Dangerous Quarry
Date: 2020-01-06T00:00:00+00:00
Keywords: Science fiction; Short stories; Missouri -- Fiction; Parapsychology -- Fiction; Ozark Mountains -- Fiction; Cities and towns -- Fiction; Insurance adjusters -- Fiction

The Project Gutenberg eBook of Dangerous Quarry

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Dangerous Quarry

Author: Jim Harmon

Release date: January 6, 2020 [eBook #61119]
Most recently updated: October 17, 2024

Language: English

Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team

*** START OF THE PROJECT GUTENBERG EBOOK DANGEROUS QUARRY ***

DANGEROUS QUARRY

BY JIM HARMON

One little village couldn't have
a monopoly on all the bad breaks
in the world. They did, though!

[Transcriber's Note: This etext was produced from
Worlds of If Science Fiction, March 1962.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

They say automation makes jobs, especially if "they" are trying to keep their own job of selling automation machines. I know the Actuarvac made one purple passion of a job for me, the unpleasantly fatal results of which are still lingering with me.

Thad McCain, my boss at Manhattan-Universal Insurance, beamed over the sprawling automatic brain's silver gauges and plastic toggles as proudly as if he had just personally gave birth to it. "This will simplify your job to the point of a pleasant diversion, Madison."

"Are you going to keep paying me for staying with my little hobby?" I asked, suspiciously eyeing my chrome competitor.

"The Actuarvac poses no threat to your career. It will merely keep you from flying off on wild-goose chases. It will unvaryingly separate from the vast body of legitimate claims the phony ones they try to spike us for. Then all that remains is for you to gather the accessory details, the evidence to jail our erring customers."

"Fine," I said. I didn't bother to inform him that that was all my job had ever been.

McCain shuffled his cards. They were cards for the machine, listing new individual claims on company policies. Since the two-month-old machine was literate and could read typewriting, the cards weren't coded or punched. He read the top one. "Now this, for instance. No adjuster need investigate this accident. The circumstances obviously are such that no false claim could be filed. Of course, the brain will make an unfailing analysis of all the factors involved and clear the claim automatically and officially."

McCain threaded the single card into the slot for an example to me. He then flicked the switch and we stood there watching the monster ruminate thoughtfully. It finally rang a bell and spit the card back at Manhattan-Universal's top junior vice-president.

He took it like a man.

"That's what the machine is for," he said philosophically. "To detect human error. Hmm. What kind of a shove do you get out of this?"

He handed me the rejected claim card. I took it, finding a new, neatly typed notation on it. It said:

Investigate the Ozark village of Granite City.

"You want me to project it in a movie theater and see how it stands it all alone in the dark?" I asked.

"Just circle up the wagon train and see how the Indians fall," McCain said anxiously.

"It's too general. What does the nickel-brained machine mean by investigating a whole town? I don't know if it has crooked politics, a polygamy colony or a hideout for supposedly deported gangsters. I don't care much either. It's not my business. How could a whole town be filing false life and accident claims?"

"Find that out," he said. "I trust the machine. There have been cases of mass collusion before. Until you get back, we are making no more settlements with that settlement."

Research. To a writer that generally means legally permissible plagiarism. For an insurance adjuster, it means earnest work.

Before I headed for the hills, or the Ozark Mountains, I walked a few hundred feet down the hall and into the manual record files. The brain abstracted from empirical data but before I planed out to Granite City I had to find the basis for a few practical, nasty suspicions.

Four hours of flipping switches and looking at microfilm projections while a tawny redhead in a triangular fronted uniform carried me reels to order gave me only two ideas. Neither was very original. The one that concerned business was that the whole village of Granite City must be accident-prone.

I rejected that one almost immediately. While an accident-prone was in himself a statistical anomaly, the idea of a whole town of them gathered together stretched the fabric of reality to the point where even an invisible re-weaver couldn't help it.

There was an explanation for the recent rise in the accident rate down there. The rock quarry there had gone into high-level operation. I knew why from the floor, walls, ceiling border, table trimmings in the records room. They were all granite. The boom in granite for interior and exterior decoration eclipsed earlier periods of oak, plastics, wrought iron and baked clay completely. The distinctive grade of granite from Granite City was being put into use all over the planet and in the Officer's Clubs on the Moon and Mars.

Yet the rise in accident, compared to the rise in production, was out of all proportion.

Furthermore, the work at the quarry could hardly explain the excessive accident reports we had had from the village as far back as our records went.

We had paid off on most of the claims since they seemed irrefutably genuine. All were complete with eye-witness reports and authenticated circumstances.

There was one odd note in the melodic scheme: We had never had a claim for any kind of automobile accident from Granite City.

I shut off the projector.

It may be best to keep an open mind, but I have found in practice that you have to have some kind of working theory which you must proceed to prove is either right or wrong.

Tentatively, I decided that for generations the citizens of Granite City had been in an organized conspiracy to defraud Manhattan-Universal and its predecessors of hundreds upon hundreds of thousands of dollars in false accident claims.

Maybe they made their whole livelihood off us before the quarry opened up.

I used my pocket innercom and had my secretary get me a plane reservation and a gun.

After so many profitable decades, Granite City wasn't going to take kindly to my spoil-sport interference.

The Absinthe Flight to Springfield was jolly and relatively fast. Despite headwinds we managed Mach 1.6 most of the way. My particular stewardess was a blonde, majoring in Video Psychotherapy in her night courses. I didn't have much time to get acquainted or more than hear the outline of her thesis on the guilt purgings effected by The Life and Legend of Gary Cooper. The paunchy businessman in the next lounge was already nibbling the ear of his red-haired hostess. He was the type of razorback who took the girls for granted and aimed to get his money's worth. I gave Helen, the blonde, a kiss on the cheek and began flipping through the facsimiles in my briefcase as we chute-braked for a landing at the Greater Ozarks.

It took me a full five minutes to find out that I couldn't take a copter to Granite City. Something about downdrafts in the mountains.

Since that put me back in the days of horsepower, I trotted over to the automobile rental and hired a few hundred of them under the hood of a Rolls. That was about the only brand of car that fit me. I hadn't been able to get my legs into any other foreign car since I was fifteen, and I have steadfastly refused to enter an American model since they all sold out their birthrights as passenger cars and went over to the tractor-trailer combinations they used only for cargo trucks when I was a boy. Dragging around thirty feet of car is sheer nonsense, even for prestige.

It was a tiresome fifty-mile drive, on manual all the way after I left the radar-channel area of the city. Up and down, slowing for curves, flipping into second for the hills.

The whole trip hardly seemed worth it when I saw the cluster of painted frame buildings that was Granite City. They looked like a tumble of dingy building blocks tossed in front of a rolled-up indigo sports shirt. That was Granite Mountain in the near foreground. But I remembered that over the course of some forty years the people in these few little stacks of lumber had taken Manhattan-Universal for three quarters of a megabuck.

I turned off onto the gravel road, spraying my fenders with a hail of a racket. Then I stepped down hard on my brakes, bracing myself to keep from going through the windscreen. I had almost sideswiped an old man sitting at the side of the road, huddled in his dusty rags.

"Are you okay?" I yelled, thumbing down the window.

"I've suffered no harm at your hands—or your wheels, sir. But I could use some help," the old man said. "Could I trouble you for a lift when you leave town?"

I wasn't too sure about that. Most of these guys who are on the hobo circuit talking like they owned some letters to their names besides their initials belonged to some cult or other. I try to be as tolerant as I can, and some of my best friends are thugs, but I don't want to drive with them down lonely mountain roads.

"We'll see what we can work out," I said. "Right now can you tell me where I can find Marshal Thompson?"

"I can," he said. "But you will have to walk there."

"Okay. It shouldn't be much of a walk in Granite City."

"It's the house at the end of the street."

"It is," I said. "Why shouldn't I drive up there? The street's open."

The old man stared at me with red-shot eyes. "Marshal Thompson doesn't like people to run automobiles on the streets of Granite City."

"So I'll just lock the car up and walk over there. I couldn't go getting tire tracks all over your clean streets."

The old man watched as I climbed down and locked up the Rolls.

"You would probably get killed if you did run the car here, you know," he said conversationally.

"Well," I said, "I'll be getting along." I tried to walk sideways so I could keep an eye on him.

"Come back," he said, as if he had doubts.

The signs of a menacing conspiracy were growing stronger, I felt. I had my automatic inside my shirt, but I decided I might need a less lethal means of expression. Without breaking stride, I scooped up a baseball-size hunk of bluish rock from the road and slipped it into my small change pocket.

I have made smarter moves in my time.

As I approached the house at the end of the lane, I saw it was about the worse construction job I had seen in my life. It looked as architecturally secure as a four-year-old's drawing of his home. The angles were measurably out of line. Around every nail head were two nails bent out of shape and hammered down, and a couple of dozen welts in the siding where the hammer had missed any nail. The paint job was spotty and streaked. Half the panes in the windows were cracked. I fought down the dust in my nose, afraid of the consequences of a sneeze to the place.

My toe scuffed the top porch step and I nearly crashed face first into the front door. I had been too busy looking at the house, I decided. I knocked.

Moments later, the door opened.

The lean-faced man who greeted me had his cheeks crisscrossed with razor nicks and his shirt on wrong side out. But his eyes were bright and sparrow alert.

"Are you Mr. Marshal Thompson, the agent for Manhattan-Universal Insurance?" I put to him.

"I'm the marshal, name of Thompson. But you ain't the first to take my title for my Christian name. You from the company?"

"Yes," I said. "Were you expecting me?"

Thompson nodded. "For forty-one years."

Thompson served the coffee in the chipped cups, favoring only slightly his burned fingers.

Catching the direction of my glance, he said, "Company is worth a few scalds, Mr. Madison."

I accepted the steaming cup and somehow it very nearly slipped out of my hands. I made a last microsecond retrieve.

The marshal nodded thoughtfully. "You're new here."

"First time," I said, sipping coffee. It was awful. He must have made a mistake and put salt into it instead of sugar.

"You think the claims I've been filing for my people are false?"

"The home office has some suspicions of that," I admitted.

"I don't blame them, but they ain't. Look, the company gambles on luck, doesn't it?"

"No. It works on percentages calculated from past experience."

"But I mean it knows that there will be, say, a hundred fatal car crashes in a day. But it doesn't know if maybe ninety of them will be in Iowa and only ten in the rest of the country."

"There's something to that. We call it probability, not luck."

"Well, probability says that more accidents are going to occur in Granite City than anywhere else in the country, per capita."

I shook my head at Thompson. "That's not probability. Theoretically, anything can happen but I don't—I can't—believe that in this town everybody has chanced to be an accident prone. Some other factor is operating. You are all deliberately faking these falls and fires—"

"We're not," Thompson snapped.

"Or else something is causing you to have this trouble. Maybe the whole town is a bunch of dope addicts. Maybe you grow your own mescalin or marijuana; it's happened before."

Thompson laughed.

"Whatever is going on, I'm going to find it out. I don't care what you do, but if I can find a greater risk here and prove it, the Commission will let us up our rates for this town. Probably beyond the capacity of these people, I'm afraid."

"That would be a real tragedy, Mr. Madison. Insurance is vital to this town. Nobody could survive a year here without insurance. People pay me for their premiums before they pay their grocery bills."

I shrugged, sorrier than I could let on. "I won't be able to pay for my own groceries, marshal, if I don't do the kind of job the company expects. I'm going to snoop around."

"All right," he said grudgingly, "but you'll have to do it on foot."

"Yes, I understood you didn't like cars on your streets. At least not the cars of outsiders."

"That doesn't have anything to do with it. Nobody in Granite City owns a car. It would be suicide for anybody to drive a car, same as it would be to have a gas or oil stove, instead of coal, or to own a bathtub."

I took a deep breath.

"Showers," Thompson said. "With nonskid mats and handrails."

I shook hands with him. "You've been a great help."

"Four o'clock," he said. "Roads are treacherous at night."

"There's always a dawn."

Thompson met my eyes. "That's not quite how we look at it here."

II

The quarry was a mess.

I couldn't see any in the way they sliced the granite out of the mountain. The idea of a four-year-old—a four-year-old moron—going after a mound of raspberry ice cream kept turning up in my mind as I walked around.

The workmen were gone; it was after five local time. But here and there I saw traces of them. Some of them were sandwich wrappers and cigarette stubs, but most of the traces were smears of blood. Blood streaked across sharp rocks, blood oozing from beneath heavy rocks, blood smeared on the handles and working surfaces of sledge hammers and tools. The place was as gory as a battlefield.

"What are you looking for, bud?"

The low, level snarl had come from a burly character in a syn-leather jacket and narrow-brimmed Stetson.

"The reason you have so many accidents here," I said frankly. "I'm from the insurance company. Name's Madison."

"Yeah, I know."

I had supposed he would.

"I'm Kelvin, the foreman here," the big man told me, extending a ham of a fist to be shook. "Outside, doing my Army time, I noticed that most people don't have as many slipups as we do here. Never could figure it out."

"This rock is part of it—"

"What do you mean by that!" Kelvin demanded savagely.

"I mean the way you work it. No system to it. No stratification, no plateau work..."

"Listen, Madison, don't talk about what you don't know anything about. The stuff in these walls isn't just rock; it isn't even plain granite. Granite City exports some of the finest grade of the stone in the world. And it's used all over the world. We aren't just a bunch of meatheaded ditch diggers—we are craftsmen. We have to figure a different way of getting out every piece of stone."

"It's too bad."

"What's too bad?"

"That you chose the wrong way so often," I said.

Kelvin breathed a virile grade of tobacco into my face. "Listen, Madison, we have been working this quarry for generations, sometimes more of us working than other times. Today most of us are working getting the stone out. That's the way we like it. We don't want any outsider coming in and interfering with that."

"If this quarry has anything to do with defrauding Manhattan-Universal, I can tell you that I will do something about that!"

As soon as my teeth clicked back together, the sickening feeling hit me that I shouldn't have said that.

The general store was called a supermarket, but it wasn't particularly superior.

I took a seat at the soda fountain and took a beer, politely declining the teen-age clerk's offer of a shot of white lightning from the Pepsi-Cola fountain syrup jug for a quarter.

Behind me were three restaurant tables and one solitary red-upholstered booth. Two men somewhere between forty and sixty sat at the nearest table playing twenty-one.

Over the foam of my stein I saw the old man I had almost run down in the road. He marched through the two-thirds of the building composed of rows of can goods and approached the fat man at the cash register.

"Hello, Professor," the fat man said. "What can we do for you?"

"I'd like to mail a letter," he said in an urgent voice.

"Sure, Professor, I'll send it right off on the facsimile machine as soon as I get a free moment."

"You're sure you can send it? Right away?"

"Positive. Ten cents, Professor."

The professor fumbled in his pants' pocket and fished out a dime. He fingered it thoughtfully.

"I suppose the letter can wait," he said resignedly. "I believe I will buy a pair of doughnuts, Mr. Haskel."

"Why not get a hamburger, Professor? Special sale today. Only a dime. And since you're such a good customer I'll throw in a cup of coffee and the two sinkers for nothing."

"That's—kind of you," the old man said awkwardly.

Haskel shrugged. "A man has to eat."

The man called "the professor" came over and sat down two stools away, ignoring me. The clerk dialed his hamburger and served it.

I stayed with my beer and my thoughts.

More and more, I was coming to believe that Granite City wasn't a job for an investigative adjuster like myself but a psychological adjuster. Crime is a structural flaw in a community, yes. But when the whole society is criminal, distorted, you can't isolate the flaw. The whole village was meat for a sociologist; let him figure out why otherwise decent citizens felt secure in conspiracy to defraud an honored corporation.

I didn't feel that I was licked or that the trip had been a failure. I had merely established to my intuitive satisfaction that the job was not in my field.

I glanced at the old man. The proprietor of the store knew him and evidently thought him harmless enough to feed.

"I think I can make it down the mountain before dark, Old Timer," I called over to him. "You can come along if you like."

The acne-faced kid behind the counter stared at me. I looked over and caught the bright little eyes of Haskel, the proprietor, too. Finally, the old professor turned on his stool, his face pale and his eyes sad and resigned.

"I doubt very much if either of us will be leaving, Mr. Madison," he said. "Now."

I took my beer and the professor his coffee over to the single booth. We looked at each other across the shiny table and our beverage containers.

"I am Doctor Arnold Parnell of Duke University," the professor said. "I left on my sabbatical five months ago. I have been here ever since."

I looked at his clothes. "You must not have been very well fixed for a year's vacation, Professor."

"I," he said, "have enough traveler's checks with me to paper a washroom. Nobody in this town will cash them for me."

"I can understand why you want to go somewhere where people are more trusting in that case."

"They know the checks are good. It's me they refuse to trust to leave this place. They think they can't let me go."

"I don't see any shackles on you," I remarked.

"Just because you can't see them," he growled, "doesn't mean they aren't there. Marshal Thompson has the only telephone in the village. He has politely refused to let me use it. I'm a suspicious and undesirable character; he's under no obligation to give me telephone privileges, he says. Haskel has the Post Office concession—the Telefax outfit behind the money box over there. He takes my letters but I never see him send them off. And I never get a reply."

"Unfriendly of them," I said conservatively. "But how can they stop you from packing your dental floss and cutting out?"

"Haskel has the only motor vehicle in town—a half-ton pick-up, a minuscule contrivance less than the size of a passenger car. He makes about one trip a week down into the city for supplies and package mail. He's been the only one in or out of Granite City for five months."

It seemed incredible—more than that, unlikely, to me. "How about the granite itself? How do they ship it out?"

"It's an artificial demand product, like diamonds," Professor Parnell said. "They stockpile it and once a year the executive offices for the company back in Nashville runs in a portable monorail railroad up the side of the mountain to take it out. That won't be for another four months, as nearly as I can find out. I may not last that long."

"How are you living?" I asked. "If they won't take your checks—"

"I do odd jobs for people. They feed me, give me a little money sometimes."

"I can see why you want to ride out with me," I said. "Haven't you ever thought of just walking out?"

"Fifty miles down a steep mountain road? I'm an old man, Mr. Madison, and I've gotten even older since I came to Granite City."

I nodded. "You have any papers, any identification, to back this up?"

Wordlessly, he handed over his billfold, letters, enough identification to have satisfied Allen Pinkerton or John Edgar Hoover.

"Okay," I drawled. "I'll accept your story for the moment. Now answer me the big query: Why are the good people of Granite City doing this to you? By any chance, you wouldn't happen to know of a mass fraud they are perpetrating on Manhattan-Universal?"

"I know nothing of their ethical standards," Parnell said, "but I do know that they are absolutely subhuman!"

"I admit I have met likelier groups of human beings in my time."

"No, understand me. These people are literally subhuman—they are inferior to other human beings."

"Look, I know the Klan is a growing organization but I can't go along with you."

"Madison, understand me, I insist. Ethnologically speaking, it is well known that certain tribes suffer certain deficiencies due to diet, climate, et cetera. Some can't run, sing, use mathematics. The people of Granite City have the most unusual deficency on record, I admit. Their psionic senses have been impaired. They are completely devoid of any use of telepathy, precognition, telekinesis."

"Because they aren't supermen, that doesn't mean that they are submen," I protested. "I don't have any psionic abilities either."

"But you do!" Parnell said earnestly. "Everybody has some psionics ability, but we don't realize it. We don't have the fabulous abilities of a few recorded cases of supermen, but we have some, a trace. Granite City citizens have no psionic ability whatsoever, not even the little that you and I and the rest of the world have!"

"You said you were Duke University, didn't you?" I mused. "Maybe you know what you are talking about; I've never been sure. But these people can't suffer very much from their lack of what you call psi ability."

"I tell you they do," he said hoarsely. "We never realize it but we all have some power of precognition. If we didn't, we would have a hundred accidents a day—just as these people do. They can't foresee the bump in the road the way we can, or that that particular match will flare a little higher and burn their fingers. There are other things, as well. You'll find it is almost impossible to carry on a lengthy conversation with any of them—they have no telepathic ability, no matter how slight, to see through the semantic barrier. None of them can play ball. They don't have the unconscious psionic ability to influence the ball in flight. All of us can do that, even if the case of a 'Poltergeist' who can lift objects is rare."

"Professor, you mean these people are holding you here simply so you won't go out and tell the rest of the world that they are submen?"

"They don't want the world to know why they are psionically subnormal," he said crisply. "It's the granite! I don't understand why myself. I'm not a physicist or a biologist. But for some reason the heavy concentration and particular pattern of the radioactive radiation in its matrix is responsible for both inhibiting the genes that transmit psi powers from generation to generation and affecting those abilities in the present generation. A kind of psionic sterility."

"How do you know this?"

"We haven't the time for all that. But think about it. What else could it be? It's that granite that they are shipping all over the world, spreading the contamination. I want to stop that contamination. To the people of Granite City that means ruining their only industry, putting them all out of work. They are used to this psionic sterility; they don't see anything so bad about it. Besides, like everybody else, they have some doubts that there really are such things as telepathy and the rest to be affected."

"Frankly," I said, hedging only a little, "I don't know what to make of your story. This is something to be decided by somebody infallible—like the Pope or the President or Board Chairman of Manhattan-Universal. But the first thing to do is get you out of here. We had better get back to my car. I've got good lights to get down the mountain."

Parnell jumped up eagerly, and brushed over his china mug, staining the tabletop with brown caffeine.

"Sorry," he said. "I should have been precognizant of that. I try to stay away from the rock as much as possible, but it's getting to me."

I should have remembered something then. But, naturally, I didn't.

It was the time when you could argue about whether it was twilight or night. In the deep dusk, the Rolls looked to be a horror-flicker giant bug. I fumbled for the keys. Then the old man made me break stride by digging narrow fingers into my bicep.

Marshal Thompson and the bulky quarry foreman, Kelvin, stepped out of the shadow of the car.

"First, throw away that gun of yours, Mr. Madison," the marshal said.

I looked at his old pistol that must have used old powder cartridges, instead of liquid propellants, and forked out my Smith & Wesson with two fingers, letting it plop at my feet.

"I'm afraid we can't let you spread the professor's lies, Mr. Madison," Thompson said.

"You planning on killing me?" I asked with admirable restraint.

"I hope not. You can have the run of the town, like the professor. I'll tell your company you are making a thorough investigation. Then maybe in a few weeks or months I can arrange so it looks like you were killed—someplace outside."

"We don't aim to let any crazy fanatic like Parnell ruin our business, our whole town," Kelvin interjected bitterly.

I took a pause to make abstractions on the situation. I glanced at the little man at my right. "Parnell, my car is our only chance of getting out of here. If they stop us from getting in that car, we'll be bums here on town charity for the rest of our lives."

"No!" Parnell gave a terrier yell and charged the gun in the old marshal's hand.

It seemed as if it would take me too long to recover my gun from the dirt, but almost instinctively I felt the rock in the pocket of my pants.

I scooped out the sample of granite and heaved it at the head of the old cop. But my control seemed completely shot. It missed the old man's head with an appalling gap and hit the roof of the Rolls.

Fortunately, the granite radiations didn't influence non-human-oriented factors of chance. The stone bounced off the car and struck the marshal's gun hand.

Thompson dropped his gun and I reached for mine in the dust, vaguely aware of Kelvin pumping toward me.

I straightened up. He led with his right, of all damn things. I blocked it with my gun hand and let him have my left in the midst of his solar plexus. He crumpled prettier than a paper doll.

When the dust cleared, Professor Parnell was sitting on Thompson's chest.

"Hooray," I said, "for our side."

The people had made one mistake. They thought people would believe us.

Parnell and I broke the story to some newspaper friends of mine. They gave it a play in the mistaken belief the professor and I were starting our own cult, and the equal-time law is firm. But nobody paid any more attention to us than to the Hedonists, the Klan, the Soft-shelled Baptists or the Reformed Agnostics.

I tried to get Thad McCain to realize all the money this cursed granite was costing us in accident claims, but it wasn't easy. Manhattan-Universal owned stock in Granite City Products, Inc. And we had spent a quarter of a megabuck modernizing our offices with granite only months before.

"McCain," I said earnestly, "will you just let me feed the new data we've got from Parnell into the Actuarvac? It's infallible. See what it says."

"Very well," McCain said with a sigh. He let me feed the big brain the hypothesis I had got from Parnell. It chattered to itself for some minutes and at last flipped a card into the slot.

I dug the pasteboard out and read it. It said:

No such place as Granite City exists.

"The rock has got to the machine," I screamed. "Chief, this brain is stoned. It's made a mistake. We know there is such a place."

"Nonsense, my boy," McCain said in a fatherly way. "The Actuarvac merely means that no such place as you erroneously described could possibly exist. Why don't you try one of our Hedonist revival meetings tonight?"

Things have got steadily worse since then.

So far nobody has made the big mistake of dropping an H-bomb on anyone, but that's probably because all the governments made so many smaller mistakes the people made the mistake (or was it?) of kicking them out for almost absolute anarchy. But the individuals are doing worse than the governments...if that's possible.

People have given up going anywhere except by foot, for the most part.

Granite City granite is still as widely disbursed and almost as highly prized as South African diamonds.

I hope we will find some way out of our current world crisis, although I can't imagine what it will be.

Meanwhile, I hope you will excuse any typographical errors. It seems as if I just can't seem to hit the right keys on my typewriter any more, as my—and all of our—psionic sterility increases.

I ask hugh—wear wall it owl end?

*** END OF THE PROJECT GUTENBERG EBOOK DANGEROUS QUARRY ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- DANGEROUS QUARRY

- THE FULL PROJECT GUTENBERG LICENSE