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Title: The Four-Masted Cat-Boat, and Other Truthful Tales

Author: Charles Battell Loomis

Illustrator: Florence Scovel Shinn

Release date: November 23, 2020 [eBook #63863]

Language: English

Credits: Produced by D A Alexander, John Campbell and the Online
        Distributed Proofreading Team at https://www.pgdp.net (This
        file was produced from images generously made available
        by The Internet Archive)


*** START OF THE PROJECT GUTENBERG EBOOK THE FOUR-MASTED CAT-BOAT, AND OTHER TRUTHFUL TALES ***




Produced by D A Alexander, John Campbell and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)









  TRANSCRIBER’S NOTE

  Italic text is denoted by _underscores_.

  The name Dvořák uses the letter r with a caron; this letter may
  display incorrectly on some devices.

  Some minor changes to the text are noted at the end of the book.




                            The Four-Masted
                                Cat-Boat

                             [Illustration]




                                   The
                            Four-Masted Cat-Boat
                          And Other Truthful Tales

                                   By
                           Charles Battell Loomis

                           With illustrations by
                           Florence Scovel Shinn

                              [Illustration]

                                 New York
                              The Century Co.
                                   1899




                            Copyright, 1899, by
                              THE CENTURY CO.


                            THE DE VINNE PRESS.




                               TO MY BROTHER

                         HARVEY WORTHINGTON LOOMIS

                         I DEDICATE THIS COLLECTION

                                OF SKETCHES

                                             C. B. L.




Preface


To send a book into the world without a preface is like thrusting
a bashful man into a room full of company without introducing him;
and there could be only one thing worse than that,--to a bashful
man,--and that would be to introduce him.

In introducing my book to the reader (how like a book-agent that
sounds!) I wish to say that the only bond of union between the
various sketches is that they were all done by the same hand--or
hands, as they were written on a typewriter.

Whether it would have added to their interest to have placed the same
characters in each sketch is not for me to say, but it would have
been a great bother to do it, and in getting up a book the thing
to avoid is bother. It hasn’t bothered me to write it. I hope it
won’t bother you to read it, for I’d hate to have you bothered on my
account.

    C. B. L.




Contents


        A FEW IDIOTISMS

                                                      PAGE

  I. THE FOUR-MASTED CAT-BOAT                            1

  II. THE POOR WAS MAD                                   7

  III. A PECULIAR INDUSTRY                              10

  IV. GRIGGS’S MIND                                     14

  V. THE SIGNALS OF GRIGGS                              21

  VI. À LA SHERLOCK HOLMES                              25

  VII. MY SPANISH PARROT                                30

  VIII. “TO MEET MR. CAVENDISH”                         35

  IX. INSTINCT SUPPLIED TO HENS                         41

  X. A SPRING IDYL                                      46

  XI. AN INVERTED SPRING IDYL                           49

  XII. AT THE CHESTNUTS’ DINNER                         52

  XIII. THE ROUGH WORDS SOCIETY                         57

  XIV. A NEW USE FOR HORSES                             63

  XV. A CALCULATING BORE                                67

  XVI. AN URBAN GAME                                    71

  XVII. “DE GUSTIBUS”                                   75

  XVIII. “BUFFUM’S BUSTLESS BUFFERS”                    79


        AT THE LITERARY COUNTER

  XIX. “THE FATHER OF SANTA CLAUS”                      85

  XX. THE DIALECT STORE                                 92

  XXI. “FROM THE FRENCH”                               100

  XXII. ON THE VALUE OF DOGMATIC UTTERANCE 107

  XXIII. THE SAD CASE OF DEACON PERKINS                112

  XXIV. THE MISSING-WORD BORE                          118

  XXV. THE CONFESSIONS OF A CRITIC                     122

  XXVI. HOW ’RASMUS PAID THE MORTGAGE                  128

  XXVII. ’MIDST ARMED FOES                             137

  XXVIII. AT THE SIGN OF THE CYGNET                    141

  XXIX. A SCOTCH SKETCH                                146


        UNRELATED STORIES--RELATED

  XXX. EPHRATA SYMONDS’S DOUBLE LIFE                   153

  XXXI. A STRANGER TO LUCK                             161

  XXXII. CUPID ON RUNNERS                              173

  XXXIII. MY TRUTHFUL BURGLAR                          183

  XXXIV. THE MAN WITHOUT A WATCH                       189

  XXXV. THE WRECK OF THE “CATAPULT”                    201


        ESSAYS AT ESSAYS

  XXXVI. THE BULL, THE GIRL, AND THE RED SHAWL         211

  XXXVII. CONCERNING DISH-WASHING                      219

  XXXVIII. A PERENNIAL FEVER                           225

  XXXIX. “AMICUS REDIVIVUS”                            231

  XL. THE PROPER CARE OF FLIES                         236


NOTE

  I am indebted to the editors of the “Century”, the “Saturday
  Evening Post,” “Harper’s Bazaar,” “Puck,” the “Critic,” the
  “Criterion,” and the S. S. McClure Syndicate for permission to
  use the articles which first met printers’ ink in their columns.

        C. B. L.




A FEW IDIOTISMS

[Illustration]




I

THE FOUR-MASTED CAT-BOAT

AN ETCHING OF THE SEA, BY A LANDLUBBER


The sea lay low in the offing, and as far as the eye could reach,
immense white-caps rode upon it as quietly as pond-lilies on the
bosom of a lake.

Fleecy clouds dotted the sky, and far off toward the horizon a
full-rigged four-masted cat-boat lugged and luffed in the calm
evening breezes. Her sails were piped to larboard, starboard,
and port; and as she rolled steadily along in the heavy wash and
undertow, her companion-light, already kindled, shed a delicate ray
across the bay to where the dull red disk of the sun was dipping its
colors.

Her cordage lay astern, in the neat coils that seamen know so well
how to make. The anchor had been weighed this half-hour, and the
figures put down in the log; for Captain Bliffton was not a man to
put off doing anything that lay in the day’s watch.

Away to eastward, two tiny black clouds stole along as if they were
diffident strangers in the sky, and were anxious to be gone. Now and
again came the report of some sunset gun from the forts that lined
the coast, and sea-robins flew with harsh cries athwart the sloop of
fishing-boats that were beating to windward with gaffed topsails.

“Davy Jones’ll have a busy day to-morrow,” growled Tom Bowsline, the
first boatswain’s mate.

“Meaning them clouds is windy?” answered the steward, with a glance
to leeward.

“The same,” answered the other, shaking out a reef, and preparing to
batten the tarpaulins. “What dinged fools them fellers on the sloop
of fishin’-ships is! They’ve got their studdin’sails gaffed and the
mizzentops aft of the gangway; an’ if I know a marlinspike from a
martingale, we’re goin’ to have as pretty a blow as ever came out of
the south.”

And, indeed, it did look to be flying in the face of Providence, for
the mackerel-ships, to the last one, were tugging and straining to
catch the slightest zephyr, with their yard-arms close-hauled and
their poop-decks flush with the fo’c’sle.

The form of the captain of the cat-boat was now visible on the
stairs leading to the upper deck. It needed but one keen glance in
the direction of the black clouds--no longer strangers, but now
perfectly at home and getting ugly--to determine his course. “Unship
the spinnaker-boom, you dogs, and be quick about it! Luff, you idiot,
luff!” The boatswain’s first mate loved nothing better than to luff,
and he luffed; and the good ship, true to her keel, bore away to
northward, her back scuppers oozing at every joint.

“That was ez neat a bit of seamanship ez I ever see,” said Tom
Bowsline, taking a huge bite of oakum. “Shiver my timbers! if my
rivets don’t tremble with joy when I see good work.”

“Douse your gab, and man the taff-rail!” yelled the captain; and Tom
flew to obey him. “Light the top-lights!”

[Illustration]

A couple of sailors to whom the trick is a mere bagatelle run nimbly
out on the stern-sprit and execute his order; and none too soon, for
darkness is closing in over the face of the waters, and the clouds
come on apace.

A rumble of thunder, followed by a blinding flash, betokens that
the squall is at hand. The captain springs adown the poop, and in a
hoarse voice yells out: “Lower the maintop; loosen the shrouds; luff
a little--steady! Cut the main-brace, and clear away the halyards. If
we don’t look alive, we’ll look pretty durn dead in two shakes of a
capstan-bar. All hands abaft for a glass of grog.”

The wild rush of sailors’ feet, the creaking of ropes, the curses of
those in the rear, together with the hoarse cries of the gulls and
the booming of the thunder, made up a scene that beggars description.
Every trough of the sea was followed by a crest as formidable, and
the salt spray had an indescribable brackish taste like bilge-water
and ginger-ale.

After the crew had finished their grog they had time to look to
starboard of the port watch, and there they beheld what filled them
with pity. The entire sloop of mackerel-ships lay with their keels up.

“I knowed they’d catch it if they gaffed their studdin’sails,” said
Tom, as he shifted the quid of oakum.

The full moon rose suddenly at the exact spot where the sun had set.
The thunder made off, muttering. The cat-boat, close-rigged from
hand-rail to taff-rail, scudded under bare poles, with the churning
motion peculiar to pinnaces, and the crew involuntarily broke into
the chorus of that good old sea-song:

      The wind blows fresh, and our scuppers are astern.




II

THE POOR WAS MAD

A FAIRY SHTORY FOR LITTLE CHILDHER


Wance upon a toime the poor was virry poor indade, an’ so they wint
to a rich leddy that was that rich that she had goold finger-nails,
an’ was that beautifil that it ’u’d mek you dopey to luke at her.
An’ the poor asht her would she give thim the parin’s of her goold
finger-nails fer to sell. An’ she said she would that, an’ that ivery
Chuesdeh she did be afther a-parin’ her nails. So of a Chuesdeh the
poor kem an’ they tuke the goold parin’s to a jewel-ery man, an’ he
gev thim good money fer thim. Wasn’t she the koind leddy, childher?
Well, wan day she forgot to pare her nails, an’ so they had nothin’
to sell. An’ the poor was mad, an’ they wint an’ kilt the leddy
intoirely. An’ whin she was kilt, sorra bit would the nails grow
upon her, an’ they saw they was silly to kill her. So they wint out
to sairch fer a leddy wid silver finger-nails. An’ they found her,
an’ she was that beautifil that her face was all the colors of the
rainbow an’ two more besides. An’ the poor asht her would she give
thim the parin’s of her silver finger-nails fer to sell. An’ she
said that she would that, an’ that ivery Chuesdeh she did be afther
a-parin’ her nails. So of a Chuesdeh the poor kem an’ they tuke the
silver parin’s to the jewel-ery man, an’ he gev thim pretty good
money fer thim, but not nair as good as fer the goold. But he was the
cute jewel-ery man, wasn’t he, childher? Well, wan day she forgot to
pare her nails, an’ so they had nothin’ to sell. An’ the poor was
mad, an’ they wint an’ kilt the leddy intoirely. An’ whin she was
kilt, sorra bit would the nails grow upon her, an’ they saw they was
silly to kill her. So they wint out to sairch for a leddy wid tin
finger-nails. An’ they found her, an’ she was that beautifil that
she would mek you ristless. An’ the poor asht her would she give
thim the parin’s of her tin finger-nails fer to sell. An’ she said
she would that, an’ that ivery Chuesdeh she did be afther a-parin’
her nails. So of a Chuesdeh the poor kem. An’ did they git the tin
nails, childher? Sure, that’s where y’ are out. They did not, fer the
leddy had lost a finger in a mowin’-machine, an’ she didn’t have tin
finger-nails at arl, at arl--only noine.

[Illustration]




III

A PECULIAR INDUSTRY


The sign in front of the dingy little office on a side-street,
through which I was walking, read:

  JO COSE AND JOCK EWLAH
        FUNSMITHS

Being of an inquisitive turn of mind, I went in. A little dried-up
man, who introduced himself as Mr. Cose, greeted me cheerily. He said
that Mr. Ewlah was out at lunch, but he’d be pleased to do what he
could for me.

“What is the nature of your calling?” asked I.

“It is you who are calling,” said he, averting his eyes. Then he
assumed the voice and manner of a “lecturer” in a dime museum, and
rattled along as follows:

“We are in the joke business. Original and second-hand jokes bought
and sold. Old jokes made over as good as new. Good old stand-bys
altered to suit the times. Jokes cleaned and made ready for the
press. We do not press them ourselves. Joke expanders for sale cheap.
Also patent padders for stories--”

I interrupted the flow of his talk to ask him if there was much
demand for the padders.

“Young man,” said he, “do you keep up with current literature?”

Then he went over to a shelf on which stood a long line of bottles
of the size of cod-liver-oil bottles, and taking one down, he said:
“Now, here is Jokoleine, of which we are the sole agents. This will
make a poor joke salable, and is in pretty general use in the city,
although some editors will not buy a joke that smells of it.”

I noticed a tall, black-haired, Svengalic-looking person in an inner
room, and I asked Mr. Cose who he was.

“That is our hypnotizer. The most callous editors succumb to his
gaze. Take him with you when you have anything to sell. We rent him
at a low figure, considering how useful he is. He has had a busy
season, and is tired out, but that is what we pay him for. If he
were to die you’d notice a difference in many of the periodicals.
The poorer the material, the better pleased he is to place it. It
flatters his vanity.”

[Illustration]

I assured him that I was something of a hypnotist myself, and,
thanking him for his courtesy, was about to come away, when he picked
up what looked like a box of tacks and said:

“Here are points for pointless jokes. We don’t have much sale for
them. Most persons prefer an application of Jokoleine. A recent
issue of a comic weekly had sixty jokes and but one point, showing
conclusively that points are out of fashion in some editorial rooms.

“A man came in yesterday,” rattled on the senior member, “and asked
if we bought hand-made jokes, and before we could stop him he said
that by hand-made jokes he meant jokes about servant-girls. We gave
him the address of ‘Punch.’”

At this point I shook hands with Mr. Cose, and as I left he was
saying: “For a suitable consideration we will guarantee to call
anything a joke that you may bring in, and we will place it without
hypnotic aid or the use of Jokoleine. It has been done before.”

And as I came away from the sound of his voice, I reflected that it
had.




IV

GRIGGS’S MIND


The other day I met Griggs on the cars. Griggs is the man with the
mind. Other people have minds, but they’re not like Griggs’s. He
lives in Rutherford, New Jersey, and is, like me, a commuter, and as
neither of us plays cards nor is interested in politics, and as we
have tabooed the weather as a topic, it almost always happens that
when we meet, we, or rather he, falls back on his mind as subject for
conversation. For my part, my daily newspaper would be all-sufficient
for my needs on the way to town; but it pleases Griggs to talk, and
it’s bad for my eyes to read on the cars, so I shut them up and
cultivate the air of listening, the while Griggs discourses.

I had recently read in the Contributors’ Club of the “Atlantic,” an
article by a woman, who said that the letters of the alphabet seemed
to be variously colored in her mind; that is, her mental picture gave
to one letter a green hue, to another red, and so on. I spoke of
this to Griggs, and he was much interested. He said that the sound
of a cornet was always red to him. I asked him whether it made any
difference who blew it, but Griggs scorns to notice puns, and he
answered: “Not a particle. I don’t pretend to explain it, but it is
so. Likewise, to me the color of scarlet tastes salt, while crimson
is sweet.”

I opened my eyes and looked at him in amazement. It sounded like
a bit out of “Alice in Wonderland.” Then I remembered that it
was Griggs who was talking, and that he has a mind. When I don’t
understand something about Griggs, I lay it to his mind and think no
more about it. So I shut my eyes again and listened.

“By the way,” said he, “how does time run in your mind?”

“Why, I never thought of its running at all, although it passes
quickly enough, for the most part!”

“But hasn’t it some general direction? Up or down, north or south,
east or west?”

“Griggs,” said I, “is this your mind?”

“Yes,” said he.

“Well, go ahead; fire it off; unfold your kinks!” said I, leaning
back in my seat; “but kindly remember that I have no mind, and if
you can’t put it in words of one syllable, talk slowly so that I can
follow you.”

He promised to put it as plainly as though he were talking to his
youngest, aged three; and, with this assurance, my cerebrum braced
itself, so to speak, and awaited the onslaught.

“My idea of the direction of time in all its divisions and
subdivisions is as follows--”

“Say, Griggs,” said I, “let’s go into the smoker. A little oil of
nicotine always makes my brain work easier.”

When we were seated in the smoker, and had each lighted a cigar, he
went on:

“Assuming that I am facing the north, far in the southwest is the
Garden of Eden and the early years of recorded time. Moving eastward
run the centuries, and the years to come and the end of the world are
in the far east.”

I felt slightly bewizzled, but I gripped the seat in front of me and
said nothing.

“My mental picture of the months of the year is that January is far
to the north. The months follow in a more or less zigzag, easterly
movement, until we find that July and August have strayed far south.
But the autumn months zigzag back, so that by the time December
sweeps coldly by she is twelve months east of January, and then the
new January starts on a road of similar direction. You still observe
that the current of time sets toward me instead of away from me.”

What could I do but observe that it did? I had the inside seat, and
Griggs has an insistent way about him, so I generally observe just
when he asks me to, and thus avoid friction. Then, too, I always
feel flattered when Griggs condescends to talk at me and reveal the
wonders of his mind. So I observed heartily, and puffed away at my
cigar, while he continued:

“The direction of the week-days is rather hazy in my mind--”

[Illustration]

I begged him not to feel low-spirited about it--that it would
probably seem clear to him before long; but I don’t think he heard
me, for he went right on: “But it is a somewhat undulatory movement
from west to east, Sundays being on the crest of each wave. Coming
to the hours, I picture them as running, like the famous mouse,
‘down the clock,’ the early day-light being highest. The minutes
and seconds refuse to be marshaled into line, but go ticking on to
eternity helter-skelter, yet none the less inevitably.”

I rather admired the independence of the minutes and seconds in
refusing to be ordered about even by his mind; but, of course, I
didn’t tell him so. On the contrary, I congratulated him on the
highly poetic way in which he was voicing his sentiments.

Just then we came into the station, and an acquaintance of his
buttonholed him and lugged him off, for Griggs is quite a favorite,
in spite of his mind. I was sorry, for I had wanted to ask him where
the moments and instants seem bound for in his brain. I did manage,
just as we were leaving the boat at Chambers Street, to tell him that
I was going to be in the Augustan part of the city at noon, and
would be pleased to take him out to lunch, if he ran across me; but
he must have mistaken the month, as I ate my luncheon alone. I dare
say he understood me to say January, and wandered all over Harlem
looking for me. How unpleasant it must be to have a mind!




V

THE SIGNALS OF GRIGGS


You may remember Griggs as the man who had a mind. At the time that
I wrote about that useful member of his make-up he was living out in
New Jersey; but he was finally brought to see the error of his ways,
and took the top flat in a nine-story house without an elevator, ’way
up-town.

The other evening I went to call on the Griggses. He had not yet
come home, but his wife let me in and helped me to a sofa to recover
from the effects of my climb. I have been up the Matterhorn, Mont
Blanc, and Popocatepetl, but I never felt so exhausted as I did after
walking up those nine frightful flights. And Mrs. Griggs told me that
she thought nothing of running up- and down-stairs a dozen times a
day, which was a sad commentary on her truthfulness.

After I was there a few minutes, trying to get used to the notes
of two lusty and country-bred children (offspring of Mr. and Mrs.
Griggs), there came a feeble and dejected ring at the front-door
bell. Mrs. Griggs hastened to the kitchen,--they do not keep a
servant (that was their trouble in New Jersey, but now they don’t
want to),--and after pressing the electric button that opened the
front door, she said: “That’s poor Mr. Griggs. He must be feeling bad
to-night, and I must put the children to bed before he gets up, as he
is too nervous to stand their noise.”

I was somewhat astonished, but she ripped the clothes off of her buds
of promise and popped them into bed with a skill and rapidity that
would have secured her a position on the vaudeville stage. After they
were covered up she returned to me. Of course Mr. Griggs had not yet
arrived, and I asked her how she knew he was tired.

[Illustration]

“Why, we have a code of signals. Mr. Griggs invented them. When he
has done well down-town, he taps out a merry peal on the bell, and
then I tell the children to greet him at the hall door and prepare
for a romp. When the bell rings sharply I know that he is in no humor
for fun, but will tolerate the children if they are quiet. But when
he rings slowly and faintly, as he did to-night, I always put the
dears to bed, as I know he has had bad luck and is worn out.”

As she spoke, Griggs opened the hall door and staggered in, weak
from his superhuman climb and worn out from his day’s work. I said:
“Good-by, old man; I’ll call some day when you’re going to give the
bell the glad hand. You seem cozily situated.” And then I came down
in the dumb-waiter, although I suppose it was risky.

What a great thing is an electric bell! But how much greater is an
inventive mind like that of Griggs.




VI

À LA SHERLOCK HOLMES


Jones and I recently had occasion to take a drive of four or five
miles in upper Connecticut. We were met at the station by Farmer
Phelps, who soon had us snugly wrapped in robes and speeding over
the frozen highway in a sleigh. It was bitter cold weather--the
thermometer reading 3° above zero. We had come up from Philadelphia,
and to us such extreme cold was a novelty, which is all we could say
for it.

As we rode along, Jones fell to talking about Conan Doyle’s detective
stories, of which we were both great admirers--the more so as Doyle
has declared Philadelphia to be the greatest American city. It turned
out that Mr. Phelps was familiar with the “‘Meemoirs’ of Sherlock
Holmes,” and he thought there was some “pretty slick reasonin’” in
it. “My girl,” said he, “got the book out er the library an’ read it
aout laoud to my woman an’ me. But of course this Doyle had it all
cut an’ dried afore he writ it. He worked backwards an’ kivered up
his tracks, an’ then started afresh, an’ it seems more wonderful to
the reader than it reely is.”

“I don’t know,” said Jones; “I’ve done a little in the observation
line since I began to read him, and it’s astonishing how much a man
can learn from inanimate objects, if he uses his eyes and his brain
to good purpose. I rarely make a mistake.”

Just then we drove past an outbuilding. The door of it was shut. In
front of it, in a straight row and equidistant from each other, lay
seven cakes of ice, thawed out of a water-pan.

“There,” said Jones; “what do we gather from those seven cakes of ice
and that closed door?”

I gave it up.

Mr. Phelps said nothing.

Jones waited impressively a moment, and then said quite glibly: “The
man who lives there keeps a flock of twelve hens--not Leghorns, but
probably Plymouth Rocks or some Asiatic variety. He attends to them
himself, and has good success with them, although this is the seventh
day of extremely cold weather.”

I gazed at him in admiration.

Mr. Phelps said nothing.

“How do you make it all out, Jones?” said I.

“Well, those cakes of ice were evidently formed in a hens’
drinking-pan. They are solid. The water froze a little all day long,
and froze solid in the night. It was thawed out in the morning and
left lying there, and the pan was refilled. There are seven cakes of
ice; therefore there has been a week of very cold weather. They are
side by side: from this we gather that it was a methodical man who
attended to them; evidently no hireling, but the goodman himself.
Methodical in little things, methodical in greater ones; and method
spells success with hens. The thickness of the ice also proves that
comparatively little water was drunk; consequently he keeps a small
flock. Twelve is the model number among advanced poultrymen, and
he is evidently one. Then, the clearness of the ice shows that the
hens are not excitable Leghorns, but fowl of a more sluggish kind,
although whether Plymouth Rocks or Brahmas or Langshans, I can’t say.
Leghorns are so wild that they are apt to stampede through the water
and roil it. The closed door shows he has the good sense to keep them
shut up in cold weather.

[Illustration]

“To sum up, then, this wide-awake poultryman has had wonderful
success, in spite of a week of exceptionally cold weather, from his
flock of a dozen hens of some large breed. How’s that, Mr. Phelps?
Isn’t it almost equal to Doyle?”

“Yes; but not accordin’ to Hoyle, ez ye might say,” said he. “Your
reasonin’ is good, but it ain’t quite borne aout by the fac’s.
In the fust place, this is the fust reel cold day we’ve hed this
winter. Secon’ly, they ain’t no boss to the place, fer she’s a woman.
Thirdly, my haouse is the nex’ one to this, an’ my boy an’ hers hez
be’n makin’ those ice-cakes fer fun in some old cream-pans. Don’t
take long to freeze solid in this weather. An’, las’ly, it ain’t a
hen-haouse, but an ice-haouse.”

The sun rode with unusual quietness through the heavens. We heard no
song of bird. The winds were whist. All nature was silent.

So was Jones.




VII

MY SPANISH PARROT


I have two maiden aunts living down in Maine, on the edge of the
woods. Their father was a deaf-and-dumb woodsman, and their mother
died when they were small, and they hardly see a soul from one year’s
end to the other. The consequence is, they’re the simplest, dearest
old creatures one ever saw. They don’t know what evil means. They
pass their days knitting and working in their garden. The quarterly
visits of the itinerant preacher who deals out the gospel in that
region, and my occasional trips up there, constitute the only chances
they have of mingling with the outside world, and they’re as happy
and unsophisticated as birds.

A year ago I took up a parrot that I’d bought of a sailor. The bird
had a cold when I got it, and wasn’t saying a word; but the sailor
vouched for its character, and I thought it would be a novelty and
company for the old ladies, so I took it along. They’d never seen a
parrot before, and they couldn’t thank me enough. I told them that
when it got over its cold it would talk; and then it occurred to me
that as the sailor of which I bought it was a Spaniard, the bird
would be likely to speak that tongue. “So you’ll be able to learn
Spanish,” said I; and they were mightily pleased at the notion.

In about two months I received a letter from Aunt Linda, saying that
the bird was the greatest company in the world, and they didn’t know
what they’d do without him. “And,” wrote my aunt, “the bird is a
great talker of Spanish, and we have learned much of that strange
tongue.”

I was amused at the idea of those maiden aunts of mine talking
Spanish, and the next week, being in the vicinity, I took the stage
over to where they live, about fifteen miles from any railroad.

They saw me alight, and came out to meet me--two pretty, sweet,
prim-looking old ladies. I kissed them both heartily, and then Aunt
Linda said, in her gentle voice: “I’m so glad you’ve come, you dear
old blankety-blank blank blank boy. That’s Spanish.”

I nearly fell off my perch, but I managed to keep a straight
face, and then dear Aunt Jane said softly and proudly: “Why
the blankety-blank blank don’t you come to see us oftener, you
blankety-blank blank boy?”

It made my blood run cold to hear the oaths those innocent creatures
poured out on me all day. The parrot followed me around, and perked
his head on one side, as much as to say, “Aren’t they apt pupils?”
but he never opened his mouth to talk--and there really wasn’t any
need. They kept me supplied with conversation on their quiet doings,
all interlarded with their new-found “Spanish,” until it was time to
go to bed.

I hadn’t the heart to tell them that the tongue in which they were so
fluent was not Spanish; and as their hearts were as pure as a baby’s,
and they saw no one, I said nothing; but when I left, early next
morning, I was careful to bid them good-by out of ear-shot of the
stage-coach, and it’s lucky I did, for the torrent of billingsgate
that they poured fondly over me would have caused the occupants of
the coach to think entirely unwarranted things of the old ladies.

[Illustration]

As I climbed up to the seat by the driver, a man got out of the
stage and walked up to the house.

“Good heavens! who’s that?” I asked of the driver.

“Thet,” said he, “is the Methody preacher makin’ his quarterly visit
to th’ old ladies.”




VIII

“TO MEET MR. CAVENDISH”


The card read, “To meet Mr. Cavendish.” I had not been in Boston
long, and I must confess to a poor head for names, so I had no idea
who Mr. Cavendish was or what he had done, but as he was to be at
Mrs. Emerson’s, I knew he had done something.

There were only five guests there, besides Mr. Cavendish, when I
arrived, and after we were introduced it so happened that Cavendish
and I found ourselves talking together.

He looked tired, so I said as a starter: “Don’t you find your work
exhausting?” I thought I’d play “twenty questions” with him, and
determine what he had done.

“Sometimes it is, very. The expenditure of force fairly makes my
throat ache.”

It was easy. He was probably a Wagnerian singer.

“I suppose you have to be very careful about your throat.”

“Why, no,” he said; “I never think about my throat.”

He wasn’t a singer.

“Well, you’re in love with your art.”

He smiled. “Yes, I’m in love with it.”

I was in despair. What was he?

But now I would nail him. “What are your methods of work, Mr.
Cavendish?”

“Oh, I don’t spend much time in over-elaboration. My brush-strokes
are very broad.”

Ah, a painter! “Exactly,” I said. “You like a free hand.”

He said: “After all, the words are everything.”

Ah, a writer! “Yes,” said I; “your words are everything to the
public.”

“I hope so. I try to make them so,” he said modestly.

Now I felt easier, and proceeded to praise him specifically.

“Which do you like best--to make your public laugh or cry? or do you
aim to instruct it?”

“It is easy to make persons laugh, so I suppose I like rather to
bring them to tears. As for instruction, there are those who say it
is not our province to instruct.”

“But you do all three, Mr. Cavendish.”

He bowed as if he thought I had hit it.

I said: “To those who are familiar with your work there is something
that makes you just the man to pick up for a quarter of an hour.”

His blank expression showed that I had made some mistake. He is a
tall, portly man, and he seemed alarmed at the prospect of being
picked up. A fall would be serious.

“I don’t quite get your meaning, but I suppose you refer to the men
about town who stray in for a few minutes.”

It seemed a queer way to express it, but I replied: “Oh, yes; just
to browse. You repay browsing, Mr. Cavendish.”

He smiled reminiscently. “Speaking of browsing, when I was told to
go ahead on Richelieu, I browsed a long time in the British Museum
getting up data.”

[Illustration]

What, a painter, after all? I forgot all else he had said, and told
him I thought he was as happy as Sargent or Whistler.

“Yes; I don’t let little things worry me much. Sometimes the paint
gives out at a critical time in a small town.”

Good heaven! Why should the paint give out in a small town at a
critical time? _Was_ he a painter, after all? Could he be a traveling
sign-painter?

“Does it bother you to work up in the air?”

“That’s an original way of putting it,” said he, with a genial laugh.
“To play to the grand stand, as it were. Oh, no; a man must do more
or less of that to succeed.”

I was shocked. “You surely don’t believe in desecrating nature!
Sermons in stones, if you will, but not sermons _on_ stones. You
wouldn’t letter the Palisades if you had a chance, would you?”

He edged away from me, and said:

“Oh, no, I wouldn’t letter the Palisades, although I dare say my man
of affairs would be glad to.”

Then I gave up. His man of affairs! He must be a gentleman of leisure
to have a man of affairs.

And then up came Ticknor Fields, the dramatic critic, and said: “How
do you do, Mr. Cavendish? Let me congratulate you upon your success
as Richelieu. At last a successor to Booth has been found.”

I went and drank a glass of iced water. My throat was dry.




IX

INSTINCT SUPPLIED TO HENS


A company has just been formed in New Jersey for the purpose of
supplying instinct to hens. Such well-known farmers as Frank R.
Stockton, Russell Sage, and Bishop Potter are stockholders in it, and
if filling a long-felt want is all that is needed, the success of the
company is already assured.

No one who has ever dabbled in hens needs to be told that the
gallinaceous birds have no instinct whatever. Some have blind luck,
but a hen with instincts in good working order would be an anomaly.

I visited Mr. Stockton at his extensive farm in New Jersey in
order to find out what I could about the project. I found him in
a frock-coat and overalls, training a squash-vine up a maple-tree.
He greeted me cordially, and asked me to come and see his
tomato-trenches. He also showed me quite an extensive area covered
with birch poles for his radishes to climb on. He was very urbane,
and willingly told me all about the company.

“No man,” said he, sitting down on one of his largest cucumbers and
motioning me to a seat on another, “who has ever kept hens but has
wondered why they were not provided with a good commonsense brand of
instinct. No animal needs instinct more than a hen. It was to supply
this need that our company was formed. You know that if you put a
hen on cobblestones, she will brood over them with all the devotion
possible, and if at the end of three weeks you put a baby chicken
under her, her--what you might term false instinct--will cause her to
cluck and call to the cobble to come forth and follow her.”

I admitted the force of his remark, because when a boy I had once
set a hen on some green apples, and she had covered them without a
murmur for a week, when I took pity on her and replaced them with
real eggs. The following day, not liking the feeling of the eggs,
she left them, and gathering together the apples that I had left
scattered upon the barn floor, she sat on them again.

[Illustration]

I told this experience to Mr. Stockton, and he said: “If she’d had a
few of our instinct-powders before sitting she would have repudiated
the fraud at once. Is it instinct, or the lack of it,” he continued,
“that makes a heavy Light Brahma plant a ponderous and feathered foot
upon her offspring and listen calmly to their expiring peeps? It’s
lack of it; she needs one of our powders.”

I made a mental calculation of the number of chickens that I had seen
sacrificed in that way by motherly and good-natured hens who would
have felt hurt if you had told them that they did not know how to
bring up their young.

We had risen, and were now walking as we talked, and we soon came to
Mr. Stockton’s corn-trellises. He is a great believer in climbing,
and it was a pretty sight to see his corn waving in the breeze that
blew through the trellis netting.

“Poultry-raising would be an unmixed joy,” said he, as he picked a
turnip and offered it to me, “if a fellow wasn’t constantly running
up against this lack of instinct on the part of the fowls. If a hen
had instinct she’d know enough to keep her mouth shut when she laid
an egg; but as it is, she cackles away like a woman with a secret,
and before she knows it her egg is on the way to the table. But the
aim of our company will be to furnish each hen with a sufficient
amount of instinct to render her profitable to her master. When she
has that instinct she will not sit on her nest long after her eggs
have been removed; she will not walk off through the long grass,
calling to her brood to follow her, when the chicks have all been
swallowed by the treacherous domestic cat; and she will not do the
thousand and one things that any hen, no matter what her breed or
breeding, will do, as it is.”

I told Mr. Stockton, as I shook hands with him in parting, that there
was not a farmer, either amateur or professional, in the whole Union,
who would not be glad to purchase a package of his instinct-powders;
and as I left the genial granger, he was putting cushions under his
watermelons so that they would not get bruised by contact with the
earth.




X

A SPRING IDYL


It was a bright morning in early spring--one of the delightful,
languorous days that take the sap out of one and make the life of
the tramp seem blissful. The maples were just putting forth their
delicate crimson leaves, and a warm south wind bore into the city the
smell of fresh earth. Ah, what longings were stirred up in the breast
of Key, Pattit & Company’s office-boy, country-bred, but pent up in
the city for a twelvemonth past! Oh, for one day in the country! He
would follow the winding trout-stream from its source in Perkins’s
meadow until it emptied into the Naugatuck, and with angleworms dug
from the famous spot north of the barn he would lure the coy trout
from their shaded lurking-places.

[Illustration]

Hark! what was that? The “drowsy tinkling” of a cow-bell--of
cow-bells. What sweet music! It drove him wild with longing, as
louder and ever louder, and nearer and yet nearer, came the sound of
bells. Ah, he could see Jerry, the hired man, driving the cows up the
grassy lane. As usual, Betty, the Jersey, was in the lead. And there
was greedy Daisy, lingering to crop the rich grass that grew along
the lane until Jerry’s “Whe-e-y, whe-e-y!” should bid her hurry on.
And there were the twin heifers, Nanny and Fanny, perfectly matched
Holsteins. And in the rear, plodding on with dignity and fatness, was
Diana, the great Devon.

How the bells jangled! Surely it was not seeming, but actuality. They
were right outside on the street.

Impulsively he ran to the office window and looked down with boyish
anticipation.

“Jingle-jangle!” went the bells. “Rha-ags, rha-ags, any ol’ rha-ags!”
shouted the ragman.




XI

AN INVERTED SPRING IDYL


It was a bright morning in the early spring, a time to call forth
poetic fancies in the mind of the most prosaic; and Jack was more
imaginative than many boys. He had been spending the winter at his
uncle’s in the country, and these warm, languorous days had made him
long for New York once more. He sat astride of a maple-branch, on
which the crimson leaves were just peeping out. Ah me, what would
he not give to be back in the city! He leaned back against the
tree-trunk and gave himself over to day-dreams.

The boys on his block were spinning tops. Oh, for a good hard city
pavement for just five minutes, that he might do the same. Through
the hazy air came the anything but drowsy tinklings of the grip-men’s
gongs; a scissors-grinder blew his horn; and the exciting clang
of an ambulance-gong split the air as the ambulance rattled over
the Belgian blocks. Oh, for an hour of the dear city in the happy
springtime! To hear once more the piano-organ and the harp, and the
thousand delightful sounds that were so lamentably absent from the
country!

[Illustration]

What was that? Did he hear bells? Yes, surely it was the ragman. He
had never realized how he loved him. He could see the fellow, lean
and ragged and bent, pushing his cart, while from his lips came the
cry of “Rha-ags! rha-ags!” and from the sagging cord the sweet bells
jingled. Yes, surely it was the bells. All thought of the lonely
country faded away, and he was once more home; the boys were just
around the corner, and the bells were coming nearer.

Their tintinnabulations grew so loud that he waked from his day-dream
and saw--not a familiar and beloved city sight, but a tiresome herd
of cows coming home to be milked, their harsh bells jangling out of
tune.




XII

AT THE CHESTNUTS’ DINNER


The Hoary Chestnuts were assembling for their annual Christmas
dinner. Sweet music was discoursed by the chestnut bell, and,
despite their age and many infirmities, the members wore a look of
gaiety suitable to so festive an occasion. There was not a young
joke among them, excepting a very few special jokes like the Trolley
variety and the Cuban War joke, and these, from overwork, were as
superannuated-looking as the oldest there. Not a well-known joke but
would come. Of course they would all live until the next dinner, for
an old joke is immortal; but this yearly gathering was their only
chance to meet and shake hands generally, as during the rest of the
year they would be scattered through the columns of the dailies and
the comic weeklies, and their meetings would be chance ones.

The hearty old Mother-in-law joke chatted gaily with that
venerable old lady, I-will-be-a-sister-to-you. The adorable twins,
Ballet-girl’s-age and Ballet-girl’s-scant-raiment, were the center of
a group made up of the haughty Rich-plumber, the Rejected-manuscript,
the Slow-messenger-boy, the Sleeping-watchman, and a good score of
Boarding-house jokes. The one called Boarding-house-coffee felt a
little stirred up at the false report that he was losing ground,
and he had an unsettled look upon his swarthy and senile features.
The idea was absurd on the face of it, for undoubtedly he would
be printed in every section of the country before the month was
out, as he had been any month for decades past. The Summer jokes,
including, of course, the star jest, the Summer-girl, looked
comparatively fresh, as they were not in use the year round, like
Her-father’s-foot, for instance, or that other member of the same
family, the Chicago-girl’s-foot, that year in and year out is used as
a laugh-producer.

[Illustration]

The Boston jokes, icy and reserved, sat apart from the rest, and
glared at each other in a near-sighted way. The Freak jokes, on the
contrary, were hail-fellow-well-met with every one, and their vulgar
laughter could be heard everywhere.

A good deal of sympathy was expressed for Actor-walking-home, for
he was so feeble that he had to be helped across the room by Weary
Wraggles. The Tramps were out in force. Tickets to the dinner were
five dollars, and it was rumored that Dusty Rhodes had worked his way
in, but upon reflection the idea will be seen to be preposterous.

There was a strong smell of cloves in the air when the door opened
for the entrance of old Between-the-acts. He came arm in arm with
that other favorite, Detained-at-the-lodge.

The Farmer jokes came in a little late. Their chores had detained
them. But their entrance was hailed with delight by a body of
paragraphers who sat in the gallery as representatives of the press,
and who had paid many a bill, thanks to the Farmers.

A joke, rather square-cut and with wheels in his head, came in with a
“Where is she?” look on his dial, and as soon as he said, “I expected
to meter here,” he was recognized as Big-gas-bill. The Wheel jokes
were conspicuous by their absence. This was explained on the ground
that they were not yet old enough to become Hoary Chestnuts, and, as
a relentless paragrapher remarked, “They were tired, anyhow.”

The last ones to arrive were the Cannibal and Tough-missionary; and
the chairman of the reception committee having assigned them seats at
opposite ends of the table, all sat down, and the annual balloting to
determine what had been the most popular joke of the year was begun.

Many voted for themselves, notably the Boston-bean joke and the
Rich-plumber; but when the votes were counted, the successful person
proved to be neither of these, but a hideously homely woman with a
perpetual smirk upon her face.

“Who’s she?” asked one paragrapher of another.

“You don’t know her? Why, that’s
My-face-is-my-fortune-then-you-must-be-dead-broke.”

And they crowned her with laurel as unquestionably the most
perennially popular joke.




XIII

THE ROUGH WORDS SOCIETY


The other day I passed a house on which there was a sign that read,
“The Rough Words Society.” Curious to know what it could mean, I
retraced my steps, and met a millionaire whom I had long admired
from a distance--he was so rich--just leaving the door. It was a
presumptuous thing to do, but I said, “How do you do, sir?” in my
best manner. He bowed with some urbanity, and I ventured to ask him
whether he could tell me anything about the society whose rooms he
had just left. “I thought maybe you were president, sir, or one of
the directors.”

“No; I am a subscriber. If you care to hear about it, come down-town
with me, as I am in a hurry,” he replied.

A minute later I was actually in a cab with a millionaire! My heart
beat hard, but I kept my ears open, and he said:

“You see, a multi-millionaire like myself seldom meets the frank
side of people. They are afraid of offending me,” he observed, as we
went on our way. “My pastor hangs on my words, my clerks speak in
subdued tones, my servants hardly dare address me; and yet, I was
once a barefoot boy, and was considered a scapegrace by the village
people who to-day bow ceremoniously when I chance to go back to my
native place. Well, such sycophancy becomes wearing, and I often used
to wish that some one would tell me I lied, or some other wholesome
truth.”

I shook my head deprecatingly, whereat he seemed annoyed, but went
on: “One day I was passing through the street where you met me, and I
saw the sign, and, like yours, my curiosity was excited, and I went
in. I found a room somewhat like a telegraph-office in appearance. A
very downright, uncompromising-looking man sat at a roll-top desk,
while ranged against the wall were several men of exceedingly bluff
appearance. ‘Can you tell me what the aims of your society are?’ I
asked the man. ‘Certainly I can,’ said he. ‘I wouldn’t be here if
I couldn’t.’ Not a cringe, you see. It was refreshing. ‘Well, will
you?’ ‘It depends,’ he said. ‘What do you want to know for? Are you a
reporter, or do you want to subscribe?’

[Illustration]

“I suddenly divined the purpose of the society, and I said: ‘I
want to subscribe. What are your terms?’ ‘A hundred dollars for
a fifteen-minute séance, one hundred and fifty dollars for a
half-hour, and two hundred dollars for a full hour.’ I handed him a
hundred-dollar bill and said: ‘Explain.’ ‘Jack,’ said he, addressing
a bullet-headed man who was sitting with his feet up on the railing
that divided the room into two parts, ‘give this man a piece of
your mind.’ Jack ran through a directory of millionaires containing
photographs and short biographical sketches, and when he had found
mine he sailed in and talked as plainly as any one could. Didn’t say
a word that wasn’t true; but he didn’t mince his language, and he
was no more abashed by my position in the world than if I’d still
been a barefoot boy. It did me good. He overhauled many of my acts
during the last twenty years, and talked to me like a Dutch uncle.
Refreshed? Why, a Turkish bath is not in it for comfort! After he’d
finished, the manager said I could have an extra in the way of a
little billingsgate if I cared to; but, if I was born poor, I have
always had gentlemanly instincts, and so I told him I guessed not.

“As I came away, he said: ‘Glad to have you call any time that you
feel the need of a few plain truths. We have a minister who says what
he thinks in a very trenchant way, and I’m sure you’d be glad to let
him give you a raking over. Here’s one of our cards. Drop in any
time you’re passing. If, for any reason, you are not able to come,
we can send a man to take up his abode in your house, or to give you
half-hour talks from the shoulder, and you can have a monthly account
with us. Say a good word for us to any of your plutocratic friends
who are tired of sycophancy. Good day, old man.’”

I was aghast at what he had told me, and I said: “I wonder at his
temerity!”

“Why,” said the millionaire, “I love him for it! After a directors’
meeting, when I have been kotowed to until my gorge rises, I just
drop in there, and they tell me unpleasant truths about myself with
the utmost freedom,--you see, they keep posted about me,--and I come
out feeling a hundred per cent. better. Well, here’s my office. Good
day, young man.”

“Good day, sir, and thank you for letting me ride with you.”

He slammed the door as if vexed, and as he approached the door of his
office a negro ran to open it, and two office-boys took his coat and
hat, and I envied the great man from the bottom of my heart.




XIV

A NEW USE FOR HORSES


I met Scott Bindley the other day. Scott is a great schemer. I think
he must be related on his mother’s side to Colonel Sellers. At any
rate, there isn’t a day in the year that he doesn’t think of some
idea that should interest capital, although capital, somehow, fails
to become interested. As soon as he saw me he said:

“Got a great scheme. Small fortune in it for the right parties.”

“What is it?” I asked.

“Come into some cheap lunch-place, and I’ll blow myself off to a meal
and give you the particulars.”

So it came to pass that we were soon seated in a restaurant which,
if cheap, is clean--a combination rarer than need be.

“You’ve probably noticed that the more automobiles there are in use,
the more breakdowns there are.”

I could but admit that it was so.

“Well, what is more useless than a broken-down motor-wagon?”

I would have suggested “Two,” but Bindley hates warmed-up jokes, so I
refrained and told him that I gave it up.

“It isn’t a conundrum,” said he, irritably. “Nothing in the world
is more useless than a broken-down motor. There are some vehicles
of a box-like pattern that can be used as hen-houses when they have
outlived their initial usefulness, but who wants a hen-house on Fifth
Avenue, corner of Twenty-fifth Street, or any other place where a
motor vehicle gives out? The more I thought this over, the more I
felt that something was needed to make a disabled automobile of some
use, and I saw that the man who would supply that something could
make money hand over fist. So I devoted a great deal of time to the
subject, and at last I hit it. Horses.”

“Horses what?” said I.

[Illustration]

“Why, horses to supply the motive power. Horses are getting to be
a drug in the market, and can be bought dirt-cheap. That being the
case, I am going to interest capitalists in the scheme, and then we
will buy up a lot of horses and distribute them at different points
in the city. Then, when a man is out in his automobile and breaks
down, he will telephone to the nearest station and get a horse. This
can easily be hitched to the motor by a contrivance that I intend
to patent, and then the horse can drag the wagon to the nearest
power-house, where it can be restocked with electricity, or gas,
or naphtha, or whatever is wanted. Isn’t it a great scheme? Why,
sir, I can see in the future the plan enlarged so that people will
always take a horse along with them when they go a-motoring, and, if
anything happens, there they are with the good old horse handy. Talk
about the horseless age! Why, horses are just entering upon a new
sphere of usefulness.”

I opened my mouth to speak, but he went on: “I tell you that if I can
get the holders of automobile stock to coöperate with me I’ll stop
eating at places like this.”

A look of such sweet content overspread his features that I told him
to put me down for ten shares as soon as his company was organized.
That was a month ago, and I haven’t gotten my stock yet. But motors
are becoming stalled every day.




XV

A CALCULATING BORE


My friend Bings is one of those habitual calculators--one of the
kind that says if all the teeth that have been extracted since the
first dentist began business were to be used for paving purposes in
Hades, the good-resolutions contractor would be out of a job for ten
thousand years. He thinks in numbers, and if he were a minister he
would get all his texts from the same source.

The other day he saw me first on a ferry-boat, and immediately
buttonholed me. Said he: “How sad it is to think that so much labor
goes for naught!”

I knew that I was in for one of his calculations; but I also knew
that it would be useless to try to head him off.

He stroked his beard, and said, with an imitation of thoughtfulness:

“Every day in this Empire State one million human beings go to bed
tired because you and I and the rest leave butter on our plates and
don’t eat our crusts.”

[Illustration]

I told him that I was astonished, but that he would have to elucidate.

“The farmers sow 8,000,000 bushels of useless grain,--grain that
eventually goes out to sea on the refuse-scows,--they milk 50,000
cows to no other purpose than to produce sour or spilled milk,
they allow their valuable hens to lay 1,654,800,001 eggs that will
serve no better purpose than to spatter some would-be Booth or lie
neglected in some out-of-the-way corner, while their wives are making
1,008,983 pounds of butter that will be left on the edges of plates
and thrown into the refuse-pail. If they didn’t sow the useless
grain, or fuss over the hens that lay the unused eggs, or draw the
milk that is destined to sour, or make the butter that is to ornament
the edges of the china disks, they would be able to go to bed merely
healthily tired instead of overworked, and fewer farmers would commit
suicide, and fewer farmers’ wives would go insane.”

His eyes gleamed, and I knew that, as he would put it, his pulse was
going so fast that if it were revolutions of a locomotive-wheel it
would take only so long to go somewhere.

“And what is your remedy for all this?” asked I, with becoming, if
mock, interest.

“Let us help ourselves to no more than we want at table, buy our eggs
a week earlier, drink our milk the day before, eat our bread before
it is too dry, and in six months’ time there will be a reduced State
death-rate, more vacancies in the insane asylums, 1,456,608 rosy
cheeks where to-day there are that many pale ones--”

Just then the ferry-boat’s gates were lifted, and as we went our
several ways, in the hurry that is characteristic of 7,098,111
Americans out of eight millions, I thought that, if all the brains of
all the arithmetical cranks were used in place of wood-pulp to make
into paper, we writers would get our pads for nothing.




XVI

AN URBAN GAME


A game that is much played in hot weather by persons who are addicted
to the department-store habit is called “Where can I find it?” It
is played by means of counters, and its duration is often a whole
morning in length. To the looker-on it is much like golf, it seems so
aimless; and it is aimless, but it has the advantages over golf that
it can be played in the city and does not necessitate the services of
a caddy. Over a score take a hand in it from first to last, but only
one is “it,” and she or he displays the only activity necessary to
the game. Only those who are of tough build should undertake to play
it on a hot day, as it is extremely debilitating.

To make the game long and interesting, you should enter the store and
ask for something a little unusual that you may have seen advertised
somewhere. For instance, you go to the glove counter and ask for a
preparation for making soup, called “Soupina.” I am not advertising
anything, as the name is fictitious, but it will serve to illustrate
my meaning. The particular embodiment of haughtiness at the glove
counter will think that you mean some kind of soap, and will frigidly
direct you to the perfumery department, “pillar No. 8.” You go there
simply because it is your move, and you repeat your inquiry, adding
that you think it’s put up in bottles.

“Bottled goods,” is the quick rejoinder, “fourth floor.”

The elevator bears you to the grocery department, and you ask for
“bottled goods.”

“Pillar 20.”

[Illustration]

At pillar No. 20 you are made to realize what a poor worm you are,
and you turn to pillar 10, as requested, that being the canned-goods
department. That clerk will undoubtedly misunderstand your order
and will direct you to the basement, “pillar 15.” You hurry down in
the elevator, and come face to face with the mouse-trap counter.
How you go from ladies’ underwear to carpets, to furniture, to the
telegraph-office, to the dental parlors, to the menagerie, to the
restaurant, to the lace goods, to every department known to a modern
city under one roof, you can best find out for yourself, but of one
thing you may be sure--you will never find “Soupina.”

At last, dazed and heated and leg-weary, you find yourself in the
oath-registering room. This is a little room that is in every
well-equipped department-store, and fills a long-felt want, for all
shoppers, at one time or another, wish to register an oath. Whether
you register or not, the game is now over, and you have lost; there
is no possibility of winning. And yet, so fascinating is the sport
that as soon as you have recovered the use of your muscles you will
be eager to play again.




XVII

“DE GUSTIBUS”


It was on one of the cannibal islands, and a family of cannibals
were discussing the pleasures of the table on their front piazza
while they waited for dinner to be announced. Their eldest daughter,
a slim, acidulous-looking girl, just home from boarding-school, and
full of fads and “isms,” had said that, for her part, she did not
care for human flesh at all, and was of the opinion that pigs or
lambs, or even cows, would make just as good eating as the tenderest
enemy ever captured or the juiciest missionary ever broiled.

“How disgusting!” said her brother, a lusty young cannibal who had
once eaten two Salvation Army lassies at a sitting. “Really, if you
get such unpleasant notions at school, it would be better for you to
stay at home. My gorge rises at the idea. Ugh!”

“Papa,” said dear little kinky-haired E. Taman, the peacemaker of the
family, changing the subject, “why are missionaries better eating
than our neighbors and enemies?”

“Probably because they are apt to be cereal-eaters,” said her father,
the cannibal chief; “although one of the most delicious missionaries
I ever tasted was a Boston lady who had been raised on beans. She was
a Unitarian. Your Unitarians generally make good eating. There’s a
good deal of the milk of human kindness in them, and that makes them
excellent roasters. Now, you take a hard-shell Baptist, and you might
as well eat a ‘shore dinner’ at once. They need a heap of steaming,
and they’re apt to be watery when all’s said and done. But it must be
confessed they have more taste than a wishy-washy agnostic.”

[Illustration]

“I think the most unsatisfactory of the lot,” said his wife, “is
your Presbyterian. He’s pretty sure to be dry and gnarly, and good
for nothing but fricasseeing. But I think that for all-round use,
although they haven’t the delicacy of the Unitarian, the Methodist is
what you might call the Plymouth Rock of missionaries. He’s generally
fat, and he hasn’t danced himself dry, and he’s good for a pot-roast
or any old thing. By the way, we’re going to have one to-day. I must
go and tell the cook to baste him well.”

The old grandfather, who had hitherto taken no part in the
conversation, said at this point: “Well, as you know, in my day I
have been something of an epicure, and I have tasted every variety
of dish known to cannibals. I don’t care for fresh-killed meat, no
matter of what denomination it is, and while I don’t wish to be
considered a sectarian, yet I do think that if you want a dish that
is capable of a good deal of trimming and fancy fixings’ get hold
of an Episcopal missionary; and, to me, the chief beauty of the
Episcopalian is that he’s apt to be a little high.”




XVIII

“BUFFUM’S BUSTLESS BUFFERS”


I was looking at a rather startling picture in the morning paper
of a man who had fallen from a seventh-story window and had been
instantly killed. The man in the seat next to me--we were on the
elevated--said: “I’ll do away with all those accidents soon.”

I turned and looked at him. He was a lean-faced, hollow-eyed man,
full of nervous starts, and quick of speech.

“What do you mean?” asked I, somewhat puzzled.

“Oh, nothing; oh, nothing at all,” he replied, as if sorry he had
spoken. “I do not wish to be laughed at. I am no Keely motor man to
be laughed at. I spoke without thought.”

I fancied there was a story in him, and so I drew him out, and he
said in short, quick sentences, but in so low a tone that I had to
strain my ears to hear him:

“I am Burgess Buffum, the inventor of Buffum’s Bustless Buffers.”

He paused with rhetorical effect, and nodded and blinked his eyes;
and I, duly impressed, asked him what the buffers were supposed to
buff.

[Illustration]

“Children at open windows. Painters on scaffolds. Panic-stricken
flyers from fires. Mountain-climbers. In fact, all persons whose
business or duty or pleasure carries them to unsafe heights. My
buffers are filled with air, and you can’t bust ’em. Child can fill
’em. Foot-pump, puff, puff, puff, and there you are. They are made of
rubber and weigh next to nothing. Painter at work on scaffold; hears
rope breaking; seizes one of my patent buffers; holds it carelessly
in his right hand until within five feet of the pavement; then
catches it with both hands, holds it in front of him as a shield,
and falls with it under him. Merely pleasant titillation. Up at once;
mends rope; resumes painting; undertaker foiled; no funeral; money
saved; put in bank, or invested in stock in my company--”

“But,” said I, interrupting him, “suppose the buffer isn’t handy?”

“Ah, that’s his lookout. It must be handy. No business to take
chances when safeguard is on scaffolding with him. Or child playing
on fire-escape; careful mother puts two of my buffers out there;
warns child not to fall without one; goes about her work care-free;
child feels that it is about to fall; clutches buffer; goes down like
painter; pleasant ride; child enjoys it; perfect confidence in my
buffer; holds it under him; arrives seated; no deleterious effect;
continues play in street. Object-lesson in favor of my invention.
Child takes orders for my buffers; gets commission from me. Sells
dozens--”

Just then the guard called out, “Forty-second Street!” and a man whom
I had not noticed before, but who wore an air of authority, and who
sat next to Buffum, rose and, touching him on the arm, said, “Come.”

And before I could get the inventor’s address he had left the train.

But I fancy that

  BURGESS BUFFUM, ESQ.,
                Bloomingdale,

will reach him.




AT THE LITERARY COUNTER

[Illustration]




XIX

“THE FATHER OF SANTA CLAUS”


The Successful Author dropped in at the club and looked around for
some one to whom he might talk shop. He spied the Timid Aspirant in
the corner, and asked him to sit down. The Timid Aspirant blushed all
over, and felt that better days were dawning for him, because the
Successful Author’s name was in every one’s mouth.

“Have much trouble to sell your stuff, my boy?”

“Oh, I suppose I oughtn’t to complain.”

“Never destroy a manuscript, my boy. You don’t, do you?”

“Sometimes, sir.”

“Ah, don’t. You never know when it will become valuable. Anything
written has its niche somewhere.”

Then the Successful Author sank back in his arm-chair and continued
reminiscently: “I’ll never forget how one of my articles fared. It
was the fourth or fifth thing that I had written, and it was called
‘The Father of Santa Claus.’ I liked it better than any editor has
ever liked anything of mine.”

The Timid Aspirant nodded sympathetically, and the Successful Author
continued: “I sent it to the ‘Prospect,’ and it came back promptly.
Did I destroy it? Not at all. I pigeonholed it, and next year I sent
it to them again. Again it came back, and once more I laid it to rest
for a twelvemonth, and then bombarded the ‘Prospect’ with it. This
sort of thing went on for several years, until at last, to save time,
the editor had a special form of rejection printed for it that ran
about as follows:

  “DEAR SIR: The time of year has come once more when we reject your
  story, ‘The Father of Santa Claus.’ It would not seem like the
  sweet Christmas season if we did not have a chance to turn it down.

  “Yours respectfully,
  “EDITOR THE PROSPECT.”

“Let you down easy each year, didn’t he?”

“Yes. Well, in course of time my price went up. At the start I’d have
been tickled to death to get five dollars for the thing, but now I
knew that if the editor ever did change his mind I’d get at least
fifty, so I kept at it. Well, it was last year that my collection of
stories made such a hit, and since then I’ve been so busy filling
orders for short stories that I forgot to send my dear old mossback
out this year. But day before yesterday I received a note from the
editor of the ‘Prospect’ asking for a Christmas sketch. Now was my
opportunity. I wrote back:


  “Sorry I haven’t anything new, but it struck me that you might
  like to look at an old thing of mine called ‘The Father of Santa
  Claus,’ and if you care to consider its publication I’ll let it go
  for a couple of hundred, just for the sake of old times.

I inclosed the story, and just before coming here I received a check
for two hundred dollars.”

[Illustration]

“What moral do you deduce from this, sir?”

“Don’t ever sell anything until you’ve gotten a big reputation.”

“Do you mind talking a little more shop?” asked the Timid Aspirant.
Somehow he lost his timidity when talking to his renowned friend.

“Of course not. No one really does, though some affect to. Most talk
is shop talk. It may relate to plumbing, or to dry-goods, or to
painting, or to babies, but it is of the shop shoppy, as a rule, only
‘literary shop talk,’ as Ford calls it, is more interesting to an
outsider than the other kinds. What particular department of our shop
did you want me to handle?”

“I wanted to ask you if you believed in cutting a man’s work--in
other words, do you believe in blue-penciling?”

“Ah, my boy, I see that they have been coloring your manuscript with
the hateful crayon. No, I don’t believe in it. I dislike it now
because it mars my work, and I used to hate it because it took money
from my purse. Let me tell you a little incident.

“One time, years ago, I wrote an article, and after it was done I
figured on what I would get for it and with it. If I sold it to a
certain monthly I had in mind I should receive enough to buy a new
hat, a new suit, a pair of shoes, ditto of socks, and a necktie,
for all of which I stood in sore need. I hied me forth in all the
exuberance of youth and bore my manuscript to the editor. As he was
feeling pretty good, he said he’d read it while I waited. At last he
laid it down and said: ‘That’s a pretty good story.’ My heart leaped
like an athlete. ‘But’--my heart stopped leaping and listened--‘it
will need a little cutting, and I’ll do it now, if you wish.’”

“Poor fellow!” said the Timid Aspirant, sympathetically.

“Well, the first thing that editor did was to cut the socks off of
it; then he made a deep incision in the hat; then he slashed away
at the trousers and did some scattered cutting, and at last handed
the manuscript to me that I might see the havoc he had wrought in
my prospective wardrobe. Dear man, I had a vest and a necktie left,
and that was all. And it would have been the same if it had been a
dinner.”

The Timid Aspirant shuddered.

“Many a young author has seen the soup and the vegetables, and at
last the steak, fade away under the terrible obliterating power of
the indigo crayon, and lucky is he if a sandwich and a glass of water
remain after the editor’s fell work. Blessed is that editor who does
not care to work in pastel,--to whom the blue pencil is taboo,--for
he shall be held in honored remembrance of all writers, and his end
shall be peace.”

“Amen!” said the Timid Aspirant.




XX

THE DIALECT STORE


“I suppose I dreamed it; but if there isn’t such a store, there might
be, and it would help quill-drivers a lot,” said the newspaper man,
as he and his friend were waiting to give their order in a down-town
restaurant yesterday noon.

“What store are you talking about, and what dream? Don’t be so vague,
old man,” said his friend the magazine-writer.

“Why, a dialect store. Just the thing for you. I was walking down
Fifth Avenue, near Twenty-first Street, and I saw the sign, ‘Dialect
shop. All kinds of dialects sold by the yard, the piece, or in
quantities to suit.’ I thought that maybe I might be able to get some
Swedish dialect to help me out on a little story I want to write
about Wisconsin, so I walked in. The place looked a good deal like a
dry-goods store, with counters down each side, presided over by some
twenty or thirty clerks, men and women.

“The floor-walker stepped up to me and said, ‘What can I do for you?’
‘I want to buy some dialect,’ said I. ‘Oh, yes; what kind do you want
to look at? We have a very large assortment of all kinds. There’s
quite a run on Scotch just now; perhaps you’d like to look at some
of that.’ ‘No; Swedish is what I’m after,’ I replied. ‘Oh, yes; Miss
Jonson, show this gentleman some Swedish dialect.’

“I walked over to Miss Jonson’s department, and she turned and opened
a drawer that proved to be empty. ‘Are you all out of it?’ I asked.
‘Ja; but I skall have some to-morrer. A faller from St. Paul he baen
haer an’ bought seventy jards.’

“I was disappointed, but as long as I was there I thought I’d look
around; so I stepped to the next counter, behind which stood a man
who looked as if he had just stepped out of one of Barrie’s novels.
‘Have you Scotch?’ said I. ‘I hae joost that. What’ll ye hae? Hielan’
or lowlan’, reeleegious or profane? I’ve a lairge stock o’ gude auld
Scotch wi’ the smell o’ the heather on it; or if ye’re wantin’ some
a wee bit shop-worn, I’ll let ye hae that at a lower price. There’s
a quantity that Ian Maclaren left oot o’ his last buke.’ I expressed
surprise that he had let any escape him, and he said: ‘Hech, mon,
dinna ye ken there’s no end to the Scots?’ I felt like telling him
that I was sorry there had been a beginning, but I refrained, and he
went on: ‘We’re gettin’ airders fra the whole English-sp’akin’ warld
for the gude auld tongue. Our manager has airdered a fu’ line of a’
soorts in anticipation of a brisk business, now that McKinley--gude
Scotch name, that--is President.’

“I should have liked to stay and see a lot of the Scotch, as it
seemed to please the man to talk about his goods; but I wanted to
have a look at all the dialects, so I bade him good morning, and
stepped to the next department--the negro.

“Here an unctuous voice called out: ‘Fo’ de Lawd! Ah don’ b’lieve
you’ll pass me widout buyin’. Got ’em all hyah, boss--Sou’ Ca’lina
an’ Ten’see an’ Virginny. Tawmas Nelson Page buys a heap er stuff
right yer. Dat man sut’n’y got a great haid. He was de fustes’ one
ter see how much folks was dyin’ ter git a leetle di’lect er de ra’ht
sawt, an’ Ah reckon Ah sol’ him de fus’ yard he evah bo’t.’

“‘Do you sell it by the yard?’ I asked, just to bring him out.
‘Shuah!’ and pulling down a roll of black goods, he unrolled enough
dialect to color ‘Uncle Tom’s Cabin.’ But I said, ‘I don’t want to
buy, uncle; but I’m obliged to you for showing it to me.’ ‘Oh, dat’s
all right, boss. No trouble to show goods. Ah reckon yo’ nev’ saw
sech a heap er local col’in’ as dat. Hyah! hyah! hyah! We got de
goods, an’ any tahm you want to fix up a tale, an’ put in de Queen’s
English in black, come yer an’ as’ fer me. Good day, sah.’ And I
passed on to the next--Western dialect.

“Here I found that James Whitcomb Riley had just engaged the whole
output of the plant. The clerk had an assistant in his little son,--a
Hoosier boy,--and he piped up: ‘We got ’ist a littul bit er chile’s
di’lec’, an’ my popper says ’at ef Mist’ Riley don’t come an’ git it
soon ’at I can sell it all my own se’f. ’At ’d be the mostest fun!’
and his childish treble caused all the other clerks in the store to
look around and smile kindly at him.

“In the German department the clerk told me he was not taking orders
for dialect in bulk. ‘Zome off dose tayatree-kalers dey buy it,
aber I zell not de best to dem. I zell imitation kints “made in
Chairmany.” Aber I haf der best eef you vant it.’

“I told him I did not care to buy, and passed on to the
French-Canadian department. The clerk was just going out to lunch;
but although I told him I merely wished to look, and not to buy,
he said politely: ‘I try hall I can for get di’lect, but hup in
Mon’réal dat McLennan he use hall dere is; but bymby I speak for some
dat a frien’ have, an’ he sen’ me some. An’ ’e tell me I’ll get hit
las’ summer.’

“I expressed a polite wish that he might get his goods even sooner
than ‘las’ summer,’ and walked to the Jew-dialect counter, over which
I was nearly pulled by the Hebrew clerk. ‘You’re chust in time,’ he
said. ‘Say, veepin’ Rachel! but I sell you a parkain. Some goots on’y
been ust vun veek on der staich; unt so hellep me cracious! you look
so like mein prudder Imre dat I let dem go’--here he lowered his
voice to a whisper--‘I let dem go fer a qvarter uf a darler.’

[Illustration]

“I resisted him, and hurried to the Yankee department. There was tall
hustling going on there, and a perfect mob of buyers of all sorts
and conditions of writers; and it took half a dozen men, women, and
children, including three typical farmers, to wait on them; and they
were selling it by the inch and by the carload. ‘Wall, I’m plumb
tired. Wisht they’d let up so ’st I could git a snack er somep’n’
inside me,’ said one; and he looked so worn out that I passed on to
the Irish counter. A twinkling-eyed young Irishman, not long over, in
answer to my question, said: ‘Sure, there’s not much carl fer larrge
quantities av ut. Jane Barlow do be havin’ a good dale, an’ the funny
papers do be usin’ ut in smarl lots, but ’t is an aisy toime I have,
an’ that’s a good thing, fer toimes is harrd.’

“I paused a moment at the English-dialect counter, and the
rosy-cheeked clerk said: ‘Cawn’t I show you the very litest thing in
Coster?’ I told him no, and he offered me Lancashire and Yorkshire at
‘gritely reduced rites’; but I was proof against his pleading, and
having now visited all the departments but one, went to that.”

“What was it?” asked the writer for the magazines.

“The tough-dialect counter.”

“Tough is not a dialect,” said he.

“Maybe not, but it sounds all right, all right. Well, whatever it
is, the fellow in charge was a regular Ninth-Warder, and when I got
abreast of him he hailed me with, ‘Soy, cully, wot sort d’ yer want?
I got a chim-dandy Sunny-school line er samples fer use in dose
joints, or I c’n gi’ yer hot stuff up ter de limit an’ beyon’. See?
Here’s a lot of damaged “wot t’ ’ells” dat I’ll trun down fer a
fiver, an’ no questions ast. Soy, burn me fer a dead farmer if I ever
sol’ dem at dat figger before; but dey’s some dat Townsen’ did n’
use, an’ yet dey’s dead-sure winners wit’ de right gang. See?’

“And then I woke up, if I was asleep; and if I wasn’t, I wish I could
find the store again, for I’d be the greatest dialect-writer of the
age if I could get goods on credit there. Say, waiter, we came for
lunch, not supper.”




XXI

“FROM THE FRENCH”


When a Frenchman sets out to write a tale that shall be wholly
innocuous, he succeeds--and thereby drives his readers to seek in De
Maupassant and Zola the antidote for his poisoning puerility.

He generally lays the scene in London, that he may air his ignorance
of things foreign; and when the tale is done it contains absolutely
nothing that would bring the blush of shame to any cheek in
Christendom, seek said cheek where you might.

The following is a fair sample of the unharmful French story. I
trust that if it had been printed without preamble or credit, the
discerning reader would have exclaimed, upon reading it, “From the
French!” I have called it--


IT IS GOOD TO BE GOOD

In the great city of London, which, as you may know, is in England,
there is a bridge, famous throughout the whole town as London Bridge.
One dark night, many years ago, two men started to cross it in
opposite directions, and running into each other, their heads crashed
together in the fog which day and night envelops the city.

“_Parbleu!_” cried one, a fellow of infinite wealth; “but have you,
then, no better use for your head than to make of it a battering-ram?”

“_Sapristi!_” replied the other, speaking in the coarse tones of
an English mechanic out of work. “What matters it what I do with
it? A moment more and I shall be in the Thames” (a large river
corresponding to our Seine, and in equal demand by suicides).
“To-night, for the first time in my life, I commit suicide!”

“Why, then,” said the other, “we will jump together, for it is for
that purpose that I have come to this great bridge.”

“But,” said the mechanic, “why should you commit suicide? I can
tell by the feeling of your garments that you are rich, and by the
softness of your head that you are noble.”

“True, I am both of those things, but, also, I have exhausted every
pleasure in life but the pleasure of suicide, and would now try
that. But you, you are a mechanic out of work, as I can tell by your
speech. Why should you seek pleasure instead of employment?”

“Alas, sir! I have at home one wife and seventeen children, all
flaxen-haired, and all as poor as I. I cannot bear to go home to them
without even the price of a _biftek_ or a _rosbif_.”

“Come,” said the nobleman; “I will defer my sport for the night. I
have never seen a starving family. It will furnish me with a new
sensation.”

“Ah! but you have a kind heart, and I will not refuse you. The river
will keep. Follow me.”

[Illustration]

They followed each other through the region of the Seven Clocks, and
through Blanc Chapel, afterward the scene of the murders of “Jean
the RApper,” until they came to the wretched apartment of the poor
artisan. There, huddled in the corner of the room, were sixteen of
the starving but still flaxen-haired children. The mother sat near
the fireplace, so that she might be near the warmth when it came. In
the other corner of the room--for they were so poor, these people,
that they could not afford four corners--sat a vision of beauty, aged
seventeen and a girl, _ma foi_! At sight of her the count’s eyes
filled with tears of compassion, and he handed his purse to the
wretched father and said: “My good man, do not stir from here. I will
return in an hour with furniture!”

Tears of gratitude coursed down the thirty-eight cheeks of the poor
family, and they no longer felt hungry, for they knew that in a short
time they would be sitting upon real sofas and rocking in chairs
like those they had seen through the windows of the rich on Holy
Innocents’ Day.

The count, whose full title was Sir Lord _E_rnold CIcil Judas GeorgeS
HErold WAllington, grandson of the great Lord of WAllington, was
as good as his word, and in an hour he returned with six of his
servants, bearing sofas and cushions and tables and tête-à-têtes, and
what not.

The family seated themselves on the furniture, and, clasping his
knees, overwhelmed him with thanks.

“_Dame! Sacré!_” cried he. “It is nothing, this thing I have done.
What is it that it is? Know, then, that for the first time in my life
I have the happiness.” Then, turning to the father: “Give me the
purse. I left it as a collateral. Now that you have the furniture,
you will not need it. But that angelic being there, she shall never
weep again. I will take her with me.”

“Ah!” said the mother; “but that is like you, Count WAllington.
You mean that she is to be a maid in your father’s house? Ah! what
prosperity!”

“Ah! do not insult the most beautiful being who ever went about in a
London fog. She a servant? Never! I will make her my wife. She shall
be Miledi Comptesse _E_rnold CIcil Judas GeorgeS HErold WAllington!”

In Southwark-on-Trent, a suburb of London, is the hospital for those
about to commit suicide. Ring the bell at the gate, and you will be
admitted by sixteen flaxen-haired ones who will conduct you to the
governor and matron. Need I say who they are, or whose money built
the institution?

And when you read in London _POnch_, among the court news, that a
great beauty has been presented to the Queen of England, London, and
Ireland, you will know that it is the Comptesse WAllington. She is
presented at all the levees, and, with her husband, the handsome and
philanthropic Lord WAllington, is the cynosure of all English eyes.

It is good to be good.




XXII

ON THE VALUE OF DOGMATIC UTTERANCE

FROM MY “GUIDE TO YOUNG AUTHORS”


My dear young reader, if you are thinking of launching a little craft
upon the troublous sea of literature, see that it is well ballasted
with dogmatic assertions. (I should like to continue this nautical
metaphor further, but I am such a landlubber that I doubt if I should
be able to mix it properly, and what interest has a metaphor if it
be not well mixed?) But to continue in plain English: A dogmatic
assertion carries conviction to the minds of most unthinking
people--in other words, to most people. (You and I don’t think, dear
reader, and is it likely that we are worse than the rest of mankind?)

If you purpose becoming a novelist of character, follow my
directions, and your first book will nail your reputation to the mast
of public opinion. Fill your story full of such utterances as these:
“Chaplain Dole always nodded his head a great many times to express
affirmation. This is a common practice with persons who are a little
hard of hearing.” (It isn’t, and yet it may be, for all I know to the
contrary; but it will carry weight. Nine persons out of ten will say,
“Why, that’s so, isn’t it? Haven’t you noticed it?”)

[Illustration]

It doesn’t matter what you say; if you say it dogmatically it
will go. Thus: “She walked with the slow, timid step that is so
characteristic of English spinsters.” That’s a fine one, for it may
excite contradiction, and contradiction is advertisement. Here are
half a dozen examples: “He tapped his forehead with his left little
finger, a gesture peculiar to people who have great concentration of
mind.” “His half-closed eyes proclaimed him a shrewd business man.
Why is it that your keen man of affairs should always look out at
the world through a slit?” “The child spoke in that raucous tone of
voice that always presages cerebral trouble.” “Miss de Mure waved
her fan languidly, with a scarcely perceptible wrist motion, a sure
indication that she was about to capitulate, but Mr. Wroxhaemme,
not being a keen observer, took no note of it.” And, “He spoke but
three words, yet you sensed that he was an advocate. Why is it that a
lawyer cannot conceal his profession? A doctor may talk all day, and
if he bar shop his vocation will not be detected; but a lawyer tunes
up his vocal chords, as it were, and the secret is out.”

If all the above specimens of “observation” were introduced into
your story the critics would unite in praising your keenness of
vision.

Perhaps you would like to figure as a musical author. Few authors
know anything about music, and you don’t have to; dogmatism and
alliteration in equal parts will take the trick. Please step this way
(as they say in the stores) and I will show you.

“She played Chopin divinely--but she did not care to clean dishes.
Chopin and care of a house do not coalesce. A girl may love Beethoven
and yet busy herself with baking; Bach and the Beatitudes are not
antagonistic; Haydn, Handel, and housekeeping hunt together; Schumann
and Schubert are not incompatible with sweetness and serenity of
demeanor and a love for sewing; Mozart and Mendelssohn may be admired
and the girl will also love to mend stockings; Weber and work may
be twins: but Chopin and cooking, Wagner and washing, Berlioz or
Brahms and basting, Dvořák and vulgar employment--or Dvořák and
darning (according as you pronounce Dvořák)--are eternally at war.
So, when I have said that Carlotta was a devotee of Chopin, I have
implied that her poor old mother did most of the housework, while the
sentimental maiden coquetted with the keys continually.”

Fill your stories with such bits of false observation, and
ninety-nine persons out of a hundred will accept them at their
face-value; which remark, being in itself a dogmatic assertion, will
doubtless carry weight and conviction with it.




XXIII

THE SAD CASE OF DEACON PERKINS


It is now some fifteen years since the dialect story assumed undue
prominence in the literary output of the time, and about eight
since it became a “craze.” There is no craze without its attendant
disease or ailment: thus roller-skating developed “roller’s heel”;
gum-chewing, “chewer’s jaw”; bicycling, the “bicycle face,” and later
the “leg”; housekeeping, “housemaid’s knee”; golf-playing, “idiocy”;
and so on, every craze having a damaging effect upon some portion of
the anatomy. It is only within the last year, however, that it has
been discovered that an over-indulgence in dialect stories is liable
to bring on an affection of the tongue.

A peculiarly sad case and the most notable that has thus far been
brought to the attention of the public is that of Deacon Azariah
Perkins of West Hartford, Connecticut.

Far from deploring the spread of the dialect story, he reveled in
it, reading all the tales that he could get hold of in magazines
or circulating library. But his was not a healthy, catholic taste;
he had ears and eyes for one dialect alone--the negro. For him Ian
Maclaren and Barrie spread their most tempting Scotch jaw-breakers in
vain; he had no desire for them. After fifteen years of negro dialect
in every form in which Southern and Northern writers can serve it,
any specialist in nervous disorders could have told the deacon that
he was liable to have “negromania”; but West Hartford does not
employ specialists, and so the stroke came unheralded, with all the
suddenness of apoplexy.

Deacon Perkins has always been able to think standing; indeed, he
has been called the Chauncey Depew of West Hartford, and no revival
meeting or strawberry festival or canned clam-bake was considered a
success unless the deacon’s ready tongue took part in the exercises.

[Illustration]

Last Sunday they had a children’s festival in the Congregational
Church, and after the children had made an end of reciting and
singing, the deacon was called upon for a few remarks. He is a
favorite with young and old, and a man of great purity and simplicity
of character. He arose with alacrity and walked down the isle with
the lumbering gait peculiar to New-Englanders who have struggled with
rocky farms the best part of their lives. He ascended the platform
steps, inclined his head to the audience, and spoke as follows:

“Mah deah li’l’ chillun! Yo’ kahnd sup’inten’ent has ast me to mek a
few remahks.” (Subdued titters on the part of the scholars.) “Ah don’
s’pose you-all’ll b’lieve me w’en Ah say dat Ah too was once a li’l’
piccaninny same as yo’, but Ah was, an’ Ah ’membeh how mah ol’ mammy
use teh tek me to Sunny-school.” (Consternation on the part of the
superintendent and teachers.)

“Now, ef you-all wan’ to go to heb’n w’en yo’ die, be ci’cumspectious
’bout de obsarvence ob de eighth c’man’ment. Hit ain’t so awful
wicked ter steal--dat ain’t hit, but hit’s jes nach’ly tryin’ to a
man’s self-respec’ ter git cotched. Don’ steal jes fer deviltry, but
ef yo’ is ’bleeged ter steal, study de wedder repohts, ac’ accordin’,
an’--don’ git foun’ out--or in, eiver.”

During the delivery of this remarkable speech the deacon’s face wore
his habitual expression; a kindly light shone in his eye, a smile of
ineffable sweetness played about his lips, and he evidently imagined
that he was begging them to turn from their evil ways and seek the
narrow path.

But at this juncture Dr. Pulcifer of New York, the eminent
neurologist, who happened to be spending Sunday in West Hartford,
whispered to the superintendent, and on receiving an affirmative
nod to his interrogation, went up to the platform. He held out his
hand to Deacon Perkins, who was making a rhetorical pause, and said
kindly, “Good morning, uncle.”

“Mornin’, sah,” said the deacon, bowing awkwardly and scratching his
head.

“Can you direct me to a good melon-patch?”

Deacon Perkins gave vent to an unctuous negro chuckle. Then, holding
up his forefinger to enjoin caution, he tiptoed off the platform,
closely followed by the doctor; and before nightfall he was on his
way to a private hospital for nervous diseases, where rest and a
total abstention from negro-dialect stories is expected to restore
him to his usual sane condition of mind in a short time.




XXIV

THE MISSING-WORD BORE


Then, there’s that bore whose thoughts come by freight, and the
freight is always late. You know what’s coming, that is, you can
imagine the way-bill, but he won’t let you help him to make better
time, and runs his train of thought as if it were on a heavy grade.

He starts to tell a story, blinking his red eyes, meanwhile, as if he
thought that they supplied the motive power for his tongue. To make
listening to him the harder, he generally tells a very old story.

“One day, William Makepeace--er-er--”

“Thackeray,” you say, intending to help him. Of course it is
Thackeray, and he was going to tell about the novelist and the
Bowery boy; but he is so pig-headed that he shifts on to another
track.

“No; Dickens, Charles Dickens. One day, when Charles Dickens was at
work on ‘Bleak’--er--er--”

“‘Bleak House’?” you say.

“No!” he snaps; “‘Dombey and Son.’ One day, when Charles Dickens was
at work on ‘Dombey and Son,’ he was approached by his biographer,
John--er--er--”

“Forster?”

“No; it wasn’t his biographer, either; it was Edmund Yates.”

[Illustration]

You now take a gleeful pleasure in seeing how hopelessly you can make
him tangle himself up by the refusal of your help, but he doesn’t
care. He’ll tell it in his own words, though the heavens fall and
though he starts a hundred stories.

“Charles Dickens had a very loud way of--er--er--”

“Dressing?”

“No, no! He had a loud way of talking, and he and Edmund--er--er--”

“Yates?”

“No, sir; Edmund Spenser.”

Of course this is arrant nonsense on the face of it, but he won’t
admit that he’s made pi of his story, and he goes on:

“Edmund said that Charles--”

“Dickens?”

“No, sir; Charles Reade. Edmund said that Charles Reade thought
George--er--”

“Meredith?”

“No; hang it all! George Eliot. He thought that George Eliot never
wrote a better book than ‘Silas’--er--”

“‘Marner’?”

“Not at all! ‘Silas Lapham.’”

Now, if you are merciful, or if you are refinedly cruel, either one,
you will allow him to finish his story in peace, and, like as not,
he will start all over again by saying: “I guess I inadvertently got
hold of the wrong name at the beginning. It was not Dickens, as you
said, but Thackeray. Thackeray was one day walking along the Bowery
when he met a typical--” And so on to the bitter end.

For the sake of speed, do not ever interrupt his kind!




XXV

THE CONFESSIONS OF A CRITIC


I met a prominent literary critic the other evening. A review signed
with his name or even with his initials is apt to make or mar the
work treated therein.

Now, I have not a little hypnotic power, and the mischievous idea
came into my head to hypnotize him and make him “confess.”

We were sitting in the reading-room of an up-town club. I led the
conversation to the subject of hypnotism, and soon gained the
critic’s consent to be put into a trance.

I did not influence him any more than to put his mind in the attitude
of truthfully answering what questions I might ask him.

_Q._ Which do you prefer to criticize, a book that has already been
reviewed or one that is perfectly fresh?

_A._ Oh, one that has been reviewed, and the oftener the better. I
thus gain some idea of the trend of critical opinion and shape my
review accordingly.

_Q._ Do you ever run counter to the general sentiment?

_A._ Yes; if I find that a book has been damned with faint praise,
I sometimes laud it to the skies and thus gain a reputation for
independence that is very useful to me. Or if a book has been
heralded by the best critics of both countries as “the book of the
year,” I sometimes pick it to pieces, taking its grammar as a basis,
or some other point that I think I can attack without injury to
my reputation for discernment, and again I score a victory for my
independence.

_Q._ Why don’t you like to be the first to review a new book?

_A._ For the same reason that most critics hate to--unless, indeed,
they are just out of college and are cock-sure of everything. I
fear that its author may be one of the numerous coming men. I may be
entirely at sea about the book. I prefer to get some idea of what the
consensus of the best opinion is.

[Illustration]

_Q._ Then you do not consider your own the best opinion?

_A._ No; no one critic’s opinion is worth much.

_Q._ Can you tell an author by his style?

_A._ Always, if I know who he is before I begin to read. But it is
hazardous work to say such-and-such a work is by such-and-such a man
unless there are internal evidences aside from the style. Once a
book was sent to me for criticism. Before I opened it I lent it to a
waggish friend of mine, and he returned it next day. I looked at the
title-page, saw that it was by an absolutely unknown man and that
the scene was laid in India, and, of course, I felt safe in giving
it fits on the principle that Rudyard Kipling is not likely to be
equaled in this generation as a depicter of Indian life. Well, I said
that it was painfully crude and amateurish; that it might do for the
“Servants’ Own,” but was not a book for ladies and gentlemen; that
it had absolutely no style or local coloring; that the scene might
as well have been laid in Kamchatka; and that it was marked by but
one thing, audacity, for the author had borrowed some of Kipling’s
characters--to the extent of the names only. In short, I had fun with
that book, for I knew that my fellow-critics would with one accord
turn and rend it. By mere chance I didn’t sign it.

_Q._ And who had written the book?

_A._ Why, Kipling. My friend had cut another name out of a book and
had pasted it so neatly over Kipling’s wherever his occurred that I
was, of course, taken unawares. You can’t bank on style. Look how
positive people were Mark Twain had not written “Jeanne d’Arc.”

I here interrupted the flow of his conversation to say: “Your
experience is not unlike that of the reviewer who criticized ‘Silas
Lapham,’ and who had a sort of hazy notion from the similarity of
titles that it was by the author of ‘Silas Marner.’ You may remember,
it created a good deal of amusement at the time. He said that it
was a mistake for George Eliot to try to write a novel of American
life; that the vital essence--American humor--was lacking; that Silas
Lapham was a dull Englishman transplanted bodily into a very British
Boston; that his daughters were mere puppets, and the attempts at
Americanisms doleful in the extreme. He concluded by saying that her
‘Romola’ had shown that she was best on British soil, and that she
would better keep to the snug little isle in the future.”

“Yes,” said he, with a grin; “I remember that. It was my first
criticism. Most people supposed it was a humorous skit, even the
editors who accepted it, but I never was more in earnest. I was young
then.”

_Q._ If you received a book to review with the name of Hardy on the
title-page, would you give it a good send-off?

_A._ I certainly should, for I am a great admirer of Hardy; but I
should prefer to wait until some one else had done so, for fear it
might be another put-up job and turn out to be the work of some
fifth-rate English author.

I then brought him out of his trance. He sat silent for a moment. I
picked up the “Saturday Review” from the table and said, “Criticism
is a very noble calling.”

“It is indeed,” he responded earnestly. “It is one that requires
great insight into human nature, absolute independence, and not a
little charity.”

With which beautiful sentiments he rose and, bowing, left the room.




XXVI

HOW ’RASMUS PAID THE MORTGAGE

A DIALECT STORY


I

      Oh, de wolf an’ de har’ dey had a great fight.
        (Down on de ribber de wil’ geese is callin’.)
      De har’ pulled de wolf’s teeth so’s he couldn’ bite.
        (A-callin’ me to my long home!)
      Said de wolf to de har’, “Don’ hit so hard.”
        (De dew on de hollyhock’s all a-dryin’!)
      An’ he killed de har’ w’en he co’t him oaf his guard.
        (Ah’ll dry up an’ go home!)

Up the vista formed by a narrow, tortuous Virginia lane, came Uncle
’Rasmus, an aged darky, singing one of the songs of his race that
never grow old--because they die young, it may be.

As he hobbled along the path, he talked to himself, as was his wont:

“Golly! Ah mus’ hurry up, o’ de fo’kses won’ hab no dinnah; for, be
jabers, ’tis mesilf that has got to git riddy dthat same. Och, worra!
worra! but ’tis no synekewer Oi’m havin’, an’ dthat’s dther trut’.”

Just then his watch struck five minutes to six, and he ran off toward
the homestead of Squire Lamar, saying, as he did so, in his quaint
way: “Veepin’ Rachel! der boss will kick der live out mit me.”

Before the war Squire Lamar had been the richest man in Oconee
County; but the conflict had ruined him, and he now had little except
his plantation, horses, and stables. He lived in his ancestral house,
which was heavily mortgaged, with his wife and children.

’Rasmus, his only servant, an ex-slave, supported the family by
collecting dollars--at night.

As he ran toward the house, he saw Squire Lamar on the veranda. Just
then a horseman dashed up. He was the sheriff of Oconee County.
’Rasmus took advantage of the commotion, and ran into the kitchen to
cook the dinner. On seeing the squire, the sheriff called out to him:
“The mortgage on this place will be foreclosed if the $3600 due is
not forthcoming by to-morrow noon.”

“Alas!” said the squire; “you see how we are situated. I haven’t a
dollar, and wouldn’t know how to earn one if I had.”

At this juncture, ’Rasmus, who had cooked the dinner during the
conversation, came up and said: “Massa, Ah’s a free man, Ah know Ah
is; but avick, ’t is a mighty shmall wan Oi’d be if I wouldn’t help
out a poor omadhaun like yerself. ‘Caed mille fail the Bryn Mawr
dolce far niente.’ Zat ees mon motto, an’ so, deah massah, I will
guarantee to git de money by to-morrow noon.” Then turning to the
sheriff, he said in a manly tone that contrasted ill with his ragged
garments: “Ye maun fash awee, laddie, doon the skim.”

After a few more words, the sheriff, who was really a kind man at
heart, rode off, saying he would be on hand the next day, and if the
money were not forthcoming, he would march them all off to the county
jail, ten miles distant. After blowing the dinner-horn, ’Rasmus
hobbled off to his humble cottage.


II

On arriving at his cabin, ’Rasmus took a bolster-case full of dollars
from under the bed, and proceeded to count them. There were just
$3000. “Now, Ah mus’ git $600 more before to-morrow, or else me poor
masther’ll be wor-r-rkin’ in the chain-gang. Ach, Himmel!” said the
good old darky, his eyes suffused with tears, “if dot took blace, it
zeems as if mein herz would break.”

He calmly decided on a plan of action, however. Waiting until night
had flung over the earth a pall, through which the silvery moon cast
shimmering beams aslant the quivering aspens of the forest, and the
snoring of the birds told him that nature slept, he left his house
and walked briskly off to the highway.

[Illustration]

About that time a lawyer was riding along the road on horseback, with
a wallet containing a share of an estate worth $600, which he had
secured for an old woman.

’Rasmus saw the traveler, saw the horse, saw the wallet.

The traveler saw no one. He was blind--drunk.

’Rasmus cut a stout bludgeon.

The traveler ambled on.

’Rasmus clasped the bludgeon.

The traveler continued to amble.

’Rasmus stole up beside him....

The traveler lay in the ditch.

’Rasmus jumped on the horse, the wallet in his hand, and galloped
home, stabling the beautiful animal in his cabin to avoid being
suspected of the murder.

Placing his shoe in front of the one window of the cabin, that none
might see him, he counted the money, and found it amounted to just
$600, which, together with the $3000, formed the sum required by
the sheriff. This made him so happy that he picked up a banjo and
played Wagner’s “Götterdämmerung” through once or twice, accompanying
himself on his throat in a rich tenor. He then turned out the gas and
retired, to sleep as only a good, unselfish soul can.


III

It is 11:45 A. M. The squire and his family, who have heard nothing
from ’Rasmus, are on the veranda, anxiously awaiting the arrival of
the sheriff.

11:50 A. M.! Is ’Rasmus dead? Has the sheriff relented?

11:55. Good lack! The sheriff is seen galloping toward the house, and
yet there is no sign of ’Rasmus.

That individual, who is nothing if not dramatic, is sitting behind
the house on horseback, awaiting the stroke of twelve.

The door of the ormolu cuckoo-clock in the kitchen opens, the cuckoo
advances. At her first note the sheriff jumps from his horse; at the
second he walks sternly upon the veranda; at the third he asks for
the money; at the fourth and fifth they tell him that ’Rasmus has
disappeared; at the sixth, seventh, and eighth he handcuffs them all
together; at the ninth, tenth, and eleventh he jumps on his horse
and rides off, dragging them behind him; and at the twelfth ’Rasmus
trots leisurely out from behind the house, and, opening a carpet-bag,
counts out $3600 in silver!

The astonished sheriff puts the money into his pocket, gives Squire
Lamar a receipt in full for it, unlocks the handcuffs, and the family
resume their wonted places on the veranda.

But all was not yet done. ’Rasmus still had his bludgeon with him,
and a few deft strokes on the sheriff’s head were all-sufficient.
’Rasmus then took back the money and gave it to Squire Lamar. Then he
told them all to remain perfectly still, and whistling three times,
an amateur photographer made his appearance, adjusted his apparatus,
and took their pictures.

Sarony could have wished for no better subjects. On the broad veranda
lay the old lady prone on the floor, reading the “Tallahassee Inland
Mariner”; at her side sat her daughter, Turk-fashion, shelling a
pea; while the son and heir reclined near by, reading an account by
a Prussian officer of the third battle of Bull Run. The father,
weighted down with dollars, snored in the background.

And beaming on them all with the consciousness of having done his
best and done it well, old ’Rasmus stood, singing ventriloquially, so
as not to injure the picture, this negro plantation song:

      De ribber Jordan I can see,
        Toujour jamais, toujour jamais;
      Mein liebe frau, ach, she lofes me,
        Fair Jeannie het awa!
      Then I wen’ daown the caows to milk,
        Toujour jamais, toujour jamais;
      Me lika banan’ as softa as silk,
        Helas, cordon, by gar!




XXVII

’MIDST ARMED FOES

  BY THE AUTHOR OF “DUNN TO DEATH; OR, THE WEATHER PROPHET’S FATE,”
  “SARAH THE SALES-WOM-LADY; OR, FROM COUNTER TO COUNTESS,” ETC.


Raoul Chevreuilly stood within a rude hut in the dark recesses of
the forest of Fontainebleau. By his side stood his lady-love, the
beautiful Perichole Perihelion. Without, the night was black and the
wind roared as it is wont to do in stories of this type.

“Dost fear aught, my precious?” asked Raoul, gazing at the French
face of the lovely Parisian.

“Why should I fear when I am protected by my Raoul--how do you
pronounce Raoul, anyway?” replied she.

“I long ago gave up trying. But, Perichole, while I would not have
you fear, yet it is no light task that I have undertaken--your
defense against as fierce a pack of roistering thieves as ever beset
the forest and who now surround this hut. Let but the wind die down
so that they may be heard, and they will hurl execrations at me and
beat down the door. Réné Charpentier seeks my life because I have
promised to be yours, or rather because you have promised to be mine.
But he shall kill me only at the expense of my life. Yea, though he
had twice a hundred myrmidons at his back and beck.”

For answer the entrancing girl took a mother-of-pearl jews’ harp off
the wall and played “Mlle. Rosie O’Grady,” “There’ll be a chaud temps
in the vieux ville ce soir,” and other simple French ditties.

[Illustration]

Instead of admiring her pluck, Raoul was moved to fury, and he cried
in French,--this whole business is supposed to be in French, except
the descriptions,--“Is it impossible to move you to a realization
of my bravery? Know, then, that, save for ourselves, there is not a
human being within three miles of this hut. I had thought that you
would be moved to added love by such an exhibition of bravery on my
part as your defense against a hundred bravos; but, _viol di gamba!_
you have no imagination.”

“And Réné Charpentier?”

“There is no such fellow. He is but a pigment--I mean figment of my
brain.”

Flinging a pair of arms around his French neck, the adorable
Perichole kissed Raoul again and once more. Then she said, “My adored
one, that you were brave I suspected--are you not the hero of a
French novel? But I never knew that you were such a lovely liar.
Raoul, my own forevermore!”

And her beautiful face beamed with a love-light whose wick had been
newly trimmed.




XXVIII

AT THE SIGN OF THE CYGNET

A COSMOPOLITAN ROMANCE


I

It was late spring in New England. Buttercups bespangled the grass
and nodded and smiled at the apple-blossoms in the trees. And the
apple-blossoms nodded in return, and in a few days fluttered down to
the buttercups.

On the front stoop of an old baronial castle in the south of France
stood Armand Maria Sylvestre de Faience Pomade Pommedeterre. He had
been standing there all the morning, he knew not why. True, he looked
well, but he would have looked as well anywhere else, and he might
have been doing something. Still, there is time. It is but the first
chapter.

[Illustration]

Godiva Churchill Churchill, of Churchill Wolde, Biddecumb on
Baddecumb, the only daughter of her widowed mother and widowered
father, cantered slowly down the roadway that led to Churchill Hall,
the home of the Churchills for seven centuries. Her right cheek was
overflushed, and ever and anon she bit her chin. England could boast
of no prettier girl than Godiva, nor did England boast of it as much
as Godiva did.


II

It is summer in New England. The as yet colorless spears of goldenrod
give warning that the year is speeding speedily. The buttercups fled
long ago with the apple-blossoms, and from the verdant limbs of the
apple-trees hang bullet-like apples.

Armand Maria Sylvestre de Faience Pomade Pommedeterre is still in
the south of France. My French map is mislaid, and I cannot spell
the name of the place he is at, but it is on bottles, I think. He
has left the front stoop, and passes his time gazing at the goldfish
in the fountain and waiting to be drawn into the plot of my story.
Patient man!

Godiva Churchill Churchill, of Churchill Wolde, Biddecumb on
Baddecumb, is still in the saddle, filled with vague longings.


III

Purple asters fringe the highways of New England, and rosy apples
depend from the boughs in countless orchards. (I think that scenery
is my strong point.)

Armand Maria Sylvestre de Faience Pomade Pommedeterre is chafing at
my delay, but continues to reside in the south of France from sheer
inertia.

Godiva Churchill Churchill, of Churchill Wolde, Biddecumb on
Baddecumb, has worn out the left fore foot of her horse by her
incessant cantering upon the graveled paths of Churchill Hall. She is
beginning to feel resentment at me for the enforced monotony of her
existence, but heavens! how can I help it? I’m trying my level best
to evolve a plot.


IV

The flowers that gladdened the meads and highways and shady lanes of
New England are gone. Winter’s robes of office are thrown carelessly
over the landscape, and apples in innumerable barrels stand in the
cellars, waiting for better prices.

The reason why I have so faithfully described New England scenery is
because that’s the only kind of scenery I know anything about.

I am ashamed to confess it, but this is the last chapter, and blamed
if I can think of any good reason for the departure of Armand Maria
Sylvestre de Faience Pomade Pommedeterre from the south of France. He
can’t speak a word of English, and if you’re thinking of Godiva, she
can’t speak a syllable of French.

Poor Godiva Churchill Churchill, of Churchill Wolde, Biddecumb on
Baddecumb! She is quite lame from her long-continued exercise in
the saddle, but still canters aimlessly about. She has become the
laughing-stock of all the tenants of Churchill Wolde, and it’s all my
fault.

If she saw Armand she’d fall in love with him, but I can’t think of a
way to bring about their meeting. That’s what it is to lack invention.

Just imagine me trying to write a novel!

Anyhow, I’ve got a good title for the story.


THE END




XXIX

A SCOTCH SKETCH


The shadows lengthened on old Ben Nevis. Surely none of my readers
imagines that Ben Nevis is the hero of my simple Scotch sketch. If
so, he is awa off. Ben Nevis is a mountain, and I have flung it in as
a suitable background for the following conversation:

“Mither, mither, ye’ll mek nae doot o’ haein’ roast beef fer supper,”
said Hillocks Kilspindie, as he sat on the old bench in front of
their cottage door.

With a troubled look, his mother, old Margaret Kilspindie, replied:
“Man, Hillocks, div ye no see me buyin’ the haggis?”

“Yes, mither; but I’m sair sick o’ haggis. Syne Scotch literatoor kem
in it’s hard put we are to live at all. I say may the plague take
Maclaren and Barrie and Crockett. Before they began to write”--and
in his excitement Hillocks was using as good English as any other
Scotchman in real life--“roast beef and wheat bread and chops and
tomato-sauce and other Christian dishes were good enough for us all.
Then came the influx of Americans who wanted to see the scenes made
immortal by the ‘Bonnie Brier Bush’ (I wish Ian might have scratched
his writing-hand upon it) and the ‘Window in Thrums’ (which I wish
some one had broken before Barrie saw it), and now it is haggis in
the morning, and haggis at noon, and haggis at night, and Scotch
dialect that tears my tongue to pieces all the time.”

“Hech, my bairnie; but thae are wrang words, an’ fu’ o’ unchristian
bitterness.”

“Oh, mother! drop your ‘hechs’ and your ‘fu’s.’ There are no
Americans about this evening. It’s hard enough to talk the abominable
gibberish when we have to, without keeping it up all the time.
But, tell me, mother, couldn’t you smuggle in a little roast beef
to-night, and let me eat in the cellar?” And a pleading look came
into the young man’s eyes that was hard to resist.

“My bairn--I mean my boy, I’d like to, but I dare not. Maclaren’s
inspectors are due here any minute, and I could ill afford to pay the
heavy fine that would be levied if we were found with as English a
thing as roast beef in the house. No, lad, we maun stick to parritch
and haggis--I mean we must stick to oatmeal and haggis.”

Just then the sentry that was stationed at the outskirts of the
village to warn the villagers of the approach of Americans gave the
laugh of warning: “H-O! H-O! H-O!” And, with a bitter look on his
face, and a shake of his fist in the direction of Loch Lomond, Ben
Nevis, Ben Bolt, and various other bits of Scotch scenery that were
scattered about, Hillocks Kilspindie said to his mother: “Weel, as
surees deith a’ c’u’dna help it; tae be sittin’ on peens for mair
than twa oors, tryin’ tae get a grup o’ a man’s heads. (I learned
that this morning, mother. Isn’t it a looloo?)”

“(Indeed it is, my son. Look out! The Americans are almost within
ear-shot.) Noo we’ve tae begin an’ keep it up till they gang awa, for
there mauna be a cheep aboot the hoose, for Annie’s sake! Here they
are.”

[Illustration]

“Mither! Mither! if ye lo’e me bring me mair haggis.”

CHORUS OF AMERICANS. Oh, how adorably Scotch!

“Losh keep us a’, but the childie’ll eat his mither oot o’ hoose an’
hame wi’ his haggis. Ye’ll find some o’ it i’ the cupboard.”

AMERICAN (_politely to_ HILLOCKS). Have some haggis on me.

HILLOCKS (_with a canny Scotch leer_). Thanks; but I prefer a plate.




UNRELATED STORIES--RELATED

[Illustration]




XXX

EPHRATA SYMONDS’S DOUBLE LIFE


I

Ephrata Symonds was a knave. Of that there was no doubt. It stuck out
all over him. His face was a chart of wickedness, and it was his open
boast that he had never done any good in his life, and, please the
devil, he never intended doing any. He had married early in life (in
a fit of absent-mindedness), but he had long since forsaken his wife
and children.

“Satan finds some mischief still for idle hands to do”; but, to speak
in a paradox, Satan never gave him any employment, for he was ever
busy--at evil. It was when he was just turned fifty that he was
elected a member of the Evil-doers’ Club. He soon became popular,
and upon the incarceration of the president of the club, the trusted
cashier of the Tyninth National Bank, Symonds was unanimously elected
president in his place.

[Illustration]

That he was the right man for the position he immediately proved by
presenting the club with a fine new club-house, which he assured
them was not his to give, or he would not have presented it. In the
first six months of his presidency he eloped with two married women
at once, and so managed the trip that neither suspected that she was
not quite alone in his company. He deserted them both in the West,
and returned to pose before his fellow club-members. He diverted
to his use the little property of a friendless woman, and in many
characteristic ways showed himself to be thoroughly bad.

It was at this period of his life that his death came, and his last
words were: “I am thankful that no man is the better for my having
lived.”

His fellow Evil-doers mourned his departure with sincerity. They felt
that in losing such a thoroughly bad man they had suffered a loss
which it would be impossible to repair. As the secretary feelingly
put it, “Hell is the worse for having him.” “Yes,” said another;
“he was admirably bad. And it is the more to his credit that he was
bad in spite of adverse influences. His parents were pious people,
and Ephrata had every temptation to lead a life of virtue; but in
the face of all the obstacles that his father put in the way of his
becoming vicious, he persevered, and yesterday I had the honor of
telling his old mother that her son was undoubtedly the most wicked
man in New York. It made quite an impression on her. We shall ne’er
see his like again.”

The parlors of the Evil-doers’ Club were draped in black, and mock
resolutions of sympathy were sent to his deserted wife.


II

Great was the chagrin of the members of the club when it began to
be bruited among them that Symonds had been leading a double life;
that his wickedness was but a cloak to hide his goodness. The rumors
were at first pooh-poohed, but when it was remembered that every
third week he had always absented himself from town, the story that
he was really a good man began to wear an air of truth. Detectives
were set to work, and the damning proofs of his deceitful goodness
multiplied rapidly, and at last the facts came out, but only to the
club-members. They felt that it would not be creditable to allow such
scandalous stories to be repeated to the world at large, which would
only too willingly point the finger of scorn at them on learning that
their chief officer had, in spite of every lure, gone right. Some
might even go so far as to insinuate that maybe other members were
better than they seemed to be. No; Symonds’s disreputable goodness
should continue to be as well cloaked as he had cloaked it while
alive.

The story of his goodness is as follows: It seems that every third
week of his life had been spent in Boston, and while there he had
earned a large income as a life-insurance agent. It was his wont
to spend this money in doing good. Nothing was known in the Hub of
his private life. He lived at the Adams House, and cultivated an
austerity of manner that repelled people; but by underhand means he
contrived to ameliorate a deal of misery.

Having become convinced in his early youth that unostentatious
benevolence was preferable to a life of good works blazoned forth
to an admiring world, he had habituated himself to every form of
vice, in order, under cover of it, to pursue unobserved the efforts
he was to put forth for the good of his fellow-men. And he had well
succeeded. When Elias Hapgood, who had for thirty years subsisted on
the bounty of an unknown benefactor, read in the Boston “Herald” an
account of the death of Ephrata Symonds, “the wickedest man in New
York,” he breathed a prayer of thankfulness that the world was rid of
such a man, little knowing that he was misjudging his best friend.
And Elias was but one of scores that had been similarly benefited.
Symonds’s charities had been literally endless and invariably
anonymous. And now, after having, as it were, lived down his good
works, it was a little hard that death should have torn from him the
lifelong mask of deceit, and set him before his fellow-members for
what he was--a thoroughly good man.


III

It was a special business meeting of the Evil-doers’ Club. The
chairman rapped for order, and the secretary read the following
resolutions:

“WHEREAS, It has pleased Nature to take from among us Ephrata
Symonds, for some time our honored president;

“WHEREAS, We had always supposed him to be a man of the most
exemplary wickedness, a man before whom all Evil-doers might well
hide their diminished heads in despair of ever approaching his level
of degradation;

“WHEREAS, His life had always seemed to us a perfectly unbroken and
singularly consistent chain of crimes and enormities to be emulated
by us all; and

“WHEREAS, It has lately come to be known that his wickedness was but
a mask to hide a life of well-doing, occupied in its every third week
with deeds of kindness and generosity;

“Therefore be it _Resolved_, That we, as members of this club, have
been most shamefully imposed upon;

“_Resolved_, That we hereby express our contempt for a man who,
with every incentive to be always bad, should have so far forgotten
himself as to lead a third of a worthy life.”

The secretary had not finished reading the resolutions when a
messenger brought in a letter which he handed to the chairman as the
clock pointed to eight fifty-eight.

It ran in this fashion:

  FELLOW-MEMBERS: It is, by the time of reading this, probably plain
  to you that you have been taken in by me, and that, so far from my
  really having been a wicked person, I was a credit to my race and
  time.

  True to my desire that to the rest of the world I should be
  accounted a bad man, I have caused to be delivered with this letter
  a box. It works its purpose at nine o’clock. Sit where you are and
  do not attempt to escape. The secret of my goodness rests, and
  shall rest, with you.

      Yours insincerely, EPHRATA SYMONDS.

As the chairman finished reading he glanced at the clock. It was on
the stroke of nine! He seized the box, and with a wild cry attempted
to throw it through the window, but it was too late. A whirring noise
was heard, followed by a terrific explosion, that left of club-house
and -members naught save a hole in the ground.

Symonds’s culpable goodness remained unknown to the world.




XXXI

A STRANGER TO LUCK


When I got off the train at Darbyville, which, as all will remember,
is the junction of the L. M. & N. and O. P. & Q. railroads, and found
that, owing to an accident, it would be an hour before the train
came in on the latter road, I was vexed. Although ordinarily my own
thoughts are agreeable companions, yet events of the past week, in
which my good judgment had not borne a conspicuous part, made it
likely that for the nonce these thoughts of mine would be more or
less unpleasant, and so I cast about for some human nature to study.

At one end of the platform three or four farmers were seated
upon trunks. They were alert-looking men, and, like me, were
waiting for the train. As I neared them, one of their number, a
tall, lanky, sharp-boned, knife-featured fellow, imperturbably
good-natured-looking, and with an expression of more than ordinary
intelligence in his eyes, left them and sauntered off down the road
with long, irregular strides.

It was one of those calm, clear, dry days when sounds carry well,
and although I did not join them, yet I heard every word of the
conversation. Indeed, as their glances from time to time showed, they
were not averse to having an auditor.

“It’s cur’us,” said one of them, a ruddy-faced man with a white
beard, “how unlucky a man c’n be an’ yit manage to live.” His eyes
followed the shambling figure that had just left them. “I’ll help
myself to some of thet terbacker, Jed. Left mine to hum, an’ I have
the teethache--awful.” This to a short, stout man with a smooth face,
who had just taken a liberal mouthful of tobacco from a paper that he
drew from his hip-pocket.

“He’p ’se’f!” said the one addressed. Then he added, “Meanin’ Seth, I
s’pose?”

“Yes,” replied the other. “I b’lieve thet ef Seth was to hev anythin’
really fort’nit happen to him, it would throw him off his balance.”

“’N’ yit ther’ never was a feller thet better deserved good luck than
Seth. Most obligin’ man I ever saw. Ain’t no fool, nuther,” remarked
the third and last member of the group, a typical Uncle Sam in
appearance, with prominent front teeth, and a habit of laughing dryly
at everything that he or any one else said.

“He don’t suffer fer the actooal needs of life, doos he?” asked the
stout man whom the others called Jed.

“No--oh, no,” answered Sam (for it turned out that so the typical
Yankee was called). “No; he gits enough to eat and wear, but he never
hez a cent to lay by, and never will.”

“Don’t drink, doos he?” asked Jed, who seemed to belong to a
different town from the one wherein the others and Seth abode. His
acquaintance with the one under discussion was evidently by no means
intimate.

“No; he ain’t got no vices ’t I know of. Jes’ onlucky.”

“It’s s’prisin’ haow tantalizin’ly clus good fortin hez come to
him--different times,” said the one who had asked for the tobacco,
and whom the others called Silas.

“You’re _right_, Silas,” assented Sam. “He c’n come nearer to good
luck ’thout techin’ it ’an any man I ever see.”

“Don’t seem to worrit him much,” said Jed. “He seems cheerful.”

“Don’t nothin’ worrit _him_,” Sam continued. “Most easy-goin’ man on
the face of the airth. _He_ don’t ask fer sympathy. He takes great
doses of bad luck ’s ef ’twas good fer his health.”

“Never fergit,” said Silas, “the time when he bought a fine new milch
Jarsey at auction fer five dollars. Why, he hed two offers fer her
nex’ day, an’ I _know_ one of ’em was forty dollars--”

“Well, naow I call that purty lucky,” interrupted Jed.

“Wait!” continued Silas, seating himself more comfortably on a
trunk. “Seth he wouldn’t sell. Said he never did hev his fill of
milk, an’ he was goin’ to keep her. Very nex’ day, b’ George!
she choked on a turnip, an’ when he faound her she was cold. Man
sympathized with him. ‘Too bad, Seth,’ says he; ‘ye ’r’ aout forty
dollars.’ ‘Five’s all I figger it at,’ says Seth. ‘Didn’t _keer_ to
sell.’

[Illustration]

“Closest call ’at fortune ever made him was time his uncle Ralzemon
aout West died and left him $5000. Everybody was glad, fer every one
likes Seth. I was with him when he got the letter f’om the lawyer
sayin’ it was all in gold, an’ hed be’n expressed to him, thet bein’
one of the terms of the will. Mos’ shif’less way of sendin’ it, I
thought,” declared Silas, compressing his lips. “‘What ye goin’ to do
with it, Seth?’ says I. ‘Put it in the bank?’ ‘Ain’t got it yit,’
says he; ‘an’, what’s more, I never will.’ ‘Why d’ ye think so?’
says I. ‘On gin’al principles,’ says he, a-laafin’.

“Sure ’nough, a few days later it was printed in the paper thet a
train aout in Wisconsin hed be’n held up by robbers. I was in the
post-office when I saw it in the paper, an’ Seth was there too. ‘Bet
ye a cooky thet my $5000 was on thet train,’ says he. ‘Won’t take
ye,’ says I; ‘fer I’ll bet ye five dollars ’twas, myse’f.’ ‘I’ll take
ye,’ says he. B’ George! he lost the five and the $5000 too, fer
_’twas_ on the train, an’ they never could git a trace of it. The
robbers hed took to the woods, an’ they never found ’em.”

“Well, I swan!” ejaculated Jed, chewing hard, and regarding with
ominous look a knot-hole in the platform.

Silas continued: “I says, ‘I’m sorry fer ye, Seth.’ Says he: ‘I ain’t
no poorer ’an I was before I heard he’d left it to me.’”

“He was aout the five dollars he bet, though,” said Jed.

“Wa’n’t, nuther,” said Silas, rather shamefacedly. “I told him thet
the bet was off.”

“Why didn’t he sue the comp’ny?” asked Jed.

“’At’s what I advised him doin’, but he said ’twa’n’t no use.”

“I think I heard ’baout his havin’ a fortin left him at the time, but
I thought it was f’om a cousin down in South America,” Jed went on,
looking inquiringly at Sam.

“Heh, heh! thet was another time,” said Sam, with his dry little
laugh. “Good nation! ef all the luck thet’s threatened to hit him hed
_done_ it, he’d be the richest man in this caounty. I tell ye, good
luck’s allers a-sniffin’ at his heels, but he don’t never git bit.
This time he got a letter f’om his cousin, tellin’ him he’d allers
felt sorry he hed sech poor luck, an’ he’d made him sole heir of
his estate, prob’ly wuth a couple o’ thousand dollars. He hed some
oncurable disease, he wrote, an’ the doctors didn’t give him over
three months to live--”

“S’pose he lived forever,” put in Jed, chuckling.

“No, sir; he died in good shape, an’ in fac’ he bettered his word,
for he didn’t live two months f’om the time he wrote to Seth; but I’m
blessed ef they didn’t find there was some claim against the estate
thet et it all up. Well, sir, I never saw any one laugh so hard ez
Seth when he heard the news. It struck him ez a dretful good joke.”

“He must hev a purty paowerful sense of the ridikerlus,” said Jed,
dryly.

“Well, he hez,” assented Sam, rubbing his knees with his horny hands.
“Ain’t no better comp’ny ’an Seth. Ain’t never daownhearted.”

After a moment’s silence Silas smiled, and, closing his eyes, pinched
them between thumb and forefinger as if calling up some pleasing
recollection. At last he said: “Ye know, Seth allers works by the
day. He gin’ally has enough to do to keep him busy, an’ allers doos
his work up slick, but he never hed stiddy employment, on’y once, an’
then it lasted on’y one day. ’Member that, Sam? Time he went to work
at the Nutmeg State clock-shop?”

“_Yes_, yes,” laughed Sam, driving a loose nail into the platform
with his heel.

“Stiddy employment fer a day, eh?” said Jed, grinning. “Thet’s ’baout
ez stiddy ez my hired man, an’ he ain’t stiddy at all.”

“It was this way,” Silas went on. “Seth allers was purty slick at
han’lin’ tools, an’ Zenas Jordan was foreman of the shop, an’ he
offered Seth a place there at twelve dollars a week, which was
purty good pay an’ more ’n Seth could make outside, ’thout it was
hayin’-time. I met him on his way to work fust mornin’. ‘Well, luck’s
with you this time, Seth,’ says I. ‘Sh!’ says he. ‘Don’t say thet,
or I’ll lose my job sure. It’s jes better ’n nothin’, thet’s all.
_Don’t_ call it good luck’; an’ he laafed an’ went along a-whistlin’.
B’ Gosht! ef the blamed ol’ shop didn’t burn daown thet very night,
an’, ez ye know, they never rebuilt. Seth he come to me nex’ day, an’
he says, kinder reproachful: ‘You’d orter held yer tongue, Silas.
I’d be’n hopin’ thet was a stroke er luck thet hed hit me by mistake,
an’ I wasn’t goin’ to whisper its name for fear it’d reckernize me
an’ leave me, and you hed to go an’ yell it aout when ye met me.’”
And Silas laughed heartily at recollection of the whimsicality.

“Cur’us, ain’t it, what a grudge luck doos hev against some men?”
remarked Jed, rubbing his smooth chin meditatively.

Far down the valley I heard the faint whistle of a locomotive.

“Las’ story they tell ’baout Seth ’s this,” Silas said, rising and
stretching himself, and then leaning against the wall of the station.
“He’s a very good judge o’ poultry, an’, in fac’, he gin’ally judges
at the caounty fair every fall. Well, a man daown in Ansony told him
he’d pay him ten dollars apiece for a couple of fine thoroughbred
Plymouth Rock roosters. Seth knowed a man daown Smithfield way named
Jones thet owned some full-blooded stock, but ez he on’y kep’ ’em
fer home use he didn’t set a fancy price on ’em, an’ Seth knowed
he could git ’em fer seventy-five cents or a dollar apiece. Well,
it happened a day or two later he was engaged to do a day’s work
fer this man Jones, an’ he went daown there. He see two all-fired
fine roosters a-struttin’ raound the place, an’ he cal’lated to buy
them; but fer some reason he didn’t say nothin’ ’baout it jes then to
Jones, but went to work at choppin’ or sawin’ or whatever it was he
was doin’.”

“Said nothin’, did he? _Must_ ha’ sawed wood, then,” interrupted Jed,
looking over at me and winking.

“Sure! Well, when it kem time fer dinner he hed got up a good
appetite, an’ he was glad to set daown to table, fer Jones is a purty
good feeder an’ likes to see people hev enough. Hed stewed chicken
fer dinner, an’ Seth says he never enjoyed any so much in his life.
After dinner he says, ‘By the way, Jones, what’ll ye take fer those
two Plymouth Rock roosters ’t I saw this mornin’?’ Jones bust aout
a-laafin’, an’ he says, ‘Ye kin take what’s left on ’em home in a
basket an’ welcome!’ Blamed ef Seth hedn’t be’n eatin’ a dinner that
cost him nigh on to twenty dollars.”

“Thet _must_ hev riled him some,” remarked Jed.

“No, sir; he never seemed to realize the sitooation.”




XXXII

CUPID ON RUNNERS


Littlewood Phillips had been in love with Mildred Farrington for two
years, ever since he first met her at the Hollowells’ card-party.
He had no good reason to doubt that his love was returned, yet so
fearful was he that he had misread her feelings that he had never
hinted that she was more to him than any of the girls he met at the
church sociables and card-parties in Newington.

So matters stood when a snowfall that brought sleighing in its wake
visited Newington, and Littlewood became conscious of the fact that
he had actually asked Miss Farrington to take a ride with him. Of
course he must perforce bring matters to a crisis now.

The evening was soon at hand. A crescent moon shone in the west, and
the stars were cold and scintillating. He walked to the livery-stable
and asked for the cutter, and a few moments later he was driving a
handsome chestnut to the house where his thought spent most of the
time.

Miss Farrington kept him waiting a good half-hour, but he reflected
that it was the privilege of her glorious sex, and it only made him
love her the more. If she had come out and placed her dainty foot
upon his neck he would have been overcome with rapture.

It was cold waiting, so he got out and hitched his horse and paced in
front of her house, her faithful sentinel until death--if need be.
Not that there was any reason to think that his services would be
required, but it pleased his self-love to imagine himself dying for
this lovely being of whom his tongue stood in such awe that it could
scarce loose itself in her presence.

At last she appears. The restive horse slants his ears at her and
paws the ground in admiration of her beauty, for Mildred was as
pretty as regular features, a fair skin, and melting eyes could make
her.

Littlewood handed her into the sleigh, stepped in himself, tucked in
the robes, and chirruped to the horse.

That intelligent animal did not move. A flush of mortification
overspread the face of the would-be amorous swain. A balky horse,
and at the start! What chance would he have to deliver his precious
message that was to make two hearts happy? He clicked again to the
horse, but again the horse continued to stand still.

“You might unhitch him, Mr. Phillips. That would help,” said Mildred,
in her sweet voice.

“Oh, yes--t-to be sure! I must have tied him. I mean I--er--I di--I
think I did hitch--er--”

“There seems to have been a hitch somewhere,” she answered.

He stepped out of the sleigh and looked over his shoulder at her in
a startled way. Could she mean anything? Was this encouragement? Oh,
no! It was too soon. (Too soon, and he had been in love two years!)
He unhitched the horse and once more placed himself beside his loved
one.

The frosty night seemed to have set a seal upon her lips, for as they
sped over the crunching snow and left the town behind them she was
silent.

“I must have offended her. I’ve probably made a break of some kind,”
said Littlewood to himself. “How unfortunate! But I must tell her
to-night. It is now or never. She knows I never took anybody but my
mother sleigh-riding before.”

Then began a process of nerving himself to the avowal. He ground his
knees together until the bones ached. His breathing was feverish.

Finally he made bold to say: “Mildewed.” And then he stopped. He had
never called her Mildred before. He had never called her Mildewed
either, but that was accidental, and he hoped that she had not
noticed the slip.

[Illustration]

“I have something of the greatest importance to say to you.”

Did he imagine it, or did she nestle closer to him? He must have been
mistaken, and to show that he was quite sure he edged away from her
as much as the somewhat narrow confines of the sleigh would allow.

“What do you wish to say, Mr. Phillips?”

“Mr.” Phillips! Ah, then she was offended. To be sure, she had always
called him that, but after his last remark it must have an added
significance.

“I--er--do you like sleigh-riding?”

“Why, of course, or else I shouldn’t have come.”

Did she mean that as a slap at him? Was it only for the ride, and not
for his company, that she had come? Oh, he could never make an avowal
of love after that! He knew his place. This beautiful girl was not
for a faint-hearted caitiff like himself.

“Nun--nun--no, to be sure not. I--er--thought that was why you came.”

Mildred turned her gazelle-like eyes upon him. “I’m afraid I don’t
understand you.”

That settled it. If she didn’t understand him when he talked of
nothing in particular, he must be very blind in his utterance, and
he could never trust his tongue to carry such a heavy freight as a
declaration of love. No, there was nothing to do but postpone it.

Mildred drank in the beauty of the scenes, and wished that it were
decorous for women to propose.

Under the influence of sweet surroundings, Mildred at last said
pointedly: “Is it so that more people get engaged in winter than in
summer?”

She blushed as she spoke. It was unmaidenly, but he was such a
dear gump. Now he would declare himself. But she did not know the
capabilities for self-repression of her two-year admirer.

He said to himself: “What a slip! What a delightful slip! If I were
unprincipled I would take advantage of it and propose, but I would
bitterly reproach myself forever, whatever her answer was.”

So he said in as matter-of-fact tone as he could master when his
heart was beating his ribs like a frightened cageling: “I really
can’t answer offhand, but I’ll look it up for you.”

“Do. Write a letter to the newspaper.”

Her tones were as musical as ever, but Littlewood thought he detected
a sarcastic ring in them, and he thanked his stars that he had not
yielded to his natural desire to propose at such an inauspicious time.

“What was that important thing you wanted to say?” asked Miss
Farrington, after several minutes of silence, save for the hoofs and
the runners and the bells.

“Oh, it wasn’t of any importance! I mean it will keep. I--er--I was
thinking of something else.”

“I think you have gone far enough,” said she, innocently, looking
over her shoulder in the direction of home. Maybe the return would
loosen his obdurate tongue.

His heart stopped beating and lay a leaden thing in his breast. Had
he, then, gone too far? What had he said? Oh, why had he come out
with this lovely being, the mere sight of whom was enough to make one
cast all restraint to the winds and declare in thunderous tones that
he loved her?

“I think that we’d better go back,” he said, and turned so quickly
that he nearly upset the sleigh. “Your mother will be anxious.”

“Yes; when one is accountable to one’s mother one has to remember
time. I suppose it is different when one is accountable to a--”

“Father?” said Littlewood, asininely.

“No; that wasn’t the word I wanted.”

“A-a-aunt?”

Could Mildred love him if he gave many more such proofs of being an
abject idiot?

“No; husband is what I want.”

Littlewood’s brain swam. He had been tempted once too often. This
naïve girl had innocently played into his hands, and now the Rubicon
must be crossed, even if its angry waters engulfed him.

“Pardon me, Miss--er--Mildred,”--he did not say Mildewed this
time,--“if I twist your words into another meaning, but if
you--er--want a husband--do you think I would do?”

A head nestled on his shoulder, a little hand was in his, and when he
passed the Farrington mansion neither he nor she knew it.




XXXIII

MY TRUTHFUL BURGLAR


I had an experience with a burglar night before last. My family are
all away, and I have been living alone in the house, a detached
villa in New Jersey, for upward of a month. Several burglaries have
occurred in the vicinity.

Night before last I was awakened about four o’clock by a noise made
by a clicking door, and opening my eyes, I saw a smooth-faced,
determined-looking man at my bedside. I did not cry out, nor hide
under the bedclothes, nor do any of the conventional things that one
does when a burglar comes to him.

I looked at him calmly for a moment, and then I said, “How d’ do?”

An expression of surprise passed over his intelligent features, but
he said mechanically, “Pretty well, thank you. And you?”

“Oh, I’m as well as could be expected under the circumstances. Are
you the burglar who has been doing this village?”

“I am,” said he, drawing up a chair and sitting down.

“Why don’t you deny it?” I asked. I wasn’t afraid. He amused me, this
nonchalant burglar.

“Well, because I’m not ashamed of my profession, for one reason, and
mainly because I was brought up by my father to tell the truth.”

“You tell the truth, and yet you are a burglar. How can you reconcile
those facts?”

“They are not irreconcilable,” said he, taking a corn-cob pipe out
of his pocket and filling it. “I am a burglar, and my father was one
before me, but he was a perfectly honorable man. He never lied, and
I never lie. I steal because that is my profession, but I make it a
rule to tell the truth upon all occasions. Why, if the success of my
venture to-night depended upon my lying to you, I’d immediately leave
this place, as innocent of plunder as when I came in. Where’s the
silver?”

“Top drawer of the sideboard.” There was a magnetism, a bonhomie,
about the man that captivated me.

“Are you armed?” asked he, as he puffed at his pipe.

“If I had been I’d have winged you before this,” said I, laughing.

“I believe you, and I honor you for being perfectly frank with me.”

“Why, as to that, I’m not to be outdone in frankness by a thief.”

“That will make my task so much the easier. After I’ve finished this
pipe I want you to give me your word that you’ll lie still until I’ve
taken all I want.”

I admired the man’s nerve, and I said: “For the time being I consider
you my guest, and, Spanish fashion, my house is at your disposal.”

“Don’t put it on that basis, or I will leave at once. This is no time
for aping the Spanish.”

“You are right. But I tell you candidly that I would far rather have
found out that you were a liar than a burglar. Your lies would not be
likely to injure me, but I’ll be out just so much by what you take.
I’d much rather you were a liar.”

“And I would not. If I steal, I do but take something that, to
paraphrase Shakspere, was yours, is mine, and has been slave to
thousands; but to lie would be to ‘lay perjury to my soul,’ and that
I would not do, ‘no, not for Venice’!”

[Illustration]

“I see you know Shakspere,” said I, punching my pillow so that I
could be more comfortable. I was reading this odd fellow, and I
believed that I could dissuade him from his purpose.

“Know Shakspere? I was an actor once.”

I felt that I had him, for I know actors better than he knew
Shakspere.

“Did you ever play Hamlet?” I asked, sitting up in bed.

“I did; and I made such a hit that if it hadn’t been for the venality
of the press and my sense of honor, I would have been adjudged one of
the greatest Hamlets of the day.”

“Give me the soliloquy. I give you my word that ordinarily I’d rather
be robbed than hear it, but I like your voice and I believe that you
can do it justice.”

A self-satisfied smile illuminated his face. He laid down the pipe
and gave me the soliloquy, and it wasn’t bad.

“Bully!” I said, when he had finished. “Why, man, you make an
indifferent thief, else you would have decamped long ago; but the
stage has lost an actor that would have in time compelled the
unwilling admiration of the press.”

And so I jollied him, and he gave me the trial scene from “The
Merchant of Venice,” and other selections, until dawn began to show
in the east, when he picked up his bag and said, “It would be a shame
to rob a white man like you.” Then he bade me good-by and left.

And I congratulated myself upon my knowledge of human nature, until
I began to dress, when I found that the fellow had finished his
burgling before I woke, and he has all my silver.




XXXIV

THE MAN WITHOUT A WATCH


Thomas Morley knew the value of promptitude. He was a young man on
whom ninety-two seasons had poured benefits and adversities, although
many of the latter he took to be the former, his temperament shedding
sorrow as a duck does water, to use a castanean simile.

He was a born and bred New-Yorker, but at the time of which we write
he had been living for the last ten or twelve months in Uxton, up
among the hills of northwestern Connecticut, studying the natives;
for he was a writer.

Having filled a portfolio with material for enough dialect stories to
run one of the great magazines for a year, he determined to seek his
matter in the metropolis, and to that end applied for a reportership
on the New York “Courier-Journal,” in which paper many of his
brightest things had appeared at remunerative rates.

As has been said, he knew the value of promptitude, so when, at eight
o’clock one night, Farmer Phelps’s hired man handed him a letter
from James Fitzgerald, managing editor of the “Courier-Journal,”
asking him to come and see him in regard to a reportership as soon as
possible, he made up his mind to take the train which left Winsonia,
four miles distant, at six o’clock next morning. This would enable
him to reach the office by half-past ten, and probably catch Mr.
Fitzgerald on his arrival at his desk.

Next morning he arose at four, and when he left the house he had
sixty minutes in which to walk four miles downhill--ample time,
surely.

It was so ample that he would have had fifteen minutes to spare if
the home clock had been right. As it was, he arrived at the station
in time to see the train rapidly disappearing around a curve, on its
way to New York. He laughed good-naturedly with the baggageman, and
asked him when the next down train was due.

“Seven-thirty, sharp. You’ll not have to wait long.”

Seven-thirty. That would bring him into the presence of Mr.
Fitzgerald at just about the time he arrived at his sanctum. “Better
than to have to wait in a presumably stuffy room,” said he to
himself, philosophically. He lit a cigar, and, as the air was bracing
and he was fond of walking, he struck out into a five-mile-an-hour
gait down the main street of Winsonia.

His footsteps led him farther than he had intended going, and when
he reached the Baptist church at East Winsonia, he saw by its clock
that it lacked but forty minutes of train-time, and he had four miles
to make. He threw away the stump of his cigar, which had been out
for some time, broke into a jog-trot, and, after covering a mile, he
caught his second wind and mended his pace.

His fleetness would have served its turn had not a malicious breeze
blown his hat over a high iron fence that surrounded a churchyard.
By the time he had climbed the fence and recovered his hat he had
consumed so many precious minutes that, although he sprinted the
last mile, he arrived at the station only in time to see train No. 2
disappearing around that hateful curve.

The baggageman was standing on the platform, and he said:

“Ain’t once enough?”

“More than enough for most people,” said Thomas, whose rare good
nature was proof against even such a remark at such a time.

The next train for New York was due at nine fifty-six. Being somewhat
blown, he walked around the corner to a billiard-room, meaning to sit
down and watch whatever game might be in progress.

“It may be,” soliloquized Thomas, “that Fitzgerald won’t reach the
office until after lunch, and I’ll get there at half-past two, in
time to see him when he’s feeling good.”

He met Ned Halloway at the billiard-room, and when Ned asked him to
take a cue he consented. Billiards was a game in which he was apt to
lose--himself, at any rate; yet to-day his mind was enough on the
alert to enable him, after a time, to glance at the clock over the
bar in the next room. It was forty-five minutes past eight.

They began another game. Later he looked again at the clock. A
quarter of nine. After another game he looked up once more. “Fifteen
minutes to ni--. Say, Ned, what’s the matter with that clock?” Ned
looked at it, then at his watch. “Why, it’s stopped!”

“You settle--see you later.” And Thomas was gone like a shot.

This time he had the rare pleasure of noting how the rear car of a
train grows rapidly smaller as it recedes. In a moment the train
disappeared around the curve before mentioned.

“Say, Mr. Morley, you’ve time to miss the next, easy,” said the
baggageman, dryly.

Thomas was vexed, but he said pleasantly: “When is it due?”

“Half-past two. Better wait here and make sure of it.”

[Illustration]

“Oh, dry up! No; do the other thing; it’s on me.”

After this little duty had been performed, Thomas, with an
irrelevancy of action that might have struck an observer as amusing,
made his way to the Y.M.C.A. rooms to read the magazines.

“Let’s see,” said he; “I’ll get to his desk at seven. He’ll be hard
at work, and, if he engages me, he may send me out on an assignment
at once. Glad I missed the other trains.”

Thus was Thomas wont to soliloquize. At one o’clock he went to
Conley’s Inn, and sat down to one of those dinners that attract
drummers to a hotel. Necessarily, then, it was a good dinner, and one
over which he lingered until nearly two. Then he went into the office
and sat down.

The room was warm, and his dinner had made him drowsy. He decided to
take a little nap. He had the faculty of waking when he pleased, and
he willed to do so at fifteen minutes past two. It would be weakness
for him to get to the station with too much time to spare, but this
would give him a quarter-hour in which to go a half-mile.

His awakening faculty would seem to have been slightly out of order
that day, however, and he did not arouse until twenty-nine minutes
past two by the hotel clock.

Of course he did not make a fool of himself by trying to do a
half-mile in sixty seconds; but he walked leisurely toward the
station, intending to get his ticket and have that off his mind.

He laughed heartily at a corpulent fellow who darted by him, carrying
a grip.

His laughter ceased, however, when, on turning the corner, he
discerned the aforesaid fat man in the act of being assisted on
to the platform of the last car by the brakeman, the train having
acquired considerable momentum. Then he saw it disappear around a
curve which was part of the road at that point. There were three
explanations possible: either the train was behind time, or else his
awakening faculty was in good repair, or the hotel clock was fourteen
minutes fast. The latter proved to be the correct explanation of the
somewhat vexing occurrence.

“Say, that’s a bad habit you have of missing trains,” said his friend
the baggageman. “Goin’ to miss another--or do anything else?”

“No,” said Thomas, shortly.

He knew that the next train at five was the last. This would make it
possible to reach Fitzgerald at half-past nine. “Right in the heat
of the work. He’ll engage me to get rid of me,” laughed Thomas to
himself. Then he continued: “I never heard of a man missing every
train in a day, so I’ll risk calling on Laura before the next one
starts.”

Miss Sedgwick, the one he called Laura, lived out of town near the
railroad track, and two miles nearer New York than Winsonia station.

She was a captivating girl, and when Thomas was in her presence he
never took heed of time. He was lucky enough to find her at home. She
seemed glad to see him, and was much interested in his account of how
near he had come to catching some trains that day; and as nothing
is so engaging as a good listener, the minutes passed on pneumatic
tires. When at last he took note of the hour, it was five o’clock.

“That clock isn’t right, is it?”

“Yes, sir. Father keeps it at railroad time. Mercy! you’ve lost your
train again, haven’t you?”

“Laura, this time it’s bad. I won’t see him to-day, now, and
to-morrow may not do. Let me go and kick myself.”

“I’m awfully sorry, Tom. I hope to-morrow won’t be too late.”

Thomas squeezed her hand and left her, feeling rather blue.

The railroad track was but a block away, and he walked over to it,
not with suicidal intent, but just that he might tantalize himself
with a view of the train as it sped by, which it should do in about a
minute.

“At any rate,” said he, “it won’t be going around that dreadful
curve.”

It was the last of December, and the sun had set. When he reached
the track he saw, far away, a glimmer of the headlight of the
five-o’clock express.

Nearer and nearer it came. A moment more and it would rush by like a
meteor. But it didn’t. It slackened up at the very corner on which
Thomas stood, to allow an official of the road to jump off.

Thomas was not slow, if he did miss trains now and then. He swung
himself on to the smoker.

“Go’n’ far?” asked the brakeman.

“To New York,” was his reply.

“You’re in luck.”

“Well, I’ve not missed more than three or four trains in my life!”
said Thomas; and it was strictly true.

Half-past nine to the minute found him outside of the editorial rooms
of the “Courier-Journal.”

“Can I see Mr. Fitzgerald?” he asked of a boy who came in response to
a knock.

“No, sir; he went out of town yesterday. Be back to-morrow at twelve.”

       *       *       *       *       *

“Did you get my letter already?” asked Mr. Fitzgerald of Thomas
Morley, when he came to his desk next morning and found that young
man waiting for him.

“Yes, sir; and here I am.”

“Well, sir, I like your promptness, and I’ll give you the place of a
man whom we had to discharge for being too slow. You seem to have
what a reporter needs most of all--the ‘get there’ quality.”

“I didn’t allow any trains to pass me,” said Thomas, modestly.




XXXV

THE WRECK OF THE “CATAPULT”

BY CL-RK R-SS-LL

      The sea, the sea, the open sea,
      The blue, the fresh, the ever free.
                       BARRY CORNWALL.


If there be those who love not the sea, with its storms, its seaweed,
its sharks and shrimps and ships, this is not the story for them,
and they would best weigh anchor and steer for some tale written by
a landlubber and full of green meadows and trees and such tommy-rot,
for this is to be chock-a-block with nautical phrases.

And who am I, you ask? I am Joseph Inland, the tenth of that name.
We have always lived and died here in Birmingham, and followed the
trade of cutlers; but when I was a babe of one year father told
mother ’twas time one member of the family followed the sea, wherever
it went, and that he intended to make a sailor of me.

So before I was six I had heard of sloops and ferry-boats and
belaying-pins and admirals and salt-junk, and longed to hear the wind
whistling through the maintopgallantmast, and could say “boat-swain”
as glibly as any sailor afloat. But father was in moderate
circumstances; and so, much as he would have liked to, he could
not afford to send me to sea when I was a boy, and that is why my
one-and-twentieth birthday came and went and I had never been farther
from Birmingham than my legs could carry me in a day; but you may be
sure that I subscribed to the “Seaman’s Daily,” and through a friend
who knew a sailor I had picked up such terms as “amidships,” “deck,”
“boom,” “bilge-water,” “forecastle,” and the like, so that I was a
seaman in everything save actual experience.

And in the amateur dramatic society of which I was a member I always
played sailors’ parts, and did them so well that when we played
“Hamlet” they changed the part of the grave-digger to that of a
sailor for me, and I made a great hit in it. The one who played
Hamlet didn’t like the change, as it interfered with his lines and
his business with a skull, and he refused to come on at all in that
act; but I sang a sea-song instead, and the newspaper came out and
said that my singing was no worse than his acting would have been,
which I thought pretty neat.

But enough of that. I was always fond of joking, and had nigh unto
a score of comical sayings that I used to repeat to my friends when
they would come to our house of an evening; but they didn’t often
come. My father said I was as comical a lad as he ever knew, and
would slap me on the back and roar that it was the funniest thing
he had heard in a twelvemonth when I made one particular joke, the
tenor of which I forget now. But all the jokes dealt with the sea.

Well, so much for my life up to my one-and-twentieth birthday. You
have learned that if ever a body was fitted for a sea life, that body
was mine.

By the time I was six-and-twenty I don’t believe there was a sea term
that I did not have at my tongue’s end, and I always wore my trousers
wide at the lower end, and kept a chew of tobacco in my mouth day and
night, although after a time I failed to notice any taste in it.

It was a gladsome sight to see me go rolling to my work in the
cutler’s shop (for I still followed the old trade), with a hearty
“Ho, landsman! good mornin’ to ye!” to all I met, in true sailor
fashion.

Our fare at home consisted of loblolly, ship’s-biscuit, salt-junk,
and plum-duff, with water drawn from casks. My dear old mother used
sometimes to wish for home-made bread and fresh meat and vegetables
and pump water; and I remember, one winter, brother died of the
scurvy; but I was better content than if he had died of some
landsman’s complaint, and mother was glad to put up with anything,
she was so proud that I was to be a seaman.

[Illustration]

I had a carpenter construct my parents’ bedroom so that the whole
floor could be rocked; and on stormy nights I would stay up and by
a simple mechanism keep it a-rocking until poor old mother would be
as sick as if she were in the Channel. But I never heard her murmur.
_She_ was fit for a sailor’s wife.

On such nights father never went to bed, but stayed down-stairs.
There was little of the seaman’s spirit in the old man.

When I was one-and-thirty I had a rare chance to ship before the mast
on a whaler sailing from Liverpool; but as business was pretty brisk
at the shop, I decided to wait, and the offer was not renewed when
she returned, three years later.

When I was forty dear mother entered her last port. The doctor, a
blundering landlubber, fond of landsmen’s phrases, said she died
of insufficient nutriment. Be that as it may or what it may, in
her I lost one whose heart was always on my going to sea. Douse my
top-lights if ever there was a craft that carried a stancher heart
from barnacle to binnacle than did the old lady, and I had her
buried in shrouds, with a cannon-ball at the foot of the coffin, as
befitted the mother of one who was going to be a seaman.

After she died I became even more impatient to be off to sea, for
there’s no air so pure as the sea air, no hearts so true as seamen’s
hearts, no weed like seaweed, and no water that’s fit to drink save
sea water; but business was pretty good, so, for the present, I
decided to stay ashore; but I always read the shipping news with as
much keenness as any sailor afloat.

       *       *       *       *       *

And now I’ve come to the end of my yarn. I named it “The Wreck of
the ‘Catapult’” because it had a salty savor. It was the name of one
of my favorite Sunday-school books when I was a lad. Now I am an old
man, threescore and ten, and have been alone in the world a score
of years. Heaven denied me the blessing of children, but I have a
grandson who is as hot for the sea as I was.

Ah, me! Next week I am going to apply for admission to the Sailors’
Home; for although circumstances have prevented my ever seeing the
ocean or scenting its salty breezes, I have always been, and always
shall be, at heart a British seaman.

Shiver my timbers!




ESSAYS AT ESSAYS

[Illustration]




XXXVI

THE BULL, THE GIRL, AND THE RED SHAWL


There is no incident in all the realms of literature, from the “penny
dreadful” up to the three-volume novel, that has afforded so much
material for the pen of the writer of fiction as the delightful
episode of the bull, the young girl with the red shawl, and the young
girl’s lover. Sometimes the cast includes the lover’s hated rival,
but the story may be told without using him.

It is thirty-odd years since I first came across this thrilling
adventure in the pages of a child’s book, very popular at the
time. How well I remember how my young blood--to be exact, my
seven-year-old blood--thrilled as I mentally watched this frail
girl, with a start of just three feet, lead the tremendous and
horribly savage bull in a three-hundred-yard sprint, only to trip
at last on the only obstruction in the ten-acre field; how, just
as the bull reached her, she flung her red shawl a few rods to the
right; how the bull, leaving her, plunged after it; how she, weak
and trembling, ran to the stone wall and managed to vault it just
as her lover, a brawny blacksmith, who had seen the whole affair at
too great a distance to be of immediate service, reached the wall
and received her in his arms. “Oh, Kenston,” she murmured, “you have
saved my life!” And then she fainted, and I believe the bull ate up
the shawl; at any rate, its part in that particular story was ended.

I have always felt that, thrilling as this scene was, it had not been
worked for all it was worth; but an extensive reading since then has
brought me to the conclusion that, first and last, it has been worked
for its full value.

The next time that I read the enthralling narrative I was some years
older, but the memory of the other telling was still fresh within
me; and so, when, in the second chapter, I read about a savage old
bull, one Hector, the property of Squire Flint, the meanest man in
the county,--not that his meanness had anything to do with the story,
but it is one of the conventions that a savage bull shall be owned by
a cross, crabbed, and thoroughly stingy man,--I say, when I had read
thus far my pulse quickened. Inexperienced as I was, I somehow sensed
the coming situation. I seemed to know as by clairvoyance that,
however limited the heroine’s wardrobe might be in some respects,
there was one article of apparel that she surely possessed, or would
possess in time to meet the exigencies. True enough, in the very
next chapter her maiden aunt, a saintly old lady of ninety, died
and bequeathed to her sorrowing niece a red pongee shawl of great
value--as a bull-enrager. The book had seemed prosy at the start, but
now that I knew what was coming, and that it was _that_ that was
coming, I read on breathlessly.

[Illustration]

Needless to say that in the next chapter the young girl fell in love
with a strapping young fellow, who immediately proposed that they
take a walk. How well I knew, though they did not, where that walk
would lead them! The mad bull--in this case it was mad, although any
old bull will do, mad or not--was rampant in a lot a mile south of
the young girl’s house, and they started to walk due north; but I
knew full well that they would need to cross that particular pasture
before they got home, and a few pages later found them climbing over
a stone wall into the bull’s domain, and then they walked along,
intent only on their new-found happiness. The day was chilly,--in
the middle of a particularly hot July,--so that the girl could have
an excuse to wear her red shawl. Now, having brought two of the
actors upon the stage, the cue was soon given to the bull; and in a
moment the happy lovers, feeling the ground tremble beneath their
feet, turned and saw Hector, his horns gyrating with rage, his eyes
bulging out, and his head lowered as he thundered along straight for
the pongee bequest. To take her under his strong arm and to rush
forward were the only things for the young man to do, and he did
them; and then the rest ran as per schedule. I believe that in this
case the young man threw the girl into a tree and then plunged down
a woodchuck’s hole. At any rate, the girl was unharmed. That is the
one unalterable formula in constructing these bull stories: save the
girl unharmed. You may break the young man’s leg or arm, and you may
do what you will with the bull, but the young girl must come through
unscathed.

It was years before this moving incident ceased to hold me, and
in that time how many changes were rung on it! Once only was the
red shawl absent, and I wondered how in the world the bull was to
be infuriated, as he was a singularly mild beast in the earlier
chapters, and on Maydays had been festooned with garlands. Then, too,
the girl was in deep mourning--for her lover! But the ten-acre lot
was all right, and as the author was a clever man, I felt that he
would find a way to run the act with a small cast and no properties.
So I read on, and after wondering, together with the girl herself,
what could have caused the peaceful old bovine to chase her, tail up
and head down, the full length of a particularly long pasture, she
and I found out when she realized that, the day being sunny, she had
picked up her cousin’s parasol, which was necessarily of a brilliant
scarlet. She had no lover, for, as I say, he had died--two chapters
before the book was begun; but she did have presence of mind, and so
she inserted the point of the parasol in the bull’s mouth, and then
opened it, and while he was extracting it with his fore paws, she
reached the fence and vaulted it in the usual way.

The possibilities of the incident are by no means exhausted, and so
far from “Amos Judd” being the last story in which it was used, I
saw it in a tale published this month, and this time with the full
paraphernalia of hated rival, lover, red shawl, and all; but for me
it had lost its zest. To be sure, if they would make the hero an
athlete, and have him bravely stand his ground while the girl climbed
to the top of an enormous elm, and then, just as the bull lowered
his head to toss him, have the hero jump high in the air and make
the bull pass beneath him, and as he reached ground again seize the
bull, not by the horns, but by the tail, and, swinging it three times
around his head, dash it against a tree and stun it,--that is, if its
tail were securely welded to its body,--there would be an original
treatment of the subject. And if its tail were but loosely fixed to
it, the hero could pull it out, and the bull, filled with chagrin,
would walk off, dismayed and humiliated.

But, pending that form of the story, I am studiously avoiding all
novels that contain heroines with red shawls, or that make early
reference to fierce bulls, or that speak of a certain ten-acre
lot peculiarly adapted for lovers’ peregrinations; for, like the
successful burglar, I know the combination.




XXXVII

CONCERNING DISH-WASHING


Has the reader ever considered how much time is wasted every day by
busy women in the work of washing dishes? Of course, if a man has
plenty of money and, from philanthropic motives, engages a girl to
perform this unpleasant--I had almost said “duty”--this unpleasant
task, I suppose we cannot, strictly speaking, regard her time as
wasted, for she might else be loafing in an intelligence-office
without gaining a scrap of that article. I refer to the lives led
by weary housewives who, having no aid from a hired housemaid, day
out and day in will make themselves thin by the never-ceasing and
perfectly useless grind of dish-washing; for the dishes don’t stay
clean for more than a few hours.

For years I ate my meals in selfish content, little recking at what
cost the clean service was gained, until I discovered that my sister,
who is also my housekeeper, had sold her piano, not having time to
play upon it. I was shocked to think what a power this custom of
dish-washing had over the minds of the feminine portion of our public.

But this dreadful waste of time that is going on in thousands of
homes in this country every day was brought home to me in a still
more striking manner not long after. My sister went away to visit a
friend, and left me to keep bachelor’s hall. I had always had a good
taste for cooking, although hitherto my practice had been confined
to boiling eggs and buttering hot toast on a plate at the back of
the stove. The first meal that I prepared, a breakfast, consisted of
oatmeal, steak, fried potatoes, bread, butter, milk, and water. We
will pass over the meal itself, as its discussion is foreign to our
purpose. Indeed, the less said about it the better. It was nine when
I had finished eating, and dumped my dishes and knives and forks into
tepid water. I am a fast worker, but the clock in the neighboring
church had ceased striking twelve when my last dish was wiped and put
away.

I had hoped to do a little writing that morning, but it was now
time to get luncheon. Luckily, that meal called into play very few
dishes, and by two, or half-past, I had made an end of my second
stint. Feeling elated that I had a whole afternoon on my hands, I
prepared a course dinner. I found some cold soup in the refrigerator,
and I bought a bluefish, five or six pounds of beef for roasting,
some Parker House rolls, and a lemon-pie for dessert. There were
lettuce and eggs in the house, and plenty of canned vegetables. I
also made some good coffee, with the aid of a French coffee-pot, that
indispensable adjunct of a well-ordered household. I found that the
courses were very hard to manage so that they would follow in their
proper order. They weren’t even satisfied to finish together like
evenly matched racers, but the roast was burned five minutes before I
thought of warming up the soup, and ten minutes before I had scaled
the fish. Then the latter wouldn’t broil readily until most of it
was in the fire. The vegetables I forgot entirely, and I decided at
the last moment to deny myself the salad, as dinner was waiting and
I was hungry. I might add that I inadvertently cut the pie with the
fish-knife, and that cast a damper on the dessert. However, as I
said, the coffee was good--and, anyhow, I am digressing.

[Illustration]

It was seven when I emptied my dishes into the water, and I worked
with a will, as I had a very exciting novel that I was desirous
of finishing. It was a few minutes past eleven when I emptied my
dish-pan for the last time, and then I was ripe for bed.

As time wore on I became more dexterous in the use of the dish-cloth
and -towel, and the day before sister returned I devoted but six
hours to dish-washing. To be sure, I had given up course dinners,
because they took too many plates, and for other reasons that need
not to be quoted here.

As I say, I am a fast worker, and yet it took me over six hours a
day to clean the crockery. Assuming that a woman can do it in eight
hours, she wastes half of her waking moments in drudgery beside which
the making of bricks without straw would be a pastime.

There is absolutely nothing in the dish-washing habit to recommend
it. It is ruinous to hands and temper, and, indeed, I do not see
but that it is immoral. Anything that puts us in the proper mood for
swearing is immoral, and there is nothing in the whole housekeeping
routine so conducive to highly spiced language as dish-washing.

And to what purpose is this waste of time? I won’t go so far as to
advocate a return to the fingers that were used before forks for the
purpose of conveying food to the mouth, for that would but relieve
us from the washing of cutlery; but I will say that the man who will
invent a cheap yet very ornate dinner service that may be destroyed
after once using will have earned the undying gratitude of the women
of this country and a princely fortune besides.

And when he has invented it, sister may go on another visit.




XXXVIII

A PERENNIAL FEVER


The world hears much of the dangers of typhoid and yellow and scarlet
fever, and the skill of physicians is ever employed to reduce those
dangers to a minimum; but in every country, at all seasons of the
year, there is a fever that numbers its victims by the thousand, and
yet no doctor has ever prescribed for it, nor is there any drug in
the pharmacopœia that will alleviate it.

The malady to which I refer is hen fever.

If a city woman intends marrying a city man, and then moving out a
little way into the country, as she values her peace of mind, let her
make sure that he is immune. Unless, indeed, both are prepared to
come down with it at once. For it is unlike all other fevers in that
a man and his wife may have it together and be happy; but if he or
she have it alone, then woe be to that house.

The germs of hen fever are carried in a chance conversation, in a
picture of gallinaceous activity, in the perusal of a poultry-book.
A man hears or looks or reads, and the mischief is done. The subtle
poison is in his blood, although he knows it not.

Hen fever takes various forms. With some it is manifested in a desire
to keep a few blooded fowls and breed for points; with another, to
keep a few birds for the sake of fresh eggs and broilers: but in
whatsoever form it come, it will cause the upheaval of its victim’s
most cherished plans and habits.

He may have been an ardent admirer of Shakspere, and in the evenings
it has been his wont to read aloud to his wife while she knitted; but
now, little recking what she does, he reads to himself “Farm Poultry”
or “The Care of Hens,” or--and this is the second stage of the
disease--he reads aloud to her that hens cannot thrive without plenty
of gravel, that cracked wheat is better than whole corn for growing
pullets, that the best way to cure a hen of eating her own eggs is to
fill one with mustard, etc.

[Illustration]

Time was when he had an opinion on politics, on finance, on
literature, on the thousand and one things that make for
conversation, and his neighbors dropped in to hear him talk
engagingly of what he had read or seen; but now, when they come, he
tells them that his brown Leghorn hen laid twenty eggs in twenty-five
days, while his buff Cochin laid only eight in the same time; that
his white Plymouth Rock is crop-bound, and his Wyandotte rooster has
the pip.

Lucky indeed is his wife if he stick to the good old way of hatching
chickens by hens instead of kerosene-oil; for if he get an incubator
she had better get a divorce. How many homes have been wrecked by
patent incubators will never be known.

But even if the fevered one stick to the natural method of hatching,
there will be many times when his wife will wonder why she left a
comfortable and sociable home to spend her evenings alone; for he
will be in the hen-house, setting hens, or washing soiled eggs, or
divesting nestlings of the reluctant shell, or dusting his whole
flock with the snuff-like insecticide, or kerosening their roosts.

With some the fever never abates; with some it is intermittent; some
have it hardest in the spring of the year, when hens are laying their
prettiest, and profits may be figured in money as well as on paper.
But whether it be light or heavy, hen fever will run its course
without let or hindrance; and, as I have hinted, happy is the wife
who comes down with it simultaneously with her husband; for, though
their neighbors will shun them as they would a deadly pestilence,
yet they will be company for each other, and will prate ceaselessly,
yet cheerily, upon the best foods for laying hens, the best exposure
for coops, how many hens can live in one house with best results,
when a chicken should be weaned of bread, what breed of hens is least
idiotic, and kindred topics.

As for me, I am free to come and go among hens; to look on their
markings with unmoved eye; to view their output with normal pulse;
to hear “the cock’s shrill clarion” without pricking up my ears; to
read of the latest thing in incubators without turning a hair: for I
have survived the fever; I am an immune.




XXXIX

“AMICUS REDIVIVUS”


Josephus says, “Post hoc ergo propter hoc,” and it might well be
applied to the concerns of this day, for what one of us has not at
some time or other felt a “pactum illicitum,” a “qualis ab incepto,”
as it were, permeating his whole being, and bringing vividly before
the retina the transitory state of all things worldly? As Chaucer
said:

      For who so wolde senge the cattes skin,
      Than wol the cat wel dwellen in here in.

For it cannot be gainsaid that, despite the tendency toward
materialism, the cosmic rush and the spiritual captivity that lead so
many brave souls into the martyrdom of Achiacharus, there is in all
of us a certain quality that must and will assert itself.

It seems but yesterday that Shelley, in his poem on “Mutability,”
said:

      We are as clouds that veil the midnight moon;

but how pat is the application to-day! We _are_ as clouds. You who
boast yourself of your ancestry, you whose dignity is as a cloak of
ermine, ye are but clouds. How well Goethe knew this! We all remember
those lambent lines of his--I cannot translate adequately, so I will
quote from the original German:

  Fräulein Anna, das Papier in Deutschland ist wie das Papier in
  Amerika.

Ages ago Sophocles had worded it in almost the same phrase:

        Oh, race of mortal men oppressed with care!
      What nothings are we, like to shadows vain,
        Cumb’ring the ground and wandering to and fro.

The greatest poets, from Le Gallienne down to Shakspere, have been
aware of this evanescent property in the cumbrous and exsufflicate
prowlers amid these “glimpses of the moon.” Well may we say with
Cæsar, “Quamdiu se bene gesserit.”

[Illustration]

There is always a touch of ozone in the words of Horace, and we
find him saying of this very thing, “Precieuse ridicules pretiosa
supellex.” Could it have been said better? How airily he pricks the
bubble of man’s self-esteem! “Dressed in a little brief authority,”
man plays his part amid mundane happenings tremelloid and sejant,
and with a sort of innate connascence, a primitive conglutinate
efflorescence, he approaches nearer and nearer, day by day, to that
time when, as Shakspere hath it, “the beachy girdle of the ocean”
will resolve itself into its component parts, and man as man will
cease to exist.

But, to pass to a more inchoate view of these things,--to the “opum
furiata cupido” of the ancient Latins,--what is there in all this
that tends to lessen a man’s self-glorification, his auto-apotheosis?
Victor Hugo can tell us:

      Petit bourgeois père La Chaise
        Pour prendre congé tour de force
      Connaisseur tout Thérèse
        Façon de parler Edmund Gosse.

The author of “Les Misérables” was himself a man, and he knew. And
no less a man was Coplas de Manrique, and in his beautiful lyric,
“Caballeros,” he says:

      Tiene Vd.-Usted mi sombrero
        Tiene Vd.-Usted mi chaleco
      No lo tengo, no lo tengo
        Tiene Vd.-Usted mi.

“Noblesse oblige,” and it behooves all of us, however mighty our
positions in life, to unbend a little and try to mollify these
manducable and irresoluble phases of molecular existence, to the end
that we may accomplish a “vis medicatrix naturae” and a “vade mecum”
that shall be valuable to us in our journey to the tomb and through
nether space.

So, then, may we “with an unfaltering trust approach our grave,” and,
as Schiller says so musically:

  Ich kann nicht mit der linken Hand schreiben.




XL

THE PROPER CARE OF FLIES


It is a fact beyond cavil that ninety-nine flies out of a hundred
perish every year for lack of proper care on the part of housewives;
that the attention that is lavished upon the house-cat, if expended
upon the house-fly, would cause him to stay with us throughout the
twelvemonth.

I have devoted years of patient study to the busy buzzers, and I
speak as one having authority. Flies need warmth as much as humans
do--nay, more than their biped brethren, for we can stand the early
autumn frosts without a fire, but it is those few days that kill
off the little fellows that have been our winged companions through
the summer season, singing in the new day, sampling our butter and
meats, and tickling us half to death with their erratic pilgrimages
and divagations. A little forethought on our part, a speedier
lighting of the furnace fires, and flies in midwinter would no longer
be a rarity.

This well-nigh universal carelessness is due to a woeful ignorance
as to the habits of the fly, and not to intentional cruelty. Why,
we know more about the ways of the wapiti than of the most common
occupant of our houses. To give an instance, most people refer to the
fly as a scavenger, a lover of tainted meats and vegetables. This is
only because he is so often forced to eat tainted meat or go without
altogether. There are fresh milk and fish for the cat, dainty tidbits
for the dog, millet and rape for the canary; yet how many Christian
people think to provide something tempting for the flies? But too
often we begrudge them the crumbs that fall from the table.

So far from flies loving “high” meat, it is an acquired taste with
them. This had long been a theory with me, but it is only a year
since I proved it by an interesting experiment. I secured a setting
of flies’ eggs,--not thoroughbred eggs, but just the ordinary
barn-yard variety,--and I set them under a motherly bluebottle
fly, after I had made her a comfortable nest in a pill-box. I saw
to it that she had the proper food for a setting fly--not mush and
milk, but flakes of hominy and grains of sugar once a day. I also
dusted her nest thoroughly with insecticide and covered her with
a tea-strainer so that she would be secure from molestation from
other flies. For three weeks she was faithful to her duties, and
then, one morning, I saw that she had experienced the sweet joys of
motherhood, for there, on the edge of her nest, sat thirteen--mark
the number--cunning little flies, pluming and preening themselves
with innate skill. I could scarce keep back the tears.

[Illustration]

For a few days I let the little flock follow their mother, and then
I shut them up away from her in my guest-chamber and began their
education. The sweetest milk was theirs from the start, and after
a week of bread diet, that their feathers might be strengthened, I
began to give them small scraps of porter-house steak and Southdown
mutton. It was wonderful to see how the little beggars throve. One
night I slept in the guest-chamber, and they awoke me before the
robin’s matin song, although they were not three weeks old. Their
tread had a firmness, a titillating power, that never comes to a
tramp fly or to one improperly nurtured. Then, their buzzing was so
sonorous that sleep was impossible once they tuned up, so I was in
no danger of becoming a drowse-abed.

When they were two months old I determined to test my theory. I
procured some meat from the larder of a gormand friend of mine, and
brought it into my guest-chamber in an air-tight box. Then I opened
the box and awaited developments. If flies are natural-born birds of
carrion, then they would rush upon this stuff with avidity. I hid
behind the arras--if I am quite sure what arrases are--and watched my
little pets with some concern. They flew over to the meat, sniffed
it disdainfully, buzzed with ire for a few seconds, and then flew to
the ceiling with every appearance of disgust. Then the largest one
signaled to his fellows, and they flew down once more, lifted the
“condemned beef” in their talons as firemen seize a life-preserving
net, and sailed to the open window, where they dropped it. In five
minutes’ time it was black with flies that had not received proper
nurture. Was I pleased? I was delighted. I set forth a feast of sugar
on top of my bald head, and sat in the guest-chamber until my pets
had made an end of eating.

The nineteenth century is nearing its close, and the house-fly is not
a perfect insect; but, housekeeper, it lies with you to improve the
breed. Exercise a little care in the choice of their food, and when
the biting days of early fall come upon the land, make provision for
warming your little guests of the summer days, and if the winds of
winter whistle sharp they will be answered by the hot little buzz of
myriads of flies.




  TRANSCRIBER’S NOTE

  Contractions such as “he ’s” and “she ’d” (with a space) have
  been changed to “he’s” and “she’d” (without a space).

  Obvious typographical errors and punctuation errors have been
  corrected after careful comparison with other occurrences within
  the text and consultation of external sources.

  Except for those changes noted below, all misspellings in the text,
  and inconsistent or archaic usage, have been retained.

  Pg xii: ‘Harper’s Bazar’ replaced by ‘Harper’s Bazaar’.
  Pg 124: ‘what the concensus’ replaced by ‘what the consensus’.
  Pg 237: ‘dainty titbits’ replaced by ‘dainty tidbits’.





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