Vignettes in Verse
Date: 2004-02-02T00:00:00+00:00
Keywords: Poetry

The Project Gutenberg eBook of Vignettes in Verse

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Vignettes in Verse

Author: Matilda Betham

Release date: February 1, 2004 [eBook #11194]
Most recently updated: December 25, 2020

Language: English

Credits: Produced by Jonathan Ingram, David Garcia and the Online Distributed
Proofreading Team.

*** START OF THE PROJECT GUTENBERG EBOOK VIGNETTES IN VERSE ***

Vignettes:

IN VERSE.

BY MATILDA BETHAM.

1818.

THESE VERSES ARE INSCRIBED
TO
LADY BETHAM,
AS A TRIBUTE OF SINCERE RESPECT
FOR HER
AMIABLE QUALITIES.

ADVERTISEMENT.

As far as the seventy-fourth page, these Poems have been printed about two years; during which many things happened likely to prevent their ever appearing. The time, however, is now come, and I have to-day found the remainder, up to where the lines end with

"Its unpolluted birthright."

On reading the whole over, they struck me with much surprise, as they appear in a singular manner prophetic. I wrote them with a general, and somewhat undefined view; and they now take the aspect of speaking on what has since happened to myself—a long seclusion, during which I was bereft of the common means of study, having given rise to one that has turned out far more important than I at first imagined, and which I have continued since, to the exclusion of every other pursuit.

Stonkam, May 10th, 1818.

Vignettes.

I.

If writing Journals were my task,

From cottagers to kings—

A little book I'd only ask,

And fill it full of wings!

Each pair should represent a day:

On some the sun should rise,

While others bent their mournful way

Through cold and cloudy skies.

And here I would the light'ning bring

With threatening, forked glare;

And there the hallowed rainbow fling

Across the troubled air.

Some faint and wearily should glide

Their broken flight along—

While some high in the air should ride

Dilated, bold, and strong.

Some agitated and adrift,

Against their will should rove;

Some, steering forward, sure and swift,

Should scarcely seem to move—

While others, happiest of their kind!

Should in the ether soar,

As if no care would ever find,

No sorrow reach them more;

When soon an arrow from below

Should wound them in their flight,

And many a crimson drop should flow

Before they fell in sight.

The rapid and abrupt descent,

The stain'd and ruffled plume,

Would seem as if they were not meant

Their ardour to resume.

But soon their beauty and their force

Sweet hours of rest renew;

Full soon their light, their varied course

Careering they pursue.

Alternately to rise and fall,

Or float along the day—

And this is Fortune—This is all

I would vouchsafe to say!

II.

Lucy, I think not of thy beauty,

I praise not each peculiar grace;

To see thee in the path of duty,

And with that happy, smiling face,

Conveys more pleasure to thy friend,

Than any outward charm could lend.

I see thy graceful babes caress thee,

I mark thy wise, maternal care,

And sadly do the words impress me,

The magic words—that thou art fair.

I wonder that a tongue is found

To utter the unfeeling sound!

For, art thou not above such praises?

And is this all that they can see?

Poor is the joy such flattery raises,

And, oh! how much unworthy thee!

Unworthy one whose heart can feel

The voice of truth, the warmth of zeal!

O Lucy, thou art snatch'd from folly,

Become too tender to be vain,

The world, it makes me melancholy,

The world would lure thee back again!

And it would cost me many sighs,

To see it win so bright a prize!

Though passing apprehensions move me,

I know thou hast a noble heart;

But, Lucy, I so truly love thee,

So much admire thee as thou art,

That, but the shadow of a fear,

Wakes in my breast a pang sincere.

III.

THE ARTISAN.

This twilight gloom. This lone retreat—
This silence to my soul is sweet!
Awhile escap'd from toil and strife,
And all the lesser ills of life,
Here only at the evening's close,
My weary spirit finds repose;
My sinking heart its freedom gains,
Which poverty had bound in chains!

For here unheard the moments fly—
And so secure, so happy I,
That, often at the very last,
I feel not that my dream is past.
The little hour of bliss I spend,
With thee, my chosen, only friend!
That transient hour the heart sustains,
Which poverty has bound in chains!

And for this dear, this precious hour,
I would not, if I had the power,
Exchange a worldling's life of ease,
Whom all around him seek to please.
I have no other friend beside,
But here I safely may confide.
Suspicion ne'er the bosom stains,
Which poverty has bound in chains!

How oft I wonder at my lot!
How oft are all but thee forgot!
While in this half-despairing breast,
Love builds a little, quiet nest,
To hover o'er with joyous wing,
Nay, sometimes soar aloft and sing!
'Tis this alone the heart sustains,
Which poverty has bound in chains!

IV.

"Come, Edmund, now the sun goes down,

Thy many wanderings tell!

Say, after all thine eyes have seen,

If home appears so well!"

"So well! alas! ye do not know

How absence can endear!

In every hill, in every tree,

A thousand charms appear.

"The verdure of these English fields

Seems in my heart to glow—

There, as this shaded river winds,

I feel its waters flow.

"For, though I ventured forth so bold,

So long, so far did roam,

Affection, like a wayward child,

Still wept and murmur'd, home!

"I persevered, yet still I strained

The pleader to my breast;

I hush'd her cries, but as I chid

More fondly still carest.

"And when I met with foreign dames

Of grace and beauty rare—

I fancied one dear village girl

Like them: but oh! how fair!

"My early playmate! oft I humm'd

The lays she lisping sung!

And sigh'd when looking on the arm,

Where she at parting hung.

"Then, joy! within my native vale

To find my Ellen free!

To fancy others pleas'd her not,

Because she thought on me!

"So closely round a glowing heart

Did never flowers entwine!

Oh! ne'er was mortal spirit lull'd

With visions sweet as mine!"

V.

VALENTINE

FROM A YOUNG LADY TO HER MOTHER.

1811.

————

It is a custom, in some parts of Norfolk and Suffolk, to send little presents with verses on Valentine's Day, to relatives and friends.

————

Hope has her emblem, so has Love,

But I have vainly sought

For one, that might entirely prove

The picture of my thought.

If violets, when fresh with dew,

Could amaranthine be,

Their soothing, deep, and glowing hue

Would justly speak for me.

Or to some plant with tendrils fine,

With blossoms sweet and gay,

This office I would now assign;

But flowers will all decay!

A bird would suit my purpose more,

With filial heart endued;

But, ere their little life is o'er,

Birds lose their gratitude!

No emblem of the love I feel

Appears within my view;

Less ardent, or less pure the zeal,

Less tender, or less true!

All I can do is to avow,

My services are thine;

And that my spirit still shall bow,

Before my Valentine.

VI.

THE LOVER'S APOLOGY.

I look'd into her eyes,

And saw something divine,

For there, like summer lightning,

Swift coruscations shine.

Still flashing, and still changing,

Attemper'd soft and bright,

Through each expression ranging,

From pity to delight.

From high or zealous feeling,

From arch, excursive grace,

From all with which a lovely mind

Endows the human face.

Perhaps a new and careless eye

May not those beauties see,

And wonder to behold the power

Belinda has with me.

The spell which holds this captive soul

She never would possess,

Were not her varying features rul'd

By sparkling playfulness,

But when with aimless, trackless skill

Is twin'd a mazy chain,

In the warm foldings of a heart,

Perforce it must remain.

VII.

Come, Magdalen, and bind my hair,

And put me on my sad array;

I to my father's house repair,

And hear his final doom to-day.

But wrap me in that cypress veil;

At first his eye I would not brave,

'Till he shall bid the mourner hail,

And knows I come from Edwin's grave.

I, late his boast, his heir, his pride,

Must like a guilty vassal kneel;

I, who was gallant Edwin's bride,

Must to my widow'd state appeal!

Closely within my heart must keep

His praise for whom that heart is riv'n,

And let each fond resentment sleep,

For I must die or be forgiven.

VIII.

The Spanish Lady's Farewell, 1809.

Manuel, I do not shed a tear,

Our parting to delay!

I dare not listen to my fear!

I dare not bid thee stay!

The heart may shrink, the spirit fail,

But Spaniards must be free;

And pride and duty shall prevail

O'er all my love for thee!

Then go! and round that gallant head,

Like banners in the air,

Shall float full many a daring hope,

And many a tender prayer!

Should freedom perish—at thy death,

'T'were folly to repine—

And I should every feeling lose,

Except the wish for mine!

But if the destiny of Spain,

Be once again to rise,

Oh! grant me heaven, to read the tale,

In Manuel's joyful eyes!

IX.

SONNET.

I am unskill'd in speech: my tongue is slow

The graceful courtesies of life to pay;

To deck kind meanings up in trim array,

Keeping the mind's soft tone: words such as flow

From Complaisance, when she alone inspires!

And Caution, with a care that never tires,

Marshals each tribe of thoughts in such a way

That all are ready for their needful task,

The moment the occasion comes to ask,

All prompt to hear, to answer and obey;

When mine, undisciplin'd, their cause betray,

By coward falterings, or rebellious zeal!—

And Art, though subtle, though sublime thy sway,

I doubt if thou canst rule us, when we feel!

X.

ALL' AMICA.

And didst thou think that worldly art
Would mould anew this shrinking heart?
No! as a bird, by storms opprest,
Is sheltered in its silent nest,
I nurse and soothe it in the strife,
Screen from the bleakest airs of life,
And bring it all that once you knew,
As kind, as timid, and as true!

But how could I so foolish be,
As not to feel a doubt of thee?—
This joy to find me still the same
Takes from my lip the power to blame;
Else, but forgive me, else I find
A mist has stolen o'er thy mind,
And veil'd my prospect; dimm'd that light
Which once was warm, and clear, and bright.

XI.

TO THE SAME.

Go forth, my voice, through the wild air,

In the lone stillness of the night,

Beneath the cold moon's pale blue light;

Seek Eugenia, and declare,

As warmth and promise lurk below

A waste of lifeless, drifted snow;

So, while my lips inertly move,

While many heavy fetters bind,

And press upon my languid mind,

Oh! tell her not to doubt my love!

Affection still her hold shall keep,

Although her weary servants sleep.

Friendship to me is like a flower,

Yielding a balm for human woe,

I less than ever could forego;

More prized, more needed every hour!

Perchance it dies for want of care,

But as it withers, I despair!

XII.

To the late Lady Rouse Boughton.

'Tis said, that jealous of a name

We all would praise confine,

And choke the leading path to fame

In our peculiar line.

But vainly should detraction preach

If once I made it known,

The art of pleasing thou would'st teach

Acknowledg'd for thy own.

XIII.

Yes! I can suffer, sink with pain,
With anguish I can ill sustain;
Till not a hope has strength to spring,
Till scarce a prayer can lift its wing;
Yet in my inmost heart there lies
A living fount that will arise,
And, of itself, diffuse a balm,
A healing and refreshing calm,
A pure delight, a cooling glow,
Which Hate and Meanness cannot know!

Yes! I can faint, and I can fear,
The power of petty creatures here,
Who trick dark deeds in gay disguise,
And weave their web of brooded lies,
With so few threads made smooth and fair,
All seems plain sense and reason there;
And yet I would not learn their art,
Nor have their paltry spells by heart,
Their rankling blood within my veins,
For all the treasure earth contains!

Oft, panic-struck, I sink, dismay'd,
Call, with expiring faith, for aid;
When all my efforts useless seem,
Emptied of force as in a dream,
My courage knows to persevere,
Entwin'd, o'ergrown, o'ertowered by fear!
As he who summoned in the night,
At sudden wreck, in wild affright,
Once throws his arms around a mast,
Continues still to hold it fast,
When sight and strength and aim are flown,
When cold, benumb'd, and senseless grown,
My soul, by hurrying tempests driven,
Though blinded from the light of Heaven,
Clinging, all hope, all comfort o'er,
Must yet awaken on the shore!

XIV.

TO MR. AND MRS. EVERARD,

On their only Son's being in the Navy, 1811.

————

Talent and beauty, and the heart's warm glow,
Gilding with Heavenly light his path below,
Few with such rare felicity have won,
In that rich prize, a dear and only son;
And fewer but those faculties would doom
To the soft prison of a pamper'd home;
Check his bold wishes when they soar'd on high,
And see well-pleas'd each early vision die;
But ye, enweaving, as to me appears,
With his bright hopes, those of maturer years,
Hallowing the web, with all that parents feel,
The saintly trust in Heav'n, the patriot's zeal,
The aching doubts, that still tenacious wind
Around the lofty and the tender mind;
Ye, with a more than Roman virtue, yield,
To the proud strife of Albion's liquid field,
This darling; and, in whispers, bid him wear
The finest wreath that buds and blossoms there;
And I could almost say I heard a strain
Pronounce—the sacrifice should not be vain!

XV.

TO THE HON. LADY J——,

With the Picture of her Grand-daughter, the present Lady Petre.

1813.

Behold the semblance of thy flower!

I could not fill its leaves with dew,

Shew its tints varying with the hour,

Its motion as the zephyrs blew.

And beauty too were more complete,

Appearing on the native stem,

In midst of buds and blossoms sweet,

And catching graces, charms from them.

Or blooming under eyes like thine,

Whose fond, soft gaze, whose tender tear,

Must also, losing power divine,

Awake no answering sweetness here.

For much of loveliness must sleep,

E'en when inspir'd and led by truth;

The faithful pencil aims to keep

Mildness and innocence and youth.

XVI.

To MRS. A.

An Hour was before me, no creature more bright,
More airy, more joyous, e'er sprang on my sight.
To catch and to fetter I instantly tried,
And "thou art my slave, pretty vagrant," I cried.

I had hold, and securely I thought, of its wing,
O! how I shall glory, so lovely a thing
To place by the cradle of friendship, and see,
With the aid of my captive, if I can be free.

Oh! while she is with me, some means may be found
To temper the air and to hallow the ground—
To make those entangling bind-weeds decay,
Drive Suspicion, who rear'd them, for ever away,
And leave all around, kind, and healthful, and gay!

When this can be compass'd, I'll build me a bower,
And twine in the trellice each sweet-scented flower—
Rare, delicate plants, whose large, fresh leaves shall fling
Green shadows, where birds in the stillness may sing.

A place of repose, when the spirit is faint,
And the heart wants to utter a passing complaint:
Of safety; for pure and serene be the air,
And nothing unkind or unholy be there!

In this sacred retreat I my cares would confide,
And there my half-forming opinions should hide;
If true, gather strength for the brightness of day—
If false, in the shade, unreprov'd, die away!

How fondly I nourish'd these hopes, but in vain!
The calm and the stillness I could not retain;
My Hour fled away, every wish unfulfill'd,
And warm'd not the Friendship Suspicion had chill'd!

XVII.

LINES

Sent to a Brother on his leaving England.

May 2, 1816.

————

FANCIFUL BOUQUET.

————

Hopes all glowing, Wishes rare,

Blessings mixed with many a Prayer,

Flowers as yet beyond compare,

Though flourishing in northern air.

Farewells twined with tender Fears,

Golden day-dreams, gemm'd with tears,

Affections nurtur'd many years,

Before this perfect bloom appears.

Thoughts of fondness and of pride,

Love-vanities we need not hide;

Heart-blossoms, in its crimson dyed,

For you, are here together tied.

And yet they all appear too poor,

Though goodness can ensure no more;

Though monarchs, whom the world adore,

Would purchase such with all their store.

And while this charmed gift we send,

We know where'er your footsteps bend,

The looks and tones that win the friend,

That kindness, nature, truth, attend,

Are yours, and must be with you still,

Angelic guards, go where they will,

To ward off much surrounding ill,

And happiest destinies fulfil.

XVIII.

Written jointly with a particular Friend, after a conversation similar to the subject, with the Damon of the Story.

————

Believing love was all a bubble,

And wooing but a needless trouble,

Damon grew fond of posied rings,

And many such romantic things;

But whether it were Fortune's spite,

That study wound his brain too tight,

Or that his fancy play'd him tricks,

He could not on the lady fix.

He look'd around,

And often found,

A damsel passing fair;

"She's good enough," he then would cry,

And rub his hands, and wink his eye,

"I'll be enamour'd there!"

He thus resolved; but had not power

To hold the humour "half an hour"—

And critics, vers'd in Cupid's laws,

Pretended they had found a clause,

In an old volume on the shelf;—

Which said, if arrows chanc'd to fly,

When no bright nymph was passing by,

And lighted on a vacant breast;

The swain, Narcissus-like possest,

Strait doated on himself!

If so, his anxious friends declar'd
All future trouble might be spar'd:
A heart thus pierc'd would never rove,
Nor meanly seek a second love;
No distance e'er could give him pain—
No rivalry torment his brain.
Self-love will bear a many knocks,
A thousand mortifying shocks;
One moment languish in despair,
The next alert and debonair.

Poor Damon bit his nails and sigh'd,
But still he was not satisfied;
He could not rest, nor be content,
Until to Cupid's court he went.
Of rules establish'd in the place,
Or, how to enter with a grace,
He own'd he neither knew nor car'd,
But thought such nonsense better spar'd,
And went undaunted and alone
To place himself before the throne.
He kiss'd no hand, he bent no knee,
Nor measur'd steps of one, two, three,
But made a careless, slouching bow,
And said, "Your highness will allow,
That I am personable, tall,
A rather handsome face withal,
And fit to serve as volunteer,
At least as any present here!
Purblind, and deaf, and long and short,
Without distinction here resort;
Whilst I, neglected and forgot,
Sate daily watching in my cot;
And scarcely stirr'd, for fear there might,
Arrive that morning or that night
A captaincy, or some commission,
For I confess I have ambition,
And think if none had done me wrong
I had not been o'erlook'd so long.
To come then, Sir, I thought my duty,
Oh! make me sensible to beauty!
The ice about my bosom melt!
Infuse a warmth it never felt!
I come uncall'd! excuse my boldness!
In truth I could not bear the coldness!"

Half piqued to see him thus intrude,

And question in a way so rude;

Half tickled at the strange address,

Cupid said gravely, "We confess

There may be reason in your plea;

But still we very much admire

Your entering in such strange attire!

We cannot such omissions see,

And countenance—It should appear,

You know not we are sovereign here!

The soldiers of our chosen band

Approach not till we give command.

We every look and action sway,

And they with prompt delight obey.

For height, and size, and such like things,

We care far less than other kings;

But station, learning, no pretence,

Can make us with our power dispense.

The warrior must not here look big,

The lawyer doffs his forked wig,

The portly merchant rich and free,

Forgets his pride and bends the knee;

The doctor gives his terrors scope,

And, like a patient, whines for hope;

In short the wise have childish fits,

And fools and madmen find their wits.

"Then go—this silly pride subdue,

And thou shall be our servant too!

Acquire the courtly way of speech,

Not, 'do you hear?' but, 'I beseech.'

And let a suitor's voice and air,

Thy grievances and zeal declare,

We never scorn a humble prayer!"

Expecting then a heart submiss,

He held him forth his hand to kiss;

For petrified the while he spoke,

With troubled wonder in his look

Poor Damon stood; aghast, suspended,

But gain'd his senses as he ended;

Abruptly turning on his toe,

"I thank you, Master Cupid, no!

I am a freeman and a brave,

And will not stoop to be a slave.

Your rules will never do for me,

I'd rather learn the rule of three—

"And since I find it is the plan,

To make me an automaton,

I'll case my heart in triple mail,

And fence it so completely round,

That all this vaunted skill shall fail,

Those blunted arrows back rebound;

For know, usurper! from this hour,

I scorn thy laws, abjure thy power!

From this dear moment I despise

The whole artillery of eyes;

Reason alone shall be my guide,

And Reason's voice shall win my bride.

Some bonny lass shall say I can

Love you as well as any man;

I will the self-same troth accord,

Most gladly take her at her word;

And we may just as happy prove

Without the fooleries of love.

She must not ask so much attention,

As many ladies I could mention;

But when I do not want to sway,

I'll always let her have her way;

And study to oblige her too,

When I have nothing else to do;

And am not tired, or wish to rest,

Or like some other plan the best,

For, more than this would be a task,

None but thy votaries would ask.

She must have riches, beauty, grace,

And modest sweetness in her face."

Just then he saw a scornful sneer

Upon Dan Cupid's face appear;

While courtiers whispered with a grin,

"Poor fellow, he'll be taken in!

The finest birds are always shy,

The rarest at a distance fly,

And Reason cannot soar so high."

"Aye, you may laugh, to prove her mind

At once exalted and refined,

I'll watch her skill in music's art;

By ear and fingers judge the heart,

And then it will not be believ'd

I can be easily deceiv'd.

I only grieve that in my prime

I've wasted so much precious time,

For long ere this I might have married,

Had I not so unwisely tarried,

And vex'd my brains in looking round

For that which never could be found."

"And would'st thou wish," the monarch cried,

"To set our gentle laws aside?

Thou hast no friend in Common Sense,

In such affairs she thinks it wisest,

To stand aside without pretence,

And sanction laws which thou despisest.

But try the plan, it merits praise,

Success may crown its winning ways!

The lady must be blind indeed,

With whom such offers of neglect,

And cool, habitual disrespect

Would not succeed.

But come no longer here to flout us,

Since, truly, thou canst do without us;

For dignity is lost in sport,

An outlaw for contempt of court;

We banish thee with all thy pride

Until thy heart be rarified."

XIX.

ABSENCE.

Written in Derbyshire, by the same Friend.

————

When recollection brings to mind,

The kindred ties I've left behind,

The converse gentle and refin'd,

I grieve!

Deep the regret, the pain extreme,

And yet I fondly love the dream,

And find the sad, delightful theme

Relieve.

It bids all present forms decay,

All present feelings fade away;

Impeding distance, long delay

Are o'er!

Fancy, so active in the gloom,

Till some one enters in the room,

Can all the images of home

Restore.

Alas! when weeks, and months are past,

Shall I that home behold at last,

Which even the dark clouds overcast

Endear?

Lest one of all the cares that dart

Like arrows round each thoughtful heart,

May pierce ere then some vital part

I fear!

XX.

On reading in Savary's Travels the death of Ali Bey, who, it is there represented, in the midst of enlightened and benevolent efforts to benefit his country, was repeatedly betrayed, and at length taken captive by his brother-in-law, whom he had advanced and loved, and who, till the very last, he could not believe to be his enemy.

————

O generous Ali! while thy fate inspires
Indignant pity, with a patriot's fires,
I mourn for Egypt, and with equal zeal,
For her, for thee, and ruin'd science feel:
Admire the confidence my heart deplores
And blame the weakness it almost adores!

Pride of thy race! before my mental eyes,
I see thee, like another Alfred rise;
See honour splendent on thy ample brow,
While Thought and Genius fill the orbs below;
Those beaming orbs! where lofty sweetness shone,
And where the soul sate smiling on her throne:
Depriv'd too soon of that benignant ray,
Which impious Dahab shudder'd to survey.
Pale, bleeding, conquer'd, dying, and forlorn,
I see thee view the wretch with silent scorn!
See thy cheek flush at the false tears he shed,
And proudly turn away the languid head,
With mingled anger, sorrow, and disdain,
That he should dare to tempt thy love again!

Oh! yet within the tent I see thee lie,
The victor, like a coward, crouching by;
O'erawed, rebuked, and humbled in the hour,
The plenitude of his success and power!
A pain the guilty never make us know,
In all the miseries they cause below;
A pain which they in every triumph feel,
A humbling sense no glory yet could heal,
The want of conscious worth, the poignant thought,
That inwardly sets all pretence at naught!
That curbs all self-applause—tears all disguise—
When the subdued, the ruin'd can despise;
And, in the arms of death, can yet be free,
To say, "Let me be any thing but thee!"

Ambition! while thy zeal the good inflame,
And make a noble nature sigh for fame,
We deem thee of a more than royal line,
For self-devotion tendeth to divine!
But when, like Dahab's demon, selfish, vain,
It loosens Gratitude's mysterious chain;
When broken Faith aloud, but vainly calls;
When the warm friend, the king, the brother falls;
Instead of honours, and a conqueror's fame,
Hatred shall haunt, and curses brand thy name!

XXI.

LINES.

Written for a Young Gentleman to speak at the Audit at St. Saviour's School, Southwark, after the Battle of Trafalgar.

————

While others, from the Greek and Roman page,
Declare the prudent councils of the sage;
Or, in recital of achievements bold,
Retrace the motives and the deeds of old,
I, in the accents of my native clime,
And, at the moment, shaking hands with Time,
I, whom our recent loss forbids to roam,
Shall plant my mourning standard nearer home!
At the sad shrine where gallant Nelson sleeps,
Where Britain bends her lofty head and weeps,
Deeply lamenting that she cannot prove,
The fond excess of dearly purchas'd love.

Is there a callous mind, that does not feel
An anxious interest in the public weal!
Is there a heart that pities not the brave!
To whom luxuriant laurels hide the grave!
A grief unwing'd, yet unconsol'd by pride!
A tongue that said not, when our hero died,
While bitter tears that glorious loss deplore,
The man who lov'd his country is no more?
No! in each eye the glowing trophies fade;
Each sign of triumph seems a vain parade!
The aching sigh to conquering shouts succeeds,
And Victory assumes a widow's weeds.

Some wily chieftain, building up a name,
May fight for immortality and fame;
Time may embalm his valour, or his art,
And History shew the coldness of a heart,
Which, emulous of grandeur and a throne,
Acts for itself, "its own low self" alone;
And, in the inner chambers of the mind,
Broods over plans to subjugate mankind:
There fondly bends each nation to his sway,
That he may rule, and all beside obey.
Haply the mighty fabric may arise,
Vast in its bulk, and aiming at the skies,
Till Wisdom, viewing the enormous pile,
Admires the madness of a man the while,
Who labours with incessant toil and skill;
To feed Ambition, discontented still;
And for that serpent in his bosom curl'd,
Erects a temple fit to hold the world!

Though such a chief a deathless wreath may crown,
Though he may win a sterile, hard renown,
His name shall ne'er a sudden glow impart,
Nor make the tear of admiration start;
Ne'er in his plaudits shall warm blessings join!
None cry, "The triumph of that man is mine!"
But, when his greatness crumbles in the dust,
Coldly exclaim, "Lo! Providence is just!"
Far different is the patriot warrior's lot!
He may in Time's long journey be forgot;
Though many generations shall decay,
Ere England's love to Nelson wears away!
But if at length successive years should cast
The mist of distance upon ages past,
And fathers what themselves have witness'd tell,
Of those who yet shall serve their country well—
Memory and Knowledge shall dispel the gloom,
And shed strong light on every honour'd tomb—
To lift the spirit when our courage fail,
When worth departed, future ages hail!

And ye, compeers, who in the classic page,
Do homage to the hero and the sage,
Whose hearts at base and cruel actions bleed,
But rise triumphant at a noble deed—
Forbear from Duty's anxious side to stray,
But follow bravely when she leads the way;
Follow with head and heart, as Nelson fought;
Be vigilant like him in act and thought;
Then, as the lark mounts upwards in the skies,
Early in life's fair morning will you rise,
Expand bold pinions nearest to the sun,
And claim the meed of glory fairly won.

XXII.

TO THE HETMAN, PLATOFF.

————

O ancient warrior! as we hail thee,

And behold thy cordial smile,

We hope that greetings ne'er may fail thee,

Such as those of Britain's isle.

They are, although so seeming rude,

Given only where we think them due;

Most courteous, e'en when they intrude,

Too vehement, but always true!

Applauses which no art can fashion,

Which speak the feelings and no more;

Which give respect the glow of passion,

When worth and valour we adore;

Blest is the hero in receiving!

And pride may scoff at, or despise,

What if but once sincere believing,

Is grateful to the good and wise.

XXIII.

On the Death of Master Frederic Thomson.

1810.

————

In the first dawn of youth I much admire
The lively boy of ruddy countenance,
Strong-built, and bold, and hardy, with black hair,
And dark brown eye, contrasting its blue-white,
Somewhat abruptly; save in the bright hour
Of inward passion, or of sudden joy;
When, as a monarch, gracious and renown'd,
Amid a crowd of subjects, diverse all,
Thrills with one deep, soft feeling every heart;
Or, as the sun throws his pervading beams
At once on bleak harsh mountains and the sky;
The soul, by union of its light and heat,
Clears and irradiates all, and gives to strength
A mellow sweetness; hues late undefin'd
Grow more intense, or, if discordant, lose
Their coarseness, and become diaphanous.
This I admire, but still methinks I look
With a serener pleasure on the head
Crested by flaxen curls; or where soft locks,
Like to long coiling leaves that lose their edge,
Shine silken on the cheek, and parting smooth
Above a fair and modest countenance,
Harmonize with its pure, its tender bloom.
Still lovelier when with that infusion sweet
Of saint or angel spirit, resident
In the calm circle of a blue eye fring'd
With sable lashes! I remember once
A face like this, ere sickness took away
Its freshness, in whose looks there also dwelt,
If one may speak it of a thing so young,
And not subdue our warm belief to say
The prophecy of all these qualities,
Refinement, gentleness, and mild resolve;
Fitted to stem the evil of this world,
And hold with patient intrepidity,
The shield of calm resistance to its power.
It seem'd as if no anger e'er could dwell
Within his bosom; no blind prejudice
Distract his judgment; and no folly call
For a reproof: as if Affection were
Too soon allied to Thought, and tempered so
His morning, that the ministry of Time,
The chast'ning trial of Remorse and Grief,
And of stern Disappointment, all were spar'd.

XXIV.

On the Death of Herbert Southey: addressed to his Father.

————

Knowing the nature of thy grief,
Too deep, too recent for relief,
Oh! why impatient must I press
So early on a friend's distress!
Why am I eager thus to prove,
To him who feels excess of love,
The tender liking we bestow
On fair and guileless things below?
On Love and Joy without pretence,
On kind and playful Innocence!
The pleas'd idea Memory kept,
The partial glance which never slept,
When hopes arose oft render'd vain,
Of seeing Keswick yet again.

Never but once a child had won
So much upon me as thy son;
And, for each wild and winning art,
That, nestling, fastens in the heart;
For graces that light tendrils fling
Around each nerve's tenacious string;
Caprices beautiful, that strike
The heart, and captive fancy, like
Those of a tame, young bird at play,
That carols near, then flits away,
Will on a sudden upward soar,
Then give its little wanderings o'er,
For fondling, gentle, sweet repose,
When tapering pinions softly close,
Slight, warmth—pervaded quills are prest,
And head shrunk closely to the breast:
All sleeping but that lovely eye,
Which speaks delight, and asks reply:
Oh! with such graces never one
Was so much gifted as thy son!
In each variety of tone,
Each wayward charm, he stood alone;
And all too nicely pois'd to press,
Or ruffle tranquil happiness.

If thus a stranger thinks, who knew
Him but an infant—if he grew
With all the promise that appear'd
So brightly then, still more endear'd—
If, as the Honey with the Bee,
Affection dwells with poesy:
If that Affection is comprest,
And hoarded in a Father's breast,
Whose very soul doth blessings shed
Upon a grateful darling's head;
While every look is treasur'd there,
Till Thought itself becomes a prayer,
And Hopes hang on him full and gay.
"As blossoms on a bough in May"[1]—
Shall any venture to intrude
On thee? Oh! not with footstep rude,
But with a timorous zeal I come,
Just hang this wreath upon his tomb—
Record fond wishes sadly o'er,
To see my little favourite more!

————

[Footnote 1:

As many hopes hang on his noble head

As blossoms on a bough in May; and sweet ones!

Beaumont and Fletcher.]

XXV.

Fear has to do with sacred things,
And more than all from Pity springs.
Two school-girls once—the time is past,
But ever will the memory last—
This moral to my fancy drew,
In colours brilliant, deep, and true.

Mute, blooming, one all-wondering stands,

The elder kisses oft her hands,

Bends o'er with fainting, fond caress,

And languishes in strong distress.

Clings to her shoulder, were it meet,

Seems wishing to embrace her feet;

Like one impatient to implore,

Who dreads the time is nearly o'er,

To ask or to receive a boon,

Which must be known and granted soon.

A boon with life itself entwin'd,

One that her lips refus'd to name,

However oft the impulse came.

Such was the picture—but her mind

Forgetting self—could not arise,

To look in those unconscious eyes!

The zeal that prompted, were she free

To serve her friend on bended knee,

Shrunk from the orphan's gaze, just hurl'd,

Lonely and poor upon the world—

Unknowing yet her loss, endeared,

By its excess, and therefore fear'd!

Thus has it ever seem'd to me,
That Pity made a Deity
Of Mortal Suffering—that her ray
Melted all blame, all scorn away!
That when her arms the dying fold,
When her pure hands the loathsome hold,
Disgust and Dread, their power forego,
The Aegis drops from Human Woe,
Whose false and cruel glare alone
Turned other living hearts to stone.

XXVI.

ELEGY ON EDWARD BETHAM,

Lost in the Duchess of Gordon East Indiaman, off the Cape of Good Hope.

————

Lovely as are the wide and sudden calms
Upon a lake, when all the waters rise,
To smooth each undulation, and present
A plain of molten silver—is the hope,
Dear Edward, of thy safety—which now comes
To fill, expand, and elevate my heart—
String every nerve, and give to every vein,
A warmer and a sweeter sense of life!

Welcome, oh! welcome, that most healing hope,
Pouring abroad an efficacious ray
Into the aching bosom!—Tidings sweet
Those of such prompt return, with wisdom gain'd
By suffering, but with all thy innocence,
All thy accustomed gaiety of heart,
And all thy deep, quick sensibilities!
Those gems of virtue, which concentre still
In narrow limits, stores of moral wealth
Beyond all estimate—whose value known,
The dealer sells his other merchandize;
His ivory and curious workmanship,
The silkworm's product and the cloth of gold,
To purchase that imperishable store,
More highly prized than all!—Possessing all
The properties, most precious of the rest,
In a superior measure and degree,
Without alloy, sparkling with inward light!
Unseen, untraced the process of his growth!—
No aid from any human hand or care!—-
No nourishment from any earthly dews!
No ripening from our bright, material sun!
But secretly supplied by Providence
With some more pure, diviner aliment,
And with more heavenly, searching radiance fill'd;
For the superior comfort, higher bliss
Of that in-drinking eye the soul of man!

Thus sang I, when fallacious hopes were rais'd
Of his dear safety—whom, howe'er belov'd—
However strong in health, and firmly built
Like a fine statue of the antique world,
As if he might have reach'd a century
Without decrepitude, we ne'er again—
Nor we alone, no other human eye—
Can e'er behold! Then had I painted him
Returning, as he lately left our shores,
With all the fairness and the bloom of youth—
The light brown hair, and its soft yellow gleams,
Brightened with silver; thickening into shade,
Now with a dove-like, now a chesnut hue!
The smile of Peace and Love and joyful Hope!
And those blue eyes, through whose dark lash the soul,
Rejoicing, from its kind and happy home,
Look'd forth with rapture, artless, and uncheck'd!
Eyes, where Delight in careless luxury
Lay nestling and indulging blissful thoughts;
With every day-dream, for whose food the world
Offers magnificence and loveliness;
All graceful motions, and all graceful forms.
The ripened nectar of delicious sounds,
The social haunt—the lonely quiet hour;
The Hopes embodying innocent and gay
As those of Childhood, whose soft footstep past
Not long before, not yet forgotten, by!

The letter, dearest, blotted with thy tears,
In answer to a caution—fear—express'd
By much too strongly—often gives my heart
A secret pang—but of remorse for nought
But paining thee—too tender to endure
The thought that self-indulgence, or neglect,
Causing increas'd disquietude and care,
Might, by increased disquietude and care,
Open the grave for him who gave thee birth!
How often and how warmly did'st thou ask,
With epithets of fondness, how I dar'd
Imagine such a horror, and to one
Present, who would have died, or borne extremes
Of any hard endurance, not to give
The slightest anguish to a parent's breast!
Alas! the cruel rashness of reproof—
The busy vigilance of human pride—
Like a too eager partizan, may strike,
To ward off danger from his chieftain's head,
A fellow soldier zealous in the cause!

As of this world, this visible, wide world,
This earth, with all its forests, all its plants,
All its deep mines, its rivers, and its seas,
Yea! all that breathes, and moves, and clings to life
By any subtler impulse, which eludes
Our blunted observation:—as of this,
All that appears and all that is, so much
Remains, in scorn of science, unexplor'd;
So, in the not less wond'rous moral world,
The innermost recesses of the mind,
We see as little; save, Phoenician like,
By petty trade and parley on its coasts,
Talk by interpreters, impatient guess,
Or careless resting in incertitude,
At meanings in a tongue almost unknown;
Or so corrupted by this intercourse,
That all its native harmony is lost,
Its irresistible persuasions o'er!
The clearness and the sweetness of its tones,
Its loftiness, simplicity and truth.

All that we hear is coarse and limited,
And yet we sail along and search no more,
And look no farther, though the ear is pall'd
With the vile din of tame monotony,
The taste perverted, judgment led astray,
By soul-annihilating idleness,
By universal, strengthless poverty,
Which leans upon its neighbour for support,
And lifts the eye for sanction, or assent,
To weakness still more helpless than its own!

Two thousand years the sanctuary's veil

Has now been rent asunder, shewing all

That, to the patient and unsandall'd foot,

Egress and regress freely are allowed

Through that most glorious temple, where abstract,

And long a stranger to the vulgar eye,

Thought held her silent rule, and mission'd forth

Her sealed and unquestion'd messengers.

Yet those who follow nature when the track

Is finer than a hair—those who can cleave

The subtile and combined elements

That form a drop of water—those can shrink

From the more holy alchemy enjoin'd,

Call'd for by that disgust the heart conceives

At the usurping empire of pretence;

At all those useless and disgraceful chains,

Which tie us down, and imp with aptest wings,

Falsehood and selfishness, who ought to creep

In their own reptile slime, and dart away

When eyes perceiv'd their presence. Oh! could those

Adventure in too perilous a path,

If without other guide than the bright stars,

The love of what is lofty and divine,

Or the desire of gaining for mankind,

Now fettered and held down to poison'd food,

Its unpolluted birth-right

—they dared on,

Plunging at once into untravelled realms,

And bringing, as the harvest of their toil,

Arms which will make each potent talisman,

Each charm, and spell, and dire enchantment sink

In endless infamy—without a hope

To trick their bloated, and their wither'd limbs,

In any Proteus vestment of disguise,

Again to awe and ruinate the world.

Oh! my dear brother, little did I think
These lines would be prophetic, yet to me
They seem so; for I since have felt deep woe,
And passed through seas of anguish to attain
A view of mysteries wonderful and sad—
Since they are rivetted, through every clime,
With shame, and guilt, and wretchedness on all
That bear what only is the curse of life,
Whilst they remain, which have confronted time,
Wearing the semblance, sporting with the names
Of truth and valour, liberty and God,
Successfully, through each recorded age,
But yet may fall, and will, I trust and hope!

————
FINIS.

*** END OF THE PROJECT GUTENBERG EBOOK VIGNETTES IN VERSE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- Vignettes:

- IN VERSE.

- Vignettes.

- I.

- II.

- III.

- THE ARTISAN.

- IV.

- V.

- VALENTINE

- FROM A YOUNG LADY TO HER MOTHER.

- It is a custom, in some parts of Norfolk and Suffolk, to send little presents with verses on Valentine's Day, to relatives and friends.

- VI.

- THE LOVER'S APOLOGY.

- VII.

- VIII.

- The Spanish Lady's Farewell, 1809.

- IX.

- SONNET.

- X.

- ALL' AMICA.

- XI.

- TO THE SAME.

- XII.

- To the late Lady Rouse Boughton.

- XIII.

- XIV.

- TO MR. AND MRS. EVERARD,

- On their only Son's being in the Navy, 1811.

- XV.

- TO THE HON. LADY J——,

- With the Picture of her Grand-daughter, the present Lady Petre.

- XVI.

- To MRS. A.

- XVII.

- LINES Sent to a Brother on his leaving England. May 2, 1816.

- FANCIFUL BOUQUET.

- XVIII.

- Written jointly with a particular Friend, after a conversation similar to the subject, with the Damon of the Story.

- XIX.

- ABSENCE.

- Written in Derbyshire, by the same Friend.

- XX.

- On reading in Savary's Travels the death of Ali Bey, who, it is there represented, in the midst of enlightened and benevolent efforts to benefit his country, was repeatedly betrayed, and at length taken captive by his brother-in-law, whom he had advanced and loved, and who, till the very last, he could not believe to be his enemy.

- XXI.

- LINES.

- Written for a Young Gentleman to speak at the Audit at St. Saviour's School, Southwark, after the Battle of Trafalgar.

- XXII.

- TO THE HETMAN, PLATOFF.

- XXIII.

- On the Death of Master Frederic Thomson.

- XXIV.

- On the Death of Herbert Southey: addressed to his Father.

- XXV.

- XXVI.

- ELEGY ON EDWARD BETHAM,

- Lost in the Duchess of Gordon East Indiaman, off the Cape of Good Hope.

- THE FULL PROJECT GUTENBERG LICENSE