The Project Gutenberg eBook of The Southern Literary Messenger, Vol. I., No. 5, January, 1835

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Southern Literary Messenger, Vol. I., No. 5, January, 1835

Author: Various

Editor: James E. Heath

Release date: January 11, 2017 [eBook #53943]

Language: English

Credits: Produced by Ron Swanson

*** START OF THE PROJECT GUTENBERG EBOOK THE SOUTHERN LITERARY MESSENGER, VOL. I., NO. 5, JANUARY, 1835 ***

THE

SOUTHERN LITERARY MESSENGER:

DEVOTED TO

EVERY DEPARTMENT OF LITERATURE

AND

THE FINE ARTS.

Au gré de nos desirs bien plus qu'au gré des vents.

Crebillon's Electre.

As we will, and not as the winds will.

RICHMOND:

T. W. WHITE, PUBLISHER AND PROPRIETOR.

1834-5.

CONTENTS OF VOLUME I, NUMBER 5

SKETCHES OF THE HISTORY and Present Condition of Tripoli, with some accounts of the other Barbary States (No. III): by R. G.

IMPROMPTU, on seeing that the Publisher of the Messenger had changed the color of its covers: by P. Q.

STANZAS

THE SYBIL'S LEAF

TO MY WIFE: by Hanover

THE KISS: by P. H.

LOVE—MUTUAL BUT HOPELESS

TO DESPAIR

Untitled poem

THERE'S NAE LADDIE COMING: by the Ettrick Shepherd

REMARKS ON THE REVIEW OF GOVERNOR TAZEWELL'S REPORT: by a reader

THE DARGLE

PHRENOLOGICAL EXAMINATIONS

SONG OF THE IRISH PEASANT WIFE: by Mrs. Norton

A GLIMPSE AT BASIL HALL: by H. T. T.

THE PASSAGE OF THE BERESINA: by Alpha

PARODY: by the Hon.Warren R. Davis

BEAUTY WITHOUT LOVELINESS

HAPPY LOVE

SORROWS OF LOVE

EXTEMPORAL LINES

MRS. WOOD'S MANUSCRIPT POEMS

RETROSPECTION

THE CAPTIVE BIRD

THE BELLE DU JOUR, OR CONVOLVULUS MINOR

EVENTIDE

SMILING AUTUMN

STUDY OF THE LATIN AND GREEK CLASSICS

MEMORY—AN ALLEGORY: by Alpha

THE CREATION OF THE ANTELOPE: by a cousin of E. D.

LETTERS FROM NEW ENGLAND—NO. 3: by a Virginian

AMERICAN LITERATURE—ITS IMPEDIMENTS: by H. J. G.

THE INDIAN MOTHER: by Mrs. Jamieson

NOTE TO BLACKSTONE'S COMMENTARIES, Vol. I. Page 423

NAPOLEON'S GRAVE: by R. H. Wilde

A SONG OF THE SEASONS: by Zarry Zyle

LETTERS FROM A SISTER

THE DOOM: by Benedict

THE CHANGES OF NATURE

ORIGINAL LITERARY NOTICES

THE LAST DAYS OF POMPEII: by the author of Pelham, &c.

Excerpt

THE LAST NIGHT OF POMPEII versus THE LAST DAYS OF POMPEII: by Mr. Sumner Fairfield

VISITS AND SKETCHES, at Home and Abroad: by Mrs. Jamieson

POEMS: by William Cullen Bryant

LITTELL'S MUSEUM of Foreign Literature, Science and Arts

NEW PAPER

DANDYISM: by Oliver Oldschool

VARIETY

A SONG: by E. A. S.

EDITORIAL REMARKS

VIRGINIA HISTORICAL AND PHILOSOPHICAL SOCIETY

EXTRACTS FROM THE LETTERS OF CORRESPONDENTS

SOUTHERN LITERARY MESSENGER.

VOL. I.]                    RICHMOND, JANUARY 1835.                    [NO. 5.

T. W. WHITE, PRINTER AND PROPRIETOR.        FIVE DOLLARS PER ANNUM.

For the Southern Literary Messenger.

SKETCHES OF THE HISTORY

And Present Condition of Tripoli, with some accounts of the other Barbary States.

No. III.

From 1798 to 1803, William Eaton, formerly a captain in the army of the United States, was their consul^1 in Tunis. As the character of this remarkable man will be best illustrated by the account of his proceedings in Barbary, it will be sufficient to premise that he had, before his mission to that country, given proofs of more than ordinary courage and capacity, and that the utmost confidence was placed in his honor and integrity by those who possessed the means of forming an opinion with regard to him. These are admirable qualities for a diplomatic agent; on the other hand, he was irritable and cynical, and was considered eccentric by persons who were unable to comprehend his views or his plans. Ever open and liberal himself, he could not easily conceal his contempt for those in whom he discovered signs of duplicity or meanness; and his irrepressible frankness on such occasions, was not calculated to render him an object of favor with a government which reprobated treachery only when it was unsuccessful.

1 The consuls residing in the Barbary States, are considered as the representatives of their several governments, and are essentially diplomatic agents; although they are not so termed, out of respect for the Porte.

The Bey Hamouda, to whom Eaton was accredited, was a man vastly superior to the generality of Barbary sovereigns; though free from none of the vices which appear to have fixed their seat in that portion of the earth, he was yet by no means their slave, being neither a brutal ruffian nor a luxurious sybarite. His passions, though violent, seldom obscured his observation, or led him to the commission of imprudences or wanton cruelties; and it was only by means of sagacity, energy and laboriousness such as he possessed, that the throne of Tunis could have been held by one man for thirty-two stormy years (1782 to 1815).

The intercourse between these two shrewd and fiery spirits, was a continued series of discussions and struggles, of attempted encroachments on the part of the Bey, and of obstinate resistance on that of Eaton. The African Prince soon perceived that the American was of a different stamp from the consuls to whom he had been hitherto accustomed, and whom he regarded in general as mere intriguers, or instruments for the conveyance of flattery and presents; and Eaton, although he could not like or respect the Bey, yet seems to have excepted him from the anathema of contempt in which he involved all other inhabitants of Barbary. In the accounts of their interviews, we see Hamouda ever anxious to secure advantages, yet at times displaying something like a feeling of national pride; Eaton placing the honor of his country as the first consideration, yet mindful of its smallest interests when they could be reconciled with this primary object: the Bey endeavoring to inveigle or surprise the American consul into a promise of his influence to obtain some future concession from his government; Eaton carefully avoiding, or boldly refusing the slightest encouragement to such expectations, well knowing that it would be construed and afterwards quoted as a definite or a partial engagement. These accounts are indeed only to be found in the despatches of Eaton. But independently of the character of the writer, his details bear every mark of truth, and together present one of the most original and interesting specimens of negotiation to be found in the annals of diplomacy. The strength and the weakness of these anomalous governments are there clearly exposed; and after the demonstrations thus given, it would have been unpardonable in the Americans to have longer persisted in the submissive course which they had been induced to adopt.

Eaton's first business was to have amendments made in a treaty which had been concluded between the United States and Tunis, through the agency of a Frenchman named Famin; this was effected, after a display of great ingenuity on both sides, and some mutual concessions. Then came the arrangement of the presents from the American government, which the Bey attempted to raise far beyond the amount agreed on, hinting that war might be the consequence of refusal. It was on this occasion that Eaton commenced his solicitations for the despatch of an American squadron to the Mediterranean—"Send the stipulated presents," said he, "but accompany them by a respectable force, and let them be tendered under our guns; if then refused, the obligation is at an end; delay, and we shall soon be obliged to redeem our citizens from slavery." No ship of war appearing to support the resistance of the American consul, the Bey increased his demands, requiring at one time a frigate, and afterwards ten thousand stand of arms. At length the appearance of Dale's squadron (1801) induced him to lower his tone and to suspend his exactions.

The war between the United States and Tripoli soon occasioned new difficulties, in the course of which the Bey showed himself well acquainted with the received principles of national law; and unfortunately the manner in which the operations of the American squadron were conducted, gave him the advantage in the argument. Tripoli had been declared in a state of blockade; yet months elapsed during which no ship appeared on the coast to enforce it; indeed the frigates (of which, with the exception of the schooner Enterprize, the American squadron was entirely composed,) were nearly useless for that purpose; the shallowness of the water enabling lighter vessels to leave or enter the port, by running some distance close to the shore. Eaton was unceasing in his solicitations to his government, and to the officers of the squadron, for the pursuance of more energetic measures; but his government adhered to its system of caution, and the naval commanders appear to have been affected with that jealousy or distrust which always exists in the minds of such officers with regard to the representatives of their nation abroad, particularly towards those who are termed consuls. They received his recommendations with hauteur, and treated them with neglect; and on one or two occasions only could he obtain their co-operation.

The Bey seeing this, demanded passports for his vessels to carry grain to Tripoli, which they had been in the habit of supplying with that article. Eaton refused, alleging that it would be an infringement of the blockade. The Bey replied that no blockade existed de facto; and a series of discussions ensued, in which we see the Barbary Prince insisting on an observance of the rules of national law, and the American representative agent upholding a paper blockade.

The difficulties between Eaton and the Bey were much increased by the intrigues of the Tunisian ministers and officers; particularly by those of Sidi Yusuf, the Seid-e-Tapa, or Keeper of the Seal, commonly called the Sapatapa, a wretch who by the most infamous practices had amassed an immense fortune, and raised himself from the condition of a Georgian slave to the highest place in the ministry. To their ceaseless importunities for presents Eaton at first yielded; but finding that compliance only rendered them more frequent, and that the requests put on the form of exactions, he at length plainly refused, frequently clothing his denial in a sarcastic dress, or accompanying it by observations which no interpreter could soften into compliments. Indeed, on several occasions, when the inferior agents were insolent, he did not scruple to lay his cane over their shoulders; and even Famin the Frenchman, who had been the representative of his government in the negotiation of the treaty, felt the weight of his arm. These circumstances rendered him obnoxious to the whole Tunisian government, and every attempt was made to get rid of him, in order to obtain another consul who might be of more pliable stuff. Intimidate him they could not, but they succeeded fully in disgusting him.

Circumstances at length occurred which revived his hopes of seeing the honor of his country vindicated, and its relations with the Barbary powers established on a fair and firm basis. It has been stated that Hamet, the exiled Prince of Tripoli, had sought refuge in Tunis from the persecutions of his brother; he was there received and supported by the Bey, partly from compassion, but principally from political motives, as he might thus be employed to keep Yusuf in check. In the summer of 1801, it was suggested to Eaton by the ex-consul Cathcart, that the restoration of Hamet to the throne of Tripoli might in all probability be easily effected through the assistance of the United States, and that it would prove highly advantageous to American interests. Eaton at first paid but little attention to the suggestion; but afterwards having obtained information from Tripoli on which he could rely, that the Pasha was very unpopular, and his subjects ripe for revolt, he became acquainted with the Prince, and gradually communicated to him his views. He proposed that Hamet should proceed to Tripoli with the whole American squadron, and be there presented to the people as their rightful sovereign; if accepted, peace was to be made, on terms of which the principal were stated, one of them being the delivery of Yusuf to the Americans; if the inhabitants should however refuse to receive him, the war was to be prosecuted with vigor to a conclusion.

Hamet at first appeared to enter into the plan, and communicated information from which its success appeared still more probable; but his natural irresolution soon returned, and innumerable difficulties presented themselves to his imagination. The most serious ground of objection taken by him was, that his family were still retained as hostages in Tripoli, and the ruthlessness of his brother's character rendered it highly probable that he might exercise towards them any degree of violence, when prompted either by interest or revenge. To this, Eaton opposed the consideration, that the appearance of an overwhelming force, with the country too in arms against Yusuf, would impress upon him the inutility of resistance, and oblige him to enter into some arrangement for the release of Hamet's family, and the surrender of the throne. The exiled Prince would however make no promises, until he had been assured of the assistance of the American force, which Eaton immediately endeavored to obtain; but neither his instructions, nor those of the commander of the squadron, would warrant such proceedings; and indeed, as the proposition came from Eaton, it was of course reprobated and pronounced visionary by the latter. The consul therefore wrote to his government, detailing his plan, and urging its attention; and his health being much enfeebled, he determined to await an answer in Italy, for which country he sailed in December, 1801.

These projects could not be devised so secretly as to escape the vigilance of the Tunisian government; and they were soon communicated to Yusuf, by one of its ministers whom he kept in pay. They created in him the utmost alarm. He had just then involved himself also in a war with Sweden, and a fleet from that country had already entered the Mediterranean under Admiral Cederstrom, who had orders to act in concert with the Americans. His two largest vessels were lying useless at Gibraltar; and Morat Rais, without whom he could do little towards equipping others, was also at that place closely watched by his enemies.

In this state of things, he endeavored to amuse the Americans with propositions of peace; and the sovereigns of Algiers and Tunis being in consequence engaged by him as mediators, sounded the consuls of the United States at their respective courts, as to the dispositions of their government. Nothing definite could be drawn from either: they merely hinted what they hoped and believed, that nothing would be paid, either for peace or as tribute; and the mediators were not disposed to continue their good offices on such grounds. The Emperor of Morocco also undertook to load the ships lying at Gibraltar with wheat, and to procure for them, as his own property, American passports for Tripoli. These were however refused by the consul of the United States at Tangiers, and by the commander of their squadron; at which the Emperor was so much incensed, that he ordered the American consul to quit his dominions, and commenced hostilities against their commerce. Morat Rais, the Scotch renegade, was however conveyed on board a British ship of war to Malta, whence he easily passed over to Tripoli, much to the disappointment of Eaton, who considered him as the chief exciter of the difficulties, and as the only person in the Pasha's service at all acquainted with naval affairs. But very little advantage was derived from his skill; worthy Peter had indeed found it much easier to profit by the licenses of his new creed, than to submit to its restrictions, and some of his old propensities had probably been revived during his residence at Gibraltar; for after his return to Tripoli, he remained some time in a constant state of intoxication.

Yusuf still carried on his preparations for defence with great energy. Moors and Arabs were called in and enrolled, some principal persons from each village or tribe being kept as hostages in the castle. The Swedish and American prisoners were employed in repairing the fortifications, making gun carriages, &c.; and as no vessels could be built in Tripoli, some were purchased and prepared for use as cruisers.

But he had another object in view, of still greater importance; which was to get Hamet again in his power. In this the Bey of Tunis consented, it is said reluctantly, to aid him. Hamouda had no objection to see the Pasha of Tripoli in an embarrassed state, or indeed to have Hamet placed on the throne; but he was little inclined to favor the pretensions of the latter on the score of legitimacy, he himself being a usurper, and the heir to the throne of Tunis by regular descent, being a prisoner in his castle; he also apprehended that the success of Eaton's plan would encourage other christian powers to interfere in the concerns of Barbary. It was therefore proposed to Hamet to return to the government of Derne, which with his family, Yusuf offered to restore to him; and the proposition was accompanied by a hint that he would receive no farther supplies in case he remained in Tunis. The poor Prince thus driven to extremities was obliged to yield; a Russian vessel was in consequence engaged to convey him to Derne, and he was to be escorted by a guard of honor consisting of forty Tripoline soldiers, who had been sent to Tunis for the purpose.

Had these arrangements proceeded much farther, there can be little doubt as to what would have been the fate of Hamet; but information of them was conveyed to Eaton by the Sapatapa, whose services he had engaged before leaving Tunis. He was then at Leghorn, awaiting the determination of his government; no answer to his communication with regard to the restoration of Hamet had arrived, but he had just received a letter from the Secretary of State which authorized him to suppose that his plan would be favorably received. Therefore considering that the present circumstances were too important to permit delay, he hastily purchased and manned a vessel of fourteen guns, called the Gloria, and sailed in her for Tunis, where he arrived on the 18th of March, 1802. The Bey instantly demanded of him a passport for Hamet and his suite, who were on the point of departure. This he of course refused. Hamouda became outrageous, threatened to imprison him, and to declare war against the United States; but threats only suggested new resources to this energetic man, and his determination was soon taken. In order to secure himself however, he called a consultation of the principal Americans then in Tunis who having approved his measures, the Gloria was despatched with letters, to be delivered to the commander of the first American ship of war which could be met with, communicating the state of the affair, and requesting assistance to prevent the Prince from entering the Tripoline territory. The frigate Boston was luckily soon found; her commander, O'Neill, readily agreed to what was requested, and having commissioned the Gloria as an United States ship, to act against Tripoli, he sailed for the coast of Derne, in order to intercept the vessel carrying Hamet. The Gloria returned in a few days to Tunis. In the meantime Eaton had, by a promise of ten thousand dollars to the Sapatapa, to be given in case of the success of his plans, opened a communication with the Tripoline Prince, whom he was not permitted to see. Every means was used to operate on his hopes, his fears, and even his superstitious feelings. The prospects of his restoration by the aid of the United States, were contrasted with the danger, nay the certainty, of death, to which he exposed himself, by confiding in his cruel and perfidious brother; the prophecies of a Marabout, respecting his being replaced on the throne of Tripoli, by a people from the setting sun, were gravely and ingeniously repeated; and when all these representations had proved ineffectual, he was plainly assured that he would not be allowed to reach Derne, but that he would be attacked on his passage by the American squadron, and treated if taken, as a Tripoline enemy. The miserable exile had no other resource than to throw himself on the protection of the American consul. It was therefore arranged that he should sail ostensibly for Derne, furnished with a passport and also a private letter from Eaton, to be delivered to any American commander or other authority with whom he might fall in; and that the vessel should on the way put into Malta, under pretence of avoiding the Americans and Swedes. This was done, and Hamet landed safely at that island on the 11th of April.

The news of his arrival excited the strongest interest throughout Barbary. The Bey of Tunis pronounced that all was over with Yusuf, unless he made peace at once. The people of Tripoli were also much excited, as they expected an attack to be immediately made. Yusuf, though greatly alarmed, continued his preparations for defence; and it is said, assembled in the course of the summer, fifty thousand troops about the city; this was probably however, an exaggerated statement. His naval force ready for sea, amounted to one vessel of eighteen guns, one of sixteen, three of fourteen, and one of ten; with these, Morat Rais when a little sobered, proposed to sail for Gibraltar, and after releasing and manning the two vessels there lying, to put out on the Atlantic, where he expected to reap a rich harvest of prizes. In order to escape observation, he had provided his sailors with the dresses of christian nations; but this ruse, as well as the plan it was intended to promote, were soon communicated to the watchful Eaton, and by him to the officers of the squadron.

However Tripoli was so carelessly blockaded, that some of the vessels got to sea, one of which captured the brig Franklin, of Philadelphia, and carried her into Algiers, where an attempt was made to dispose of her and her crew. The American Consul at Algiers, remonstrated against this proceeding, and endeavored to procure the surrender of the brig and men, on the grounds that the Dey was bound, as guaranty of the peace between the United States and Tripoli, to cause her delivery. The Dey replied, that he had engaged to act only as mediator, but not to employ force in having the treaty respected; and that moreover the principal parties to it being then at war, and the United States actually holding Tripoli under blockade, the treaty as well as the guaranty were in fact at an end. However, after some delay, the Tripoline was ordered to quit the place, which he did, taking his prize with him, to the little port of Biserta, in the Tunisian territory, sixty miles from the capital; and the next day (July 8) the brig and her crew were advertised for sale at Tunis. What were the feelings of Eaton on this occasion may be conceived; his application to Commodore Murray who commanded the squadron nominally blockading Tripoli produced no effect; and to his mortification he saw the cruiser quit the place with the American captives in irons, (the brig being left at Biserta,) and heard of its safe entry into Tripoli actually in sight of the frigate Constellation. As a last resource, in order to alleviate the miseries of their captivity, he wrote a moderate and conciliatory letter to the Pasha, recommending him not to allow the American prisoners to be sold as slaves, but to have them treated with lenity, to refrain from farther hostilities, and even to receive Mr. Morris, the captain of the Franklin, as the agent of the United States until affairs could be arranged.

The American ships of war soon after quitted that coast, to which they did not return until the spring of 1803, leaving the consuls to defend as they could their refusal to grant passports for Tripoli. Eaton maintained his ground with obstinacy, the others yielded; the consul at Algiers gave his passport to vessels which he knew were to be laden with wheat for Tripoli; and the agent at Tangiers actually gave his, to one of the Tripoline vessels of war which had been lying at Gibraltar, and which accordingly sailed for Tripoli, laden with wheat from Morocco. These circumstances when known, put an end to all consideration and respect for the American consul, and even for the American name in Tunis; as Eaton says, "it was a matter of exultation at that piratical court, that the American consul had been abandoned by his countrymen, and the occasion was seized to humble his pride." He had involved himself in great expenses in furtherance of his plans respecting Hamet, without authorization from his government; a portion of the sums expended had been obtained in Tunis, and the ten thousand dollars promised to the Sapatapa as a bribe, and which had been forfeited by his treachery, were now demanded as the balance in a mercantile transaction. Neither party could bring any written proofs, the case was therefore referred to the Bey, who of course decided against Eaton, and the successful minister on retiring from the hall of justice, sarcastically remarked, that in Tunis they knew how to keep consuls to their promises. The demand for a frigate from the United States was renewed, which Eaton, in spite of threats and attempts to bribe him, having refused even to submit to his government, his brig, the Gloria, was seized and charged with the conveyance of a letter to the President, containing the requisition; she however got safely to Leghorn, where she was sold.

All these things Eaton could only represent to his government, which he did in forcible language; he demonstrated the weakness of the Barbary States, and showing that they had not a single ship capable of withstanding a sloop of war, again urged the employment of smaller vessels. Finally he expressed a desire to "be supported or displaced," and that "if farther concessions were to be made, he might not be the medium through which they were to be presented."

Although Eaton almost despaired of procuring the means for executing his plan upon Tripoli, yet he maintained an active correspondence with Hamet, for whose support he advanced the necessary funds. Soon after the arrival of that Prince at Malta, he had met with Captain O'Neill, of the Boston, who appeared ready to forward the project by every exertion in his power, as also did the Swedish commander. Commodore Murray too, who came there with the Constellation, thought better of the affair, and offered to take him to Derne; but he preferred going privately, in an English brig, which he had chartered, and at length sailed in November (1802) for that place, where he was received with every demonstration of affection by the inhabitants, and the surrounding Arab tribes. He was soon after joined by a nephew, who had been living in exile in Egypt, at the head of a considerable force; and thus considering himself strong enough to commence his march upon the capital, he despatched a confidential messenger to Eaton, in order to inform him of the state of his affairs, and to hasten the arrival of the expected succors; he even assured him that the appearance of a single American frigate before Tripoli, would be sufficient to cause its surrender.

The receipt of this information must have been martyrdom to Eaton; he restrained his vexation as he could, and kept the messenger concealed in his house. At length, on the 22d of February, 1803, Commodore Morris appeared off the harbor in the frigate Chesapeake, and soon after landed with one or two of his officers. The object of his visit was to contest the demand made by the Bey, for the restoration of some Tunisian property, which had been seized in an Imperial vessel while it was endeavoring to enter Tripoli. After some discussion, it was agreed that the property should be restored; but this compliance only emboldened the Bey and his minister, to demand immediate payment of all Eaton's debts in Tunis, real or pretended; and on refusal of both the commodore and the consul, the former was actually detained in Tunis, and not allowed to communicate with his ship. As they were thus completely in the power of the Bey, who had besides, at least the semblance of right in his pretensions, nothing was left but to pay the money, which was done. During these proceedings Eaton by his animated remonstrances, and by the charges which he openly advanced against the minister, had so far irritated the Bey, that he ordered him immediately to quit the place, declaring, "that he was a man of a good heart, but a wrong head; too obstinate and violent;" and that he "must have a consul more congenial with the Barbary interests." Eaton therefore took his leave, and quitted Tunis on the 10th of March. Before his departure he had introduced Hamet's agent to the commodore, and the plans and resources of that Prince were exposed to him. Morris however, either did not partake of Eaton's conviction relative to the practicability of the scheme, or did not anticipate from its success results so favorable to his country as to warrant his interference. He therefore refused all immediate assistance, and only promised to appear before Tripoli in June, when, "provided an equivalent were guarantied to the United States in the event of success," he would furnish Hamet with "twenty barrels of powder." He did indeed appear before Tripoli about the end of May, with five frigates and a schooner; but, with the exception of an unsuccessful attempt to destroy some vessels laden with wheat, which had been chased into the harbor of Old Tripoli, (the ancient Sabrata) he confined himself entirely to negotiations. Yusuf demanded two hundred thousand dollars and the expenses of the war "for a peace," and on this being refused, he told the Commodore that "the business was at an end, and that he must depart." Morris quitted the coast immediately, leaving two frigates to blockade the port; he soon after received orders to return to America, where he was tried before a court martial, and received severe censure for his inactivity and incapacity. Captain John Rodgers who was left in command, succeeded on the 21st of June in destroying the Tripoline ship of war of twenty-two guns, which as before stated had sailed from Gibraltar, loaded with wheat by the Emperor of Morocco. With Hamet no communication appears to have taken place.

Eaton arrived at Boston on the 5th of May 1803, and in June proceeded to Washington, to adjust his accounts and to urge the adoption of more rigorous measures towards the Barbary powers. He appears to have been coldly received. His expenses incurred on Hamet's account, were not allowed by the Department of State, nor indeed were they completely admitted until they had been before Congress during its two ensuing sessions. His desire to be relieved from his situation, unless a more determined course were pursued, was considered as a resignation of his office, in which Mr. Cathcart had been appointed to succeed him; and instructions had been forwarded to that gentleman to negotiate both with Tripoli and Tunis, on the amount to be paid as presents and yearly tribute. To crown all, a letter had been written to the Bey, in which Eaton was declared "to have gone beyond the letter and spirit of his instructions," and his acts were "disclaimed as in opposition to his orders." With all these circumstances he was not indeed made acquainted immediately; but the manner of his reception did not impress him favorably with respect to the members of the Administration, and much increased his natural irritability.

The American government did not however neglect to take advantage of his information and experience; and news having arrived of some success on the part of Hamet, it was determined to send a much larger force to the Mediterranean. This squadron sailed on the 13th of August, under the command of Commodore Preble; and after halting a few days in the Straits of Gibraltar, in order to settle affairs with the Emperor of Morocco at Tangiers, it joined the other ships off Tripoli in October. A circumstance here occurred of the most disastrous nature, and which probably contributed more than any other, to prevent the dethronement of Yusuf, or the termination of the differences between the United States and the Barbary nations, in a manner entirely satisfactory to the former. The frigate Philadelphia, while in chase of a Tripoline ship on the 31st of October (1803), struck upon a rock at the entrance of the harbor of Tripoli with so much violence, that she remained immoveable by any means at the disposition of the crew, and consequently defenceless. Her situation being ascertained in the city, a number of gun boats were instantly sent out, to which, as no resistance could be made, she was of necessity surrendered. The crew, consisting of three hundred, with their captain Bainbridge, were transferred to the city; two days after the ship was got off, towed into port, and being easily repaired, was likely to prove a valuable accession to the naval strength of the Pasha.

The capture of the Philadelphia was however calculated to produce a moral effect infinitely more injurious to the American cause than the mere loss of the ship, and her acquisition by Tripoli. The skill, and even the personal bravery of the naval men of the United States, had been rendered doubtful by the proceedings of the two previous years; these doubts now assumed the form of a certainty, the most unfavorable and mortifying; and unless something had been immediately done to retrieve the honor of the flag, it must have quitted the Mediterranean in disgrace, or designated every ship over which it waved, as the bearer of tribute.

But there were noble spirits in the American squadron who determined that this should not be. On the night of the 15th of February, 1804, Lieutenant Stephen Decatur, accompanied by seventy resolute men, entered the harbor of Tripoli, in a small schooner which he had previously taken and called the Intrepid, and succeeded in boarding the Philadelphia, then lying under the guns of the castle. In a few minutes the Tripoline crew were overpowered; many were killed, others swam to the shore, and communicated the astounding facts. A terrible fire was instantly opened upon the ship from the castle and batteries, aided by those of two vessels lying near; and it being impossible to carry off the Philadelphia, she was set on fire. The Americans retreated to the Intrepid; a breeze fortunately sprung up; they were soon beyond the power of their enemies, and reached the ship which awaited them, without losing a man. The Philadelphia was totally destroyed.

This heroic achievement restored confidence to the Americans, and determined Commodore Preble to make a desperate attempt upon the city. His force had however been much reduced by the loss of the Philadelphia and the recall of other ships; and judging that an addition was necessary to afford any prospect of success, he proceeded to Naples, where he obtained from the King the use of two bomb vessels and six gun boats. These were strong, heavy, flat bottomed vessels, bad sailers, but manageable by oars, and well calculated for harbor operations. The gun boats mounted each a long twenty four pounder, and were manned by thirty-five men; the bombs carried thirteen inch mortars and forty men; several Neapolitan gunners and bombardiers were also engaged to assist in working them. The whole American force thus amounted to one frigate, (the Constitution,) three brigs, three schooners, two bombs, and six gun boats, carrying in all about one hundred and twenty guns, and one thousand and sixty men; and with this armament Preble appeared before Tripoli on the 25th of July, 1804.

Yusuf was not however taken unawares, and he had made formidable preparations for resistance. The number of his troops in the city was supposed to be twenty-five thousand; the batteries mounted one hundred and fifteen pieces of cannon; besides which, the harbor was defended by nineteen gun boats, two gallies, two schooners of eight guns each, and a brig of ten guns.

The weather was for several days unfavorable for an attack. At length on the 3d of August the American squadron approached the harbor, and began to throw shells into the town. The fire was returned from the batteries and vessels, and during five hours a constant cannonade was kept up on both sides. Three of the Tripoline gun boats were boarded and taken; their other vessels were materially injured, and much damage was done to the town and fortifications: but as nothing more could be effected, the squadron withdrew, having lost only one man, Lieutenant James Decatur, and had thirteen wounded.

The results not proving sufficient to bring Yusuf to terms, another attack was made on the 7th of August, which terminated less favorably to the Americans; one of their prizes having been blown up, and their whole loss amounting to fourteen killed, and four wounded, without having produced any notable injury to the Tripolines. On the evening of this day a frigate arrived from the United States, bringing information that a large reinforcement might be soon expected, under the command of Commodore Samuel Barron, who being the senior officer, would supercede Preble. This news caused a suspension of the attacks, during which Yusuf made offers of peace, on consideration of receiving five hundred dollars as the ransom of each of his prisoners. This offer was rejected at once, and the expected reinforcement not appearing, Tripoli was bombarded on the night of the 24th of August. On the 28th another attack was made, by which the castle and town suffered considerably, and three of the Tripoline gun boats were destroyed; and on the 3d of September another, with less success.

On the 4th a bold attempt was made to set fire to the vessels lying in the harbor, and injure the batteries. The schooner Intrepid, with which Decatur had executed his enterprise on the Philadelphia, was converted into a fire ship, being filled with powder and combustibles; and in it, with merely a boat attached in order to return after the fire had been communicated, Lieutenants Wadsworth, Somers and Israel embarked, and steered in the direction of the vessels. Two of the Tripoline gallies were seen to row towards the Intrepid, and place themselves one on each side of her; a terrific explosion then took place; the three vessels were shivered into atoms, and a number of shells fell, spreading destruction on the unfortunate town. Of those who had embarked in the Intrepid, nothing was ever heard. It is supposed that seeing escape impossible, they had involved themselves and their enemies in one common destruction.

No more attempts were made upon Tripoli during this season. The storms which prevail on that coast in the Autumn had commenced, and it was considered improper to expose the small vessels to their violence. They were therefore sent to Syracuse, the Constitution and two brigs remaining to keep up the blockade.

Information of the capture of the Philadelphia did not reach the United States until March, 1804; and it seems to have produced upon the American government the same effects which it had upon the officers of the squadron. It infused energy into its councils, and determined the President to act with more vigor than he had hitherto manifested; he resolved "to send to the Mediterranean a force which would be able, beyond the possibility of a doubt, to coerce the enemy to a peace, on terms compatible with the honor and the interests of the country." Four frigates were prepared for this purpose, and placed under the command of Commodore Samuel Barron, who was furnished with extensive authority, to act against or treat with the Barbary powers.

News had arrived that Hamet had met with some successes in his expedition from Derne against his brother, and the President "considering that concerted operations by those who have a common enemy were entirely justifiable, and might produce effects favorable to both, without binding either to guaranty the objects of the other," says in his instructions to Barron, "with respect to the ex-Pasha of Tripoli, we have no objection to your availing yourself of his co-operation with you against Tripoli, if you shall upon a full view of the subject, after your arrival upon the station, consider his co-operation expedient." Eaton had been appointed to accompany the squadron as navy agent for the Barbary states, with a view to his being employed, in case a junction with Hamet were determined on; but he was placed entirely under the orders of the Commodore, and is merely mentioned in the instructions to that officer as likely to be "extremely useful." Before the departure of the squadron, information was received that Hamet had been deserted by his followers, and had taken refuge in Egypt. Of his expedition no particulars appear to be on record, and no account can be obtained of the circumstances which led to his failure: but between Yusuf in possession, and Hamet as pretender, unsupported too by any man of strong character, and without resources, the contest could not have been doubtful. No change however was made in the destination of Eaton, who sailed with the squadron in the above mentioned capacity, in July, 1804, and arrived at Malta on the 5th of September following. He there learnt that Hamet, fearing to trust himself in the hands of the Turkish authorities in Egypt, had taken refuge among the revolted Mamelukes, in one of the provinces up the Nile. This did not discourage Eaton; determining at least to have an interview with the exiled Prince, he prevailed on Commodore Barron to commit the affair to his charge, and sailed with Captain Isaac Hull in the brig Argus for Alexandria, where he arrived on the 25th of November, 1804.

(To be continued.)

For the Southern Literary Messenger.

IMPROMPTU,

On seeing that the Publisher of the Messenger had changed the color of its covers.

So you're changing your colors, I see, master White,

But say now d'ye think it is perfectly right?

Yet I own, on reflection, it is not so wrong,

And the reason, I think, is sufficiently strong:

Give it up? Then I'll tell you at once to your shame,

You're a man of all colors yourself—by your name;

For all the seven colors, you know, must unite

To make the commixture that people call white.

P. Q.

For the Southern Literary Messenger.

MR. WHITE,—On looking over a young lady's Album a few evenings since, I met with the following lines, of which, with her permission, I immediately took a copy. I now enclose them to you for insertion in the Messenger, hoping that some one of your numerous readers may not only be able to tell me in what language they are written, but let me still further into the secret by giving me a translation of them.

"'Adhmhur mar dhia neo bhasmhor 'ta

"'N t'oglach gu caidreach a shuis re d' sqa:

"Sa chluin, sa chìth re faad na hùin

"Do bhriara droigheal, 's do fhrea gradh cùin."

I was also allowed to transcribe from the same source, two other pieces which I send you herewith, under an impression that they are well worthy a place in your interesting miscellany.

* * *

STANZAS

ADDRESSED TO MISS ——.

Younger heads will bow before thee,

Younger hearts than mine adore thee,

Younger lips due praises sing thee,

Younger hands choice flowers shall bring thee—

But when Time's unmelting frost,

Once hath chill'd Love's altar-flame,

Breasts, to passion's impulse lost,

Never after burn the same:

Then what has Age like mine to do

With youthful Beauty, pretty Lou?

Brighter eyes will sparkle near thee,

Quicker ears rejoice to hear thee,

Gayer forms around thee pressing,

Woo thy gentle arms' caressing:

But when Fate's severest blow,

Bursts the heart's most cherish'd ties;

Lays its long-nurs'd wishes low,

Hope dismay'd from misery flies:

Then what has grief like mine to do

With joyous Beauty, pretty Lou?

For the Southern Literary Messenger.

THE SYBIL'S LEAF.

Raven-hair'd! and yet so fair, in opening youth!

Dark-eyed! with snowy brow of beaming truth!

How can thy Destiny but happy be?

Loved of a hundred hearts! bright rising star!

Light that shall bless admiring eyes afar!

How many breasts shall wildly throb for thee?

Thine too, for one of kindred worth shall sigh,

With thought deep-seated in his soft blue eye,

air, but with sun-tinged roses on his cheek;

Liberal in speech, in action bold and free,

Save when with timid love he bows to thee

And silent muses what he dare not speak.

Thou hast not yet beheld, but shalt ere long—

And loved, drink in the music of his tongue,

And feel thy bosom a strange thrill pervade:—

Fortune and health shall on your union smile,

And lisping lips shall every care beguile,

Till late in peace, thy lamp of life shall fade.

For the Southern Literary Messenger.

And Ruth said, entreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God.

Where thou diest will I die, and there will I be buried: the Lord do so to me, and more also, if aught but death part thee and me.—Ruth i. 16, 17.

TO MY WIFE.

Where e'er thou goest I will go,

And share with thee in weal or wo—

And where thy wearied footsteps rest,

Thy head shall pillow on my breast.

Thy people shall my people be—

Thy kindred find a friend in me—

Thy God shall be my God—one hope

Shall bear our fainting spirits up.

My earthly joys with thee shall die,

And in thy grave forgotten lie—

So God in justice deal with me,

If aught but death part me and thee.

HANOVER.

For the Southern Literary Messenger.

THE KISS.—A la Moore.

'Tis a sweet boy! his eye is bright,

Smooth is his cheek, and velvet soft,

And his rosy, pulpy lips invite

The kiss I give, in sooth, full oft.

How glows my eye, and my heart, how wild

It beats, as I kiss the lovely child!

But there's a cause ye little ken,

Why thus I love to kiss the boy!

If thou wert absent, Julia, then,

The kiss I love so soon would cloy,

'Twould not be half so oft as now,

'Twould not be half so sweet, I trow.

I mark when thy lip presses his,

And, ere the dewy moisture's flown,

I steal it with another kiss,

And dream I rip it from thy own!

E'en such a kiss thrills through my heart,

What bliss would thine own lips impart!

P. H.

Written in the summer of 1827.

For the Southern Literary Messenger.

LOVE—MUTUAL BUT HOPELESS.

O! the light of thine Eye is the beam that falls

Through the narrow grate, on the Dungeon floor,

To show the sad captive the strength of his walls,

And remind him of joys he must taste no more.

And that melting voice is Love's whispered breath,

By night through that grated casement stealing,

To rouse him from slumbers as heavy as death,

To hopeless wishes, and useless feeling.

But that voice is dear to his wasted heart,

And dear to his eye is that lonely ray;

Though they wound his bosom, he loves the smart,

Nor wishes for death, but when these are away.

For the Southern Literary Messenger.

TO DESPAIR.

Hail to thy tranquil and secure abode,

The gloomy refuge of the tortured breast;

Where anxious Care resigns his weary load;

And wasted Sorrow sighs herself to rest.

No treacherous Hope here flatters and deceives,

No shortlived Rapture cheats the ravished sense;

No airy dreams delirious Fancy weaves;

Hope—Rapture—Fancy—all are banished hence.

Here Fear, with startling cry, no more appals,

For he who knows the worst no harm can dread:

And keen affliction's dart as harmless falls,

As the vain storm that pelts the senseless dead.

Here no fierce Passions agitate the breast,

But Rage is quelled, and Hate forgets his foe:

Pride stoops; Ambition vails his haughty crest;

And Envy covets nought that kings bestow.

But Love still feeds the never dying flame,

Whose cold pale light scarce breaks the settled gloom,

Like the Sepulchral lamp, whose livid gleam

Watches above the Silence of the Tomb.

That light no more the dazzled sense beguiles;

That flame no more the frozen bosom warms;

Yet dear, as when, all bright in rosy smiles,

It led my faithful Laura to my arms.

But she is lost; and now this calm abode

Affords a refuge to my weary breast;

And Care, at length resigns his weary load;

And wasted Sorrow sighs herself to rest.

For the Southern Literary Messenger.

My grandfather who had died at the age of eighty-six, was the first object I examined; his snowy locks had become, through the influence of the leaden mantle which enveloped him, of a blood color, &c. &c.—Prince Puckler Muskau's visit to the vault of his ancestors.

"Have ye torn away the fun'ral pall?—

Did ye strip each corpse to sight?—

Then leave me, in my ancestral hall,

I visit the dead to-night—"

The clock struck twelve and I took the lamp

With a solemn step and slow—

Down—down I went, and my echoing tramp

Rang deep in the vault below.

I saw the dust of centuries round;

And I felt my courage droop;—

My eyes were rivetted—strained—spell-bound—

By three of that awful group.

I stood in the charnel house of those,

Whose blood in my veins now ran;

My current of life seem'd nearly froze

As I strove the scene to scan.

An aged man with his "gory locks"

And sightless sockets was there,—

And staring seem'd from his leaden box

With a stern—reproachful air.

Wrapp'd in embroider'd cloth of gold,

Lay a noble knight and tall—

And I knew at once the warrior bold,

Who hung in my castle hall.

At head of his Cuirassiers,—there he

Was charging the flying Swede;

But here—oh pitiful sight to see!

The victor lay low indeed.

In a gorgeous robe of silk, here lay

The finest of female forms;

I did but touch her—she pass'd away—

My hand was alive with worms.

I sunk on my knees in fervent prayer;

Tears fell—and my bosom thaw'd;

Horror gave place to the feeling, there

Of trust in the mighty God.

I rose without or shudder or dread,

And I kiss'd that aged face;

I took a lock from the sightless head,

And calmly quitted the place.

But never again till I drink the cup

Of death—will I enter there—

The power of prayer, might bear me up—

But God, he hath said—forbear!!!

At the suggestion of a friend, whose fine taste selected the following effusion of the celebrated "Ettrick Shepherd," from some of the periodicals of the day, we gladly insert it in our columns. It is a most touching tribute of fraternal affection to an elder sister, from one of the most distinguished bards of modern times.

THERE'S NAE LADDIE COMING.

BY THE ETTRICK SHEPHERD.

There's nae laddie coming for thee, my dear Jean,

There's nae laddie coming for thee, my dear Jean;

I hae watch'd thee at mid-day, at morn, an' at e'en,

An' there's nae laddie coming for thee, my dear Jean.

But be nae down-hearted though lovers gang by,

Thou'rt my only sister, thy brother am I;

An' aye in my wee house thou welcome shalt be,

An' while I hae saxpence, I'll share it wi' thee.

O Jeanie, dear Jeanie, when we twa were young,

I sat on your knee, to your bosom I clung;

You kiss'd me, an' clasp'd me, an' croon'd your bit sang,

An' bore me about, when you hardly dought gang.

An' when I fell sick, wi' a red watery ee,

You watched your wee brother, an' fear'd he wad dee;

I felt the cool hand, and the kindly embrace,

An' the warm trickling tears drappin aft on my face.

Sae wae was my kind heart to see my Jean weep,

I closed my sick ee, though I wasna asleep;

An' I'll never forget till the day that I dee,

The gratitude due, my dear Jeanie, to thee!

Then be nae down-hearted, for nae lad can feel

Sic true love as I do, or ken you sae weel;

My heart it yearns o'er thee, and grieved wad I be

If aught were to part my dear Jeanie an' me.

For the Southern Literary Messenger.

REMARKS ON THE REVIEW OF GOVERNOR TAZEWELL'S REPORT.

MR. WHITE:—I have just read the Review of Governor Tazewell's Report to the Legislature, upon the subject of a Deaf and Dumb Asylum, in your last number, and am sorry to find that, amongst many things which I like, it contains some misstatements which, I think, do great injustice to that document, and to its author; and which I must therefore beg leave to correct.

In the first place, in noticing that part of the paper in which the Governor argues that as the last census shews that the whole number of deaf mutes in our State is only about four hundred and twenty-two, and the experience of other States, particularly Pennsylvania and Connecticut, has proved that only one-fifteenth of the whole number in any community can be drawn to such an institution, it is fair to conclude that the actual number of pupils who could be drawn to our asylum would not exceed twenty-eight; the Reviewer remarks that the Governor "seems to have founded his argument upon the supposition that the deaf and dumb pupils to be educated at the proposed asylum in Virginia, are to be maintained from their own resources, or the private liberality of their friends; whereas the very object of applying for legislative aid, is to enable many of these indigent children of misfortune to obtain instruction at the public expense." But this is obviously a misapprehension of the document; for the Governor says expressly in a passage quoted by the Reviewer himself, "the question seems to be resolved into this,—Can the Legislature reasonably promise itself, that by the employment of any means which it ought to use, it may concentrate at any point within this State sufficient inducements to draw thither the proper number of such pupils?" But it is quite apparent that among the "any means," and "sufficient inducements," which he was here speaking of, he included a provision for the support of indigent pupils, as a matter of course. Indeed, the very object of the establishment, as the Reviewer himself remarks, implies the propriety of such a provision, and the whole tenor of the Report accordingly takes it for granted throughout.

But the Reviewer asks: "If this was not the ground of the Governor's reasoning, why does he suppose that not more than one-fifteenth of the whole number of deaf mutes could be induced to resort to a seminary for instruction?" Why, for the reasons which he has so clearly stated, and which the Reviewer ought to have understood; that such had been the experience of other States, particularly Pennsylvania and Connecticut, and there was nothing to authorize the hope of a different result in our own case. Yet he asks, "Does he mean that a larger number could not be obtained if the public expense were proffered for their education and subsistence?" Undoubtedly he means this; for he says expressly in a passage which the Reviewer quotes, that in those States to whose experience he refers, "the most liberal means have been employed to attract to their long established asylums all of that class who might be induced to resort thither;" and he adds still more explicitly in another passage which the Reviewer does not quote, but which he ought to have read, speaking of the same institutions of Pennsylvania and Connecticut, "The only other aid" (besides acts of incorporation,) "which either of these seminaries has ever received since, from the several States within the limits of which they are situated, has been the appropriation of a sum of money annually to pay for the instruction of a certain number of persons, the children of citizens of these States respectively, whose parents were in such indigent circumstances as not to be able to defray the charge of their education." It is apparent, then, that the Governor's reasoning on this point is entirely sound; whilst the criticism of the Reviewer upon it is founded altogether upon a mere misconception of his own.

But taking it for granted that the number of pupils in our asylum would not exceed twenty-eight, the Governor proceeds to inquire whether it would not be better to provide for the support and education of them, that is, of the indigent ones of course, at the asylum of one of our sister States, rather than to establish a new seminary for them within our own bounds; and suggests several reasons in favor of such a course. First, it would aid the cause of science, which he thinks would be much better promoted, in the "more sublime and long-hidden" branches of it at least, by all communities sending in their contributions to a common stock, wherever that may happen to have been first begun, rather than by their separately exerting themselves to domesticate those mysterious novelties prematurely within their respective bounds. Secondly, it would save money, which is the sinews of charity as well as of war, and ought therefore to be husbanded with great care. And thirdly, and above all, the proceeding, or rather perhaps the principle which it involves, would tend to strengthen the union, and bind the states together. Thus he says: "To all this let me add, that if there is any thing better calculated than any other to cement our union, and to keep bright the chain which I trust will bind these states together while time lasts, it will be found in the contribution of each to objects approved by all, without any jealous regard to the actual spot at which such a general good may commence. If a generous spirit of this sort is but once manifested, its effects will be soon seen and felt by all. Acts of kindness will not fail to induce forbearance, and to generate sympathy. When each State shall feel that for the aid it requires to accomplish any object of general utility, it may rely confidently on its co-states, there will be no more applications to the federal government to pervert the language of the constitution, in order to accomplish the unholy scheme of robbing a minority to enrich a majority. Then those who contend but for the spoils of the vanquished, may be safely left to the contempt which such a motive cannot fail to inspire with all the generous and the good. It would have been worthy of Virginia to set such an example; it is worthy of her to imitate that which others have already taught."

Now these views of the Governor may not be exactly correct, and I freely acknowledge that I do not adopt them myself; but what is there in any of them, I ask, that ought to excite the alarm, or kindle the indignation of the Reviewer? Obviously nothing at all. Yet after quoting them at full length, he proceeds to comment upon them in the following words: "It is in these passages that we think lurks the fallacy, and we might add the mischief of the Governor's views. He sets out first by deprecating all legislative interference on the subject." Where? In what part of the Report? For I have not seen such a thought in it; and I have read the whole, though the Reviewer it seems has not; and the passages under his notice most certainly do not suggest any thing like it. On the contrary, they directly advise that the Legislature shall interfere in the case, although not precisely in the Reviewer's way. But he goes on: "'Let us alone' is his cardinal maxim, and the maxim of the school of politicians to which he belongs. Let individuals take care of themselves, and of each other; but let not government presume to thrust its paternal care upon the community." And where does he get this idea from again? Not certainly from any thing in the Report before him. And was it right, then, was it courteous in him to travel out of the record to arraign the political opinions of the Governor, and the school of politicians to which he belongs? Was it proper even to glance at such a martial topic in the amicable columns of the Literary Messenger? Or if it was, and if the Reviewer believed that the favorite maxim of the Governor, and the school of politicians to which he belongs, is, "Let us alone," did he think it fair to represent him as holding it in all the extent of its terms, without limitation or reserve? Or, is the maxim itself utterly and absolutely false, to all intents and purposes whatever? And is there nothing—nothing at all—to which it may be properly applied? Is there nothing which the Legislature ought not to meddle with? If this is his opinion, it is easy to see to what class of politicians he belongs, and it is one whose latitudinarianism—but I will not follow the bad example which he has set me, and abuse your peaceable pages to expose the danger of its doctrines, and the folly of its flights.

But the Reviewer proceeds: "In the next place, however, if the State, according to his Excellency's notions, will officiously obtrude into these private matters, why then let the funds of the Commonwealth go abroad and enrich some sister State. These kind offices will brighten the chain of union which binds the states together. They will teach us all to rely more upon each other, and less upon the general government.—This is the sum and substance of the Governor's reasoning; and dangerous and fallacious as we believe it to be, we feel the stronger obligations, coming from the high quarter it does, to resist and refute it if we can." But is this a fair representation of the Governor's reasoning? Is it not rather a gross caricature of it? For, has the Governor hinted any thing like a proposal that our State should send her funds abroad to aid all the institutions of her sister states, instead of keeping them at home to support her own? On the contrary, does he not say expressly, "I will not admit that there is a single citizen within the limits of Virginia more desirous than I am to domesticate here every thing needful to the well being of the State?" And does he not accordingly take good care to confine his recommendation of a contribution to the institutions of other states, to cases of a peculiar character, in which, as in the instance of a deaf and dumb asylum, the object in view is to furnish a small portion of our citizens with the means of access to the "more sublime and long-hidden truths of modern science?" And does he not, moreover, declare it to be a part of his plan that every other State shall reciprocate the generosity of ours, so as to return a pretty fair quid pro quo into our exchequer? And what is there, then, that is so very "dangerous" in the Governor's reasoning? Nothing at all that I can see. Yet our Reviewer is so much alarmed at it, or rather at a phantom of his own imagination which he mistakes for it, that he flies off from the true point of inquiry, and instead of calmly answering the argument before him, as he might have done, breaks out into a warm and impassioned strain of protestation against a mere figment of his own, which is truly imposing; but unfortunately without object, and of course without point. Thus he asks, "did any one ever dream that Kentucky had given cause of offence to her sister states by erecting an asylum for the poor deaf mutes? We apprehend not." Why then does he ask the question? Has the Governor written any thing which fairly suggests such a singular query? Or was the Reviewer himself dreaming when he wrote? Yet he adds, "the truth is, that his Excellency the Governor is entirely mistaken in his views upon the subject!"—whereas the truth is, that his Highness the Reviewer is entirely mistaken in his views of the Report. But he keeps on, and adds: "What a ridiculous business it would be, if twenty-four families in the same neighborhood were to act upon the principle, that each was to take care of all the rest in preference to itself!" Very true; but it is his own idea. The Governor's seems to be, that if the good old lady at the head of any one of these families should choose to send her little deaf and dumb daughter to the learned French master who was teaching a class of sourd-muets in her neighbor's house, instead of importing another Frenchman, (or Yankee, who stands ready to take any body's place,) to open a similar school in her own domicile, it might save money and increase love—especially if all the rest would act on the same principle in return. And is there any thing so very ridiculous in this? The same sort of hallucination runs through the remainder of the paragraph; but I cannot think it necessary to expose it any further.

I will only add that I agree entirely with the Reviewer in much, and perhaps all, that he has written so handsomely in favor of internal improvement, in the fullest sense of the phrase. I agree with him, more particularly, and most cordially, in thinking that we ought, by all means, to furnish and adorn our native state, as soon as possible, with every thing that can promote her happiness and honor, and make her as perfect and complete within her own limits, as any kingdom or commonwealth on earth can be. Of course, I agree with him also in condemning and stigmatizing, as he does, that abject and disgraceful spirit of apathy which has so long paralyzed our citizens, but which, I trust, we have now shaken off forever. But, at the same time, I am persuaded that Governor Tazewell would cheerfully unite with us in these views, to a considerable extent; and I cannot think it right or fair to charge him, either directly or by implication, with errors which, I am confident, he does not hold, and which, most certainly, he has not avowed in his Report.

A READER.

We extract the following from the "Remains of the Rev. Charles Wolfe," being the description of the "Dargle," or "Glen of the Oak," an enchanting scene in Wicklow county, Ireland, of which country Mr. Wolfe was a native.

THE DARGLE.

We found ourselves at Bray about ten in the morning, with that disposition to be pleased which seldom allows itself to be disappointed; and the sense of our escape from every thing not only of routine, but of regularity, into the country of mountains and glens and valleys and waterfalls, inspired us with a sort of gay wildness and independence, that disposed us to find more of the romantic and picturesque than perhaps Nature ever intended. If, therefore, gentle reader, thou shouldest here meet with any extravagances at which thy sober feelings may be inclined to revolt, bethink thee, that the immortal Syntax himself, when just escaped from the everlasting dulness of a school, did descry a landscape even in a post,—a circumstance which probably no one had ever discovered before.

We proceeded to the Dargle along the small river whose waters were flowing gently towards us after having passed through the beautiful scenes we were to visit. It was here a tranquil stream, and its banks but thinly clothed; but at the opening of the Dargle-gate, the scene was instantly changed. At once we were immersed in a sylvan wilderness, where the trees were thronging and crowding around us; and the river had suddenly changed its tone, and was sounding wildly up the wooded bank that sloped down to its edge. We precipitated ourselves towards the sound,—and when we stopped and looked around us, the mountains, the champaign, and almost the sky had disappeared. We were at the bottom of a deep winding glen, whose steep sides had suddenly shut out every appearance of the world that we had left. At our feet a stream was struggling with the multitude of rude rocks, which Nature, in one of her primeval convulsions, had flung here and there in masses into its current; sometimes uniting into irregular ledges, over which the water swept with impetuosity;—sometimes standing insulated in the stream, and increasing the energies of the river by their resistance;—sometimes breaking forward from the bank, and giving a bolder effect to its romantic outline. The opposite side of the glen, that rose steeply and almost perpendicularly from the very brink of the river, was one precipice of foliage from top to bottom, where the trees rose directly above each other (their roots and backs being in a great degree concealed by the profusion of leaves in those below them,) and a broken sunbeam now and then struggled through the boughs, and sometimes contrived to reach the river.

The side along which we proceeded was equally high, but more sloping and diversified; and the wooding, at one time retiring from the stream, while at another a close cluster of trees of the freshest verdure advanced into the river, bending over it in attitudes at once graceful and fantastic, and forming a picturesque and luxuriant counterpart to the little naked promontories of rock which we before observed. Both sides of the glen completely enclosed us from the view of every thing external, except a narrow tract of sky just over our heads, which corresponded in some degree to the course of the stream below; so that in fact the sun seemed a stranger, only occasionally visiting us from another system. Sometimes while we were engaged in contemplating the strong darkness of the river as it rushed along, and the pensive loveliness of the foliage overhanging it, a sudden gleam of sunshine quietly yet instantaneously diffused itself over the scene, as if it smiled almost from some internal perception of pleasure, and felt a glow of instinctive exhilaration. Thus did we wander from charm to charm, and from beauty to beauty, endlessly varying, though all breathing the same wild and secluded luxury, the same poetical voluptuousness. This new region, set apart from the rest of creation, with its class of fanciful joys attached to it, seemed allotted to some creature of different elements from our own,—some airy being, whose only essence was imagination. As the thought occupied us, we opened upon a new object which seemed to confirm it. The profuse wooding which formed the steep and rich barrier of the opposite side of the river, was suddenly interrupted by a huge naked rock that stood out into the stream, as if it had swelled forward indignantly from the touch of cultivation, and, proud of its primitive barrenness, had flung aside the hand that was dispensing beauty around it, and that would have intruded upon its craggy and original majesty. It was here that our imaginations fixed a residence for the Genius of the river and the spirit of the Dargle. A sort of watery cell was formed by the protrusion of this bold figure from the one side, and the thick foliage that met it across from the other, and threw a solemn darkness over the water. In front, a fragment of rock stood in the middle of the current, like a threshold, and a spreading tree hung its branches directly over it, like a spacious screen in face of the cell. From this we began gradually to ascend, until our side became nearly as steep as the opposite, while the wooding was thickening on both at every step; so that the glen soon formed one steep and magnificent gulf of foliage. The river at a vast distance, almost directly below us; the glad sparkling and flashing of its waters, only occasionally seen, and its wild voice mellowed and refined as it reached us through thousands of leaves and branches; the variety of hues, and the mazy irregularity of the trees that descended from our feet to the river,—were finely contrasted with the heavier and more monotonous mass that met it in the bottom, down the other side.

In stepping back a few paces, we just descried, over the opposite boundary, the top of Sugar-loaf, in dim and distant perspective. The sensations of a mariner, when, after a long voyage without sight of shore, he suddenly perceives symptoms of land where land was not expected, could not be more novel and curious, than those excited in us by this little silent notice of regions which we had literally forgotten,—so totally were we engrossed in our present enchantment, and so much were our minds, like our view, bounded by the sides of the glen. This single object let in a whole train of recollections and associations: but the charm could not be more gradually and more pleasingly broken. The glen, still retaining all its characteristic luxuriance, began gracefully to widen,—the country to open upon us, and the mountains to rise; and at length, after a gentle descent, we passed the Dargle-gate, and found ourselves standing over the delightful valley of Powerscourt. It was like the transition from the enjoyments of an Ariel to those of human nature,—from the blissful abode of some sylphic genius, to the happiest habitations of mortal men,—from all the restless and visionary delights of fancy, to the calm glow of real and romantic happiness. Our minds that were before confused by the throng of beauties that enclosed and solicited them on every side, now expanded and reposed upon the scene before us. The sun himself seemed liberated, and rejoicing in his emancipation. The valley indeed "lay smiling before us;" the river, no longer dashing over rock and struggling with impediments, was flowing brightly and cheerfully along in the sun, bordered by meadows of the liveliest green, and now and then embowered in a cluster of trees. One little field of the freshest verdure swelled forward beyond the rest, round which the river wound, so as to give it the appearance of an island. In this we observed a mower whetting his sithe, and the sound was just sufficient to reach us faintly and at intervals. To the left was the Dargle, where all the beauties that had so much enchanted us were now one undistinguishable mass of leaves. Confronting us, stood Sugar-loaf, with his train of rough and abrupt mountains, remaining dark in the midst of sunshine, like the frowning guardians of the valley. These were contrasted with the grand flowing outline of the mountains to our right, and the exquisite refinement and variety of the light that spread itself over their gigantic sides. Far to the left, the sea was again disclosed to our view, and behind us was the Scalp, like the outlet from Paradise into the wide world of thorns and briers.

From the Cincinnati Mirror.

PHRENOLOGICAL EXAMINATIONS.

There never was an important discovery presented to the consideration of men, which was not opposed by all the force that scepticism could call to its assistance.—Truths, which at the present time are universally recognized, had to accomplish conquests over many obstacles, before their necessity or importance was admitted. The all-important and sublime discoveries of Galileo, Newton and Hartly, were first sneered at, then ridiculed, after a while considered, and subsequently adopted. Truths do not burst in splendor from heaven on the benighted understandings of men; but their progress ever has been and ever must be gradual. Night, in the intellectual as in the outward world, relinquishes its empire slowly; and hence, doctrines appertaining to science, which seem at this time to contain within themselves the qualities of their own illumination, were originally rejected as unworthy of the sanction of the understanding.

Phrenology has offered no exception to the general rule which we have referred to. Whether it be true or false, it has at least participated in the destiny common to truth. It has been met at every stage of its progress with whatever of reason, ridicule, or wit, subtlety or ingenuity could suggest. Ardent opponents have inflicted what they have supposed deadly wounds upon it, and have anticipated the epitaph which would be written to its memory. But these visions have not, unfortunately for the reputations of those who indulged them, been realized; and the period at which they predicted the extinction of the science, has been the season of its proudest triumphs. If it be a heresy, it is a bold one; and, like that of the Albigenses, spreads most where opposition is deadliest.

Phrenology is emphatically a science of observation;—by it, it has been built up; and on it, it mainly depends. Observation and application form the tests of scientific doctrines, and they are invoked as the formidable auxiliaries of this science. To a mind disposed to investigate before it decides upon the merits of doctrines, a few interrogations present themselves forcibly. Among the advocates of phrenology, have not some names, remarkable for ability and inquiry, been numbered? Were these men imposed on by the fallacies of the science, or did they wish to impose a fallacy upon the credulity of others? Are not these suppositions effectually silenced by an appeal to the well-determined moral and intellectual qualities of those advocates? If phrenology be false, how has it happened that a science which triumphantly appeals to observation, and which, in consequence, must be susceptible of easy support or overthrow, has for years sustained itself against the combined efforts of genius and intelligence? Is it asked why scientific individuals have not universally ranged themselves under the banners of this science? Two answers immediately suggest themselves:—First; the reluctance with which the human mind ever foregoes or substitutes its acquisitions; and, secondly, the disinclination which men always manifest at prosecuting inquiries into the nature of doctrines which are not corroborated by previous studies, and which they are pleased to term innovations.

Phrenology must stand or fall by facts; supported by them, it must be sustained; opposed in this wise, it must fall. Without committing ourselves in favor of, or in opposition to its doctrines—for, in truth, we have not yet yielded its doctrines our assent—we desire to record a few facts which make for its truth, and which have come within our notice.

Doctor Powell, well known as an able and enthusiastic advocate of phrenology, at present lecturing in the city, confident in the truths of the science, pronounces upon character agreeably to the external configuration of the crania with fearlessness the most perfect. Since his arrival here, we have known him examine three different crania, which were presented to him for the purpose of testing the truth of phrenological doctrines. The two first were handed him by Mr. Dorfeuille, the intelligent proprietor of the Western Museum. The first one, which Doctor Powell saw, he immediately perceived the preponderance of the vicious propensities over the moral sentiments, and unhesitatingly said, its owner, according to the laws of the land, deserved hanging, if he were not actually executed. The second one was presented, and he forthwith pronounced its possessor equally bad with the former, although unpossessed of his recklessness, and greatly more cautious and secretive. Mr. Dorfeuille then stated, that the sculls belonged to two negro fellows who were executed some years ago in New Orleans, and whose heads after execution were stuck on pikes. The first fellow was notoriously vile and daring; the other was more shy, and against him no absolute proof could be brought; but he was convicted on evidence so strong as to defy the resistance of the judgment. The delineation of their characters upon the principles of phrenology he acknowledged to be most complete.

On last Monday evening, professor Cobb, of the medical college, sent a cranium to Doctor Powell for examination, in the presence of his class. He took it up and pronounced its prominent developments to be those of combativeness, destructiveness, secretiveness, acquisitiveness: he said that each of these propensities might have manifested itself singly; but the probability was that they co-operated, and the consequence was, that their subject was addicted to robbery on the highways, and was highly combative. After he had finished his examination, he called on professor Cobb to state what he knew of the character of the individual. He arose, and said that, so far as he was aware, the lecturer had determined truly. The skull had belonged to a Spaniard confined under suspicion of piracy, in the Cincinnati jail last winter, and who, while there, had committed suicide, and thus escaped trial.—An examination of his body proved what the lecturer had said in regard to his combativeness, as it was scarified in many places. We have since understood, that this Spaniard was arrested for attempting to stab a person in the street, and while in confinement, was recognized as a pirate, and, in order to avoid the consequences of a trial on the charge of piracy, he had cut the principal arteries of both arms, and died from the wounds thus inflicted. Dr. Powell had no intimation of the character of either of the individuals, which he portrayed with such exactness; but relied solely on phrenological science. If the doctrines be untrue, how are these results ascertained by them to be accounted for?

Our only object has been to give the lecturer as well as the science he espouses, the benefit of facts we have narrated, and to which they are so justly entitled. We leave comment for those who are curious upon the subject. We feel assured that what we have stated must be interesting to those who are desirous of investigating the science, for the purpose of determining the amount of plausibility on which it is grounded.

For the Southern Literary Messenger.

MR. WHITE,—As a subscriber and very sincere friend to your paper, let me beg of you to find room as soon as you can, for three extracts, all of which together, will not occupy more than three or four pages of the Messenger, and yet embrace as much deeply interesting matter on the all important subject of education, as can any where be found within the same compass. The first two you will find in the September number for the past year, of "The Annals of Education," a periodical published in monthly numbers of forty-eight pages each, for three dollars and fifty cents a year; or for three dollars if paid by the first of April, or for two dollars and forty cents if five copies are taken together and paid for in advance. Of this work I can affirm, without hesitation, that it contains more highly useful information on the subjects of which it treats, and at less cost, than all the other works together that are published in the United States on the same topics. Nay, I will venture farther to assert that there is not a parent or teacher in our whole country, who might not derive essential service from its perusal. This, my good sir, is no exaggeration, but my deliberate opinion; given, I acknowledge, with some hope of promoting the circulation of this highly valuable periodical from Yankee land, but without any other interest in it than every man ought to feel who is so thoroughly persuaded as I am, of the absolute necessity for educating our whole people on principles materially different from any that have yet been put into practice among us.

The third extract is from a new work by James Simpson, lately republished in New York and Boston, on "The Necessity of Popular Education as a National Object." The short introduction is all that I will ask you to insert in your paper, as I have persuaded myself to believe that no friend to popular education can read it without feeling a strong desire to peruse the whole volume. It contains a mass of facts, illustrations, and arguments, exhibited in a style at once so perspicuous, forcible, and persuasive, as must carry conviction to every understanding capable of comprehending and feeling the vital importance of the subject in all its bearings, both upon individual and national happiness. In numbers one and two of the appendix, the topics of criminal and medical jurisprudence are treated of in a manner which, although concise, is well worthy the deepest attention of every legislator and statesman, for they contain hints for improving our criminal code that seem to me of the utmost importance to the general good.

Deem me not importunate if I petition you to publish another extract of quite a different character from the foregoing. It is from the pen of the admirable Mrs. Norton, and expresses conjugal affection with so much touching pathos, that surely no married man, especially one from the Emerald Isle, can read it without deep emotion. It is called

SONG OF THE IRISH PEASANT WIFE.

Come, Patrick, clear up the storm on your brow,

You were kind to me once,—will you frown on me now?

Shall the storm settle here, when it from Heaven departs,

And the cold from without find the way to our hearts?

No, Patrick, no; surely the wintriest weather

Is easily borne, while we bear it together.

Though the rain's dropping through from the roof to the floor,

And the wind whistles free where there once was a door;

Can the rain, or the snow, or the storm wash away

All the warm vows we made in love's early day?

No, Patrick, no; surely the dark stormy weather

Is easily borne,—so we bear it together.

When you stole out to woo me, when labor was done,

And the day that was closing, to us seem'd begun,

Did we care if the sunset was bright on the flowers,

Or if we crept out amid darkness and showers?

No, Patrick; we talk'd while we brav'd the wild weather,

Of all we could bear, if we bore it together.

Soon, soon, will these dark dreary days be gone by,

And our hearts be lit up by a beam from the sky;

Oh! let not our spirits, imbittered with pain,

Be dead to the sunshine that comes on us then:

Heart in heart—hand in hand—let us welcome the weather,

And sunshine or storm, we will bear it together.

From the New England Magazine.

A GLIMPSE AT BASIL HALL.

At the palace of the Prince Borghese in Rome, several young English and American artists were engaged, last winter, in copying the renowned productions of the old masters. Portray to yourself, kind reader, two large halls—the walls of which are lined with paintings, and intercommunicating by a side door, now thrown open for the benefit of the parties. In the first of these apartments are erected three easels—before which, in the attitude of painters, stand—first, a Virginian, intent upon the exquisite Magdalene of Correggio,—opposite, the native of a country town of Great Britain—transferring, as nearly as possible, the Prodigal Son, of the great Venetian,—while, within a few feet of the former, a Londoner is travailing for the inspiration of Titian, by contemplating his "Sacred and Profane Loves." The artists may thus be said to occupy, relatively, the three points of an isosceles-triangle. Gaze now, through the above-mentioned passage, and behold, at the extremity of the second and lesser hall, the figure of a Baltimorean—fancying, perchance, the surprise of the natives when they see his copy of the inimitable Cupid beside him.

These worthy followers of the rainbow art were wont to amuse themselves, and beguile the time, with conversations upon the merits and manners of their respective countries; and occasionally, by a very natural process, such amicable debates would assume not a little of the earnest spirit of controversy. Then would the brush fall less frequently upon the canvass—their eyes linger less devotedly upon the great originals around, and ever and anon the disputants would step a pace or two from the object of their labors, raise aloft their pencils—as though, like the styles of the ancients, they subserved equally the purposes of art and of warfare, or wave their mottled pallets as shields against the errors of argument. A full history of these discussions, hallowed by the scene of the combat, diversified by the characters of the combatants, and disguised by the nature of the points contested—would doubtless be a valuable accession to our literature. The great topics of national policy, domestic manners, republicanism, aristocracy, slavery, corn laws, etc. as unfolded, in the elegant and discerning disputations of the absentees in a Roman palace, would prove something new, vivid and seasonable. But to me falls the humbler task of narrating one scene of the drama, as illustrative of the wisdom and safety of keeping one's own secret.

On a day, when the war of words had ran unusually high, there was a momentary, and, as it were, a spontaneous quietude. After the manner of their predecessors in the same city—years bygone, the gladiators rested upon their arms. There was an interlude of silence. They gradually reassumed the appropriate occupations of the hour. A few unusually fine touches were bestowed upon the slowly-progressing copies—when the aspiring portrayer of the beautiful parable thus opened a new cannonade:

"Well, smooth over, as you may, the blot of slavery—and deny or palliate, as you best can, the charge of non-refinement, the world will never admit the existence of true civilization in a country where so barbaric a practice as gouging prevails."

At the commencement of this speech, the pencil of the Virginian had stopped transfixed within an inch of the pensive countenance on his canvass; and with nerves braced in expectancy, he awaited the issue. And when the orator, like a second Brutus, paused for a reply, his adversary was mute—perhaps from indignation, probably in the absorption consequent upon preparing to refute and chastise. The Londoner wheeled around, and, with a nod of congratulation to his brother islander, and a provoking and triumphant smile upon the Virginian, begged to be informed "of the origin and nature of the American custom of gouging?" When lo! there were heard quick steps along the polished floors, and as the eyes of the artists followed their direction, the form of the Baltimorean emerged from the adjoining hall. His painter's stick, pallet and brush, were grasped convulsively in his left hand, as with energetic strides he reached the centre of the arena, and gazed meaningly upon the disputants.

"You would know, sir," he exclaimed, eyeing fiercely the hero of the British capital, "what is gouging? Go, sir, to Basil Hall—your literary countryman: when ascending the Mississippi, he was put on shore by the captain of a steamboat for ungentlemanly deportment—and on the banks of that river, sir, he was gouged!" As the last emphatic words exploded, a gentleman, who had been viewing the paintings, abruptly left the room. The Londoner looked wonders, his compatriot tittered, the Cupid-limner wiped his brow. "Who was that?" inquired the Virginian. "That, sir, was Captain Hall!"

H. T. T.

For the Southern Literary Messenger.

THE PASSAGE OF THE BERESINA.

"The moan of mortal agony which arose from the despairing multitude became at this crisis for a moment so universal, that it rose shrilly audible over the voice of the elements and the thunders of war, above the wild whistling of the tempest and the sustained and redoubled hourras of the Cossacks. The witness from whom we have this information, declares that the sound was in his ears for many weeks. This dreadful scene continued till dark, many being forced into the icy river, some throwing themselves in, betwixt absolute despair and the faint hope of gaining the opposite bank by swimming, some getting across only to die of cold and exhaustion."—Scott's Napoleon, Vol. II. Page 385.

What scene is here? The dying moan, the wailing cry

Come on the gusty blast that speeds so swiftly by;

The river rolls heavy as it struggles with dead,

Who writhe in their blood ere the spirit hath fled—

And chafed by the winds in the wrath of the storm,

Its red clotted waters flow tortured and warm.

Thousands lie here; kindred and aliens in race,

They are rigid and fixed in death's cold embrace;

They clench and they cling in the last dying grasp,

And the living, the dead, reluctantly clasp:

Or, fearing a friend in his last cold embrace,

They spurn him beneath to his dark dreary place.

A many-voiced moan now saddens the air,

Whose tones are all blent with wild curses and prayer;

And the deep hollow moan that wails o'er the flood,

As spirits pass away in storm and in blood.

In the sad welkin tremble heart-rending shrieks,

So piercing, that startled, the deep echo speaks.

There's mirth that's of madness, one laughs in his fear,

And prayer thrills in tones of the wildest despair;

And the deep solemn curse from the blasphemer stern,

Who weeps not, who wails not, tho' his dying soul burn.

Oh spirits pass away so sad in their strife,

That the living still cling more closely to life:

With unearthliest cries, grim phantasied shapes

Brood o'er the senses ere the spirit escapes;

On the wings of the wind how swift speeds the blast,

With pinions all viewless it fleets as the past;—

Oh say, does it bear the spirits that have fled,

In the last bitter strife, ere the dying be dead?

To the last dying sense comes a vision more dread,

For Death flaps his wings o'er the fields of the dead:

His deep hollow tones called away and away

Spirits immortal, disengaged from their clay;

And rearing aloft his deep sable plume,

On wings of the wind rose in shadow and gloom,

Still bearing them on with invisible trace,

As he swept the broad fields of infinite space—

Whilst Terror, all wild in his deep, horrid lair,

Made sad with his moans the invisible air.

The night wind sighs drear, in its last dying breath;

The clouds fleet away, like the shadows of death,

From the face of the moon, whose sepulch'red light

Steals softly upon the dark bosom of night,—

As the last smile of hope, ere the spirit hath fled,

Lingers tranquil and bright o'er the face of the dead.

ALPHA.

The lines which follow ought to be preserved in a more permanent form than the columns of a newspaper. They were written and published before Mr. Johnston's lamentable death. It will be recollected that he perished by the explosion of a steamboat, ascending the Red River.

After the above was penned, the melancholy intelligence reached us of Mr. Davis's death. Patriotism will mourn his loss, and the Columbian Muse hang a garland over his tomb.

From the Augusta (Geo.) Chronicle.

The following beautiful parody, which we met with in the hands of a respected friend, and were permitted by him to take a copy for publication, is attributed to the Hon. Warren R. Davis of South Carolina—a gentleman no less distinguished, admired and beloved for his many and striking literary acquirements, private virtues, social qualities, fine manners, polished, varied and brilliant wit and vivid fancy,—than for his ardent patriotism, open and fearless honesty, independence, eloquence, and disinterested devotion to his gallant and glorious state. It is said to have been written, on the sportive suggestion of the moment, as a contribution to the Album of the talented, accomplished and witty lady of the Hon. Mr. Johnston of the United States Senate from Louisiana. The old air of "Roy's Wife of Aldavalloch" is, we think, one of the most rare and beautiful specimens of that class of Scottish music, which was probably introduced from Italy, in the time of the brilliant but unfortunate Queen Mary.

PARODY.

Johnston's wife of Louisiana!

Johnston's wife of Louisiana!

The fairest flower that ever bloomed

In southern sun or gay savannah.1

The Inca's blood flows in her veins—2

The Inca's soul her bright eyes lighten;

Child of the sun, like him she reigns,

To cheer our hopes, our sorrows brighten.

Johnston's wife of Louisiana!

Johnston's wife of Louisiana!

The fairest flower that ever bloomed

In southern sun or gay savannah.

Johnston's wife of Louisiana!

Johnston's wife of Louisiana!

She hath a way to win all hearts,

And bow them to the shrine of Anna!

Her mind is radiant with the lore

Of ancient and of modern story—

And native wit of richer store

Bedecks her with its rainbow glory.

Johnston's wife of Louisiana!

Johnston's wife of Louisiana!

She hath a way to charm all hearts,

And bow them to the shrine of Anna!

Johnston's wife of Louisiana!

Johnston's wife of Louisiana!

The hapless bard who sings her praise,

Now worships at the shrine of Anna?

Twas such a vision, bright but brief,

In early youth his true heart rended,

Then left it like a fallen leaf,

On life's most rugged thorn suspended.

Johnston's wife of Louisiana!

Johnston's wife of Louisiana!

The hapless bard who sings her praise

Wept tears of blood for such an Anna!

1 "The gayest scene in nature is a southern savannah, enamelled with its rich variety of flowers."—Humboldt.

2 "The Incas claim their descent from the sun."—Las Casas.

For the Southern Literary Messenger.

BEAUTY WITHOUT LOVELINESS.

He looked on the chiselled form and face,

And the roseate blush beguiling,

And the arch of the eye-brow's pencilled trace,

And the lip in moisture smiling:

He looked on the raven curls that fell

O'er the brow of Parian whiteness,

And the silken lash that softened the spell

Of the eye that swam in brightness:

He looked on the slender hand that shone,

Where the sparkle of gems abounded,

Like the star of eve on her vesper throne,

By the pearls of the sky surrounded:

He looked on the arm, as in floating grace,

It waved o'er the chords entrancing,

And the feathery foot, as it marked each trace

Of the melody in dancing.

He looked on all these, while links of gold

With the silken chain were blended;

And yet in his bosom calm and cold,

No wave of the soul ascended.

No rapture glowed in his tranquil gaze,

The tremulous thought revealing;

He looked for the light of soul in the face,

And saw not a ray o'er it stealing.

For the Southern Literary Messenger.

HAPPY LOVE.

The Nightingale sings to the midnight air,

All darkling and alone:

And the Lover's lute, mid the gloom of despair,

Gives forth its sweetest tone.

But the Lark springs up with the morn's first blush,

And mounts the clouds above;

As he sings to his mate, in the hawthorn bush,

The tale of his happy love.

But hark, that note from the clustering shade!

It has reached his listening ear;

And, with pinions closed, to her leafy bed,

He comes, like a falling star.

O! happy Love! O happy pair!

O for that tuneful art!

That I might breathe in my Lucy's ear

The voice of a happy heart.

For the Southern Literary Messenger.

SORROWS OF LOVE.

TO A BEAUTIFUL GIRL ON SEPARATION.

Oh! weep not tho' we're bid to part,

Since time nor distance e'er can sever

The links that bind my changeless heart,

To thy angelic form forever.

As summer clouds that hide the sun,

When once removed restore him brighter;

This night of woe as soon as done,

Will make our love-day morn the lighter.

Affliction now our hearts has proved,

And shown our passion's depth more clearly;

In joy we might have known we loved,

But grief has taught us, oh! how dearly.

The foregoing was written by a gentleman of fine genius, and is published without the author's knowledge.

For the Southern Literary Messenger.

EXTEMPORAL LINES.

On hearing Mr. Wickham's Speech at the Bar of the House of Delegates, on the 6th instant.

When Wickham stood up at the bar of the House,

And every one there was as still as a mouse,

I trembled myself, (to acknowledge the truth,)

Lest his age should forget the fine feats of his youth;

And I thought that his Horace had warned him in vain,

"Release the old racer in time from the rein,

Lest he falter at length in a laughable pace,

And finish his course in diverting disgrace."

But soon, very soon, all my fears were relieved,

And hopes took their places that were not deceived;

For I saw that his motions were sprightly and strong,

And, spite of his weights, he went gaily along,

Till, safe at the goal, pleasure broke from my lips,

And I cried out delighted, "hurrah for Eclipse!"1

January, 1835.

1 Solve senescentem maturè sanus equum, ne

Peccet ad extremum ridendus, et ilia ducat.

Hor. Epist. Lib. i. 1.

MRS. WOOD'S MANUSCRIPT POEMS.

The pious and excellent Mrs. JEAN WOOD, who died in this city some years since, was the relict of General James Wood, a distinguished officer of the revolution, and afterwards Governor of Virginia. The qualities for which she was remarkable, were familiarly known to a very large circle of friends, by whom, at least such as survive her, her memory is still held dear. She was indeed in the justest sense, a mother in Israel,—a lady of shining christian benevolence, whose kindly feelings towards her race did not consist in mere sentiment only,—but were evinced in a life of active, useful, and unostentatious charities and labors of love. Her piety moreover, though profound and ardent, was free from austerity; and there was a grace and cheerfulness in her manner and conversation, which won upon all of every age and condition who approached her. Well known as she was however, and universally respected for her virtues, there were but few comparatively who were apprised of her varied endowments or who knew that her practical good sense and experienced judgment were united to the lighter attractions and more ornamental graces of the intellectual character. Literature was to her the solace which refreshed the intervals in her works of goodness; it furnished that balmy repose to the spirit,—which it often needs amidst the conflicts and agitations of human life, even in its most favored condition. The proud, the selfish and avaricious, or the gay and luxurious, may each indulge in his own enjoyment or follow his own delusive phantom,—but next to the consciousness of doing good, there is no earthly happiness so pure and unalloyed as that which springs from the silent communion with our own spirits, or with the marvellous and multiform external objects which surround us. "There is a pleasure in poetic pains which only poets know." There is an exalted sense of enjoyment in contemplating all that is beautiful and good in the moral and physical world, and this indeed constitutes the empire of poetry in its more general and unrestricted sense. We do not claim for Mrs. Wood very extraordinary powers in this enchanting department of literary effort,—for how few of the thousands who have ever essayed to climb the hill of Parnassus have reached its highest pinnacle; and on the contrary how many have been content to tune their unambitious lays in humble seclusion—without courting or even desiring renown. Mrs. Wood wrote neither for fame nor the public eye, and it is this circumstance alone which will impart an additional interest to the natural and unstudied effusions of her muse. Her numerous friends and relatives will at least experience a melancholy pleasure, in tracing in these memorolabilia of their deceased friend, some of those qualities of mind and heart, which rendered her in life an object of respect and love,—and in death,—of veneration and regret.

The first poem we have selected, entitled "Retrospection," appears to have been written in 1809—when a severe illness threatened the life of her husband. In the frame of mind natural under such circumstances, she recalls the principal sorrows of her life, and among them there was none more poignant than the loss of an only child, a daughter of eighteen years old. The closing lines will indicate the source to which she was accustomed to look in the season of human affliction.

RETROSPECTION.

Why should mysterious Heaven bestow

A warm and feeling heart—

Yet doom it naught but pain to know,

And rankle in its smart?

That it might agonize and bleed

At every suffering pore,

The soft affections why decreed

To centre in its core?

The tender ties my heart has proved

That heart has held most dear,

And those most dearly, fondly loved,

Have cost the bitterest tear!

A tender parent's weeping nurse

My early youth I pass'd;

And Heaven did but those tears disperse

To bid them flow more fast:

For rich in worth, a youth appear'd—

I gave my virgin heart;

But Hymen scarce our vows endeared

Ere we were doomed to part:

He, through war's ravaged fields to roam

Eight sad revolving years—

I, droop'd, a widow'd wife at home,

In unavailing tears:

But ah! the pang was yet to feel,

(The worst the heart can know,)

The pang no earthly power can heal,

The climax of all woe!

To me a cherub fair was given,

I placed it next my heart;

It seemed the choicest gift of Heaven—

My bosom's dearest part:

While yet I mark'd each opening charm

That graced its baby brow,

Disease approach'd, in direful form,

To lay each promise low.

And oh! how worse than death to see

The ruins of a mind,

Which, in its dawning, seem'd to be

For better hopes design'd;

To watch with anxious hopes and fears

The daily deep'ning gloom,

Till eighteen sad and suffering years

Had laid her in the tomb.

Though keen the parting pang I felt,

And did my child deplore;

Yet soon in gratitude I knelt—

Her sufferings were no more.

My mind's composure once regain'd,

A competence still ours;

My loved companion, too, remain'd

To cheer my lonely hours:

Fondly I hoped life's evening shade

Might yet in peace descend,

And grief no more my heart invade

Till closing life should end.

But now alas! the transient calm

Flits fast and far away—

The hope that o'er my fancy swam,

And soothed my wasting day;

For dire disease again appears

To break the mild serene;

Again commands my streaming tears,

And clouds our closing scene!

Why, then, my God! thus closely twine

Around this bursting heart,

Those fond affections which are mine,

Such misery to impart!

Dare I, presumptuous, seek to know

What mocks our mortal sight;

Enough for me, thou will'st it so—

It, therefore, must be right.

The piece which follows, our readers will agree with us, is not only very agreeable verse, but what is still better, is replete with pure moral sentiment.

THE CAPTIVE BIRD.

Say, little caged flutterer, say,

Why mournful waves thy drooping wing?

Why silent sit, the live-long day?

Nor Vespers chaunt, nor Matins sing.

When first a captive thou wert made

And in thy wiry dwelling swung,

Suspended in the leafy shade

Or sunny door, you gaily sung.

My careful hand supplied thee store

Of ripest berries from the hill;

Thy cup replenished, strewed thy floor

With glittering gravel from the rill.

Beneath the same luxuriant vine,

The same kind hand supplies thy fare;

The sun's first cheering rays are thine,

Yet thou art sad and silent there.

Ah! little captive, couldst thou see

What passes in this wayward breast,

Thou'dst ask, perhaps, the same of me,

And why vain wishes break my rest.

Thou'dst ask me, why this quiet shade

Which late a paradise I deem'd,

Though still in verdant sweets array'd,

A melancholy prison seemed?

And bid me mind, each passing day

That wholesome viands crown'd my board,

That flowers and fruits and sunshine gay

For me, too, vernal sweets afford.

Nay, more,—that liberty is mine

And lends a ray to every joy—

While sad captivity is thine,

Mingling with all its sad alloy.

Thou "still small voice" that will be heard,

Whose whispers thrill the inmost soul!

Reproving friend—beloved and feared—

Conscience, this is thy mild control!

Oft hast thou urged this conscious truth,

When gloomy tears have fill'd mine eye;

Or discontent, with brow unsmooth,

Was fain to force th' unwilling sigh.

'Tis thy reproving voice I hear,

When from the poor and lowly cot

Content and cheerfulness appear,

Though mark'd by penury their lot.

Then shall I bear a pining heart—

While friendship, health, and peace combine

Life's dearest comforts to impart—

Ah! shall a thankless heart be mine!

No sure—content's too cold a name

For what my bosom ought to feel;

Thus favored, gratitude's sweet claim

With thanks unceasing bids me kneel:

Bids me, thus lowly bending, vow

Before the awful throne of Heaven—

Children of want, to share with you

The good its gracious power has given.

In the lines which we next select, it will be perceived that to minds of delicate fibre and poetic temperament,—the most familiar objects in nature will often suggest mournful images and recollections. A flower will awaken affecting reminiscences of some long lost and beloved object.

THE BELLE DU JOUR, OR CONVOLVULUS MINOR.

Sweet floret! beauty of a day,

And transient as thou'rt sweet;

Scarce opening to the morning ray

Ere shrinking from its heat:

Noon faded sees each early charm,

Thy blue eye closed in death;

And evening's breeze, thy wasted form

Wafts lightly o'er the heath.

While thus, sweet child of summer skies,

I see thee bloom and die;

What tender recollections rise

To prompt the pensive sigh:

For once in this lone bosom grew

As fair, as sweet a flower,

That smiled and budded forth like you

In morn's propitious hour;

But ah! while joy and hope were new

And promised bliss secure;

Like you, it drooping faded too—

And sunk to bloom no more.

Oft as I through the twilight gloom

A wandering mourner stray;

Pale shadowy tenant of the tomb,

She seems to cross my way:

For every object, every scene

Does my lost love recall,

From cheerful morning's rising beam

To mournful evening's fall.

Our readers must not be induced to cast aside the following poem, from its length. It is full of genuine feeling and pious sentiment.

EVENTIDE.

[Written in a dejected and visionary state of mind.]

Sweet beams the cheerful morn o'er happy hearts,

And every smiling scene new bliss imparts;

Each gay unfolding bud, each new born flower

Exhaling odors, owns the sun's warm power;

The new-waked birds their notes of gladness raise,

The trembling dew-drop rainbow tints displays,

In pendant beauty gems the lofty bough,

Or glitters in the velvet turf below.

On active wing abroad, the industrious bees

Their busy hum mix with the passing breeze,

The light breeze curls the silver-bosom'd flood,

Or freshening whispers through the waving wood;

The sun, now mounting, gilds the eastern skies,

Bright'ning the landscape with its glowing dyes—

Gay beauty smiles along each field and grove—

Congenial smiles—for youth, for joy, and love.

But when the soul, long since, has ceased to prove

The tender fallacies of youthful love—

And soberer joys, no more, the way adorn,

The sad heart, sick'ning, turns from sprightly morn—

Turns, pensive eve, to seek thy milder charms,

And dewy haunts, which no gay sunbeam warms.

When closing day shuts o'er its busy cares,

And onward stealing, twilight meek appears,

Drowns in obscurity the distant scene,

And casts a softening charm o'er all between—

'Tis then the sad, the lacerated mind,

Does in thy gentle gloom a soother find—

Sighs with less pain beneath its load of cares,

And mourns its sorrows with relieving tears.

Disrobed of gayer tint and gaudy hue,

Sweet Eventide! thy objects meet the view;

In modest russet clothed each shrub and flower,

Shades ever sacred to thy silent hour—

Shades how congenial! every heart must find,

Which long, long suffering, feels, but is resign'd.

So we oft see in life's bright morn display'd,

A youthful beauty gorgeously arrayed!

Unbent by care, her form erect she bears,

Bright are her eyes, unsullied yet by tears;

By thought unclouded her fair polish'd brow,

Nor does her buoyant heart a sorrow know:

Gay as the lark's first carol is her song,

As with light agile step she moves along;

Each young unwary heart to love she warms,

A sparkling wonder, and a blaze of charms!

But when this dazzling radiance is o'er

And morn's bright beauties fade to bloom no more;

When noontide clouds for evening showers prepare,

And the gay crowd no longer hail her fair—

Then, if beneath this form so heavenly bright

Some latent virtues rest—obscured from sight,

(By suffering taught its own intrinsic worth)

The struggling heart first learns to call them forth:

Taught by her own to feel another's woes,

The sweets of Heaven-born charity she knows;

While sympathetic tears unbidden flow,

And gentle pity does its balm bestow.

Now softened every gaudy trait is seen

To milder russet changed her vivid green;

Her morning splendors caught the young and gay,

But the meek mourner loves her eventide ray.

Ah! hour of twilight russet—thou art past—

And hope, sweet star of eve! has shone its last—

Nor can a ray of cheering light impart

Where midnight darkness ever wraps the heart.

At thy soft silent hour, in pensive mood,

Sweet eventide, I love to seek the wood;

And as I, musing, wind my devious walk,

With visionary forms hold fancied talk;

Forms that the cold embrace of death enfolds,

But which my soul in fond remembrance holds,

Down the lone walk, or midst the cluster'd trees,

I hear a well known voice in every breeze—

The passing object, or the shadowy green

Through their tall bolls in dim perspective seen,

Soft flitting forms present to fancy's eye,

That seem to glide with gentle greetings by.

Hail gentle spirits! Shades of friends revered—

By tender recollections now endeared;

And you, my earliest loss, parental pair—

Though o'er your tombs the oft revolving year

Has shed its winters frost and vernal dew,

Still faithful memory fondly turns to you—

For often in idea still are seen

Your silver locks, and venerable mien.

If conscience tells me I have err'd in aught,

Your cold reproving frown straight strikes my thought;

But if my heart acquits me of all guile,

It feels the joy of your approving smile.

A brother here, the worthiest of mankind—

Oft I recall—with pain and pleasure joined;

Two sisters—one advanced in matron grace,

Strong sense and feeling blended in her face;

Plain worth and warm affections fill'd her heart,

And to each action did their hue impart:

Benevolence and truth still led her way

And held their tenor through each well spent day:

The other, just a bride, in youthful charms,

With grace and beauty fill'd her husband's arms—

When Heaven, aware a mind so finely wrought,

So mild, so gentle, so refined in thought,

With erring mortals peace could never know,

Hasted to call her from a scene of woe;

And early placed her in those blest abodes

Where care no more afflicts, nor grief corrodes.

Sure, thou Supreme! of all thy works, the part

Most form'd for woe, is the soft female heart;

Her breast, the seat of innocence and love,

Was doom'd, alas! composure ne'er to prove—

What others felt, with but a passing sigh,

Kept the meek tear forever in her eye;

The varying blush that mental suffering speaks

In quick suffusion on her lovely cheeks—

Ah gentle Anna! leave thy Heaven awhile,

Greet a lone sister with one tearful smile.

Aerial music oft I seem to hear

In gentle breathings, strike my listening ear—

Full and melodious sounds, in swelling strains,

Then soothing soft, each dying note complains;

High o'er my head in trembling cadence plays,

Or lightly passes on the sighing breeze—

The ambient air a balmy fragrance fills,

And the charm'd sense each earth-born sorrow stills;

A lambent light pervades the dewy scene,

Illumes each branch and brightens o'er the green.

Sweet powers of Fancy! can this work be thine,

Or are these sounds, these forms, indeed, divine?

For see, where lightly borne on seraph wing,

An angel band their hallelujahs sing—

Its course, a form etherial this way bends,

Stooping to earth, and at my feet descends!

Oh, beauteous shade of what was once my child!

Wept when I wept, and smiled but as I smiled;

Phantom of what long filled this vacant heart,

That still would claim thee as its dearest part—

That still must hold thy cherish'd memory dear,

And greet thy much loved image with a tear.

In thy translated spirit sure I trace

Each mortal beauty of thy gentle face;

Shaded by silken curls of auburn hue,

Meet thy soft eyes of mild etherial blue;

Their look of patient innocence still feel

Touch my heart's finest nerve, with tender thrill,

See them in silent fondness fix'd on mine,

See thee for my maternal kiss incline—

With offer'd lip and fond extended arms,

While love ineffable my bleeding bosom warms!

Oh vision fair, of many an airy dream!

Of all my youthful hopes the darling theme;

Wreck of an anxious mother's early cares,

Loved object of her late regrets and tears—

Why, beauteous messenger, why hither sent,

On what mild purpose is thy errand bent?

For thou couldst only leave the blest above

On errands mild, and purposes of love.

Comest thou to warn me from this life of pain?

To bid me hope we soon shall meet again?

Sure in thy dulcet voice I hear thee say,

"Come, poor lone mourner, come to peace away:"

Welcome the sounds, for wretched must I be

While weary life divides my soul from thee.

Ah, no! that softly sorrowing look declares

Thou comest to chide my impious grief and tears—

Grief, that would thee recall to pain and woe,

Tears, that alone from selfish motives flow:

To bid me sink on an adoring knee

And thank my God, whose mercy shelter'd thee!

Who, while he seem'd, in each severe command,

To press me with a harsh chastising hand,

Prepared the balm that now my heartfelt woes

And anguished bosom, can alone compose;

And bad me know, in the conviction blest,

Though here thy suffering body knew no rest—

That thy pure soul, as spotless as 'twas given,

By his creating hand has wing'd its way to Heaven.

With sad solicitude 'twas mine to watch,

In silent woe, my angel's midnight couch,

Guide her uncertain steps the live-long day,

Or pine in trembling terrors when away—

To see the impending stroke I could not ward,

And mourn the sufferer that no love could guard;

But this blest certainty my heart repays,

And bids it throb with gratitude and praise.

Yet pardon, Lord! my bosom's sorrowing swell,

When on past scenes I yet too fondly dwell;

And you who ne'er have felt the cruel pang,

Who still can o'er your cherish'd darlings hang;

Who have not learn'd how hard it is to part,

And bear about a sad bereaved heart—

Or not possessing, ne'er conceive the charm

With which maternal love the heart can warm—

With kind indulgence hear pale sorrow's moan,

Nor lightly judge the woes you have not known.

Should the Supreme a cherub fair bestow,

More sweet than all his hand e'er form'd below;

While all that helpless infancy endears

Wakes into life a mother's hopes and fears—

And if thy heart shall love as mine has loved,

And prove the bitter pangs that mine has proved,

Then may'st thou judge—for thou wilt truly know

That keenest pang, a tender mother's woe;

Then wilt thou, pitying, hear pale sorrow's moan,

And kindly mingle with her sighs, thy own.

Thus, shadowy eve, allured and soothed by thee,

A wand'ring visionary I shall be—

And when o'er earth thy dewy breezes sweep,

Seek thy sequestered shades to muse and weep;

Not bitter tears—or without comfort shed,

A tribute to the loved, the honor'd dead.

Hail gentle spirits! while thus memory true

In fancy's wanderings oft communes with you,

This world recedes—the silent grave appears

A blest asylum from all earthly cares!

And faith, the hope inspiring, sooths my breast,

That there the sad and weary shall have rest.

We shall for the present, conclude with the following "Lines written on hearing a lady use the expression of smiling autumn."

SMILING AUTUMN.

Autumn, how should that languid air

That smoothed thy brow erewhile,

Be (though a frown thou dost not wear)

Mistaken for a smile?

The glow that dyes thy tawny cheek,

The gleam that lights thine eye,

Nor smiling grace, nor joy bespeak—

Thy every breath's a sigh.

Or if, perchance, a transient smile

Breaks o'er the fading scene,

To cheer thy plaintive brow the while

And wake its sad serene;

'Tis like the sickly smile that sits

On hidden sorrow's brow,

Or with the last faint hectic flits

When life is ebbing low.

From such heart-chilling smiles as these

Winter, I turn to thee—

Thy frowning skies and leafless trees

More welcome are to me.

For the Southern Literary Messenger.

STUDY OF THE LATIN AND GREEK CLASSICS.

Of all the "death-bed sayings" on record, none please me more than that of Beausobre to his son: Go, said he,

"Argentum et marmor vetus, æraque et artis

Suspice.

Suspice, et forma non fragilis

Movebit in pectore delectationis multum.

Ibi, cum Euroauster, tum erit admiratio—

Flori felicitatis suavis et jucunda."

Moving among the solid temples of "silver," and of "marble," reared by ancient literature, the intruder finds the holy beauty around him giving softness to his step, and banishing all ungentle levity. The plastic mind gradually yielding to the touch of that loveliness which has crept in through the senses, becomes of itself grand and lovely. The heart too receives its coloring—even as the cheek is colored, when standing beneath the stained windows of some real temple.

These truths have come home to me, at too late an hour, and a quill or two will not be worn out sinfully, in an attempt to impress their importance upon younger men.

If I fail, as most probably I shall, the consciousness of having consumed a day in useful effort, will be a tolerable reward—perhaps reward enough.

"The inner man moulds the outer," is an old and true saw. Its truth may be seen, reader, by looking around you—indeed, by looking at yourself. If you are a philosopher—a genuine philosopher—your glass will image forth an aspect of serene dignity. If a sophist, one of perplexed cunning. In the first instance, your manner will be lofty yet affable—a key to the better feelings of all:—in the latter grovelling, yet scornful—to every one food for the most unreserved contempt. Yielding that these different appearances are produced by the workings of the inner man, can you hit upon a mode for ennobling these workings, in themselves confused and feeble, so evidently effectual as the introduction of knowledge and its all-arranging hand? Some may say that the manner is of no moment. The effects produced under every one's own observation would, if remembered, serve to stifle this assertion. Why was it that the most eloquent of Grecians struggled for years to remove the defects of a faulty bearing, if no valuable end was to be attained?

It follows then that dignity and suavity are of service: that these—in many cases essential—are the offspring of a confidence in one's own knowledge. And now, I ask, whence may we draw richer supplies of this than from the pages of ancient writers? Are they not rife with all the useful reasoning—the philosophic intelligence—the happiness of application, that cultivated man could devise for the assistance of untutored intellect?

From the logic of the sage we learn, by a spirit of imitation natural to human beings, to quicken our own powers of reasoning. The perspicuity of arrangement and expression, so admirable in our master, becomes gradually a part of our own style. We are led by the strength of example to lop off the redundancies of a corrupt method, and by the acquirement of correct notions of purity, enabled to render our productions chaste and clear. And these improvements in the reasoning powers are effected at the same time that we possess ourselves of the richest treasures of lore!

But this is only one source of advantage among many as valuable. Wit, a power of the mind seldom granted with a liberal hand by nature—receives, in the course of communion with the playful and keen, a training of no little value. Charmed by the attic grace which softens and mellows the satire of our companions, (for let us conjure up at the hearthside the great masters of the past, and through their works hold with them 'pleasant converse,') our efforts will be to increase by farther intercourse, the small store already laid up perhaps unintentionally. Thus may we, if naturally possessed of wit, so polish and sharpen the gift of nature, that no armor may resist its progress: or, if destitute of this strong weapon, form for ourselves one less beautiful indeed, but of scarce less real worth.

Without this chastening influence, native wit degenerates into a harshness excessively grating to the ear of refinement, and productive of no single good effect.

Thus is improved or created a quality allowed by all to be of much utility in the contests between mind and mind. And what is life but a field of conflict, wherein the passions of one—perpetually at strife with those of another—are forever calling to their assistance the weapons of intellect!

I have before spoken of the effect produced on the manner by a confidence in one's acquired resources. Carrying this a step farther, I will remark, that many of the qualities regarded as amiable among men, such as urbanity and modesty, may be gained not only by the act of storing the mind, but from the actual lessons and counsels of the bland teachers from whom these stores are received. Will any one deny the happy consequences of an urbane and modest deportment, in man's intercourse with his fellows? Surely none would so far forget the beauty of virtue as thus to sneer at its manifestations.

We can scarcely find among the various pursuits of men, one in which the pursuer may not be assisted by the experience and lessons of his predecessors on the same path. The painter esteems himself happy when able to collect in his studio the meanest of the antique models. The sculptor contemplates among the relics of the past those master-efforts, so deservedly famous, and is indefatigable in a study essential to the production of purity in his own manner. Extend this to eloquence. Most truly the orators of antiquity have been sturdy pioneers upon a noble path, and to neglect their guidance would retard the pursuer of the same course, and entangle him in many difficulties. Indeed, with the works of these, elocutionists have invariably recommended familiarity. The strength of Demosthenes,—monte decurrens velut amnis—the 'abundant grace' of the polished Tully, are of themselves milk for a giant's nurturing. But they have not come forth alone from the wreck of time. They are attended by worthy companions.

The depths of a strong mind teem with the seeds of fine thought. Ideas lofty and rich are then in embryo, and it is a tedious but an essential task to bring them to maturity. The lessons and practice of those by whom excellence was most nearly approached, cannot do other than afford aid of the strongest nature to the student, who has in immediate view an anxious care of these germs, and looking forward to the season when a gigantic growth has rewarded his culture, longs with a virtuous ambition for its coming, that he may scatter among men the fruits of mature strength. Let all remember this, and seek not only rule of guidance, but successful illustration among the pages of the past.

It would be no difficult matter to point out other important qualities, ripened by a study of the ancient classics. To show how strongly assisted the organs of judgment, &c. may be by the strength-infusing food of knowledge, winnowed as it has been by time, would be truly labor absque labore. But I have already trespassed on the reader's courtesy, and shall leave the unfilled catalogue to be completed, if he thinks it worth the while, at his own leisure.

It has been my object to show that "the classical student's own good and that of his fellows, would be advanced by his assiduity:" and as I have not yet remarked distinctly upon the latter, I will do so now, and briefly.

Men unable individually to defend and protect their rights, enter into compacts for mutual assistance. Certain laws are drawn up, guiding the administrator of justice. This justice is the main duct by which the social body is supplied. With it, order and tranquillity shed their light upon a nation's progress towards happiness. Without it, the members within, and the body sinks under a benumbing paralysis. It is, then, the part of every good citizen to see that justice be maintained free from impurity, and by precept and example to enliven its energies. And what is it that gives weight to counsel, if it be not the adviser's learning and reputation?

"Insani sapiens nomen ferat, æquus iniqui."

What, in a just man's practice, so softens down to our feelings all necessary roughnesses, as a secret veneration for himself?

I have shown, or attempted to show, that the character becomes chaste by communion with those exalted spirits from whom are drawn the supplies of wisdom; and we now see that both the possession of these supplies and the reputation gained thereby, are of service to the public—moreover that skill, necessary in the management of public affairs, is generated, or to say the least increased—so rendering the ruler more capable of furthering the interests of the ruled.

We see then, that the individual and the public good are advanced by the study in question. Let us now examine whether this advancement may not be effected by confining ourselves first to translations, secondly to our own legitimate literature.

With regard to the first, others have pointed out the futility of all such transfers. The Turk exchanges his turban and robe for the habiliments of the Christian. Through the mask of this assumed garb what eye can detect the original Mussulman? Is he swarthy! others of his adopted brethren are equally so. Does the tuft of long hair by which Houri hands are to draw the faithful into Paradise, differ from the unshorn locks of those around him? his assumed head-gear conceals the difference.—Thus does he lose all trace of his former being, and since the assumed qualities sit on him but indifferently, the change is always for the worse. Are we to doubt the truth of this illustration? All experience forbids us so to do. The sterling gold of Shakspeare—converted into French tinsel—was only so converted to meet with ridicule and contempt.

Secondly, may not these advantages be gained by researches into our own literature? I would say, in the first place, that this latter is but a branch engrafted on the ancient tree; and if we wish to effect thorough familiarity, we must examine downward—solving difficulties as we proceed—until we come to the root, from whence springs all lore. Farthermore:—Acquaintance with "our own literature" being but one move towards the attainment of thorough knowledge, this very admission stamps it as an inferior degree of excellence, and will any one doubt the utility of gaining the greatest in a generous pursuit?

This connexion of past lore with the present, suggests to me an important point, upon which I shall linger for a brief space.

Few are ignorant of the close connexion between the ancient and modern languages themselves. It was the influence of the polished and manly Latin that gave euphony to the barbarous jargon brought by the German tribes from their forests. It was this that spread over the nations of modern Europe, mellowing in one instance the roughness of the Norman idiom, and in fine, entwining itself inseparably with the mongrel plant brought into being in England, after the conquest of Duke William. Indeed, so much incongruity pervaded this, that many great writers have believed it a vehicle too rude and perhaps unsafe, for the conveyance of their harvests to posterity. Under this belief Bacon wrote his "Novum Organum," as well as many of his more important works, wholly in Latin.

So close, therefore, is the union, that familiarity with one of the principal languages of antiquity has become absolutely essential to a thorough intimacy with our own.

Upon the connexion with the other I will barely remark, that the precept and practice of learned men most assuredly carry a weight at home, and was it not natural for these, filled as they were with the beauty of that tongue, whose melody and richness had lent a charm even to the outpourings of wisdom, to introduce its merits into their own less noble one? This they have done; and so originated a connexion important and harmless, inasmuch as it has benefitted the one greatly, without injuring the other.

I will now observe upon the time of life most suited to an attainment of that skill, essential in opening to the neophyte these well-stored magazines of useful and pleasing information. If the candidate for distinction in any, the simplest profession, had at the time of entering upon it, yet to master the rudiments of his language, would he not contemplate the double task in despair? Knowing that the greatest genius on earth, if without the means of expressing the teeming thoughts of a crowded mind, is but a "mighty savage," he feels, if success be his object, the absolute necessity of beginning the almost endless labor. From childhood to manhood he should be furbishing this key to his mind's resources.

And the case is the same with regard to the study of the elements which throw open the riches of the past to our conception. These riches are very seldom possessed when the means of doing so are not gradually acquired in very early years. The hours are not then counted—the labor does not present itself in a huge and startling mass to the narrow view of youth, but is seen part by part as the student advances. With years of inactive life before him, his time is his own, and we may almost say unlimited. Undeterred by the calls of the world, he has leisure to possess himself of every requisite for enjoying the feast to be partaken of hereafter. Turn to one who, after neglecting the acquisition of that which he has at length learned to look upon as most valuable, attempts to rectify his error. With the duties of life accumulating every moment on his hands—with the toil to be endured spread out like a map before his eye, he rarely has energy enough to persevere. The task is given up as a hopeless one, and his judgment, on the ground of interference with essential duties, sanctions the decision urged by timidity. Then deprived of all means of gaining the treasure, he laments the error by which its acquisition was deferred until too late a season.

I have said nothing of the exquisite entertainment to be drawn from the study before us. My object has been to work on the feelings of real and palpable interest, so effectual in ruling men of the present day.

Let us now turn to a picture, to me of great beauty. The strifes and toils of the world are left behind us. We have sought the shades of retirement, to consume in domestic happiness the few remaining years of our earthly term. The merchant has come from the hills and valleys of the east to the banks of the Nile. He brings with him

"Munera terræ

Et maris extremos Arabas distantes et Indos."

His wanderings have been among the groves of spice, and over the sands of the great deserts. His cheek has been shaded by the palm and the cool cedar, but it has too been blistered by a scorching sun. All this is at length passed, and chaunting the "Allah Acbar," wearied—yet joyful in his weariness—he plants his pavilion on the quiet shore, there in patience to abide the coming of Dyerm or Xebeck, appointed for his passage to the destined mart. Thus after experiencing the various fortunes of active life, we sink into ease.

To him who has no 'munera scientiæ'—no attachment to polite research, from which to draw pleasure in the hours of solitude, this seclusion is worse than a foretaste of that grave so soon to succeed it. His mind is a mere void, aching to be filled. Accustomed to satiety, before the affairs of life were relinquished, the contrast is now all the more painful. It is this that accounts for the discontent of those "refugees from the closed shop," whom we see around us. But on this picture I do not love to linger. There is another, possessing in the home of his retirement, a home of placid delight. Surrounded by the fruits of mental exertion—the parent tree long dead—he revels among the richly flavored and the luscious, until existence becomes one continued feast. His influence in the world is undiminished—his works are remembered with feelings of reverence and affection. Afar from the restless crowd he is, as has been beautifully said, like the moon in her relation with ocean; and rendered no less influential by the tranquil steadiness with which he keeps aloof from the scenes of his influence. To such a man the treasures of ancient lore are invaluable; they are charms possessing power to call up the host of worthies, by nature and assiduous cultivation, great and excellent. In the sacred recesses of his studio he communes with these. He is cheered by his intercourse with companions so pleasing, and his path to the grave is smoothed by flowers of the softest leaf. At length the drama draws to a close! Like the chaste Talbot, he breathes his gratitude to those who have been to him the fountains of 'sweet joy.' It is his last breath. Loved for his virtues, and venerated for his good works, he sinks to the grave, on whose brink he has long been lingering, and whose ideal horrors, the lessons of true knowledge have rendered to him objects to be welcomed, not dreaded—loved, not feared.

For the Southern Literary Messenger.

MEMORY.—AN ALLEGORY.

An evil genius visited the happy islands which repose upon the bosom of the deep blue sea. In these smiling gardens the blest recline, remote from the turmoil and confusion of life: there are trees loaded with golden fruits—flowers of a thousand hues, and sweet fountains of limpid water spread their silvery lines along the emerald lea. The melody of singing birds, the soft murmur of running streams, and sounds of distant music, fall upon the ravished ear. The wanton breeze steals fragrance from the flowers as it passes on, and sweet perfumes scent the air. Here childish innocence reposes on beds of flowers; there groups of maturer years recline on verdant knolls, enjoying the passing hour. Pairs wander arm in arm in pursuit of pleasures that never pall, and gay crowds lightly dance their hours away in mirth and song. The genius pronounces the fatal word, and each breathing figure is transformed to mute and changeless stone. The voice of mirth is hushed, the tones of music have fled, years roll away, and the living statues still look in marble coldness on the changing scene. Its flowers wither—its trees of golden fruits die one by one away—the birds flee from their green retreats, and the creeping serpent hisses in the tangled brake—tall rank grass covers the favorite walks, or choke the streams, whose turbid waters force their sluggish way. At length a passing vessel stops—a stranger wanders over the wondrous scene. On a pillar an inscription is engraved; he pauses to read the word, and instantly the spell is broken—the marble statues melt into silent shadows of the human form, and flitting forth in pairs and groups, they wander over their once loved home. They seek their familiar haunts; they search for the objects of their love; and each shadow as it passes, whispers, gone: and returning to their places, their forms resume their marble lineaments, and stand once more cold monuments of their former selves. Such indeed is the human mind. First comes youth's genial season; hopes linked with loves in happy pairs, wander around the smiling scene, which fancy decks with flowers. Here joy dancing to the song of mirth, lightly whiles his hours away; there young affections and gentle thoughts, like virgin sisters of a primeval race, pursue their quiet way to the bright abode which fancy hath created so beautiful and fair. But at length sorrow comes to breathe its spell. How many hopes, and loves, and pure affections, and pleasant thoughts, are changed and gone! Inurned in icy coldness, they are sepulchered in memory's cave; and yet, perhaps, some simple word of other times is breathed, its spell evokes departed joys and buried loves. Dim shadows of the past arise—they fleeting come. But fancy too is changed; it no longer forms the gay creations of its youth, but fills its gloomy fields with pictures at which the heart doth shrink. The very thoughts for which we sighed, are now without a home, and seek to pass away.

ALPHA.

For the Southern Literary Messenger.

The following lines were found, written in a "delicate bird-quill hand," on a blank leaf on the Petrarch of one, among the prettiest of my fair cousins. The authoress perhaps caught a certain quaintness of expression from the strained verses of the Italian lover; but the idea I am inclined to believe original, notwithstanding the assertion "This was stolen from Boccacio," with which the lines are capped. Stevens, the Puck of commentators, asks "What has truth or nature to do with sonnets?" and Byron echoes the question. There may be some truth in this, though the opinion of the first sprung from hatred towards Malone, and that of the latter from chagrin at his own want of success. If the proper characteristic of the sonnet be an artificial quaintness, my cousin has succeeded admirably,—which I presume Mr. White will have too much gallantry to deny.

THE CREATION OF THE ANTELOPE.

The tone of coming Ariel's voice was sweet

To wise Prospero; he had flown the girth

Of this green sphere, and gifts from wave and earth

Were bound with flowers upon his pinions fleet,

As singing came he to his master's feet.

Four aspen leaves plucked in the shivering north—

The Palmiste bough and fruit—of eastern birth—

And leaf of Abelè—a thorny sheet—

Were there: And in a cask of quaint device

Was pent the flash thrown from the gaudy plume

Of Sopor's empress-bird, of thousand dyes—

Then by this flash begot—from glamour's womb,

Gleamed into being two most gorgeous eyes

Like those twin stars that lit creation's gloom.

And hoofs most delicate the wise man wrought

Of Ariel's gift of restless aspen leaves:

And skilfully as slim Tarantul' weaves

The curtain to her silken couch, soon brought

The sheet of Abelè to beauty: naught

Torn from Earth's Edens by his wily thieves

So soothed their master as this gem of leaves!

With downy softness from his magic caught,

It lay a snowy skin. Next of the bough

And fruit pluck'd from the Palmiste's sinewy stem,

A neck and graceful head formed he: Life's glow

Then tinged each vein. "'Tis done—gleam thou bright gem,"

Pleased Prospero said, "on Hemalaya's brow,

A living jewel to his diadem!"

E. D.

For the Southern Literary Messenger.

LETTERS FROM NEW ENGLAND.—NO. 3.

BY A VIRGINIAN.

Pittsfield, Mass., July 26th, 1834.

One means by which Prussian tyranny sought to break down the spirit and health of Baron Trenck, during his long and rigorous imprisonment at Magdeburg, was to have him roused by a sentinel, every fifteen minutes of his sleeping hours. You can form a lively conception of the efficacy of the plan, if you have ever been compelled by exhausted nature to woo her "sweet restorer" in a stage-coach, over a very uneven road: but what think you of dozing it outside, on the driver's seat? Instead of two this morning, the waiter called me at one; when I had not slept a single wink—("sleepless myself, to give my readers sleep.") Sickened by the motion of the close and crowded coach, I presently mounted beside the driver; where drowsiness soon overcame me. So, tying one arm with my handkerchief to the iron on the stage roof, I took, for about two hours, such slumber as was permitted by the heavings of our vehicle, on a hilly road: such slumber, as one might enjoy while tossed in a blanket, or "upon the high and giddy mast," rocking his brains, "in cradle of the rude imperious surge." On fully awaking, half an hour before sunrise, I found we were ascending a mountain (part of the Green Mountain,) by a gentle slope of three or four degrees, continuing for six miles. The scenery, (wildly picturesque in itself,) bursting thus suddenly upon the view, was particularly striking. Indeed, no day of my tour has presented a greater number of boldly beautiful landscapes. That I never try to spread these beauties upon my page, you must ascribe to the fear that they would but 'evanish' in the endeavor, and by no means to any profane contempt—unpardonable, you know according to Dr. Beattie, for

————"the boundless store

Of charms which Nature to her votary yields;

The warbling woodland, the resounding shore,

The pomp of groves, and garniture of fields;

All that the genial ray of morning gilds,

And all that echoes to the song of even;

All that the mountains sheltering bosom shields,

And all the dread magnificence of Heaven"—

I most devoutly worship them all. But humbler themes befit and demand my pen.

It is a New England custom, to bury all the dead of a township, or of a certain subdivision of it, in a common grave yard; usually, not within any village, and apart from any church. This yard is enclosed with a wall; and every grave is marked by a stone (commonly hewn marble,) with a neat and simple inscription of name and years, supplying "the place of fame and elegy." By a sort of tacit consent, each family is allowed to cluster its dead together in a separate portion of the ground; sometimes in a capacious vault, marked with the family name. The curious may at any time find an hour's amusement—aside from the more serious thoughts proper to the place—in reading, on the tombstones, the surnames common and peculiar to New England, and the Christian names—mostly scriptural—betokening the original and enduring sway of Puritanism. A southerner naturally wonders why the grave yards are without the villages. To an inquiry of mine into the reason, a 'cute female (evidently far wiser than her husband, who was also in company,) answered, that it was "to accommodate those who live at a distance." How it did this—or how, if the distant on one side were accommodated, those on the other were not equally incommoded—my sage instructress did not expound. The village itself (at least its ordinary nucleus, the meeting-house) is usually central to the town, for the equal convenience of all. It seems more probable that health, and the readier command of space, influence the location of burying grounds.

One of the objects that have struck me most pleasingly, is the Liberty Pole, in almost every village. Its use is to hoist a flag upon, on the Fourth of July, and other festal days. It figures exquisitely in "McFingal"—that best poem, of its length, that America has produced; so often quoted for Hudibras, and so inadequately honored, not only in the south, but here, in its native north. Do take down the book, or, if you have it not, go straight and buy it; turn to the second or third canto—I forget which—and be grave if you can, while you read how the Tory hero "fierce sallied forth" attended by

"His desperate clan of tory friends:

When sudden met his angry eye

A pole ascending thro' the sky:—"

the ceremonies of its rearing and consecration; the attack, not wordy alone, of the hero upon it; his inglorious discomfiture; his wadling flight,

("With legs and arms he worked his course,

Like rider that outgoes his horse;")

his fall, and decoration with tar and feathers; the hoisting of the tory constable by a rope fastened to his waistband,

"Till, like the earth, as stretched on tenter,

He hung, self-balanced, on his centre;"

where, as Socrates (according to a witty comic poet of his day) got himself swung in mid air to clear his perceptions,

"Our culprit thus in purer sky,

With like advantage raised his eye;

And looking forth in prospect wide,

His tory errors clearly spied."

I had enjoyed so many a laugh at the whole scene, that when a Liberty Pole was first shown me (at Hartford) by an interesting fellow traveller, it required all my phlegm to refrain from clapping my hands with pleasure.

Albany, July 27.

It was nearly eleven—two hours later than usual—when we arrived last night. A series of little casualties delayed us: a thunder storm, quite as magnificent as most that we have in Virginia, only our thunder and lightning are far superior; a tree, of eight or nine inches diamater, blown across the road by a semi-tornado that accompanied the cloud; and divers other detentions. The storm met us near the top of a mountain, upon the line of Massachusetts and New York; obliging us to halt, and fend off the rain as best we might, by buttoning down the curtains. The descent hitherward, winds, for perhaps a mile, along the steep mountain side; commanding a fine view of the pretty village of Lebanon, and its prettier valley. Near Lebanon is a settlement of Shakers. The only incivility I have yet experienced from a stage driver, was a few miles this side of Lebanon; when, availing myself of a brief halt at a hotel to get some refreshment, I received an indistinct notice that the stage could not wait: and a minute or two after, some one called to me, "you are left, sir!" On going to the door, sure enough, the horses were in a sweeping trot, twenty or thirty yards (or, as they say here, four or five rods) off. I soon overtook them; and was admitted, the driver surlily grumbling at the unreasonableness of expecting him to wait all day. He was soured by being so late. And whoever considers how nice a point of honor—aye, and of duty, and interest—it is with that fraternity to be punctual, will not blame him very severely. They have been civil and obliging to me; the one by whom I slept yesterday morning, was even kind.

So well established is this good character of New England stage drivers, that ladies often travel by stage for scores of miles, with no other protector. And the driver does protect them, vigilantly. Every way, however, the freedom with which females trust themselves abroad there, and in the south, is remarkably different. I have seen handsome young ladies, of refined appearance, driving in a chaise, with no male attendant, to a town seven or eight miles from their home. And such things are of every day occurrence, attracting no especial notice. This freedom arises, I believe, from several causes. It is unquestionably owing, in part, to the sober, honest, and peaceful habits of the people, and to the certainty, that any wrong or insult offered to a female, would be promptly resented and punished; as in Ireland, under the reign of Brien the Brave, a beautiful damsel, richly attired, could walk alone, safe and fearless, from end to end of the kingdom.1 Contiguity of residences aids this effect. Then, in the country villages of the north, there are many more ladies than gentlemen, from the emigration of the latter westward, and from their resorting to the maritime cities and to the ocean, for trade and seafaring employment. Besides, New Englanders have less time for pleasure than we have; and no Virginian will deny that "to tend the fair" is a pleasure. But the freedom of female movements is partly attributable also to the prevalence, among the New England men, of a less tender and obsequious manner at least, towards the fair sex, than southrons habitually shew. They do not practise those minute, delicate attentions—that semi-adoration—ingrained in the very constitutions of our well bred men. (Not dandies—I speak of men.) Indeed our claim to superiority may be pushed still further. In affability to inferiors, our northern brethren are decidedly behind us. In their middling and lower classes, nay and in the lower tier of their upper classes, this short-coming is particularly discernible: and extends even to their deportment towards equals. Clowns and servants—I beg pardon—"helps"—seem not to expect, or to relish, the courtesy which, in the Old Dominion, every true gentleman pays to the poorest man. Soon after entering the country, I found it necessary, if I would have respect from them, to abate much of the respectful address, which habit had rendered essential to my own comfort. Can these deficiencies of manner—supposing them to exist—and my belief of them is confirmed by that of others—be ascribed to the utter proscription of duelling—that vaunted nurse of courtesy? I should rather attribute them to three other causes. First—a dislike to outward displays of emotion; a hard-featured sturdiness of soul, which, content to feel kindly and deeply, and to act kindly too in things of solid import, forgets or disdains the petty blandishments of manner, as idle forms, often the offspring of deceit, and unworthy of a mind bent upon substantial good. This estimable, but unamiable trait—derived purely from his sire, John Bull—makes Jonathan disliked on a superficial view. But those who consider him with candid attention, and bearing in mind the true saying of honest Kent, that

"They are not empty-hearted, whose low sound

Reverbs no hollowness"—

perhaps find the unsightly iron casket stored with the richest jewels. Second—(a less creditable cause; applicable only to the imputed want of courtesy towards inferiors)—The employment of whites, as servants. A master cannot treat these as his equals: it is utterly incompatible with the relation. His demeanor towards them, he naturally extends to their kindred, and to their class; that is, to all the poor around him. According to that general principle of divine wisdom and goodness, which, by a counterpoise of good and evil, equalizes every human lot, the blighting curse of slavery seems to carry this mitigation along with it—a more delicate and scrupulous regard, in the free, to even the minute gratification of their fellow-free. Hence—and from their greater leisure to cultivate manner—chiefly arises, we may suppose, the superiority of slave-holders in the several points of politeness. Just so, according to Montesquieu, good-manners characterize a monarchy. Those who can see in this, a recompense either for a privation of the glorious right of self-government, or for the unmeasured ills entailed by domestic slavery upon a community, are welcome to the consolation. Third—(applicable, like the last, only to intercourse with inferiors)—the system of electioneering practised in the northern states. Usage and public opinion allow no man to declare himself a candidate for office. His doing so, would be political suicide. He must be nominated by a CAUCUS—or CONVENTION, as "ears polite" now require it to be called. The convention is got up in this wise: One, or two, or three, tolerably influential men, having a friend whom they wish to exalt, call a private meeting of those over whom their influence especially is, and after insinuating his merits into the minds assembled, get a resolution passed, for a general caucus, of the whole party, in the town, or election district. All who were at the private meeting, bestir themselves diligently to congregate at the caucus, such persons, chiefly, as they, or some of them, can control: and in this they are so successful, that a nomination there, of the individual designated by the first movers of the scheme, is almost sure to result. This nomination goes abroad, as made by a meeting of the people; and unless some more skilfully conducted or powerfully headed counter movement take place, our candidate may count with reasonable certainty upon his election. Such is the machinery by which aspirants get themselves hoisted into office; as explained to me by one familiar with it—who had actually profitted by it more than once—and who owned that it was rather a shabby feature in the politics of his country. All aspirants, therefore, (and in our country, how few are not so—openly or covertly!) pay court, not to the people at large, but only to the known leaders of the caucus. Contemning the passive wires and puppets, they regard only the hand that works them. Thus the commonality, losing their importance in elections, lose their strongest hold upon the civility of their superiors. I need not run out the process. 'Twere well, if deprivation of bows, and smiles, and kind words, were all that the million suffer by the caucus system. But, by rendering them insignificant in the body politic, that system threatens popular government itself with overthrow. I wish, I long, to see my fellow Virginians copy our brethren of the north in many things: but this system, may they shun as the cholera! May they always adhere to their own frank and manly plan, of having the candidate appear before them, and face to face declare his sentiments and manifest his ability to defend the great interests with which he asks to be entrusted!

1 See T. Moore's Irish Melody—

"Rich and rare were the gems she wore."

While talking of manners, it would have been seasonable to speak of the impertinent inquisitiveness, commonly ascribed to the Yankees. I have seen no trace of the fault: not even so much as our own people sometimes shew. While on foot, in the country, I was sometimes asked where I was from; but it was always where the question was suggested and justified by the course of conversation, or by the tenor and number of my own inquiries; or, to furnish a starting place for our colloquy—a platform whence to toss the ball of discourse: never, in a manner the least abrupt or offensive. Among the better classes, such as are casually met in stage-coaches and hotels, there was all the delicate forbearance in this respect, which marks true politeness every where.

Again—Our brother Jonathan is reputed, with us, a great sharper. Yankee tricks, and Yankee knavery, are ideas inseparable from the word Yankee. Now my own experience does not enable me to add a single one to the catalogue of anecdotes, by which that characteristic is supposed to be proven. Not a single cheat—not a single trick—was practised upon me during my sojourn in Yankee land: unless, indeed, it was so adroitly done, as to have been hitherto imperceptible to me. The fact is, our ideas on this point are derived almost entirely from those delectable samples of honesty, ycleped "Yankee pedlers," who for many years have so swarmed over the south: a race, by whom their countrymen at home protest, with hands uplift, against being judged; and by whom, in very truth, it is no more fair to judge them, than it would be to judge of us by the vilest scum of our society, who may have fled to Carolina or the Western forests, from the just punishment of their crimes, or from the detestation that dogged their vices.

It hardly needs be said—common fame loudly enough proclaims—that religion flourishes in New England, as much as in any part of the world. Yet it does not obtrude itself upon the traveller's notice. It is a quiet, Sabbath-keeping, morals-preserving, good-doing, and heaven-serving religion, free from several extravagancies, that have elsewhere crept into christianity. Meetings for eight, ten, or twelve days together, and suspending, meanwhile, all attention to important secular duties, I have not seen or heard of: even a meeting at all, on a working day, did not meet my view during the (nearly) four weeks of my stay; except funerals. The people seem to think both parts of the third commandment alike binding: "Six days shalt thou labor," as well as "Remember the Sabbath day, to keep it holy." Dancing is by no means proscribed, or unusual. It is taught at many or most of the high female boarding schools. Even in Connecticut, "junkettings" are not unfrequent, lively enough to have pleased our venerable Pendleton, yet "soberly" enough conducted, to have suited Lady Grace. At New Haven, within bowshot of Yale College, a dance was kept up for two successive nights till eleven or twelve o'clock, in an apartment just across the street from my lodging. True, I have seen no match for my father's friend and mine, Dr. K——, who, since the birth of his seventh grandchild, has so often realized that pleasing trait in the picture of French rural life—

"And the gay grandsire, skilled in gestic lore,

Has frisked beneath the burthen of three score;"

but I saw as great a wonder, in a church last Sunday. The music struck me as particularly fine; I doubted not that it was an organ; till, looking up to the gallery, there sat a gentleman scraping away with might and main upon a violin, and another upon a bass viol: accompanied by a flute, and an admirably tuned choir. "Our armies swore terribly in Flanders:" but it was nothing to the deep, anathematizing abomination with which some "unco guid" folks of my acquaintance (not of yours) would have beheld this uncommon mode of "hymning the great Creator." Even me, it affected very singularly: I thought of the war-lock-dance in Kirk Alloway; of Auld Nick in shape of "towsie tyke, black, grim and large," whose province it was to "gie them music;" how

"He screwed the pipes and gart them skirl,

Till roof and rafters a' did dirl;"

While "hornpipes, jigs, strathpeys and reels,

Put life and mettle in their heels:"

"Wi' mair o' horrible and awfu'

Which e'en to name wad be unlawfu':"

and I did not know what catastrophe might ensue, from the profanation. Happily, however, none occurred.

In the formalities of piety, the descendants of the Pilgrims are radically changed from the puritanical strictness of their forefathers. The quaint names, indeed, are retained; but the straight-lacedness they imply is gone: you find Leah, or Naomi, upon near approach, to be as arch a lass, and Jeremiah, or Timothy, as merry a grig, as any Sally, or Betty, Tom, or Bob, south of the Potomac.

No one in Massachusetts is any longer compelled by law to pay for the support of religion, its temples, or its ministers. The law, requiring the citizen to do so, only letting him choose the sect or the minister to whom his contribution should enure, was repealed last year. Each religious society—answering to congregation with us—has a sort of corporate faculty, involving the power to tax its members for church expenses, and to coerce payment by distress if it be withheld. Even this is a stride towards hierarchy from which our lawgivers have shrunk ever since 1785; and which our people will probably never permit.

I must say more to you, of the goodly land I have just left. My having quitted it, need subtract nothing from the credit attached to my observations: for I shall touch no topic, which is not as fresh in my mind, and as susceptible of truthful representation, as if the local scene itself stretched around me. Adieu

From the Western Monthly Magazine.

AMERICAN LITERATURE.—ITS IMPEDIMENTS.

We live in a country pre-eminently rich in mental and physical resources. We have whatever internally or externally is requisite to promote national greatness and prosperity. We live in the full possession and enjoyment of a government founded on the experience of the past, and reared by the genius and wisdom of an unrivalled ancestry. The mind here blooms and grows under the protecting wings of the Genius of Freedom—its native boldness and vigor unrestrained. Here it may be aroused to all that is noble in enterprise, or excellent in virtue. Here the aliments of its growth are as rich and as inspiriting, as they are abundant. It enjoys the choice fruit of the loftiest minds of departed ages; and may feast on the wisdom and learning of every modern age. It enjoys the bland influence of the christian spirit; and may attain a superior standard in moral greatness and power. But these are not the only advantages which tend to the development of American mind. In whatever direction we gaze, nature's beauties, as profuse and lovely as the stars of the sky, meet the vision. We behold landscape after landscape, enchanting beyond measure; the graceful undulations of luxuriant prairies; tall forests, clothed in the magnificent robes of summer, or cheerless with the storms of winter; noble and beautiful rivers, over whose placid waters genius and enterprise have scattered the wonders and researches of science; towering mountains, fairy groves, and silver-sparkling lakes. Add to these, the wild traditions of a people unknown to former minds: traditions, over which curiosity loves to linger, and philosophy to speculate; traditions, which, imbodying the terrific, the romantic, and the ennobling of the savage state, throw over the page of fiction a charm and an interest, enchanting and enchaining.

From this view, we might indulge the prophetic thought, that our national mind would attain to the highest degree of intellectual pre-eminence. Now, the mind is the prime source of literature, creating it, and giving to it an enduring form. If all its powers are fully developed in their varied beauty and might, that literature to which it gives character, will be of an exalted nature. Should then our national mind be made to appreciate its advantages, it naturally follows, that our literature will be all that is grand and sublime—will soar to the loftiest summit of the Olympian mount. But whatever will have a tendency to pervert these advantages, to draw the mind into pursuits below its real nature, will impede its growth. We behold around us such impediments. It shall be our object to exhibit a few of them, feeling convinced that if the obstacles which retard the transit of our literature in its ascent to greatness, be once known and surmounted, its destiny will be bright and glorious.

Individual character is the combined result of early impressions. The same is true in regard to national character. Whatever most influences the young mind, gives tone to its future action. Those circumstances, which most excite and agitate the mind of a nation, likewise mould and shape its future action. What has most deeply interested the American mind? If we trace back the chain of our history to the fearless days of our infancy, we shall find that its absorbing interests have been of a political nature. True, there were some minds among that matchless band of our New England ancestry, who, with the great volume of nature open before them, wrote with a spirit of inspiration, and soared to the high heavens of literature. They were few in number. We need not ask what now moves and engrosses the thoughts and feelings of the American mind. We need not now ask what form of character it is fast assuming: for it is truly becoming a political mind. Now, what will be the effect of such a cast of intellect in impeding the march of our literature, is obvious to any one of common discernment. The mind that would create an exalted literature, should drink at all the fountains of knowledge; should be clothed in forms of grace and loveliness; should have all its powers and faculties developed; its delicate and masculine, its placid, its stormy and religious: it should be like Phidias' Minerva, perfect in all its proportions. Political pursuits do not produce this mind. If we examine them, we shall find their elements to be the united effects of bad ambition and immature intellect. It is true, they encourage activity of mind; but it is not that kind of activity which develops its beauties and majesty. That mental action which they promote, has its origin in lawless passions, in inordinate and ungenerous emulation. The political aspirant of the day is attracted by the false glory which beams around our political temple, and thinks no means too low, too debased, to gain entrance there. It is true, politics may bring into the field of competition, timid and shrinking intellect; but they do not impart to it a masculine boldness and nobleness. They train it to deeds of cunning and hypocrisy. We have reference now to the general politics of the age. Party strifes, the natural result of excess in politics, keep the mind in an unhealthy state: at one time raising it to the highest pitch of excitement; at another, causing the most extreme depression. That calm serenity, which moderates and chastens its powers, passions and emotions, is a stranger in a political contest. That mind, inured to party feelings and party interests, can never attain its full vigor and manhood—such is the nature of excess in political pursuits. We would ask, do they cause a full development of the mental powers? Do they awaken the fancy? Do they clothe human thoughts in radiant and brilliant robes? Do they promote mental research? Do they create pure and soaring eloquence? or tune the lyre of poesy to notes celestial? Let the genius of American Literature, as she wings her slow flight upwards, give the answer.

This political spirit, contagious and diffusive in its nature, has spread itself throughout the entire frame of our government. All classes of society, from the proudest to the humblest spheres of life, have imbibed it, feel it, and act under its influence. It composes the chief interests, and engages the active feelings, of almost every community. Who can be insensible to the fact, that our universal mind has already assumed a political character? The aspect of the times prove it beyond the shadow of a doubt. The consequences to our literature are obvious. The majority of our gifted, shining minds, prefer the honors of state to classic fame—rush headlong into fierce unnatural intellectual conflicts, rather than enjoy the calm, soul-ennobling, and sublime strifes of literary pursuit. The goddess of learning is uncourted in her temple. Pure mental illumination shines only on a few isolated spots. Public taste, which may be styled the protectress of literature in every country, instead of being refined and elevated, is corrupted and debased. In short, our literary mind, which, under the influence of our free institutions, might, like the eagle, soar with might and majesty, is chained down and impeded in its action.

It cannot be expected, that such a state of society would patronize noble, intellectual effort. Genuine literary merit, is unnoticed amid the whirl of party. The beauteous and serene beams of the star of science, are lost in the dazzling brightness of the political sun. How feeble the inducement held out in our land to the poet, the historian, or philosopher! The reading portion of our population is but a trifle, compared with the whole. We have a few mature minds, who, soaring above the common level, have taken their seats in the halls of literary eminence. Are they appreciated? Their names are unknown to a majority of the various classes of society? Who read the classic and eloquent orations of Webster and Everett, full of deep principles and splendid thoughts? Who, the placid, flowing and pathetic verse of Bryant, whose thoughts, so melancholy, yet so beautiful, steal over the soul like evening music on the still water? Who are delighted with the brilliant imagery, and chaste conceptions of Cooper and Irving? Their productions, the results of long, close, and patient thought, serve for parlor-ornaments, and parlor-reading. They are not studied; and who, without studying, can master the real, pure meaning of a fine thought? A work on modern philosophy is rarely seen, even among the learned circles of society: it never reaches the great mass. How could it be otherwise, when the general mind is agitated and convulsed by political strifes! How could it be otherwise, when all that is beautiful in the heart, and sunshine in the intellect, is debased and destroyed?

We may be told, that learning has flourished in other countries, under similar inauspicious influences; that the mightiest geniuses the world has ever seen, wrote their superior works under the frowns of patronage. They were exceptions to all rule. There are few minds cast in the same moulds as those of Cervantes, Petrarch, Dante, Shakspeare, and Milton. If we mark the history of mankind, we will find, that there are now and then, in almost every nation, some unconquerable minds that would, in spite of circumstance, illumine the world. But the principle is a natural one. Mankind are fond of the fame of the moment; self-love is the predominant feature of human character. Men, in general, live not for posthumous glory. The present is more selfish than past ages. There is something exhilarating, spirit-stirring in the smiles and praises of our own countrymen. Genius, or holy ambition, then, cannot be aroused to vigorous action, unpatronized. Let it not be supposed, that we would have the mind think for gold. We would have it write,—and it would write, and that, too, with an immortal pen, in lofty and impassioned strains,—under the favor and good-feeling of society. But how can the literary mind be thus stimulated, when the general feeling of society is diametrically opposite to its interests? As well might we ascribe the splendid and magnificent architecture of the pantheon, to the skill and workmanship of the unlettered barbarian. We would not be misunderstood. We would not have our political interests forgotten. We would have them engage a share, but not the universal mind of the nation. We would have communities feel the same degree of interest in literary as in political greatness. We would have them combined; for their united results will increase our power, and throw around the arch of our glory, a radiance, lovely and sublime.

What periods in the history of mankind, are most distinguished for mental superiority? When did Grecian literature assume its brightest charms? Who has studied the character of the Pereclean age, and not experienced feelings of inexpressible delight, as he then beheld the mind in its noblest form? Then, the true value of mind was appreciated, and its efforts liberally patronized. Munificent gifts were the reward of mental exertion. Then, all grades of society, on the return of their Olympia, assembled with joyful hearts, to celebrate the festivities of mind. Then, art shone in original splendor; and science, in utility and nobleness, was unrivalled. Then, the muses were courted in their heavenly abodes, and Grecian poetry breathed a spirit of immortality. The tragedies of Euripides and Sophocles still illume the path of the modern dramatist. Then, the poor of Athens listened to the instructions of the divine Socrates. Then, the sacred groves and shades resounded to the eloquence of Plato, as the 'soul of philosophy' flowed from his lips. Then, Athens became the magnificent sun of all antiquity. It was no political age. All literary eras of the modern world, are analagous to the Pereclean of the ancient world. The most resplendent galaxys of modern mind have shone in times of the greatest literary feeling and patronage.

But this political influence of national feelings and interests will not be confined to the people. It will, indeed it has, entered within the walls of our academies and universities. Now, it is founded in reason and experience, that in the morning bloom of a literature, there is most need of active mental vigor. It requires untiring and unrelenting strength, to raise the stately pyramid. Alladin's magic lamp of Arabian story, is not an inheritance of this age. Such strength is in youthful mental cultivation. This invigorating influence must then come from our seats of learning. They are to our literature, what the consecrated groves and shades of Athens were to the Grecian—the resort of its protecting spirits. Here, the mind should be trained to action, should commence its acquisitions in knowledge. Here, it should be taught to think, and to feel, with depth and sublimity. Here, a fondness for whatever is great or commanding in human thoughts, should be created. Here, the characteristic features of such minds as Shakspeare and Milton, Newton and Franklin, should be studied; for like bright stars they will shed a cheering light on the obscure wanderings of the youthful intellect. When such is the case, and it never can fail to be, if our universities preserve their characters, the success of American literature will rest on a steadfast foundation. But such cannot be, when their interests and those of the people run in counter channels. In a republic, where public opinion works such magic spells, it is the interest of the minority to yield to its sway. Upon a principle of human nature, the weak cling to the strong. Can, then, our colleges maintain their high, original standing? They must conform, in some degree, to the feelings of the mass of society. Besides, the youth who resort to them, come from the people, and must necessarily bear with them the malady of the people. Who will deny, that this political spirit is now, in many instances, the great stimulus of the American student? He seldom turns his aspiring gaze toward the celestial mount of the muses. He looks abroad upon society, and marks its character. His grasping mind longs for fame. He beholds but one road to eminence—the political. He beholds the splendid career of the mighty intellects of the land; marks a growing and powerful people doing them reverence; hears their name trumpeted by a thousand tongues; and like the Grecian hero, whose slumbers were troubled by the trophies of Miltiades, he burns for action. Nor is this all. In the political world, he sees mind battling with mind; all life, all activity, the congenial elements of panting, fiery ambition. In the literary world, he sees the mind pursuing a silent, unobserved, noiseless march; and not dreaming of the unfading brightness of its matured glories, he disdains its pursuits as unworthy of his attention. The result is natural. The grand, animating, and powerful thoughts of the splendid intellects of the past and the present, which, when sought, come all eloquent from the living page, never breathe their inspiriting energies into his mind. His course being finished, he rushes, full of sanguine hope, on the theatre of action, unskilled and unprepared. His success hangs on a point. An inordinate ambition urges him onward; he faces the storms and tempests, and opposes the thousand counter currents which run in, and keep in perpetual commotion the mountain wave of the political sea. His career is about closing, and, as he imagines, the diadem of glory about settling on his forehead; by some unforeseen stroke of bad fortune, he is hurled from his high elevation, sinks, and falls, and is heard of no more. In this way, many minds meet an unhonored and untimely end—minds, that might have proved great and useful to society—minds, which might have illuminated the arts and sciences with improved splendor—minds, which might have been 'founts of beauty' to our literature.

What preserves, in its original strength and grandeur, the rich and massy arch of German literature? The incomparable exertions of the German student. The German student! whose mind knows no other commune than the thoughts of the mighty dead. The German student! who knows the power and majesty of truth, and thinks no care, nor labor, too great to possess it; and whose intellectual eye takes in all that is lovely and sublime in creation. The universities of Germany are unequalled in the world. Is it wonderful that its literature is unequalled? But they are supported by the good feeling of society. Let then the current of public feeling be changed in our beloved land; let the American mind feel sensible of the importance of youthful mental cultivation; let the youthful intellect be taught to ascribe as much value, as much greatness, and as much immortality, to literary as to political interests. Let this be done, and our universities will surpass even those of Germany; will furnish to their country, instead of Schillers and Goethes, their prototypes, Shakspeares and Miltons.

But apart from these impediments to American literature, there is another. It glares in the face of every one. It lies in the periodical press. The benefits and glories of the press are familiar to every mind. Disseminating knowledge with unexampled rapidity, its influence is spread over and reaches the extreme borders of society. Being a universal mental aliment, it moulds, and fashions, and directs the thoughts and feelings of the man. Thousands on thousands of minds are developed by its effects, never enjoying any other. To the growing, varied classes of our society, it is the only light of information. How important that its action be pure, healthy, and vigorous! How important that it be the vehicle of virtuous and elevated thought! How important that it send forth on its hundred rapid wings and eloquence, which, like the written eloquence of the lamented Grimke, more enduring than marble or brass, should beautify the affections, and arouse to glorious action the intellect of this and coming ages! Thus mighty in its influence, and thus important in its character, it cannot maintain too high, too noble a standard. It should imbody whatever is great and excellent in human thought. It should teach the people how to apply the principles of science to the arts; and, therefore, should ever preserve, with vestal care, the temple of learning. In short, it should be the tribunal of public taste—an ordeal of criticism—severe, but highminded. Such being its characteristics, the periodical press will be the strongest pillar that shall support the towering fabric of our literature. It cannot fail to be, because through its instrumentality, public feeling is formed and swayed; and we have seen, that the right direction of this feeling will ever insure permanent, liberal, literary patronage. But what is the general character of this branch of the press? Is it a fountain from which flows the pure streams of knowledge? Is it a messenger of eloquent and exalted thoughts? Is it a friend to literature, or the efforts of original and powerful mind? Facts speak to the contrary. The majority of our periodicals, bear upon their very face, a political stamp. They contain in their broad folds, no more than the creations of rankling and disappointed passion, of unripened and undeveloped intellect. Do such minds as Johnson and Addison, spread beauty and interest through their columns? How paltry, how much to be lamented the spirit of their criticisms!—They breathe the essence of fanaticism. True, we have a few quarterlys and monthlys, that rise above the ordinary grade, and will compare, in all the excellencies of thought, with any productions of the kind, in any country or clime. The North American Review, is a fair and splendid specimen of what should characterize that department of our literature. Who ever closed its pages, beaming with a sun-like brilliancy, without having, in some degree, his knowledge enriched, his taste refined, his thoughts enlarged, and his intellect expanded? But shining only on the high peaks of society, its glorious beams never find their way to the mass: its influence, amid the universal debasement of the press, is unseen, unfelt. We have, likewise, a few literary papers; but in the delicate idea and beautiful expression of one of the contributors of the Magazine, they are the mere "sprays of the intellectual wave." We repeat it, the periodical press is, in the strongest sense of the word, political. Now, it is plain to every observing mind, that being the most influential, it should be the purest and noblest portion of our literature. How far it falls short of such a standard, our national mind has fatally experienced. Our country's glory and pride, our own genius, our own talent, call loudly and decidedly for a reformation.

We have now set forth a faint view of some of the impediments to the growth of American literature. We have seen, that political pursuits do not tend to the full development and vigor of the mind, and that without such a cast of mind, there cannot be eloquent and sublime mental action. We have seen, that our nation's mind is absorbed in political interests; in short, that the age is too political. We would ask, if there is no necessity of a change? He who feels the heavenly glow of patriotic devotion, and hopes to see his country the brightest star in the firmament of modern glory, will return an affirmative response.

Our literature has not, as yet, assumed any permanent form. Its features are just beginning to develope. What character it will take, we cannot judge with any degree of certainty. Now, it is a familiar principle, that in the formation of the mind, there is need of the most unceasing care and attention, to shape and direct its budding energies to virtue and excellence. Let the American mind have this attention, and we have a literature purer, nobler, and richer, than has ever illumined mankind. Do we desire a glorious immortality? And is not literary immortality—the mind set forth in visible, enchanting, and enduring forms—far more desirable, than political? How has the greatness and grandeur of all antiquity, been perpetuated? Who will compare the Pereclean age of Greece—an age, as we have seen, when literature shone purely, brightly—with those that followed, when political feuds rent every state? Who will compare the fame of Homer, the mirror-mind of the ancient world, with the most distinguished politician of antiquity? of Milton, with that of Cromwell? of Shakspeare, with that of the profoundest statesman of the Elizabethan age. Political glory, is as the short-lived plant—literary, as the majestic oak. Political glory, is as the flashing meteor—literary, as the splendor of the noon-day sun.

H. J. G.

From Mrs. Jamieson's Visits and Sketches.

THE INDIAN MOTHER.1

There is a comfort in the strength of love,

Making that pang endurable, which else

Would overset the brain—or break the heart.

Wordsworth.

1 This little tale (written in 1830) is founded on a striking incident related in Humboldt's narrative. The facts remain unaltered.

The monuments which human art has raised to human pride or power may decay with that power, or survive to mock that pride; but sooner or later they perish—their place knows them not. In the aspect of a ruin, however imposing in itself, and however magnificent or dear the associations connected with it, there is always something sad and humiliating, reminding us how poor and how frail are the works of man, how unstable his hopes, and how limited his capacity compared to his aspirations! But when man has made to himself monuments of the works of God; when the memory of human affections, human intellect, human power, is blended with the immutable features of nature, they consecrate each other, and both endure together to the end. In a state of high civilization, man trusts to the record of brick and marble—the pyramid, the column, the temple, the tomb:

"Then the bust

And altar rise—then sink again to dust."

In the earlier stages of society, the isolated rock—the mountain, cloud-encircled—the river, rolling to its ocean-home—the very stars themselves—were endued with sympathies, and constituted the first, as they will be the last, witnesses and records of our human destinies and feelings. The glories of the Parthenon shall fade into oblivion; but while the heights of Thermopylæ stand, and while a wave murmurs in the gulph of Salamis, a voice shall cry aloud to the universe—"Freedom and glory to those who can dare to die!—woe and everlasting infamy to him who would enthral the unconquerable spirit!" The Coliseum with its sanguinary trophies is crumbling to decay; but the islet of Nisida, where Brutus parted with his Portia—the steep of Leucadia, still remain fixed as the foundations of the earth; and lasting as the round world itself shall be the memories that hover over them! As long as the waters of the Hellespont flow between Sestos and Abydos, the fame of the love that perished there shall never pass away. A traveller, pursuing his weary way through the midst of an African desert—a barren, desolate, and almost boundless solitude—found a gigantic sculptured head, shattered and half-buried in the sand; and near it the fragment of a pedestal, on which these words might be with pain deciphered: "I am Ozymandias, King of kings; look upon my works, ye mighty ones, and despair!" Who was Ozymandias?—where are now his works?—what bond of thought or feeling, links his past with our present? The Arab, with his beasts of burthen, tramples unheeding over these forlorn vestiges of human art and human grandeur. In the wildest part of the New Continent, hidden amid the depths of interminable forests, there stands a huge rock, hallowed by a tradition so recent that the man is not yet gray-headed who was born its contemporary; but that rock, and the tale which consecrates it, shall carry down to future ages a deep lesson—a moral interest lasting as itself—however the aspect of things and the conditions of people change around it. Henceforth no man shall gaze on it with careless eye; but each shall whisper to his own bosom—"What is stronger than love in a mother's heart?—what more fearful than power wielded by ignorance?—or what more lamentable than the abuse of a beneficent name to purposes of selfish cruelty?"

Those vast regions which occupy the central part of South America, stretching from Guinea to the foot of the Andes, overspread with gigantic and primeval forests, and watered by mighty rivers—those solitary wilds where man appears unessential in the scale of creation, and the traces of his power are few and far between—have lately occupied much of the attention of Europeans; partly from the extraordinary events and unexpected revolutions; which have convulsed the nations round them; and partly from the researches of enterprising travellers who have penetrated into their remotest districts. But till within the last twenty years these wild regions have been unknown, except through the means of the Spanish and Portuguese priests, settled as missionaries along the banks of the Orinoco and the Paraguay. The men thus devoted to utter banishment from all intercourse with civilized life, are generally Franciscan or Capuchin friars, born in the Spanish colonies. Their pious duties are sometimes voluntary, and sometimes imposed by the superiors of their order; in either case their destiny appears at first view deplorable, and their self-sacrifice sublime; yet, when we recollect that these poor monks generally exchanged the monotonous solitude of the cloister for the magnificent loneliness of the boundless woods and far-spreading savannahs, the sacrifice appears less terrible; even where accompanied by suffering, privation, and occasionally by danger. When these men combine with their religious zeal some degree of understanding and enlightened benevolence, they have been enabled to enlarge the sphere of knowledge and civilization, by exploring the productions and geography of these unknown regions; and by collecting into villages and humanizing the manners of the native tribes, who seem strangely to unite the fiercest and most abhorred traits of savage life, with some of the gentlest instincts of our common nature. But when it has happened that these priests have been men of narrow minds and tyrannical tempers, they have on some occasions fearfully abused the authority entrusted to them; and being removed many thousand miles from the European settlements and the restraint of the laws, the power they have exercised has been as far beyond control as the calamities they have caused have been beyond all remedy and all relief.

Unfortunately for those who were trusted to his charge, Father Gomez was a missionary of this character. He was a Franciscan friar of the order of Observance, and he dwelt in the village of San Fernando, near the source of the Orinoco, whence his authority extended as president over several missions in the neighborhood of which San Fernando was the capital. The temper of this man was naturally cruel and despotic; he was wholly uneducated, and had no idea, no feeling, of the true spirit of christian benevolence: in this respect, the savages whom he had been sent to instruct and civilize were in reality less savage and less ignorant than himself.

Among the passions and vices which Father Gomez had brought from his cell in the convent of Angostara, to spread contamination and oppression through his new domain, were pride and avarice; and both were interested in increasing the number of his converts or rather of his slaves. In spite of the wise and humane law of Charles the Third, prohibiting the conversion of the Indian natives by force, Gomez, like others of his brethren in the more distant missions, often accomplished his purpose by direct violence. He was accustomed to go, with a party of his people, and lie in wait near the hordes of unreclaimed Indians: when the men were absent he would forcibly seize on the women and children, bind them, and bring them off in triumph to his village. There, being baptized and taught to make the sign of the cross, they were called Christians, but in reality were slaves. In general, the women thus detained pined away and died; but the children became accustomed to their new mode of life, forgot their woods, and paid to their Christian master a willing and blind obedience; thus in time they became the oppressors of their own people.

Father Gomez called these incursions, la conquista espiritual—the conquest of souls.

One day he set off on an expedition of this nature, attended by twelve armed Indians; and after rowing some leagues up the river Guaviare, which flows into the Orinoco, they perceived through an opening in the trees, and at a little distance from the shore, an Indian hut. It is the custom of these people to live isolated in families; and so strong is their passion for solitude, that when collected into villages they frequently build themselves a little cabin at a distance from their usual residence, and retire to it, at certain seasons, for days together. The cabin of which I speak was one of these solitary villas—if I may so apply the word. It was constructed with peculiar neatness, thatched with palm leaves, and over-shadowed with cocoa trees and laurels; it stood alone in the wilderness, embowered with luxuriant vegetation, and looked like the chosen abode of simple and quiet happiness. Within this hut a young Indian woman (whom I shall call Guahiba, from the name of her tribe) was busied in making cakes of the cassava root, and preparing the family meal, against the return of her husband, who was fishing at some distance up the river; her eldest child, about five or six years old, assisted her; and from time to time, while thus employed, the mother turned her eyes, beaming with fond affection, upon the playful gambols of two little infants, who, being just able to crawl alone, were rolling together on the ground, laughing and crowing with all their might.

Their food being nearly prepared, the Indian woman looked towards the river, impatient for the return of her husband. But her bright dark eyes, swimming with eagerness and affectionate solicitude, became fixed and glazed with terror when, instead of him she so fondly expected, she beheld the attendants of Father Gomez, creeping stealthily along the side of the thicket towards her cabin. Instantly aware of her danger (for the nature and object of these incursions were the dread of all the country round) she uttered a piercing shriek, snatched up her infants in her arms, and, calling on the other to follow, rushed from the hut towards the forest. As she had considerably the start of her pursuers, she would probably have escaped, and have hidden herself effectually in its tangled depths, if her precious burthen had not impeded her flight; but thus encumbered she was easily overtaken. Her eldest child, fleet of foot and wily as the young jaguar, escaped to carry to the wretched father the news of his bereavement, and neither father nor child were ever more beheld in their former haunts.

Meantime, the Indians seized upon Guahiba—bound her, tied her two children together, and dragged her down to the river, where Father Gomez was sitting in his canoe, waiting the issue of the expedition. At the sight of the captives his eye sparkled with a cruel triumph; he thanked his patron saint that three more souls were added to his community; and then, heedless of the tears of the mother, and the cries of her children, he commanded his followers to row back with all speed to San Fernando.

There Guahiba and her infants were placed in a hut under the guard of two Indians; some food was given to her, which she at first refused, but afterward, as if on reflection, accepted. A young Indian girl was then sent to her—a captive convert of her own tribe, who had not yet quite forgotten her native language. She tried to make Guahiba comprehend that in this village she and her children must remain during the rest of their lives, in order that they might go to heaven after they were dead. Guahiba listened, but understood nothing of what was addressed to her; nor could she be made to conceive for what purpose she was torn from her husband and her home, nor why she was to dwell for the remainder of her life among a strange people, and against her will. During that night she remained tranquil, watching over her infants as they slumbered by her side; but the moment the dawn appeared, she took them in her arms and ran off to the woods. She was immediately brought back; but no sooner were the eyes of her keepers turned from her than she snatched up her children, and again fled;—again—and again! At every new attempt she was punished with more and more severity; she was kept from food, and at length repeatedly and cruelty beaten. In vain!—apparently she did not even understand why she was thus treated; and one instinctive idea alone, the desire of escape, seemed to possess her mind and govern all her movements. If her oppressors only turned from her, or looked another way, for an instant, she invariably caught up her children and ran off towards the forest. Father Gomez was at length wearied by what he termed her "blind obstinacy;" and, as the only means of securing all three, he took measures to separate the mother from her children, and resolved to convey Guahiba to a distant mission, whence she should never find her way back either to them or to her home.

In pursuance of this plan, poor Guahiba, with her hands tied behind her, was placed in the bow of a canoe. Father Gomez seated himself at the helm, and they rowed away.

The few travellers who have visited these regions agree in describing a phenomenon, the cause of which is still a mystery to geologists, and which imparts to the lonely depths of these unappropriated and unviolated shades an effect intensely and indescribably mournful. The granite rocks which border the river, and extend far into the contiguous woods, assume strange, fantastic shapes; and are covered with a black incrustation, or deposit, which contrasted with the snow-white foam of the waves breaking on them below, and the pale lichens which spring from their crevices and creep along their surface above, give these shores an aspect perfectly funereal. Between these melancholy rocks—so high and so steep that a landing place seldom occurred for leagues together—the canoe of Father Gomez slowly glided, though urged against the stream by eight robust Indians.

The unhappy Guahiba sat at first perfectly unmoved, and apparently amazed and stunned by her situation; she did not comprehend what they were going to do with her; but after a while she looked up towards the sun, then down upon the stream; and perceiving, by the direction of the one and the course of the other, that every stroke of the oar carried her farther and farther from her beloved and helpless children, her husband, and her native home, her countenance was seen to change and assume a fearful expression. As the possibility of escape, in her present situation, had never once occurred to her captors, she had been very slightly and carelessly bound. She watched her opportunity, burst the withes on her arms, with a sudden effort flung herself overboard, and dived under the waves; but in another moment she rose again at a considerable distance, and swam to the shore. The current, being rapid and strong, carried her down to the base of a dark granite rock which projected into the stream; she climbed it with fearless agility, stood for an instant on its summit, looking down upon her tyrants, then plunged into the forest, and was lost to sight.

Father Gomez, beholding his victim thus unexpectedly escape him, sat mute and thunderstruck for some moments, unable to give utterance to the extremity of his rage and astonishment. When, at length, he found voice, he commanded his Indians to pull with all their might to the shore; then to pursue the poor fugitive, and bring her back to him, dead or alive.

Guahiba, meantime, while strength remained to break her way through the tangled wilderness, continued her flight; but soon exhausted and breathless, with the violence of her exertions, she was obliged to relax in her efforts, and at length sunk down at the foot of a huge laurel tree, where she concealed herself, as well as she might, among the long, interwoven grass. There, crouching and trembling in her lair, she heard the voices of her persecutors hallooing to each other through the thicket. She would probably have escaped but for a large mastiff which the Indians had with them, and which scented her out in her hiding place. The moment she heard the dreaded animal snuffing in the air, and tearing his way through the grass, she knew she was lost. The Indians came up. She attempted no vain resistance; but, with a sullen passiveness, suffered herself to be seized and dragged to the shore.

When the merciless priest beheld her, he determined to inflict on her such discipline as he thought would banish her children from her memory, and cure her forever of her passion for escaping. He ordered her to be stretched upon that granite rock where she had landed from the canoe, on the summit of which she had stood, as if exulting in her flight,—THE ROCK OF THE MOTHER, as it has ever since been denominated—and there flogged till she could scarcely move or speak. She was then bound more securely, placed in the canoe, and carried to Javita, the seat of a mission far up the river.

It was near sunset when they arrived at this village, and the inhabitants were preparing to go to rest. Guahiba was deposited for the night in a large barn-like building, which served as a place of worship, a public magazine, and, occasionally, as a barrack. Father Gomez ordered two or three Indians of Javita to keep guard over her alternately, relieving each other through the night; and then went to repose himself after the fatigues of his voyage. As the wretched captive neither resisted nor complained, Father Gomez flattered himself that she was now reduced to submission. Little could he fathom the bosom of this fond mother! He mistook for stupor, or resignation, the calmness of a fixed resolve. In absence, in bonds, and in torture, her heart throbbed with but one feeling; one thought alone possessed her whole soul:—her children—her children—and still her children!

Among the Indians appointed to watch her was a youth about eighteen or nineteen years of age, who, perceiving that her arms were miserably bruised by the stripes she had received, and that she suffered the most acute agony from the savage tightness with which the cords were drawn, let fall an exclamation of pity in the language of her tribe. Quick she seized the moment of feeling, and addressed him as one of her people.

"Guahibo," she said, in a whispered tone, "thou speakest my language, and doubtless thou art my brother! Wilt thou see me perish without pity, O son of my people? Ah, cut these bonds which enter into my flesh! I faint with pain! I die!"

The young man heard, and, as if terrified, removed a few paces from her and kept silence. Afterward, when his companions were out of sight, and he was left alone to watch, he approached, and said, "Guahiba!—our fathers were the same, and I may not see thee die; but if I cut these bonds, white man will flog me:—wilt thou be content if I loosen them, and give thee ease?" And as he spoke, he stooped and loosened the thongs on her wrists and arms; she smiled upon him languidly, and appeared satisfied.

Night was now coming on. Guahiba dropped her head on her bosom, and closed her eyes, as if exhausted by weariness. The young Indian believing that she slept, after some hesitation laid himself down on his mat. His companions were already slumbering in the porch of the building, and all was still.

Then Guahiba raised her head. It was night—dark night—without moon or star. There was no sound, except the breathing of the sleepers around her, and the humming of the moschetos. She listened for some time with her whole soul; but all was silence. She then gnawed the loosened thongs asunder with her teeth. Her hands once free, she released her feet: and when the morning came she had disappeared. Search was made for her in every direction, but in vain; and Father Gomez, baffled and wrathful, returned to his village.

The distance between Javita and San Fernando, where Guahiba had left her infants, is twenty-five leagues in a straight line. A fearful wilderness of gigantic forest trees, and intermingling underwood, separated these two missions;—a savage and awful solitude, which, probably, since the beginning of the world, had never been trodden by human foot. All communication was carried on by the river; and there lived not a man, whether Indian or European, bold enough to have attempted the route along the shore. It was the commencement of the rainy season. The sky, obscured by clouds, seldom revealed the sun by day; and neither moon nor gleam of twinkling star by night. The rivers had overflowed, and the lowlands were inundated. There was no visible object to direct the traveller; no shelter, no defence, no aid, no guide. Was it Providence—was it the strong instinct of maternal love, which led this courageous woman through the depths of the pathless woods—where rivulets, swollen to torrents by the rains, intercepted her at every step; where the thorny lianas, twining from tree to tree, opposed an almost impenetrable barrier; where the moschetos hung in clouds upon her path; where the jaguar and the alligator lurked to devour her; where the rattle-snake and the water-serpent lay coiled up in the damp grass, ready to spring at her; where she had no food to support her exhausted frame, but a few berries, and the large black ants which build their nests on the trees? How directed—how sustained—cannot be told: the poor woman herself could not tell. All that can be known with any certainty is, that the fourth rising sun beheld her at San Fernando; a wild, and wasted, and fearful object; her feet swelled and bleeding—her hands torn—her body covered with wounds, and emaciated with famine and fatigue;—but once more near her children!

For several hours she hovered round the hut in which she had left them, gazing on it from a distance with longing eyes and a sick heart, without daring to advance: at length she perceived that all the inhabitants had quitted their cottages to attend vespers; then she stole from the thicket, and approached, with faint and timid steps, the spot which contained her heart's treasures. She entered, and found her infants left alone, and playing together on a mat: they screamed at her appearance, so changed was she by suffering; but when she called them by name, they knew her tender voice, and stretched out their little arms towards her. In that moment the mother forgot all she had endured—all her anguish, all her fears, every thing on earth but the objects which blessed her eyes. She sat down between her children—she took them on her knees—she clasped them in an agony of fondness to her bosom—she covered them with kisses—she shed torrents of tears on their little heads, as she hugged them to her. Suddenly she remembered where she was, and why she was there: new terrors seized her; she rose up hastily, and, with her babies in her arms, she staggered out of the cabin—fainting, stumbling, and almost blind with loss of blood and inanition. She tried to reach the woods, but too feeble to sustain her burthen, which yet she would not relinquish, her limbs trembled, and sank beneath her. At this moment an Indian, who was watching the public oven, perceived her. He gave the alarm by ringing a bell, and the people rushed forth, gathering round Guahiba with fright and astonishment. They gazed upon her as if upon an apparition, till her sobs, and imploring looks, and trembling and wounded limbs, convinced them that she yet lived, though apparently nigh to death. They looked upon her in silence, and then at each other; their savage bosoms were touched with commiseration for her sad plight, and with admiration, and even awe, at this unexampled heroism of maternal love.

While they hesitated, and none seemed willing to seize her, or to take her children from her, Father Gomez, who had just landed on his return from Javita, approached in haste, and commanded them to be separated. Guahiba clasped her children closer to her breast, and the Indians shrunk back.

"What!" thundered the monk: "will ye suffer the woman to steal two precious souls from heaven? two members from our community? See ye not, that while she is suffered to approach them, there is no salvation for either mother or children? part them, and instantly!"

The Indians, accustomed to his ascendancy, and terrified at his voice, tore the children of Guahiba once more from her feeble arms: she uttered nor word nor cry, but sunk in a swoon upon the earth.

While in this state, Father Gomez, with a cruel mercy, ordered her wounds to be carefully dressed: her arms and legs were swathed with cotton bandages; she was then placed in a canoe, and conveyed to a mission, far, far off, on the river Esmeralda, beyond the Upper Orinoco. She continued in a state of exhaustion and torpor during the voyage; but after being taken out of the boat and carried inland, restoratives brought her back to life, and to a sense of her situation. When she perceived, as reason and consciousness returned, that she was in a strange place, unknowing how she was brought there—among a tribe who spoke a language different from any she had ever heard before, and from whom, therefore, according to Indian prejudices, she could hope nor aid nor pity;—when she recollected that she was far from her beloved children;—when she saw no means of discovering the bearing or the distance of their abode—no clue to guide her back to it:—then, and only then, did the mother's heart yield to utter despair; and thence forward refusing to speak or to move, and obstinately rejecting all nourishment, thus she died.

The boatman, on the river Atabapo, suspends his oar with a sigh as he passes the ROCK OF THE MOTHER. He points it out to the traveller, and weeps as he relates the tale of her sufferings and her fate. Ages hence, when these solitary regions have become the seats of civilization, of power, and intelligence; when the pathless wilds which poor Guahiba traversed in her anguish, are replaced by populous cities, and smiling gardens, and pastures, and waving harvests,—still that dark rock shall stand, frowning o'er the stream; tradition and history shall preserve its name and fame; and when even the pyramids, those vast, vain monuments to human pride, have passed away, it shall endure, to carry down to the end of the world the memory of the Indian Mother.

For the Southern Literary Messenger.

NOTE TO BLACKSTONE'S COMMENTARIES,

VOL. I. PAGE 423.

Being the Substance of Remarks on the Subject of Domestic Slavery, delivered to the Law Class of William and Mary College, December 2d, 1834.

This subject is too interesting to be passed in silence. The time too is rife with proofs, that unless we mean tamely to surrender a most important interest, we must hold ourselves always on the alert to defend it with tongue and pen.

The short and compendious argument of the commentator, and his confident and peremptory judgment, seem to place us in the condition of convicted delinquents, and hardly to leave us the poor privilege of saying one word why sentence should not be passed upon us. And yet I hope to show, that this argument, so specious, is not less superficial, and that the conclusion, so promptly reached, has been attained by overlooking the most important considerations involved in the subject.

It was natural, and it was right, that Mr. Blackstone should manifest a zeal for the institutions of his own country, disposing him to excuse what might be amiss, to vindicate what might be questionable, and to place in the highest relief and in the most favorable light whatever is praiseworthy. But while I acknowledge this, I cannot allow to him, and them who think with him, a monopoly of this pious reverence for the institutions of their forefathers. I would rather follow their example, and, cherishing this sentiment so essential to the preservation of every thing that is valuable, would ask, on behalf of it, the like indulgence to what may be urged in defence of domestic slavery.

I shall not stop to show (what is incontestibly true) that it has done more to elevate a degraded race in the scale of humanity; to tame the savage; to civilize the barbarous; to soften the ferocious; to enlighten the ignorant; and to spread the blessings of christianity among the heathen, than all the missionaries that philanthropy and religion have ever sent forth. This would be no vindication, for he who can make the wrath of man to praise him; who can overrule evil, and make it an instrument of good, might have made it conducive to these ends, however wicked in itself it might be. "Be it a spirit of health, or goblin damned," on his errand it has gone forth. "Be its intents wicked or charitable," it is his instrument, in his hands, doing his work. When that is done, and not till then, it will cease, as will all things else, when their appointed course is run, and their appointed end fulfilled.

It is hardly necessary to expose the sophistry by which Mr. Blackstone affects to prove, that slavery cannot have had a lawful origin. We do not pretend to trace our title to its source. We have no call to sit in judgment between the conquered African and his conqueror. We rest our defence on principles which legitimate our title, whatever its origin may have been. Yet it may not be amiss to say a few words to show the fallacy of those plausible and imposing dogmas, with which we too often suffer ourselves to be talked down.

"Slavery," says Mr. Blackstone, "cannot originate in compact, because the transaction excludes the idea of an equivalent." For an answer to this specious fallacy, I shall content myself by referring you to the masterly essay of Professor Dew, who has so clearly exposed it as to leave me nothing to add.

But the commentator farther tells us, that "slavery cannot lawfully originate in conquest, as a commutation for the right to kill; because this right rests on necessity; and this necessity plainly does not exist, because the victor does not kill his adversary, but makes him captive." Is this a fair inference? Let us examine it.

There is a triple alternative in the case: to kill, to enslave, or to set at large. It may be practicable to do either of the two first; and yet dangerous in the extreme to do the last. With a savage and treacherous foe it is always so, unless his power of annoyance be completely annihilated. And how can this be between two tribes of nearly equal force? Among such is one victory an assured pledge of future and bloodless victory to the end of time? May it not, must it not, often be, that the victorious party can have no security against future and fatal mischief, but in the destruction, or something equivalent to the destruction, of the vanquished? This is obtained by deportation to distant lands, by which alone, or by incarceration, or something equivalent, or by extermination, or a near approach to extermination, the enmity of a savage neighbor ever can be rendered harmless. The necessity of the case, so long as it exists, justifies the choice of these alternatives. Among these, no argument is necessary to prove that foreign slavery is the mildest. But were this not so, the laws even of civilized war do not peremptorily dictate to the victor the choice he shall make among these remedies. He may kill; he may incarcerate; or he may enlarge on parol, clogged with such conditions as he may please to prescribe, according to the nature and measure of a necessity, of which he is the only judge.1

1 It may be said that the laws of civilized war do not permit that prisoners be slain or incarcerated; for that if this be done, the other party may retaliate. This will prove, that he who is cruel to his prisoners, does a wrong to his own people who may happen to be in his enemy's hands; but that is all. The laws of civilized warfare acknowledge the right to retaliate, and therefore make a case, if there was no other, where slavery by conquest would be lawful. Even though he who first enslaves his prisoners be wrong; yet ex concessis he who retaliates is right. Can Mr. Blackstone tell us which of the savage African chiefs began the game?

When Col. Campbell, at the head of a few militia, stooped from the mountains of Virginia on Carolina, and bore off the corps of Col. Fergusson in his pounces, had he been pursued and overtaken by Tarleton, he must have killed his prisoners. He could not have held them, and to have enlarged them would have been to sacrifice the lives of thousands. He who doubts this, knows nothing of the horrors of the tory war that raged in that quarter. If he had had no place of refuge, he might have handed them over to any custody, civilized or savage, in which they might have been removed from the theatre of war. This is one example among ten thousand, to show that the captivity of an enemy by no means implies the security of the captor, should he allow his prisoner to go free. The snared tiger is in your power: you may kill him—you may cage him. "Therefore," says Mr. Blackstone, "you are under no necessity to do either, and the noble beast has a fair claim to his liberty."

But I have given too many words to the exposure of this grave sophistry. In self-defence it might have been pardoned; in crimination it is intolerable.

But, as I remarked in the outset, we have nothing to do with the origin of any particular mode of slavery. In some shape or other it exists, and has existed every where, since first the decree went forth, which cursed the earth, and denounced to man, "that in the sweat of his face he should eat the fruit thereof." Here is its origin; and, as might be expected of any thing so originating, the thing is evil in itself, and in all its modes. The problem is to choose among them. To the practical man it is a thing of small difficulty; left to itself, it assumes, in every country, the form and texture best suited to the physical peculiarities of that country, and the condition of society there. But we have grown so wise, that we leave nothing to itself. The world is full of associations and combinations of men, who make it the business of their lives to regulate every thing but what concerns themselves. We every where find a sort of moral treasuries of supererogatory virtue, made up by voluntary contribution, for the benefit of all who do not affect to be wiser and better than their fathers. Turn where we will, we have the edifying spectacle of one half the world repenting for the sins of the other half.

While the discussion of this subject was confined to ourselves; while they who denounced the practice of domestic slavery were such as could not condemn others, without standing self-condemned, we heard them patiently, as we hear from the pulpit the meek expostulations of the humble and contrite. Their interest afforded a pledge that they would not rashly carry their doctrines into practice: their self-rebukes excused them from the charge of arrogance; and the sincerity of their enthusiasm commanded our respect and sympathy. But since we have seen one community rashly overturning the domestic institutions of another; and hear from our northern neighbors an avowal of the like benevolent design toward us, it is time to look into the subject more narrowly. Let us understand it well. If we are wrong, the discovery of our fault may prepare us to bear, with becoming meekness, the impending judgment. If we are right, an understanding conviction that we are so, may be necessary to man our hearts and brace our nerves for the impending struggle.

I have said that slavery exists every where—originating in the decree which makes labor the price of subsistence. The correlative of this proposition is that subsistence is the wages of labor. I shall pass by the hackneyed topic of the process by which it inevitably happens, in all societies, that some men rise to affluence, while others remain as they began. So it ever has been, is, and will be, whether we find out how it comes to pass or no. There will be rich and poor. The rich man will not dig the earth: the poor man must. He becomes the rich man's servant, and the wages of his abject toil are food and raiment. This, his condition, is compulsory and inevitable; and compulsory toil for food and raiment,—what is it but slavery? True, the compulsion is not that of his fellow-worm. But is it the less crushing, because it is enforced by one from whose power there is no escape?

But are food and raiment the wages to which labor is every where stinted? Yes. Circumstances may make occasional differences in the price of labor, as in the settlement of a new country; but the same law which governs the price of every thing else, governs also the price of labor. This is, in every case, the cost of production; and food and raiment are the cost of the production of labor.

A few remarks will show the modifications to which this rule is subject, and will prove, that strictly speaking, it admits of no exception, though its modifications may occasionally afford, to individuals, an escape from the class of laborers into that of employers.

In a society perfectly stationary, (if there be such a thing,) where the wants of the whole community, and the nature and amount of labor necessary to supply those wants, and the subjects of labor are the same from generation to generation, there will be a steady demand for a new laborer, to supply the place of each one that dies off. Hence the average wages will be such as to enable each pair to produce and bring forward another pair; or, in other words, they will enable a man and his wife to rear two children. If, on an average, they are more than this, then on an average, more than two children will be reared; the number of laborers will be increased; the supply will exceed the demand; the competition will reduce wages below the standard of the cost of production, until the surplus laborers are starved off; and they will then return to that standard, and settle there.

In a society retrograde in its condition, the average of wages will be less than enough to support a laboring pair and two children. There will always be a stock of surplus labor to be starved off, and a ragged lazaroni will mark this condition of society.

In a society advancing in all things, there must be an increasing supply to keep up with the increasing demand. Competition among employers will enhance the price of labor, and this will enable the laboring class to reproduce itself in an increasing ratio. And this it will do, for he who said "increase and multiply, and replenish the earth," has commanded it.

It is thus perfectly true of labor, and the laboring class collectively, that the cost of production is the measure of price; and that food and raiment for the laborer of today, and for those future laborers who are rising up to supply the future demand, are all that enter into the cost of production. The seeming exceptions to the rule do but confirm it, and show how its author has rivetted it on the necks of men, that they shall not escape from it. It is the brazen collar which marks the laborer "THE BORN THRALL OF NECESSITY." His wages are never increased beyond the wants of his own individual nature, but for a purpose, to which the law of that nature makes it sure that he will apply them; the reproduction of just so many others (neither more nor less) as the exigencies of society may require, to follow in the same dull round of labor in which his life has been spent.

There will indeed be individuals who may seem to form exceptions to this rule, in every state of society. The laborer, whose superior strength or skill commands more than the average of wages, will have something to spare. So too, he who, from prudence or coldness, remains unmarried; because his wages are established according to an average of the necessities of the laboring class, from a part of which he keeps himself exempt. Such a man, if industrious, frugal, provident and thrifty, will improve in condition, and eventually emerge from the class of laborers into that of employers. But the condition of the class remains unchanged. As he rose from it, some one, unperceived, came into it, to supply his place; and others to meet the new demand occasioned by the addition of one more to the number of employers. Thus it is, and so it must be, that the proportional number of the laboring class never diminishes, while society advances; and, the more rapid the advancement of the whole, the greater the proportion of laborers to employers, and the greater the competition for employment. There is, of course, a progressive reduction in the price of labor, accompanying this progressive increase of the number condemned, by impealable laws, to this low and hard condition.—There they are, forever toiling and sweating in the dark and cheerless abodes of poverty, aliens to the society in which they breathe, whose comforts are ever in an inverse ratio to the sum of general prosperity.

But "in this lowest depth there is yet a lower deep." While superior strength and skill, and exemption from family burdens, enable some to escape to the upper air, others, under the pressure of disease, infirmity and numerous children, sink into that gulph from which there is no return. Of these we take no note. The few whom fortune favors, come with eclat upon the stage of higher life, and are pointed out as brilliant examples of the blessings of a system of free labor. The countless victims of her malice

"Drop from existence like the withered leaf

That from the summer tree is swept away,

Its loss unseen."

This compendious view of the condition of what is called "free labor," in the various stages of society, is verified by the observations and explained by the researches of the political economists. I take it as I receive it from them, confirmed in my conviction of its truth, by my own experience and reflections.

Let us place along side of this a view of the condition of slave labor, as ascertained by observation, and by the laws that determine that condition.

Of slave labor then, as of free labor, it may be said, that its wages are food and raiment for the laborer of to-day, and for those future laborers who are rising up to supply the future demand. Thus much they have in common. I shall not pretend to point out all the differences between the two, but shall remark on some of the most obvious and important.

To the slave these wages are paid in kind, and can therefore be always made precisely adequate, and no more. To the free man they are paid in money, and may become deficient or superfluous, from a state of scarcity or abundance. In the last case a slight advantage is afforded to those who need it least; in the first a ruinous loss is sustained by those least able to bear it.

To the slave, his due proportion of the common fund, paid to labor as a whole, is measured out with unerring accuracy. Among free laborers, some receive too much, and others, in a like degree, too little. For be it remembered, that the average wages of free labor are given, not merely as the price of the labor of the day, but also to indemnify the daily expense of producing that amount of future labor, which the future demand is to render necessary. He therefore who labors only, but rears no children, receives more than his just share. He defrauds the concern, by drawing from the common income a portion he has not earned; while others, whom nature has burdened with more than the due proportion of children, earn more than they receive, and suffer for want of the necessaries of life. This is historically as well as theoretically true.

The slave is said to labor, uncheered by hope. This may be so. To those who know him best, he certainly seems a stranger to despair. Metaphysicians, I think, tell us that hope will not be without its objects. But it must be confessed there are things which the slave cannot hope for, though the freeman may. On the other hand, he is free from many anxieties to which the freeman is exposed. In this sense of security he has something which may well be offset against the freeman's hopes, and which some (and they not the least wise) may deem a fair equivalent to men of sordid habits and untaught minds; and such are the great body of laborers, bond or free.

Among slaves, the individual is the slave of an individual master. Among free laborers, the class is held in vassalage by the class of employers. Collectively the one class may be said to be the slave of the other. I shall not go into a minute examination of this matter. As our controversy is with Mr. Blackstone, I shall use no authority against him but his own. Hear what he says of the law of England, his boasted home of freedom. "All single men between twelve years old and sixty, and married ones under thirty years of age, and all single women between twelve and forty, not having any visible livelihood, are compelled, by two justices, to go out to service in husbandry or certain specific trades." This is as much as to say, "they who can only live by labor shall be made to labor." What more do we? They compel him to choose a master. We appropriate his labor to a master to whom use and a common interest attach him, and who is generally the master of his choice. The wages of both are the same.

In sickness, the slave looks for support to a master who is interested to maintain and cherish him, and who, for the most part, knows and loves him. What is the freeman's equivalent? Hear Mr. Blackstone:—"There is no man so wretched or indigent, but he may demand a supply sufficient for all the necessities of life, from the more opulent part of the community, by means of the several statutes enacted for the relief of the poor. A humane provision; yet, though dictated by the principles of society, discountenanced by the Roman laws. For the edicts of the Emperor Constantine, commanding the public to maintain the children of those who were unable to provide for them, in order to prevent the murder and exposure of infants, were rejected in Justinian's collection." Who ever heard of infanticide by a slave?

It is here; on this very point, of the necessity of forcing those to labor who are unable to live honestly without labor, that we base the defence of our system. That such compulsion is often necessary, all reason and experience prove. But to a people jealous of freedom, it is a delicate question whether such a power over the citizen can be safely trusted to the municipal authority. To make it effectual it must be a power dangerous to liberty. It could never be carried into effect, but by a degree of rigor which must bow the spirit of the laborer and effectually disqualify him for the political functions of a sovereign citizen. It might be too much to say, that this consideration alone would warrant the introduction of domestic slavery. Lycurgus thought so. But we, finding it among us, think we follow the example of that wisdom which used to characterize our English ancestors, in turning it to use, as a safeguard of our political freedom. We have learned too, from a great master in political science, himself an enemy to slavery in all its forms, that in every country where domestic slavery exists, "those who are free, are by far the most proud and jealous of their freedom. Freedom is to them not only an enjoyment, but a kind of rank and privilege. Not seeing that freedom, as in countries where it is a common blessing, and as broad and general as the air, may be united with much abject toil, with great misery, with all the exterior of servitude, liberty looks, amongst them, like something that is more noble and liberal.... Such were all the ancient Commonwealths; such were our Gothic ancestors; such, in our days, were the Poles; and such will be all masters of slaves who are not slaves themselves. In such a people, the haughtiness of domination combines with the spirit of freedom, fortifies it, and renders it invincible."

Such is the lesson read to us sixty years ago, by one who wished us well, and who thoroughly understood the character of our people, and the causes that had influenced in the formation of that character. It is of a piece with the general maxims of that school of practical wisdom, and sound political philosophy, in which our fathers learned the grand principles imbodied in our institutions. In that school, every thing was conceded to liberty; nothing to licentiousness: every thing to religion; nothing to fanaticism: every allowance was made for the natural and untaught feelings of the human heart; none for sickly artificial sensibility. Its maxims were drawn from experience, observation and reflection on man as he is; not from fanciful speculations on man as he might have been, had it pleased God to have made him differently. But since that day great light has risen on the world, and the descendants of these statesmen now find, that the imperfect vision of their fathers did but "see men, as trees walking." The present generation see clearly, and renouncing all respect for those whom God commands to honor living, and to reverence in death, bless themselves, saying, "If we had been in the days of our fathers we would not have been partakers" in their sins. Even so let it be. Let them desecrate and demolish the tombs of their fathers, to build up a monument to their own praise. But what spell is upon us, that we should follow their example, and signalize our ingratitude to the men to whose teachings we owe all that is valuable in our institutions, by joining in a crusade against our own rights, and "lending an active compliance to our own ruin?"

We certainly have reason to believe that the existence of domestic slavery among us has been of singular advantage in preserving the free spirit of our people. Slave labor pre-occupies and fills the low and degrading stations in society. Menial offices are altogether discharged by it; and all the tasks of mere brute strength are left to it. To the freeman belong those services which imply trust and confidence, or require skill; which therefore command higher wages than mere animal labor, and give a sense of respectability and a feeling of self-respect. I know we are told that if we wish to see the perfection of free government, we must look elsewhere. We look; and we do indeed see the theory of democracy carried to its full extent, but we behold no practical results which we at all envy. We do not find that any good has come from elevating the whole class of laborers, in all its servile and degraded branches, to the sovereign privilege of voting. We believed a priori (and observation proves that we were right) that the first and only use the hireling would make of his political franchise, would be to sell it to the demagogue. But though convinced of this, the experience of other states justifies a doubt, whether, IF ALL OUR LABORERS WERE FREEMEN, it would be possible to withhold from them the privilege of voting. We know that it has been elsewhere wrung from the reluctant grasp of the freeholders, who deeply, but silently, lament the forced concession. Our statesmen have been privately admonished by them to profit by the experience of their error, and hold fast by our institutions. Publicly indeed, we are taunted with what are called the aristocratic features of our government; but we know, and the enemies of freedom know it too, that when power has marched unchecked and unchallenged over the prostrate democracy of free labor and universal suffrage, it has always found here the most formidable barriers to its progress.

I take the liberty of appending, by way of note, a quotation from the same statesman, whose words I have already used, which shows that this idea of the connexion between DOMESTIC slavery and MUNICIPAL liberty, is not new. Our former oppressors were aware of it sixty years ago, and seriously meditated the destruction of the latter by the abolition of the former. The following extract may show where our present oppressors got the first hint of that scheme of interested philanthropy which proposes to strip us of our property for the good of our souls.

Mr. Burke says, (in 1775) "With regard to the high aristocratic spirit of Virginia and the southern colonies, it has been proposed, I know, to reduce it, by declaring a general enfranchisement of slaves. This project has had its advocates and panegyrists; yet I never could argue myself into any opinion of it. Slaves are often much attached to their masters. A general wild offer of liberty would not always be accepted. History furnishes few instances of it. It is sometimes as hard to persuade slaves to be free, as it is to compel freemen to be slaves; and, in this auspicious scheme, we, should have both these pleasing tasks on our hands at once. But when we talk of enfranchisement, do we not perceive that the American master may enfranchise too, and arm servile hands in defence of freedom? A measure to which other people have had recourse more than once, and not without success, in a desperate situation of their affairs.

"Slaves as these unfortunate black people are, and dull as all men are from slavery, must they not a little suspect an offer of freedom from that very nation which has sold them to their present masters? From a nation, one of whose causes of quarrel with those masters, is their refusal to deal any more in that inhuman traffic? An offer of freedom from England would come rather oddly, shipped to them in an African vessel, which is refused an entry into the ports of Virginia or Carolina, with a cargo of three hundred Angola negroes. It would be curious to see the Guinea captain attempting at the same instant to publish his proclamation of liberty, and to advertise his sale of slaves."

This last absurdity, our northern guardians, pastors, or masters, (I am not particular about the designation,) have wisely avoided. As long as the slave trade was allowed, they were only anxious to secure to themselves a monopoly of the advantage of carrying it on. Having lost this, they seek an equivalent by putting a new face on the matter.

Let me not be understood as bringing this charge against all who are engaged in this crusade against our rights. Like all other crusades, it is the work of a few knaves and many dupes. The latter are, proverbially, the tools of the former. Without them, the knave cannot carry on his trade. There are things to be done which he cannot do in person, and which are best accomplished by the clumsy zeal of bungling philanthropy. The fate of the West Indies is a case in point. The case of the tame bear, set by a mischievous wag to keep the flies off of the face of the sleeping hermit, is another.

For the Southern Literary Messenger.

NAPOLEON'S GRAVE.

BY R. H. WILDE, Of Georgia.

Faint and sad was the moon-beam's smile,

Sullen the moan of the dying wave,

Hoarse the wind in St. Helen's isle,

As I stood by the side of NAPOLEON'S GRAVE.

And is it here that the Hero lies,

Whose name has shaken the earth with dread?

And is this all that the earth supplies?

A stone his pillow—the turf his bed!

Is such the moral of human life?

Are these the limits of glory's reign?

Have oceans of blood and an age of strife,

A thousand battles, been all in vain?

Is nothing left of his victories now

But legions broken—a sword in rust—

A crown that cumbers a dotard's brow—

A name and a requiem?—dust to dust!

Of all the Chieftains whose thrones he reared,

Were there none whom kindness or faith could bind?

Of all the Monarchs whose crowns he spared,

Had none one spark of his Roman mind?

Did PRUSSIA cast no repentant glance?

Did AUSTRIA shed no remorseful tear,

When ENGLAND'S FAITH, and thine HONOR, FRANCE,

And thy FRIENDSHIP, RUSSIA, were blasted here?

No!—Holy leagues, like the heathen Heaven,

Ungodlike shrunk from the giant's shock,

And glorious TITAN—the unforgiven—

Was doomed to his Vulture and chains and rock.

*               *               *               *               *

And who were the gods that decreed thy doom!

A German Cæsar—a Prussian Sage,

The Dandy Prince of a counting room,

And a Russian Greek of the middle age!

*               *               *               *               *

Men called thee Despot, and called thee true;

But the laurel was earned that bound thy brow;

And of all who wore it, alas! how few

Were as free from treason and guilt as thou!

*               *               *               *               *

Shame to thee Gaul! and thy faithless horde!

Where was the oath which thy soldiers swore?

Fraud still lurks in the Gown—but the Sword

Was never so false to its trust before!

Where was thy vet'rans boast that day

"The old guard dies," but it "never yields!"

Oh! for one heart like the brave Desaix,

One Phalanx like those of thine early fields!

But no! no! no! it was FREEDOM'S charm

Gave them the courage of more than men;

You broke the magic that nerved each arm,

Though you were invincible only then!

*               *               *               *               *

1823.

For the Southern Literary Messenger.

A SONG OF THE SEASONS.

BY ZARRY ZYLE.

Methought I heard a whispering on the strings

Of hidden harps, in airy form that play,

And lend their voice to fair imaginings,

And wake young thoughts which in their cradles lay.

I wished to set the prisoned minstrels free,

Like liberated Ariels to sing,

And lend a voice to all that eye could see,

From the first dawn of the green light of spring,

To the last lowering sweep of winter's stormy wing.

William Naylor's MSS.

I.

A Maiden sang at morn beside a leaping rivulet—

Blithe merriment was on her lip and in her eye of jet;

Young Spring had shaken from his locks the amethystine beam—

O, it was sweet to hear the hymn of forest girl and stream!

A pale youth paddled wantonly far o'er a sunny lake,

And smiled to see the infant leaf in newborn gladness quake;

He had brooded the winter through, until his cheek grew pale

With dreaming mighty deeds, and now it freshened in the gale.

A white roe wandered where sweet herbs and tender grass were peeping—

His snowy head was poised in pride, his chainless heart was leaping;

The bugle-bee had called the herd from icy solitude,

And he had come at bugle call—fleet centaur of the wood.

A robin bowed her golden breast and spread her gauze-wing forth,

And aye poured she in carol fond her long imprisoned mirth;

No mournful tones, no lute-like wail, were with her music blent;

'Twas—like the fife's shrill voice—a gush of unmixed merriment.

II.

The maiden wild and rivulet were louder in their glee,

The hidden weed waxed lush beneath its woven canopy,

Old summer's conch o'er air-waves lured his fragrance-breathing throng,

All joy had deepened on the earth, and warmth and light and song.

The youth had seen the singing girl and bowed his soul to love;

Ambition—aspirations—all the subtle springs that move

Man's sleepless youth, were cast aside; old summer's beamy heat

Had fired their souls, and low he knelt in fondness at her feet.

The roe leapt on: the robin wove her nest of downy hair,

And light with bliss high hovered as a blossom floats on air—

Girl, brook, and youth had ripened in the gladness born of spring,

Joy still inflamed the wild-deer's heart and plumed the wild-bird's wing.

III.

The marigold and rose had left the valley and the hill,

The pansy frail was sere in dust and dead the daffodil;

The aster tall yet wore its leaves, the "golden rob" its flowers,

But beauty and perfume had gone with summer's radiant hours.

From morn to night through forest glades with naught his path to cheer,

The roebuck wandered moodily, o'er leaves all crisped and sere;

The bird still sang, but bridal song had changed to widow's wail,

And mourning she but grieved the more that grief might not avail.

But ah! the saddest change of all—the chilling blight had come

On hearts within whose holy bowers young love had made his home;

The verdure had departed thence, the vermeil tenderness

And frosty winds had brought to dust the growth of early bliss.

The maiden heard the murmuring stream but murmured no reply,

A melancholy coldness dwelt within her shrouded eye,

She scarcely heard his burning prayer whose love no change might quell,

And only lived enough to breathe an icy "fare-thee-well."

IV.

The sombre autumn-sky no more sent down its mournful rain,

A dim and sickly veil had long o'er hill and hollow lain,

But death at last had trampled on the few remaining flowers,

All save the restless mandrake died with autumn's last sad hours.

The mandrake yet remained, and when the keen frost pierced his breast,

Sent forth his voice in agony upon the soughing blast:

It told of happiness too ripe, of dewy rapture fled,

Of ecstacy, and green of heart, with vanished verdure dead.

The quiet snow came lightly through the thick and misty air,

And slantingly descended when the cold wind left his lair;

The cold wind! aye, the wind had chilled since buoyed on sunny mirth

Young Euroauster came to woo the virgin bloom of earth.

I saw no more the antlered stag—his rocky solitude

Was fitter palace for the king than lea or roofless wood;

The robin's song had died away as all things else must die—

Death's sleet had bound her ribbed wing and dimmed her gleeful eye.

I saw the maiden, but alas! the snow thro' ether gliding,

Was not more chill than she, erewhile so tender, so confiding;

I saw the youth—to him naught here might honey-balm impart,

He wandered from the haunts of men in brokenness of heart.

Oh, is there not a sympathy of all-controling power

The mother and her brood between—old earth, weak man, frail flower?

From some hearts soon the fetters fall, as spring frees lake and river,

But many with the withered leaf, wear ruin's chain forever.

For the Southern Literary Messenger.

LETTERS FROM A SISTER.

MR. WHITE,—

The prominent characters in the following pages are fictitious; but the circumstances narrated are founded on fact, and the descriptions correct. The author was an actor in the scenes, and visited the places described. She has not however, relied solely on her own observations and the oral communications of others, but consulted the best guide books and historical traditions.

LETTER FIRST.

Voyage—Havre de Grace—Light Houses—Frescati Baths, and Sea Bathing—Tower of Francis the First.

HAVRE DE GRACE, ——.

My Dear Jane:—

The last wave of your handkerchief, when we parted from you at Southampton, made me feel quite sad for some time; but the bustling scene around me at length diverted my thoughts from their gloomy course, and I employed myself in observing the rapid movements of the sailors, as they obeyed the orders of their captain, who had the voice of a stentor, and took no pains to soften it. Our fellow passengers were an elderly gentleman and his two sons, whom he was going to place at a boarding school near Havre. We reached this celebrated port in the evening, and I am happy to tell you (now that it is over,) not without an adventure. Our parents and Edgar were not very sea sick, but alas! for Sigismund and myself; we were the Jobs of the party. I mean as regards suffering, not patience; for of the last we both stood in need. I already detest the sea, and dread re-crossing it. But all this time you are unacquainted with our adventure; it was this. When within a few miles of Havre, a sudden squall arose, and for more than an hour our situation was truly terrifying. Fortunately the wind blew from the land, or we should have been wrecked on the "iron bound coast" which was very near us. The sails of our small vessel flapped with such violence, that the captain says they must have been torn to pieces if they had not been perfectly new. We have occupied ourselves since our arrival here, in walking about the town and riding in its neighborhood. Yesterday we visited the two light houses on Cape la Héve, and ascended one of them to view from its roof the surrounding country, which is beautiful, and bounded on three sides by the ocean. We purchased of an old woman residing in the light house, some specimens of shell work; and I chose for you a little dog, ingeniously made of small white shells, whose tiny black eyes shine as brightly as your own. This morning we surveyed the Frescati Baths, and the reservoir for oysters in front of them. The baths are kept in elegant order, and the spacious mansion containing them presents a handsome exterior. I did not relish the oysters; they taste of copperas, as do those we get at home—and this is natural enough, as they come out of the same waters. On the shore, contiguous to the bathing establishment, we witnessed the amusing spectacle of ladies and gentlemen in Turkish costume, struggling in the briny element, whose billows almost threw them down, although supported by the arms of sturdy sailors, and clinging to ropes suspended from stakes on the beach. Last night we went to the theatre, and were much entertained by the performance of Lepeintre, an excellent comic actor from Paris. Havre is enclosed by lofty walls, outside of which are deep moats, and the borders of these are covered with a bright verdure. In the town there is a pleasant walk shaded by lime trees, and the square in front of the theatre is laid off in gravel walks, with seats on each side. Here the gentry of the city, and hosts of children, with their nurses to guard them, assemble every afternoon. It is also usual for a military band to play there at sunset. The most interesting object in Havre is an old structure called the "Tower of Francis the First," in which that monarch was sumptuously feasted by the [primeval] inhabitants of this place, three centuries ago. But money must have been of extreme value, and provisions very cheap in that age, as it is said the banquet cost only thirty pounds; or perhaps what then was considered a feast, would in these days of luxury be thought an ordinary meal. The following anecdote will give you an idea of the strength of the edifice. A crazy soldier once shut himself up in it while the garrison were dining, and although he was strongly besieged, maintained possession for two hours ere he was overcome. As we are to rise at five o'clock to-morrow morning, for the purpose of embarking for Rouen in the steamboat, I most retire to rest. Accept our love, and remember us affectionately to aunt Margaret and Albert. I hope you had a safe journey home from Southampton, and found all well at the Lodge. Yours,

LEONTINE.

LETTER SECOND.

The Seine—Quillebeuf—Candebeck—Curious Rite at the Village of St. Arnold—La Mailleraie—Abbey of Jamièges—Charles the Seventh and Agnes Sorrel—Chateau of Robert le Diable—Arrival at Rouen.

ROUEN, ——.

My Dear Jane:—

What a silly creature you are to be sure!—to have preferred the shades of Morren Lodge, and the company of good aunt Margaret, (not to say that of somebody else, for fear of a blush,) to accompanying us in our present tour! I am more and more enchanted as we proceed, and cannot help bewailing your decision, whenever we are partaking of any pleasure or amusement. 'Tis true, you tell us that after your marriage next spring, Albert intends visiting the continent; but dear me! how many things may occur in the meanwhile to alter your plans. Nay, the knot may never be tied—for its no "wonder of wonders" now-a-days for lads and lasses to change their minds. And should you prove a "constant couple," and the wedding take place, I doubt that Albert will be able to tear himself from his books and musty parchments. You know I've often told you, that he never would have fallen in love with your ladyship, I'm convinced, had he not surprised you that eventful morning in papa's study, reading the life of the American President Thomas Jefferson, while the rest of us were playing at battledore on the lawn; and this you may tell him if you choose. "Well, enough of rattle, Leontine, (I hear you say,) and do let's have something interesting." So you shall, sister Jane; and I hasten to give you an account of our voyage from Havre to this ancient capital. It was delightful! We were favored with clear skies and propitious breezes, and remained on deck the whole day to enjoy the scenery, for the banks of the Seine are highly cultivated, and at every turn present beautiful points of view. We glided by many villages, and several monasteries and castles. Among the former I will only mention Quillebeuf and Candebeck. Quillebeuf is famous for its ninety-nine pilots; and as the navigation there is extremely dangerous for vessels, they have full employment. It is remarkable that their number has always been ninety-nine from time immemorial. Candebeck is situated immediately on the bank of the river, and Vernet, the celebrated marine painter, pronounced the view from its quay one of the most beautiful water prospects in France. An old lady on board the steamboat, told mamma and myself, as we were passing Candebeck, that a few miles from it there is a village called St. Arnold, which contains a pool of stagnant water, that many credulous people believe efficacious in healing cutaneous diseases, and that at a certain period of the year, numbers who are afflicted with such disorders go to bathe in the pool. First, however, a particular ceremony must be performed, or the water will have no effect. Each applicant for health, must steal from the neighboring woods a stick, and cast it down to assist in forming a pile. In the evening this is set on fire by the curate of the village, who comes forth dressed in his sacerdotal robes, and accompanied by priests chanting a hymn. When the smoke begins to darken the air, a white pigeon is let loose from the spire of the church, and the poor deluded sufferers firmly believe it to be the holy ghost descending from heaven to cure them! Quillebeuf and Candebeck are both associated with historical recollections. The former was fortified by Henry the Fourth, who considered it an important point, and wished to have it called Henry'sville, after himself. This was not done however, and since his death the fortifications have been destroyed. It was at Candebeck that William the Conqueror crossed the Seine in 1047, on his way to Arques, to quell a sedition among the people there, under the Count of Arques. It was governed by the famous Talbot during the reign of Henry the Fifth of England, and the inhabitants distinguished themselves by their bravery in a combat with the English. At one period it was noted for its manufactures of hats and gloves; and at that time no one of bon ton would wear a hat that was not made at Candebeck. The revocation of the edict of Nantz proved a death blow to the industry of this town. Soon after leaving it, we passed the Chateau of La Mailleraie, once the residence of Mademoiselle De la Vallière, during her youth. The mansion is spacious, and its gardens and thickets looked very inviting. In 1824 the Duchess of Berri visited this retreat, and breakfasted in the garden; and to commemorate this circumstance, a white marble column has been erected there. I wonder they did not surmount it with a coffee-pot. Beyond La Mailleraie the scenery is rather monotonous, but at length you approach the Abbey of Jamièges, (founded by Saint Philibert,) and the landscape becomes lovely. This noble ruin, with its numerous Gothic windows, was a majestic spectacle. Being situated on a peninsula, round which our course extended, we had a view of it for a considerable time; at last, to my regret, it faded from our sight. Charles the Seventh built a fine villa in the neighborhood of Jamièges, and here the beautiful, but sinful and unhappy Agnes Sorrel, resided. At her death her heart was deposited in the Abbey, and her body carried to Loches, where it was interred with great ceremony in the choir of the collegiate church, for Agnes had been extremely munificent to the canons of Loches, giving them two thousand crowns and quantities of jewels, tapestry and pictures; and these crafty ecclesiastics paid her remains all due respect during the life of Charles the Seventh, her royal lover; but after his demise, while Louis the Eleventh was visiting their church, knowing that he detested Agnes, and designing to flatter him, they pointed out her tomb and requested permission to have it removed. "I consent," replied the monarch, (indignant at their duplicity and ingratitude,) "but you must first restore the riches she lavished upon you." The last object I will now describe to you is the Chateau of "Robert le Diable," a wicked wretch, whose crimes sullied the earth, and whose spirit is believed by the superstitious still to haunt the places that witnessed them. The scanty remains of his fortress are just visible on a rocky height on the southern bank of the Seine. Beneath the steep you behold La Vacherie, a neat little country seat that is worthy of notice, as being the residence of Madame Bocage when she composed her "Colombiade." We landed at Rouen about six o'clock, and are located in a comfortable hotel, where papa says we will remain until we have seen all the curiosities of this interesting old city. You will therefore hear from me again ere our departure. Yours truly,

LEONTINE.

LETTER THIRD.

Description of Rouen—Cathedral—Church of St. Ouen—Picture Gallery and Library in the Hotel de Ville—Square of Joan of Arc—Theatre—Dress of the Norman Peasants.

ROUEN, ——.

My Dear Jane:—

According to your request and my propensity to scribbling, I intend to be very circumstantial in my details. Pray don't grow tired of them, or if you do, keep it a secret, and my vanity may prevent my suspecting such a misfortune. Mamma gives me great credit for being so industrious with my pen. Sigismund and Edgar keep a journal; but that requires more exactness than I possess, so I prefer writing a letter when the humor takes me. We have been out sight seeing, every morning and afternoon, until to-day. A brisk rain now confines us to the house, and affords me leisure for again conversing with you. I will commence my agreeable task with a description of the town. Its environs are beautiful, but the interior rather gloomy—the streets are generally so narrow and the houses so old. It was formerly surrounded by walls and moats; the walls have been pulled down, and the moats filled up and converted into public walks. At Rouen, the ancient Dukes of Normandy held their courts, and it contains many vestiges of their magnificence. The palace of justice is a vast Gothic structure of the reign of Louis the Twelfth. Beneath it are prisons, to which they were conducting two culprits as we entered. One of its various halls is of immense extent, and has a singular vaulted ceiling, that reminds you of the hulk of a vessel reversed—a comparison by the by, that is not original with me. The venerable cathedral, with its lofty spire and painted windows, engaged us a long while. The spire is three hundred and eighty feet high, and visible seven or eight leagues. There are two towers; one of them denominated the butter tower, because the expense of erecting it was defrayed with money that had been paid by the people for permission to eat butter during lent! It contained an enormous bell, nearly equal in size to that at Moscow, and the founder of it is said to have died in an ecstacy at its completion. This wonderful bell was destroyed during the revolution. Many illustrious persons are buried in the cathedral. Among them, Henry the Fifth of France, Richard Cour de Lion, the Duke of Bedford, and the Cardinals of Amboise. The monument of the two Cardinals is superb, and covered with arabesque work. They are represented kneeling on its summit. Above them is a gilded equestrian statue of St. George, their patron; below them (ranged in niches on the front of the tomb,) are small marble figures, emblematical of the virtues they possessed. Opposite this mausoleum is another, equally remarkable. It is dedicated to the Grand Senéschal Brezé, the husband of Diana of Poitiers, and governor of Rouen in the sixteenth century. Of the numerous statues that adorn this tomb, that which represents the Senéschal as an extended corpse is the most striking, and it is inimitably executed. The pinched nose, tight drawn skin, hollow cheeks, and sunken eyes, give it the exact appearance of a dead body. Over the grand altar of the church hangs a fine painting, by Philip de Champagne; the subject of it is the adoration of the Magi, and the light is ingeniously and beautifully reflected from the infant Jesus, (the light of the world,) upon the surrounding objects. But enough of the cathedral, Allons á Saint Ouen, famous for its fine interior perspective, which is curiously and perfectly delineated by reflection on the surface of the holy water, in the baptismal font, near the chief portal of the church. St. Ouen was originally a Benedictine abbey. Its architect Berneval, is buried in one of the chapels, and there is an improbable tradition concerning him, viz: that he was hung for assasinating his apprentice, who by excelling him in carving some trifling ornament for the ceiling, had excited his jealousy. The painted windows of St. Ouen are beautiful, and shed a mellow lustre over its triple aisle, which we regretted to exchange for the glare of the sun without; but time pressed, and we hastened to view the picture gallery and public library in the Hotel de Ville—neither of them extensive, though worthy of examination. We next proceeded to the square of Joan of Arc, where a statue of her is erected on the spot upon which she was burnt as a sorceress in 1430. Last night we went to the play. The theatre is a handsome edifice, and the ceiling exhibits the apothesis of Piérre Corneille. You behold him crowned by tragedy, while painting and sculpture vie in copying his features, and fame sounds his praise to the world. Apollo sheds over him his brightness, and time with his scythe drives away envy and other evil genii inimical to his glory. The ladies here dress well and tastefully, but the costume of the peasants is very queer. It is the same throughout Normandy. They wear high crowned muslin caps, tight boddices, full plaited short petticoats garnished with rows of black velvet, blue stockings clocked with red, and black sharptoed shoes, cut low on the instep, and ornamented with rosettes. They always have a gold cross, suspended from a black ribbon encircling the neck, and a pair of gold earrings. But here am I continuing to scribble, and the weather has cleared off and the carriage is ordered for a drive, and I verily believe coming to the door. There! papa calls me to descend. In haste, farewell.

LEONTINE.

We refer the reader to the editorial head for some remarks upon the following article.

For the Southern Literary Messenger.

THE DOOM.

MR. WHITE,—I am about to do a very foolish thing, no less than to write a tale of a mournful love affaire. What has afflicted me with the propensity, in truth I cannot determine; but though I am conscious of the folly, I console myself by the unanswerable question, Why shall not I write as well as other fools?

What I am about to write is the authentic history of a most melting love affaire, which took place in this goodly city within the last five years, and with the persons concerned in it, many of the fair and fashionable here are, or rather were, acquainted. It was related to me by the young gentleman himself; of him I will give a short account. Ten years ago George B——, and myself were schoolfellows, but associated little together except in school hours. He was a light-hearted and joyous fellow enough, but at times as moody as the —— himself, and he always delighted, to an immoderate degree, in the little misfortunes and calamities that befall schoolboys. If a poor fellow in climbing over a paling encountered any little point or nail, whereby his nether garment was lacerated, he it was that first made the discovery, and raised the war whoop. Consequently he was half feared, and, when absent wholly hated by all of us, though in his company we all strove to be on good terms with him. After he left school I saw no more of him for some years, and when he again came to Richmond, we met on the civil and polite footing of passing acquaintance, until an accident brought us together and originated a friendship between us.

One evening in June, 1832, when the thermometer stood at 94°, I had managed to convey myself about a mile up the river bank for the purpose of bathing, and going into the water I splashed about with great vigor, thinking about Leander's remarkable feat in crossing the Hellespont, until I felt a great desire to try whether I might not aspire to equal him, or at least E—— P——, who swam from Mayo's Bridge to Warwick wharf some years ago. Accordingly after screwing up my courage grievously, I approached slowly a furious and turbulent stream, which tumbled over a ledge of rocks, producing some appalling waves and eddying whirls, commonly known as "sucks." I stood on a rock near and contemplated it for some moments, until perceiving that my ambition had very sensibly diminished and was rapidly taking French leave, I was about to retire without attempting the crossing, when I unfortunately discovered a head on the opposite side, very quietly watching my proceedings,—whilst its owner was luxuriously rocking himself about in the calm element. Ashamed to retreat, while one who had accomplished what I shrank from, was perhaps chuckling at my fears, I sprang forward, and ere I was well aware what was the matter, found myself lifted up, dashed down, whirled around, my limbs pulled and jerked hither and yon by the infernal waters, whilst the waters above were foaming over my head and plashing into my face. Finally, I was wearily and faintly struggling, almost bursting with suppressed respiration; and with a horrible distinctness, memory was holding up to my mind's eye every sin wherewith she could charge me,—when my arm was seized and myself dragged along by a powerful hand. When I recovered consciousness, I was seated on a rock near shore, and the person to whom I owed my life was standing by—it was my old schoolfellow, George B——. I muttered something about gratitude, when he cut me short by telling me he would have saved the life of a drowning dog with as much alacrity as he had saved me, and that he would, he thought, deserve my gratitude more for advising me not again to be fool enough to venture into deep water until I could swim. This, I thought, was rather taking a liberty; but he had just saved my life, and I said nothing more while we were dressing ourselves. Then slowly walking towards the city, we chatted about schooldays and schoolfellows. From that day we gradually became better acquainted, until in a few weeks we were intimate associates. It was but natural that I should be attached to a person who had rescued me from a watery grave, yet I could not but see that with many very admirable qualities of heart and mind, there were some glaring defects and vices about him. He was generous and liberal to excess, and to the necessities of the indigent his hand was never closed; he was a true friend, but a bitter, unrelenting enemy; he cherished revenge as food fit for gods, and therefore the more delightful to men; no Indian was ever more unforgiving. In person he was tall and spare; his face was not remarkable for comeliness, though the features were good; but his eyes gave the charm and power to his dark pale face; they could fascinate and charm as well as threaten and command. With a fine and highly cultivated taste, and a strong well-informed mind; simple in his habits and addicted to no species of intemperance or dissipation; and with a fortune which placed him out of the reach of want, yet not enough to dissuade him from exertion, George B—— seemed destined to play with honor and success the part of a man among his fellows.

Our friendship had endured for nearly a twelvemonth, and the gay winter of 1832-3 had passed. B—— had been absent from town about a month, when one evening, near the end of May, I met him on the capitol square; he had arrived a few days before. An uncommon gloom was seated on his brow; but I was in no melancholic mood myself, and after a few minutes he seemed to regain his habitual carelessness of look and manner. We strolled off, jesting and telling anecdotes, until we arrived at the hill which overlooks the armory. It was a Sabbath evening; and, according to the commendable custom of the young gentlefolk of Richmond, frequent parties of six or eight ladies, with their attendant beaux, passed by the foot of the hill and proceeded up the bank of the canal. As the ringing laugh of some dashing belle reached us where we sat on two granite blocks on the top of the hill, B—— would amuse me by relating some ludicrous anecdote or odd circumstance connected with the fair laugher. What a quantity of scandal did he impart to me, which, had it been proclaimed from the house tops, would have procured him the honor of martyrdom—as surely as that the satire which is so delightful to female ears when pointed against their friends, seems too horrible when turned against themselves.

They passed from our sight, and in a few moments B—— became silent, and sat with his cheek leaning on his hands. I looked down at the beautiful river and the city spread out before me, built on the side of a sweeping hill, like a vast amphitheatre, so beautifully and faithfully delineated in Cooke's picture, and very soberly speculated on the probabilities of our ever having such a city as New York or Philadelphia. I tired at length of such inconclusive speculation, and turning to my companion with intent to enliven him a little, said, "B—— you have never told me of any affaire du coeur in which you were a party; tell me who is or was the goddess of your profane idolatry."

He started as if I had stabbed him, and gazed at me with a fixed stare. I have said that his eyes were remarkably piercing; and I looked away from his glance, fearing lest, inadvertently, I had awakened a painful recollection.

"Tell me," said he, "are you superstitious! Do you think that beings superior to the laws of humanity have ever appeared to mortals or conversed with them?" "Not in these latter days at all events," replied I, "or else I should never have played the many mad pranks that I have done, on dark still nights, in grave yards and church porches, where the gentry you speak of would be met with, I imagine, if any where." "Ah," said he, as if swallowing down a groan, "you jest lightly; but I will tell you that which will somewhat shake your incredulity." In spite of me, his manner made some impression on me, though I half suspected it to be a mere ruse—but my attention became strongly riveted, as he went on with his story.

"Five years ago," said he, "I was entering my seventeenth year, and began to think myself a man, especially as I had been for one session to college. It was during the first vacation that I went down to —— county to see my guardian, and to wage war on every living winged creature, from a sparrow to a turkey buzzard; and during the continuance of fair weather, I never looked into any thing bearing the likeness of a book, unless it was to tear out the blank leaves for wadding. But one cold, raw, windy, drizzly day, after satisfying myself that there was no more likelihood that the rain would cease, than if it had been the commencement of the deluge, I desperately picked up a book, and going to my sleeping apartment, threw myself on my bed and fell to reading. I forget what it was, but I know it was some extravagant Italian or Sicilian romance, in which ghosts, angels and devils mixed themselves up with the human actors, with very little ceremony. It interested me though wonderfully, and I continued hard at it until late at night, when having finished it, I got into bed and lay half thinking, half dreaming, about what I had been reading. A while after, I heard my name called in a voice which seemed to be near me. I shivered with dread—but made no answer. Again my name was pronounced; and the voice continued—'Look! behold her who will blight and wither up thy happiness and life, and drive thee to an early tomb.' Unconsciously I sat up and looked around; the room was as dark as midnight, and the wind sighed mournfully as it swept through the trees in the yard. Suddenly a light glanced before my eyes; I looked and saw a room handsomely furnished, with a small round table in the centre, and near it a sofa. A young lady was standing, apparently just risen from the sofa, with one hand resting on the table, and the other extended pointing at me. Her eyes were fastened on my face, with a look of proud, bitter scorn. I was as one fascinated: she slowly turned her face from me and waved her hand—then all vanished. I sunk back on my pillow with a feeling of utter despair: it passed off, and I longed for revenge. I said aloud, 'devil or angel, grant that I may inflict misery equal to what I shall suffer, and see her sink before me into the grave, and then I will not repine at my destiny.' With a perfect distinctness I heard the words, 'Thy wish is granted.' A feeling of gratified revenge stole over me, and I sunk into a deep sleep.

"I awoke in the morning, and having peeped from my window and found the weather as bad as ever, I again pressed my pillow with design to woo a morning nap. All at once I recollected the extraordinary vision or dream of the past night—every circumstance clearly presenting itself to my mind—every look and gesture of the figure, and every word uttered, seemed engraved on my memory—I tried to convince myself that it was a dream; I argued with myself and resolved that it was a dream—but something within me said, 'it is no dream.' For several days I thought of nothing else; but at sixteen we are not fond of a long continued musing about any thing, good or bad; and in the excitement of hunting, fishing, and going to meetings on Sundays, the impression wore off by degrees.

"I returned to college, studied hard, frolicked harder, and was indefatigable in every piece of mischief which could be devised by the collective wisdom and ingenuity of eighty boys; and having several times narrowly escaped suspension and once been threatened with dismission absolute, I finished the course, and came to Richmond to amuse myself in every way I could find out; and for want of other matter to engage me, to dip a little into the sublime study of the law. The winter of 1831-2 was commencing. The redoubtable cholera had not yet arrived in America; but all were dreading it. Folks here seemed determined to take time by the forelock and live merrily while they could. I made acquaintances; and received invitations to parties, of which I attended many, where I cannot aver that even my small stock of ideas was much augmented, though on the score of creature comforts they were very pleasant; and by dutifully and honestly paying the expected visit after, acquired the repute of an honest, polite and agreeable young man. Some unthinking youths are so shortsighted as to care very little about paying a visit after a party, though they are very particular in paying it before one is to take place. That was not my plan: I was always addicted to the calculation of chances, and argued that as one party had been given at a particular house, possibly, nay probably, (bating accidents) another might be in the course of time. Upon this principle I acted, and do not think that I ever lost by it. The winter passed and summer came on.—I went to the White Sulphur Springs, and by eating huge dinners and suppers, and drinking the dreadful waters; galloping about the mountains in Miss ——'s train, and occasionally walking five or six miles to fish, I got into prodigious health—my limbs grew firm and hard as iron, and I felt strong enough to brain a wild bull, or hug a bear to death. But I grew tired of this life, and early in the fall came back to Richmond to see what in the deuce the people were doing with the cholera. The newspapers said the city was as silent and gloomy as a charnel house.

"Every thing, however, must end; and the cholera's day passed;—by the middle of November every dead person was forgotten, and every one living seemed to forget what it was to die. The fashionables came back in throngs about the time the Legislature commenced its very necessary and exceedingly laborious annual session; and no one who had not seen, as I had, piles of coffins six feet deep, waiting for the graves which were to receive them, could have believed that death and desolation had so lately hovered over the city.

"Several parties had been given, and the regular routine had commenced. On the evening preceding Christmas day, I went to a large party at Mr. ——'s. I was idly engaged—now in managing a jelly, now in munching a devilled biscuit, when among the new faces shewing themselves about the room, I discovered one which drew my attention forcibly. It was not a very beautiful face certainly—but there was about it—a nameless something which convinced me that she was an uncommon character. On her pure white high forehead, was stamped the seal of bright intelligence, and her mouth, which was rather large, indicated a world of humor. I thought I had seen the face somewhere—but where and when I could not tell. I inquired her name; Miss ——, staying with her aunt Mrs. ——, I was told. Now I certainly had never seen Miss ——, though I had heard of her; for her father lived within a few miles of my guardian's farm—but her face haunted me as that of one I had known in days gone by. I was standing with my arms folded, looking the picture of gravity, when the beautiful young mistress of the merriment making came to me, and desiring me not to get asleep, with an applauding laugh at her own wit, said, 'come, I will introduce you to a lady who has eyes as expressive as your own, and whose vivacity will rouse you, if any thing can.' I languidly inquired who the lady was to whom she was so very complimentary—she pointed out Miss ——, and I consented at once. The introduction was duly gone through with, the pleasure of the lady's hand for a dance asked and granted, the four cotillons which constitute the regular allowance performed, and we seated ourselves on a charming sofa that it really was a delight to repose on. She danced no more that night, nor did I—but we talked about every thing and about nothing. I listened to her musical voice and looked at her dark lustrous eyes, until I determined with myself that I admired her very hugely, and when I attended her to her carriage at one o'clock, and heard her say that she would be glad to see me again, I felt as grateful as though she had done me a kindness.

"For a fortnight, I was assiduous in cultivating her good graces, until I flattered myself that I was looked on as by no means an ordinary acquaintance. About this time morning rides were all the rage. Among all the young ladies in the city, residents or visiters, Miss —— was the only one who could at all manage a steed—but what of that? Young men talked constantly of ——; how deucedly well she sat a horse; trotting, galloping, at full speed, 'twas all one to her; indeed in all, save perhaps one particular, she was a perfect Diana Vernon—and no wonder that fashion and the desire of notoriety should induce many young ladies, who knew as little about riding as they did about the Bible, to try to rival her. Miss —— was no exception. I was riding one morning with a party of ladies and gentlemen, when the horse of one of the gentlemen took fright at something, and off he started. We rode rapidly after him to see what would be the result. The horse was dashing down the road like the wind—suddenly he stopped short, and his unlucky rider darted from his saddle like a bull-frog in full leap, and plunged head foremost into a pile of brushwood, where his legs alone remained visible, gesticulating vigorously. Up we rode in great horror, thinking the poor fellow's neck was broken to a certainty; but no such thing—his time was not yet come. We hauled him forth, and found, that with the exception of a few digs and scratches about his face, he was a whole, though a miserably crest-fallen man. That evening I related the adventure of our morning ride to Miss ——, and instead of operating as a damper to her desire of riding, she became more resolutely bent on it—nothing would do but I must ride with her next day. Accordingly, next morning we started; she riding a quiet looking pacing nag, and I on that large fiery grey horse that broke my barouche to pieces, the day you rode with me to Fairfield and nearly broke our necks into the bargain.

"I felt uncommonly dull and sleepy that morning, and was so absent that at length I fairly wore out my companion's patience, which, by the way, was not equal to Grissel's, and in order to rouse me from my dreaming fit, endeavored to give me a smart cut with her switch, which missed me—but took effect on my horse's flank. He sprang forward, and kicking violently, pitched me from the saddle, and down I came luckily on a soft sandy place. I jumped up and saw Miss ——'s nag rearing and plunging furiously, and her rider clinging to the saddle with one hand and the mane with the other. In an instant I was at the animal's head, and seizing her nose with a powerful grasp held her quiet, while I lifted Miss —— from her saddle. Her face was pale, her lip quivered with terror, and she trembled so violently that I was obliged to put my arm round her waist to support her. I congratulated her on her escape from the danger, and proposed that we should continue our ride, as my horse had stopped near us and was attentively looking on, promising her at the same time to be very attentive during the ride, and not compel her to lash my horse in order to draw my notice. 'No,' she said, 'she could not, she would never attempt to ride again.' I became uneasy and earnestly besought her to permit me to lift her to her saddle, adding, that should our mishap be known, we should be rallied to death about it. At length she consented to ride slowly home. Neither said any thing to any one about our ride—but I could not forget that my arm had encircled ——'s slender waist. I became absorbingly devoted to her; and one day when I found her alone, with her cheek resting pensively on her little hand, I was foolish enough to tell her that I believed I loved her, and said a deal of nonsense besides, to which she listened with quiet resignation, and when I had finished, she tendered her hand to kiss.

"About ten days after this event, my guardian came to town, bringing with him his daughter, a beautiful little creature, with whom I had been brought up as a brother. The day after their arrival, there was a party, to which I was to attend Miss ——. My guardian was an elderly, staid gentleman, fond of his ease, and made it a point of conscience to go to his rest at ten o'clock regularly, and I thought it was incumbent on me to go with his pretty daughter. I therefore wrote a short note to Miss ——, telling her how matters stood, and thought nothing more about it until we arrived at the party, where I looked in vain for her. 'She will be here after a while,' thought I—and to pass off the time agreeably, I danced with my fair companion. The night wore away, and still the girl I wished most to see did not arrive, nor could I conjecture the cause of her absence. Next day I went with my guardian and my sweet cousin, as I called her, to see some paintings at the Museum, and other sights; and the day after, she insisted that I should accompany her in a shopping expedition. Now there is nothing in the shape of labor or suffering that I would not sooner undergo, than accompany a lady, and more especially a very fair young lady, shopping; they look at a thousand things, ask one's opinion or advice about every thing, and as a matter of course, follow it in nothing—besides all that, I was very anxious to see Miss —— that morning; but was obliged to submit.

"Next morning I paid her an early visit—she was sitting at the table writing as I entered. As she looked up at me I thought I noticed somewhat of displeasure in her eyes, and it occurred to me at once that perhaps she was not pleased at my failure to attend her to the party. If so, her pettishness was obviously unreasonable in the extreme, and I forthwith determined to anger her a little, if I discovered my surmise to be well founded.

"I talked to her for some time very courteously. Her brow began to clear up, and I feared lest she should become entirely good humored and leave me no opportunity to vex her; so I spoke of the party, mentioned some who were there, and how delightful the whole affair was: eatables, drinkables, music, ladies and all, charming; and amongst other things I dilated with great emphasis on my cousin, praised her beauty, her gracefulness, her wit; spoke of the admiration she excited, and concluded by declaring that she was by far the most interesting girl I had seen there—and I ran my fingers through my curling hair, and thrusting my right leg out before me, gazed complacently at the toe of my pump.

"Miss —— looked at the fire and twisted the unfortunate pen she held in her hand, into many unnatural shapes—but said nothing.

"'Well,' resumed I, 'I could not imagine why you were not there; I looked for you once or twice during the evening, and was astonished when I heard that you had not come.'

"'Oh, I received your note telling me that you would accompany another lady, and not wishing to go abegging for an escort, resolved to stay at home.'

"'What a pity!' said I, 'if you had been there I should have had nothing to wish for; as it was, the evening passed delightfully—I scarce left my little cousin's side. Yesterday she carried me shopping with her all the morning, and the day before I went with her to see the Ariadne. She is very much like the picture, and has the same beautiful fair complexion, the same blue eyes and yellow hair, which I admire so much, you know.'

"I looked up at Miss ——; she was gazing fixedly at me. I noticed a tear in her eye, as she turned away and rested her cheek on her dear little hand. I began to think matters were becoming too serious.

"'Sweet ——,' I began, in an altered and earnest tone.—She raised her head suddenly and I trembled at her glance.

"'Sweet ——,' she repeated, with scornful emphasis—'George, I owe you my life, and for that I shall always feel gratitude. I have loved you for yourself—for I thought you generous, sensible and sincere. Your present conduct shews how much I have been deceived in you, and the love I have been proud to feel is lost in contempt.' She rose from her seat as she spoke.—Heaven and Earth! The figure seen in my almost forgotten vision stood before me. I was motionless with horror—a dagger of ice seemed slowly to pierce my breast—I covered my eyes with my hand and groaned:—Too fearfully were the words of doom fulfilled.

"I rose slowly from my chair, bowed low to —— and leaving the house, hurried to my room and threw myself on my bed. There I writhed in convulsive agony, and in the frenzy of unutterable despair cursed the hour in which I was born. The criminal who, in the confident hope of pardon, and indulging in dreams of long life and happiness, is suddenly dragged forth to the gallows, feels not a tythe of the utter desolation I then felt. By degrees my frenzy subsided, and a dull stupor was coming over me,—when the word 'Revenge' was muttered in my ear. I remembered the promise. 'Revenge is mine, and I will wreak it to the uttermost.' I became perfectly calm—it was the calm of despair. I had nothings to hope for but revenge, and then, come what might, I would be ready to meet it! 'Yes,' said I aloud, 'I will twine myself round her heartstrings—she shall love me devotedly, fatally, and I will requite her with a contempt colder than the snows on Cotapaxi, and a hate more intense than its fires.'

"In a few days my guardian left town with his daughter. I went about as usual and frequently met Miss ——, to whom I always spoke with an air of grave politeness—but never alluded to her displeasure. I soon saw that her anger was passed like a summer cloud, and that she was not at all indisposed to a renewal of our former intimacy. One evening at a party somewhere, I was engaged in a lively conversation with her, and was quietly offering her many little polite attentions, from which a casual observer would have inferred that we were excellent friends—but there was nothing of confiding, affectionate interest in my tone or looks: all was the calm, cold, habitual politeness of a thorough bred man of the world. After a silence of some minute or two, she said kindly, 'George, I am sorry for what I said in my hasty anger and would be delighted if you would forgive and forget it'—and she offered me her hand. I would have spurned it from me—but the time was not yet come. So I took her hand in mine, and with a grateful pressure, thanked her for her condescending goodness. 'Now,' said she, with one of her most endearing smiles, 'we are good friends again.'

"For an instant my dire resolution seemed melting away—but I steeled myself relentlessly, and swore by my own head to pursue my revenge. From that day forth I was unremitting in my endeavor to gain her whole heart—every word and look was directed to that end. For hours have I sat with her, pouring out for her attentive ear whatever my more masculine studies had made me conversant with, but which to her had been as a sealed book.

"At length I saw that I had succeeded; her whole being seemed bound up in my love, and I felt that my victim was in my power. 'Now for revenge,' I muttered, as I walked slowly to the door and rang the bell. The room was empty as I entered; I sat down and pondered over the best and surest mode of attaining my wish. Presently I heard a light step hurrying down the staircase, and slackening in speed as it approached the door. I threw a slight expression of gloom over my features; the door opened, and Miss —— entered and greeted me with a mingling of cordiality and bashfulness which at one time would have brought me on my knees before her: now it was of no avail. She soon noticed the sadness of my looks, and inquired the cause. 'I was thinking,' I replied, 'of a past and most painful event. It was here, in this room, that I heard, from lips that were dearest to me of all on earth, words which stunned me more than a thunderbolt would have done, and she who spoke them sate where you now sit.'

"'Hush, sweet; hush,' said she, playfully putting her hand on my mouth, 'and do not again allude to an occurrence which I regret so much. Indeed,' she continued, while her eyes filled with tears, 'indeed, I would do any thing to convince you how much it has grieved me.'

"I smiled fondly, and rising from my chair, seated myself by her side, and took her little hand in mine.

"'F——,' said I, 'you have told me that you loved me, and I believed you; I need not say how dearly I have loved you. Listen, dear girl, to what my love compels me to tell. Until this day I have been accustomed to think of myself as one beyond the reach of poverty, although not rich: this very day I have learned that I am well nigh pennyless. Our engagement is yet unknown to any save ourselves, and it remains with you to say whether it shall continue. I release you entirely from your promise, and never by word or deed will I reproach you, should you listen to the voice of prudence, and decline linking your fate to that of one who has nothing save the gushing tenderness and love of a passionate heart to offer you. If your generous mind reject the thought of discarding me for my poverty, think on all you will have to undergo; the loss of all that custom has rendered almost necessary; "the proud man's contumely—the slings and arrows of outrageous fortune;" perchance the bitings of absolute penury;—and tell me, can you leave family and friends, and your childhood's home, and endure all for the sake of my love?'

"My arm had encircled her waist, and I gazed steadfastly on her face. The proud blood rose in her pale cheek as she answered, 'George, I do love you more than I know how to express, and ever for yourself alone. I can now show you how completely I am yours, for my love can end but with my life.'

"Wildly, fearfully, did the fiery blood bound through my tingling veins. I drew her to me; her head lay on my shoulder, and I covered with kisses her forehead, her eyes, her cheek, her lips. Tears of passionate love burst from my eyes, and I pressed her to my heart in an agony of uncontrollable delight. Slowly my calmness returned, and again 'revenge! revenge!' sounded in my ear.

"I withdrew my arm from her, but still retained her hand, and said in a quiet tone, 'Listen again, and swear by your hopes of heaven that you will divulge to no mortal ear what I shall say.' She did so, and I continued: 'Two months ago you told me that you scorned and despised me: I swore to requite it—and now I tell you, and I swear by the crown of the eternal king I tell you truly, that I abhor you; I scorn and hate you more than I do the wretch who has murdered her infant child.' I flung from me as I spoke the hand I held, and rising from my seat, stood with my arms folded, looking her full in the face.

"For a moment she gazed wildly at me, as if she did not comprehend what I had said; but as the dreadful truth forced itself on her mind her face became white as chalk, her eyelids quivered convulsively, and with almost a scream she fell back in a swoon. I raised her, and getting some water from a flower jar, I sprinkled it over her face, and supported her in my arms. In a few minutes she opened her eyes, and fixed them on me with a gaze of imperfect consciousness; my arm still supported her. 'Oh George, George,' she murmured, clasping my neck with her arms, and sobbing bitterly, 'how could you jest so cruelly with me? I know you were not in earnest; you could not speak so in earnest to your own F——; but your dreadful look frightened me almost to death;' and she hid her face in my bosom, and sobbed as if her heart would break. For a few moments her sobs continued, and then she gradually recovered herself. I quietly unclasped her hands from my neck, and again rising from the sofa, said in a bitter tone, 'compose yourself Miss ——, and be assured that I am in earnest. Look on my face, and see a man marked for the grave—and you are my destroyer. You have blighted all my happiness in this world; and before the leaves which are new budding shall fall, I will be sleeping in my cold grave. But now vengeance is mine, and I have repaid you; your death blow has been stricken, and soon, very soon, will you wither in your early tomb, where I shall speedily follow. Remember your dreadful oath.'

"She did not move nor weep, but her eyes were fixed on me with a fearful stare as the charmed bird regards the rattlesnake, and followed me as I moved from the room. Next day I heard that Miss —— had been discovered in the room where I left her in a state of insensibility, and had with difficulty been aroused from it, but was alarmingly ill. Conjecture was at fault as to the cause of her illness; among the thousand and one suppositions none came near the truth, and nothing could be learned from her. She was obstinately silent, as the attending physician, a pragmatical, dogmatical fellow, chose to report. A week passed and she was thought somewhat better; and her father, who had hurried to town on hearing of her illness, insisted on carrying her to the country with him. Another week passed and I heard nothing of her. I became anxious; I wished to see her again; to mark the progress of death, and exult in the completion of my revenge. I went down to my guardian's house. They were all speaking of poor F—— when I arrived; she was not expected to live forty-eight hours.

"Next day my guardian, his daughter and myself rode over to Mr. ——'s to see F—— once more. Her mother was weeping and refusing to be comforted: she was her only child. I did not see her father; like Hagar, he had taken a last look at his child, and had gone into the woods to mourn unseen—he could not see his child die.

"My cousin and her father went into the dying girl's room, while I remained conversing with some of the neighbors who were there. After some time had elapsed they came out; she came to me weeping bitterly, and said that Miss —— desired to see me alone. I almost trembled, but hastened to the room; no one was there save the dying girl. There she lay, her dark hair loose over her pillow, her fine face attenuated and white as alabaster; one hand was exposed to view—it was shrunk almost to nothing—but the lustre of her eyes was yet undiminished. I moved to the bedside and gazed in silence on the yet living remains of the most angelic spirit that I have met with in my intercourse with my fellow mortals. 'George,' said she in a weak voice, 'in a few minutes I shall breathe my last, yet I love you as fondly as ever, notwithstanding your cruel treatment of me. Oh speak to me, George! tell me that you love me, and I will forgive you and die contented.' My desire for revenge melted away; I felt almost choked with emotion, and throwing myself on my knees I kissed her emaciated hand and wept tears of bitter regret: inextinguishable love burned in my heart, and I moaned in her ear, 'F——, my sweet, sweet F——, I do love you, and have ever loved you more than all the world holds beside, but it was fated that thus it should be!' A smile of delight spread over her face, her dying hand pressed mine—and in a whisper almost inaudible she said, 'Farewell, we will meet hereafter.' Her breathing fluttered and ceased—she was dead. I imprinted a last kiss on her face, still lovely even in death, and left the room.

"I saw her body committed to the earth and her grave sprinkled with early violets; and when all was over, we left the bereaved family to their sorrows.—Since that day I have impatiently awaited the approach of death, but my sufferings have not terminated as soon as I wished. At times a dreadful feeling of remorse has seized me, and in agonies that cannot be described have I writhed during many sleepless nights—but I was a mere instrument in the hands of unalterable fate.

"A few days since I came to Richmond to arrange some business. To-morrow I shall leave this city for New York, where I shall stay for some weeks. After this day I shall never see you again."

He ceased. I wished to say something, but his recital had made so strong an impression on me, and he seemed so fully fixed in the belief of his approaching death, that I was silent. The shades of evening began to deepen around us, and the full moon rose struggling through a bank of clouds. "Come," said B——, "go with me to my room; I have something to give you as a memento of me." We went to his room and he took from a desk a dirk of beautiful workmanship, the handle richly ornamented with gold, and giving it to me said, "take this and keep it. I have been strongly tempted to use it against myself, but have refrained, for it shall not be said that I feared to live. Farewell. I have something to do, and you will excuse me." I wrung his hand and we parted. I never saw him again; but in the latter part of July I heard that he had returned from New York in a low state of health, having, as was said, wasted rapidly in a consumption. Early in August he died, making it his last request to be buried by the grave of Miss ——. It was complied with, and before he completed the twenty-second year of his age, he slept by the side of her he had loved. Peace to their ashes!

BENEDICT.

For the Southern Literary Messenger.

THE CHANGES OF NATURE.

Cum polo Phoebus roseis quadrigis.—Boet: Lib. ii. Met. iii.

How oft when Sol, in rosy car,

Pursues his radiant race,

The malice of the evil star

Sheds paleness o'er his face!

How oft when Spring sets out her flowers,

And opening blossoms play,

An angry cloud, with chilling showers,

Sweeps all their charms away!

How oft when Ocean smiles serene,

Composing all his waves,

A sudden storm confounds the scene,

And sailors find their graves!

Oh! then, since this is Nature's style,

Still changing from her birth,

Why trust her false, deceitful smile?

Why look for rest on earth?

ORIGINAL LITERARY NOTICES.

THE LAST DAYS OF POMPEII. By the author of Pelham, &c. 2 vols. New York: Harper & Brothers. 1834.

The "Messenger" ought to have contained an earlier notice of this fashionable and brilliant work. If our readers have not seen it, we would advise them by all means to send forthwith to the bookseller and purchase a copy. We are free to confess that it has raised Mr. Bulwer fifty per cent. at least in our estimation,—yet we do not think it by any means a faultless performance. Mr. Bulwer's pictures, in all his works that we have read, are too gaudy,—too highly wrought,—and therefore too much above nature,—and want the delightful repose and serene features which distinguish the great Scottish magician. He is, nevertheless, an author of vivid and powerful fancy, of extensive learning, and of high capacity to seize upon his readers and enchain them by fine imagery and impassioned eloquence. The work before us is one of undoubted merit. The subject is of great historical interest, and the author has contrived to reanimate the "city of the dead" with a group of actors who, with some exceptions, admirably sustain their respective parts, and contribute their due share to the continued interest and final catastrophe of the story. We shall not attempt any analysis of the book, for that would be to deprive such of our readers as have not seen it, of much of that exquisite pleasure which attends the progressive developement of the plot, and the gradual disentanglement of all the intricacies in a work of fiction. The tragical story of Pompeii is familiar to classical readers, and especially the graphic account of its doom by the younger Pliny, who was an eye witness to the calamity. Its discovery and partial restoration in latter times,—the laborious excavations which have brought back its temples, its theatres, its triumphal arches and spacious edifices, to the light of day;—its antique curiosities and fine paintings, rescued as it were from a dark interment of seventeen centuries, and now exhibited in their original form and freshness, are all circumstances of powerful interest,—but have been so frequently referred to by tourists, antiquarians and others, that they do not require any particular notice at our hands. We regard Mr. Bulwer as highly fortunate in the choice of his subject; and, as he enjoyed great advantages by his presence on the spot, he has contrived to embellish his story by a variety of interesting details derived from actual inspection. The minute account, for example, of the dwelling of Glaucus, in the third chapter,—of the complicated arrangement and splendid ornaments of the various apartments, is not the creation of fancy but a lively representation of a living model. By the way, since this same chapter contains a very curious account of a Pompeian supper, besides some other interesting matters, we are tempted to insert the whole in our columns, especially as many of our readers may have no opportunity of seeing the volumes from which it is extracted. The umbra, who is introduced as one of the guests, is a species of animal not peculiar we believe, to the Roman age. Society has in all ages abounded in parasites and toadies, who, for the sake of a plentiful repast and fashionable company, have very willingly echoed the sentiments of a rich patron. Glaucus, one of the principal personages in the tale, had assembled a small party to partake of his luxurious bounty,—and the chapter opens with a fine description of the host himself. We introduce it to our readers.

Heaven had given to Glaucus every blessing but one: it had given him beauty, health, fortune, genius, illustrious descent, a heart of fire, a mind of poetry; but it had denied him the heritage of freedom. He was born in Athens, the subject of Rome. Succeeding early to an ample inheritance, he had indulged that inclination for travel so natural to the young, and had drunk deep of the intoxicating draught of pleasure, amid the gorgeous luxuries of the imperial court.

He was an Alcibiades without ambition. He was what a man of imagination, youth, fortune and talents readily becomes when you deprive him of the inspiration of glory. His house at Rome was the theme of the debauchees, but also of the lovers of art; and the sculptors of Greece delighted to task their skill in adorning the porticoes and exedra of an Athenian. His retreat in Pompeii—alas! the colors are faded now, the walls stripped of their paintings!—its main beauty, its elaborate finish of grace and ornament, is gone; yet when first given once more to the day, what eulogies, what wonder did its minute and glowing decorations create—its paintings—its mosaics! Passionately enamoured of poetry and the drama, which recalled to Glaucus the wit and the heroism of his race, that fairy mansion was adorned with representations of Æschylus and Homer. And antiquaries, who resolve taste to a trade, have turned the patron to the professor, and still (though the error is now acknowledged) they style in custom, as they first named in mistake, the disburied house of the Athenian Glaucus, "THE HOUSE OF THE DRAMATIC POET."

Previous to our description of this house, it may be well to convey to the reader a general notion of the houses of Pompeii, which he will find to resemble strongly the plans of Vitruvius; but with all those differences, in detail, of caprice and taste which, being natural to mankind, have always puzzled antiquaries. We shall endeavor to make this description as clear and unpedantic as possible.

You enter then, usually, by a small entrance passage (called vestibulum) into a hall, sometimes with (but more frequently without) the ornament of columns; around three sides of this hall are doors communicating with several bed chambers, (among which is the porter's,) the best of these being usually appropriated to country visiters. At the extremity of the hall, on either side to the right and left, if the house is large, there are two small recesses, rather than chambers, generally devoted to the ladies of the mansion; and in the centre of the tesselated pavement of the hall is invariably a square shallow reservoir for rain water (classically termed impluvium,) which was admitted by a hole in the roof above; the said aperture being covered at will by an awning. Near this impluvium, which had a peculiar sanctity in the eyes of the ancients, were sometimes (but at Pompeii more rarely than at Rome) placed images of the household gods; the hospitable hearth, often mentioned by the Roman poets, and consecrated to the Lares, was, at Pompeii, almost invariably formed by a moveable brasier; while in some corner, often the most ostentatious place, was deposited a huge wooden chest, ornamented and strengthened by bands of bronze or iron, and secured by strong hooks upon a stone pedestal so firmly as to defy the attempts of any robber to detach it from its position. This chest was supposed to be the money-box or coffer of the master of the house; though, as no money has been found in any of the chests discovered at Pompeii, it is probable that it was sometimes rather designed for ornament than use.

In this hall (or atrium, to speak classically) the clients and visiters of inferior rank were usually received. In the houses of the more "respectable," an atriensis, or slave peculiarly devoted to the service of the hall, was invariably retained, and his rank among his fellow slaves was high and important. The reservoir in the centre must have been rather a dangerous ornament, but the centre of the hall was like the grass-plat of a college, and interdicted to the passers to and fro, who found ample space in the margin. Right opposite the entrance, at the other end of the hall, was an apartment (tablinum,) in which the pavement was usually adorned with rich mosaics, and the walls covered with elaborate paintings. Here were usually kept the records of the family, or those of any public office that had been filled by the owner: on one side of this saloon, if we may so call it, was often a dining room, or triclinium; on the other side, perhaps, what we should now term a cabinet of gems, containing whatever curiosities were deemed most rare and costly; and invariably a small passage for the slaves to cross to the farther parts of the house without passing the apartments thus mentioned. These rooms all opened on a square or oblong colonnade, technically termed peristyle. If the house was small, its boundary ceased with this colonnade, and in that case its centre, however diminutive, was ordinarily appropriated to the purpose of a garden, and adorned with vases of flowers placed upon pedestals, while under the colonnade, to the right and left, were doors, admitting to bed rooms,1 to a second triclinium, or eating room, (for the ancients generally appropriated two rooms at least to that purpose, one for summer and one for winter, or perhaps one for ordinary, the other for festive occasions;) and if the owner affected letters, a cabinet, dignified by the name of library,—for a very small room was sufficient to contain the few rolls of papyrus which the ancients deemed a notable collection of books.

1 The Romans had bed rooms appropriated not only to the sleep of night, but also to the day siesta (cubicula diurna.)

At the end of the peristyle was generally the kitchen. Supposing the house was large, it did not end with the peristyle, and the centre thereof was not in that case a garden, but might be perhaps adorned with a fountain, or basin for fish; and at its end, exactly opposite to the tablinum, was generally another eating room, on either side of which were bed rooms, and perhaps a picture saloon, or pinatheca.2 These apartments communicated again with a square or oblong space, usually adorned on three sides with a colonnade like the peristyle, and very much resembling the peristyle, only longer. This was the proper viridarium or garden, being usually adorned with a fountain, or statues, and a profusion of gay flowers: at its extreme end was the gardener's house; on either side beneath the colonnade were sometimes, if the size of the family required it, additional rooms.

2 In the stately palaces of Rome, the pinatheca usually communicated with the atrium.

At Pompeii, a second or third story was rarely of importance, being built only above a small part of the house, and containing rooms for the slaves; differing in this respect from the more magnificent edifices of Rome, which generally contained the principal eating room (or coenaculum) on the second floor. The apartments themselves were ordinarily of small size: for in those delightful climes they received any extraordinary number of visiters in the peristyle (or portico,) the hall, or the garden; and even their banquet rooms, however elaborately adorned and carefully selected in point of aspect, were of diminutive proportions; for the intellectual ancients, being fond of society, not of crowds, rarely feasted more than nine at a time, so that large dinner rooms were not so necessary with them as with us.3 But the suite of rooms seen at once from the entrance must have had a very imposing effect; you beheld at once the hall richly paved and painted—the tablinum—the graceful peristyle, and (if the house extended farther) the opposite banquet room and the garden, which closed the view with some gushing fount or marble statue.

3 When they entertained very large parties, the feast was usually served in the hall.

The reader will now have a tolerable notion of the Pompeian houses, which resembled in some respects the Grecian, but mostly the Roman, fashion of domestic architecture. In almost every house there is some difference in detail from the rest, but the principal outline is the same in all. In all you find the hall, the tablinum, and the peristyle communicating with each other; in all you find the walls richly painted, and in all the evidence of a people fond of the refining elegancies of life. The purity of the taste of the Pompeians in decoration is however questionable: they were fond of the gaudiest colors, of fantastic designs; they often painted the lower half of their columns a bright red, leaving the rest uncolored; and where the garden was small, its wall was frequently tinted to deceive the eye as to its extent, imitating trees, birds, temples, &c. in perspective—a meretricious delusion which the graceful pedantry of Pliny himself adopted, with a complacent pride in its ingenuity.

But the house of Glaucus was at once one of the smallest, and yet of the most adorned and finished, of all the private mansions of Pompeii; it would be a model at this day for the house of "a single man in Mayfair"—the envy and despair of the coelibian purchasers of buhl and marquetrie.

You enter by a long and narrow vestibule, on the floor of which is the image of a dog in mosaic, with the well known "cave canem," or "beware the dog." On either side is a chamber of some size; for the interior house not being large enough to contain the two great divisions of private and public apartments, these two rooms were set apart for the reception of visiters who neither by rank nor familiarity were entitled to admission in the penetralia of the mansion.

Advancing up the vestibule, you enter an atrinum, that when first discovered was rich in paintings, which in point of expression would scarcely disgrace a Raphael. You may see them now transplanted to the Neapolitan Museum; they are still the admiration of connoisseurs; they depict the parting of Achilles and Briseis. Who does not acknowledge the force, the vigor, the beauty! employed in delineating the forms and faces of Achilles and the immortal slave!

On one side the atrinum, a small staircase admitted to the apartments for the slaves on the second floor; there too were two or three small bed rooms, the walls of which portrayed the rape of Europa, the battle of the Amazons, &c.

You now enter the tablinum, across which at either end hung rich draperies of Tyrian purple, half withdrawn.4 On the walls were depicted a poet reading his verses to his friends; and in the pavement was inserted a small and most exquisite mosaic, typical of the instructions given by the director of the stage to his comedians.

4 The tablinum was also secured at pleasure by sliding doors.

You passed through this saloon and entered the peristyle; and here (as I have said before was usually the case with the smaller houses of Pompeii) the mansion ended. From each of the seven columns that adorned this court hung festoons of garlands; the centre, supplying the place of a garden, bloomed with the rarest flowers, placed in vases of white marble, that were supported on pedestals. At the left end of this small garden was a diminutive fane, resembling one of those small chapels placed at the side of roads in Catholic countries, and dedicated to the Penates; before it stood a bronze tripod; to the left of the colonnade were two small cubiculi or bed rooms; to the right was the triclinium, in which the guests were now assembled.

This room is usually termed by the antiquaries of Naples, "the chamber of Leda;" and in the beautiful work of Sir William Gell, the reader will find an engraving from that most delicate and graceful painting of Leda presenting her new-born to her husband, from which the room derives its name. This beautiful apartment opened upon the fragrant garden. Round the table of citrean^5 wood, highly polished and delicately wrought with silver arabesques, were placed the three couches, which were yet more common at Pompeii than the semi-circular seat that had grown lately into fashion at Rome; and on these couches of bronze, studded with richer metals, were laid thick quiltings covered with elaborate broidery, and yielding luxuriously to the pressure.

5 The most valued wood; not the modern citron tree. Some, among whom is my learned friend Mr. W. S. Landor, conjecture it, with much plausibility, to have been mahogany.

"Well, I must own," said the ædile Pansa, "that your house, though scarcely larger than a case for one's fibulæ, is a gem of its kind. How beautifully painted is that parting of Achilles and Briseis!—what a style!—what heads!—what a—hem!"

"Praise from Pansa is indeed valuable on such subjects," said Clodius, gravely. "Why, the paintings on his walls—ah! there is, indeed, the hand of a Zeuxis!"

"You flatter me, my Clodius; indeed you do," quoth the ædile, who was celebrated through Pompeii for having the worst paintings in the world; for he was patriotic, and patronised none but Pompeians,—"you flatter me: but there is something pretty—Ædepol, yes—in the colors, to say nothing of the design;—and then for the kitchen, my friends—ah! that was all my fancy."

"What is the design?" said Glaucus. "I have not yet seen your kitchen, though I have often witnessed the excellence of its cheer."

"A cook, my Athenian—a cook sacrificing the trophies of his skill on the altar of Vesta, with a beautiful muræna (taken from the life) on a spit at a distance: there is some invention there!"

At that instant the slaves appeared, bearing a tray covered with the first preparative initia of the feast. Amid delicious figs, fresh herbs strewed with snow, anchovies, and eggs, were ranged small cups of diluted wine sparingly mixed with honey. As these were placed on the table, young slaves bore round to each of the five guests (for there were no more) the silver basin of perfumed water and napkins edged with a purple fringe. But the ædile ostentatiously drew forth his own napkin, which was not, indeed, of so fine a linen, but in which the fringe was twice as broad, and wiped his hands with the parade of a man who felt he was calling for admiration.

"A splendid mappa that of yours," said Clodius; "why, the fringe is as broad as a girdle."

"A trifle, my Clodius, a trifle! They tell me this stripe is the latest fashion at Rome; but Glaucus attends to these things more than I."

"Be propitious, O Bacchus!" said Glaucus, inclining reverentially to a beautiful image of the god placed in the centre of the table, at the corners of which stood the Lares and the saltholders. The guests followed the prayer, and then, sprinkling the wine on the table, they performed the wonted libation.

This over, the convivalists reclined themselves on the couches, and the business of the hour commenced.

"May this cup be my last!" said the young Sallust, as the table, cleared of its first stimulants, was now loaded with the substantial part of the entertainment, and the ministering slave poured forth to him a brimming cyathus—"May this cup be my last, but it is the best wine I have drunk at Pompeii!"

"Bring hither the amphora," said Glaucus; "and read its date and its character."

The slave hastened to inform the party that the scroll fastened to the cork betokened its birth from Chios, and its age a ripe fifty years.

"How deliciously the snow has cooled it!" said Pansa; "it is just enough."

"It is like the experience of a man who has cooled his pleasures sufficiently to give them a double zest," exclaimed Sallust.

"It is like a woman's 'No,'" added Glaucus; "it cools but to inflame the more."

"When is our next wild-beast fight?" said Clodius to Pansa.

"It stands fixed for the ninth ide of August," answered Pansa, "on the day after the Vulcanalia; we have a most lovely young lion for the occasion."

"Whom shall we get for him to eat?" asked Clodius, "Alas! there is a great scarcity of criminals. You must positively find some innocent or other to condemn to the lion, Pansa!"

"Indeed I have thought very seriously about it of late," replied the ædile, gravely. "It was a most infamous law that which forbade us to send our own slaves to the wild beasts. Not to let us do what we like with our own, that's what I call an infringement on property itself."

"Not so in the good old days of the republic," sighed Sallust.

"And then this pretended mercy to the slaves is such a disappointment to the poor people. How they do love to see a good tough battle between a man and a lion! and all this innocent pleasure they may lose (if the gods don't send us a good criminal soon) from this cursed law."

"What can be worse policy," said Clodius, sententiously, "than to interfere with the manly amusements of the people?"

"Well, thank Jupiter and the Fates! we have no Nero at present," said Sallust.

"He was, indeed, a tyrant; he shut up our amphitheatre for ten years."

"I wonder it did not create a rebellion," said Sallust.

"It very nearly did," returned Pansa, with his mouth full of wild boar.

Here the conversation was interrupted for a moment by a flourish of flutes, and two slaves entered with a single dish.

"Ah! what delicacy hast thou in store for us now, my Glaucus?" cried the young Sallust, with sparkling eyes.

Sallust was only twenty-four, but he had no pleasure in life like eating—perhaps he had exhausted all the others; yet had he some talent, and an excellent heart—as far as it went.

"I know its face, by Pollux!" cried Pansa; "it is an Ambracian kid. Ho!" snapping his fingers, a usual signal to the slaves, "we must prepare a new libation in honor to the new-comer."

"I had hoped," said Glaucus, in a melancholy tone, "to have procured you some oysters from Britain; but the winds that were so cruel to Cæsar have forbid us the oysters."

"Are they in truth so delicious?" asked Lepidus, loosening to a yet more luxurious ease his ungirdled tunic.

"Why, in truth, I suspect it is the distance that gives the flavor; they want the richness of the Brundusium oyster. But at Rome no supper is complete without them."

"The poor Britons! There is some good in them after all," said Sallust; "they produce an oyster!"

"I wish they would produce us a gladiator," said the ædile, whose provident mind was still musing over the wants of the amphitheatre.

"By Pallas!" cried Glaucus, as his favorite slave crowned his steaming locks with a new chaplet, "I love these wild spectacles well enough when beast fights beast; but when a man, one with bones and blood like ours, is coldly put on the arena, and torn limb from limb, the interest is too horrid: I sicken—I gasp for breath—I long to rush and defend him. The yells of the populace seem to me more dire than the voices of the Furies chasing Orestes. I rejoice that there is so little chance of that bloody exhibition for our next show!"

The ædile shrugged his shoulders; the young Sallust, who was thought the best natured man in Pompeii, stared in surprise. The graceful Lepidus, who rarely spoke for fear of disturbing his features, cried, "Per Hercle!" The Parasite Clodius muttered, "Ædepol;" and the sixth banqueter, who was the umbra of Clodius, and whose duty it was to echo his richer friend when he could not praise him—the parasite of a parasite,—muttered also, "Ædepol."

"Well, you Italians are used to these spectacles; we Greeks are more merciful. Ah, shade of Pindar!—the rapture of a true Grecian game—the emulation of man against man—the generous strife—the half-mournful triumph—so proud to contend with a noble foe, so sad to see him overcome! But ye understand me not."

"The kid is excellent," said Sallust.

The slave whose duty it was to carve, and who valued himself on his science, had just performed that office on the kid to the sound of music, his knife keeping time, beginning with a low tenor, and accomplishing the arduous feat amid a magnificent diapason.

"Your cook is of course from Sicily?" said Pansa.

"Yes, of Syracuse."

"I will play you for him," said Clodius; "we will have a game between the courses."

"Better that sort of game, certainly, than a beast-fight; but I cannot stake my Sicilian—you have nothing so precious to stake me in return."

"My Phillida—my beautiful dancing girl!"

"I never buy women," said the Greek, carelessly rearranging his chaplet.

The musicians, who were stationed in the portico without, had commenced their office with the kid; they now directed the melody into a more soft, a more gay, yet it may be a more intellectual, strain; and they chanted that song of Horace beginning "Persicos odi," &c. so impossible to translate, and which they imagined applicable to a feast that, effeminate as it seems to us, was simple enough for the gorgeous revelry of the time. We are witnessing the domestic and not the princely feast—the entertainment of a gentleman, not of an emperor or a senator.

"Ah, good old Horace," said Sallust, compassionately; "he sang well of feasts and girls, but not like our modern poets."

"The immortal Fulvius, for instance," said Clodius.

"Ah, Fulvius the immortal!" said the umbra.

"And Spuræna, and Caius Mutius, who wrote three epics in a year—could Horace do that, or Virgil either?" said Lepidus. "Those old poets all fell into the mistake of copying sculpture instead of painting. Simplicity and repose—that was their notion: but we moderns have fire, and passions, and energy—we never sleep, we imitate the colors of painting, its life and its action. Immortal Fulvius!"

"By-the-way," said Sallust, "have you seen the new ode by Spuræna, in honor of our Egyptian Isis?—it is magnificent—the true religious fervor."

"Isis seems a favorite divinity at Pompeii," said Glaucus.

"Yes!" said Pansa, "she is exceedingly in repute just at this moment; her statue has been uttering the most remarkable oracles. I am not superstitious, but I must confess that she has more than once assisted me materially in my magistracy with her advice. Her priests are so pious too! none of your gay, none of your proud ministers of Jupiter and Fortune; they walk barefoot, eat no meat, and pass the greater part of the night in solitary devotion!"

"An example to our other priesthoods, indeed!—Jupiter's temple wants reforming sadly," said Lepidus, who was a great reformer for all but himself.

"They say that Arbaces the Egyptian has imparted some most solemn mysteries to the priests of Isis," observed Sallust; "he boasts his descent from the race of Ramases, and declares that in his family the secrets of remotest antiquity are treasured."

"He certainly possesses the gift of the evil eye," said Clodius; "if I ever come upon that Medusa front without the previous charm, I am sure to lose a favorite horse, or throw the canes^6 nine times running."

6 Canes, or caniculæ, the lowest throw at dice.

"The last would be indeed a miracle!" said Sallust, gravely.

"How mean you, Sallust?" returned the gamester, with a flushed brow.

"I mean what you would leave me if I played often with you; and that is—nothing."

Clodius answered only by a smile of disdain.

"If Arbaces were not so rich," said Pansa, with a stately air, "I should stretch my authority a little, and inquire into the truth of the report which calls him an astrologer and a sorcerer. Agrippa, when ædile of Rome, banished all such terrible citizens. But a rich man—it is the duty of an ædile to protect the rich!"

"What think you of this new sect, which I am told has even a few proselytes in Pompeii, these followers of the Hebrew God—Christus?"

"Oh, mere speculative visionaries," said Clodius; "they have not a single gentleman among them; their proselytes are poor, insignificant, ignorant people!"

"Who ought, however, to be crucified for their blasphemy," said Pansa, with vehemence; "they deny Venus and Jove! Nazarene is but another name for atheist. Let me catch them, that's all!"

The second course was gone—the feasters fell back on their couches—there was a pause while they listened to the soft voices of the South, and the music of the Arcadian reed. Glaucus was the most rapt and the least inclined to break the silence, but Clodius began already to think that they wasted time.

"Bene vobis (your health,) my Glaucus," said he, quaffing a cup to each letter of the Greek's name, with the ease of the practised drinker. "Will you not be avenged on your ill-fortune of yesterday? See, the dice court us."

"As you will!" said Glaucus.

"The dice in August, and I an ædile," said Pansa, magisterially; "it is against all law."

"Not in your presence, grave Pansa," returned Clodius, rattling the dice in a long box; "your presence restrains all license; it is not the thing, but the excess of the thing, that hurts."

"What wisdom!" murmured the umbra.

"Well, I will look another way," said the ædile.

"Not yet, good Pansa; let us wait till we have supped," said Glaucus.

Clodius reluctantly yielded, concealing his vexation with a yawn.

"He gapes to devour the gold," whispered Lepidus to Sallust, in a quotation from the Aulularia of Plautus.

"Ah! how well I know these polypi, who hold all they touch," answered Sallust, in the same tone, and out of the same play.

The second course, consisting of a variety of fruits, pistachio nuts, sweetmeats, tarts, and confectionary tortured into a thousand fantastic and airy shapes, was now placed upon the table, and the ministri, or attendants, also set there the wine (which had hitherto been handed round to the guests) in large jugs of glass, each bearing upon it the schedule of its age and quality.

"Taste this Lesbian, my Pansa," said Sallust; "it is excellent."

"It is not very old," said Glaucus, "but it has been made precocious, like ourselves, by being put to the fire; the wine to the flames of Vulcan, we to those of his wife, to whose honor I pour this cup."

"It is delicate," said Pansa, "but there is perhaps the least particle too much of rosin in its flavor."

"What a beautiful cup!" cried Clodius, taking up one of transparent crystal, the handles of which were wrought with gems, and twisted in the shape of serpents, the favorite fashion at Pompeii.

"This ring," said Glaucus, taking a costly jewel from the first joint of his finger and hanging it on the handle, "gives it a richer show, and renders it less unworthy of thy acceptance, my Clodius, whom may the gods give health and fortune long and oft to crown it to brim!"

"You are too generous, Glaucus," said the gamester, handing the cup to his slave, "but your love gives it a double value."

"This cup to the Graces!" said Pansa, and he thrice emptied his calix. The guests followed his example.

"We have appointed no director to the feast," cried Sallust.

"Let us throw for him, then," said Clodius, rattling the dice-box.

"Nay," cried Glaucus; "no cold and trite director for us; no dictator of the banquet; no rex convivii. Have not the Romans sworn never to obey a king? shall we be less free than your ancestors? Ho! musicians, let us have the song I composed the other night; it has a verse on this subject, 'The Bacchic Hymn of the Hours.'"

The musicians struck their instruments to a wild Ionic air, while the youngest voices in the band chanted forth in Greek words, as numbers, the following strain:

THE EVENING HYMN OF THE HOURS.

I.

Through the summer day, through the weary day,

We have glided long;

Ere we speed to the night through her portals gray,

Hail us with song!

With song, with song,

With a bright and joyous song,

Such as the Cretan maid,

While the twilight made her bolder,

Woke, high through the ivy shade,

When the wine-god first consoled her.

From the hush'd low-breathing skies,

Half-shut, look'd their starry eyes,

And all around,

With a loving sound,

The Ægean waves were creeping;

On her lap lay the lynx's head;

Wild thyme was her bridal bed;

And aye through each tiny space,

In the green vine's green embrace,

The fauns were slyly peeping;—

The fauns, the prying fauns—

The arch, the laughing fauns—

The fauns were slyly peeping!

II.

Flagging and faint are we

With our ceaseless flight,

And dull shall our journey be

Through the realm of night.

Bathe us, O bathe our weary wings,

In the purple wave, as it freshly springs

To your cups from the fount of light—

From the fount of light—from the fount of light:

For there, when the sun has gone down in night,

There in the bowl we find him.

The grape is the well of that summer sun,

Or rather the stream that he gazed upon,

Till he left in truth, like the Thespian youth,7

His soul, as he gazed, behind him.

III.

A cup to Jove, and a cup to Love,

And a cup to the son of Maia,

And honor with three, the band zone-free,

The band of the bright Agiaia.

But since every bud in the wreath of pleasure

Ye owe to the sister Hours,

No stinted cups, in a formal measure,

The Bromian law make ours.

He honors us most who gives us most,

And boasts with a Bacchanal's honest boast

He never will count the treasure.

Fastly we fleet, then seize our wings,

And plunge us deep in the sparkling springs;

And aye, as we rise with a dripping plume,

We'll scatter the spray round the garland's bloom.

We glow—we glow.

Behold, as the girls of the Eastern wave

Bore once with a shout to their crystal cave

The prize of the Mysian Hylas,

Even so—even so,

We have caught the young god in our warm embrace,

We hurry him on in our laughing race;

We hurry him on, with a whoop and song,

The cloudy rivers of Night along—

Ho, ho!—we have caught thee, Pallas!

7 Narcissus.

The guests applauded loudly: when the poet is your host, his verses are sure to charm.

"Thoroughly Greek," said Lepidus: "the wildness, force, and energy of that tongue it is impossible to imitate in the Roman poetry."

"It is indeed a great contrast," said Clodius, ironically at heart, though not in appearance, "to the old-fashioned and tame simplicity of that ode of Horace which we heard before. The air is beautifully Ionic: the word puts me in mind of a toast—Companions, I give you the beautiful Ione."

"Ione—the name is Greek," said Glaucus, in a soft voice, "I drink the health with delight. But who is Ione?"

"Ah! you have but just come to Pompeii, or you would deserve ostracism for your ignorance," said Lepidus, conceitedly; "not to know Ione is not to know the chief charm of our city."

"She is of most rare beauty," said Pansa; "and what a voice!"

"She can feed only on nightingales' tongues," said Clodius.

"Nightingales' tongues!—beautiful thought," sighed the umbra.

"Enlighten me, I beseech you," said Glaucus.

"Know then," began Lepidus—

"Let me speak," cried Clodius; "you drawl out your words as if you spoke tortoises."

"And you speak stones," muttered the coxcomb to himself, as he fell back disdainfully on his couch.

"Know then, my Glaucus," said Clodius, "that Ione is a stranger, who has but lately come to Pompeii. She sings like Sappho, and her songs are her own composing; and as for the tibia, and the cithara, and the lyre, I know not in which she most outdoes the Muses. Her beauty is most dazzling. Her house is perfect; such taste—such gems—such bronzes! She is rich, and generous as she is rich."

"Her lovers, of course," said Glaucus, "take care that she does not starve; and money lightly won is always lavishly spent."

"Her lovers—ah, there is the enigma! Ione has but one vice—she is chaste. She has all Pompeii at her feet, and she has no lovers: she will not even marry."

"No lovers!" echoed Glaucus.

"No; she has the soul of Vesta, with the girdle of Venus."

"What refined expressions!" said the umbra.

"A miracle!" cried Glaucus. "Can we not see her?"

"I will take you there this evening," said Clodius; "meanwhile," added he, once more rattling the dice—

"I am yours!" said the complaisant Glaucus. "Pansa turn your face!"

Lepidus and Sallust played at odd and even, and the umbra looked on, while Glaucus and Clodius became gradually absorbed in the chances of the dice.

"Per Jove!" cried Glaucus, "this is the second time I have thrown the caniculæ" (the lowest throw.)

"Now Venus befriend me!" said Clodius, rattling the box for several moments, "O Alma Venus—it is Venus herself!" as he threw the highest cast named from that goddess,—whom he who wins money indeed usually propitiates!

"Venus is ungrateful to me," said Glaucus, gayly; "I have always sacrificed on her altar."

"He who plays with Clodius," whispered Lepidus, "will soon, like Plautus's Curculio, put his pallium for the stakes."

"Poor Glaucus—he is as blind as Fortune herself," replied Sallust, in the same tone.

"I will play no more," said Glaucus. "I have lost thirty sestertia."

"I am sorry," began Clodius.

"Amiable man!" groaned the umbra.

"Not at all!" exclaimed Glaucus; "the pleasure of your gain compensates the pain of my loss."

The conversation now became general and animated; the wine circulated more freely; and Ione once more became the subject of eulogy to the guests of Glaucus.

"Instead of outwatching the star, let us visit one at whose beauty the stars grow pale," said Lepidus.

Clodius, who saw no chance of renewing the dice, seconded the proposal; and Glaucus, though he civilly pressed his guests to continue the banquet, could not but let them see that his curiosity had been excited by the praises of Ione; they therefore resolved to adjourn (all at least but Pansa and the umbra) to the house of the fair Greek. They drank, therefore, to the health of Glaucus and of Titus—they performed their last libation—they resumed their slippers—they descended the stairs—passed the illumined atrium—and walking unbitten over the fierce dog painted on the threshold, found themselves beneath the light of the moon just risen, in the lively and still crowded streets of Pompeii. They passed the jewellers' quarter, sparkling with lights, caught and reflected by the gems displayed in the shops, and arrived at last at the door of Ione. The vestibule blazed with rows of lamps; curtains of embroidered purple hung on either aperture of the tablinum, whose walls and mosaic pavement glowed with the richest colors of the artist; and under the portico which surrounded the odorous viridarium they found Ione already surrounded by adoring and applauding guests.

"Did you say she was Athenian?" whispered Glaucus, ere he passed into the peristyle.

"No, she is from Neapolis."

"Neapolis!" echoed Glaucus; and at that moment, the group dividing on either side of Ione gave to his view that bright, that nymph-like beauty which for months had shone down upon the waters of his memory.

Glaucus is a noble character throughout; educated of course a heathen, but endowed with some of those higher faculties of reason, which enabled him in the end to surrender the charms of a poetic mythology for a purer and brighter faith. Ione, "the beautiful Ione," is an almost perfect model of Grecian loveliness and accomplishment; and her brother Apæcides, furnishes an affecting illustration of great powers and virtues rendered prostrate by an overwrought sensibility and enthusiastic temperament. Arbaces, the dark, wily, revengeful Egyptian, is the demon of the tale. In profound earthly wisdom and diabolical depravity, "none but himself can be his parallel." The "Asiatic Journal," whose editors or reviewers we take to be much wiser than we are, asserts that the character of Nydia is not an original creation of Mr. Bulwer's; but that the dwarf Mignon in the Wilhelm Meister of Goethe, is the exact prototype not only of the blind flower girl, but of the fantastical Fenella in Scott's Peverill of the Peak. The "Journal" also maintains that the witch of Vesuvius, is of the true Meg Merrillie's family. In regard to the first supposed resemblances,—never having seen Goethe's work, we profess our entire incompetency to judge; but we do most fervently protest against any comparison between our old favorite Meg and that most execrable hag whom Bulwer has placed in the caverns of Vesuvius,—the perusal of whose accursed incantations deprived us of several hours of our accustomed and needful rest.

Whilst Mr. Bulwer has rendered to the Egyptian and a few others the just reward of their transgressions, we think that poor Nydia has been hardly dealt by. What a fine opportunity it was to illustrate the power of christian faith in soothing even the sorrows of unrequited love. We do not say this reproachfully however, because we think that Mr. Bulwer has endeavored at least, to do justice to the christian character and principles, in his work. Olynthus is a fine specimen of that heroic courage which, especially in the early ages of the church, was content with ignominy, chains and poverty in this life, and courted even martyrdom itself, in the bright anticipation of eternal bliss.

Having thus candidly stated our impressions of Mr. Bulwer's work, justice requires that we should spread before our readers the well sustained vindication of one of our own countrymen, who complains that his literary rights have been grossly violated by this eminent transatlantic author. Mr. Fairfield, the editor of the North American Magazine, a man of unquestionable genius, and a poet of no ordinary strength, has fearlessly thrown the gauntlet, and charged the proud Briton to his teeth with literary piracy; an offence in the republic of letters, which ought at least to be rebuked by stern denunciation, as no corporal or pecuniary punishment can be inflicted. This piracy it seems, has been committed by Mr. Bulwer upon the lawful goods and chattels, the genuine offspring of Mr. Fairfield's own intellectual labors. We confess that we are struck with the plausible and curious coincidence, to speak technically, between Mr. Fairfield's allegata and his undeniable probata. If the English novelist has decked himself in borrowed plumage, he ought to be forthwith stripped of it, and the stolen feather should adorn the brow of its real owner. The sin of plagiarism however, though never so distinctly proved, ought not in strictness to detract from the genuine and acknowledged merits of an author. Mr. Bulwer may have done great injustice to our countryman, and yet have some redeeming beauties to atone for his transgression. In compliance with Mr. Fairfield's request, we insert with pleasure the whole of his interesting article.

From the North American Magazine.

THE LAST NIGHT OF POMPEII;8 versus THE LAST DAYS OF POMPEII.9

8 The Last Night of Pompeii: A Poem, and Lays and Legends. By Sumner Lincoln Fairfield. New York: 1829.

9 The Last Days of Pompeii: By the Author of Pelham, Eugene Aram, England, and the English, &c. 2 vols. 12mo. New York: 1834. Harper and Brothers.

While we have never failed to acknowledge and applaud the brilliant imagination and the eloquent and fascinating style of Mr. E. L. Bulwer, we have never feared to assert that he was a sophist in ethics and a libertine in love, and that effect was apparently the only law which influenced his mind or guided his pen. Better disguised, but not less pernicious in principle and evil in action than the Tom Jones and Count Fathom and Zeluco of Fielding, Smollett and Moore, his characters not only exist in, but actually create an atmosphere of impurity which infects the very hearts of his admirers. He invests the seducer with irresistible attractions, and paints the highwayman and the murderer as examples for imitation. But even in the execution of his execrable purposes, he is not original either in his plots or his sentiments. The old Portuguese Jew Spinoza and his disciples Hobbes, Toland, Shaftesbury and Bolingbroke have abundantly supplied him with infidel arguments; and the profligate courtiers of Charles the Second have contributed their licentious stratagems and impure dialogues to augment the claims and heighten the charms of his coxcombs, libertines and menslayers. Mr. Bulwer has read much and skillfully appropriated, without acknowledgment, all that has suited his designs. He has artfully clothed the lofty thoughts of others in his own brilliant garb, and enjoyed the renown of a powerful writer and profound thinker, when he was little more than an adroit and manoeuvering plagiary. This we long since perceived, and therefore denied his claims to a high order of genius, though we readily accorded to him the possession of much curious knowledge and a felicitous use of language. We never imagined that the labors of an unrewarded and little regarded American could be deemed by the proud, soi-disant highborn, and affluent Mr. Bulwer as worthy of his unquestioning appropriation. We fancied that so deep a scholar would continue to dig for treasures in ancient and recondite literature, and pass triumphantly over the obscure productions of a poor cisatlantic. But we erred. As a member of the British Parliament, Mr. Bulwer is accustomed to the creation of laws; and he seems to have made one expressly for his own profit and pleasure—namely, the law of literary lawlessness. We knew that he was well content to demand high prices for his immoral novels from his American publishers; but, until this time, we were not aware that he considered any thing but gold worth receiving or plundering from Yankeeland. With his usual tact, he has managed to secure, in no slight degree, from our labors, that which those labors failed utterly to receive from our unlettered countrymen; and it is our present purpose to demand back our own thoughts, which are our property and the heritage of our children.

It is now three years since 'The Last Night of Pompeii' was written and published; and, among other English men of letters, a copy of that poem with a letter, which was never answered, was sent to Mr. Bulwer, who was, at that time, the editor of the London New Monthly Magazine. Affliction fell heavily on our heart during the spring of 1832, and, becoming indifferent to poetic fame and every thing not involved in our bereavement, we bestowed no thought upon the poem or its reception. Time has passed on; we have been intensely occupied with other concerns, and have not been anxious about it since. The apathy, if not contempt, with which American poets have ever been treated, has driven Percival into solitude, Bryant and Prentice into politics, Whittier into abolition schemes, Pierpoint into phrenological experiments, and all others far away from the barren realm of Parnassus. But lo! the poem, which was printed by hardwon subscription and left unwelcomed but by a few cheerful voices, when transmuted into a novel by Bulwer, becomes a brilliant gem, and illumines the patriotic hearts and clear understandings of the whole Western World! Who is a Yankee poet that he should be honoured? but to whom is the English Bulwer unknown? We live, however—thanks be to Providence! to claim our own and expose all smugglers, though the redrover Saxon seems to think that the Atlantic is a very broad ocean, and that the democrats of the West are very little capable of appreciating any compositions but his own.

Had Mr. Bulwer confined himself to the almost literal adoption of our title, or had certain passages in his novel betrayed even great resemblances to others in our poem, we should have said that the coincidences were somewhat remarkable, and then dismissed the matter from our thoughts. Many examples in literary history might be presented to prove that men may think and describe alike without plagiarism, but, when the incidents and descriptions are as nearly identical as prose and poetry can well be, we cannot deduce the charitable conclusion that the very strong likeness is accidental. Our readers shall judge whether, in this case, it is so.

The characters in the poem are few—in the novel many—but, in both, the whole interest depends on the adventures of two lovers. In the poem these lovers are Pansa and Mariamne, a Roman decurion and a captive Jewish maiden, both Christians; in the novel they are Glaucus and Ione, Greeks and pagans. With us, Diomede was the prætor and Pansa the victim; with Bulwer, the former is a rich merchant, and the latter, ædile of Pompeii. Here, then, there is no similarity, nor is there but one deserving a remark, until Arbaces—an Eugene Aram antiquated—one of Bulwer's learned, wise and soliloquizing villains—seduces Ione to his mansion of iniquity. The first coincidence, to which we refer, is the scene of the sacrifice,10 and the oracular response. The description in the novel reads thus:

"The aruspices inspected the entrails."—"It was then that a dead silence fell over the whispering crowd, and the priests gathering around the cella, another priest, naked save by a cincture round the middle, rushed forward, and dancing with wild gestures, implored an answer from the goddess."—"A low murmuring noise was heard within the body of the statue; thrice the head moved, and the lips parted, and then a hollow voice uttered these mystic words:

"There are waves like chargers that meet and glow,

There are graves ready wrought in the rocks below,

On the brow of the Future the dangers lower,

But blessed are your barks in the fearful hour."

10 Vol. i. p. 42.

That in the poem is as follows—the oracle preceding the description of its effect upon the superstitious multitude.

"The aruspices proclaimed the prodigies.

'The entrails palpitate—the liver's lobes

Are withered, and the heart hath shrivelled up!'

Groans rose from living surges round; yet loud

The High Priest uttered—'Lay them on the fire!'

'Twas done; and wine and oil poured amply o'er,

And still the sacrificer wildly cried—

'Woe unto all! the wandering fires hiss up

Through the black vapors—lapping o'er the flesh

They burn not, but abandon! ashes fill

The temple, whirled upon the wind that waves'" etc.

The Oracle.

"'Ye shall pass o'er the Tyrrhene sea in ships

Laden with virgins, gems and gods, and spoils

Of a dismembered empire, and a cloud

Of light shall radiate your ocean path!'

Breathes not the soul of mystery in this?"

"And the prostrated multitudes, like woods

Hung with the leaves of autumn, stirred; then fell

A silence when the heart was heard—a pause—

When ardent hope became an agony;

And parted lips and panting pulses—eyes

Wild with their watchings, brows with beaded dews

Of expectation chilled and fevered—all

The shaken and half lifted frame—declared

The moment of the oracle had come!

A sceptre to the hand of Isis leapt

And waved; and then the deep voice of the priest

Uttered the maiden's answer, and the fall

Of many quickened steps like whispers pass'd

Along the columned aisles and vestibule."

Both oracles partake the same mystic character and allude obscurely to the same fearful and overwhelming event.

The character of Arbaces, the Egyptian Magus, is peculiarly after Bulwer's own heart—for he is an entire, thorough, irredeemable demon, who weeps over venomous reptiles and kills innocent men: but a very large portion of his mystic discourse, which appears on pages 81-2-3-4 of volume first, is borrowed, as customary, without even an apologetic allusion, from Moore's Epicurean. We leave that poet to reclaim his property, and proceed to assert the identity of our own. In the novel, Arbaces beguiles Ione into his house, with the resolution to possess her by fraud or violence. In the poem, the priest of Isis inveigles the virgin of Pompeii into his lascivious temple with the same intent. Both the priest and Arbaces, having conquered every obstacle, are rapidly advancing to the accomplishment of their evil designs, when they are interrupted, and their victims rescued by the very same awful occurrence;

"At that awful moment," says Bulwer, "the floor shook under them with a rapid and convulsive throe—a mightier spirit than that of the Egyptian was abroad! a giant and crushing power, before which sunk into sudden impotence his passion and his arts. It woke—it stirred—that dread Demon of the Earthquake," etc.11

"I woo no longer, thou art in my grasp,

And by the Immortals I disown, thou shalt"—

Says our unsainted priest of Isis, when the victim cries exultingly—

"'It comes! the temple reels and crashes—Jove!

I thank thee! Vesta! let me sleep with thee!'

And on the bosom of the earthquake rocked

The statues and the pillars, and her brain

Whirled with the earth's convulsions, as the maid

Fell by a trembling image and upraised

A prayer of gratitude; while through the vaults,

In fear and ghastly horror, fled the priest,

Breathing quick curses mid his warning cries

For succor; and the obscene birds their wings

Flapped o'er his pallid face, and reptiles twined

In folds of knotted venom round his feet.

Yet on he rushed—the blackened walls around

Crashing—the spectral lights hurled hissing down

The cold green waters; and thick darkness came

To bury ruin!"

11 Vol. i. p. 159.

The denouement of the scene is the same in the novel and the poem—a statue, hurled from its pedestal, strikes the unhallowed violator to the earth. There is no scene in Baron more actually transcribed from the Andrian of Terence than this from 'The Last Night of Pompeii!' But the scene in the amphitheatre, where the Christian Olinthus and the lover Glaucus are doomed to perish by the fangs of the famished lion, is still more strikingly similar than any in the novel, except the description of the destruction. Arbaces, actuated by unholy love of Ione, is the author of the disgrace and ruin of both these personages; and the prætor Diomede, in the poem, resolves to sacrifice Pansa to the African lion, because he loves and determines to possess Mariamne. The earlier scenes in the amphitheatre are the same; four gladiators are represented in sanguinary strife, and two as having perished, ere the command is given to bring the Christian and lover on the arena, and to loose the Numidian lion. In neither instance, however, will the noble beast attack his destined victim; but shrinks and cowers in utter terror, though goaded on to his dreadful feast. We now solicit a careful comparison of the scenes which succeed, with those which, nearly two years before Mr. Bulwer's book was conceived, we had wrought out with no slight study, and presented to our unregarding countrymen.

The closing scene in the Pompeiian amphitheatre, as represented in 'The Last Days of Pompeii:'

"'Behold how the gods protect the guiltless! The fires of the avenging Orcus burst forth against the false witness of my accusers!'"

"The eyes of the crowd followed the gesture of the Egyptian, and beheld with ineffable dismay a vast vapor shooting from the summit of Vesuvius in the form of a gigantic pine tree; the trunk, blackness;—the branches, fire;—that shifted and wavered in its hues with every moment, now fiercely luminous, now of a dull and dying red, that again blazed terrifically forth with intolerable glare!

"There was a dead, heart-sunken silence—through which there suddenly broke the roar of the lion, which, from within the building, was echoed back by the sharper and fiercer yells of its follow beasts. Dread seers were they of the burthen of the atmosphere, and wild prophets of the wrath to come!

"Then there rose on high the universal shrieks of women; the men stared at each other, but were dumb. At that moment they felt the earth shake beneath their feet; the walls of the theatre trembled; and beyond, in the distance, they heard the crash of falling roofs; an instant more, and the mountain cloud seemed to roll towards them, dark and rapid, like a torrent; at the same time, it cast forth from its bosom a shower of ashes, mixed with vast fragments of burning stone! Over the crushing vines,—over the desolate streets,—over the amphitheatre itself,—far and wide,—with many a mighty splash in the agitated sea,—fell that awful shower!

"No longer thought the crowd of justice or of Arbaces; safety for themselves was their sole thought. Each turned to fly—each dashing, pressing, crushing against the other. Trampling recklessly over the fallen,—amid groans, and oaths, and prayers, and sudden shrieks, the enormous crowd vomited itself forth through the numerous passages. Whither should they fly?"

Now let us present the description, given in 'The Last Night of Pompeii,' of the horrors that succeeded the scene of the games:

"Awed, yet untrembling, Pansa calm replied,

'Ye hear no thunder—but Destruction's howl!

Ye see no lightning—but the lava glare

Of desolation sweeping o'er your pride!

Death is beneath, around, above, within

All who exult to inflict it on my heart,

And ye must meet it, fly when, where ye will,

For in the madness of your cruelties

Ye have delayed till every hope is dead.

Let the doom come! our faiths will soon be tried.

Gigantic spectres from their shadowy thrones,

With ghastly smiles to welcome ye, arise.

The Pharaohs and Ptolemies uplift

Their glimmering sceptres o'er ye—bidding all

Bare their dark bosoms to the Omniscient God:

And every strange and horrid mythos waits

To fold ye in the terrors of its dreams.'"

"Like an earthshadowing cypress, o'er the skies

Lifting its labyrinth of leaves, the boughs

Of molten brass, the giant trunk of flame,

The breath of the volcano's Titan heart

Hung in the heavens; and every maddened pulse

Of the vast mountain's earthquake bosom hurled

Its vengeance on the earth that gasped beneath."

"From every cell shrieks burst; hyenas cried

Like lost child stricken in its loneliness:

The giant elephant with matchless strength

Struggled against the portal of his tomb,

And groaned and panted; and the leopard's yell

And tiger's growl with all surrounding cries

Of human horror mingled; and in air,

Spotting the lurid heavens and waiting prey,

The evil birds of carnage hung and watched."

"Vesuvius answered: from its pinnacles

Clouds of farflashing cinders, lava showers,

And seas drank up by the abyss of fire

To be hurled forth in boiling cataracts,

Like midnight mountains, wrapt in lightnings, fell."

"All awful sounds of heaven and earth met now;

Darkness behind the sungod's chariot rolled,

Shrouding destruction, save when volcan fires

Lifted the folds to gaze on agony;

And when a moment's terrible repose

Fell on the deep convulsions, all could hear

The toppling cliffs explode and crash below,

While multitudinous waters from the sea

In whirlpools through the channell'd mountain rocks

Rushed, and with hisses like the damned's speech,

Fell in the mighty furnace of the mount."

"Oh, then, the love of life! the struggling rush,

The crushing conflict of escape! few, brief,

And dire the words delirious fear spake now—

One thought, one action swayed the tossing crowd.

All through the vomitories madly sprung,

And mass on mass of trembling beings pressed,

Gasping and goading, with the savageness

That is the child of danger, like the waves

Charybdis from his jagged rocks throws down,

Mingled by fury—warring in their foam.

Some swooned and were trod down by legion feet;

Some cried for mercy to the unanswering gods;

Some shrieked for parted friends forever lost;

And some in passion's chaos, with the yells

Of desperation did blaspheme the heavens;

And some were still in utterness of woe.

Yet all toiled on in trembling waves of life

Along the subterranean corridors.

Moments were centuries of doubt and dread!

Each breathing obstacle a hated thing:

Each trampled wretch, a footstool to o'erlook

The foremost multitudes; and terror, now,

Begat in all a maniac ruthlessness,

For in the madness of their agonies

Strong men cast down the feeble who delayed

Their flight, and maidens on the stones were crushed," etc.

Let the reader compare each of these extracts with the other, and form his own opinion of Mr. Bulwer's great powers and originality. These very remarkable coincidences are followed by others not less extraordinary and worthy of commemoration:

"But suddenly a duller shade fell over the air. Instinctively he turned to the mountain, and behold! one of the two gigantic crests, into which the summit had been divided, rocked and wavered to and fro; and then, with a sound the mightiness of which no language can describe, it fell from the burning base, and rushed, an avalanche of fire, down the sides of the mountain! At the same instant gushed forth a volume of blackest smoke, rolling on, over air, sea, and earth."

"Bright and gigantic through the darkness, which closed around it like the walls of hell, the mountain shone—a pile of fire! Its summit seemed riven in two; or rather above its surface there seemed to rise two monster-shapes, each confronting each, as demons contending for a world. These were of one deep blood-red hue of fire, which lighted up the whole atmosphere far and wide; but below, the nether part of the mountain was still dark and shrouded,—save in three places, adown which flowed, serpentine and irregular, rivers of the molten lava. Darkly red through the profound gloom of their banks, they flowed slowly on, as towards the devoted city. Over the broadest there seemed to spring a cragged and stupendous arch, from which, as from the jaws of hell, gushed the sources of the sudden Phlegethon."

Among the Death Cries of Pompeii, as we imagined them, is the following lyric:

"It bursts! it bursts! and thousand thunders blent,

From the deep heart of agonizing earth,

Knell, shatter, crash along the firmament,

And new hells peopled startle into birth.

Vesuvius sunders! pyramids of fire

From fathomless abysses blast the sky;

E'en desolating Ruin doth expire,

And mortal Death in woe immortal die.

Torrents like lurid gore,

Hurled from the gulf of horror, pour,

Like legion fiends embattled to the spoil,

And o'er the temple domes,

And joy's ten thousand homes,

Beneath the whirlwind hail and storm of ashes boil."

Again says Mr. Bulwer, who boasts that he has succeeded where all others have failed:

"In the pauses of the showers, you heard the rumbling of the earth beneath, and the groaning waves of the tortured sea; or, lower still, and audible but to the watch of intensest fear, the grinding and hissing murmur of the escaping gases through the chasms of the distant mountain. Sometimes the cloud appeared to break from its solid mass, and, by the lightning, to assume quaint and vast mimicries of human or of monster-shapes, striding across the gloom, hustling one upon the other, and vanishing swiftly into the turbulent abyss of shade; so that, to the eyes and fancies of the affrighted wanderers, the unsubstantial vapors were as the bodily forms of gigantic foes,—the agents of terror and of death."

Is there nothing similar to the preceding quotation in this?

"Vesuvius poured its deluge forth, the sea

Shuddered and sent unearthly voices up,

The isles of beauty, by the fire and surge

Shaken and withered, on the troubled waves

Looked down like spirits blasted; and the land

Of Italy's once paradise became

The home of ruin—vineyard, grove and bower,

Tree, shrub, fruit, blossom—love, life, light and hope,

All vanishing beneath the fossil flood

And storm of ashes from the cloven brow

Of the dread mountain buried in horror down.

The echoes of ten thousand agonies

Arose from mount and shore, and some looked back

Cursing, and more bewailing as they fled."

——————"what a horrid gleam is flung

Along that face of madness, as it turns

From sea to mountain, and the wild eyes burn

With revelations of the unborn time!

We may not linger—shelter earth denies—

The very heavens like a gehenna lour—

And ocean is our refuge—on—on—on!"

We have seen how remarkably the lions agreed on the impropriety of making an amphitheatric meal of the lovers; now it appears that the tiger, who should have eat the Christian, was of the same mind.

"At that moment a wild yell burst through the air; and thinking only of escape, whither it knew not, the terrible tiger of the African desert leaped among the throng, and hurried through its parted streams. And so came the earthquake, and so darkness once more fell over the earth!"

Is it not strange that we should have conceived something much like this, and explained the motive, too, of such unreasonable conduct in any wild beast starving?

"Nature's quick instinct, in most savage beasts,

Prophesies danger ere man's thought awakes,

And shrinks in fear from common savageness,

Made gentle by its terror; thus, o'erawed

E'en in his famine's fury by a Power

Brute beings more than human oft adore,

The Lion lay, his quivering paws outspread,

His white teeth gnashing, till the crushing throngs

Had passed the corridors; then, glaring up

His eyes imbued with samiel light, he saw

The crags and forests of the Appenines

Gleaming far off, and with the exulting sense

Of home and lone dominion, at a bound,

He leapt the lofty palisades and sprung

Along the spiral passages, with howls

Of horror, through the flying multitudes

Flying to seek his lonely mountain lair."

We shall not protract this investigation, though many similar passages might be produced to confirm our assertion that Mr. Bulwer has appropriated our thoughts, and throughout wrought our descriptions into his story, and won great profit and fame from the robbery. Those who read his book, will readily find many descriptions closely resembling one of the last given in the poem, which we here reprint, and many references to ancient authors for facts which he derived from us.

"Meantime, charred corses in one sepulchre

Of withering ashes lay, and voices rose,

Fewer and fainter, and, each moment, groans

Were hushed, and dead babes on dead bosoms lay,

And lips were blasted into breathlessness

Ere the death kiss was given, and spirits passed

The ebbless, dark, mysterious waves, where dreams

Hover and pulses throb and many a brain

Swims wild with terrible desires to know

The destinies of worlds that lie beyond.

The thick air panted as in nature's death,

And every breath was anguish; every face

Was terror's image, where the soul looked forth,

As looked, sometimes, far on the edge of heaven,

A momentary star the tempest palled.

From ghastlier lips now rose a wilder voice,

As from a ruin'd sanctuary's gloom,

Like savage winds from the Chorasmian waste

Rushing, with sobs and suffocating screams," etc.

But, though we have been more highly honored by this last chef d'oeuvre of the honorable Eugene Aram than any author within our knowledge, yet others are entitled to their property. Speaking of the skeleton of Arbaces, Bulwer says—

"The scull was of so remarkable a conformation, so boldly marked in its intellectual, as well as its worse physical developments, that it has excited the constant speculation of every itinerant believer in the theories of Spurzheim who has gazed upon that ruined palace of the mind. Still, after a lapse of eighteen centuries, the traveller may survey that airy hall, within whose cunning galleries and elaborate chambers, once thought, reasoned, dreamed, and sinned, the soul of Arbaces the Egyptian!"

But Byron said, long ago, in Childe Harold, when gazing on a skull:

"Yes, this was once ambition's airy hall,

The dome of thought, the palace of the soul," etc.

And, once more, the fashionable Pelham moralizes: "and as the Earth from the Sun, so immortality drinks happiness from virtue, which is the smile upon the face of God."12 This he italicises as one of his most wondrous original reflections—yet it may be found in the Diary of a Physician.13

12 Vol. ii. p. 196.

13 In the story called 'A Young Man about Town,' we think.

Mr. Bulwer is particularly conceited and arrogant with respect to his subject. He asserts that all others have failed in attempting to describe the destruction of Pompeii, and that, therefore, he will stand alone, the intellectual monarch of the Ruins. The candid and modest and original gentleman probably forgot 'Valerius' and Croly and Milman and Dr. Gray and ourself; but the productions of such persons can be of little consequence to such a Paul Clifford in letters and Mirabeau in morals.

Mr. Bulwer, likewise, is ostentatious of his learning, and he quotes from ancient authors with an air of infinite self-complacency, though his citations had been conveniently collected, a century since, in the Archæologia Græca of Archbishop Potter! These volumes now lie before us, and there may all his erudition be found within a very accessible compass. His theological knowledge or deistical design, we know not which, is not more profound or canonical; for he makes his Christian Olinthus say, that "eighty years ago," that is from the birth of Christ, "there was no assurance to man of God or of a certain or definite future beyond the grave"!!

We have now done with Mr. Bulwer, his immoralities, and his plagiarisms. We have sought to be very brief in our exposition, and, for the first time that we ever expressed such a desire, we request the literary periodicals, with which we exchange, to reprint this article.

VISITS AND SKETCHES, at Home and Abroad. By Mrs. Jamieson, author of the "Characteristics of Women," &c. in 2 vols. New York: Harper & Brothers. 1834.

We intended to notice these interesting volumes sooner, and recommend them to our readers as highly entertaining and instructive. Mrs. Jamieson's style, though not faultless, is very attractive; and certainly as a female writer, she is hardly surpassed in vigor and richness. The first volume is principally devoted to sketches of art, literature and character, comprising Memoranda at Munich, Nuremburg and Dresden. It also contains a vivid account of the celebrated Bess of Hardwicke, the old Countess of Shrewsbury,—a visit to Althorpe, the ancient seat of the Spencers—and eloquent sketches of the private and dramatic life of Mrs. Siddons, and of Fanny Kemble. The second volume opens with three interesting stories,—the False One, a pathetic oriental tale, a thousand times superior to Vathek,—Halloran the Pedlar, and the Indian Mother. It also contains a very amusing drama for little actors,—and concludes with the Diary of an Enuyeé, a performance of much and deserved celebrity. We shall make occasional selections from this work, for the benefit of such of our readers as have no opportunity of seeing the volumes themselves. For the present, we have transferred to our pages the "Indian Mother," a most affecting story founded on a striking incident related by Humboldt. The scene being laid in South America, the reader will be struck with the strong impressions made on Mrs. Jamieson's mind of that magnificent country, through the medium of description alone.

POEMS, by William Cullen Bryant. Boston: Russell, Odiorne & Metcalfe. 1834.

This new and beautiful edition of Mr. Bryant's poems has undergone the author's correction, and contains some pieces which have never before appeared in print. As the elegant china cup from which we sip the fragrant imperial, imparts to it a finer flavor, so the pure white paper and excellent typography of the volume before us, will give a richer lustre to the gems of Mr. Bryant's genius. Not that the value of the diamond is really enhanced by the casket which contains it, but so it is that the majority of mortals are governed by appearances; and even a dull tale will appear respectable in the pages of a hot pressed and gilt bound London annual. In justice to Mr. Bryant however, and to ourselves, we will state that our first impressions of his great intellectual power—of his deep and sacred communings with the world of poetry—were derived from a very indifferent edition of his writings, printed with bad type, on a worse paper. Mr. Bryant is well known to the American public as a poet of uncommon strength and genius; and even on the other side of the Atlantic, a son of the distinguished Roscoe, who published a volume of American poetry, pronounced him the first among his equals. Like Halleck, however, and some others of scarcely inferior celebrity,—his muse has languished probably for want of that due encouragement, which to our shame as a nation be it spoken, has never been awarded to that department of native literature. Mr. Bryant, we believe, finding that Parnassus was not so productive a soil as the field of politics, has connected himself with a distinguished partizan newspaper in the city of New York. His bitter regrets at the frowns of an unpoetical public, and yet his unavailing efforts to divorce himself from the ever living and surrounding objects of inspiration are beautifully alluded to in the following lines:

I broke the spell that held me long,

The dear, dear witchery of song.

I said the poet's idle lore

Shall waste my prime of years no more,

For poetry though heavenly born,

Consorts with poverty and scorn.

I broke the spell—nor deemed its power

Could fetter me another hour.

Ah, thoughtless! how could I forget

Its causes were around me yet?

For wheresoe'er I look'd, the while,

Was nature's everlasting smile.

Still came and lingered on my sight

Of flowers and streams the bloom and light,

And glory of the stars and sun;—

And these and poetry are one.

They, ere the world had held me long,

Recalled me to the love of song.

LITTELL'S MUSEUM of Foreign Literature, Science and Arts. No. 151. Jan. 1835. A. Waldie. Philadelphia.

This valuable periodical has maintained a high reputation and extensive circulation for more than twelve years. The January number (1835) may be considered a new era in its history. The size of its sheet is enlarged, its type and paper are improved, and its contents display more richness and variety than usual. The plan of the "Museum" is certainly most excellent. It is to select and republish from all the British periodicals of high reputation, every thing which is either of present or permanent value, omitting the vast mass of matter which is local to Great Britain or not interesting to an American reader. It is in fact, a labor-saving machine, by which all the choicest flowers will be culled from British publications and transplanted in our own soil, leaving the weeds and trash on the other side of the Atlantic. We heartily wish Mr. Littell and his co-laborers increased success, and we shall occasionally draw upon his interesting paper for the use of the "Messenger." The diffusion of fine writing from abroad, will improve the taste and invigorate the efforts of our own countrymen.

NEW PAPER.

The Southern Churchman, edited by the Rev. William F. Lee, and published weekly in this city, has reached its fifth number. Almost every christian denomination among us, had the benefit of a paper devoted to its own peculiar interests, except the Episcopalians, until Mr. Lee commenced the publication of the Churchman. There can be no doubt of its success, under the management of an editor of Mr. Lee's distinguished talents and piety.

For the Southern Literary Messenger.

DANDYISM.

MR. WHITE:—The Optimists assert that this little world of ours, is continually and most marvellously improving in every thing. But, begging their pardon, I humbly conceive that this is claiming rather too much for its onward march towards perfectibility. Many notable instances might be adduced to prove that it is so; but I will go no further for such proof, than to contrast the Dandyism of the present age with that of the olden time. This term (by the way) although of modern coinage, is but a new name for an old thing. So old indeed, that, like the common law, it may be traced back to a period beyond which "the memory of man runneth not to the contrary." From the multitude of its votaries and the indefatigable diligence with which it has always been practised, it may justly be ranked among the arts; although we must admit it to be one of no very difficult attainment by any whose taste leads them to prefer general contempt to universal esteem.

The great aim of this art being to mar effectually whatever beauty either of person or countenance nature has bestowed on us, the task would seem to be one of very easy accomplishment for most men. A simple disfigurement therefore, would be no indication of genius, since the visages upon which the laudable experiment is most frequently tried, require very little aggravation to effect the object. But an entire metamorphosis in the appearance of the whole animal, or at least such a change as to render both its genus and species doubtful, being the grand desideratum; it is here that the modern Dandies have betrayed a most woful and egregious poverty of invention, compared to those of former times. Of this I shall presently offer indisputable testimony.

The Dandies of our day however, may justly claim the palm of superiority, at least in one particular; I mean, quo ad, the head, both inside and out: for, what with internal emptiness and external whiskers and mustaches, many have contrived to render not only the features of the face "perfectly unintelligible," (if I may borrow a phrase from the Pugilists,) but to disprove the long admitted dictum of philosophy, that there is no such thing in all nature as a vacuum. An instance of this most successful face-marring has lately fallen under my own observation, which I will endeavor to describe, although in utter despair of doing justice to the original.

Many months ago, being in a much crowded public room, I was not a little startled by the sudden appearance of a most fantastic, grim looking biped moving among the crowd, which I first took for one of those strange animals then showing about the country, that perhaps had escaped from his keepers. A more deliberate view, however, from a corner into which I had taken care to ensconce myself to keep out of harm's way, soon satisfied me that it was nothing more formidable than one of those harmless burlesques of manhood called Dandies, that so much resemble the Simia genus, as hardly to be distinguished from them. It had two large ropes (as they appeared to be) of tawny colored hair, hanging out from between the collar and the cheek bones, and reaching down some seven or eight inches over the breast. These I at first supposed might be the skins of a water dog's fore legs, forming the ends of some new fashioned comforter to keep the neck and cheeks warm in cold weather, to which these bipeds are particularly sensitive. But upon diligent inquiry among several, who seemed to be as much struck as myself with so uncommon and apparently formidable a looking animal moving upon two legs, instead of four, as might more reasonably have been expected, we were informed that these tawny appendages, in regard to which I had made such an egregious mistake, actually consisted of the united hairs of the throat and cheeks, so elongated by indefatigable culture, as to produce the grotesque appearance that had so strongly excited the wonderment of us all. The whole was surmounted by a pair of mustaches of the same tanned-leather color; which so completely obscured the countenance, that not a particle of it was discernible but the two lack-lustre eyes; and the nose, like a sort of watch-tower overtopping the wilderness of shaggy hair by which it was surrounded.

It is the recollection of this never to be forgotten figure of an entire stranger, seen for the first and probably the last time in my life, which induced me to claim for the Dandyism of the present day, a decided superiority over that of the by-gone times; at least so far as the disfigurement of the countenance can go towards the establishment of so enviable a claim. That it is indisputable, I think certain; for neither in the pictures nor histories of past ages which have reached us, can any thing be found at all comparable to what I have just endeavored to describe, but in language so inadequate, that I am almost ashamed to send you this communication.

The bodily disfigurements of our modern Dandies having a great degree of sameness in them, and being matters of general notoriety, 'tis needless to particularise them. But to give you an opportunity of judging whether I have unjustly charged them with poverty of invention, when compared with their prototypes of the olden time, I beg leave to present you with the description of an English Dandy of the fourteenth century. It is taken from Dr. Henry's History of England, and he quotes Camden, Chaucer, and Street, as his authorities.

"He wore long-pointed shoes, called crackowes the upper parts of which were cut in imitation of a church-window. The points of these were fastened to his knees by gold or silver chains. He had hose of one color on one leg, and of another color on the other; short breeches which did not reach to the middle of his thighs, and disclosed the shape completely; a coat, one half white, and the other half black or blue; a long beard; a silk hood buttoned under his chin, embroidered with grotesque figures of animals, dancing men, &c. and sometimes ornamented with gold, silver, and precious stones. This dress, which was the very top of the mode in the reign of Edward the Third, appeared so ridiculous to the Scots, (who probably could not afford to be such egregious fops,) that they made the following satirical verses upon it:

"Long beards hirtiless,

Peynted whoods witless,

Gay coats gracelies,

Maketh England thriftlies."

I would add to the above what the grave Doctor says of the fashionable ladies of those times; but being a great friend to the "womankind," as that queer, caustic old Batchelor Monkbarns used to call them, I forbear to run the risk of their displeasure, by disparaging their sex so much as I should be compelled to do, were I to repeat the Doctor's words. And now, my good sir, confidently trusting that you yourself, as well as your readers, will admit the irrefutable character of the proofs which I have adduced to establish my assertions, I bid you farewell, and remain

Your friend and constant reader,

OLIVER OLDSCHOOL.

P. S. For the satisfaction of yourself and readers, who might otherwise suspect me of malevolence towards some individual, (of which I know myself to be incapable,) I beg leave to assure you that, although the portrait which I have endeavored to sketch is not a fancy piece, my sole design in presenting it is general, not particular. It is to aid, as far as I possibly can, in banishing from our land a fashion, not only preposterous, absurd and filthy in the highest degree, but actually disgraceful to rational creatures. Let it go back to the savage Cossacks, from whom 'tis said to be borrowed, and no longer beastify (if I may coin such a word,) the appearance of the rising generation.

VARIETY.

From the Augusta (Ga.) Sentinel, Jan. 15.

To the Editor of the States Rights Sentinel:

SIR:—Some friends, whose opinions are entitled to deference, deem it incumbent on me to avow, or disavow the authorship of a dozen couplets, lately become a matter of grave and high controversy. Though supposed for twenty years past to be mine, they have recently been ascribed, by sundry acute critics, first to O'KELLY, and then to ALCÆUS. Disdaining, heretofore, to notice such charges of plagiarism, from a perfect confidence in the ultimate power of TRUTH, and a contempt for this petty species of annoyance, my silence is now broken, only in compliance with the wishes of those whom I esteem. Valuing these rhymes very differently from others, it becomes me, on so unimportant a subject, merely to avow myself the author. The lines in question, then, good or bad, are mine alone; neither Alcæus nor O'Kelly has the smallest right to them. Originally intended as a part of a longer poem, which, like the life of him for whose sake I projected it, was broken off, unfinished; they were published without my knowledge or consent, and, however the contrary may have been assumed, contain no personal allusions. Whatever my life may be like, whether roses or thorns, the public is in no danger of being troubled with my confidence.

I am, sir, very respectfully, your obedient, humble servant,

RICHARD HENRY WILDE.

Washington, 31st Dec. 1834.

[Communicated for the Southern Literary Messenger.]

The first advertisement of "WALTON'S ANGLER," appeared in "Captain Wharton's Almanacks" as Old Lily in his Life and Times calls them.

It runs thus: "There is published a Booke of eighteen pence price called the Compleat Angler, or the contemplative man's recreation; being a discourse of Fish and Fishing, not unworthie the perusall.

"Sold by Richard Marriott in St. Dunstan's Church Yard Fleet Street. 1653.

"Motto. 'And Simon Peter saith unto them, I go a fishing: they say unto him we also go with thee.'—John xxi. & 3."

SHAKE-SPEARE.

The following, from an old paper, will no doubt interest some of our readers.

"We have lying before us a volume of Shakspeare, in a tolerable state of preservation, composed of several of his plays, published at London, in pamphlets, at different periods during his lifetime, probably from 1609 to 1612; and it is more than probable that the author superintended their publication in person. We think this edition will settle many points as to the true reading, in cases at present in dispute, and also give the correct spelling of the name of the immortal poet, which is Shake-speare, and divided in the same manner as above. The first is a part of the tragedy of Henry VI. entitled 'The Contention of the Two famous Houses of Yorke and Lancaster.'"

The next is,

"The TRAGEDIE of King RICHARD the Third. CONTAINING His treacherous Plots against his Brother Clarence: the pittifull murther of his innocent Nephewes: his tyrannicall Vsurpation: with the whole Course of his detested Life, and most deserved Death. As it has beene lately acted by the Kings Majesties Servants. Newly augmented, by William SHAKE-SPEARE. LONDON, Printed by Thomas Creede, and are to be sold by Mathew Lawe dwelling in Pauls Church-yard, at the Signe of the Foxe, 1612."

The third is quaintly entitled,

"THE MOST LAMENTABLE TRAGEDIE OF TITUS ANDRONICUS. As it hath svndry Times beene plaide by the KINGS MASTIES Seruants.—LONDON, Printed for Eedward White, and are to be sold at his Shoppe, nere the little North Dore of Pauls, at the Signe of the Gun. 1611."

The last is,

"THE FAMOUS HISTORIE OF TROYLUS and CRESSEID, Excellently expressing The Beginning of their LOUES, WITH THE Conceited Wooing of PANDARUS Prince of Licia, WRITTEN BY WILLIAM SHAKE-SPEARE. LONDON, Imprinted by G. Eld, for R. Benian and H. Walley, and are to be sold at the Spred Eagle, in Paules Church yeard, ouer against the great North Doore. 1609."

The address to the reader of this play, has too much originality and merit to omit.

"A neur writer, to an euer reader.

"Newes.

"ETERNALL reader, you haue heere a new play, neuer stal'd with the stage, neuer clapperclawd with the palmes of the vulger, and yet passing full of the palme comicall; for it is a birth of your braine, that neuer vnder-tooke any thing commicall, vainely; and were but the vaine names of commedies, changde for the titles of commedities or of playes for pleas; you should see all those grand censors, that now stile them such vanities, flock to them for the main grace of their grauities: especially this authors commedies, that are so fram'd to the life, that they serve for the most common commentaries, of all the actions of our lives, showing such a dexteritie, and power of witte, that the most displeased with playes, are pleased with his commedies. And all such dull and heauy-witted worldlings, as were never capable of the witte of a commedie, comming by report of them to his representations, have found that witte there, that they never found in themselves, and haue parted better wittied than they came; feeling an edge of witte set vpon them, more than euer they dreamed they had braine to grinde it on. So much and such savored salt of wittee is in his commedies, that they seeme (for their height of pleasure) to be borne in that sea that brought forth Venus. Amongst all there is none more witte then this: and had I time I would comment upon it, though I know it needs not, (for so much as will make you think your testerne well bestowed) but for so much worth, as euen poore I know to be stuft in it. It deserves such a labour, as well as the best commedy in Terence or Plautus. And beleeue this, that when hee is gone, and his commedies out of sale, you will scramble for them, and set vp a new English inquisition. Take this for a warning, and at the perill of your pleasures losse, and judgments, refuse not, nor like this the lesse, for not being suelied, with the smoaky breath of the multitude; but thanke fortune for the scape it hath made amongst you. Since by the grand possessors wills I beleeue you should haue prayed for them rather then been prayd. And so I leaue all such to bee prayd for (for the state of their wits healths) that will not praise it. Vale."

From the Albion.

One of the enormities of Protestantism, which shocks the Papists, is the marrying of our Clergy. What is to be said of the Roman Catholic Bishop England, who, going on a foreign mission, takes out with him four nuns?—

The English Bishop takes one wife,

The Papist says, "O fie!"

The Roman Catholic takes out four,

And no man asks him, why?

Having shown this sprightly contribution to our Roman Catholic sub-editor, he begs leave to offer an explanation of the seeming inconsistency:—

To vindicate the Papist's life,

See how the thing is done;

The Protestant alone takes wife,

The Catholic takes nun.

A late number of Frazer's Magazine contains an elaborate review of "Roberts' Life and Correspondence of Hannah Moore," in which are interspersed much of the keen sarcasm and provoking levity for which that periodical is distinguished. The reviewer concludes as follows: "For Mrs. Moore we have a high regard, as a staunch tory and good churchwoman, though of the so-called evangelical clique. She was however practical in her piety; and this is the sure test of sincerity. Be her name therefore honored! She was an extraordinary individual, and would have been such had she not been an authoress. We esteem her personal character far above her literary. In the one she was truly great, in the other respectable and prosperous. To sum up all, she was a practically wise and prudent woman; nevertheless her prudence was an overmatch for her wisdom. To perfection she wanted two grave requisites—greater intuitive knowledge, and a happy husband. The first she derived at second hand and from shallow streams; the last she avoided altogether. She thus escaped one great trial; but they who retreat from battle have no claim to the victor's wealth."

For the Southern Literary Messenger.

A SONG.

Air—"The Lass of Peatie's Mill."

How sweet it is to rove

Through vallies rich and wide,

Or with a friend we love

O'er the still waves to glide!

'Tis sweet to see the day

Withdraw her golden car,

And watch the glimmering ray

Of Eve's first silver star!

'Tis sweet to hail the dawn,

In blushes ever new—

And mark the young, fleet fawn,

Brush off the crystal dew!

But sweeter far than Eve

Or early Morning's prime,

Are smiles that ne'er deceive,

And love unchanged by time!

Tho' fickle fortune frown,

And wealth withhold her store,

What is a jewelled crown?

A bauble soon no more.

But love, pure love, is gold

Which nothing can consume;

And smiles that ne'er grow cold,

Are flowers of fadeless bloom!

E. A. S.

EDITORIAL REMARKS.

We send forth our herald a fifth time, with renewed confidence in the kind disposition of our patrons to give it a glad welcome,—to visit its imperfections with sparing censure, and to regard with favor whatever merits it may possess, in sympathy for its Southern origin, and the probable advantages involved in its final success. We are much cheered by the somewhat unexpected, and perhaps unmerited plaudits of a large portion of the periodical press, and especially that part of it which has heretofore enjoyed a kind of literary monopoly—but which generously merges every thing like a feeling of rivalry in the more honorable and patriotic sentiment of devotion to the great cause of American literature. From our northern and eastern friends indeed we have received more complimentary notices than from any of our southern brethren without the limits of our own state. We say this not in a reproachful spirit to our kindred, but in a somewhat sad conviction of mind, that we who live on the sunny side of Mason's and Dixon's line, are not yet sufficiently inspired with a sense of the importance of maintaining our just rights, or rather our proper representation in the republic of letters.

With the almost unbroken voice of public approbation to cheer us along, we have nevertheless heard of a few whose tastes are so exquisitely refined that they cannot relish our simple fare. We are sorry, very sorry indeed, that they will not be pleased; and in proof of the sincerity of our grief, we hereby invite these accomplished gentlemen to improve our pages by contributions from their own pens. We hold the opinion that they who undertake to denounce so boldly, ought to be prepared to back their judgments by their own performances.

We continue the original and excellent "Sketches of the History and Present Condition of Tripoli, &c." They increase in interest to an American reader, as they approach the period which records the hostile collisions of the United States with those formidable powers. The valor of Decatur, and self-immolation of Somers, Wadsworth and Israel, at the commencement of the present century, are still fresh in the memory of thousands.

The authors of the original articles "On the Study of the Latin and Greek Classics," and "Memory—an Allegory," evince no inconsiderable share of intellectual power. To the former especially we may be excused for remarking that, more simplicity in style would not detract from the vigor and originality of his thoughts. There are some persons who either from choice or the peculiar character of their minds, love to dress their sentiments in quaint and obscure diction, but simplicity is at last the transparent medium which reflects more strongly and clearly the force and brilliancy of the understanding.

The able author of the "Note to Blackstone's Commentaries," is entitled to be heard, even on a subject of such peculiar delicacy—a subject upon which it is natural that the best heads and purest hearts should essentially differ. Whilst we entirely concur with him that slavery as a political or social institution is a matter exclusively of our own concern—as much so as the laws which govern the distribution of property,—we must be permitted to dissent from the opinion that it is either a moral or political benefit. We regard it on the contrary as a great evil, which society will sooner or later find it not only its interest to remove or mitigate, but will seek its gradual abolition or amelioration, under the influence of those high obligations imposed by an enlightened christian morality. These are our honest sentiments, which we do not espouse however in derogation of the equally honest convictions of other minds.

The "Letters from a Sister," the three first of which appear in the present number, and which shall be regularly continued, will be read with interest, notwithstanding the numerous diaries and epistles which treat upon the same subjects.

We entertained some doubt about the admission of "The Doom" into our columns, not because of any inferiority in the style and composition, but because of the revolting character of the story. The writer, with apparent sincerity, states it to be founded upon actual occurrences; but we confess that it seems to us a wild and incredible fiction. True or false however, we derive from it this sound and wholesome moral,—that sooner or later wickedness will find its just reward,—and that of all the passions which ravage the heart and destroy the peace of society, there is none more detestable than revenge. The hero of the tale, who is described by his friend the writer, as "a light hearted and joyous fellow," was in truth a remorseless fiend; compared with whom Iago and Zanga were personifications of virtue; nor does the idle phantasy of a supernatural vision, or the pretended influence of fatalism, palliate the deep enormity of his crime. If the writer, who assumes the signature of "Benedict," really had such a friend, he should have drawn the mantle of oblivion over his dark frailties, and never have recorded them with seeming approbation. He should have avoided too, certain profane and unchaste allusions in his manuscript, which we have been obliged to suppress; for we scarcely deem it necessary to repeat that the "Messenger" shall not be the vehicle of sentiments at war with the interests of virtue and sound morals—the only true and solid foundation of human happiness.

We invite attention to the third letter from New England, by a Virginian,—whose talents, learning, and acute observation of men and things, and whose easy style of composition, qualify him in a high degree for the task of a tourist.

The paper from our friend "Oliver Oldschool" will we hope be read by the Dandies, if such creatures ever do read any thing calculated to produce improvement either in mind or morals.

The selected prose articles in this number will, we doubt not, be read with pleasure and interest. The article on "American Literature," and the impediments which retard its progress, is entitled to a patient and deliberate reading. Its sentiments and language, if they should be so unfortunate as not to command, at least deserve attention. The author has happily combined solidity of argument with grace and beauty in composition.

As we intend from this time forward to be less indulgent than heretofore to our poetical contributors, so we hope that the specimens now presented, if not all of equal merit, have at least enough to save them from censure. It is not expected indeed that CRITICISM will be either silent or forbearing; for we have never been so fortunate as to light upon any production, in prose or verse, in which its searching and microscopic eye might not detect some slight blemishes.

It will be perceived that we are again favored with a piece from the pen of Mr. Wilde; and we seize this opportunity of expressing the great pleasure we feel in transferring to our pages (under the head of "Variety") the letter of that gentleman, in which he assumes explicitly the sole authorship of those beautiful lines, which have been alike claimed for an ancient Greek bard and a modern Irish poet. The enemies of Mr. Wilde's literary reputation will now recant their unmerited charge of plagiarism, and one of the most exquisite poems which the genius of our country has produced will remain the undisputed property of its owner.

The author of "A Song of the Seasons," who assumes the quaint cognomen of "Zarry Zyle," (we wish he had chosen some other,) is unquestionably a youth of talent, and acute perception of all those minute, lovely and delicate objects, both in the natural and moral world, which can only be discerned by minds of superior mould. We beg leave however to suggest for consideration, whether he does not take too much pains to appear obscure—whether he does not too studiously delight in dressing up his thoughts in that mysterious and eccentric form of expression, which has detracted so much from the usefulness and popularity of men of genius. But for this fault, Coleridge, we doubt not would have ranked among the greatest bards of the present age. As it is, his reputation is only seen through the dim shadows of twilight—it does not blaze with the splendor of open day. Simplicity, unaffected simplicity, is the great rule in composition, as it is in the manners and conduct of life; and he who departs from it, does so at the hazard of not securing the just reward of his merits.

VIRGINIA HISTORICAL AND PHILOSOPHICAL SOCIETY.

The Anniversary Meeting of this Society was held on the 3d and 4th Feb. 1835, in the Hall of the House of Delegates. The first evening was exclusively devoted to the transaction of business. On the second evening a learned, elaborate and elegant address was delivered by Professor Tucker of the University, to a numerous auditory, and was listened to with great attention. Mr. Maxwell of Norfolk presented to the Society the identical pistol with which Captain John Smith killed the Turk Grualgo, at the siege of Regal; and in his peculiarly happy manner, dilated upon the singular good fortune and heroic qualities of that extraordinary man. We shall speak of this valuable relic of antiquity, and of the traditional history upon which the fact of its identity rests, more particularly, in the February number. It is with great pleasure that we announce to our patrons that the Proprietor of the "Messenger" is authorised, by a resolution of the Society, to insert from time to time in his paper, under the direction of the standing committee, such portions of the manuscripts, &c. belonging to the Society, as the committee may select for publication. In our next number we hope to avail ourselves of this privilege—and it shall be our endeavor to urge the claims of the Society to the general attention and earnest regard of the public.

This form of our January number not having gone to press until February, has enabled us to pen the above.

EXTRACTS FROM THE LETTERS OF CORRESPONDENTS.

I send you these lines^1 without the writer's name. It is one of many instances in proof of what I have long believed, that selections might be made from the unpublished writings of Virginians, composing a volume of which any country might be proud. The writer of the above throws off such scraps at idle times, without effort, and without pretension. With so much of the inspiration of poetry, he has nothing of its madness, and will never consent to be known to the world as an author.

1 "Beauty without Loveliness." See article above.

So it is in other branches of literature. A man who has sense enough to write a good book, very often has too much sense to publish it. In countries where the division of labor has made literature a separate trade, necessity often overrules the judgment of the writer, forcing him to publish against his will—se invito as well as invita Minerva. No such necessity exists here, and hence, among us, few publish, but those who should be perpetually injoined the use of pen and ink. Thank God, the literary reputation of Virginia has never suffered much by such scribblers. We have a few such, but their writings were too bad to do much harm; they never crossed the State line.

Might you not take a hint from this consideration? The merit of your publication will give a wide circulation to all that it contains. Are you not then bound to be chary in your selections, and not lend your wings to bear to distant lands the weak twitterings or the tuneless chatter of the Pie and Sparrow kinds? The nightingale does not pour her note until their noise is stilled. Print only for poets, and poets will write for you. This is the true solution of the difficulty you have so strongly stated in your last number.

It is not in Virginia alone, that the writings which are permitted to see the light afford an inadequate idea of the literary resources of the country. It is not fair to judge of the poetical talents of our northern neighbors by the labored dulness of a Barlow; or by the writings of a certain literary cabal, which is trying to push its members into notice by mutual puffing and quotation. Halleck is not one of the firm; and Halleck is a true poet. But his writings first came out anonymously; and it is the blaze of his genius which has betrayed him to the public eye. The darkness in which it shrouds itself, distinguishes it from all that shines only by reflected light. Men hunt for diamonds in the night.

Even in England, where the trade of literature embraces writers of a very high order, I am not sure that the very best minds are devoted to it. Some of the finest poetry in the language was found among the manuscripts of Judge Blackstone. Nobody knew that Charles Fox wrote poetry until after his death. But he did, and such as no writer need have blushed to own.

Among the caprices of the "genus irritabile vatum," is that of hiding their talents. Some, from sheer spleen, will not write. John Randolph used to say that he would go to his grave "guiltless of rhyme." Yet he talked poetry from morning till night.

As I am out a purveyor for your journal, and not a contributor, I am bound to see that they, from whose writings I pilfer, come by no wrong. I must therefore enter a complaint on behalf of the friend whose letter I sent you, describing a scene on the Mississippi. His "clumps" of trees your compositor has cut down to "stumps." Can you wonder that your neighbor (contemporary I believe is the word in fashion,) thought his letter but "so so?" He was no more bound to suppose that this was a misprint, than to reflect that a traveller, writing from the wilds of Missouri to a friend, might innocently make an unimportant mistake in quoting from a book that perhaps never crossed the Mississippi. But though he has to bear the brunt of the censure, it should in justice fall on you or me. The thing was well enough as a letter. The fault was in publishing it. But I shall attempt no defence. I thought it but "so so-ish" when I sent it to you, and therefore I said so. It was a plain unvarnished description, which had enabled me to see very distinctly what was well worth seeing, and I wished others to see it too. Had the composition been of a different character—had the painter thrust himself between the spectator and his picture, or so glossed it over that every object was lost in undistinguished glare, I should have given it to the public eye by other means. I should certainly not have defaced with it your modest pages. It surely would not be hard to fix on some periodical in which any sort of tinsel would be welcome, and find itself in congenial company. Such is the proper receptacle for all the trumpery wares of frothy declamation, incongruous metaphor, false eloquence and flippant wit, which make up what is commonly called fine writing. There, in the gay confusion of glass bead and gewgaw, any bauble, however worthless, finds its place, escaping censure by escaping notice.

To take more shame to myself, I acknowledge that the misquotation struck me as I copied the letter. But the turn of the passage did not admit of its correction; and I did not think it worth while to append a note to tell what every body knows, and no one needs to know.

But I shall do better in future. While you continue to publish what I send you, I shall continue to cater for you. In doing this, I shall henceforth cross the t's and dot the i's in my copies, although this should have been omitted in the original. "I am wae to think" indeed, as Burns says, what small critics would do for want of such mistakes. A link in nature's chain (the last and lowest indeed) would be lost. The auceps syllabarum "the word catcher that lives on syllables" would be starved out. The race would be extinct for want of food. The king of these insects bears among naturalists the formidable name of the dragon fly. The boys call him the musquito hawk. He shall have no more food from me. Your friend,

X. Y.

FROM EASTERN VIRGINIA.

... I yesterday sent you some lines composed "Lang Syne," and written from memory.... Do not print these things, I beseech you, unless you like them. At the hazard of rapping my own knuckles, I shall quarrel with you if you publish much trash. You may lose a subscriber by rejecting it; but you will gain ten by every number you issue in which every article is good. Horace tells us that neither gods nor men can endure middling poetry. And what shall be said of that which is not even middling? Let us take an example. Byron's name is sacred to the muses. No man whose lips are not touched with the fire of inspiration should be allowed to use it. Yet we have him shown up, and words put into his mouth in many a piece, the writers of which cannot even count their feet.

FROM NORTH CAROLINA.

"I was much delighted with the third number of the Messenger. It was really a fountain of pleasure to me, and I shall never forget the feelings which I experienced on reading the story entitled 'My Classmates.' I must believe that there cannot be any thing than the most flattering hopes and prospects of your success in your truly laudable—your truly patriotic undertaking. The people of Virginia, if none others, will support its cause. They cannot—no, they will not—they have too much love for the honor of Virginia, to let the 'Messenger' of science and literature suffer for the want of their most liberal patronage. But you are not laboring for Virginia alone: it is for the south—the whole south; and might I not add, for the whole country? For who doubts but that the Messenger is destined to call into active exertion the genius of the south? And who would deny but the south has genius which would do honor to the whole country in any walk? I shall never believe but that the land which produced a Henry, a Washington, a Marshall, a Madison and Monroe, can also under favorable auspices, produce a Cooper, Irving, Paulding, or any man. 'Go ahead,' as David Crockett says, 'since you are right.' I send you a subscriber."

FROM A DISTINGUISHED NORTHERN LADY.

"We are highly pleased with the Messenger. Its execution in the mechanical department, is peculiarly neat; I see no periodical, that in this point, will compare with it. And its contents are so diversified, that there must be something adapted to almost every taste—that is—every taste that has its foundation in correct principles."

TO CORRESPONDENTS, CONTRIBUTORS, &C.

We have on hand a variety of articles in prose and verse, which we shall dispose of as soon as possible. Some of these favors are of decided, and some of equivocal merit. Others are so illegibly written, that it passes our skill to decipher them.

*** END OF THE PROJECT GUTENBERG EBOOK THE SOUTHERN LITERARY MESSENGER, VOL. I., NO. 5, JANUARY, 1835 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

SOUTHERN LITERARY MESSENGER:

EVERY DEPARTMENT OF LITERATURE

THE FINE ARTS.

CONTENTS OF VOLUME I, NUMBER 5

SOUTHERN LITERARY MESSENGER.

SKETCHES OF THE HISTORY

IMPROMPTU,

STANZAS

THE SYBIL'S LEAF.

TO MY WIFE.

THE KISS.—A la Moore.

LOVE—MUTUAL BUT HOPELESS.

TO DESPAIR.

THERE'S NAE LADDIE COMING.

REMARKS ON THE REVIEW OF GOVERNOR TAZEWELL'S REPORT.

THE DARGLE.

PHRENOLOGICAL EXAMINATIONS.

SONG OF THE IRISH PEASANT WIFE.

A GLIMPSE AT BASIL HALL.

THE PASSAGE OF THE BERESINA.

PARODY.

BEAUTY WITHOUT LOVELINESS.

HAPPY LOVE.

SORROWS OF LOVE.

EXTEMPORAL LINES.

MRS. WOOD'S MANUSCRIPT POEMS.

RETROSPECTION.

THE CAPTIVE BIRD.

THE BELLE DU JOUR, OR CONVOLVULUS MINOR.

EVENTIDE.

SMILING AUTUMN.

STUDY OF THE LATIN AND GREEK CLASSICS.

MEMORY.—AN ALLEGORY.

THE CREATION OF THE ANTELOPE.

LETTERS FROM NEW ENGLAND.—NO. 3.

AMERICAN LITERATURE.—ITS IMPEDIMENTS.

THE INDIAN MOTHER.1

NOTE TO BLACKSTONE'S COMMENTARIES,

NAPOLEON'S GRAVE.

A SONG OF THE SEASONS.

LETTERS FROM A SISTER.

THE DOOM.

THE CHANGES OF NATURE.

ORIGINAL LITERARY NOTICES.

NEW PAPER.

DANDYISM.

VARIETY.

A SONG.

EDITORIAL REMARKS.

VIRGINIA HISTORICAL AND PHILOSOPHICAL SOCIETY.

EXTRACTS FROM THE LETTERS OF CORRESPONDENTS.

TO CORRESPONDENTS, CONTRIBUTORS, &C.

THE FULL PROJECT GUTENBERG LICENSE