Index of the Project Gutenberg Works of Hugh Walpole
Date: 2018-11-29T00:00:00+00:00
Keywords: Indexes

The Project Gutenberg eBook of Index of the Project Gutenberg Works of Hugh Walpole

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Index of the Project Gutenberg Works of Hugh Walpole

Author: Hugh Walpole

Editor: David Widger

Release date: November 30, 2018 [eBook #58382]
Most recently updated: February 25, 2021

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF HUGH WALPOLE ***

INDEX OF THE PROJECT GUTENBERG
WORKS OF

HUGH WALPOLE

Compiled by David Widger

CONTENTS

Click on the ## before each title to view a linked
table of contents for each of the ebooks.

Click on the title itself to open the original online file.

##  THE STORY OF DOCTOR DOLITTLE

##  JEREMY

##  THE CAPTIVES_

##  FORTITUDE

##  THE CATHEDRAL

##  THE SECRET CITY

##  THE GOLDEN SCARECROW

##  THE PRELUDE TO ADVENTURE

##  THE DARK FOREST

##  THE WOODEN HORSE

##  THE DUCHESS OF WREXE

##  THE GODS AND MR. PERRIN

##  JOSEPH CONRAD

TABLES OF CONTENTS OF VOLUMES

THE STORY OF DOCTOR DOLITTLE

BEING THE
HISTORY OF HIS PECULIAR LIFE
AT HOME AND ASTONISHING ADVENTURES
IN FOREIGN PARTS. NEVER BEFORE PRINTED.

TOLD BY HUGH LOFTING        ILLUSTRATED BY THE AUTHOR
A.D. 1920

WITH AN INTRODUCTION TO THE TENTH PRINTING
BY HUGH WALPOLE

CONTENTS

Introduction | vii
CHAPTER | PAGE
I | Puddleby | 1
II | Animal Language | 7
III | More Money Troubles | 19
IV | A Message from Africa | 29
V | The Great Journey | 37
VI | Polynesia and the King | 47
VII | The Bridge of Apes | 55
VIII | The Leader of the Lions | 67
IX | The Monkeys' Council | 75
X | The Rarest Animal of All | 81
XI | The Black Prince | 91
XII | Medicine and Magic | 99
XIII | Red Sails and Blue Wings | 111
XIV | The Rats' Warning | 117
XV | The Barbary Dragon | 125
XVI | Too-Too, the Listener | 133
XVII | The Ocean Gossips | 141
XVIII | Smells | 149
XIX | The Rock | 159
XX | The Fisherman's Town | 167
XXI | Home Again | 174

ILLUSTRATIONS

"A little town called Puddleby-on-the-Marsh"

Frontispiece

PAGE

"And she never came to see him any more"

3

"He could see as well as ever"

14

"They came at once to his house on the edge of the town"

15

"They used to sit in chairs on the lawn"

19

"'All right,' said the Doctor, 'go and get married'"

23

"One evening when the Doctor was asleep in his chair"

24

"'I felt sure there was twopence left'"

31

"And the voyage began"

35

"'We must have run into Africa'"

41

"'I got into it because I did not want to be drowned'"

44

"And Queen Ermintrude was asleep"

48

"'Who's that?'"

52

"Cheering and waving leaves and swinging out of the branches to greet him"

61

"John Dolittle was the last to cross"

65

"He made all the monkeys who were still well come and be vaccinated"

68

"'ME, the King of Beasts, to wait on a lot of dirty monkeys?'"

70

"Then the Grand Gorilla got up"

76

"'Lord save us!' cried the duck. 'How does it make up its mind?'"

85

"He began reading the fairy-stories to himself"

96

"Crying bitterly and waving till the ship was out of sight"

109

"'They are surely the pirates of Barbary'"

114

"'And you have heard that rats always leave a sinking ship?'"

119

"'Look here, Ben Ali-'"

127

"'Sh!-Listen!-I do believe there's someone in there!'"

136

"'You stupid piece of warm bacon!'"

153

"'Doctor!' he cried. 'I've got it!'"

160

"And she kissed the Doctor many times"

170

"The Doctor sat in a chair in front"

176

"He began running round the garden like a crazy thing"

178

JEREMY

By Hugh Walpole

CONTENTS

CHAPTER I. | THE BIRTHDAY
CHAPTER II. | THE FAMILY DOG
CHAPTER III. | CHRISTMAS PANTOMIME
CHAPTER IV. | MISS JONES
CHAPTER V. | THE SEA-CAPTAIN
CHAPTER VI. | FAMILY PRIDE
CHAPTER VII. | RELIGION
CHAPTER VIII. | TO COW FARM!
CHAPTER IX. | THE AWAKENING OF CHARLOTTE
CHAPTER X. | MARY
CHAPTER XI. | THE MERRY-GO-ROUND
CHAPTER XII. | HAMLET WAITS

THE CAPTIVES

By Hugh Walpole

CONTENTS

PART I: BEGINNING OF THE JOURNEY

I | DEATH OF THE REV. CHARLES CARDINAL
II | AUNT ANNE
III | THE LONDON HOUSE
IV | THE CHAPEL

PART II: THE CHARIOT OF FIRE

I | THE WARLOCKS
II | EXPECTATION
III | MAGGIE AND MARTIN
IV | MR. CRASHAW
V | THE CHOICE
VI | THE PROPHET IN HIS OWN HOME
VII | THE OUTSIDE WORLD
VIII | PARADISE
IX | THE INSIDE SAINTS
X | THE PROPHET
XI | THE CHARIOT OF FIRE

PART III: THE WITCH

I | THE THREE VISITS
II | PLUNGE INTO THE OTHER HALF
III | SKEATON-ON-SEA
IV | GRACE
V | THE BATTLE OF SKEATON: FIRST YEAR
VI | THE BATTLE OF SKEATON: SECOND YEAR
VII | DEATH OF AUNT ANNE
VIII | DEATH OF UNCLE MATHEW
IX | SOUL OF PAUL
X | THE REVIVAL

PART IV: THE JOURNEY HOME AGAIN

I | THE DARK ROOM
II | HOBGOBLINS
III | THE TRIUMPH OF LIFE

FORTITUDE

By Hugh Walpole

CONTENTS

BOOK I | SCAW HOUSE
CHAPTER I | INTRODUCTION TO COURAGE
CHAPTER II | HOW THE WESTCOTT FAMILY SAT UP FOR PETER
CHAPTER III | OF THE DARK SHOP OF ZACHARY TAN, AND OF THE DECISIONS THAT THE PEOPLE IN SCAW HOUSE CAME TO CONCERNING PETER
CHAPTER IV | IN WHICH "DAWSON'S," AS THE GATE OF LIFE, IS PROVED A DISAPPOINTMENT
CHAPTER V | DAWSON'S, THE GATE INTO HELL
CHAPTER VI | A LOOKING-GLASS, A SILVER MATCH-BOX, A GLASS OF WHISKY, AND-VOX POPULI
CHAPTER VII | PRIDE OF LIFE
CHAPTER VIII | PETER AND HIS MOTHER
CHAPTER IX | THE THREE WESTCOTTS
CHAPTER X | SUNLIGHT, LIMELIGHT, DAYLIGHT
CHAPTER XI | ALL KINDS OF FOG IN THE CHARING CROSS ROAD
CHAPTER XII | BROCKETTS: ITS CHARACTER, AND ESPECIALLY MRS. BROCKETT
BOOK II | THE BOOKSHOP
CHAPTER I | "REUBEN HALLARD"
CHAPTER II | THE MAN ON THE LION
CHAPTER III
CHAPTER IV | ROYAL PERSONAGES ARE COMING
CHAPTER V | A NARROW STREET
CHAPTER VI | THE WORLD AND BUCKET LANE
CHAPTER VII | DEVIL'S MARCH
CHAPTER VIII | STEPHEN'S CHAPTER
BOOK III | THE ROUNDABOUT
CHAPTER I | NO. 72, CHEYNE WALK
CHAPTER II | A CHAPTER ABOUT SUCCESS I HOW TO WIN IT, HOW TO KEEP IT-WITH A NOTE AT THE END FROM HENRY GALLEON
CHAPTER III | THE ENCOUNTER
CHAPTER IV | THE ROUNDABOUT
CHAPTER V | THE IN-BETWEENS
CHAPTER VI | BIRTH OF THE HEIR
CHAPTER VII | DECLARATION OF HAPPINESS
CHAPTER VIII | BLINDS DOWN
CHAPTER IX | WILD MEN
CHAPTER X | ROCKING THE ROUNDABOUT
CHAPTER XI | WHY?
CHAPTER XII | A WOMAN CALLED ROSE BENNETT
CHAPTER XIII | "MORTIMER STANT"
CHAPTER XIV | PETER BUYS A PRESENT
CHAPTER XV | MR. WESTCOTT SENIOR CALLS CHECKMATE
BOOK IV | SCAW HOUSE
CHAPTER I THE SEA
CHAPTER II | SCAW HOUSE
CHAPTER III | NORAH MONOGUE
CHAPTER IV | THE GREY HILL

THE CATHEDRAL

A Novel

By Hugh Walpole

CONTENTS

Book I: Prelude
Brandons
Ronders
One of Joan's Days
The Impertinent Elephan
Mrs. Brandon Goes Out to Tea
Seatown Mist and Cathedral Dust
Ronder's Day
Son--Father
Book II: The Whispering Gallery
Five O'Clock--The Green Cloud
Souls on Sunday
The May-Day Prologue
The Genial Heart
Falk by the River
Falk's Flight
Brandon Puts On His Armour
The Wind Flies Over the House
The Quarrel
Book III: The Jubilee
June 17, Thursday: Anticipation
Friday, June 18: Shadow Meets Shadow
Saturday, June 19: The Ball
Sunday, June 20: In the Bedroom
Tuesday, June 22: I. The Cathedral
Tuesday, June 22: II. The Fair
Tuesday, June 22: III. Torchlight
Book IV: The Last Stand
In Ronder's House: Ronder, Wistons
Two in the House
Prelude to Battle
The Last Tournament

THE SECRET CITY

A Novel In Three Parts

By Hugh Walpole

CONTENTS

PART I | VERA AND NINA
PART II | LAWRENCE
PART III | MARKOVITCH AND SEMYONOV

THE GOLDEN SCARECROW

By Hugh Walpole

CONTENTS

Chapter | | Page
| Prologue--Hugh Seymour | 11
I. | Henry Fitzgeorge Strether | 43
II. | Ernest Henry | 65
III. | Angelina | 94
IV. | Bim Rochester | 121
V. | Nancy Ross | 146
VI. | 'Enery | 172
VII. | Barbara Flint | 198
VIII. | Sarah Trefusis | 226
IX. | Young John Scarlet | 256
| Epilogue | 274

THE PRELUDE TO ADVENTURE

By Hugh Walpole

CONTENTS

CHAPTER I | LAST CHAPTER
CHAPTER II | BUNNING
CHAPTER III | THE BODY COMES TO TOWN
CHAPTER IV | MARGARET CRAVEN
CHAPTER V | STONE ALTARS
CHAPTER VI | THE WATCHERS
CHAPTER VII | TERROR
CHAPTER VIII | REVELATION OF BUNNING (I)
CHAPTER IX | REVELATION OF BUNNING (II)
CHAPTER X | CRAVEN
CHAPTER XI | FIFTH OF NOVEMBER
CHAPTER XII | LOVE TO THE "VALSE TRISTE"
CHAPTER XIII | MRS. CRAVEN
CHAPTER XIV | GOD
CHAPTER XV | PRELUDE TO A JOURNEY
CHAPTER XVI | OLVA AND MARGARET
CHAPTER XVII | FIRST CHAPTER

THE DARK FOREST

By Hugh Walpole

CONTENTS

PART ONE
CHAPTER | | | PAGE
I. | | Spring in the Train | 11
II. | | The School-House | 38
III. | | The Invisible Battle | 70
IV. | | Nikitin | 105
V. | | First Move to the Enemy | 133
VI. | | The Retreat | 151
VII. | | One Night | 181
PART TWO
I. | | The Lovers | 209
II. | | Marie Ivanovna | 227
III. | | The Forest | 248
IV. | | Four? | 270
V. | | The Door Closes Behind Them | 294

THE WOODEN HORSE

By Hugh Walpole

CONTENTS

CHAPTER I | CHAPTER II | CHAPTER III | CHAPTER IV
CHAPTER V | CHAPTER VI | CHAPTER VII | CHAPTER VIII
CHAPTER IX | CHAPTER X | CHAPTER XI | CHAPTER XII
CHAPTER XIII | CHAPTER XIV | CHAPTER XV | CHAPTER XVI

THE DUCHESS OF WREXE

Her Decline And Death

By Hugh Walpole

CONTENTS

BOOK I. THE DUCHESS
CHAPTER I. | Felix Brun, Dr. Christopher, Rachel Beaminster—They Are Surveyed by the Portrait
CHAPTER II. | Rachel
CHAPTER III. | Lady Adela
CHAPTER IV. | The Pool
CHAPTER V. | She Comes Out
CHAPTER VI. | Fans
CHAPTER VII. | In the Heart of the House
CHAPTER VIII. | The Tiger
CHAPTER IX. | The Golden Cage
CHAPTER X. | Lizzie and Breton
CHAPTER XI. | Her Grace's Day
CHAPTER XII. | Defiance of the Tiger—I
CHAPTER XIII. | Defiance of the Tiger—II
BOOK II: RACHEL
CHAPTER I. | The Pool and the Snow
CHAPTER II. | A Little House
CHAPTER III. | First Sequel to Defiance
CHAPTER IV. | Rachel—and Christopher and Roddy
CHAPTER V. | Lizzie's Journey—I
CHAPTER VI. | All the Beaminsters
CHAPTER VII. | Rachel and Breton
CHAPTER VIII. | Christopher's Day
CHAPTER IX. | The Darkest Hour
CHAPTER X. | Lizzie's Journey—II
CHAPTER XI. | Roddy Is Master
CHAPTER XII. | Lizzie's Journey—III
BOOK III: RODDY
CHAPTER I. | Regent's Park—Breton and Lizzie
CHAPTER II. | The Duchess Moves
CHAPTER III. | Roddy Moves
CHAPTER IV. | March 13th: Breton's Tiger
CHAPTER V. | March 13th: Rachel's Heart
CHAPTER VI. | March 13th: Roddy Talks to the Devil and the Duchess Denies God
CHAPTER VII. | Chamber Music—A Trio
CHAPTER VIII. | A Quartette
CHAPTER IX. | Rachel and Roddy
CHAPTER X. | Lizzie Becomes Miss Rand Again
CHAPTER XI. | The Last View from High Windows
CHAPTER XII. | Rachel, Roddy, Lord John, Christopher
CHAPTER XIII. | Epilogue—Prologue
NOVELS BY HUGH WALPOLE

THE GODS AND MR. PERRIN

A Tragi-Comedy

By Hugh Walpole

CONTENTS

THE GODS AND MR. PERRIN
CHAPTER I | MR. VINCENT PERRIN DRINKS HIS TEA AND GIVES MR. TRAILL SOUND ADVICE
CHAPTER II | INTRODUCES A CONFUSING COMPANY OF PERSONS, WITH SPECIAL EMPHASIS ON MRS. COMBER
CHAPTER III | CONCERNS ALL THE WONDERFUL THINGS THAT MAY HAPPEN BETWEEN SOUP AND DESSERT
CHAPTER IV | BIRKLAND LOQUITUR
CHAPTER V | A GAME OF FOOTBALL AND A DANCE IN PENDRAGON HAVE THEIR PART IN THE SCHEME OF THINGS
CHAPTER VI | SÆVA INDIGNATIO
CHAPTER VII | THE BATTLE OP THE UMBRELLA; THEY OPEN FIRE
CHAPTER VIII | THE BATTLE OP THE UMBRELLA; CAMPS ARE FORMED -- ALSO SOME SKIRMISHING
CHAPTER IX | THE BATTLE OP THE UMBRELLA; WITH THE LADIES
CHAPTER X | THE BATTLE OF THE UMBRELLA; “WHOM THE GODS WISH TO DESTROY....”
CHAPTER XI | MR. PERRIN SEES DOUBLE
CHAPTER XII | MR. PERRIN WALKS IN SLEEP
CHAPTER XIII | MR. PERRIN LISTENS WHILE THEY ALL MAKE SPEECHES
CHAPTER XIV | MR. PERRIN REACHES THE HEART OF HIS KINGDOM
CHAPTER XV | THE GOLDEN VIEW

JOSEPH CONRAD

By Hugh Walpole

CONTENTS

I | BIOGRAPHY
II | THE NOVELIST
III | THE POET
IV | ROMANCE AND REALISM

A SHORT BIBLIOGRAPHY OF JOSEPH CONRAD’S PRINCIPAL WRITINGS

AMERICAN BIBLIOGRAPHY

INDEX

*** END OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF HUGH WALPOLE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- INDEX OF THE PROJECT GUTENBERG WORKS OF HUGH WALPOLE

- Compiled by David Widger

- CONTENTS

- Click on the ## before each title to view a linked table of contents for each of the ebooks. Click on the title itself to open the original online file.

- TABLES OF CONTENTS OF VOLUMES

- THE STORY OF DOCTOR DOLITTLE

- BEING THE HISTORY OF HIS PECULIAR LIFE AT HOME AND ASTONISHING ADVENTURES IN FOREIGN PARTS. NEVER BEFORE PRINTED. TOLD BY HUGH LOFTING ILLUSTRATED BY THE AUTHOR A.D. 1920 WITH AN INTRODUCTION TO THE TENTH PRINTING BY HUGH WALPOLE

- CONTENTS

- ILLUSTRATIONS

- JEREMY

- CONTENTS

- THE CAPTIVES

- CONTENTS
- PART I: BEGINNING OF THE JOURNEY
- PART II: THE CHARIOT OF FIRE
- PART III: THE WITCH
- PART IV: THE JOURNEY HOME AGAIN

- FORTITUDE

- CONTENTS

- THE CATHEDRAL

- A Novel

- CONTENTS

- THE SECRET CITY

- A Novel In Three Parts

- CONTENTS

- THE GOLDEN SCARECROW

- CONTENTS

- THE PRELUDE TO ADVENTURE

- CONTENTS

- THE DARK FOREST

- CONTENTS

- THE WOODEN HORSE

- CONTENTS

- THE DUCHESS OF WREXE

- Her Decline And Death

- CONTENTS

- THE GODS AND MR. PERRIN

- A Tragi-Comedy

- CONTENTS

- JOSEPH CONRAD

- CONTENTS

- A SHORT BIBLIOGRAPHY OF JOSEPH CONRAD’S PRINCIPAL WRITINGS AMERICAN BIBLIOGRAPHY INDEX

- THE FULL PROJECT GUTENBERG LICENSE