The Putnam Tradition
Date: 2008-10-02T00:00:00+00:00
Keywords: Short stories; Family -- Fiction; Psychic ability -- Fiction

The Project Gutenberg eBook of The Putnam Tradition

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Putnam Tradition

Author: Sonya Dorman

Illustrator: George Schelling

Release date: October 1, 2008 [eBook #26743]

Language: English

Credits: Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE PUTNAM TRADITION ***

Through generations
the power has descended,
now weaker, now stronger.
And which way did the
power run in the four-year-old
in the garden, playing
with a pie plate?

the
putnam
tradition

By S. DORMAN

Illustrated by SCHELLING

It was an old house not far from the coast, and had descended generation by generation to the women of the Putnam family. Progress literally went by it: a new four-lane highway had been built two hundred yards from the ancient lilacs at the doorstep. Long before that, in the time of Cecily Putnam's husband, power lines had been run in, and now on cold nights the telephone wires sounded like a concert of cellos, while inside with a sound like the breaking of beetles, the grandmother Cecily moved through the walls in the grooves of tradition.

Simone Putnam, her granddaughter; Nina Putnam, her great-granddaughter; the unbroken succession of matriarchs continued, but times the old woman thought that in Simone it was weakened, and she looked at the four-year-old Nina askance, waiting, waiting, for some good sign.

Sometimes one of the Putnam women had given birth to a son, who grew sickly and died, or less often, grew healthy and fled. The husbands were usually strangers to the land, the house, and the women, and spent a lifetime with the long-lived Putnam wives, and died, leaving their strange signs: telephone wires, electric lights, water pumps, brass plumbing.

Sam Harris came and married Simone, bringing with him an invasion of washer, dryer, toaster, mixer, coffeemaster, until the current poured through the walls of the house with more vigor than the blood in the old woman's veins.

"You don't approve of him," Simone said to her grandmother.

"It's his trade," Cecily Putnam answered. "Our men have been carpenters, or farmers, or even schoolmasters. But an engineer. Phui!"

Simone was washing the dishes, gazing out across the windowsill where two pink and white Murex shells stood, to the tidy garden beyond where Nina was engaged in her private games.

She dried the dishes by passing her hand once above each plate or glass, bringing it to a dry sparkle. It saved wear on the dishtowels, and it amused her.

"Sam's not home very much," she said in a placating voice. She herself had grown terrified, since her marriage, that she wouldn't be able to bear the weight of her past. She felt its power on her and couldn't carry it. Cecily had brought her up, after her father had disappeared and her mother had died in an unexplained accident. Daily she saw the reflection of her failure in the face of her grandmother, who seemed built of the same seasoned and secure wood as the old Putnam house. Simone looked at her grandmother, whom she loved, and became a mere vapor.

"He's not home so much," Simone said.

Her face was small, with a pointed chin, and she had golden-red hair which she wore loose on her shoulders. Nina, too, had a small face, but it was neither so pale nor so delicate as her mother's, as if Sam's tougher substance had filled her out and strengthened her bone structure. If it was true that she, Simone, was a weak link, then Sam's strength might have poured into the child, and there would be no more Putnam family and tradition.

"People don't change that easily," the old woman said.

"But things—" Simone began. The china which had a history of five generations slipped out of her hands and smashed; Sam's toaster wouldn't toast or pop up; Simone couldn't even use the telephone for fear of getting a wrong number, or no number at all.

"Things, things!" her grandmother cried. "It's blood that counts. If the blood is strong enough, things dissolve. They're just garbage, all those things, floating on the surface of our history. It's our history that's deep. That's what counts."

"You're afraid of Sam," the young woman accused.

"Not afraid of any man!" Cecily said, straightening her back. "But I'm afraid for the child. Sam has no family tradition, no depth, no talent handed down and perfected. A man with his head full of wheels and wires."

Simone loved him. She leaned on him and grew about him, and he supported her tenderly. She wasn't going to give him up for the sake of some abstract tradition—

"—it's not abstract," her grandmother said with spirit. "It's in your blood. Or why don't you sweep the floors the way other women do? The way Sam's mother must?"

Simone had begun to clean the house while she was thinking, moving her hand horizontally across the floor, at the height of her hip, and the dust was following the motion of her hand and moving in a small, sun-brightened river toward the trash basket in the kitchen corner. Now Simone raised her hand to her face to look at it, and the river of dust rose like a serpent and hung a foot below her hand.

"Yes," she agreed, "at least I can clean the house. If I don't touch the good china, and look where I'm going."

"Phui," the old woman said again, angrily. "Don't feel so sorry for yourself."

"Not for myself," Simone mumbled, and looked again toward the garden where her daughter was doing something with three stones and a pie plate full of spring water.

"I do despair of Nina," Cecily said, as she had said before. "She's four, and has no appearance. Not even balance. She fell out of the applerose tree, and couldn't even help herself." Suddenly the old woman thrust her face close to her granddaughter. It was smooth, round, and sweet as a young kernel of corn. The eyes, sunk down under the bushy grey brows, were cold and clear grey.

"Simone," the old woman said. "You didn't lie to me? You did know she was falling, and couldn't get back in time to catch her?"

A shudder passed through Simone's body. There was no blood in her veins, only water; no marrow in her bones, they were empty, and porous as a bird's. Even the roots of her hair were weak, and now the sweat was starting out on her scalp as she faced her grandmother and saw the bristling shapes of seven generations of Putnam women behind her.

"You lied," the old woman said. "You didn't know she was falling."

Simone was a vapor, a mere froth blowing away on the first breeze.

"My poor dear," the old woman said in a gentle voice. "But how could you marry someone like Sam? Don't you know what will happen? He'll dissolve us, our history, our talents, our pride. Nina is nothing but an ordinary little child."

"She's a good child," Simone said, trying not to be angry. She wanted her child to be loved, to be strong. "Nina isn't a common child," she said, with her head bent. "She's very bright."

"A man with his head full of wheels, who's at home with electricity and wires," the old woman went on. "We've had them before, but never allowed them to dominate us. My own husband was such a man, but he was only allowed to make token gestures, such as having the power lines put in. He never understood how they worked." She lowered her voice to a whisper, "Your Sam understands. I've heard him talk to the water pump."

"That's why you're afraid of him," Simone said. "Not because I'm weak, and he might take something away from me, but because he's strong, and he might give us something. Then everything would change, and you're afraid of that. Nina might be our change." She pointed toward the garden.

Following the white line of her granddaughter's finger, Cecily looked out into the garden and saw Nina turn toward them as though she knew they were angry. The child pointed with one finger directly at them in the house. There was a sharp crackle, and something of a brilliant and vibrating blue leaped between the out-stretched fingers of mother and daughter, and flew up like a bird to the power lines above.

"Mommy," Nina called.

Simone's heart nearly broke with wonder and fright. Her grandmother contemptuously passed through the kitchen door and emerged on the step outside, but Simone opened the door and left it open behind her. "What was that?" she asked Nina. "Was it a bluebird?"

"Don't be silly," Nina said. She picked up the pie plate and brought it toward them. Cecily's face was white and translucent, one hand went to her throat as the child approached.

Brimfull of crackling blue fire with a fluctuating heart of yellow, the pie plate came toward them, held between Nina's small, dusty hands. Nina grinned at them. "I stole it out of the wires," she said.

Simone thought she would faint with a mixture of joy and fear. "Put it back," she whispered. "Please put it back."

"Oh Mommy," Nina said, beginning to whine. "Not now. Not right away. I just got it. I've done it lots of times." The pie plate crackled and hissed in the steady, small hands.

Simone could feel the old woman's shocked silence behind her. "You mustn't carry it in a pie plate, it's dangerous," Simone said to her child, but she could see Nina was in no danger. "How often have you done this?" She could feel her skirt and her hair billow with electricity.

"Lots of times. You don't like it, do you?" She became teasing and roguish, when she looked most like Sam. Suddenly she threw back her head and opened her mouth, and tilting up the pie plate she drank it empty. Her reddish gold hair sprang out in crackling rays around her face, her eyes flashed and sparks flew out between her teeth before she closed her mouth.

"Nina!" the old woman cried, and began to crumple, falling slowly against Simone in a complete faint. Simone caught her in trembling hands and lowered her gently. She said to her daughter, "You mustn't do that in front of Grandy. You're a bad girl, you knew it would scare her," and to herself she said: I must stop babbling, the child knows I'm being silly. O isn't it wonderful, isn't it awful, O Sam, how I love you.

"Daddy said it would scare you," Nina admitted. "That's why I never showed you before." Her hair was softly falling into place again, and she was gazing curiously at her great-grandmother lying on the doorstep.

"It did scare me," Simone said. "I'm not used to it, darling. But don't keep it secret any more."

"Is Grandy asleep?"

Simone said hastily, "Oh yes, she's taking a nap. She is old, you know, and likes to take naps."

"That's not a nap," Nina said, leaning over and patting the old woman's cheek, "I think she's having a bad dream."

Simone carried her grandmother into the house. If that old, tired heart had jumped and floundered like her own, there must be some damage done to it. If anything happened to her grandmother, the world would end, Simone thought, and was furious with Nina, and at the same time, full of joy for her.

Cecily Putnam opened her eyes widely, and Simone said, "It does change, you see. But it's in the family, after all."

The old woman sat upright quickly. "That wicked child!" she exclaimed. "To come and frighten us like that. She ought to be spanked." She got up with great strength and rushed out to the garden.

"Nina!" she called imperiously. The child picked up one of the small stones from the pie plate now full of spring water, and came to her great-grandmother.

"I'll make something for you, Grandy," she said seriously. She put the stone in the palm of her hand, and breathed on it, and then held out her hand and offered the diamond.

"It's lovely. Thank you," the old woman said with dignity, and put her hand on the child's head. "Let's go for a walk and I'll show you how to grow rose-apples. That's more becoming to a young lady."

"You slept on the step."

"Ah! I'm old and I like to take little naps," Cecily answered.

Simone saw them disappear among the applerose trees side by side. She was still trembling, but gradually, as she passed her hand back and forth, and the dust followed, moving in a sparkling river toward the trash basket, Simone stopped trembling and began to smile with the natural pride of a Putnam woman.

THE END

Transcriber's Note: This etext was produced from Amazing Stories January 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

*** END OF THE PROJECT GUTENBERG EBOOK THE PUTNAM TRADITION ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- the putnam tradition

- THE FULL PROJECT GUTENBERG LICENSE