The Project Gutenberg eBook of Climate—disordered This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Climate—disordered Author: Sam Merwin Release date: August 24, 2022 [eBook #68827] Language: English Original publication: United States: Better Publications, Inc Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK CLIMATE—DISORDERED *** Climate--Disordered By CARTER SPRAGUE [Transcriber's Note: This etext was produced from Startling Stories, March 1948. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The President of the Chamber of Commerce of Wheedonville by the Sea was stately and rather terrifying in his measured wrath. Nor was his peroration against the dapper young-old man who sat at the foot of the long mahogany conference table lessened by the knowledge that he had the full support of the rest of that august body. But Wiley Cordes, on whom all this anger was focussed, appeared singularly uncowed by the disfavor in which he basked. As a seasoned resort promotion expert he was not unacquainted with municipal ire. So many unforeseen factors could send resort trade swarming to the wrong resort--as had happened in this case. Having talked himself into the fat job of putting Wheedonville on the map as the sea-side town where vacationers would have the amusement world at their feet, he had been forced to sit by and watch the bulk of the available tourist vacation trade pass to Burden Bay, sixty miles to the south. It was too bad, of course, but a fellow could only do so much. "... and despite your definite assurance--in fact your promise--that retail trade in Wheedonville by the Sea would pick up a minimum of twenty-five per cent, in the year you entered the employment of this Chamber, it has decreased by more than thirty per cent. In this same period the retail trade in Burden Bay has risen by almost forty per cent. I and the Chamber whose spokesman I am would appreciate an explanation." Gathering the skirts of his morning coat carefully to avoid unsightly wrinkles, the President sat down. The silence which followed his sonorous harangue could have been scooped up with a spatula. Eight pairs of eyes remained fixed with suspicion upon the object of his address. With a sigh, Wiley Cordes got to his feet. Hands in pockets he leaned against the table, jingling the change and keys his fingers found. He was going to have to make this good or be out of a very soft, high paying job. Fortunately, he had an idea. "When I undertook to lift your resort trade here in Wheedonville by the Sea above that of Burden Bay," he began with an air of good humor that drew no response from the grave men listening to him, "I could not, of course, foresee that Mrs. Quinlan in our rival metropolis was going to give birth to quintuplets." He paused, let it sink in. "Nor could I look into a crystal ball and learn that Wheedonville by the Sea was going to be cursed with five straight weeks of fog and rain at the height of the season. And it is hardly my fault that the Burden Coastal Oil Refineries should bring in five gushers." "Granted, Cordes," said the President, speaking without arising. "But we cannot continue indefinitely against such buffets of fortune--not and pay twenty-five thousand dollars a year for protection against ill luck--without receiving an iota of protection." "Your sentiments touch me deeply," said Cordes. "And I should not have been worthy of your more than generous salary if I had not studied the problem thoroughly and come to this meeting with a plan which should speedily put an end to the difficulties under which all of us have been laboring." Cordes paused to let this sink in. He knew, as do all talented pitch men, when he had his audience hooked. The expression in the eight pairs of eyes upon him was still uniform--but it flashed a uniformity of hope. "Gentlemen," he went on, "the summer season draws rapidly to its close. It has not been successful. But Wheedonville by the Sea and Burden Bay have both built their reputations as resort cities, much like that of Atlantic City, upon the warmth of climate and water in fall and spring. I propose to make Wheedonville by the Sea the only mild-weather resort in this entire section of coastline." "And just how do you propose to do this?" asked one of the members, his interest aroused above his incredulity. In simple words Wiley Cordes told them. At first there were a few protests upon humanitarian grounds. But they were not enduring. After all the Chamber of Commerce was a collection of hard-headed businessmen. Furthermore they were hard-pressed businessmen. Their ultimate approval was unanimous, as was their vow to mutual secrecy. There was little else they could do. * * * * * Cold weather was a factor in Cordes' scheme. But cold weather descends in occasional unseasonable snaps upon the balmiest of resort climate. Even in Florida and Texas there has been snow during recent years. For once the luck ran for Cordes and his quasi-desperate employers. Early upon a morning in late September, less than a week after the showdown meeting, a plane took off, not from the Wheedonville Municipal Airport but from a private field that lurked less prosperously and publicly in the resort city's villa-studded suburbs. The plane, a converted Mitchell B-25 AAF bomber, was piloted by Wiley Cordes himself--aviation was among his numerous personal accomplishments. There were bombs in the bomb bay--but bombs of a type not yet seen in war. Millions of pellets of dry ice were so stowed away that they could be sowed high in the atmosphere by continued pressure upon a release trigger in the cockpit. The cloud formations were just right--with heavy layers above the target area and little wind. The temperature, in the high thirties at ground level, was below zero two miles up. After getting a sight through the cloud strata, Wiley Cordes began to sow his snow. Back and forth he flew for the better part of an hour, bombarding the clouds with ice pellets to make snow. He had timed his flight with care so that no other plane would be aloft when he reached the sky above the rival Burden Bay resort--no others took off once the snow storm began. Incoming planes were routed to Wheedonville by the Sea. Wiley Cordes listened to the reports on his radio as he flew back to the secluded airport outside of Wheedonville. From the tenor of the announcers it was clearly evident that no one suspected the snowstorm had been deliberately induced by the hand of man. After taxiing his ex-bomber into the hangar, he got out of flying togs and drove to the Wheedonville City Club, where the members of the Chamber of Commerce were waiting. If the mood of their previous meeting had been glum, today joy was unconfined. Old whiskey was brought out, and a special banquet served by close-mouthed club attendants. The radio was left on, and each report of the inexplicable snowstorm which had brought a halt to the Burden Bay autumn season was the occasion for a toast. "The man who really deserves our thanks," said the President, lifting his glass to Wiley Cordes. A chorus of "Hear, hear" greeted his salute. Wiley, entering into the spirit of the occasion, waxed enthusiastic when he was given the floor after cigars were passed. "It is my belief," he went on, "that by repeatedly inducing snow to fall over our neighbor city I can ultimately reduce its mean temperature by the very emanation of cold from the snow covered ground to a point where it will remain colder than normal throughout the fall, winter and spring. "Furthermore," he added, his well-preserved face alight with optimism, "I see no reason why we should limit ourselves to snowstorms. The same dry ice treatment, given to the right cloud formation above Burden Bay when opportunity offers, should produce a certain percentage of rainy weekends and holidays. I can truthfully say that our worries are over." "Keep it up, and you'll find a welcome surprise in your pay envelope, Wiley," said the President, beaming. The arrival of the afternoon papers from Burden Bay was the signal to cease all speech making for a good gloat. The journalists of Wheedonville by the Sea's ancient rival, beneath a commendable effort to gloss over the disaster, were really crying catastrophe. Coming without warning, the baby blizzard--for it had amounted almost to that--had literally caught them with their plants down. Damage, it was hinted in stories hastily killed for later editions, would almost certainly run high into millions. Hotel reservations for the usually equable autumn months were already being canceled. As if to prove it never snowed but it poured, the Oil Refinery chose that day to announce the failure of a sixth gusher and resultant passing of a dividend. Three days later, when clouds again moved in on the coastline, Wiley Cordes took to the air with another load of dry ice pellets. And once again he did his dirty work undetected and with disastrous results for Burden Bay. On his third trip, because of a low current of warm air of whose existence he was not informed, Wiley came in with a rain storm that washed away most of the snow. But his fourth, fifth and sixth one-plane raids more than made up for this lapse. * * * * * Wiley Cordes and Wheedonville by the Sea were riding high. Hotels were packed and concessions were booming. The public relations expert found his salary raised an added hundred dollars a week. There was laughter at a Chamber meeting over a Burden Bay picture release showing a couple of pretty girls in ski clothes backed by a slide made of the defunct oil gushers. "I'll get the chorus of Mike Todd's new musical down here next weekend and put them on water skis in bathing suits," promised the laughing Wiley Cordes. Of course he knew it could not last forever. But he saw no reason for the run of good fortune to come to an early end. He had planned and executed his scheme too well. So he was not pleased to discover another plane above the clouds on his next trip over Burden Bay. Still, it was something that had to happen. He merely cruised on innocently and was relieved when the other ship--a big four-motored flying boxcar--disappeared through the clouds. Then he swung back and did his stuff. [Illustration: There was another plane above the clouds over Burden Bay.] He saw the plane on three more occasions as he placed snowstorms accurately over hapless Burden Bay and its presence began to worry him. But the pilot gave no indication that he knew what Wiley was up to and the discreet young public relations counsellor decided not to mention it to the men who were backing his scheme. As a result of this step and of his own pre-occupation with promoting the balmy atmosphere of Wheedonville by the Sea, he was really caught off-guard when disaster finally struck. As fall merged into winter the reservations totals for Wheedonville hotels fell off far more sharply than it should have--especially with Burden Bay out of the picture. It was the President of the Chamber of Commerce who broke the news to Wiley Cordes, after summoning him to his office in early December. There he simply tossed a telegram at his high powered promoter. No words were needed to explain his mood--it was evident enough from the jut of his beetling gray brows and the bayonet-angle of his Corona Corona. "Read this," he said laconically. "Read it and pack." Startled, Wiley complied, felt himself go gray and sick and shaky as he scanned the contents of the wire. It read: TO CHAMBER OF COMMERCE WHEEDONVILLE BY THE SEA THANK YOU STOP ESPECIAL THANKS TO WILEY CORDES FOR TRIPLING OUR OFF-SEASON RESORT TRADE STOP HIS SNOWMAKING FLIGHTS NO LONGER NEEDED STOP WE HAVE ADOPTED IDEA OURSELVES STOP ONCE AGAIN THANKS FROM THE ONLY SKI RESORT ON THE COAST STOP COME AND TRY OUR NEW RUNS AT OUR EXPENSE AS SMALL RETURN FOR YOUR FAVOR STOP BURDEN BAY CHAMBER OF COMMERCE. *** END OF THE PROJECT GUTENBERG EBOOK CLIMATE—DISORDERED *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.