The Project Gutenberg eBook of In memoriam

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: In memoriam

Author: Baron Alfred Tennyson Tennyson

Release date: June 9, 2023 [eBook #70950]

Language: English

Original publication: United Kingdom: Edward Moxon, Dover street, 1850

Credits: Aaron Adrignola, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK IN MEMORIAM ***

In Memorium

A list of books published by

Edward Moxon, 44, Dover Street.

IN MEMORIAM.

IN MEMORIAM.

LONDON:

EDWARD MOXON, DOVER STREET.

1850.

LONDON:

BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.

STRONG Son of God, immortal Love,

Whom we, that have not seen thy face,

By faith, and faith alone, embrace,

Believing where we cannot prove;

Thine are these orbs of light and shade;

Thou madest Life in man and brute;

Thou madest Death; and lo, thy foot

Is on the skull which thou hast made.

Thou wilt not leave us in the dust:

Thou madest man, he knows not why;

He thinks he was not made to die;

And thou hast made him: thou art just.

Thou seemest human and divine,

The highest, holiest manhood, thou:

Our wills are ours, we know not how;

Our wills are ours, to make them thine.

Our little systems have their day;

They have their day and cease to be:

They are but broken lights of thee,

And thou, O Lord, art more than they.

We have but faith: we cannot know;

For knowledge is of things we see;

And yet we trust it comes from thee,

A beam in darkness: let it grow.

Let knowledge grow from more to more,

But more of reverence in us dwell;

That mind and soul, according well,

May make one music as before,

But vaster. We are fools and slight;

We mock thee when we do not fear:

But help thy foolish ones to bear;

Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;

What seem’d my worth since I began;

For merit lives from man to man,

And not from man, O Lord, to thee.

Forgive my grief for one removed,

Thy creature, whom I found so fair.

I trust he lives in thee, and there

I find him worthier to be loved.

Forgive these wild and wandering cries,

Confusions of a wasted youth;

Forgive them where they fail in truth,

And in thy wisdom make me wise.

1849.

IN MEMORIAM

A. H. H.

OBIIT MDCCCXXXIII.

I

I HELD it truth, with him who sings

To one clear harp in divers tones,

That men may rise on stepping-stones

Of their dead selves to higher things.

But who shall so forecast the years

And find in loss a gain to match?

Or reach a hand thro’ time to catch

The far-off interest of tears?

Let Love clasp Grief lest both be drown’d,

Let darkness keep her raven gloss;

Ah! sweeter to be drunk with loss,

To dance with death, to beat the ground;

Than that the victor Hours should scorn

The long result of love, and boast:

‘Behold the man that loved and lost,

But all he was is overworn.’

II

OLD Yew, which graspest at the stones

That name the under-lying dead,

Thy fibres net the dreamless head;

Thy roots are wrapt about the bones.

The seasons bring the flower again,

And bring the firstling to the flock;

And in the dusk of thee, the clock

Beats out the little lives of men.

O! not for thee the glow, the bloom,

Who changest not in any gale!

Nor branding summer suns avail

To touch thy thousand years of gloom.

And gazing on the sullen tree,

Sick for thy stubborn hardihood,

I seem to fail from out my blood,

And grow incorporate into thee.

III

O SORROW, cruel fellowship!

O Priestess in the vaults of Death!

O sweet and bitter in a breath,

What whispers from thy lying lip?

‘The stars,’ she whispers, ‘blindly run;

A web is wov’n across the sky;

From out waste places comes a cry,

And murmurs from the dying sun:

‘And all the phantom, Nature, stands—

With all her music in her tone,

A hollow echo of my own,—

A hollow form with empty hands.’

And shall I take a thing so blind,

Embrace her as my natural good;

Or crush her, like a vice of blood,

Upon the threshold of the mind?

IV

TO Sleep I give my powers away;

My will is bondsman to the dark;

I sit within a helmless bark,

And with my heart I muse and say:

‘O heart, how fares it with thee now,

That thou should’st fail from thy desire,

Who scarcely darest to inquire

What is it makes me beat so low?’

Something it is which thou hast lost,

Some pleasure from thine early years.

Break, thou deep vase of chilling tears,

That grief hath shaken into frost!

Such clouds of nameless trouble cross

All night below the darken’d eyes;

With morning wakes the will, and cries,

‘Thou shall not be the fool of loss.’

V

I SOMETIMES hold it half a sin

To put in words the grief I feel;

For words, like nature, half reveal

And half conceal the Soul within.

But, for the unquiet heart and brain,

A use in measur’d language lies;

The sad mechanic exercise

Like dull narcotics, numbing pain.

In words, like weeds, I’ll wrap me o’er,

Like coarsest clothes against the cold;

But that large grief which these enfold

Is given in outline and no more.

VI

ONE writes, that ‘Other friends remain,’

That ‘Loss is common to the race’—

And common is the commonplace,

And vacant chaff well meant for grain.

That loss is common would not make

My own less bitter, rather more:

Too common! Never morning wore

To evening, but some heart did break.

O father, wheresoe’er thou be,

That pledgest now thy gallant son;

A shot, ere half thy draught be done

Hath still’d the life that beat from thee.

O mother, praying God will save

Thy sailor,—while thy head is bow’d,

His heavy-shotted hammock-shroud

Drops in his vast and wandering grave.

Ye know no more than I who wrought

At that last hour to please him well;

Who mused on all I had to tell,

And something written, something thought;

Expecting still his advent home;

And ever met him on his way

With wishes, thinking, here to-day,

Or here to-morrow will he come.

O! somewhere, meek unconscious dove,

That sittest ranging golden hair;

And glad to find thyself so fair,

Poor child, that waitest for thy love!

For now her father’s chimney glows

In expectation of a guest;

And thinking ‘this will please him best,’

She takes a riband or a rose;

For he will see them on to-night;

And with the thought her colour burns;

And, having left the glass, she turns

Once more to set a ringlet right;

And, even when she turn’d, the curse

Had fallen, and her future Lord

Was drown’d in passing thro’ the ford,

Or kill’d in falling from his horse.

O, what to her shall be the end?

And what to me remains of good?

To her, perpetual maidenhood,

And unto me, no second friend.

VII

DARK house, by which once more I stand

Here in the long unlovely street,

Doors, where my heart was used to beat

So quickly, waiting for a hand,

A hand that can be clasp’d no more—

Behold me, for I cannot sleep,

And like a guilty thing I creep

At earliest morning to the door.

He is not here; but far away

The noise of life begins again,

And ghastly thro’ the drizzling rain

On the bald street breaks the blank day.

VIII

A HAPPY lover who has come

To look on her that loves him well,

Who lights and rings the gateway bell

And learns her gone and far from home,

He saddens, all the magic light

Dies off at once from bower and hall,

And all the place is dark, and all

The chambers emptied of delight;

So find I every pleasant spot

In which we two were wont to meet,

The field, the chamber and the street,

For all is dark where thou art not.

Yet as that other, wandering there

In those deserted walks, may find

A flower beat with rain and wind,

Which once she foster’d up with care;

So seems it in my deep regret,

O my forsaken heart, with thee

And this poor flower of poesy

Which little cared for fades not yet.

But since it pleased a vanish’d eye

I go to plant it on his tomb,

That if it can it there may bloom,

Or dying there at least may die.

IX

FAIR ship, that from the Italian shore,

Sailest the placid ocean-plains

With my lost Arthur’s loved remains,

Spread thy full wings, and waft him o’er.

So draw him home to those that mourn

In vain; a favourable speed

Ruffle thy mirror’d mast, and lead

Thro’ prosperous floods his holy urn.

All night no ruder air perplex

Thy sliding keel, till Phosphor, bright

As our pure love, thro’ early light

Shall glimmer on the dewy decks.

Sphere all your lights around, above;

Sleep, gentle heavens, before the prow;

Sleep, gentle winds, as he sleeps now,

My friend, the brother of my love.

My Arthur! whom I shall not see

Till all my widow’d race be run;

Dear as the mother to the son,

More than my brothers are to me.

X

I HEAR the noise about thy keel;

I hear the bell struck in the night;

I see the cabin-window bright;

I see the sailor at the wheel.

Thou bringest the sailor to his wife,

And travell’d men from foreign lands;

And letters unto trembling hands;

And, thy dark freight, a vanish’d life.

So bring him: we have idle dreams:

This look of quiet flatters thus

Our home-bred fancies: O to us,

The fools of habit, sweeter seems

To rest beneath the clover sod,

That takes the sunshine and the rains,

Or where the kneeling hamlet drains

The chalice of the grapes of God;

Than if with thee the roaring wells

Should gulf him fathom deep in brine;

And hands so often clasp’d in mine,

Should toss with tangle and with shells.

XI

CALM is the morn without a sound,

Calm as to suit a calmer grief,

And only thro’ the faded leaf

The chesnut pattering to the ground:

Calm and deep peace on this high wold,

And on these dews that drench the furze,

And all the silvery gossamers

That twinkle into green and gold:

Calm and still light on yon great plain

That sweeps with all its autumn bowers,

And crowded farms and lessening towers,

To mingle with the bounding main:

Calm and deep peace in this wide air,

These leaves that redden to the fall;

And in my heart, if calm at all,

If any calm, a calm despair:

Calm on the seas, and silver sleep,

And waves that sway themselves in rest,

And dead calm in that noble breast

Which heaves but with the heaving deep.

XII

LO! as a dove when up she springs

To hear thro’ Heaven a tale of woe,

Some dolorous message knit below

The wild pulsation of her wings;

Like her I go: I cannot stay;

I leave this mortal ark behind,

A weight of nerves without a mind,

And leave the cliffs, and haste away

O’er ocean mirrors rounded large,

And reach the glow of southern skies,

And see the sails at distance rise,

And linger weeping on the marge,

And saying; ‘Comes he thus, my friend?

Is this the end of all my care?’

And circle moaning in the air:

‘Is this the end? Is this the end?’

And forward dart again, and play

About the prow, and back return

To where the body sits, and learn,

That I have been an hour away.

XIII

TEARS of the widower, when he sees

A late-lost form that sleep reveals,

And moves his doubtful arms, and feels

Her place is empty, fall like these;

Which weep a loss for ever new,

A void where heart on heart reposed;

And, where warm hands have prest and closed,

Silence, till I be silent too.

Which weep the comrade of my choice,

An awful thought, a life removed,

The human-hearted man I loved,

A spirit, not a breathing voice.

Come Time, and teach me many years

I do not suffer in a dream;

For now so strange do these things seem,

Mine eyes have leisure for their tears;

My fancies time to rise on wing,

And glance about the approaching sails,

As tho’ they brought but merchants’ bales,

And not the burthen that they bring.

XIV

IF one should bring me this report,

That thou hadst touch’d the land to-day,

And I went down unto the quay,

And found thee lying in the port,

And standing, muffled round with woe,

Should see thy passengers in rank

Come stepping lightly down the plank,

And beckoning unto those they know,

And if along with these should come

The man I held as half-divine;

Should strike a sudden hand in mine,

And ask a thousand things of home;

And I should tell him all my pain,

And how my life had droop’d of late,

And he should sorrow o’er my state

And marvel what possess’d my brain;

And I perceived no touch of change,

No hint of death in all his frame,

But found him all in all the same,

I should not feel it to be strange.

XV

TO night the winds began to rise

And roar from yonder dropping day:

The last red leaf is whirl’d away,

The rooks are blown about the skies;

The forest crack’d, the waters curl’d,

The cattle huddled on the lea;

And wildly dash’d on tower and tree

The sunbeam strikes along the world:

And but for fancies, which aver

That all thy motions gently pass

Athwart a plane of molten glass,

I scarce could brook the strain and stir

That makes the barren branches loud;

And but for fear it is not so,

The wild unrest that lives in woe

Would dote and pore on yonder cloud

That rises upward always higher,

And onward drags a labouring breast,

And topples round the dreary west,

A looming bastion fringed with fire.

XVI

WHAT words are these have fall’n from me?

Can calm despair and wild unrest

Be tenants of a single breast,

Or sorrow such a changeling be?

Or doth she only seem to take

The touch of change in calm or storm;

But knows no more of transient form

In her deep self, than some dead lake

That holds the shadow of a lark

Hung in the shadow of a heaven?

Or has the shock, so harshly given,

Confus’d me like the unhappy bark

That strikes by night a craggy shelf,

And staggers blindly ere she sink?

And stunn’d me from my power to think

And all my knowledge of myself;

And made me that delirious man

Whose fancy fuses old and new,

And flashes into false and true,

And mingles all without a plan?

XVII

THOU comest, much wept for: such a breeze

Compell’d thy canvas, and my prayer

Was as the whisper of an air

To breathe thee over lonely seas.

For I in spirit saw thee move

Thro’ circles of the bounding sky;

Week after week: the days go by:

Come quick, thou bringest all I love.

Henceforth, wherever thou may’st roam,

My blessing, like a line of light,

Is on the waters day and night,

And like a beacon guards thee home.

So may whatever tempest mars

Mid-ocean, spare thee, sacred bark;

And balmy drops in summer dark

Slide from the bosom of the stars.

So kind an office hath been done,

Such precious relics brought by thee;

The dust of him I shall not see

Till all my widow’d race be run.

XVIII

’TIS well, ’tis something, we may stand

Where he in English earth is laid,

And from his ashes may be made

The violet of his native land.

’Tis little; but it looks in truth

As if the quiet bones were blest

Among familiar names to rest

And in the places of his youth.

Come then, pure hands, and bear the head

That sleeps or wears the mask of sleep,

And come, whatever loves to weep,

And hear the ritual of the dead.

Ah! yet, ev’n yet, if this might be,

I, falling on his faithful heart,

Would breathing thro’ his lips impart

The life that almost dies in me:

That dies not, but endures with pain,

And slowly forms the firmer mind,

Treasuring the look it cannot find,

The words that are not heard again.

XIX

THE Danube to the Severn gave

The darken’d heart that beat no more;

They laid him by the pleasant shore,

And in the hearing of the wave.

There twice a day the Severn fills,

The salt sea-water passes by,

And hushes half the babbling Wye,

And makes a silence in the hills.

The Wye is hush’d nor moved along;

And hush’d my deepest grief of all,

When fill’d with tears that cannot fall,

I brim with sorrow drowning song.

The tide flows down, the wave again

Is vocal in its wooded walls:

My deeper anguish also falls,

And I can speak a little then.

XX

THE lesser griefs that may be said,

That breathe a thousand tender vows,

Are but as servants in a house

Where lies the master newly dead;

Who speak their feeling as it is,

And weep the fulness from the mind:

‘It will be hard’ they say ‘to find

Another service such as this.’

My lighter moods are like to these,

That out of words a comfort win;

But there are other griefs within,

And tears that at their fountain freeze;

For by the hearth the children sit

Cold in that atmosphere of Death,

And scarce endure to draw the breath,

Or like to noiseless phantoms flit:

But open converse is there none,

So much the vital spirits sink

To see the vacant chair, and think,

‘How good! how kind! and he is gone.’

XXI

I SING to him that rests below,

And, since the grasses round me wave,

I take the grasses of the grave,

And make them pipes whereon to blow.

The traveller hears me now and then,

And sometimes harshly will he speak;

‘This fellow would make weakness weak,

And melt the waxen hearts of men.’

Another answers, ‘Let him be,

He loves to make parade of pain,

That with his piping he may gain

The praise that comes to constancy.’

A third is wroth, ‘Is this an hour

For private sorrow’s barren song,

When more and more the people throng

The chairs and thrones of civil power?

A time to sicken and to swoon,

When science reaches forth her arms

To feel from world to world, and charms

Her secret from the latest moon?’

Behold, ye speak an idle thing:

Ye never knew the sacred dust:

I do but sing because I must,

And pipe but as the linnets sing:

And unto one her note is gay,

For now her little ones have ranged;

And unto one her note is changed,

Because her brood is stol’n away.

XXII

THE path by which we twain did go,

Which led by tracts that pleased us well,

Thro’ four sweet years arose and fell,

From flower to flower, from snow to snow:

And we with singing cheer’d the way,

And crown’d with all the season lent,

From April on to April went,

And glad at heart from May to May:

But where the path we walk’d began

To slant the fifth autumnal slope,

As we descended following Hope,

There sat the Shadow fear’d of man;

Who broke our fair companionship,

And spread his mantle dark and cold;

And wrapped thee formless in the fold,

And dull’d the murmur on thy lip;

And bore thee where I could not see

Nor follow, tho’ I walk in haste;

And think that, somewhere in the waste,

The Shadow sits and waits for me.

XXIII

NOW, sometimes in my sorrow shut,

Or breaking into song by fits;

Alone, alone, to where he sits,

The Shadow cloak’d from head to foot

Who keeps the keys of all the creeds,

I wander, often falling lame,

And looking back to whence I came,

Or on to where the pathway leads;

And crying, how changed from where it ran

Thro’ lands where not a leaf was dumb;

But all the lavish hills would hum

The murmur of a happy Pan:

When each by turns was guide to each,

And Fancy light from Fancy caught,

And Thought leapt out to wed with Thought,

Ere thought could wed itself with Speech:

And all we met was fair and good,

And all was good that Time could bring,

And all the secret of the Spring

Moved in the chambers of the blood:

And many an old philosophy

On Argive heights divinely sang,

And round us all the thicket rang

To many a flute of Arcady.

XXIV

AND was the day of my delight

As pure and perfect as I say?

The very source and fount of Day

Is dash’d with wandering isles of night.

If all was good and fair we met,

This earth had been the Paradise

It never look’d to human eyes

Since Adam left his garden yet.

And is it that the haze of grief

Hath stretch’d my former joy so great?

The lowness of the present state,

That sets the past in this relief?

Or that the past will always win

A glory from its being far;

And orb into the perfect star

We saw not, when we moved therein?

XXV

I KNOW that this was Life,—the track

Whereon with equal feet we fared;

And then, as now, the day prepared

The daily burden for the back.

But this it was that made me move

As light as carrier-birds in air;

I loved the weight I had to bear,

Because it needed help of Love:

Nor could I weary, heart or limb,

When mighty Love would cleave in twain

The lading of a single pain,

And part it, giving half to him.

XXVI

STILL onward winds the dreary way;

I with it; for I long to prove

No lapse of moons can canker Love,

Whatever fickle tongues may say.

And if that eye which watches guilt

And goodness, and hath power to see

Within the green the moulder’d tree,

And towers fall’n as soon as built—

Oh, if indeed that eye foresee

Or see (in Him is no before)

In more of life true life no more,

And Love the indifference to be,

So might I find, ere yet the morn

Breaks hither over Indian seas,

That Shadow waiting with the keys,

To cloak me from my proper scorn.

XXVII

I ENVY not in any moods

The captive void of noble rage,

The linnet born within the cage

That never knew the summer woods:

I envy not the beast that takes

His license in the field of time,

Unfetter’d by the sense of crime,

To whom a conscience never wakes;

Nor, what may count itself as blest,

The heart that never plighted troth

But stagnates in the weeds of sloth,

Nor any want-begotten rest.

I hold it true, whate’er befall;

I feel it, when I sorrow most;

’Tis better to have loved and lost

Than never to have loved at all.

XXVIII

THE time draws near the birth of Christ:

The moon is hid; the night is still;

The Christmas bells from hill to hill

Answer each other in the mist.

Four voices of four hamlets round,

From far and near, on mead and moor,

Swell out and fail, as if a door

Were shut between me and the sound:

Each voice four changes on the wind,

That now dilate, and now decrease,

Peace and goodwill, goodwill and peace,

Peace and goodwill, to all mankind.

This year I slept and woke with pain,

I almost wish’d no more to wake,

And that my hold on life would break

Before I heard those bells again:

But they my troubled spirit rule,

For they controll’d me when a boy;

They bring me sorrow touch’d with joy,

The merry merry bells of Yule.

XXIX

WITH such compelling cause to grieve

As daily vexes household peace,

And chains regret to his decease,

How dare we keep our Christmas-eve;

Which brings no more a welcome guest

To enrich the threshold of the night

With shower’d largess of delight,

In dance and song and game and jest.

Yet go, and while the holly boughs

Entwine the cold baptismal font,

Make one wreath more for Use and Wont

That guard the portals of the house;

Old sisters of a day gone by,

Gray nurses, loving nothing new;

Why should they miss their yearly due

Before their time? They too will die.

XXX

WITH trembling fingers did we weave

The holly round the Christmas hearth;

A rainy cloud possess’d the earth,

And sadly fell our Christmas-eve.

At our old pastimes in the hall

We gambol’d, making vain pretence

Of gladness, with an awful sense

Of one mute Shadow watching all.

We paused: the winds were in the beech:

We heard them sweep the winter land;

And in a circle hand-in-hand

Sat silent, looking each at each.

Then echo-like our voices rang;

We sung, tho’ every eye was dim,

A merry song we sang with him

Last year: impetuously we sang:

We ceased: a gentler feeling crept

Upon us: surely rest is meet:

‘They rest,’ we said, ‘their sleep is sweet,’

And silence follow’d, and we wept.

Our voices took a higher range;

Once more we sang: ‘They do not die

Nor lose their mortal sympathy,

Nor change to us, although they change;

Rapt from the fickle and the frail

With gather’d power, yet the same,

Pierces the keen seraphic flame

From orb to orb, from veil to veil.

Rise, happy morn, rise holy morn,

Draw forth the cheerful day from night:

O Father! touch the east, and light

The light that shone when Hope was born.’

XXXI

WHEN Lazarus left his charnel-cave,

And home to Mary’s house return’d,

Was this demanded—if he yearn’d

To hear her weeping by his grave?

‘Where wert thou, brother, those four days?’

There lives no record of reply,

Which telling what it is to die

Had surely added praise to praise.

From every house the neighbours met,

The streets were fill’d with joyful sound,

A solemn gladness even crown’d

The purple brows of Olivet.

Behold a man raised up by Christ!

The rest remaineth unreveal’d;

He told it not; or something seal’d

The lips of that Evangelist.

XXXII

HER eyes are homes of silent prayer,

Nor other thought her mind admits

But, he was dead, and there he sits,

And he that brought him back is there.

Then one deep love doth supersede

All other, when her ardent gaze

Roves from the living brother’s face.

And rests upon the Life indeed.

All subtle thought, all curious fears,

Borne down by gladness so complete,

She bows, she bathes the Saviour’s feet

With costly spikenard and with tears.

Thrice blest whose lives are faithful prayers,

Whose loves in higher love endure;

What souls possess themselves so pure,

Or is there blessedness like theirs?

XXXIII

O THOU that after toil and storm

Mayst seem to have reach’d a purer air,

Whose faith has centre everywhere,

Nor cares to fix itself to form,

Leave thou thy sister when she prays,

Her early Heaven, her happy views;

Nor thou with shadow’d hint confuse

A life that leads melodious days.

Her faith thro’ form is pure as thine,

Her hands are quicker unto good.

Oh, sacred be the flesh and blood

To which she links a truth divine!

See, thou that countest reason ripe

In holding by the law within,

Thou fail not in a world of sin,

And ev’n for want of such a type.

XXXIV

MY own dim life should teach me this,

That life shall live for evermore,

Else earth is darkness at the core,

And dust and ashes all that is;

This round of green, this orb of flame,

Fantastic beauty; such as lurks

In some wild Poet, when he works

Without a conscience or an aim.

What then were God to such as I?

’Twere hardly worth my while to choose

Of things all mortal, or to use

A little patience ere I die;

’Twere best at once to sink to peace,

Like birds the charming serpent draws,

To drop head-foremost in the jaws

Of vacant darkness and to cease.

XXXV

YET if some voice that man could trust

Should murmur from the narrow house:

The cheeks drop in; the body bows;

Man dies: nor is there hope in dust:

Might I not say, yet even here,

But for one hour, O Love, I strive

To keep so sweet a thing alive?

But I should turn mine ears and hear

The moanings of the homeless sea,

The sound of streams that swift or slow

Draw down Æonian hills, and sow

The dust of continents to be;

And Love would answer with a sigh,

‘The sound of that forgetful shore

Will change my sweetness more and more,

Half dead to know that I shall die.’

O me! what profits it to put

An idle case? If Death were seen

At first as Death, Love had not been,

Or been in narrowest working shut,

Mere fellowship of sluggish moods,

Or in his coarsest Satyr-shape

Had bruised the herb and crush’d the grape,

And bask’d and batten’d in the woods.

XXXVI

THO’ truths in manhood darkly join,

Deep-seated in our mystic frame,

We yield all blessing to the name

Of Him that made them current coin;

For wisdom dealt with mortal powers,

Where Truth in closest words shall fail,

When Truth embodied in a tale

Shall enter in at lowly doors.

And so the Word had breath, and wrought

With human hands the creed of creeds

In loveliness of perfect deeds,

More strong than all poetic thought;

Which he may read that binds the sheaf,

Or builds the house, or digs the grave,

And those wild eyes that watch the wave

In roarings round the coral reef.

XXXVII

URANIA speaks with darken’d brow:

‘Thou pratest here where thou art least;

This faith has many a purer priest,

And many an abler voice than thou:

Go down beside thy native rill,

On thy Parnassus set thy feet,

And hear thy laurel whisper sweet

About the ledges of the hill.’

And my Melpomene replies,

A touch of shame upon her cheek:

‘I am not worthy but to speak

Of thy prevailing mysteries;

For I am but an earthly Muse,

And owning but a little art

To lull with song an aching heart,

And render human love his dues;

But brooding on the dear one dead,

And all he said of things divine,

(And dear as sacramental wine

To dying lips is all he said),

I murmur’d, as I came along,

Of comfort clasp’d in truth reveal’d;

And loiter’d in the master’s field,

And darken’d sanctities with song.’

XXXVIII

WITH weary steps I loiter on,

Tho’ always under alter’d skies

The purple from the distance dies,

My prospect and horizon gone.

No joy the blowing season gives,

The herald melodies of spring,

But in the songs I love to sing

A doubtful gleam of solace lives.

If any care for what is here

Survive in spirits render’d free,

Then are these songs I sing of thee

Not all ungrateful to thine ear.

XXXIX

COULD we forget the widow’d hour

And look on Spirits breathed away,

As on a maiden in the day

When first she wears her orange-flower!

When crown’d with blessing she doth rise

To take her latest leave of home,

And hopes and light regrets that come

Make April of her tender eyes;

And doubtful joys the father move,

And tears are on the mother’s face,

As parting with a long embrace

She enters other realms of love;

Her office there to rear, to teach,

Becoming as is meet and fit

A link among the days, to knit

The generations each with each;

And, doubtless, unto thee is given

A life that bears immortal fruit

In such great offices as suit

The full-grown energies of heaven.

Ay me, the difference I discern!

How often shall her old fireside

Be cheer’d with tidings of the bride,

How often she herself return,

And tell them all they would have told,

And bring her babe, and make her boast,

Till even those that miss’d her most,

Shall count new things as dear as old:

But thou and I have shaken hands,

Till growing winters lay me low;

My paths are in the fields I know,

And thine in undiscover’d lands.

XL

THY spirit ere our fatal loss

Did ever rise from high to higher;

As mounts the heavenward altar-fire,

As flies the lighter thro’ the gross.

But thou art turn’d to something strange,

And I have lost the links that bound

Thy changes; here upon the ground;

No more partaker of thy change.

Deep folly! yet that this could be—

That I could wing my will with might

To leap the grades of life and light,

And flash at once, my friend, to thee:

For though my nature rarely yields

To that vague fear implied in death;

Nor shudders at the gulfs beneath,

The howlings from forgotten fields;

Yet oft when sundown skirts the moor

An inner trouble I behold,

A spectral doubt which makes me cold,

That I shall be thy mate no more,

Tho’ following with an upward mind

The wonders that have come to thee,

Thro’ all the secular to be,

But evermore a life behind.

XLI

I VEX my heart with fancies dim:

He still outstript me in the race;

It was but unity of place

That made me dream I rank’d with him.

And so may Place retain us still,

And he the much-beloved again,

A lord of large experience, train

To riper growth the mind and will:

And what delights can equal those

That stir the spirit’s inner deeps,

When one that loves but knows not, reaps

A truth from one that loves and knows?

XLII

IF Sleep and Death be truly one,

And every spirit’s folded bloom

Thro’ all its intervital gloom

In some long trance should slumber on;

Unconscious of the sliding hour,

Bare of the body, might it last,

And silent traces of the past

Be all the colour of the flower:

So then were nothing lost to man;

But that still garden of the souls

In many a figured leaf enrolls

The total world since life began:

And love would last as pure and whole

As when he loved me here in Time,

And at the spiritual prime

Rewaken with the dawning soul.

XLIII

HOW fares it with the happy dead?

For here the man is more and more;

But he forgets the days before

God shut the doorways of his head.

The days have vanish’d, tone and tint,

And yet perhaps the hoarding sense

Gives out at times (he knows not whence)

A little flash, a mystic hint;

And in the long harmonious years

(If Death so taste Lethean springs)

May some dim touch of earthly things

Surprise thee ranging with thy peers.

If such a dreamy touch should fall,

O turn thee round, resolve the doubt,

My guardian angel will speak out

In that high place, and tell thee all.

XLIV

THE baby new to earth and sky,

What time his tender palm is prest

Against the circle of the breast,

Has never thought that ‘this is I:’

But as he grows he gathers much,

And learns the use of ‘I,’ and ‘me,’

And finds ‘I am not what I see,

And other than the things I touch:’

So rounds he to a separate mind

From whence clear memory may begin,

As thro’ the frame that binds him in

His isolation grows defined.

This use may lie in blood and breath,

Which else were fruitless of their due,

Had man to learn himself anew

Beyond the second birth of Death.

XLV

WE ranging down this lower track,

The path we came by, thorn and flower,

Is shadow’d by the growing hour,

Lest life should fail in looking back.

So be it: there no shade can last

In that deep dawn behind the tomb,

But clear from marge to marge shall bloom

The eternal landscape of the past;

A lifelong tract of time reveal’d;

The fruitful hours of still increase;

Days order’d in a wealthy peace,

And those five years its richest field.

O Love! thy province were not large,

A bounded field, nor stretching far,

Look also, Love, a brooding star,

A rosy warmth from marge to marge.

XLVI

THAT each, who seems a separate whole,

Should move his rounds, and fusing all

The skirts of self again, should fall

Remerging in the general Soul,

Is faith as vague as all unsweet:

Eternal form shall still divide

The eternal soul from all beside;

And I shall know him when we meet:

And we shall sit at endless feast,

Enjoying each the other’s good;

What vaster dream can hit the mood

Of Love on earth? He seeks at least

Upon the last and sharpest height,

Before the spirits fade away,

Some landing-place, to clasp and say,

‘Farewell! We lose ourselves in light.’

XLVII

IF these brief lays, of Sorrow born,

Were taken to be such as closed

Grave doubts and answers here proposed,

Then these were such as men might scorn:

Her care is not to part and prove;

She takes, when harsher moods remit,

What slender shade of doubt may flit,

And makes it vassal unto love:

And hence, indeed, she sports with words;

But better serves a wholesome law,

And holds it sin and shame to draw

The deepest measure from the chords:

Nor dare she trust a larger lay,

But rather loosens from the lip

Short swallow-flights of song, that dip

Their wings in tears, and skim away.

XLVIII

FROM art, from nature, from the schools,

Let random influences glance,

Like light in many a shiver’d lance

That breaks about the dappled pools:

The lightest wave of thought shall lisp,

The fancy’s tenderest eddy wreathe,

The slightest air of song shall breathe

To make the sullen surface crisp.

And look thy look, and go thy way,

But blame not thou the winds that make

The seeming-wanton ripple break,

The tender-pencil’d shadow play.

Beneath all fancied hopes and fears

Ay me! the sorrow deepens down,

Whose muffled motions blindly drown

The bases of my life in tears.

XLIX

BE near me when my light is low,

When the blood creeps, and the nerves prick

And tingle; and the heart is sick,

And all the wheels of Being slow.

Be near me when the sensuous frame

Is rack’d with pangs that conquer trust,

And time, a maniac, scattering dust,

And life, a Fury, slinging flame.

Be near me when my faith is dry,

And men the flies of latter spring,

That lay their eggs, and sting and sing,

And weave their petty cells and die.

Be near me when I fade away,

To point the term of human strife,

And on the low dark verge of life

The twilight of eternal day.

L

DO we indeed desire the dead

Should still be near us at our side?

Is there no baseness we would hide?

No inner vileness that we dread?

Shall he for whose applause I strove,

I had such reverence for his blame,

See with clear eye some hidden shame

And I be lessen’d in his love?

I wrong the grave with fears untrue:

Shall love be blamed for want of faith?

There must be wisdom with great Death;

The dead shall look me thro’ and thro’.

Be near us when we climb or fall:

Ye watch, like God, the rolling hours

With larger other eyes than ours,

To make allowance for us all.

LI

I CANNOT love thee as I ought,

For love reflects the thing beloved;

My words are only words, and moved

Upon the topmost froth of thought.

‘Yet blame not thou thy plaintive song,’

The Spirit of true love replied;

‘Thou canst not move me from thy side,

Nor human frailty do me wrong.

‘What keeps a spirit wholly true

To that ideal which he bears?

What record? not the sinless years

That breathed beneath the Syrian blue;

‘So fret not, like an idle girl,

That life is dash’d with flecks of sin.

Abide: thy wealth is gathered in,

When Time hath sunder’d shell from pearl.’

LII

HOW many a father have I seen,

A sober man, among his boys,

Whose youth was full of foolish noise,

Who wears his manhood hale and green;

And dare we to this doctrine give

That had the wild oat not been sown,

The soil, left barren, had not grown

The grain by which a man may live?

Oh! if we held the doctrine sound

For life outliving heats of youth,

Yet who would preach it as a truth

To those that eddy round and round?

Hold thou the good: define it well:

For fear divine philosophy

Should push beyond her mark, and be

Procuress to the Lords of Hell.

LIII

OH yet we trust that somehow good

Will be the final goal of ill,

To pangs of nature, sins of will,

Defects of doubt, and taints of blood;

That nothing walks with aimless feet;

That not one life shall be destroy’d,

Or cast as rubbish to the void,

When God hath made the pile complete;

That not a worm is cloven in vain;

That not a moth with vain desire

Is shrivel’d in a fruitless fire,

Or but subserves another’s gain.

Behold! we know not anything;

I can but trust that good shall fall

At last—far off—at last, to all,

And every winter change to spring.

So runs my dream: but what am I?

An infant crying in the night:

An infant crying for the light:

And with no language but a cry.

LIV

THE wish, that of the living whole

No life may fail beyond the grave;

Derives it not from what we have

The likest God within the soul?

Are God and Nature then at strife,

That Nature lends such evil dreams?

So careful of the type she seems,

So careless of the single life;

That I, considering everywhere

Her secret meaning in her deeds,

And finding that of fifty seeds

She often brings but one to bear;

I falter where I firmly trod,

And falling with my weight of cares

Upon the great world’s altar-stairs

That slope thro’ darkness up to God;

I stretch lame hands of faith, and grope,

And gather dust and chaff, and call

To what I feel is Lord of all,

And faintly trust the larger hope.

LV

‘So careful of the type?’ but no.

From scarped cliff and quarried stone

She cries ‘a thousand types are gone:

I care for nothing, all shall go.

Thou makest thine appeal to me:

I bring to life, I bring to death:

The spirit does but mean the breath:

I know no more.’ And he, shall he,

Man, her last work, who seem’d so fair,

Such splendid purpose in his eyes,

Who roll’d the psalm to wintry skies,

Who built him fanes of fruitless prayer,

Who trusted God was love indeed

And love Creation’s final law—

Tho’ Nature, red in tooth and claw

With ravine, shriek’d against his creed—

Who loved, who suffer’d countless ills,

Who battled for the True, the Just,

Be blown about the desert dust,

Or seal’d within the iron hills?

No more? A monster then, a dream,

A discord. Dragons of the prime,

That tare each other in their slime,

Were mellow music match’d with him.

O life as futile, then, as frail!

O for thy voice to soothe and bless!

What hope of answer, or redress?

Behind the veil, behind the veil.

LVI

PEACE, come away: the song of woe

Is after all an earthly song:

Peace, come away; we do him wrong

To sing so wildly; let us go.

Come, let us go, your cheeks are pale,

But half my life I leave behind;

Methinks my friend is richly shrined,

But I shall pass; my work will fail.

Yet in these ears till hearing dies,

One set slow bell will seem to toll

The passing of the sweetest soul

That ever looked with human eyes.

I hear it now, and o’er and o’er,

Eternal greetings to the dead;

And ‘Ave, Ave, Ave,’ said,

‘Adieu, adieu’ for evermore!

LVII

IN those sad words I took farewell:

Like echoes in sepulchral halls,

As drop by drop the water falls

In vaults and catacombs, they fell;

And, falling, idly broke the peace

Of hearts that beat from day to day,

Half-conscious of their dying clay,

And those cold crypts where they shall cease.

The high Muse answer’d: ‘Wherefore grieve

Thy brethren with a fruitless tear?

Abide a little longer here,

And thou shalt take a nobler leave.’

LVII

HE past; a soul of nobler tone:

My spirit loved and loves him yet,

Like some poor girl whose heart is set

On one whose rank exceeds her own.

He mixing with his proper sphere,

She finds the baseness of her lot;

Half jealous of she knows not what,

And envying all that meet him there.

The little village looks forlorn;

She sighs amid her narrow days,

Moving about the household ways,

In that dark house where she was born.

The foolish neighbours come and go,

And tease her till the day draws by;

At night she weeps, ‘How vain am I!

How should he love a thing so low?’

LIX

IF, in thy second state sublime,

Thy ransom’d reason change replies

With all the circle of the wise,

The perfect flower of human time;

And if thou cast thine eyes below,

How dimly character’d and slight,

How dwarf’d a growth of cold and night,

How blanch’d with darkness must I grow!

Yet turn thee to the doubtful shore,

Where thy first form was made a man:

I loved thee, Spirit, and love, nor can

The soul of Shakspeare love thee more.

LX

THO’ if an eye that’s downward cast

Could make thee somewhat blench or fail,

So be my love an idle tale,

And fading legend of the past;

And thou, as one that once declined,

When he was little more than boy,

On some unworthy heart with joy,

But lives to wed an equal mind;

And breathes a novel world, the while

His other passion wholly dies,

Or in the light of deeper eyes

Is matter for a flying smile.

LXI

YET pity for a horse o’er-driven,

And love in which my hound has part,

Can hang no weight upon my heart

In its assumptions up to heaven;

And I am so much more than these,

As thou, perchance, art more than I,

And yet I spare them sympathy

And I would set their pains at ease.

So may’st thou watch me where I weep,

As, unto vaster motions bound,

The circuits of thine orbit round

A higher height, a deeper deep.

LXII

DOST thou look back on what hath been,

As some divinely gifted man,

Whose life in low estate began

And on a simple village green;

Who breaks his birth’s invidious bar,

And grasps the skirts of happy chance,

And breasts the blows of circumstance,

And grapples with his evil star;

Who makes by force his merit known

And lives to clutch the golden keys,

To mould a mighty state’s decrees,

And shape the whisper of the throne;

And moving up from high to higher,

Becomes on Fortune’s crowning slope

The pillar of a people’s hope,

The centre of a world’s desire;

Yet feels, as in a pensive dream,

When all his active powers are still,

A distant dearness in the hill,

A secret sweetness in the stream,

The limit of his narrower fate,

While yet beside its vocal springs

He played at counsellors and kings,

With one that was his earliest mate;

Who ploughs with pain his native lea

And reaps the labour of his hands,

Or in the furrow musing stands;

‘Does my old friend remember me?’

LXIII

SWEET soul! do with me as thou wilt;

I lull a fancy trouble-tost

With ‘Love’s too precious to be lost,

A little grain shall not be spilt.’

And in that solace can I sing,

Till out of painful phases wrought

There flutters up a happy thought,

Self-balanced on a lightsome wing:

Since we deserved the name of friends,

And thine effect so lives in me,

A part of mine may live in thee,

And move thee on to noble ends.

LXIV

YOU thought my heart too far diseased;

You wonder when my fancies play

To find me gay among the gay,

Like one with any trifle pleased.

The shade by which my life was crost,

Which makes a desert in the mind,

Has made me kindly with my kind,

And like to him whose sight is lost;

Whose feet are guided thro’ the land,

Whose jest among his friends is free,

Who takes the children on his knee,

And winds their curls about his hand:

He plays with threads, he beats his chair

For pastime, dreaming of the sky;

His inner day can never die,

His night of loss is always there.

LXV

WHEN on my bed the moonlight falls,

I know that in thy place of rest

By that broad water of the west,

There comes a glory on the walls:

Thy marble bright in dark appears,

As slowly steals a silver flame

Along the letters of thy name,

And o’er the number of thy years.

The mystic glory swims away;

From off my bed the moonlight dies;

And closing eaves of wearied eyes

I sleep till dusk is dipt in gray:

And then I know the mist is drawn

A lucid veil from coast to coast,

And in the chancel like a ghost

Thy tablet glimmers to the dawn.

LXVI

WHEN in the down I sink my head,

Sleep, Death’s twin-brother, times my breath;

Sleep, Death’s twin-brother, knows not Death,

Nor can I dream of thee as dead:

I walk as ere I walk’d forlorn,

When all our path was fresh with dew,

And all the bugle breezes blew

Reveillée to the breaking morn.

But what is this? I turn about,

I find a trouble in thine eye

Which makes me sad I know not why,

Nor can my dream resolve the doubt:

But ere the lark hath left the lea

I wake, and I discern the truth;

It is the trouble of my youth

That foolish sleep transfers to thee.

LXVII

I DREAM’d there would be Spring no more,

That Nature’s ancient power was lost:

The streets were black with smoke and frost,

They chatter’d trifles at the door.

I wander’d from the noisy town,

I found a wood with thorny boughs:

I took the thorns to bind my brows,

I wore them like a civic crown.

I met with scoffs, I met with scorns

From youth and babe and hoary hairs:

They call’d me in the public squares

The fool that wears a crown of thorns.

They call’d me fool, they call’d me child:

I found an angel of the night:

The voice was low, the look was bright,

He look’d upon my crown and smiled:

He reach’d the glory of a hand,

That seem’d to touch it into leaf:

The voice was not the voice of grief;

The words were hard to understand.

LXVIII

I CANNOT see the features right,

When on the gloom I strive to paint

The face I know; the hues are faint

And mix with hollow masks of night:

Cloud-towers by ghostly masons wrought,

A gulf that ever shuts and gapes,

A hand that points, and palled shapes

In shadowy thoroughfares of thought;

And crowds that stream from yawning doors,

And shoals of pucker’d faces drive;

Dark bulks that tumble half alive,

And lazy lengths on boundless shores:

Till all at once beyond the will

I hear a wizard music roll,

And thro’ a lattice on the soul

Looks thy fair face and makes it still.

LXIX

SLEEP, kinsman thou to death and trance

And madness, thou hast forged at last

A night-long Present of the Past

In which we went through summer France.

Hadst thou such credit with the soul?

So bring an opiate treble-strong,

Drug down the blindfold sense of wrong

That thus my pleasure might be whole;

While now we talk as once we talk’d

Of men and minds, the dust of change,

The days that grow to something strange,

In walking as of old we walk’d

Beside the river’s wooded reach,

The fortress, and the mountain ridge,

The cataract flashing from the bridge,

The breaker breaking on the beach.

LXX

RISEST thou thus, dim dawn, again,

And howlest, issuing out of night,

With blasts that blow the poplar white,

And lash with storm the streaming pane?

Day, when my crown’d estate begun

To pine in that reverse of doom,

Which sickened every living bloom,

And blurr’d the splendour of the sun;

Who usherest in the dolorous hour

With thy quick tears that make the rose

Pull sideways, and the daisy close

Her crimson fringes to the shower;

Who might’st have heaved a windless flame

Up the deep East, or, whispering, play’d

A chequer-work of beam and shade

From hill to hill, yet look’d the same,

As wan, as chill, as wild as now;

Day, mark’d as with some hideous crime,

When the dark hand struck down thro’ time.

And cancell’d nature’s best: but thou,

Lift as thou may’st thy burthen’d brows

Thro’ clouds that drench the morning star,

And whirl the ungarner’d sheaf afar,

And sow the sky with flying boughs,

And up thy vault with roaring sound

Climb thy thick noon, disastrous day;

Touch thy dull goal of joyless gray,

And hide thy shame beneath the ground.

LXXI

SO many worlds, so much to do,

So little done, such things to be,

How know I what had need of thee,

For thou wert strong as thou wert true?

The fame is quench’d that I foresaw,

The head hath miss’d an earthly wreath:

I curse not nature; no, nor death,

For nothing is that errs from law.

We pass: the path that each man trod

Is dim, or will be dim, with weeds:

What fame is left for human deeds

In endless age? It rests with God.

O hollow wraith of dying fame,

Fade wholly, while the soul exults,

And self-infolds the large results

Of force that would have forged a name.

LXXII

AS sometimes in a dead man’s face,

To those that watch it more and more,

A likeness hardly seen before

Comes out—to some one of his race:

So, dearest, now thy brows are cold,

I see thee what thou art, and know

Thy likeness to the wise below,

Thy kindred with the great of old.

But there is more than I can see,

And what I see I leave unsaid,

Nor speak it, knowing Death has made

His darkness beautiful with thee.

LXXIII

I LEAVE thy praises unexpress’d

In verse that brings myself relief,

And by the measure of my grief

I leave thy greatness to be guess’d;

What practice howsoe’er expert

In fitting aptest words to things,

Or voice the richest-toned that sings,

Hath power to give thee as thou wert?

I care not in these fading days

To raise a cry that lasts not long,

And round thee with the breeze of song

To stir a little dust of praise.

Thy leaf has perish’d in the green,

And, while we breathe beneath the sun,

The world which credits what is done

Is cold to all that might have been.

So here shall silence guard thy fame;

But somewhere, out of human view,

Whate’er thy hands are set to do

Is wrought with tumult of acclaim.

LXXIV

TAKE wings of fancy, and ascend,

And in a moment set thy face

Where all the starry heavens of space

Are sharpen’d to a needle’s end;

Take wings of foresight: lighten thro’

The secular abyss to come,

And lo! thy deepest lays are dumb

Before the mouldering of a yew;

And if the matin songs, that woke

The darkness of our planet, last,

Thine own shall wither in the vast,

Ere half the lifetime of an oak.

Ere these have clothed their branchy bowers

With fifty Mays, thy songs are vain;

And what are they when these remain

The ruin’d shells of hollow towers?

LXXV

WHAT hope is here for modern rhyme

To him, who turns a musing eye

On songs, and deeds, and lives, that lie

Foreshorten’d in the tract of time?

These mortal lullabies of pain

May bind a book, may line a box,

May serve to curl a maiden’s locks;

Or when a thousand moons shall wane

A man upon a stall may find,

And, passing, turn the page that tells

A grief—then changed to something else,

Sung by a long forgotten mind.

But what of that? My darken’d ways

Shall ring with music all the same;

To breathe my loss is more than fame,

To utter love more sweet than praise.

LXXVI

AGAIN at Christmas did we weave

The holly round the Christmas hearth,

The silent snow possess’d the earth,

And calmly fell our Christmas-eve;

The yule-clog sparkled keen with frost,

No wing of wind the region swept,

But over all things brooding slept

The quiet sense of something lost.

As in the winters left behind,

Again our ancient games had place,

The mimic pictures breathing grace,

And dance and song and hoodman-blind.

Who show’d a token of distress?

No single tear, no type of pain:

O sorrow, then can sorrow wane?

O grief, can grief be changed to less?

O last regret, Regret can die!

No—mixt with all this mystic frame,

Her deep relations are the same,

But with long use her tears are dry.

LXXVII

‘More than my brothers are to me’—

Let this not vex thee, noble heart!

I know thee of what force thou art,

To hold the costliest love in fee.

But thou and I are one in kind,

As moulded like in nature’s mint;

And hill and wood and field did print

The same sweet forms in either mind.

For us the same cold streamlet curl’d

Through all his eddying coves; the same

All winds that roam the twilight came

In whispers of the beauteous world.

At one dear knee we proffer’d vows,

One lesson from one book we learn’d,

Ere childhood’s flaxen ringlet turn’d

To black and brown on kindred brows.

And so my wealth resembles thine,

But he was rich where I was poor,

And he supplied my want the more

As his unlikeness fitted mine.

LXXVIII

IF any vague desire should rise,

That holy Death ere Arthur died

Had moved me kindly from his side,

And dropt the dust on tearless eyes;

Then fancy shapes, as fancy can,

The grief my loss in him had wrought,

A grief as deep as life or thought,

But stay’d in peace with God and man.

I make a picture in the brain;

I hear the sentence that he speaks;

He bears the burthen of the weeks,

But turns his burthen into gain.

His credit thus shall set me free;

And, influence-rich to soothe and save,

Unused example from the grave,

Reach out dead hands to comfort me.

LXXIX

COULD I have said while he was here

‘My love shall now no further range,

There cannot come a mellower change,

For now is love mature in ear.’

Love, then, had hope of richer store:

What end is here to my complaint?

This haunting whisper makes me faint,

‘More years had made me love thee more.’

But Death returns an answer sweet:

‘My sudden frost was sudden gain,

And gave all ripeness to the grain,

It might have drawn from after-heat.’

LXXX

I WAGE not any feud with Death

For changes wrought on form and face;

No lower life that earth’s embrace

May breed with him, can fright my faith.

Eternal process moving on,

From state to state the spirit walks;

And these are but the shatter’d stalks

Or ruined chrysalis of one.

Nor blame I Death, because he bare

The use of virtue out of earth;

I know transplanted human worth

Will bloom to profit, otherwhere.

For this alone on Death I wreak

The wrath that garners in my heart;

He put our lives so far apart

We cannot hear each other speak.

LXXXI

DIP down upon the northern shore,

O sweet new-year delaying long;

Thou doest expectant nature wrong.

Delaying long, delay no more.

What stays thee from the clouded noons,

Thy sweetness from its proper place?

Can trouble live with April days,

Or sadness in the summer moons?

Bring orchis, bring the fox-glove spire,

The little speedwell’s darling blue,

Deep tulips dasht with fiery dew,

Laburnums, dropping-wells of fire.

O thou, new-year, delaying long,

Delayest the sorrow in my blood,

That longs to burst a frozen bud,

And flood a fresher throat with song.

LXXXII

WHEN I contemplate all alone,

The life that had been thine below,

And fix my thoughts on all the glow

To which thy crescent would have grown;

I see thee sitting crown’d with good,

A central warmth diffusing bliss

In glance and smile, and clasp and kiss,

On all the branches of thy blood;

Thy blood, my friend, and partly mine;

For now the day was drawing on,

When thou should’st link thy life with one

Of mine own house, and boys of thine

Had babbled ‘Uncle’ on my knee;

But that remorseless iron hour

Made cypress of her orange flower,

Despair of Hope, and earth of thee.

I seem to meet their least desire,

To clap their cheeks, to call them mine.

I see their unborn faces shine

Beside the never-lighted fire.

I see myself an honour’d guest,

Thy partner in the flowery walk

Of letters, genial table-talk,

Or deep dispute, and graceful jest:

While now thy prosperous labour fills

The lips of men with honest praise,

And sun by sun the happy days

Descend below the golden hills

With promise of a morn as fair;

And all the train of bounteous hours

Conduct by paths of growing powers,

To reverence and the silver hair;

Till slowly worn her earthly robe,

Her lavish mission richly wrought,

Leaving great legacies of thought,

Thy spirit should fail from off the globe;

What time mine own might also flee,

As link’d with thine in love and fate,

And, hovering o’er the dolorous strait

To the other shore, involved in thee,

Arrive at last the blessed goal,

And he that died in Holy Land

Would reach us out the shining hand,

And take us as a single soul.

What reed was that on which I leant?

Ah, backward fancy, wherefore wake

The old bitterness again, and break

The low beginnings of content.

LXXXIII

THIS truth came borne with bier and pall,

I felt it, when I sorrow’d most,

’Tis better to have loved and lost,

Than never to have loved at all——

O true in word, and tried in deed,

Demanding, so to bring relief

To this which is our common grief,

What kind of life is that I lead;

And whether trust in things above,

Be dimm’d of sorrow, or sustain’d;

And whether love for him have drain’d

My capabilities of love;

Your words have virtue such as draws

A faithful answer from the breast,

Thro’ light reproaches, half exprest,

And loyal unto kindly laws.

My blood an even tenor kept,

Till on mine ear this message falls,

That in Vienna’s fatal walls

God’s finger touch’d him, and he slept.

The great Intelligences fair

That range above our mortal state,

In circle round the blessed gate,

Received and gave him welcome there;

And led him through the blissful climes,

And show’d him in the fountain fresh

All knowledge that the sons of flesh

Shall gather in the cycled times.

But I remain’d, whose hopes were dim,

Whose life, whose thoughts were little worth,

To wander on a darken’d earth,

Where all things round me breathed of him.

O friendship, equal-poised control,

O heart, with kindliest motion warm,

O sacred essence, other form,

O solemn ghost! O crowned soul!

Yet none could better know than I,

How much of act at human hands

The sense of human will demands,

By which we dare to live or die.

Whatever way my days decline,

I felt and feel, though left alone,

His being working in mine own,

The footsteps of his life in mine;

A life that all the Muses deck’d

With gifts of grace that might express

All-comprehensive tenderness,

All-subtilising intellect:

And so my passion hath not swerved

To works of weakness, but I find

An image comforting the mind,

And in my grief a strength reserved.

Likewise the imaginative woe,

That loved to handle spiritual strife,

Diffused the shock through all my life,

But in the present broke the blow.

My pulses therefore beat again

For other friends that once I met;

Nor can it suit me to forget

The mighty hopes that make us men.

I woo your love: I count it crime

To mourn for any overmuch;

I, the divided half of such

A friendship as had master’d Time;

Which masters Time indeed, and is

Eternal, separate from fears.

The all-assuming months and years

Can take no part away from this:

But Summer on the steaming floods,

And Spring that swells the narrow brooks,

And Autumn, with a noise of rooks,

That gather in the waning woods,

And every pulse of wind and wave

Recalls, in change of light or gloom,

My old affection of the tomb,

And my prime passion in the grave:

My old affection of the tomb,

A part of stillness, yearns to speak;

‘Arise, and get thee forth and seek

A friendship for the years to come.

I watch thee from the quiet shore;

Thy spirit up to mine can reach;

But in dear words of human speech

We two communicate no more.’

And I ‘Can clouds of nature stain

The starry clearness of the free?

How is it? Canst thou feel for me

Some painless sympathy with pain?’

And lightly does the whisper fall;

‘ ’Tis hard for thee to fathom this;

I triumph in conclusive bliss,

And that serene result of all.’

So hold I commerce with the dead;

Or so methinks the dead would say;

Or so shall grief with symbols play,

And pining life be fancy-fed.

Now looking to some settled end,

That these things pass, and I shall prove

A meeting somewhere, love with love,

I crave your pardon, O my friend;

If not so fresh, with love as true,

I, clasping brother-hands, aver

I could not, if I would, transfer

The whole I felt for him to you.

For which be they that hold apart

The promise of the golden hours?

First love, first friendship, equal powers

That marry with the virgin heart.

Still mine that cannot but deplore,

That beats within a lonely place,

That yet remembers his embrace,

But at his footstep leaps no more,

My heart, tho’ widow’d, may not rest

Quite in the love of what is gone,

But seeks to beat in time with one

That warms another living breast.

Ah, take the imperfect gift I bring,

Knowing the primrose yet is dear,

The primrose of the later year,

As not unlike to that of Spring.

LXXXIV

SWEET after showers, ambrosial air,

That rollest from the gorgeous gloom

Of evening over brake and bloom

And meadow, slowly breathing bare

The round of space, and rapt below

Thro’ all the dewy-tassell’d wood,

And shadowing down the horned flood

In ripples, fan my brows and blow

The fever from my cheek, and sigh

The full new life that feeds thy breath

Throughout my frame, till Doubt and Death,

Ill brethren, let the fancy fly

From belt to belt of crimson seas

On leagues of odour streaming far,

To where in yonder orient star

A hundred spirits whisper ‘Peace.’

LXXXV

I PAST beside the reverend walls

In which of old I wore the gown;

I roved at random through the town,

And saw the tumult of the halls;

And heard once more in college fanes

The storm their high-built organs make,

And thunder-music, rolling, shake

The prophets blazon’d on the panes;

And caught once more the distant shout,

The measured pulse of racing oars

Among the willows; paced the shores

And many a bridge, and all about

The same gray flats again, and felt

The same, but not the same; and last

Up that long walk of limes I past

To see the rooms in which he dwelt.

Another name was on the door:

I linger’d; all within was noise

Of songs, and clapping hands, and boys

That crash’d the glass and beat the floor;

Where once we held debate, a band

Of youthful friends, on mind and art,

And labour, and the changing mart,

And all the framework of the land;

When one would aim an arrow fair,

But send it slackly from the string;

And one would pierce an outer ring,

And one an inner, here and there;

And last the master-bowman, he

Would cleave the mark. A willing ear

We lent him. Who, but hung to hear

The rapt oration flowing free

From point to point with power and grace,

And music in the bounds of law,

To those conclusions when we saw

The God within him light his face,

And seem to lift the form, and glow

In azure orbits heavenly-wise;

And over those ethereal eyes

The bar of Michael Angelo.

LXXXVI

WILD bird, whose warble, liquid sweet,

Rings Eden through the budded quicks,

O tell me where the senses mix,

O tell me where the passions meet,

Whence radiate: fierce extremes employ

Thy spirits in the dusking leaf,

And in the midmost heart of grief

Thy passion clasps a secret joy:

And I—my harp would prelude woe—

I cannot all command the strings;

The glory of the sum of things

Will flash along the chords and go.

LXXXVII

WITCH-elms that counterchange the floor

Of this flat lawn with dusk and bright:

And thou, with all thy breadth and height

Of foliage, towering sycamore;

How often, hither wandering down,

My Arthur found your shadows fair,

And shook to all the liberal air

The dust and din and steam of town:

He brought an eye for all he saw;

He mixt in all our simple sports;

They pleased him, fresh from brawling courts

And dusky purlieus of the law.

O joy to him in this retreat,

Immantled in ambrosial dark,

To drink the cooler air, and mark

The landscape winking through the heat:

O sound to rout the brood of cares,

The sweep of scythe in morning dew,

The gust that round the garden flew,

And tumbled half the mellowing pears!

O bliss, when all in circle drawn

About him, heart and ear were fed

To hear him, as he lay and read

The Tuscan poets on the lawn:

Or in the all-golden afternoon

A guest, or happy sister, sung,

Or here she brought the harp and flung

A ballad to the brightening moon:

Nor less it pleased in livelier moods,

Beyond the bounding hill to stray,

And break the livelong summer day

With banquet in the distant woods;

Whereat we glanced from theme to theme,

Discuss’d the books to love or hate,

Or touch’d the changes of the state,

Or threaded some Socratic dream;

But if I praised the busy town,

He loved to rail against it still,

For ‘ground in yonder social mill

We rub each other’s angles down,

And merge’ he said ‘in form and gloss

The picturesque of man and man.’

We talk’d: the stream beneath us ran,

The wine-flask lying couch’d in moss,

Or cool’d within the glooming wave

And last, returning from afar,

Before the crimson-circled star

Had fall’n into her father’s grave,

And brushing ankle-deep in flowers,

We heard behind the woodbine veil

The milk that bubbled in the pail,

And buzzings of the honied hours.

LXXXVIII

HE tasted love with half his mind,

Nor ever drank the inviolate spring

Where nighest heaven, who first could fling

This bitter seed among mankind;

That could the dead, whose dying eyes

Were closed with wail, resume their life.

They would but find in child and wife

An iron welcome when they rise:

’Twas well, indeed, when warm with wine,

To pledge them with a kindly tear:

To talk them o’er, to wish them here,

To count their memories half divine;

But if they came who past away,

Behold their brides in other hands:

The hard heir strides about their lands,

And will not yield them for a day.

Yea, tho’ their sons were none of these,

Not less the yet-lov’d sire would make

Confusion worse than death, and shake

The pillars of domestic peace.

Ah dear, but come thou back to me:

Whatever change the years have wrought,

I find not yet one lonely thought

That cries against my wish for thee.

LXXXIX

WHEN rosy plumelets tuft the larch,

And rarely pipes the mounted thrush;

Or underneath the barren bush

Flits by the sea-blue bird of March;

Come, wear the form by which I know

Thy spirit in time among thy peers;

The hope of unaccomplish’d years

Be large and lucid round thy brow.

When summer’s hourly-mellowing change

May breathe with many roses sweet

Upon the thousand waves of wheat,

That ripple round the lonely grange;

Come: not in watches of the night,

But where the sunbeam broodeth warm,

Come, beauteous in thine after form,

And like a finer light in light.

XC

IF any vision should reveal

Thy likeness, I might count it vain

As but the canker of the brain;

Yea, though it spake and made appeal

To chances where our lots were cast

Together in the days behind,

I might but say, I hear a wind

Of memory murmuring the past.

Yea, tho’ it spake and bared to view

A fact within the coming year;

And tho’ the months, revolving near,

Should prove the phantom-warning true,

They might not seem thy prophecies,

But spiritual presentiments,

And such refraction of events

As often rises ere they rise.

XCI

I SHALL not see thee. Dare I say

No spirit ever brake the band

That stays him from the native land,

Where first he walk’d when claspt in clay?

No visual shade of some one lost,

But he, the Spirit himself, may come

Where all the nerve of sense is numb;

Spirit to Spirit, Ghost to Ghost.

O, therefore from thy sightless range

With gods in unconjectured bliss,

O, from the distance of the abyss

Of tenfold-complicated change,

Descend, and touch, and enter; hear

The wish too strong for words to name;

That in this blindness of the frame

My Ghost may feel that thine is near.

XCII

HOW pure at heart and sound in head,

With what divine affections bold

Should be the man whose thought would hold

An hour’s communion with the dead.

In vain shalt thou, or any, call

The spirits from their golden day,

Except, like them, thou too canst say

My spirit is at peace with all.

They haunt the silence of the breast,

Imaginations calm and fair,

The memory like a cloudless air,

The conscience as a sea at rest:

But when the heart is full of din,

And doubt beside the portal waits,

They can but listen at the gates

And hear the household jar within.

XCIII

BY night we linger’d on the lawn,

For underfoot the herb was dry;

And genial warmth; and o’er the sky

The silvery haze of summer drawn;

And calm that let the tapers burn

Unwavering: not a cricket chirr’d:

The brook alone far-off was heard

And on the board the fluttering urn:

And bats went round in fragrant skies,

And wheel’d or lit the filmy shapes

That haunt the dusk, with ermine capes

And woolly breasts and beaded eyes;

While now we sang old songs that peal’d

From knoll to knoll, where, couch’d at ease,

The white kine glimmer’d and the trees

Laid their dark arms about the field.

But when those others, one by one,

Withdrew themselves from me and night,

And in the house light after light

Went out, and I was all alone,

A hunger seized my heart; I read

Of that glad year which once had been,

In those fall’n leaves which kept their green,

The noble letters of the dead:

And strangely on the silence broke

The silent-speaking words, and strange

Was love’s dumb cry defying change

To test his worth; and strangely spoke

The faith, the vigour, bold to dwell

On doubts that drive the coward back,

And keen thro’ wordy snares to track

Suggestion to her inmost cell.

So word by word, and line by line,

The dead man touch’d me from the past,

And all at once it seem’d at last

His living soul was flash’d on mine,

And mine in his was wound, and whirl’d

About empyreal heights of thought,

And came on that which is, and caught

The deep pulsations of the world,

Æonian music measuring out

The steps of Time—the shocks of Chance—

The blows of Death. At length my trance

Was cancell’d, stricken thro’ with doubt.

Vague words! but ah, how hard to frame

In matter-moulded forms of speech,

Or ev’n for intellect to reach

Thro’ memory that which I became:

Till now the doubtful dusk reveal’d

The knolls once more where, couch’d at ease,

The white kine glimmer’d, and the trees

Laid their dark arms about the field:

And suck’d from out the distant gloom

A breeze began to tremble o’er

The large leaves of the sycamore,

And fluctuate all the still perfume;

And gathering freshlier overhead,

Rock’d the full-foliaged elms, and swung

The heavy-folded rose, and flung

The lilies to and fro, and said

‘The dawn, the dawn,’ and died away;

And East and West, without a breath,

Mixt their dim lights, like life and death,

To broaden into boundless day.

XCIV

YOU say, but with no touch of scorn,

Sweet-hearted, you, whose light-blue eyes

Are tender over drowning flies,

You tell me, doubt is Devil-born.

I know not: one indeed I knew

In many a subtle question versed,

Who touched a jarring lyre at first,

But ever strove to make it true:

Perplext in faith, but pure in deeds,

At last he beat his music out,

There lives more faith in honest doubt,

Believe me, than in half the creeds.

He fought his doubts and gather’d strength,

He would not make his judgment blind,

He faced the spectres of the mind

And laid them: thus he came at length

To find a stronger faith his own;

And Power was with him in the night,

Which makes the darkness and the light,

And dwells not in the light alone,

But in the darkness and the cloud,

As over Sinaï’s peaks of old,

While Israel made their gods of gold

Altho’ the trumpet blew so loud.

XCV

MY love has talk’d with rocks and trees,

He finds on misty mountain-ground

His own vast shadow glory-crown’d,

He sees himself in all he sees.

Two partners of a married life—

I look’d on these and thought of thee

In vastness and in mystery,

And of my spirit as of a wife.

These two—they dwelt with eye on eye,

Their hearts of old have heat in tune,

Their meetings made December June,

Their every parting was to die.

Their love has never past away;

The days she never can forget

Are earnest that he loves her yet,

Whate’er the faithless people say.

Her life is lone, he sits apart,

He loves her yet, she will not weep,

Tho’ rapt in matters dark and deep

He seems to slight her simple heart.

He thrids the labyrinth of the mind,

He reads the secret of the star,

He seems so near and yet so far,

He looks so cold: she thinks him kind.

She keeps the gift of years before,

A wither’d violet is her bliss;

She knows not what his greatness is;

For that, for all, she loves him more.

For him she plays, to him she sings

Of early faith and plighted vows;

She knows but matters of the house,

And he, he knows a thousand things.

Her faith is fixt and cannot move,

She darkly feels him great and wise,

She dwells on him with faithful eyes,

‘I cannot understand: I love.’

XCVI

YOU leave us: you will see the Rhine,

And those fair hills I sail’d below,

When I was there with him; and go

By summer belts of wheat and vine

To where he breathed his latest breath,

That City. All her splendour seems

No livelier than the wisp that gleams

On Lethe in the eyes of Death.

Let her great Danube rolling fair

Enwind her isles, unmarked of me:

I have not seen, I will not see

Vienna; rather dream that there,

A treble darkness, evil haunts

The birth, the bridal; friend from friend,

Is oftener parted, fathers bend

Above more graves, a thousand wants

Gnarr at the heels of men, and prey

By each cold hearth, and sadness flings

Her shadow on the blaze of kings:

And yet myself have heard him say,

That not in any mother town

With statelier progress to and fro

The double tides of chariots flow

By park and suburb under brown

Of lustier leaves; nor more content,

He told me, lives in any crowd,

When all is gay with lamps, and loud

With sport and song, in booth and tent,

Imperial halls, or open plain;

And wheels the circled dance, and breaks

The rocket molten into flakes

Of crimson or in emerald rain.

XCVII

RISEST thou thus, dim dawn again,

So loud with voices of the birds,

So thick with lowings of the herds,

Day, when I lost the flower of men;

Who tremblest thro’ thy darkling red

On yon swol’n brook that bubbles fast

By meadows breathing of the past,

And woodlands holy to the dead;

Who murmurest in the foliaged eaves

A song that slights the coming care,

And Autumn laying here and there

A fiery finger on the leaves;

Who wakenest with thy balmy breath

To myriads on the genial earth,

Memories of bridal, or of birth,

And unto myriads more, of death.

O, wheresoever those may be,

Betwixt the slumber of the poles,

To-day they count as kindred souls;

They know me not, but mourn with me.

XCVIII

I WAKE, I rise: from end to end,

Of all the landscape underneath

I find no place that does not breathe

Some gracious memory of my friend:

No gray old grange, or lonely fold,

Or low morass and whispering reed,

Or simple stile from mead to mead,

Or sheepwalk up the windy wold;

Nor hoary knoll of ash and haw

That hears the latest linnet trill,

Nor quarry trench’d along the hill,

And haunted by the wrangling daw;

Nor runlet tinkling from the rock;

Nor pastoral rivulet that swerves

To left and right thro’ meadowy curves,

That feed the mothers of the flock;

But each has pleased a kindred eye,

And each reflects a kindlier day;

And, leaving these, to pass away,

I think once more he seems to die.

XCIX

UNWATCH’d the garden bough shall sway,

The tender blossom flutter down,

Unloved that beech will gather brown,

This maple burn itself away;

Unloved, the sun-flower, shining fair,

Ray round with flames her disk of seed,

And many a rose-carnation feed

With summer spice the humming air;

Unloved, by many a sandy bar,

The brook shall babble down the plain,

At noon or when the lesser wain

Is twisting round the polar star;

Uncared for, gird the windy grove,

And flood the haunts of hern and crake;

Or into silver arrows break

The sailing moon in creek and cove;

Till from the garden and the wild

A fresh association blow,

And year by year the landscape grow

Familiar to the stranger’s child;

As year by year the labourer tills

His wonted glebe, or lops the glades;

And year by year our memory fades

From all the circle of the hills.

C

WE leave the well-beloved place

Where first we gazed upon the sky;

The roofs, that heard our earliest cry,

Will shelter one of stranger race.

We go, but ere we go from home,

As down the garden-walks I move,

Two spirits of a diverse love

Contend for loving masterdom.

One whispers, here thy boyhood sung

Long since its matin song, and heard

The low love-language of the bird

In native hazels tassel-hung.

The other answers, ‘Yea, but here

Thy feet have stray’d in after hours

With thy lost friend among the bowers,

And this hath made them trebly dear.’

These two have striven half the day,

And each prefers his separate claim,

Poor rivals in a losing game,

That will not yield each other way.

I turn to go: my feet are set

To leave the pleasant fields and farms;

They mix in one another’s arms

To one pure image of regret.

CI

ON that last night before we went

From out the doors where I was bred,

I dream’d a vision of the dead,

Which left my after morn content.

Methought I dwelt within a hall,

And maidens with me: distant hills

From hidden summits fed with rills

A river sliding by the wall.

The hall with harp and carol rang.

They sang of what is wise and good

And graceful. In the centre stood

A statue veil’d, to which they sang;

And which, tho’ veil’d, was known to me,

The shape of him I loved, and love

For ever: then flew in a dove

And brought a summons from the sea:

And when they learnt that I must go

They wept and wail’d, but led the way

To where a little shallop lay

At anchor in the flood below;

And on by many a level mead,

And shadowing bluff that made the banks,

We glided winding under ranks

Of iris, and the golden reed;

And still as vaster grew the shore,

And roll’d the floods in grander space,

The maidens gather’d strength and grace

And presence, lordlier than before;

And I myself, who sat apart

And watch’d them, waxt in every limb;

I felt the thews of Anakim,

The pulses of a Titan’s heart;

As one would sing the death of war,

And one would chant the history

Of that great race, which is to be,

And one the shaping of a star;

Until the forward-creeping tides

Began to foam, and we to draw

From deep to deep, to where we saw

A great ship lift her shining sides.

The man we loved was there on deck,

But thrice as large as man he bent

To greet us. Up the side I went,

And fell in silence on his neck:

Whereat those maidens with one mind

Bewail’d their lot; I did them wrong:

‘We served thee here,’ they said, ‘so long,

And wilt thou leave us now behind?’

So rapt I was, they could not win

An answer from my lips, but he

Replying, ‘Enter likewise ye

And go with us:’ they enter’d in.

And while the wind began to sweep

A music out of sheet and shroud,

We steer’d her toward a crimson cloud

That landlike slept along the deep.

CII

THE time draws near the birth of Christ;

The moon is hid, the night is still;

A single church below the hill

Is pealing, folded in the mist.

A single peal of bells below,

That wakens at this hour of rest

A single murmur in the breast,

That these are not the bells I know.

Like strangers’ voices here they sound,

In lands where not a memory strays,

Nor landmark breathes of other days,

But all is new unhallow’d ground.

CIII

THIS holly by the cottage-eave,

To night, ungather’d, shall it stand:

We live within the stranger’s land,

And strangely falls our Christmas eve.

Our father’s dust is left alone

And silent under other snows:

There in due time the woodbine blows,

The violet comes, but we are gone.

No more shall wayward grief abuse

The genial hour with mask and mime;

For change of place, like growth of time,

Has broke the bond of dying use.

Let cares that petty shadows cast,

By which our lives are chiefly proved,

A little spare the night I loved,

And hold it solemn to the past.

But let no footstep beat the floor,

Nor bowl of wassail mantle warm;

For who would keep an ancient form

Through which the spirit breathes no more?

Be neither song, nor game, nor feast,

Nor harp be touch’d, nor flute be blown;

No dance, no motion, save alone

What lightens in the lucid east

Of rising worlds by yonder wood.

Long sleeps the summer in the seed;

Run out your measur’d arcs, and lead

The closing cycle rich in good.

CIV

RING out wild bells to the wild sky,

The flying cloud, the frosty light:

The year is dying in the night;

Ring out, wild bells, and let him die.

Ring out the old, ring in the new,

Ring, happy bells, across the snow:

The year is going, let him go;

Ring out the false, ring in the true.

Ring out the grief that saps the mind,

For those that here we see no more;

Ring out the feud of rich and poor,

Ring in redress to all mankind.

Ring out a slowly dying cause,

And ancient forms of party strife;

Ring in the nobler modes of life,

With sweeter manners, purer laws.

Ring out the want, the care, the sin,

The faithless coldness of the times;

Ring out, ring out my mournful rhymes,

But ring the fuller minstrel in.

Ring out false pride in place and blood,

The civic slander and the spite;

Ring in the love of truth and right,

Ring in the common love of good.

Ring out old shapes of foul disease,

Ring out the narrowing lust of gold;

Ring out the thousand wars of old,

Ring in the thousand years of peace.

Ring in the valiant man and free,

The larger heart, the kindlier hand;

Ring out the darkness of the land,

Ring in the Christ that is to be.

CV

IT is the day when he was born,

A bitter day that early sank

Behind a purple-frosty bank

Of vapour, leaving night forlorn.

The time admits not flowers or leaves

To deck the banquet. Fiercely flies

The blast of North and East, and ice

Makes daggers at the sharpen’d eaves,

And bristles all the brakes and thorns

To yon hard crescent, as she hangs

Above the wood which grides and clangs

Its leafless ribs and iron horns

Together, in the drifts that pass,

To darken on the rolling brine

That breaks the coast. But fetch the wine,

Arrange the board and brim the glass;

Bring in great logs and let them lie,

To make a solid core of heat;

Be cheerful-minded, talk and treat

Of all things ev’n as he were by:

We keep the day. With festal cheer,

With books and music, surely we

Will drink to him whate’er he be,

And sing the songs he loved to hear.

CVI

I WILL not shut me from my kind,

And, lest I stiffen into stone,

I will not eat my heart alone,

Nor feed with sighs a passing wind:

What profit lies in barren faith,

And vacant yearning, tho’ with might

To scale the heaven’s highest height,

Or dive below the wells of Death?

What find I in the highest place,

But mine own phantom chanting hymns?

And on the depths of death there swims

The reflex of a human face.

I’ll rather take what fruit may be

Of sorrow under human skies:

’Tis held that sorrow makes us wise,

Whatever wisdom sleep with thee.

CVII

HEART-affluence in discursive talk

From household fountains never dry;

The critic clearness of an eye,

That saw thro’ all the Muses’ walk;

Seraphic intellect and force

To seize and throw the doubts of man;

Impassion’d logic, which outran

The hearer in its fiery course;

High nature amorous of the good,

But touch’d with no ascetic gloom;

And passion pure in snowy bloom

Thro’ all the years of April blood;

A love of freedom rarely felt,

Of freedom in her regal seat

Of England, not the schoolboy heat,

The blind hysterics of the Celt;

And manhood fused with female grace

In such a sort, the child would twine,

A trustful hand, unasked, in thine,

And find his comfort in thy face;

All these have been, and thee mine eyes

Have look’d on: if they look’d in vain

My shame is greater who remain,

Nor let thy wisdom make me wise.

CVIII

THY converse drew us with delight,

The men of rathe and riper years:

The feeble soul, a haunt of fears,

Forgot his weakness in thy sight.

On thee the loyal-hearted hung,

The proud was half disarm’d of pride,

Nor cared the serpent at thy side

To flicker with his treble tongue.

The stern were mild when thou wert by,

The flippant put himself to school

And heard thee, and the brazen fool

Was soften’d, and he knew not why;

While I, thy dearest, sat apart,

And felt thy triumph was as mine;

And loved them more, that they were thine,

The graceful tact, the Christian art;

Not mine the sweetness or the skill,

But mine the love that will not tire,

And, born of love, the vague desire

That spurs an imitative will.

CIX

THE churl in spirit up or down,

Along the scale of ranks, thro’ all

To who may grasp a golden ball

By blood a king, at heart a clown;

The churl in spirit, howe’er he veil

His want in forms for fashion’s sake,

Will let his coltish nature break

At seasons thro’ the gilded pale:

For who can always act? but he,

To whom a thousand memories call,

Not being less but more than all

The gentleness he seem’d to be,

So wore his outward best, and join’d

Each office of the social hour,

To noble manners, as the flower

And native growth of noble mind;

Nor ever narrowness or spite,

Or villain fancy fleeting by,

Drew in the expression of an eye,

Where God and Nature met in light,

And thus he bore without abuse

The grand old name of gentleman,

Defamed by every charlatan,

And soil’d with all ignoble use.

CX

HIGH wisdom holds my wisdom less,

That I, who gaze with temperate eyes

On glorious insufficiencies,

Set light by narrower perfectness.

But thou, that fillest all the room

Of all my love, art reason why

I seem to cast a careless eye

On souls, the lesser lords of doom.

For what wert thou? some novel power

Sprang up for ever at a touch,

And hope could never hope too much,

In watching thee from hour to hour,

Large elements in order brought,

And tracts of calm from tempest made,

And world-wide fluctuation sway’d

In vassal tides that followed thought.

CXI

’Tis held that sorrow makes us wise;

Yet how much wisdom sleeps with thee

Which not alone had guided me,

But served the seasons that may rise;

For can I doubt who knew thee keen

In intellect, with force and skill

To strive, to fashion, to fulfil—

I doubt not what thou wouldst have been:

A life in civic action warm,

A soul on highest mission sent,

A potent voice of Parliament,

A pillar steadfast in the storm,

Should licensed boldness gather force,

Becoming, when the time has birth,

A lever to uplift the earth

And roll it in another course,

With many shocks that come and go,

With agonies, with energies,

With overthrowings, and with cries,

And undulations to and fro.

CXII

WHO loves not knowledge? Who shall rail

Against her beauty? May she mix

With men and prosper! Who shall fix

Her pillars? Let her work prevail.

But on her forehead sits a fire:

She sets her forward countenance

And leaps into the future chance,

Submitting all things to desire.

Half-grown as yet, a child, and vain—

She cannot fight the fear of death.

What is she, cut from love and faith,

But some wild Pallas from the brain

Of Demons? fiery-hot to burst

All barriers in her onward race

For power. Let her know her place;

She is the second, not the first.

A higher hand must make her mild,

If all be not in vain; and guide

Her footsteps, moving side by side

With wisdom, like the younger child:

For she is earthly of the mind,

But wisdom heavenly of the soul.

O, friend, who camest to thy goal

So early, leaving me behind,

I would the great world grew like thee,

Who grewest not alone in power

And knowledge, but from hour to hour

In reverence and in charity.

CXIII

NOW fades the last long streak of snow,

Now burgeons every maze of quick

About the flowering squares, and thick

By ashen roots the violets blow.

Now rings the woodland loud and long,

The distance takes a lovelier hue,

And drown’d in yonder living blue

The lark becomes a sightless song.

Now dance the lights on lawn and lea,

The flocks are whiter down the vale,

And milkier every milky sail

On winding stream or distant sea;

Where now the seamew pipes, or dives

In yonder greening gleam, and fly

The happy birds, that change their sky

To build and brood; that live their lives.

From land to land; and in my breast

Spring wakens too; and my regret

Becomes an April violet,

And buds and blossoms like the rest.

CXIV

IS it, then, regret for buried time

That keenlier in sweet April wakes,

And meets the year, and gives and takes

The colours of the crescent prime?

Not all: the songs, the stirring air,

The life re-orient out of dust,

Cry thro’ the sense to hearten trust

In that which made the world so fair.

Not all regret: the face will shine

Upon me, while I muse alone;

The dear, dear voice that I have known

Will speak to me of me and mine:

Yet less of sorrow lives in me

For days of happy commune dead;

Less yearning for the friendship fled,

Than some strong bond which is to be.

CXV

O DAYS and hours, your work is this,

To hold me from my proper place,

A little while from his embrace,

For fuller gain of after bliss:

That out of distance might ensue

Desire of nearness doubly sweet;

And unto meeting, when we meet,

Delight a hundredfold accrue,

For every grain of sand that runs,

And every span of shade that steals,

And every kiss of toothed wheels,

And all the courses of the suns.

CXVI

CONTEMPLATE all this work of Time,

The giant labouring in his youth;

Nor dream of human love and truth,

As dying Nature’s earth and lime;

But trust that those we call the dead,

Are breathers of an ampler day

For ever nobler ends. They say,

The solid earth whereon we tread

In tracts of fluent heat began,

And grew to seeming-random forms,

The seeming prey of cyclic storms,

Till at the last arose the man;

Who throve and branch’d from clime to clime,

The herald of a higher race,

And of himself in higher place,

If so he type this work of time

Within himself, from more to more;

And, crown’d with attributes of woe

Like glories, move his course, and show

That life is not as idle ore,

But iron dug from central gloom,

And heated hot with burning fears;

And dipp’d in baths of hissing tears,

And batter’d with the shocks of doom

To shape and use. Arise and fly

The reeling Faun, the sensual feast;

Move upward, working out the beast,

And let the ape and tiger die.

CXVII

DOORS, where my heart was used to beat

So quickly, not as one that weeps

I come once more; the city sleeps;

I smell the meadow in the street;

I hear a chirp of birds; I see

Betwixt the black fronts long-withdrawn

A light-blue lane of early dawn,

And think of early days and thee,

And bless thee, for thy lips are bland

And bright the friendship of thine eye;

And in my thoughts with scarce a sigh

I take the pressure of thine hand.

CXVIII

I TRUST I have not wasted breath:

I think we are not wholly brain,

Magnetic mockeries; not in vain,

Like Paul with beasts, I fought with Death;

Not only cunning casts in clay:

Let Science prove we are, and then

What matters Science unto men,

At least to me? I would not stay.

Let him, the wiser man who springs

Hereafter, up from childhood shape

His action like the greater ape,

But I was born to other things.

CXIX

SAD Hesper o’er the buried sun

And ready, thou, to die with him,

Thou watchest all things ever dim

And dimmer, and a glory done:

The team is loosen’d from the wain,

The boat is drawn upon the shore;

Thou listenest to the closing door,

And life is darken’d in the brain.

Bright Phosphor, fresher for the night,

By thee the world’s great work is heard

Beginning, and the wakeful bird;

Behind thee comes the greater light:

The market boat is on the stream,

And voices hail it from the brink;

Thou hear’st the village hammer clink,

And see’st the moving of the team.

Sweet Hesper-Phosphor, double name

For what is one, the first, the last,

Thou, like my present and my past,

Thy place is changed; thou art the same.

CXX

OH, wast thou with me, dearest, then,

While I rose up against my doom,

And strove to burst the folded gloom,

To bare the eternal Heavens again,

To feel once more, in placid awe,

The strong imagination roll

A sphere of stars about my soul,

In all her motion one with law;

If thou wert with me, and the grave

Divide us not, be with me now,

And enter in at breast and brow,

Till all my blood, a fuller wave,

Be quicken’d with a livelier breath,

And like an inconsiderate boy,

As in the former flash of joy,

I slip the thoughts of life and death;

And all the breeze of Fancy blows,

And every dew-drop paints a bow;

The wizard lightnings deeply glow,

And every thought breaks out a rose.

CXXI

THERE rolls the deep where grew the tree.

O earth, what changes hast thou seen!

There where the long street roars, hath been

The stillness of the central sea.

The hills are shadows, and they flow

From form to form, and nothing stands;

They melt like mist, the solid lands,

Like clouds they shape themselves and go.

But in my spirit will I dwell,

And dream my dream, and hold it true;

For tho’ my lips may breathe adieu,

I cannot think the thing farewell.

CXXII

THAT which we dare invoke to bless;

Our dearest faith, our ghastliest doubt;

He, They, One, All; within, without;

The Power in darkness whom we guess;

I found Him not in world or sun,

Or eagle’s wing, or insect’s eye;

Nor thro’ the questions men may try,

The petty cobwebs we have spun:

If e’er when faith had fall’n asleep,

I heard a voice ‘believe no more’

And heard an ever-breaking shore

That tumbled in the Godless deep;

A warmth within the breast would melt

The freezing reason’s colder part,

And like a man in wrath the heart

Stood up and answer’d ‘I have felt.’

No, like a child in doubt and fear:

But that blind clamour made me wise;

Then was I as a child that cries,

But, crying, knows his father near;

And what I seem beheld again

What is, and no man understands;

And out of darkness came the hands

That reach thro’ nature, moulding men.

CXXIII

WHATEVER I have said or sung,

Some bitter notes my harp would give,

Yea, tho’ there often seem’d to live

A contradiction on the tongue,

Yet Hope had never lost her youth;

She did but look thro’ dimmer eyes;

Or Love but play’d with gracious lies,

Because he felt so fix’d in truth:

And if the song were full of care,

He breathed the spirit of the song;

And if the words were sweet and strong

He set his royal signet there;

Abiding with me till I sail

To seek thee on the mystic deeps,

And this electric force, that keeps

A thousand pulses dancing, fail.

CXXIV

LOVE is and was my Lord and King,

And in his presence I attend

To hear the tidings of my friend,

Which every hour his couriers bring.

Love is and was my King and Lord,

And will be, tho’ as yet I keep

Within his court on earth, and sleep

Encompass’d by his faithful guard,

And hear at times a sentinel

That moves about from place to place,

And whispers to the vast of space

Among the worlds, that all is well.

CXXV

AND all is well, tho’ faith and form

Be sunder’d in the night of fear;

Well roars the storm to those that hear

A deeper voice across the storm,

Proclaiming social truth shall spread,

And justice, ev’n tho’ thrice again

The red fool-fury of the Seine

Should pile her barricades with dead.

But woe to him that wears a crown,

And him, the lazar, in his rags:

They tremble, the sustaining crags;

The spires of ice are toppled down,

And molten up, and roar in flood;

The fortress crashes from on high,

The brute earth lightens to the sky,

And the vast Æon sinks in blood,

And compass’d by the fires of Hell,

While thou, dear spirit, happy star,

O’erlook’st the tumult from afar,

And smilest, knowing all is well.

CXXVI

THE love that rose on stronger wings,

Unpalsied when he met with Death,

Is comrade of the lesser faith

That sees the course of human things.

No doubt vast eddies in the flood,

Of onward time shall yet be made,

And throned races may degrade;

Yet O ye ministers of good,

Wild Hours that fly with Hope and Fear,

If all your office had to do

With old results that look like new,

If this were all your mission here,

To draw, to sheathe a useless sword,

To fool the crowd with glorious lies,

To cleave a creed in sects and cries,

To change the bearing of a word,

To shift an arbitrary power,

To cramp the student at his desk,

To make old baseness picturesque

And tuft with grass a feudal tower;

Why then my scorn might well descend

On you and yours. I see in part

That all, as in some piece of art,

Is toil cöoperant to an end.

CXXVII

DEAR friend, far off, my lost desire,

So far, so near in woe and weal;

O, loved the most when most I feel

There is a lower and a higher;

Known and unknown, human, divine!

Sweet human hand and lips and eye,

Dear heavenly friend that canst not die,

Mine, mine, for ever, ever mine!

Strange friend, past, present, and to be,

Loved deeplier, darklier understood;

Behold I dream a dream of good

And mingle all the world with thee.

CXXVIII

THY voice is on the rolling air;

I hear thee where the waters run;

Thou standest in the rising sun,

And in the setting thou art fair.

What art thou then? I cannot guess;

But tho’ I seem in star and flower

To feel thee, some diffusive power,

I do not therefore love thee less:

My love involves the love before;

My love is vaster passion now;

Tho’ mix’d with God and Nature thou,

I seem to love thee more and more.

Far off thou art, but ever nigh;

I have thee still, and I rejoice;

I prosper, circled with thy voice;

I shall not lose thee tho’ I die.

CXXIX

O LIVING will that shalt endure

When all that seems shall suffer shock,

Rise in the spiritual rock,

Flow thro’ our deeds and make them pure,

That we may lift from out the dust

A voice as unto him that hears,

A cry above the conquer’d years

To one that with us works, and trust

With faith that comes of self-control

The truths that never can be proved

Until we close with all we loved,

And all we flow from, soul in soul.

O true and tried, so well and long,

Demand not thou a marriage lay;

In that it is thy marriage day

Is music more than any song.

Nor have I felt so much of bliss

Since first he told me that he loved

A daughter of our house; nor proved

Since that dark day a day like this;

Tho’ I since then have number’d o’er

Some thrice three years: they went and came,

Remade the blood and changed the frame,

And yet is love not less, but more;

No longer caring to embalm

In dying songs a dead regret,

But like a statue solid-set,

And moulded in colossal calm.

Regret is dead, but love is more

Than in the summers that are flown,

For I myself with these have grown

To something greater than before;

Which makes appear the songs I made

As echoes out of weaker times,

As half but idle brawling rhymes,

The sport of random sun and shade.

But where is she, the bridal flower,

That must be made a wife ere noon?

She enters, glowing like the moon

Of Eden on its bridal bower:

On me she bends her blissful eyes

And then on thee; they meet thy look

And brighten like the star that shook

Betwixt the palms of paradise.

O when her life was yet in bud,

He too foretold the perfect rose.

For thee she grew, for thee she grows

For ever, and as fair as good.

And thou art worthy; full of power;

As gentle; liberal-minded, great,

Consistent; wearing all that weight

Of learning lightly like a flower.

But now set out: the noon is near,

And I must give away the bride;

She fears not, or with thee beside

And me behind her, will not fear:

For I that danced her on my knee,

That watch’d her on her nurse’s arm,

That shielded all her life from harm

At last must part with her to thee;

Now waiting to be made a wife,

Her feet, my darling, on the dead;

Their pensive tablets round her head,

And the most living words of life

Breathed in her ear. The ring is on,

The ‘wilt thou’ answer’d, and again

The ‘wilt thou’ ask’d, till out of twain

Her sweet ‘I will’ has made ye one.

Now sign your names, which shall be read

Mute symbols of a joyful morn

By village eyes as yet unborn;

The names are sign’d, and overhead

Begins the clash and clang that tells

The joy to every wandering breeze;

The blind wall rocks, and on the trees

The dead leaf trembles to the bells.

O happy hour, and happier hours

Await them. Many a merry face

Salutes them—maidens of the place,

That pelt us in the porch with flowers.

O happy hour, behold the bride

With him to whom her hand I gave.

They leave the porch, they pass the grave

That has to-day its sunny side.

To day the grave is bright for me,

For them the light of life increas’d

Who stay to share the morning feast,

Who rest to-night beside the sea.

Let all my genial spirits advance

To meet and greet a whiter sun;

My drooping memory will not shun

The foaming grape of eastern France.

It circles round, and fancy plays,

And hearts are warm’d and faces bloom,

As drinking health to bride and groom

We wish them store of happy days.

Nor count me all to blame if I

Conjecture of a stiller guest,

Perchance, perchance, among the rest,

And, tho’ in silence, wishing joy.

But they must go, the time draws on,

And those white-favour’d horses wait;

They rise but linger, it is late;

Farewell, we kiss, and they are gone.

A shade falls on us like the dark

From little cloudlets on the grass,

But sweeps away as out we pass

To range the woods, to roam the park.

Discussing how their courtship grew,

And talk of others that are wed,

And how she look’d, and what he said,

And back we come at fall of dew.

Again the feast, the speech, the glee,

The shade of passing thought, the wealth

Of words and wit, the double health,

The crowning cup, the three times three,

And last the dance;—till I retire:

Dumb is that tower which spake so loud,

And high in heaven the streaming cloud,

And on the downs a rising fire:

And rise, O moon, from yonder down,

Till over down and over dale

All night the shining vapour sail

And pass the silent-lighted town,

The white-faced halls, the glancing rills,

And catch at every mountain head,

And o’er the friths that branch and spread

Their sleeping silver thro’ the hills;

And touch with shade the bridal doors,

With tender gloom the roof, the wall;

And breaking let the splendour fall

To spangle all the happy shores

By which they rest, and ocean sounds,

And, star and system rolling past,

A soul shall draw from out the vast

And strike his being into bounds,

And, moved thro’ life of lower phase,

Result in man, be born and think,

And act and love, a closer link

Betwixt us and the crowning race

Of those that, eye to eye, shall look

On knowledge; under whose command

Is Earth and Earth’s, and in their hand

Is Nature like an open book;

No longer half-akin to brute,

For all we thought and loved and did,

And hoped, and suffer’d, is but seed

Of what in them is flower and fruit;

Whereof the man, that with me trod

This planet, was a noble type

Appearing ere the times were ripe,

That friend of mine who lives in God,

That God, which ever lives and loves,

One God, one law, one element,

And one far-off divine event,

To which the whole creation moves.

THE END.

LONDON:

BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.

FEBRUARY, 1850.

A LIST OF BOOKS

PUBLISHED BY

EDWARD MOXON, 44, DOVER STREET.

MISCELLANEOUS

HAYDN’S DICTIONARY OF DATES, and UNIVERSAL REFERENCE, relating to all Ages and Nations; comprehending every Remarkable Occurrence, Ancient and Modern—the Foundation, Laws, and Governments of Countries—their Progress in Civilisation, Industry, and Science—their Achievements in Arms; the Political and Social Transactions of the British Empire—its Civil, Military, and Religious Institutions—the Origin and Advance of Human Arts and Inventions, with copious details of England, Scotland, and Ireland. The whole comprehending a body of information, Classical, Political, and Domestic, from the earliest accounts to the present time. FOURTH EDITION. In one volume 8vo, price 18s. cloth.

SHARPE’S HISTORY OF EGYPT, from the Earliest Times till the Conquest by the Arabs in A.D. 640. SECOND EDITION. In one volume 8vo, price 12s. cloth.

NAPIER’S (CAPT. HENRY) FLORENTINE HISTORY, from the Earliest Authentic Records to the Accession of Ferdinand the Third, Grand Duke of Tuscany. In six volumes small 8vo, price 2l. 14s. cloth.

THE WORKS OF WALTER SAVAGE LANDOR. In two volumes medium 8vo, price 32s. cloth.

By the AUTHOR of “TWO YEARS BEFORE THE MAST.”

DANA’S SEAMAN’S MANUAL; containing a Treatise on Practical Seamanship, with Plates; a Dictionary of Sea Terms; Customs and Usages of the Merchant Service; Laws relating to the Practical Duties of Master and Mariners. FOURTH EDITION. Price 5s. cloth.

HINTS ON HORSEMANSHIP, to a NEPHEW and NIECE; or Common Sense and Common Errors in Common Riding. By Colonel GEORGE GREENWOOD, late of the Second Life Guards. Price 2s. 6d.

CAPTAIN BASIL HALL’S FRAGMENTS OF VOYAGES AND TRAVELS. A NEW EDITION. In one volume 8vo, price 12s. cloth.

LIFE IN THE SICK-ROOM: ESSAYS. By AN INVALID. THIRD EDITION. Price 3s. 6d. cloth.

GOETHE’S FAUST. Translated into English Prose, with Notes. By A. HAYWARD, Esq. FOURTH EDITION. Price 2s. 6d. sewed, or 3s. 6d. cloth, gilt edges.

HOUSEHOLD EDUCATION. By HARRIET MARTINEAU. Price 6s. cloth.

SELECTIONS FROM THE TATLER, SPECTATOR, GUARDIAN AND FREEHOLDER. With a Preliminary Essay, by Mrs. BARBAULD. In two volumes, small 8vo, price 10s. cloth.

EASTERN LIFE, PRESENT AND PAST. By HARRIET MARTINEAU. In three volumes post 8vo, price 31s. 6d. cloth.

LIFE, LETTERS, AND LITERARY REMAINS OF JOHN KEATS. Edited by RICHARD MONCKTON MILNES. In two volumes fcap. 8vo, price 14s. cloth.

THOUGHTS ON SELF-CULTURE, ADDRESSED TO WOMEN. By MARIA G. GREY, and her sister, EMILY SHIRREFF. In two volumes post 8vo, price 16s. cloth.

DISRAELI’S WORKS.

CURIOSITIES OF LITERATURE. FOURTEENTH EDITION. With a View of the Character and Writings of the Author. By his Son, B. DISRAELI, Esq., M.P. In three volumes 8vo, price 42s. cloth.

MISCELLANIES OF LITERATURE. In one volume 8vo, with Vignette, price 14s. cloth.

CONTENTS:

1. LITERARY MISCELLANIES.

2. QUARRELS OF AUTHORS.

3. CALAMITIES OF AUTHORS.

4. THE LITERARY CHARACTER.

5. CHARACTER OF JAMES THE FIRST.

LAMB’S WORKS.

THE ESSAYS OF ELIA. In one volume small 8vo, price 6s. cloth.

ROSAMUND GRAY, ESSAYS AND POEMS. In one volume small 8vo, price 6s. cloth.

THE LETTERS OF CHARLES LAMB, with a Sketch of his Life. By T. N. TALFOURD. In one volume small 8vo, price 6s. cloth.

FINAL MEMORIALS OF CHARLES LAMB; consisting chiefly of his LETTERS NOT BEFORE PUBLISHED, with SKETCHES OF SOME OF HIS COMPANIONS. By T. N. TALFOURD. In two volumes post 8vo, price 18s. cloth.

DYCE’S BEAUMONT AND FLETCHER.

THE WORKS OF BEAUMONT AND FLETCHER; the Text formed from a new collation of the early Editions. With Notes and a Biographical Memoir. By the Rev. A. DYCE. In eleven volumes demy 8vo, price 4l. 4s. cloth.

WORDSWORTH’S POEMS.

WORDSWORTH’S POETICAL WORKS. In seven volumes foolscap 8vo, price 35s. cloth.

WORDSWORTH’S POETICAL WORKS. In six pocket volumes, price 21s. handsomely bound in cloth, gilt edges.

WORDSWORTH’S POETICAL WORKS. In one volume medium 8vo, price 20s. cloth, or 36s. elegantly bound in morocco.

WORDSWORTH’S EXCURSION. A POEM. In one volume, price 6s. cloth.

SELECT PIECES FROM THE POEMS OF WILLIAM WORDSWORTH. In one volume, illustrated by Woodcuts, price 6s. 6d. cloth, gilt edges.

TENNYSON’S POEMS.

TENNYSON’S POEMS. SIXTH EDITION. Price 9s. cloth.

TENNYSON’S PRINCESS: A MEDLEY. THIRD EDITION. Price 5s. cloth.

CAMPBELL’S POEMS.

CAMPBELL’S POETICAL WORKS. A NEW EDITION. In one volume, illustrated by 20 Vignettes from designs by Turner, and 37 Woodcuts from designs by Harvey. Price 20s. cloth, or 34s. elegantly bound in morocco.

CAMPBELL’S POETICAL WORKS. In one pocket volume, illustrated by numerous Woodcuts, price 8s. cloth, or 16s. 6d. elegantly bound in morocco.

SHELLEY’S WORKS.

SHELLEY’S POEMS, ESSAYS, AND LETTERS FROM ABROAD. Edited by MRS. SHELLEY. In one volume medium 8vo, with Portrait and Vignette, price 15s. cloth.

SHELLEY’S POETICAL WORKS. Edited by MRS. SHELLEY. In three volumes foolscap 8vo, price 15s. cloth.

ROGERS’S POEMS.

ROGERS’S POEMS. In one volume, illustrated by 72 Vignettes, from designs by Turner and Stothard, price 16s. cloth, or 30s. elegantly bound in morocco.

ROGERS’S ITALY. In one volume, illustrated by 56 Vignettes, from designs by Turner and Stothard, price 16s. cloth, or 30s. elegantly bound in morocco.

ROGERS’S POEMS; AND ITALY. In two pocket volumes, illustrated by numerous Woodcuts, price 10s. cloth, or 28s. elegantly bound in morocco.

HOOD’S WORKS.

HOOD’S POEMS. THIRD EDITION. In two volumes, price 12s. cloth.

HOOD’S POEMS OF WIT AND HUMOUR. SECOND EDITION. Price 6s. cloth.

HOOD’S OWN; OR LAUGHTER FROM YEAR TO YEAR. A NEW EDITION. In one volume 8vo, illustrated by 350 Woodcuts, price 10s. 6d. cloth.

CHAUCER AND SPENSER.

CHAUCER’S POETICAL WORKS. With an ESSAY on his LANGUAGE AND VERSIFICATION, and an INTRODUCTORY DISCOURSE; together with NOTES and a GLOSSARY. By THOMAS TYRWHITT. In one volume 8vo, with Portrait and Vignette, price 16s. cloth.

SPENSER’S WORKS. With a Selection of NOTES from various Commentators; and a GLOSSARIAL INDEX: to which is prefixed some account of the LIFE of Spenser. By the Rev. HENRY JOHN TODD. In one volume 8vo, with Portrait and Vignette, price 16s. cloth.

DRAMATIC LIBRARY.

BEAUMONT AND FLETCHER. With an INTRODUCTION. By GEORGE DARLEY. In two volumes 8vo, with Portraits and Vignettes, price 32s. cloth.

SHAKSPEARE. With REMARKS on his LIFE and WRITINGS. By THOMAS CAMPBELL. In one volume 8vo, with Portrait, Vignette, and Index, price 16s. cloth.

BEN JONSON. With a MEMOIR. By WILLIAM GIFFORD. In one volume 8vo, with Portrait and Vignette, price 16s. cloth.

MASSINGER AND FORD. With an INTRODUCTION. By HARTLEY COLERIDGE. In one volume 8vo, with Portrait and Vignette, price 16s. cloth.

WYCHERLEY, CONGREVE, VANBRUGH, AND FARQUHAR. With BIOGRAPHICAL and CRITICAL NOTICES. By LEIGH HUNT. In one volume 8vo, with Portrait and Vignette, price 16s. cloth.

SHERIDAN’S DRAMATIC WORKS. With a BIOGRAPHICAL and CRITICAL SKETCH. By LEIGH HUNT. In one volume 8vo, price 4s. 6d. cloth.

POETRY

s.

d.

MILNES’S POEMS OF MANY YEARS

5

0

—— MEMORIALS OF MANY SCENES

5

0

—— POEMS LEGENDARY AND HISTORICAL

5

0

—— PALM LEAVES

5

0

TRENCH’S JUSTIN MARTYR, and other Poems

6

0

BROWNING’S SORDELLO

6

6

TAYLOR’S EVE OF THE CONQUEST

3

6

LANDOR’S HELLENICS

6

0

(In 24mo.)

ROGERS’S POETICAL WORKS

2

6

CAMPBELL’S POETICAL WORKS

2

6

TALFOURD’S (MR. JUSTICE) TRAGEDIES

2

6

TAYLOR’S PHILIP VAN ARTEVELDE

2

6

—— EDWIN THE FAIR, &c.

2

6

BARRY CORNWALL’S SONGS

2

6

LEIGH HUNT’S POETICAL WORKS

2

6

KEATS’S POETICAL WORKS

2

6

SHELLEY’S MINOR POEMS

2

6

PERCY’S RELIQUES. 3 volumes

7

6

LAMB’S DRAMATIC SPECIMENS. 2 volumes

5

0

DODD’S BEAUTIES OF SHAKSPEARE

2

6

CHEAP EDITIONS OF POPULAR WORKS.

s.

d.

SHELLEY’S ESSAYS AND LETTERS

5

0

SEDGWICK’S LETTERS FROM ABROAD

2

6

DANA’S TWO YEARS BEFORE THE MAST

2

6

CLEVELAND’S VOYAGES AND COMMERCIAL ENTERPRISES

2

6

ELLIS’S EMBASSY TO CHINA

2

6

PRINGLE’S RESIDENCE IN SOUTH AFRICA

2

6

HUNT’S INDICATOR, AND COMPANION

3

6

—— THE SEER; OR, COMMON-PLACES REFRESHED

3

6

LAMB’S TALES FROM SHAKSPEARE

2

6

—— ADVENTURES OF ULYSSES. TO WHICH IS ADDED, MRS. LEICESTER’S SCHOOL

2

0

HALL’S VOYAGE TO LOO-CHOO

2

6

—— TRAVELS IN SOUTH AMERICA

3

6

LAMB’S POETICAL WORKS

1

6

BAILLIE’S (JOANNA) FUGITIVE VERSES

1

0

SHAKSPEARE’S POEMS

1

0

[Bradbury & Evans, Printers, Whitefriars.]

*** END OF THE PROJECT GUTENBERG EBOOK IN MEMORIAM ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

IN MEMORIAM.

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

XXXIX

XL

XLI

XLII

XLIII

XLIV

XLV

XLVI

XLVII

XLVIII

XLIX

L

LI

LII

LIII

LIV

LV

LVI

LVII

LVII

LIX

LX

LXI

LXII

LXIII

LXIV

LXV

LXVI

LXVII

LXVIII

LXIX

LXX

LXXI

LXXII

LXXIII

LXXIV

LXXV

LXXVI

LXXVII

LXXVIII

LXXIX

LXXX

LXXXI

LXXXII

LXXXIII

LXXXIV

LXXXV

LXXXVI

LXXXVII

LXXXVIII

LXXXIX

XC

XCI

XCII

XCIII

XCIV

XCV

XCVI

XCVII

XCVIII

XCIX

C

CI

CII

CIII

CIV

CV

CVI

CVII

CVIII

CIX

CX

CXI

CXII

CXIII

CXIV

CXV

CXVI

CXVII

CXVIII

CXIX

CXX

CXXI

CXXII

CXXIII

CXXIV

CXXV

CXXVI

CXXVII

CXXVIII

CXXIX

THE FULL PROJECT GUTENBERG LICENSE