The Project Gutenberg eBook of Woodcock's Little Game: A Comedy-Farce, In Two Acts This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Woodcock's Little Game: A Comedy-Farce, In Two Acts Author: John Maddison Morton Release date: July 6, 2018 [eBook #57451] Language: English Credits: Produced by Paul Haxo with special thanks to the Library of Congress and the Internet Archive. *** START OF THE PROJECT GUTENBERG EBOOK WOODCOCK'S LITTLE GAME: A COMEDY-FARCE, IN TWO ACTS *** Produced by Paul Haxo with special thanks to the Library of Congress and the Internet Archive. WOODCOCK'S LITTLE GAME: A Comedy-Farce, IN TWO ACTS. BY JOHN MADDISON MORTON, (_Member of the Dramatic Authors' Society_), AUTHOR OF Lend me Five Shillings, Three Cuckoos, Catch a Weazel, Where there's a Will there's a Way, John Dobbs, A Most Unwarrantable Intrusion, Going to the Derby, Your Life's in Danger, Midnight Watch, Box and Cox, Trumpeter's Wedding, Done on Both Sides, Poor Pillicoddy, Old Honesty, Young England, King and I, My Wife's Second Floor, Who do they take me for? The Thumping Legacy, Milliners' Holiday, Wedding Breakfast, Irish Tiger, Attic Story, Who's the Composer? Who's my Husband? Slasher and Crasher, Prince for an Hour, Away with Melancholy, Waiting for an Omnibus, Betsy Baker, Who Stole the Pocket-Book? Two Bonnycastles, From Village to Court, Grimshaw, Bagshaw, and Bradshaw, Rights and Wrongs of Women, Sent to the Tower, Our Wife, Brother Ben, Take Care of Dowb--, Wooing One's Wife, Margery Daw, The Double-Bedded Room, the "Alabama," Drawing Rooms, Second Floors, and Attics, &c. &c. LONDON: | NEW YORK: SAMUEL FRENCH, | SAMUEL FRENCH & SON, PUBLISHER, | PUBLISHERS, 89, STRAND. | 38, EAST 14TH STREET. WOODCOCK'S LITTLE GAME. _First performed at the Royal St. James Theatre_ (_Under the management of Mr. Benjamin Webster_) _On Thursday, 6th October, 1864._ Characters. MR. WOODCOCK Mr. CHARLES MATTHEWS. MR. CHRISTOPHER LARKINGS Mr. H. J. MONTAGUE. MR. ADOLPHUS SWANSDOWN Mr. J. JOHNSTONE. DAVID Mr. W. CHAMBERLAINE. MRS. COLONEL CARVER Mrs. FRANK MATTHEWS. MRS. WOODCOCK Miss FANNY HUGHES. MRS. LARKINGS Miss WENTWORTH. ----- MODERN COSTUMES. ----- _Time in Performance--One Hour._ WOODCOCK'S LITTLE GAME. ACT I. SCENE.--_An Apartment in the house of Mrs. Colonel Carver at Stow-on-the-Wold, fire-place in C., doors, R. and L. of it; another door R. 2. E.; a sofa, L.; at L. a window; table, C., with writing materials; chairs, &c., &c._ _DAVID in livery and wearing a large wedding favour, is seated at little table, writing._ DAVID. Let me see what I ha' written! (_reading letter_) "Dear Cousin Jane, I write this from the little town of Stow-on-the-Wold, in Gloucestershire--last week the population amounted to 2719, but as soon as master and me arrived, it suddenly shot up to 2721--the church bells have been ringing all the morning in honour of my master's marriage with Miss Caroline Anastasia Sophia Elizabeth Carver, which is now being solemnized"--(_noise of shouting and hurrahing heard_) hey-day! (_jumps up and looks out of window_) it be all over, and here comes the bride and bridegroom! (_shouts repeated--DAVID, in his enthusiasm waving his arm out of the window and hurrahing with all his might, then coming down_) Poor master! he's gone and done it now, and no mistake! (_listening_) Here comes the wedding party--I must finish my letter to Cousin Jane by-and-bye! (_putting letter in his pocket_) _MRS. WOODCOCK, MRS. COLONEL CARVER in bridal attire, and two BRIDESMAIDS enter at door R. C._ MRS. C. Don't agitate yourself, my darling child, it is rather a nervous affair, I know, but it's all over now--nothing could be better, you got through it charmingly. BRIDESMAIDS. Oh, yes, charmingly! MRS. C. A little repose, a mouthful of sponge cake and glass of sherry will soon compose you. Ladies, support your precious charge--come. _Exeunt, door R. 2 E._ WOOD. (_without_) This way, my dear friends. _Enter WOODCOCK, door R. C., in his bridegroom's costume, followed by two or three MALE FRIENDS, with whom he is shaking hands in succession._ I'm obliged to you--very much obliged to you, indeed, for seeing me through the awful--I mean the interesting ceremony! You'll excuse my following you to the dining room; you'll find my respectable bride and her blushing mother there--no--I mean--really, what with the excitement, the agitation, the--the---- FRIENDS. (_laughing_) Ha, ha! of course!--all right, old fellow--ha, ha, ha! _Exeunt, R. 2 E._ WOOD. (_coming slowly down--after a short pause_) It's all over! there's not the slightest doubt about its being all over! the knot is tied, and I am fairly launched on the sea of matrimony! I felt uncommonly nervous at first, and then, to make matters worse, I thought I never should have got my white kid gloves off; and yet they were quite loose when I put them on. I can't imagine what made them shrink so, unless it was the state of nervous excitement they were in--I mean, I was in! 'Pon my life, after all, a wedding in a country town is a very jolly affair! In London, a couple walk into church and out again, and it makes no more sensation than if they went into a pastrycook's and bought a bun a piece! but in the country it creates a general excitement--the bride and bridegroom become objects of universal sympathy--I mean, curiosity--everybody wishes them joy, at least they say they do! In short, as I said before, it's a very jolly affair! I shouldn't mind being married two or three times a week for a considerable time to come. (_seeing DAVID_) Ah, David! DAVID. (_sighing, and very seriously_) So, you be really married, sir? WOOD. (_assuming a very hilarious manner_) Yes, David! quite married! You may look at me with the perfect conviction that you are contemplating the portrait of a gentleman thoroughly, totally, and completely married. (_DAVID turns away to hide his laughter_) You needn't turn your head away, David. I don't mind your laughing. I'm laughing myself, ha, ha, ha. (_forcing a very loud laugh--then after a short pause_) It does seem funny though, doesn't it, David? DAVID. (_L. C._) Yes, sir! it _is_ a rum go and no mistake! WOOD. I said nothing about a "rum go," David,--I limited myself to the expression "funny!" DAVID. Only to think of _your_ settling down into a respectable member of society! Dear, dear, when I think of your desperate, wild, _au_dacious capers---- WOOD. Hush, David! not so loud? my respected mother-in-law might hear you; and between you and me Mrs. Colonel Carver is rather a formidable sort of person! DAVID. Ees, sir! she _has_ a stiffish, frumpish look with her! WOOD. I said nothing about "stiffish and frumpish," David,--I limited myself to the expression "formidable." As you say, David, I have been a sad scapegrace--a desperate rascal--but when a man has been cutting capers and nothing but capers for twenty years, it's high time he cut them altogether--in plain English, I felt I had had my _whack_, and that's why I've just married Miss Caroline Anastasia Sophia Elizabeth Carver! DAVID. Well, sir, they do say a reformed rake makes the best husband, and you certainly had a regular good "innings" at it. WOOD. I said nothing about "innings," David,--I limited myself to the expression _"whack!_" Has anything been sent from the railway station? DAVID. Yes--sir, three parcels--here they be, sir! (_three brown paper parcels are on the table_) WOOD. (_taking one parcel and opening letter, which is fastened to it_) "Two morning gowns in merino--best quality, quilted and lined,--cords and tassels as to order," that's all right; now the other parcels, David--(_opening the papers attached to them_) "Three woollen smoking caps, three cloth ditto, three silk ditto, three velvet ditto"--all right. (_opening third paper_) "Twelve pairs of slippers to measure, three lined with fur, three with flannel, &c., &c." Quite correct. DAVID. Morning gowns, caps, and slippers! Why, I never seed you with one or the other in all my life, never! WOOD. Exactly; because, hitherto, my existence has been passed in coats that cramped my body, hats that pinched my head, and boots that crippled my feet! But that's all over, David; to-morrow I insert my body into a morning gown, my head into a cap, my feet into a pair of slippers, and in that easy and unencumbered state I sink into a comfortable arm chair for the remainder of my existence. Not a bad notion, eh, David? DAVID. I call it a first-rate dodge, sir! WOOD. I said nothing about a "dodge," David; I limited myself to the expression "notion." That being the case, David, I hereby convey, transfer, and make over to you from the time being my entire stock of dress coats, ditto trousers, ditto waistcoats, white neckcloths, black hats, and patent leather boots. DAVID. Oh, thank'ee, sir, thankee! MRS. LARKINGS. (_without_) Don't trouble yourself! I dare say you've plenty to do on such a day as this. WOOD. Heyday! see who it is, David. DAVID. (_looking off at R. C._) It be a lady, sir. Lor! how I should laugh if it was one o' your old London sweethearts come down to forbid the banns--ha, ha, ha! WOOD. Hold your tongue, sir, and shew the lady in! _As DAVID goes up, enter MRS. LARKINGS, at door R. C., in travelling costume._ DAVID. (_running back to WOODCOCK, and aside to him_) All right, sir--I never seed her afore! WOOD. Leave the room! (_DAVID runs out--WOODCOCK advances to MRS. LARKINGS_) Madam, may I--eh? yes--Mrs. Larkings! MRS. L. _Yes_! in _propria persona._ Well, am I too late? I see I am. You're married? I see you are. (_looking at WOODCOCK and then bursting into a laugh_) Ha, ha, ha! I can't help laughing! WOOD. So it seems. Yes, fair lady, I entered the holy state of wedlock exactly seventeen minutes and a half ago. (_looking at watch_) MRS. L. I should so like to have seen you! what fun it must have been--ha, ha, ha! WOOD. (_aside_) What does she mean by "fun?" and what _can_ she be laughing at? (_aloud and assuming a very solemn manner_) Mrs. Larkings, if you allude to the solemnization of the nuptial rites, _I_ saw no fun in it. MRS. L. No, of course _you_ didn't! ha, ha, ha! but tell me how is--how is _Mrs._ Woodcock? Ha, ha, ha! WOOD. (_aside_) Mrs. Larkings is gradually becoming unpleasant. MRS. L. Of course I couldn't allow the dear girl to be married without wishing her joy, poor thing. WOOD. (_aside_) What does she mean by "poor thing?" MRS. L. So I took the express train, and here I am! I suppose she was dreadfully agitated, poor thing? WOOD. (_aside_) That's _two_ poor things! (_aloud_) Agitated! not she; she was all animation--all joy--all---- MRS. L. Yes, yes! she naturally would be _at first_, poor thing. WOOD. (_aside_) Another "poor thing," and Mrs. Larkings and I shall have a row. MRS. L. Well, as I have unluckily arrived too late to witness the ceremony--I'd have given anything to have seen you--ha, ha! (_laughing immoderately_) You don't mind my laughing, do you? WOOD. Not at all; it's rather pleasant than otherwise! MRS. L. All I can do is to give the bride and bridegroom my blessing, and go back by the next train to London! WOOD. And to Larkings! By-the-bye, how is your Christopher? I hope your Christopher is still the same fond, indulgent Christopher you've always found your Christopher. MRS. L. (_enthusiastically_) He's a darling! we are happy as the day is long! and no wonder--we married for love; our tastes, our opinions are the same, and what is still more important, we are nearly the same age--Christopher is twenty-four; I am twenty-two! now between you and Caroline the gap is much wider. WOOD. The what? MRS. L. The gap! _she_ is under twenty, while you are--how old shall we say? (_smiling_) WOOD. (_very quietly_) Thirty-nine! MRS. L. Oh, that's the age you've decided on, eh? well, if you wish it, we'll say thirty-nine! (_smiling again_) I'd better tell Christopher in case he might let the cat out of the bag! (_smiling_) WOOD. (_aside_) Pleasant creature! very! (_aloud_) Yes, Mrs. Larkings--and _at_ thirty-nine I think it time for a man to marry. MRS. L. Then why didn't you? (_smiling_) WOOD. I _am_, married! at least, such is my impression. MRS. L. Yes, yes! but I don't mean _this_ thirty-nine! your other thirty-nine! your _first_ thirty-nine! (_smiling_) WOOD. (_aside_) Her sex protects her. (_aloud_) I repeat that having reached the age of thirty-nine, and having moreover, sufficiently enjoyed what is called "life"---- MRS. L. You determined to marry and settle down quietly, and all that sort of thing--exactly! that's intelligible enough, as far as you are concerned; but--your wife? WOOD. My wife? Well? what? MRS. L. She _hasn't_ enjoyed what is called "life." WOOD. Eh? no--of course not; but---- MRS. L. You intend that she _shall!_ of course! indeed, Mrs. Colonel Carver writes me word that she has arranged a delightful wedding trip for you. WOOD. Has she? (_aside_) That's kind of Carver! very! MRS. L. Yes! Brussels, Switzerland, Italy, &c., &c., &c.; she hasn't quite settled which. WOOD. Hasn't she? to tell you the truth no more have I. (_aside_) I shall seize the earliest opportunity of giving Carver notice to quit. MRS. L. With a young and blooming bride for a companion, how delightful it will be! The Alps! Mount Vesuvius! the Colosseum at Rome!---- WOOD. Yes, very delightful; but very fatiguing; besides, I've seen it all. I know Switzerland and Italy, just as well as I do St. Martin's Church. I admit I've only seen the Colosseum at Rome, twice; but as on my _second_ visit I found it in exactly the same state as on my _first_ visit, I've no wish to pay it a _third_ visit, merely to establish the fact that on my third visit, I found it in exactly the same state as on my second visit. MRS. L. But your _wife_ hasn't seen it. WOOD. What of that? I can describe it to her, can't I? besides, I married to stop at home, not to go abroad! in a word, Mrs. Woodcock, like a sensible woman, entirely approves of the programme I have drawn up for our connubial existence. (_taking paper out of his pocket_) Here it is--I haven't consulted her about it, but she entirely approves of it, nevertheless. In the morning she'll attend to her household duties, while I go out fishing--I'm very fond of fishing! After dinner she'll do a little gardening, water the plants, pull up the weeds, kill the caterpillars, while I smoke my cigar, and--look on. In the evening she'll take her work, darn the stockings, sew on buttons, and so on, while I take a nap in my arm chair. Then we wind up with a lively game at dominoes, or "double dummy," have a light supper--pork chops, or a basin of gruel, and--retire! (_throwing paper on the table_) MRS. L. (_smiling_) Very charming, indeed! but pray be cautious! if you plunge poor dear Caroline too suddenly into such a vortex of gaiety and dissipation, I'm afraid it will be too much for her! (_satirically_) WOOD. (_aside_) What Larkings could possibly see in this woman, I can't imagine! MRS. L. One word more! now, Mr. Woodcock! look at me, Mr. Woodcock! When Mrs. Colonel Carver consented to your marriage with her daughter, was she acquainted with your previous career, Mr. Woodcock? your long catalogue of follies and extravagancies, Mr. Woodcock? WOOD. (_alarmed and anxiously_) Hush! MRS. L. Your notorious reputation for gallantry, Mr. Woodcock? WOOD. Hush--hush! don't speak so loud! (_looking round, then in a low tone to MRS. LARKINGS_) I'll tell you how it happened! You see, we were two Woodcocks--in fact, a brace of Woodcocks, Benjamin and Marmaduke. I'm Marmaduke, from which you may infer with a tolerable degree of accuracy that my brother was Benjamin! Well, Benjamin was always one of the quiet going sort, in short, a serious young man; in fact, he was known as the "tame Woodcock," because he was what is called decidedly "slow;" now I was called the "Wild Woodcock," because---- MRS. L. You were decidedly "fast!" WOOD. Yes! Well, when Mrs. Colonel Carver made the usual enquiries as to respectability, moral character, and all that sort of thing--she somehow or other stumbled on the wrong Woodcock--the tame one instead of the wild one--and---- MRS. L. And you took advantage of her mistake? Fie, fie, Mr. Woodcock! I couldn't have believed it of you. WOOD. The very words I said. "Woodcock," said I, "I couldn't have believed it of you." But you won't betray me, my dear and highly valued friend? you won't go and dash the cup of connubial bliss from my lips? because I have seen Mrs. Colonel Carver turn very red in the face at the merest trifle, and--here she comes. (_with an imploring look at MRS. LARKINGS_) _Enter MRS. CARVER, R. 2 E._ MRS. C. Mrs. Larkings here? where is she? Ah, my dear, delighted to see you! and yet I've half a mind to scold you for arriving so late; we've been obliged to get married without you, haven't we, Mr. W.? (_crossing to WOODCOCK_) WOOD. Yes, Mrs. C.! MRS. L. Tell me--how is dear Caroline? MRS. C. Very well, but very agitated--and no wonder (_seeing WOODCOCK, who is approaching, and in a severe tone of astonishment_) Mr. W.! WOOD. (_bothered_) Yes, Mrs. C. (_MRS. CARVER motions him to keep at a distance, WOODCOCK retreats quite bewildered_) MRS. C. (_to MRS. L._) Go to her, my dear! you'll find the dear child in her room, exchanging her bridal attire for her travelling dress. WOOD. (_overhearing, L. C._) Umph! Travelling dress? did you say "travelling dress?" MRS. C. Yes, Mr. W.! but I forgot, you were to know nothing about it! (_to MRS. LARKINGS_) I think we arranged that Mr. W. should know nothing about it? MRS. L. (_R. C._) Of course not! our object was to give him an agreeable surprise. (_smiling_) WOOD. Our object?--then (_crosses to MRS. LARKINGS_) you joined in this charming little plot, eh? ha, ha! (_forcing a laugh_) MRS. C. Joined in it? She concocted it! WOOD. Did she? ha, ha! (_with a savage grin at MRS. LARKINGS_) MRS. C. Yes; why don't you thank her, Mr. W.? WOOD. (_sulkily_) I do. (_very savagely, to MRS. L._) I'm obliged to you. Do you hear?--I'm obliged to you. MRS. L. (_smiling satirically at WOODCOCK_) I am thanked sufficiently already, in having suggested a proposal, which evidently gives you so much satisfaction! And now I'll join dear Caroline! MRS. C. Do. Mr. W.! (_WOODCOCK takes no notice--very loud_) Mr. W! WOOD. (_sulkily_) Well! MRS. C. Hand Mrs. Larkings to the door. WOOD. Eh--very well. (_taking hold of MRS. LARKINGS'S hand_) Come along! (_pulling her after him to door, R. 2 E., and then pointing to it_) There you are! (_looking fiercely at MRS. L., who bursts out laughing in his face and goes out--WOODCOCK, buttoning up his coat, and with an air of resolution_) I don't care--though it should come to a fight between Carver and me, I will _not_ pay a third visit to the Colosseum at Rome. MRS. C. (_anxiously watching MRS. LARKINGS out, and then throwing off her former stiff and disguised manner_) Done at last! (_looking knowingly at WOODCOCK, and shaking her head playfully at him_) Ah!--ah! WOOD. (_R. C., astonished--aside_) What the deuce is the matter with Carver? MRS. C. (_L. C., still in the same playful manner_) And has Marmy been deceived--has Marmy been taken in?--he! he! he! WOOD. (_aside_) I see, Carver's been at the sherry! MRS. C. Come here, Marmy! you don't mind me calling you Marmy? Marmaduke is such a mouthful, whereas, Marmy is---- WOOD. Mrs. Carver, you're at liberty to Marmy me as much as you think proper, but allow me to observe, that having already paid two visits to the---- MRS. C. Yes, yes! now, listen to me! in a word, I am not the woman you take me for! WOOD. Eh? you're not Mother Woodcock?--I mean, Mrs. Woodcock's mother? MRS. C. Pshaw! I don't mean that! in short, Marmy, you have repeatedly said to yourself--don't deny it--"What a regular wet blanket I shall have for a mother-in-law." WOOD. No, no! I solemnly protest that--(_aside_)--I have said so no end of times! MRS. C. You are mistaken, Marmy! that austerity of deportment--that rigidity of manner was all assumed. Listen! You see this brooch? (_pointing to one in her dress_) It contains the portrait of the late Lieutenant-Colonel Carver, done in oil. WOOD. Carver done in oil? Yes! MRS. C. He was a very handsome man. WOOD. Was he? You're quite right to mention it. MRS. C. Especially on horseback. WOOD. Then I should certainly have had him taken on horseback! MRS. C. He vowed that he had never loved before! WOOD. Of course! ha, ha! that's what they all say! ha, ha! (_forgetting himself_) MRS. C. (_astonished_) Marmy! WOOD. I mean to say, I've heard say that's what they all say--that's all I say! MRS. C. I believed him, and we were married! That very day, Marmy, he retired on half-pay! WOOD. Did he though? and, how old was Carver done in oil? MRS. C. Thirty-nine! WOOD. You mean, he said he was thirty-nine. Ha, ha! I've known lots of fellows who say they're thirty-nine when in fact they--never mind! MRS. C. I was under twenty, had been strictly and severely brought up--is it then to be wondered at that I yearned, I may say, panted for those gaieties, those amusements so natural to my age? But, alas! it was not to be, for while I was revelling in the anticipation of entering into what is called "Life," he told me, and I repeat his own unfeeling selfish words, that he had had his _whack._ (_WOODCOCK looks astonished_) Whack! such a vulgar expression! WOOD. Low! very low, indeed! a colonel, especially a colonel on horseback, ought to have been above it! MRS. C. But that wasn't all; he actually had the barbarity, on our very wedding day, to draw up what he called a programme of our matrimonial existence, (_WOODCOCK still more astonished, suddenly remembers his own programme, which is lying on the table_) in which _I_ was condemned to the dull monotony of household duties. WOOD. (_aside_) How very odd. I wonder if there was anything in it about killing buttons, and sewing on caterpillars. MRS. C. While _he_, forsooth, was to enjoy himself; go out fishing, smoke his cigar, and take his nap in his arm chair. (_angrily_) WOOD. (_aside_) This is a very singular coincidence; because, I'll take my oath, _I_ never saw Carver's programme! (_he has gradually approached the table, and, watching his opportunity, suddenly snatches the paper off it and crams it into his pocket_) MRS. C. What's the matter? WOOD. Nothing! MRS. C. But _that_ wasn't all; he actually expressed his intention of laying aside his splendid regimentals--those regimentals that I loved so much, and wearing nothing but those odious abominations called morning gowns for the remainder of his existence. (_here WOODCOCK, watching his opportunity, opens table drawer, and thrusts in the parcel containing the morning gowns, then slams the drawer_) MRS. C. What is the matter? WOOD. Nothing. MRS. C. (_going to table, and standing on the side opposite to WOODCOCK, who is eyeing the remaining two parcels with anxiety_) But _that_ wasn't all! (_banging her hand on one of the parcels to WOODCOCK'S great alarm_) Hanging up his noble helmet in the hall, and giving his military boots to his servant, he inserted his head into one of those atrocities called smoking caps, and his feet into a pair of embroidered slippers. (_during the above, she has kept on banging the paper parcels_) Yes; embroidered, no doubt, by some unhappy creature he had professed to love as he did me. (_walking away in an excited manner--WOODCOCK immediately opens table drawer, and thrusts in one of the parcels, there not being room for the other, WOODCOCK hastily thrusts it up under his waistcoat in front_) MRS. C. What is the matter? WOOD. Nothing! MRS. C. Such, Marmy, was my married life for twenty years. Anxious, therefore, that Caroline should escape my wretched fate, I resolved to find her a husband who, like herself, had never enjoyed what is called "Life." WOOD. And you pitched upon me! MRS. C. I did; every enquiry I made about you convinced me you were the very man I was looking for. "He is no second Carver," said I, "he is not satiated with the pleasures, the gaieties, the amusements of the world," said I, "he has never even tasted them," said I, "and therefore," said I, "he'll be the more ready to plunge headlong into the dazzling and intoxicating scene before him," said I. WOOD. Did you? MRS. C. Yes! "Caroline will plunge in with him," said I, "and I--I shall plunge in after both of them," said I. WOOD. You? MRS. C. Of course! (_with increasing animation_) Haven't I to make up the twenty years I lost with Carver? yes, and what's more, I mean to make them up! Yes, Marmy! balls, concerts, operas, assemblies, masquerades, regattas, races!--wherever you are, there will I be! Wherever you go, there will I go. Oh, how I long to begin! how I pant to mingle in "the gay, the gay, the festive scenes--the halls, the halls of dazzling light," and sport the light fantastic toe in the merry, joyous dance! (_dancing a few steps_) WOOD. (_after a stare of astonishment_) Dance? a woman of her substance! she couldn't do it! (_aloud_) I'm only afraid, my very dear Mrs. Carver, that "light fantastic toe" of yours won't have much to do in our quiet little town of Stow-on-the-Wold! MRS. C. Stow-on-the-Wold? Faugh! I'm speaking of London! WOOD. (_with a start_) London? MRS. C. Yes! Where we shall be this very evening. Yes, Marmy, that's the little agreeable surprise we had in store for you, ha, ha, ha! WOOD. (_aside_) Now, Woodcock, prove yourself a man, Woodcock--assert your dignity, Woodcock--and let Carver see you're not going to stand any of Carver's nonsense, Woodcock! (_aloud and drawing himself up_) Mrs. Lieutenant Colonel Carver--(_thrusting his hand in his waistcoat, the paper parcel shews itself below it--WOODCOCK hastily thrusts it up again_) I repeat, Mrs. Lieutenant Colonel Carver---- MRS. C. I know what you are going to say, Marmy, but don't be alarmed! we've settled everything without you--in short, you'll have nothing whatever to do except to supply the money--there! WOOD. (_still more dignified_) Mrs. Lieutenant Colonel Carver--(_here the parcel again appears below his waistcoat--he thrusts it up so violently that it shews itself above it under his chin_) MRS. C. In the first place that kindest, best of creatures, Mrs. Larkings has already secured apartments for us close to their own residence in the Regent's Park, eight guineas and a half a week, the cheapest thing I ever heard of! WOOD. Mrs. Lieutenant Colonel Carver---- MRS. C. Especially as it includes everything except plate, linen, firing and attendance; but that's not all, Marmy, she vows she'll not accept a single invitation unless we are included! When I say we, I mean Caroline, Marmy and me! (_playfully and skipping about, R._) WOOD. (_aside--after a savage look at her_) There are circumstances under which a man ought to be allowed to strangle his mother-in-law! MRS. C. Ah! here comes Caroline, already equipped for travelling! _Enter MRS. WOODCOCK, R. 2 E., in travelling costume._ Come here, my darling--there! (_pointing to WOODCOCK, who is looking very sulky_) Look at him, isn't he the very picture of happiness? Doesn't his very eye twinkle with delight? MRS. W. Yes. And if I were not so happy myself, I should scold you well, sir, for keeping this charming, delightful visit to London a secret from me. (_playfully shaking her finger at WOODCOCK, who tries to get up a smile_) MRS. C. He knew nothing about it, my dear, he's quite as agreeably surprised as you are--ain't you, Marmy? WOOD. (_sulkily_) Yes; of course. MRS. W. Why, what a serious tone you say it in! WOOD. Do I? (_shouting_) I'm delighted! enchanted! There--is that better? MRS. W. (_C._) Yes, much better. (_suddenly_) I see how it is--this arrangement of mamma's may have interfered with some plan or your own--perhaps you intended taking us to Switzerland? WOOD. (_quickly_) No, no! MRS. C. (_knowingly, R._) No, my dear; if Marmy had taken us anywhere it would have been to Italy. WOOD. (_still more quickly, L._) No, no, no; in short, I wish it to be distinctly understood, that having already paid two visits to the---- MRS. C. (_interrupting_) Yes, yes; never mind, Marmy, if you are a good boy, you shall take us to Italy next year! We'll climb up Mount Vesuvius together, Marmy--to the very top, Marmy! (_with enthusiasm_) WOOD. (_aside, after a savage look at her_) Only let me once get her there, and I'll plunge her headforemost into the crater. MRS. C. In the meantime let us only think of London. MRS. W. Yes, dear; delightful London! Remember, this is my first visit to the Metropolis! You have been there, I suppose? (_to WOODCOCK_) WOOD. (_forgetting himself_) Ha, ha! I should rather think I have--I mean, I've passed through it once or twice. MRS. C. Yes; but only on business. WOOD. Of course--only on business. (_aside_) What an atrocious humbug I am! MRS. C. And therefore it will be quite as much a novelty to _him_ as to _you._ WOOD. Yes. (_aside_) Novelty! to a man who has had twenty years of it! I'm in for it--I'm booked for a second innings. Never mind: there's _one_ point on which they'll find me firm and immovable as Gibraltar itself, and that is, that having already paid two visits to the---- _Enter MRS. LARKINGS in travelling dress, door R. 2 E._ MRS. L. (_R. C._) Well, good people? but I needn't ask--I see by your happy faces (_WOODCOCK puts on a grin_) that my plan of the campaign has met with universal approbation. MRS. C. (_R._) Yes, we're all charmed with it! Mr. Woodcock especially! he positively can't find words to express his delight! MRS. L. (_L. C._) Is it to be wondered at, that having hitherto led so calm, so tranquil, so sedate a life, (_looking with intention at WOODCOCK_) he should long to taste the forbidden fruit? ha, ha! My only fear is, that when he once begins there'll be no stopping him! ha, ha, ha! WOOD. (_L._) Ha, ha, ha! (_making a savage face at MRS. LARKINGS, aside_) MRS. L. Here, ladies, is a programme I have drawn up of your first three weeks' "Life in London," (_shewing a paper_) an incessant, unflagging whirl of dissipation, I promise you. By-the-bye, I quite forgot to mention that Mr. Larkings has placed his riding horses at your disposal. MRS. C. How delightful! I long to be in the saddle. WOOD. (_aside, and looking at MRS. CARVER_) She'll never stop in it unless she's tied in, she's too round, she'll roll off, to a certainty! MRS. W. (_to MRS. LARKINGS_) And can you, will you indeed fulfil all your delightful promises? MRS. L. Yes! not only those I have made to you, but to Mr. Woodcock, (_with intention, and then aside to WOODCOCK_) namely, not to strip the "Wild Woodcock" of his borrowed plumes--not to betray him to a certain lady who turns "very red in the face at the merest trifle," provided he promises to think less of himself, and more of his wife; in other words, that he consents to exchange programmes. (_after some hesitation, WOODCOCK draws his programme out of his pocket, looks imploringly at MRS. LARKINGS, who shakes her head--he then gives her his programme, and snatching hers out of her hand, thrusts it angrily into his pocket_) _Enter DAVID, door, R. 2 E._ DAVID. (_announcing_) The wedding breakfast be all ready for the company, and the company be all ready for the wedding breakfast! MRS. C. Come along! a mouthful of wedding cake and a bumper of champagne to the health of the bride and bridegroom, and then--hey for London! (_DAVID looks very much astonished_) Now, Marmy, your arm to Mrs. Larkings. WOOD. (_L. C._) Yes--one moment! (_taking DAVID aside_) David, my stock of dress coats, ditto trowsers, white neckcloths and patent leather boots, that I made you a present of---- DAVID. (_L._) Yes, sir, 'cause you said you had done with them. WOOD. I thought I had--but I haven't! I want them again, David, for my "second innings." David, (_making a wry face_) you can have the morning gowns, caps and slippers instead. (_stopping DAVID who is about to exclaim_) Hush! the morning gowns and caps you'll find in that drawer, (_pointing to table_) and--(_looking towards the LADIES_)--here are the slippers! (_pulling out the parcel from under his waistcoat and slipping it into DAVID'S hands_) MRS. C. (_impatiently_) Now, Marmy! (_they go off, R. 2 E._) WOOD. Coming! (_runs up to join the LADIES--pitches the parcel to DAVID, who stands in a state of wonder_) END OF THE FIRST ACT. ACT II. SCENE--_Handsomely furnished Apartment at Mr. Larkings'. Large folding doors at C., shewing Ball-room within illuminated and decorated; handsome clock, with practical hands, R. C.; dance music heard from inner room, when door is open; doors, R. and L. Very loud double knock heard._ MAID. (_outside_) This way if you please, ladies. _Enter MRS. CARVER and MRS. WOODCOCK, at L., preceded by LADY'S MAID--the LADIES are both in very fashionable evening costume, opera cloaks, &c., &c._ MRS. C. (_as she enters, and turning to wing_) Now, Mr. Woodcock, we're waiting for you. WOOD. (_without_) Here I am, Mrs. Carver. _Enter WOODCOCK, L., he has a crush hat on, a shawl round his neck, an Inverness cape, and carries a large bouquet in each hand--he is also in an elaborate evening dress._ MRS. C. At last! I thought you were never coming! WOOD. (_who looks miserable and in a sulky tone_) You wouldn't have me rush into a gentleman's drawing room as if I'd got a wild bull at my heels? MAID. Allow me, madam. (_taking off MRS. WOODCOCK'S cloak_) MRS. C. Now, Marmy, make yourself useful! (_motioning him to take off her cloak_) WOOD. Eh? oh, I know! (_taking hold of MRS. CARVER'S cloak behind and giving it a violent tug_) MRS. C. How clumsy you are to be sure! (_MAID assists in taking off her cloak_) MAID. Here's the ticket, madam. (_presenting ticket_) WOOD. Wait a minute, young woman! (_putting both the bouquets under his arm_) MRS. C. What are you doing? (_taking the bouquets and arranging them_) WOOD. (_to MAID_) Here's my hat--here's my comforter--here's my Inverness cape--(_giving the articles to her_)--and, now, give me a ticket for the lot? MAID. Here it is, sir, No. 81. (_giving ticket_) WOOD. 81? it's 18! MAID. No, sir, you've got it upside down! (_MAID goes out with things, R._) WOOD. I see! One's obliged to be particular, because at the very last dinner party I was at, I got a ticket No. 9 in exchange for a bran-new brown silk umbrella; and when I asked for my bran-new brown silk umbrella in exchange for ticket No. 9, they told me that ticket No. 9 was ticket No. 6, and handed me one American overshoe and a walking stick. MRS. W. Do, mamma, arrange the flowers in my coronet. MRS. C. They're all right, my dear; that's more than I can say for my dress! only see how Marmy has rumpled it! (_smoothing dress_) WOOD. (_C._) Me? come, I like that! considering I had to ride outside, if I rumpled any body, it must have been the coachman! MRS. C. Now, my dear, I think we may venture into the ball room! MRS. W. Without our fans and gloves, mamma? MRS. C. Marmy has got them. WOOD. (_L._) Eh? yes. (_feeling in his pockets_) No, I haven't. MRS. C. Nonsense, you put them in your pocket, you must have them somewhere about you! WOOD. If I have, they must have slipped down into my boots! Would you like me to take off my boots? (_sulkily_) MRS. C. I dare say you've dropped them. WOOD. No, I'm positive I didn't drop them. (_aside_) I flung 'em away! MRS. C. How careless of you! what's to be done? WOOD. Well, it strikes me there's only one thing to be done--go home again. (_hurrying to door, R., and calling out_) Ticket No. 18! No. 81! two opera cloaks, one hat, one comforter, one Inverness cape. _Enter MRS. LARKINGS, at C., in fashionable evening dress.--LADIES and GENTLEMEN are seen promenading within--Music._ MRS. L. (_seeing the ladies_) Ah! you've arrived at last, I quite began to despair of you. WOOD. (_still at door R., he has got the two opera cloaks, the hat, and the comforter, and is holding up and examining an Inverness cape_) Holloa! this isn't my Inverness cape! I'll take my oath this is not my Inverness cape! MRS. L. Why! What is Mr. Woodcock about? MRS. W. (_plaintively_) Getting our things together to go home! He's either lost or mislaid our fans and gloves! MRS. L. What of that! I can supply you with no end of fans, and dozens of pairs of gloves! MRS. C. } } Oh, thank you--thank you! MRS. W. } (_WOODCOCK, who overhears this, rolls all the things together in a lump and flings them back into the room with disgust_) MRS. L. But what makes you so late? MRS. C. Oh! it was entirely Marmy's fault. WOOD. (_sulkily_) Of course--of course it was Marmy's fault! MRS. W. You can't deny it, Mr. Woodcock. You must know--(_to MRS. LARKINGS_)--that I had bought this coronet expressly for your ball to-night, but when I wanted it to put it on, it had disappeared! (_MRS. LARKINGS looks aside at WOODCOCK--puts on a look of innocence_) MRS. C. Yes! We hunted for it everywhere. At last where do think it was found? In Marmy's writing desk! ha, ha, ha! WOOD. (_forcing a loud laugh_) Ha, ha, ha! MRS. C. Poor fellow! he remembered afterwards putting it there to prevent its being lost. WOOD. (_very quickly_) Yes! MRS. L. Indeed! (_looking at WOODCOCK_) Some people might imagine it was to prevent its being found! MRS. C. _and_ MRS. W. (_C._) Oh, no--no! WOOD. Oh, no--no! (_aside_) As I have observed two or three times already, what Larkings could ever have seen in that woman---- _Enter DAVID, at L., as a page._ DAVID. Please, sir, coachman says you didn't tell him what time he's to come with the carriage. MRS. W. (_R._) Now, remember, Mr. Woodcock, you promised me faithfully that we shouldn't be late--say half past two. WOOD. Very well! (_to DAVID_) A quarter past two, MRS. W. I said, half-past! (_smiling_) WOOD. (_shouting, L._) Half-past! _Exit DAVID, L._ MRS. C. Yes! We really must have a good night's rest, or we shall not be fit for the fancy dress ball to-morrow. (_to MRS. LARKINGS_) We've settled our costume, my dear! Caroline is going as Little Red Riding Hood, Marmy as a Neapolitan brigand--(_WOODCOCK makes a wry face_)--and I--_à la Pompadour_! WOOD. (_aside_) I don't exactly know what a _pumpadoor_ is, but I hope it's something decent! (_dance music again heard_) MRS. L. Come, ladies! by-the-bye, I mustn't forget your fans and gloves--this way! you'll find us in the ball room in less than five minutes, Mr. Woodcock, this way. _Exeunt MRS. LARKINGS, MRS. CARVER, and MRS. WOODCOCK at door, C. to L.--door closed._ WOOD. That attempt of mine upon Mrs. Woodcock's coronet was a contemptible failure. (_yawning_) I wonder if I shall ever have a good night's rest again! Never mind, I'll make up for it when I get back to Stow-on-the-Wold--if ever I do get back; I won't get up for a month! I believe Mrs. Woodcock would go back if it wasn't for Carver. I wish somebody would marry Carver! I'll give any man a thousand pounds if he'll marry--and after all, Carver's not absolutely repulsive--and I'm sure there's plenty of her for the money. _Enter SWANSDOWN in evening dress at C. from L._ SWANS. (_going to door R., and taking ticket out of his pocket_) Ticket No. 37. (_MAID appears, takes ticket, and disappears_) WOOD. Why, that's Swansdown! he's actually giving up his ticket! SWANS. (_seeing WOODCOCK_) Ah, Woodcock! how d'ye do? (_receiving a hat and cloak from MAID, and coming forward putting them on_) That'll do! Good night, Woodcock! (_crosses to L._) WOOD. Stop a bit! you don't mean to say you're going home, Swansdown? SWANS. Of course I am! I ought to have been in bed two hours ago. (_yawning_) WOOD. So ought I! (_yawning_) I say, Swansdown, how do you manage it? SWANS. Manage what? WOOD. To go home without Mrs. Swansdown? SWANS. I leave her behind! WOOD. Exactly--but--how do you manage to leave her behind? SWANS. I go home without her! WOOD. I see! SWANS. Good night! (_going_) WOOD. (_stopping him again_) Don't be in a hurry! SWANS. I am so sleepy! (_yawning_) WOOD. So am I. (_yawning_) SWANS. The fact is, Woodcock, (_yawning, WOODCOCK does the same_) before I got married, I had seen a good deal of this sort of fun. (_yawning very loud_) WOOD. So had I! (_yawning very loud_) SWANS. In short, I married, not to go out, but to stop at home! (_yawning_) WOOD. (_yawning_) So did I! but how do you manage it? SWANS. Manage what? WOOD. Why, to stop at home? SWANS. I don't go out! WOOD. Exactly--but how do you manage to "don't go out?" SWANS. I stop at home. WOOD. I see! SWANS. I hit on a very simple plan! I had a regular stock of sudden indispositions to meet every invitation that came in; headaches, rheumatisms, lumbagoes, &c., &c., Mrs. Swansdown grumbled a good deal at first, but she soon got used to it, and---- WOOD. (_suddenly grasping SWANSDOWN'S hand, and shaking it violently_) Thank you, Swansdown! I'm obliged to you, Swansdown! good night, Swansdown. (_stopping him again_) One moment--when you married Mrs. Swansdown, had she got a Carver? SWANS. A what? WOOD. A Carver--I mean, a mother? SWANS. No! WOOD. Never mind! Good night, Swansdown! Go home to bed, Swansdown! _Exit SWANSDOWN, L._ I'll try it! I will, by Jove! there's that horrible fancy dress ball to-morrow night! what "sudden indisposition" shall I have--I've had the measles---- _Enter LARKINGS at C. in very fashionable evening costume._ LARK. (_R. C., seeing WOODCOCK_) Ah, Woodcock! All alone, eh? I'm afraid you're not enjoying yourself? WOOD. (_L. C._) Yes, I am--in a quiet way! LARK. Delightful party, eh? By-the-bye--I congratulate you--your wife is really a very nice sort of person--very nice, indeed! (_in a patronizing tone_) but her dancing has been sadly neglected. However, make yourself easy, I've engaged her for the next three polkas on purpose to teach her the proper step! WOOD. Have you? LARK. After that I'm engaged to Mrs. Swansdown for the rest of the evening. Swansdown's gone home as usual! ha, ha! poor Swansdown! "when the cat's away," you know, eh? ha, ha! WOOD. (_drawing himself up_) Mr. Christopher Larkings! LARK. Come, come, Woodcock--that grave face won't do with me, besides, it isn't because I flirt with my friend's wives that I love them! I flirt with yours, but I don't love her, at least, not yet! ha, ha! but I say, old fellow, don't follow Swansdown's example--what can a man on the wrong side of forty expect if he will go home to bed and leave a pretty young wife behind him, eh? ha, ha! (_poking WOODCOCK in the side_) WOOD. Sir! my friend, Swansdown, has too much confidence---- LARK. (_laughing_) Of course he has, that's the delicious part of it, ha, ha! I say, Woodcock. (_taking his arm, and aside to him_) I don't mind telling you--and after all, I meant no harm--but when Mrs. Larkings went down to your wedding at--what d'ye call the place--Toad in the Hole---- WOOD. Stow-on-the-Wold, sir! (_with dignity_) LARK. No matter! well, I suddenly remarked what a fascinating person she was---- WOOD. Mrs. Larkings? LARK. No, Mrs. Swansdown! I used to say all sorts of stupid things to her---- WOOD. That I'll be bound to say you did; well, there's no great harm in that! LARK. No, but that's not all--not that I meant any harm--well, after a luncheon of grilled chicken and champagne, this afternoon--I don't know how the deuce it happened, but I've a sort of stupid, misty recollection of writing a stupid sort of letter, full of doves and loves, and Cupid's darts and bleeding hearts--you know what I mean--which letter, I'm under a very strong impression, Mrs. Swansdown will find on her dressing table when she gets home to-night. WOOD. Mr. Larkings! LARK. Yes, yes, it was a stupid thing to do, I know, and I heartily wish I had the confounded letter back, but it's too late now, and after all, I meant no harm. (_polka music heard_) There's the polka! I mustn't keep Mrs. Woodcock waiting. Good bye! (_going_) WOOD. Stop! _LARKINGS runs out at C. to L._ Catch me leaving Mrs. Woodcock alone for a single moment! No, no, I'll stick to her like her shadow. I'll revel in Redowas! I'll plunge into polkas! I'll have a shy at the sausages--I mean Schottisches! (_here the polka music becomes louder_) I don't half like my wife's skipping about with that fellow now; if I could only manage to get her away. (_looking at clock, which is in a conspicuous part of the stage_) Only a quarter past one. (_after a short pause_) That clock's too slow. (_lounging up stage, assuming an unconcerned manner and humming a tune--when near the clock, looks right and left, then jumps up into a chair, puts the clock on one hour, and jumps off chair again--then taking out his watch_) Hey-day! my watch is an hour too slow by that clock, and I know there isn't a better clock in England. (_putting his watch on an hour, then hastily thrusting it into his pocket, aside_) Just in time! _Enter MRS. WOODCOCK, at C. from L._ MRS. W. Still here, my dear? Why don't you come into the ball-room? WOOD. I will presently--there's plenty of time! It's quite early yet! (_seeing that he is standing between MRS. WOODCOCK and the clock, moves aside_) I repeat, it's _quite early yet!_ (_pointedly, and looking at clock_) MRS. W. (_seeing clock_) Eh? Can it be possible? Twenty minutes past two? WOOD. Oh! that clock's too fast! Look here! (_taking out his watch_) Holloa! Why it's half-past two! That clock's too slow. MRS. W. How the time slips away! WOOD. Yes! the last hour's gone remarkably fast. _Music--some five or six couples, including MRS. LARKINGS and MRS. CARVER, come in at C., dancing the polka--the last couple consisting of MRS. CARVER and a very YOUNG MAN--polka ceases._ WOOD. (_who has gone to door, L._) Ticket No. 81--two opera cloaks--a hat--a comforter--an Inverness cape! MRS. C. Why! What is Marmy about? (_to MRS. WOODCOCK_) MRS. W. Look at the clock, mamma! MRS. C. Half-past two! _Enter LARKINGS, at C. from L._ LARK. What's that? Half-past two? No such thing, gentlemen--I appeal to you! Out with your watches! (_LARKINGS and GENTLEMEN take out their watches--each presenting his to his LADY_) LARK. } } Half-past one! GENTS. } MRS. W. Another hour! Delightful! MRS. C. Charming! (_polka music resumed_) Mrs. Woodcock, allow me. (_polka--MRS. CARVER seizing her former partner and whirling him out after the others, at C. to L._) WOOD. (_who has been standing looking on with the opera cloaks, &c., &c., in his arms--dashes them down in a lump on the stage_) That's a failure! Then I won't go home at all! I'll sleep here! (_seizing up the cloaks, &c., and dashing them one after the other on the sofa, L. C., and then throwing himself upon them_) There! (_burying his head in the pillow_) This is very comfortable---- _SWANSDOWN hurries in, at L., very pale and excited._ SWANS. (_as he enters_) Woodcock! Woodcock! (_seeing him on sofa_) Ah, there he is! (_shaking him_) Woodcock, get up! WOOD. (_jumping up_) Halloa, Swansdown, come back again! SWANS. (_with a savage grin, R._) Yes! ha, ha, ha! (_with a forced laugh_) WOOD. (_L._) Don't make such dreadful faces! What's the matter? SWANS. Matter? (_furiously and grimacing_) WOOD. Don't grind your teeth in that horrible way. Recollect they're not your own! SWANS. Listen! (_grasping WOODCOCK'S arm_) On my return home, I found Mrs. Swansdown's maid in Mrs. Swansdown's room fast asleep! Something was lying on the dressing table! It was a letter! WOOD. (_aside_) Larkings's billet! SWANS. Yes! A letter for Mrs. Swansdown, from--from--fiends and furies! WOOD. I don't know either of the gentlemen. SWANS. From Larkings! Christopher Larkings! There was no signature; but I knew the handwriting! It was a declaration--a declaration! Don't you hear? (_shouting_) WOOD. Yes--yes! Well! SWANS. I rushed into my library--opened my desk--took out my duelling pistols--put them in my pocket, and--here I am! (_savagely and walking to and fro_) WOOD. (_following him_) Pistols? Oh, I say, Swansdown--Swansdown! Oh, I say! SWANS. (_stopping suddenly_) Larkings dies! WOOD. Yes; but don't--don't go and cut him off in the flower of his polka--I mean, his youth! SWANS. Ah! here comes Mrs. Larkings! She shall know all! _Enter MRS. LARKINGS, at C. from L._ WOOD. No--no! (_holding SWANSDOWN back, who tries to join MRS. LARKINGS_) MRS. L. (_R._) Still here, Mr. Swansdown, then I shall claim you for my partner in the polka! WOOD. (_aside to SWANSDOWN_) A thousand pardons, madam---- MRS. L. Refuse a lady? Fie--nay, I insist upon it! (_polka music without--SWANSDOWN begins very unwillingly to dance with MRS. LARKINGS--WOODCOCK anxiously following them and dancing a polka steps after them_) MRS. L. (_while dancing_) Besides, Mr. Larkings is dancing with Mrs. Swansdown! SWANS. Ah! (_polking savagely_) MRS. L. Yes, fourth time to-night! WOOD. (_still dancing after them, and aside to MRS. LARKINGS_) Don't tell him that, mum--don't tell him that! MRS. L. Luckily, I'm not jealous! Christopher is constancy itself! SWANS. (_savagely_) Is he? Ha, ha! WOOD. (_still dancing after them, and aside to SWANSDOWN_) Hush, Swansdown, hush! MRS. L. Yes, any woman has my full permission to wean Christopher's affections from me, if she can! WOOD. (_still polking by their side, and aside to MRS. LARKINGS_) Don't aggravate him, mum--don't aggravate him! SWANS. Indeed! What if I place in your hands the proof of your husband's infidelity? WOOD. (_same play_) Hush, Swansdown! MRS. L. Ha, ha! I defy you! WOOD. (_same play_) Don't defy him, mum, don't defy him. SWANS. Indeed! then that proof shall be in your hands in half an hour. WOOD. (_same play_) Hush, Swansdown! SWANS. A letter! a declaration! addressed to my wife by--your husband! MRS. L. (_suddenly stopping_) Christopher unfaithful! Support me! (_falling into WOODCOCK'S arms, who quite bewildered goes on dancing the polka_) _Enter MRS. CARVER, C. from L._ MRS. C. (_seeing MRS. LARKINGS in WOODCOCK'S arm_) Ah! Support me! (_falling into WOODCOCK'S other arm, who, still more bewildered, unconsciously keeps up a polka step_) _Enter LARKINGS, C. from L._ LARK. Ah! (_about to run to MRS. LARKINGS_) SWANS. (_stopping him_) One moment! (_drags him forward--then, savagely aside to him_) We must fight, sir. I know all! all! LARK. (_aside_) The devil! (_aloud_) Well, sir, to-morrow morning! SWANS. No! Now! Now! it's a moonlight night! Primrose Hill close at hand, and I've pistols in my pocket! Woodcock! (_to WOODCOCK, who has placed MRS. LARKINGS and MRS. CARVER each in a chair and is fanning them alternately, still dancing a polka step--SWANSDOWN goes up, seizes WOODCOCK by the arm, and drags him down--aside to him_) You'll be my second? I'm going to shoot Larkings! LARK. (_grasping WOODCOCK'S other arm_) You'll be my second? I'm going to shoot Swansdown! SWANS. } } Come! LARK. } _They drag WOODCOCK out between them at L., WOODCOCK struggling, &c._ MRS. C. (_who recovers and runs to MRS. LARKINGS_) My dear Mrs. Larkings, look up, there's a dear creature. MRS. L. Oh, oh, oh! (_sobbing_) I'm the most miserable woman in the world! MRS. C. (_soothingly_) So you shall be, there! but what has happened? MRS. L. (_C._) My husband--Christopher has written a love letter to Mrs. Swansdown! Oh, the base, fickle, perfidious monster! MRS. C. (_R. C._) My dear friend, never indulge in a plurality of epithets; select one, a good one, and stick to it! I never called Carver anything but a brute! But are you sure? MRS. L. Quite certain! Mr. Swansdown has promised to send me the letter in half an hour; if it contains the proof of Christopher's inconstancy, oh, what shall I do? MRS. C. Nothing, 'till Mr. Swansdown has sent you the letter---- MRS. L. Very well! I'll wait 'till the half hour has expired--patiently, very patiently, (_tearing her handkerchief_) if the letter doesn't come, I'll go to Mr. Swansdown for it--yes--late as it is, I will! and you'll go with me, won't you? (_imploringly_) MRS. C. Yes, we'll go together; in the meantime, come with me into the ball room--everybody has doubtless left by this time, and you'll find a glass or two of sherry and a few sponge cakes a great support in your affliction. Come! _Exeunt at C. to L.--MRS. CARVER supporting MRS. LARKINGS, at the same moment the door, L., slowly opens, and WOODCOCK peeps in, then speaks off._ WOOD. The coast is clear; you can come in. _Enter LARKINGS with his right arm in a sling--SWANSDOWN following, evidently very much out of temper--takes a chair, bangs it down on stage, and falls into it, L._ LARK. (_R., pressing his right arm_) How confoundedly painful my arm is. WOOD. (_C., soothingly_) Yes! I daresay it smarts a little! SWANS. (_dashing his hat down on stage_) I'm disgusted! yes, disgusted that this stupid ridiculous duel should have occurred! (_to LARKINGS_) Why the deuce didn't you tell me you were sorry for what you'd done--that you meant no harm? my feelings wouldn't have been wounded! LARK. (_pressing his wounded arm_) Nor mine either! but that's not the worst of it--if Mrs. Larkings discovers what has taken place, do you know what she'll do? She'll leave London and bury me alive in the country for the rest of my existence. WOOD. (_aside_) Good gracious! I wonder if Mrs. Woodcock would serve _me_ the same if _I_ were to--by jingo! it's worth thinking about. (_aloud_) But how _is_ Mrs. Larkings to know anything about it? _I_ shan't betray you--Swansdown won't--you won't betray yourself? LARK. No; but my wounded arm will! besides there's that unlucky letter of mine, which Swansdown has promised to send to my wife. SWANS. (_producing letter_) Here it is. If I _don't_ send it, what can I say? WOOD. (_taking the letter_) Say? why--that you made a mistake in the handwriting--that it wasn't Larkings's after all!--but somebody else's!--anybody's--(_suddenly_)--_Mine!_ LARK. _and_ } } Yours? SWANS. } WOOD. Yes! What's the consequence? When it's known that you and I have been fighting, no one will imagine it's on account of Mrs. Swansdown, consequently her reputation will be saved! SWANS. True! but zounds then! what have we been fighting about? WOOD. Eh? oh, for the fun of the thing! or else some difference of opinion--(_suddenly_)--the war in America! that's the very thing! you're for the Federates! I'm for the Confederals!--that'll do famously--it'll save _you_ (_to SWANSDOWN_) from being laughed at; _you_ (_to LARKINGS_) from being buried alive in the country. SWANS. } } And you? LARK. } WOOD. Never mind me. Woodcock's got a little game of his own. (_aside_) It's a capital idea--a sublime idea! (_to SWANSDOWN_) Now go home; and spread the report of our duel right and left; mention it at your butcher's, baker's, and candlestick maker's--in short everywhere; and don't forget you're a Confederal--I mean--never mind; go along. _SWANSDOWN hurries out at L._ LARK. But I say, what the deuce is to become of me in the matter? WOOD. Eh? I have it; you've been my second. LARK. Very well? then I can go to Mrs. Larkings. WOOD. Yes. Stop! take that sling off. LARK. Well, but---- WOOD. Take it off, I say! LARK. (_taking off sling and fitting his arm in his waistcoat, with evident pain_) There! and now give me that confounded letter of mine. WOOD. Oh dear, no! I can't spare that. (_taking letter out of envelope and reading_) "To see you is to love you." (_aside_) And to think I've got to copy such twaddle as that. (_listening_) Hark! I hear some one. You know what you've got to do; don't go and make a mess of it. (_aside_) And I got married to settle down quietly--it looks like it! Never mind; Woodcock's got his little game! _Hurries out at L._ _Enter MRS. LARKINGS and MRS. CARVER, C._ LARK. (_assuming an air of unconcern_) Ah, my dear! MRS. L. (_R.--extending her arm_) Keep your distance, sir. I know all--all! In a word, I am now going to Mr. Swansdown's--you hear--to Mr. Swansdown's, for a certain letter--a love letter, sir, written by you to Mrs. Swansdown. LARK. (_C._) By me! Ha, ha, ha! I should like to see it. Go and fetch it, my dear; why don't you go for it, my love? Tra, la, la! (_humming a tune_) _Enter DAVID, L._ DAVID. (_to MRS. LARKINGS_) Please, ma'am. (_aside_) Don't let me forget what master told me to say. (_aloud_) Here be a letter, ma'am, from Mr. Swan--Swan---- MRS. L. (_eagerly_) Swansdown? give it me? (_snatching letter from DAVID, but keeping her eyes fixed on LARKINGS, who tries to appear unconcerned, and endeavours to get up a whistle_) You may go, David! _Exit DAVID, L._ LARK. (_aside_) Woodcock's gone and bungled the business--I knew he would. (_MRS. LARKINGS tears open the envelope_) She's opened it; it's all over with me! MRS. L. (_reading_) "To see you is to love you." (_suddenly_) Eh! can it be? yes! yes! (_with an exclamation of joy, and throwing her arms round LARKINGS_) Oh, my dear, darling Christopher! LARK. (_suffering pain in his arm, and trying to disengage himself--aside_) Confound it! how she's hurting me! MRS. C. What do you mean? MRS. L. That I'm the happiest woman in the world--that Christopher is innocent! (_throws her arms again round him_) LARK. Don't! don't! MRS. C. Innocent? MRS. L. Yes, as a lamb! the letter isn't in his handwriting--look! (_giving letter to MRS. C., and making another spring at LARKINGS, who keeps her off_) MRS. C. (_reading letter_) "To see you is to----" (_suddenly, and with a violent scream_) Ah! MRS. L. _and_ LARK. (_startled_) What's the matter? MRS. C. (_after a pause gives another louder scream_) Ah! the wretch! the monster! MRS. L. Who? who? MRS. C. Woodcock! the handwriting is _his!_ (_LARKINGS laughs aside_) Ah! (_another loud scream_) LARK. Hush! you'll alarm the neighbourhood. MRS. C. (_L. C._) I don't care--I must scream! I shall die if I don't scream! take me somewhere where I can scream! MRS. L. Hush! for Caroline's sake. MRS. C. True! she must know nothing--and yet I must scream. I'll go out in the street and scream. MRS. L. Hush! had you not better take poor Caroline home on some pretext or other! MRS. C. I will! and then I'll come back and kill Woodcock. I'll send for a cab this moment! MRS. L. Pray be cautious. MRS. C. I will! but I shall suffocate if I don't scream--I have it--I'll scream in the cab! (_hurries out, C._) MRS. L. (_with an imploring look at LARKINGS_) Oh, can you forgive me? LARK. (_in a patronizing tone_) Yes, yes! MRS. L. Dearest, best of Christophers-- (_suddenly embracing him again_) LARK. Don't! don't! MRS. L. How could I suspect you? but isn't this dreadful conduct of Mr. Woodcock's! actually before the honeymoon is over! LARK. Very shocking, indeed. MRS. L. The man ought to be put in the pillory! LARK. At the very least. MRS. L. Ah! (_tenderly_) you wouldn't deceive your fond confiding wife? (_affectionately putting her arm in his wounded one_) LARK. (_making a grimace_) Not for the world! _Enter DAVID, L._ DAVID. (_in a flurried manner_) Oh please, ma'am, a policeman has just rang at our bell---- MRS. L. A policeman? DAVID. Yes, ma'am; seeing we hadn't gone to bed, he called to say that as he was going over Primrose Hill, about a quarter of an hour ago (_LARKINGS pricks up his ears_) he picked up this card case, ma'am! (_LARKINGS hastily fumbles in all his pockets_) LARK. (_aside_) Mine, by Jupiter! DAVID. So he opens it, ma'am, and--(_to LARKINGS who is making violent signs to him to hold his tongue_) What's the matter, sir? (_MRS. LARKINGS turns towards LARKINGS, who again tries to get up a whistle_) MRS. L. But why bring it to our home? DAVID. Because it's Mr. Larkings's card case, ma'am! MRS. L. (_to LARKINGS, suspiciously_) So you've been to Primrose Hill, it seems? LARK. (_bothered_) Yes--the fact is--the rooms were so hot--and--never having seen the sun set--I mean the moon rise--I--(_aside_) I'd better hold my tongue. MRS. L. (_after a searching look at him_) Where did the man say he picked this card case up? DAVID. Where the shooting took place, ma'am. MRS. L. The shooting? DAVID. Yes, ma'am. (_seeing LARKINGS again making signals to him_) Yes, sir! (_MRS. LARKINGS looks round and LARKINGS again assumes an air of unconcern_) He heard two shots, ma'am--bang, bang; and ran to the spot just in time to see three gentlemen walking off; and---- (_during this LARKINGS has been again repeating his signals to him_) MRS. L. You can go, David. _Exit DAVID, at L._ Larkings! (_eagerly to him_) what does this mean? Speak, Christopher--what has happened? (_grasping LARKINGS'S arm, who makes a grimace_) Ah! you needn't explain; I see it all--there has been a duel? LARK. (_L._) Well---- MRS. L. (_C._) Don't speak; between Mr. Swansdown and you. LARK. No, no. MRS. L. Who then? He believed that _you_ wrote the letter to his wife? LARK. Yes, yes. MRS. L. And challenged you? LARK. Yes, yes. MRS. L. And you fought? LARK. Yes--no, no. MRS. L. Yes, yes--no, no. Explain! No! I see it all. LARK. (_aside_) She's always seeing it all! (_crosses to R._) MRS. L. When you got on the ground, Mr. Woodcock, who was probably your second---- LARK. My second! yes--exactly. MRS. L. Confessed that he was the real culprit---- LARK. (_quickly_) That's it. MRS. L. And received Mr. Swansdown's fire---- LARK. In the arm. MRS. L. Wounded! Mr. Woodcock wounded! LARK. Yes. (_recollecting_) No; that is---- (_aside_) Zounds! nothing was said about _that._ MRS. L. Poor Mr. Woodcock! Which arm was it? LARK. Eh--why--the arm that held the sword! MRS. L. The sword! LARK. Yes--no, I mean the pistol! (_aside_) Now to find Woodcock, and put him on his guard. (_turns and sees WOODCOCK, who enters at L., with his left arm in a sling--aside_) Huzzah! he's got his arm in a sling! MRS. L. (_looking at WOODCOCK, who comes slowly forward, as if very much ashamed of himself_) It is true, then. Unhappy man, I pity you! WOOD. (_assuming a very penitential voice and manner_) I don't deserve it. LARK. (_aside_) Confound it! he's got the _wrong_ arm in the sling! Ahem! (_making violent signs to WOODCOCK to change arms_) MRS. L. (_looking at WOODCOCK_) Why, how's this? (_to LARKINGS_) You told me Mr. Woodcock's wound was in the right arm! LARK. (_confused, R._) Did I? MRS. L. Yes--you distinctly said "the arm that held the pistol." WOOD. (_very quietly, C._) That's quite right! I'm a left-handed Woodcock. MRS. L. (_L._) It's very shocking! but there's something worse behind. WOOD. (_looking behind him_) Where? MRS. L. I mean that Mrs. Colonel Carver knows everything. She'll return immediately; when she's done screaming, your only hope is to plead guilty at once and sue for pardon for Caroline's sake--you know that's her tender point! WOOD. I will! I'll throw myself at once upon her tender point. MRS. C. (_without_) Don't tell me! I can't--I won't believe it! _Enter MRS. CARVER, hurriedly, R., and sees WOODCOCK with his arm in the sling._ MRS. C. (_assuming a very pathetic attitude_) Ah! it's true! (_screams and falls into chair, MRS. LARKINGS runs to her--WOODCOCK and LARKINGS exchange winks and laugh_) MRS. L. (_to MRS. C._) Hush! the arm is only slightly, very slightly wounded. MRS. C. I know better! they'll have to amputate it! I shall have a one-armed son-in-law--a wretched, helpless cripple! (_suddenly to MRS. LARKINGS_) My dear friend, go to poor dear Caroline--don't leave her till I've had time to do all my screaming! I know I screamed in the cab, but not half enough! Go, go! _Exit MRS. LARKINGS, C., followed by LARKINGS, who again exchanges winks, &c., with WOODCOCK._ MRS. C. (_watching them out and then turning to WOODCOCK, who looks at her and then turns his head away as if ashamed of himself_) Am I awake? or is it a dream--a nightmare? No! there he stands--at least, all that is left of him. Oh, Marmy! (_sobbing loudly and burying her face in her handkerchief_) WOOD. (_R._) Oh, Carver! (_imitating MRS. CARVER_) MRS. C. (_indignantly_) So, sir! Scarce ten days married to the sweetest, the gentlest of her sex, you actually have the audacity to indite a declaration of love to another woman--a married woman too! (_suddenly bursting again into sobbing_) Oh, Marmy! WOOD. Oh, Carver! (_same play_) MRS. C. (_L._) I couldn't have believed it! (_ditto_) WOOD. No, more could I! (_ditto_) You've done it, Carver! You _would_ bring me to London, and what's the result?--that I'm a lost Woodcock. (_in a tone of pretended anguish_) MRS. C. Oh, Marmy! (_sobbing very loud_) WOOD. Oh, Carver! (_ditto_) MRS. C. But no! you can't be utterly depraved in so short a time! WOOD. Yes, I am! I feel I'm rapidly settling down into an atrocious profligate, and I can't help it! That's the melancholy part of it, I can't help it! You've done it, Carver, you _would_ bring me to London! MRS. C. Oh, Marmy! (_a fresh burst of sobbing_) WOOD. Oh, Carver! (_ditto_) MRS. C. (_suddenly_) There's only one thing to be done! go back at once to Stow-on-the-Wold, (_WOODCOCK winks, aside_) and there, with your dear Caroline---- WOOD. (_putting on a very excited manner_) It's too late now; if you had let me stop at Stow-on-the-Wold, I should have been perfectly satisfied with my "dear Caroline;" but you would bring me to London--you know you would, and what's the result? that one dear Caroline isn't enough for me! I must have a dozen--two dozen--three dozen "dear Carolines!" an unlimited quantity of "dear Carolines!!" (_very wildly_) MRS. C. (_indignantly_) Silence! reprobate! WOOD. Gently, Carver! gently! I'm not going to be bullied! dash my wig if I am! MRS. C. Mr. Woodcock! WOOD. I can't help it! You've done it, Carver! I love!--I adore the whole sex! _You're_ a fine woman, Carver!--I love _you!_--Come to my arms, Carver! (_making a rush open-armed at MRS. CARVER, who, alarmed, avoids him_) MRS. C. (_alarmed_) The man's mad! I'm ashamed of you! WOOD. So am I! But you would bring me to London! you know you would! (_trying again to throw his arms round her_) MRS. C. Help! _Enter MAIDSERVANT, running, R._ Oh, Susan! (_running to her_) WOOD. Oh, that's Susan, is it? Lovely Susan! embrace your Woodcock! (_rushes with open arms at SUSAN, who, alarmed, rushes out screaming_) MRS. C. (_clasping her hands_) And this is my work! WOOD. Yes, you've done it Carver! never mind; don't cry, old girl! (_throwing his arm round MRS. CARVER'S neck_) MRS. C. Oh, Marmy, Marmy, if you've any love for Caroline, leave this wicked, abominable, detestable town this very morning by the very first train, and go back to Stow-on-the-Wold--I implore! I entreat you! WOOD. (_after a pretended struggle with himself, then smiling benignantly_) Carver, your tears have conquered! do with me as you will. (_throws himself into her arms and makes a wry face over her shoulder, then looking towards L._) Swansdown! what the deuce can he want? (_retiring to back as SWANSDOWN enters, L._) SWANS. (_as he enters_) It's all right, Woodcock---- (_seeing MRS. CARVER_) Madam--I---- MRS. C. Mr. Swansdown, I know all; your duel with my unhappy son-in-law---- SWANS. (_aside_) Bravo! she's on the wrong scent. (_aloud_) Well, madam, I presume I have as much right to sympathize with the Federals as he has with the Confederates? WOOD. (_who has been trying to attract SWANSDOWN'S notice by making signals_) He's made a mess of it! I knew he would. MRS. C. Federals--Confederates! I see--a subterfuge to conceal the _real_ cause of your quarrel. You may rely on receiving a letter of apology--ample apology from Mr. Woodcock! SWANS. Not till he's recovered the use of his right arm, I beg. WOOD. (_behind_) Eh? of course; it was the _right_ arm! (_taking his left arm out of the sling and inserting the right_) MRS. C. The _right_ arm, you mean the _left._ (_WOODCOCK changes arms again_) SWANS. The right! I think I ought to know. MRS. C. The left! I suppose I can believe my eyes. SWANS. Right! MRS. C. Left! SWANS. Right! } } (_louder_) MRS. C. Left! } WOOD. (_who has kept on changing arms rapidly_) Oh, bother! there! (_stuffing both arms into the sling_) _Enter MRS. LARKINGS hurriedly, at C. from L._ MRS. L. (_running to WOODCOCK_) She's here--Caroline! she's heard of the duel; that you are wounded in the right arm--(_WOODCOCK who has both arms in the sling, draws out the left_) though of course I knew it was the left, (_WOODCOCK changes arms again_) when luckily--I don't know how it came into my head--I told her it was not her husband but mine who--she's here--don't undeceive her; but first off with this. (_dragging the sling violently off WOODCOCK'S neck_) _Enter MRS. WOODCOCK, hurriedly C. from L._ MRS. W. (_running to WOODCOCK_) You are not wounded? it was not you then--Oh, I'm so happy! (_here LARKINGS appears at C._) MRS. L. (_seeing him, runs to him and flings the sling over his neck_) Hush, not a word! (_taking hold of his right arm and thrusting it violently into the sling_) LARK. (_crying out with pain_) Oh! MRS. L. (_aside to him_) That's right--pretend it hurts you! (_leading him down_) Here is the real culprit; but as he is sufficiently punished already, I forgive him. (_aside to LARKINGS, who is about to speak_) Hush! You'll have to wear the sling for a week. I'll tell you why another time! LARK. With all my heart. (_aside to WOODCOCK shaking his hand_) Thanks to you, my wife suspects nothing! SWANS. (_aside, to WOODCOCK, and shaking WOODCOCK'S other hand_) Thanks to you, no one suspects mine! WOOD. And thanks to both of you, (_shaking both their hands_) I'm going back to Stow-on-the-Wold--that is, if our kind friends assure us that success has crowned "WOODCOCK'S LITTLE GAME!" _Curtain._ Transcriber's Note This transcription is based on a copy of the Samuel French edition, scans of which have been posted on the Internet Archive at: https://archive.org/details/MortonWoodcocksLittleGame Because of the print quality of the Samuel French edition, an American reprint published by Harold Roorbach in 1889 was used as an additional resource. Scans of the copy held by the Library of Congress are posted at: https://archive.org/details/woodcockslittleg00mort In general, this transcription attempts to retain the formatting, punctuation and spelling of the source text. Variant spellings such as "bran-new" and "trowsers" have been retained as have some inconsistencies in spelling, such as "ball room" vs. "ball-room" and "thank'ee" vs. "thankee". Some changes were made to correct for printing errors and for minor inconsistencies in formatting, punctuation and spelling. The following changes were made to the text: -- p. 2: The upper right side of this page in the Samuel French edition was blank. Thus, the name of the theater and the last names of the actors were corrected or added based on the Roorbach edition. -- p. 4: there's not the slightest doubt about it's being all over!--Change "it's" to "its". -- pp. 6-7: Yes, fair lady. I entered the holy state of wedlock--Changed what appears to be a period to a comma in keeping with the Roorbach edition. -- p. 8: The gap! _she_ is under twenty, while you --how old shall we say?--Inserted "are" in the blank space after "you" based on the Roorbach edition. -- p. 10: I could'nt have believed it of you--Changed "could'nt" to "couldn't". -- p. 11: (_taking hold of MRS. LARKING'S hand_)--Changed "LARKING'S" to "LARKINGS'S" for consistency. -- p. 13: he actually expressed his his intention of laying aside--Deleted the second "his". -- pp. 13-14: (_banging her hand on one of the parcels to Woodcock's great alarm_)--Changed "_Woodcock's_" to "WOODCOCK'S" for consistency. -- p. 14: Yes; embroidered, no doubt, by some unhappy creature he had professed to me as he did me.--Changed "me" after "professed to" to "love" based on the Roorbach edition. -- p. 17: _Enter MRS LARKINGS in travelling dress, door R. 2 E._--Inserted a period after "MRS". -- p. 19: (_taking off Mrs. Woodcock's cloak_)--Changed "_Mrs. Woodcock's_" to "MRS. WOODCOCK'S" for consistency. -- p. 19: (_taking hold of Mrs. Carver's cloak behind and giving it a violent tug_)--Changed "_Mrs. Carver's_" to "MRS. CARVER'S" for consistency. -- p. 20: _Enter MRS. LARKINGS, at C., in fashionable evening dress.--LADIES and GENTLEMEN are seen promenading within--Music_)--Changed the closing parenthesis to a period. -- p. 22: (_to MRS. LARKINGS_) we've settled our costume, my dear!--Capitalized "we've". -- p. 28: WOOD. (_still dancing after them, and aside to MRS. SWANSDOWN_) Don't tell him that, mum--As Mrs. Larkings has the previous line, changed "MRS. SWANSDOWN" to "MRS. LARKINGS". -- p. 28: MR. L. Luckily, I'm not jealous!--Changed the character title "MR. L." to "MRS. L." in keeping with the Roorbach edition. -- p. 29: MRS C. (_R. C._) My dear friend, never indulge in a plurality of epithets--Inserted a period after "MRS". -- p. 31: But how _is_ Mrs Larkings to know anything about it?--Inserted a period after "Mrs". -- p. 33: Confound it! how she's hurting me?--Changed the question mark to an exclamation mark in keeping with the Roorbach edition. -- p. 34: DAVID. So he opens it, ma'am, and (_to LARKINGS who is making violent signs to him to hold his tongue_) What's the matter, sir?--Inserted an em dash after "and". End of Project Gutenberg's Woodcock's Little Game, by John Maddison Morton *** END OF THE PROJECT GUTENBERG EBOOK WOODCOCK'S LITTLE GAME: A COMEDY-FARCE, IN TWO ACTS *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.