Title: The open sea
Author: Edgar Lee Masters
Release date: August 12, 2016 [eBook #52786]
Most recently updated: October 23, 2024
Language: English
Credits: Produced by Chuck Greif, Bryan Ness and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)
THE OPEN SEA
By
EDGAR LEE MASTERS
By
EDGAR LEE MASTERS
New York
THE MACMILLAN COMPANY
1921
All rights reserved
PRINTED IN THE UNITED STATES OF AMERICA
Copyright, 1921,
By THE MACMILLAN COMPANY.
Set up and electrotyped. Published November, 1921.
Press of
J. J. Little & Ives Company
New York, U. S. A.
BRUTUS AND ANTONY
Part I
(Lucilius Talks at a Feast Given to Aristocrates in Rome)
B.C. 20
(Lionard Digges is speaking)
(Danton and Robespierre leave the room together.)
“Any people anywhere being inclined and having the power have the right to rise up and shake off the existing government and form a new one that suits them better. This is a most valuable, a sacred right. A right which we hope and believe is to liberate the world. Nor is this right confined to cases in which the whole people of an existing government may choose to exercise it. Any portion of such people that can, may revolutionize, and may make their own of so much of the territory as they inhabit. More than this, a majority of any portion of such people may revolutionize, putting down a minority, intermingled with, or near about them, who may oppose their movement. Such minority was precisely the case of the Tories of our own revolution. It is a quality of revolutions not to go by old lines, or old laws, but to break up both and make new ones.”{64}
Lincoln is sitting absorbed in thought in an office of the executive mansion, where he has been in consultation with his cabinet. A telegraph instrument has ceased to click, but the wires are droning. Lincoln suddenly falls into a sleep, at once profound and trance-like. In the vision members of his cabinet and secretaries move in and out of the room.
The vision grows confused. Lincoln seems to himself to attempt to arise from the chair but is unable{87} to do so. The scene whirls about like drifting mist, struck by a sudden current of air, in which there are lights and faces. Voices are mingled together indistinguishably and then fade away. There is a silence. Out of the confusion two figures emerge, one bright, the other shadowy. Both are images of Lincoln. They become seated in a boat which is moving with great rapidity. The only sound is the droning of the telegraph.
(He knocks on the cliff. The vision grows cloudy.)
(They leave the heights and descend, approaching a mysterious place where heaven and earth are connected by gates.)
(They pass through the gates into a meadow.)
(Voices from the thrones.)
(Many souls are crowded into the meadow. A figure takes from the lap of Lachesis lots and scatters them.)
(The Furies enter.)
(The two phantoms become one.)
(The Image Passes.)
(A sound of cannon. Lincoln awakes. The Secretary of War enters.)
(November 23rd, 1864.)
“The will of God prevails. In great contests each party claims to act in accordance with the will of God. Both may be, and one must be wrong. God cannot be for and against the same thing at the same time. In the present Civil War it is quite possible that God’s purpose is something different from the purpose of either party; and yet the human instrumentalities, working just as they do, are of the best adoption to effect his purpose. I am almost ready to say that this is probably true; that God wills this contest, and wills that it shall not end yet. By his mere great power on the minds of the now contestants he could have either saved or destroyed the Union without a human contest. Yet the contest began. And having begun he could give the final victory to either side any day. Yet the contest proceeds.”{118}
(New York, November 23rd, 1864.) John Wilkes Booth is speaking behind the scenes to his brother.
(Alexander Stephens hears news.)
(Liberty Hall, April 9th, 1865.)
The orchestra starts up; the audience sings:
(He goes out.)
(They go out.)
(Passing the doorkeeper without a ticket.)
(He goes into the theatre.)
(They drive on.)
(Laura Keene as “Florence Trenchard”; John Dyatt as “Dundreary” in dialogue in Tom Taylor’s “American Cousin.”)
(Lincoln, Mrs. Lincoln and party enter the box.)
(Making a profound courtesy to Lincoln.)
(The audience breaks into great applause. The band plays “Hail to the Chief.” Lincoln bows to the audience.)
(He rushes off. Great confusion.){151}
(Lieutenant Baker, and a squad, including Boston Corbett.)
(He points a carbine through a crack and fires at Booth. Booth leaps and falls. The soldiers go in and bring him out on the lawn.)
(One warden to another.)
(Asylum for the insane, Kansas, 1885.)
(Mark, Chapter VI.)
(Paul is brought in.)
THE END