The Project Gutenberg eBook of The Climbers, by Clyde Fitch.

This play is fully protected by the copyright law, all requirements of which have been complied with. In its present printed form it is dedicated to the reading public only, and no performance of it, either professional or amateur, may be given without the written permission of the owner of the acting rights, who may be addressed in care of the publishers, Little, Brown, and Company.

TO
CHARLES T. MATHEWS

in grateful recognition of his
true friendship and loyal enthusiasm
from the beginning

C.F.

THE CLIMBERS

THE PEOPLE IN THE PLAY

(Transcriber's Note: One character is listed as Dr. Steinart in the List of Characters, but Dr. Steinhart in the body of the play.)

Originally produced at the Bijou Theatre, New York, January 21, 1901, with the following cast:—

Richard Sterling		Mr. Frank Worthing
Edward Warden		Mr. Robert Edeson
Frederick Mason		Mr. John Flood
Johnny Trotter		Mr. Ferdinand Gottschalk
Dr. Steinart		Mr. George C. Boniface
Godesby		Mr. J.B. Sturges
Ryder		Mr. Kinard
Servant at the Hermitage		Mr. Henry Warwick
Jordan	Servants	Mr. Edward Moreland
Leonard	at the	Mr. Henry Stokes
A Footman	Hunters'	Mr. Frederick Wallace
Richard Sterling, Jr.		Master Harry Wright

Mrs. Hunter		Mrs. Madge Carr Cook
Mrs. Sterling (née Blanche Hunter)		Miss Amelia Bingham
Jessica Hunter		Miss Maud Monroe
Clara Hunter		Miss Minnie Dupree
Miss Hunter		Miss Annie Irish
Miss Godesby		Miss Clara Bloodgood
Miss Sillerton		Miss Ysobel Haskins
Tompson	Maids at	Miss Lillian Eldredge
Marie	the Hunters'	Miss Florence Lloyd

Produced at the Comedy Theatre, London, September 5, 1903, with the following cast:—

ACT I

A drawing-room at the Hunters', handsomely and artistically furnished. The woodwork and furniture are in the period of Louis XVI. The walls and furniture are covered with yellow brocade, and the curtains are of the same golden material. At the back are two large windows which give out on Fifth Avenue, opposite the Park, the trees of which are seen across the way. At Left is a double doorway, leading into the hall. At Right, opposite, is a door which leads to other rooms, and thence to other parts of the house. In the centre, at back, between the two windows, is the fireplace; on the mantel are two vases and a clock in dark blue ormolu. There is a white and gold piano on the Right side of the room. The room suggests much wealth, and that it has been done by a professional decorator; the personal note of taste is lacking.

It is four o'clock in the afternoon. The shades of the windows are drawn down. There are rows and rows of camp-chairs filling the entire room.

The curtain rises slowly. After a moment, Jordan, the butler, and Leonard, a footman, enter from the Left and begin to gather together and carry out the camp-chairs. They do this with very serious faces, and take great pains to step softly and to make no noise. They enter a second time for more chairs.

[They go out with the chairs and immediately reënter for more. They are followed in this time by a lady's maid, Tompson; she is not a young woman. As she crosses the room she stoops and picks up a faded flower which has fallen from some emblem. She goes to the window at Right, and peeps out. She turns around and looks at the others. They all speak in subdued voices.

Jordan. Yes, of course—after they've left the house it's all over as far as we here are concerned.

Tompson. Just with this table, thank you, Marie. [They begin to rearrange the room, putting it in its normal condition. They replace the table and put back the ornaments upon it.] Poor Mr. Hunter, and him so fond of mince pie. I shall never forget how that man ate mince pie.

Tompson. Some millionnaires I've known turned out poor as Job's turkey in their coffins!

Marie. What you say? You tink we shall 'ave some of madame's or ze young ladies' dresses?

Jordan. [To Leonard, hurriedly, as he quickly goes out Left.] Take them last two chairs!

[Leonard, with the chairs, follows Jordan out Left. Tompson hastily puts back a last arm-chair to its usual position in the room and goes out Right. Mrs. Hunter enters Left, followed by her three daughters, Blanche, Jessica, and Clara, and Master Sterling, who is a small, attractive child, five years of age. All are in the deepest conventional mourning, Mrs. Hunter in widow's weeds and Clara with a heavy, black chiffon veil; the Boy is also dressed in conventional mourning. As soon as they enter, all four women lift their veils. Mrs. Hunter is a well-preserved woman, with a pretty, rather foolish, and somewhat querulous face. Her figure is the latest mode. Blanche Sterling, her oldest daughter, is her antithesis,—a handsome, dignified woman, young, sincere, and showing, in her attitude to the others and in her own point of view, the warmth of a true, evenly-balanced nature. Jessica is a typical second child,—nice, good, self-effacing, sympathetic, unspoiled. Clara is her opposite,—spoiled, petulant, pretty, pert, and selfish.

Mrs. Hunter. [With a long sigh.] Oh, I am so glad to be back home and the whole thing over without a hitch!

Blanche. [Takes her son to Mrs. Hunter.] Kiss grandmother good-by, and then Leonard will take you home.

Master Sterling. Good-by. [Runs towards the door Left, shouting happily.] Leonard! Leonard!

Mrs. Hunter. [Tearfully.] My dears, it was a great success! Everybody was there!

[The three younger women stand and look about the room, as if it were strange to them—as if it were empty. There is a moment's silence.

Mrs. Hunter. [Irritably.] Yes, do something, Jessie. You've mortified me terribly to-day! That child hasn't shed a tear. People'll think you didn't love your father. [The two are taking off Mrs. Hunter's bonnet. Mrs. Hunter waits for an answer from Jessica; none comes.] I never saw any one so heartless! [Tearful again.] And her father adored her. She was one of the things we quarrelled most about!

[Over Mrs. Hunter's head Blanche exchanges a sympathetic look with Jessica to show she understands.

[She goes to Mrs. Hunter as Blanche and Jessica take away the bonnet and veil and put them on the piano.

Mrs. Hunter. [Kissing Clara.] Yes, dear, you are your mother's own child. And you lose the most by it, too.

[Leaning against the side of her mother's chair, with one arm about her mother.

Clara. Yes, indeed, instead of coming out next month, and having a perfectly lovely winter, I'll have to mope the whole season, and, if I don't look out, be a wallflower without ever having been a bud!

Mrs. Hunter. [Half amused but feeling Clara's remark is perhaps not quite the right thing.] Sh—

[During Clara's speech above, Blanche has taken Jessica in her arms a moment and kissed her tenderly, slowly. They rejoin Mrs. Hunter, Blanche wiping her eyes, Jessica still tearless.

Mrs. Hunter. My dear, don't think of clothes—think of your poor father! That street dress of mine will dye very well, and we'll give the rest to your aunt and cousins.

Mrs. Hunter. [Rising.] Hate this room! When we've just had it done! Louis Kinge!

Mrs. Hunter. Oh, yes, but that's weak and foolish, Jessie. No, Blanche—[Sitting again.]—I'm too exhausted to move. Ring for tea.

Clara. [Crossing to piano, forgets and starts to play a music-hall song, but Mrs. Hunter stops her.] Oh, yes, tea! I'm starved!

Mrs. Hunter. Girls, everybody in town was there! I'm sure even your father himself couldn't have complained.

Mrs. Hunter. Well, you know he always found fault with my parties being too mixed. He wouldn't realize I couldn't throw over all my old set when I married into his,—not that I ever acknowledged I was your father's inferior. I consider my family was just as good as his, only we were Presbyterians!

Mrs. Hunter. I thought I had. [Crying.] I'm so heartbroken I don't know what I'm doing.

[Jordan and Leonard enter with large, silver tray, with tea, cups, and thin bread-and-butter sandwiches. They place them on small tea-table which Jessica arranges for them.

Mrs. Hunter. [Eating.] One thing I was furious about,—did you see the Witherspoons here at the house?

Mrs. Hunter. The idea! When I've never called on them. They are the worst social pushers I've ever known.

Clara. Trying to make people think they are on our visiting list! Using even a funeral to get in!

Mrs. Hunter. But I was glad the Worthings were here, and I thought it sweet of old Mr. Dormer to go even to the cemetery. [Voice breaks a little.] He never goes to balls any more, and, they say, catches cold at the slightest change of temperature.

Mrs. Hunter. [Irritably.] They ought to've. It was really foolish the way he was always doing something for somebody! How good these sandwiches are! [Spoken very plaintively.

Mrs. Hunter. Of course not; how dare you suggest such an injustice to your father, and before the flowers are withered on his grave!

Blanche. [Who takes the letters and looks through them, giving some to her mother.] Yes.

[Enter Miss Ruth Hunter. She is an unmarried woman between thirty and forty years of age, handsome, distinguished; an aristocrat, without any pretensions; simple, unaffected, and direct in her effort to do kindnesses where they are not absolutely undeserved. She enters the room as if she carried with her an atmosphere of pure ozone. This affects all those in it. She is dressed in deep mourning and wears a thick chiffon veil, which she removes as she enters.

Ruth. If the slipper fits! But I confess I haven't eaten much for several days; I couldn't touch anything this morning, and I begin to feel exhausted; I must have food and, thank Heaven, I want it. Thank you.

Mrs. Hunter. I think it's awful, Ruth, and I feel I have a right to say it—I think you owed it to my feelings to have worn a long veil; people will think you didn't love your brother.

Ruth. [Dryly.] Will they? Let them! You know as well as I do that George loathed the very idea of crêpe and all display of mourning.

Mrs. Hunter. [Feeling out of her element, changes the subject.] You stayed behind?

Ruth. Yes. I wanted to be the last there. [Her voice chokes; she tries to control herself.] Ah! you see my nerves are all gone to pieces. I won't cry any more!

Mrs. Hunter. I don't see how you could bear it—staying; but you never had any heart, Ruth.

Ruth. [Very quietly, but with determination.] Please be careful. Don't talk to me like this about my brother, Florence—or you'll make me say something I shall be sorry for.

Mrs. Hunter. I don't care! It wore on him, the way you treated me. I put up with it for his sake, but it helped undermine his health.

Mrs. Hunter. [In foolish anger, the resentment of years bursting out.] I won't stop! I'm alone now, and the least you can do is to see that people who've fought shy of me take me up and give me my due. You've been a cruel, selfish sister-in-law, and your own brother saw and hated you for it!

Ruth. [Outraged.] Send your daughters out of the room; I wish to answer you alone.

Mrs. Hunter. [Frightened.] No! what you have to say to me I prefer my children to hear!

Ruth. I can't remain quiet any longer. George—[She almost breaks down, but she controls herself.] This funeral is enough, with its show and worldliness! I don't believe there was a soul in the church you didn't see! Look at your handkerchief! Real grief isn't measured by the width of a black border. I'm ashamed of you, Florence! I never liked you very much, although I tried to for your husband's sake, but now I'm even more ashamed of you. My dear brother is gone, and there need be no further bond between us, but I want you to understand the true reason why, from to-day, I keep away from you. This funeral was revolting to me!—a show spectacle, a social function, and for him who you know hated the very thing. [She stops a moment to control her tears and her anger.] I saw the reporters there, and I heard your message to them, and I contradicted it. I begged them not to use your information, and they were gentlemen and promised me not to. You are, and always have been, a silly, frivolous woman. I don't doubt you loved your husband as much as you could any man, but it wasn't enough for me; he was worth being adored by the best and noblest woman in the world. I've stood by all these years, trying with my love and silent sympathy to be some comfort to him—but I saw the disappointment and disillusionment eat away the very hope of happiness out of his heart. I tried to help him by helping you in your foolish ambitions, doing what I could to give my brother's wife the social position his name entitled her to!

Ruth. It was not my fault if my best friends found you intolerable; I couldn't blame them. Well, now it's over! George is at rest, please God. You are a rich woman to do what you please. Go, and do it! and Heaven forgive you for ruining my brother's life! I'm sorry to have said all this before your children. Blanche, you know how dearly I love you, and I hope you have forgiven me by now for my opposition to your marriage.

Ruth. Yes; I didn't like your husband then, and I didn't believe in him, but I like him better now. And I am going to put all my affairs in his hands. I couldn't show—surely—a better proof of confidence and liking than that: to trust him as I did—your father. I hope I shall see much of you and Jessica. As for you, Clara, I must be honest—

Clara. [Interrupting her.] Oh, I know you've always hated me! The presents you gave the other girls were always twice as nice as I got!

Ruth. You are your mother's own child, Clara, and I never could pretend anything I didn't feel. [She turns to Blanche and Jessica, who stand side by side.] You two are all I have left in the world of my brother. [She kisses them, and lets the tears come, this time without struggling.] Take pity on your old-maid aunt and come and see me, won't you, often—[Trying to smile away her tears.] And now good-by!

[Ruth looks about the room to say good-by to it; she cries and hurriedly begins pulling down her veil, and starts to go out as Jordan enters Left and announces "Mr. Mason!"

[Mason is a typical New Yorker, well built, well preserved, dignified, and good-looking,—a solid man in every sense of the word.

Blanche. Oh, yes, he did mention a letter at breakfast, but my thoughts were away. He has been very much worried lately over his affairs; he doesn't confide in me, but I see it. I wish you could advise him, Mr. Mason.

Mason. I cannot advise your husband if he won't ask my advice. I don't think we'll wait for Mr. Sterling.

Mrs. Hunter. I suppose you've come about all the horrid business. Why not just tell us how much our income is, and let all the details go. I really think the details are more than I can bear to-day.

Mason. That can be certainly as you wish; but I felt—as your business adviser—and besides I promised my old friend, your husband—it was my duty to let you know how matters stand with the least possible delay.

[Ruth looks at her, furious, and bites her lips hard. Jessica is standing with her back toward them.

Mrs. Hunter. Jess! How rude you are! Turn around this minute! [Jessica does not move.] What do you mean! Excuse me, Mr. Mason! Jess! Such disrespect to your father's will! Turn around! [Angry.] Do you hear me?

Jessica. [With her back still turned, her shoulders shaking, speaks in a voice broken with sobs.] Leave me alone! Leave me alone—

[She sits in a chair beside her and leans her arms upon its back and buries her face in her arms.

Mrs. Hunter. Go on, please, Mr. Mason, and remember, spare us the details. What is our income?

Mrs. Hunter. [Quietly, not at all grasping what he means.] No income! How is our money—

Mrs. Hunter. [Realizing now what he means, cries out in a loud, hard, amazed voice.] What!

Ruth. [To Mason.] My good friend, do you mean that literally—that my brother died without leaving any money behind him?

Mrs. Hunter. Yes, tell us the details—every one of them! You can't imagine the shock this is to me!

Mason. Hunter sent for me two days before he died, and told me things had gone badly with him last year, but it seemed impossible to retrench his expenses.

Mason. This year, with his third daughter coming out, there was need of more money than ever. He was harassed nearly to death with financial worries. [Ruth begins to cry softly. Mrs. Hunter gets angrier and angrier.] And finally, in sheer desperation, and trusting to the advice of the Storrings, he risked everything he had with them in the Consolidated Copper. The day after, he was taken ill. You know what happened. The Storrings, Hunter, and others were ruined absolutely; the next day Hunter died.

Ruth. Poor George! Why didn't he come to me; he must have known that everything I had was his!

Mrs. Hunter. [Angry.] But his life insurance,—there was a big policy in my name.

Mrs. Hunter. [Rises indignantly and almost screams in angry hysterics.] Mortgaged, I presume! Oh, it's insulting! It's an indignity. It's—it's—Oh, well, it's just like my husband, there!

Mrs. Hunter. [To Blanche.] Oh, don't talk to me now! You always preferred your father, and now you're punished for it! He has wilfully left your mother and sisters paupers!

Blanche. How can you speak like that! Surely you know father must have suffered more than we could when he realized he was leaving nothing for you.

Mason. Very well. Good-by. [Shakes hands with Blanche.] I am very sorry to have been the bearer of such bad news.

Mrs. Hunter. [Shaking hands with him.] Please overlook anything I may have said; at such a moment, with the loss of all my money—and my dear husband—I don't know what to say!

Mason. Naturally. [To the others.] Good-by. [To Ruth, who follows him.] I'll come to see you in the morning.

Ruth. And I can then tell you what I settle here now. [Mason goes out Left.] Florence, I'm very sorry—

Ruth. No, it isn't, and I'll prove to you I mean it. Come, we'll talk things over.

Mrs. Hunter. Go away! I don't want you to prove anything to me! [Mrs. Hunter and Clara sit side by side on the sofa. Blanche and Jessica are in chairs near the table. Ruth sits beside Blanche. Mrs. Hunter has something the manner of porcupines and shows a set determination to accept nothing by way of comfort or expedient. Blanche looks hopeful and ready to take the helm for the family. Jessica will back up Blanche.] My happiness in this world is over. What have I to live for?

Jessica. It is not absurd! I can certainly earn my own living somehow and so can Clara.

Blanche. Jess is right. I'll take care of this family—father always said I was "his own child." I'll do my best to take his place.

Jessica. Thank you, Aunt Ruth, but I must stay with mother and be Blanche's right-hand man!

Mrs. Hunter. Huh! Why, you could never even learn to play the piano; I don't think you'd be much good at typewriting.

Clara. You want to be a typewriter, because in the papers they always have an old gentleman taking them to theatres and supper! No, sir, if there is to be any "old man's darling" in this family, I'll be it!

Ruth. Jess, you learned enough to teach, didn't you?—even at that fashionable school your mother sent you to?

Blanche. If we only knew some nice elderly woman who wanted a companion, Jess would be a godsend.

Clara. If she was a nice old lady with lots of money and delicate health, I wouldn't mind that position myself.

Mrs. Hunter. [With mock humility.] May I speak? [She waits. All turn to her. A moment's, silence.] May I speak?

Mrs. Hunter. I didn't know! I've been so completely ignored in this entire conversation. But there is one thing for the girls—the easiest possible way for them to earn their living—which you don't seem for a moment to have thought of!

Mrs. Hunter. We'll see, darling; I think Europe is the place for you. I don't believe all the titles are gobbled up yet.

Ruth. Jess, I might get you some women friends of mine, to whom you could go mornings and answer their letters.

Mrs. Hunter. I should not allow my daughter to go in that capacity to the house of any woman who had refused to call on her mother, which is the way most of your friends have treated me.

Ruth. Do you realize, Florence, this is a question of bread and butter, a practical suggestion of life, which has nothing whatever to do with the society columns of the daily papers?

Mrs. Hunter. I do not intend that my daughters shall lose their positions because their father has been—what shall we call it—criminally negligent of them.

Ruth. [Rising.] How dare you! You are to blame for it all. If you say another word injurious to my brother's memory, I'll leave this house and let you starve for all I'll do for you.

Blanche. That is what I've been thinking of. The house is yours. It's huge. You don't need it. You must either give it up altogether—

Blanche. Or—let out floors to one or two friends,—bachelor friends. Mr. Mason, perhaps—

Mrs. Hunter. [Who has listened aghast, now rises in outraged dignity; she stands a moment glaring at Blanche, then speaks.] Take—[She chokes.] That is the last straw!

[The other three women watch the two leave the room, then turn and look at each other.

Blanche. We'll manage somehow, only I think it would be easier for us to discuss all practical matters by ourselves.

Ruth. And I want you to understand this, girls,—I represent your dear father; half of everything I have is yours, and you must promise me always to come to me for everything.

[He is a man of thirty-eight or forty, a singularly attractive personality; he is handsome and distinguished. His hair is grayer than his years may account for and his manner betrays a nervous system overtaxed and barely under control. At the moment that he enters he is evidently laboring under some especial, and only half-concealed, nervous strain. In spite of his irritability at times with his wife, there is an undercurrent of tenderness which reveals his real love for Blanche.

Ruth. Yes, but Blanche will tell you what he had to say. I'm going upstairs to try and pacify your mother. We mustn't forget she has a hard time ahead of her.

Blanche. Do you realize, dear, that you haven't been able to do anything for me for a long time? Lately, even I hardly ever see you—I stay home night after night alone.

Sterling. That's your own fault, dear; Ned Warden's always ready to take you anywhere you like.

Blanche. [With the ghost of a jest.] But do you think it's quite right for me to take up all Mr. Warden's time?

Blanche. It's months since you showed me any sign of affection, and now when my heart is hungrier than ever for it,—you know how I loved my father,—I long for sympathy from you, and you haven't once thought to take me, your wife, in your arms and hold me close and comfort me.

Sterling. I'm sorry, old girl, I'm really sorry. [Embracing her affectionately.] And surely you know I don't love any other woman in the world but you. [He kisses her.] It's only because I've been terribly worried. I don't want to bother you with business, but I've been in an awful hole for money. I tried to make a big coup in Wall Street the other day and only succeeded getting in deeper, and for the last few days I've been nearly distracted.

Sterling. I thought I'd get out of it with this Consolidated Copper without worrying you.

Sterling. [Forgetting everything but what this means to him.] Nothing! But I was counting on your share to save me! What did the damned old fool mean?

Blanche. Oh, who are you! What are you! You are not the man I thought when I married you! Every day something new happens to frighten me, to threaten my love for you!

Sterling. I don't know what I'm saying, Blanche. Try to forgive me. I wouldn't have thought of such a thing as his money to-day if it wasn't the only thing that can save me from—disgrace.

[His voice sinking almost to a whisper and the man himself sinking into a chair.

Sterling. [Alarmed at having said so much, tries to retract a little.] Disgrace was too strong a word—I didn't mean that. I'm in trouble. I'm in trouble. Good God, can't you see it? And if you love me, why don't you leave me alone?

Blanche. How can I go on loving you without your confidence?—without ever being suffered to give you any sympathy? Doll wives are out of fashion, and even if they weren't, I could never be one.

Sterling. [Laughing.] My dear, I'd never accuse you of being stuffed with sawdust.

Blanche. Yes, if you like to call it that. You've been putting me more and more completely out of your life; take care that I don't finish your work and go the last step.

Sterling. [Seizing her roughly by the wrist.] The last step! What do you mean by that? [Holding her hand more roughly.] You dare to be unfaithful to me!

[Pulling her up close to him, her face close to his. She realizes first by the odor, then by a searching look at his face, that he is partly under the influence of liquor.

Blanche. [With pathetic shame.] Let me go! I see what's the matter with you, but the reason is no excuse; you've been drinking.

Ruth. Well, Blanche, dear, your mother's in a calmer frame of mind, and I must go. Dick, can you lunch with me to-morrow?

Ruth. Oh, only for business. I must have a new business man now to do all that he did for me, and I'm going to try to make up to you for not having been always your—best friend, by putting my affairs in your hands.

[She gives Sterling a searching, steady look and keeps her eyes upon him, trying to read his real self.

Ruth. [Continues to Sterling.] Mr. Mason is coming to me in the morning, and if you will lunch with me at one, I will then be able to give all the papers over to you.

[Sterling, who up to this time has been almost dumbfounded by this sudden good fortune, now collects himself, and speaks delightedly but with sufficient reserve of his feelings. Blanche does not take her eyes from Sterling's face.

Sterling. Aunt Ruth, I thank you from the bottom of my heart, and I will do my best.

Blanche. [Quickly.] Promise her, Dick, before me—give her your word of honor—you will be faithful to Aunt Ruth's trust.

Sterling. Blanche, go to your mother and ask her to see Ned to thank him. I want a minute's talk with him if you don't mind.

[Jordan enters Left announcing "Mr. Warden." Warden enters, and Jordan goes out.

[Edward Warden, though in reality scarcely younger than Sterling, looks at least ten years his junior. He is good-looking, practical, a reasoning being, and self-controlled. He is a thorough American, with the fresh and strong ideals of his race, and with the feeling of romance alive in the bottom of his heart.

Sterling. [In enormous relief, greets him joyfully.] Ned, what do you think! The greatest news going!

Sterling. Excuse me, Blanche, I forgot; but Ned will know how I can't help being glad.

Blanche. [Shaking Ned's hand.] And Mr. Warden knows nothing could make me "glad" to-day. Thank you for all your kindness—

Blanche. Yes, please let me thank you all I can; it won't be half what I feel, but I want to know that you know even my silence is full of gratitude for all you've done for my mother, sisters, and me.

Sterling. [Speaking with suppressed excitement and uncontrollable gladness, unable to keep it back any longer.] Ned, my wife's aunt, Miss Hunter, has put all her business in my hands.

Sterling. It seems he's been losing for a long time. Everything he had he lost in the copper crash.

Warden. But this is awful! What will Mrs. Hunter and her two young daughters do?

Sterling. I can't! Look here, I didn't tell you the truth about my affairs last week, when I struck you for that loan.

Sterling. Oh, I only didn't want to frighten you till I'd got the money; if you had made me the loan, I'd have owned up afterwards all right enough.

Sterling. That I told you a pack of lies—that I haven't any security!—that I haven't anything but debts.

Warden. [Strongly.] Good things to borrow on! Look here, Dick, how long have we been friends?

Sterling. Since that day at boarding school when you took a licking for something I did.

Warden. What I mean is we were pals at school, chums at college, stanch friends for twenty years.

Warden. [Comes up to him, and speaks firmly but still friendly.] You yourself have gone wrong!

Sterling. The law didn't pay me enough. I thought I'd try a little amateur stockbroking.

Warden. You didn't want me to know what funds—whose funds—you were using—misusing.

[He turns from him and picks up a book from the table upside down and pretends to read it.

Warden. You lie! Do you hear me? You lie! [He waits a second. Sterling does nothing.] I was never sure till to-day! I fought against ever thinking it, believing my suspicions were an injustice to you, but little things were always disappearing out of my rooms—finally, even money. Lately, that old suspicion has come back with a fuller force, and to-day it became a certainty.

Warden. Because if it weren't true, you'd have knocked me down just now when I called you first a thief and twice a liar!

[He stands squarely facing him. Sterling stands facing him also, surprised, taken off his guard.

Sterling. Oh, come, you're joking! [Warden makes an angry exclamation.] Why're you telling me all this now?

Warden. Because I want you to be careful. I want you to know some one is watching you! Some one who knows what you've come to! Some one who knows you can't resist temptation! Some one who knows money not yours has stuck to your fingers!

Warden. I'll mind yours if it's necessary to protect people who are dear to me!

Sterling. [Insinuatingly.] I didn't know you were particularly attached to Mrs. Hunter.

Sterling. [With whispered intensity.] By God, if you are in love with my wife!

Warden. No, not a physical coward—I've seen you do too many plucky things—but a moral coward—yes, you are one!

[Mrs. Hunter enters Right with Clara. Mrs. Hunter shakes hands with Warden silently, happy in the feeling that she is in great affliction, and satisfied with the appearance and impression she is making. She carries her handkerchief, with its black border, ready in her hand. Clara has silently shaken hands with Warden, after her mother. She afterwards goes to Sterling and hands him several of the letters of condolence. She then goes to the window at Left, pulling aside the curtain, and stands looking out, rather bored, wishing she could go out and take a walk.

Mrs. Hunter. We will never forget your kindness. Will the evening papers have anything in, do you think?

Mrs. Hunter. I don't know. [Whimpering.] I'm not considered in the family any longer!

Mrs. Hunter. "No"? Yes, we will! I need to see some one, or I shall break down. Go upstairs, Clara!

Mrs. Hunter. [Relieved.] So sorry. Could you go straight to Mr. Mason? He wishes to see you?

[She stops short, silenced by a look from her mother and an indication toward Jordan.

Mrs. Hunter. Show them up, Jordan. [Jordan bows and goes out.] How do I look, dear?

Mrs. Hunter. [Not looking at Clara.] Charming! We'll go upstairs and come down again; I don't think it nice to be found here as if we were expecting visitors.

[Jordan steps into the room to announce the visitors, and seeing no one there, bows as the three pass him.

[The three turn, looking about the room with curiosity, as if the funeral might have made some difference in the house.

[Miss Sillerton is a handsome, attractive woman, most fashionably dressed and perfectly conventional in character and intelligence. Miss Godesby is a little slow, more assertive, sharper of tongue, more acutely intelligent, and equally smartly dressed. She has still a remnant of real, sincere feeling buried under a cynical mask which her life in a fast set has developed for her self-preservation. Trotter is a foolish young person, meaning well enough according to his lights, which are not of the biggest and brightest.

Miss Sillerton. Mrs. Hunter went to the most expensive decorator in town, and told him, no matter what it cost, to go ahead and do his worst!

Miss Godesby. Yes, with your money and her cleverness, she'll rubber neck you into the smartest push in town!

Miss Godesby. So you will if you do as we tell you. But you mustn't let society see that you know you're getting in; nothing pleases society so much as to think you're a blatant idiot. It makes everybody feel you're their equal—that's why you get in.

Trotter. I've got a coach and can drive four-in-hand. I've an automobile drag, and the biggest private yacht in the world building. I'm going to have the most expensive house in Long Island, where the oysters come from, and I've bought a lot in Newport twice as big as the swellest fellow's there. I've got a house in London and a flat in Paris, and I make money fly. I think I ought to be a cinch as a classy success.

Trotter. He'd have had to—or do without me as a son-in-law—I wouldn't marry the Venus of Milo if her father didn't think I was good enough. I'm no Dodo bird!

Miss Godesby. Only stay a minute or two, Trotty—we're doing our best for you, but we must look out for ourselves, too, and we've come here to-day on business.

Miss Godesby. Humph! Do you think you can talk five minutes with Mrs. Hunter and not hit that topic? It's a bull's eye!

Miss Godesby. You see, Trotty, they brought over piles of clothes from Europe this year, and we want to get hold of them before any one else has a chance—get 'em cheap before they have an idea anybody else'll buy them.

Miss Godesby. Laugh, you silly! I heard the Reed girls planning to come to-morrow. They didn't dare come to-day. Those girls haven't any sand! They're always getting left.

Miss Godesby. I say, Eleanor, you're such a lobster about prices and Mrs. Hunter's no idiot, we'd better agree on some sort of a signal! Listen! if you like a gown very much, ask the price, then say to me, "My dear, your hat pin is coming out." And if I think it's a bargain, I'll say, "So it is, thank you; won't you put it in for me?" And if I think Mrs. Hunter's trying to stick you, I'll say "No, it isn't; it's always like that."

[Mrs. Hunter and Clara enter Right. The manner of Miss Sillerton and Miss Godesby changes immediately. They speak with rather subdued voices, in the tone of conventional sympathy which is usually adopted on such occasions. Mrs. Hunter also assumes the manner of a martyr to grief. Clara is casual and hard.

[Miss Godesby goes to Mrs. Hunter and shakes hands while Miss Sillerton crosses to Clara; Trotter shakes hands with Mrs. Hunter as Miss Godesby goes to Clara.

Miss Godesby. I felt we must stop in for a few minutes to give you our love and sympathy and find out how you are.

Mrs. Hunter. I've been through a terrible strain. My loss is even greater than I could ever possibly imagine.

Clara. [Who misinterprets her mother's remark.] Yes, indeed, I should say it was!

Mrs. Hunter. But every one has been most kind. Lady Hopeton sent me a beautiful long letter to-day.

Mrs. Hunter. Oh, I don't know, Julia; I've always thought black very trying for me.

Clara. Well, I wish you could have seen the beautiful things we brought over with us!

Miss Sillerton. Julia and I were just speaking about it, and pitying you from the bottom of our hearts.

[There is an awkward pause for a moment, no one knowing quite what to say. Both Miss Godesby and Miss Sillerton have started the conversation in the direction of clothing and are fearful of the topic being changed. As the pause becomes embarrassing, they look helplessly from one to the other, and all five, suddenly and at once, make an ineffectual effort to say something—or nothing. Out of the general confusion Mrs. Hunter comes to the front, mistress of the situation.] Are you going to stay in New York this winter, Mr. Trotter?

Trotter. Yes, I'm negotiating for one of the biggest classy building plots on upper Fifth Avenue.

[Miss Godesby nods and motions surreptitiously to Trotter to go. He, however, doesn't understand.

Mrs. Hunter. [With interest again in life.] Oh, were you? What did you wear?

[Miss Sillerton motions to Trotter to go, but he has forgotten and still doesn't understand.

Trotter. Never said so! Oh! [As it dawns upon him.] Oh, yes! of course. [He rises.] Very sorry—must be off. Only dropped in—er—that is, came in to express my respectful sympathy.

Trotter. I shall be delighted to call again. Good-by. [He bows to Clara. In his embarrassment he starts to shake hands all over again, but, realizing his mistake, laughs nervously.] Oh, I have already.

Mrs. Hunter. By the way, you were speaking just now of your winter frocks. It occurs to me—of course I don't know as I really want to dispose of them, but—er—

Miss Godesby. Oh, would you? [Rising, she takes a chair nearer to Mrs. Hunter.] You dear thing!

Mrs. Hunter. The dresses are no use to us now, and when we're out of mourning—they'll be out of style. You could wear Jess' things perfectly, Julia.

Miss Sillerton. [Thoughtlessly.] Yes, but you never dress appropriately to your age.

Miss Sillerton. [Saves herself.] You know what I mean, you always look so youthful, you can't dress any older.

Mrs. Hunter. [Rising.] Clara, dear, go upstairs and have Tompson bring down my Worth dress and Jess' Doucet and your Paquin. [She goes with Clara to the door, Right, and then whispers to her.] If you remember, don't tell what we paid—we ought to get nearly double out of these girls—and warn Tompson not to be surprised at anything she hears.

Miss Godesby. Don't say that. Every one I've seen this afternoon is wildly enthusiastic over your mourning.

Mrs. Hunter. Well, I went straight to Madame O'Hoolihan and gave her carte blank!

Miss Godesby. I wouldn't like to be the ice man when your bill comes in!—and clothes abroad are so much cheaper.

Miss Godesby. [Quickly.] You see you'll be doing us a really great favor letting us have some of your things!

Mrs. Hunter. [Realizing her nearly fatal error.] Oh! Oh, yes—but—er—I must say that we found prices while in Paris this year rather atrocious!

Clara. [Sighs.] O dear! It breaks my heart not to wear my ball dress, my dear Julia; it was designed specially for me. I told Marie to put it on, mama; my clothes fit her perfectly, and I thought it would show so much better what it is.

[She takes the costume and drapes it over a chair. Miss Godesby and Miss Sillerton come closer to examine.

Mrs. Hunter. Tompson.—[Taking her to one side, whispers.]—I forget; do you remember what I paid for this dress?

Mrs. Hunter. Oh, yes. Don't say anything. [Returning to the others.] Do you like it?

Mrs. Hunter. [Hesitates.] I forget just what I paid for it, but I believe it was two hundred dollars.

[Clara half exclaims in astonishment, but on being pinched surreptitiously on the arm by Mrs. Hunter she grasps the situation and starts in to do her share.

[Tompson's face is always a perfect blank, showing no expression or surprise; she has lived with Mrs. Hunter for many years and "knows her business."

Miss Godesby. [In a very different tone of voice, influenced by the big price.] Of course, I see it's made of the best material. But it isn't my color.

Miss Godesby. Yes, I know; but I think as you said a little while ago, perhaps it is a trifle too old for me.

Mrs. Hunter. I might let you have it for a little less; say one hundred and eighty.

Miss Sillerton. [Carried away by the dress.] Oh, lovely,—perfectly charming,—an adorable gown!

Mrs. Hunter. They said themselves this was the most successful frock they turned out this autumn.

Mrs. Hunter. [Very quickly, trying not to speak consciously.] This was two hundred and seventy-five.

[Clara bites her lips in surprise and winks visibly to Tompson, who gives no sign and is otherwise imperturbable.

Miss Sillerton. [To Miss Godesby, looking hard at her.] My dear, your hat pin is coming out!

Miss Sillerton. [Going closer to her, whispers.] Which does that mean? I forget!

Miss Hunter. [Whispers to Clara.] She's going to take it; I wish I'd asked more.

Mrs. Hunter. I'm glad to have you have it; I'm glad to be able to do you, in a way, a favor.

[Marie at this moment enters dressed in the most exquisite ball dress of the very latest fashion and looks extremely lovely.

Trotter. [To Miss Godesby.] I'm stuck on the girl; introduce me. She's out of sight!

[Mrs. Hunter sighs long and loud,—a sigh of appreciation and admiration. Marie stands in the centre of the stage facing the audience.

Clara. They told us in Paris, bones were coming in! [She takes a large American beauty rose from a vase on the piano and slips it down Marie's back so that the dress seems much less décolleté.] There, never too late to mend!

Miss Sillerton. [Pulling Miss Godesby around quickly.] My dear, your hat pin is coming out!

Miss Godesby. It's my turn, sit down; you got the last! You won't mind my being frank, Mrs. Hunter?

Mrs. Hunter. [Politely.] We needn't keep Marie any longer, at any rate, need we? You can go, Marie, and you too, Tompson.

Miss Sillerton. [To Miss Godesby, on the opposite side of the room, in a lowered voice.] I'll take it; I'm willing to pay that.

Miss Godesby. Don't you dare interfere! I want the gown, but I know she'll come down,—if she doesn't, I'll make a bluff at going. Then if she sticks to her price, I'll come back and pay it.

Vite! Come! Come! Jordan 'ave stole ze photograph machine of Mees Clara, and he make now one pigsher of me in ze dress!

[Mrs. Hunter speaks to Tompson, aside, and Clara, near them, watches the two visitors out of the corner of her eye.

Miss Godesby. [Aside to Miss Sillerton.] I'll leave my muff; that'll be a good excuse to come back.

Mrs. Hunter. I wish I could if only for your own sake; but I really couldn't in justice to myself.

Mrs. Hunter. [Not believing they will go.] Oh, must you? Well, it was very kind of you to come.

[Mrs. Hunter looks surreptitiously at Clara, who slyly shakes her head to her mother.

Miss Godesby. Oh, my dear, it was as off as I would ever like to see it. Good-by.

Mrs. Hunter. Good-by. [Miss Sillerton and Miss Godesby get to doorway Left.] You won't take it?

[She goes away to the door again in silence, which is full of suspense for all of them. As she reaches the door Mrs. Hunter speaks.

Mrs. Hunter. Look here, Julia, don't say another word; you shall have the dress for two hundred and fifty.

Miss Godesby. [Rushing back, followed by all the others.] You dear! I'm afraid you think I've been rather nasty!

Mrs. Hunter. Oh, no, of course business is business, and I'd rather you had it than see it wasted on some of our other friends who'd be sights in it!

Miss Sillerton. Good-by. [Kisses her this time.] I haven't said half I feel; you've been in my thoughts all these last few days.

[Miss Sillerton and Miss Godesby go out Left, followed by Trotter, who has joined in all the good-bys, and upon whom Clara has more or less continuously kept her "weather eye."

Mrs. Hunter. I'm perfectly sure if I'd stuck to three hundred, Julia Godesby would have sent around when she got home and paid it!

Clara. I'm glad you didn't run the risk though, for we'll need every cent we can get now.

Blanche. Jess begged me to stay with her. Try to understand her, mother; I think she will miss father more than any of us.

Warden. Forgive my intruding so soon again, but did Mr. Mason leave a letter case of Mr. Hunter's here?

Mrs. Hunter. I haven't seen it; I'll ask the servants to look. Excuse me, I'm quite tired out; we've been receiving a long visit of condolence.

Blanche. [Finding the case, which has fallen beneath the table.] Here it is. Dear old pocket-book—

[Her voice breaks on the last word, and turning her face away to hide her tears, she hands him the well-worn letter case.

Warden. Mrs. Sterling, I'm glad they left us alone, because Mr. Mason said he hadn't been able to manage it—to see you alone—and yet he wanted you only to examine these. They are private papers of Mr. Hunter; he thought they ought not to be destroyed without being read, and yet he hesitated to read them. We thought that duty devolved best upon you. [He hands back the letter case.] Shall I wait and take back the case to Mr. Mason with the papers you wish him to have?

Blanche. Oh, no, I will send them; I mustn't keep you while I read them. I'm always taking more of your time than I ought.

Warden. [Speaks with sincerity, but without any suggestion of love-making.] But never as much as I want to give you! Don't forget, Mrs. Sterling, what you promised me at your wedding,—that your husband's best man should be your best friend.

Blanche. And nobody knows what it means to a woman, even a happily married woman like me—[This is spoken with a slight effort, as if she is persuading herself that she is a happily married woman.]—to have an honest friend like you. It's those people who have failed that say there is no such thing as a platonic friendship.

Warden. And thank you! [Starting to go, he turns.] Shall I bring that Russian pianist around to play for you some day next week?

Warden. Only let me know what day. [He goes out Left. Blanche sits by the table and opens the case. She looks first at a memoranda and reads what is on the outside.] A business memoranda. Lists of bonds. [She opens and looks at the next paper only a second, and then closes it.] This, Mr. Mason will understand better than I. [She puts it back in the pocket case. She finds a photograph in the case.] My picture!—[She looks for others, but finds none.]—and only mine! Oh, father!... [She wipes away tears from her eyes so as to see the picture, which is an old one.] Father, I returned your love. [She reads on the back of photograph.] "Blanche, my darling daughter, at fourteen years of age!" That's mine! that's my own! [And she puts the picture away separately. She takes up a small packet of very old love-letters tied with faded old pink tape.] Old letters from mother; they must be her love-letters. She shall have them,—they may soften her. [She takes up a slip of paper and reads on the outside.] This is something for Mason, too. [She puts it back in the case. She takes up a sealed envelope, blank.] Nothing on it, and sealed. [She looks at it a moment, thinking.] Father, did you want this opened? If you didn't, why not have destroyed it? Ah! I needn't be afraid; you had nothing to hide from the world. [Tearing it open, she reads.] "I have discovered my son-in-law, Richard Sterling, in irregular business dealing. He is not honest. I will watch him as long as I live; but when you read this, Mason, keep your eye upon him for my daughter's sake. He has been warned by me—he may never trip again, and her happiness lies in ignorance." [She starts, and looks about her to make sure she is alone. She then sits staring ahead for a few seconds; then she speaks.] My boy's father dishonest! Disgrace—he owned it—threatening my boy! It mustn't come! It mustn't! I'll watch now. [She goes to the fireplace, tearing the paper as she crosses the room, she burns the letter; then she gathers up the other letters and the pocket case.] He must give me his word of honor over Richard's little bed to-night that he will do nothing to ever make the boy ashamed of bearing his father's name!

ACT II

Christmas Eve; fourteen months later; the dining room of the Hunters' house, which is now lived in jointly by the Sterlings and Mrs. Hunter and her daughters. It is a dark wainscoted room, with curtains of crimson brocade. It is decorated with laurel roping, mistletoe, and holly, for Christmas. It is the end of a successful dinner party, fourteen happy and more or less congenial persons being seated at a table, as follows: Warden, Ruth, Mason, Clara, Trotter, Mrs. Hunter, Blanche, Sterling, Miss Sillerton, Mr. Godesby, Jessica, Doctor Steinhart, and Miss Godesby. The room is dark on all sides, only a subdued light being shed on the table by two large, full candelabra with red shaded candles. As the curtain rises the bare backs of the three women nearest the footlights gleam out white. Candied fruit and other sweetmeats are being passed by four men servants, including Jordan and Leonard.

Miss Godesby. Half of the candy offered one nowadays seems made of papier-mâché.

Mrs. Hunter. [To Miss Godesby.] Julia, do tell me how Mr. Tomlins takes his wife's divorce?

Miss Sillerton. My dear, no woman married to as handsome a man as Mr. Sterling would.

Trotter. You people are all out of date! More people get divorced nowadays than get married.

Blanche. Too many people do—that's the trouble. I meant what I said when I was married—"for better, for worse, till death us do part."—What is the opera Monday?

Trotter. Something of Wagner's. He's a Dodo bird! Bores me to death! Not catchy enough music for me.

Mrs. Hunter. You'd adore him if you went to Bayreuth. Which was that opera, Clara, we heard at Bayreuth last summer? Was it Faust or Lohengrin! They play those two so much here I'm always getting them mixed!

Mrs. Hunter. Didn't he? I thought he had; he's written so many operas the last few seasons!

Clara. I like Tannhäuser, because as soon as you hear the "twinkle, twinkle, little stars" song, you can cheer up and think of your wraps and fur boots.

Trotter. My favorite operas are San Toy and the Roger Brothers, though I saw Florodora thirty-six times!

Blanche. Mother would have gone with you every one of those thirty-six Florodora times. She's not really fond of music.

Trotter. Why doesn't Conried make some arrangement with Weber and Fields and introduce their chorus into Faust and Carmen?

Dr. Steinhart. Great idea! [To Miss Godesby.] Did you get a lot of jolly presents?

Warden. Three copies of "David Harum," two umbrellas, and a cigar case too short for my cigars.

Warden. It's too long for cigarettes. Then I had something that's either a mouchoir or a handkerchief case, or for neckties, or shaving papers, or something or other.

Blanche. I must start the women; we are coming back here to arrange a surprise for you men.

Sterling. One moment please. One toast on Christmas night! Ned, give us a toast.

Blanche. One more toast, Dick. [To the others.] Christmas Day is our boy's birthday.

Sterling. Long life to Master Sterling, the best boy in the world, and to all his good friends at this table.

Miss Godesby. Women ought to have everything they own fastened to them with rubberneck elastics.

[The men, somewhat flustered, all rise with the various articles, and offer them to their respective owners.

[All the women thank the men profusely, and apologize at the same time. Sterling takes Mrs. Hunter out at back, followed by all the other couples, all talking. Ruth and Mason lag behind.

Ruth. [To Blanche, who with Warden waits for Ruth and Mason to pass.] I want just a minute with Mr. Mason, Blanche. [Blanche and Warden pass out before her. Ruth is alone with Mason. She speaks as if she were carrying on a conversation that had been interrupted. She speaks in a lowered voice, indicating the private nature of what she has to say.] I sent him imperative word yesterday I must have the bonds. I told him I wanted one to give to his wife for Christmas. He pretends to-day he didn't receive this letter, but he must have.

Mason. This makes the third time there has been some excuse for not giving you the bonds?

Ruth. Yes, and this letter he says he didn't get was sent to his office by hand.

[As they pass out, Jordan stands by the doorway holding the curtains back. The other three men stand stiffly at the Right. As Mason and Ruth go out, the Servants relax and exchange glances, each giving a little laugh out loud, except Jordan. During the following dialogue they empty the table preparatory to arranging the room for the Christmas tree.

Leonard. And did you get on to the old lady's rig-out; mourning don't hang very heavy on her shoulders.

Jordan. [To First Footman.] Get the coffee. [He goes out Right. To Leonard.] Get the smoking lay-out!

[Leonard goes out Right and brings back a silver tray laden with cigarettes, cigar boxes, and a burning alcohol lamp.

Leonard. If you ask me, I think she's going to put a bit more on the matrimonial mare if she gets the chance.

First Footman. [Reënters with the coffee.] Say, did you see how that young feller over there [Motioning to the lower right-hand corner of the table.] shovelled the food in?

Leonard. And the way he poured down the liquid—regular hog! My arm's tired a-filling of his glass.

Jordan. He ain't nobody; he hasn't any money; he was just asked to fill up. He's one of these yere singing chaps what's asked to pass the time after dinner with a song or two gratis. This dinner'll last him for food for a week!

Their manners suddenly change as the men reënter and take seats about the two ends of the table. Sterling, Mason, and Doctor down Left form one group. The other men are in a group between the window and the other end. On entering Sterling speaks.

Sterling. Jordan, for heaven's sake, give us something to see by! You can't tell which end of your cigar to light in this confounded woman's candle-light. If I had my way, I'd have candelabras made of Welsbachs!

[Sterling, laughing, joins his group, who laugh gently with him. Jordan turns on the electric light. The servants pass the coffee, liqueurs, and the cigars and cigarettes. Meanwhile the following dialogue takes place, the men beginning to talk at once on their entrance.

Sterling. Mr. Mason, I'd like to ask your honest opinion on something if you'll give it me.

Dr. Steinhart. Surely, Mr. Mason, the men who floated that are too clever to ruin themselves?

Mason. Mark my words, the day after to-morrow there'll be several foolish people ruined, and not one of the promoters of that company will lose a penny!

[The crowd at the other end of the table, who have been listening to a tale from Trotter, laugh heartily.

Mason. Listen, Dick, after a lifelong experience in Wall Street, I defy any broker to produce one customer who can show a profit after three consecutive years of speculation.

Sterling. Oh, you're too conservative; nothing venture, nothing have. Excuse me, I think Jeffreys and Fitzsimmons more amusing topics. Come along.

Warden. That went fourteen months ago. I put him on his feet then, gave him some tips that enabled him to take this house with her mother, so that with his regular law business he ought to have done very well, but his living could not leave one cent over to speculate with.

Warden. Yes. The reason I'm no longer his broker is he was ashamed to let me know about his dealings.

Mason. Yes. Does Sterling realize that to-morrow he will most probably be a ruined cheat?

Mason. If he made up his mind to-night it was all up with him, he might do—what?

Warden. Run away with whatever money he has left, or kill himself. I don't know if he's enough of a coward for that or not. There's one hold on him—he loves his wife.

Mason. Which will make him all the more ashamed of discovery. Do you believe she suspects?

Warden. Nothing but watch him closely till the people go. Then force him to make a clean breast of it, so we can all know where we stand; how we can best protect his aunt from ruin and his wife and boy from public disgrace.

Warden. He knows I know him; we must be careful. He's coming toward us. [He then speaks in a different tone, but no louder.] You're certain of the trustworthiness of your information?

Mason. Absolutely. Every man left in that concern will be ruined before the 'Change closes after to-morrow. [Sterling has joined them in time to hear the end of Mason's speech. Mason continues.] I am telling Warden what I told you about the Hudson Electric Company.

[Blanche reënters at back. On her entrance all the men rise. The servants finish preparing the room for the tree.

Blanche. You know we want to get this room ready for Santa Claus! Dick! [She goes to her husband. All the men go out at back in a group led by Warden and Mason. They are all talking and laughing. Blanche is left alone with her husband.] What is this Aunt Ruth has been telling me about not being able to get some bonds from you?

Sterling. One time too late to get into the vault; and the other, her letter was mislaid—I mean not given to me.

Blanche. I live with you. First you robbed me of my respect for you; then you dried up my heart with neglect.

Blanche. Your blood runs in his veins; your shame and disgrace would be a fearful warning to him. It might kill me; but never mind, if it saved him.

Sterling. Oh, well, I haven't broken my word! So you needn't worry. I've been honest enough.

Mrs. Hunter. [Appearing in doorway at back.] The men are in the drawing-room—shall we come here?

Sterling. Go up to my library at the top of the house, get a railroad guide you will find there, and bring it down and put it on the table in the hall just outside the drawing-room door.

Sterling. Then go to my room and pack my bag and dressing case. Do you understand?

[The women are heard singing "Follow the Man from Cook's," and gradually coming nearer.

[He goes out quickly Right. Sterling goes up stage and stands beside the door at back as the women dance in, singing "Follow the Man from Cook's." They are led by Clara, with Mrs. Hunter on the end. Blanche and Ruth follow alone, not dancing. The others dance around the chairs and Clara jumps on and off one of them; this stops the rest, who balk at it. Sterling goes out at back. The Servants enter Right.

Clara. I don't care for this dinner party at all. The women are all the time being chased away from the men! I prefer being with Mr. Trotter. Don't you, mama?

Miss Sillerton. He doesn't seem able to give a dinner party any more without you to chaperone, Mrs. Hunter.

Mrs. Hunter. Oh, I don't know as it's chaperoning! I like Mr. Trotter very much.

Miss Sillerton. But he's such a little cad. I tried to give him a lift, but he was too heavy for me.

Clara. Oh, well, you ought just to pretend it's the money in his pocket makes him so heavy; then you'd find him dead easy.

[Meanwhile the Servants have arranged the table, taken out the extra leaves and made it square, and left the room. They now reënter, bringing in a gorgeously decorated and lighted Christmas tree. There is at once a loud chorus of delighted approval from the women. The Servants place the tree in the centre of the table. The women who are sitting rise and come near to examine the tree.

Blanche. The boy is to have it to-morrow morning—it's really his tree! [Tompson brings in a large basket containing seven small stockings and six small boys' socks—very small stockings and very small socks. They are made of bright and different colors and are stuffed into absurd, bulgy shapes.] There's a name on each one. Come along now!

[Taking out a little sock. The women crowd around the basket and each hangs a sock on the tree, Miss Godesby and Clara standing on chairs.

Clara. [Reading the name on her sock.] Oh! mine's for Mr. Mason. What's in it, Blanche?

Blanche. I really can't tell you. I asked the clerk where I bought it what it was for, and he said he didn't know; it was a "Christmas present."

Miss Godesby. [Laughing.] Oh, I know the kind! Mine's for Howard Godesby. What's his present?

Clara. It will be all right, anyway, Julia! You can give it away to some one next Christmas.

Blanche. Oh, that present has almost been my death! Men are so hard to find things for! I had put in a gold pencil for his key chain, but to-night while we were eating our oysters, I saw him show a beauty that his mother had given him this morning! So I whispered to Jordan between the soup and fish to change Mr. Ryder's name to Mr. Trotter's stocking, and put Mr. Trotter's name on the one that had a cigarette case in it. I sneaked a message down to Dick on my dinner card—was it all right?—and he sent back word during the game that Trotter only smoked cigars; so before the ices were passed I shuffled Mr. Trotter's and Mr. Mason's names,—I'd given Mason the cigar case,—and just as Jordan signalled to me the transfer had been successfully effected, I heard Trotter casually observe he'd been obliged to give up smoking entirely—doctor's orders!

Clara. [Getting down from her chair.] It makes the table look like one of Mr. Trotter's "informal little dinners."

Miss Godesby. They say he has one of those men who arrange shop windows decorate his dinner table for him!

Blanche. The only time I ever dined with him I was really ashamed to go home with my dinner favor—it was so gorgeous! And there were such big bunches of violets in the finger bowls there wasn't room for your little finger.

Miss Godesby. You never saw such a lot of decoration! The game have ribbon garters on their legs, and even the raw oysters wear corsage bouquets! [To Mrs. Hunter.] I hope you don't mind what we're saying, Mrs. Hunter?

Mrs. Hunter. [Offended.] I must say I do mind very much.—[A pause.]—because—[A second pause.]—well, I am going to marry Mr. Trotter—[All, not believing her, laugh merrily.] You are all very rude!

Mrs. Hunter. But I am! And I thought here at my daughter's table, among my own friends (I was allowed to name the guests to-night), I could count on good wishes and congratulations.

[The musicians, a band of Neapolitan players, enter and take their places in a recess at Left.

Blanche. [To the musicians.] You may play. [To Jordan, who has brought in the Neapolitans.] We are ready, Jordan.

Miss Godesby. [To Mrs. Hunter.] Oh, well, Mrs. Hunter, we were only codding! There's lots of good in Trotter, and I'm sure you'll bring it out. Good luck!

Blanche. Certainly not. [Blanche crosses to her mother and they go to one side together; Blanche speaks in a lowered voice.] You've amazed and shocked me! I will not tolerate such a thing; we'll talk it over to-night.

[She leaves her and returns to her guests, Mrs. Hunter standing where she is left, biting her lips and almost crying with rage and mortification.

Miss Godesby. [Before the musicians, to Blanche as she joins her.] I'm crazy about these men, Mrs. Sterling; they play so awfully well—especially that one with the lovely legs!

[Jordan pulls aside the curtains at back and all the men reënter except Warden. They all join hands and dance around the tree, singing with the musicians; they break, and go up to a side table, where everything to drink is displayed. Warden enters at this moment and motions to Mason and leads him down stage.

Warden. There was a railway guide in the hall—that's what he went there for; he's going to run away to-night.

Warden. I haven't quite thought yet. Go back to the others; send Jordan to me; don't lose sight of Dick. Jordan! [He takes him aside.] I want you to go out of this room for a minute, pretend to go upstairs, then come back and tell Mrs. Sterling, loud enough for the others to hear you, that Master Richard is very ill, and say the maid is frightened.

Warden. [Quickly and firmly.] Do as I tell you. I am responsible for whatever happens.

[Jordan goes out at back. The men and women are laughing and talking about the sideboard.

Blanche. Come now, everybody! Let's have the presents. Dick, you know you are to be Santa Claus.

Sterling. Just a minute, dear! Ned! [Takes Warden to one side. The women move about the tree, hunting for their own names on the stockings on the table at the foot of the tree.] Ned, I've been suddenly called out of town on business—must catch the eleven-twenty train. I don't want to break up the party, so you empty the tree, and when the time comes for me to go, I'll slip out.

Warden. Surely you won't let business take you away from your boy who may be dying.

Ruth. [Coming to Sterling.] I'm going to take these women away; tell Blanche not to give them a thought. Their evening up to now has been charming.

[All pass out talking, expressing conventional sympathy on account of Richard, but evidently resenting the breaking up of the party. Sterling and Warden are left alone in the room. Sterling moves to go up to back; Warden interrupts him.

Blanche. [Off stage, at back, excitedly.] Jordan! [She enters, excited, half hysterical.] Jordan! Where is Jordan? It was a lie! What did he mean? Richard is sleeping sweetly. The maid knows nothing of being alarmed! Where is Jordan?

Warden. [Stops her.] Mrs. Sterling, he had nothing to do with it! I told Jordan to say what he said.

Warden. Forgive me for so cruelly alarming you; it was the only way I could think of for getting rid at once of your guests!

Sterling. [Angry.] You'll interfere once too often in the affairs of this house.

Warden. Will you be so good as to ask Miss Hunter and Mr. Mason to come here? They will explain what I have done, partly, and your husband will tell you the rest when you come back.

Sterling. No, it doesn't! Come out with it! What is it you want? What is it you've found out?

Warden. From betraying a trust, you've come, in less than two years, to an outright embezzlement.

Sterling. You've got to excuse your action to-night or be kicked out of my house!

Warden. [Looks at his watch.] I'll not leave this house till it's too late for you to take that eleven-twenty.

[A deep-toned clock strikes eleven. Sterling, at the second stroke, takes out his watch with a hurried movement.

Sterling. Don't you talk to me; let my wife do the talking if you want me to answer.

Blanche. Sit down, Aunt Ruth. [Ruth sits by the table, Warden stands at back. Sterling stands at Right and Blanche and Mason sit near the centre.] Aunt Ruth asks you to give her a true account of her trust in you. Mr. Mason is here as her friend and my father's.

Sterling. I haven't said I betrayed her trust. I told her she should have the bonds she wants to-morrow.

Blanche. But will she? That's what I want to know. I ask you if you haven't her bonds, to tell us here now,—tell us, who have been and must be still the best friends, perhaps the only friends, you can have. Tell us where we all stand—are we the only ones to suffer or are there others who will perhaps be less generous in their treatment of you? Tell us now while there is time perhaps to save us from public scandal, from the disgrace which would stamp your wife as the wife of a thief, and send your boy out into the world the son of a convict cheat. [She breaks down, but in a moment controls herself. There is no answer. Sterling sinks into a chair, his arms on the table, his head on his arms. A moment's silence.] You love me—I know that. I appeal to your love; let your love of me persuade you to do what I ask. I ask it for your sake and for mine! Tell us here the truth now—it will spare me much to-morrow, perhaps—me whom you love—for love of me—

Blanche. No, I'll promise to stand by you if you'll only tell us all the truth.

Sterling. [In a low, shamed voice.] I'll tell you, but not now—not before all these others.

Sterling. No! no! I can't look you in the face and tell it! Let me tell it to you alone, later, in the dark.

Sterling. No, no, I'm too ashamed, I can't face you; in the dark I'll make a clean breast of it—let me tell you in the dark.

[Warden moves and puts his hand on the electric-light button beside the doorway at back.

[He presses the button and all the lights go out. The stage is in complete darkness; only the voices are heard from the different places in which the actors are last seen.

Blanche. [Quickly.] Remember, to help you to help ourselves, we must know everything. Go on.

Sterling. It began fourteen months ago, after Ned Warden put me on my feet; I got a little ahead—why not get way ahead? There were plenty of men around me making their fortunes! I wanted to equal them—climb as high as they; it seemed easy enough for them, and luck had begun to come my way. We're all climbers of some sort in this world. I was a climber after wealth and everything it brings—

Blanche. [Her voice comes throbbing with pathetic emotion through the darkness.] And I after happiness and all it brings.

Sterling. [Deeply moved, his voice trembles for a moment, but only for a moment.] Don't, Blanche, or I can't finish. Well, I borrowed on some of Aunt Ruth's bonds and speculated—I made a hundred thousand in a week! I put back the bonds. But it had been so easy! I could see those bonds grinning at me through the iron side of the vault box. They seemed to smile and beckon, to beg me to take them out into the air again! They grew to be like living things to me, servants of mine to get me gold—and finally I determined to make one bigger coup than ever! I took Aunt Ruth's bonds out and all the money available in my trust, and put it all into this new company! It seemed so safe. I stood to be a prince among the richest! And, for a day or so, I've known nothing short of a miracle could save me from being wanted by the police! To-night I gave up even the miracle. That's all. It's no use saying I'm sorry.

Sterling. There is some money of Aunt Ruth's left—stock I couldn't transfer. But I used the money of others—Miss Godesby and Ryder's.

Mason. Miss Ruth, a large part of your fortune is gone, used unlawfully by this man. Will you resort to the law?

Mason. We can't hope Miss Godesby and Ryder will be as lenient! You must go to them in the morning—tell them everything, put yourself at their mercy, ask for time and their silence.

Mason. It is the only honorable way out of your dishonorable action—the least you can do!

Sterling. Confess to their faces, and probably to no good? Eat the dust at their feet, and most likely be clapped into prison for it? No, thank you!

Mason. Certainly not; and if your husband is willing, we are not willing! He must go.

Ruth. You must demand his going, Blanche, and I demand it, too, as something due to me.

Warden. Why don't you speak? [He presses the electric button and all the lights come on. Sterling is at the doorway at back, about to steal out. There is an exclamation aloud from all of surprise and disgust. The clock strikes the quarter; Warden catches hold of Sterling's arm.] What's your hurry, Dick? There goes the quarter hour; you could never catch the eleven-twenty.

ACT III

At "The Hermitage," on the Bronx River, the next afternoon. The house is on the Left, and on the Right and at the back are the green lattice arches. Snow lies thick everywhere, on the benches at the Right and on the little iron table beside it, on the swing between two trees at the Right, in the red boxes of dead shrubs, on the rocks and dried grass of a "rookery" in the centre, and on the branches of the trees. Clara comes out from the house, followed by Trotter.

Clara. Come on and let mama rest awhile—naturally she's excited and tired out, being married so suddenly and away from home. [She stops beside the swing, taking hold of its side rope with her hand.] It isn't every mother who can elope without her oldest child's consent and have her youngest daughter for a bridesmaid.

Trotter. I hope Mrs. Sterling will forgive me. Perhaps she will when she sees how my money can help your mother and me to get right in with all the smarties!

Clara. Oh, don't you be too sure about your getting in; it isn't as easy as the papers say! But, anyway, that wouldn't make any difference to Blanche. She was never a climber like mama and me. I suppose that's why she is asked to all sorts of houses through Aunt Ruth that wouldn't let mama and me even leave our cards on the butler!

Clara. Oh, no, she couldn't! if she made you think that, it was only a jolly! Blanche is the only one of us who really went everywhere. Come along, "Poppa," give me a swing! I haven't had one for years!

Clara. [Sitting in the swing.] Oh, well, now don't blame mama! She couldn't help herself; she always thought you dreadfully handsome! Swing me!

Trotter. I don't care, anyway. I'm deucedly proud of your mother,—I mean of my wife,—and I'd just as lief throw up the whole society business and go off and live happily by ourselves.

Clara. O dear! I think mama would find that awfully dull. Go on, swing me! [Trotter swings her.] Of course, you'll find mama a little different when you see her all the time. You really won't see much more of her, though, than you do now. She doesn't get up till noon, and has her masseuse for an hour every morning, her manicure and her mental science visitor every other day, and her face steamed three times a week! She has to lie down a lot, too, but you mustn't mind that; you must remember she isn't our age!

Clara. That's just what I feel! You'll take care of her, and me, too, all our lives, and that's what makes me so happy. I'm full of plans! We'll go abroad soon and stay two years. [He has stopped swinging her.] Go on, swing me!

Trotter. [Holding the swing still.] Say! if you think you are going to run me and the whole family, you're a Dodo bird! Remember that you're my daughter; you must wait a little if you want to be a mother-in-law.

Clara. Good gracious! If you ask me, I think mama has got her hands full. What's become of Miss Godesby and her brother?

Clara. [Noticing the bells.] Somebody else arriving! That's queer—nobody comes here in the winter; that's why we chose it, because it would be quiet! Let's play this game.

Clara. No; if she was coming at all, she'd have come in time for the wedding. [She takes up the disks which lie beside the frog.] I should hate to get married like you and mama—no splurge and no presents! Why, the presents'd be half the fun! And think of all those you and she've given in your life, and have lost now a good chance of getting back.

Trotter. I'll give your mother all the presents she wants. I can afford it; I don't want anybody to give us anything!

Clara. You talk like Jess! [Throws another disk.] You know Jess earns her own living. She goes around to smart women's houses answering their invitations and letters for 'em. She calls it being a visiting secretary, but I tell her she's a co-respon-dent!

[Warden and Mason enter from behind the house quickly, with a manner of suppressed excitement. They are surprised to find Clara and Trotter.

[Embarrassed and not going near him. Trotter rushes eagerly to him and grasps his hand warmly.

Mason. Miss Clara, would you do me the great favor of going down the road and hurrying the Godesbys back if you see them?

Warden. You must excuse Trotter. I want a talk with him if he will give me five minutes.

Mason. [Aside to Warden.] You're going to ask him to go on Dick's note for Ryder?

Warden. Somebody must, and there's nobody else. That boy and that mother have got to be saved!

Mason. No, indeed! The minute that was done, there'd be a new complication, and more trouble would tumble down on Mrs. Sterling's head. Good luck.

Trotter. What's up? You haven't come to kick about my wedding, have you? I wouldn't stand for that, you know!

Warden. It's not that, Mr. Trotter. Your wife's son-in-law, Sterling, has turned out a blackguard; he has had intrusted to him Miss Ruth Hunter's money and several other people's, and he's used it all for speculation of his own.

Warden. We won't argue that, but how about his family—they get punished for what he has done; they must share his disgrace.

Trotter. [On the defensive.] She isn't very chummy with her classy eldest daughter.

Warden. Never mind that; you know without my telling you that Mrs. Sterling is a fine woman.

Trotter. She's always snubbed me right and left, but, by George, I must own she is a fine woman.

Warden. That's right! [Clapping him on the back and putting his arm around his shoulder.] Look here—help us save her!

Warden. No! Don't start off like that! Keep the reins in your own hands at the very beginning,—make her realize from this very day that you're raised up on the cushion beside her; that she's sitting lower down admiring the scenery, while you do the driving through life!

Trotter. [Half laughing.] Ha! I guess you're right. Box seat and reins are good enough for me!

Trotter. Of course I want it! And I say, where are you? Why aren't you in it?

Warden. There are reasons why my name had better not appear; you are in the family. But I'll tell you what I'll do, Trotter; I'll secure you with a note of my own—only you must keep it dark; you mustn't even let Mason know.

Trotter. All right, perhaps I'm a Dodo bird, but I'll do it. Say, I seem to have married a good many of this classy family!

Warden. Trotter, no one's done you justice! And, by George! you deserve a better fate—er—I mean—my best wishes on your wedding day.

Trotter. Great day for me! What I wanted was style and position, and some one classy who would know how to spend my money for me!

Clara. The Godesbys are coming. Trotter, there's skating on the river near here, and they've skates in the house—don't you want a spin?

Trotter. Yes, I don't mind—if my wife doesn't need me! [Clara laughs as Godesby and Miss Godesby enter from behind the house. Trotter meets them, with Clara on his arm.] Excuse us for a little while!

Warden. How are you, Godesby? I've come on a matter most serious, most urgent—something very painful.

Warden. I mean that the money you intrusted to him is gone, and I've come to make a proposition to you.

[Godesby and Miss Godesby are aghast. A second's silence, during which Godesby and Miss Godesby look at each other, then back at Warden.

Warden. The money is gone, every penny of it, and I want you to accept a note from Sterling to cover the amount.

Warden. Several of us are going to stick by him; we'll manage to put him on his feet again, and we want you to accept his note.

Warden. I want your silence to keep it from the public for the family's sake. I've secured a satisfactory indorser for a note to satisfy Ryder's claim.

Miss Godesby. Blanche Sterling! I never could bear her! She's always treated me like the dirt under her feet!

Miss Godesby. That was to please her mother. No, if my money's gone, Sterling's got to suffer, and the one slight consolation I shall have will be that Blanche Sterling will have to come off her high horse.

Miss Godesby. [Satirically.] Oh, yes, of course, the next morning when I wake up Sterling will be gone! Nobody knows where!

Warden. I've had it out with Sterling! I am here as his representative. I give you my word of honor Sterling will not run away. It is under such an understanding with him that I am pleading his case in his stead. He will stay here and work till he has paid you back, every cent.

Jessica. I don't altogether know. While I was out this morning, Blanche received a message from mother saying she'd been—

Jessica. She told Blanche they would be glad to have her here at one o'clock for breakfast. Blanche ordered the sleigh at once and went away, leaving word for me I was to open any message which might come for her.

Jessica. No, they say not. She probably went first to Aunt Ruth's. Before I got back, Dick, who'd been out—

Jessica. Yes. He came back, questioned Jordan as to where Blanche was, went upstairs, and then went away again, leaving a note for Blanche, which I found when I came home—

Jessica. No, he took nothing of that sort. Jordan went into his room and found a drawer open and empty, a drawer in which Dick kept—a pistol!—

Warden. Yes, if he were really determined to shoot himself, why wouldn't he have done it there in his own room?

Warden. I'll get Mr. Mason; he's with your mother; he must go back to town at once.

[Miss Godesby and her brother ignore and apparently forget the presence of Jessica in their excitement. They both speak and move excitedly.

Miss Godesby. I ought to have suspected something when Sterling told me he was getting ten per cent for my money,—the blackguard!

Godesby. I always told you you were a fool not to take care of your money yourself! You know more about business than most men.

Miss Godesby. I didn't want to be bothered; besides, there was always something very attractive about Sterling. I don't mind telling you that if he had fallen in love with me instead of the stiff-necked woman he married, I'd have tumbled over myself to get him.

Miss Godesby. Now! Thank God, I'm saved such a waking up! It's going to make a big difference with my income, Howard! I wonder if his wife knew he was crooked! I'll bet you she's got a pot of money stowed away all right in her own name.

Please—please! Remember that you're speaking of my sister and that every word you are saying cuts through me like a knife.

Miss Godesby. I beg your pardon; I ought to have thought. I like and respect you, Jess, and I've been very rude.

Jessica. You've been more than that; you've been cruelly unjust to Blanche in all that you've said!

Miss Godesby. Perhaps I have, but I don't feel in a very generous mood; I've some excuse—so please forgive me.

Warden. [To Jessica.] Mason is waiting for you with the sleigh. He's going first to my house. Dick may have gone back there to hear the result of my interview with Ryder,—then Mason'll try his own house and Sterling's club.

Warden. [To Godesby.] You wait a minute with me; I haven't finished with you yet. [To Jessica.] I'll stay here for your sister, in case she comes.

Miss Godesby. Not for a minute! [To Warden.] Don't you think, under the circumstances, the wedding breakfast had better be called off, and my brother and I go back to town?

Warden. Not till you've given me your promise, both of you, that you will keep silent about the embezzlement of your bonds for the sake of Mrs. Sterling and her son.

Miss Godesby. Oh, come, you know what sort of friends we are,—for the amusement we can get out of each other. This is the case,—I trusted this man with my affairs. He was very attractive—I don't deny that; business with Dick Sterling became more or less of a pleasure—but that doesn't cut any ice with me; he's stolen my money. To put it plainly, he's a common thief, and he ought to be punished; why should he go scot free and a lot of others not? You know perfectly well his note wouldn't be worth the paper it was written on; and, anyway, if he hasn't gone and sneaked out of the world, I won't lift my little finger to keep him from the punishment he deserves!

Warden. Don't you put your oar in, Godesby; just let this matter rest between your sister and me! She's always been known as the best man in your family.

Warden. I'm not choosing any way at all; I'm striking right out from the shoulder. There isn't time for beating round the bush! I'm pleading for the good name and honorable position of a perfectly innocent, a fine, woman, and for the reputation and unimpeded career of her son! And I make that appeal as man to man and woman!

Miss Godesby. I have nothing to do with any one in this matter but Sterling himself, who has robbed me, and I'll gladly see him suffer for it!

Warden. Now look here, Miss Godesby, you belong to a pretty tough crowd in society, but I know at heart you're not a bad sort! What good will it do you? Granted even that you don't care for Mrs. Sterling, still don't tell me you're the kind of woman to take a cruel pleasure in seeing another woman suffer! I wouldn't believe it! You're not one of those catty creatures! You're a clever woman, and I don't doubt you can be a pretty hard one, too, at times; but you're just—that's the point now—you're just—

Miss Godesby. [Interrupting.] Exactly! I'm just, an eye for an eye! Sterling is a thief, let him get the deserts of one!

Warden. But you can't look at only one side! You can't shut your eyes to his wife's suffering, too, and she doesn't deserve it! Neither does her boy deserve to share his disgrace. [He sits beside her.] Why, you have it in your power to handicap that boy through his whole life by publishing his father a criminal; or you can give that boy a fair show to prove himself more his mother's son than his father's, and to live an honest—who knows—perhaps a noble life!

Warden. You'll have many a heart wrench, I'll bet you! You'll have to run across the results of the harm you do to Mrs. Sterling and Richard day in and day out, year after year! I don't believe you realize what it means! Why, I know you can't bear to see a dog suffer! I met you last week on the street carrying a mangy, crippled brute of a little dog in your arms, afraid lest he'd get into the hands of the vivisectionists, and yet here you'll let a boy and his mother—

Miss Godesby. [Interrupts him, struggling against a tiny emotion which he has stirred.] Stop Stop! I don't want you working on my feelings that way.

Warden. [Follows her.] I'm only knocking at the door of your heart. And now because it's opened just a tiny way, you want to shut it in my face again. Will you leave this woman's name fit for her to use? Won't you make that boy's life worth living to him?

Miss Godesby. [After a moment's pause, looks straight into Warden's face.] I'll tell you what I'll do. Get me some security, some sort of indorsement of Sterling's note—

Miss Godesby. Oh, come, I can't have any monkey business! You must get me my security to-day.

Warden. I shan't try to persuade her against that. Will you leave your sister alone with me a moment. Perhaps you'll see about your sleigh being ready to return to town.

Warden. [Left alone with Miss Godesby, goes nearer to her.] Look, here! Will you accept my indorsement? Will I be all right?

Miss Godesby. You'd be willing to lose—[A revelation comes to her.] Oh—for Mrs. Sterling! I see!

Miss Godesby. And she's always been blackguarding me for my affairs with men! And all the time—

Warden. [Interrupts strongly.] Don't say any more, please, Miss Godesby! I only wish your brother had said that much instead of you.

Miss Godesby. Oh, come, don't tell a lie about it; that will only make it seem worse.

Warden. [Interrupts.] Wait a minute! You've got me in a corner, but knowing half the truth, you mustn't guess the whole. She is even more ignorant of my love for her than you were ten minutes ago! [Miss Godesby smiles and makes a little satirical exclamation.] You don't believe that, but I'll make you. I'm going to tell you something I've never even told myself. I'm going to put you to a big test, because I've got to. Apparently, I can't help myself; but after all, somehow I believe in the human nature in you, and you've got it in your power to help or hurt the woman I love—I say those words aloud for the first time—the woman I love!

[He has finished his speech in a lowered tone throbbing with controlled feeling.

Warden. Never; and you show how little you really know her when you ask that question! She loves her husband.

Warden. I am, and I love her. But surely the silent love of a man, like mine, is no insult to a good woman—cannot harm her! A love that is never spoken, not even whispered, can't hurt any one, except, perhaps, the one who loves. You must acknowledge even you have never heard a hint; you showed just now your real surprise at what circumstances revealed to you! I'd die sooner than bring the slightest shadow of a scandal on her, and I've hugged my secret tight. Have you any idea what such a love means? How it grows and grows, its strength shut in, held back, doubling and redoubling its powers!—its ideality increasing, the passion suppressed, locked up! Good God! I tremble sometimes when I think—suppose some day it should burst out, break my control, master me! [A pause.] And here, now, I've told you; I'm sorry, but I had to for her sake again. Will you help me keep my secret?

Miss Godesby. You needn't sign the note; my brother'd have to see it. I'll take your word for the indorsement.

Warden. What a brick you are! You know you don't do yourself anything like justice in the world!

[Godesby reënters Left and after him a Man Servant in ordinary clothes, who passes through the archway at back Centre.

Miss Godesby. [As they go.] Don't worry; I've taken care of myself for many years, and I still feel up to it!

[They go out Left and at the same time the Servant enters from the archway at back Centre carrying some fire logs in his arms. This Servant speaks with a slight French accent. As he reaches the house, Warden stops him with a question, and the Godesbys' sleigh-bells start up and quickly die away. The sun begins to set.

Servant. Ze big room for ze breakfast is altogether ready and warm; you will be able to go in there now.

Warden. No, that wouldn't do. It's all right out here for me, only I am expecting a lady.

Warden. I hear a sleigh coming. If a lady is in it, ask if her name is Mrs. Sterling, and if she says yes, tell her Mr. Warden is here and would like to speak with her a moment before she goes in to Mrs.—

[The sun grows red, and the colors of sunset creep over the sky during the scene which follows. After a moment the Servant shows Blanche out from the house.

Blanche. [Surprised and depressed.] Good morning, Mr. Warden, have you been asked to these funeral baked meats?

Warden. No, I'll explain why I am here in a few minutes. Only let me ask you first when you last saw your husband?

Blanche. Aunt Ruth's. Of course you know about my mother? When I heard it I started to come here, but my heart failed me and I turned back to my aunt's. She has persuaded me that I ought to come and put the best face on the matter possible, but it seems as if I'd had now a little more than I can bear!

Blanche. No, no! Let us stay out in the air; my head would burst in one of these close little rooms. Have you seen mother?

Warden. No, but I have some good news to tell you all the same—Ryder has promised silence.

Blanche. [With tremendous relief.] Oh! that's too good, too good to be true! To whom did he promise?

Warden. And I've more good news for you, Mrs. Sterling—the Godesbys, too; they will be silent.

Warden. Some time ago, but only for a minute. He didn't stay; he went to find your husband.

Blanche. But the Godesbys? I just met them now on the road going back. How could Mr. Mason, if he didn't stay—[Warden is embarrassed, and is silent, searching a way out of it.] Oh, no! no! it wasn't Mr. Mason! I see the whole thing clearly. Dick was too great a coward, and you did it! It was you who won over Ryder! It was you who persuaded the Godesbys!—

[Warden shakes his head and makes a movement to deny it. Blanche continues speaking, the words rushing to her lips, as her pent-up heart opens and lets all her emotions suddenly free.] Don't try to deny it; you can't make me believe you! It's to you I owe whatever promise the future has for me! It is you who have given me all the happiness I've had for years. It is you who have watched over, taken care of, me—you, the best friend any woman in this world ever had. It is you now who have saved my boy's honor. It is you who lift the weight off my shoulders, the weight off my heart! You!—you!—you!

Warden. [All his love bursting out into his face and into his voice, cries.] Blanche! Blanche!

[Leaning over her as if to protect her from her trouble and take her to his breast.

Blanche. [Rising and looking straight into his eyes with a suddenly revealed great love in her own.] Ned!—

[They hold this position some moments, gazing into each other's eyes; then finally Warden makes a movement towards her, crying out more triumphantly, having read and realized her love for him.

Blanche. [Desperately.] I mean to speak of anything except what is in your thoughts at this moment! Help me not to forget that no matter what he has done, Dick is still my husband.

Warden. Mason is searching for him. He left a note at your house which Jess read; it was only one word "Good-by."

Blanche. [Echoes again.] Good-by! [Sleigh-bells are heard in the distance, coming quickly nearer.] What does it mean? You're hiding something from me! Tell me what else you know?

Warden. He left the house, but took something with him—something from a drawer in his room.

[He takes her hand in sympathy, but without suggesting the passion of a few moments before. Sterling enters hurriedly Left. He is wild with drink and jealousy.

Sterling. [Coming nearer, very strong.] Drop my wife's hand! [They do so quickly, not understanding yet.] So I've caught you!

Sterling. I could go to the devil—what did you two care! I could go to State's Prison! All the better—out of your way!

Sterling. I went back to my house this morning; my wife was gone—no message left where to! But I questioned the servant. She'd driven here! Why? Ha! [A bitter half laugh; he turns to Blanche.] You've come here once too often!

Sterling. [To Warden, but ignoring his exclamation.] Then I went to your house. They knew where you'd gone! You ought to train your servants better! Both here!

Sterling. [Jeers.] "Insinuations?" I've caught you! I make no "insinuations." I tell you both you're caught! You're my wife's lover, and she's your damned mis—

Blanche. Sh!—for Heaven's sake! [To Warden.] Let him alone; I'm not afraid of what he says.

Sterling. No, you never were a liar, I'll give you credit for that,—so confess the truth—you're his—

Blanche. [Excited beyond her control.] Listen! And you shall have the truth if you want it! These years that he's been befriending me I never dreamed of loving him nor thought of his loving me. [Dick sneers.] Wait! No, not even the day my father was buried, when I learned outright you were dishonest!

Blanche. What I say—I learned it then from a paper of my father's. I shouldn't have kept my knowledge to myself—I see that now; but I did, for your sake, not for love of you—the love went for good that day. But here, a moment ago, I realized for the first time that my old friend did love me, love me with an ideal devotion the noblest woman in the world might be proud of! I didn't tell him then I loved him, but now I take this chance, I take it Gladly before you!—forced by you! I tell him now, what perhaps he has already guessed, I love him with all my heart—I love him! I love him!

Warden. [Seizes Sterling, catches his arm, and wrenches the pistol from him.] So that's what you planned to do, is it—make a wretched scene like that?

Sterling. [In utter collapse and shame.] Why did you stop me? I'm better out of the world. I'm crazy with shame. First I disgraced and now I've insulted—degraded—the only living thing I care for,—that's my wife.

Blanche. [Speaks quietly.] Come back to the house. Mr. Mason is looking for you; he has something to tell you.

Sterling. [Echoes.] Good! [Starting to go, he turns at the porch.] I want you to know that I know I'm a rotten beast.

Blanche. Wait; we'll see—we'll see—let it be something we could never regret. Good-by, Ned.

ACT IV

The following morning; at the Sterlings'; the library; a warm, livable, and lovable room, full of pictures, photographs, and books; mistletoe and holly decorate everywhere. In the bow-window at back there is a large bird-cage with half a dozen birds in it. The furniture is comfortable and heavily upholstered. At Left there is a fireplace with logs ready, but the fire is not lit. There a big table near the centre, full of magazines, illustrated papers, and books. A big arm-chair is beside the table, and other chairs conversationally close. There is a table near the door at Right, piled with Christmas gifts, still wrapped in white paper; they are tied with many colored ribbons and bunches of holly. There are doors Right and Left. After the curtain rises on an empty stage, Ruth enters quickly; while she has her buoyant manner, she is, of course, more serious than usual. She carries a bunch of fresh violets in her hand. She looks about the room with a sort of curiosity. She is waiting for some one to appear. She takes up a silver-framed photograph of her brother which stands on a table and speaks aloud to it.

Ruth. I'm glad you're spared this. [With a long-drawn breath she places the photograph back upon the table and turns to greet Blanche, who comes in Right.] Good morning, my dear.

Blanche. Good morning. You've had my note? [Ruth nods.] Thank you. I wanted to see you before I saw any one else. You must help me decide, only you can.

Blanche. No. He sent word he was feeling ill, but would like to see me when I was willing.

Blanche. I don't want to talk with him till I see more clearly what I am going to do.

Ruth. Mr. Warden told me last night all that happened at "The Hermitage." But on your ride home with Dick?

Ruth. [Going to her.] That's just it. Be somebody! Don't do the easy, weak thing. Be strong; be an example to other women. Heaven knows it's time they had one!

Mrs. Hunter. [Sitting by the table and looking at the picture papers.] Isn't it awful! What are you going to do?

Mrs. Hunter. Don't know? Absolute divorce—no legal separation! [To Ruth.] We're staying at the Waldorf.

Ruth. [Sitting beside her.] I shall advise against, and do everything in my power to prevent, Blanche's getting a divorce!

Mrs. Hunter. You don't mean to say you'll carry those ridiculous notions of yours into practice?—now that a scandal has come into our very family?

Ruth. Oh, I know selfish, cynical, and worldly people won't agree with me, and I pity and sympathize with Blanche from the bottom of my heart. [Taking and holding Blanche's hand.] But I want her not to decide anything now; wait till the first blows over, and then—well, then I feel sure she will do the strong, noble thing—the difficult thing—not the easy.

Blanche. [Withdraws her hand from Ruth's.] No, you ask too much of me, Aunt Ruth; I can't do it.

Blanche. I don't want to wait. I want to decide now and to cut my life free, entirely, from Dick's.

Ruth. You used to agree with me. I've heard you decry these snapshot, rapid-transit, tunnel divorces many a time. I've heard you say when a woman has made her bed, she must lie in it—make the best of her bad bargain.

Blanche. No, but I'm not strong enough to fight out an unhappy life for the sake of setting an example to other women—women who don't want the example set!

Blanche. [With a voice full of emotion.] But I love Ned Warden. He loves me—life stretches out long before us. Dick has disgraced us all. I don't love him—should I give my happiness and Mr. Warden's happiness for him?

Mrs. Hunter. Absurd! We all have a right to happiness if we can get it. I have chosen; let Blanche follow my example.

Ruth. [Following up the advantage.] Yes, Blanche, do you want to follow your mother's example?

Mrs. Hunter. Not what? You needn't fling any innuendoes at Mr. Trotter; it's he who said it was my duty to stand by you, advise you, and all that sort of thing. I'm not here to please myself! Goodness knows, a divorce court isn't a very pleasant place to spend your honeymoon!

Blanche. Thank both you and Mr. Trotter, mother; but I ask you to allow Aunt Ruth and me to decide this matter between us.

Mrs. Hunter. I don't know anything about politics! But I could count a dozen women in a breath, all divorced, or trying to be, or ought to be!

Clara. Hello, everybody! I just saw Dick coming out of his room and I cut him dead.

Ruth. [To Blanche.] You've taken a certain responsibility upon yourself, and you can't shirk it.

Ruth. The day the sun shone on you as a bride, in God's presence, you said you took him for better for worse—

Clara. Oh, pshaw, Lakewood's no fun! I'm surprised you don't say go to Aiken, North Carolina.

Mrs. Hunter. Mr. Trotter says we can't leave town anyway while Blanche is in this trouble.

Ruth. And if I may be permitted to suggest, you will find Mr. Trotter's advice always pretty good to follow. That young man has better qualities than we have suspected. I have some thing to thank him for; will you be good enough to ask him to come and see me?

Mrs. Hunter. He will not go to your house with my permission. I shall tell him you have never asked me inside your door.

Clara. Mother, if you ask me—[Mrs. Hunter interjects "Which I don't," but Clara continues without paying any attention to the interruption.]—I don't think Mr. Trotter is going to cry himself to sleep for your permission about anything!

Mrs. Hunter. [To Blanche.] Good-by, my dear; if you want me, let me know; I'll be glad to do anything I can. I'm staying at the Waldorf.

Clara. It's full of people from Kansas and Wyoming Territory come to hear the Opera!

Mrs. Hunter. [Laughs.] What's the matter with Providence? I think Rhode Island tips the scales pretty even for the east!

Mrs. Hunter. Oh, very well, good-by! [Leonard enters Right with a Christmas parcel, which he places on the table Right.] Dear me, have you had all these Christmas presents and not opened them?

Blanche. It is only little Richard in this house who is celebrating Christmas to-day.

Mrs. Hunter. It's a terrible affair; I only hope the newspapers won't get hold of it. [To Leonard.] If any women come here asking for me who look like ladies, don't let 'em in! They ain't my friends; they're reporters.

Clara. I'm awfully sorry, Blanche, I honestly am; but I think you'll have only yourself to blame if you don't strike out now and throw Dick over. Good-by!

Blanche. But who do I harm by it? Surely, it wouldn't be for his good to be brought up under the influence of his father!

Ruth. If he saw you patiently bearing a cross for the sake of duty, can you imagine a stronger force for good on the boy's character? What an example you will set him! What a chance for a mother!

Ruth. Ah, my dear, that's just it! The watchword of our age is self! We are all for ourselves; the twentieth century is to be a glorification of selfishness, the Era of Egotism! Forget yourself, and what would you do? The dignified thing. You would live quietly beside your husband if not with him. And your son would be worthy of such a mother!

Ruth. A principle is a principle; I took my stand against divorce. What can you do for a principle if you don't give up everything for it? Nothing! And that is what I mean. To-day I am not sorry—I am happy.

[There is another slight pause. Richard is heard upstairs singing a Christmas carol, "Once in Royal David's City," etc.

Blanche. [With great emotion.] But if it breaks my heart—if it breaks my heart?

Ruth. Hearts don't break from the pain that comes of doing right, but from the sorrow of doing wrong! [Neither woman speaks for a minute; in the silence Ruth hears Richard.] What's that?

Leonard. Doctor Steinhart is here to see Mr. Sterling. Where shall I show him, madame?

[The two women start to leave the room together Right, with their arms around each other. They meet Sterling, who enters; he starts, they stop.

[The women go out Right. At the same moment Dr. Steinhart is shown in by Leonard Left.

Sterling. I've been drinking too much for some time; I can't eat—my nerves are all gone to pieces. I've some—some business troubles, and I haven't slept for a week.

Dr. Steinhart. Is that all! Brace up, help yourself a little, and we can soon make a man of you.

Dr. Steinhart. Oh, come, we must get rid of melancholy. Come and drive with me to 79th Street.

Sterling. No, I'm too worn out. Look at my hand! [Holds out a trembling hand.] I tell you literally I haven't slept for weeks—I thought you'd give me some chloral or something.

Sterling. Yes; I've tried sulphonal and all that rot; if doesn't have any effect on me. Give me a hypodermic—

Dr. Steinhart. Good! Then try lying down again, and perhaps you'll go to sleep now.

Sterling. Very well, but give me something to take to-night in case I can't sleep then.

Dr. Steinhart. [Takes out a note-book and writes with a stylographic pen.] Be careful what you eat to-day. How about this drinking—did your business trouble come after it began, or did the whiskey come after the business trouble?

Dr. Steinhart. Um—[Giving Sterling the paper which he tears out of his note-book.] Look here, I've a busy day before me; but I'll look in to-morrow, and we'll have a good talk.

Dr. Steinhart. Oh, no; you try one, and repeat in an hour if it hasn't done its work.

Sterling. But you've only given me two tablets, and I tell you I'm awfully hard to influence!

Dr. Steinhart. Two's enough; we don't give a lot of drugs to a man in a nervous condition like yours. Don't let them wake you for luncheon if you're asleep. Sleep's best for you. Good-by—pleasant dreams.

Sterling. [Reads off the prescription.] "Two one-quarter-grain tablets sulphate of morphia, Wm. B. Steinhart—" And in ink! Why didn't he write it with a lead-pencil? How can I make it more? Two—wait a minute! Two! [Taking out his own stylographic pen.] What's his ink? [Makes a mark with his pen on his cuff.] Good! the same! Why not make it twelve? [Marking a one before the two.] Just in case—I might as well be on the safe side!

[He rings an electric bell beside the mantel, and waves the paper in the air to dry it. Blanche enters Right.

[Blanche is still standing. Sterling sinks into a chair, and puts his head in his hands, his elbows on the table. He lifts his head and looks at her.

Sterling. I know what you're going to do; you don't have to tell me; of course you're going to divorce me.

[His hands drop to the table; he looks her straight in the face, doubting what he hears.

Blanche. I give you one more chance, for your sake only as my boy's father. But—don't make it impossible for me—do you understand?

Sterling. Yes! I must take the true advantage of this chance your goodness gives me. I must right myself, so that people need not hesitate to speak of his father in Richard's presence. And this I will do. [With great conviction he rises.] I know I am at the cross-roads, and I know the way; but I don't choose it for your reasons; I choose for my own reason—which is that, unfit as I am, I love you.

Blanche.. I loved the man I thought you were. Do you remember that day in the mountains when we first really came to know each other, when we walked many, many miles without dreaming of being tired?

Sterling. And found ourselves at sunset at the top instead of below, by our hotel! Oh, yes, I remember! The world changed for me that day.

[He sinks back into the arm-chair, overcome, in his weakened state, by his memories and his realization of what he has made of the present.

Blanche. And for me! I knew then for the first time you loved me, and that I loved you. Oh! how short life of a sudden seemed! Not half long enough for the happiness it held for me! [She turns upon him with a vivid change of feeling.] Has it turned out so?

Blanche. [Speaking with pathetic emotion, tears in her throat and in her eyes.] And that early summer's day you asked me to be your wife! [She gives a little exclamation, half a sob, half a laugh.] It was in the corner of the garden; I can smell the lilacs now! And the raindrops fell from the branches as my happy tears did on father's shoulder that night, when I said, "Father, he will make me the happiest woman in the world!"

Blanche. You can't breathe life back into a dead thing; how different the world would be if one could!

Sterling. You can bring back life to the drowned; perhaps your love is only drowned in the sorrow I've caused.

Blanche. [Smiles sadly and shakes her head; the smile dies away.] Life to me then was like a glorious staircase, and I mounted happy step after step led by your hand till everything seemed to culminate on the day of our wedding. You men don't, can't realize, what that service means to a girl. In those few moments she parts from all that have cherished her, made her life, and gives her whole self, her love, her body, and even her soul sometimes—for love often overwhelms us women—to the man who, she believes, wants, starves, for her gifts. All that a woman who marries for love feels at the altar I tell you a man can't understand! You treated this gift of mine, Dick, like a child does a Santa Claus plaything—for a while you were never happy away from it, then you grew accustomed to it, then you broke it, and now you have even lost the broken pieces!

Sterling. [Comes to her, growing more and more determined.] I will find them, and put them together again.

Blanche. [Again smiles sadly and shakes her head.] First we made of every Tuesday a festival—our wedding anniversary. After a while we kept the twenty-eighth of every month! The second year you were satisfied with the twenty-eighth of April only, and last year you forgot the day altogether. And yet what a happy first year it was!

Blanche. Blessedly happy! Our long silences in those days were not broken by an oath and a fling out of the room. Oh, the happiness it means to a wife to see it is hard for her husband to leave her in the morning, and to be taken so quickly—even roughly—into his arms at night that she knows he has been longing to come back to her. Nothing grew tame that first year. And at its end I climbed to the highest step I had reached yet, when you leaned over my bed and cried big man's tears, the first I'd ever seen you cry, and kissed me first, and then little Richard lying on my warm arm, and said, "God bless you, little mother." [There is a pause. Blanche cries softly a moment. Sterling is silent, ashamed. Again she turns upon him, rousing herself, but with a voice broken with emotion.] And what a bad father you've been to that boy!

Sterling. I didn't mean to! That's done, that's past, but Richard's my boy. I'll make him proud of me, somehow! I'll win your love back—you'll see!

[Blanche is about to speak in remonstrance, but stops because of the entrance of Leonard. He brings a small chemist's box of tablets in an envelope and a glass of water on a small silver tray.

Sterling. [Counting out the tablets.] One, two. To give me hope! To give me hope!

[He empties the other ten tablets into the envelope, twists it up, and throws it in the fireplace.

Blanche. [Trying to make him realize the exact position.] Opposite you at the table, receiving our friends, keeping up appearances, yes—but nearer to you than that? No! Never!

[All greet each other. Warden nods stiffly to Sterling, barely acknowledging his greeting.

Miss Godesby. [To Sterling, purposely speaking with good-humored raillery to relieve the tension of the situation.] Well, you're a nice lot, aren't you?

Miss Godesby. Oh, that's all right. The truth is, I've made Warden bring me here, Sterling, for a bit of business. I had an emotional moment yesterday and went off my head a bit. I stand by what I said as to keeping quiet, but—well, I'm like any other old maid who hates dust on her mantelpiece—I'm fidgety not to make some sort of a bluff at putting this thing on a business basis.

Miss Godesby. Well, the truth is, my fool of a brother has kicked up an infernal row, and refuses to hold his tongue.

Miss Godesby. Wait, I've left him with Mr. Mason. I feel certain I can assure his silence if I can only show him some sort of an agreement to pay, an acknowledgment of the—the—affair, signed and sealed.

[She goes to the table with Sterling, and unfolding a paper gives it to him. He signs it.

Warden. [Aside to Blanche, apologizing for his presence.] She made me come—she wouldn't come alone; otherwise I should have waited till you sent for me.

Warden. [Looking back searchingly in hers to read the truth, but believing that she will certainly leave her husband.] No, you can't do wrong! But I must warn you of one thing—I'm not any longer the controlled man I was.

Miss Godesby. Come along now, Mrs. Sterling, brace up and give me your name, and Warden, witness, please. [They do so.] Of course, my dears, I know perfectly well that legally this isn't worth the paper it's written on. [Exchanging a serious and meaning look with Warden.] But my idiot of a brother won't realize that, which is the point. One thing more—will you both dine with me next week, Thursday? [There is an embarrassed pause, which, with quick intuition, she understands.] Yes, you will—for silence gives consent! [Laughing.] Now, that's settled!

Miss Godesby. Thanks, not always—I've been a mucker more than once in my life! I must go [Shaking hands with Blanche.] and relieve Mr. Mason of my brother, or he'll be accusing me of inhuman treatment; more than one consecutive hour of my brother ought to be prevented by the police.

Miss Godesby. I think if you and I can get well over this, we'll be real friends, and I haven't many, have you?

Blanche. [Takes her hand.] You can count upon me and my boy so long as we live.

Miss Godesby. [Half laughing, half crying, and pulling her veil down to hide her emotion.] By George! I haven't been kissed by a woman for years! Good-by.

[Warden looks away and whistles a tune to show his unwillingness to listen. Sterling speaks clearly so Warden shall hear.

Sterling. I have a message for you from my wife. [There is a second's pause. Warden stops whistling and turns and looks at Sterling.] She asks me to explain—to tell—to tell you a decision she has come to.

Sterling. I couldn't believe it, either, when she told me. It was her first word to me to-day. I said, "You are going to divorce me," and she answered, "No."

Sterling. Never mind, she won't leave me; I have her promise, and I'll win back her love!

Warden. You fool! You can't win her back! She would never have loved me if you hadn't disillusioned, dishonored her! I'm not worthy of her, but I'll never dishonor her, and, please God, never disappoint her, and so I'll keep her love.

Sterling. Well, as to that, she decides to stay, leaving love out of the question.

Warden. And you'll accept that sacrifice! You don't even love her. You're only thinking of yourself now. Love, real love, forgets itself. You, after having spoilt half her life, are willing to spoil the rest, for your own sake!

Sterling. No, for the boy's sake, and her sake—to save a scandal—the world—

Warden. [Beside himself.] Oh, damn the world! It's heaven and hell you'd better think of. Scandal! It couldn't harm her, and the hurt it would do you is a small price to pay. Those whom God has joined—yes! but it was the devil bound her to you!

Warden. [Moves toward him.] You look out—you shan't rob her of her happiness. You—a drunkard! A forger! A thief!

Warden. Hah! There spoke the true man in you! Would to heaven the old days of duelling were back!

Warden. They fight in other countries still for their love and honor, and I'm ready here, now, if you are, with any weapons you choose!

Sneer! But will you fight? We'll find a place, and something to fight with, or fists if you'd rather! You wouldn't kill me before I'd got you out of her way for good. Will you fight?

Warden. [Getting more and more enraged.] If you lose, you go away, and set her free of your own will!

Warden. [Losing entirely his self-control.] What do you want to make you fight—will that?

[He springs toward Warden as Ruth and Mason enter Left. The two men stand rigid, Warden breathing heavily.

[There is no response. Warden is with great difficulty restraining himself. His lips are compressed lightly and his hands clenched.

Ruth. [Showing her relief and satisfaction in her face, turns to Warden.] You won't try to shake that resolve?

Warden. [Unable to control himself.] But I will! I will—I tell you all! I hardly know what I say or do! But look out for me, I'm desperate! I'm a torrent that's only let loose since yesterday, and now all of a sudden you try to stop me! But it's too late; I've got my impetus; the repressed passion of years is behind me; nothing can stop me—and God keep me from doing the wrong thing! I am determined to clear him out of the way of the happiness of the woman I love. [To Ruth.] Do you mean to say you approve of her decision? [Ruth turns her head; he turns to Mason.] Do you?

Sterling. [To Ruth, holding out his hand.] You will stand by me, Aunt Ruth, and together we—

Mason. [Alone with Sterling.] Go away and make your wife understand you are never coming back.

Mason. Kill them with hard work; you have other heavy debts, you know. I came to see you about this business of your acknowledgments to Miss Godesby and Miss Hunter.

Sterling. [Watching him go.] There's not one soul in this world who cares for me, and it's my own fault. [Richard is heard upstairs again singing "Once in Royal David's City." Sterling lifts his head and listens.] Yes, one little soul loves me, and it would be better for him, too, if I went away. I'll go to sleep and see how I feel about it when I wake up. [He moves the glass of water and takes out the box of tablets. He starts suddenly, but very slightly, and his muscles tighten.]

After all, why not end it all now, at once, without any more bother? [He looks in the box, and glances up questioningly; then he remembers the fireplace where he threw the other tablets and looks across the room at the logs. He rises, goes over, and sees in the fireplace the twisted envelope which holds the other tablets. He bends over to pick it up; he stops short.] No! Why shouldn't I try it, anyway? She, herself, gives me the chance! [He rings the electric bell, and walking away from the fireplace, takes up with a trembling hand the papers left by Mason; he wipes the damp from his forehead with his handkerchief. To Jordan, who enters Left.] Light the fire quickly; I feel cold.

Leonard. [Looking for matches on the mantel, finds the box empty.] There are no matches, sir; I must get one.

[He gives him a match from his own box. Leonard notices the trembling hand and suppressed excitement of Sterling, and involuntarily glances up, but quickly looks back to his work and strikes a match. The match goes out.

Sterling. [With one in his fingers taken from his match-box, he alters his mind.] I have no more. [He puts away his match-box.] Never mind the fire; get me a pint bottle of champagne.

Sterling. That was funny; that was very funny! I wonder if it was accident, or if there's such a thing as fatality. [He goes to the fireplace and picks up the twisted envelope.] If not now—perhaps some other time—who knows? [He thrusts the envelope in his vest pocket, and takes up the papers again from the table to look over them.] I can't read these things! [Throwing them down.] The words mean nothing to me!

[There is the sound outside of a cork being drawn. Leonard enters with the champagne and a glass and places them beside Sterling.

[Sterling half fills the glass with champagne. He takes out the box of tablets and counts aloud.

Sterling. One, two, three, four—[He puts all in the glass, dropping them as he counts. He hesitates, then quickly drops in two more and drinks quickly. The glass is empty. He sits by the table thinking a moment, then lakes a piece of paper and makes ready his stylographic pen.] Let me see; can I make it seem accidental; it would be so much less bother and trouble for them! [He thinks a second, then writes.] "I have accidentally taken an overdose of my sleeping draught. I have tried to call some one, but it's no use. I ask only one thing, that you forget all my sins, wipe out their memory with my name. I want my boy to change his name, too." [He hesitates a moment, and then scratches that sentence heavily out.] No, I won't say that. [He waits a moment.] God in heaven, what wouldn't I give for one friendly word just now! Some one to sort of say good-by to me—take my hand—even a servant!

[He looks about him, showing signs of drowsiness. The door Right bursts open. Sterling quickly hides the letter in his inside pocket as Warden comes in.

Sterling. Nothing—I'm half asleep, that's all—the reaction—I'm worn out and I've changed my mind—

Sterling. I'm going away for good—that's the best I can do; I want you to forgive me—could you? What do you say? Forgive me for everything! For the sake of the old schoolboy days—

Warden. [Speaks without sympathy.] You can count on me always to help you in any way I can. You can still retrieve a good deal if you're strong enough.

Sterling. I know what a beastly friend I've been, and yesterday was more than any man would stand, but forgive that, too, will you? I've always been a bad lot!

Warden. [Goes to him and speaks, with the sympathy of a man for a child coming into his voice.] No, a weak lot; that's been your ruin, Dickie. I'll see you again before you go.

Sterling. No, I'm going to sleep as long as I can now, and I don't want any one to wake me up; but when I do wake, I shall have other things to do. This is good-by.

Warden. Well, good luck! [He starts to go. The two men look at each other, and finally Sterling gets the courage to hold out his hand. Warden hesitates a moment, then shakes it.] Good luck!

[Sterling, who has been growing more and more drowsy, as soon as he is alone, goes with difficulty to the door and locks it. He is so drowsy that he leans against the door for a moment; then he starts to go back to the table, but is unable to get there and sinks on the sofa half way between the table and the door. His eyes close, but suddenly he starts violently and tries to rise, but cannot, crying out faintly.

Sterling. Good God—the money! I forgot the money—who'll pay my debts? Ah, this is a fitting climax for my life—the weakest, dirtiest thing I've done—[He gets the letter from his pocket and holds it in his hand; the light of the afternoon grows slowly dim, like his fading sight and senses. He murmurs twice in a faint, drowsy voice.] Coward! Coward!

[Blanche enters with Ruth, followed by Richard, who rides a stick with a horse's head and wears a soldier's cap.

[She points to Sterling, who lies apparently asleep. They speak in lowered voices.

Warden. [Softly, with a man's tenderness in his voice.] He is going away for good.

Blanche. [Slowly, withdrawing her hand.] For good? [She looks over toward Sterling, and then back to Warden.] What does he mean?

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ACT I.	In Late Winter.
	At the Hunters'.
ACT II.	The Following Christmas Eve.
	At the Sterlings'.
ACT III.	Christmas Day.
	At the Hermitage, by the Bronx River.
ACT IV.	The Day After Christmas.
	At the Sterlings'.