The Project Gutenberg eBook of The mirrors of Tuzun Thune This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The mirrors of Tuzun Thune Author: Robert E. Howard Illustrator: Hugh Rankin Release date: May 29, 2023 [eBook #70879] Language: English Original publication: United States: Popular Fiction Publishing Company Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK THE MIRRORS OF TUZUN THUNE *** THE MIRRORS of TUZUN THUNE ROBERT E. HOWARD [Transcriber's Note: This etext was produced from Weird Tales September 1929. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "A wild, weird clime that lieth sublime Out of Space, out of Time." --Poe. There comes, even to kings, the time of great weariness. Then the gold of the throne is brass, the silk of the palace becomes drab. The gems in the diadem and upon the fingers of the women sparkle drearily like the ice of the white seas; the speech of men is as the empty rattle of a jester's bell and the feel comes of things unreal; even the sun is copper in the sky and the breath of the green ocean is no longer fresh. Kull sat upon the throne of Valusia and the hour of weariness was upon him. They moved before him in an endless, meaningless panorama, men, women, priests, events and shadows of events; things seen and things to be attained. But like shadows they came and went, leaving no trace upon his consciousness, save that of a great mental fatigue. Yet Kull was not tired. There was a longing in him for things beyond himself and beyond the Valusian court. An unrest stirred in him and strange, luminous dreams roamed his soul. At his bidding there came to him Brule the Spear-slayer, warrior of Pictland, from the islands beyond the West. "Lord king, you are tired of the life of the court. Come with me upon my galley and let us roam the tides for a space." "Nay." Kull rested his chin moodily upon his mighty hand. "I am weary beyond all these things. The cities hold no lure for me--and the borders are quiet. I hear no more the sea-songs I heard when I lay as a boy on the booming crags of Atlantis, and the night was alive with blazing stars. No more do the green woodlands beckon me as of old. There is a strangeness upon me and a longing beyond life's longings. Go!" Brule went forth in a doubtful mood, leaving the king brooding upon his throne. Then to Kull stole a girl of the court and whispered: "Great king, seek Tuzun Thune, the wizard. The secrets of life and death are his, and the stars in the sky and the lands beneath the seas." Kull looked at the girl. Fine gold was her hair and her violet eyes were slanted strangely; she was beautiful, but her beauty meant little to Kull. "Tuzun Thune," he repeated. "Who is he?" "A wizard of the Elder Race. He lives here, in Valusia, by the Lake of Visions in the House of a Thousand Mirrors. All things are known to him, lord king; he speaks with the dead and holds converse with the demons of the Lost Lands." Kull arose. "I will seek out this mummer; but no word of my going, do you hear?" "I am your slave, my lord." And she sank to her knees meekly, but the smile of her scarlet mouth was cunning behind Kull's back and the gleam of her narrow eyes was crafty. * * * * * Kull came to the house of Tuzun Thune, beside the Lake of Visions. Wide and blue stretched the waters of the lake and many a fine palace rose upon its banks; many swan-winged pleasure boats drifted lazily upon its hazy surface and evermore there came the sound of soft music. Tall and spacious, but unpretentious, rose the House of a Thousand Mirrors. The great doors stood open and Kull ascended the broad stair and entered, unannounced. There in a great chamber, whose walls were of mirrors, he came upon Tuzun Thune, the wizard. The man was ancient as the hills of Zalgara; like wrinkled leather was his skin, but his cold gray eyes were like sparks of sword steel. "Kull of Valusia, my house is yours," said he, bowing with old-time courtliness and motioning Kull to a throne-like chair. "You are a wizard, I have heard," said Kull bluntly, resting his chin upon his hand and fixing his somber eyes upon the man's face. "Can you do wonders?" The wizard stretched forth his hand; his fingers opened and closed like a bird's claws. "Is that not a wonder--that this blind flesh obeys the thoughts of my mind? I walk, I breathe, I speak--are they all not wonders?" Kull meditated awhile, then spoke. "Can you summon up demons?" "Aye. I can summon up a demon more savage than any in ghostland--by smiting you in the face." Kull started, then nodded. "But the dead, can you talk to the dead?" "I talk with the dead always--as I am talking now. Death begins with birth and each man begins to die when he is born; even now you are dead, King Kull, because you were born." "But you, you are older than men become; do wizards never die?" "Men die when their time comes. No later, no sooner. Mine has not come." Kull turned these answers over in his mind. "Then it would seem that the greatest wizard of Valusia is no more than an ordinary man, and I have been duped in coming here." Tuzun Thune shook his head. "Men are but men, and the greatest men are they who soonest learn the simpler things. Nay, look into my mirrors, Kull." The ceiling was a great many mirrors, and the walls were mirrors, perfectly jointed, yet many mirrors of many sizes and shapes. "Mirrors are the world, Kull," droned the wizard. "Gaze into my mirrors and be wise." Kull chose one at random and looked into it intently. The mirrors upon the opposite wall were reflected there, reflecting others, so that he seemed to be gazing down a long, luminous corridor, formed by mirror behind mirror; and far down this corridor moved a tiny figure. Kull looked long ere he saw that the figure was the reflection of himself. He gazed and a queer feeling of pettiness came over him; it seemed that that tiny figure was the true Kull, representing the real proportions of himself. So he moved away and stood before another. "Look closely, Kull. That is the mirror of the past," he heard the wizard say. Gray fogs obscured the vision, great billows of mist, ever heaving and changing like the ghost of a great river; through these fogs Kull caught swift fleeting visions of horror and strangeness; beasts and men moved there and shapes neither men nor beasts; great exotic blossoms glowed through the grayness; tall tropic trees towered high over reeking swamps, where reptilian monsters wallowed and bellowed; the sky was ghastly with flying dragons and the restless seas rocked and roared and beat endlessly along the muddy beaches. Man was not, yet man was the dream of the gods and strange were the nightmare forms that glided through the noisome jungles. Battle and onslaught were there, and frightful love. Death was there, for Life and Death go hand in hand. Across the slimy beaches of the world sounded the bellowing of the monsters, and incredible shapes loomed through the steaming curtain of the incessant rain. "This is of the future." Kull looked in silence. "See you--what?" "A strange world," said Kull heavily. "The Seven Empires are crumbled to dust and are forgotten. The restless green waves roar for many a fathom above the eternal hills of Atlantis; the mountains of Lemuria of the West are the islands of an unknown sea. Strange savages roam the elder lands and new lands flung strangely from the deeps, defiling the elder shrines. Valusia is vanished and all the nations of today; they of tomorrow are strangers. They know us not." "Time strides onward," said Tuzun Thune calmly. "We live today; what care we for tomorrow--or yesterday? The Wheel turns and nations rise and fall; the world changes, and times return to savagery to rise again through the long ages. Ere Atlantis was, Valusia was, and ere Valusia was, the Elder Nations were. Aye, we, too, trampled the shoulders of lost tribes in our advance. You, who have come from the green sea hills of Atlantis to seize the ancient crown of Valusia, you think my tribe is old, we who held these lands ere the Valusians came out of the East, in the days before there were men in the sea lands. But men were here when the Elder Tribes rode out of the waste lands, and men before men, tribe before tribe. The nations pass and are forgotten, for that is the destiny of man." "Yes," said Kull. "Yet is it not a pity that the beauty and glory of men should fade like smoke on a summer sea?" "For what reason, since that is their destiny? I brood not over the lost glories of my race, nor do I labor for races to come. Live now, Kull, live now. The dead are dead; the unborn are not. What matters men's forgetfulness of you when you have forgotten yourself in the silent worlds of death? Gaze in my mirrors and be wise." Kull chose another mirror and gazed into it. "That is the mirror of the deepest magic; what see ye, Kull?" "Naught but myself." "Look closely, Kull; is it in truth you?" Kull stared into the great mirror, and the image that was his reflection returned his gaze. "I come before this mirror," mused Kull, chin on fist, "and I bring this man to life. This is beyond my understanding, since first I saw him in the still waters of the lakes of Atlantis, till I saw him again in the gold-rimmed mirrors of Valusia. He is I, a shadow of myself, part of myself--I can bring him into being or slay him at my will; yet"--he halted, strange thoughts whispering through the vast dim recesses of his mind like shadowy bats flying through a great cavern--"yet where is he when I stand not in front of a mirror? May it be in man's power thus lightly to form and destroy a shadow of life and existence? How do I know that when I step back from the mirror he vanishes into the void of Naught? "Nay, by Valka, am I the man or is he? Which of us is the ghost of the other? Mayhap these mirrors are but windows through which we look into another world. Does he think the same of me? Am I no more than a shadow, a reflection of himself--to him, as he to me? And if I am the ghost, what sort of a world lives upon the other side of this mirror? What armies ride there and what kings rule? This world is all I know. Knowing naught of any other, how can I judge? Surely there are green hills there and booming seas and wide plains where men ride to battle. Tell me, wizard who are wiser than most men, tell me, are there worlds beyond our worlds?" "A man has eyes, let him see," answered the wizard. "Who would see must first believe." * * * * * The hours drifted by and Kull still sat before the mirrors of Tuzun Thune, gazing into that which depicted himself. Sometimes it seemed that he gazed upon hard shallowness; at other times gigantic depths seemed to loom before him. Like the surface of the sea was the mirror of Tuzun Thune; hard as the sea in the sun's slanting beams, in the darkness of the stars, when no eye can pierce her deeps; vast and mystic as the sea when the sun smites her in such way that the watcher's breath is caught at the glimpse of tremendous abysses. So was the mirror in which Kull gazed. At last the king rose with a sigh and took his departure still wondering. And Kull came again to the House of a Thousand Mirrors; day after day he came and sat for hours before the mirror. The eyes looked out at him, identical with his, yet Kull seemed to sense a difference--a reality that was not of him. Hour upon hour he would stare with strange intensity into the mirror; hour after hour the image gave back his gaze. The business of the palace and of the council went neglected. The people murmured; Kull's stallion stamped restlessly in his stable and Kull's warriors diced and argued aimlessly with one another. Kull heeded not. At times he seemed on the point of discovering some vast, unthinkable secret. He no longer thought of the image in the mirror as a shadow of himself; the thing, to him, was an entity, similar in outer appearance, yet basically as far from Kull himself as the poles are far apart. The image, it seemed to Kull, had an individuality apart from Kull's; he was no more dependent on Kull than Kull was dependent on him. And day by day Kull doubted in which world he really lived; was he the shadow, summoned at will by the other? Did he instead of the other live in a world of delusion, the shadow of the real world? Kull began to wish that he might enter the personality beyond the mirror for a space, to see what might be seen; yet should he manage to go beyond that door could he ever return? Would he find a world identical with the one in which he moved? A world, of which his was but a ghostly reflection? Which was reality and which illusion? At times Kull halted to wonder how such thoughts and dreams had come to enter his mind and at times he wondered if they came of his own volition or--here his thoughts would become mazed. His meditations were his own; no man ruled his thoughts and he would summon them at his pleasure; yet could he? Were they not as bats, coming and going, not at his pleasure but at the bidding or ruling of--of whom? The gods? The Women who wove the webs of Fate? Kull could come to no conclusion, for at each mental step he became more and more bewildered in a hazy gray fog of illusory assertions and refutations. This much he knew: that strange visions entered his mind, like bats flying unbidden from the whispering void of non-existence; never had he thought these thoughts, but now they ruled his mind, sleeping and waking, so that he seemed to walk in a daze at times; and his sleep was fraught with strange, monstrous dreams. "Tell me, wizard," he said, sitting before the mirror, eyes fixed intently upon his image, "how can I pass yon door? For of a truth, I am not sure that that is the real world and this the shadow; at least, that which I see must exist in some form." "See and believe," droned the wizard. "Man must believe to accomplish. Form is shadow, substance is illusion, materiality is dream; man is because he believes he is; what is man but a dream of the gods? Yet man can be that which he wishes to be; form and substance, they are but shadows. The mind, the ego, the essence of the god-dream--that is real, that is immortal. See and believe, if you would accomplish, Kull." The king did not fully understand; he never fully understood the enigmatical utterances of the wizard, yet they struck somewhere in his being a dim responsive chord. So day after day he sat before the mirrors of Tuzun Thune. Ever the wizard lurked behind him like a shadow. * * * * * Then came a day when Kull seemed to catch glimpses of strange lands; there flitted across his consciousness dim thoughts and recognitions. Day by day he had seemed to lose touch with the world; all things had seemed each succeeding day more ghostly and unreal; only the man in the mirror seemed like reality. Now Kull seemed to be close to the doors of some mightier worlds; giant vistas gleamed fleetingly; the fogs of unreality thinned; "form is shadow, substance is illusion; they are but shadows" sounded as if from some far country of his consciousness. He remembered the wizard's words and it seemed to him that now he almost understood--form and substance, could not he change himself at will, if he knew the master key that opened this door? What worlds within what worlds awaited the bold explorer? The man in the mirror seemed smiling at him--closer, closer--a fog enwrapped all and the reflection dimmed suddenly--Kull knew a sensation of fading, of change, of merging---- "Kull!" the yell split the silence into a million vibratory fragments! [Illustration: "Kull!" The yell split the silence into a million vibratory fragments.] Mountains crashed and worlds tottered as Kull, hurled back by that frantic shout, made a superhuman effort, how or why he did not know. A crash, and Kull stood in the room of Tuzun Thune before a shattered mirror, mazed and half blind with bewilderment. There before him lay the body of Tuzun Thune, whose time had come at last, and above him stood Brule the Spear-slayer, sword dripping red and eyes wide with a kind of horror. "Valka!" swore the warrior. "Kull, it was time I came!" "Aye, yet what happened?" The king groped for words. "Ask this traitress," answered the Spear-slayer, indicating a girl who crouched in terror before the king; Kull saw that it was she who first sent him to Tuzun Thune. "As I came in I saw you fading into yon mirror as smoke fades into the sky, by Valka! Had I not seen I would not have believed--you had almost vanished when my shout brought you back." "Aye," muttered Kull, "I had almost gone beyond the door that time." "This fiend wrought most craftily," said Brule. "Kull, do you not now see how he spun and flung over you a web of magic? Kaanuub of Blaal plotted with this wizard to do away with you, and this wench, a girl of Elder Race, put the thought in your mind so that you would come here. Kananu of the council learned of the plot today; I know not what you saw in that mirror, but with it Tuzun Thune enthralled your soul and almost by his witchery he changed your body to mist----" "Aye," Kull was still mazed. "But being a wizard, having knowledge of all the ages and despising gold, glory and position, what could Kaanuub offer Tuzun Thune that would make of him a foul traitor?" "Gold, power and position," grunted Brule. "The sooner you learn that men are men whether wizard, king or thrall, the better you will rule, Kull. Now what of her?" "Naught, Brule," as the girl whimpered and groveled at Kull's feet. "She was but a tool. Rise, child, and go your ways; none shall harm you." Alone with Brule, Kull looked for the last time on the mirrors of Tuzun Thune. "Mayhap he plotted and conjured, Brule; nay, I doubt you not, yet--was it his witchery that was changing me to thin mist, or had I stumbled on a secret? Had you not brought me back, had I faded in dissolution or had I found worlds beyond this?" Brule stole a glance at the mirrors, and twitched his shoulders as if he shuddered. "Aye. Tuzun Thune stored the wisdom of all the hells here. Let us begone, Kull, ere they bewitch me, too." "Let us go, then," answered Kull, and side by side they went forth from the House of a Thousand Mirrors--where, mayhap, are prisoned the souls of men. * * * * * None look now in the mirrors of Tuzun Thune. The pleasure boats shun the shore where stands the wizard's house and no one goes in the house or to the room where Tuzun Thune's dried and withered carcass lies before the mirrors of illusion. The place is shunned as a place accursed, and though it stands for a thousand years to come, no footsteps shall echo there. Yet Kull upon his throne meditates often upon the strange wisdom and untold secrets hidden there and wonders.... For there are worlds beyond worlds, as Kull knows, and whether the wizard bewitched him by words or by mesmerism, vistas did open to the king's gaze beyond that strange door, and Kull is less sure of reality since he gazed into the mirrors of Tuzun Thune. *** END OF THE PROJECT GUTENBERG EBOOK THE MIRRORS OF TUZUN THUNE *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.