The Project Gutenberg eBook of Old Junk, by H. M. Tomlinson

These stories of travel and chance have been selected from writings published in various periodicals between January 1907 and April 1918, and are arranged in order of time.

The author of Old Junk has been called a legend. A colleague who during the later stages of the war visited the western front assured me that this was the right word by which to describe the memory left among officers and men, not so much by his work as a war correspondent, as by his original and fascinating character. A legend, too, he appears to be in the newspaper world of London: but there in a different sense, by reason of the singular contradiction between the human creature beloved of all his fellows and the remarkable productions of his pen.

The first thing to say about H. M. Tomlinson, the thing of which you become acutely aware on making his acquaintance, is that he is a Londoner. "Nearly a pure-blooded London Saxon" is his characterization of himself. And so it is. He could have sprung from no other stock. In person and speech, in the indefinable quality of the man, in the humour which continually tempers his tremendous seriousness, he belongs to London. Among the men of our time who have done creative writing I can think of no other about whom this can be so precisely stated.

It was in the opening years of the century that I first began to notice his work. His name was appearing in the columns of a London morning newspaper, since absorbed by the Daily News, over articles which, if my memory is not at fault, were mainly concerned with the life of Thames side. They were written with extraordinary care. The man who did them had, clearly, no competitor in Fleet Street. And he furnishes a striking illustration of the chances and misfits of the journalistic life. When, after some years of absence in the Far East, I was able to fit a person to the writing which had so long attracted me, I found H. M. Tomlinson on the regular reporting staff of a great London newspaper. A man born for the creation of beauty in words was doing daily turn along with the humble chronicler of metropolitan trivialities.

A year or two before the war the quality of his mind and of his style was revealed in The Sea and the Jungle--a "narrative of the voyage of the tramp steamer Capella, from Swansea to Para in the Brazils, and thence two thousand miles along the forests of the Amazon and Madeira Rivers to the San Antonio Falls," returning by Barbados, Jamaica, and Tampa. Its author called it merely "an honest book of travel." It is that no doubt; but in a degree so eminent, one is tempted to say that an honest book of travel, when so conceived and executed, must surely count among the noblest works of the literary artist.

The great war provided almost unlimited work for men of letters, and not seldom work that was almost as far from their ordinary business as fighting itself. It carried Tomlinson into the guild of war correspondents. In the early months he represented the paper to which for some years he had been attached, the London Daily News. Later, under the co-operative scheme which emerged from the restrictive policy adopted by all the belligerent governments, his dispatches came to be shared among a partnership which included the London Times--as odd an arrangement for a man like Tomlinson as could well be imagined. It would be foolish to attempt an estimate of his correspondence from France. It was beautiful copy, but it was not war reporting. To those of us who knew him it remained a marvel how he could do it at all. But there was no marvel in the fact, attested by a notable variety of witnesses, of Tomlinson as an influence and a memory, persisting until the dispersal of the armies, as of one who was the friend of all, a sweet and fine spirit moving untouched amid the ruin and terror, expressing itself everywhere with perfect simplicity, and at times with a shattering candor.

From France he returned, midway in the war, to join the men who, under the Command of H. W. Massingham, make the editorial staff of the London Nation the most brilliant company of journalists in the world. His hand may be traced week by week in many columns and especially, in alternate issues, on the page given up to the literary causerie.

To the readers of books Tomlinson is known at present by The Sea and the Jungle alone. The war, it may be, did something to retard its fame. But the time is coming when none will dispute its right to a place of exceptional honour among records of travel--alongside the very few which, during the two or three decades preceding the general overturn, had been added to the books of the great wayfaring companions. It is remarkably unlike all others, in its union of accurate chronicle with intimate self-revelation; and, although it is the sustained expression of a mood, it is extremely quotable. I choose as a single example this scene, from the description of the Capella's first day on the Para River.

There was seldom a sign of life but the infrequent snowy herons, and those curious brown fowl, the ciganas. The sun was flaming on the majestic assembly of the storm. The warm air, broken by our steamer, coiled over us in a lazy flux.... Sometimes we passed single habitations on the water side. Ephemeral huts of palm-leaves were forced down by the forest, which overhung them, to wade on frail stilts. A canoe would be tied to a toy jetty, and on the jetty a sad woman and several naked children would stand, with no show of emotion, to watch us go by. Behind them was the impenetrable foliage. I thought of the precarious tenure on earth of these brown folk with some sadness, especially as the day was going. The easy dominance of the wilderness, and man's intelligent morsel of life resisting it, was made plain when we came suddenly upon one of his little shacks secreted among the aqueous roots of a great tree, cowering, as it were, between two of the giant's toes. Those brown babies on the jetties never cheered us. They watched us, serious and forlorn. Alongside their primitive huts were a few rubber trees, which we knew by their scars. Late in the afternoon we came to a large cavern in the base of the forest, a shadowy place where at last we did see a gathering of the folk. A number of little wooden crosses peeped above the floor in the hollow. The sundering floods and the forest do not always keep these folk from congregation, and the comfort of the last communion.

If the reader is also a writer, he will feel the challenge of that passage--its spiritual quality, its rhythm, its images. And he will know what gifts of mind, and what toil, have gone to its making.

Old Junk is not, in the same organic sense, a book. The sketches and essays of which it is composed are of different years and, as a glance will show, of a wide diversity of theme. The lover of the great book will be at home with the perfect picture of the dunes, as well as with the two brilliantly contrasted voyages; while none who can feel the touch of the interpreter will miss the beauty of the pieces that may be less highly wrought.

As to Tomlinson's future I would not venture a prediction. Conceivably, when the horror has become a memory that can be lived with and transfused, he may write one of the living books enshrining the experience of these last five years. But, just as likely he may not. I subscribe, in ending this rough note, to a judgment recently delivered by a fellow worker that among all the men writing in England today there is none known to us whose work reveals a more indubitable sense of the harmonies of imaginative prose.

OLD JUNK

She is the steamship Celestine, and she is but a little lady. The barometer has fallen, and the wind has risen to hunt the rain. I do not know where Celestine is going, and, what is better, do not care. This is December and this is Algiers, and I am tired of white glare and dust. The trees have slept all day. They have hardly turned a leaf. All day the sky was without a flaw, and the summer silence outside the town, where the dry road goes between hedges of arid prickly pears, was not reticence but vacuity. But I sail tonight, and so the barometer is falling, and I do not know where Celestine will take me. I do not care where I go with one whose godparents looked at her and called her that.

There is one place called Jidjelli we shall see, and there is another called Collo; and there are many others, whose names I shall never learn, tucked away in the folds of the North African hills where they come down to the sea between Algiers and Carthage. They will reveal themselves as I find my way to Tripoli of Barbary. I am bound for Tripoli, without any reason except that I like the name and admire Celestine, who is going part of the journey.

But the barometer, wherever I am, seems to know when I embark. It falls. When I went aboard the wind was howling through the shipping in the harbour of Algiers. And again, Celestine is French, and so we can do little more than smile at each other to make visible the friendship of our two great nations. A cable is clanking slowly, and sailors run and shout in great excitement, doing things I can see no reason for, because it is as dark and stormy as the forty days.

Algiers is a formless cluster of lower stars, and presently those stars begin to revolve about us as though the wind really had got the sky loose. The Celestine is turning her head for the sea. The stars then speed by our masts and funnel till the last is gone. Good-bye, Algiers!

Celestine begins to curtsy, and at last becomes somewhat hysterical. At night, in a high wind, she seems but a poor little body to be out alone, with me. Tripoli becomes more remote than I thought it to be in the early afternoon, when the French sailor talked to me in a café while he drank something so innocently pink that it could not account altogether for his vivacity and sudden open friendship for a shy alien. He wanted me to elope with Celestine. He wanted to show me his African shore, to see his true Mediterranean. I had travelled from Morocco to Algiers, and was tired of tourist trains, historic ruins, hotels, Arabs selling picture-postcards and worse, and girls dancing the dance of the Ouled-Nails to the privileged who had paid a few francs to see them do it. I had observed that tranquil sea; and in places, as at Oran, had seen in the distance terraces of coloured rock poised in enchantment between a blue ceiling and a floor of malachite.

That sea is now on our port beam. It goes before an inshore gale, and lifts us high, turns us giddy with a sudden betrayal and descent; and does it again, and again. Africa has vanished. Where Algiers probably was there are but several frail stars far away in the dark that soar in a hurry, and then collapse into the deep and are doused.

But here is le Capitaine. There is no need, of course, to be anxious for Celestine. If her master is not a sailor, then all the signs are wrong. He looks at me roguishly. Ah! His ship rolls. But the mistake, it is not his. What would I have? She was built in England. Voilà!

He is a little dark man, with quick, questioning eyes, and hair like a clothesbrush. His short alert hair, his raised and querulous eyebrows, his taut moustaches, and a bit of beard that hangs like a dagger from his under lip, give him the appearance of constant surprise and fretfulness. When he is talking to me he is embarrassingly playful--but I shall show him presently, with fair luck, that my inelastic Saxon putty can transmute itself, can also volatilise in abandonment to sparkling nonsense; yet not tonight--not tonight, monsieur. He is so gay and friendly to me whenever he sees me. But when one of the staff does that which is not down in the book, I become alarmed. Monsieur bangs the table till the cruet-stoppers leap out, and his eyes are unpleasant. Yes, he is the master. He rises, and shakes his forefinger at the unfortunate till his hand is a quivering haze and his speech a blast. "Ou--e--e--eh!" cries the skipper at last, when the unfortunate is on the run.

He has an idea I cannot read the menu, so when an omelette is served he informs me, in case I should suppose it is a salad. He makes helpful farmyard noises. There is no mistaking eggs. There is no mistaking pork. But I think he has the wrong pantomime for the ship's beef, unless French horses have the same music as English cows. After the first dinner, I was indiscreet enough to refuse the cognac with the coffee. "Ah!" he chided, smiling with craft, and shaking a knowing finger at me. He could read my native weakness. I was discovered. "Viskee! You 'ave my viskee!" A dreadful doubt seized me, and I would have refused, but repressed my panic, and pretended he had found my heart.

He rose, and shouted a peremptory order. A little private cabinet was opened. A curious bottle was produced, having a deadly label in red, white, and green. "Viskee!" cried the captain in exultation. (My God!) "Aha!" said the reader of my hidden desire, pouring out the tipple for which he imagines I am perishing in stoic British silence. "Viskee!" I drain off, with simulated delight, my large dose of methylated spirit. Not for worlds would I undeceive the good fellow, not if this were train-oil. He laughs aloud at our secret insular weakness. He knows it. But he is our very good friend.

All is not finished with the whisky. Out comes the master's English Grammar, for he is wishful to know us better before I leave him. And he shall. To this Frenchman I determine to be nobler than I was made. I think I would teach him English all the way to Cochin-China. He writes in his notebook, very slowly, while his tongue comes out to look on, a sentence like this: "The nombres Française, they are most easy that the English language." Then I put him right; and then he rises, reaches his hands up to my shoulders, looks earnestly in my eyes, and la-las my National Anthem. It may please God not to let me look so foolish as I feel while I wait for the end of that tune; but I doubt that it does.

Early next morning we arrived at Bougie, to get an hour's peace with the arm of the harbour thrown about my poor Celestine. The deck of a Grimsby trawler discharging fish in the Humber on a wet December morning is no more desolating than was the look of Celestine under the mountains of Bougie; and Bougie, if you have a memory for the coloured posters, is in the blue Mediterranean. But do I grumble? I do not. With all the world but slops, cold iron, and squalls of sleet, I prefer Celestine to Algiers.

Most likely you have never heard of the black Mediterranean. It is usual to go there in winter, and write about it with a date-palm in every paragraph, till you have got all the health and enjoyment there is in the satisfaction of telling others that while they are choosing cough cures you are under a sunshade on the coral strand. The truth is, the Middle Sea in December can be as ugly as the Dogger Bank. There were some Arab deck passengers on our coaster. One of them sat looking at a deck rivet as motionless as a fakir, and his face had the complexion of a half-ripe watermelon. His fellow-sufferers were only heaps of wet and dirty linen dumped in the lee alley-way. It was bad enough in a bunk, where you could brace your knees against the side, and keep moderately still till you dozed off, when naturally you were shot out sprawling into the lost drainage wandering on the erratic floor. What those Arabs suffered on deck I cannot tell you. I never went up to find out. At Bougie they seemed to have left it all to Allah, with the usual result. It was clear, from a glance at those piles of rags, that the Arab is no more native to Algeria than the Esquimaux. I was much nearer home than the Arabs. That shining coast which occasionally I had surprised from Oran, which seemed afloat on the sea, was no longer a vision of magic, the unsubstantial work of Iris, an illusionary cloud of coral, amber, and amethyst. It was the bare bones of this old earth, as sombre and foreboding as any ruin of granite under the wrack of the bleak north.

As for Bougie, these African villages are built but for bright sunlight. They change to miserable and filthy ruins in the rain, their white walls blotched and scabrous, and their paths mud tracks between the styes. Their lissom and statuesque inhabitants become softened and bent, and pad dejectedly through the muck as though they were ashamed to live, but had to go on with it. The palms which look so well in sunny pictures are besoms up-ended in a drizzle. They have not that equality with the storm which makes the Sussex beech and oak, heavily based and strong-armed, stand with a look of might and roar at the charges of the Channel gale. By this you will see that Bougie must wait until I call that way again. From the look of the sky, too, there is no doubt we are in for a spell of the kind of weather I never expected to meet in Africa. I was a stranger there, but I knew the language of those squadrons of dark clouds driving into the bay.

The northern sky was full of their gloomy keels. There were intervals when the full expanse of Bougie Bay became visible, with its concourse of mountains crowded to the shore. At the base of the dark declivities the combers were bursting, and the spume towered on the gale like grey smoke. Out of the foam rose harsh rubble and screes to incline against broken precipices, and those stark walls were interrupted by mid-air slopes of grass which appeared ready to avalanche into the tumult below, but remained, livid areas of a dim mass which rose into dizzy pinnacles and domes, increasing the tumbling menace of the sky. A fleet of clouds of deep draught ran into Africa from the north; went aground on those crags, were wrecked and burst, their contents streaming from them and hiding the aerial reef on which they had struck. The land vanished, till only Bougie and its quay and the Celestine remained, with one last detached fragment of mountain high over us. That, too, dissolved. There was only our steamer and the quay at last.

I thought our master would not dare to put out from there, but he cared as little for the storm as for the steward. His last bales were no sooner in the lighters than he made for Jidjelli. But Jidjelli daunted even him. The nearer we got, the worse it looked. My own feeling was that the gathering seas had taken charge of our scallop, a cork in the surf, and were pitching her, helpless, towards terrible walls built of night out of a base of thunder and bursting waters. I gripped a rail, and saw a vague range of summits appear above the nearing walls and steadily develop towards distinction. Then the howling gale began to scream, the ceiling lowered and darkened, and merged with the rocks, reducing the world but to our Celestine in the midst of near flashes of white in an uproar. When presently a little daylight came into chaos to give it shape again, there was an inch of hail on our deck, and the mountains had been changed to white marble. We saw a red light burn low in the place where Jidjelli ought to be, a signal that it was impossible to enter. Our skipper put about.

That is all I know of Jidjelli, and all I wanted to know on such an evening. The sound of the surf on the rocks was better to hear when it was not so close. We followed that coast all night while I lay awake, shaking to the racing of the propeller; and I blessed the unknown engineers of the North Country who took forethought of nights of that kind when doing their best for Celestine; for, though bruised, I still loved her above Algiers and Timgad. She had character, she had set her course, and she was holding steadily to it, and did not pray the uncompassionate to change its face.

For more than a week we washed about in the surf of a high, dark coast towards Tunis. We might have been on the windward side of Ultima Thule. Supposing you could have been taken miraculously from your fogs and midday lamps of London, and put with me in the Celestine, and told that that sullen land looming through the murk could be yours, if you could guess its name, then you would have guessed nothing below the fortieth parallel.

No matter; when you were told, you would have laughed at your loss. Now you understood why it was called the Dark Continent. It looked the home of slavery, murder, rhinoceroses, the Congo, war, human sacrifices, and gorillas. It had the forefront of the world of skulls and horrors, ultimatums, mining concessions, chains, and development. Its rulers would be throned on bone-heaps. You will say (of course you will say) that I saw Africa like that because I was weary of the place. Not at all. I was merely looking at it. The feeling had been growing on me since first I saw Africa at Oran, where I landed. The longer I stay, the more depressed I get.

This has nothing to do with the storm. This African shadow does not chill you because you wish you were home, and home is far away. It does not come of your rare and lucky idleness, in which you have to do nothing but enjoy yourself; generally a sufficient reason for melancholy, though rarely so in my own case. No, Africa itself is the reason. There is an invisible emanation from its soil, the aura of evil in antiquity. You cannot see it, at first you are unaware it is there, and cannot know, therefore, what is the matter with you. This haunting premonition is different from mere wearying and boredom. It gets worse, the longer you stay; it goes deeper than sadness, it descends into a conviction of something that is without hope, that is bad in its nature, and unrepentant in its arrogant heart. When you have got so far down you have had time to discover what that is which has put you so low. The day may be radiant, the sky just what you had hoped to find in Africa, and the people in the market-place a lively and chromatic jangle; but the shadow of what we call inhumanity (when we are trying to persuade ourselves that humanity is something very different) chills and darkens the heart.

Yet the common sky of North Africa might be the heaven of the first morning, innocent of knowledge that night is to come. It is not a hard blue roof; your sight is lost in the atmosphere which is azure. The sun more than shines; his beams ring on the rocks, and glance in colours from the hills. From a distance the flowers on a hill slope will pour down to the sea in such a torrent of hues that you might think the arch of the rainbow you saw there had collapsed in the sun and was now rills and cascades. The grove of palms holding their plumes above a white village might be delicate pencillings on the yellow sheet of desert. The heat is a balm. The shadows are stains of indigo on the roads and pale walls.

One day we found Sfax. I went ashore at Sfax, interested in a name quite new to me. The guide-book did not even mention it; perhaps it was not worth while; no ruins, mummies, trams or hotels there, of course. Maybe it was only the name of a man, or a grass, or a sort of phosphate. Sfax! Well, anyhow, I had long wished for Africa, anywhere in Africa, and here I was, not eager to get home again, but not disinclined. What I had seen of it so far was a rather too frequented highway opposite the coast of Europe--a complementary establishment. Progress had macadamised it. Commerce and its wars had graded and uniformed and drilled its life. Its silent people marched in ranks, as it were, along mapped roads foredoomed, and its mills went round. Its life was expressed for export. It was on the way to Manchester and success. Of all the infernal uses to which a country can be put there is none like development. Let every good savage make incantation against it, or, if to some extent he has been developed, cross himself against the fructification of the evil. As for us whites, we are eternally damned, for we cannot escape the consequences of our past cleverness. The Devil has us on a complexity of strings, and some day will pull the whole lot tight. But Sfax! Had I escaped? Was there a chance?

I found a city wall, a huge battlement, ancient and weathered, like an unscalable cliff, and going through its gate was entering the shadows of a cave. Out of the glare of the sun I went into the gloom of deep, narrow, and mysterious passages. The sun was only on the parapets and casements, which leaned towards each other confidentially, and left only a ragged line of light above. These alley-ways were crowded with camels, asses, and strange men. An understanding and sneering camel in a narrow passage will force you to take what chance there is of escape in desecrating a mosque, while Moslems watch you as the only Christian there, or of going under its slobbering mouth and splay feet. It does not care which.

It was market-day for Sfax. There were little piles of vivid fruit beside white walls where a broad ray of sunlight found them. There were silversmiths at work, tent-makers, and the makers of camel harness. The tanners had laid skins for us to walk over. There were exotic smells. I went exploring the crooked turnings with an indifference which was studied. I was getting an interesting time, but was distinctly conscious of eyes, a ceaseless stream of eyes that floated by, watchful though making no sign. Several times I found myself jostled with some roughness. It occurred to me that I had heard on the ship that Sfax was the only town which had offered resistance to the French; its men have a fine reputation throughout Tunisia, which they do something now and then to maintain, in consequence. They certainly appeared a sturdy and virile lot. They were not listless, like the Arabs of Algeria, who have nothing to show for themselves but the haughty and aloof bearing of the proud but beaten.

Having discovered that the enemy was vulnerable though strong, the men of Sfax go through the day now with the directed activity of those who once had got the worst of it, but have a hope of doing better next time. They gave me a lively and adventurous scene. They moved with silent and stealthy quickness. Their eyes glanced sideways from under their cowls. Their hands were hidden under their jibbahs. A few of them stared with the hate of the bereft. It is not possible to face everybody in a press which moves in all directions, and I was the only European who was there.

Passing a mosque, where I noticed the Moslems had attempted, but had not completed, the obliteration of some representations of birds,--so the mosque was once, evidently, a place where other gods had been worshipped,--I hesitated, wishing to look closer into this curiosity, but recollected myself, and was passing on. An Arab in the turban of one who had been to Mecca was squatting cross-legged on the old marble pavement outside the mosque, and I just took in that he was a fine venerable fellow with an important beard, with a look of wisdom and experience in his steady glance from under the strong arches of his eyebrows that made me wish I knew Arabic, and could squat beside him, and gossip of the wide world. As I turned he said quietly, "Good day!"

Now I thought perhaps I was bewitched, but turned and looked at him. "How are you?" he asked. At that moment, when his eyes looking upward had a smile of understanding mischief, and in such an alien city as Sfax, I was prepared to declare there is but one God and Mahomet is His prophet. For that sort of thing comes easy to me; and would have been quite true, as far as it went. Then I went back to him, and fearing that after all I might be addressing but the parrot which had already exhausted its vocabulary, I tried it on him: "Shall I take my boots off here, father, or may I sit down with you?"

He was a man of medicine. He sold there prophylactics against small-pox, adultery, blindness, the evil eye, sterility, or any other trouble which you thought threatened you. If a man feared for the faithfulness of his spouse, it seems Father the Hadj could secure it with a charm, and so allow him to spend the night elsewhere in perfect enjoyment and content. That is what the quiet old cynic told me, and invited me to inspect his display of amulets and fetishes, coloured glass tablets with Arabic inscriptions, and a deal of stuff which looked unreasonable to me, articles the holy man either could not or would not resolve into sense.

His English, which he had learned as a shipping agent for the pilgrim traffic, soon reached its narrow limits, to my sorrow. When it left common objects and we wished to compare our world (for there is no doubt he was an experienced and understanding elder who knew to within a little what he might expect of his God and of his fellows), we were left smiling at each other, and had to guess the rest. Yet at least the bazaar could witness this good Moslem of age and admitted wisdom sitting opposite a dubious Christian in a companionable manner; and there was that testimony to my advantage. They even watched him draw his finger across his throat in serious and energetic pantomime, and saw me nod in grave appreciation, when he was trying to make me understand what was his sympathy for the Christian conquerors of Sfax.

I went outside the landward gate of the city, and looked out over the level of brilliant sand which stretched out from there to Lake Tchad. What a voyage! What a lure! Perhaps there is no more perilous journey on earth than that, and if a traveller would vanish into the past, into such Oriental countries as the voyagers of Hakluyt saw with wonder, then to leave Sfax, and go across country to the Niger, would equal what once came of fooling with the arcana of the Djinn. Though, after all, one would like to emerge again, to tell the tale to the children; and the whole dubiety of it is in that last difficulty. It is almost certain the magic would be too powerful.

About the bright yellow sea of the desert which came up to the high cliffs of the town, the squatting camels made dark hummocks. Strings of donkeys converged on the city gate bearing water-pots and baskets of charcoal. Sometimes a line of camels swayed outwards through the crowd, disappeared among the shrines, going south. Watching such a caravan go was the same as watching a ship leave port.

By the wayside was a huckster. He banged a tomtom till he had gathered a crowd from the loose concourse of men who had come long journeys with esparto grass, or gums and ostrich plumes, and much else from the secret region inland. He was selling cotton shirts, and was an entertaining villain. By the corners of his mouth his humour was leery. He did not laugh, but his grimaces were funny. The variegated crowd and that huckster was too enticing, and forgetting I had not seen one of my own kind since leaving the ship, and that my face among those black and brown masks was as loud as the tomtom, I mingled my outrageous tourist tweeds with the graceful folds of the robes. The huckster kept glancing at me, and from grave side-long glances that crowd of men went to the extraordinary length of grim smiles. Suddenly I recognized the trick of that Arab cheapjack. It may be seen at work in Poplar, my native parish to which the ships come, when a curious and innocent Chinaman joins the group about the fluent quack in the market place.

As soon as dignity permitted I passed on, and my dignity did not keep me waiting for any length of time.

Uncertain, and not a little nervous, I wandered among some plantations of olives and false peppers, where the domes of the tombs floated like white bubbles on the foliage. Here an Arab beckoned to me, and told me he had been watching me for some time--for he was an English medical missionary in disguise--and warned me that these gardens and shrines were quite the wrong place to wander in alone. It appears that only a few days since the flame of insurrection flashed down the bazaar, licked up a few French soldiers who happened to be there, and had almost got a hold before the garrison appeared and doused it. He took me to his house, with its windows heavily barred, for there his predecessor had been murdered. (If this could happen at the starting-place for Lake Tchad, then let the idea go.)

From the flat roof of the doctor's house I smelt the dung of ages, fought with legions of flies, and looked down on a large quadrangle of hay and stable muck, where camels had carefully folded themselves on the ground, and chewed reflectively, their eyes half closed; and large drowsy asses mechanically fanned their ears at the loathly swarms. The missionary surmised that the caravanserai below was the perfect reflection of one we had heard more about, which was once at Bethlehem. The square was enclosed with flat-roofed stables, and it being a busy time they were all occupied. The first one, immediately below us, was filled with a family of Kabyles, which consisted chiefly of a magnificent virago of a wife, tattooed, with a fine gold ring in her nostrils, who seemed to have a trying life with her mild and contemplative old husband. She had more children than one could count without giving the matter that close attention which might be misinterpreted. She cradled them in the manger every night. Loud as her voice was, though, I could almost hear the old man smile as he walked away from her. They had two contemptuous camels who never lifted an eyelid when she raised her voice to them, but chewed calmly on, with faces turned impassively towards the New Jerusalem of camels, where viragoes are not; and several resigned asses who appeared to have handed their souls back to their Maker, because souls are but extra trammels in this place of sorrow.

Next door to them was a regular tenant who bred goats, and fed them out of British biscuit-tins. Beyond them the stable was occupied by a party of swarthy ruffians who had arrived with a cargo of esparto grass. In the far corner, a family, crowded out, had been living for weeks under a structure of horrible rags. Smoke, issuing from a dozen seams, gave their home the look of a smouldering manure heap.

You probably know there are place-names which, when whispered privately, have the unreasonable power of translating the spirit east of the sun and west of the moon. They cannot be seen in print without a thrill. The names in the atlas which do that for me are a motley lot, and you, who see no magic in them, but have your own lunacy in another phase, would laugh at mine. Celebes, Acapulco, Para, Port Royal, Cartagena, the Marquesas, Panama, the Mackenzie River, Tripoli of Barbary. They are some of mine. Rome should be there, I know, and Athens, and Byzantium. But they are not, and that is all I can say about it.

Why give reasons for our preferences? How often have our preferences any reason? Maybe some old scoundrel of an ancestor who made a fortune (all lost since) as a thief on the Spanish main, whispers Panama to me when my mind is tired. Others may make magic with Ostend, Biarritz, or Ancoats; and they are just as lucky as the man who obtains the spell by looking at the Dry Tortugas on the map.

When I set out from Newport on this voyage, I did not expect to see Tripoli of Barbary. We have never considered the possibility that our favourite place-names really do stand for stones that have veritable shapes and smells under a sun which comes and goes daily. Nor was my steamer exactly the sort of craft which could, by the look of her, ever attain to the coast of Barbary. What would a steamer know about it? She would never fetch the landfall of a dream. I was not surprised, therefore, when she fetched Tripoli quite wrong; not the place at all for which I was looking on the southern horizon. But then, she was but taking crockery there, in crates; and crockery is less vulnerable, is rough freight, compared to a fancy. The crockery, however, got to its Tripoli quite safely.

We anchored; and there was Tripoli, standing round a little bay, with its buildings, variously coloured, crowded to the west, and slender minarets standing as masts over the flat decks of the houses. I landed at a narrow water-gate, and the Turkish officials regarded me as though I had come to remove the country. When I wished to embark again, these curious people in uniform were even more serious than when I arrived. After a long hesitation, permission was given me niggardly to leave Tripoli, and my ship's boatmen pointed out the urgent need to supply a certain rowboat in the bay with that morsel of paper. To lose that tiny document would have a shocking result, for a warship was in the bay to support the rowboat. We passed that warship. Some day a hilarious traveller will tear his document into fragments, and that warship will fire at him, and sink. The system here, a mere tabulation of fear and suspicion, those reflexes of evildoers who have the best of reasons to be jealous of their neighbours, is protective exclusiveness in its perfect flower, and perhaps it would be better to be really dead than to live under it as a warm, law-abiding corpse.

I should guess that, with a slight magnification to make the object plainer, there are three soldiers to each worker in North Africa. On from Oran the gaudy fellow in uniform has been very conspicuous, the most leisured and prosperous of the inhabitants, and one came unwillingly to the conclusion that it is more profitable to smoke cigarettes in a country than to grow corn in it. As for Tripoli, its uniformed protectors hide the protected; but perhaps its natives have learned how to live by killing one another. It is possible I have not divined the more subtle ways of God's providence.

Tripoli, like other towns oh these shores, looks as though it were sloughing away. Where stones fall, there they lie. In the centre of the town is a marble triumphal arch in honour of Marcus Aurelius. Age would account for much of its ruin, but not all; yet it still stands cold, haughty, austere, though decrepit, in Tripolitan mud, with mean stucco and plaster buildings about it. The arch itself is filled in, and is used as a dwelling. Its tenant is a greengrocer, and the monument to Marcus Aurelius has an odour of garlic; but it need not be supposed that that was specially repugnant to me. How could the white marble of Marcus, to say nothing of a warmer philosophy no less austere, be acceptable to our senses unless translated, with a familiar odour of garlic, by modern greengrocers? I shall think more of Tripoli of Barbary in future, when looking back at it through a middle-aged pipe, when the chains have got me at last.

When the train left me at Clayton Station, the only passenger to alight, its hurried retreat down the long straight of converging metals, a rapidly diminishing cube, seemed to be measuring for me the isolation of the place. Clayton appeared to be two railway platforms and a row of elms across an empty road. After the last rumble of the train, which had the note of a distant cry of derision, there closed in the quiet of a place where affairs had not even begun. It was raining, there was a little luggage, I did not know the distance to the village, and the porter had disappeared. A defective gutter-spout overhead was the leaking conduit for all the sounds and movement of the countryside.

Then I saw a boy humped into the shelter of a shrub which leaned over the station fence. He was reading. Before him was a hand-cart lettered "Humphrey Monk, Grocer and General Dealer, Clayton." The boy wore spectacles which, when he looked at me, magnified his eyes so that the lad seemed a luminous and disembodied stare. I saw only the projection of his enlarged gaze. He promised to take my luggage to Clayton. I walked through three miles of steady rain to the village, by a stretch of marshland so hushed by the nearness of the draining sky that the land might have been what it seemed at a little distance: merely a faint presentment of fields solvent in the wet. Its green melted into the outer grey at a short distance where rows of elms were smeared. There was nothing beyond.

This old village of Clayton is five miles inland from Clayton-on-Sea, that new and popular resort hardened with asphalt and concrete, to which city folk retire for a change in the summer. During the winter months many of the shops of the big town are closed till summer brings the holiday-makers again. The porticoes of the abandoned premises fill with street litter, old paper, and straws. The easterly winds cut the life out of the streets, the long ranks of automatic machines look out across the empty parade, and rust, and the lines of the pier-deck advance desolately far into the wind and grey sea, straight and uninterrupted. It is more than barren then, Clayton-on-Sea, for man has been there, builded busily and even ornately, loaded the town with structures for even his minor whims in idleness; and forsaken it all. So it will look on the Last Day. The advertisements clamour pills and hair-dye to a town which seems as if the Judgment Day has passed and left the husk of life. So I was driven to the original Clayton, the place which gave the name, the little inland village that did, when I found it, show some signs of welcome life. It was a clump of white cottages in a vague cloud of trees. It had some chimneys smoking, there was a man several fields away, and a dog sitting in a porch barked at me. Here was a little of the warmth of human contiguity.

When night came, and the village was but a few chance and unrelated lights, there was the choice between my bedroom and the taproom of the inn where I lodged. In the bedroom, crowning a chest of drawers, was a large Bible, and on the wall just above was a glass case of shabby sea-birds, their eyes so placed that they appeared to be looking up from Holy Writ with a look of such fatuous rapture that one's idea of immortality became associated with bodies dusty, stuffed, and wired. (Oh, the wind and the rain!) Yet there was left the bar-parlour; and there, usually, was a dim lamp showing but a table with assorted empty mugs, a bar with bottles and a mirror, but nobody to serve, and a picture of Queen Victoria in her coronation robes.

There was but one other light in Clayton which showed sanctuary after dark for the stranger. It was in Mr. Monk's shop. His shop at least had its strange interests in its revelation of the diverse needs of civilized homes, for Mr. Monk sold everything likely to be wanted urgently enough by his neighbours to make a journey to greater Clayton prohibitive. In one corner of his shop a young lady was caged, for it was also the post office. The interior of the store was confused with boxes, barrels, bags, and barricades of smaller tins and jars, with alleys for sidelong progress between them. I do not think any order ever embarrassed Mr. Monk. Without hesitation he would turn, sure of his intricate world, from babies' dummies to kerosene. There were cards hanging from the rafters bearing briar pipes, bottles of lotion for the hair of schoolchildren, samples of sauce, and stationery.

His shop had its own native smell. It was of coffee, spices, rock-oil, cheese, bundles of wood, biscuits, and jute bags, and yet was none of these things, for their separate flavours were so blended by old association that they made one indivisible smell, peculiar, but not unpleasant, when you were used to it. I found Mr. Monk's barrel of soda quite a cherishable seat on a dull night, for the grocer's lamp was then the centre of a very dark world. Around it and beyond was only the blackness and silence of vacuity. And the grocer himself, if not busy, would give me his casual and valuable advice on the minor frailties of the human, and they seemed as engaging and confusing in their directness as a child's; for Mr. Monk was large and bland, with a pale, puffy, and unsmiling face, and only betrayed his irony with a slow wink when he was sure you were not deceived. He knew much about the gentry around, those bored and weary youths in check coats, riding breeches, and large pipes, and the young ladies in pale homespun costumes who had rude and familiar words to all they judged were their equals, and were accompanied invariably by Aberdeen terriers.

One evening I spoke to Mr. Monk of his boy. The boy, I said, seemed a strange little fellow. Mr. Monk, in his soiled, white apron, turned on me, and said nothing at first, but tapped his bald head solemnly. "Can't make him out," he said. "I think this is where it is"--and pressed a fat thumb against his head again. "But you have to put up with any boy you can get here." He sighed. "The bright kids go. Clear out. There's nothing fer 'em here but farm labour an' the poor rate. I don't know how the farmers about here could make a do of it if we didn't pay rates to keep their labourers from dying off. My boys get fed up. Off they go, 'nd I doan' blame 'em. One of 'em's in a racin' stable now, doin' well. Another's got a potman's job London somewhere. Doin' well. But the kid I've got now, he'll stop. No ginger in that boy. Can't see anything five minutes off, either. Must be under his nose, and your finger shouting at it. He's got a cloudy mind. Yet he's clever, in his way. There's the door-mat of the shop. As soon as any one puts a foot on that mat, the clock in my kitchen strikes two. All his fake. But he does rile the customers. Silly young fool. If there's two parcels to deliver, it's the wrong one gets first chance."

In a land where discovery had not gone beyond the blacksmith's forge and the arable fields, a native boy who had turned a door-mat into a watchdog was an interesting possibility. There the boy was at that moment, stepping off his responsive mat, ill-clad, the red nose of his meagre face almost as evident as his magnified stare of surprised inquiry, and his mouth open. Mr. Monk chaffed him. I spoke with some seriousness to him, but he was shy, and gave no answer except some throat noises. Yet presently he ceased to rub a boot up and down one leg, and became articulate. He mumbled that he knew the telegraph instrument too. ("Oho!" said Mr. Monk, looking interested. "You do, do yer? What about learning not to leave Mrs. Brown's parcel at Mrs. Pipkin's?") Had I ever been to London, the boy asked, his big eyes full on my face. Had I ever seen a Marconi station? I talked to him, perhaps unwisely, of some of the greater affairs. He said nothing. His mouth remained open and his stare full-orbed.

There was one grey, still Sunday when it was not raining, the grey sky being exhausted, and I met the grocer's boy a little distance from the village, sitting on a fence, reading. The boy closed his book when he saw me, but not before I had noticed that the volume was open at a page showing one of those highly technical diagrams of involved machinery which only the elect may read. I took the book--it was a manual of civil engineering--and asked questions with some humility; for before the man who understands the manipulating of metals and can make living servants for himself out of pipes, wheels, and valves, I stand as would a primitive or an innocent and confiding girl before the magician who interprets for them oracles. With the confidence of long familiarity and the faint hauteur of shyness he explained some of the diagrams in which, at that moment, he was interested.

We talked of them, and of Clayton; for I wished to know how this grocer's boy, who went about masked with a mouth open a little fatuously, an insignificant face, goggles, and a hand-truck, himself of no account in a flat and unremarkable place aside from the press of life's affairs, had discovered there were hills to which he could lift his eyes after those humiliating interviews with Mr. Monk concerning the wrong delivery of cheese and bacon. I was aware of the means by which news of the outer world got to Clayton. It came in a popular halfpenny paper, and that outer world must therefore have seemed to Clayton to be all aeroplanes, musical-comedy girls, dog shows, and Mr. Lloyd George. The grocer's boy got his tongue free at last, and talked. He was halt and obscure, but I thought I saw a mind beating against the elms and stones of the village, and repelled by the concrete, asphalt, and lodging-houses of the seaside place. But I am impressionable, too. It may have been my fancy. What the boy finished with was: "There's no chance here. You never hear of anything."

You never heard of anything. That countryside really looked remote enough from the centre of affairs, from the place where men, undistracted by the news and pictures of the halfpenny illustrated Press, were getting work done. Clayton was deaf and dumb. Some miles away the smoke of the London train was streaming across the dim fields like a comet. We both stood watching that comet going sure and bright to its destiny, leaving Clayton behind, regardless of us, and as though all we there were nothing worth. We were outside the pull of life's spinning hub. Beyond and remote from us things would be happening; but no voice or pulse of life could vibrate us, merged as we were within the inelastic silence of Clayton.

We walked back to the village, and the boy said good-night, passing through a white gate to a cottage unseen at that late hour of the evening. Near midnight I left my stuffed birds, with their fixed and upturned gaze, and went into the open, where above the shapeless lumps of massive dark of Clayton the stars were detaching their arrows, for the night was clear and frosty at last. Sirius, pulsing and resplendent, seemed nearer and more vital than anything in the village.

I walked as far as the white gate of the cottage where I had left Mr. Monk's boy; and there he was again, to my surprise, at that hour. He came forward. At first he appeared to be agitated; but as he talked brokenly I saw he was exalted. He was no grocer's boy then. The lad half dragged me, finding I did not understand him, towards his home. We went round to the back of the sleeping cottage, and found a little shed. On a bench in that shed a candle was burning in a ginger-beer bottle. By the candle was a structure meaningless to me, having nothing of which I could make a guess. It was fragmentary and idle, the building which a child makes of household utensils, naming it anything to its fancy. There were old jam-pots, brass door-knobs, squares of india-rubber, an electric bell, glass rods, cotton reels, and thin wires which ran up to the roof out of sight.

"Listen!" said the grocer's boy imperatively, holding up a finger. I remained intent and suspicious, wondering. Nothing happened. I was turning to ask the lad why I should listen, for the shed was very still, and then I saw the hammer of the bell lift itself, as though alive. Some erratic and faint tinkling began. "That's my wireless," said the grocer's boy, his eyes extraordinarily bright. "I've only just finished it. Who is calling us?"

Business had brought the two of us to an inn on the West Coast, and all its windows opened on a wide harbour, hill-enclosed. Only small coasting craft were there, mostly ketches; but we had topsail schooners also and barquantines, those ascending and aerial rigs that would be flamboyant but for the transverse spars of the foremast, giving one who scans them the proper apprehension of stability and poise.

To come upon a craft rigged so, though at her moorings and with sails furled, her slender poles upspringing from the bright plane of a brimming harbour, is to me as rare and sensational a delight as the rediscovery, when idling with a book, of a favourite lyric. That when she is at anchor; but to see her, all canvas set for light summer airs, at exactly that distance where defects and harshness in her apparel dissolve, but not so far away but the white feathers at her throat are plain, is to exult in the knowledge that man once reached such greatness that he imagined and created a thing which was consonant with the stateliness of the slow ranging of great billows, and the soaring density of white cumulus clouds, and with the brightness and compelling mystery of the far horizon at sundown.

Some mornings, when breakfast-time came with the top of the tide, we could look down on the plan of a deck beneath, with its appurtenances and junk, casks, houses, pumps, and winches, rope and spare spars, binnacle and wheel, perhaps a boat, the regular deck seams curving and persisting under all. An old collier ketch she might be, with a name perhaps as romantic as the Mary Ann; for the owners of these little vessels delight to honour their lady relatives.

Away in mid-stream the Mary Ann would seem but a trivial affair, no match for the immensities about her, diminished by the vistas of shores and beaches, and the hills. But seen close under our window you understood why her men would match her, and think it no hardihood, with gales and the assaults of ponderous seas. Her many timbers, so well wrought as to appear, at a distance, a delicate and frail shape, are really heavy. Even in so small a craft as a ketch they are massive enough to surprise you into wondering at the cunning of shipwrights, those artists who take gross lumps of intractable timber and metal, and compel them to subtle mouldings and soft grace, to an image which we know means life that moves in rhythmic loveliness.

Talk of the art of book and picture making! There is an old fellow I met in this village who will take the ruins of a small forest, take pine boles, metal, cordage, and canvas, and without plans, but from the ideal in his eye, build you the kind of lithe and dainty schooner that, with the cadences of her sheer and moulding, and the soaring of her masts, would keep you by her side all day in harbour; build you the kind of girded, braced, and immaculate vessel, sound at every point, tuned and sweet to a precision that in a violin would make a musician flush with inspiration, a ship to ride, lissom and light, the uplifted western ocean, and to resist the violence of vaulting seas and the drive of hurricane. She will ride out of the storm afterwards, none to applaud her, over the mobile hills travelling express, the rags of her sails triumphant pennants in the gale, the beaten seas pouring from her deck.

He, that modest old man, can create such a being as that; and I have heard visitors to this village, leisured and cultured folk, whose own creative abilities amount to no more than the arranging of some decorative art in strata of merit, talk down to the old fellow who can think out a vessel like that after supper, and go out after breakfast to direct the laying of her keel--talk down to him, kindly enough, of course, and smilingly, as a "working man."

I told you there were two of us, at this inn. We met at meals. I think he was a commercial traveller. A tall young fellow, strongly built, a pleasure to look at; carefully dressed, intelligent, with hard and clear grey eyes. He had a ruddy but fastidious complexion, though he was, I noticed, a hearty and careless eater. He was energetic and swift in his movements, as though the world were easily read, and he could come to quick decisions and successful executions of his desires. He had no moments of laxity and hesitation, even after a breakfast, on a hot morning, too, of ham and eggs drenched in coffee. He made me feel an ineffective, delicate, and inferior being.

He would bang out to business, after breakfast and a breezy chat with me; and I lapsed, a lazy and shameless idler, into the window, to wonder among the models outside, the fascinating curves of ships and boats, as satisfying and as personal to me as music I know, as the lilt of ballads and all that minor rhythm which wheels within the enclosing harmonies and balance of stars and suns in their orbits. Those forms of ships and boats are as satisfying as the lines which make the strength and swiftness of salmon and dolphins, and the ease of the flight of birds with great pinions; and, in a new schooner which passed this window, on her first voyage to sea--a tall and slender ship, a being so radiant in the sun as to look an evanescent and immaterial vision--as inspiring and awful as the remoteness of a spiritual and lovely woman.

"I can't make out what you see in those craft," said my companion one morning. "They're mostly ancient tubs, and at the most they only muck about the coast. Now a P. &· O. or a Cunarder! That's something to look at." He was looking down at me, and there was a trace of contempt in his smile.

He was right in a way. I felt rebuked and embarrassed, and could not explain to him. These were the common objects of the Channel after all, old and weather-broken, sea wagons from the Cowes point of view, source of alarm and wonder to passengers on fine liners when they sight them beating stubbornly against dirty winter weather, and hanging on to the storm. Why should they take my interest more than battleships and Cunarders? Yet I could potter about an ancient hooker or a tramp steamer all day, when I wouldn't cross a quay to a great battleship. I like the pungent smells of these old craft, just as I inhale the health and odour of fir woods. I love their men, those genuine mariners, the right diviners of sky, coast, and tides, who know exactly what their craft will do in any combination of circumstances as well as you know the pockets of your old coat; men who can handle a stiff and cranky lump of patched timbers and antique gear as artfully as others would the clever length of hollow steel with its powerful twin screws.

But when my slightly contemptuous companion spoke I had no answer, felt out of date and dull, a fogey and an idle man. I had no answer ready--none that would have satisfied this brisk young man, none that would not have seemed remote and trivial to him.

He left me. Some other visitor had left behind Stevenson's Ebb Tide, and trying to think out an excuse that would quiet the qualms I began to feel for this idle preference of mine for old junk, I began picking out the passages I liked. And then I came on these words of Attwater's (though Stevenson, for certain, is speaking for himself): "Junk ... only old junk!... Nothing so affecting as ships. The ruins of an empire would leave me frigid, when a bit of an old rail that an old shellback had leaned on in the middle watch would bring me up all standing."

The rain flashed across the midnight window with a myriad feet. There was a groan in outer darkness, the voice of all nameless dreads. The nervous candle-flame shuddered by my bedside. The groaning rose to a shriek, and the little flame jumped in a panic, and nearly left its white column. Out of the corners of the room swarmed the released shadows. Black spectres danced in ecstasy over my bed. I love fresh air, but I cannot allow it to slay the shining and delicate body of my little friend the candle-flame, the comrade who ventures with me into the solitudes beyond midnight. I shut the window.

They talk of the candle-power of an electric bulb. What do they mean? It cannot have the faintest glimmer of the real power of my candle. It would be as right to express, in the same inverted and foolish comparison, the worth of "those delicate sisters, the Pleiades." That pinch of star dust, the Pleiades, exquisitely remote in deepest night, in the profound where light all but fails, has not the power of a sulphur match; yet, still apprehensive to the mind though tremulous on the limit of vision, and sometimes even vanishing, it brings into distinction those distant and difficult hints--hidden far behind all our verified thoughts--which we rarely properly view. I should like to know of any great arc-lamp which could do that. So the star-like candle for me. No other light follows so intimately an author's most ghostly suggestion. We sit, the candle and I, in the midst of the shades we are conquering, and sometimes look up from the lucent page to contemplate the dark hosts of the enemy with a smile before they overwhelm us; as they will, of course. Like me, the candle is mortal; it will burn out.

As the bed-book itself should be a sort of night-light, to assist its illumination, coarse lamps are useless. They would douse the book. The light for such a book must accord with it. It must be, like the book, a limited, personal, mellow, and companionable glow; the solitary taper beside the only worshipper in a sanctuary. That is why nothing can compare with the intimacy of candle-light for a bed-book. It is a living heart, bright and warm in central night, burning for us alone, holding the gaunt and towering shadows at bay. There the monstrous spectres stand in our midnight room, the advance guard of the darkness of the world, held off by our valiant little glim, but ready to flood instantly and founder us in original gloom.

The wind moans without; ancient evils are at large and wandering in torment. The rain shrieks across the window. For a moment, for just a moment, the sentinel candle is shaken, and burns blue with terror. The shadows leap out instantly. The little flame recovers, and merely looks at its foe the darkness, and back to its own place goes the old enemy of light and man. The candle for me, tiny, mortal, warm, and brave, a golden lily on a silver stem!

"Almost any book does for a bed-book," a woman once said to me. I nearly replied in a hurry that almost any woman would do for a wife; but that is not the way to bring people to conviction of sin. Her idea was that the bed-book is a soporific, and for that reason she even advocated the reading of political speeches. That would be a dissolute act. Certainly you would go to sleep; but in what a frame of mind! You would enter into sleep with your eyes shut. It would be like dying, not only unshriven, but in the act of guilt.

What book shall it shine upon? Think of Plato, or Dante, or Tolstoy, or a Blue Book for such an occasion! I cannot. They will not do--they are no good to me. I am not writing about you. I know those men I have named are transcendent, the greater lights. But I am bound to confess at times they bore me. Though their feet are clay and on earth, just as ours, their stellar brows are sometimes dim in remote clouds. For my part, they are too big for bedfellows. I cannot see myself, carrying my feeble and restricted glim, following (in pyjamas) the statuesque figure of the Florentine where it stalks, aloof in its garb of austere pity, the sonorous deeps of Hades. Hades! Not for me; not after midnight! Let those go who like it.

As for the Russian, vast and disquieting, I refuse to leave all, including the blankets and the pillow, to follow him into the gelid tranquillity of the upper air, where even the colours are prismatic spicules of ice, to brood upon the erratic orbit of the poor mud-ball below called earth. I know it is my world also; but I cannot help that. It is too late, after a busy day, and at that hour, to begin overtime on fashioning a new and better planet out of cosmic dust. By breakfast-time, nothing useful would have been accomplished. We should all be where we were the night before. The job is far too long, once the pillow is nicely set.

For the truth is, there are times when we are too weary to remain attentive and thankful under the improving eye, kindly but severe, of the seers. There are times when we do not wish to be any better than we are. We do not wish to be elevated and improved. At midnight, away with such books! As for the literary pundits, the high priests of the Temple of Letters, it is interesting and helpful occasionally for an acolyte to swinge them a good hard one with an incense-burner, and cut and run, for a change, to something outside the rubrics. Midnight is the time when one can recall, with ribald delight, the names of all the Great Works which every gentleman ought to have read, but which some of us have not. For there is almost as much clotted nonsense written about literature as there is about theology.

There are few books which go with midnight, solitude, and a candle. It is much easier to say what does not please us then than what is exactly right. The book must be, anyhow, something benedictory by a sinning fellow-man. Cleverness would be repellent at such an hour. Cleverness, anyhow, is the level of mediocrity today; we are all too infernally clever. The first witty and perverse paradox blows out the candle. Only the sick in mind crave cleverness, as a morbid body turns to drink. The late candle throws its beams a great distance; and its rays make transparent much that seemed massy and important. The mind at rest beside that light, when the house is asleep, and the consequential affairs of the urgent world have diminished to their right proportions because we see them distantly from another and a more tranquil place in the heavens where duty, honour, witty arguments, controversial logic on great questions, appear such as will leave hardly a trace of fossil in the indurated mud which presently will cover them--the mind then certainly smiles at cleverness.

For though at that hour the body may be dog-tired, the mind is white and lucid, like that of a man from whom a fever has abated. It is bare of illusions. It has a sharp focus, small and star-like, as a clear and lonely flame left burning by the altar of a shrine from which all have gone but one. A book which approaches that light in the privacy of that place must come, as it were, with honest and open pages.

I like Heine then, though. His mockery of the grave and great, in those sentences which are as brave as pennants in a breeze, is comfortable and sedative. One's own secret and awkward convictions, never expressed because not lawful and because it is hard to get words to bear them lightly, seem then to be heard aloud in the mild, easy, and confident diction of an immortal whose voice has the blitheness of one who has watched, amused and irreverent, the high gods in eager and secret debate on the best way to keep the gilt and trappings on the body of the evil they have created.

That first-rate explorer, Gulliver, is also fine in the light of the intimate candle. Have you read lately again his Voyage to the Houyhnhnms? Try it alone again in quiet. Swift knew all about our contemporary troubles. He has got it all down. Why was he called a misanthrope? Reading that last voyage of Gulliver in the select intimacy of midnight I am forced to wonder, not at Swift's hatred of mankind, not at his satire of his fellows, not at the strange and terrible nature of this genius who thought that much of us, but how it is that after such a wise and sorrowful revealing of the things we insist on doing, and our reasons for doing them, and what happens after we have done them, men do not change. It does seem impossible that society could remain unaltered, after the surprise its appearance should have caused it as it saw its face in that ruthless mirror. We point instead to the fact that Swift lost his mind in the end. Well, that is not a matter for surprise.

Such books, and France's Isle of Penguins, are not disturbing as bed-books. They resolve one's agitated and outraged soul, relieving it with some free expression for the accusing and questioning thoughts engendered by the day's affairs. But they do not rest immediately to hand in the bookshelf by the bed. They depend on the kind of day one has had. Sterne is closer. One would rather be transported as far as possible from all the disturbances of earth's envelope of clouds, and Tristram Shandy is sure to be found in the sun.

But best of all books for midnight are travel books. Once I was lost every night for months with Doughty in the Arabia Deserta. He is a craggy author. A long course of the ordinary facile stuff, such as one gets in the Press every day, thinking it is English, sends one thoughtless and headlong among the bitter herbs and stark boulders of Doughty's burning and spacious expanse; only to get bewildered, and the shins broken, and a great fatigue at first, in a strange land of fierce sun, hunger, glittering spar, ancient plutonic rock, and very Adam himself. But once you are acclimatized, and know the language--it takes time--there is no more London after dark, till, a wanderer returned from a forgotten land, you emerge from the interior of Arabia on the Red Sea coast again, feeling as though you had lost touch with the world you used to know. And if that doesn't mean good writing I know of no other test.

Because once there was a father whose habit it was to read with his boys nightly some chapters of the Bible--and cordially they hated that habit of his--I have that Book too; though I fear I have it for no reason that he, the rigid old faithful, would be pleased to hear about. He thought of the future when he read the Bible; I read it for the past. The familiar names, the familiar rhythm of its words, its wonderful well-remembered stories of things long past,--like that of Esther, one of the best in English,--the eloquent anger of the prophets for the people then who looked as though they were alive, but were really dead at heart, all is solace and home to me. And now I think of it, it is our home and solace that we want in a bed-book.

There it is, thirty miles wide between the horns of the land, a bay opening north-west upon the Atlantic, with a small island in the midst of the expanse, a heap of sundered granite lying upon the horizon like a faint sunken cloud, like the floating body of a whale, like an area of opalescent haze, like an inexplicable brightness at sea when no island can be seen. The apparition of that island depends upon the favour of the sun. The island is only a ghost there, sometimes invisible, sometimes but an alluring and immaterial fragment of the coast we see far over the sea in dreams; a vision of sanctuary, of the place we shall never reach, a frail mirage of land then, a roseous spot which is not set in the sea, but floats there only while the thought of a haven of peace and secure verities is still in the mind, and while the longing eye projects it on the horizon.

The sun sets behind the island. On a clear day, at sundown, the island behaves so much like a lump of separated earth, a piece of the black world we know, that I can believe it is land, something to be found on the map, a place where I could get ashore, after toil and adventures. At sundown a low yellow planet marks its hiding-place.

If the island in the bay is usually but a coloured thought in the mind, a phantom and an unattainable refuge by day, and a star by night, the real coast which stretches seaward to it, marching on either hand into the blue, confident and tall, is hardly more material, except by the stones of my outlook. The near rocks are of indubitable earth.

Beyond them the coloured fabric of the bay becomes diaphanous, and I can but wonder at the permanence of such a coast in this wind, for in it the delicate cliffs and the frail tinted fields inclined above them seem to tremble, as though they would presently collapse and tear from their places and stream inland as torn flimsies and gossamer.

It is the sublimation of earth. Our own shining globe floats with the others in a sea of light. Here in the bay on a September morning, if our world till then had been without life and voice, with this shine that is an impalpable dust of gold, the quickened air, and the seas moving as though joyous in the first dawn, Eros and Aurora would have known the moment, and a child would have been born.

None but the transcendent and mounting qualities of our elements, and the generative day which makes the surf dazzling, and draws the passionate azure of the bugloss from hot and arid sand, and makes the blobs of sea-jelly in the pools expand like flowers, and ripens the clouds, nothing but the indestructible essence of life, life uplifted and dominant, shows now in this world of the bay.

Below the high moors which enclose the bay, those distant sleepy uplands where the keels of the cumulus clouds are grounded, there are saline meadows, lush and warm, where ditches serpentine between barriers of meadowsweet, briers and fat grasses. Nearer to the sea the levels are of moist sand covered with a close matting of thyme, and herbage as close and resilient as moss, levels that are not green, like fields, but golden, and of a texture that reflects the light, so that these plains seem to have their own brightness.

The sea plains finish in the sandhills. In this desert you may press a hand into the body of earth, and feel its heat and pulse. The west wind pours among the dunes, a warm and heavy torrent. There is no need to make a miracle of the appearance of life on our earth. Life was at the happy incidence of the potent elements on such a strand as this. Aphrodite was no myth. Our mother here gave birth to her.

The sea is kept from the dunes by a high ridge of blue water-worn pebbles, and beyond the pebbles at low water is the wet strand over which she came wading to give the earth children in her own likeness. The Boy and Miss Muffet beside me are no surprise. They are proper to the place. The salt water and the sand are still on their brown limbs, and in the Boy's serious eyes and Miss Muffet's smile there is something outside my knowledge; but I know that in the depth of that mystery is security and content.

There is a fear I have, though, when they trip it over the solid and unquestionable stones, and leave the stones to fly off into the wind down that shining entrance to the deep. For the strand has no substance. Their feet move over a void in which far down I see another sky than ours. They go where I doubt that I can follow. I cannot leave my hold upon the rocks and enter the place to which their late and aerial spirits are native. It is plain the earth is not a solid body. As their bodies, moving over the bright vacuity, grow unsubstantial and elfin with distance, and they approach that line where the surf glimmers athwart the radiant void, I have a sudden fear that they may vanish quite, and only their laughter come at me mockingly from the near invisible air. They will have gone back to their own place.

There was Great Barr, idle, still, and quiet. Through the Birmingham suburbs, out into the raw, bleak winter roads between the hedges, quite beyond the big town smoking with its enterprising labours, one approached the village of calamity with some awe and diffidence. You felt you were intruding; that you were a mere gross interloper, coming through curiosity, that was not excused by the compunction you felt, to see the appearance of a place that had tragedy in nearly all its homes. Young men streamed by on bicycles in the same direction, groups were hurrying there on foot.

The road rose in a mound to let the railway under, and beyond the far dip was the village, an almost amorphous group of mean red dwellings stuck on ragged fields about the dominant colliery buildings. Three high, slim chimneys were leisurely pouring smoke from the grotesque black skeleton structures above the pits. The road ran by the boundary, and was packed with people, all gazing absorbed and quiet into the grounds of the colliery; they were stacked up the hedge banks, and the walls and trees were loaded with boys.

A few empty motor-cars of the colliery directors stood about. A carriage-horse champed its bit, and the still watchers turned at once to that intrusive sound. Around us, a lucid winter landscape (for it had been raining) ran to the distant encompassing hills which lifted like low ramparts of cobalt and amethyst to a sky of luminous saffron and ice-green, across which leaden clouds were moving. The country had that hard, coldly radiant appearance which always impresses a sad man as this world's frank expression of its alien disregard; this world not his, on which he has happened, and must endure with his trouble for a brief time.

As I went through the press of people to the colliery gates, the women in shawls turned to me, first with annoyance that their watching should be disturbed, and then with some dull interest. My assured claim to admittance probably made them think I was the bearer of new help outside their little knowledge; and they willingly made room for me to pass. I felt exactly like the interfering fraud I was. What would I not have given then to be made, for a brief hour, a nameless miracle-worker.

In the colliery itself was the same seeming apathy. There was nothing to show in that yard, black with soddened cinders and ash muck, where the new red-brick engine-houses stood, that somewhere half a mile beneath our feet were thirty men, their only exit to the outer world barred by a subterranean fire. Nothing showed of the fire but a whitish smoke from a ventilating shaft; and a stranger would not know what that signified. But the women did. Wet with the rain showers, they had been standing watching that smoke all night, and were watching it still, for its unceasing pour to diminish. Constant and unrelenting, it streamed steadily upward, as though it drew its volume from central fires that would never cease.

The doors of the office were thrown open, and three figures emerged. They broke into the listlessness of that dreary place, where nothing seemed to be going on, with a sudden real purpose, fast but unhurried, and moved towards the shaft. Three Yorkshire rescue experts--one of them to die later--with the Hamstead manager explaining the path they should follow below with eager seriousness. "Figures of fun"! They had muzzles on their mouths and noses, goggles on their eyes, fantastic helms, and queer cylinders and bags slung about them. As they went up the slope of wet ash, quick and full of purpose, their comical gear and coarse dress became suddenly transfigured; and the silent crowd cheered emotionally that little party of forlorn hope.

They entered the cage, and down they went. Still it was difficult for me to think that we were fronting tragedy, for no danger showed. An hour and more passed in nervous and dismal waiting. There was a signal. Some men ran to the pit-head carrying hot bricks and blankets. The doctors took off their coats, and arranged bottles and tinkling apparatus on chairs stuck in the mud. The air smelt of iodoform. A cloth was laid on the ground from the shaft to the engine-house, and stretchers were placed handy. The women, some carrying infants, broke rank. That quickly up-running rope was bringing the first news. The rope stopped running and the cage appeared. Only the rescue party came out, one carrying a moribund cat. They knew nothing; and the white-faced women, with hardly repressed hysteria, took again their places by the engine-house. So we passed that day, watching the place from which came nothing but disappointment. Occasionally a child, too young to know it was adding to its mother's grief, would wail querulously. There came a time when I and all there knew that to go down that shaft was to meet with death. The increasing exhaustion and pouring sweat of the returning rescue parties showed that. Yet the miners who were not selected to go down were angry; they violently abused the favouritism of the officials who would not let all risk their lives.

I have a new regard for my fellows since Great Barr. About you and me there are men like that. There is nothing to distinguish them. They show no signs of greatness. They have common talk. They have coarse ways. They walk with an ugly lurch. Their eyes are not eager. They are not polite. Their clothes are dirty. They live in cheap houses on cheap food. They call you "sir." They are the great unwashed, the mutable many, the common people. The common people! Greatness is as common as that. There are not enough honours and decorations to go round. Talk of the soldier! Vale to Welsby of Normanton! He was a common miner. He is dead. His fellows were in danger, their wives were white-faced and their children were crying, and he buckled on his harness and went to the assault with no more thought for self than great men have in a great cause; and he is dead. I saw him go to his death. I wish I could tell you of Welsby of Normanton.

I left that place where the star-shine was showing the grim skeleton of the shaft-work overhead in the night, and where men moved about below in the indeterminate dark like dismal gnomes. There was a woman whose cry, when Welsby died, was like a challenge.

Next morning, in Great Barr, some blinds were down, the street was empty. Children, who could see no reason about them why their fathers should not return as usual, were playing foot-ball by the tiny church. A group of women were still gazing at the grotesque ribs and legs of the pit-head staging as though it were a monster without ruth.

As to what the Boy will become, that is still with his stars; and though once we thought he was much impressed by the dignity of the man controlling a road roller, for it seemed it would be well to be that slow herald in front with a little red flag, he has shown but the faintest regard for the offices of policeman, engine-driver, and soldier. It is clear there is but one good thing left for his choice, and so the house is littered with drawings of ships. There has been some advance from that early affair of black angles which, without explanation, might have stood for anything, but was meant for a cutter. Now, in a manner which a careless visitor could think was the hauteur of an artist who is too sure of himself to care what you think of his work, but is really acute shyness, he will present you at short notice with a sketch in colours of a topsail schooner beating off a lee shore, if your variety of beard does not rouse his suspicion. As art, such paintings have their faults; but as delineations of that sort of ship they have technical exactitude not common even in the studios.

In fact, he has found an old manual of seamanship, and the illustrations get more attention than some people give to Biblical subjects. During vacant afternoons there is an uncanny calm in the house, a silence which makes people think they have forgotten something important; but it is only that the Boy is absent with the argonauts. He is in tow of Argo, as it were, one of its heroes, surging astern in a large easy-chair, viewing golden landfalls that are still under their early spell in seas that ships have never sailed. There are no such voyages in later life, none with quite that glamour, for we have tried and know. Lucky Boy, sailing the greatest voyage of his life! Occasionally, when a real ship is home again, and some one calls to see if we still live there, the Boy is allowed to go to bed late, and there he sits and fills his mind.

"And what," said this deponent one evening, "about taking His Nibs with me?" (There was some sea to be crossed.) Most certainly not! Well--! still--! Would he be all right? But as he got to hear about this it was hardly so certainly not as it seemed. There are times when he can concentrate on a subject with awful pertinacity, though the occasions are infrequent. This was one, however. He went. I knew he would go--when he heard about it.

A day came when we were at the railway station, and he was to cross the sea for the first time. He was quite collected. His quiet eye enumerated the baggage in one careless side-glance which detected there was a strap undone and that a walking-stick was missing. In all that crowded tumult converging on the stroke of the hour his seemed to be the only apart and impassive face, and I began to think he was indifferent; he merely looked at the cover of one magazine, and then turned to the window and observed the world leaping past with the detachment of a small immortal who was watching man's fleeting affairs. Nothing to do with him.

Once he caught my intent eye--for I thought he was a trifle pale--and then he passed a radiant wink, and one of his dangling legs began to swing as though that were the sole limb to be joyful. An hour later, his face still to the glass, he was shaking with internal mirth. I asked him to let me share it with him. "Did you see that old man at the station when the train was starting?" he whispered. "He couldn't find the carriage where his things were--he was running up and down without a hat. Perhaps he was left behind." What do man's misfortune's matter to the gods who live for ever?

Through sections of the quayside sheds he caught sight of near funnels, businesslike with smoke, and a row of ports. It was then I had to tell him there was plenty of time. "Two funnels," I heard him say in surprise, and there is no doubt at that moment some of the importance of the occasion was reflected on myself. That extra funnel told him, I hope, I was doing this business in no meagre spirit. None of your single-funnel ships for our affairs. At the quay end of the gangway he stopped me, interrupting the whole concourse to do so. "Where's that other bag?" he demanded severely. I was annoyed--like the people who were following us--but I had to admire him all the same. At his age no doubt it may be demanded that a ship be put about for a bag left behind. When this childish egoism is maintained well into life, large fortunes may be made. It is, perhaps, the only way. As soon as a man can relate his personal affairs to those of the world, and understands how unimportant he really is, from that moment he becomes a failure. Some men never do it, and thus succeed. Therefore I allowed the Boy to lead me aboard, and so secured a good berth at once, to the envy of those who were unaided by a child. Already I was informed that, after due inspection, the steamer had plenty of boats, "so it won't matter if we sink." In five minutes we had discovered the companions to everywhere on that ship, and were, I believe, the only passengers who could find our way about her before she left port.

But a glance seaward, and a word with an officer, gave me a thought or two, and I broke off the Boy's interesting conversation with a fatherly French quartermaster to take him where he could at least begin with some food. "What a lark if there's a storm," laughed His Nibs, removing a sandwich to say so. The fiddles were on the tables. We were off.

The ship gave a lurch, a ham leaped to the floor, some plates crashed, and then the row of ports alongside us were darkened by the run of a wave. The Boy made an exclamation partly stifled, and looked at me quickly. I did not look at him, but went on with the food. He stopped eating, and remained with his gaze fixed on the ports, gripping his chair whenever they went dark. He said nothing about it, but he must have been thinking pretty hard. "I suppose this is a strong ship, isn't it?" he questioned once.

As we were about to emerge into the open, the wet, deserted deck fell away, and a grey wave which looked as aged as death, its white hair streaming in the wind, suddenly reared over the ship's side, as though looking for us, and then fled phantom-like, with dire cries. The Boy shrank back for a moment, horrified, but then moved on. I think I heard him sigh. It was no summer sea. The dark bales of rain were speeding up from the south-west, low over waters which looked just what the sea really is.

I am glad he saw it like that. He hung on in a shelter with a needlessly tight grip, and there was something of consternation in his eye. But I enjoyed the cry of surprise he gave once when we were getting used to it. A schooner passed us, quite close, a midget which fairly danced over the running hills, lifting her bows and soaring upwards, light as a bird, and settling in the hollows amid a white cloud. "Isn't she brave!" said the Boy.

Whether I placed the writing-pad on my knees in a great chair, or on the table, or on the floor, nothing happened to it. I can only say that that morning the paper was full of vile hairs, which the pen kept getting into its mouth--enough to ruin the goodwill of any pen. Yet all the circumstances of the room seemed luckily placed for work to flow with ease; but there was some mysterious and inimical obstruction. The fire was bright and lively, the familiar objects about the table appeared to be in their right place. Again I examined the gods of the table to be sure one had not by mischance broken the magic circle and interrupted the current of favour for me. They were rightly orientated--that comic pebble paper-weight Miss Muffet found on the beach of a distant holiday, the chrysanthemums which were fresh from that very autumn morning, stuck in the blue vase which must have got its colour in the Gulf Stream; and the rusty machete blade from Peru, and the earthenware monkey squatting meekly in his shadowy niche, holding the time in his hands. The time was going on, too.

I tried all the tricks I knew for getting under way, but the pen continued to do nothing but draw idle faces and pick up hairs, which it held firmly in its teeth. Then the second telegram was brought to me. "What about Balkan article?" it asked, and finished with a studied insult, after the manner of the editor-kind, whose assurance that the function of the universe is only fulfilled when they have published the fact makes them behave as would Jove with a thick-headed immortal. "These Balkan atrocities will never cease," I said, dropping the telegram into the fire.

Had I possessed but one of those intelligent manuals which instruct the innocent in the art, not only of writing, but of writing so well that a very disappointed and world-weary editor rejoices when he sees the manuscript, puts his thumbs up and calls for wine, I would have consulted it. (I should be glad to hear if there is such a book, with a potent remedy for just common dulness--the usual opaque, gummous, slow, thick, or fat head.) As for me, I have nothing but a cheap dictionary, and that I could not find. I raised my voice, calling down the hollow, dusty, and unfurnished spaces of my mind, summoning my servants, my carefully chosen but lazy and wilful staff of words, to my immediate aid. But there was no answer; only the cobwebs moved there, though I thought I heard a faint buzzing, which might have been a blow-fly. No doubt my staff--small blame to them--were dreaming somewhere in the sun, dispersed over several seas and continents.

Well, a suburb of a big town, and such jobs as I find for them to do, are grey enough for them in winter. I have no doubt some were nooning it in Algiers, and others were prospecting the South Seas, flattering themselves, with gross vanity, how well they could serve me there, if only I would give them a chance with those coloured and lonely islands; and others were in the cabins of ships far from any land, gossiping about old times; and these last idle words, it is my experience, are the most stubborn of the lot, usually ignoring all my efforts to get them home again and to business. I could call and rage as I chose, or entreat them, showing them the urgency of my need. But only a useless and indefinite article came along, as he usually does, hours and hours before the arrival of a lusty word which could throw about the suggestions quicker than they may be picked up and examined.

Very well. There was nothing for it but to fill another pipe, and dwell with some dismay upon such things as, for instance, the way one's light grows smoky with age. Is there a manual which will help a man to keep his light shining brightly--supposing he has a light to keep? But if he has but the cheapest of transient glims, good and bright enough for its narrow purpose, is it any wonder it burns foul, seeing what business usually it gets to illuminate in these exciting and hurried times. What work! I think it would make rebels of the most quiet, unadventurous, and simple-featured troop of words that ever a man gathered about him for the plain domestic duties to employ them regularly, for example, in sweeping up into neat columns such litter as the House of Commons makes. It would numb the original heart of the bonniest set of words that rightly used would have made some people happy--sterilize them, make them anaemic and pasty-faced, so that they would disturb the peace of mind of all compassionate men who looked upon them. That my own staff of words refused my summons....

But what was it I said I wanted them for just now? I gazed round the walls upon the portraits of the great writers of the past, hoping for inspiration. Useless! Upon Emerson's face there was a faint smile of most infuriating benevolence. Lamb--but I am getting tired of his smirk, which might be of irony or kindness. He would look savage enough today, hearing his constantly returning Dissertation on Roast Pig thump the door-mat four times a week; for that, he can be assured, is the way editors would treat it now, and without even preliminary consultations with lady typist-secretaries. Of the whole gallery of the great I felt there was not one worth his wall room. They are pious frauds. This inspiration business is played out. I have never had the worth of the frames out of those portraits.... Ah, the Balkans. That was it. And of all the flat, interminable Arctic wastes of bleak wickedness and frozen error that ever a shivering writer had to traverse....

My head was in my hands, and I was trying to get daylight and direction into the affair with my eyes shut, when I felt a slight touch on my arm. "I'm sorry we're in your way. Are you praying? Look who's here."

I looked. It was Miss Muffet who spoke. She shook the gold out of her eyes and regarded me steadily. Well she knew she had no right there, for all her look of confident and tender solicitude. The Boy, who is a little older (and already knows enough to place the responsibility for intrusion on his sister with her innocent eyes and imperturbable calm and golden hair), stood a little in the background, pretending to be engrossed with a magnet, as though he were unaware that he was really present. Curls hopped about on one leg frankly, knowing that the others would be blamed for any naughtiness of hers. Her radiant impudence never needs any apology. What a plague of inconsequential violators of any necessary peace! When would my lucky words come now?

The Boy probably saw a red light somewhere. "Haven't you finished uncle we thought you had has a topsail schooner got two or three masts I saw a fine little engine up in the town today and an aeroplane it was only seventeen shillings do you think that is too much?"

"I am learning the sailors' hornpipe at school," said Miss Muffet, slowly and calmly; "you watch my feet. Do I dance it nicely?"

I watched her feet. Now it is but fair to say that when Miss Muffet dances across a room there is no international crisis in all this world which would distract any man's frank admiration. When Miss Muffet steps it on a sunny day, her hair being what it is, and her little feet in her strap shoes being such as they are, then your mood dances in accord, and your thoughts swing in light and rhythmic harmony. I got up. And Curls, who is one of those who must mount stairs laboriously, secure to the rails--she has black eyes only the bright light of which is seen through her mane--she reached up for my hand, for she cannot imitate her sister's hornpipe without holding on.

Miss Muffet reached a corner of the room, and swung round, light as a fairy, her hands on her hips, and said, "What do you think of that?" Some of my lucky words instantly returned. I suppose it was more to their mind. But I had nothing to give them to do. They could just stand around and look on now, for when Curls seriously imitates her sister, and then laughs heartily at her own absurd failure, because her feet are irresponsible, that is the time when you have nothing to do, and would not do anything if it had to be done....

What time it was the next interruption came--it was another telegram--I don't know. Time had been obliterated. But then it began to flow again; though not with a viscid and heavy measure. And when I took up my light and ready pen, there, standing at eager attention, was all my staff, waiting the call. What had happened to bring them all back? If the writers of literary manuals will explain that secret to me, I should acquire true wealth.

Certainly it was an inconsiderate way of approaching the greatest city of the Americas, but that was not my fault. I wished for the direct approach, the figure of Liberty to rise, haughty and most calm, a noble symbol, as we came in from overseas; then the wide portals; then New York. But the erratic tracks of a tramp steamer go not as her voyagers will. They have no control over her. She moves to an enigmatic will in London. It happens, then, that she rarely shows a wonder of the world any respect. She arrives like sudden rain, like wind from a new quarter. She is as chance as the fall of a star. None knows the day nor the hour. At the most inconvenient time she takes the wonder's visitors to the back door.

We went, light ship from the South, to Barbados, for orders; and because I wanted New York, for that was the way home, we were sent to Tampa for phosphates. As to Tampa, its position on the globe is known only to underwriters and shipbrokers; it is that sort of place. It is a mere name, like Fernando de Noronha, or Key West, which one meets only in the shipping news, idly wondering then what strange things the seafarer would find if he went.

Late one night, down a main street of Tampa, there came, with the deliberate movement of fate, a gigantic corridor train, looming as high as a row of lighted villas, and drawn by the awful engine of a dream. That train behaved there as trams do at home, presently stopping alongside a footway.

Behind me was a little wooden shop. In front was the wall of a carriage, having an entrance on the second storey, and a roof athwart the meridian stars. One of its wheels was the nearest and most dominant object in the night to me, a monstrous bright round resting on a muddy newspaper in the road. It absorbed all the light from the little wooden shop. Now, I had hunted throughout Tampa for its railway terminus, fruitlessly; but here its train had found me, keeping me from crossing the road.

"Where do I board this train for New York?" I asked. (I talked like a fool, I know; it was like asking a casual wayfarer in East Ham whether that by the kerb is the Moscow express. Yet what was I to do?) "Board her right here," said the fellow, who was in his shirt sleeves. Therefore I delivered myself, in blind faith, to the casual gods who are apt to wake up and by a series of deft little miracles get things done fitly in America when all seems lost and the traveller has even bared his resigned neck to the stroke.

But I had not the least hope of seeing New York and a Cunarder; not with such an unpropitious start as that. With an exit like Euston one never doubts sure direction, and arrival at the precise spot at the exact moment. You feel there it was arranged for in Genesis. The officials cannot alter affairs. They are priests administering inviolate rites, advancing matters fore-ordained by the unseen, and so no more able to stay or speed this cosmic concern than the astronomer who schedules the planets. The planets take their heavenly courses. But I had never been to the United States before, did not know even the names of their many gods, and New York was at the end of a great journey; and the train for it stopped outside a tobacco shop in the road, like a common tram.

There was another night when, with the usual unreason, the swift and luxurious glide, lessening through easy gradations, ceased. I saw some lights in the rain outside. How should I know it was New York? We had even changed climates since we started. The passengers of my early days in the train had passed away. There was nothing to show. More, I felt no exultation--which should have been the first of warnings. Merely we got to a railway station one night, and a negro insisted that I should get out and stop out. This was N' Yark, he said.

It was night, I repeat; there was a row of cabs in a dolorous rain. I saw a man in a shiny cape under the nearest lamp, and beyond him a vista of reflections from vacant stones, which to me always, more than bleak hills or the empty round of the sea, is desolation. There were no spacious portals. There was no figure of Liberty, haughty but welcoming. There was rain, and cabs that waited without hope. There was exactly what you find at the end of a twopenny journey when your only luggage is an evening paper, an umbrella, and that tired feeling. Not knowing where to go, and little caring, I followed the crowd, and so found myself in a large well-lighted hall. Having no business there--it was a barren place--I pushed on, and came suddenly to the rim of the world.

Before me was the immensity of dark celestial space in which wandered hosts of uncharted stars; and below my feet was the abyss of old night. Just behind me was a woman telling her husband that they had forgotten Jimmy's boots, and couldn't go back now, for the ferry was just coming.

Jimmy's boots! Now, when you are a released soul, ascending the night, and the earth below is a bright silver ball, not so very big, and some other viewless soul behind you, still with thoughts absent on worldly trifles, mutters concerning boots when in the Milky Way, you will know how I felt. Here was the ultimate empty dark in which the sun could never shine. The sun had not merely left the place. It had never been there. It was a remote star, one of myriads in the constellations at large, the definite groups which occulted in the void before me. Looking at those swiftly moving systems, I watched for the flash of impact; but no great light of collision broke. The groups of lights passed and repassed noiselessly.

Then one constellation presently detached itself, and its orbit evidently would intersect our foothold. It came nearer out of the night, till I could see plainly that it appeared to be a long section of a well-lighted street, say, like a length of Piccadilly. It approached end-on to where I stood, and at last impinged. It actually was a length of street, and I could continue my walk. The street floated off again into the night, with me, Jimmy's father and mother, and all of us, and the vans and motor-cars; and the other square end of it soon joined a roadway on the opposite shore. The dark river was as full of mobile lengths of bright roadway as Oxford Circus is of motor-buses; and the fear of the unknown, as in the terrific dark of a dream where flaming comets stream on undirected courses, numbed my little mind. I had found New York.

I had found it. Its bulk was beyond the mind, its lights were falling star systems, and its movements those of general cataclysm. I should find no care for little human needs there. One cannot warm one's hands against the flames of earthquake. There is no provision for men in the welter, but dimly apprehended in the night, of blind and inhuman powers.

Therefore, the hotel bedroom, when I got to it, surprised and steadied me with its elaborate care for the body. But yet I was not certain. Then I saw against the wall a dial, and reading a notice over it I learned that by working the hands of this false clock correctly I could procure anything, from an apple to the fire brigade. Now this was carrying matters to the other extreme; and I had to suppress a desire to laugh hysterically. I set the hands to a number; waited one minute; then the door opened, and a waiter came in with a real tray, conveying a glass and a bottle. So there was a method then in this general madness after all. I tried to regard the wonder as indifferently as the waiter's own cold and measuring eyes.

In a tramp steamer, which was overloaded, and in midwinter, I had crossed to America for the first time. What we experienced of the western ocean during that passage gave me so much respect for it that the prospect of the return journey, three thousand miles of those seas between me and home, was already a dismal foreboding. The shipping posters of New York, showing stately liners too lofty even to notice the Atlantic, were arguments good enough for steerage passengers, who do, I know, reckon a steamer's worth by the number of its funnels; but the pictures did nothing to lessen my regard for that dark outer world I knew. And having no experience of ships installed with racquet courts, Parisian cafés, swimming baths, and pergolas, I was naturally puzzled by the inconsequential behaviour of the first-class passengers at the hotel. They were leaving by the liner which was to take me, and, I gathered, were going to cross a bridge to England in the morning. Of course, this might have been merely the innocent profanity of the simple-minded.

Embarking at the quay next day, I could not see that our ship had either a beginning or an end. There was a blank wall which ran out of sight to the right and left. How far it went, and what it enclosed, were beyond me. Hundreds of us in a slow procession mounted stairs to the upper floor of a warehouse, and from thence a bridge led us to a door in the wall half-way in its height. No funnels could be seen. Looking straight up from the embarkation gangway, along what seemed the parapet of the wall was a row of far-off indistinguishable faces peering straight down at us. There was no evidence that this building we were entering, of which the high black wall was a part, was not an important and permanent feature of the city. It was in keeping with the magnitude of New York's skyscrapers, which this planet's occasionally non-irritant skin permits to stand there to afford man an apparent reason to be gratified with his own capacity and daring.

But with the knowledge that this wall must be afloat there came no sense of security when, going through that little opening in its altitude, I found myself in a spacious decorated interior which hinted nothing of a ship, for I was puzzled as to direction. My last ship could be surveyed in two glances; she looked, and was, a comprehensible ship, no more than a manageable handful for an able master. In that ship you could see at once where you were and what to do. But in this liner you could not see where you were, and would never know which way to take unless you had a good memory. No understanding came to me in that hall of a measured and shapely body, designed with a cunning informed by ages of sea-lore to move buoyantly and surely among the ranging seas, to balance delicately, a quick and sensitive being, to every precarious slope, to recover a lost poise easily and with the grace natural to a quick creature controlled by an alert mind.

There was no shape at all to this structure. I could see no line the run of which gave me warrant that it was comprised in the rondure of a ship. The lines were all of straight corridors, which, for all I knew, might have ended blindly on open space, as streets which traverse a city and are bare in vacancy beyond the dwellings. It was possible we were encompassed by walls, but only one wall was visible. There we idled, all strangers, and to remain strangers, in a large hall roofed by a dome of coloured glass. Quite properly, palms stood beneath. There were offices and doors everywhere. On a broad staircase a multitude of us wandered aimlessly up and down. Each side of the stairway were electric lifts, intermittent and brilliant apparitions. I began to understand why the saloon passengers thought nothing of the voyage. They were encountering nothing unfamiliar. They had but come to another hotel for a few days.

I attempted to find my cabin, but failed. A uniformed guide took care of me. But my cabin, curtained, upholstered, and warm, with mirrors and plated ware, sunk somewhere deeply among carpeted and silent streets down each of which the perspective of glow-lamps looked interminable, left me still questioning. The long walk had given me a fear that I was remote from important affairs which might be happening beyond. My address was 323. The street door--I was down a side turning, though--bore that number. A visitor could make no mistake, supposing he could find the street and my side turning. That was it. There was a very great deal in this place for everybody to remember, and most of us were strangers. No doubt, however, we were afloat, if the lifebelts in the rack meant anything. Yet the cabin, insulated from all noise, was not soothing, but disturbing. I had been used to a ship in which you could guess all that was happening even when in your bunk; a sensitive and communicative ship.

A steward appeared at my door, a stranger out of nowhere, and asked whether I had seen a bag not mine in the cabin. He might have been created merely to put that question, for I never saw him again on the voyage. This liner was a large province having irregular and shifting bounds, permitting incontinent entrance and disappearance. All this should have inspired me with an idea of our vastness and importance, but it did not. I felt I was one of a multitude included in a nebulous mass too vague to hold together unless we were constantly wary.

In the saloon there was the solid furniture of rare woods, the ornate decorations, and the light and shadows making vague its limits and giving it an appearance of immensity, to keep the mind from the thought of our real circumstances. At dinner we had valentine music, dreamy stuff to accord with the shaded lamps which displayed the tables in a lower rosy light. It helped to extend the mysterious and romantic shadows. The pale, disembodied masks of the waiters swam in the dusk above the tinted light. I had for a companion a vivacious American lady from the Middle West, and she looked round that prospect we had of an expensive café, and said, "Well, but I am disappointed. Why, I've been looking forward to seeing the ocean, you know. And it isn't here."

"Smooth passage," remarked a man on the other side. "No sea at all worth mentioning." Actually, I know there was a heavy beam sea running before a half-gale. I could guess the officer in charge somewhere on the exposed roof might have another mind about it; but it made no difference to us in our circle of rosy intimate light bound by those vague shadows which were alive with ready servitude.

"And I've been reading Captains Courageous with this voyage in view. Isn't this the month when the forties roar? I want to hear them roar, just once, you know, and as gently as any sucking dove." We all laughed. "We can't even tell we're in a ship."

She began to discuss Kipling's book. "There's some fine seas in that. Have you read it? But I'd like to know where that ocean is he pretends to have seen. I do believe the realists are no more reliable than the romanticists. Here we are a thousand miles out, and none of us has seen the sea yet. Tell me, does not a realist have to magnify his awful billows just to get them into his reader's view?"

I murmured something feeble and sociable. I saw then why sailors never talk directly of the sea. I, for instance, could not find my key at that moment--it was in another pocket somewhere--so I had no iron to touch. Talking largely of the sea is something like the knowing talk of young men about women; and what is a simple sailor man that he should open his mouth on mysteries?

Only on the liner's boat-deck, where you could watch her four funnels against the sky, could you see to what extent the liner was rolling. The arc seemed to be considerable then, but slowly described. But the roll made little difference to the promenaders below. Sometimes they walked a short distance on the edges of their boots, leaning over as they did so, and swerving from the straight, as though they had turned giddy. The shadows formed by the weak sunlight moved slowly out of ambush across the white deck, but often moved indecisively, as though uncertain of a need to go; and then slowly went into hiding again. The sea whirling and leaping past was far below our wall side. It was like peering dizzily over a precipice when watching those green and white cataracts.

The passengers, wrapped and comfortable on the lee deck, chatted as blithely as at a garden-party, while the band played medleys of national airs to suit our varied complexions. The stewards came round with loaded trays. A diminutive and wrinkled dame in costly furs frowned through her golden spectacles at her book, while her maid sat attentively by. An American actress was the centre of an eager group of grinning young men; she was unseen, but her voice was distinct. The two Vanderbilts took their brisk constitutional among us as though the liner had but two real passengers though many invisible nobodies. The children, who had not ceased laughing and playing since we left New York, waited for the slope of the deck to reach its greatest, and then ran down towards the bulwarks precipitously. The children, happy and innocent, completed for us the feeling of comfortable indifference and security which we found when we saw there was more ship than ocean. The liner's deck canted slowly to leeward, went over more and more, beyond what it had done yet, and a pretty little girl with dark curls riotous from under her red tam-o'-shanter, ran down, and brought up against us violently with both hands, laughing heartily. We laughed too. Looking seawards, I saw receding the broad green hill, snow-capped, which had lifted us and let us down. The sea was getting up.

Near sunset, when the billows were mounting express along our run, sometimes to leap and snatch at our upper structure, and were rocking us with some ease, there was a commotion forward. Books and shawls went anywhere as the passengers ran. Something strange was to be seen upon the waters.

It looked like a big log out there ahead, over the starboard bow. It was not easy to make out. The light was failing. We overhauled it rapidly, and it began to shape as a ship's boat. "Oh, it's gone," exclaimed some one then. But the forlorn object lifted high again, and sank once more. Whenever it was glimpsed it was set in a patch of foam.

That flotsam, whatever it was, was of man. As we watched it intently, and before it was quite plain, we knew intuitively that hope was not there, that we were watching something past its doom. It drew abeam, and we saw what it was, a derelict sailing ship, mastless and awash. The alien wilderness was around us now, and we saw a sky that was overcast and driven, and seas that were uplifted, which had grown incredibly huge, swift, and perilous, and they had colder and more sombre hues.

The derelict was a schooner, a lifeless and soddened hulk, so heavy and uncontesting that its foundering seemed at hand. The waters poured back and forth at her waist, as though holding her body captive for the assaults of the active seas which came over her broken bulwarks, and plunged ruthlessly about. There was something ironic in the indifference of her defenceless body to these unending attacks. It mocked this white and raging post-mortem brutality, and gave her a dignity that was cold and superior to all the eternal powers could now do. She pitched helplessly head first into a hollow, and a door flew open under the break of her poop; it surprised and shocked us, for the dead might have signed to us then. She went astern of us fast, and a great comber ran at her, as if it had but just spied her, and thought she was escaping. There was a high white flash, and a concussion we heard. She had gone. But she appeared again far away, on a summit in desolation, black against the sunset. The stump of her bowsprit, the accusatory finger of the dead, pointed at the sky.

I turned, and there beside me was the lady who had wanted to find the sea. She was gazing at the place where the wreck was last seen, her eyes fixed, her mouth a little open in awe and horror.

There was the Mona, Yeo's boat, below the quay wall; but I could not see her owner. The unequal stones of that wall have the weathered appearance of a natural outcrop of rock, for they were matured by the traffic of ships when America was a new yarn among sailors. They are the very stones one would choose to hear speak. Yet the light of early morning in that spacious estuary was so young and tenuous that you could suppose this heavy planet had not yet known the stains of night and evil; and the Mona, it must be remembered, is white without and egg-blue within. Such were the reflections she made, lively at anchor on the swirls of a flood-tide bright enough for the sea-bottom to have been luminous, that I felt I must find Yeo. The white houses of the village, with shining faces, were looking out to sea.

Another man, a visitor from the cities of the plains, was gazing down with appreciation at the Mona. There was that to his credit. His young wife, slight and sad, and in the dress of the promenade of a London park, was with him. She was not looking on the quickness of the lucent tide, but at the end of a parasol, which was idly marking the grits. I had seen the couple about the village for a week. He was big, ruddy, middle-aged, and lusty. His neck ran straight up into his round head, and its stiff prickles glittered like short ends of brass wire. It was easy to guess of him, without knowing him and therefore unfairly, that, if his wife actually confessed to him that she loved another man, he would not have believed her; because how was it possible for her to do that, he being what he was? His aggressive face, and his air of confident possession, the unconscious immodesty of the man because of his important success at some unimportant thing or other, seemed an offence in the ancient tranquillity of that place, where poor men acknowledged only the sea, the sun, and the winds.

I found Yeo at the end of the quay, where round the corner to seaward open out the dunes of the opposite shore of the estuary, faint with distance and their own pallor, and ending in the slender stalk of a lighthouse, always quivering at the vastness of what confronts it. Yeo was sitting on a bollard, rubbing tobacco between his palms. I told him this was the sort of morning to get the Mona out. He carefully poured the grains into the bowl of his pipe, stoppered it, glanced slowly about the brightness of the river mouth, and shook his head. This was a great surprise, and anybody who did not know Yeo would have questioned him. But it was certain he knew his business. There is not a more deceptive and difficult stretch of coast round these islands, and Yeo was born to it. He stood up, and his long black hair stirred in the breeze under the broad brim of a grey hat he insists on wearing. The soft hat and his lank hair make him womanish in profile, in spite of a body to which a blue jersey does full justice, and the sea-boots; but when he turns his face to you, with his light eyes and his dark and leathery face, you feel he is strangely masculine and wise, and must be addressed with care and not as most men. He rarely smiles when a foolish word is spoken or when he is contradicted boldly by the innocent. He spits at his feet and contemplates the sea, as though he had heard nothing.

The visitor came up, followed reluctantly by his wife. "Are you Yeo? How are you, Yeo? What about a sail? I want you to take us round to Pebblecombe."

That village is over the bar and across the bay. Yeo looked at the man, and shook his head.

"Why not?" asked the visitor sharply, as though he were addressing the reluctance of the driver of his own car.

The sailor pointed a stern finger seawards, to where the bar is shown in charts, but where all we could make out was the flashing of inconstant white lines.

"Look at it," mildly insisted the sailor, speaking for the first time. "Isn't the sea like a wall?" The man's wife, who was regarding Yeo's placid face with melancholy attention, turned to her husband and placed a hand of nervous deprecation on his arm. He did not look at her.

"Oh, of course, if you don't want to go, if you don't want to go...." said the visitor, shaking his head as though at rubbish, and rising several times on his toes. "Perhaps you've a better job," he added, with an unpleasant smile.

"I'm ready to go if you are, sir," said Yeo, "but I shall have to take my friend with me." The sailor nodded my way.

The man did not look at me. I was not there to him. He gave an impatient jerk to his head. "Ready to go? Of course I'm ready to go! Of course. Why do you suppose I asked?"

Yeo went indoors, came out with a bundle of tarpaulins for us, and began moving with deliberation along to the Mona. Something was said by the woman behind us, but so quietly I did not catch it. Her husband made confident noises of amusement, and replied in French that it was always the way with these local folk--always the way. The result, I gathered, of a slow life, though that was hardly the way he put it. Nothing in it, she could be sure. These difficulties were made to raise the price. The morning was beautiful. Still, if she did not want to go ... if she did not want to go. And his tone was that perhaps she would be as absurd as that. I heard no more, and both followed us.

I got out to the Mona, cast off her stern mooring, got in the anchor, and the pull on that brought us to the stone steps of the landing-stage. While I made the seats ready for the voyagers and handed them in, Yeo took two reefs in the lug-sail (an act which seemed, I must say, with what wind we felt there, to be carrying his prescience to bold lengths) and hauled the sail to its place. I went forward to lower the centre keel as he came aft with the sheet in his hand. The Mona sidled away, stood out, and then reached for the distant sandhills. The village diminished and concentrated under its hill.

When clear of the shelter of the hill, on the lee foot of which the village shelters from the westerly winds, the Mona went over suddenly in a gust which put her gunwale in the wash and kept it there. The dipper came adrift and rattled over. Yeo eased her a bit, and his uncanny eyes never shifted from their fixed scrutiny ahead. Our passenger laughed aloud, for his wife had grasped him at the unexpected movement and the noise. "That's nothing," he assured her. "This is fine."

We cleared the shallows and were in the channel where the weight of the incoming tide raced and climbed. The Mona's light bows, meeting the tide, danced ecstatically, sending over us showers which caught in the foot of the sail. The weather in the open was bright and hard, and the sun lost a little of its warmth in the wind, which was north of west. The dunes, which had been evanescent through distance in the wind and light, grew material and great. The combers, breaking diagonally along that forsaken beach, had something ominous to say of the bar. Even I knew that, and turned to look ahead. Out there, across and above the burnished sea, a regular series of long shadowy walls were forming. They advanced slowly, grew darker, and grew higher; then in their parapets appeared arcs of white, and at once, where those lines of sombre shadows had been, there were plunging strata of white clouds. Other dark bands advanced from seaward continuously. There was a tremor and sound as of the shock and roll of far thunder.

We went about again, steering for the first outward mark of the fairway, the Mullet Buoy. Only the last house of the village was now looking at us remotely, a tiny white cube which frequently sank, on its precarious ledge of earth, beneath an intervening upheaval of the waters. The sea was superior now, as we saw the world from our little boat. The waters moved in from the outer with the ease of certain conquest, and the foundering shores vanished under each uplifted send of the ocean. We rounded the buoy. I could see the tide holding it down aslant with heavy strands of water, stretched and taut. About we went again for the lifeboat-house.

There was no doubt of it now. We should be baling soon. Yeo, with one brown paw on the sheet and the other on the tiller, had not moved, nor even, so he looked, blinked the strange, unfrowning eyes peering from under the brim of his hat. The Mona came on an even keel by the lifeboat-house, shook her wing for a moment as though in delight, and was off again dancing for the Mid Buoy. She was a live, responsive, and happy bird. "Now, Yeo," said the passenger beside the sailor, beaming in proper enjoyment of this quick and radiant experience. "Didn't I tell you so? What's the matter with this?"

There was nothing the matter with that. The sea was blue and white. The frail coast, now far away, was of green and gold. The sky was the assurance of continued good. Our boat was buoyant energy. That bay, when in its uplifted and sparkling mood, with the extent of its liberty and the coloured promise of its romantic adventure, has no hint at all of the startling suddenness of its shadow, that presage of its complex and impersonal malice.

Yeo turned the big features of his impassive face to his passenger, looked at him as he would at a wilful and ill-mannered child, and said, "In five minutes we shall be round the Mid Buoy. Better go back. If you want to go back, say so now. Soon you won't be able to. We may be kept out. If we are, don't blame me."

"Oh, go on, you," the man said, smiling indulgently. He was not going to relinquish the fine gift of this splendid time.

Yeo put his pipe in his mouth and resumed his stare outwards. He said no more. On we went, skimming over inflowing ridges with exhilarating undulations, light as a sandpiper. It was really right to call that a glorious morning. I heard the curlews fluting among the stones of the Morte Bank, which must then have been almost awash; but I did not look that way, for the nearing view of the big seas breaking ahead of us fixed my mind with the first intentness of anxiety. Though near the top of the flood, the fairway could not be made out. What from the distance had appeared orderly ranks of surf had become a convulsive wilderness of foam, piled and dazzling, the incontinent smother of a heavy ground swell; for after all, though the wind needed watching, it was nothing much. The Mona danced on towards the anxious place. Except the distant hills there was no shore. Our hills were of water now we neared the bar. They appeared ahead with surprising suddenness, came straight at us as though they had been looking for us, and the discovery made them eager; and then, when the head of the living mass was looking over our boat, it swung under us.

We were beyond the bar before we knew it. There were a few minutes when, on either hand of the Mona, but not near enough to be more than an arresting spectacle, ponderous glassy billows ceaselessly arose, projected wonderful curves of translucent parapets which threw shadows ahead of their deliberate advance, lost their delicate poise, and became plunging fields of blinding and hissing snow. We sped past them and were at sea. Yeo's knowledge of his work gives him more than the dexterity which overcomes difficulties as it meets them; it gives him the prescience to avoid them.

The steady breeze carried away from us the noise of that great tumult on the bar, and here was a sunny quietude where we heard nothing but the wing of the Mona when it fluttered. The last of the land was the Bar Buoy, weltering and tolling erratically its melancholy bell in its huge red cage. That dropped astern. The Mona, as though she had been exuberant with joy at the promise of release, had come out with whoops and a fuss, but, being outside, settled down to enjoy liberty in quiet content. The little lady with us, for the first time, appeared not sorry to be there. The boat was dry. The scoured thwarts were even hot to the touch. Our lady held the brim of her big straw hat, looking out over the slow rhythm of the heavy but unbroken seas, the deep suspirations of the ocean, and there was even a smile on her delicate face. She crouched forward no longer, and did not show that timid hesitation between her fear of sudden ugly water, when she would have inclined to her husband's side, and her evident nervousness also of her mate. She sat erect, enjoying the slow uplift and descent of the boat with a responsive body. She gazed over-side into the transparent deeps, where large jellyfish were shining like sunken moons. I got out my pipe. This suggested something to our other passenger, and he got out his. He fumbled out his pouch and filled up. He then regarded the loaded pipe thoughtfully, but presently put it away, and leaned forward, gazing at the bottom of the boat. I caught Yeo's eye in a very solemn wink.

The Mona, lost in the waste, coursed without apparent purpose. Sometimes for a drowsy while we headed into the great light shining from all the Atlantic which stretched before us to America; and again we turned to the coast, which was low and far beyond mounting seas. By watching one mark ashore, a grey blur which was really the tower of a familiar village church, it was clear Yeo was not making Pebblecombe with any ease. I glanced at him, and he shook his head. He then nodded it towards the western headland of the bay.

That was almost veiled by a dark curtain, though not long before the partitioned fields and colours of its upper slopes were clear as a mosaic; so insidiously, to the uninitiated, do the moods of this bay change. Our lady was at this moment bending solicitously towards her husband, whose head was in his hands. But he shook her off, turning away with a face not quite so proud as it had been, for its complexion had become that of a green canary's. He had acquired an expression of holiness, contemplative and sorrowful. The western coast had disappeared in the murk. "Better have something to eat now," said Yeo, "while there's a chance."

The lady, after a hesitating glance at her husband, who made no sign, his face being hidden in his arms, got out the luncheon-basket. He looked up once with a face full of misery and reproach, and said, forgetting the past with boldness, "Don't you think we'd better be getting back? It's looking very dark over there."

Yeo munched with calm for a while, swallowed, and then remarked, while conning the headland, "It'll be darker yet, and then we shan't go back, because we can't."

The Mona continuously soared upwards on the hills and sank again, often trembling now, for the impact of the seas was sharper. The man got into the bottom of the boat and groaned.

Light clouds, the feathery growth of the threatening obscurity which had hidden the western land, first spread to dim the light of the sun, then grew thick and dark overhead too, leaving us, after one ray that sought us out again and at once died, in a chill gloom. The glassy seas at once became opaque and bleak. Their surface was roughened with gusts. The delicate colours of the world, its hopeful spaciousness, its dancing light, the high blue vault, abruptly changed to the dim, cold, restricted outlook of age. We waited.

As Yeo luffed the squall fell on us bodily with a great weight of wind and white rain, pressing us into the sea. The Mona made ineffective leaps, trying to get release from her imprisonment, but only succeeded in pouring water over the inert figure lying on the bottom boards. In a spasm of fear he sprang up and began to scramble wildly towards his wife, who in her nervousness was gripping the gunwale, but was facing the affair silently and pluckily. "Keep still there!" peremptorily ordered the sailor; and the man bundled down without a word, like a dog, an abject heap of wet rags.

The first weight of the squall was released. The Mona eased. But the rain set in with steadiness and definition. Nothing was in sight but the waves shaping in the murk and passing us, and the blurred outline of a ketch labouring under reduced canvas to leeward. The bundle on the boat's floor sat up painfully and glanced over the gunwale. He made no attempt to disguise his complete defeat by our circumstances. He saw the ketch, saw she was bigger, and humbly and loudly implored Yeo to put him aboard. He did not look at his wife. His misery was in full possession of him. When near to the ketch we saw something was wrong with a flag she was flying. We got round to her lee quarter and hailed the three muffled figures on her deck.

One of the figures came to the ship's side and leaned over. "All right," we heard, "if you don't mind sailing with a corpse."

Yeo put it to his passengers. The woman said nothing. Her pale face, pitifully tiny and appealing within a sailor's tarpaulin hat, showed an innocent mind startled by the brutality of a world she did not know, but a mind controlled and alert. You could guess she expected nothing now but the worst, and had been schooling herself to face it. Her husband, when he knew what was on that ship, repudiated the vessel with horror. Yet we had no sooner fallen slightly away than he looked up again, was reminded once more that she stood so much higher than our boat, and cried, "Yes, yes!"

The two craft imperceptibly approached, as by gravitation. The men of the ketch saw we had changed our minds, and made ready to receive us. On one noisy uplift of a wave we got the lady inboard. Waiting another opportunity, floundering about below the black wall of the ship, presently it came, and we shoved over just anyhow the helpless bulk of the man. He disappeared within the ship like a shapeless sack, and bumped like one. When I got over, I saw the Mona's mast, which was thrusting and falling by the side of the ketch, making wild oscillations and eccentrics, suddenly vanish; and then appeared Yeo, who carried a tow-line aft and made fast.

The skipper of the ketch had been drowned, we were told. They were bringing his body home. The helmsman indicated a form lashed in a sail-cloth to the hatch. They were standing on and off, waiting to get it over the bar. Yeo they knew so well that hardly any words passed between them. They were glad to put the piloting in his hands. He took the wheel of the Judy of Padstow.

The substantial deck of the Judy was a great relief after the dizzy gyrations of the aerial Mona; and our lady, with a half-glance at what on the hatch was so grimly indifferent to all that could happen now, even smiled again, perhaps with a new sense of safety. She saw her husband settled in a place not too wet, and got about the venerable boards of the Judy, looking at the old gear with curiosity, glancing, with her head dropped back, into the dark intricacy of rigging upheld by the ponderous mainmast as it swayed back and forth. Every time the men went hurriedly trampling to some point of the running gear she watched what they were at. For hours we beat about, in a great noise of waters, waiting for that opportunity at the entrance to home and comfort. Once Yeo took us as far towards the vague mist of surf as the dismal tolling of the Bar Buoy, but evidently did not like the look of it, and stood out again.

At last, having decided, he shouted orders, there was a burst of activity, and we headed for the bad place. Soon we should know.

The Judy began to plunge alarmingly. The incoming rollers at times swept her along with a rush, and Yeo had his hands full. Her bowsprit yawned, rose and fell hurriedly, the Judy's unsteady dexter pointing in nervous excitement at what was ahead of her. But Yeo held her to it, though those heavy following seas so demoralized the Judy that it was clear it was all Yeo could do to keep her to her course. Columns of spray exploded ahead, driving in on us like shot.

"Look out!" cried Yeo. I looked. Astern was a grey hill, high over us, fast overtaking us, the white turmoil of its summit already streaming down its long slope. It accelerated, as if it could see it would soon be too late. It nearly was, but not quite. A cataract roared over the poop, and Yeo vanished. The Judy, in a panic, made an attempt at a move which would have been fatal then; but she was checked and her head steadied. I could do nothing but hold the lady firm and grasp a pin in its rail. The flood swept us, brawling round the gear, foundering the hatch. For a moment I thought it was a case, and saw nothing but maniacal water. Then the foam subsided to clear torrents which flung about violently with the ship's movement. The men were in the rigging. Yeo was rigid at the wheel, his eyes on the future. I could not see the other passenger till his wife screamed, and then I saw him. Two figures rolled in a flood that was pouring to the canting of the deck, and one of them desperately clutched at the other for aid. But the other was the dead skipper, washed from his place on the hatch.

We were over the bar again, and the deck became level. But it remained the bottom of a shallow well in which floated with indifference the one-time master of the Judy, face downwards, and who presently stranded amidships. Our passenger reclined on the vacated hatch, his eyes wide with childish and unspoken terror, and fixed on his wife, whose ministering hands he fumbled for as does a child for his mother's when he wakes at night after a dream of evil.

The big face of Limehouse Church clock stared through the window at us. It is rather a senseless face, because it is so full of cracks that you can find any hour in it you do not want, especially when in a hurry. But nobody with a life that had not wide areas of waste leisure in it would ever visit Hammond now, where he lives in a tenement building, in a room which overlooks the roofs and railway arches of Limehouse. Just outside his window the tower of the church is rather too large and too close.

Hammond has rooms in the tenement which are above the rest of the street. He surmounts many layers of dense humanity. The house is not the usual model dwelling. Once it knew better days. Once it was the residence of a shipowner, in the days when the London docks were full of clippers, and shipowners husbanded their own ships and liked to live near their work. The house has a broad and noble staircase, having a carved handrail as wide as a span; but much of the old and carved interior woodwork of the house is missing--firewood sometimes runs short there--and the rest is buried under years of paint and dirt.

Hammond never knows how many people share the house with him. "I've tried to find out, but the next day one of 'em has died and two more are born." It is such a hive that most of Hammond's friends gave up visiting him after discovering in what place he had secluded himself; but there he stays with his books and his camera, his pubs and his lightermen, Jews, Chinamen, sailors, and dock-labourers. Occasionally a missionary from the studios of Hempstead or Chelsea goes down to sort out Hammond from his surroundings, and to look him over for damage, when found.

No, he hadn't. Some of Hammond's work, which he had been showing me, was scattered over the floor, and he stepped among the litter and came and looked through the window with me. "A funny thing happened to me here," he said, "the other evening. A pal of mine died. The bills which advertise for the recovery of his body--you can see 'em in any pub about here--call him Joseph Cherry, commonly called Ginger. He was a lighterman, you know. There was a sing-song for the benefit of his wife and kids round at the George and Dragon, and I was going.

"On my way I stopped to look in at my favourite pawnshop. Do you know the country about here? Well, you have to mind your eye. You never know what will turn up. I never knew such a place. Not all of Limehouse gets into the Directory, not by a lot. It is bound on the east by China, on the north by Greenland, on the south by Cape Horn, and on the west by London Bridge.

"The main road near here is the foreshore of London. There's no doubt the sea beats on it--unless you are only a Chelsea chap, with your eyes bunged up with paint. All sorts of things drift along. All sorts of wreckage. It's like finding a cocoanut or a palm hole stranded in a Cornish cove. The stories I hear--one of you writer fellers ought to come and stay here, only I suppose you are too busy writing about things that really matter. You are like the bright youths in the art schools, drawing plaster casts till they don't know life when they see it.

"Well, about this pawnshop. It's a sort of pocket--you know those places on the beach where a lot of flotsam strands--oceanic treasure-trove. I suppose the currents, for some reason sailors could explain, eddy round this pawnshop and leave things there. That pawnshop is the luckiest corner along our beach, and I stopped to turn over the sea litter.

"Of course, there was a lot of chronometers, and on top of a pile of 'em was a carved cocoanut. South Sea Islands, I suppose. Full of curious involuted lines--a mist of lines--with a face peering through the mist, if you looked close enough. Rows of cheap watches hung on their chains, and there was a lot of second-hand meerschaum pipes, and a walrus tusk, carved about a little. What took my eye was an old Chinese bowl, because inside it was a little jade idol--a fearful little wretch, with mother-o'-pearl eyes. It would squat in your thoughts like a toad, that idol--eh, where does Jabberjee come in? Well, here he comes.

"I didn't know he was coming at all, you understand. I shouldn't have jumped more if the idol had winked at me.

"There stood Jabberjee. I didn't know that was his name, though. He was christened Jabberjee after the trouble, by a learned Limehouse schoolboy, who wore spectacles. Do I make myself clear?"

I murmured that I was a little dense, but time might carry out improvements. Hammond was talking on, though, without looking at me. "There the Lascar was. Lots of 'em about here, you know. He was the usual bundle of bones and blue cotton rags, and his gunny bags flapped on his stick legs like banners. He looked as uncertain as a candle-flame in a draught. Perhaps he was sixteen. I dunno. Maybe he was sixty. You can't tell these Johnnies. He had a shaven cranium, and his tight scalp might have been slipped over the bony bosses of his head with a shoehorn.

"I don't know what he was saying. He cringed, and said something very quickly; I thought he was speaking of something he had concealed on his person. Smuggled goods, likely. Tobacco.

"Looking over his shoulder, wishing he would go away, I saw a policeman in the dusk at the opposite corner, with his eye on us.

"Then I could see something was concealed under the Lascar's flimsies. He seemed trying to keep it quiet. He kept on talking, and I couldn't make out what he was driving at. I was looking at his clothes, wondering what the deuce he had concealed there. At last something came out of his rags. Talk about making you jump! It really did look like the head of a snake. It was, too, but attached to a walking-stick--sort of handle. A scaly head it was, in some shiny material. Its eyes were like a pair of rubies. They picked up the light somehow, and glittered.

"Now listen. I looked up then into the Lascar's face. I was surprised to find he was taller. Much taller. He put his face forward and down, so that I wanted to step back.

"He had an ugly look. He was smiling; the sweep was smiling, as though he knew he was a lot cleverer than I. Another thing. The place was suddenly quiet, and the houses and shops seemed to have fallen far back. The pavement was wider.

"There was something else, I noticed. The bobby had left the street corner, and was walking our way. The curious thing was, though, the more he walked the farther off he got, as though the road was being stretched under his feet.

"Mind you, I was still awake and critical. You know there is a substratum of your mind which is critical, when you are dreaming, standing looking on outside you, like a spectator.

"Then the stick touched my hand. I shouted. I must have yelled jolly loud, I think. I couldn't help it. That horrible thing seemed to wriggle in my fingers.

"It was the shout which brought the crowd. There was the policeman. I can't make out how he got there. 'Now, what's your little game?' he said. That brought the buildings up with a rush, and broke the road into the usual clatter.

"It was all quite simple. There was nothing in it then out of the ordinary. Just a usual Lascar, very frightened, waving a cheap cane with a handle like a snake's head. Then another policeman came up in a hurry, and pushed through the crowd. The crowd was on my side, maudlin and sympathetic. They knew all about it. The coolie had tried to stab me. An eager young lady in an apron asked a boy in front--he had just forced through--what was the matter. He knew all about it.

"The Hindoo was now nearly hysterical, and the kiddies were picking up his language fast. 'Now then, old Jabberjee,' said one nipper in spectacles. The crowd was laughing, and surging towards the police. I managed to edge out of it.

"'You see that P. and O. Johnny?' he said. 'Well, he knocked down that kid'--indicating the boy in spectacles--'and took tuppence from him.'

"I thought a lot about the whole thing on the way home," said Hammond. "I tell you the yarn for you to explain to the chaps who like to base their beliefs on the sure ground of what they can understand."

Old George Galsworthy and I sat on the headland above the estuary, looking into the vacancy which was the Atlantic on an entranced silver evening. The sky was overcast. There was no wind, and no direct sun. The light was refined and diffused through a thin veiling of pearl. Sea and sky were one. As though they were suspended in space we saw a tug, having a barque in tow, far but distinct, in the light of the bay, tiny models of ebony set in a vast brightness. They were poised in the illumination, and seemed to be motionless, but we knew they were moving down on us. "Here she comes," said the seaman, "and a fine evening it is for the end of her last voyage." Shipbreakers had bought that barque. She was coming in to be destroyed.

The stillness of the world, and its lustre in which that fine black shape was centred and was moving to her end, made me feel that headlands, sea, and sky knew what was known to the two watchers on the hill. She was condemned. The ship was central, and the regarding world stood about her in silence. Sombre and stately she came, in the manner of the tragic proud, superior to the compelling fussiness of little men, making no resistance. The spring tide was near full. It had flooded the marsh lands below us, but not with water, for those irregular pools resplendent as mirrors were deeps of light. The hedgerows were strips of the earth's rind remaining above a profound. The light below the lines of black hedges was antipodean. The barque moved in slowly. She did not go past the lighthouse, and past our hill, into the harbour beyond, like a ship about the business of her life. She turned into the shallows below us, and stood towards the foot of the hill.

"She's altered a little," meditated Galsworthy. "They've shortened her sticks, those Norwegians, and painted her their beastly mustard colour and white. She's hogbacked, too. Well, she's old." The old man continued his quiet meditation. He was really talking to himself, I think, and I was listening to his thoughts.

"Look!" cried Galsworthy, suddenly rising, his hand gripping my shoulder. The tug had cast off and was going about. The ship came right on. There was an interval of time between her and the shore which was breathless and prolonged.

"She's aground!" exclaimed the old man to himself, and the hand on my shoulder gripped harder. He stood regarding her for some time. "She's done," he said, and presently released me, sitting down beside me again, still looking at her moodily, smoking his pipe. He was silent for a time. Perhaps he had in his mind that he too had taken the ground. It was sunset, and there she was, and there was he, and no more sparkling morning tides out of port for them any more.

Presently he turned to me. "There's a queer story about her. She carried an extra hand. I'll tell you. It's a queer yarn. She had one man at a muster more than signed for her. At night, you couldn't get into the rigging ahead of that chap. There you'd find him just too much ahead of the first lad who had jumped at the call to be properly seen, you know. You could see him, but you couldn't make him out. So the chap behind him was in no hurry, after the first rush. Well, it made it pretty hard for her old man to round up a crew. He had to find men who didn't know her. Men in Poplar who didn't know her, those days, were scarce. She was a London clipper and she carried a famous flag. Everybody knew her but men who weren't sailors.

"Well, the boys said she had a bit of gibbet-post about her somewhere. Ah! maybe. I don't know. Anyway, I say she was a fine clipper. I knew her. She was the pick of the bunch, to my eye. But she was full of trouble. I must say that. When she was launched she killed a man. First she stuck on the ways, and then she went off all unexpected, like a bird. That was always a trick of hers. You never knew her. And when she was tired of headwinds, she'd find a dead calm. That was the kind of ship she was. A skipper would look at her, and swear she was the ship for him. The other chaps didn't understand her, he'd say. A ship like that's sure to be good, he'd tell you. But when he'd got her she'd turn his hair grey. She was that sort.

"One voyage she was six weeks beating to westward round Cape Horn. We had a bad time. I'd never seen such seas. We could do no good there. It was a voyage and a half. She lost the second mate overboard, and she lost gear. So the old man put back to the Plate. And, of course, all her crowd deserted, to a man. They said they wanted to see their homes again before they died. They said there was something wrong about that ship, and they left all their truck aboard, and made themselves scarce. The old man scraped up a new crowd. They came aboard at dusk, one day, and they stared about them. 'Look, sir,' said one of them, 'what's that up there? What's that figgerhead in y'r main to'gallan' cross-tree?' I was the mate, you know. I talked to that chap. He learned something about getting the booze out of him before he came aboard. He got a move on.

"We were over four months making 'Frisco that voyage, and she the sailer she was. Why, she's logged thirteen knots. But she could get nothing right, not for long. She was like those fine-looking women men can't live without, and can't live with. She'd break a man's heart. When we got back to Blackwall we heard she was sold to foreigners ... but there she is now, come home to die. I bet old Yeo don't care much about her troubles, though. He'll break her up, troubles and all, and she's for firewood ... there you are, my dear, there you are ... but you should have seen her at Blackwall, in the old days ... what's the East India Dock Road like, these times?"

The next day, at low water, I stood beneath her, and watched a cascade pouring incessantly from a patched wound in her side, for she had been in collision, and that was why she was condemned. She was careened, like a slain thing, and with the dank rocks and weeds about, and that monotonous pour from her wound, she might have been a venerable sea monster from which the life was draining. Yeo hailed me from above, and up the lively rope ladder I went. She had a Norwegian name, but that was not her name. All Poplar knew her once. There she was born. She was one of ours. That stone arch of John Company, the entrance to the East India Dock, once framed her picture, and her topmasts looked down to the Dock Road, when she was at home. I could believe Galsworthy. She was not so empty as she seemed. She had a freight, and Yeo did not know it. Poplar and the days of the clippers! I knew she was invisibly peopled. Of course she was haunted.

The shipwrecker and I went about her canted decks, groped through dark recesses where it might have been the rats we heard, and peered into the sonorous shades of the empty cargo spaces. In the cabins we puzzled over those relics left by her last crew, which, without their associations, seemed to have no reason in them. There was a mocking silence in the cabins. What sort of men were they who were familiar with these doors? And before the northmen had her, and she was English, trim, and flew skysails and studding-sails, and carried lady passengers, who were the Poplar boys that laughed and yarned here? She was more mine than Yeo's. Let him claim her timber. All the rich freight of her past was mine. I was the intimate of every ghost she had.

We sat in a cabin which had been her skipper's. There was a litter on the floor of old newspapers and documents, receipts for harbour dues, the captain's copies of bills of lading, store lists, and some picture-postcards from the old man's family. A lump of indurated plum-duff, like a geological specimen, was on the table. There was a slant of sunshine through a square port window, and it rested on a decayed suit of oilskins. We sat silent, the shipbreaker having finished estimating to me, with enthusiasm, what she had of copper. He was now waiting for his men to return to work. They were going to take the masts out of her. But I was wondering what I could do to lay that ghost of my old shipping parish which this craft had conjured in my mind. And as we both sat there, looking at nothing, we heard, at the end of the alley-way, a door stealthily latch.

Yeo sprang to his feet at once, staring and listening. He looked at me, surprised and puzzled. "Of all the----" he began, and stopped. He took his seat again. "Why, of course," he said. "She's settling. That's what it is. She's settling. But my men, the fools, will have it there's some one pottering about this ship."

The trees of the Embankment Gardens were nearly stripped of their leaves, and were tossing widely. Shutting the eyes, you could think you heard the sweep of deep-water seas with strident crests. The greater buildings, like St. Paul's, might have been promontories looming in a driving murk. The low sky was dark and riven, and was falling headlong. But I liked the look of it. Here, plainly, was the end of the halcyon days,--good-bye to the sun,--but I felt, for a reason I could not remember and did not try to recall, pleased and satisfied with this gale and its wrack. The clouds seemed curiously familiar. I had seen them before somewhere; they were reminding me of a lucky but forgotten occasion of the past. Whatever it was, no doubt it was better than anything likely to happen today. It was something good in an old world we have lost. But it was something of that old world, like an old book which reads the same today; or an old friend surviving, who would help to make endurable the years to come. I need not try to remember it. I had got it, whatever it was, and that was all the assurance of its wealth I wanted. Then from the river came a call, deep, prolonged, and melancholy....

So that was it! No wonder the low clouds driving, and the wind in the trees, worked that in my mind. The tide was near full. There was a steamer moving in the Pool. She was outward bound.

Outward bound! I saw again the black buildings of a Welsh coaling port at evening, and a vague steamer (but no liner, that was plain enough, no liner), and two men beside me, who were going out with me in her, watching her. She was little more than a shadow with a port light. She gave a deep, shuddering warning. She was off. We had been for a last run round the town. We were to board her in the outer lock. The wind was whining in the telegraph-wires. It was hazing the pools of rain, which were bright and bleak with the last of a brazen yellow sunset. "Happy days!" said one of us. "Who wouldn't sell that little farm?... Now we're in for it. It will be the devil of an old, tough night." (Where this night is that friend? Mine-sweeping? Patrolling? Or is he---- But I hope not. He was a good fellow and a sailor.)

We were better off than we knew then, though then we thought it would be hard luck for a dog. Our thoughts turned to the snug indoor places of the lighted town behind us; for in the small hours we should be plunging off Hartland; with the Wolf to come, and the Bay after that; and the glass falling. But youth did know it was young, and that this night, wild and forbidding, and the old Sirius rolling away into it, would look fine when seen through tobacco smoke in the years to come.

For the light we saw at sea never fades. It survives our voyaging. It shines into the mind and abides there. We watched the horizon steadfastly for lands we did not know. The sun came up each day to a world that was not the same, no matter how it looked. At night we changed our stars. We heard nothing but the wind and the waves, and the quiet voice of a shipmate yarning with his pipe in his mouth. The elements could interrupt us, but not the world. Not a gull of that was left.

And somehow the beginning of a voyage seemed to be always in westerly weather, at the beginning of winter. The English land to me is a twilight coast with clouds like iron above it poised in a windy light of aquamarine, and a sunset of lucid saffron. Against that western light, bright, bare, and penetrating as the ruthless judgment of impersonal divinity, the polished waves mount, outlined as hard as jet, and move towards us. The ship's prow rises to cut out segments of the west; falls into the dark hollows of waves. The wind pours over us, an icy and ponderable flood, and is increasing. Where England has sunk in the dark one clear eye, like a yellow planet, comes out to watch us.

One thinks of the sea now as something gone, like the old world. There once a voyager was sundered from insistent trifles. He was with simple, elemental things that have been since time began, and he had to meet them with what skill he had, the wind for his friend and adversary, the sun his clock, the stars for counsel, and the varying wilderness his hope and his doubt. But the cruel misery of man did not intrude. He was free from that. All men at sea were his fellows, whatever their language, an ancient fraternity whose bond was a common but unspoken knowledge of a hidden but imminent fate. They could be strangers ashore, but not at sea.

But that is gone now. The sea is poisoned with a deadly sorrow not its own, which man has put there. The spaciousness of the great vault above the round of waters is soiled by the gibbering anxieties of a thousand gossipers of evil, which the ship catches in its wires, to darken the night of its little company with surmises of distant malignity and woe. It is something to retain a little of the light of the days at sea which have passed. They too had their glooms, but they came of the dignity of advancing storms, and the fear which great seas put in men who held a resolute course nevertheless, knowing that their weird was one which good seamen have faced since first the unknown beyond the land was dared; faith, courage, and the loyalty of comrades, which all the waters of the world cannot drown. But the heart of man, which will face the worst the elements can do, sickens at the thought of the perverse and inexplicable cruelty of his fellows.

Coming out of Victoria Station into the stir of London again, on leave from Flanders, must give as near the sensation of being thrust suddenly into life from the beyond and the dead as mortal man may expect to know. It is a surprising and providential wakening into a world which long ago went dark. That world is strangely loud, bright, and alive. Plainly it did not stop when, somehow, it vanished once upon a time. There its vivid circulation moves, and the buses are so usual, the people so brisk and intent on their own concerns, the signs so startlingly familiar, that the man who is home again begins to doubt that he has been absent, that he has been dead. But his uniform must surely mean something, and its stains something more!

And there can be no doubt about it, as you stand there a trifle dizzy in London once more. You really have come back from another world; and you have the curious idea that you may be invisible in this old world. In a sense you know you are unseen. These people will never know what you know. There they gossip in the hall, and leisurely survey the bookstall, and they would never guess it, but you have just returned from hell. What could they say if you told them? They would be embarrassed, polite, forbearing, kindly, and smiling, and they would mention the matter afterwards as a queer adventure with a poor devil who was evidently a little over-wrought; shell shock, of course. Beastly thing, shell shock. Seems to affect the nerves.

They would not understand. They will never understand. What is the use of standing in veritable daylight, and telling the living, who have never been dead, of the other place?

I know now how Rip Van Winkle felt about it. But his was a minor trouble. All he lost was some years. He had not changed, except that his beard was longer. But the man who comes back from the line has lost more than years. He has lost his original self. People failed to recognize Rip because they did not know his beard. Our friends do recognize us when they greet us on our return from the front, but they do not know us because we are not the men they remember. They are the same as ever; but when they address us, they talk to a mind which is not there, though the eyes betray nothing of the difference. They talk to those who have come back to life to see them again, but who cannot tell them what has happened, and dare not try.

Between that old self and the man they see, there is an abyss of dread. He has passed through it. To them the war is official communiqués, the amplifying dispatches of war correspondents, the silence of absent friends in danger, the shock of a telegram, and rather interesting food-rationing. They think it is the same war which the leave-man knows. He will tell them all about it, and they will learn the truth at last.

All about it! If an apparition of the battle-line in eruption were to form over London, over Paris, over Berlin, a sinister mirage, near, unfading, and admonitory, with spectral figures moving in its reflected fires and its gloom, and the echoes of their cries were heard, and murmurs of convulsive shocks, and the wind over the roofs brought ghostly and abominable smells into our streets; and if that were to haunt us by day and night, a phantom from which there was no escape, to remain till the sins of Europe were expiated, we should soon forget politics and arguments, and be in sackcloth and ashes, positive no longer, but down on our knees before Heaven in awe at this revelation of social guilt, asking simply what we must do to be saved.

Your revival at home, when on leave, is full of wonderful commonplaces, especially now, with summer ripening. The yellow-hammer is heard on the telegraph wire, and the voices of children in the wood, and the dust of white English country roads is smelled at evening. All that is a delight which is miraculous in its intensity. But it is very lonesome and far. It is curious to feel that you are really there, delighting in the vividness of this recollection of the past, and yet balked by the knowledge that you are, nevertheless, outside this world of home, though it looks and smells and sounds so close; and that you may never enter it again. It is like the landscape in a mirror, the luminous projection of what is behind you. But you are not there. It is recognized, but viewed now apart and aloof, a chance glimpse at the secure and enduring place from which you came, vouchsafed to one who must soon return to the secret darkness in his mind.

The home folk do not know this, and may not be told--I mean they may not be told why it is so. The youngster who is home on leave, though he may not have reasoned it out, knows that what he wants to say, often prompted by indignation, cannot be said. He feels intuitively that this is beyond his power to express. Besides, if he were to begin, where would he end? He cannot trust himself. What would happen if he uncovered, in a sunny and innocent breakfast-room, the horror he knows? If he spoke out? His people would not understand him. They would think he was mad. They would be sorry, dammit. Sorry for him! Why, he is not sorry for himself. He can stand it now he knows what it is like. He can stand it--if they can. And he realizes they can stand it, and are merely anxious about his welfare, the welfare which does not trouble him in the least, for he has looked into the depth of evil, and for him the earth has changed; and he rather despises it. He has seen all he wants to see of it. Let it go, dammit. If they don't mind the change, and don't kick, why should he? What a hell of a world to be born into; and once it did look so jolly good, too! He is shy, cheery, but inexorably silent on what he knows. Some old fool said to him once, "It must be pretty bad out there?" Pretty bad! What a lark!

But for his senior, who also knows, though the feeling is the same, the nature of the combative adult male is less shy, and not merely negatively contemptuous, but aggressive. It is difficult for him to endure hearing the home folk speak with the confidence of special revelation of the war they have not seen, when he, who has been in it, has contradictory minds about it. They are so assured that they think there can be no other view; and they bear out their mathematical arguments with maps and figures. It might be a chess tournament. He feels at last his anger beginning to smoulder. He feels a bleak and impalpable alienation from those who are all the world to him. He understands at last that they also are in the mirror, projected from his world that was, and that now he cannot come near them. Yet though he knows it, they do not. The greatest evil of war--this is what staggers you when you come home, feeling you know the worst of it--is the unconscious indifference to war's obscene blasphemy against life of the men and women who have the assurance that they will never be called on to experience it. Out there, comrades in a common and unlightened affliction shake a fist humorously at the disregarding stars, and mock them. Let the Fates do their worst. The sooner it is over, the better; and, while waiting, they will take it out of Old Jerry. He is the only one out of whom they can take it. They are to throw away their world and die, so they must take it out of somebody. Therefore Jerry "gets it in the neck." Men under the irrefragable compulsion of a common spell, who are selected for sacrifice in the fervour of a general obsession, but who are cooly awake to the unreason which locks the minds of their fellows, will burst into fury at the bond they feel. The obvious obstruction is the obstinate "blighter" with a machine-gun in front of them. At least, they are free to "strafe" him.

But what is the matter with London? The men on leave, when they meet each other, always ask that question without hope, in the seclusion of their confidence and special knowledge. They feel perversely they would sooner be amid the hated filth and smells of the battle-ground than at home. Out there, though possibly mischance may suddenly extinguish the day for them, they will be with those who understand, with comrades who rarely discuss the war except obliquely and with quiet and bitter jesting. Seeing the world has gone wrong, how much better and easier it is to take the likelihood of extinction with men who have the same mental disgust as your own, and can endure it till they die, but who, while they live in the same torment with you, have the unspoken but certain conviction that Europe is a decadent old beast eating her young with insatiable appetite, than to sit in sunny breakfast-rooms with the newspaper maps and positive arguments of the unsaved!

The dunes are in another world. They are two miles across the uncertain and hazardous tide races of the estuary. The folk of the village never go over. The dunes are nothing. They are the horizon. They are only seen in idleness, or when the weather is scanned, or an incoming ship is marked. The dunes are but a pallid phantom of land so delicately golden that it is surprising to find it constant. The faint glow of that dilated shore, quavering just above the sea, the sea intensely blue and positive, might wreathe and vanish at any moment in the pour of wind from the Atlantic, whose endless strength easily bears in and over us vast involuted continents of white cloud. The dunes tremble in the broad flood of wind, light, and sea, diaphanous and fading, always on the limit of vision, the point of disappearing, but are established. They are soundless, immaterial, and far, like a pleasing and personal illusion, a luminous dream of lasting tranquillity in a better but an unapproachable place, and the thought of crossing to them never suggests anything so obvious as a boat. They look like no coast that could be reached.

It was a perverse tide on a windless day which drifted me over. The green mounds of water were flawless, with shadows of mysteries in their clear deeps. The boat and the tide were murmuring to each other secretly. The boat's thwarts were hot and dry in the sun. The serene immensity of the sky, the warmth and dryness of the boat's timbers, the deep and translucent waters, and the coast so low and indistinct that the silent flashing of the combers there might have been on nothing substantial, were all timeless, and could have been but a thought and a desire; they were like a memorable morning in a Floridan cay miraculously returned. The boat did not move; the shore approached, revealed itself. It was something granted on a lucky day. This country would not be on the map.

I landed on a broad margin of sand which the tide had just left. It was filmed with water. It was a mirror in which the sky was inverted. When a breath of air passed over that polished surface it was as though the earth were a shining bubble which then nearly burst. To dare that foothold might precipitate the intruder on ancient magic to cloudland floating miles beneath the feet. But I had had the propriety to go barefooted, and had lightened my mind before beginning the voyage. Here I felt I was breaking into what was still only the first day, for man had never measured this place with his countless interruptions of darkness. I don't know whether that mirror had ever been darkened till I put my foot in it. After the news I had heard on the quay that morning before starting out, news just arrived from London, the dunes were an unexpected assurance that the earth has an integrity and purity of its own, a quality which even man cannot irreparably soil; that it maintains a pristine health and bloom invulnerable to the best our heroic and intelligent activities can accomplish, and could easily survive our extinction, and even forget it once supported us.

I found an empty bottle among the dry litter and drift above the tide-mark, sole relic, as far as could be seen there, of man. No message was in the bottle. The black bottle itself was forlornly the message, but it lay there unregarded by the bright immemorial genius of that coast. Yet it settled one doubt. This was not a land which had never known man. It had merely forgotten it had known him. He had been there, but whatever difference he had made was of the same significance now as the dry bladder-wrack, the mummied gull near by, and the bleached shells. The next tide probably would hide the memento for ever. At the time this did not seem an unhappy thought, though the relic had been our last witness, so enduring was the tenuous brightness of the place, the shrine of our particular star, the visible aura of earth. We rarely see it. It is something to be reminded it is not lost; that we cannot, whatever else we can do, put out a celestial light.

Above the steep beach a dry flat opened out, reached only by gales and the highest of the spring tides, a wilderness of fine sand, hot and deep, its surface studded with the opaque blue of round pebbles and mussel shells. It looked too arid to support life, but sea-rocket with fleshy emerald stems and lilac flowers was scattered about. Nothing moved in the waste but an impulsive small butterfly, blue as a fragment of sky. The silence of the desert was that of a dream, but when listening to the quiet, a murmur which had been below hearing was imagined. The dunes were quivering with the intensity of some latent energy, and it might have been that one heard, or else it was the remembrance held by that strand of a storm which had passed, or it might have been the ardent shafts of the sun. At the landward end of the waste, by the foot of the dunes, was an old beam of a ship, harsh with barnacles, its bolt-holes stopped with dust. A spinous shrub grew to one side of it. A solitary wasp, a slender creature in black and gold, quick and emotional, had made a cabin of one of the holes in the timber. For some reason that fragment of a barque was more eloquent of travel, and the work of seamen gone, than any of the craft moored at the quay I left that morning. I smoked a pipe on that timber--for all I knew, not for the first time--and did not feel at all lonely, nor that voyages for the discovery of fairer times were finished.

Now the dunes were close they appeared surprisingly high, and were formed, not like hills, but like the high Alps. They had the peaks and declivities of mountains. Their colour was of old ivory, and the long marram grass which grew on them sparsely was as fine as green hair. The hollowed slope before me was so pale, spacious, and immaculate that there was an instinctive hesitation about taking it. A dark ghost began slowly to traverse it with outspread arms, a shade so distinct on that virgin surface that not till the gull, whose shadow it was, had gone inland, following its shadow over the high yellow ridge, did I know that I had not been looking at the personality. But the surface had been darkened, and I could overcome my hesitation.

From the ridge, the country of the dunes opened inland with the enlarged likeness of a lunar landscape surveyed in a telescope. It merely appeared to be near. The sand-hills, with their acute outlines, and their shadows flung rigidly from their peaks across the pallor of their slopes, were the apparition of inviolable seclusion. They could have been waiting upon an event secret from our knowledge, larger than the measure of our experience; so they had still the aspect of a strange world, not only infinitely remote, but superior with a greater destiny. They were old, greatly older than the ancient village across the water. Ships left the village and went by them to sea gay with the bunting of a first voyage, with a fair wind, and on a fine morning; and when such a ship came back long after as an old plank bearded with sea moss, to the dunes under which it stranded the day was still the same, vestal and innocent; for they were on a voyage of greater length and import. They had buried many ships; but, as time moved to them, all on the same day.

Only when resting on a knoll of one of the slopes, where the shadows of a tuft of marram grass above my head lay as thin black wire on the sand, were the dunes caught in part of their secret. There was no sound. I heard the outer world from which I had come only as the whistle of a curlew. It was far away now. To this place, the news I had heard on the quay that morning would have sounded the same as Waterloo, which was yesterday, or the Armada, which was the same day--wasn't it?--or the day before, or as the whistle of a curlew. Here we were outside time. Then I thought I heard a faint whisper, but when I looked round nothing had altered. The shadows of the grass formed a fixed metallic design on the sand. But I heard the whisper again, and with a side glance caught the dune stealthily on the move.

It was alive. When you were not attentive, some of its grains would start furtively, pour in increasing mobility fanwise, and rest instantly when looked at. This hill was fluid, and circulated. It preserved an outline that was fixed through the years, a known, named, and charted locality, only to those to whom one map would serve a lifetime. But it was really unknown. It was on its way. Like the ships that were passing, it also was passing. It was only taking its own time.

Secluded within the inner ranges were little valleys, where, for a while, the dunes had ceased to travel, and were at leisure. I got into a hollow which had a floor of hoary lichen, with bronze hummocks of moss. In this moment of pause it had assumed a look of what we call antiquity. The valley was not abundant with vegetation, but enamelled and jewelled. A more concentrated, hectic, and volatile essence sent up stalks, blades, and sprays, with that direction and restraint which perfection needs. More than in a likelier and fecund spot, in this valley the ichor showed the ardour and flush of its early vitality. Even now it could shape like this, and give these dyes! Chosen by an earth astringent and tonic, the forms were few and personal. Here you should see to what influences our planet is still subject. The shapes in that valley were more than coloured; they were rare jets of light, emerald, orange, blue, and scarlet. Life burned with an original force, a steady virtue. What is "good news"? It depends on the sort of evidence for which we look.

Just showing in the drift on the seaward side of the valley were some worked stones and a little brickwork. When the sandhill paused, it had almost covered a building where man once worshipped. I could find nobody afterwards who remembered the church, or had even heard of it. Yet the doom of this temple, prolonged in its approach but inevitable, to those to whom the altar once had seemed as indestructible as hope, must on a day have struck the men who saw at last their temple's end was near as a hint, vague but glacial, of the transience of all their affairs.

But what were their affairs? We should have to know them before we could regret the dry sand which buried them. The valley looked very well as it was. It showed no sign of failure. Over one of the stones of the forgotten altar was a casual weed which stood like a sign of success and continuance. It was as indecipherable as the stone, but the blue of its flowers, still and deep as rapture, surprising and satisfying as an unexpected revelation of good, would have been better worth reading for a knowledge of the heart from which could be drawn the temper and intensity of that faith.

You may never have addressed a meeting of the public, but you have long cherished a vision of a figure (well known to your private mirror) standing where it overlooks an intent and silent multitude to which it communicates with apt and fluent words those things not seen by mortal eyes, the dream of a world not ours.... You know what I mean. (Loud and prolonged applause.)

"I should be glad," wrote one who is still unashamed to call himself my friend, "if you could run down here one evening and address a meeting on your experiences. Just conversationally, you know."

A casual sort of letter. Designedly so. But I could see through it. It was an invitation which did not wish to scare me from accepting it. I smiled with serene amusement at its concluding sentence. Conversationally! Why, that would be merely talking; tongue-work; keeping on and on after one usually, if merciful to a friend, lets him off. I felt instantly that for once it might be even more pleasant to entertain an audience than to be one of the crowd and bored. And it happened that my experiences really did give me something to say, and were exactly what an audience, in war-time, might be glad to hear. I therefore wrote a brief note of acceptance, as one to whom this sort of thing comes ten times a day; and thought no more about it.

No more, that is to say, till I saw the local paper announced me as a coming event, a treat in store. I was on the list. There were those that evening who, instead of going to a theatre, a concert, or to see Vesta Tilley, would come to hear me. I felt then the first cold underdraught of doubt, the chilling intimation from the bleak unknown, where it is your own affair entirely whether you flourish or perish. What a draught! I got up, shut the door, and looked at the day of the month.

But what weakness was this? Anybody, could do it, if they knew as much of my subject as did I. Many men would do it, without a tremor, without shame, if they knew next to nothing about it. Look at old Brown, for example, whose only emotions are evoked by being late for dinner, the price of building materials, the scandalous incapacity of workmen, and the restriction of the liberty of the subject by trade unions! He will sit, everybody knows, while wearing plaid trousers and side-whiskers, on the right hand of a peer, in full view of thousands, at a political meeting, untroubled, bland, conscious of his worth, and will rise at the word, thumbs carelessly thrust into his waistcoat pockets, begin with a jest (the same one), and for an hour make aspirates as uncommon as are bathrooms in his many houses.

He has nothing to say, and could not say it if he had; but he can speak in public. You will observe the inference is obvious. One who is really capable of constructive thought (like you and me); who has a wide range of words to choose from even when running; who is touched, by events, to admiration, to indignation, to alarm, to--to all that sort of thing, he could ... the plastic audience would be in his skilful hands, there is no doubt. (Hear, hear!)

Time passed. As Mr. A. Ward once pointed out, it is a way time has. The night came, as at last I began to fear it would. My brief notes were in my pocket, for I had resolutely put from me the dishonourable and barren safety of a written lecture. In the train--how cold was the night--I wished I had gone more fully into the matter. Slightly shivering, I tried to recall the dry humour of those carefully prepared opening sentences which shortly would prove to my audience that I had their measure, and was at ease; would prove that my elevation on the platform was not merely through four feet of deal planking, but was a real overlooking. But those delicate sentences had broken somehow. They were shards, and not a glitter of humour was sticking to the fragments.

I felt I would rather again approach one of those towns in France, where it was likely you would run into the Uhlans, than go to that lecture hall. No doubt, too, my friend had explained to them what a clever fellow I was, in order to get some reflected glory out of it. Then it would serve him right; there would be two of us.

The hall was nearly full. What surprises one is to find so many ladies present. A most disquieting fact, entirely unforeseen. They sit in the front rows and wait, evidently in a tranquil, alert, and mirthful mind, for you to begin. I could hear their leisurely converse and occasional subdued laughter (about what?) even where, in a sort of frozen, lucid calm, indifferent to my fate, the mood of all Englishmen in moments of extreme peril, I was handing my hat and coat to my friend in a room behind the platform. All those people out there were waiting for me.

When we got on the platform the chairman told them something about me, I don't know what, but when I looked up it was to find, like the soul in torment, that a multitude of bodiless eyes had fixed me--eyes intent, curious, passionless.

I stood up. The sound of my voice uplifted in that silence was the most startling sound I have ever heard. Shortly after that there came the paralysing discovery that it is a gift to be able to think while hundreds wait patiently to see what the thought is like when it comes. This made my brow hot. There was a boy in an Eton suit, sitting in front with his legs wide apart, who was grinning at me through his spectacles. How he got there I don't know. I think he was the gift of the gods. His smile so annoyed me that I forgot myself, which saved me. I just talked to that boy.

Once there was loud laughter. Why? It is inexplicable. I talked for about an hour. About what? Heaven knows. The chairman kindly let me out through a side entrance.

We passed a division on the march the other day. Though the British occupy this country, it is not often one sees them as a multitude. When in the trenches, you are concerned with but a handful of your fellows. But just then an interminable river of steel helmets poured along in regular waves.

It is something to be able to say you have seen a British army moving down the straight leagues of a French road through its guarding avenue of trees. My own brother may have been in that host.... Yet I never thought of him. A torrent of sounds swamped and submerged my thoughts--the clangour of chains, the rumbling of wheels, the deep growling of guns; and that most ominous and subduing sound in war, the ceaseless rhythmic tramp of armed men marching without music or song, men who, except the menace of their measured progress, that intimation of destiny and fate irresistible, are but a multitude of expressionless masks that glance at you, and pass.

These men are all dressed alike; they are a tide of men. They all look alike. Their mouths are set. They move together with the common, irresistible, uncritical urge of migratory animals. Their eyes fix you in a single ceaseless interrogation. About what?

There is no knowing. Don't ask me what the men are thinking in Flanders; I don't know, and I have been with them since the beginning. And I don't think any one else does.

But once, as this division was passing, one of those little go-carts on perambulator wheels in which the men, holding drag-ropes, transport their own personal belongings, upset a few books. You would have recognized their popular covers; and the anxiety, instantly shown, to recover those treasures, broke up the formation there for a few moments into something human and understandable. The wind took a few escaped leaves and blew them to me. The Pickwick Papers!

I got the hint that I was, in the right sense, on the same road as these men. My brother was certainly there. For sometimes, you know, one has a bleak sense of doubt about that, a feeling of extreme isolation and polar loneliness. You wonder, at times, mixed up here in the mysterious complexities of that elemental impulse which is visible as ceaseless clouds of fire on the Somme, whether you are the last man, witnessing in helpless and mute horror the motiveless upheaval of earth in final ruin.

So that, even as I write this, and glance, safe for tonight, at the strangeness of this French house, I see everything about me with astonishment, and feel I may wake at any moment to the familiar things of that home in which I fell asleep to dream of calamity.

Moving about this dubious and unauthentic scene of war, an atom of a fortuitous host, each one of the host glancing at me with inscrutable eyes which seem to show in passing--if they show anything at all--a faint hint of reproach, the interruption of war by the page of a familiar book, and the sudden anxious effort by one of the uniformed phantoms to recover words which you remember well enough were once worth hearing, was like momentary recovery. An unexpected revelation. For a moment I saw the same old enduring earth under us. All was well.

I often doubt here the existence of a man who is talking to me. He seems altogether incredible. He might be talking across the Styx; and I am not sure at the moment on which side of that river I stand. Is he on the right side or am I? Which of us has got the place where a daily sun still rises? Yes, it is the living men here who are the uncanny spectres.

I have come in a lonely spot upon a little cross by the wayside, and have been stopped by a familiar name on it. Dead? No. There, right enough, is my veritable friend, as I knew and admired him. He cannot be dead. But those men in muddy clothes who sometimes consort with me round the burning logs on the hearth of an old château at night, I look across the floor at them as across countless ages, and listen to their voices till they sound unintelligibly from a remote and alien past. I do not know what they say to me. I am encompassed by dark and insoluble magic, and have forgotten the Open Sesame, though I try hard to remember it; for these present circumstances and the beings who move in them are of a world unreal and unreasonable.

I get up from the talk of war by that fireside of an old château built on a still more ancient field where English archers fought a famous battle six hundred years ago. A candle stands on a bracket beneath a portrait of a lady. The lady is in the dress of the days of the French Revolution. She is young and vivid, and looks down at me under lowered eyelids in amused and enticing scrutiny. Her little mouth has the faintest trace of a contemplative smile; and as I look at her I could swear the corners of her mouth twitch, as if in the restraint of complete understanding.

She is long gone. She was executed at Arras. But I know her well. The château is less cold and lonely than it was.

Old stairs wind upwards to a long corridor, the distant ends of which are unseen. A few candles gutter in the draughts. The shadows leap. The place is so still that I can hear the antique timbers talking. But something is without which is not the noise of the wind. I listen, and hear it again, the darkness throbbing; the badly adjusted horizon of outer night thudding on the earth--the incessant guns of the great war.

And I come, for this night at least, to my room. On the wall is a tiny silver Christ on a crucifix; and above that the portrait of a child, who fixes me in the surprise of innocence, questioning and loveable, the very look of warm April and timid but confiding light. I sleep with the knowledge of that over me, an assurance greater than that of all the guns of all the hosts. It is a promise. I may wake to the earth I used to know in the morning.

In the train bound for the leave boat, just before Christmas, the Knight-Errant, who also was returning to the front, re-wrote the well-known hymn of Phillips Brooks for me, to make the time pass. It began:

So you may guess, though I shan't tell you, how it continued. For the iron was in the soul of the Knight and misery was twisting it. I cannot pretend it was a pleasure trip. This was to be our third Christmas in Flanders. Is it any good trying to pass on the emotion common to men who go to that place because they must? No, it is not. Yet, throughout the journey to the boat, I was not astonished at the loud gaiety of many of our passengers. I have got used to it; for they were like that when they landed at Boulogne in August 1914; and they will be no different when they come back for good, to comfortable observers who prefer to be satisfied easily.

There was a noise of musical instruments and untractable boots on the floor-boards. While waiting in the nervous queue on the Day of Judgment one of those fellows will address a mouth organ to the responsive feet of a pal, and the others will look on with intent approval, indifferent to Gabriel. Having watched disaster experiment variously with my countrymen for three years, I begin to understand why once the French hated us, why lately they have learned to admire us and to be amused by us, why the blunders of our governing classes don't damage us vitally (which seems miraculous unless you know the reason); and, indeed, why that blessed flag has braved a thousand years the battle and the breeze.

It is because the quality of our Nobodies (about whom a great epic will get written when a poet is born good enough and big enough to receive the inspiration), it is because any average Nobody has a cool impregnability to the worst bad luck can do which is supernal. That gives the affair something of the comic. That is what makes the humour of the front. And after the first silent pause of respect and wonder at one more story of the sort a journalist knows so well who knows but a little of railway men and miners, seamstresses and the mothers in mean streets, and ships and the sea, one cannot help chuckling. Again, the sons of Smith and Jones and Robin! The well-born, the clever, the haughty, and the greedy, in their fear, pride, and wilfulness, and the perplexity of their scheming, make a general mess of the world. Forthwith in a panic they cry, "Calamity cometh!"

Then out from their obscurity, where they dwelt because of their low worth, arise the Nobodies; because theirs is the historic job of restoring again the upset balance of affairs. They make no fuss about it. Theirs is always the hard and dirty work. They have always done it. If they don't do it, it will not be done. They fall with a will and without complaint upon the wreckage wilfully made of generations of such labour as theirs, to get the world right again, to make it habitable again, though not for themselves; for them, they must spend the rest of their lives recreating order out of chaos. A hopeless task; but they continue at it unmurmuring, giving their bodies without stint, as once they gave their labour, to the fields and the sea. And some day the planet will get back to its old place under the sun; but not for them, not for them.

A Nobody never seems to know anything, but by the grace of God he gets there just the same. I was not far from Ypres and the line of the Yser during the first battle for the Channel ports. Do you know how near we were to the edge of the precipice not long before that Christmas? We were on the verge. We were nearly over. I knew it then. So when, later still, I used to meet in France an enigmatic, clay-coloured figure with a visage seamed with humorous dolours, loaded with pioneering and warlike implements, rifles, knives, tin hats, and gas masks, I always felt I ought to get down and walk. Instead of which he used to salute me as smartly as he could. He will never know how cheap and embarrassed he used to make me feel. I wish I knew enough to do him some justice.

And here once more is the leave boat, and this is another Christmas Eve. It was a still twilight, with a calm sea and a swell on our starboard beam. We rolled. We looked back on England sinking in the night. A black smudge of a destroyer followed us over with its eye on us. The main deck was crowded with soldiers--you could not get along there--singing in their lifebelts; at times the chorus, if approved, became a unanimous roar. They didn't want to be there. They didn't want to die. They wanted to go home. But they sang with dolorous joy. The chorus died; and we heard again the deep monody of the sea, like the admonitory voice of fate. The battles of the Somme were to come before the next Christmas; though none of us on that boat knew it then. And where is the young officer who went ashore under the electric glare of the base port, singing also, and bearing a Christmas tree? Where is that wild lieutenant of the Black Watch--he had a splendid eye, and a voice for a Burns midnight--who cried rollicking answers from the back of the crowd to the peremptory megaphone of the landing officer, till the ship was loud and gay, and the authorities got really wild? And the boy of a new draft, whose face, as I passed him where he had fallen in,--the light dropped to it,--was pale and nervous, and his teeth chattering! Ah, the men we met in France, and the faces we saw briefly, but remember, that were before the Somme! Shadows, shadows.

It rained next morning. This was Christmas Day. We were going to the trenches. Christians awake, salute the happy morn. There was a prospect of straight road with an avenue of diminishing poplars going east, in an inky smear, to the Germans and infinity. The rain lashed into my northerly ear, and the A.S.C. motor-car driver, who was mad, kept missing three-ton lorries and gun-limbers by the width of the paint. One transport mule, who pretended to be frightened of us, but whose father was the devil and his mother an ass, plunged into a pond of black Flanders mud as we passed, and raked us with solvent filth. We wiped it off our mouths. God rest you merry, gentlemen. A land so inundated that it inverted the raw and alien sky was on either hand. The mud clung to the horses and mules like dangling walnuts and bunches of earthy and glistening grapes. The men humped themselves in soddened khaki. The noise of the wheels bearing guns was like the sound of doom. The rain it rained. O come, all ye faithful!

We got to a place where there was no more wheeled traffic. There was nothing moving, nothing alive. That country was apparently abandoned. To our front and left, for no apparent reason, three little dirty yellow clouds burst simultaneously over a copse, with a smash which made you feel you ought to be tolerant to men with shell-shock. On our right was an empty field. Short momentary flames leaped constantly from its farthermost hedge, with a noise like the rapid slamming of a row of iron doors. Heavy eruptions, as though subterranean, were going on all the time, the Lord knew where. But not a man was in sight till we got to a village which looked like Gomorrah the day after it happened. Some smoke and red dust were just settling by one of the ruins, and a man lay there motionless with his face in the rubbish....

There was a habitation where sacking kept the wind and rain from unlucky holes, with holly behind pictures tacked to its walls, and a special piece of inviting mistletoe over a saucy lady from La Vie Parisienne. There was an elderly and serious colonel, who had an ancestor at Chevy Chase, but himself held independent views on war; and a bunch of modest boys with sparkling eyes and blithe and ironic comments. They also did not discuss the war in the way it is discussed where war is but lowered street lights. We had bully beef, the right sort of pudding,--those boys must have had very nice sisters,--and frosted cake. There were noises without, as the book of the play has it, and plenty of laughter within, and I enjoyed myself with a sort of veiled, subconscious misery; for I liked those lads; and we are so transitory today.

Then one of them took me for a Christmas walk in his country. "Have you got your gas helmet?" he said. "That's right. It makes your eyes stream with tears, and you look such a silly ass." On we went. I began Christmas Day in the trenches by discovering the bottom of the mud too late; though you never can tell, when a noise like the collapse of an iron roof goes off behind you, where you are going to put your feet at that moment. We went through a little wood, where the trees were like broken poles with chewed ends. Over our heads were invisible things which moaned, shrieked, and roared in flight. It was astonishing that they were invisible. Sometimes the bottom of the mud of that communication trench was close, and sometimes not; you knew when you had tried. And as the parapets usually had dissolved at the more dubious places, and I was told and heard that Fritz had machine guns trained on them, I did not waste much time experimenting.

I found the firing-line, as one usually does, with surprise. There was a barrier of sandbags, oozing grey slime, and below, in a sort of little cave, with his body partly resting in a pool of water, a soldier asleep. Just beyond was a figure so merged in the environment of aqueous muck and slime that I did not see him till he moved, and his boots squelched. He lifted a wet rag in the grey wall and got surprisingly rapid with a rifle which was thrust through the hole and went off; and then turned to look at us. "That fellow opposite is a nuisance," said my officer. "He's always potting at this corner." "Yes, sir," said the figure of mud, darkly louring under its tin hat, "but I know where the blighter is now, and I'll get the beggar yet." With a sudden recollection he then touched iron, and grinned.

Slithering above the ankles in well-worked paste, and leaning against a wall of slime, I tried to find "the nuisance opposite" with a periscope; but before me was only a tangle of rusty wire, a number of raw holes in shabby green grass, some objects lying about which looked like tailors' dummies discarded to the weather, and an awe-inspiring stillness.

There were some interchanges with serious men, who did not sing, but who sat about in mud, or leaned against it, and were covered with it, or who were waiting with rifles ready, or looking through periscopes, or doing things over fires which smoked till the eyes were red. "Come and see our mine crater," said my guide. "It's a topper. Fritz made it, but we've got it."

I knew where that crater would be, and I thought the less of it as a spectacle. But "out there" one must follow one's leader wherever he goes. He was going to make me crawl after him in "No Man's Land," and it was not dark yet. So I acquired that sinking sensation described in the pill advertisements. The mud got down our collars; but we arrived, though I don't know how, because I was thinking too much. It was only a deep yellow hole in the ground, too, that crater, with barbed wire spilled into it and round it; and you were warned to breathe gently in it, for Fritz might lob a bomb over. He was six yards off.

In the forlorn and dying light of that Christmas Day I then noticed a muffled youngster beside me, who might have been your son, alone, gripping a rifle with a fixed bayonet, his thoughts Heaven knows where, a box of bombs ready to hand in the filth; and his charge was to give first warning of movement in that stillness beyond. As we crawled away, leaving him there, I turned to look at that boy of yours, and his eyes met mine....

For more than two years this town could not have been more remote from us if it had been in another planet. We were but a few miles from it, but the hills hid it, and the enemy was between us and the hills. This town was but a name, a legend.

Now the enemy had left it. When going into it for the first time you had the feeling that either you or the town was bewitched. Were you really there? Were time and space abolished? Or perhaps the town itself was supernatural; it was spectral, projected by unknowable evil. And for what purpose? Suspicious of its silence, of its solitude, of all its aspects, you verified its stones by touching them, and looked about for signs that men had once been there.

Such a town, which has long been in the zone of fire, and is then uncovered by the foe, gives a wayfarer who early ventures into it the feeling that this is the day after the Last Day, and that he has been overlooked. Somehow he did not hear Gabriel's trumpet; everybody else has gone on. There is not a sound but the subdued crackling of flames hidden somewhere in the overthrown and abandoned. There is no movement but where faint smoke is wreathing slowly across the deserted streets. The unexpected collapse of a wall or cornice is frightful. So is the silence which follows. A starved kitten, which shapes out of nothing and is there complete and instantaneous at your feet--ginger stripes, and a mew which is weak, but a veritable voice of the living--is first a great surprise, and then a ridiculous comfort. It follows you about. When you miss it, you go back to look for it--to find the miserable object racing frantically to meet you. Lonely? The Poles are not more desolate. There is no place as forlorn as that where man once was established and busy, where the patient work of his hands is all round, but where silence has fallen like a secret so dense that you feel that if it were not also so desperately invisible you could grasp a corner of it, lift the dark veil, and learn a little of what was the doom of those who have vanished. What happened to them?

It cannot be guessed. House fronts have collapsed in rubble across the road. There is a smell of opened vaults. All the homes are blind. Their eyes have been put out. Many of the buildings are without roofs, and their walls have come down to raw serrations. Slates and tiles have avalanched into the street, or the roof itself is entire, but has dropped sideways over the ruin below as a drunken cap over the dissolute. The lower floors are heaps of damp mortar and bricks. Very rarely a solitary picture hangs awry on the wall of a house where there is no other sign that it was ever inhabited. I saw in such a room the portrait of a child who in some moment long ago laughed while it clasped a dog in a garden. You continue to gaze at a sign like that, you don't know why, as though something you cannot name might be divined, if you could but hit upon the key to the spell. What is the name of the evil that has fallen on mankind?

The gardens beyond are to be seen through the thin and gaping walls of the streets, and there, overturned and defaced by shell-bursts and the crude subsoil thrown out from dug-outs, a few ragged shrubs survive. A rustic bower is lumbered with empty bottles, meat tins, a bird-cage, and ugly litter and fragments. It is the flies which find these gardens pleasant. Theirs is now the only voice of Summer, as though they were loathly in the mouth of Summer's carcase. It is perplexing to find how little remains of the common things of the household: a broken doll, a child's boot, a trampled bonnet. Once in such a town I found a corn-chandler's ledger.

It was lying open in the muck of the roadway, wet and discoloured. Till that moment I had not come to the point of believing the place. The town was not humane. It was not credible. It might have been, for all I could tell, a simulacrum of the work of men. Perhaps it was the patient and particular mimicry of us by an unknown power, a power which was alarmingly interested in our doings; and in a frenzy over its partial failure it had attempted to demolish its laborious semblance of what we do. Was this power still observant of its work, and conscious of intruders? All this was a sinister warning of something invisible and malign, which brooded over our affairs, knew us too well, though omitting the heart of us, and it was mocking us now by defiling in an inhuman rage its own caricature of our appearance.

But there, lying in the road, was that corn-chandler's ledger. It was the first understandable thing I had seen that day. I began to believe these abandoned and silent ruins had lived and flourished, had once a warm kindred life moving in their empty chambers; enclosed a comfortable community, like placid Casterbridge. Men did stand here on sunny market days, and sorted wheat in the hollows of their hands. And with all that wide and hideous disaster of the Somme around it was suddenly understood (as when an essential light at home, but a light that has been casually valued, goes out, and leaves you to the dark) that an elderly farmer, looking for the best seed corn in the market-place, while his daughter the dairymaid is flirting with his neighbour's son, are more to us than all the Importances and the Great Ones who in all history till now have proudly and expertly tended their culture of discords.

I don't know that I ever read a book with more interest than that corn-chandler's ledger; though at one time, when it was merely a commonplace record of the common life which circulated there, testifying to its industry and the response of earth, it would have been no matter to me. Not for such successes are our flags displayed and our bells set pealing. It named customers at Thiepval, Martinpuich, Courcelette, Combles, Longueval, Contalmaison, Pozières, Guillemont, Montauban. It was not easy to understand it, my knowledge of those places being what it was. Those villages did not exist, except as corruption in a land that was tumbled into waves of glistening clay where the bodies of men were rotting disregarded like those of dogs sprawled on a midden. My knowledge of that country, got with some fatigue, anxiety, fright and on certain days dull contempt for the worst that could happen, because it seemed that nothing could matter any more, my idea of that country was such that the contrast of those ledger accounts was uncanny and unbelievable. Yet amid all the misery and horror of the Somme, with its shattering reminder of finality and futility at every step whichever way you turned, that ledger in the road, with none to read it, was the gospel promising that life should rise again; the suggestion of a forgotten but surviving virtue which would return, and cover the dread we knew, till a ploughman of the future would stop at rare relics, holding them up to the sun, and dimly recall ancient tales of woe.

It was Meredith's country, and Atlantic weather in Lent. The downs were dilated and clear as though seen through crystal. A far company of pines on the high skyline were magnified into delicate inky figures. The vacant sward below them was as lucent as the slope of a vast approaching wave. A blackbird was fluting after a shower, for the sky was transient blue with the dark rags of the squall flying fast over the hill towards London. The thatched roof of a cottage in the valley suddenly flamed with a light of no earthly fire, as though a god had arrived, and that was the sign. Miss Muffet, whose profile, having the breeze and the surprise of the sun in her hair, was dedicated with a quivering and aureate nimbus, pulled aside the brush of a small yew, and exclaimed; for there, neatly set in the angle of the bough, was a brown cup with three blue eggs in it. I saw all this, and tried my best to get back to it; but I was not there. I saw it clearly--the late shower glittered on my coat and on the yew with the nest in it--but it was a scene remote as a memorable hour of a Surrey April of years ago. I could not approach; so I went back into the house.

But there was no escape. For I freely own that I am one of those who refused to believe there would be "a great offensive." (Curse such trite and sounding words, which put measureless misery through the mind as unconsciously as a boy repeats something of Euclid.) I believe that no man would now dare to order it. The soldiers, I knew, with all the signs before them, still could not credit that it would be done. The futile wickedness of these slaughters had been proved too often. They get nowhere. They settle nothing. This last, if it came, would be worse than all the rest in its magnitude and horror; it would deprive Europe of a multitude more of our diminishing youth, and end, in the exhaustion of its impetus, with peace no nearer than before. The old and indurated Importances in authority, safe far behind the lines, would shrink from squandering humanity's remaining gold of its life, even though their ignoble ends were yet unachieved. But it had been ordered. Age, its blind jealousy for control now stark mad, impotent in all but the will and the power to command and punish, ignoring every obvious lesson of the past, the appeal of the tortured for the sun again and leisure even to weep, and the untimely bones of the young as usual now as flints in the earth of Europe, had deliberately put out the glimmer of dawn.

Well for those who may read the papers without personal knowledge of what happens when such a combat has begun; but to know, and to be useless; to be looking with that knowledge at Meredith's country in radiant April! There are occasions, though luckily they come but once or twice in life, when the mind is shocked by the basal verities apparently moving as though they were fugitive; thought becomes dizzy at the daylight earth suddenly falling away at one's feet to the vacuity of the night. Some choice had to be made. I recalled another such mental convulsion: by Amiens Cathedral, near midnight, nearly four years ago, with the French guns rumbling through the city in retreat, and the certainty that the enemy would be there by morning on his way to Paris. One thing a campaigner learns: that matters are rarely quite so bad or so good as they seem. Saying this to my friend, the farmer (who replied that, in any case, he must go and look to the cows), I turned to some books.

Yet resolution is needed to get the thoughts indoors at such a time. They are out of command. A fire is necessary. You must sit beside a company of flames leaping from a solidly established fire, flames curling out of the lambent craters of a deep centre; and steadily look into that. After a while your hand goes out slowly for the book. It has become acceptable. You have got your thoughts home. They were of no use in France, dwelling upon those villages and cross-roads you once knew, now spouting smoke and flames, where good friends are waiting, having had their last look on earth, as the doomed rearguards.

The best books for refuge in times of stress are of the "notebook" and "table-talk" kind. Poetry I have tried, but could not approach it. It is too distant. Romance, which many found good, would never hold my attention. But I had Samuel Butler's Note Books with me for two years in France, and found that the right sort of thing. You may begin anywhere. There are no threads to look for. And you may stop for a time, while some strange notion of the author's is in contest for the command of the intelligence with your dark, resurgent thoughts; but Butler always won. His mental activity is too fibrous, masculine, and unexpected for any nonsense. But I had to keep a sharp eye on Butler. His singular merits were discovered by others who had no more than heard of him, but found he was exactly what they wanted. If his volume of Note Books is not the best example of its sort we have, then I should be glad to learn the name of the best. This Lent I tried Coleridge again. But surely one's mind must be curiously at random to go to such woolgathering. I found him what I fear Lamb and his friends knew him to be--a tireless and heavy preacher through the murk of whose nebulous scholarship and philosophy the revealing gleams of wisdom are so rare that you are almost too weary to open the eyes to them when they flash. Selden is better, but abstract, legal, and dry.

Hazlitt compelled a renewal of an old respect; his humanity, his instinct for essentials, his cool detection of pretence and cant, however finely disguised, and his English with its frank love for the embodying noun and the active verb, make reading very like the clear, hard, bright, vigorous weather of the downs when the wind is up-Channel. It is bracing. But I discovered another notebook, of which I have heard so little that it shows what good things may be lost in war; for this book was published in 1914. It is the Impressions and Comments of Havelock Ellis. There have been in the past critics of life and the things men do who have been observers as acute, as well-equipped in knowledge, and have had a command of English as free and accurate, as the author of "Impressions and Comments"; but not many. Yet such judgments of men, their affairs and their circumstances, could have been written in no other time than the years just before the war--the first note is dated July, 1912. The reflections are often chill and exposed; but so is a faithful mirror bleak, though polished and gleaming, when held up to grey affairs in the light of a day which is ominous. You seem to feel in this book the cold draught moving before the storm which has not come--the author knew of no storm to come, and does not even hint at it; but the portents, and the look of the minds of his fellows, make him feel uncomfortable, and he asks what ails us. Now we know. It is strange that a book so wise and enlivening, whether it is picturing the Cornish coast in spring, the weakness of peace propaganda, Bianca Stella, Rabelais, the Rules of Art, the Bayeux Tapestry, or Spanish cathedrals, should have been mislaid and forgotten....

The fire is dying. It is grey, fallen, and cold. The house is late and silent. There is no sound but the ghostly creaking of a stair; our thoughts are stealing away again. We creep out after them to the outer gate. What are books and opinions? The creakings of an old house uneasy with the heavy remembrances and the melancholy of antiquity, and with some midnight presage of its finality.

The wind and rain have passed. There is now but the icy stillness and quiet of outer space. The earth is Limbo, the penumbra of a dark and partial recollection; the shadow, vague and dawnless, over a vast stage from which the consequential pageant has gone, and is almost forgotten, the memory of many events merged now into formless night itself, and foundered profoundly beneath the glacial brilliance of a clear heaven alive with stars. Only the stars live, and only the stars overlook the place that was ours. The war--was there a war? It must have been long ago. Perhaps the shades are troubled with vestiges of an old and dreadful sin. If once there were men who heard certain words and became spellbound, and in the impulse of that madness forgot that their earth was good, but very brief, and turned from their children and women and the cherished work of their hands to slay each other and destroy their communities, it all happened just as the leaves of an autumn that is gone once fell before the sudden mania of a wind, and are resolved. What year was that? The leaves of an autumn that is long past are beyond time. The night is their place, and only the unknowing stars look down to the little blot of midnight which was us, and our pride, and our wisdom, and our heroics.

*** END OF THE PROJECT GUTENBERG EBOOK OLD JUNK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

CHAPTER		PAGE
	Foreword by S. K. Ratcliffe	11
I.	The African Coast	21
II.	T he Call	47
III.	Old Junk	58
IV.	Bed-Books and Night-Lights	65
V.	Transfiguration	75
VI.	The Pit Mouth	80
VII.	Initiation	86
VIII.	The Art of Writing	92
IX.	A First Impression	100
X.	The Derelict	107
XI.	The Voyage of the Mona	118
XII.	The Lascar's Walking-Stick	136
XIII.	The Extra Hand	144
XIV.	The Sou'-Wester	152
XV.	On Leave	157
XVI.	The Dunes	165
XVII.	Binding a Spell	174
XVIII.	A Division on the March	179
XIX.	Holly-Ho!	185
XX.	The Ruins	195
XXI.	Lent, 1918	201