The Project Gutenberg eBook of Index of the Project Gutenberg Works of James Matthew Barrie

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Index of the Project Gutenberg Works of James Matthew Barrie

Author: J. M. Barrie

Editor: David Widger

Release date: February 4, 2019 [eBook #58824]

Most recently updated: July 5, 2019

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF JAMES MATTHEW BARRIE ***

INDEX OF THE PROJECT GUTENBERG

WORKS OF

JAMES MATTHEW BARRIE

Compiled by David Widger

CONTENTS

Click on the ## before many of the titles to view a linked

table of contents for that volume.

Click on the title itself to open the original online file.

##  PETER AND WENDY, Illustrated

##  PETER PAN

##  THE STORY OF PETER PAN, Illustrated

##  PETER PAN IN KENSINGTON GARDENS, Illustrted

##  PETER PAN IN KENSINGTON GARDENS, Illustrated

##  THE LITTLE WHITE BIRD IN KENSINGTON GARDENS

MARGARET OGILVY

##  THE ADMIRABLE CRICHTON

##  DEAR BRUTUS

##  WHAT EVERY WOMAN KNOWS

ALICE SIT-BY-THE-FIRE

##  AULD LICHT IDYLLS

##  ECHOES OF THE WAR

##  TOMMY AND GRIZEL

##  MY LADY NICOTINE

##  BETTER DEAD

##  A WINDOW IN THRUMS

##  QUALITY STREET

##  THE LITTLE MINISTER

DER TAG

##  AN EDINBURGH ELEVEN

##  HOLIDAY IN BED, & OTHER SKETCHES

NEITHER DORKING NOR THE ABBEY

##  WHEN A MAN'S SINGLE

COURAGE

##  SENTIMENTAL TOMMY

TABLES OF CONTENTS OF VOLUMES

PETER AND WENDY

By J. M. Barrie

Illustrated By F. D. Bedford

CONTENTS

CHAPTER I

PETER BREAKS THROUGH

CHAPTER II

THE SHADOW

CHAPTER III

COME AWAY, COME AWAY!

CHAPTER IV

THE FLIGHT

CHAPTER V

THE ISLAND COME TRUE

CHAPTER VI

THE LITTLE HOUSE

CHAPTER VII

THE HOME UNDER THE GROUND

CHAPTER VIII

THE MERMAIDS' LAGOON

CHAPTER IX

THE NEVER BIRD

CHAPTER X

THE HAPPY HOME

CHAPTER XI

WENDY'S STORY

CHAPTER XII

THE CHILDREN ARE CARRIED OFF

CHAPTER XIII

DO YOU BELIEVE IN FAIRIES?

CHAPTER XIV

THE PIRATE SHIP

CHAPTER XV

'HOOK OR ME THIS TIME'

CHAPTER XVI

THE RETURN HOME

CHAPTER XVII

WHEN WENDY GREW UP

ILLUSTRATIONS

THE NEVER NEVER LAND

TITLE PAGE

PETER FLEW IN

THE BIRDS WERE FLOWN

LET HIM KEEP WHO CAN

PETER ON GUARD

SUMMER DAYS ON THE LAGOON

"TO DIE WILL BE AN AWFULLY BIG ADVENTURE"

WENDY'S STORY

FLUNG LIKE BALES

HOOK OR ME THIS TIME

"THIS MAN IS MINE!"

PETER AND JANE

PETER PAN

[PETER AND WENDY]

By J. M. Barrie [James Matthew Barrie]

A Millennium Fulcrum Edition

(c)1991 by Duncan Research

CONTENTS

Chapter 1 PETER BREAKS THROUGH

Chapter 2 THE SHADOW

Chapter 3 COME AWAY, COME AWAY!

Chapter 4 THE FLIGHT

Chapter 5 THE ISLAND COME TRUE

Chapter 6 THE LITTLE HOUSE

Chapter 7 THE HOME UNDER THE GROUND

Chapter 8 THE MERMAIDS' LAGOON

Chapter 9 THE NEVER BIRD

Chapter 10 THE HAPPY HOME

Chapter 11 WENDY'S STORY

Chapter 12 THE CHILDREN ARE CARRIED OFF

Chapter 13 DO YOU BELIEVE IN FAIRIES?

Chapter 14 THE PIRATE SHIP

Chapter 15 “HOOK OR ME THIS TIME”

Chapter 16 THE RETURN HOME

Chapter 17 WHEN WENDY GREW UP

THE STORY OF PETER PAN

The Story Of Peter Pan Retold From The Fairy Play By Sir J.M. Barrie By Daniel O'connor

Illustrated By Alice B. Woodward

CONTENTS

Page

PART I

Early Days

3

PART II

The Never-Never-Never Land

27

PART III

The Mermaids' Lagoon

43

PART IV

The Underground Home

51

PART V

The Pirate Ship

65

PART VI

Home, Sweet Home

79

LIST OF ILLUSTRATIONS

TO FACE PAGE

With the Spring comes Wendy

colour-plate   frontispiece

With Michael sitting on her Back

colour-plate   6

The Shadow held on beautifully

14

Wendy gently kissed his Cheek

colour-plate   16

Away they floated

22

Slightly was dancing merrily with an Ostrich

colour-plate   28

"The Crocodile! the Crocodile!"

32

The Indians crept silently up

34

The Lost Boys knelt before her

colour-plate   38

She was combing her Long Tresses

43

She slipped out of his Grasp

44

A Fierce Fight ensued

46

Spreading his Coat to the Wind, he sailed merrily

colour-plate   48

Seized by One of the Swarthy Ruffians

59

He perceived Tinker Bell in his Glass

colour-plate   62

The Pirate Ship

66

"That Man is mine!"

colour-plate   72

Right into the Jaws of the Crocodile!

74

Nurse to the Papooses!

76

He would live in the Kennel till his Children's Return

80

PETER PAN IN KENSINGTON GARDENS

By J. M. Barrie

(From 'The Little White Bird')

With Drawings By Arthur Rackham

CHARLES SCRIBNER'S SONS

1910

CONTENTS

CHAPTER I

THE GRAND TOUR OF THE GARDENS

CHAPTER II

PETER PAN

CHAPTER III

THE THRUSH'S NEST

CHAPTER IV

LOCK-OUT TIME

CHAPTER V

THE LITTLE HOUSE

CHAPTER VI

PETER'S GOAT

ILLUSTRATIONS

1. 'The Kensington Gardens are in London, where the King lives' . . . . . . . . . Frontispiece

2. 'The lady with the balloons, who sits just outside'

3. 'Old Mr. Salford was a crab-apple of an old gentleman who wandered all day in the Gardens'

4. 'When he heard Peter's voice he popped in alarm behind a tulip'

5. 'Put his strange case before old Solomon Caw'

6. 'After this the birds said that they would help him no more in his mad enterprise'

7. 'For years he had been quietly filling his stocking'

8. 'Fairies are all more or less in hiding until dusk'

9. 'These tricky fairies sometimes slyly change the board on a ball night'

10. 'When her Majesty wants to know the time'

11. 'Peter Pan is the fairies' orchestra'

12. 'A chrysanthemum heard her, and said pointedly, "Hoity-toity, what is this?"'

13. 'Shook his bald head and murmured, "Cold, quite cold."'

14. 'Fairies never say, "We feel happy"; what they say is, "We feel dancey."'

15. 'Looking very undancey indeed'

16. 'Building the house for Maimie'

PETER PANIN KENSINGTON GARDENS

FROM THE LITTLE WHITE BIRD

By J. M. Barrie

Illustrated By Arthur Rackham

London: Hodder & Stoughton

1906

CONTENTS

CHAPTER I

THE GRAND TOUR OF THE GARDENS

CHAPTER II

PETER PAN

CHAPTER III

THE THRUSH'S NEST

CHAPTER IV

LOCK-OUT TIME

CHAPTER V

THE LITTLE HOUSE

CHAPTER VI

PETER'S GOAT

COLOURED ILLUSTRATIONS

1. He was quite angry when these two ran away the moment they saw him ... Frontispiece

2. The Kensington Gardens are in London, where the King lives (missing from book)

3. The lady with the balloons, who sits just outside

4. In the Broad Walk you meet all the people who are worth knowing

5. The Hump, which is the part of the Broad Walk where all the big races are run

6. There is almost nothing that has such a keen sense of fun as a fallen leaf (missing from book)

7. The Serpentine is a lovely lake, and there is a drowned forest at the bottom of it. If you peer over the edge you can see the trees all growing upside down, and they say that at night there are also drowned stars in it

8. The island on which all the birds are born that become baby boys and girls (missing from book)

9. Old Mr. Salford was a crab-apple of an old gentleman who wandered all day in the Gardens

10. Away he flew, right over the houses to the Gardens

11. The fairies have their tiffs with the birds

12. When he heard Peter's voice he popped in alarm behind a tulip

13. A band of workmen, who were sawing down a toadstool, rushed away, leaving their tools behind them

14. Put his strange case before old Solomon Caw (missing from book)

15. Peter screamed out, 'Do it again!' and with great good-nature they did it several times

16. A hundred flew off with the string, and Peter clung to the tail

17. After this the birds said that they would help him no more in his mad enterprise

18. 'Preposterous!' cried Solomon in a rage

19. For years he had been quietly filling his stocking

20. When you meet grown-up people in the Gardens who puff and blow as if they thought themselves bigger than they are

21. He passed under the bridge and came within full sight of the delectable Gardens

22. There now arose a mighty storm, and he was tossed this way and that (missing from book)

23. Fairies are all more or less in hiding until dusk

24. When they think you are not looking they skip along pretty lively (missing from book)

25. But if you look, and they fear there is no time to hide, they stand quite still pretending to be flowers (missing from book)

26. The fairies are exquisite dancers

27. These tricky fairies sometimes slyly change the board on a ball night

28. Linkmen running in front carrying winter cherries

29. When her Majesty wants to know the time

30. The fairies sit round on mushrooms, and at first they are well behaved

31. Butter is got from the roots of old trees (missing from book)

32. Wallflower juice is good for reviving dancers who fall to the ground in a fit

33. Peter Pan is the fairies' orchestra

34. They all tickled him on the shoulder (missing from book)

35. One day they were overheard by a fairy

36. The little people weave their summer curtains from skeleton leaves

37. An afternoon when the Gardens were white with snow

38. She ran to St. Govor's Well and hid

39. An elderberry hobbled across the walk, and stood chatting with some young quinces

40. A chrysanthemum heard her, and said pointedly, 'Hoity-toity, what is this?'

41. They warned her

42. Queen Mab, who rules in the Gardens

43. Shook his bald head and murmured, 'Cold, quite cold'

44. Fairies never say, 'We feel happy': what they say is, 'We feel dancey'

45. Looking very undancey indeed

46. 'My Lord Duke,' said the physician elatedly, 'I have the honour to inform your excellency that your grace is in love'

47. Building the house for Maimie

48. If the bad ones among the fairies happen to be out (missing from book)

49. They will certainly mischief you (missing from book)

50. I think that quite the most touching sight in the Gardens is the two tombstones of Walter Stephen Matthews and Phoebe Phelps

ILLUSTRATIONS IN THE TEXT

David

Kensington Gardens

Headpiece to 'The Grand Tour of the Gardens'

Porthos

One of the Paths that have Made Themselves

Tailpiece to 'The Grand Tour of the Gardens'

Headpiece to 'Peter Pan'

The birds on the island never got used to him. His oddities tickled them every day

Tailpiece to 'Peter Pan'

Headpiece to 'The Thrush's Nest'

Tailpiece to 'The Thrush's Nest'

Headpiece to 'Lock-out Time'

They are so cunning

A fairy ring

Tailpiece to 'Lock-out Time'

Headpiece to 'The Little House'

There was a good deal going on in the Baby Walk

She escorted them up the Baby Walk and back again

Tailpiece to 'The Little House'

Headpiece to 'Peter's Goat'

Tailpiece to 'Peter's Goat'

THE LITTLE WHITE BIRD

OR ADVENTURES IN KENSINGTON GARDENS

By J.M. Barrie

CONTENTS

THE LITTLE WHITE BIRD

I

David and I Set Forth Upon a Journey

II

The Little Nursery Governess

III

Her Marriage, Her Clothes, Her Appetite,

and an Inventory of Her Furniture

IV

A Night-Piece

V

The Fight For Timothy

VI

A Shock

VII

The Last of Timothy

VIII

The Inconsiderate Waiter

IX

A Confirmed Spinster

X

Sporting Reflections

XI

The Runaway Perambulator

XII

The Pleasantest Club in London

XIII

The Grand Tour of the Gardens

XIV

Peter Pan

XV

The Thrush's Nest

XVI

Lock-Out Time

XVII

The Little House

XVIII

Peter's Goat

XIX

An Interloper

XX

David and Porthos Compared

XXI

William Paterson

XXII

Joey

XXIII

Pilkington's

XXIV

Barbara

XXV

The Cricket Match

XXVI

The Dedication

THE ADMIRABLE CRICHTON

From The Plays Of J. M. Barrie

A COMEDY

By J. M. Barrie

CONTENTS

ACT I.

AT LOAM HOUSE, MAYFAIR

ACT II.

THE ISLAND

ACT III.

THE HAPPY HOME

ACT IV.

THE OTHER ISLAND

DEAR BRUTUS

By J. M. Barrie

CONTENTS

ACT I

ACT II

ACT III

WHAT EVERY WOMAN KNOWS

By James M. Barrie

CONTENTS

ACT I

ACT II

ACT III

ACT IV

AULD LICHT IDYLLS

CONTENTS

I.

THE SCHOOLHOUSE

II.

THRUMS

III.

THE AULD LICHT KIRK

IV.

LADS AND LASSES

V.

THE AULD LICHTS IN ARMS

VI.

THE OLD DOMINIE

VII.

CREE QUEERY AND MYSY DROLLY

VIII.

THE COURTING OF T'NOWHEAD'S BELL

IX.

DAVIT LUNAN'S POLITICAL REMINISCENCES

X.

A VERY OLD FAMILY

XI.

LITTLE RATHIE'S "BURAL"

XII.

A LITERARY CLUB

ILLUSTRATIONS

J. M. BARRIE . . . . . . . . . Frontispiece

Sabbath at T'nowhead

ECHOES OF THE WAR

By J. M. Barrie

CONTENTS

THE OLD LADY SHOWS HER MEDALS

THE NEW WORD

BARBARA'S WEDDING

A WELL-REMEMBERED VOICE

TOMMY AND GRIZEL

By J. M. Barrie

Illustrated By Bernard Partridge

CONTENTS

PART I

I. HOW TOMMY FOUND A WAY

II. THE SEARCH FOR THE TREASURE

III. SANDYS ON WOMAN

IV. GRIZEL OF THE CROOKED SMILE

V. THE TOMMY MYTH

VI. GHOSTS THAT HAUNT THE DEN

VII. THE BEGINNING OF THE DUEL

VIII. WHAT GRIZEL'S EYES SAID

IX. GALLANT BEHAVIOUR OF T. SANDYS

X. GAVINIA ON THE TRACK

XI. THE TEA-PARTY

XII. IN WHICH A COMEDIAN CHALLENGES TRAGEDY TO BOWLS

XIII. LITTLE WELLS OF GLADNESS

XIV. ELSPETH

XV. BY PROSEN WATER

XVI. "HOW COULD YOU HURT YOUR GRIZEL SO!"

XVII. HOW TOMMY SAVED THE FLAG

PART II

XVIII. THE GIRL SHE HAD BEEN

XIX. OF THE CHANGE IN THOMAS

XX. A LOVE-LETTER

XXI. THE ATTEMPT TO CARRY ELSPETH BY NUMBERS

XXII. GRIZEL'S GLORIOUS HOUR

XXIII. TOMMY LOSES GRIZEL

XXIV. THE MONSTER

XXV. MR. T. SANDYS HAS RETURNED TO TOWN

XXVI. GRIZEL ALL ALONE

XXVII. GRIZEL'S JOURNEY

XXVIII. TWO OF THEM

XXIX. THE RED LIGHT

XXX. THE LITTLE GODS DESERT HIM

XXXI. "THE MAN WITH THE GREETIN' EYES"

XXXII. TOMMY'S BEST WORK

XXXIII. THE LITTLE GODS RETURN WITH A LADY

XXXIV. A WAY IS FOUND FOR TOMMY

XXXV. THE PERFECT LOVER

ILLUSTRATIONS

PART I

And clung to it, his teeth set.

"She is standing behind that tree looking at us."

She did not look up, she waited.

PART II

"I sit still by his arm-chair and tell him what is happening to his Grizel."

They told Aaron something.

"But my friends still call me Mrs. Jerry," she said softly.

"I woke up," she said.

He heard their seductive voices, they danced around him in numbers.

MY LADY NICOTINE

A STUDY IN SMOKE

By J. M. Barrie

Illustrated By M. B. Prendergast

CONTENTS

chap.

page

I.

Matrimony and Smoking compared

1

II.

My First Cigar

11

III.

The Arcadia Mixture

18

IV.

My Pipes

27

V.

My Tobacco-Pouch

38

VI.

My Smoking-Table

45

VII.

Gilray

52

VIII.

Marriot

60

IX.

Jimmy

70

X.

Scrymgeour

78

XI.

His Wife's Cigars

87

XII.

Gilray's Flower-Pot

94

XIII.

The Grandest Scene in History

103

XIV.

My Brother Henry

116

XV.

House-Boat "Arcadia"

124

XVI.

The Arcadia Mixture Again

133

XVII.

The Romance of a Pipe-Cleaner

143

XXVIII.

What could he do?

151

XIX.

Primus

159

XX.

Primus to his Uncle

168

XXI.

English-grown Tobacco

177

XXII.

How Heroes smoke

186

XXIII.

The Ghost of Christmas Eve

194

XXIV.

Not the Arcadia

202

XXV.

A Face that haunted Marriot

209

XXVI.

Arcadians at Bay

216

XXVII.

Jimmy's Dream

223

XXVIII.

Gilray's Dream

231

XXIX.

Pettigrew's Dream

239

XXX.

The Murder in the Inn

247

XXXI.

The Perils of not Smoking

252

XXXII.

My Last Pipe

260

XXXIII.

When my Wife is Asleep and all the House is Still

269

ILLUSTRATIONS

Half-Title

i

Frontispiece

iv

Title-Page

v

Headpiece to Table of Contents

vii

Tailpiece to Table of Contents

viii

Headpiece to List of Illustrations

ix

Tailpiece to List of Illustrations

xiii

Headpiece to Chap. I.

1

"As well as a spring bonnet and a nice dress"

6

"There are the Japanese fans on the wall"

7

Tailpiece Chap. I. "My wife puts her hand on my shoulder"

10

Headpiece Chap. II.

11

"At last he jumped up"

14

Box of cigars

15

Tailpiece Chap. II. "I firmly lighted my first cigar"

17

Headpiece Chap. III. "Jimmy pins a notice on his door"

18

"We are only to be distinguished by our pipes"

20

The Arcadia Mixture

21

Tailpiece Chap. III.

26

Headpiece Chap. IV. "Oh, see what I have done"

27

"I fell in love with two little meerschaums"

33

Pipes and pouch

36

Tailpiece Chap. IV.

37

Headpiece Chap. V. "They ... made tongs of their knitting-needles to lift it"

38

"I ... cast my old pouch out at the window"

40, 41

"It never quite recovered from its night in the rain"

43

Tailpiece Chap. V.

44

Headpiece Chap VI. "My Smoking-Table"

45

"Sometimes I had knocked it over accidentally"

48

Tailpiece Chap. VI.

51

Headpiece Chap. VII. "We met first in the Merediths' house-boat"

52

"He 'strode away blowing great clouds into the air,'"

57

Tailpiece Chap. VII. "The Arcadia had him for its own"

59

Headpiece Chap. VIII. "I let him talk on"

60

Pipes and jar of spills

62, 63

Tray of pipes and cigars

64

"I would ... light him to his sleeping-chamber with a spill"

68

Tailpiece Chap. VIII.

69

Headpiece Chap. IX. "The stem was a long cherry-wood"

70

"In time ... the Arcadia Mixture made him more and more like the rest of us"

71

"A score of smaller letters were tumbling about my feet"

74

Tailpiece Chap. IX. "Mothers' pets"

77

Headpiece Chap. X. "Scrymgeour was an artist"

78

"With shadowy reptiles crawling across the panels"

81

"Scrymgeour sprang like an acrobat into a Japanese dressing-gown"

84

Tailpiece Chap. X.

86

Headpiece Chap. XI. "His wife's cigars"

87

"A packet of Celebros alighted on my head"

88

"I told her the cigars were excellent"

90

Tailpiece Chap. XI.

93

Headpiece Chap. XII. "Gilray's flower-pot"

94

"Then Arcadians would drop in"

97

"I wrote to him"

99

Tailpiece Chap. XII. "The can nearly fell from my hand"

102

Headpiece Chap. XIII.

103

"Raleigh ... introduced tobacco into this country"

105

The Arcadia Mixture

111

"Ned Alleyn goes from tavern to tavern picking out his men"

113

Tailpiece Chap. XIII.

115

Headpiece Chap. XIV. "I was testing some new Cabanas"

116

"A few weeks later some one tapped me on the shoulder"

118

"Naturally in the circumstances you did not want to talk about Henry"

120

Tailpiece Chap. XIV.

123

Headpiece Chap. XV. "House-boat Arcadia"

124

"I caught my straw hat disappearing on the wings of the wind"

126

"It was the boy come back with the vegetables"

129

Tailpiece Chap. XV. "There was a row all round, which resulted in our division into five parties"

132

Headpiece Chap. XVI. "The Arcadia Mixture again"

133

"On the open window ... stood a round tin of tobacco"

135

"A pipe of the Mixture"

138

"The lady was making pretty faces with a cigarette in her mouth"

139

Tailpiece Chap. XVI.

142

Headpiece Chap. XVII. "He was in love again"

143

"I heard him walking up and down the deck"

145

Tailpiece Chap. XVII. "He took the wire off me and used it to clean his pipe"

150

Headpiece Chap. XVIII. "I had walked from Spondinig to Franzenshohe"

151

"On the middle of the plank she had turned to kiss her hand"

152

"Then she burst into tears"

157

Tailpiece Chap. XVIII. "A wall has risen up between us"

158

Headpiece Chap. XIX. "Primus"

159

"Many tall hats struck, to topple in the dust"

161

"Running after sheep, from which ladies were flying"

163

"I should like to write you a line"

165

Tailpiece Chap. XIX. "I am, respected sir, your diligent pupil"

167

Headpiece Chap. XX.

168

"Reading Primus's letters"

171

Tailpiece Chap. XX.

176

Headpiece Chap. XXI. "English-grown tobacco"

177

"I smoked my third cigar very slowly"

182

Tailpiece Chap. XXI.

185

Headpiece Chap. XXII. "How heroes smoke"

186

"Once, indeed, we do see Strathmore smoking a good cigar"

189

"A half-smoked cigar"

190

"The tall, scornful gentleman who leans lazily against the door"

192

Tailpiece Chap. XXII.

193

Headpiece Chap. XXIII.

194

"The ghost of Christmas eve"

195

"My pipe"

199

"My brier, which I found beneath my pillow"

200

Tailpiece Chap. XXIII.

201

Headpiece Chap. XXIV. "But the pipes were old friends"

202

"It had the paper in its mouth"

205

Tailpiece Chap. XXIV. "I was pleased that I had lost"

208

Headpiece Chap. XXV. "A face that haunted Marriot"

209

"There was the French girl at Algiers"

212

Tailpiece Chap. XXV.

215

Headpiece Chap. XXVI. "Arcadians at bay"

216

Pipes and tobacco-jar

220

Tailpiece Chap. XXVI. "Jimmy began as follows"

222

Headpiece Chap. XXVII. "Jimmy's dream"

223

Pipes

226

"Council for defence calls attention to the prisoner's high and unblemished character"

229

Tailpiece Chap. XXVII.

230

Headpiece Chap. XXVIII.

231

"These indefatigable amateurs began to dance a minuet"

235

A friendly favor

237

Tailpiece Chap. XXVIII.

238

Headpiece Chap. XXIX. "Pettigrew's dream"

239

"He went round the morning-room"

241

"His wife ... filled his pipe for him"

243

"Mrs. Pettigrew sent one of the children to the study"

244

Tailpiece Chap. XXIX. "I awarded the tin of Arcadia to Pettigrew"

246

Headpiece Chap. XXX. "Sometimes I think it is all a dream"

247

Tailpiece Chap. XXX.

251

Headpiece Chap. XXXI. "They thought I had weakly yielded"

252

"They went one night in a body to Pettigrew's"

254

Tailpiece Chap. XXXI.

259

Headpiece Chap. XXXII.

260

"Then we began to smoke"

262

"I conjured up the face of a lady"

265

"Not even Scrymgeour knew what my pouch had been to me"

267

Tailpiece Chap. XXXII.

268

Headpiece Chap. XXXIII. "When my wife is asleep and all the house is still"

269

"The man through the wall"

272

Pipes

275

Tailpiece Chap. XXXIII.

276

THE NOVELS, TALES AND SKETCHES OF J. M. BARRIE

BETTER DEAD

CONTENTS

I.

ENGAGED?

II.

THE S. D. W. S. P.?

III.

THE GREAT SOCIAL QUESTION?

IV.

WOMAN'S RIGHTS?

V.

DYNAMITERS?

VI.

A CELEBRITY AT HOME?

VII.

EXPERIMENTING?

VIII.

A LOST OPPORTUNITY?

IX.

THE ROOT OF THE MATTER?

X.

THE OLD OLD STORY?

A WINDOW IN THRUMS

By J. M. Barrie

CONTENTS

I

THE HOUSE ON THE BRAE

II

ON THE TRACK OF THE MINISTER

III

PREPARING TO RECEIVE COMPANY

IV

WAITING FOR THE DOCTOR

V

A HUMORIST ON HIS CALLING

VI

DEAD THIS TWENTY YEARS

VII

THE STATEMENT OF TIBBIE BIRSE

VIII

A CLOAK WITH BEADS

IX

THE POWER OF BEAUTY

X

A MAGNUM OPUS

XI

THE GHOST CRADLE

XII

THE TRAGEDY OF A WIFE

XIII

MAKING THE BEST OF IT

XIV

VISITORS AT THE MANSE

XV

HOW GAVIN BIRSE PUT IT TO MAG LOWNIE

XVI

THE SON FROM LONDON

XVII

A HOME FOR GENIUSES

XVIII

LEEBY AND JAMIE

XIX

A TALE OF A GLOVE

XX

THE LAST NIGHT

XXI

JESS LEFT ALONE

XXII

JAMIE'S HOME-COMING

ILLUSTRATIONS

J. M. BARRIE . . . . . . . . . . . . Frontispiece

The square foot of glass where Jess sat in her chair and looked down the brae

THE PLAYS OF J. M. BARRIE

QUALITY STREET

A COMEDY

ACT I

ACT II

ACT III

ACT IV

THE LITTLE MINISTER

By J. M. Barrie

CONTENTS

PAGE

I.

The Love-Light.

1

II.

Runs Alongside the Making of a Minister.

7

III.

The Night-Watchers.

17

IV.

First Coming of the Egyptian Woman.

30

V.

A Warlike Chapter, Culminating in the Flouting of the Minister by the Woman.

42

VI.

In Which the Soldiers Meet the Amazons of Thrums.

50

VII.

Has the Folly of Looking into a Woman’s Eyes by way of Text.

62

VIII.

3 A.M.—Monstrous Audacity of the Woman.

69

IX.

The Woman Considered in Absence—Adventures of a Military Cloak.

79

X.

First Sermon Against Women.

89

XI.

Tells in a Whisper of Man’s Fall During the Curling Season.

100

XII.

Tragedy of a Mud House.

110

XIII.

Second Coming of the Egyptian Woman.

117

XIV.

The Minister Dances to the Woman’s Piping.

125

XV.

The Minister Bewitched—Second Sermon against Women.

135

XVI.

Continued Misbehaviour of the Egyptian Woman.

143

XVII.

Intrusion of Haggart into These Pages against the Author’s Wish.

151

XVIII.

Caddam—Love Leading to a Rupture.

161

XIX.

Circumstances Leading to the First Sermon in Approval of Women.

169

XX.

End of the State of Indecision.

177

XXI.

Night—Margaret—Flashing of a Lantern.

186

XXII.

Lovers.

196

XXIII.

Contains a Birth, Which is Sufficient for One Chapter.

205

XXIV.

The New World, and the Woman Who May Not Dwell Therein.

211

XXV.

Beginning of the Twenty-Four Hours.

217

XXVI.

Scene at the Spittal.

225

XXVII.

First Journey of the Dominie to Thrums During the Twenty-Four Hours.

232

XXVIII.

The Hill before Darkness Fell—Scene of the Impending Catastrophe.

237

XXIX.

Story of the Egyptian.

244

XXX.

The Meeting for Rain.

252

XXXI.

Various Bodies Converging on the Hill.

259

XXXII.

Leading Swiftly to the Appalling Marriage.

268

XXXIII.

While the Ten O’Clock Bell Was Ringing.

274

XXXIV.

The Great Rain.

281

XXXV.

The Glen at Break of Day.

285

XXXVI.

Story of the Dominie.

299

XXXVII.

Second Journey of the Dominie to Thrums During the Twenty-Four Hours.

308

XXXVIII.

Thrums during the Twenty-Four Hours—Defence of the Manse.

315

XXXIX.

How Babbie Spent the Night of August Fourth.

324

XL.

Babbie and Margaret—Defence of the Manse Continued.

330

XLI.

Rintoul and Babbie—Breakdown of the Defence of the Manse.

337

XLII.

Margaret, the Precentor, and God Between.

345

XLIII.

Rain—Mist—The Jaws.

353

XLIV.

End of the Twenty-Four Hours.

363

XLV.

Talk of a Little Maid Since Grown Tall.

369

AN EDINBURGH ELEVEN

PENCIL PORTRAITS FROM

COLLEGE LIFE

By J. M. Barrie

CONTENTS

PAGE

I. Lord Rosebery,

7

II. Professor Masson,

19

III. Professor Blackie,

31

IV. Professor Calderwood,

41

V. Professor Tait,

53

VI. Professor Fraser,

67

VII. Professor Chrystal,

77

VIII. Professor Sellar,

91

IX. Mr. Joseph Thomson,

105

X. Robert Louis Stevenson,

115

XI. Rev. Walter C. Smith, D.D.,

129

A Holiday in Bed And other Sketches

By J. M. Barrie

CONTENTS

PAGE.

James Matthew Barrie,

15

A Holiday in Bed,

23

Life in a Country Manse,

37

Life in a Country Manse—A Wedding in a Smiddy,

49

A Powerful Drug,

61

Every Man His own Doctor,

73

Gretna Green Revisited,

87

My Favorite Authoress,

111

The Captain of the School,

121

Thoughtful Boys Make Thoughtful Men,

131

It,

145

To the Influenza,

153

Four-in-Hand Novelists,

161

Rules on Carving,

173

On Running After a Hat,

179

WHEN A MAN'S SINGLE

A Tale of Literary Life

By J. M. Barrie

CONTENTS

CHAPTER I

ROB ANGUS IS NOT A FREE MAN

1

CHAPTER II

ROB BECOMES FREE

17

CHAPTER III

ROB GOES OUT INTO THE WORLD

27

CHAPTER IV

'THE SCORN OF SCORNS'

43

CHAPTER V

ROB MARCHES TO HIS FATE

62

CHAPTER VI

THE ONE WOMAN

80

CHAPTER VII

THE GRAND PASSION?

99

CHAPTER VIII

IN FLEET STREET

113

CHAPTER IX

MR. NOBLE SIMMS

129

CHAPTER X

THE WIGWAM

139

CHAPTER XI

ROB IS STRUCK DOWN

156

CHAPTER XII

THE STUPID SEX

169

CHAPTER XIII

THE HOUSE-BOAT 'TAWNY OWL'

183

CHAPTER XIV

MARY OF THE STONY HEART

195

CHAPTER XV

COLONEL ABINGER TAKES COMMAND

210

CHAPTER XVI

THE BARBER OF ROTTEN ROW

222

CHAPTER XVII

ROB PULLS HIMSELF TOGETHER

234

CHAPTER XVIII

THE AUDACITY OF ROB ANGUS

245

CHAPTER XIX

THE VERDICT OF THRUMS

254

SENTIMENTAL TOMMY

The Story Of His Boyhood

By J. M. Barrie

CONTENTS

SENTIMENTAL TOMMY

CHAPTER I

TOMMY CONTRIVES TO KEEP ONE OUT

CHAPTER II

BUT THE OTHER GETS IN

CHAPTER III

SHOWING HOW TOMMY WAS SUDDENLY TRANSFORMED INTO A YOUNG GENTLEMAN

CHAPTER IV

THE END OF AN IDYLL

CHAPTER V

THE GIRL WITH TWO MOTHERS

CHAPTER VI

THE ENCHANTED STREET

CHAPTER VII

COMIC OVERTURE TO A TRAGEDY

CHAPTER VIII

THE BOY WITH TWO MOTHERS

CHAPTER IX

AULD LANG SYNE

CHAPTER X

THE FAVORITE OF THE LADIES

CHAPTER XI

AARON LATTA

CHAPTER XII

A CHILD'S TRAGEDY

CHAPTER XIII

SHOWS HOW TOMMY TOOK CARE OF ELSPETH

CHAPTER XIV

THE HANKY SCHOOL

CHAPTER XV

THE MAN WHO NEVER CAME

CHAPTER XVI

THE PAINTED LADY

CHAPTER XVII

IN WHICH TOMMY SOLVES THE WOMAN PROBLEM

CHAPTER XVIII

THE MUCKLEY

CHAPTER XIX

CORP IS BROUGHT TO HEEL—GRIZEL DEFIANT

CHAPTER XX

THE SHADOW OF SIR WALTER

CHAPTER XXI

THE LAST JACOBITE RISING

CHAPTER XXII

THE SIEGE OF THRUMS

CHAPTER XXIII

GRIZEL PAYS THREE VISITS

CHAPTER XXIV

A ROMANCE OF TWO OLD MAIDS AND A STOUT BACHELOR

CHAPTER XXV

A PENNY PASS-BOOK

CHAPTER XXVI

TOMMY REPENTS, AND IS NONE THE WORSE FOR IT

CHAPTER XXVII

THE LONGER CATECHISM

CHAPTER XXVIII

BUT IT SHOULD HAVE BEEN MISS KITTY

CHAPTER XXIX

TOMMY THE SCHOLAR

CHAPTER XXX

END OF THE JACOBITE RISING

CHAPTER XXXI

A LETTER TO GOD

CHAPTER XXXII

AN ELOPEMENT

CHAPTER XXXIII

THERE IS SOME ONE TO LOVE GRIZEL AT LAST

CHAPTER XXXIV

WHO TOLD TOMMY TO SPEAK

CHAPTER XXXV

THE BRANDING OF TOMMY

CHAPTER XXXVI

OF FOUR MINISTERS WHO AFTERWARDS BOASTED THAT THEY HAD KNOWN TOMMY

CHAPTER XXXVII

THE END OF A BOYHOOD

*** END OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF JAMES MATTHEW BARRIE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

Table of Contents

INDEX OF THE PROJECT GUTENBERG WORKS OF JAMES MATTHEW BARRIE

Compiled by David Widger

CONTENTS

Click on the ## before many of the titles to view a linked table of contents for that volume. Click on the title itself to open the original online file.

TABLES OF CONTENTS OF VOLUMES

PETER AND WENDY

CONTENTS

ILLUSTRATIONS

PETER PAN

[PETER AND WENDY]

A Millennium Fulcrum Edition (c)1991 by Duncan Research

CONTENTS

THE STORY OF PETER PAN

The Story Of Peter Pan Retold From The Fairy Play By Sir J.M. Barrie By Daniel O'connor

Illustrated By Alice B. Woodward

CONTENTS

LIST OF ILLUSTRATIONS

PETER PAN IN KENSINGTON GARDENS

(From 'The Little White Bird')

With Drawings By Arthur Rackham

CHARLES SCRIBNER'S SONS

1910

CONTENTS

ILLUSTRATIONS

PETER PANIN KENSINGTON GARDENS

FROM THE LITTLE WHITE BIRD By J. M. Barrie Illustrated By Arthur Rackham

London: Hodder & Stoughton

1906

CONTENTS

COLOURED ILLUSTRATIONS

ILLUSTRATIONS IN THE TEXT

THE LITTLE WHITE BIRD

OR ADVENTURES IN KENSINGTON GARDENS By J.M. Barrie

CONTENTS

THE ADMIRABLE CRICHTON

From The Plays Of J. M. Barrie A COMEDY By J. M. Barrie

CONTENTS

DEAR BRUTUS

CONTENTS

WHAT EVERY WOMAN KNOWS

CONTENTS

AULD LICHT IDYLLS

CONTENTS

ILLUSTRATIONS

ECHOES OF THE WAR

CONTENTS

TOMMY AND GRIZEL

CONTENTS PART I

PART II

ILLUSTRATIONS PART I

PART II

MY LADY NICOTINE

A STUDY IN SMOKE By J. M. Barrie Illustrated By M. B. Prendergast

CONTENTS

ILLUSTRATIONS

THE NOVELS, TALES AND SKETCHES OF J. M. BARRIE

BETTER DEAD

CONTENTS

A WINDOW IN THRUMS

CONTENTS

ILLUSTRATIONS

THE PLAYS OF J. M. BARRIE

QUALITY STREET

A COMEDY

THE LITTLE MINISTER

CONTENTS

AN EDINBURGH ELEVEN

PENCIL PORTRAITS FROM COLLEGE LIFE By J. M. Barrie

CONTENTS

A Holiday in Bed And other Sketches

CONTENTS

WHEN A MAN'S SINGLE

A Tale of Literary Life

CONTENTS

SENTIMENTAL TOMMY

The Story Of His Boyhood

CONTENTS

THE FULL PROJECT GUTENBERG LICENSE