for itself."

She lay down quietly.  I covered her up, looked once into her eyes and
felt the restlessness of fatigue over-power me so that I wanted to
stagger out, walk straight before me, stagger on and on till I dropped.
In the end I lost myself in thought.  I woke with a start to her voice
saying positively:

"No.  Not even in this room.  I can't close my eyes.  Impossible.  I have
a horror of myself.  That voice in my ears.  All true.  All true."

She was sitting up, two masses of tawny hair fell on each side of her
tense face.  I threw away the pillows from which she had risen and sat
down behind her on the couch.  "Perhaps like this," I suggested, drawing
her head gently on my breast.  She didn't resist, she didn't even sigh,
she didn't look at me or attempt to settle herself in any way.  It was I
who settled her after taking up a position which I thought I should be
able to keep for hours--for ages.  After a time I grew composed enough to
become aware of the ticking of the clock, even to take pleasure in it.
The beat recorded the moments of her rest, while I sat, keeping as still
as if my life depended upon it with my eyes fixed idly on the arrow of
gold gleaming and glittering dimly on the table under the lowered
gas-jet.  And presently my breathing fell into the quiet rhythm of the
sleep which descended on her at last.  My thought was that now nothing
mattered in the world because I had the world safe resting in my arms--or
was it in my heart?

Suddenly my heart seemed torn in two within my breast and half of my
breath knocked out of me.  It was a tumultuous awakening.  The day had
come.  Dona Rita had opened her eyes, found herself in my arms, and
instantly had flung herself out of them with one sudden effort.  I saw
her already standing in the filtered sunshine of the closed shutters,
with all the childlike horror and shame of that night vibrating afresh in
the awakened body of the woman.

"Daylight," she whispered in an appalled voice.  "Don't look at me,
George.  I can't face daylight.  No--not with you.  Before we set eyes on
each other all that past was like nothing.  I had crushed it all in my
new pride.  Nothing could touch the Rita whose hand was kissed by you.
But now!  Never in daylight."

I sat there stupid with surprise and grief.  This was no longer the
adventure of venturesome children in a nursery-book.  A grown man's
bitterness, informed, suspicious, resembling hatred, welled out of my
heart.

"All this means that you are going to desert me again?" I said with
contempt.  "All right.  I won't throw stones after you . . . Are you
going, then?"

She lowered her head slowly with a backward gesture of her arm as if to
keep me off, for I had sprung to my feet all at once as if mad.

"Then go quickly," I said.  "You are afraid of living flesh and blood.
What are you running after?  Honesty, as you say, or some distinguished
carcass to feed your vanity on?  I know how cold you can be--and yet
live.  What have I done to you?  You go to sleep in my arms, wake up and
go away.  Is it to impress me?  Charlatanism of character, my dear."

She stepped forward on her bare feet as firm on that floor which seemed
to heave up and down before my eyes as she had ever been--goatherd child
leaping on the rocks of her native hills which she was never to see
again.  I snatched the arrow of gold from the table and threw it after
her.

"Don't forget this thing," I cried, "you would never forgive yourself for
leaving it behind."

It struck the back of the fur coat and fell on the floor behind her.  She
never looked round.  She walked to the door, opened it without haste, and
on the landing in the diffused light from the ground-glass skylight there
appeared, rigid, like an implacable and obscure fate, the awful
Therese--waiting for her sister.  The heavy ends of a big black shawl
thrown over her head hung massively in biblical folds.  With a faint cry
of dismay Dona Rita stopped just within my room.

The two women faced each other for a few moments silently.  Therese spoke
first.  There was no austerity in her tone.  Her voice was as usual,
pertinacious, unfeeling, with a slight plaint in it; terrible in its
unchanged purpose.

"I have been standing here before this door all night," she said.  "I
don't know how I lived through it.  I thought I would die a hundred times
for shame.  So that's how you are spending your time?  You are worse than
shameless.  But God may still forgive you.  You have a soul.  You are my
sister.  I will never abandon you--till you die."

"What is it?" Dona Rita was heard wistfully, "my soul or this house that
you won't abandon."

"Come out and bow your head in humiliation.  I am your sister and I shall
help you to pray to God and all the Saints.  Come away from that poor
young gentleman who like all the others can have nothing but contempt and
disgust for you in his heart.  Come and hide your head where no one will
reproach you--but I, your sister.  Come out and beat your breast: come,
poor Sinner, and let me kiss you, for you are my sister!"

While Therese was speaking Dona Rita stepped back a pace and as the other
moved forward still extending the hand of sisterly love, she slammed the
door in Therese's face.  "You abominable girl!" she cried fiercely.  Then
she turned about and walked towards me who had not moved.  I felt hardly
alive but for the cruel pain that possessed my whole being.  On the way
she stooped to pick up the arrow of gold and then moved on quicker,
holding it out to me in her open palm.

"You thought I wouldn't give it to you.  _Amigo_, I wanted nothing so
much as to give it to you.  And now, perhaps--you will take it."

"Not without the woman," I said sombrely.

"Take it," she said.  "I haven't the courage to deliver myself up to
Therese.  No.  Not even for your sake.  Don't you think I have been
miserable enough yet?"

I snatched the arrow out of her hand then and ridiculously pressed it to
my breast; but as I opened my lips she who knew what was struggling for
utterance in my heart cried in a ringing tone:

"Speak no words of love, George!  Not yet.  Not in this house of ill-luck
and falsehood.  Not within a hundred miles of this house, where they came
clinging to me all profaned from the mouth of that man.  Haven't you
heard them--the horrible things?  And what can words have to do between
you and me?"

Her hands were stretched out imploringly, I said, childishly
disconcerted:

"But, Rita, how can I help using words of love to you?  They come of
themselves on my lips!"

"They come!  Ah!  But I shall seal your lips with the thing itself," she
said.  "Like this. . . "




SECOND NOTE


The narrative of our man goes on for some six months more, from this, the
last night of the Carnival season up to and beyond the season of roses.
The tone of it is much less of exultation than might have been expected.
Love as is well known having nothing to do with reason, being insensible
to forebodings and even blind to evidence, the surrender of those two
beings to a precarious bliss has nothing very astonishing in itself; and
its portrayal, as he attempts it, lacks dramatic interest.  The
sentimental interest could only have a fascination for readers themselves
actually in love.  The response of a reader depends on the mood of the
moment, so much so that a book may seem extremely interesting when read
late at night, but might appear merely a lot of vapid verbiage in the
morning.  My conviction is that the mood in which the continuation of his
story would appear sympathetic is very rare.  This consideration has
induced me to suppress it--all but the actual facts which round up the
previous events and satisfy such curiosity as might have been aroused by
the foregoing narrative.

It is to be remarked that this period is characterized more by a deep and
joyous tenderness than by sheer passion.  All fierceness of spirit seems
to have burnt itself out in their preliminary hesitations and struggles
against each other and themselves.  Whether love in its entirety has,
speaking generally, the same elementary meaning for women as for men, is
very doubtful.  Civilization has been at work there.  But the fact is
that those two display, in every phase of discovery and response, an
exact accord.  Both show themselves amazingly ingenuous in the practice
of sentiment.  I believe that those who know women won't be surprised to
hear me say that she was as new to love as he was.  During their retreat
in the region of the Maritime Alps, in a small house built of dry stones
and embowered with roses, they appear all through to be less like
released lovers than as companions who had found out each other's fitness
in a specially intense way.  Upon the whole, I think that there must be
some truth in his insistence of there having always been something
childlike in their relation.  In the unreserved and instant sharing of
all thoughts, all impressions, all sensations, we see the naiveness of a
children's foolhardy adventure.  This unreserved expressed for him the
whole truth of the situation.  With her it may have been different.  It
might have been assumed; yet nobody is altogether a comedian; and even
comedians themselves have got to believe in the part they play.  Of the
two she appears much the more assured and confident.  But if in this she
was a comedienne then it was but a great achievement of her ineradicable
honesty.  Having once renounced her honourable scruples she took good
care that he should taste no flavour of misgivings in the cup.  Being
older it was she who imparted its character to the situation.  As to the
man if he had any superiority of his own it was simply the superiority of
him who loves with the greater self-surrender.

This is what appears from the pages I have discreetly suppressed--partly
out of regard for the pages themselves.  In every, even terrestrial,
mystery there is as it were a sacred core.  A sustained commentary on
love is not fit for every eye.  A universal experience is exactly the
sort of thing which is most difficult to appraise justly in a particular
instance.

How this particular instance affected Rose, who was the only companion of
the two hermits in their rose-embowered hut of stones, I regret not to be
able to report; but I will venture to say that for reasons on which I
need not enlarge, the girl could not have been very reassured by what she
saw.  It seems to me that her devotion could never be appeased; for the
conviction must have been growing on her that, no matter what happened,
Madame could never have any friends.  It may be that Dona Rita had given
her a glimpse of the unavoidable end, and that the girl's tarnished eyes
masked a certain amount of apprehensive, helpless desolation.

What meantime was becoming of the fortune of Henry Allegre is another
curious question.  We have been told that it was too big to be tied up in
a sack and thrown into the sea.  That part of it represented by the
fabulous collections was still being protected by the police.  But for
the rest, it may be assumed that its power and significance were lost to
an interested world for something like six months.  What is certain is
that the late Henry Allegre's man of affairs found himself comparatively
idle.  The holiday must have done much good to his harassed brain.  He
had received a note from Dona Rita saying that she had gone into retreat
and that she did not mean to send him her address, not being in the
humour to be worried with letters on any subject whatever.  "It's enough
for you"--she wrote--"to know that I am alive."  Later, at irregular
intervals, he received scraps of paper bearing the stamps of various post
offices and containing the simple statement: "I am still alive," signed
with an enormous, flourished exuberant R.  I imagine Rose had to travel
some distances by rail to post those messages.  A thick veil of secrecy
had been lowered between the world and the lovers; yet even this veil
turned out not altogether impenetrable.

He--it would be convenient to call him Monsieur George to the end--shared
with Dona Rita her perfect detachment from all mundane affairs; but he
had to make two short visits to Marseilles.  The first was prompted by
his loyal affection for Dominic.  He wanted to discover what had happened
or was happening to Dominic and to find out whether he could do something
for that man.  But Dominic was not the sort of person for whom one can do
much.  Monsieur George did not even see him.  It looked uncommonly as if
Dominic's heart were broken.  Monsieur George remained concealed for
twenty-four hours in the very house in which Madame Leonore had her cafe.
He spent most of that time in conversing with Madame Leonore about
Dominic.  She was distressed, but her mind was made up.  That
bright-eyed, nonchalant, and passionate woman was making arrangements to
dispose of her cafe before departing to join Dominic.  She would not say
where.  Having ascertained that his assistance was not required Monsieur
George, in his own words, "managed to sneak out of the town without being
seen by a single soul that mattered."

The second occasion was very prosaic and shockingly incongruous with the
super-mundane colouring of these days.  He had neither the fortune of
Henry Allegre nor a man of affairs of his own.  But some rent had to be
paid to somebody for the stone hut and Rose could not go marketing in the
tiny hamlet at the foot of the hill without a little money.  There came a
time when Monsieur George had to descend from the heights of his love in
order, in his own words, "to get a supply of cash."  As he had
disappeared very suddenly and completely for a time from the eyes of
mankind it was necessary that he should show himself and sign some
papers.  That business was transacted in the office of the banker
mentioned in the story.  Monsieur George wished to avoid seeing the man
himself but in this he did not succeed.  The interview was short.  The
banker naturally asked no questions, made no allusions to persons and
events, and didn't even mention the great Legitimist Principle which
presented to him now no interest whatever.  But for the moment all the
world was talking of the Carlist enterprise.  It had collapsed utterly,
leaving behind, as usual, a large crop of recriminations, charges of
incompetency and treachery, and a certain amount of scandalous gossip.
The banker (his wife's salon had been very Carlist indeed) declared that
he had never believed in the success of the cause.  "You are well out of
it," he remarked with a chilly smile to Monsieur George.  The latter
merely observed that he had been very little "in it" as a matter of fact,
and that he was quite indifferent to the whole affair.

"You left a few of your feathers in it, nevertheless," the banker
concluded with a wooden face and with the curtness of a man who knows.

Monsieur George ought to have taken the very next train out of the town
but he yielded to the temptation to discover what had happened to the
house in the street of the Consuls after he and Dona Rita had stolen out
of it like two scared yet jubilant children.  All he discovered was a
strange, fat woman, a sort of virago, who had, apparently, been put in as
a caretaker by the man of affairs.  She made some difficulties to admit
that she had been in charge for the last four months; ever since the
person who was there before had eloped with some Spaniard who had been
lying in the house ill with fever for more than six weeks.  No, she never
saw the person.  Neither had she seen the Spaniard.  She had only heard
the talk of the street.  Of course she didn't know where these people had
gone.  She manifested some impatience to get rid of Monsieur George and
even attempted to push him towards the door.  It was, he says, a very
funny experience.  He noticed the feeble flame of the gas-jet in the hall
still waiting for extinction in the general collapse of the world.

Then he decided to have a bit of dinner at the Restaurant de la Gare
where he felt pretty certain he would not meet any of his friends.  He
could not have asked Madame Leonore for hospitality because Madame
Leonore had gone away already.  His acquaintances were not the sort of
people likely to happen casually into a restaurant of that kind and
moreover he took the precaution to seat himself at a small table so as to
face the wall.  Yet before long he felt a hand laid gently on his
shoulder, and, looking up, saw one of his acquaintances, a member of the
Royalist club, a young man of a very cheerful disposition but whose face
looked down at him with a grave and anxious expression.

Monsieur George was far from delighted.  His surprise was extreme when in
the course of the first phrases exchanged with him he learned that this
acquaintance had come to the station with the hope of finding him there.

"You haven't been seen for some time," he said.  "You were perhaps
somewhere where the news from the world couldn't reach you?  There have
been many changes amongst our friends and amongst people one used to hear
of so much.  There is Madame de Lastaola for instance, who seems to have
vanished from the world which was so much interested in her.  You have no
idea where she may be now?"

Monsieur George remarked grumpily that he couldn't say.

The other tried to appear at ease.  Tongues were wagging about it in
Paris.  There was a sort of international financier, a fellow with an
Italian name, a shady personality, who had been looking for her all over
Europe and talked in clubs--astonishing how such fellows get into the
best clubs--oh! Azzolati was his name.  But perhaps what a fellow like
that said did not matter.  The funniest thing was that there was no man
of any position in the world who had disappeared at the same time.  A
friend in Paris wrote to him that a certain well-known journalist had
rushed South to investigate the mystery but had returned no wiser than he
went.

Monsieur George remarked more unamiably than before that he really could
not help all that.

"No," said the other with extreme gentleness, "only of all the people
more or less connected with the Carlist affair you are the only one that
had also disappeared before the final collapse."

"What!" cried Monsieur George.

"Just so," said the other meaningly.  "You know that all my people like
you very much, though they hold various opinions as to your discretion.
Only the other day Jane, you know my married sister, and I were talking
about you.  She was extremely distressed.  I assured her that you must be
very far away or very deeply buried somewhere not to have given a sign of
life under this provocation."

Naturally Monsieur George wanted to know what it was all about; and the
other appeared greatly relieved.

"I was sure you couldn't have heard.  I don't want to be indiscreet, I
don't want to ask you where you were.  It came to my ears that you had
been seen at the bank to-day and I made a special effort to lay hold of
you before you vanished again; for, after all, we have been always good
friends and all our lot here liked you very much.  Listen.  You know a
certain Captain Blunt, don't you?"

Monsieur George owned to knowing Captain Blunt but only very slightly.
His friend then informed him that this Captain Blunt was apparently well
acquainted with Madame de Lastaola, or, at any rate, pretended to be.  He
was an honourable man, a member of a good club, he was very Parisian in a
way, and all this, he continued, made all the worse that of which he was
under the painful necessity of warning Monsieur George.  This Blunt on
three distinct occasions when the name of Madame de Lastaola came up in
conversation in a mixed company of men had expressed his regret that she
should have become the prey of a young adventurer who was exploiting her
shamelessly.  He talked like a man certain of his facts and as he
mentioned names . . .

"In fact," the young man burst out excitedly, "it is your name that he
mentions.  And in order to fix the exact personality he always takes care
to add that you are that young fellow who was known as Monsieur George
all over the South amongst the initiated Carlists."

How Blunt had got enough information to base that atrocious calumny upon,
Monsieur George couldn't imagine.  But there it was.  He kept silent in
his indignation till his friend murmured, "I expect you will want him to
know that you are here."

"Yes," said Monsieur George, "and I hope you will consent to act for me
altogether.  First of all, pray, let him know by wire that I am waiting
for him.  This will be enough to fetch him down here, I can assure you.
You may ask him also to bring two friends with him.  I don't intend this
to be an affair for Parisian journalists to write paragraphs about."

"Yes.  That sort of thing must be stopped at once," the other admitted.
He assented to Monsieur George's request that the meeting should be
arranged for at his elder brother's country place where the family stayed
very seldom.  There was a most convenient walled garden there.  And then
Monsieur George caught his train promising to be back on the fourth day
and leaving all further arrangements to his friend.  He prided himself on
his impenetrability before Dona Rita; on the happiness without a shadow
of those four days.  However, Dona Rita must have had the intuition of
there being something in the wind, because on the evening of the very
same day on which he left her again on some pretence or other, she was
already ensconced in the house in the street of the Consuls, with the
trustworthy Rose scouting all over the town to gain information.

Of the proceedings in the walled garden there is no need to speak in
detail.  They were conventionally correct, but an earnestness of purpose
which could be felt in the very air lifted the business above the common
run of affairs of honour.  One bit of byplay unnoticed by the seconds,
very busy for the moment with their arrangements, must be mentioned.
Disregarding the severe rules of conduct in such cases Monsieur George
approached his adversary and addressed him directly.

"Captain Blunt," he said, "the result of this meeting may go against me.
In that case you will recognize publicly that you were wrong.  For you
are wrong and you know it.  May I trust your honour?"

In answer to that appeal Captain Blunt, always correct, didn't open his
lips but only made a little bow.  For the rest he was perfectly ruthless.
If he was utterly incapable of being carried away by love there was
nothing equivocal about his jealousy.  Such psychology is not very rare
and really from the point of view of the combat itself one cannot very
well blame him.  What happened was this.  Monsieur George fired on the
word and, whether luck or skill, managed to hit Captain Blunt in the
upper part of the arm which was holding the pistol.  That gentleman's arm
dropped powerless by his side.  But he did not drop his weapon.  There
was nothing equivocal about his determination.  With the greatest
deliberation he reached with his left hand for his pistol and taking
careful aim shot Monsieur George through the left side of his breast.
One may imagine the consternation of the four seconds and the activity of
the two surgeons in the confined, drowsy heat of that walled garden.  It
was within an easy drive of the town and as Monsieur George was being
conveyed there at a walking pace a little brougham coming from the
opposite direction pulled up at the side of the road.  A thickly veiled
woman's head looked out of the window, took in the state of affairs at a
glance, and called out in a firm voice: "Follow my carriage."  The
brougham turning round took the lead.  Long before this convoy reached
the town another carriage containing four gentlemen (of whom one was
leaning back languidly with his arm in a sling) whisked past and vanished
ahead in a cloud of white, Provencal dust.  And this is the last
appearance of Captain Blunt in Monsieur George's narrative.  Of course he
was only told of it later.  At the time he was not in a condition to
notice things.  Its interest in his surroundings remained of a hazy and
nightmarish kind for many days together.  From time to time he had the
impression that he was in a room strangely familiar to him, that he had
unsatisfactory visions of Dona Rita, to whom he tried to speak as if
nothing had happened, but that she always put her hand on his mouth to
prevent him and then spoke to him herself in a very strange voice which
sometimes resembled the voice of Rose.  The face, too, sometimes
resembled the face of Rose.  There were also one or two men's faces which
he seemed to know well enough though he didn't recall their names.  He
could have done so with a slight effort, but it would have been too much
trouble.  Then came a time when the hallucinations of Dona Rita and the
faithful Rose left him altogether.  Next came a period, perhaps a year,
or perhaps an hour, during which he seemed to dream all through his past
life.  He felt no apprehension, he didn't try to speculate as to the
future.  He felt that all possible conclusions were out of his power, and
therefore he was indifferent to everything.  He was like that dream's
disinterested spectator who doesn't know what is going to happen next.
Suddenly for the first time in his life he had the soul-satisfying
consciousness of floating off into deep slumber.

When he woke up after an hour, or a day, or a month, there was dusk in
the room; but he recognized it perfectly.  It was his apartment in Dona
Rita's house; those were the familiar surroundings in which he had so
often told himself that he must either die or go mad.  But now he felt
perfectly clear-headed and the full sensation of being alive came all
over him, languidly delicious.  The greatest beauty of it was that there
was no need to move.  This gave him a sort of moral satisfaction.  Then
the first thought independent of personal sensations came into his head.
He wondered when Therese would come in and begin talking.  He saw vaguely
a human figure in the room but that was a man.  He was speaking in a
deadened voice which had yet a preternatural distinctness.

"This is the second case I have had in this house, and I am sure that
directly or indirectly it was connected with that woman.  She will go on
like this leaving a track behind her and then some day there will be
really a corpse.  This young fellow might have been it."

"In this case, Doctor," said another voice, "one can't blame the woman
very much.  I assure you she made a very determined fight."

"What do you mean?  That she didn't want to. . . "

"Yes.  A very good fight.  I heard all about it.  It is easy to blame
her, but, as she asked me despairingly, could she go through life veiled
from head to foot or go out of it altogether into a convent?  No, she
isn't guilty.  She is simply--what she is."

"And what's that?"

"Very much of a woman.  Perhaps a little more at the mercy of
contradictory impulses than other women.  But that's not her fault.  I
really think she has been very honest."

The voices sank suddenly to a still lower murmur and presently the shape
of the man went out of the room.  Monsieur George heard distinctly the
door open and shut.  Then he spoke for the first time, discovering, with
a particular pleasure, that it was quite easy to speak.  He was even
under the impression that he had shouted:

"Who is here?"

From the shadow of the room (he recognized at once the characteristic
outlines of the bulky shape) Mills advanced to the side of the bed.  Dona
Rita had telegraphed to him on the day of the duel and the man of books,
leaving his retreat, had come as fast as boats and trains could carry him
South.  For, as he said later to Monsieur George, he had become fully
awake to his part of responsibility.  And he added: "It was not of you
alone that I was thinking."  But the very first question that Monsieur
George put to him was:

"How long is it since I saw you last?"

"Something like ten months," answered Mills' kindly voice.

"Ah!  Is Therese outside the door?  She stood there all night, you know."

"Yes, I heard of it.  She is hundreds of miles away now."

"Well, then, ask Rita to come in."

"I can't do that, my dear boy," said Mills with affectionate gentleness.
He hesitated a moment.  "Dona Rita went away yesterday," he said softly.

"Went away?  Why?" asked Monsieur George.

"Because, I am thankful to say, your life is no longer in danger.  And I
have told you that she is gone because, strange as it may seem, I believe
you can stand this news better now than later when you get stronger."

It must be believed that Mills was right.  Monsieur George fell asleep
before he could feel any pang at that intelligence.  A sort of confused
surprise was in his mind but nothing else, and then his eyes closed.  The
awakening was another matter.  But that, too, Mills had foreseen.  For
days he attended the bedside patiently letting the man in the bed talk to
him of Dona Rita but saying little himself; till one day he was asked
pointedly whether she had ever talked to him openly.  And then he said
that she had, on more than one occasion.  "She told me amongst other
things," Mills said, "if this is any satisfaction to you to know, that
till she met you she knew nothing of love.  That you were to her in more
senses than one a complete revelation."

"And then she went away.  Ran away from the revelation," said the man in
the bed bitterly.

"What's the good of being angry?" remonstrated Mills, gently.  "You know
that this world is not a world for lovers, not even for such lovers as
you two who have nothing to do with the world as it is.  No, a world of
lovers would be impossible.  It would be a mere ruin of lives which seem
to be meant for something else.  What this something is, I don't know;
and I am certain," he said with playful compassion, "that she and you
will never find out."

A few days later they were again talking of Dona Rita Mills said:

"Before she left the house she gave me that arrow she used to wear in her
hair to hand over to you as a keepsake and also to prevent you, she said,
from dreaming of her.  This message sounds rather cryptic."

"Oh, I understand perfectly," said Monsieur George.  "Don't give me the
thing now.  Leave it somewhere where I can find it some day when I am
alone.  But when you write to her you may tell her that now at
last--surer than Mr. Blunt's bullet--the arrow has found its mark.  There
will be no more dreaming.  Tell her.  She will understand."

"I don't even know where she is," murmured Mills.

"No, but her man of affairs knows. . . . Tell me, Mills, what will become
of her?"

"She will be wasted," said Mills sadly.  "She is a most unfortunate
creature.  Not even poverty could save her now.  She cannot go back to
her goats.  Yet who can tell?  She may find something in life.  She may!
It won't be love.  She has sacrificed that chance to the integrity of
your life--heroically.  Do you remember telling her once that you meant
to live your life integrally--oh, you lawless young pedant!  Well, she is
gone; but you may be sure that whatever she finds now in life it will not
be peace.  You understand me?  Not even in a convent."

"She was supremely lovable," said the wounded man, speaking of her as if
she were lying dead already on his oppressed heart.

"And elusive," struck in Mills in a low voice.  "Some of them are like
that.  She will never change.  Amid all the shames and shadows of that
life there will always lie the ray of her perfect honesty.  I don't know
about your honesty, but yours will be the easier lot.  You will always
have your . . . other love--you pig-headed enthusiast of the sea."

"Then let me go to it," cried the enthusiast.  "Let me go to it."

He went to it as soon as he had strength enough to feel the crushing
weight of his loss (or his gain) fully, and discovered that he could bear
it without flinching.  After this discovery he was fit to face anything.
He tells his correspondent that if he had been more romantic he would
never have looked at any other woman.  But on the contrary.  No face
worthy of attention escaped him.  He looked at them all; and each
reminded him of Dona Rita, either by some profound resemblance or by the
startling force of contrast.

The faithful austerity of the sea protected him from the rumours that fly
on the tongues of men.  He never heard of her.  Even the echoes of the
sale of the great Allegre collection failed to reach him.  And that event
must have made noise enough in the world.  But he never heard.  He does
not know.  Then, years later, he was deprived even of the arrow.  It was
lost to him in a stormy catastrophe; and he confesses that next day he
stood on a rocky, wind-assaulted shore, looking at the seas raging over
the very spot of his loss and thought that it was well.  It was not a
thing that one could leave behind one for strange hands--for the cold
eyes of ignorance.  Like the old King of Thule with the gold goblet of
his mistress he would have had to cast it into the sea, before he died.
He says he smiled at the romantic notion.  But what else could he have
done with it?






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