The Project Gutenberg eBook of Human Follies (La Bêtise Humaine.)
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Human Follies (La Bêtise Humaine.)

Author: Jules Noriac

Translator: George Marlow

Release date: October 11, 2015 [eBook #50179]
                Most recently updated: October 22, 2024

Language: English

Credits: Produced by Clarity and the Online Distributed Proofreading
        Team at http://www.pgdp.net (This book was produced from
        scanned images of public domain material from the Google
        Books project.)


*** START OF THE PROJECT GUTENBERG EBOOK HUMAN FOLLIES (LA BÊTISE HUMAINE.) ***

                          HUMAN FOLLIES.




                          HUMAN FOLLIES.

                      (_La Bêtise Humaine._)

                                BY

                           JULES NORIAC.

         _Translated from the_ SIXTEENTH _Paris Edition_.

                                BY

                          GEORGE MARLOW.


                          [Illustration]


                           PHILADELPHIA:
                        FREDERICK LEYPOLDT.
                    NEW YORK: F. W. CHRISTERN.
                               1863.




HUMAN FOLLIES.




CHAPTER I.


When Eusebe Martin had attained his twenty-first year, his father,
who was a man of sense, thus addressed him:--

“Eusebe, you are no longer a child: it is time to begin your
education. You were but eight years old when you lost your mother,
my beloved wife. This was a great misfortune, no doubt; for her
heart would have been to you a treasure of affection. However, if
we were permitted to believe in compensations in this world, I
should think that you had been recompensed for this loss, great as
it was. Your mother, had she lived, would have spoiled you, and
to-day you would not have been half the man you are.

“Remember that I have been to you a father full of solicitude.
Since the day of your mother’s death, I have left you as free as
the bird that at this moment is singing on the linden-tree at
the door. I have clothed you according to the season,--in summer
in linen, in winter in wool. My table has always been abundantly
supplied. As I never told you that you ate too much, you have never
shown a desire to overload your stomach. I have accustomed you to
running in the fields and to working with the peasants, which has
rendered you strong and vigorous.

“Morally, I owed you nothing more. Nevertheless, I have taught you
to read and to write. I cannot tell you how thankful I am that
you have not a thick head: instead of six months, you would have
wearied me two long years,--perhaps more. What use have you made
of the little learning I have given you? I have never taken the
pains to inquire. I have left my library entirely at your disposal,
because I knew that if it contained no good books it also contained
no bad ones. Have the books you have read tended to form or deform
your judgment? Little do I care; for, since no one can know where
falsehood is to be found and where truth is hidden, my reflections
would, probably, have been at war with reason.”

“Books generally tire me,” interrupted Eusebe. “Up to the present
time I have read nothing but the adventures of a sailor named
Robinson Crusoe, and of one Telemachus, son of Ulysses.”

“So much the better,” replied M. Martin; “or, perhaps, so much the
worse. I would rather see you an enthusiastic admirer of Robinson,
than of Paul and Virginia, or Faublas. But perhaps I am wrong; for,
after all, Paul and Virginia are all tenderness, Faublas all love,
and Robinson is egotism personified. However, nothing proves that
egotism, which is a fault, is not alone worth as much as tenderness
and love, which are considered good qualities.

“Now, my son, listen to me. You owe me your existence, for which,
if I do not merit your thanks, I should not incur your displeasure.
I but fulfilled a natural law. I have provided for your wants: the
laws of society made it my duty. I have just paid a sum of money
which exempts you from military service. You will, however, be
at liberty to become a soldier at any time you may think proper.
To-day I have received from my notary your mother’s fortune. Here
it is: it is yours. In this belt there are forty-eight pieces of
paper of the Bank of France, and one hundred pieces of gold. Each
one of these pieces of paper is worth fifty pieces of gold: each
piece of gold is worth twenty of those white pieces which I give
you on Sunday, when you go to play with the vagabond boys of the
village on the church square. In short, you possess fifty thousand
francs,--that is, more twenty-sous pieces than we gather apples
in ten years. Compared with some, you are rich; with others, you
are poor. Do not trouble yourself either about those who are above
or about those who are below you. The interest of this money will
enable you to live until, after having become acquainted with the
world, you decide to choose a vocation. If, however, you do not see
fit to take the trouble of investing it, you have only to limit
your expenses to ten francs per day, when your patrimony will
last five thousand days,--that is, about fourteen years. In all
probability, at the expiration of this time I shall be dead, and
you will naturally be the possessor of our domain, the Capelette,
the revenues of which are three thousand francs a year, in bad
times as well as in good.

“You are about to set out for Paris, the city _par excellence_ of
civilization. Never will you have so good a theatre for studying
the world. Profit by it. Go, Eusebe, and do not take the goods of
others: you would have no excuse, since you have enough of your
own. Never disguise the truth. The play is not worth the candle.
Never strike the weak, and be equally careful not to defend them:
you would make yourself two enemies. Try to have neither enemies
nor friends: there is little to choose between them. And now,
good-bye, my boy: here is the coach.”

The young man threw his arms around his father’s neck and embraced
him affectionately. M. Martin was moved by this unexpected outburst
of feeling. In a trembling voice, he said,--

“Farewell, my son! farewell!”

The young man started. His father, having placed himself at the
window a moment afterwards, looked at him as he hurried towards the
road.

“Eusebe!” cried he: “come here a moment, and tell me what put it
into your head to embrace me, and who taught you to make this
demonstration of affection.”

“Father,” replied the young man, “ten years ago M. Jaucourt, the
curate, who died last year, seeing me divide a piece of bread with
a poor idiot, embraced me as I just embraced you when you divided
your fortune with me.”

At this moment the diligence passed. With one bound, Eusebe seated
himself beside the postilion.

M. Martin closed the window, and, as he with a large plaid
handkerchief wiped away a tear that was ready to fall, said,--

“Plague on the curates! they are always sticking their noses where
they have no business!”




CHAPTER II.


M. Martin was neither a wicked man nor a fool, but he was a
confirmed skeptic. For forty years (he was now sixty) he had been
disappointed in all the events of his life.

When it became necessary for him to marry, he had to choose between
two of his cousins, who were equally accomplished and equally
beautiful. He preferred the one who pleased him least, because
she was of a more robust constitution than her sister. Nine years
afterwards she died, while the delicate sister was still living.

Martin was half ruined by a friend of his youth, for whom he would
have given his life.

One day, when he was from home, one of his outbuildings caught
fire, and the flames would have communicated to his dwelling but
for a man, who, at the risk of his life, succeeded in arresting
them. This man was his only enemy!

Well informed for a man of his condition, and endowed with a fair
share of sense, he was looked up to by his neighbors with a certain
degree of deference. He studied hard in order to strengthen a
reputation of which he was proud; but in so doing he was not slow
to discover that he knew nothing.

His first visit to Paris was still fresh in his memory. It was in
September, 1832. One morning he went to breathe the fresh air in
the garden of the Tuileries, when a man of a noble and friendly
mien, wearing a gray hat, commenced conversation with him.

“You are a stranger in Paris?”

“I am from Limousin,” replied Martin.

“You are a manufacturer, perhaps?”

“No: I am a farmer.”

“I am not acquainted with your section of the country, but I have
heard it highly spoken of.”

“We have, indeed, a beautiful country,” replied the
countryman,--“rich and picturesque, industrious and patriotic: we
are in want of but one thing,--a river.”

“But you have the Vienna.”

“The Vienna is not navigable.”

“Could it not be made so?”

“It is the dream of the entire population of Limousin.”

“Monsieur, what is your name?”

“Martin.”

“Very well, Monsieur Martin: when you return home, tell your
neighbors that in less than three years their river will be
navigable.”

“Who are you,” asked Martin, “who speak with so much authority?”

A bland smile lighted up the features of the man with the gray hat,
as he replied, with simplicity,--

“I am the King of the French.”

It seemed as if the crowd which had gathered around the two
promenaders had only waited for this announcement. Cries of “_Vive
le Roi!_” many times repeated, burst forth. The people surrounded
the king, who smiled at some, offered his hand to others, and had a
kind word for all.

“There is a great king and a great people,” thought Martin, who
returned to the Capelette to narrate his royal adventure and
acquaint the whole department with the king’s promises.

Seventeen years wore away. Martin, tired of the monotony of the
country, and living alone with his son, who was still a child,
resolved to go once more to Paris. Scarcely had he arrived at a
hotel, when he hurried to dress himself in his best, saying that,
although the king had not kept his promise, he owed him the first
visit. “I shall see him in his garden,” said he: “he will be less
embarrassed than if I were to call at his palace.”

He found the entrances to the Tuileries blocked up, and motley
crowds, who were loud in their cries, surrounded the palace. “What
excellent people!--what love for their sovereign!” thought honest
Martin.

Multitudes of ragged boys were running through the streets,
singing,--

    “Mourir pour la patrie,
      C’est le sort le plus beau,
    Le plus digne d’envie:
      C’est le sort * * * *”

“What youths! What noble youths!” cried honest Martin, with tears
in his eyes.

Seeing that he could not approach the garden from the side of the
Rue de Rivoli, he went round to the Place de la Concorde. Just as
he arrived at the quay, a small half-hidden gate in the wall opened
before him, from which issued an old man, wearing a blue blouse,
leaning on the arm of another man scarcely less aged than himself.

“Monsieur Martin,” said he, “help me, I pray you, to get into this
cab.”

“Who are you? I do not recollect you,” said the astonished rustic.

“An hour ago I was King of the French,” replied the old man.

“Ah! sire,” cried Martin, preoccupied by the one idea, “the Vienna
is not yet navigable.”

“It is true: I failed to keep my promise, and I am cruelly
punished.”

The cab drove rapidly away, while Martin remained fixed to the
spot, unable to comprehend the meaning of this royal apparition.
He was, however, soon roused from his revery by a noisy crowd that
issued from the little gate.

“The brigand has escaped us,” cried they.

“We will have him before he gets far.”

“So much the better.”

“Unfortunate king! deluded people!” murmured the countryman; and
he took the road to the Capelette, where he lived in solitude. His
mind became more and more wavering. Having no one with whom to
engage in discussion, he had contracted the habit of controverting
his ideas himself, and the consequence was, that he had become a
skeptic in every thing. This was the reason why he had brought
up his son as he had done, or, rather, the reason why he had not
brought him up at all.




CHAPTER III.


On the evening of the day on which he left home, Eusebe arrived at
the railroad-depot. He approached the ticket-office, and said to
the agent,--

“I want to go to Paris.”

“Which class car do you wish, sir?”

“The best.”

“Fifty-four francs,” replied the agent.

Eusebe handed him three louis, and received six francs in return.

“There,” thought Eusebe, “is a clever fellow: it did not take him a
minute to tell how much was coming to me.”

“And now,” he asked, “could you tell me, sir, where I will find the
carriage?”

“The train, you mean.”

“I don’t know. Is that the name of the vehicle that is to transport
me to Paris?” asked Eusebe, timidly.

“Vehicle!” cried the man. “What do you call a vehicle? Your
jesting is ill timed, sir. Here is your car: another time try to be
a little more polite.”

“This man,” said Eusebe to himself, “is not so clever, after all:
he is a fool,--an ignoramus!”

Eusebe’s journey was without incident. Alone in a first-class
_coupé_, he made himself a couch, on the floor, of the cushions,
and, placing his valise under his head for a pillow, he slept
quietly until daylight.

When he awoke, he had passed Orleans. His eyes, half open, glanced
at the country, and a cry of admiration escaped him.

“Oh, what splendid farms! what beautiful fields!” cried he:
“how admirably the land is cultivated! what care, what labor,
is bestowed on it! My father was right: civilization has not
penetrated into the departments of the interior. Fifteen hours
ago, I left the Capelette. What a difference! Why is the soil so
fertile here and so sterile with us? The soil is the same, but
the cultivation is not. Here there are no immense forests, no
uncultivated fields: the country is as populous as our cities.
Laborers abound, and agricultural implements are brought to the
highest state of perfection. What abundance! what riches! Everybody
seems to be happy and contented. How beautiful and grand all this
is!”

At the moment he made these reflections, the train began to slacken
its speed. They approached a station. Eusebe watched attentively
the groups of people who were waiting behind a barrier for the
train to pass, in order that they might, in their turn, pass also.
The noise of the locomotive frightened a cart-horse tied to a post
near by. The poor animal, trembling with fear, snorted and reared
up on his hind legs, when a man, armed with a whip, came out of an
inn and began to strike the beast with all his might. The more he
struck, the more the horse reared and pranced. Finally, breaking
his halter, the animal sprang furiously against the barrier, which
he struck with his head and fell dead. The man cursed like a
carter, which he was.

“Surely,” said Eusebe to himself, “this is a very bad business.
The fault is the man’s, and not the beast’s. If the man had not
left the horse, the horse would not have been frightened. If the
horse had not been frightened, the man would not have struck him;
and if the man had not struck the horse, the animal would not
be dead. This man is perhaps a savage, recently arrived among
civilized people. That, however, I think scarcely probable, since
he speaks with tolerable correctness. Is my father right in saying
that extremes touch, and that the last word of civilization is
perhaps the first of barbarism?”

Eusebe had arrived at this point in his reflections, when two
travellers entered the _coupé_ he occupied. Although it was still
early in September, the two new-comers wore fur caps and overshoes
and thick woollen cloaks, while their faces were half concealed by
immense woollen comforters.

“Upon my word,” said one of them, “the winter is already setting
in: this northwest wind is any thing but agreeable. What do you say
to taking a puff? It will give us an appetite.”

On hearing these words, Eusebe was a prey to the most lively
curiosity. The singular costume of his travelling-companions made
him suspect he had in them two subjects for study, coming from some
distant clime. To judge from their furs, they must have first seen
the light at Moscow. On hearing them talk about “taking a puff,”
he expected to see something new and extraordinary, and prepared
himself to be all eyes and ears, in order to become acquainted with
the customs of the strangers whom chance had thrown in his way.

To the great disappointment of the young man, the traveller took
some cigars out of his pocket and lighted one, after having offered
them to his companion and then to Eusebe, who had refused.

“You do not smoke, young man?”

“No, sir.”

“Bah! How old are you, then?”

“Twenty-one.”

“Twenty-one years old, and you do not smoke! Where the devil do you
come from, my young friend?”

“I come from the Capelette, a domain near Saint-Brice, in Limousin;
I am going to Paris to see the world; and I cannot be your friend,
since I never met you until this morning.”

“Do not get angry, young man. It was not my intention to be rude.”

“I know that,” said Eusebe. “On the contrary, you offered me your
rolls of tobacco, for which I am obliged.”

“Ah! you are from Monsieur de Pourceaugnac’s neighborhood,” said
the other, who until now had remained silent.

“I do not know the gentleman,” replied Eusebe: “my father and I
live a very retired life.”

“Naïve, upon my word!” cried the smoker. “He ought to be framed.
What, young man! you do not know the gayest of Molière’s heroes?”

“I have never been away from the Capelette, sir, and my condition
does not allow me to become acquainted with heroes. I do not even
know where Molière is situated.”

The two travellers burst into a hearty laugh.

“Gentlemen,” said Eusebe, when the hilarity of his neighbors had
ceased, “you amuse yourselves at my expense, because I am ignorant,
which, I think, is any thing but kind of you. You indiscreetly
questioned me; I answered: I might have remained silent. Recollect,
I beg of you, that you meddled with my affairs, and that I have
not concerned myself about yours. I have not asked you whence you
come, where you are going, or who you are. When you laughed at me,
I might have thrown you out of the window; but I did not do it, and
you ought to be thankful.”

“Out of the window! Not so fast, my dear sir.”

“I could certainly have done it,” said Eusebe, with simplicity.

“Pardon me,” said the second traveller. “We do not wish to make
ourselves disagreeable. You are too quick to take offence. I am in
the habit of travelling a great deal. During the last ten years, my
friend and I have been almost always _en route_. Whenever we find
ourselves in company, we ask how _it happens_, where our companions
come from, and where they are going. That helps to while away the
time, and injures no one.”

“And is that all you travel for?” asked Eusebe.

“What an idea! We are travelling clerks: we represent two of the
first houses in Paris.”

“However great my simplicity may be,” replied Eusebe, “I think
there are no first houses in Paris, and, what is more, that there
can be none, since the first on arriving from the north are the
last when one comes from the south.”

They arrived at Paris, and Martin, junior, got out of the car.

With his valise in his hand, Eusebe stepped out of the depot, when
a cabman cried out to him,--

“Here you are, sir! Where shall I drive you to, sir?”

“I don’t know,” replied Eusebe.

“It’s not me that’ll tell you, then.”

“I have not asked you.”

“Eh! do you hear that? Here is a gentleman that don’t know where he
is going.”

“Mind your own business.”

“Bah! you lubber! you haven’t a sou.”

The provincial was about to reply, when the cabman, to whom a
traveller had just made a sign, hurried away.

“These people do not seem to be very familiar with the laws of
hospitality,” thought Eusebe: “they call you to insult you. What
does all this mean?”




CHAPTER IV.


Paris is the dream of all provincialists. Rich and poor want to
come here, at least once,--the first to enjoy life, the second to
try to make their fortunes. No one can imagine the disappointment
of these visitors, since each one has had his own peculiar ideas
of the metropolis. For some, Paris is an immense succession of
palaces; for others, the houses are built of gold and precious
stones.

Paris never comes up to the ideas strangers have formed of it.
In order to love and admire this great city, one must become
acquainted with it. The inhabitants of the South, particularly, are
greatly disappointed on arriving at the capital. Their imagination,
more lively than that of the people of the North, embellishes the
metropolis in a thousand different ways. As if to punish them for
their imaginary castles, accident has always made them enter the
city at its homeliest point. Before the railroad was built, the
people of the South arrived at the Barrière d’Enfer. To them Paris
presented a sorry aspect; to those who arrive now it presents no
aspect at all.

Eusebe, on leaving the depot, walked straight ahead, valise in hand.

He saw the Seine, which he thought narrow. Then he came to
a bridge, which he thought shabby. But all at once his face
brightened up with an expression of delight: he was opposite the
garden of the Museum.

“At last,” said he, “here is something worth looking at. What a
beautiful, what an immense, garden! How admirably it is cultivated!
It is unfortunate that a sentinel is placed at the gate to keep
people from entering: it is ridiculous. But it is said there are a
great many thieves in this immense city.”

Eusebe approached the soldier who guarded the entrance to the
garden, and said,--

“Be so kind as to tell me the name of this magnificent enclosure.”

“Enclosure!” repeated the soldier: “don’t know.”

“I ask you the name of this enclosure.”

“Enclosure! Not known to the regiment.”

“I beg your pardon,” said Eusebe, mildly: “I simply want to know
the name of this garden that you guard so well.”

“Ah! ah!” replied the son of Mars. “Should express yourself
_categorically_, young man. That is called the Garden of Plants.”
(Jardin des Plantes.)

“Thank you,” said Eusebe; but, as he turned to go, he made this
reflection, which seemed to him sensible:--

“Garden of Plants: that is not a name. All gardens have plants;
gardens give birth to plants, and a garden without plants would not
be a garden. This soldier has evidently deceived me.”

Seeing an old man sitting on a bench enjoying the autumn sun,
Eusebe, approaching him, took off his hat respectfully, and said,--

“I am a stranger, sir. Excuse me for troubling you, but I should
like to know the name of this superb park.”

“I am glad, sir,” said the old man, kindly, “that I am able to tell
you. The grounds that you see yonder are the garden of the king.”

“Of the emperor, you mean to say.”

“I mean to say what I say; and believe me, sir, it is not very
becoming in a youth of your age to amuse himself at the expense of
an old man like me. If it was for that you stopped, you would have
done better to have kept on your way.”

Eusebe, not knowing what to reply, passed on, thinking himself
really unfortunate. Since he left the Capelette, he had fallen from
Charybdis into Scylla. The railroad agent had bullied him; the
two travellers had laughed at him; the cabman had insulted him;
the soldier had deceived him; and the old man had abused him. He
began to think he would have to undergo a great deal in becoming
acquainted with the world, and that the Parisians were not so
highly civilized as they were generally supposed to be.

At this moment he was interrupted in his reflections by the cries
of a woman. The people gathered around her, and he followed their
example.

“What is the matter with this woman?” he asked of his neighbor.

“Her husband,” replied the spectator, “was a native of Auvergnat,
a tradesman, who rented this shop six months ago. Business has
not been good with him. His wife is a shrew, and his landlord an
unfeeling Jew, who wanted to make him leave the premises. The poor
man was unable to endure so many misfortunes, and has just hung
himself. From where I stand you could see him hanging at the end of
a cord. They have gone to inform the authorities.”

Eusebe stretched out his arms, thrust the crowd aside, and, with
one bound, entered the shop, knife in hand.

“Stop!” cried the spectators. “Stop, young man! You will get into
trouble. Wait for the officers. The law forbids you to touch
persons who hang themselves. You will wish you had let him alone.”

Without listening to any of these remonstrances, the young man had
cut the cord and placed the poor shopkeeper on a chair. With a
motion of the hand he had kept back the crowd, that intercepted the
air, and, on his knees before the Auvergnat, he watched anxiously
for some signs of returning life.

All at once a murmur was heard in the crowd.

“Here comes the commissary! Here is M. Bézieux. Make way for the
commissary.”

The magistrate advanced quietly. There was a pleasing benevolence
in his expression, as his mild but piercing eyes ran over the
group. The representative of the law arrived slowly, and without
any appearance of being annoyed, to verify the sinister event that
had just been announced to him.

“Where is the suicide?” demanded the magistrate.

For an instant the group was still, appearing to hesitate between
anxiety to speak and silence. The bad instincts, however, soon got
the ascendency, and, pointing to Eusebe, three or four persons
cried out,--

“It was this young man who cut the cord: it was impossible for us
to stop him.”

“He did perfectly right,” said the magistrate. “Although younger
than any one of you, he greatly surpasses you all in good sense.
You ought to know that the idea is absurd that it is dangerous to
assist an individual who attempts to commit suicide, or has been
assassinated, before the arrival of the officers of justice. The
magistrates come simply to take cognizance of the fact. It is the
duty of every good citizen to save the lives of his fellow-men
by every means in his power. The stupid tradition which makes
the vulgar suppose one ought not to assist a man in danger, is
not, however, without foundation. It unfortunately happened in
the Middle Ages, and even before and after that period, that some
individuals, who, at the risk of their lives, ventured to assist
persons attacked by assassins, were arrested under the supposition
that they were themselves the murderers, and as such they were
executed; but in the enlightened age in which we live, with the
means for ascertaining the truth at our command, justice cannot be
mistaken.”

“I would not trust to it,--not I,” murmured a ragpicker, who had
been a calm spectator of the drama of which the shop had been the
scene. “I don’t pretend to say that justice can be mistaken, but I
would not trust to it: I, for my part, prefer keeping on the safe
side. There are a great many strange things now-a-days.”

“Sir,” said the commissary to Eusebe, who was anxiously watching
the convulsive movements of the Auvergnat, “your conduct in this
affair merits the highest commendation.”

“Not at all,” replied the young man, timidly.

“I beg your pardon,” rejoined the magistrate, who had
misinterpreted Eusebe’s reply: “a man, whoever he may be, is still
a man, and as such is a member of the great family which we call
humanity.”

“Certainly, sir; you are perfectly right,” said the young man, who
sought in vain for _profundity_ in the good-natured officer’s
reply. He then added, “This man, sir, was driven to this unnatural
deed by poverty. I wish to assist him.”

“This desire does you honor.”

“Here,” continued Eusebe, “is a paper of the Bank of France, which
is worth fifty louis, and each louis, as you doubtless know, is
worth twenty twenty-sous pieces. Be so kind as to give it to
him, if he will promise not to make another attempt to commit
suicide until his money is gone. It is probable that by that time
Providence, who has preserved him to-day, will make provision for
his future welfare.”

The magistrate looked at Eusebe attentively. His dress, which was
more than plain, his manner of expressing himself, his timidity,
his gestures, and even the belt that contained his treasure,
puzzled the functionary in a manner which he did not try to
conceal. This honorable magistrate, who by years of experience in
his profession had learned to form a tolerably correct opinion
of men at a glance, was at a loss to know what to think of the
singular being he had before him. The clerk, who imagined what was
passing in the brain of the commissary, was as much perplexed as
his superior. Nevertheless, as a murmur of applause and some words
in favor of the young stranger ran through the circle, the worthy
functionary thought the time propitious for ventilating his ideas
in a short discourse. Addressing himself now to the crowd, and now
to Eusebe, he was thus delivered:--

“If it is beautiful and rare to find presence of mind and reason
united in youth, it is certainly not less honorable to add to these
qualities philanthropy. Not only did you wish to save this man (and
you have saved him), but you now desire to assure the existence he
owes you. This I call sublime. Such acts, sir, do so great honor
to their author that our thanks would be out of place: he finds
his reward in his heart. What recompense is to be compared to the
consciousness of having been a benefactor? Allow me, sir, to ask
your name, in order that I may send it in to the Administration,
which knows how to appreciate such disinterestedness.”

“My name is Eusebe Martin.”

“Are you a relation of M. Martin, of the Tribunal of Commerce?”

“I think not. I have just arrived from Limousin. I know no one in
Paris.”

“You are quite young.”

“Twenty-one.”

“I am glad of it; for were you not of age I could not accept your
gift.”

“I don’t know,” said Eusebe.

The commissary looked at the clerk with astonishment.

“You have a trade?”

“No. I came to Paris to admire civilization and study life.”

“Study life!” said the clerk, who was inclined to be humorous. “He
is not a physician.”

The magistrate was lost in conjectures.

“What is your father’s business?” he inquired.

“My father, sir, lives at the Capelette. His chief employment is to
seek where truth and falsehood are to be found.”

“Be so kind as to accompany me,” said the functionary, dryly,
making a sign to the crowd to stand aside and let them pass.

Eusebe bowed without replying, and walked along beside the
commissary, which allowed him to hear the clerk say to his
superior,--

“The poor fellow is stark mad.”

To which the magistrate replied,--

“That is very evident.”

Eusebe felt the blood mount to his cheeks, not from fear, but
from shame. He thought they took him for a fool because he was so
ignorant.

This unexpected departure was interpreted in different ways by the
curious, who had not heard the dialogue.

“They are going to give him the _cross_,” (of the Legion of Honor,)
said a naïve policeman.

“The cross! Oh, very likely, since it is the police that gives the
cross now-a-days!” replied a wag, in a white blouse.

“Why not?”

“Because it is not in their power.”

“They have power enough to put you where the dogs won’t bite you,
you blackguard!”

“Hear! hear!”

“Did you hear?” said a woman with a handkerchief over her head;
“did you hear? He began by saying the young man did right in
cutting the rope, and still he has arrested him all the same.”

“Just as though he was obliged to go!”

A quarter of an hour later, a physician hurried through the crowd,
crying,--

“Where is the patient?”

The unfortunate shopkeeper was in one corner, studying how he
could possess himself of the thousand francs without letting his
wife know it, while she had followed the commissary, hoping to get
the money without the knowledge of her husband.




CHAPTER V.


At the door of the commissary’s office, the clerk politely begged
Eusebe to enter first, introducing him into a room divided into two
parts by a screen of green lustring. The dilapidated walls were
covered with black designs executed by offenders, who had whiled
away the tedium of waiting by cultivating the fine arts. The rays
of the sun, struggling to enter at a window that looked into the
court, shone feebly on an old black desk, upon which a quantity
of stamped papers, that seemed to have the jaundice, were lying.
Two clerks, whose appearance was in keeping with the place, were
scribbling away mechanically. Eusebe, who thought the adjective
_shabby_ the proper word with which to qualify the _ensemble_, said
to the clerk,--

“Is this, sir, what is called the formidable _appareil_ of the
courts of justice?”

The magistrate’s drudge smiled, and, regarding the young
provincialist with a look of benevolence mingled with compassion,
replied,--

“No, sir: the courts of justice are held at the Palace: this may be
considered as being one of the laboratories that supply them with
materials.”

“I don’t understand you,” said the youth.

“No matter,” replied the clerk. “It is to be hoped you will
understand better by-and-by. Here comes the commissary. Be seated,
and answer the questions he asks you.”

“You told me that your name was Eusebe Martin,” said the commissary.

“Yes, sir.”

“How did you leave your father’s house?”

“By taking the Pénicault coach as far as Vierzon.”

The commissary and his clerk exchanged significant glances. “Write
the replies,” said M. Bézieux to the clerk.

“Have you a passport?”

“I don’t know what it is.”

“Write this reply also.”

“What did you say you came to Paris for?”

“I told you I came to Paris to study civilization.”

“To what purpose?”

“Why, to be----civilized.”

“Ah! very well. Have you, besides this thousand francs, the means
of existence?”

“By limiting my expenses to ten francs per day, with what I have,
I shall be able to live five thousand days,--about fourteen years.
Here is my money----”

“Very well. Do you know any one in Paris?”

“Yes, four persons: a coachman who insulted me, a soldier who
amused himself at my expense, an old man who abused me, and the
shopkeeper whose life I saved.”

“That is sufficient,” said the magistrate. “Your age, the
incoherence of your replies, and the large sum of money in your
possession make it my duty to detain you until I have more ample
information. You need not give yourself any uneasiness, for you
will be well treated, and very soon, I trust, you will be set at
liberty and restored to your family.”

“I am in no hurry. You can take your own time.”

For the last half-minute the commissary had been making a fruitless
search in all his pockets.

“I have lost my handkerchief,” said he to his clerk. “When you go
home, call at the house where we have been, and see if it is not
there.”

“That will be useless,” said Eusebe: “I saw a child take it out of
your pocket and run away.”

“And you did not tell me!” cried M. Bézieux.

“Unless it be an affair of more than ordinary importance, I trouble
myself as little as possible about other people’s business. Allow
me to offer you another.”

Without waiting for a reply, the young man opened his valise
and took out a handkerchief, which he politely handed to the
commissary, who refused it.

“Thank you,” said he: “I will send for one. What is this paper that
has just fallen out of your valise?”

“My _port d’armes_.”

“Your license to hunt! You have a license to hunt? Why did you not
tell me so before? Let me see it.”

“Because you did not ask me for it.”

M. Bézieux read and reread the paper, and examined the description
closely. As Eusebe had two black spots on his left cheek, it was
not difficult to discover that the license was his.

“My young friend,” said the magistrate, “a thousand pardons for my
questions. It was my duty to do as I have done. You are _en règle_:
I have nothing more to say to you. You are at liberty to go. With
your inexperience, you will, sooner or later, certainly be duped.
Should you get into trouble, remember that you have in me a friend.”

“Sir,” said Eusebe, “you are very kind, and I am greatly obliged.”
He took his valise, and, bowing, retired slowly. On the stairs he
stopped an instant, then, in a loud voice, as though some one were
listening, he said,--

“This is certainly a very singular--a most
incomprehensible--affair! This man, who calls himself a minister of
justice, sees me do two good deeds and arrests me, saying that I am
either a fool or a madman, and it is only on seeing my license to
hunt that he is convinced of his error. Now, the license ought, on
the contrary, to have confirmed him in his opinion, and made him
believe that I was really insane; for I did a very stupid thing
the day I gave the Mayor of Moustier twenty-five francs for the
permission to kill birds that were none of his.”




CHAPTER VI.


Eusebe, absorbed in his reflections, walked nearly two hours,
gazing to the right and left, without seeing any thing. Finally, he
found himself, by accident, on the Place de la Bastille. Great was
his astonishment when his eyes rested on the July Column. He could
not imagine the utility of this immense tower of bronze. He would
gladly have asked some questions of the passers-by, but his former
experience deterred him. He approached the column and examined the
inscriptions minutely.

“This is very singular,” thought he. “Here is a monument erected
to the memory of citizens who died for liberty. Is it possible that
in 1830, at so recent a period, there were in France, the centre
of civilization, persons who were opposed to liberty? This would
seem to me improbable, if it were not engraved here. Are there,
too, those who are so abandoned as to think of depriving us of our
liberty, the greatest of blessings? This was a remarkable event,
about which I shall know more so soon as I am able to read the
historians of that period.”

Hunger put a stop to Eusebe’s reflections on the liberties of the
people. He walked on, glancing eagerly about, and hoping to see a
signboard swinging in the wind and bearing that fallacious legend,
“Here they give something to eat and drink,” such as he had seen
on the rural roads. He had commenced to despair of finding what he
sought, however, when the magic word “dinner” greeted his eyes. On
closer inspection of the establishment where this promise was held
out, he read,--

                       RESTAURANT BROCHONS.

           _Dîners à 2 francs; déjeuners à 1 franc 25._

Eusebe fairly sprang towards the door, but entered the place in a
humble manner, and took a seat at the table nearest to the window,
so that he might satisfy at the same time his stomach and his
curiosity.

“What will you have, monsieur?” inquired a waiter.

“Whatever you please,” replied Eusebe. “Having been raised in the
country, I am not difficult to please.”

“After the soup, will monsieur have a beefsteak?”

“As it pleases you.”

“Oh, it is all the same to me. Would you prefer a kidney?”

“I have no preference.”

“A calf’s liver?”

“It is a matter of indifference to me.”

“To me also. We have, besides, cutlets, collops, fricasseed
chicken, rabbits, partridges, roast chicken, mutton----”

Eusebe caught the word cutlets, as the waiter ran rapidly through
the bill of fare, and eagerly interrupted him with,--

“Give me a cutlet.”

“How will you have it?” And the waiter again went into a catalogue
of which Eusebe understood only the word “broiled.”

“I will have it broiled,” he exclaimed.

“Cutlet broiled! One!” exclaimed the waiter to the cook.

“Here is a queer servant,” said the young provincial, _solus_.
Having obtained the cutlet, he devoted himself to it with an
appetite sharpened by abstinence and exercise. After the dish had
been finished, the waiter again began to run over his bill of
fare; but Eusebe interrupted him with,--

“Give me another cutlet.”

“Would you not prefer fish of some kind,--salmon, river trout,
or----”

“I prefer another cutlet.”

“Very well, monsieur. _Chef_, another cutlet--one!”

“The _chef_ of this establishment is certainly deaf,” thought
Eusebe; “and that is a disagreeable infirmity both for himself and
for other people.”

After the second cutlet, Eusebe demanded a third, and then a piece
of cheese. While he was eating his last piece of bread and drinking
a glass of water, there was a sudden commotion in the room,
and several persons ran to the windows. The provincial thought
something extraordinary was in progress, and was all eyes and ears
for the time. He could see nothing, at first, but the usual throng
of vehicles and pedestrians. Then a tightly closed wagon, escorted
by four gendarmes, attracted his attention. The wagon passed on;
the persons in the restaurant returned to their seats, and the
conversation became animated.

“It is unfortunate, beyond doubt,” said a large man with a white
cravat, “but we cannot punish too severely those who are trying to
bring about anarchy and disorder.”

“Poor fellows!” said a young woman: “they have sisters and mothers
who weep for them.”

“Yes, and mistresses too,” added a man whose features were marked
by the ravages of the smallpox.

The young woman turned towards the speaker, and, after looking at
him fixedly, responded,--

“Yes, monsieur, they have mistresses.”

“Poor fellows! they may never see their country again.”

“Life is long.”

“While they live there is hope.”

Eusebe was exceedingly curious. He did not comprehend a word of
this conversation, and dared not question anybody. His neighbor,
however, a man of rough and swarthy aspect, came to his relief,
saying,--

“These people indulge in very absurd reflections.”

“I know not what they have said,” responded the provincial.

“They alluded to the men who have just passed: they are condemned
to transportation.”

“May I venture to ask what they mean by transportation?”

“Sending men into exile.”

“For what reason?”

“Because they wished to fight for liberty,” whispered the swarthy
man, who then took his hat, and, casting a glance of defiance at
the throng, departed.

Eusebe followed. As he passed out of the door, he heard the waiter
exclaim,--

“There goes a verdant one.”

Eusebe thought this was intended as an insult, but he was not sure
of the sense of the term verdant, and, therefore, gave himself
no trouble about it. He took a seat on one of the benches of the
Boulevard du Temple, and seemed absorbed in reflection. What he
thought, it is impossible for us to say; but when he arose, he
might have been heard to murmur,--

“They raise monuments to the memory of citizens who have died for
liberty, and they banish others who wish to fight for it. This does
not appear consistent,--unless there are two kinds of liberty, one
good and the other bad.”




CHAPTER VII.


Night had come on, which, however, did not disturb Eusebe. He had
heard that in Paris night was turned into day,--that Paris was more
brilliant at midnight than at noon,--and many other absurdities.
While observing the rapid illumination of myriads of gas-lamps, he
had begun to think that his provincial anticipations were about
to be realized. But when the poor youth, who had spent two hours
in hunting a restaurant, wished to find a shelter, he perceived
that gaslight fell far short of sunshine. Notwithstanding all the
attention he devoted to the multitude of signs, he could nowhere
discover the word _auberge_.

His anxiety was great. He noticed a clock, the hands of which
marked the hour of half-past ten. He had never before remained out
of bed so late.

He had a strong inclination to ask the pedestrians who passed him
where he could find a bed; but his mishaps of the morning were
vividly remembered. At length he realized that there was no other
course to take, and decided to question the first female who passed
him.

“A woman,” thought Eusebe, “will be milder and more accessible than
a man.” And as, at this moment, a lady emerged from a neighboring
mansion, the provincial ventured to say,--

“Permit me, madame, as a stranger who is very much embarrassed, to
ask you for some information.”

The lady passed on without condescending to make any reply.

“I have an awkward address,” said the provincial. “That person is
certainly a great and haughty lady. I had better speak to this one,
who has the air of a working-woman.”

“Madame,” said Eusebe to a female who brushed past him, “a little
information, I pray you.”

“This is a well-chosen hour for asking questions, truly. What do
you want?”

“Inform me, if you please, of a place where I can sleep to-night.”

“Pass on your way, you insolent scamp! For whom do you take me, you
low-bred fellow? Cease to disturb me, or I will have you arrested.”

This cut was too much for the poor Limousin. He felt as if his legs
would give way under him. He sank upon a stone step, and, in a
despairing tone, asked himself what would become of him.

He was endowed with a strong, healthy constitution. No ordinary
peril could frighten him; but this solitude in the midst of a crowd
gave him strange sensations: he felt his heart swell, while the
tears started.

“Are you sick, monsieur?” inquired a man who was engaged in closing
a store.

“No,” responded Eusebe, “but I am not much better off.”

“Are you hungry?”

“No.”

“Do you want money?”

“No.”

“Then what is the matter?”

Eusebe arose, revived by the sympathetic curiosity of the man, and
replied,--

“I arrived in Paris, this morning, from my native province, and
already a coachman has insulted me, a soldier has mocked me, an
old man has deceived me, a commissary of police has desired to
arrest me, as he thought me crazy, because I had saved a man’s
life, a waiter in a restaurant has called me _green_, a great
lady has refused to answer me, and a working-woman has heaped
epithets upon me because I asked her to direct me to an _auberge_.
Really, I might inquire whether I am crazy, or whether, instead of
coming into a civilized region, I have not fallen among a horde of
savages.”

The merchant--for such the man evidently was--rejoined,--

“There is, perhaps, some truth in the latter supposition. Come in
and take a seat for a moment, and I will aid you.”

“Generous man! Blessings on you! God, I am sure, will take account
of your good action; and if ever you or your son should visit
distant shores, he will prepare for you shelter in a hospitable
tent.”




CHAPTER VIII.


“I am not married,” said the merchant, “and, therefore, have no
son. If I had one, I would not let him travel. For myself, I will
never go farther than Versailles, where I am going to retire. I
shall be sure to find a hospitable tent there, for I have an income
of ten thousand francs. Finally, I am not a generous man: I am a
dealer in porcelain.”

“It is not a dull trade,” observed Eusebe, sententiously.

“I invited you to come in,” continued the merchant, “because I knew
by your accent that you were a compatriot. I am from Rochechouart.
My name is Lansade.”

Eusebe thereupon gave an account of his journey, and detailed the
motives for the undertaking,--which, however, the merchant did not
comprehend.

“What I can see clearly in all this is, that M. Martin, your
father,--I know him well,--wishes you to see the world. It is quite
natural. A young man ought to know something of life.”

“Such is, indeed, his wish.”

“But,” continued Lansade, “he should have given you letters of
introduction to some friends, who would take pleasure in piloting
you through Paris.”

“My father has no friends.”

“As times go, that is perhaps as well. But one must have
acquaintances: one cannot live like a bear.”

“My father lives like a philosopher.”

“It is the same thing,” said Lansade. “Now, since your good star
has conducted you to my door, I wish to be useful to you. First,
take these cards, which have my address. Do not lose them. I will
close my store, and then conduct you to Madame Morin, a lady who
rents chambers. She is a fine woman, who will take care of you. I
am not sorry to take her a tenant. I shall thereby render service
to two persons.”

“You are very good, monsieur,” said Eusebe: “I cannot tell you how
much I am obliged to you.”

“It is not worth mentioning. As soon as I have closed my store, we
will set out.”

“Shall I assist you?” inquired Eusebe.

“I have only three shutters to put up. For twenty-five years I have
put them up at night and taken them down in the morning. You may
presume that I have learned my task.”

So saying, the merchant set about closing his shop. Eusebe was
quite another man: his anxiety had vanished. After waiting a few
moments, he went to the door. Lansade had made no progress. He
stood looking at the shutters, and seemed puzzled.

“Well, this is a nice piece of business!” exclaimed the merchant.
“Ah, Pierichou, to-morrow you shall hear from me.”

“What is the matter?” asked Eusebe.

“My porter is a lazy rascal whom I rescued from misery. Two weeks
ago, I decided to have the front of my store painted. The painter
forgot to number the shutters. Then I told Pierichou to number them
with ink. The scamp has numbered them with Spanish white; and now
one of the figures is effaced.”

“Well, what is the consequence?”

“The consequence is, that I don’t know how to put them up. If I put
the first in the second place, they cannot be fastened.”

“Excuse me, monsieur, but will you permit me to suggest----”

“What?”

“There is but one number effaced.”

“That is quite enough.”

“See which numbers remain, and you will know the one you want.”

“Precisely so. Thank you.”

The merchant closed his store, and, taking the arm of the young
provincial, conducted him towards the residence of Madame Morin.

“Madame Morin,” said Lansade, on the way, “is an excellent woman.
She has been frivolous and fond of pleasure in her time, but I do
not attach any importance to that. I am a Voltairian, like your
father. I am a philosopher, also, in my way. Between you and me, I
may add that there are few now-a-days of my worth: besides, I have
amassed a nice little fortune.”

They reached the house. Lansade presented Eusebe, who was cordially
welcomed by Madame Morin, and then the merchant retired.

“Before you retire to rest,” said the landlady to Eusebe, “give
me your papers, so that I may give you a proper description on my
book.”

“What papers?” asked the young man, astonished.

“Not for my own satisfaction,--because it is sufficient for me to
know that M. Lansade brought you here,--but for the police.”

At the word “police,” Eusebe recalled the scene at the office of
the commissary, and hastened to give to Madame Morin his _port
d’armes_. She then wrote in her book,--

“Chamber No. 17.--M. Eusebe Martin, born at the Capelette,
department of the Upper Vienne, aged twenty-one years, by
profession a hunter.”




CHAPTER IX.


The chamber which Madame Morin had assigned to Eusebe had been
much used. It was in the fourth story. The furniture consisted of
a mahogany bedstead, a chest of drawers fancifully ornamented,
a bureau, a table, a _causeuse_, two arm-chairs, two ordinary
chairs,--covered with damask which had been red, like the color
of the curtains at the window,--a clock, and three pictures,--to
wit, a steel engraving of Diana, a colored picture of a Calabrian
brigand, and a lithograph, designated as the “Entrance to the Port
of Buenos Ayres.”

The finest room at La Capelette was the saloon, or parlor. The
floor had never been waxed. Great curtains of white and yellow
calico hung at the windows. A walnut table, some chairs covered
with velvet, and an alabaster clock were the only ornaments of the
room, where, moreover, no strangers were received.

In making a comparison, the provincial found his new quarters
splendid.

“Behold,” thought he, “what they call comfortable! It is one of
the benefits of civilization; but it produces effeminacy in the
strongest man, and it is better to know how to bear up under
adversity.”

After this sage reflection, inspired by the counsels addressed by
Mentor to Telemachus, Eusebe retired to bed. If his fatigue had
been less, he would have very soon comprehended the difference
between the mattress of his bed and the soft turf of the isle of
Calypso.

The youth closed his eyes and thought of his father, who by this
time was sound asleep. He saw himself departing from La Capelette.
All the little incidents of his journey recurred to his mind. He
rejoiced that he had met with Lansade. He was glad that he had
found Madame Morin such an excellent woman, and vowed an eternal
remembrance of her kindness. Then he wondered why madame had
written in her book that he was a hunter by profession. He thought,
also, of the trouble experienced by the porcelain-merchant in
closing his store, and of his not knowing, after a practice of
thirty years, which shutter ought to go up first. This led him
to think of the sagacity of the savages, who, in the midst of a
forest, tell by the curve of a blade of grass what enemy they
have to fear. He endeavored to discover on which side was the
superiority; and he fell into a sound sleep without having solved
the question.




CHAPTER X.


On the following morning, at five o’clock, Eusebe awoke, and was
somewhat surprised at not seeing the projecting beams on the
ceiling, his gun hanging on the wall, and his three favorite
ornaments on the mantel. A second, however, sufficed for him to
recollect where he was. He leaped from his couch, and threw open
the window.

“Behold Paris,” he exclaimed, “the city _par excellence_,--the
crown of the world,--the city of a thousand palaces,--the----”

He paused. A profound silence reigned around him. The steps of a
belated scavenger alone disturbed the quiet of the sleeping city.
The eyes of the provincial were strained to see the thousand
palaces: he saw little more than a throng of brick chimneys. The
prospect was not enchanting. He closed the window, and proceeded to
dress himself.

Five o’clock sounded. Eusebe made the sign of the cross, and waited
to hear the three strokes of the _angelus_, to which he had been
accustomed at that hour; but he listened in vain.

“This is the hour,” said he, “when my father rises to walk in the
fields and commune with nature. Pierre curries the horses. Big
Katy goes to the town to sell milk. Monsieur the Curé of Moustier
prepares for mass. Here everybody is asleep. Is it progress that
delays, or routine that advances?”

Not being able to resist the desire to see the city, the young man
descended the stairs, found the street-door open, and went out.

This would be the moment to give a rapid description of the
Boulevards of Paris at six o’clock in the morning, and to depict
the surprises and misconceptions of the young provincial; but,
unhappily, descriptions give too little information to those who
read and too much trouble to those who write. Then, if they rest
the reader, we must admit that they encourage the bad habit of
going to sleep over a volume.

Eusebe Martin was neither astonished nor mistaken. He had dreamed,
in his country home, of a city built of gold and paved with rubies
and emeralds. He saw only a mass of stones and mud. He walked for
some time without raising his eyes, and then, looking about him,
without giving serious attention to any thing, he decided that the
best thing he could do was to go and consult his Voltairian friend,
the merchant, who would not fail to give him good advice.

Lansade received the young man with open arms, and detained him
to breakfast. As soon as they were seated at the table, the
porcelain-dealer began to question him earnestly.

“You see, my young friend, I did not wish, last evening, to be
intrusive, or to aggravate your annoyances, by inquiring into the
precise object that brought you to Paris. But I hope that now,
since you seek counsel of me, you will tell me truly what are your
intentions, and what is your aim.”

“I have already told you that I have come to visit the capital
of the civilized world, to see life, study civilization, and, if
possible, to distinguish the true from the false; and, finally, I
have come here in obedience to my father’s wishes.”

“Verily,” responded Lansade, “I do not comprehend a word of
what you tell me. To see life there is but one way, and that is,
to live. To study civilization you had no need to come so far:
it is everywhere. Do you believe Limoges is peopled by savages?
They traffic there as well as elsewhere, and perhaps better.
Civilization, you see, is commerce, and nothing else. Work is
truth.”

Eusebe responded,--

“Then I will work.”




CHAPTER XI.


The porcelain-merchant warmly applauded the resolution announced by
Eusebe.

“But what will you do?” he inquired of the provincial.

Eusebe confessed that he would have some difficulty in answering
that question. Lansade resumed:--

“You had better reflect. Spend a few days in diverting your mind
with the sights of Paris. Endeavor to make acquaintances. On my
part, I will look about for something that may be agreeable to you.”

A young man, with a smiling countenance, at this moment entered the
store, and exclaimed,--

“Good-morning, Monsieur Lansade! Here are your two vases. How do
you like them? Are they sufficiently finished?”

“Very good, indeed,” replied Lansade, after carefully examining the
paintings on the vases, which were ornamented in the old style.
“Very good, Monsieur Buck. When you choose to take pains, you do
your work better than anybody else. Here are twenty-five francs.
Write me a receipt.”

“A pound sterling. The price is certainly not excessive, Monsieur
Lansade; and yet you insist upon a receipt to complete the
transaction. Well, give me pen and paper. If ever I become a
celebrated painter,--which I certainly shall,--you will have an
autograph which will be worth its weight in gold.”

“So much the better for us both, Monsieur Buck.”

Paul Buck was an excellent and worthy young man, who dreamed of
glory. The son of a German painter on porcelain, he thoroughly
understood that decorative art, and might have earned the means
of living handsomely if he had only been industrious. Unhappily,
he regarded his profession with contempt. He aspired to be a
great painter, and only decorated vases in order to procure the
necessaries of life. Lansade, who held Paul in high esteem on
account of his frankness and honesty of disposition, introduced him
to Eusebe.

Buck was a physiognomist. The countenance of Eusebe pleased him,
and he invited the provincial to pay him a visit.

“You wish to study the comedy of human life? I will give you a box
gratis.”

Eusebe expressed his gratitude, and, in the simple warmth of his
heart, vowed to the painter eternal friendship.

“Friendship!” said the painter. “If you have brought it from the
provinces, I will accept it most willingly; but at Paris we have
no more friendship. The secret was lost long ago. If we cannot be
friends, we will be two _bons camarades_.”

“Can you tell me the difference,” inquired Eusebe, “between
friendship and good-fellowship?”

“Nothing can be clearer,” replied the artist, as he drew from his
pocket two pieces of colored glass. “Look at these. This piece was
manufactured about three hundred years ago, by a process known to
the artists of the Middle Ages. The color is made a part of the
glass itself. If you break it, you find the red within as well as
without. Now look at the other piece. That was made only a week
ago. At the first glance, it appears like the other. But break it,
and you find that the red has not penetrated beyond the surface. Do
you see?

“Well, this illustrates the difference between friendship and
boon-companionship. Friendship permeates the heart of man;
good-fellowship only gives it a superficial tint.”

“I comprehend,” said Eusebe.

“To-day, the manner by which color may be rendered permanent and
friendship lasting is ranked among the lost arts,” continued the
painter. “He who discovers the first will become rich; he who finds
the second will be happy.”

“If you will consent,” stammered Eusebe, “we will seek them
together.”

“Agreed: it will not kill us,” responded Paul; and they separated.




CHAPTER XII.


The son of the respectable philosopher M. Martin had now been at
Paris for two weeks. He spent the day in various ways, but in the
evening he was invariably found at one of the places of amusement.

In order to become acquainted with the different features of the
French stage, he had resolved to visit all the theatres of the
French capital, commencing with the most distant.

In the first place, he visited the “Délassements Comiques.” On that
occasion the attraction consisted of a “Review of the Year,” an
allegorical spectacle in fourteen tableaux. Eusebe was unable to
comprehend the drift of the piece, and returned to his lodgings in
a melancholy mood.

On the following evening the provincial went to the “Folies
Dramatiques,” where they gave another “review.” He could not
comprehend this effort at all, and retired before the close of the
piece. His mind was more hopelessly puzzled than it had been on the
previous evening.

On the third evening he went to the “Variétés,” where there was
another “review.” This time the provincial thought his brain was
turned.

“Ah,” said Eusebe, “I am the most ignorant being in the world, or
else all the comedians and those who listen to them are fools. Why
do they paint their faces like Indians? Why do they wear costumes
which do not belong to any nation? Why do the public laugh so
loudly at seeing them deceive a foolish old man? Why do they
applaud when the comedians make use of words with a double meaning?
Why do they sing _àpropos_ of nothing? How do they manage to speak
my mother-tongue so that I cannot understand it? I will go no more.”

On the following evening, however, he resumed his visits, saying
that perhaps the theatres were not all alike!

He passed five hours at the “Gaieté,” listening to the history of
a lost child. On the ensuing evening he went to the “Ambigu,” to
witness the representation of a drama based upon the history of a
foundling. Subsequently, at the “Porte Saint-Martin,” he had the
immense satisfaction of seeing in a single piece a child lost and
found, then lost again, and, finally, recovered.

At the “Français,” at the “Odéon,” at the “Gymnase,” at the
“Vaudeville,” and at the “Palais Royal,” the provincial saw the
same piece in fifteen different forms: a young man wished to wed
a young woman, and, notwithstanding a thousand obstacles, he
succeeded in accomplishing his object.

“When I have seen two dozen of them married,” said Eusebe, “I will
save my money.”




CHAPTER XIII.


Eusebe imparted his reflections to his new friend, Paul Buck, the
painter. The artist smiled, and said,--

“Eusebe,--my friend Eusebe,--what pleasure your society affords
me! Since I made your acquaintance, I have sought to understand
the sympathy I feel for you, and I have hitherto been unable to
comprehend the cause. Those who say such sentiments arise without
cause are fools. I like you, and now I know why. You were born
an artist; and it is, perhaps, for the best that your father,
whom they accuse of having neglected to cultivate your intellect,
did not spoil your nature by routine culture. You know nothing,
barbarian that you are; but you have good instincts, since you
have not fallen, as I feared you would, into admiration of the
_rengaines_ of the modern theatre.”

“Tell me, pray, what you mean by _rengaines_.”

“The _rengaines_, my dear fellow, are all the familiar commonplaces
and vulgar and hackneyed sentiments. The narrow and plodding
spirits have formed a museum, which they open, at a specified
hour, to human stupidity. The crowd have visited the museum for
centuries, and departed every evening, perfectly satisfied, without
seeming to be aware that the spectacle always amounts to the same
thing.”

“I believe I comprehend you. You do not wish me to share the
opinion of the crowd.”

“I should pity you if you did. Observe: I am fortunate in having a
feeling of the good, the true, and the just. The sentiment of the
beautiful--which is the same thing--is born in some men: it cannot
be acquired. Happy are those who possess it! They may be hooted
and scorned; but they will live in a world of enchantment to which
they alone have access. Their lives will be totally unlike the
existence of those who rail at them; and, while the latter may be
cast down by the petty trials of every-day life, the privileged
ones soar into those regions where they revel in the perfection of
the ideal,--the true.”

“Are you one of those favored ones, Paul Buck?”

“I am.”

“Well, then, by the affection you say you bear me, and by the love
of my father, whose wisdom you admire, tell me where the true may
be found.”

“In art:--nowhere else,” responded Paul Buck. And, lighting his
pipe, he turned the conversation to other topics.




CHAPTER XIV.


Eusebe understood that he did not understand. The provincial felt
humiliated because he could not catch the sense of certain phrases
and words which were, doubtless, clear enough to Paul Buck. The
painter, who cared more for a listener than for an adept who
understood him, did not take the trouble to explain the theories he
promulgated.

As a consequence, Eusebe grew uneasy of the conversation; and,
as Buck perceived this, he conducted his friend to a café, where
artists, “models,” and other people fond of lounging and chat, were
wont to congregate.

But there Eusebe found the language used to be still more
incomprehensible than that of Paul. The conversation consisted
of dissertations on the æsthetic in art, intermingled with cant
phrases and philosophical reflections.

To this resort the provincial accompanied his friend two or three
times. He would undoubtedly have finished by understanding the
peculiar language of the artistic assemblage, if chance had not
given him another occupation and preserved him from this great
danger. He escaped Scylla to be sacrificed at Capua.




CHAPTER XV.


The occupation of Eusebe consisted in going to the theatre every
evening, an amusement which he now thought as sublime as he
formerly thought it despicable. _Voici pourquoi._

Faithful to his programme, he had visited the “Opéra Comique.”
The evening on which accident conducted him to the Rue Favart,
the bills announced “The Black Domino.” Our hero was entirely
ignorant of the meaning of the word “domino;” but he courageously
entered, saying to himself that since he had seen a dozen persons
assassinated at the “Gaieté” and at the “Porte Saint-Martin,” and
double that number married at the “Gymnase” and at the “Français,”
nothing worse could possibly happen to him.

Installed in an orchestra-chair, he looked around at the spectators
with profound surprise.

“What!” said he to himself; “these are the same faces, the same
men, the same women, I have seen elsewhere!”

And he was right. At Paris there are two thousand persons who go
to the theatres every evening for nothing,--artists, literary men,
or employés of certain branches of the government, besides a large
number of persons who are neither the one nor the other, but who
know an _artiste_ of the circus, who has introduced them to an
actor of the “Vaudeville,” who knows a musician of the “Variétés,”
who is intimate with the secretary of the “Porte Saint-Martin,” who
is the friend of M’lle X. of the Grand Opera, who is the mistress
of Binet the vaudevillist. Then there are the wives of journalists,
the mistresses of journalists, the friends of journalists, the
comrades of journalists, the porters of journalists, and the
washerwomen of authors.

Eusebe was lost in a thousand conjectures. He was asking himself
how he should ever succeed in getting accustomed to the habits
and tastes of a people whom he saw only at a distance, when his
neighbor at the right, a lean, sallow individual, nudged him with
his elbow, saying,--

“Ah! there is Mdme. de Cornacé.”

“Where?” asked Eusebe.

“There, in the private box to the right,--the lady with curls _à
l’anglaise_, wearing a low-necked dress.”

“I do not know her.”

“Indeed!”

“Pardon me if I am indiscreet,” said Eusebe; “but----”

“No indiscretion,” replied his neighbor. “All Paris knows her.
Her mother was a dealer in butter at the _Halle_. She was very
handsome, and when she married M. de Cornacé, who was a ruined
nobleman, she brought him a dowry of one hundred and fifty thousand
francs. To-day they have three millions, thanks to an intimacy that
exists between Mdme. de Cornacé and Froment, the banker. You see
she is a woman of the times.”

“How so?”

“How? Why, that is not difficult to comprehend.”

“I do not understand you, sir.”

“When one does not understand French, one ought not to enter into
conversation,” replied the neighbor, angrily, turning his back to
Eusebe.

Our hero was on the point of assuring his interlocutor that it
was not his intention to be inquisitive, when the conductor
gave the signal to begin the overture. The son of M. Martin had
never heard any music but that of the vaudeville. From the first
measures executed by the orchestra, he experienced certain strange
sensations, for which, however, he did not pause to account.
Enchanted by the melody, he found himself isolated in the middle
of the crowd, and a prey to emotions that were unknown to him, and
really inexpressible.




CHAPTER XVI.


There is nothing that penetrates the heart, and prepares it for
love, like music.

The curtain had risen, and _Horace_ had recounted to _Juliano_
his adventure with the beautiful unknown, without exciting the
slightest interest on the part of Eusebe. The heroes of Scribe
talked of love, a something unknown to the provincial, who would
have been wholly ignorant of the word, had he not met with it in
pronouncing his prayers.

The entrance of the two masked women made a strange impression on
him. His heart beat violently, the blood rushed to his temples, a
cold, trembling sensation pervaded his whole frame, and when the
woman who personated _Angèle_ removed her black velvet mask, he
experienced one of those indescribable sensations of delight which
nature accords to those only who have not sinned against her.

Trembling, and his eyes intently fixed on the lips of the
cantatrice, Eusebe Martin forgot the universe: he felt his blood
coursing rapidly through his veins, and his heart expand within his
breast.

He remained in his seat between the acts. One thought alone
occupied him: should he see the beautiful creature again who had
produced such a magic effect on him? He closed his eyes, in order
the better to see her in imagination.

Meanwhile the curtain rose for the second time. During the first
three scenes _Angèle_ did not appear. Her absence was the first
real disappointment Eusebe had ever experienced. Up to that time
his life had been as calm and monotonous as the surface of a lake.

All at once his heart leaped with joy: she had just entered. Pale
and agitated, he did not breathe freely until the good _Jacinthe_
had promised that she would do all in her power to conceal _Angèle_.

“Excellent woman!” cried Eusebe.

His neighbor at the right could not help smiling, while the lean
gentleman on his left gave vent to his feelings by grumbling.

Eusebe paid no attention to these demonstrations. His chin resting
on his hands, which he had placed on the back of the chair in front
of him, he watched intently the impossible action of the piece.
He had already forgotten that what he saw was only fiction. His
joy or grief augmented or diminished with the development of the
plot. If _Angèle_ succeeded in extricating herself from one of her
thousand difficulties, he breathed again. On the contrary, when
a new disaster befell the poor abbess, the heart of Eusebe bled
for her, and his eyes filled with tears. Twenty times was he on
the point of springing upon the stage and saying, “I will defend
you: don’t be afraid.” Fortunately, _Angèle_ succeeded without his
assistance in escaping the snares M. Scribe had prepared for her.

What would the audience have said, what would the police have
done, if Eusebe had executed his design? Nothing, probably. The
public are amused by madmen, and the police interfere only in cases
with which they are familiar. By remaining in his seat, our poor
provincial caused himself to be put out-of-doors.

The curtain rose for the third time. _Angèle_ had just arrived at
the convent, and sang the famous rondeau--

                        “Ah! what a night!”

She detailed pathetically the perils she had encountered during
the frightful night,--recounted her adventures with the drunken
soldiers, the thief, who had robbed her of her golden cross, and
the student, who was content to steal only a kiss.

The neighbor at the left, a fat man, with a good-natured
physiognomy, leaned towards Eusebe and said,--

“How confoundedly stupid! She has succeeded in escaping
unperceived,--a miracle!--and now, instead of going to her cell
and changing her costume, she remains there like a fool to sing. I
would give a trifle if they would come and take her by surprise.”

“You are a wretch!” cried Eusebe. “I am half inclined to strangle
you.”

“You are extremely insolent, sir!”

“You are a coward!”

“Chut! chut!” “Silence!” “Out with him!” suggested several voices.

The fat gentleman grasped at the young man’s collar; but Eusebe
foiled his design by planting a heavy blow full in his face, which
inconvenienced him not a little, but not sufficiently to prevent
his calling for assistance. A policeman soon made his appearance,
and Eusebe was very unceremoniously shown into the street.

At any other time he would have submitted without a word; but when
he thought that the angelic creature with whom he was so charmed
had disappeared forever, he thrust the public functionary aside and
hurried away like a maniac.




CHAPTER XVII.


Eusebe returned directly to his lodgings. For a long time he sat in
his room, his elbows resting on the table, and his face buried in
his hands. His heart had taken possession of his head, and he did
not try to account for what was passing within him. Although he had
no light, he closed his eyes, and the cantatrice appeared before
him, encircled by a resplendent halo.

He threw himself on his bed without undressing, but sleep he could
not. One by one he took off his garments, throwing some one way
and some another. He listened to the clock every time it struck
even the fractions of the hour, and every quarter seemed to him a
century. He breathed heavily, and a cold perspiration covered his
brow, while he rolled about on his couch, grating his teeth, and
occasionally muttering,--

“Mon Dieu! will the day never dawn?”

And then he found relief in tears.




CHAPTER XVIII.


The day at last dawned; but Eusebe, pale and his eyes sunken,
slept soundly. At a late hour, a noise in the street awoke him.
He rose up, and, looking wildly around the room, thought he had
been dreaming. But the incidents of the previous evening, and the
sleepless hours of the night, were soon clear to his recollection.

“No, it was not a dream,” said he. “I was never at the same time
so happy and so miserable: this woman, I see her still. Why does
she exert such an influence over me? Last night I tried to banish
her from my thoughts; but I was wrong, for I am never so happy as
when I am thinking of her. I will see her again this evening, and
to-morrow, and--forever.”

The day wore slowly away. The doors of the theatre were scarcely opened,
when Eusebe was installed in the first row of the orchestra-chairs,
where he awaited the commencement of the play. But the patience of
the poor provincial was destined to go unrecompensed. That evening
they played “Zampa; or, The Marble Bride;” and it was in vain that
he watched for the angelic creature who was the subject of his
thoughts. He returned home sadly disappointed, but determined to
retrace his steps on the following evening.

The next day he was sure of realizing his hopes. Twenty times he
stopped to read the large posters of the theatre. He had bought the
programme, and long before the doors of the theatre opened, seated
in a neighboring café, he read it for the hundredth time:--

                        =THE BLACK DOMINO.=

                    Comic Opera, In Three Acts.

                          SCRIBE, AUBER.

      Mademoiselle ADÉONNE will continue her _débuts_ in the
                         _rôle_ of ANGÈLE.

“What a pretty name!” said Eusebe to himself. “Adéonne! How
euphonious! how it resembles her! Adéonne! She is the only one on
earth who is worthy to bear it.”

At length the hour arrived. He entered the theatre and was soon
intoxicated with the pleasure of gazing at her whom he loved. This
time he took a lively interest in the piece. He followed, step
by step, this singular and improbable story, the product of the
imagination of the most skilful dramatist of modern times. From the
theatre he returned slowly to his lodgings.

“I am like _Horace de Massarena_,” said he, as he entered his
chamber. “The love of the hero of the piece enabled him to discover
his own. I love her, while he is only playing comedy; I love her
truly and sincerely, and am happy in the thought that I shall see
her often. When I see her I forget all else: it is impossible to
describe my feelings. How fortunate that man is who sings with her!
If I could only sing! But I cannot, and I am not sure that, near
her, I should be able to content myself with being a simple actor.
I would not confine myself to the words of the author, to a studied
lesson of love: she would not believe me, I am sure. It seems to me
that I would find something else to say to her, or I would remain
silent. I would throw myself at her feet; I would not take my eyes
off of her; I would prove my devotion in a thousand ways!”

For three weeks, Eusebe did not miss a night at the Comic Opera. He
was happy, but confided his secret to no one. This love, egotistic
and true,--true because it was egotistic, and egotistic because it
was true,--would perhaps have been of short duration, but for the
intermeddling of this meddling world.




CHAPTER XIX.


Paul Buck came one morning to see his friend.

“I come,” said he, “to have you go with me to see the house Lansade
has just bought at Versailles.”

“What do you want to see it for?” asked Eusebe.

“What do I want to see it for? Why, to see it! Is that not reason
enough?”

“I don’t want to see it.”

“Nor I; but that would displease Lansade.”

“Ah!”

“The fact is, we cannot well avoid going.”

“Why?”

“Because he is our friend. He is a bore, I grant you, but he is
nevertheless a sterling good fellow: he has done me many a good
turn, and you have told me yourself that but for his kind offices
you do not know what would have become of you in this great city.”

“True,” replied Eusebe.

“And, consequently, you ought to avail yourself of every
opportunity to make yourself agreeable to him.”

“Without doubt. But--I cannot go: an affair of importance renders
it necessary for me to be at Paris this evening at seven o’clock.”

“Nothing is easier: we will return by the six o’clock train.”

“Very well: I will go.”

Arm in arm, the two friends directed their steps towards the
Western depot.

Eusebe was silent and thoughtful, and so was Paul Buck. Eusebe was
thinking of Adéonne, and Paul thought of what his friend could be
thinking of.

In the car they met a merchant, named Bonnaud, an intimate friend
of Lansade. It was necessary to break the silence and engage in one
of those trivial conversations so tedious to persons preoccupied by
a single idea. Fortunately, the merchant was loquacious, and the
two friends were content to let him do most of the talking.

“When we reflect,” cried Bonnaud, “that formerly it took three
hours and a half, and sometimes five, to go to Versailles, and
that now thirty-five minutes suffice for the whole trip, it is
almost incredible! It took me, in 1829,--the year of the cold
winter,--five days and nights to come from Bordeaux, which is
to-day a journey of only thirteen hours! It is astounding!”

“Nothing more so,” replied Paul, complacently assenting.

“And to think,” continued Bonnaud, “that there are in the world so
many ignorant and insincere people----”

“There are a great many,” interrupted Buck.

“What?”

“Ignorant and insincere people, as you just remarked.”

“True; ignorant and insincere people, who pretend--what do I say?
who deny--that this is an age of progress.”

“What! there are individuals so stupid, so benighted, as to
maintain such absurdities!” returned the painter, rising angrily:
“that is not possible!”

“Yes, my dear sir, there are such people,--more of them than you
may imagine: I know many such.”

“Well, my best wishes to them, but their intellects are sadly
obscured.”

Eusebe, who was ignorant of what the artists call “_faire poser
un bourgeois_” (to make a fool of one), looked at his friend with
astonishment. The merchant, however, continued, with an air of
importance:--

“Since devastating wars have ceased to ravage our glorious country,
the arts, the other victorious weapon of France, have secured to
her conquests of far greater importance, to say nothing of steam,
which would have given the world to the great Napoleon; and then
the astonishing discoveries of chemistry! But, leaving all that
out of the question, what is so grand and surprising as to see the
events that agitate the universe heralded from point to point by
numerous metal threads bordering the roads and traversing the land?
The electric telegraph would suffice to illustrate our age! And
then photography!----”

“No more, I beg of you!” interrupted Paul Buck. “I will say nothing
of the electric wires, although they disfigure the landscape; but
not a word of photography before breakfast, I insist: it would
bring bad luck.”

“I respect every thing, even the most absurd superstition. It is my
inflexible tolerance for opinions of every description which has
rendered me hostile to those who would mar the grandeur of our age
and check our progress towards a perfect civilization.”

The painter, who could hardly restrain an inclination to laugh, bit
his lips, and turned to look out at the door. Then Bonnaud, who
was determined to have an interlocutor at all hazards, addressed
himself to Eusebe:--

“Are you not of my opinion, Monsieur Martin?”

The young provincial was absorbed and abstracted, and only
caught the last words of the garrulous merchant. Seeing that it
was absolutely necessary to make some sort of response, Eusebe
repeated, mechanically, some of the phrases which constituted the
staple of his father’s philosophical observations:--

“In the first place, before responding, it is necessary to clear up
certain points which have been left involved in obscurity. Who can
tell where to find the false and where the true, since the greatest
minds have differed concerning them? Who can tell where progress
commences, and where it ends? Who will venture to affirm that in an
extreme degree of civilization the people are more or less happy,
when men of profound and enlightened judgment have confessed that
the last word of civilization is the first of barbarism?”

Bonnaud was stupefied. He had nothing to say. Like all persons who
have no opinions of their own about men and things, and who, from
ignorance or lack of judgment, accept those of others, the merchant
was not tenacious of the views he had expressed. At length he
recovered his balance so far as to murmur,--

“Certainly. Concerning every thing there is a pro and a con.”

Paul, thinking that Eusebe had penetrated his intention to quiz the
merchant, continued to gratify his humor:--

“Assuredly: M. Martin is right. He has told the precise truth, and
I can prove it. He belongs to a race who have been at the head
of civilization, and who have fallen back into their primitive
condition. When were they happiest? I cannot tell; nor can you.
You must admit that it would be impertinent to the last degree to
assert that the residents of Versailles are to-day happier than
were those of Salente under the wise and far-sighted administration
of Idomeneus.”

“I do not say so,” rejoined Bonnaud. “But their condition must
depend, in a great measure, upon the character of their prefects.”

They had now reached the end of their journey, and the young
men alighted, laughing immoderately at the simplicity of their
companion, who, for his part, looked to the right and the left, as
if trying to discover what excited their mirth.




CHAPTER XX.


The house that Lansade had purchased for his retirement was one of
those ordinary country mansions which are so dear to the _petits
bourgeois_ of Paris. Situated on the summit of a small eminence,
it could be seen at a considerable distance. This modest elevation
had been preferred by the merchant to sites of a more commanding
description, and which could have been obtained at a more
advantageous price. The fortunate purchaser was persuaded that all
persons who journeyed from Paris to Versailles, and from Versailles
to Paris, would eagerly inquire,--

“To whom does that pretty piece of property belong? Who resides in
that charming cottage on the hill yonder?”

And then some well-informed traveller would respond,--

“It is the chateau of M. Lansade, a very rich merchant, who has
retired from business.”

This idea seemed to fascinate Lansade, and he was never weary of
trying to improve the aspect of his house.

The “retired merchant” was seated in front of his mansion, watching
for the arrival of his guests, in order to enjoy their astonishment
at the sight of his splendid establishment. As soon as he caught
sight of them, he shouted,--

“Hurry, my young friends; breakfast is waiting. I had ceased to
look for you, upon my word. I was about to go to the table. What do
you think of my little establishment?”

The painter and Bonnaud went into ecstasies, the first for
politeness, and the second in honest admiration. Eusebe was silent.
After considerable trifling chat, the party seated themselves at
the table.

Those who reside in the suburbs of Paris are wholly ignorant of the
charms of a rural repast: they live as they would live in the city.
Those who live on the borders of the Seine eat no other fish than
those purchased in the market of Paris. Let any one who does not
credit this singularity go to Asnières or to Chaton, and he will be
convinced.

Lansade pressed his guests to satisfy their appetite, and made
earnest inquiries as to the quality of the dishes.

“How do you find that capon?”

“Delicious,” answered Buck, who was obliged to keep up the
conversation while Bonnaud ate and Eusebe mused. “Delicious! Your
poultry-yard is, then, already populated?”

“Not at all. But I have a friend in the market of the Vallée.
When I wish to obtain game or poultry, I can always procure the
best. I have only to write three days previous. Will you try the
_matelotte_?”

“Directly. You are in a convenient place for fresh fish.”

“Yes, the river is quite near; but the fishermen prefer to send
their fish to Paris: they may get a lower price there, but they are
sure of a sale. As to fruits, however, the case is different: none
can be procured in the whole _commune_.”

“That is a trifling misfortune.”

“Monsieur Martin, what is the matter with you? You appear sad!”

“No.”

“You do not eat?”

“Pardon me, my dear Lansade.”

“It is true,” said Bonnaud: “monsieur is quite abstracted.”

“Eusebe,” cried Buck, “these gentlemen speak truly. You have
something concealed from us. Are you unhappy? Are you home-sick, my
boy? are you anxious to behold your native meadows? Do these maples
awaken in you a desire to see once more your tall chestnuts? and
the good things spread before us by our friend Lansade, do they
remind you of your own rural repasts in the paternal mansion?”

“No.”

“Then perhaps you have left, seated on the banks of the Vienna, a
young shepherdess, who sadly awaits your return?”

Lansade laughed rather boisterously. He and his mercantile friend
had drank very little, but nevertheless more than usual.

“Well,” continued Buck, “let Eusebe swear to us that he is not in
love, and I will leave him in peace.”

“I never swear.”

“Then admit that you are in love, my melancholy friend.”

“It is true,” replied Eusebe.

This confession was made with some reluctance, because delicate
souls always dislike to allow a third person to intrude between
them and the object of their affection. But Eusebe did not know
how to lie, and did not wish to learn. As he felt his heart
swelling and his eyes moistening, he arose and went out. He seated
himself in a chair in the garden; and there Paul soon rejoined him.

“I gave you pain, my gentle savage,” said the painter. “Pardon me,
I beg of you. I am sorry, above all, that I was not more guarded
before those vulgar fellows. You are angry with me?”

“No: I even intended to tell you every thing,--but at another time.
I know not whether it was because of the presence of our friends,
or because I was not prepared, but your persistence provoked me.”

“Ah! I am grieved. I do not like to meddle with the palette of a
comrade: each to his own color. But, since we have touched upon the
subject, tell me all. I can serve you, perhaps. I also have loved.”

“Is that true?” said Eusebe, rising.

“At least ten times; perhaps more.”

Eusebe sank back upon the seat, saying, sadly,--

“It is useless. You will not comprehend me.”

Paul insisted. His friend finished by yielding to his
importunities, and related all that had occurred to him, and all he
had felt. Buck, notwithstanding his frivolity, became grave and
serious as he listened to the details of this affair of the heart.

“Poor fellow!” said he. “It is unlucky that your first love should
be inspired by a comédienne, and, above all, by this one.”

“Why?”

“For many reasons. You must see her no more.”

“Impossible!”

“Ay, I know what you would say. If you could not see her any more,
you would die.”

“I might not die; but I could not live.”

The voice of Lansade was now heard:--

“Come, messieurs: the coffee is getting cold.”




CHAPTER XXI.


Paul preceded Eusebe in entering the house, and apprized the two
merchants of the revelation his friend had just made.

Then occurred a lamentable, but quite common, manifestation of
human perversity. These two business-men, who would not for all
the world have done a decidedly bad action,--these two plain
store-keepers, who even spoke with respect of the woman at the
street-stand who had but one lover,--and the artist who had often
observed, in passing unfortunate girls in the street, “These
unfortunate creatures are more to be pitied than blamed,”--these
three men, in fine, who in the whole course of their lives had
not failed in showing respect for the gentler sex, indulged in
invectives against Adéonne, with whom neither of them had any
personal acquaintance.

“Monsieur Martin,” said Lansade, “I pity you with all my heart.
I was quite right when I said that your father should have
recommended you to the care and guidance of some rational person.
In that case this would not have occurred. Understand me. I am
not an enemy of pleasure. I have been young, and I am not too far
advanced to remember the amusements of my youthful days. I should
not have been displeased to see you enamored of a respectable
maiden. But a comédienne!--an actress! Really, I hardly know how to
express the grief this affair causes me.”

“You are right, my good Lansade,” said Paul Buck. “It grieves
me, also, that Eusebe should have been so unfortunate as to be
victimized by one of these _filles de marbre_, these women without
heart, without honor, accustomed to excesses, despising all the
pleasures of the world, because they have completely exhausted
their sensations.”

Bonnaud was not the man to allow such an opportunity for airing his
eloquence to escape him. He immediately began to deliver a tirade
against women in general and actresses in particular.

“Ah! Lansade will tell you,” said he, “that I, too, have been an
admirer of beauty in my time, and that I was not unsuccessful. I
had plenty of money; but never, never was I caught by a comédienne.
No, indeed: I was not so stupid.”

“One moment,” said Eusebe: “do you know M’lle Adéonne?”

“Only too well,” replied Paul Buck, earnestly. “Like others of her
class, this woman has neither youth, beauty, nor talent. She owes
every thing to the _claqueurs_ and her perfumer. This creature, my
friend, is deception personified.”

“I do not understand you,” murmured Eusebe.

“I never take an indirect road to reach an object,” said Lansade.
“I will make you comprehend. Your Adéonne, like others of her
class, seeks in the morning to whom she will sell herself in the
evening, and in the evening she is only troubled about the price of
her affections. Innocent as you may be, you would not be the son
of M. Martin if your heart did not swell with indignation at the
idea of one of God’s creatures selling herself for gold. Do you
comprehend now?”

Eusebe did not venture to respond. Paul resumed:--

“Adéonne is, they say, charming; but, you see, to woo persons of
that description, it is necessary to be without heart and to have
plenty of money.”

“You astonish me,” muttered Eusebe. “I do not question what you
have told me; and I thank you for having opened my eyes to the
truth.”

“Bravo!” cried Lansade. “Here’s to the health of your good father.
Let us change the subject.”

Eusebe took advantage of a moment when Lansade was engaged in
showing his grounds to Paul and Bonnaud, to escape from the house
and fly towards Paris as if pursued by an enemy. Absorbed in
thought, he reached the theatre and entered. From the first he
fixed his attention upon the beautiful Adéonne, and lost sight of
the audience entirely.

If actresses only knew of the raging passions they kindle in the
hearts of youthful spectators, they would, perhaps, have a higher
estimate of their own attractions.

Eusebe returned to his lodgings filled with strange dreams and
fired with strange impulses. He sat, musing, long after the candle
had burned down into the socket. Suddenly he arose, as if he had at
last reached a decision, and exclaimed,--

“She sells herself! I will be her purchaser.”




CHAPTER XXII.


If a woman has been reading this story, she will probably throw it
aside at this place, with the contemptuous remark that Eusebe is an
absurd rustic, destitute of interest, without heart, and all that,
because the poor youth did not break his glass at the breakfast at
Viroflay, and exclaim,--

“You are three cowards! You insult a woman, a charming creature,
who has done you no wrong, and whom I love. You have lied! You are
unworthy, all three of you, to kiss the toe of her boot. You shall
give me satisfaction!”

I ask pardon of the lady, but there would be no sense in the remark.

If Eusebe had used, with passionate vehemence, all these and other
fine phrases, he would simply have shown himself familiar with the
literature of the Boulevard (yellow-covered literature).

The language of truth and nature no longer exists. Society,
lamentable to say, has adopted the favorite style of the stage. I
know that the theatre professes to copy the world as it is; but
it has exaggerated every thing, under the specious pretext that
the simple truth will not amuse. Swelling words, violent gestures,
absurd mannerisms, empty phrases, and unnatural dialogue are
cherished upon the stage, and thence communicated to society. Life
has become but a transcript of a drama at the “Porte Saint-Martin”
or a poor copy of a comedy at the “Odéon.”

Under the pressure of a great sorrow, the true man is always, no
matter what his temperament, gloomy and bowed down. Speak not of
griefs that are expressed by gesticulations, or of sorrows which
are worked off in loud complaints. They are false and affected.

Our age, which has been called the age of photography, is so
oppressed with mimicry that everybody mourns in the same style for
the father, mother, or brother whom death has removed. Do not break
forth in indignant denial, but strive to recollect. Whoever has
seen one funeral has seen all. The sons weep in the same manner,
wipe away their tears _à la mode_, walk with the same step, and
lean in the same manner upon the same friend of the family. The
husbands have their peculiar mode of grief. The mothers alone weep
without busying themselves with what occurs on the way. Some sob a
little too violently; but this happens only when the lost child was
_not_ the favorite.

I do not wish to be understood as representing that society is so
positively bad,--only that it is governed by conventional comedy.
Nothing is done without an accompaniment of ready-made phrases.
When two men engage in a duel, they salute each other, as it is
done at the theatre. If a husband finds himself the victim of a
deception, he bears himself in the same style and uses the same
language he has seen and heard at the theatre. Do not take your
daughters to the theatre. They will never believe themselves truly
loved unless they are wooed in the style of the actor Lafontaine.

Eusebe had not learned to love, to suffer, and to avenge himself
according to the rules which society has borrowed from the theatre;
and this is why he did not break his glass and indulge in stormy
exclamations at the breakfast given at Viroflay.




CHAPTER XXIII.


It was broad day. Eusebe had been awake for a long time,
impatiently awaiting a convenient hour to visit the operatic
_artiste_. He thought of going to a splendid store he had noticed
on the Boulevards, and of purchasing at that establishment an
elegant and fashionable suit. But, upon reflection, he concluded to
present himself in the habiliments which he already possessed.

“Of what use would that be,” thought the provincial, “since this
woman loves nothing, and sells herself to the first comer? The
toilet will be unavailing: it is money that is necessary.”

It had been sufficient for these unthinking persons to pronounce
the word “money” before the poor rustic, to make him as calculating
as a miser.

As soon as he could with any degree of propriety call at the
theatre, Eusebe did so, for the purpose of ascertaining the address
of Adéonne. The hour of noon had sounded, when the provincial, with
a hesitating voice, said to a young and pretty _femme de chambre_,
who opened the door at the singer’s residence,--

“I desire to speak to M’lle Adéonne.”

“If monsieur will wait,” said the girl, showing him into a small
parlor, “I will go and ask madame if she can receive monsieur. Will
monsieur give me his name?”

“It is useless,” replied the visitor: “your mistress does not know
me. Tell her I come to see her concerning some very important
business.”

The _salon_ of Adéonne was a very ordinary apartment. Curtains of
blue brocatelle and white muslin hung at the windows. The furniture
included a piano and a centre-table. In a splendid frame, covered
with a bulging glass, were the crowns that an idolizing public had
lavished upon the cantatrice.

The provincial looked around him in gaping wonder. He had never
seen so much magnificence concentrated in the same small space. He
hardly dared to put his boots upon the flowers in the carpet. With
his hat in his hand, he stood as immovable as a statue. At length
his eyes, which had wandered over every thing, rested on a pastel,
representing Adéonne in a _rôle_ in _Val d’Andore_. The white
cap, the Pyrenean costume, in which the painter had clothed the
_artiste_, produced a strange effect upon Eusebe.

During those sleepless nights when he had shaped his fortune
in dreams, his dearest fancy was to behold Adéonne become
his intimate companion, seated beside him under the great
chestnut-trees of the Capelette, or strolling along the road in the
evening, leaning upon his arm. The illusion had sometimes become so
powerful that he had seemed to hear the sweet voice of the singer
trilling the favorite _chanson_ of the country:--

    “Baisse-toi, montagne,
    Lève-toi, vallée,
    Que je puisse voir
    Ma mie Jeannette.”

From the song to the national costume there was only the flash of
a desire. Without being absolutely the same, the costume in which
_Rose de Mai_ was clothed had a strong similitude to that of _ma
mie Jeannette_. The provincial forgot Adéonne. Entirely absorbed in
the dreams which he had cherished for the last two months, his mind
wandered in the sweet fields of revery. It seemed to him that he
had always known her whose image filled his heart.

A curtain was softly raised, and Adéonne advanced without Eusebe,
who was lost in contemplation, noticing her. She scrutinized the
stranger for a few seconds, but it seemed as if her survey did not
terminate in fixing her idea of his social position. One moment she
wondered if the peculiar rapt expression of the young man was not
a piece of acting. But the sparkle of his eye, the pallor of his
brow, and the quick beating of his heart revealed to the actress,
accustomed to witnessing acting and to acting herself, a sentiment
profound and sincere.

“You wish to see me, monsieur,” said she. “What do you require of
me?”

Eusebe started as if he had been suddenly roused from slumber, and,
in his turn, he looked at Adéonne.

The cantatrice wore a dress of black satin. A collar and ruffles
of Holland lace were the only addition to this simple costume. Her
luxuriant hair fell, carelessly looped, upon her neck like a river
of gold. Her eyes were large and dark, and her complexion white
even to pallor, and without a rosy tint. Her lips were pale and
bloodless. She was no longer the brilliant _artiste_ whom Eusebe
had so often seen at the theatre. She was beautiful, but more like
a statue than a woman. Eusebe seemed to want words to express
the object of his visit. Adéonne was too much of a woman not to
comprehend the effect she produced. She felt somewhat flattered,
and said, in a softer tone,--

“May I ask, monsieur, the object of your visit?”

“Madame,” said Eusebe, stammering and becoming red and pale by
turns, “madame, I wish to purchase you.”

The peculiar accent and costume of the young man led Adéonne to
suppose Eusebe to be a foreigner. She understood him to propose an
engagement in the line of her profession.

“I thank you, monsieur, but an engagement of three years binds me
to the theatre in which I am now performing, and I have decided not
to sing in the provinces, much less in a foreign country. I am too
good a patriot for that. I am, however, not the less grateful for
the offers you have come to make. For what city did you wish to
engage me?”

“I have evidently not expressed myself clearly, madame, since I see
you do not comprehend me. I do not come to engage you. I come to
purchase you.”

“For whom?” asked the _artiste_, with disgust.

“For myself.”

“If this is done for a wager, monsieur, I find it to be in more
than questionable taste. If it be a jest, I think it very gross and
insulting.”

“It is neither the one nor the other,” said Eusebe, terrified by
the indignation of the cantatrice.

“Begone, monsieur!” exclaimed Adéonne, imperiously. “Begone, or
I will have you driven from the house. You have come to insult a
woman, under her own roof, who has never done you wrong. It is
cowardly!”

“Madame,” cried Eusebe, falling upon his knees, “madame, pity me.
I am not so censurable as I may seem, I assure you. Insult you! Oh,
if you only knew!--I will tell you as soon as these tears cease to
stifle me. Insult you! It is impossible. I do not know how I ought
to speak. You see I am but a poor rustic,--yes, only a rustic.
When you have heard me, you will pardon me,--I know you will. You
can drive me away afterwards, if you please. Give me but a minute:
I will not abuse the privilege. Listen, and then it will not be
necessary to drive me away, for I shall go of my own accord. You
can see that I am not wicked. Others have found me good and mild.
But I am from the country, and there people do not act as they
do in the city. I have come to learn. My father sent me here for
that. For only three months have I been in Paris. About one month
had elapsed when I first saw you. It was on Wednesday: I did not
expect to see you when I went to the theatre. I saw you remove your
mask; and if you only knew what I have felt and suffered since
then. I cannot tell you. It seemed to me that I had never seen but
one woman. I was at once very happy and very miserable. At night I
closed my eyes only to behold you in the dark. When day came again,
you disappeared, and I slept only to forget that I saw you no more.
It was not my fault. I went to the theatre without dreaming of the
consequences. How could I? I did wrong to return every evening; but
I could not help it. Do not drive me away yet.”

“Continue,” murmured Adéonne.

“You may imagine that I was happy,--very happy. When I had looked
at you all the evening, I returned home, only to indulge in dreams
the most charming you can conceive. You were born, like me, at
Capelette. When I saw this portrait in which you appear as a
peasant, I believed that my dreams were to be realized. I fancied
that I arose early in the morning to behold you sleeping. Then I
went to gather flowers to strew the path where you loved to walk.
I said to my father, ‘Father, you wish to know where the true is
to be found. The true is happiness.’ My father called you his
daughter, and thanked you for having brought joy to his household.
In the evening we went to the banks of the river. You sang; and I
was happy. All this seemed like reality, and I felt myself living
with you and for you. I thought I passed entire days by your side.
One day, we were seated on the rock of La Jouve, whence a young
maiden threw herself into the river because the one she loved had
ceased to love her in return. I had a gun with me, and was about to
fire at a bird, when you said, ‘Do not kill it,’ and laid your hand
gently upon my shoulder. I spared the bird, and kissed the spot
where your hand had touched me. You see, I recall all this, yet
know that it was only a dream.

“One day, I was in the country with three friends. They succeeded
in wringing my secret from me. Then they censured and mocked me.
They said--they are cowards! Do not force me to repeat what they
said. If you will not pardon me, I will kill them.”

“Tell me all. My pardon is granted on that condition.”

“Well, they told me--ah! it is too bad! I repeat it only to be
assured of pardon--for it burns my lips--they told me that you
were a worthless woman, without heart, without soul, a creature
cursed of God, selling yourself to all who would buy. After having
suffered for three days and three nights, I have taken my money and
have come to make the purchase. Pardon me now; for I have told you
all.”

“You wish to buy me,” said Adéonne, whose countenance had reflected
no emotion whatever during this strange recital: “are you, then, so
rich?”

“I have here all that I possess,--forty-eight thousand francs.”

“And you think that for this sum I will give myself to you for
eternity?” said the cantatrice, smiling.

“No; but for a moment I have had the foolish hope that for this
money, and through pity, you would permit me to look at you, to
touch your hand, to hear your voice, and then, at sunset, I would
depart so happy as to bless your memory forever.”

“What? Only for a day?”

“Three hours,--two,--one.”

“On your word?”

“I have never lied.”

“Be seated,” said Adéonne, coldly. Then the cantatrice summoned her
_femme de chambre_, to whom she said,--

“Jenny, I am not at home to anybody.”




CHAPTER XXIV.


The order given by Adéonne to her _femme de chambre_ had been so
scrupulously observed that up to ten o’clock on the ensuing morning
nobody had succeeded in gaining admittance to the boudoir of the
comédienne.

Silence and obscurity reigned in the apartment. Long after the sun
had risen, one might have supposed that the night continued, but
for the gleams of light that came through the slight apertures
between the curtains of the windows.

At length, Adéonne, in the same attire she had worn on the previous
evening, opened, with extreme caution, the door which led from
her chamber to the saloon. She paused at each creak of the lock.
Closing the door with the same care, she traversed, with the
lightness of a sylph, the two rooms which separated her boudoir
from the dining-room. She advanced so noiselessly that her _femme
de chambre_, who was writing to her lover,--a dragoon of the third
regiment,--did not hear her approach.

“What are you doing there, Jenny?” inquired Adéonne, in a low voice.

“Madame may see for herself,” replied the girl, quite embarrassed.
“I am writing to my cousin.”

“To your lover. What does he do?”

“He is a soldier. We are going to be married.”

“Why does he not come to see you?”

“Madame has ordered me not to receive anybody.”

“I will permit you now.”

“Madame is very kind.”

“Soldiers are always honest fellows,” added the cantatrice, as a
reason for making the concession.

“Madame may be sure that he comes with the best motives.”

“That is a matter of indifference to me. Get breakfast immediately,
and without noise.”

Adéonne returned to her boudoir, and applied herself to arranging
her somewhat disordered tresses. When she had succeeded in giving
them the desired contour, she remained pensive, her face supported
by her fair hand. Two or three times she arose as if to go to her
chamber. Once her delicate fingers even touched the door-knob; but
she returned and seated herself again, as though she could not
decide how to proceed. A slight rustle caused her to start. She
listened attentively. Her bosom heaved with sudden agitation, and a
deadly pallor spread over her countenance. Eusebe partially opened
the door, and, upon perceiving Adéonne, remained motionless.

“I thought I had been dreaming,” said the provincial.

Adéonne threw herself upon his neck, and held him long in her
embrace.

“Come, tell me that you love me, my dear Eusebe,” she murmured,
leading him to the divan; “or, no----tell me nothing. Let me look
at you. Yes: it is, indeed, you. How handsome you are! Say that you
will love me always!”

“I will,” replied Eusebe. “I would say many things, if I only knew
how; but I cannot find words. I am so ignorant! But I love you very
dearly. I am happy beyond expression.”

“Listen, my good angel,” she said. “We will never separate. Shall
it not be so? You have nothing to do: you have told me so already.
We will never separate. If you would not remain here, I will
follow wherever you wish to go. If you desire it, I will quit the
theatre,--every thing.”

“I do not wish you to make any sacrifice for me. That is not
necessary to my happiness.”

“No sacrifice! I have never clung to any thing, for I have never
had any thing to love: now I must cling to you, for I love you. I
have never had but one dream, and that was to be loved as you love
me. I believed that I should never be thus blessed. I was wrong:
was I not?”

“Like you, I have a full heart,” replied Eusebe. “I have no words
to express all I feel.”

“This love, too, will render me good, as well as happy,” said
Adéonne. “I have told my maid that she could receive her lover:
this was prompted by the new feelings kindled in my heart. Thus
good often results from intentions that are evil. If your friends
had not told you that I was a worthless creature, you would not
have ventured to visit me. If you had not come, I should never
have loved anybody. Do not you believe in a good and overruling
Providence, my dear Eusebe?”

“When I was a child, my mother taught me to pray. Later in life, my
father told me that if any man believed in God, he would do many
things of which he would not otherwise be capable.”

“Your father, it would seem, is a queer man. But no matter. I love
him because he is your father. He wishes you to be instructed: he
is right. I will teach you life as it is. I know it thoroughly. I
have been so unfortunate! We women are wiser than you men: we know
every thing without the process of learning. When I think of your
anxiety to distinguish the false from the true, I could laugh, if I
did not love you so dearly. There is nothing true, my dear Eusebe,
but love!”




CHAPTER XXV.


Eusebe had ample time to meditate upon the aphorism so boldly
announced by Adéonne. For a whole year they lived and loved
together.

The young provincial had forgotten the great world, which, on its
part, troubled itself but little about him.

The comédienne loved with all the fire of a passionate nature. But
she experienced another sentiment in harmony with love. The docile
character of Eusebe, and his complete ignorance of life, rendered
Adéonne the arbiter of his destiny, and she, whose past career
had been worse than a blank, was proud to have an acknowledged
_protégé_.

She did not, however, abuse the ascendency she had obtained. More
than once, upon her knees before Eusebe, she had said,--

“Oh, how good you are not to wish to be the master!”

When women who live outside of social laws reach the age of twenty,
they regard humanity with a shrug of the shoulder; they despise
men, because their weaknesses are well known to them. These women
often shed bitter tears, not because they feel their degradation or
their servitude, but because they have not masters more deserving
of respect.




CHAPTER XXVI.


Eusebe had deposited his will on the _étagère_ of his mistress.
Adéonne regulated his life as the wind blows the leaves that fall
upon a tranquil stream. She made him dress according to her taste,
gave him the books she loved to read, and conversed with him about
every thing that could interest him in the slightest degree. Eusebe
seemed to belong entirely to the cantatrice. This ascendency never
troubled his thoughts. He was happy; and, as he was only twenty-two
years old, he believed in the eternity of this happiness, as
devoted but not pious souls have faith in the eternity of pain.

This felicity might have endured a long time; for Eusebe, simple
and artless, like the majority of those who have been brought up in
the country, never inquired into Adéonne’s past life, and jealousy
was to him unknown. The infidelity of the cantatrice was alone to
be feared. But Adéonne loved with that sincere _furia_ which is
characteristic of women who reach maturity before they love at
all. There was, therefore, seemingly nothing that threatened to
disturb the limpidity of these two existences that appeared to flow
in one.

It was a companion of the _artiste_ who, in this instance, was the
grain of sand which changed the current of destiny.

Marie Bachu was a sort of “double” of Adéonne at the theatre and in
the affections of Fontournay, the former lover of the cantatrice.
On one occasion, thanks to the influence of Fontournay, Marie
obtained what she called a _création_, a new part in an old work
which had been revised and improved. Adéonne complained to the
_régisseur-général_ of the theatre, and declared that under no
pretext whatever would she resign her legitimate rights. Marie
Bachu begged, supplicated, and stormed; but her adversary was
inexorable.

“Think you,” said Marie, “that I must be forever content with that
which you reject?”

“Well,” retorted Adéonne, with a wicked allusion to Fontournay,
“you have been trying to accustom yourself to that for a year past:
you ought to have succeeded by this time.”

The _régisseur_, who comprehended the force of the retort, burst
into a laugh. This hilarity rendered the two women still more
determined in their enmity. While the vanity of Adéonne was
flattered, the anger of Marie was rendered still fiercer. Marie
rejoined,--

“If I have your leavings, it is not your fault.”

“True,” said Adéonne: “I ordinarily give old things which I can no
longer use to my _femme de chambre_.”

“You ought to speak more respectfully of a man who lifted you out
of misery.”

“That would be contrary to all the ideas acquired through him.”

“Say, rather, that you are still irritated at his desertion.”

“_Ma belle_,” said Adéonne, calmly, but with trembling lips,
“do not jest. You know very well that I turned your Fontournay
out-of-doors. You also know that for six months I was so plainly
weary of his company that he thought it a great favor to get a
pleasant look from me. You know this: everybody knows it: so you
must sing another tune. However, I bear no malice. You desire this
_rôle_. Take it; I will resign my claim to it; but, for Heaven’s
sake, do not weary me any more with your ridiculous friend. Leave
me to possess mine in peace. He is as noble as yours is vile, as
young as yours is old, and as handsome as yours is ugly.”

“_Mes enfants_,” interrupted the _régisseur_, “do not devour each
other entirely: it would be a pity.” He then drew Adéonne aside.

“Handsome, eh!” murmured Marie Bachu, so that she could be heard.
“That is doubtless the reason why we never see him.”

On returning home, Adéonne said to Eusebe,--

“This evening, my dear, I wish you to accompany me to the theatre.”




CHAPTER XXVII.


Theatrical performers, and operatic _artistes_ above all, dine at
a comparatively early hour. At five o’clock, Adéonne made Eusebe
kneel down before her, while she arranged his hair with the care of
a mother who dresses the hair of her son.

“These locks are soft and silky, Eusebe,” said she: “do you know
that they are finer than my own?”

“That only proves that they will not last.”

“They harmonize well with the hue of your complexion, which people
call olive,--I know not why.”

“Because olives are green.”

“You are foolish. I do not want them to mock him whom I love. My
dear, we are going into society. I hope you will be careful how
you talk, or they may take you for a character in a forgotten
vaudeville. Now let me tie your cravat. There! you are charming.
Let us go.”

The loving couple left the house arm in arm. For about an hour
the cantatrice promenaded with Eusebe on the Boulevards, where
pedestrians frequently turned to scrutinize this handsome but
somewhat curiously assorted pair.

“All the ladies are looking at you,” said Adéonne. “I was sure they
would think you handsome.”

“I also was sure of it,” responded Eusebe, with simplicity, “since
you loved me.”

The cantatrice looked at her lover with profound tenderness.

“If you were ugly, I would love you all the same; for no one but
you can say such agreeable things.”

“What have I said?”

“You have given expression to the most delightful flattery.”

“I was not conscious of it.”

“Fortunately, it was only a compliment.”

“And the difference?”

“The difference? There are two kinds of compliments,--those which
are sought for, and those that are offered gratuitously; those
which spring from the heart, and those which come merely from
the lips. The one class are used but once for the being beloved;
the others are employed at all times and by everybody,--they are
current coin, of which men have a full supply.”

“I comprehend. The poorest may seem to be the richest.”

“Hold,” said Adéonne, on reaching the Rue Favart. “Do you see that
little window, the third of the first story, above the _entresol_?
That is the window of my _loge_.”

“I know it.”

“Behold, my dear Eusebe, the palace of your beloved,” said Adéonne,
opening the door of her _loge_. Her smile was checked, and her
countenance wore a troubled expression, as she added, “This is the
laboratory in which we _artistes_ prepare our beauty, our hearts,
our bodies, to please the public, who think, after all, that we
have neither beauty nor heart. It is a sad thought! I had resolved
never to reveal to you the mysteries of our profession, but they
said that you were not handsome. Come, let me embrace you: I have
not loved you here yet.”

Eusebe looked at Adéonne with surprise. He comprehended neither the
incoherence of her words nor the cause of her agitation. At length
he said,--

“Something strange affects you,--something that I do not
comprehend.”

“Leave this place, then. I did wrong to bring you here. It was
vanity, I fear, that prompted me. I scent misfortune in the very
air. We were so happy at home. Go, then, Eusebe, go, if you love
me.”

“I will do whatever you desire.”

“I knew you would. I love you so dearly!--if you only knew how
dearly! Jenny will make tea for you. You will read until my return.
I will be home early.”

A boldly trilled _roulade_ was heard just as Eusebe kissed the hand
of Adéonne and bade her adieu. The cantatrice suddenly detained
him, and said,--

“Since _you_ are there, Eusebe must remain. I have need of you,
dearest. My heart sings false.”




CHAPTER XXVIII.


The “Opéra Comique” and the “Gymnase Dramatique” possess _foyers_
of which the prudery has become proverbial. The life of the
vocalist is one of protracted labor, rewarded, however, in a very
liberal style. The comparative prudence of lyric _artistes_ can be
easily explained. They have little leisure, and a great deal of
money to spend. This is why cantatrices more frequently contract
honorable alliances with men of position than other women of the
theatrical world. A faulty construction adds to the dulness of the
evenings spent at the “Opéra Comique.” The _foyer des artistes_
is small, gloomy, and inconvenient. The visitors are often forced
to talk to themselves,--which is a wearisome occupation. Still,
notwithstanding the seeming dulness of this narrow place, it is
very rare that the evening passes without some incident of an
interesting character occurring there, owing to the peculiarities
of the company assembled.

In this atmosphere, so novel to him, Eusebe learned more in one
month than he could have learned elsewhere in ten years.

Astonishment, doubt, and disenchantment succeeded each other with
desolating rapidity. The first of Eusebe’s sentiments which yielded
to a forced dissection was his love for Adéonne. In proportion as
the affection of the cantatrice was increased by the success of
her lover, whose manly beauty was only equalled by the freshness
of his simplicity, that of the young man diminished before stern
realities, the existence of which he had never before suspected.

Adéonne prepared her face for the stage by the use of rouge,
powder, &c. Eusebe did not comprehend that the glare of the
footlights rendered this necessary.

The cantatrice covered her hands, arms, and shoulders with powder.
Eusebe said that she deceived the public; and when she put carmine
on her nails and vermilion on her lips, he shrugged his shoulders.

“I like you better without all this plaster,” remarked the
provincial.

“My dear Eusebe,” responded the singer, “I also would prefer to
dispense with it; but it is necessary----”

“I assure you that without this paint you are a hundred times
handsomer.”

“That I do not deny; but we cannot do without it.”

“Why?”

“Because----”

“You can give me no good reason. If you love me, go on the stage,
one evening, with your pretty face just as nature made it. You will
see the result.”

“You do not understand the necessities of the stage.”

“That is to say that you refuse to grant the first favor I have
ever asked of you.”

“Absolutely. Embrace me, and be silent.”

“Thank you: I do not wish to daub my lips.”

Adéonne went upon the stage with a heavy heart, murmuring,--

“His love is vanishing.”

Eusebe, on his part, was very angry, and insisted that Adéonne had
refused to make a very small sacrifice to please him.

When lovers begin to count the sacrifices refused, and when friends
take account of money loaned each other, love and friendship fly to
regions where hearts are made of more generous stuff.




CHAPTER XXIX.


As Eusebe had seen Adéonne from the auditorium, he had thought that
the world did not contain an _artiste_ more marvellously gifted as
a vocalist and comédienne. The hearty applause of the public had
confirmed him in this opinion. But his attendance at the rehearsals
resulted in an entire change of the estimate he had formed. He
had heard Adéonne say, “I am learning my part;” “I am studying my
principal cavatina.” In his simplicity, the provincial thought that
was sufficient. The first time, therefore, he attended a rehearsal,
he was disenchanted.

The musician who played the accompaniment for Adéonne upon the
piano labored furiously, and occasionally burst forth in angry
exclamations, as follows:--

“Bah! You have no ear. You have no idea of that piece.”

“Monsieur,” said Eusebe, “I do not exactly catch the sense of your
words, but it seems to me that you are a little severe with madame.”

“I would like to see you in my place, monsieur, forced to go
through the same routine for four months, and at the fifth, when
you think you have finished, discover that your care and labor have
been wasted.”

“Now, my dear Bruin,” said Adéonne, “do not be ferocious: we will
be very docile.”

“I am not ferocious. But why the devil does monsieur meddle with
matters that do not concern him?”

“Do not pay any attention to him. He is not a musician,” responded
the cantatrice.

After the lesson, Adéonne took Eusebe aside.

“My dear,” said she, “you do not understand theatrical affairs. We
are going to rehearse on the stage. I beg you will not make any
observation: you would only render yourself ridiculous, and me
also. Go into the auditorium, and be silent.”

“I will be silent,” responded Eusebe, who seated himself in the
most obscure corner of the auditorium, which seemed to him a vast
tomb.

“To your places!” cried the _régisseur_. “Attention! Adéonne Pepita
enters. Not there:--from this side. You are to go there.”

Adéonne commenced:--

    “Enfin le jour reluit, Lelio va venir;
      Rien ne saurait le retenir, je pense.
     Le ciel en ce moment commence à s’éclaircir,
      Mon cœur joyeux renaît a l’espérance.”

_Régisseur._--“No, no: it is not so.”

_Adéonne._--“But----”

_Régisseur._--“But there are no buts. You say, ‘_Enfin le jour
reluit_.’ You must not look at the auditorium: your eyes ought to
be turned towards the horizon. You continue, ‘_Lelio va venir_.’
It is requisite that here the most complete satisfaction should
sparkle in your look.”

_Adéonne._--“It will sparkle at night.”

_Régisseur._--“I know all about that. You _artistes_ always say so,
and at the representation nothing sparkles. As you proceed, you
should look at the skies, instead of your gaiters, as you do.”

_Adéonne._--“I cannot recognize the skies of yonder canvas.”

_Régisseur._--“That is no reason. But proceed.”

And so on, through a rehearsal full of vexation for the fastidious
_régisseur_ and wearisome practice for Adéonne and the other
performers.

Eusebe was present every day at these tedious but, to him,
instructive rehearsals. His native sagacity, the experience he had
already acquired, and his frequent contact with the artistic world,
led him at last to one painful truth. Adéonne was not a great
_artiste_: he had made of her a divinity; she was only an ordinary
woman, who could not even place herself properly on the stage
without special instructions.

A woman may be loved for three things:--for her superior
intellect,--a love serious, but rare; for her beauty,--a love
vulgar and brief; for the qualities of her heart,--a love lasting,
but monotonous.

The superiority of Adéonne had vanished. Her beauty remained; but
her lover was accustomed to that. She could still boast of her
heart; but she had either too much or too little of that to retain
her hold upon the affections of Eusebe.




CHAPTER XXX.


An absurd fashion that prevails behind the scenes gave the
finishing stroke to the provincial’s faltering passion for Adéonne.
Eusebe, being mild and modest in his manners, soon won the general
favor of the people connected with the theatre, who had a pleasant
word for him whenever he made his appearance there. Thus, the
second _régisseur_ never failed to say,--

“Good-evening, monsieur: allow me to congratulate you. You sang
like an angel the other evening.”

Some one else would say,--

“Ah, Monsieur Martin, you ought to be satisfied. They say that your
_rôle_ in the new piece is charming.”

“Monsieur Martin,” said another, “I speak as a friend. Marie Bachu
is striving to injure you in the esteem of the director. She wants
the _rôle_ in the new production of Meyerbeer. You know that she is
capable of any thing. Distrust her.”

An old man, a member of the company, however, did more to irritate
Eusebe than all the rest.

“M. Eusebe,” said he, “remember that I speak from experience.
Without talent, voice and youth go for nothing. You must not
slumber. If you knew the public as well as I do, you would not
laugh at my prognostications. One fine day a new performer will
appear, and the public will no longer look at you. The management
will follow the whims of the public.”

The corpulent Fontournay,--the discarded lover of Adéonne,--who
affected an easy indifference in love-affairs, and would not for
any consideration have the world think that he cherished ill
feeling towards his fortunate successor, showered compliments upon
Eusebe, after the style of the following:--

“My dear sir, your toilet is always superb: it cannot be surpassed.”

“M. Martin,” said the first _régisseur_, “you are late: I shall be
compelled to fine you.”

During his novitiate at the theatre, Eusebe had smiled at this
absurd manner of addressing him, as if he and Adéonne were
identical. But, as he acquired more experience, such remarks
irritated him. One evening, on returning from the theatre with
Adéonne, he said,--

“Why are you not an unknown woman,--an unnoticed _médiocrité_?
Assuredly, I would be happier. My individuality is confounded with
yours; and, though I have no vanity, this practice is extremely
humiliating.”

“I do not comprehend you. Explain.”

“I say,” continued Eusebe, “that my nothingness oppresses me. By
your side, I am like the husband of a reigning queen. They do not
address a word to me, except to speak of you. This very evening,
that fat man you call Fontournay told me that _I_ had a pretty
toilet. If a stranger asks who I am, they do not say, ‘That is M.
Martin:’ they answer, ‘That is the lover of Adéonne.’”

“And does that displease you?”

“It does not displease me: it makes me sad.”

“Oh, what a child you are! Of whom do you wish them to speak? They
presume that you love me, and, therefore, speak of me to you. What
is more natural? As to that foolish Fontournay, I forbid your
speaking to him at all.”

“But it is not he alone who addresses me in this manner. Everybody
does the same, from the _régisseur_ to the machinist. If this goes
on, it will be necessary for me to put on an old shawl and bonnet,
and pass for the mother of the actress, like Madame Baudry. I will
become Madame Adéonne _la mère_.”

Adéonne was silent. She did not understand the sensitive nature of
Eusebe, and could not prolong the discussion. She finally adopted
the course usually taken by women when they are embarrassed: she
became sad and tender. At length she replied, in a bitter tone,--

“A shawl and a bonnet will not suffice for that: nothing can
replace the mother one has lost.”

Eusebe, hearing this cry of the heart, repented of his harshness.
Hardly had he entered the apartment of Adéonne, when he threw
himself upon his knees before her.

“Forgive me, my darling. I have done wrong, and shown a want of
heart, in awakening a sad remembrance.”

“No, no,” said Adéonne, untying the ribands of her bonnet: “I said
that as I might have said any thing else. My mother never had any
claim upon my remembrance.”

On the following morning, at breakfast, Adéonne saw that Eusebe was
sad and gloomy.

“My darling,” said she, “we tire of every thing,--even of
happiness. I think it is time for you to seek some diversion.”

“I think so too,” responded Eusebe. “This evening I will go and
dine with Clamens.”




CHAPTER XXXI.


Daniel Clamens was a Jew, with a weakness for literature. He was
an intelligent fellow, who knew how to manage his affairs with
tact, so that, though he possessed neither fortune nor talent, he
generally commanded the means of subsistence.

Clamens had three brothers,--one a composer, another a sculptor,
and a third a painter: he himself was a dramatist. Of the four,
Daniel had the least talent. He had never achieved any remarkable
success. Still, he was very well known,--owing, in a great measure,
to the reputation of his brothers. Eusebe had made the acquaintance
of Clamens at the theatre, and was quite intimate with him. Daniel
was anxious to get Adéonne to personate a character in one of his
productions, and had cultivated her provincial lover with that
object in view. He had often invited Eusebe to dine with him, but
the invitation had never been accepted. When the dramatist saw the
lover of Adéonne actually enter, he uttered an exclamation of joy.

“And do I behold you at last? You do not know how anxious I have
been to see you. Now that you have come, there shall be no peace
until you promise to come again.”

“I promise,” answered Eusebe. “I will come often. I have need of
some diversion.”

“You say that, but you will not do it. For the rest, I understand
that you keep your nest. You ought to be very happy.”

“I was.”

“Bah! that has not ended?”

“Not quite.”

“Has there been a quarrel?” inquired Daniel, quite anxiously.

“Oh, not at all. Quite the reverse. But it seems that we grow weary
of happiness, as of every thing else, and I have need of some
diversion.”

“Ah! you frightened and amazed me at the same time. Adéonne is so
charming.”

“Very charming, indeed,--so charming that for her I have neglected
to follow the counsels of my father,--had even forgotten the object
of my life.”

“Fortunately, you are young. What career do you design to pursue?”

“I know not. I wished to study life before deciding; but I have
now been two years at Paris, and I am no more advanced than when
I left my native province. My ignorance and my nothingness are
humiliating. I am ashamed of being of no importance in society,
because I feel that I can be of none.”

“Life, my dear sir, is not a difficult thing to learn. The trick is
to know its secrets. When one has penetrated them, one has learned
every thing.”

“Alas!” said Eusebe, “if I have not been sufficiently skilful to
learn life, how could I penetrate its secrets?”

“With the gimlet of friendship.”

“A painter, with whom I formerly associated, told me that
friendship no longer existed.”

“My brother the painter is also of that opinion. I have always
thought that skepticism is developed by the mixing of colors.
Distrust, my dear friend, people who deny the sentiments: such
persons look upon the world through the impure medium of their own
natures.”

“You do not like your brother, then?”

“I adore him,” responded the dramatist; “but I do not share his
principles. To prove to you that friendship does exist, I offer you
mine. You wish to know the world,--to study life. Come, and I will
give you the clew. I will be your guide,--your adviser. We will
devote ourselves to social anatomy, and dissect humanity. I will
show you the manner of holding the scalpel.”

“Let us begin,” said Eusebe, eagerly.

“One moment,” said his friend. “Before we commence, it is requisite
that I should give you a piece of advice. If you wish to see all,
hear all, and study all, it will be necessary, before setting out,
to pad your elbows, bridle your tongue, and put cotton in your left
ear, so that what enters at the right cannot get out again. And
now,” continued Clamens, with a majestic gesture, “follow me, as is
said in ‘William Tell.’”

“Where are you going?” asked Eusebe.

“My friend,” responded the _cicerone_, “the best way to arrive
_anywhere_ is not to know where you are going.”




CHAPTER XXXII.


“Hold!” said Clamens. “Do you see this expanse of asphaltum, which
extends from where we stand to the Chaussée d’Antin?”

“Yes,” replied Eusebe: “it is the Boulevard des Italiens.”

“Just so. Well, all humanity is represented in this narrow space,
which is hardly more extensive than your father’s garden. Take a
seat, and observe, and in one hour you will know Paris as well as
if you had made it; and Paris is the universe. The other cities
of the world, such as Bordeaux, Lyons, London, Berlin, Rome, and
St. Petersburg, are rivers for which Paris is the sea. Every
variety of the human species flows hither, to roll and writhe, like
furious waves, in that sublime tempest which we call life. You
wish to investigate this billowy mass. You will find nothing there
but froth and foam, or you will drown yourself for want of that
life-preserver which is called experience.”

“Better to drown oneself at once than to die of weariness on a rock
whence nothing but a void is visible; but, indeed, it seems to me
we are employing very large words to speak of very small things.”

“Ah,” rejoined Clamens, “there is nothing insignificant in this
world. A drop of water may save a man; three may kill him; a
hundred will fill a gutter; a thousand will form a rivulet.
Multiply ten times these numbers by themselves, and you will have
a torrent which may inundate France. Men are like drops of water.
Look at them separately, and you see nothing terrible; but when,
by a mysterious free-masonry, they assemble and arrange themselves
according to their vices, their merits, their passions, or their
aspirations, they can convulse society to its very centre.”

“What is one to do in the midst of such a tumult?” inquired Eusebe.

“Laugh,” responded the poet; “laugh, so that you may not weep; turn
to account the vices of one class and the virtues of another, and
close your eyes to what the morrow may bring forth.”

“Admitting the justness of this theory,” said Eusebe, “it seems to
me very difficult to gain a sufficient knowledge of men to enable
one to profit by their merits or weaknesses.”

“One knows everybody else better than one knows one’s self. Do you
see that gentleman who is walking before us? He is dressed like a
prince, dines at the best tables, and denies himself nothing. Four
years ago, he arrived at Paris in _sabots_. Now he is in debt for
his boots,--which explains the whole mystery. That fellow would
refuse the pension of a Councillor of State: he gains more by
borrowing.”

“I understand, then, that he has a confirmed vice. But what
advantage can you draw from his peculiar defect?”

“I borrow money of him.”

Eusebe was inclined to think that Clamens was quizzing him, as Paul
Buck had quizzed Bonnaud on the railroad; but the poet did not give
him time to determine whether this suspicion was justifiable.

“I borrow money of him,” continued Clamens, “and he loans it
because he appreciates better than anybody else the necessity
of having it. Adroit himself in chasing up twenty-franc pieces,
he thinks he has in me a promising pupil. Then his loans to me
serve as an excuse to his conscience. If he strips others, he
considers that I strip him, and, therefore, concludes that,
instead of practising the trade of a sharper, he is only making
an application of the _lex talionis_. The man is not exactly a
dangerous character; but he has ten thousand _confrères_, who prey
upon forty thousand fools, and their mode of life operates to the
detriment of a hundred thousand poor devils, who perish from hunger
or find their way to the galleys. I suppose that the term ‘usurer’
represents to your mind a miserly old man in a brown overcoat and a
black silk cap?”

“There is in my native province,” replied Eusebe, “an old man named
Gardet, who is said to be very grinding on the poor who borrow
money from him; and it is a fact that this creature is attired
nearly as you say, with the exception of the black silk cap. In a
number of books that I have read during the past two years, the
usurer is always described as dressed in that style.”

“It is an error. Now-a-days, the evil-doer is young. That is one of
the most curious characteristics of our age. The young men gamble
at the Bourse, while the old devote their attention to trade. The
young men keep the women; the old conceal themselves in their
closets. It is a sad thing to contemplate; but such is nevertheless
the case. _Revenons à nos moutons._ Those two young dandies before
us, who balance their canes with such an air, count hardly fifty
years between them; yet they are the most unmerciful Jews in Paris.”

“But,” interrupted Eusebe, “I thought you were a Jew.”

“I am an Israelite,” responded Clamens, rather hastily,--“which is
not at all the same thing. Such as you see them, that fashionable
youth and his dazzling friend have ruined many people. At this
moment, they are not merely promenading, as you might perhaps
suppose: they are seeking custom. Have you need of money?”

“My friend,” said Eusebe, “you know that I am quite a barbarian,
and ignorant of many features of Parisian life. Do me the favor,
then,--if I do not try your patience,--to define more exactly the
profession of these men.”

“That is easy enough. These fellows have comprehended the fact that
the want of money is the complaint of almost everybody, and they
have undertaken to supply the needful by founding a loan-and-trust
company,--which would be quite philanthropic if the premium were
not cent. per cent. For example: they loan on security five hundred
francs for six months; at the expiration of that time they receive
one thousand for their five hundred.”

“Why a thousand?”

“For the interest of the money advanced for six months.”

“If they make that much, they ought to lend the money for a year:
they would then have no need to give any at all.”

“An original idea! I must communicate it to them.”

“You know these persons, then?”

“They are my friends.”

“You astonish me!”

“Let us understand each other. I am not _procureur-impérial_. Their
conduct does not concern me. Let them continue to dupe fools: that
is an affair between their consciences and human stupidity. For
myself, I have always found them very agreeable: they have often
proved serviceable in lending me money.”

“At cent. per cent.?”

“At nothing per cent.”

“Then they are not such usurers as you wish to represent.”

“They go further in that direction than I care to say; but not
with me. Why? The day is approaching when their fortunes will be
made. They will abandon their business, keep their carriages,
maintain mistresses, marry heiresses, and endeavor to make a figure
in society. But there is one thing they cannot purchase,--social
esteem. They count upon me to help them in that particular and set
them in a favorable light before the public.”

“Sad! sad!” murmured Eusebe.

“No matter: such is the world.”

“Well, then I would rather not make its acquaintance,” rejoined
Eusebe.

“You are wrong. You ought to learn many curious things which it is
important that you should know. The first thing to do is to learn
the vices of the times, so as to be able to avoid them.”

“I would prefer knowing what they are to scrutinizing them too
closely,” responded the provincial. “A thousand thanks to you, my
dear Clamens, for wishing to be my guide. But I feel that I am too
feeble to seek an object by paths so perilous. You know the mud of
all the ruts, the briers of all the bushes: you will reach your
object, no doubt. But what could I do, simple and artless as I am,
pursuing such dangerous ways? Let each one take his own road. You
may advance, confident of the future; I will return to the joys I
already know.”

“What do you call your joys?”

“The woman I love, and the poets of whom I spoke to you last
evening.”

“Alas! my friend,” said Clamens, “such joys will not last. Woman
is a bell that will not always ring. As to the poets, their charms
will not prove so enduring as those of your mistress,--since we
have but three. The most bitter sadness characterizes these three
great geniuses. The first died out of heart: he will dishearten
you. The second lived in exile, where every thing was mournful.
The third, disgusted with the ingratitude of his contemporaries,
imposed silence upon the harmonious orchestra of his soul, to sit
down, in despair, by the wayside, and play the clarionet.”




CHAPTER XXXIII.


The two friends walked on a long time in silence. Clamens, rather
disappointed by the provincial’s obstinate peculiarities, said
to himself, “Eusebe is a simpleton.” On his part, the provincial
reflected, “Daniel is a sage.” And, as they were both profoundly in
error, each remained convinced that he had hit upon the truth. At
the moment of separation, Daniel said to his refractory pupil,--

“I will see you again, my friend. At a later day you will regret
that you have not heeded my counsel. Do not forget, however, that I
am always ready to resume my course of instruction.”

“Thank you,” responded Eusebe. “Your goodness touches me nearly,
and----” The remainder of the sentence was lost in a sudden murmur.

Dropping the hand of his friend, young Martin passed rapidly on to
where a group of young men were seated before the door of the Café
Tortoni.

“What is the matter?” asked Daniel, who followed him.

“Do you not hear?” said Eusebe, apparently agitated.

“Yes,” said one of the young men; “Adéonne is a fascinating
creature. During the week that I have enjoyed her acquaintance, I
have been able to comprehend the desperate love that has inspired
that old fool Fontournay.”

“Did you say, monsieur,” demanded Eusebe, pale and trembling, “that
you have lived with Adéonne for a week?”

“I have said what I pleased,” haughtily responded the young man. “I
do not know that I am accountable to you for what I say.”

“I ask nothing of you,” rejoined Eusebe. “I only wish you to repeat
your words, in order that I may tell you that you lie. If you do
not repeat your words, it is of no consequence. I say that you have
lied.”

And, taking Clamens by the arm, the indignant provincial moved away.

“This is a bad business,” said the poet.

“Why?”

“You will soon see.”

At this moment a young man of irreproachable elegance advanced to
the lover of Adéonne.

“Monsieur,” said he to Eusebe, saluting him with exquisite
politeness, “my friend the Count de la Soulaye deputes me to remind
you that you have given him the lie in public, and have omitted to
leave your card.”

Eusebe was about to reply, when Clamens stepped before him.
“Monsieur,” said the poet, “oblige me by giving my address to M. de
la Soulaye. My friend M. Eusebe Martin, of the Capelette, in the
fury of anger, has forgotten to leave his card. Here is mine. Until
to-morrow at noon we shall be at your disposal.”

“I thank you,” said the young man, exchanging cards with the
dramatist; and then, bowing politely, he rejoined his friends.

“And now,” said Eusebe, “will you tell me, my good Clamens, what
this exchange of cards signifies?”

“Alas! It means that you will fight M. de la Soulaye to-morrow.”

“I fight? How?”

“With swords, sabres, or pistols, as he may see fit. He has the
choice of weapons, since you gave the insult.”

“For Heaven’s sake, my friend, do not mock me!”

“Nothing can be more serious. Unfortunately, I am not joking,”
replied Clamens, sadly. “I foresaw that you would do something of
which you knew not the consequences. Now that the evil is done,
there is no help for it: you must fight: the laws of honor, or
rather the laws of society, oblige you to do so.”

“What!” exclaimed Eusebe, with vehemence; “I encounter in my walk a
wretch who slanders in the most infamous style a woman whom I love
and whom I had quitted but a moment previous. I could pulverize
this fellow with my fists, but refrain, because his shameful
conduct awakens only contempt. I am content to tell him that he
lies. And now I am forced to fight with this infamous scoundrel,
and, as you say, to put myself at his disposal, and accept the
weapons with which he is familiar, but which I have never used!
Really, this cannot be so! it is barbarous!”

“But it is so, my dear fellow. I repeat, the laws of honor are
inflexible.”

“The laws of honor! What honor? It is not I who have broken these
laws, if any such exist: he is the guilty party.”

“Listen, Eusebe,” rejoined Clamens, gravely. “You have defended
the reputation of Adéonne; and in so doing you have acted nobly,
not only because she is your mistress, but because she is a
noble creature who loves you with all her heart. Yes, you have
acted nobly. I also am convinced that La Soulaye has lied like a
pickpocket. But in telling him so you did him an injury for which
he has a right to demand reparation in the field. If you refuse to
fight, you will be regarded as a coward, and the world will believe
that he has truth and right on his side. I have made myself your
second in this affair. I do not regret the step thus taken, and, if
you refuse to fight, I will take your place.”

“Why so?”

“The laws of honor force me to do so.”

“I will fight,” said Eusebe, resolutely; “but may the devil fly
away with me if I can comprehend what you call the laws of honor!”




CHAPTER XXXIV.


After a long discussion, during which Clamens talked a great deal
and Eusebe comprehended very little, the necessity for securing
another second for the duel occurred to them, and the provincial
started to hunt up his old friend Paul Buck, the painter. Paul
had broken up his modest establishment some time previous, and it
was not without extreme difficulty and much wearisome search that
Eusebe found him, located in a wretched garret in the Rue Neuve
Coquenard.

Alas! Paul Buck was sadly changed. He was no longer the joyous
artist with a contented heart and merry countenance. His woebegone
features, neglected hair, ragged garments, and ventilated boots
made him a sorry shadow of his former self.

“Ah!” he exclaimed, upon seeing Eusebe, “I was thinking of you this
morning. I said to myself, ‘If I knew the address of the barbarian,
I would go to him and borrow ten francs?’”

“Here are twenty,” said Eusebe. “Are you ill?”

“Not at all. You find me much changed, do you not?”

“Yes.”

“It is from grief.”

“Have you been unfortunate?”

“Yes.”

“The cause? You have talent, love art, and are persevering.”

“As for talent, I no longer possess it. Art I despise, since I see
fame bestowed upon fellows without merit. As for my strength, it
vanished with Virginie,--a girl who left me to follow a waiter of a
_café_.”

“Did you love the girl?” asked Eusebe, with an air of surprise.

“She was all that remained to console me. There is no denying that
I was attached to her. But, tell me, how do you come on?”

“I fight to-morrow.”

“Ah!”

Eusebe then related to his friend all that had occurred to him
since they had seen one another. At the conclusion, he said,--

“Well, what do you think of the affair?”

“I think you have done right to come in search of me, and that you
acted bravely in giving the lie to this gentleman of the card. But
it is quite possible, nevertheless, that he spoke the truth.”

Eusebe became pale, and Paul continued:--

“You see, women are very strange creatures. Why may not Adéonne
have deceived you for the sake of a count, since Virginie has
deceived me for the sake of a waiter?”

“Adéonne has too much heart for that.”

“Mon Dieu! It is always the woman who has too much heart who
experiences the need of sharing it. Do you know how to shoot?”

“No.”

“You are not afraid, I hope?”

“Yes,” replied Eusebe, “I am afraid,--very much afraid.”

“It is not possible!” exclaimed Buck, dropping his pipe: “you
mistake your own nature.”

“No: I know what I say. I have no fear of being wounded, or of
being forced to suffer pain: I have none of that ignoble shrinking
from danger which characterizes cowards. Yet I fear to die while
still so young: I fear to die and leave Adéonne, whom I love. I
fear to die without having seen my father and the dear old trees of
the Capelette once more. For the last two hours, the thought that
I may be slain to-morrow has given me a fit of home-sickness. I no
longer seek to read the future. My eyes are turned to the past,
where it seems to me I have never known any thing but happiness.
The most humble creatures for whom I have cherished affection
appear to have taken a firmer hold upon my heart. There remain to
me, perhaps, not more than fifteen hours of life. I would give
seven of them to once more behold big Katy, a peasant who nursed me
when an infant, and to embrace my poor dog Medor, who is blind.”

“Bah! All will go well,” said Paul. “Courage! You can count upon
my services. To-morrow, at the hour indicated, I will visit your
friend Clamens.”

Eusebe shook the hand of the painter, and departed. Paul, as soon
as he found himself alone, thus soliloquized:--

“Poor fellow! He is right. It is hard to die at his age, when one
has so many reasons to regret life. But who says he will die? It is
hardly probable. If he should escape with a wound, he can go see
his father and the dear old trees again, and continue to love his
mistress. My father, now, is dead. When he was alive, we never had
any other trees than those of the road. My mistress has fled. I do
not possess even an old blind dog; and--I have just broken my pipe.”

And then, as the painter’s eyes fell upon the piece of gold left by
Eusebe, he exclaimed,--

“However, I have no right to complain while I possess twenty
francs,--the means to live well for one day, or to keep me from
starving for at least two weeks.”




CHAPTER XXXV.


As chance or destiny would have it, four persons met at the
lodgings of Clamens, whose opinions in regard to the approaching
duel were widely different. (These were the four individuals who,
according to the French code, acted as “seconds” for Eusebe and his
antagonist.)

Paul Buck contended, with the utmost simplicity, that the duel was
a piece of stupidity.

Daniel Clamens maintained that such combats were a necessary evil.

The Commandant de Vic, who was the _premier témoin_ (principal
second) of the Count de la Soulaye, affirmed that the duel was the
judgment of God.

As for M. de Buffières, the young gentleman who had exchanged cards
with Clamens, he confessed that his opinion was governed by the
laws and customs of society.

Notwithstanding the disparity of their ideas, the quartette soon
came to an understanding. Only one--Paul Buck--thought of extending
the olive-branch of peace.

“Messieurs,” said the painter, “I believe that, as the honor of
our principals is not in peril, our duty dictates that we should
arrange this foolish difficulty.”

“Monsieur,” replied M. de Buffières, “we--that is, myself and
the Commandant de Vic--are not authorized to entertain such a
proposition from anybody.”

“You are perfectly free to listen or not, messieurs, and I am just
as free to make known my impressions. If I speak, it is not idly,
but because I feel that I am in some measure responsible for the
lives of two men, one of whom is my friend. If any thing serious
should occur, I wish to enjoy my rest afterwards.”

“If speaking will insure you easy slumbers hereafter, proceed.”

“If I seek to insure the tranquillity of my nights,” said the
artist, “it is because, up to the present, my days have not been
too happy. Come, gentlemen, let us talk little, but let us speak to
the point. We ought to be able to come to an understanding. I am
certain that each of us regrets what has occurred.”

“Certainly,” rejoined the Commandant de Vic. “As for myself, I
have been engaged in ten duels, and am not yet dead. Nevertheless,
I never take pleasure in seeing two men cross swords with a deadly
purpose. I will even go further, and say that the spectacle is very
disagreeable to me. But, you know, there are circumstances--you
understand me.”

“Youth must be broken in,” observed Clamens, humorously, which
caused M. de Buffières to smile. Paul Buck thought this a favorable
moment for renewing his attempt at reconciliation.

“After all, to what does this affair amount? Nothing. A young
gentleman, jesting with his friends, boasts of possessing a woman
to whom he has never spoken,--at least so we are assured; the real
proprietor of the lady overhears this vaunt, and tells the young
boaster that he has spoken falsely: that seems rather rough. But,
between ourselves, what else could he have done? He could not very
well invite the young gentleman to dinner. Well, then, let M. de
la Soulaye, who, I am sure, is a man of courage, acknowledge that
he was wrong, and let the affair drop. Parbleu! We do not seek the
life of the offender.”

“You forget,” said M. de Buffières, “that it is the man who gave
the insult, and not the one who was insulted, who ought to make the
apology.”

“There is another way,” resumed the painter, “of terminating this
absurd difficulty. Let M. de la Soulaye prove that he spoke the
truth when he referred to the lady. We will prevent our friend from
fighting for a woman who is not worth the trouble.”

“M. de la Soulaye,” replied the commandant, “will prove all that
is required, after he has obtained reparation for the outrage
perpetrated upon him.”

“Precisely so,” added M. de Buffières.

“If,” continued Paul, “by an unfortunate chance, M. de la Soulaye
should kill M. Martin, or M. Martin should kill M. de la Soulaye,
would that prove that the one did wrong, or that the other lied? Or
would the reputation of Adéonne be in the least benefited?”

“Probably not,” said M. de Buffières, dryly.

Paul Buck, seeing that his efforts to effect a reconciliation would
be fruitless, withdrew to a corner, and seemed absorbed in thought.
At length, M. de Vic arose and said,--

“Well, is it understood? To-morrow, at seven o’clock, at the Pecq,
Avenue de la Grotte; each to bring swords.”




CHAPTER XXXVI.


Paul and Clamens conducted Eusebe to a renowned _maître d’armes_,
named Grisier, or Gate-chair.

“Professor,” said Clamens, “I have the honor to introduce to
you one of my best friends, M. Eusebe Martin, who is to fight
to-morrow, and who does not know how to hold a sword. I have
persuaded him that you will be kind enough to give him the benefit
of your valuable counsel.”

“I can give him only one piece of advice,” replied the professor;
“and that is, not to kill himself. I tender him that, with all my
heart: it is all I can do for him.”

“How? Do you mean to say that you cannot teach him how to make some
passes with the weapon?”

“Fencing is not to be learned in an hour.”

“Doubtless; but are there not some special mysteries of the art in
which you can instruct him?”

“All the movements are mysteries to one who does not know how to
parry them.”

“But can you not at least show my friend the manner of putting
himself on guard? He is to fight with a man of the world, and he
ought to be able to show that he knows as well how to kill as to
live.”

“That is easy enough,” said the professor. “I am at your disposal.”

The professor then put Eusebe in position, explained to him how
to hold his weapon, how to make passes, how to break the force of
a stroke, and many other things pertaining to the art of fencing.
The quickness with which Eusebe comprehended the demonstrations and
followed the instructions, as well as his graceful attitude and
manly vigor, excited the interest of the professor. Eusebe thanked
him, and was about to withdraw, when the master of the sword
recalled him.

“Resume your guard,” said he, “and listen to me attentively. In
order to give you a correct idea of duelling, I am going to charge
upon you with this sword, which, you see, is very sharp. Observe
my movements, and endeavor to parry; for, while I am sure of not
giving you dangerous thrusts, the vigor of my attack, or your lack
of skill, may result in your receiving some severe scratches. Now
protect yourself.”

The professor suddenly precipitated himself upon Eusebe with
extreme violence. His sword menaced the breast of the young
man, who, however, retreated and parried so adroitly as not to
be touched. The professor stopped as soon as the provincial
had reached the wall. Eusebe was perfectly calm. The professor
scrutinized him closely, and, seeing his entire self-possession,
said,--

“That will do, monsieur: you will return from the field, I promise
you.”

“God grant that I may!” solemnly responded Eusebe.

On the following day the three friends were the first to reach the
appointed rendezvous. A convenient spot was chosen, the swords were
measured, and the Commandant de Vic pronounced the word “Go!”

Eusebe attacked his adversary furiously. Surprised by a vigor
which he had by no means anticipated, and not recognizing in the
passes of the provincial any of those movements usually taught
in the schools of fencing, the count manifested an embarrassment
which only served to encourage Eusebe. Suddenly M. de la Soulaye
was touched in the hand. The seconds immediately interposed, and
Clamens hastily cried,--

“Messieurs, the combat is finished.”

“How so?” inquired Eusebe.

“Honor has been satisfied,” responded the Commandant de Vic.

The young provincial thought that this honor was not difficult to
satisfy; but he said nothing, and, in company with his two friends,
took the road back to Paris.

Eusebe thought proper not to say a word about this affair to her
who had been the involuntary cause of the quarrel. In this matter
his native delicacy served him admirably. Adéonne would have thrown
herself upon her knees and implored him not to fight, or she would
have turned him out-of-doors if he had refused.




CHAPTER XXXVII.


About three-quarters of an hour after the combatants had quitted
the Bois du Vésinet, two gendarmes arrived in the Avenue de la
Grotte. They looked about them for a moment, and their attitude
betokened disappointment.

“We have arrived too late,” said one.

“I doubt it,” rejoined the other.

“Good gentlemen, charity, if you please; for the love of God and
the Holy Virgin, a little charity, if you please,” murmured a
dolorous voice.

“Brigadier, suppose we seek information of the beggar.”

“It is our duty to push our inquiries to the furthest limit.”

“That is also my way of doing business, if I may say so without
offence to you.”

“Ho! woman!” cried the first officer, addressing an old woman as
wrinkled as a dried pear, “didn’t you see two men pass this way?”

“I could not see any such persons,” responded the beggar, “because
I could not see any thing, having been blind for now twenty years;
for twenty years I have been deprived of the light of heaven.”

“Ah! that alters the case.”

“I have not seen them; but, my good sir, I certainly heard them.”

“Then they have gone this way?”

“They have gone and returned. By this time they ought to be in
Paris, for they arrived in time for the train.”

The gendarmes expressed their disappointment in the phraseology
peculiar to their calling.

“My good woman,” said one, “you can perhaps give us some
information. Speak without fear.”

The gendarme spoke majestically, as the representative of the law.

“There were seven in the party of young gentlemen,--three on one
side and four on the other.”

“How do you know there were seven?” inquired the officer.

“Because they stopped to give me a little charity. Five gave me
something. Of the two others, one said, ‘I have no money,’ and the
other, ‘I am not superstitious.’”

“How do you know they were young?”

“Because they walked quickly; and, you see, when one is old, one is
not in a hurry to die.”

“How? to die?”

“Yes; since they came to fight.”

“Who told you that?”

“I learned that from their alms. Four of them gave me twenty sous
each. They supposed that bit of charity would bring good luck
to their friends. The fifth, a fine young man, who was going to
fight, gave me a five-franc piece. One is generous when one is
either very unfortunate or very fortunate, when one weeps or when
one laughs. The sixth said, ‘I have no money:’ he was the surgeon.
The doctors never give any thing to beggars, because it is of no
importance to them whether we live or die. The seventh said, ‘It is
a superstition:’ he is the one who committed the wrong.”

“Of course,” said one of the gendarmes, laughing, “you think
the one who gave you the five-franc piece was in the right. I
understand that.”

“You do not understand it at all, my dear sir, I can assure you. I
understand it, I do. I have seen so many persons pass here on their
way to fight. Those who have not the right on their side never give
any thing, not on account of their avarice, but because they know
very well that it is not with a hundred sous they can turn aside
the hand of God.”

“Well?”

“They did not go very far into the woods, for they did not remain
more than ten minutes. They fought with swords, for I did not hear
any pistol-shots. They returned, without either party being badly
wounded.”

“Until now, your sagacity has not been at fault,” said one of the
officers. “But how do you know that the wound was slight?”

“Ah, my son, I am quite certain of what I tell you. If the wound
had been dangerous, they would have given me much greater alms upon
their return.”




CHAPTER XXXVIII.


Eusebe had forgotten this “adventure,” as the Commandant de
Vic would have called it, when, one morning, Adéonne, pale and
trembling, embraced him tenderly, and handed him a document bearing
an official stamp.

“You have fought, my dear Eusebe,” she cried, “you have fought, and
you have not told me!”

“It is true.”

“Oh, it was wrong, very wrong, not to tell me!”

“What is this paper?”

“Read!”

The document was a “summons,” in which the sieur Eusebe Martin,
perpetrator of sundry strokes and wounds on the person of the sieur
Ravaud, calling himself De la Soulaye, &c. &c. was summoned to
appear on the following Wednesday before Monsieur De la Varade,
_juge d’instruction_, at Versailles. It was also set forth that, in
default of his appearance at the time specified, a warrant would be
issued for his arrest.

Eusebe took the official document to Clamens, for the purpose of
asking an explanation. The dramatist reassured him, saying that he
also had been summoned, but that the affair was of no importance.

“We will be sentenced to pay a few hundred francs as a fine, and to
spend a few months in prison: that’s all. Do not alarm yourself.”

“So!” said Eusebe, “a fellow is pleased to slander a lady; I have
risked my life against his, when I ought to have simply strangled
him; and now it is necessary that I should pay a fine and be
subjected, with you and Paul, to imprisonment!”

“All very natural,” replied the poet.

“But he will be condemned also, I hope?” said Eusebe, with some
vehemence of tone.

“Not at all. He will be acquitted,--first, because he was insulted,
and second, because he has suffered at your hands.”

“But if I had killed him?”

“As the combat was honorably conducted, we should have been
exonerated from all blame.”

“Ah!” exclaimed Eusebe, “my father said wisely that we should
never do things by halves.”




CHAPTER XXXIX.


On the appointed Wednesday, Eusebe, Daniel Clamens, and Paul Buck
arrived at Versailles. As the hour fixed for the hearing had not
yet come, the three friends took a stroll through the city before
repairing to the court-room.

“Is that what you call the _Palais de Justice_?” inquired Eusebe,
pointing to a building of rather pitiful appearance.

“Yes,” responded Clamens.

“You said to me, on the way,” rejoined the lover of Adéonne,
“that justice was the first of established powers. One could have
very little reason to question that, if he compared the palace of
justice with that of a king.”

“We have in France,” said Paul, “but ten palaces for kings, while
for justice there are more than five hundred, in which she condemns
more in a day than a monarch could pardon in a year.”

“Fortunately for society, messieurs,” said the Commandant de Vic,
who had just arrived, and who was followed by MM. de la Soulaye
and de Buffières.

The first step Justice takes in the punishment of duellists is
to bring them together in her ante-chamber. But for the profound
respect the French profess for her, conflicts might be renewed
there. It is true, nevertheless, that the custom, which might be
attended with grave consequences, has often a wholesome effect.
Adversaries often shake hands at the moment they are about to
appear before the judge.

M. de la Soulaye, perceiving the lover of Adéonne, saluted him
courteously, and offered his hand.

Eusebe bowed, but did not respond to the advance made by his late
antagonist.

“Monsieur,” said the Commandant de Vic, frowning, “I have the honor
to call your attention to the fact that M. de la Soulaye offers you
his hand.”

“I do not wish to offer him mine,” replied Eusebe, “and am sorry
that you compel me to say so.”

The officer, fired by this curt repulse, advanced, as if he
meditated a quarrel; but M. de Buffières restrained him.

“You are too condescending, commandant,” said the latter, “in
paying any attention to this rustic.”

On their part, Paul Buck and Daniel Clamens reproached Eusebe with
his want of courtesy.

At this moment, three gendarmes entered, escorting three men with
villainous countenances, who were seated near the actors in the
duel at Peck.

“What!” exclaimed Eusebe; “you wish to persuade me that I would act
like a well-bred man in giving my hand to a rogue who has slandered
a lady, who has tried to kill me, and, in addition, is the cause
of our being brought to this disagreeable place, here to await
condemnation, in company with three thieves? I cannot credit such
a monstrosity of meanness; and I would rather pass for the worst
blackguard in the world than touch a finger of the villain.”

MM. de la Soulaye, de Vic, and de Buffières were first called into
the presence of the magistrate, who kept them away for nearly three
hours.

Eusebe bit his nails with fierce impatience during this vexatious
delay. Clamens, pencil in hand, occupied himself in composing
couplets upon the incidents in which he had recently figured. Paul
Buck speculated with one of the gendarmes on the philosophy of
history.

“Monsieur,” said one of the thieves to Eusebe, “won’t you please
to give me a little tobacco? I have not smoked for more than four
months.”

“I have no tobacco,” responded Martin, “but I have some cigars,
which, if these gentlemen will permit me, I will give you
willingly.”

“Give them to him, if you wish,” said one of the gendarmes. “It
ought not to be allowed; but”----and the officer shrugged his
shoulders.

The three young men then emptied their cigar-cases, and slipped
some money into the hands of the malefactors. The ice was broken.

“Why were you arrested?” asked Paul Buck of a thief who had just
been gladdened with three cigars and two francs.

“Oh, I have been jugged by mistake,” replied the bandit, with a
voice of sinister tone.

“It was the seventh time that Justice was deceived in your case,”
dryly observed a gendarme.

“As for the other times,” rejoined the rogue, “I have nothing to
say; but for this, as true as you are an honest man, monsieur, I am
innocent. I didn’t do it.”

“If it was not you, it was your brother,” said the gendarme,
sententiously.

“By my faith,” said the man, “that’s worth thinking of: it might be
so. I will just mention that to the judge.”

“And you,” said Eusebe to a second rogue, “are you also charged
with robbery?”

“Yes, monsieur.”

“Who or what could have led you to rob?”

“You shall hear. My story is a very simple one. I was only nineteen
years old when I fell in love with a young girl residing in my
native province. One day she asked me to bring her some flowers; it
was the day after the festival of Sainte-Marie, and she wished to
cover the altar with flowers, so that the Blessed Virgin would be
favorable to us. Her parents troubled themselves but little about
our union. I had neither garden nor flowers. Night came, and I took
a stroll. When all the village was sound asleep, I reached the wall
of a garden adjoining that of the Maire----”

“Robbery, with escalade, at midnight, in an inhabited house: five
years in irons,” interrupted a gendarme.

“That is the penalty,” resumed the bandit; “but as I was young,
had good antecedents, and the booty was only a few roses, which,
sooner or later, would have been offered to the Virgin, I was let
off with imprisonment for three years. When the term of my sentence
expired, I found my mistress a wife. While in prison I had learned
the theory of crime; and, as I was now an outcast on account of
having been a convict, I was forced to commence its practice.”

“And you, old fellow,” demanded Clamens of the third criminal, “why
did you steal?”

“From taste,” was the laconic reply.

“Mon Dieu!” exclaimed the gendarme, “there are all sorts of taste
in human nature.”




CHAPTER XL.


Notwithstanding his cold and rigid aspect, M. de la Varade was not
a malicious or a severe man.

From the time of Francis I. to the Revolution of ’93, the family
of la Varade had always held office in a judicial capacity. The
first of the judges was ennobled because he labored to please
the beautiful Diana, Countess de Brézé; one of the latest was
guillotined because he had displeased the fair Manon Ladri, who had
considerable influence with the Revolutionary authorities.

The father of the present _juge d’instruction_ died, after the
Restoration, attorney-general of the provinces.

M. de la Varade spoke with extreme difficulty. Naturally mild and
indolent, the magistracy had few charms for him. His profession
caused him many torments and vexations; but he would have thought
himself wanting in self-respect and regard for the memory of his
ancestors had he not continued to exercise the functions of the
office.

“A la Varade,” said he to his son, “must be a magistrate: his
nobility demands it.”

When the magistrate was alone, he bitterly regretted that he was
not able to pursue a more congenial career, and expend in the
gratification of his tastes his income of sixty thousand livres. He
often asked himself if a citizen was not justified in withdrawing
from such severe duties, when the State possessed many thousands of
persons quite competent to fill the vacancy. His wife said “yes,”
but his conscience said “no.”

Madame de la Varade, who ardently desired to reside in Paris,
sometimes said to her lord,--

“Please to explain, _mon ami_, what society gains by substituting a
la Varade for a Rabauel--for example--to instruct the big thieves
how to draw the little ones to Versailles. Do you imagine that
with your name and fortune you could not render service to your
country in any other way? A pleasant duty, truly, that which you
have chosen. You will exercise your functions for about twenty-five
years, and then, as a reward, you will be made President of the
Court in some out-of-the-way province.”

“As my fathers have done,” replied the husband, “I will do; and,
God willing, I hope my sons will imitate my example.”

The wife shrugged her shoulders; the mother sighed.

Eusebe entered the _cabinet_ of this magistrate, bowed, and waited
the examination.

“Will you, monsieur,” said the magistrate, after some preliminary
formalities, “narrate the circumstances which led to the
_rencontre_ between you and M. de la Soulaye?”

“But first,” replied Eusebe, eagerly, “I am accused of having
inflicted blows and wounds upon my adversary. I desire you to take
note that I did not hurt him at all.”

“That does not signify,” said the magistrate. “It is a mere form.
Come to the facts of the case.”

“Is it possible that you are ignorant of them? These gentlemen say
that they have told you all.”

“No matter: I must needs learn them from you.”

“Well, if you desire it,” rejoined Eusebe. And he then narrated his
story of the quarrel and the duel.

“Sir,” said the magistrate, “it was you who gave the lie.”

“Certainly; and in my place you would have done the same.”

“I am not here to say what I should have done: I am here only to
question you. Was the affair honorably conducted?”

“No.”

“With what do you reproach your adversary?”

“With having lied.”

“That is not the point. I speak of his conduct on the field of
combat. I have nothing to do with the rest.”

“On the field, we were seven in number. My adversary could not have
behaved dishonorably had we been but two. I have an arm equal to
his own. I do not fear him.”

“You are doubtless skilful with the sword?”

“I do not know. Until this affair, I had never held a sword on
guard.”

“Then there is nothing with which you can reproach your adversary?”

“Yes: with having lied.”

“And are you quite sure?”

“Yes, quite sure.”

“Then why did you fight?”

“Indeed, I don’t know. They told me that honor demanded that I
should fight.”

“Then, if they had not represented honor as being so exacting, you
would not have fought?”

“No: I would have told the man that he was an impostor, and that
would have sufficed.”

The frankness of Eusebe evidently made an impression on the
magistrate.

“Monsieur Martin,” said he, “I am a father. Permit me to address
you as a man.”

Eusebe bowed, and the magistrate continued.

“Do you think that an actress cares for those who get themselves
killed in her defence?”

“Yes,” replied the provincial, “when she is honorable and when she
knows she is beloved.”

“And you love this creature?”

“Ah! monsieur, with all my heart!”

“Where and how did you make her acquaintance?”

Eusebe then related how his father had sent him to Paris to study
life, admire civilization, and learn to distinguish the false
from the true. His journey, his arrival, his illusions, his
meeting with Adéonne, his mode of life since then, his grief, his
humiliation,--all,--were told with perfect candor and simplicity.

“My son,” said M. de la Varade, “I know something of human nature,
and I feel sure that you are sincere. Your affair here will not
be followed up. Now it is no longer the judge who speaks: it is
the man. Listen! Up to the present time you have not followed the
injunctions of your father: you are on the wrong road. Are you not
conscious that your present pleasures are entirely factitious and
forced? Have you never thought of the hollowness of such fancied
enjoyments? Are you not ashamed of being absolutely nothing in a
society where each individual has a mission?”

“Yes, indeed,” exclaimed the young man. “I have experienced all the
sensations you describe. But what can I do, powerless as I am to
discover the true path, and with no counsellor to point the way?”

“The true is synonymous with one word, which is the religion of
society: that word is DUTY.”




CHAPTER XLI.


Eusebe, upon quitting the _cabinet_ of the magistrate, rejoined his
two friends, who were glad to learn that the affair of the duel
would be dropped. All three then returned to Paris.

Adéonne fairly wept with joy on seeing Eusebe return. But, while
the cantatrice did not try to conceal her delight, the provincial
seemed abstracted, and paid little attention to this evidence of
affection.

On the following morning, Eusebe arose at an early hour, hastily
completed his toilet, and left the house, much to the astonishment
of Adéonne, who did not venture to interrogate him as to the cause
of his hasty departure.

“He did not close his eyes during the night,” said she to herself,
“and he leaves me at this early hour. What can be the matter with
him, and where is he going?”

Eusebe had taken but a few steps when he returned, as if he had
forgotten something. After embracing his mistress, he said,--

“Adéonne, my sweet queen, do you know what duty is?”

“Certainly I do.”

“Well?”

“My duty,” replied the comédienne, “consists in not being hissed
off the stage, and in being faithful to the man I love,--to you, my
dear Eusebe.”

“Then the duty of a woman is not like that of a man.”

“The same precisely. Your duty is to love me as I love you.”

Eusebe then left the house, and directed his steps towards the
residence of Clamens. When he entered the apartment of the poet, he
found him snoring in a most unpoetical manner.

“My friend,” said Eusebe, “I ask pardon for disturbing you at so
early an hour, but there is an important question I wish to have
answered. Have the goodness to tell me what duty is.”

Daniel opened his eyes with difficulty, stared at his provincial
visitor for a moment, and then responded,--

“As for me, my duty is to get a piece in five acts accepted at the
Théâtre Français.”

So saying, he turned his face to the wall, and was soon snoring as
vigorously as ever. Eusebe departed, and, not long afterwards,
ascended to the attic apartment of Paul Buck, the painter.

“Welcome!” exclaimed the artist, upon the entrance of his
provincial friend. “Happiness has again taken up her abode under
my roof. Gredinette has returned, and I have pardoned her. You
are about to censure me,--to tell me that I have been weak. But
could I do otherwise? My happiness is attached to the ribbons of
her bonnet. Besides, why should not clemency, which is a virtue in
kings, be exercised by artists?”

“Who could blame you for seeking to be happy? Not I, assuredly. My
visit here has quite another purpose.”

“Ah?”

“I wish you to tell me what duty is.”

“Duty is the only thing that Gredinette ignores.”

“Your definition is very vague.”

“Duty! Oh, there are many interpretations of the word.”

“Give me the best.”

“In my opinion, the duty of a man is to smoke his pipe in peace
under the eye of Heaven, and to do no wrong to his neighbor.”

“Thank you,” was the sole response of Eusebe, as he abruptly
quitted his artist friend.

Once more in the street, the poor provincial strolled about, at
the mercy of chance, more embarrassed and perplexed than ever. The
sight of the old store of Lansade, before which he passed, reminded
him of the honest merchant who had assisted him in an emergency of
a more serious character. He decided to go at once to Lansade and
ask his advice. On the way he met the stage-manager of the theatre,
who saluted him politely.

“M. Sainval,” said Eusebe, hurrying towards him, “you can perhaps
save me a long walk.”

“I am at your service.”

“Please explain to me what you understand by duty.”

“That is very easy, M. Martin. My duty is to first please the
director, then the public.”

“Thank you,” said Eusebe; and he continued his walk.

On reaching Viroflay, the young man had great difficulty in
recognizing the house he went to seek. The garden was no longer
there,--the space being filled with boxes and packages. The house,
formerly so white and neat, had become gray, and the walls were
nearly covered by the gigantic letters of a sign, reading as
follows:--

                          F. B. LANSADE,

         Formerly of the Boulevard Saint-Denis, at Paris.

                  DEPOT OF PORCELAIN AND CRYSTAL,

                        THE BEST IN FRANCE.

                     MANUFACTURED FOR EXPORT.

A man, wearing a blue blouse, his brow dropping perspiration,
appeared before the astonished provincial.

“Ah! M. Martin,” he exclaimed, “is this indeed you? I did not
expect to see you again. I thought you had left Paris. I have often
intended to inquire for you, but I am so busy when I go to the city
that I have not a minute to spare.”

“You have then resumed business?” asked Eusebe.

“Oh, no; far from it. I was so fortunate as to acquire enough to
satisfy my modest desires; I live now quite at my ease. Now and
then, ’tis true, I do a little something in the way of trade, just
to kill time.”

“One would suppose to see your house that it had been turned into a
factory.”

“Would you not? But such is by no means the case. I furnish a few
of the merchants in the neighborhood: indeed, I sell almost as much
as I did in Paris. This is the only pastime I have. Formerly I
employed a salesman and a porter; now I am entirely alone. To tell
the truth, I do the work of four; but, you know, it is necessary
for a man to be occupied.”

Without taking any further notice of his visitor, Lansade resumed
his work among the glass and porcelain. After a few moments he
said,--

“_Sans cérémonie_, M. Martin. Of course you remain to breakfast.”

“Thank you,” said Eusebe: “it is absolutely necessary that I should
be at Versailles before noon. I came to ask a favor.”

A sudden change of expression was visible in Lansade’s features,
and it was evident that he felt uncomfortable.

“I should be glad,” continued the young man, “if you would tell me
in what, in your opinion, duty consists.”

“That is very easy, M. Martin,” replied the porcelain-merchant,
his features resuming their usual expression. “Duty consists in
working when one is young, in always honoring one’s signature, and
in giving way to others when one has acquired a sufficiency.”

Eusebe then took leave of the merchant.

“I hope to see you again, M. Martin,” said Lansade. “Come breakfast
with me one of these days. Let it be some Sunday.”

The weather was fine; the shrubbery along the road was in bloom.
Eusebe, who had not seen the country for a long time, felt, in
spite of his preoccupation, the reviving influence of natural
beauty, and resolved to pursue his journey afoot.

“I have done wrong,” said he, “in questioning all these people,
each of whom regards duty from a different point of view. The only
man who can give me any light on the subject is the honorable
magistrate, who kindly pointed out my error in living without an
object.”

An hour afterwards, the young man knocked at the door of M. de la
Varade, who, unfortunately, was absent. A servant conducted the
visitor into the magistrate’s study, and asked him to await the
return of the master of the house.

Eusebe had waited for something more than ten minutes, and,
becoming impatient, was about to retire, when among the books on
the table he observed a dictionary.

“Ah!” thought he, “I was sure that here my expectations would be
realized. Now I shall certainly find what I seek.”

He turned over the leaves of the dictionary, and found,--

“DUTY.--_Subst._ That which conscience, reason, law, or custom
demands that one should do.”

Eusebe dropped the book, with an expression of bitter
disappointment.

“Now,” thought he, “I am more perplexed than ever; since the things
which law and custom oblige one to do are directly contrary to
those dictated by conscience and reason.”

Eusebe was absorbed in reflection, when a young lady, with a
sparkling eye, appeared at the door of the study. It was Madame de
la Varade.

“My husband,” said she, “told me that he would not return until
late in the day. I regret that you have been kept waiting
uselessly.”

“And I, madame, regret having disturbed you.”

“Will you oblige me with your name?”

“Eusebe Martin.”

The wives of magistrates generally know more about any matters of
interest that are transacted at their husbands’ offices than the
_procureur-général_. M. de la Varade had related to his wife the
particulars of the late duel, and imparted to her the curiosity he
felt in regard to the young man who possessed the love of a woman
comparatively celebrated. After a protracted silence, Madame de la
Varade observed,--

“If you are particularly desirous to speak to my husband, and wish
to await his return----”

“No, madame,” interrupted Eusebe, “I have nothing of importance
to say to Monsieur de la Varade. Yesterday he was so kind as to
give me some good advice. But, unfortunately, I did not entirely
comprehend his meaning; and to-day I have come to beg him to define
a word which he said was the religion of society.”

“And what is the word?”

“Duty.”

Madame de la Varade burst into a laugh,--which enabled Eusebe to
note that she had pearly teeth and rosy lips.

“And so, monsieur, it is for this you have come all the way from
Paris?”

“Yes, madame.”

“Well, I can satisfy you.”

“I shall be very grateful for the favor, indeed, madame.”

“You have, doubtless, heard of the ancient Hydra?”

“But,” stammered the provincial, “I thought that was a fabulous
monster.”

“Precisely so:--a vile beast, with seven heads. If one were cut
off, seven others appeared in its stead. Monsieur, duty is a moral
monster. While you may accomplish one, seven others will rise to
demand your attention.”




CHAPTER XLII.


One morning, about a month after his visit to Versailles, Eusebe,
with an enormous bouquet in his hand, entered the boudoir of
Adéonne.

“Why do you bring these flowers?” inquired the comédienne. “This is
not my birthday, if I remember rightly.”

“No,” responded the young man: “it is only the birthday of the
bouquet.”

“It is one of those days on which both flowers and compliments are
of bad augury. I will wager that these camellias conceal some bad
news.”

“That is true.”

“The nature of it?”

“I hardly know how to inform you.”

“You are about to be married: is it not so?”

“Yes. Who could have told you?”

“I have known it for more than two weeks. I found a letter from
your father in the pocket of your coat. You need not attempt to
excuse yourself. I know all you could say.”

“I shall not attempt to justify myself,” replied Eusebe, affecting
a tranquillity of mind which he was far from possessing. “I take a
wife because a man must discharge the duties he owes to society.”

“You see, my dear Eusebe,” continued the actress, “we are thought
to be hardened, to have no heart,--we women of the theatre. Nothing
could be further from the truth. I loved you because I thought you
a man of sense and of courage. How grossly I was deceived! You are
a fool and a coward!”

“Adéonne!”

“Do not become excited: you see that I am perfectly calm. I repeat
that you are both a fool and a coward. The first duty of a man
is to live for the woman whom he loves and who loves him. The
characteristic of a man of intelligence is to prefer that happiness
he knows to that which is untried. Of what importance is it to me
that you are going to be married, since you love me no longer? I
should only ask time to avenge myself, if I did not love you still.
It is a great misfortune for me; for my love will kill me, if I
cannot succeed in crushing it, which would be little better than
death itself.”

“Do you desire me to break off this marriage?” demanded Eusebe.
“There is yet time.”

“No, Eusebe. If you were to revoke your promise, I could not recall
my illusions.”




CHAPTER XLIII.


“M.----

“Monsieur and Madame Bonnaud, _rentiers_, have the honor to
notify you of the marriage of their daughter, Mademoiselle Louise
Clementine Bonnaud, with Monsieur Eusebe Martin.

“The nuptial benediction will be pronounced on the 27th instant, at
eleven o’clock in the morning, in the Church of Marly-le-Roi.”

This notice was addressed to Adéonne by Bonnaud, who, like a
prudent father, wished to advise the cantatrice of the approaching
nuptials, in case Eusebe had failed to do so, and thereby prevent
the occurrence of an unpleasant scene at Marly-le-Roi. After having
read the note, Adéonne said to Marie Bachu, who had come to console
her,--

“If Heaven did not appear to favor me so little, I would have a
mass said for my happiness, which on that day will be buried.”

“Mine was long since entombed, and I am not yet dead,” was the
response of Marie.




CHAPTER XLIV.


On the eve of the day fixed for the marriage, Monsieur, Madame, and
Mademoiselle Bonnaud, with their friends, Eusebe Martin, assisted
by Lansade and Monsieur de la Varade, went to sign, in the official
presence of Monflor, the notary, two important documents. The first
was a contract of marriage; the second was a deed of partnership
between Eusebe Martin and Isidore Boncain, manufacturer of
chemicals, and successor of Bonnaud. Isidore Boncain brought to the
firm of E. Martin & Co. his commercial information and experience.
Eusebe brought the money which constituted the dowry of his wife.

The notary read the two documents in a loud tone. Then Eusebe arose
and said, “Will you add that I also bring into the partnership the
sum of forty-eight thousand francs, which I now deposit in your
hands?”

Bonnaud and Lansade uttered an exclamation which could not be
rendered by any known assemblage of letters.

“What!” exclaimed the first: “the actress has, then, restored your
money?”

“Read!” said Eusebe, offering the astonished merchants a letter,
the contents of which they immediately began to devour. The epistle
ran as follows:--

  “Eusebe:--You desired to purchase me; but I did not sell myself.
  I send you the forty-eight notes which you placed in my hands.
  I deposited the money at my banker’s. The interest has sufficed
  to defray your expenses. Allow me to retain the leather belt in
  which you used to carry the money, for my commissions. You will
  not return to your chestnut woods, and nowhere else could you
  have further use for this rustic purse.

                          “Adieu, Eusebe,

                                                     “ADÉONNE.”

“Insolent creature!” muttered Bonnaud, and, turning to the notary,
he added, in a whisper, “Will you put in an additional clause, to
the effect that, in case of the decease of one of the parties, if
there be no children born of their union, all the property shall go
to the survivor?”




CHAPTER XLV.


When all the honest _bourgeois_ friends of Bonnaud and Lansade had
satisfied their appetites, they did not leave the table, but began
to drink, and, as they drank, they sang. It was Bonnaud himself,
the father of the bride, who commenced: the guests joined in the
chorus. Take ten men of the world, accustomed to every variety of
debauch, give them the means to indulge in the most fearful orgies,
and at the moment when the riot and revel are at their height call
them to the window to see a newly-married couple pass from church.
Then you will behold a novel and curious spectacle. The orgies will
cease; the ribald song will be hushed. The happy couple will pass,
and the innocent laugh of their friends will alone disturb the
silence of the hour. These revellers are suddenly reminded of their
sisters, of their mothers, and of the days of their youth, blighted
and darkened by vice and debauchery. Well, for marriage--this
solemn and formidable sacrament,--this act, horrible, or sublime,
which rivets forever two beings to a chain, of which each broken
link is a grief or a shame--the _bourgeois_ have not the least
respect. They await the moment when the priest shall have finished,
to break forth in silly songs or idle jests.




CHAPTER XLVI.


Great sorrows only encroach upon one’s life little by little, and
Heaven has given to the man who must experience such trials the
strength to support them. In the presence of a great misfortune,
nature seems to harden itself; it bends or breaks only under the
petty miseries of existence.

On the day after his marriage, Eusebe began to realize the depth
of his love for Adéonne. He felt that the simple pronunciation of
the sacramental words by a man in priestly robes did not suffice to
destroy the greatest of human weaknesses,--habit. By nature mild
and honest, the son of the skeptic Martin did not seek to deceive
himself. He saw the magnitude of his misfortune, and determined to
bear it with resignation. Daily and nightly comparisons between the
objects by which he was then surrounded, and those to which he had
been accustomed, destroyed his tranquillity of mind and heart. The
modest coldness of Clementine’s manner contrasted painfully with
the passionate enthusiasm of Adéonne. The sober simplicity of his
wife had no charm for him like the warm sympathy of the actress.
The interior of the chemical factory gave him the vertigo. He never
touched the books in the counting-house without fear and disgust.
He regretted the pleasures of the past, and suffered continually
from _ennui_ and gloom.




CHAPTER XLVII.


One morning, an irresistible impulse drove Eusebe to visit Adéonne.

“Jenny,” said he, on entering the house, “where is madame?”

“Madame is dead,” replied the girl, beginning to weep.

Eusebe threw himself on a divan, and for two hours patiently waited
an effusion of his grief in tears. His heart beat violently, and
his throat seemed parched; but no tears came to his relief. Jenny
had at first regarded Eusebe with anger, for his desertion had
caused her mistress’s untimely end. But the depth of his sorrow
touched her pity.

“Monsieur,” said the girl, producing a small steel casket, “I was
about to write you, in order to fulfil the last wishes of my poor
mistress. She said to me, ‘One week after my death, take this to
Eusebe.’ Here it is, monsieur: here it is.” And the girl sobbed
more bitterly than ever.

Eusebe took the casket, looked at it fixedly for a moment, and
then opened it with a key he found behind the frame of Adéonne’s
portrait. In the box there was a letter. Eusebe broke the seal with
a trembling hand, and read:--

  “MY DEAR EUSEBE:--

  “When you read this ugly letter, I shall be dead; my love for you
  will have killed me. Weep for me, but do not pity me. I prefer
  to die of this love than from any other cause. I feel myself
  gradually sinking, yet I experience a certain joy in thinking
  that it is for you I am about to part with life. If you only knew
  how good it is to love so wildly and so faithfully! Marie Bachu
  has endeavored to console me with her pity and her reasoning: how
  foolish!

  “What follows, my dear Eusebe, I wish you to regard as my
  last will and testament. I bequeath to you my ring, set with
  turquoise and brilliants; it was the first article I purchased
  with money I had earned. You will find in one of my drawers my
  other jewels, in little packets, with names written upon them.
  These are _souvenirs_ for my companions of the theatre. You will
  give my watch and chain to Madame Marignan, my dresser, and pay
  forty-two francs that I owe to Adolphe, the _coiffeur_. You will
  wear mourning for me for at least a month, will you not, my
  dear Eusebe? you can say at home that you have lost a cousin. I
  have seen your wife: she is beautiful, but her beauty will not
  remind you of Adéonne. Give all my dresses and linen to Jenny,
  my maid, and, also, two thousand francs, upon condition that she
  marry her lover. When you have done all this, and sold all my
  furniture, you will have about fifteen thousand francs. Go to
  Strasburg and seek out a turner in wood, named Antoine Krutger.
  If you find him, ask him if he was not a sutler in a regiment of
  chasseurs, at Saumur, twenty-two years ago. If he should reply
  in the affirmative, give him all the money. He is my father,--a
  respectable man, who would have despised me, if he had known how
  I was living. If he be dead, give the money to his children.
  Are they not my brothers and sisters? And now, my dear Eusebe,
  farewell forever. I have loved you,--oh, I cannot tell you how I
  have loved you; and I embrace you now as I embraced you the day
  you wished to purchase me. Farewell forever!

                                                        “ADÉONNE.

  “P.S.--I ask pardon for the trouble I give you; I am yours for
  life, but that will not be long.”

Eusebe sobbed and moaned. After having read and reread Adéonne’s
letter, he summoned Jenny.

“Jenny,” said he, “madame has not forgotten you: she has left you a
dowry.”

“How, monsieur? Then I can return to my native town. Ah! monsieur,
poor madame was so good.”

“From what town are you?” inquired Eusebe.

“From Strasburg.”

“Did madame know you were from Strasburg?”

“No, monsieur. In Paris, Alsatians have difficulty in procuring
places. Upon coming here, I said I was from Nancy.”

“Did you ever hear of a turner named Antoine Krutger?”

“Antoine Krutger!” exclaimed the girl. “Did you know him? He was my
father.”

“Was he ever attached to the army?”

“Oh, yes, monsieur: he served in the cavalry at Saumur. If he had
lived, I should have been better off than I am.”

“My girl,” said Eusebe, after a pause, “all that is here belongs
to you. Madame has made you her sole legatee.”

“Ah, monsieur!” exclaimed Jenny, weeping with joy and sorrow, “I
am very happy and very unhappy at the same time. I had no need of
this to make me love madame like a sister.”




CHAPTER XLVIII.


Eusebe, oppressed with grief, returned home a prey to a violent
fever. Notwithstanding his efforts to conceal his suffering, he was
forced to take to his bed, where he remained for a month, almost
without consciousness. When he recovered his senses, he found Paul
Buck and Gredinette at his bedside. Eusebe asked for his wife:
they told him that she had gone to attend a dying sister. Some
days afterwards, Eusebe, being convalescent, walked in the garden,
leaning on the arm of Gredinette.

“Eusebe,” said the young woman, stopping suddenly, “since you
must learn the truth sooner or later, I prefer relieving my mind
by telling you at once. Prepare yourself to hear of a great
misfortune.”

“Speak!” said Eusebe: “I could not be more unhappy than I am.”

After much hesitation and circumlocution, Gredinette informed
Eusebe that his wife had eloped with Isidore Boncain, and that the
guilty couple had carried away with them the money of the firm.

Eusebe made no response, nor did his countenance betray any inward
emotion.

“He takes it better than I thought he would,” said Gredinette, in
the evening, to Paul.

By degrees, Eusebe was restored to health. One morning he said to
his two friends,--

“I am about to bid you farewell. I am going to return to La
Capelette, which I should never have quitted. I shall say good-bye
to my father-in-law, and set out this very evening. Thanks for all
your kind friendship: I shall never forget it. If, some day, weary
of life, you should desire to taste the sweets of repose, come to
my home, and I will love you as you have loved me.”

“Do not go to see Bonnaud,” said Paul: “the distracted father
accuses you of being the cause of his daughter’s fault.”

“Accuses me!”

“Yes. He pretends that this elopement is one of the results of
your _liaison_ with Adéonne. Nor would I advise you to trouble
yourself any more about Madame de la Varade. She is absorbed in
the preaching of a missionary who is creating a sensation at
Versailles.”

“A missionary? What is that?”

“Missionaries, my friend,” replied Paul, seriously, “are men, or
rather children of God, who traverse the seas, and encounter a
thousand perils, to bear to benighted savages the word of God and
civilization. The priest of whom I speak has been crucified, and
has been six times in danger of being eaten.”

“I will go to see him,” said Eusebe; and he departed.

Father Vernier belonged to the Congregation of Lazaristes of Turin.
He was an old man, with a snowy beard and a bronzed complexion. His
black eyes were full of courage and good nature. He received Eusebe
kindly.

“What do you desire, my son?” he inquired.

“Father,” replied the young man, “I am weary of struggling with the
contradictions and troubles of life. The more I seek truth, the
more deeply do I become involved in doubt. To-day I come to you,
like the wounded bird flying for rest to the branch of an aged oak.
In the name of Heaven, tell me where to find the true, and where
the false is hidden.”

“Monsieur,” said the priest, dryly, “I have devoted my life
to the service of the Lord. I have traversed the wilderness to
teach His word to the heathen. I owe my support to the humble
and the suffering, to whom I am devoted. I have neither time nor
inclination to enter into philosophic speculations.”

The same evening, Eusebe departed for the home of his childhood.
Not finding at Limoges any vehicle to convey him to La Capelette,
he determined to perform the rest of the journey on foot. He had
proceeded scarcely half the distance, when a violent storm arose
and forced him to seek shelter in a wayside inn. While the landlady
was preparing his supper, he picked up, mechanically, a greasy
volume which was lying on the table, and read. After he had eaten,
he retired to his chamber, where he passed the night in reading
the same book. At dawn he arose and tendered a golden louis to the
landlord for the privilege of carrying away the volume in which he
was so deeply interested. When once more on the road, Eusebe said,--

“Why have I gone so far and exposed myself to so much sorrow in the
search of truth, when it was at my very door?”

The volume contained the various books of the New Testament.

“I was wrong to let the gentleman carry away the book,” said the
innkeeper to his wife.

“Bah! it cost only twelve sous,” she replied.

“And suppose it did: would he have given us twenty francs for it,
if it had not been worth more?”

On reaching the great gate of his father’s house, Eusebe knocked.

“Ah! The good Lord be praised, Monsieur Eusebe,” exclaimed Katy,
who soon appeared, “here you are at last. Hurry up to your father’s
chamber: he so wishes to see you before he dies.”

Eusebe ascended quickly to his father’s chamber.

“Do I behold you at last, my son?” said M. Martin, gasping. “Have
you attained your object? Tell me, if you can, before I die, where
is the false; where is the true?”

“_Father_,” replied Eusebe, “_the false is on earth; the true is in
heaven!_”

“You are perhaps right,” said the dying man; “and if the Abbé
Jaucourt were not dead, and there were yet time, I would invite him
to my bedside.”

“Father,” rejoined the young man, “the preachers of the word of
God never die. They have no need to marry to reproduce themselves.
Religion is a prolific mother. For one of her children who dies,
ten are born.”

“You may be right, my son,” murmured Martin, in a tone that was
scarcely audible; “but I do not wish to see the Abbé Faye: he has
such red hair!” And so he breathed his last sigh.

“Father! father!” cried Eusebe, not yet aware that his parent was
dead, “believe me, _there is nothing true but the greatness of
God_!”

“And,” cried the Abbé Faye, who at that moment thrust his red head
in at the door,

                         “HUMAN FOLLIES!”


                  STEREOTYPED BY L. JOHNSON & CO.
                           PHILADELPHIA.




Transcriber’s Notes


Quotation marks missed by the printer have been restored.

Period spellings were retained.

“hand” changed to “hard” on page 166. (It is hard to die)

“renowed” changed to “renowned” on page 172. (a renowned maître
d’armes)







*** END OF THE PROJECT GUTENBERG EBOOK HUMAN FOLLIES (LA BÊTISE HUMAINE.) ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.