The Project Gutenberg eBook of Poems of the Great War

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Poems of the Great War

Author: Various

Release date: September 9, 2010 [eBook #33681]

Most recently updated: January 6, 2021

Language: English

Credits: Produced by David Edwards, Sharon Verougstraete and the

Online Distributed Proofreading Team at https://www.pgdp.net

(This file was produced from images generously made

available by The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK POEMS OF THE GREAT WAR ***

POEMS OF THE GREAT WAR

DUTY.

Give gladly, you rich—'tis no more than you owe—

For the weal of your Country, your wealth's overflow!

Even I that am poor am performing my part;

I am giving my brain, I am giving my heart.

WILLIAM WATSON

POEMS OF THE

GREAT WAR

PUBLISHED ON BEHALF OF THE

PRINCE OF WALES'S NATIONAL

RELIEF FUND

FOURTH EDITION

LONDON

CHATTO & WINDUS

1914

NOTE

This collection of War Poems, the net profits from which will be given to the Prince of Wales's Fund, represents the free offering of English poets to the cause of National Relief.

Most of the poems have appeared recently in the Press. Mr. Robert Bridges' opening contribution, Mr. Henry Newbolt's, Mr. Maurice Hewlett's, Mr. R. E. Vernède's, Mr. Binyon's, were all printed in the Times during the few days immediately following the declaration of war, as also was the sonnet by Mr. William Watson. Sir Owen Seaman's poem came out originally in Punch, "The Hour" in the Daily Telegraph, "The United Front" in the Daily Mail. "We Willed it Not" is reprinted from the Sphere, "Duty" and "Commandeered" from the Westminster Gazette, and the poems by Mr. Gilbert and Mr. Cecil Chesterton from the New Witness. The New Weekly published the verses by Mr. John Freeman, and the Daily Chronicle those by Mr. Harold Begbie. The two hymns which close the collection are reprinted, by special permission of their authors, from volumes previously published.

The publishers desire also to record their thanks to Mr. William Nicholson for the design which appears on the cover.

CONTENTS

PAGE

"Wake up, England"

Robert Bridges

7

The Vigil

Henry Newbolt

9

To the Troubler of the World

William Watson

11

To England: To Strike Quickly

Maurice Hewlett

12

The Fourth of August

Laurence Binyon

13

The United Front

Alfred Noyes

15

England to the Sea

R. E. Vernède

18

The Hour

J. B. Fagan

21

The Wife of Flanders

G. K. Chesterton

23

The Stars in their Courses

John Freeman

25

Commandeered

L. G. Moberly

29

The Man who Keeps his Head

Harold Begbie

30

France

Cecil Chesterton

32

We Willed it Not

John Drinkwater

33

Pro Patria

Owen Seaman

35

Hymn before Action

Rudyard Kipling

37

Hymn in War Time

Robert Bridges

39

"WAKE UP, ENGLAND"

Thou careless, awake!

Thou peacemaker, fight!

Stand, England, for honour,

And God guard the Right!

Thy mirth lay aside,

Thy cavil and play:

The foe is upon thee,

And grave is the day.

The monarch Ambition

Hath harnessed his slaves;

But the folk of the Ocean

Are free as the waves.

For Peace thou art armed

Thy Freedom to hold:

Thy Courage as iron,

Thy Good-faith as gold.

Through Fire, Air, and Water

Thy trial must be:

But they that love life best

Die gladly for thee.

The Love of their mothers

Is strong to command;

The fame of their fathers

Is might to their hand.

Much suffering shall cleanse thee;

But thou through the flood

Shalt win to Salvation,

To Beauty through blood.

Up, careless, awake!

Ye peacemakers, fight!

ENGLAND STANDS FOR HONOUR:

GOD DEFEND THE RIGHT!

ROBERT BRIDGES,

Poet Laureate

THE VIGIL

England! where the sacred flame

Burns before the inmost shrine,

Where the lips that love thy name

Consecrate their hopes and thine,

Where the banners of thy dead

Weave their shadows overhead,

Watch beside thine arms to-night,

Pray that God defend the Right.

Think that when to-morrow comes

War shall claim command of all,

Thou must hear the roll of drums,

Thou must hear the trumpet's call.

Now before they silence ruth,

Commune with the voice of truth;

England! on thy knees to-night

Pray that God defend the Right.

Single-hearted, unafraid,

Hither all thy heroes came,

On this altar's steps were laid

Gordon's life and Outram's fame.

England! if thy will be yet

By their great example set,

Here beside thine arms to-night

Pray that God defend the Right.

So shalt thou when morning comes

Rise to conquer or to fall,

Joyful hear the rolling drums,

Joyful hear the trumpet's call.

Then let memory tell thy heart;

"England! what thou wert, thou art!"

Gird thee with thine ancient might,

Forth! and God defend the Right!

HENRY NEWBOLT

TO THE TROUBLER OF THE WORLD

At last we know you, War-lord. You, that flung

The gauntlet down, fling down the mask you wore,

Publish your heart, and let its pent hate pour,

You that had God for ever on your tongue.

We are old in war, and if in guile we are young,

Young also is the spirit that evermore

Burns in our bosom ev'n as heretofore,

Nor are these thews unbraced, these nerves unstrung.

We do not with God's name make wanton play;

We are not on such easy terms with Heaven;

But in Earth's hearing we can verily say,

"Our hands are pure; for peace, for peace we have striven";

And not by Earth shall he be soon forgiven

Who lit the fire accurst that flames to-day.

WILLIAM WATSON

TO ENGLAND: TO STRIKE QUICKLY

Fight, since thou must; strike quick and fierce,

So when this tyrant for too long

Hath shook the blood out of his ears

He may have learned the price of wrong.

Let him learn this, that the due grief

Of his own vice he cannot ban

By outrage of a highway thief;

Let him remember the Corsican,

Whom England only durst not dread

By sea or shore, but faced alone,

Nor stayed for pity of her dead

Until the despot's day was done.

Strike, England, quickly, make an end

Of him who seeks a deal with thee.

If he would bargain for thy friend,

What would he trade for Liberty?

MAURICE HEWLETT

THE FOURTH OF AUGUST

Now in thy splendour go before us,

Spirit of England, ardent-eyed!

Enkindle this dear earth that bore us,

In the hour of peril purified.

The cares we hugged drop out of vision,

Our hearts with deeper thoughts dilate.

We step from days of sour division

Into the grandeur of our fate.

For us the glorious dead have striven;

They battled that we might be free.

We to that living cause are given,

We arm for men that are to be.

Among the nations nobliest chartered,

England recalls her heritage.

With her is that which is not bartered,

Which force can neither quell nor cage.

For her immortal stars are burning,

With her, the hope that's never done,

The seed that's in the Spring's returning,

The very flower that seeks the sun.

We fight the fraud that feeds desire on

Lies, in a lust to enslave or kill,

The barren creed of blood and iron,

Vampire of Europe's wasted will.

Endure, O Earth! and thou, awaken,

Purged by this dreadful winnowing-fan,

O wronged, untameable, unshaken

Soul of divinely suffering man!

LAURENCE BINYON

THE UNITED FRONT

I.

Thus only should it come, if come it must;

Not with a riot of flags or a mob-born cry,

But with a noble faith, a conscience high

And pure and proud as heaven, wherein we trust,

We who have fought for peace, have dared the thrust

Of calumny for peace, and watched her die,

Her scutcheons rent from sky to outraged sky

By felon hands, and trampled into the dust.

We fought for peace, and we have seen the law

Cancelled, not once, nor twice, by felon hands,

But shattered, again, again, and yet again.

We fought for peace. Now, in God's name, we draw

The sword, not with a riot of flags and bands,

But silence, and a mustering of men.

II.

They challenge Truth. An Empire makes reply.

One faith, one flag, one honour, and one might.

From sea to sea, from height to war-worn height,

The old word rings out—to conquer, or to die.

And we shall conquer. Though their eagles fly

Through heaven, around this ancient isle unite

Powers that were never vanquished in the fight,

The unconquerable Powers that cannot lie.

But they who challenge Truth, Law, Justice, all

The bases on which God and man stand sure

Throughout all ages, fools!—they thought us torn

So far with discord that the blow might fall

Unanswered; and, while all those Powers endure,

This is our answer: Unity and Scorn.

III.

We trust not in the multitude of an host.

Nations that greatly builded, greatly stand.

In those dark hours, the Splendour of a Hand

Has moved behind the darkness, till that coast

Where hate and faction seemed to triumph most

Reveals itself—a buckler and a brand,

Our rough-hewn work, shining o'er sea and land,

But shaped to nobler ends than man could boast.

It is God's answer. Though, for many a year,

This land forgot the faith that made her great,

Now, as her fleets cast off the North Sea foam,

Casting aside all faction and all fear,

Thrice-armed in all the majesty of her fate,

Britain remembers, and her sword strikes home.

ALFRED NOYES

ENGLAND TO THE SEA

Hearken, O Mother, hearken to thy daughter!

Fain would I tell thee what men tell to me,

Saying that henceforth no more on any water

Shall I be first or great or loved or free,

But that these others—so the tale is spoken—

Who have not known thee all these centuries

By fire and sword shall yet turn England broken

Back from thy breast and beaten from thy seas,

Me—whom thou barest where thy waves should guard me,

Me—whom thou suckled'st on thy milk of foam,

Me—whom thy kisses shaped what while they marred me,

To whom thy storms are sweet and ring of home.

"Behold," they cry, "she is grown soft and strengthless,

All her proud memories changed to fear and fret."

Say, thou, who hast watched through ages that are lengthless,

Whom have I feared, and when did I forget?

What sons of mine have shunned thy whorls and races?

Have I not reared for thee time and again

And bid go forth to share thy fierce embraces

Sea-ducks, sea-wolves, sea-rovers, and sea-men?

Names that thou knowest—great hearts that thou holdest,

Rocking them, rocking them in an endless wake—

Captains the world can match not with its boldest,

Hawke, Howard, Grenville, Frobisher, Drake?

Nelson—the greatest of them all—the master

Who swept across thee like a shooting star,

And, while the Earth stood veiled before disaster,

Caught Death and slew him—there—at Trafalgar?

Mother, they knew me then as thou didst know me;

Then I cried, Peace, and every flag was furled:

But I am old, it seems, and they would show me

That never more my peace shall bind the world.

Wherefore, O Sea, I, standing thus before thee,

Stretch forth my hands unto thy surge and say:

"When they come forth who seek this empire o'er thee,

And I go forth to meet them—on that day

"God grant to us the old Armada weather,

The winds that rip, the heavens that stoop and lour—

Not till the Sea and England sink together,

Shall they be masters! Let them boast that hour!"

R. E. VERNÈDE

THE HOUR

We've shut the gates by Dover Straits,

And North, where the tides run free,

Cheek by jowl, our watchdogs prowl,

Grey hulks in a greyer sea.

And the prayer that England prays to-night—

O Lord of our destiny!—

As the foam of our plunging prows, is white;

We have stood for peace, and we war for right,

God give us victory!

Now slack, now strung, from the mainmast flung,

The flag throbs fast in the breeze;

Strained o'er the foam, like the hearts at home

That beat for their sons on the seas.

For mothers and wives are praying to-night—

O Lord of our destiny!—

But we've no time, for our lips are tight,

Our fists are clenched, and we're stripped to fight.

God give us victory!

The west winds blow in the face of the foe—

Old Drake is beating his drum—

They drank to "The Day," for "The Hour" we pray.

The day and the hour have come.

The sea-strewn Empire prays to-night—

O Lord of our destiny!—

Thou didst give the seas into Britain's might,

For the freedom of Thy seas we smite.

God give us victory!

JAMES BERNARD FAGAN

THE WIFE OF FLANDERS

Low and brown barns, thatched and repatched and tattered,

Where I had seven sons until to-day—

A little hill of hay your spur has scattered....

This is not Paris. You have lost the way.

You, staring at your sword to find it brittle,

Surprised at the surprise that was your plan,

Who shaking and breaking barriers not a little,

Find never more the death-door of Sedan.

Must I for more than carnage call you claimant,

Paying you a penny for each son you slay?

Man, the whole globe in gold were no repayment

For what you have lost. And how shall I repay?

What is the price of that red spark that caught me

From a kind farm that never had a name?

What is the price of that dead man they brought me?

For other dead men do not look the same.

How should I pay for one poor graven steeple

Whereon you shattered what you shall not know?

How should I pay you, miserable people,

How should I pay you everything you owe?

Unhappy, can I give you back your honour?

Though I forgave, would any man forget?

While all the great green land has trampled on her

The treason and terror of the night we met.

Not any more in vengeance or in pardon,

One old wife bargains for a bean that's hers.

You have no word to break: no heart to harden.

Ride on and prosper. You have lost your spurs.

G. K. CHESTERTON

THE STARS IN THEIR COURSES

And now, while the dark vast earth shakes and rocks

In this wild dreamlike snare of mortal shocks,

How look (I muse) those cold and solitary stars

On these magnificent, cruel wars?—

Venus, that brushes with her shining lips

(Surely!) the wakeful edge of the world and mocks

With hers its all ungentle wantonness?—

Or the large moon (pricked by the spars of ships

Creeping and creeping in their restlessness),

The moon pouring strange light on things more strange,

Looks she unheedfully on seas and lands

Trembling with change and fear of counterchange?

O, not earth trembles, but the stars, the stars!

The sky is shaken and the cool air is quivering.

I cannot look up to the crowded height

And see the fair stars trembling in their light,

For thinking of the starlike spirits of men

Crowding the earth and with great passion quivering:—

Stars quenched in anger and hate, stars sick with pity.

I cannot look up to the naked skies

Because a sorrow on dark midnight lies,

Death, on the living world of sense;

Because on my own land a shadow lies

That may not rise;

Because from bare grey hillside and rich city

Streams of uncomprehending sadness pour,

Thwarting the eager spirit's pure intelligence....

How look (I muse) those cold and solitary stars

On these magnificent, cruel wars?

Stars trembled in broad heaven, faint with pity.

An hour to dawn I looked. Beside the trees

Wet mist shaped other trees that branching rose,

Covering the woods and putting out the stars.

There was no murmur on the seas,

No wind blew—only the wandering air that grows

With dawn, then murmurs, sighs,

And dies.

The mist climbed slowly, putting out the stars,

And the earth trembled when the stars were gone;

And moving strangely everywhere upon

The trembling earth, thickened the watery mist.

And for a time the holy things are veiled.

England's wise thoughts are swords; her quiet hours

Are trodden underfoot like wayside flowers,

And every English heart is England's wholly.

In starless night

A serious passion streams the heaven with light.

A common beating is in the air—

The heart of England throbbing everywhere.

And all her roads are nerves of noble thought,

And all her people's brain is but her brain;

And all her history (less her shame)

Is part of her requickened consciousness.

Her courage rises clean again;

Her children's inspiration is her name, her name!

Even in victory there hides defeat;

The spirit's murdered though the body survives,

Except the cause for which a people strives

Burn with no covetous, foul heat;

Fights she against herself who infamously draws

The sword against man's secret spiritual laws.

But thou, England, because a bitter heel

Hath sought to bruise the brain, the sensitive will,

The conscience of the world,

For this, England, art risen, and shalt fight

Purely through long profoundest night,

Making their quarrel thine who are grieved like thee;

And (if to thee the stars yield victory)

Tempering their hate of the great foe, that hurled

Vainly her strength against the conscience of the world,

Though all their dead be countless as the stars,

And all the living bitter as the sea.

I looked again, or dreamed I looked, and saw

The stars again and all their peace again.

The moving mist had gone, and shining still

The moon went high and pale above the hill.

Not now those lights were trembling in the vast

Ways of the nervy heaven, nor trembled earth:

Profound and calm they gazed as the soft-shod hours passed.

And with less fear (not with less awe,

Remembering, England, all the blood and pain),

How look, I cried, ye stern and solitary stars

On these disastrous wars!

JOHN FREEMAN

COMMANDEERED

Last year he drew the harvest home

Along the winding upland lane;

The children twisted marigolds

And clover flowers, to deck his mane.

Last year—he drew the harvest home!

To-day—with puzzled, patient face,

With ears a-droop, and weary feet,

He marches to the sound of drums,

And draws the gun along the street.

To-day—he draws the guns of war!

L. G. MOBERLY

THE MAN WHO KEEPS HIS HEAD

There's a man who fights for England, and he'll keep her still atop,

He will guard her from dishonour in the market and the shop,

He will save her homes from terror on the fields of Daily Bread,

He's the man who sticks to business, he's the man who keeps his head.

Let the foe who strikes at England hear her wheels of commerce turn,

Let the ships that war with England see her factory furnace burn;

For the foe most fears the cannon, and his heart most quails with dread

When behind the man in khaki is the man who keeps his head.

Brand him traitor and assassin who with miser's coward mood

Has his gold locked up in secret and his larders stored with food,

Who has cast adrift his workers, who lies sweating in his bed,

And who snarls to hear the laughter of the man who keeps his head.

Let the poor man teach the rich man, for the poor man's constant strife

Is from day to day to seek work, day by day to war with life,

And the poor man's home hangs ever by a frail and brittle thread,

And the poor man's often hungry, but the poor man keeps his head.

When the ships come back from slaughter, and the troops march home from war;

When the havoc strewn behind us threats the road that lies before,

Every hero shall be welcomed, every orphan shall be fed,

By the man who stuck to business, by the man who kept his head.

HAROLD BEGBIE

FRANCE

Because for once the sword broke in her hand,

The words she spoke seemed perished for a space;

All wrong was brazen, and in every land

The tyrants walked abroad with naked face.

The waters turned to blood, as rose the Star

Of evil fate denying all release.

The rulers smote the feeble crying "War!"

The usurers robbed the naked crying "Peace!"

And her own feet were caught in nets of gold,

And her own soul profaned by sects that squirm,

And little men climbed her high seats and sold

Her honour to the vulture and the worm.

And she seemed broken and they thought her dead,

The Over-Men, so brave against the weak.

Has your last word of sophistry been said,

O cult of slaves? Then it is hers to speak.

Clear the slow mists from her half-darkened eyes,

As slow mists parted over Valmy fell,

And once again her hands in high surprise

Take hold upon the battlements of Hell.

CECIL CHESTERTON

WE WILLED IT NOT

We willed it not. We have not lived in hate,

Loving too well the shires of England thrown

From sea to sea to covet your estate,

Or wish one flight of fortune from your throne.

We had grown proud because the nations stood

Hoping together against the calumny

That, tortured of its old barbarian blood,

Barbarian still the heart of man should be.

Builders there are who name you overlord,

Building with us the citadels of light,

Who hold as we this chartered sin abhorred,

And cry you risen Cæsar of the Night.

Beethoven speaks with Milton on this day,

And Shakespeare's word with Goethe's beats the sky,

In witness of the birthright you betray,

In witness of the vision you deny.

We love the hearth, the quiet hills, the song,

The friendly gossip come from every land;

And very peace were now a nameless wrong,—

You thrust this bitter quarrel to our hand.

For this your pride the tragic armies go,

And the grim navies watch along the seas;

You trade in death, you mock at life, you throw

To God the tumult of your blasphemies.

You rob us of our love-right. It is said.

In treason to the world you are enthroned.

We rise, and, by the yet ungathered dead,

Not lightly shall the treason be atoned.

JOHN DRINKWATER

PRO PATRIA

England, in this great fight to which you go

Because, where Honour calls you, go you must,

Be glad, whatever comes, at least to know

You have your quarrel just.

Peace was your care; before the nations' bar

Her cause you pleaded and her ends you sought;

But not for her sake, being what you are,

Could you be bribed and bought.

Others may spurn the pledge of land to land,

May with the brute sword stain a gallant past;

But by the seal to which you set your hand,

Thank God, you still stand fast!

Forth, then, to front that peril of the deep

With smiling lips and in your eyes the light,

Stedfast and confident, of those who keep

Their storied scutcheon bright.

And we, whose burden is to watch and wait—

High-hearted ever, strong in faith and prayer,

We ask what offering we may consecrate,

What humble service share.

To steel our souls against the lust of ease;

To find our welfare in the general good;

To hold together, merging all degrees

In one wide brotherhood;—

To teach that he who saves himself is lost;

To bear in silence though our hearts may bleed;

To spend ourselves, and never count the cost,

For others' greater need;—

To go our quiet ways, subdued and sane;

To hush all vulgar clamour of the street;

With level calm to face alike the strain

Of triumph or defeat;—

This be our part, for so we serve you best,

So best confirm their prowess and their pride,

Your warrior sons, to whom in this high test

Our fortunes we confide.

OWEN SEAMAN

HYMN BEFORE ACTION

The earth is full of anger,

The seas are dark with wrath,

The Nations in their harness

Go up against our path:

Ere yet we loose the legions—

Ere yet we draw the blade,

Jehovah of the Thunders,

Lord God of Battles, aid!

High lust and froward bearing,

Proud heart, rebellious brow—

Deaf ear and soul uncaring,

We seek Thy mercy now!

The sinner that forswore Thee,

The fool that passed Thee by,

Our times are known before Thee—

Lord, grant us strength to die!

From panic, pride, and terror,

Revenge that knows no rein,

Light haste and lawless error,

Protect us yet again,

Cloak Thou our undeserving,

Make firm the shuddering breath,

In silence and unswerving

To taste Thy lesser death!

Ah! Mary, pierced with sorrow,

Remember, reach and save

The soul that comes to-morrow

Before the God that gave;

Since each was born of woman,

For each at utter need—

True comrade and true foeman—

Madonna, intercede!

E'en now their vanguard gathers,

E'en now we face the fray—

As Thou didst help our fathers,

Help Thou our host to-day!

Fulfilled of signs and wonders,

In life, in death made clear—

Jehovah of the Thunders,

Lord God of Battles, hear!

RUDYARD KIPLING

"YATTENDON HYMNAL NO. 54"

Tune: Tallis's "Canon," original setting.

Rejoice, O land, in God thy might.

His will obey, Him serve aright.

For thee the saints uplift their voice.

Fear not, O land, in God rejoice.

Glad shalt thou be, with blessing crown'd.

With joy and peace thou shalt abound.

Yea, love with thee shall make his home,

Until thou see God's kingdom come.

He shall forgive thy sins untold.

Remember thou His love of old.

Walk in His way, His word adore,

And keep His truth for evermore.

ROBERT BRIDGES,

Poet Laureate

PRINTED BY

BILLING AND SONS, LTD.

GUILDFORD

A SUGGESTION

Those who cannot fight for their country can help in quieter ways. One way is to collect money for the Prince of Wales' National Relief Fund.

Every purchaser of this book is, in a real sense, a subscriber to the Fund, but his duty does not end there. Let him make it his business to see that at least twelve of his friends buy the book too.

That would be really doing something!

*** END OF THE PROJECT GUTENBERG EBOOK POEMS OF THE GREAT WAR ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

POEMS OF THE GREAT WAR

DUTY.

POEMS OF THE GREAT WAR

NOTE

CONTENTS

"WAKE UP, ENGLAND"

THE VIGIL

TO THE TROUBLER OF THE WORLD

TO ENGLAND: TO STRIKE QUICKLY

THE FOURTH OF AUGUST

THE UNITED FRONT

ENGLAND TO THE SEA

THE HOUR

THE WIFE OF FLANDERS

THE STARS IN THEIR COURSES

COMMANDEERED

THE MAN WHO KEEPS HIS HEAD

FRANCE

WE WILLED IT NOT

PRO PATRIA

HYMN BEFORE ACTION

"YATTENDON HYMNAL NO. 54"

A SUGGESTION

THE FULL PROJECT GUTENBERG LICENSE