The Project Gutenberg eBook of Punch or the London Charivari, October 10, 1920
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Punch or the London Charivari, October 10, 1920

Author: Various

Editor: Owen Seaman

Release date: December 5, 2008 [eBook #27421]
                Most recently updated: January 4, 2021

Language: English

Credits: Produced by Neville Allen, Jonathan Ingram and the Online
        Distributed Proofreading Team at https://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK PUNCH OR THE LONDON CHARIVARI, OCTOBER 10, 1920 ***




Produced by Neville Allen, Jonathan Ingram and the Online
Distributed Proofreading Team at https://www.pgdp.net









  PUNCH, OR THE LONDON CHARIVARI.

  Vol. 159.

  October 20, 1920.


  CHARIVARIA.

"Whenever I am in London," writes an American journalist, "I never miss
the House of Commons." Nor do we, during the Recess.

       * * *

"If Lord KENYON wishes, I am prepared to fight him with any weapon he
chooses to name at any time," announced Sir CLAUDE CHAMPION DE CRESPIGNY
recently to a representative of _The Star_. In sporting circles it is
thought that, in spite of his recent declaration, Mr. C. B. COCHRAN may
consent to stage the encounter.

       * * *

At the Air Conference last week Lieut.-Colonel MOORE-BRABAZON, M. P.,
said the Government should appoint experts to control the weather. It
looks as if _The Daily Mail_ was not going to have things all its own
way.

       * * *

"The object of Poland," says M. DOMBSKI, "is peace, hard work and
production." These were at one time the object of England, and she still
hopes to get peace.

       * * *

Mr. PUSSYFOOT JOHNSON has told a Glasgow audience that he is no
kill-joy, but smokes cigars. It is also said that he has been seen going
the pace playing dominoes.

       * * *

"An apple a day keeps the doctor away." We can only add that the price
of apples is enough to keep anybody away.

       * * *

"What is a Penny Roll?" asks a headline. The answer is "Three
half-pence."

       * * *

The average boarding-house, says a gossip writer, is not what it seems.
No, unfortunately it is what it is.

       * * *

We understand that the world's record fast has been accomplished by a
Scotsman, who has succeeded in remaining in Prohibition America for
seven months and three days.

       * * *

South Sea Islanders, when greeting friends, says _Tit Bits_, fling a jar
of water over them. Cats on night duty are now putting a kindlier
interpretation on the treatment they receive.

       * * *

An employee at a coal-mine in Ohio is reported to have died from
overwork. There is consolation in the fact that this could not possibly
happen in England.

       * * *

Three Glasgow workmen have started on a walk to London. With the
possibility of a vote in favour of a dry Scotland we suppose they
started early to avoid the rush.

       * * *

It is still very doubtful whether JACK DEMPSEY can meet JESS WILLARD,
says a sporting paper. A dear old lady thinks he might get over the
difficulty by dropping him a letter.

       * * *

It is reported that the captain of a village fire brigade recently
declined to call his men out to a fire because it was raining.
Unfortunately the owner of the fire was too busy to keep it going till
the first fine day.

       * * *

A clerk employed behind the counter at a post-office in the South of
England recently rescued a young girl from drowning. In order to show
their appreciation of the young man's bravery, local residents have now
decided to purchase their stamps at his post-office.

       * * *

"Life is uncertain and often full of trouble," bewails a writer in the
"Picture" Press. Still, in our opinion it's the only thing worth living.

       * * *

On two separate occasions last week a cat entered one of the largest
churches in Yorkshire whilst a wedding was in progress. This supports
our belief that feline society is contemplating the introduction of more
ceremony into their own marriage system.

       * * *

Ex-sailors on the reserve need not be alarmed by the repeated rumours
that a surprise mobilisation of the Fleet may be ordered very shortly,
as we now have it on good authority that, in order to ensure its
complete success, plenty of notice will be given to them beforehand.

       * * *

Women are said to be fonder than men are of morbid stage plays. Weddings
also have a greater fascination for them.

       * * *

Mr. T. A. EDISON is reported to have invented a machine to record
communication with the other world. As a final experiment an attempt is
to be made to get into touch with the POET LAUREATE.

       * * *

The motor-car of polished steel and no paint-work is the latest
innovation. It is said that this will do away with the objection of
pedestrians that under present conditions one cannot be knocked down
without soiling one's clothing.

       * * *

"Water," says an official of the Metropolitan Water Board, "costs far
too much to waste to-day." Adulterated with whisky, we believe it costs
about eightpence a time.

       *       *       *       *       *

Illustration: DIPLOMACY.

_Mistress._ "NORAH, WILL YOU TRY TO HAVE THE STEAK A LITTLE MORE
UNDERDONE?"

_Norah_ (_bristling up_). "IS IT FINDING FAULT YE ARE?"

_Mistress._ "OH, NO, NO! I MERELY THOUGHT IT WOULD BE NICER FOR YOU NOT
TO REMAIN OVER THE FIRE SO LONG."

       *       *       *       *       *

    The Music of the Future.

    "MUSICAL INSTRUMENTS.

    For Sale, one small Economic Roller, 1 Brown's triple action Roller,
    2 Eastern Produce Roll Breakers, 1 Updraft Sirocco Dryer--all the
    above in good order and can be seen working. 1 Saw Mill, good order.
    1 Souter's roll Breaker, fair order."--_Ceylon Paper._

       *       *       *       *       *

    "Mr. ---- won £400,000 at Aix-les-Bains. The lucky player, _who was
    educated at Harrow_...."--_Daily Paper._

The italics are Mr. Punch's. Are our public schools beginning to
advertise?

       *       *       *       *       *

FALLING PRICES.

(_With grateful acknowledgments to the Commercial Statistician of "The
Times."_)

  Sad is the sight, but not so strange,
    When the dead leaf to earth declines:
  I have observed this annual change
    As one of Autumn's surest signs;
      But oh, how very odd it is
  To mark the falling prices of commodities.

  One had supposed the boom of War
    (Still raging with the desperate Turk),
  Whose closure seemed past praying for,
    Would carry on its hideous work
      And swell for years and years
  The bulging waistcoats of our profiteers.

  But lo! a lot of useful wares
    Within my modest range have come;
  Trousers, I hear, are sold (in pairs)
    At three-fifteen--a paltry sum;
      And you can even get
  Dittos as low as thirteen pounds the set.

  I can afford a further lump
    Of sugar in my cocoa--yes,
  And cocoa too is on the slump,
    Its "second grade" now costs me less;
      And green peas (marrowfat)
  Are down to fourpence. I can run to that.

  And, though my coffers, sadly thinned,
    May not command a home-killed ham,
  And though the fees for pilchards (tinned)
    And eggs (to eat) and strawberry-jam
      Are still beyond my means
  (The same remark applies to butter-beans);

  Yet milk (condensed) and salmon ("pink"),
    And arrowroot and pines (preserved)--
  All "easier," I am glad to think--
    These, and a soul not yet unnerved,
      Shall keep me going strong,
  Now that the price of boots is not so long.

    O. S.

       *       *       *       *       *

GONE AWAY!

It seems to me that our local Hunt wants waking up. In some places, I
believe, there are still people who "cheerily rouse the slumbering morn"
by hunting the fox or the fox-cub, and, if one cannot let slumbering
morns lie, there is no jollier way of rousing them. But in our village
we hunt the 8.52. Morning after morning, if you watch from a high place,
you can see our bowlers and squash hats just above the hedgerows bobbing
down to the covert side. That one bobbing last is me.

As we trudge homeward under the star-lit skies all our racy anecdotes
are of the fine fast runs we have had with the 8.52, the brave swinging
of the tail carriage, the heavy work over the points, the check and find
again at East Croydon main.... Those who arrive early at the meet in the
morning (but, as I have hinted, I am not one of these) stroll about the
platform, I am told, talking of the rare old times when the 8.52 used to
be the 8.51, pulling out their watches every now and then and saying to
the station-master, "She's twenty-five seconds late," for all season
ticket-holders have special permission from the railway company to put
trains into the feminine gender. This is a slight compensation for
having to pay again when they are challenged and can only pull out a
complimentary pass to the Chrysanthemum Show.

As for myself, no one can say that I lack the sporting spirit, and if I
am late in the field it is because there is not enough noise and bustle
about our Hunt. It needs, I submit, the romantic colour and pageantry
that fire an Englishman's blood and rouse him irrevocably from his
marmalade.

In this connection, as we say so charmingly at our office, I have laid
certain preliminary proposals before Enderby and Jackson. A lot of the
sportsmen who hunt the 8.52 in our village do so in motor-cars, which is
hardly playing the game. Of the stout-hearted fellows who follow on
foot, both Enderby and Jackson pass in front of my house and may be
discerned dimly through a gap in the hedge, which was probably made for
that purpose by the previous tenant. Or it may have been because the
gate-latch sticks and he did not jump well. Enderby asserts that my
house is nine minutes from the station, and Jackson says it is six, and
therein lies the whole difference between optimism and pessimism. All I
know is that, if I gather my hat, coat, _Times_, stick, pipe, tobacco
and matches and put as many as possible of them in appropriate places
just after Enderby has passed the gap, I catch the 8.52 nicely. If I do
these things just after Jackson has passed I catch it nastily, just
about the rear buffers. My proposal is that Enderby and Jackson should
encourage me a little by wearing scarlet coats, so that I can see them
twinkling more brightly through the gap in my hedge, and if they will do
this I will promise to provide them both with hunting horns. I have
pointed out that a "View halloo" from Enderby, followed by a stirring

    "Tantivvy, Tantivvy, Tantivvy;
      Tra-la, Tra-la, Tra-la"

from Jackson, will, if any power on earth can do it, bring me from my
toast in time for my train in the morning.

I have explained to them that nothing can be pleasanter or more
beautiful for the baker, the butcher and the grocer to look at every
morning than Enderby and Jackson dressed in pink, with a despatch-case
in one hand and a hunting-horn in the other. There must be other
sportsmen situated as I am, and I should like to see all the little
lanes streaming with pink coats; and it would be very nice too if they
all brought their dogs to see them off, as some do already.

I am quite prepared to admit that neither Enderby nor Jackson sees eye
to eye with me in this matter. They argue that ample notice is given of
the imminent arrival of the 8.52 by the express train which passes
through the cutting at 8.43, and is popularly known as "the warner." I
have replied that I cannot hear express trains when I am eating toast,
and that the only warner I recognise is PLUM WARNER, who cannot by any
stretch of language be called an express train. There the matter rests
at present, and I suppose in a few days I shall miss the 8.52 again.

Happily I have now found out what to do when this occurs. Enderby and
Jackson believe that the next train is the 10.15; but that is their
narrow-minded parochialism. They are quite wrong. About ten minutes
after the 8.52 has gone away another perfectly good train steals panting
from the undergrowth. When one has missed the 8.52 one cannot wait on
the platform till 10.15, nor, on the other hand, having waved an airy
good morning to the butcher, the baker and the grocer as I trotted
along, can I very well go back and undo it. And then the derision at
home, the half-drunk stirrup-cup of coffee standing tepid and forlorn.
But, as I say, the 9.5 is a perfectly sound train. It is quite true that
it goes to Brighton, but the weather has been very warm of late. I hate
these splits in the local Hunt, but there it is.

    EVOE.

       *       *       *       *       *

Illustration: "THE RESOURCES OF CIVILISATION."

MR. LLOYD GEORGE. "STICK TO IT, BONAR. POOR OLD SISYPHUS NEVER HAD AN
IMPLEMENT LIKE THIS."

       *       *       *       *       *

Illustration: HIGH LIFE ON THE UNDERGROUND.

_Lady (to tiresome individual)._ "I'VE ALREADY TOLD YOU--HAMMERSMITH IS
THE NEXT BUT ONE. THE NEXT IS BARON'S COURT. THAT'S MY STATION, NOT
YOURS."

_The Individual._ "AHEM! THE BARONESS, I PRESOOM?"

       *       *       *       *       *

THE DINING GLADIATOR;

OR, WAR TO THE KNIFE (AND FORK).

(_Being further Extracts from a certain Diary_).

_August 4th, 1914._--Declaration of War. I hereby take a solemn oath not
to relax my efforts to win this struggle for England, even if it costs
me my last drop of ink.

Began my series of powerful articles by calling for KITCHENER, of whom I
now, if guardedly, approve. Lunched at the Carlton and dined at the Ritz
to let all the world see that I am not downhearted.

       * * *

Spent the morning at the War Office, showing everyone how the work there
ought to be done. Then to Downing Street to put things right there.

Lunched at Claridge's with six Leading Ladies, all of them cheery souls.

       * * *

Week-ended at Melton. Some good tennis and bridge. Fear that none of our
generals really knows his job.

       * * *

I have been wondering to-day if any other military journalist could
possibly know such a lot of the Smart Set, and so intimately as I do. I
am extraordinary lucky in having all these nice people to fall back on
when I am worn out with War-winning and Tribunal duties.

       * * *

Wrote a wonderful article on the importance of dressing up some one to
look like HINDENBURG and dropping him at night by parachute from an
aeroplane into the German lines near Head-Quarters. It would have to be
a biggish man who can speak German well--Mr. CHESTERTON perhaps, but I
have never met Mr. CHESTERTON, as he seems never to lunch or dine at the
Ritz; or even Lord HALDANE. Once safely landed (my article goes on to
explain) he would make his way to German H. Q., being mistaken for the
real HINDENBURG, kill him and then issue orders to the Army which would
quickly put the Germans in our power. Strange that no one else has
thought of this.

       * * *

It is very awkward to be the only man in London who has the truth in
him. Relieved some of my embarrassment by a glass or two of remarkable
1794 brandy.

       * * *

WINSTON came to Carryon Hall to dine and we discussed his future. I
mapped out the next six months for him very carefully, and he promised
to follow my counsel; but I am afraid that Lady RANDOLPH may interfere.

       * * *

My HINDENBURG article not in _The Times_ yet. Cannot think what is
coming to journalism. And NORTHCLIFFE calls himself a hustler.

Sent for the PRIME MINISTER and gave him a piece of my mind. He ought to
be more careful in future.

       * * *

Lunched at the Carlton with GEORGE GRAVES and had some valuable War
talk.

In the afternoon to the Tribunal, where all excuses were disregarded and
everyone packed off to the recruiting officer.

In the evening to a first-class revue at the Palace.

       * * *

Had gratifying visit from ANATOLE FRANCE'S friend, M. PUTOIS, who told
me that the French look to me as the only Englishman capable of winning
the War. My articles are read everywhere, and some have been set to
music.

       * * *

More men must be obtained, and therefore wrote a capital article calling
on all criminals to cease their labours during the War, in order to
release the police for the army. After this effort, which was very
tiring, lunched at the Ritz with ETHEL LEVEY, LAVERY and SOVERAL. Some
good riddles were asked. A discussion followed on ladies' boots, and
whether toes should be pointed or square. From this we passed to
stockings and then to lingerie. Tore myself away to attend to my
Tribunal duties.

       * * *

Met the GLOOMY DEAN in the Mall and walked with him to the Rag., where
he left me. A most diverting man. He told me a capital story about a
curate and an egg.

       * * *

Finished a rattling good article on a way to make our army look more
impressive to the foe, namely by fitting each man with a dummy man on
either side of him. Bosch aeroplane observers would imagine then that we
were three times as strong as we are, and some very desirable results
might follow.

       * * *

Sent for NORTHCLIFFE and told him that unless my articles are treated
with more respect I cannot go on and the War will be lost. He seemed to
be impressed, but you never know.

Lunched at Claridge's with Lady CUNARD, Lady DIANA MANNERS and GEORGE
ROBEY. We were all very witty.

In the afternoon saw ROBERTSON at the W.O. and told him of my dummy
soldier idea. He roared with delight.

       * * *

Wrote one of my best articles, on the importance of either L. G.
learning French or CLEMENCEAU learning English. Very depressed all day;
have lost my appetite.

       * * *

Dined at the Ritz. A large party, including Lady CUNARD and Lady DIANA
MANNERS. The Princess of X. was present and I found her intelligent.
Afterwards to Lady Y.'s for bridge. The cards were mad, but we had some
wonderful rubbers, the four best players in London being concerned.

       * * *

Wrote one of my best articles, on the importance of eating and drinking
and being merry during great national crises. Urged among other things
the addition of restaurant cars to all trains, even those on the Tubes.
It is madness to encourage seriousness, as _The Times_ is doing.

       * * *

My eating article not printed. Practice, however, is more than precept,
and I shall continue to do my bite.

(_To be continued._)

    E. V. L.

Illustration: THE END OF AN IMPERFECT DAY.

"ONE OF THOSE TINS OF SALMON, PLEASE."

       *       *       *       *       *

Another Sex-Problem.

    "SALE OF LIVE AND DEAD FARM STOCK.
    6 Steers in milk and in Calf."

    _Local Paper._

       *       *       *       *       *

    "In the second part of the programme Miss ---- was associated with
    Mr. ---- in 'It was a Lover and His Last.'"--_Australian Paper._

Let us hope she will remain so.

       *       *       *       *       *

    "Rejoicing in a measure of freedom after the harassing restrictions
    of the war, Scotsmen are not eager to thrust their necks into the
    nose again."--_Daily Paper._

They prefer, we imagine, to thrust the nose of the bottle into their
necks.

       *       *       *       *       *

    "Every British voter on the sea coast is at heart a sailor."--_Daily
    Chronicle._

At heart, no doubt. But how many have found to their cost that it is in
fact another organ which affords the ultimate test of sailorship.

       *       *       *       *       *

CHECK BY THE QUEEN.

I had never before seen the Fairy Queen in such an agitated condition.
She came dashing in, her cheeks glowing, her eyes aflame, her tiny form
positively quivering with indignation and excitement.

In her hand she held a small scrap of paper, which she waved about in a
frantic manner just in front of my nose.

"Look," she said, "look! My Press Agency sent it me this morning. Did
you ever hear of such a thing? It's outrageous, it's incredible,
it's.... Oh, don't sit staring there as if it didn't matter. Can't you
say something--suggest something?"

"Your Majesty," I said humbly, for one has to be a little careful when
dealing with incensed Royalty, "I haven't been able to read it yet."

"Oh, I'm so sorry," she said with quick contrition; "I'm afraid I'm apt
to get a little carried away when I'm upset. But surely this is more
than anybody could be expected to stand, mortal or immortal."

She settled down on the desk in front of me, spreading out the crumpled
bit of paper on the blotter and holding the ends down with her little
hands.

"There," she said--"read it." And this is what I read:--

    "M----'s FAIRY RING DESTROYER.

    After prolonged experiments we have succeeded in producing a
    preparation which checks the growth of unsightly rings on Lawns, &c.
    Two pounds of the Destroyer per square pole is sufficient for a
    single dressing. Full particulars with each consignment."

"'Unsightly'!" said the Queen in a trembling voice. "Do you see that?"
and she pointed to the offending word with a tiny forefinger.
"'Prolonged experiments' too. Do you know, I remember now that I _have_
had complaints from some of our Garden Settlements about discomfort; but
of course I never dreamed of anyone doing it on purpose. Do you
think--oh, do you think"--she looked at me with tears in her bright
eyes--"that it's really true that human beings are beginning to get
tired of us? That we're"--she dropped her voice and I saw that she could
hardly get out the next words--"out-of-date?"

Her falling tears made tiny marks on the blotting-paper.

"Of course not," I said stoutly. "On the contrary, you're coming in
stronger than ever. Why, one might almost look upon you as one of the
newest fashionable crazes, like motor-scooters and cinema stars and
indiscreet memoirs." I hardly knew what I was saying, it was so dreadful
to see her cry.

"Oh, I hope not," she said, half-laughing and hastily dabbing her nose
with a ridiculous atom of swansdown which she produced from a minute
reticule.

"As to these gentlemen," I continued, pointing contemptuously to the
announcement, "we'll very soon settle them." I seized a sheet of paper
and began scribbling away as hard as I could go.

The Queen amused herself meanwhile by balancing on the letter-scales.
She seemed almost happy. I heard her murmur to herself, "Dear me. Two
ounces. I shall have to start dieting. No more honey----"

"There," I said presently, "send them that, and we shall see what we
shall see."

This is what I had written:--

"We, Titania, Queen of Fairyland, Empress of the Kingdom of Dreams,
Grand Dame of the Order of Absolute Darlings, etc., etc., beg to draw
the attention of Messrs. M---- to the enclosed paragraph, impinging
gravely on the ancient and indisputable rights and prerogatives of
ourselves and our loyal subjects, which appeared in their recent seed
catalogue. We feel that the inclusion of the aforesaid paragraph must be
due to some oversight, since Messrs. M---- can hardly be unaware of the
fact that it is only owing to the co-operation of ourselves and our
subjects that they are able to carry on their business with success. We
are unwilling to resort to extreme measures, but unless the paragraph is
immediately withdrawn we shall be obliged to take steps accordingly, in
which case Messrs. M---- are warned that the whole of next year's flower
crop may prove an utter and complete failure. Given under our Royal Hand
and Seal. TITANIA R."

The Queen seemed very pleased when I read it over to her.

"It's perfectly splendid," she said, clapping her hands. "How silly of
me not to have thought of it; but I was so distracted. Won't it make
them sit up? And of course we could do it easily, though it would be
rather dreadful, wouldn't it? I shall have it copied out the minute I
get home and sent off to-night. By the way" (a little anxiously) "there
aren't any split infinitives in it, are there? My chamberlain's rather
peculiar about them--they make him ill. Extraordinary, isn't it?
But--don't tell anyone--I never quite understand myself what they are or
where they split, though it certainly does sound very uncomfortable."

I reassured her on that point.

"Oh, then _that_'s all right," she said; "and I don't think even he
would ever have thought of 'impinging'; it's lovely, isn't it? Thank you
very much indeed," she added, as she folded up the paper and slipped it
under her girdle. "You are a most helpful person. I really think I
must--" I felt a touch on my cheek, lighter than the caress of a
butterfly's wing, softer than the tip of a baby's finger, sweeter than
the perfume of jessamine at night. For a moment the Queen continued to
flutter close about me, radiant and shining. I shut my dazzled eyes for
an instant. When I opened them she was gone.

I can't help wondering what Messrs. M---- will do. They'll be rather
rash if they persist. And yet it does seem a little----Well, doesn't it?

    R. F.

       *       *       *       *       *

NEW RHYMES FOR OLD CHILDREN.

THE BEE.

  I never, never could admit
    The virtues of the bee;
      I thought she seemed a dreadful prig
      When I was small, and now I'm big
  I see she is a hypocrite,
    And so, of course, are we.

  It's true she rushes to and fro
    With business promptitude,
      But what about the busy ant?
      Oh, let us clear our minds of cant--
  Why _is_ it that we love her so?
    _She manufactures food._

  But not for us. If it were shown
    She organised the feast
      For _us_ to eat, one might agree
      About her virtue; but, you see,
  She does it for herself alone,
    The greedy little beast!

  So grasping is the little dear
    That every now and then
      She readjusts the ration scales
      By simply murdering the males,
  With many a base, malicious jeer
    At "idle gentlemen."

  Nor does a man of us cry "Shame!"
    Though every man would own
      If there is one high hope for which
      He labours on at fever-pitch
  It is not honour, wealth or fame--
    He wants to be a drone.

  Why is it, then, we don't abhor
    This horrid little prude?
      Why don't we cast the foullest slur
      On such a Prussian character?
  Because, as I remarked before,
    _She manufactures food_.

  The world is full of beasts, my son,
    And I know two or three
      That any parent might employ
      To be a model for their boy,
  But take my word, we've overdone
    The insufferable bee.

    A. P. H.

       *       *       *       *       *

Illustration: THE NEW POOR.

"I REMEMBER THE TIME--

--WHEN I THOUGHT--

--I NEVER SHOULD RIDE IN A BUS--

--AND NOW--

--I AM ALMOST CERTAIN--

--I NEVER SHALL."

       *       *       *       *       *

Illustration: CURE FOR INSOMNIA. MESMERISE YOURSELF.

       *       *       *       *       *

THE CONSPIRATORS

IV.


MY DEAR CHARLES,--The other evening I was sitting at an open-air café
whose coffee is better than its social reputation. To be exact it is a
low haunt. I always go there and have a cup of coffee in a glass when I
am wondering what to do next and feeling it is about time something was
happening. One of my acquaintances came and sat down at my table. To
confess the truth he has once been a pickpocket, the sort of
professional who followed the trade in the old dull days of peace for
the excitement it furnished. He has since served in the Foreign Legion,
and says that now he cannot bring himself to return to his normal work,
since by contrast it is so very tame. For a time he was stranded, but
now the international conspiracy business provides him with just the
sport he was looking for.

After a little conversation about pocket-picking, as it used to be in
the good old days, he asked me if I was interested in communist plots. I
said I was interested in anything. He looked round the café to see that
all was well, leant across the table and asked me if I was not
_particularly_ interested in communist plots. "Yes," I whispered, "as
long as it's a plot I'm interested in it, even though it is a communist
one."

He grew suspicious; why was I so interested? There is always a lot of
whispering and mutual suspicion about on these occasions. I told him of
these letters I was writing to you on the subject. This made him more
than suspicious; positively hostile. Who was this Charles? he wanted to
know. I told him all about you; explained that you were a good friend of
mine; quite all right--one of us.

He rather took to the description of you, dropped all signs of doubt or
anxiety and wondered if we couldn't get hold of you to come and take
coffee with us one evening? You may rest assured, Charles, that there is
now one café in Central Europe where you are regarded as a first-class
fellow, even though your acquaintance has yet to be made; _bon
camarade_; not above picking a pocket or two yourself in a moment of
enthusiasm. You must come here and show yourself one day. You need have
no fear. We never pick each others' pockets; it isn't considered
etiquette.

"I am now a Young Socialist," said my friend with great pride. The Young
Socialists are the worst communists there are.

"Really?" said I; "the last time we had a chat you were an ardent German
Monarchist."

He produced his Matriculation card; it wasn't in his proper name, but,
as he explained, one name is as good as another and he has had so many
from time to time that now he cannot rightly say which is his own. I
asked him to elaborate the Young Socialists' programme of murder and
sudden death, a subject which, as a proposed victim, had a morbid
fascination for me. He said he knew nothing about that; their
everlasting talk bored him and he never attended the public meetings. It
was the committee work which interested him.

He told me about the first committee meeting he attended. He wasn't a
member of the committee at the time, a fact which put difficulties in
the way of his attending the meeting, as it was held behind closed
doors. All the doors were closed and locked, including the cupboard
door. He was in the cupboard. I wondered what they would have done to
him if they had found him there. He told me he had had plenty of time to
wonder that himself when he had once got himself locked in.

"Begin at the beginning," said I.

It was a question, first, of getting round the door-keeper. He made
friends with that door-keeper, took him out to supper, gave him a kirsch
with his coffee and a cigar with his kirsch. He told the door-keeper
that he was the most distinguished door-keeper he had ever met. He
encouraged him to go through his ailments and his grievances and was
visibly distressed by the recital. He got in the habit of sitting with
the door-keeper while he was keeping the door for the committee
assembled inside. And, when he thought the friendship was sufficiently
advanced, he poured forth his inmost heart to that door-keeper. He said
that Young Socialism was to him the breath of life, and the tragedy was
that he was always kept on the outskirts of it. He said he would give
anything to take part in a committee meeting, or anyhow to hear the
great ones at it; and, to make this sound plausible, he expounded a
scheme of Young Socialism of his own, which was far more drastic and
bloodthirsty than anything that had yet occurred to any committee.

The door-keeper didn't believe there could be anybody who really cared
all that much for communism; for his part he kept the door because there
was money to be made easily that way. At the next committee meeting he
made more money and made it more easily, and my friend was safely locked
up in the cupboard before the committee arrived. What with the heat
inside, the thought that the door-keeper might be more cunning than had
appeared and a persistent desire to sneeze, he questioned all the time
whether he was the right man in the right place. The committee meanwhile
did little more than vote its own salaries from the central fund and
quarrel amongst itself who should be treasurer.

Later proceedings of the committee, as noted in the cupboard, were more
interesting. When the question turned on finding someone trustworthy and
competent to take secret instructions to comrades in France and England,
my friend very nearly burst forth from his shelf to say to them, "I'm
your man!" He restrained himself, however, and thought out a more
elaborate scheme than that.

He secured a front seat at the next public meeting of the section,
applauded vigorously when the President referred to the need of more
briskness in France and England and asked for a private interview after
the meeting was over. In a few well-chosen words he offered his services
to run messages over the frontier. Off his platform the President was
quite a practical man and, though he didn't use these words, he
indicated to my friend as follows: "If you are a genuine blackguard the
police won't let you go; if you are not a genuine blackguard you are not
really one of us."

My friend said that that would be all right, and they agreed to meet
later on. He then went to the police and explained that he was about to
be entrusted with important letters to carry over the frontier, if they
would afford the necessary facilities. The police also were practical
and, without wishing in any way to hurt his feelings, raised the
question of his being genuine. Genuine was, of course, the very last
thing he was claiming to be, but he understood what they meant, said
that that would be all right and arranged a later appointment. He then
called on the President and found him duly suspicious.

"I've had a talk with the police," said my friend, "and I've told them
all about you and your messages, and they are going to give me the
facilities and I am going to give them the messages."

This was the first occasion on which the President had had to handle the
plain truth, and he didn't know what to do or say next.

"Give me some dud messages, of course," said my friend, and the
President, thinking what a bright young Socialist this was, complied.

He then went back to the police. "I've had a talk with the President,"
said he, "and I've told them all about you and your interest in the
messages, and here the messages are; and you needn't worry to read them
because they are dud."

The police had also got so unused to the truth from such quarters that
they were taken aback when they met it.

"And now have I your full confidence?" said he, and they said that he
might take it that he had. He then went back to the President.

"Good morning, Mr. President," said he. "I have given your messages to
the police and told them they are dud messages, so that now I have their
full confidence and can move about as I like. Give me the real messages
and I'll be getting on with my journey."

Throwing precaution to the winds, the President wrote out the real
messages in full and handed them to him.

"Come, come, come," said he, "you must be more careful than that," and
he told him what he ought to do to make sure. He did it.

My friend then proceeded to the frontier, where, by arrangement, he was
arrested. In the inside pocket of his inside coat a bundle of messages
were found. The police nodded at him.

"Yes," they said, "here are the messages all right. We don't know that
they help much, but we suppose that we mustn't blame you."

"Come, come, come," said my friend, "if you doubt me, search me." They
did so, and, written on linen and sewn into the lining of his coat, they
found some more messages, which really did help them. Yours ever, HENRY.

(_To be continued._)

       *       *       *       *       *

Illustration: _Profiteer Host._ "I'M AFRAID WE'LL HAVE TO DRINK THE
FIZZ OUT OF PORT GLASSES."

_Profiteer Guest._ "OH, WE DON'T MIND ROUGHIN' IT; WE'RE ALL SPORTSMEN,
I TAKE IT."

       *       *       *       *       *

RELATIVES WITHOUT ANTECEDENTS.

    "YOUTHFUL HOSTESSES.--A few years ago when a bachelor entertained he
    invited his aunt or his mother to act as hostess for him. Now he
    asks his grand-daughter."--_Daily Paper._

       *       *       *       *       *

    "Ostensibly £it was a move to check the ever-rising cost of living,
    £and in a way not fully realised by the public £it was a method of
    riveting control on the industry."

_Evening Paper._

With money flung about like this the cost of living is bound to go up
again.

       *       *       *       *       *

Illustration: SINISTER SIGNS FROM SOUTH KENSINGTON.

_Alarmed House Agent._ "MADAM, WHAT HAVE YOU DONE TO MY PARTNER?"

_Client._ "I was just giving particulars of my flat, which I am anxious
to let, and when I said, 'No premium required,' he crumpled up as if
he'd been shot."

       *       *       *       *       *

_SI JEUNESSE SAVAIT._

    [The taking of finger-prints of all new-born babies is advocated.
    These will be useful for identification at trials, inquests, etc.,
    since the pattern of the print does not change from the cradle to
    the grave.]

  With paternal pride I used to glow
    When the neighbours dropped their pleasant hints
  How like Daddy Reginald would grow,
    But to-day they took his finger-prints;
      Now I am convinced they spoke in haste--
      Such expressions show a lack of taste.

  Operator was a kindly man,
    Formerly a sergeant of police;
  Dipped our Reggie's digits in a pan
    Filled with printers' ink and oil and grease,
      Pressed them on a card and soothed his moans,
      Saying "Diddums" in official tones.

  Mother stood and gazed upon the thing,
    Lovingly as doting mothers do;
  Asked, "Does Reggie's hieroglyphic bring
    Memories of famous men to you--
      Men who, having made their lives sublime,
      Left their thumb-prints on the sands of time?

  "Will it be his destiny to write
    Or to earn a living with his brains?
  Will he share a 'loop' with GRAHAME WHITE?
    Do his 'arches' pair with those of BAINES?
      Is there similarity between
      Reggie's 'whorls' and those of M. MASSINE?"

  Operator coughed behind his hand,
    Moved his feet and shook his hoary head,
  Thrust his fingers in his bellyband,
    Then at last reluctantly he said,
      "I've encountered in the course of biz
      Many prints that much resembled his.

  "One, I mind me, such impressions made;
    P'r'aps you never heard of Ginger Hicks,
  Him what done in uncle with a spade
    Down in Canning Town in ninety-six?
      Ginger was a wrong 'un from the fust;
      As a child he bellowed fit to bust.

  "Then there was another, something like,
    Got a lifer seven years ago;
  Surely you remember Mealy Mike,
    Robbery with violence at Bow?
      Michael's thumb-print, though of larger size,
      Was the spit of Reggie's otherwise.

  "Then again his lines could be compared--"
    Mother snatched her precious up and fled,
  Pausing once to ask him how he dared
    Put such notions in um's little head.
      Her departure mid a storm of kissing
      Put the lid on further reminiscing.

       *       *       *       *       *

Illustration: ALADDIN AND THE MINER'S LAMP.

THE GENIE. "I AM THE SLAVE OF THE LAMP. I THINK YOU SUMMONED ME."

MR. SMILLIE. "YES, I KNOW. BUT I DIDN'T REALISE YOU'D BE SO UGLY."

       *       *       *       *       *

Illustration: "YES, A NICE LITTLE BUS. BUT I SAY, OLD TOP, THE
FOOTBOARDS ARE DEUCEDLY LOW. IF YOU RAN OVER ANYONE YOU MIGHT BE
CAPSIZED--WHAT?"

       *       *       *       *       *

THE AUTOBIOGRAPHY SHOCKER.

John Antony Grunch was one of the mildest, most innocent men I ever
knew. He had a wife to whom he was devoted with a dog-like devotion; he
went to church; he was shy and reserved, and he held a mediocre position
in a firm of envelope-makers in the City. But he had a romantic soul,
and whenever the public craving for envelopes fell off--and that is
seldom--he used to allay his secret passion for danger, devilry and
excitement by writing sensational novels. One of these was recently
published, and John Antony is now dead. The novel did it.

Yet it was a very mild sort of "shocker," about a very ordinary murder.
The villain simply slew one of his typists in the counting-house with a
sword-umbrella and concealed his guilt by putting her in a pillar-box.
But it had "power," and it was very favourably reviewed. One critic said
that "the author, who was obviously a woman, had treated with singular
delicacy and feeling the ever-urgent problem of female employment in our
great industrial centres." Another said that the book was "a brilliant
burlesque of the fashionable type of detective fiction." Another wrote
that "it was a conscientious analysis of a perplexing phase of
agricultural life." John thought that must refer to the page where he
had described the allotments at Shepherd's Bush. But he was pleased and
surprised by what they said.

What he did _not_ like was the interpretation offered by his family and
his friends, who at once decided that the work was the autobiography of
John Antony. You see, the scene was laid in London, and John lived in
London; the murdered girl was a typist, and there were two typists in
John's office; and, to crown all, the villain in the book had a
boar-hound, and John himself had a Skye-terrier. The thing was as plain
as could be. Men he met in the City said, "How's that boar-hound of
yours?" or "I like that bit where you hit the policeman. When did you do
that?" "_You_," mark you. Old friends took him aside and whispered,
"Very sorry to hear you don't hit it off with Mrs. Grunch; I always
thought you were such a happy couple." His wife's family said, "Poor
Gladys! what a life she must have had!" His own family said, "Poor John!
what a life she must have led him to make him go off with that
adventuress!" Several people identified the adventuress as Miss Crook,
the Secretary of the local Mothers' Welfare League, of which John was a
vice-president.

The fog of suspicion swelled and spread and penetrated into every cranny
and level of society. No servants would come near the house, or if they
did they soon stumbled on a copy of the shocker while doing the
drawing-room, read it voraciously and rushed screaming out of the
front-door. When he took a parcel of washing to the post-office the
officials refused to accept it until he had opened it and shown that
there were no bodies in it.

The animal kingdom is very sensitive to the suspicion of guilt. John
noticed that dogs avoided him, horses neighed at him, earwigs fled from
him in horror, caterpillars madly spun themselves into cocoons as he
approached, owls hooted, snakes hissed. Only Mrs. Grunch remained
faithful.

But one morning at breakfast Mrs. Grunch said, "Pass the salt, please,
John." John didn't hear. He was reading a letter. Mrs. Grunch said
again, "Pass the salt, please, John." John was still engrossed. Mrs.
Grunch wanted the salt pretty badly, so she got up and fetched it. As
she did so she noticed that the handwriting of the letter was the
handwriting of A Woman. Worse, it was written on the embossed paper of
the Mothers' Welfare League. It must be from Miss Crook. _And it was._
It was about the annual outing. "Ah, ha!" said Mrs. Grunch. (I am afraid
that "Ah, ha!" doesn't really convey to you the sort of sound she made,
but you must just imagine.) "Ah, ha! So _that_'s why you couldn't pass
the salt!"

Mad with rage, hatred, fear, chagrin, pique, jealousy and indigestion,
John rushed out of the house and went to the office. At the door of the
office he met one of the typists. He held the door open for her. She
simpered and refused to go in front of him. Being still mad with rage,
hatred, chagrin and all those other things, John made a cross gesture
with his umbrella. With a shrill, shuddering shriek of "Murder!" the
girl cantered violently down Ludgate Hill and was never seen again.
Entering the office, John found two detectives waiting to ask him a few
questions in connection with the Newcastle Pig-sty Murder, which had
been done with some pointed instrument, probably an umbrella.

After that _The Daily Horror_ rang up and asked if he would contribute
an article to their series on "Is Bigamy Worth While?"

Having had enough rushing for one day John walked slowly out into the
street, trying to remember the various ways in which his characters had
committed suicide. He threw himself over the Embankment wall into the
river, but fell in a dinghy which he had not noticed; he bought some
poison, but the chemist recognised his face from a photograph in the
Literary Column of _The Druggist_ and gave him ipecacuanha (none of you
can spell that); he thought of cutting his throat, but broke his
thumb-nail trying to open the big blade, and gave it up. Desperate, he
decided to go home. At Victoria he was hustled along the platform on the
pretence that there is more room in the rear of trains. Finally he was
hustled on to the line and electrocuted.

And everybody said, "So it _was_ true."

    A. P. H.

       *       *       *       *       *

Illustration: "THERE BE MRS. ROUSE'S, OVER AGIN THE CHURCH. I BELIEVE
SHE DO PUT UP WITH LODGERS."

       *       *       *       *       *

Commercial Candour.

From an Indian trade-circular:--

    "We believe in making a Small Profit and selling Everybody rather
    than making a Big Profit and selling only a Few."

       *       *       *       *       *

    "Wanted for Tea Estate, Nilgiris, good climate
    Superintendent."--_Indian Paper._

We could do with one here, too.

       *       *       *       *       *

    "THE WANDERING JEW,
    E. TEMPLE THURSTON'S WANDERFUL PLAY."

_Advt. in Daily Paper._

And still the wander grew.

       *       *       *       *       *

    "When the Prime Minister, accompanied by Mr. Lloyd George, appeared
    a magnificent ovation was accorded them."--_Welsh Paper._

This tends to confirm the statements in the anti-Coalition Press that
the PRIME MINISTER was beside himself.

       *       *       *       *       *

From an examination-paper at a girls' school:--

_Question._ Why are the days in summer longer than those in winter?

_Answer._ Because they are warmer and therefore expand.

       *       *       *       *       *

Illustration: _Visitor._ "LUCKY TO FIND A HAIRDRESSER IN A SMALL
VILLAGE LIKE THIS."

_Native._ "WELL, BE RIGHTS IT'S MY SON'S BUSINESS AND 'E'S AWAY; BUT
I'VE DONE A WUNNERFUL DEAL OF 'ORSE-CLIPPIN'."

       *       *       *       *       *

ERNEST EXPERIMENTS.

There is no doubt that Ernest was to blame. I know, of course, that he
meant well. But a passion for fresh air, unless it is checked in time,
is bound to lead one into all sorts of trouble.

You see, Ernest suffers so from theories. He has theories about eating,
sleeping and waking, talking and thinking; but those on fresh air are
the worst (or perhaps I ought to say the best) of all. Not that we, who
constitute his family, would object to his theories if he didn't get us
involved in them as well; but that is exactly what does happen. There
was, for example, the camping-out proposition.

It began with Mother sitting at a table one evening in the early autumn
and jotting down figures. Her brow was troubled. "We really can't afford
a holiday this year, girls," she said, "though I suppose we shall _have_
to. What with the price of everything just now and--" She then went on
to speak with hostility of things like the Government and Sir ERIC
GEDDES, though she is a peaceable woman as a rule.

Whereupon Ernest, who was at the open window engaged in a little quiet
biceps-training (we won't allow him to do the more rowdy muscular
exercises in the living-room), remarked, "But why should we be subjected
to these eternal trammels of civilisation? Isn't the open country man's
rightful heritage?"

"I see the prices have gone up at the select boarding-house where we
stayed last year and met such nice people," went on Mother, ignoring
Ernest. "It's five guineas a week each now."

"Monstrous," put in Ernest again. "Five guineas a week just to breathe
the pure air of Heaven."

"Oh, they give you more than that," said Mother, "though I suspect the
meat isn't English."

Ernest laughed sardonically. "Now let me tell you of my plan," he said,
taking a newspaper cutting from his pocket. "Here is my solution to the
holiday problem, and it certainly doesn't cost five guineas a week. Why
not adopt it?"

"Why, it's an umbrella," commented Mother, feeling for her glasses. "But
surely you don't expect it to rain all the time?"

"That is not an umbrella, it is an illustration of a portable tent,"
explained Ernest. "The canvas folds up and can be carried in the pocket,
while the pole also folds and is convertible into a walking-stick by
day. Thus you are able to camp where you will; throw off the shackles of
convention----"

"It may be all right for throwing off the shackles of convention,"
remarked Mother, "but nothing would induce me to undress in a thing like
that."

"But when it's erected it's perfectly solid----"

"So am I," said Mother, "and I like room to turn round. No, Ernest, I am
as fond of fresh air as anyone--you know I always have my bedroom window
open at least two inches at night--but air is not everything. Give me a
comfortable bed and good catering if I am to go on holiday and enjoy it.
_You_ can please yourself."

That is the mistake Mother made. Ernest ought not to be allowed to
please himself. He doesn't know what is good for him. And, when he
departed on his walking tour accompanied by his tent, his sponge-bag, a
copy of OMAR KHÁYYÁM, but very little else, Mother felt uneasy.

"What will happen if you get your feet wet?" she asked. "I'm sure you
ought to take more things with you, Ernest."

"What more do I want?" he demanded, "'A loaf of bread beneath the
bough----'"

"A loaf of bread indeed!" echoed Mother. "Fiddlesticks! Mind you get at
least three good meals a day." She then gave him the address of the
boarding-house where we had finally decided to spend our holidays and
told him to send her a wire at once if he got a cold in the head.

       * * *

It was the hour of dinner at the Select Boarding Establishment (sep.
tables, 3 mins. sea, elec. lt., mod.) where we had spent ten days of our
entirely select holiday. Everyone was assembled in the lounge hall
waiting for the gong to announce the meal. Mother, basking her soul in
the atmosphere of gentility, was chatting with the half-sister of a
bishop, who was just remarking that Mother must call on her in town,
when a strange _fracas_ was heard at the back of the hall; a moment
later a strange figure thrust itself in our midst and looked wildly
round.

"Ernest!" murmured Mother faintly. She was a wise woman to know her own
child under the circumstances. Perhaps she identified the tent-pole to
which he was still clinging. Otherwise he was scarcely recognisable. His
hair was wild and unkempt, his clothing torn and damaged. His boots
clung to his feet by the uppers only and were held together by fragments
of a sponge-bag.

"Mother!" said Ernest, singling her out from amongst the gay throng. The
moment was dramatic.

"I--I was arrested," went on Ernest. He spoke in a purely conversational
tone, but it's surprising how far the human voice will carry at times.
Everybody about the place, including the lift-boy and the Belgian
waiter, seemed to hear that remark.

"Arrested?" whispered Mother in reverberating tone-waves.

"Yes. How was I to know that I had pitched my tent on private property
and was unwittingly trespassing? They would have prosecuted me if I
hadn't----"

"You had better come up to my room and explain there," interposed
Mother; and we followed her, a broken woman, to the lift. People fell
aside to make a passage for us.

Mother held up until she got to her own room. Then she sat down and
cried. "Why did you disgrace us like this?" she asked at last of Ernest.
"Was it necessary for you to come _here_?"

"I had to," said Ernest apologetically. "You see I hadn't any money."

Mother looked up quickly. "But what of the extra ten pounds I insisted
on your taking with you in case of emergency?"

Ernest appeared slightly shame-faced. "Well, when those fatuous asses
hauled me up for trespassing they left me in the charge of a gamekeeper
while they 'phoned for the police. I induced the chap to let me go, and
I had to square him with a tenner."

There was a long pause. Mother's mind seemed to be working at some
abstruse calculation. Then she dried her eyes and looked up with the
triumphant smile of the woman who gets the last word and wins her point.

"And so, Ernest," she said, "it _did_ cost you five guineas a week to
'breathe the pure air of Heaven' after all."

       *       *       *       *       *

Illustration: "SORRY TO HEAR YOUR HUSBAND IS LAID UP AGAIN, MRS.
GRIGGS."

"YES. THE TROUBLE IS HE BE AN OLD MAN, AND HE _WILL_ TURN A DEAF EAR TO
THE WRITIN' ON THE WALL."

       *       *       *       *       *

PRAWLING'S THEORY.

(_By a Student of Jargon._)

By the courtesy of Professor Prawling, F. R. S., who has supplied us
with the MS. of his recent lecture before the Psycho-Economical Society,
we are in a position to give our readers a full account of that masterly
and epoch-making address, of which, strange to say, no adequate notice
has so far appeared in any newspaper.

Professor Prawling's credentials, we may premise, are of a nature to
inspire the utmost confidence. His father, Theodore Prawling, was the
inventor of the speedle, that remarkable implement, fully described by
_Punch_ in the early seventies, which rendered possible the
emulsification of all gelatinoid substances and revolutionised the
marmalade industry. He is duly commemorated by the fine statue which is
one of the principal features of Dundee. His son, however, has even
greater claims on our respect and admiration. Educated at the High
School, Crieff, and the Universities of Glasgow, Upsala, the Sorbonne
and Princeton, he is generally recognised in the United States as the
foremost authority on Pædological Gongorism and the cognate science of
Mendelian Economics.

The problem with which he grapples in his latest contribution to these
fascinating studies may be tersely summed up in a single sentence: Can a
healthy metabolism be superinduced on an economic system already showing
symptoms of extrinsic conglucination?

Professor Prawling is of opinion that it _can_, but only if and when the
evils of co-partnership and co-operation have been neutralized by a
diastolic synthesis. To compute exactly the extent to which these evils
have been developed he has devised a syncretic abacus, in which, on the
principle of the spectroscope, the aplanatic foci are arranged in
fluorescent nodules each equidistant from the metacentre. With a
frankness that cannot be too highly commended, Professor Prawling admits
that this instrument is founded on BENTHAM'S Panopticon. But the
deviations from BENTHAM and the expansions of his machine are far more
remarkable than the resemblances to it. Prawling--if he will allow us
the familiarity--is not a utilitarian. His aim is to re-establish our
textile pre-eminence by reconciling monistic individualism with the
fullest solidarity of the social complex. He is meticulously careful in
stressing the point that the demarcations arrived at by the use of his
abacus are not absolute, but conditioned by EINSTEIN'S theory of
relativity. The ancillary industries, each moving in its orbit, whether
jurassic or botulistic, must be placed on a contractual basis with
liberty of preferential retaliation. Thus the whole industrial polyphony
is linked up by enharmonic modulations, and thrombosis--or, at any rate,
conglucination--of the central ganglia of commerce is reduced to
negligible dimensions.

At this juncture it is well to point out in the interests of clarity
that regurgitation can only be avoided by a rigorous adhesion to the
canon of CRITTENDEN--that the unit of nutrition must vary inversely with
the square of dilution.

It will thus be seen that by the logical application of a few simple and
easily apprehended principles Professor Prawling has built up a great
edifice of practical economics, which, whether we regard it in its
subliminal or its pragmatic aspects, cannot fail to have influence on
the dynamics of International Industrialism.

One word more. The conglucination theory appeals with especial force to
_Punch_, because it reminds him of the kindred and remarkable
speculation on Snooling discussed by him many years ago. The new theory,
like the old, deserves to be treated "in no spirit of sedentary
sentimentalism, but in its largest and most oleaginous entirety. It is
no plan for fixing hat-pegs in a passage, nor is it a mode of treating
neuralgia with treacle." How true and appropriate this is. _Mutatis
mutandis_ we may add the further statement that it is "the truest and
tenderest thesis that can occupy the most calculating cosmopolite." The
corporate pursuit of a granulated conglucination is perhaps the highest
achievement of which the present generation is capable.

       *       *       *       *       *

Illustration: "I TRUST YOU'LL EXCUSE ME MENTIONING IT, MY GOOD FELLOW,
BUT THAT IS THE RIGHT ENTRANCE--ON THE OPPOSITE SIDE OF THE ROAD."

       *       *       *       *       *

More Impending Apologies.

    "Cardinal Dubois, Archbishop of Rouen, has been translated, as most
    of us expected, to the Archbishopric in Paris. Being a very
    distinguished man of letters, the Académie Française would like to
    include him among the Immorals, but, alas! they are 'full inside.'"

    _Evening Paper._

       *       *       *       *       *

HEADLINING.

The thrilling incident of the stray cat at "Chez Nous" is never likely
to get into the newspapers. On the other hand, lots of incidents which
do get in never deserve to. It's all a question of head-lining, which is
the bluff by which the public is induced to read matter it would
otherwise skip.

The affair began while I was in the City. I learnt afterwards that
Marjorie (my wife) was crooning to her needles the unmetrical jumper
lullaby, "Six purl, eight plain; then the same all over again." Anyhow
she was knitting, when she suddenly found herself looking into the
wistful eyes of a tortoiseshell cat which had appeared--merely appeared.

As she told me, she softly exclaimed, "A cat!" (right first time); then,
because it looked so wistful, she directed the maid to set before the
creature a saucer of milk. In fact--

    HOMELESS BLACK-AND-TAN.
    LUCKY CHANCE CALL.
    TOOTING GOOD SAMARITAN.

When I arrived home, Marjorie ran into the hall to give me one of her
smooth evening kisses. I stepped forward to exchange it for one of my
stubbly ones when--

"Oh, Jack," said Marjorie, "you've trodden on her!"

"'Her,'" I said. "Who's 'her'?"

"The dearest little tortoiseshell stray cat," replied Marjorie. "You
really might have been more careful."

"I say, that's rather unfair," I said. "I stagger home tired to the
teeth after a particularly thin day in the City, followed by a
sardine-tin journey, and my own wife turns on me in favour of the first
outcast cat that comes along. It's enough to drive a man to dope." Or,
as the headlines would have it:--

    NEAR BREAKING-POINT.
    STRAIN OF BUSINESS LIFE.
    ORIGIN OF THE DRUG HABIT.

After a bath and a change I felt better, and came down to dinner humming
a sentimental ballad in Marjorie's honour. But the word "love" died on
my lips when I saw that in the lap of Marjorie's pretty pink gown
reposed the stray cat. The colour-clash and the misapplication of
caresses which should have been my monopoly threw me back with a jerk to
a state of bearishness.

"Surely you're not going to keep that animal?" I asked.

"Of course I am, as long as she likes to stay," said Marjorie. "She's
very fond of me, aren't you, pussy? Fonder than my husband, I 'spect."

"I know these stray cats," I said. "Stiff with microbes. Tribes of mangy
lovers prowling round the house. A nest of kittens in my top-hat. I
know."

"Poor li'l pussy," cooed Marjorie. "Don'tum listen to the big coarse
man."

"Coarse be----"

In other (and more suitable) words--

    HUSBAND'S PROFANITY.
    MASK OFF AFTER TWO YEARS.
    PEEVISH ABOUT WIFE'S PET.

Marjorie said coldly that she didn't know I had such a temper. I said
hotly that I didn't know she could be so infantile.

We went on discovering things we hadn't known about each other:--

    THE TESTING TIME
    IN CONJUGAL FELICITY,
    IS IT THE THIRD YEAR?

Dinner was an ordeal. I felt miles apart from Marjorie. A great gulf
filled with black-and-yellow cat lay between us. Once only the topic of
the beast arose (on the subject of fish-bones) and just as I was
becoming big and coarse again the maid entered with the joint. She must
have heard what I said.

    SHOULD SERVANTS TELL?
    BACKDOOR SCANDAL.

Still, the meal itself was a cheering one, and, after Marjorie had
risen, the sentimental ballad mood gained on me again. After all, what
was a stray cat compared with one's marriage vows? If the dear girl
wanted to keep the thing we would have it vetted, definitely named, and
warned as to followers.

Marjorie's voice interrupted my amiable planning. "Puss, puss," she
called. I joined her and stated my decision to relent.

"But she's vanished," said Marjorie. She had. And she has never come
back. Ah! those stray cats.

    NINE LIVES SPENT WHERE?
    FOUR-FOOTED NOMADS.
    FICKLE FELINE FRIENDSHIPS.

"Look here, old girl," I said, "I take back all I said about your little
friend. I'm with you that she was the dearest, most hygienic, most moral
cat that ever strafed a mouse."

"Perhaps it's all for the best that she's gone," said Marjorie.

The dear girl inclined her head towards my shoulder. Well, well.

    WHAT EVERY WOMAN WANTS
    TO KNOW.
    IS KISSING DYING OUT?
    PRACTICIANS SAY "NO."

       *       *       *       *       *

More Precocity.

    "Unfurnished Rooms wanted (two or three), with attendance; one
    child, 4-1/2 years; at business all day."--_Provincial Paper._

       *       *       *       *       *

LOVE'S HANDICAP.

[A daily paper points out that many girls find their sweethearts in
print, and expresses the hope that when "a real man comes along he may
be as brave and tender, as cheery and clean-living," as these heroes of
fiction.]

  Dear lady, put down for a minute
    That book which you eagerly scan,
  Intent upon finding within it
    Your perfect ideal of a man;
  Its pages reflectively closing,
    Consider a moment the strain
  Your standard may soon be imposing
    Upon some susceptible swain.

  Those heroes whose fortunes you follow
    I've noticed are able to show
  The unparalleled charms of Apollo,
    The muscles of SAMSON and Co.;
  But he who comes seeking to win you
    May have, for supporting his plea,
  A palpable shortage of sinew
    And beauty distinctly C 3.

  And, unprepossessing in mien, he
    May also lack some of the art
  With which Saccharissa the Tweeny
    Was wooed by Sir Marmaduke, Bart.;
  His tongue may (conceivably) stammer,
    His heart (not impossibly) quake,
  And in stress of emotion his grammar
    May even develop a shake.

  But pause ere you "spurn his addresses;"
    His merits may still be as high
  As the sort that your hero possesses,
    Though they leap not so quick to the eye;
  At the least, you've the comfort of knowing,
    Since his heart at _your_ feet he has placed,
  That in one thing at least he is showing
    A wholly impeccable taste.

       *       *       *       *       *

How Some Advertisers "Tell the Tale."

    "We spin the yarn ourselves."

    _Advt. in Daily Paper._

       *       *       *       *       *

"'FULL TERM.'"

AN IMPRESSION AT CAMBRIDGE.

    I watch the faces of the 'men,' boys in so many cases, jumping from
    their trains; from the north, the south, the east, the west they
    come, and they come not alone but _dona ferentes_--they carry
    tennis-racquets, golf-sticks, cycles, sidecars, kitbags,
    gladstone-bags, trunks, hold-alls."--_Evening Paper._

Hefty chaps, these post-war undergraduates.

       *       *       *       *       *

    "Question.--How much has the time for crossing the ocean been
    shortened since the day of Columbus?

    T. E. C.

    Answer.--Idaho is a North American Indian word meaning 'Gem of the
    Mountains' or 'Sunrise Mountains.'"

    _Boston (Massachusetts) Herald._

We hope that T. E. C. isn't going to be put off with such a simple
device as this.

       *       *       *       *       *

Illustration: _Injured Party._ "IT'S ALL VERY WELL, PASSON, FOR YOU TO
SAY WOT 'ORRIBLE LANGWIDGE, BUT 'APPEN YOUR MISSIS AIN'T SUCH A GOOD
SHOT WITH A FLAT-IRON AS MINE IS."

       *       *       *       *       *

OUR BOOKING-OFFICE.

(_By Mr. Punch's Staff of Learned Clerks._)

There is certainly this to be said of Mr. HUGH WALPOLE--that, having
devised a tale of gloom, he allows no weak consideration for his
readers' feelings to deter him from making the worst of it. I write,
having but now emerged, blinking a little at the familiar sunlight (yet
oddly invigorated too), from a perusal of the four-hundred-and-seventy
pages of his _Captives_ (MACMILLAN). Of course I have nothing like space
to detail for you its plot. Summarised, it tells the life of a young
woman, _Maggie Cardinal_, whom one may briefly call the bemused victim
of religions--and relations. You never knew any well-intentioned heroine
who had such abysmal luck with both. Her clergyman father, a bad hat,
who spared us his acquaintance by expiring on the first page; her
semi-moribund aunts in their detestable London home; the circle of the
Inner Saints, with their intrigues that centred in the ugly little
meeting-house; the seaside parish with its spiritually-dead atmosphere,
in which _Maggie's_ hopeless married life is spent--all these and more
are realised with an art that is almost devastating in its unforced
effect. Sometimes I hoped that such universal drabness was too bad to be
true; one caught touches of manipulation, times in which these poor
_Captives_ seemed bound less by the chains of circumstance than by the
wires of Mr. WALPOLE. The queer result was that I found myself believing
in his compellingly human characters, but protesting that such unbroken
misfortune could not, or need not, have encompassed them. To take an
example, when _Maggie's_ "tipsy" uncle was shown into the Vicarage
drawing-room on her "At Home day," no other guests had yet arrived.
Surely therefore (save for peremptory orders from Mr. WALPOLE) she might
somehow have removed the culprit to another room, or at least denied
herself to subsequent callers, who included (of course) the most
influential and scandal-mongering of the parish ladies. That is the kind
of rather piled-up agony that made me suspect Mr. WALPOLE of letting his
fortitude get at times the better of his commonsense. But he has written
a big book.

       *       *       *       *       *

Mr. E. F. BENSON, of whom it might justly be said that he produces not
books but libraries (and the quality of his output under these
circumstances remains for me amongst the literary wonders of the age),
has been at it again. Hardly have I finished laughing over _Queen
Lucia_, when I find him claiming a wholly different interest with a
volume of personal recollections called _Our Family Affairs_ (CASSELL).
By its theme and treatment this is work standing naturally a little
outside criticism; but I can say at once that Mr. BENSON has never
written with a more sympathetic charm than in these pictures of the
childhood of himself and his sister and brothers; of the various
scholastic and ecclesiastical homes to which the increasing dignities of
that rather alarming parent, the Archbishop, transported his family; and
(quite the best and most attractive portrait in the collection) of the
mother whom all of them united to adore. There is an actual photograph
of her here, taken at the age of twenty, which goes far to explain how
she came to be the heroine of the story; the lurking gaiety and laughter
of it quaintly foretelling the great ecclesiastical lady who, on one
occasion when the Archbishop was absent, could announce to her
enraptured children that family prayers should be remitted, "as a
treat!" Schooldays at Wellington; Cambridge; some topical memoirs of the
Georgian _régime_ in Athens, and (what will interest many readers most
of all) the history of the origin of that famous lady, _Dodo_--these are
but a selection from the contents of a volume that should find hosts of
friends.

       *       *       *       *       *

_The Girl in Fancy Dress_ (HODDER AND STOUGHTON) was so very much
disguised in one way and another that _Anthony_, the hero, when he asked
her to marry him, even for the second time, was taking considerable
risks. The speed of the affair must also have been bewildering.
_Cynthia_, the heiress, arrives on a Thursday to stay with his people,
but, having tumbled out of a motor-car into a wet ditch on her way, she
is dressed, rather like a stage coster-girl, in garments borrowed from a
cottager. Naturally, as of course a nursery-governess is much more
likely than an heiress to look like that, _Anthony's_ people mistake her
for a poor country cousin who is also expected, and _Cynthia_,
discovering that her host and hostess and their dreary daughters intend
the heiress to marry _Anthony_ and, worse than that, that he has called
her "the goose with the golden eggs," fosters the mistake and does her
best to pay them all out. She leaves on the following Tuesday, but
before that _Anthony_ has taken her to one dance as a peasant girl and
she has talked to him at another disguised as a green domino, and he has
proposed to her as his cousin and withdrawn his declaration when he
finds she isn't. Next he sees her as _Lady Teazle_ in amateur
theatricals, and then comes his final meeting with her in her proper
person, which brings about a satisfactory ending for everyone but
_Cynthia's_ other lover. I don't say that all these things couldn't have
happened; I only say that as a rule they don't. Apart from that, the
bright bustling action of Mrs. J. E. BUCKROSE'S story has a cheerful
charm of its own, and _Cynthia_, as poor relation of one of the
anxiously best families in a little country town, provides some amusing
situations--for the reader.

       *       *       *       *       *

If the shade of ROBERT LOUIS STEVENSON is jealous of its rights and its
copyrights, Mr. JEFFREY FARNOL may look to be hauled up before the
Recording Angel, on his arrival, in the matter of his _Black Bartlemy's
Treasure_ (SAMPSON LOW), which he might just as well have called _Black
Bartlemy's Treasure Island_ and have done. Never was such frank adoption
of ideas; and yet no God-fearing, adventure-loving Englishman will
regret it. For all my devotion to R. L. S. I heartily enjoyed this
elaboration of his idea, split me (to quote the thorough-going language
of it)--split me crosswise else! There are forty-seven chapters and a
bloody fight in every one of them, save in the dozen set apart for an
interval of refreshment and romance in the middle. Nay, but was not the
primitive romance a gentler combat, itself, between _Martin Conisby_ and
_Lady Joan Brandon_, marooned, solitary, upon the Island where they did
find (and lose) a treasure even greater than _Black Bartlemy's_? After
having "consorted with pirates and like rogues" and having "endured much
of harms and dangers, as battle, shipwreck, prison and solitude," it
seemed we had sighted happiness at last. But even at the very end things
took an ill turn and our _Martin_, our dear _Martin_, is left stranded
and in sorry plight. Yet must there be a sequel to this. Had he been
left to die on the Island he could not have told us his story thus far;
moreover his last word is that the tale is yet to finish. May I be there
to hear!

       *       *       *       *       *

I rather think that the lady who elects to write under the name of O.
DOUGLAS did less than justice to the peculiar quality of her own gifts
in calling her last story _Penny Plain_ (HODDER AND STOUGHTON). Because
really such confectionery as this, covered inches deep with the sweetest
and smoothest and pinkest of sugar, could never in these days be bought
for many pennies, while as for "plain"...! Most of the plot (which
really isn't at all the right word for such caramel-stuff) takes place
in a small Scottish town, where lives a family of book-children,
mothered by an elder sister named _Jean_, all of them rich in char-r-rm
but poor in cash. To this town comes, first, a pleasant single lady with
a lord for her brother; secondly an aged man full of money; and, because
the family (and the tale) is what it is, _Jean_, in fewer chapters than
you would easily credit, has clasped the young lord to her breast and is
saying the correct things to the family lawyer of the aged man
concerning the responsibilities of being his heiress. So there you have
it. I doubt whether anything even temporarily unpleasant so much as
suggests itself; for "O. DOUGLAS" has apparently discovered that, in a
world still struggling with stale peace-bread, her pink sugar-cakes are
not only cheerful to cook but likely to prove highly remunerative.

       *       *       *       *       *

Illustration: TACT IN TIME.

_King Alfred_ (_to shopman_). "AH! I SEE YOU STOCK MY PATENT
CANDLE-CLOCKS. HOW ARE THEY SELLING?"

_Shopman._ "THEY'RE SELLING LIKE HOT----I MEAN THERE'S QUITE A RUN ON
THEM, YOUR MAJESTY."

       *       *       *       *       *

A Confession.

    "The ---- Manufacturing Co. (The Profiteering Stranglers)." _Advt. in
    Provincial Paper._

       *       *       *       *       *

    "Wanted, 1,000 pairs running shoes for local expeditionary force
    about to be organised."--_North China Daily News._

The wise commander always prepares for a retreat.

       *       *       *       *       *

    The limits of age for entrance to the [Royal Air Force] college will
    be from 157-1/2 to 1 years."--_Daily Paper._

    "Percy ---- has recently joined the R. A. F. He is only 199 years of
    age."--_Local Paper._

We are sorry for PERCY, who will probably get the "push" as soon as the
authorities find out that he has exceeded their very liberal age-limit.

       *       *       *       *       *







*** END OF THE PROJECT GUTENBERG EBOOK PUNCH OR THE LONDON CHARIVARI, OCTOBER 10, 1920 ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.