The Project Gutenberg eBook, The Second Latchkey, by Charles Norris
Williamson and Alice Muriel Williamson, Illustrated by Rudolph Tandler


This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org





Title: The Second Latchkey


Author: Charles Norris Williamson and Alice Muriel Williamson



Release Date: May 29, 2006  [eBook #18470]

Language: English

Character set encoding: ISO-8859-1


***START OF THE PROJECT GUTENBERG EBOOK THE SECOND LATCHKEY***


E-text prepared by Suzanne Shell, Mary Meehan, and the Project Gutenberg
Online Distributed Proofreading Team (https://www.pgdp.net/)



Note: Project Gutenberg also has an HTML version of this
      file which includes the original illustration.
      See 18470-h.htm or 18470-h.zip:
      (https://www.gutenberg.org/dirs/1/8/4/7/18470/18470-h/18470-h.htm)
      or
      (https://www.gutenberg.org/dirs/1/8/4/7/18470/18470-h.zip)





THE SECOND LATCHKEY

by

C. N. & A. M. WILLIAMSON

Frontispiece by Rudolph Tandler







Garden City New York
Doubleday, Page & Company
1920




CONTENTS


CHAPTER

       I. A White Rose

      II. Smiths and Smiths

     III. Why She Came

      IV. The Great Moment

       V. The Second Latchkey

      VI. The Beginning--or the End?

     VII. The Countess de Santiago

    VIII. The Blue Diamond Ring

      IX. The Thing Knight Wanted

       X. Beginning of the Series

      XI. Annesley Remembers

     XII. The Crystal

    XIII. The Series Goes On

     XIV. The Test

      XV. Nelson Smith at Home

     XVI. Why Ruthven Smith Went

    XVII. Ruthven Smith's Eyeglasses

   XVIII. The Star Sapphire

     XIX. The Secret

      XX. The Plan

     XXI. The Devil's Rosary

    XXII. Destiny and the Waldos

   XXIII. The Thin Wall

    XXIV. The Anniversary

     XXV. The Allegory

    XXVI. The Three Words




THE SECOND LATCHKEY




CHAPTER I

A WHITE ROSE


Even when Annesley Grayle turned out of the Strand toward the Savoy she
was uncertain whether she would have courage to walk into the hotel. With
each step the thing, the dreadful thing, that she had come to do, loomed
blacker. It was monstrous, impossible, like opening the door of the
lions' cage at the Zoo and stepping inside.

There was time still to change her mind. She had only to turn
now ... jump into an omnibus ... jump out again at the familiar corner,
and everything would be as it had been. Life for the next five, ten,
maybe twenty years, would be what the last five had been.

At the thought of the Savoy and the adventure waiting there, the girl's
skin had tingled and grown hot, as if a wind laden with grains of heated
sand had blown over her. But at the thought of turning back, of going
"home"--oh, misused word!--a leaden coldness shut her spirit into a tomb.

She had walked fast, after descending at Bedford Street from a fierce
motor-bus with a party of comfortable people, bound for the Adelphi
Theatre. Never before had she been in a motor-omnibus, and she was not
sure whether the great hurtling thing would deign to stop, except at
trysting-places of its own; so it had seemed wise to bundle out rather
than risk a snub from the conductor, who looked like pictures of the Duke
of Wellington.

But in the lighted Strand she had been stared at as well as jostled:
a girl alone at eight o'clock on a winter evening, bare-headed,
conspicuously tall if conspicuous in no other way; dressed for dinner or
the theatre in a pale gray, sequined gown under a mauve chiffon cloak
meant for warm nights of summer.

Of course, as Mrs. Ellsworth (giver of dress and wrap) often pointed out,
"beggars mustn't be choosers"; and Annesley Grayle was worse off than a
beggar, because beggars needn't keep up appearances. She should have
thanked Heaven for good clothes, and so she did in chastened moods; but
it was a costume to make a girl hurry through the Strand, and just for an
instant she had been glad to turn from the white glare into comparative
dimness.

That was because offensive eyes had made her forget the almost immediate
future in the quite immediate present. But the hotel, with light-hearted
taxis tearing up to it, brought remembrance with a shock. She envied
everyone else who was bound for the Savoy, even old women, and fat
gentlemen with large noses. They were going there because they wanted to
go, for their pleasure. Nobody in the world could be in such an appalling
situation as she was.

It was then that Annesley's feet began to drag, and she slowed her steps
to gain more time to think. Could she--_could_ she do the thing?

For days her soul had been rushing toward this moment with
thousand-horsepower speed, like a lonely comet tearing through space.
But then it had been distant, the terrible goal. She had not had to
gasp among her heart-throbs: "Now! It is now!"

Creep as she might, three minutes' brought her from the turning out of
the Strand close to the welcoming entrance where revolving doors of glass
received radiant visions dazzling as moonlight on snow.

"No, I can't!" the girl told herself, desperately. She wheeled more
quickly than the whirling door, hoping that no one would think her mad.
"All the same, I _was_ mad," she admitted, "to fancy I could do it. I
ought to have known I couldn't, when the time came. I'm the last person
to--well, I'm sane again now, anyway!"

A few long steps carried the girl in the sparkling dress and transparent
cloak into the Strand again. But something queer was happening there.
People were shouting and running. A man with a raucous, alcoholic voice,
yelled words Annesley could not catch. A woman gave a squeaking scream
that sounded both ridiculous and dreadful. Breaking glass crashed. A
growl of human anger mingled with the roar of motor-omnibuses, and Miss
Grayle fell back from it as from a slammed door in a high wall.

As she stood hesitating what to do and wondering if there were a fire or
a murder, two women, laughing hysterically, rushed past into the hotel
court.

"Hurry up," panted one of them. "They'll think we belong to the gang.
Let's go into the hotel and stay until it's over."

"Oh, what is it?" Annesley entreated, running after the couple.

"Burglars at a jeweller's window close by--there are women--they're being
arrested," one of the pair flung over her shoulder, as both hurried on.

"'Women ... being arrested ...'" That meant that if she plunged into the
fray she might be mistaken for a woman burglar, and arrested with the
guilty. Even if she lurked where she was, a prowling policeman might
suppose she sought concealment, and bag her as a militant.

Imagine what Mrs. Ellsworth would say--and _do_--if she were taken off to
jail!

Annesley's heart seemed to drop out of its place, to go "crossways," as
her old Irish nurse used to say a million years ago.

Without stopping to think again, or even to breathe, she flew back to the
hotel entrance, as a migrating bird follows its leader, and slipped
through the revolving door behind the fugitives.

"It's fate," she thought. "This must be a _sign_ coming just when I'd
made up my mind."

Suddenly she was no longer afraid, though her heart was pounding under
the thin cloak. Fragrance of hot-house flowers and expensive perfume from
women's dresses intoxicated the girl as a glass of champagne forced upon
one who has never tasted wine flies to the head. She felt herself on the
tide of adventure, moving because she must; the soul which would have
fled, to return to Mrs. Ellsworth, was a coward not worthy to live in her
body.

She had room in her crowded mind to think how queer it was--and how queer
it would seem all the rest of her life in looking back--that she should
have the course of her existence changed because burglars had broken some
panes of glass in the Strand.

"Just because of them--creatures I'll never meet--I'm going to see this
through to the end," she said, flinging up her chin and looking entirely
unlike the Annesley Grayle Mrs. Ellsworth knew. "To the _end_!"

She thrilled at the word, which had as much of the unknown in it as
though it were the world's end she referred to, and she were jumping off.

"Will you please tell me where to leave my wrap?" she heard herself
inquiring of a footman as magnificent as, and far better dressed than,
the Apollo Belvedere. Her voice sounded natural. She was glad. This added
to her courage. It was wonderful to feel brave. Life was so deadly,
worse--so _stuffy_--at Mrs. Ellsworth's, that if she had ever been
normally brave like other girls, she had had the young splendour of her
courage crushed out.

The statue in gray plush and dark blue cloth came to life, and showed her
the cloak-room.

Other women were there, taking last, affectionate peeps at themselves
in the long mirrors. Annesley took a last peep at herself also, not an
affectionate but an anxious one. Compared with these visions, was she
(in Mrs. Ellsworth's cast-off clothes, made over in odd moments by the
wearer) so dowdy and second-hand that--that--a stranger would be ashamed
to----?

The question feared to finish itself.

"I _do_ look like a lady, anyhow," the girl thought with defiance.
"That's what he--that seems to be the test."

Now she was in a hurry to get the ordeal over. Instead of hanging back
she walked briskly out of the cloak-room before those who had entered
ahead of her finished patting their hair or putting powder on their
noses.

It was worse in the large vestibule, where men sat or stood, waiting for
their feminine belongings; and she was the only woman alone. But her boat
was launched on the wild sea. There was no returning.

The rendezvous arranged was in what _he_ had called in his letter "the
foyer."

Annesley went slowly down the steps, trying not to look aimless. She
decided to steer for one of the high-back brocaded chairs which had
little satellite tables. Better settle on one in the middle of the hall.

This would give _him_ a chance to see and recognize her from the
description she had written of the dress she would wear (she had not
mentioned that she'd be spared all trouble in choosing, as it was her
only _real_ evening frock), and to notice that she wore, according to
arrangement, a white rose tucked into the neck of her bodice.

She felt conscious of her hands, and especially of her feet and ankles,
for she had not been able to make Mrs. Ellsworth's dress quite long
enough. Luckily it was the fashion of the moment to wear the skirt short,
and she had painted her old white suede slippers silver.

She believed that she had pretty feet. But oh! what if the darn running
up the heel of the pearl-gray silk stocking should show, or have burst
again into a hole as she jumped out of the omnibus? She could have
laughed hysterically, as the escaping women had laughed, when she
realized that the fear of such a catastrophe was overcoming graver
horrors.

Perhaps it was well to have a counter-irritant.

Though Annesley Grayle was the only manless woman in the foyer, the
people who sat there--with one exception--did not stare. Though she
had five feet eight inches of height, and was graceful despite
self-consciousness, her appearance was distinguished rather than
striking. Yes, "distinguished" was the word for it, decided the one
exception who gazed with particular interest at that tall, slight figure
in gray-sequined chiffon too old-looking for the young face.

He was sitting in a corner against the wall, and had in his hands a copy
of the _Sphere_, which was so large when held high and wide open that the
reader could hide behind it. He had been in his corner for fifteen or
twenty minutes when Annesley Grayle arrived, glancing over the top of his
paper with a sort of jaunty carelessness every few minutes at the crowd
moving toward the restaurant, picking out some individual, then dropping
his eyes to the _Sphere_.

For the girl in gray he had a long, appraising look, studying her every
point; but he did the thing so well that, even had she turned her head
his way, she need not have been embarrassed. All she would have seen was
a man's forehead and a rim of smooth black hair showing over the top of
an illustrated paper.

What he saw was a clear profile with a delicate nose slightly tilting
upward in a proud rather than impertinent way; an arch of eyebrow
daintily sketched; a large eye which might be gray or violet; a drooping
mouth with a short upper lip; a really charming chin, and a long white
throat; skin softly pale, like white velvet; thick, ash-blond hair parted
in the middle and worn Madonna fashion--there seemed to be a lot of it in
the coil at the nape of her neck.

The creature looked too simple, too--not dowdy, but too unsophisticated,
to have anything false about her. Figure too thin, hardly to be called a
"figure" at all, but agreeably girlish; and its owner might be anywhere
from twenty to five or six years older. Not beautiful: just an average,
lady-like English girl--or perhaps more of Irish type; but certainly with
possibilities. If she were a princess or a millionairess, she might be
glorified by newspapers as a beauty.

Annesley forced her nervous limbs to slow movement, because she hoped,
or dreaded--anyhow, expected--that one of the dozen or so unattached men
would spring up and say, constrainedly, "Miss Grayle, I believe?--er--how
do you do?" If only he might not be fat or very bald-headed!

He had not described himself at all. Everything was to depend on her gray
dress and the white rose. That seemed, now one came face to face with the
fear, rather ominous.

But no one sprang up. No one wanted to know if she were Miss Grayle; and
this, although she was ten minutes late.

Her instructions as to what to do at the Savoy were clear. If she were
not met in the foyer, she was to go into the restaurant and ask for a
table reserved for Mr. N. Smith. There she was to sit and wait to be
joined by him. She had never contemplated having to carry out the latter
clause, however; and when she had loitered for a few seconds, the thought
rushed over her that here was a loop-hole through which to slip, if she
wanted a loop-hole.

One side of her did want it: the side she knew best and longest as
herself, Annesley Grayle, a timid girl brought up conventionally, and
taught that to rely on others older and wiser than she was the right way
for a well-born, sheltered woman to go through life. The other side, the
new, desperate side that Mrs. Ellsworth's "stuffiness" had developed, was
not looking for any means of escape; and this side had seized the upper
hand since the alarm of the burglars in the Strand.

Annesley marched into the restaurant with the air of a soldier facing his
first battle, and asked a waiter where was Mr. Smith's table.

The youth dashed off and produced a duke-like personage, his chief. A
list was consulted with care; and Annesley was respectfully informed that
no table had been engaged by a Mr. N. Smith for dinner that evening.

"Are you sure?" persisted Annesley, bewildered and disappointed.

"Yes, miss--madame, I am sure we have not the name on our list," said the
head-waiter.

The blankness of the girl's disappointment looked out appealingly from
wistful, wide-apart eyes. The man was sorry.

"There may be some misunderstanding," he consoled her. "Perhaps Mr. Smith
has telephoned, and we have not received the message. I hope it is not
the fault of the hotel. We do not often make mistakes; yet it is
possible. We have had a few early dinners before the theatre and there is
one small table disengaged. Would madame care to take it--it is here,
close to the door--and watch for the gentleman when he comes?"

"When he comes!" The head-waiter comfortably took it for granted that Mr.
Smith had been delayed, that he would come, and that it would be a pity
to miss him. The polite person might be right, though with a sinking
heart Annesley began to suspect herself played with, abandoned, as she
deserved, for her dreadful boldness.

Perhaps Mr. Smith had been in communication with someone else more
suitable than she, and had thrown over the appointment without troubling
to let her know. Or perhaps he had been waiting in the foyer, had
inspected her as she passed, and hadn't liked her looks.

This latter supposition seemed probable; but the head-waiter was so
confident of what she ought to do that the girl could think of no excuse.
After all, it would do little harm to wait and "see what happened." As
Mr. Smith was apparently not living at the Savoy (he had merely asked her
to meet him there), he might have had an accident in train or taxi.
Annesley had made her plans to be away from home for two hours, so she
could give him the benefit of the doubt.

A moment of hesitation, and she was seating herself in a chair offered by
the head-waiter. It was one of a couple drawn up at a small table for
two. Sitting thus, Annesley could see everybody who came in, and--what
was more important--could be seen. By what struck her as an odd
coincidence, the table was decorated with a vase of white roses whose
hearts blushed faintly in the light of a pink-shaded electric lamp.

A quarter of an hour, twenty minutes, dragged along, and no Mr. Smith.
Annesley could follow the passing moments on her wrist-watch in its
silver bracelet, the only present Mrs. Ellsworth had ever given her,
with the exception of cast-off clothes, and a pocket handkerchief each
Christmas.

Every nerve in the girl's body seemed to prickle with embarrassment. She
played with a dinner roll, changed the places of the flowers and the
lamp, trying to appear at ease, and not daring to look up lest she should
meet eyes curious or pitying.

"What if they make me pay for dinner after I've kept the table so long?"
she thought in her ignorance of hotel customs. "And I've got only a
shilling!"

Half an hour now, all but two minutes! There was nothing more to hope or
fear. But there was the ordeal of getting away.

"I'll sit out the two minutes," she told herself. "Then I'll go. Ought I
to tip the waiter?" Horrible doubt! And she must have been dreaming to
touch that roll! Better sneak away while the waiter was busy at a
distance.

Frightened, miserable, she was counting her chances when a man, whose
coming into the room her dilemma had caused her to miss, marched
unhesitatingly to her table.




CHAPTER II

SMITHS AND SMITHS


Annesley glanced up, her face aflame, like a fanned coal. The man was
tall, dark, lean, square-jawed, handsome in just that thrilling way which
magazine illustrators and women love; the ideal story-hero to look at,
even to the clothes which any female serial writer would certainly have
described as "immaculate evening dress."

It was too good--oh, far too wonderfully good!--to be true that this
man should be Mr. Smith. Yet if he were not Mr. Smith why should
he----Annesley got no farther in the thought, though it flashed through
her mind quick as light. Before she had time to seek an answer for her
question the man--who was young, or youngish, not more than thirty-three
or four--had bent over her as if greeting a friend, and had begun to
speak in a low voice blurred by haste or some excitement.

"You will do me an immense service," he said, "if you'll pretend to know
me and let me sit down here. You sha'n't regret it, and it may save my
life."

"Sit down," answered something in Annesley that was newly awake. She
found her hand being warmly shaken. Then the man took the chair reserved
for Mr. Smith, just as she realized fully that he wasn't Mr. Smith. Her
heart was beating fast, her eyes--fixed on the man's face, waiting for
some explanation--were dilated.

"Thank you," he said, leaning toward her, in his hand a menu which the
waiter had placed before the girl while she was still alone. She noticed
that the hand was brown and nervous-looking, the hand of a man who might
be a musician or an artist. He was pretending to read the menu, and to
consult her about it. "You're a true woman, the right sort--brave. I
swear I'm not here for any impertinence. Now, will you go on helping me?
Can you keep your wits and not give me away, whatever happens?"

"I think so," answered the new Annesley. "What do you want me to do?" She
took the pitch of her tone from his, speaking quietly, and wondering if
she would not wake up in her ugly brown bedroom at Mrs. Ellsworth's, as
she had done a dozen times when dreaming in advance of her rendezvous at
the Savoy.

"It will be a shock when I tell you," he answered. "But for Heaven's
sake, don't misunderstand. I shouldn't ask this if it weren't absolutely
necessary. In case a man comes to this table and questions you, you must
let him suppose that you are my wife."

"Oh!" gasped Annesley. Her eyes met the eyes that seemed to have been
waiting for her look, and they answered with an appeal which she could
not refuse.

She did not stop to think that if the dark eyes had not been so handsome
they might have been easier to resist. She--the suppressed and timid
girl, never allowed to make up her mind--let herself go with the wave
of strong emotion carrying her along, and reached a resolve.

"It means trusting you a great deal," she answered. "But you say you're
in danger, so I'll do what you ask. I think you can't be wicked enough to
pay me back by trying to hurt me."

"You think right," the man said, and it struck her that his accent was
not quite English. She wondered if he were Canadian or American. Not that
she knew much about either. "A woman like you _would_ think right!" he
went on. "Only one woman out of ten thousand would have the nerve and
presence of mind and the humanity to do what you're doing. When I came
into this room and saw your face I counted on you."

Annesley blushed again in a rush of happiness. She had always longed to
do something which would really matter to another soul. She had even
prayed for it. Now the moment seemed to have come. God would not let her
be the victim of an ignoble trick!

"I'm glad," she said, her face lit by a light from within. And at that
moment, bending toward each other, they were a beautiful couple. A seeker
of romance would have taken them for lovers.

"Tell me what you want me to do," Annesley said once more.

"The worst of it is, I can't tell you exactly. Two men may come into this
restaurant looking for me. One or both will speak to me. They'll call me
a certain name, and I shall say they've made a mistake. You must say so,
too. You must tell them I'm your husband, and stick to that no matter
what the man, or men, may tell you about me. The principal thing now is
to choose a name. But--by Jove--I forgot it in my hurry! Are you
expecting any one to join you? If you are, it's awkward."

"I was expecting someone, but I've given him up."

"Was this table taken in his name or yours? Or, perhaps--but no, I'm sure
you're _not_!"

"Sure I'm not what?"

"Married. You're a girl. Your eyes haven't got any experience of life in
them."

Annesley looked down; and when she looked down her face was very sweet.
She had long, curved brown lashes a shade or two darker than her hair.

"I'm not married," she said, rather stiffly. "I thought a table had been
engaged in the name of Mr. Smith, but there was a misunderstanding. The
head waiter put me at this table in case Mr. Smith should come. I've
given him up now, and was going away when----"

"When you took pity on a nameless man. But it seems indicated that he
should be Mr. Smith, unless you have any objection!"

"No, I have none. You'd better take the name, as I mentioned it to the
waiter."

"And the first name?"

"I don't know. The initial I gave was N."

"Very well, I choose Nelson. Where do we live?"

Annesley stared, frightened.

"Forgive me," the man said. "I ought to have explained what I meant
before asking you that, or put the question another way. Will you go on
as you've begun, and trust me farther, by letting me drive with you to
your home, if necessary, in case of being followed? At worst, I'll need
to beg no more than to stand inside your front door for a few minutes if
we're watched, and--but I see that this time I have passed the limit. I'm
expecting too much! How do you know but I may be a thief or a murderer?"

"I hadn't thought of such a thing," Annesley stammered. "I was only
thinking--it isn't _my_ house. It doesn't even belong to my people. I
live with an old lady, Mrs. Ellsworth. I hope she'll be in bed when I get
back, and the servants, too. I have a key because--because I told a fib
about the place where I was going, and consequently Mrs. Ellsworth
approved. If she hadn't approved, I shouldn't have been allowed out. I
could let you stand inside the door. But if any one followed us to the
house, and saw the number, he could look in the directory, and find out
that it belonged to Mrs. Ellsworth, not Mr. Smith."

"He couldn't have a directory in his pocket! By the time he got hold of
one and could make any use of his knowledge, I'd be far away."

"Yes, I suppose you would," Annesley thought aloud, and a little voice
seemed to add sharply in her ear: "Far away out of my life."

This brought to her memory what she had in her excitement forgotten:
the adventure she had come out to meet had faded into thin air! The
unexpected one which had so startlingly taken its place would end
to-night, and she would be left to the dreary existence from which she
had tried to break free.

She was like a pebble that had succeeded in riding out to sea on a wave,
only to be washed back into its old place on the shore. The thought that,
after all, she had no change to look forward to, gave the girl a
passionate desire to make the most of this one living hour among many
that were born dead.

"Mrs. Ellsworth's house," she said, "is 22-A, Torrington Square."

"Thank you." Only these two words he spoke, but the eager dark eyes
seemed to add praise and blessings for her confidence.

"My name is Annesley Grayle," she volunteered, as if to prove to the man
and to herself how far she trusted him; also perhaps as a bid for his
name in payment of that trust. So at least he must have understood, for
he said: "If I don't tell you mine, it's for your own protection. I'm not
ashamed of it; but it's better that you shouldn't know--that if you heard
it suddenly, it should be strange to you, just like any other name. Don't
you see I'm right?"

"I dare say you are."

"Then we'll leave it at that. But we can't go on pretending to study
this menu for ever! You came to dine with Mr. Smith. You'll dine with
his understudy instead. You'll let me order dinner? It's part of the
programme."

"Very well," Annesley agreed.

The man nodded to the head-waiter, who had been interested in the little
drama indirectly stage-managed by him. Instead of sending a subordinate,
he came himself to take the order. With wonderful promptness, considering
that Mr. Smith's thoughts had not been near the menu under his eyes,
several dishes were chosen and a wine selected.

"Madame is glad now that I persuaded her not to go?" the waiter could not
resist, and Annesley replied that she was glad. As the man turned away,
"Mr. Smith" raised his eyebrows with rather a wistful smile.

"I'm afraid you're sorry, really," he said. "If I'd come a minute later
than I did, you'd have been safe and happy at home by this time."

"Not happy," amended the girl. "Because it isn't home. If it were, I
shouldn't have told fibs to Mrs. Ellsworth to-night."

"That sounds interesting," remarked her companion.

"It's _not_ interesting!" she assured him. "Nothing in my life is. I
don't want to bore you by talking about my affairs, but if you think we
may be--interrupted, perhaps, I'd better explain one or two things while
there's time. I wanted to come here this evening to keep an engagement
I'd made, but it's difficult for me to get out alone. Mrs. Ellsworth
doesn't like to be left, and she never lets me go anywhere without her
except to the house of some friends of mine, the only real friends I
have. It's odd, but _their_ name is Smith, and that saved my telling
a direct lie. Not that a half-lie isn't worse, it's so cowardly!

"Mrs. Ellsworth likes me to go to Archdeacon and Mrs. Smith's
because--I'm afraid because she thinks they're 'swells.' Mrs. Smith has a
duke for an uncle! Mrs. Ellsworth said 'yes' at once, when I asked, and
gave me her key and permission to stop out till half-past ten, though
everyone in the house is supposed to be in bed by ten. She's almost sure
to be in bed herself, but if she gets interested in one of the books I
brought from the library to-day, it's possible she may be sitting up to
read, and to ask about my evening.

"Our bedrooms are on the ground floor at the back of an addition to the
house. What if she should hear the latchkey (it's old fashioned and hard
to work), and what if she should come to the swing door at the end of the
corridor where she'd see you with me? What would you say or do?"

"H'm! It would be awkward. But--isn't there a _young_ Smith in your
Archdeacon's family?"

"There is one, but I haven't seen him since I was a little girl. He's a
sailor. He's away now on an Arctic expedition."

"Then it wasn't _that_ Mr. Smith you came to meet at the Savoy?"

"No. They're not related." As Annesley returned in thought to the Mr.
Smith who had thrown her over, she took from her bodice the white rose
which was to have identified her for him, and found it a place in the
vase with the other white roses. She had a special reason for doing this.
The real Mr. Smith, if by any chance he appeared now, would be a
complication. Without the rose he could not claim her acquaintance.

"Why do you do that?" her companion broke the thread of his questioning
to ask.

The girl was tempted to tell some easy fib that the rose was faded, or
too fragrant; but somehow she could not. They both seemed so close to the
deep-down things of life at this moment that to speak the truth was the
one possible thing.

"I arranged to wear a white rose for Mr. Smith to recognize me. We--have
never seen each other," she confessed.

"Yet you say there's nothing interesting in your life!"

"It's true! _This_ thing was--was dreadful. It could happen only to a
girl whose life was not interesting."

"Now I understand why you put away the rose--for my sake, in case
Mr. Smith should turn up, after all. Will you give it to me? I won't
flaunt it in my buttonhole. I'll hide it sacredly, in memory of this
evening--and of you. Not that I shall need to be reminded of anything
which concerns this night--you especially, and your generosity, your
courage. But it may be that the men I spoke of won't find me here. If
they don't, the worst of your ordeal is over. It will only be to finish
dinner, and let me put you into a taxi. To-morrow you can think that you
dreamed the wretch who appealed to you, and be glad that you will never
see him again."

Annesley selected her white rose from its fellows, dried its stem
daintily with her napkin, and gave the flower to "Mr. Smith." Already it
looked refreshed, as she herself felt refreshed, after five years of
"stuffiness," by these few throbbing moments.

Their hands touched, and through Annesley's darted a little tingle of
electricity that flashed up her arm to her heart, where it caught like a
hooked wire. She was surprised, almost frightened by the sensation, and
ashamed because she didn't find it disagreeable.

"It must be that people who're really _alive_, as he is, give out
magnetism," she thought. And the thrill lingered as the man thanked her
with eyes and voice.

When he had looked at the rose curiously, as if expecting to learn from
it the secret of its wearer, he put the flower away in a letter-case in
an inner breast pocket of his coat.

For once Annesley was face to face with romance, and even though she
would presently go back to the old round (since the adventure she came
out to meet had failed), she was stirred to a wild gladness in this
other adventure. The _hors d'oeuvres_ appeared; then soup, and wine,
which Mr. Smith begged her to taste.

"Drink luck for me," he insisted. "You and you alone can bring it."

Annesley drank. And the champagne filliped colour to her cheeks.

"Now we'll go on and think out the problem of what may happen at your
door--if Fate takes me there," the man said. "Your old friend's sailor
son is no use to me. He can't be whisked back from the North Pole to
London for my benefit. Perhaps I may be an acquaintance of Archdeacon
Smith's, mayn't I, if worst comes to worst? I've been dining there, and
brought you back in a taxi. Will that do? If there are fibs to tell, I'll
tell them myself and spare you if possible."

"After all I've told to-night, one or two more can't matter," said
Annesley. "They won't hurt Mrs. Ellsworth. It's the other danger that's
more worrying--the danger from those men. I've thought of something that
may help if they follow us to Torrington Square. They may ask a policeman
whose house we've gone into, and find out it's Mrs. Ellsworth's, before
you can get away. So it will be better not to tell them it's _yours_. You
can be visiting. There is a Mr. Smith who comes sometimes from America,
where he lives, though he's not American. Even the policemen who have
that beat may have heard of him from Mrs. Ellsworth's servants. There's
a room kept always ready for him, and called 'Mr. Smith's room.'"

"That does help," said the man. "It's clever and kind of you to rack your
brains for me. A Mr. Smith from America! It's easy for me to play that
part, I'm from America. Perhaps you've guessed that?"

"But you're very different from Mrs. Ellsworth's Mr. Smith," Annesley
warned him, hastily. "He's middle-aged, eccentric, and not good-looking.
He comes to England for his 'nerves' when he has worked too hard and
tired himself out. I think he's rich; and once he was robbed in some big
hotel, so he likes to stay at a plain sort of house where there's no
danger. He has a horror of burglars, and won't even stop at the
Archdeacon's since they had a burglary a few years ago. He pays Mrs.
Ellsworth for his room, I believe. A funny arrangement!--it came about
through me. But that's not of importance to you."

"It may be. We can't tell. Better let me know as much as possible about
these Smiths. There's Mrs. Ellsworth's Smith, and the Smith you came to
meet----"

"We needn't talk of _him_, anyway!"

There was a hint of anger in the girl's protest; but her resentment was
for the man who had humiliated her by breaking his appointment--_such_ an
appointment!

She hurried on, trying to hide all signs of agitation. "You see, Mrs.
Ellsworth once hoped to have Archdeacon Smith and his wife for friends.
They didn't care for her, but they loved my father--oh, long ago in the
country, where we lived. When he died and I hadn't any money or training
for work, they were nice to Mrs. Ellsworth for my sake--or, rather, for
my father's sake--and persuaded her to take me as her companion. She was
glad to do it to please them; but soon she realized that they didn't mean
to reward her by being intimate.

"Poor woman, I was almost sorry for her disappointment! You see, she's
a snob at heart, and though 'Smith' sounds a common name, both the
Archdeacon and his wife have titled relations. So have I--and that was
another reason for taking me. She adores a title. Doesn't that sound
pitiful? But she has few interests and no real friends, so she's never
given up hope of 'collecting' the Smiths.

"That's why she lets me visit them. And when I happened to mention, for
something to say, that the Archdeacon had an eccentric cousin in America
who was afraid of hotels and even of visiting at their house because of a
fad about burglars, she offered to give him the better of her two spare
rooms whenever he came to England. I never thought he'd accept, but he
did, only he would insist on paying.

"That's the story, if you can call it a story, for Mr. Ruthven Smith
isn't a bit exciting nor interesting. When he appears--generally quite
suddenly--he finds his room ready. He has his breakfast sent up, and
lunches out at his club or somewhere. He mostly dines out, too, but he
has a standing invitation to dine with Mrs. Ellsworth, and we always have
good dinners when he is staying, to be ready in case of the worst."

The man smiled, rather a charming smile, Annesley could not help
noticing.

"In case of the worst!" he repeated. "He must be deadly if his
society bores you more than that of an old lady on whom, I suppose,
you dance attendance morning, noon, and night. Now, my situation is
so--er--peculiar that I ought to be thankful to exchange identities
with any man. But I wouldn't with Mr. Ruthven Smith for all his money
and jewels."

Annesley opened her eyes. "Did I say anything about jewels?" she asked.

"No, you didn't," the man assured her, "except in mentioning the name of
Ruthven Smith. Anybody who has lived in America as long as I have,
associates jewels with the name of Ruthven Smith. His 'Ruthven' lifts him
far above the ruck of a _mere_ Smith--like myself, for instance"; and he
smiled again.

Annesley began curiously to feel as if she knew him well. This made her
more anxious to give him help--for it would not be helping a stranger: it
would be helping a friend.

"I've heard, of course, that he's something--I'm not sure what--in a firm
of jewellers," she said. "But I'd no idea of his being so important."

"He's third partner with Van Vreck & Co.," her companion explained. "I've
heard he joined at first because of his great knowledge of jewels and
because he's been able to revive the lost art of making certain
transparent enamels. The Van Vrecks sent for him from England years ago.
He buys jewels for the firm now, I believe. No doubt that's why he's in
such a funk about burglars."

"Fancy your knowing more about Mr. Smith than I know! Perhaps more than
Mrs. Ellsworth knows!" exclaimed Annesley, forgetting the strain of
expectation--the dread that a pair of mysterious, nightmare men might
break up the dreamlike dinner-party for two.

"I don't know more about him than half America and Europe knows," laughed
the man. "It's lucky I _do_ know something, though, as I may have to be
mistaken for Ruthven Smith, and add an 'N' to his initials. I suppose
he's not in England now by any chance?"

"No. It must be six or seven months since he was here last," said
Annesley. "I don't think Mrs. Ellsworth has heard from him. She hardly
ever does until a day or two before he's due to arrive; neither do his
cousins."

"A peculiar fellow, it would seem," remarked her companion. And then, out
of a plunge into thought, "You say you've never seen the Mr. Smith you
came to meet at the Savoy? How can you be sure it isn't old 'R. S.' as
they call him at Van Vreck's, wanting to play you a trick--give you a
surprise?"

Annesley shook her head. "If you knew Mr. Ruthven Smith, you'd know that
would be impossible. Why, I don't believe he remembers when I'm out of
sight that I exist."

"Still more peculiar! Miss Grayle, I haven't any right to ask you
questions. But I shouldn't be a man if I weren't forgetting my own
affairs--in--in curiosity, if you want to call it that (I don't!), about
yours. No! I won't let it pass for ordinary curiosity. Can't you
understand you're doing for me more than any woman ever has done, or any
man would do? That does make a bond between us. You can't deny it. Tell
me about this Mr. Smith whom you don't know and never saw, yet came to
the Savoy Hotel to meet."




CHAPTER III

WHY SHE CAME


Surprised by the abruptness of his question, Annesley's eyes dropped
from the eyes of her host, which tried to hold them. She felt that she
ought to be angry with him for taking advantage of her generosity--for
it amounted to that! Yet anger would not come, only shame and the desire
to hide a thing which would change his gratitude to contempt.

"Don't let's waste time talking about me," she said. "We haven't
arranged----"

"We've arranged everything as well as we can. For the rest, I must trust
to luck--and you. Do tell me why you came here, why you _thought_ you
came here, I mean; for I'm convinced you were sent for my sake by any
higher powers there may be. I felt that, the minute I saw you. I feel it
ten times more strongly now. I know that whatever your reason was, it's
nothing to be ashamed of."

"I _am_ ashamed," Annesley was led on to confess. "You'd despise me if I
told you, for you can't realize what my life's been for five years. And
that's my one excuse."

"Only a fool would want a woman like you to excuse herself for
anything. I swear I wouldn't despise you. I couldn't. If you should tell
me--knowing you as little, or as well, as I do, that you'd been plotting
a murder, I'd be certain you were justified, and my first thought would
be to save you, as you're saving me now."

Annesley felt again the man's intense magnetism. Suddenly she wanted to
tell him everything. It would be a relief. She would watch his face and
see how it changed. It would be like having the verdict of the world on
what she had done--or meant to do.

"I saw an advertisement in the _Morning Post_," she said with a kind of
breathless violence, "from a man who--who wanted to meet a girl with--a
'view to marriage.'"

The words brought a blush so painful that the mounting blood forced tears
to her eyes. But she looked her _vis-à-vis_ unwaveringly in the face.

That did not change at all, unless the interest in his eyes grew warmer.
The sympathy she saw there gave Annesley a new and passionate desire to
defend herself. If he had shown disgust, she would not have cared to try,
she thought.

"I told you it was horrid, and not interesting or romantic," she
dashed on. "But I was desperate. Mrs. Ellsworth is awful! I don't
suppose you ever met such a woman. She's not cruel about starving my
body. It's only my soul she starves. What business have _I_ with a soul,
except in church, where it's proper to think about such things? But she
nags--_nags_! She makes my hair feel as if it were turning gray at the
roots, and my face drying up--like an apple.

"I wasn't nineteen when I came to her. I'm twenty-three now, and I feel
_old_--desiccated, thanks to those piling-up hundreds of days with her.
They've killed my spirit. I used to be different. I can feel it. I can
see it in the mirror. It isn't only the passing days, but having nothing
better to look forward to. I'm too cowardly--or too religious or
something, to kill myself, even if I knew how to, decently. But the
deadliness of it all, the airlessness of her house and her heart!

"A man couldn't imagine it. She's made me forget not only my own youth,
but that there's youth in the world. Why, at first I was so wild I should
have loved to say dreadful things, or strike her. But now I haven't the
spirit left to feel like that. My blood's turning white. The other day
when I was reading aloud to Mrs. Ellsworth (I read a lot: the stupidest
parts of the papers and the silliest books, that turn my brain to fluff)
I caught sight of an advertisement in the Personal Column.

"I stopped just in time and didn't read it out. Only a glimpse I had, for
I was in the midst of something else when my eyes wandered. But when Mrs.
Ellsworth was taking her nap after luncheon I got the _Post_ again and
read the advertisement through carefully. The reason I was interested was
because even the glance I took showed that the girl who was 'wanted'
seemed in some ways rather like me. The advertisement said she must be
from twenty-one to twenty-six; needn't be a beauty, but of pleasant
appearance; money no object; the essentials were that she must have a
fair education and be of good birth and manners, so as to command a
certain position in society.

"I believe those were the very words. And it didn't seem too conceited
to think that I answered the description. I'm not bad-looking, and my
mother's father was an earl--an Irish one. I couldn't get the
advertisement out of my head. It fascinated me."

"No wonder!" exclaimed Mr. Smith. He had been listening intently, and
though she had paused, panting a little, more than once, he had not
broken in with a word.

"Do you _honestly_ think it no wonder?" Annesley flashed at him.

"It was like a prisoner seeing a key sticking in a door that has always
been locked," he said.

"How strange you should think of that!" she cried. "It was the thought
which came into my mind, and seemed to excuse me if anything could."
Annesley felt grateful to the man. She was sure she could never have
explained herself in this way or pleaded her own cause with the real Mr.
Smith. A man cold-blooded enough to advertise for a wife "well-born and
able to command a certain position in society" would have frozen her into
an ice-block of reserve.

She might possibly have accepted his "proposition" (one couldn't speak of
it in the ordinary way as a "proposal"), provided that, on seeing her, he
had judged her suitable for the place; but she could never have talked
her heart out to him as she was led on to do by this other man, equally
a stranger, yet sympathetic because of his own trouble and the mystery
which made of him a figure of romance.

"It isn't strange I should think of the prison door and the key," her
companion said. "That was the situation. 'N. Smith' was rather clever in
his way. There must be many girls of good family and good looks who are
in prison, pining to escape. He must have had a lot of answers, that
fellow; but none of the girls could have come within a mile of you. I'm
selfish! I bless my lucky stars he didn't turn up here."

"I dare say it's the best thing that could happen," Annesley agreed with
a sigh. "Probably he's horrible. But there was one thing: I thought,
though he must be a snob and vulgar, advertising as he did for a wife of
good birth, that very thing looked as if he were no _worse_ than a snob.
Not a villain, I mean. Otherwise, I shouldn't have dared answer. But I
did answer the same day, while I had the courage. I posted a letter with
some of Mrs. Ellsworth's, which she sent me out to drop into the box. His
address was 'N. S., the _Morning Post_'; and I told him to send a reply,
if he wrote, to the stationery shop and library where Mrs. Ellsworth
makes me go every day to change her books."

"And the answer? What was it like? What impression did it give you?"
questioned the man who sat in Mr. Smith's place.

"Oh, it was written in a good hand. But it was a stiff, commonplace sort
of letter, except that it asked me to wear a white rose. White roses
happen to be the ones I like best."

"So do I," said Mr. Smith. "Did he tell you to come to a table here and
wait for him?"

"Not exactly. He was to meet me in the foyer. But if he did not, I was
to understand he'd been delayed; and in that case I must come to the
restaurant and inquire for a table engaged by Mr. N. Smith. Lots of times
I decided not to do anything. But you see I came, and this is my reward."

"A poor one," her companion finished.

"I don't mean that! I mean he hasn't come at all. Maybe he never meant
to. Maybe he got some letter he liked better than mine, and arranged to
meet the girl somewhere else. A man of that sort wouldn't write to tell
the straight truth in time, and save the unwanted one from humiliation."

"Are you very sorry he didn't?"

"No," Annesley said, frankly. "I'm not sorry. It's good to be able to
help someone. I'm glad I came."

"So am I," Mr. Smith answered with a sudden change in his voice from calm
to excitement. "And now the moment isn't far off, I think, for the help
to be given. The men I spoke of are here. They're in the restaurant. You
can't see them without turning your head, which would not be wise.
They're speaking to a waiter. They haven't seen me yet, but they're sure
to look soon. They're pointing to a table near us. It's free. The
waiter's leading them to it. In an instant you'll have a better view
of them than I shall. Now ... but don't look up yet."

From under her lashes Annesley saw--in the way women do see without
seeming to use their eyes--two men conducted to a table directly in front
of her. As she sat on her host's right, at the end of the table, not
opposite to him, this gave her the advantage--or disadvantage--of
facing the newcomers fully, while Mr. Smith, who had faced them as they
entered, would have his profile turned toward their table.

The pair seated themselves in the same way that Annesley and her
companion were placed, one at the right hand of the other. This caused
the first man to face the girl fully and gave her the second in profile.
One table only intervened between Mr. Smith's and that selected by the
late arrivals, and the latter had hardly sat down when the party of four
at the intermediate table rose to go.

Under cover of their departure, bowing of waiters and readjustment of
ladies' sable or ermine stoles, Annesley ventured a lightning glance at
the men. She saw that both were black-haired and black-bearded, with dark
skins and long noses. There was a slight suggestion of resemblance
between them. They might be brothers. They were in evening dress, but
did not look, Annesley thought, like gentlemen.

Mr. Smith was eating _blennes au caviar_ apparently with enjoyment. He
called a waiter and told him to put more whipped cream on the caviare as
yet untouched in the middle of Annesley's pancake.

"That's better, I think," he said, genially. And as the waiter went away,
"What are they doing now?"

Annesley lifted her champagne glass as an excuse to raise her eyes. "I'm
afraid they've seen us and are talking about you. Can't we--hadn't we
better go?"

"Certainly not," replied Mr. Smith. "At least, _I_ can't. But if you
repent----"

"I don't," Annesley broke in. "I was thinking of you, of course."

"Bless you!" said her host. His tone was suddenly gay. She glanced at him
and saw that his face was gay also, his eyes bright and challenging, his
look almost boyish. She had taken him for thirty-three or four; now she
would have guessed him younger.

Annesley could not help admiring his pluck, for he had said that the
arrival of these men meant danger. She ought to be sorry as well as
frightened because they had come, but at that moment she was neither. Her
companion's example was contagious. Her spirits rose. And the thought
flashed through her head, "This adventure won't end here!" If she had had
time she would have been ashamed of her gladness; but there was no time.
Smith was talking again in a suppressed yet cheerful tone.

"You won't forget that we're Mr. and Mrs. Nelson Smith?"

"No--no. I sha'n't forget."

"You may have to call me Nelson, and I--to call you Annesley. It's a
pretty name, odd for a woman to have. How did you get it?"

"Oh, you don't want to hear that now!"

"Why not?--unless you'd rather not tell me. We can't do anything more
till the blow falls, except enjoy ourselves and go on with our dinner.
How did you come to be Annesley?"

"It was part of my mother's maiden name. She was an Annesley-Seton."

"There's a Lord Annesley-Seton, isn't there?"

"Yes."

"Related to you?"

"A cousin. But Grayle isn't a name in their set. He and his wife have
forgotten my existence. I'm not likely to remind them of it."

"His wife was an American girl, wasn't she?"

"How odd that you should know!"

"Not very. I remember there being a lot in the papers about the wedding
six or seven years ago. The girl was very rich--a Miss Haverstall. Her
father's lost his money since then."

"How _can_ you keep such uninteresting things in your mind--just now?"

"They're not uninteresting. They concern you!"

"Lord Annesley-Seton's affairs don't concern me, and never will."

"I wonder?" said Smith, looking thoughtful; and the girl wondered, too:
not about her future or her relatives, but what the next few minutes
would do with this strange young man, and how at such a time he could
bear to talk commonplaces.

"If you're trying to keep me from being nervous," she whispered, "it's
not a bit of use! I can't think of anything or any one except those men.
They've stopped whispering. But they're looking at you. Now--they're
getting up. They're coming toward us!"




CHAPTER IV

THE GREAT MOMENT


The men were staring so keenly at "Mr. N. Smith" that it seemed to
Annesley he must feel the stab of eyes, sharp as pin-pricks, in his back.
He had the self-control, however, not to look round, not even to change
expression. No man in the restaurant appeared more calmly at ease than
he.

The couple had accompanied their stare with eager whisperings. Then,
as if on some hasty decision, they pushed back their chairs and got up.
Taking a few steps they separated, approaching Smith on right and left.
One, therefore, stood between him and Annesley as if to prevent an
exchange of words or glances. There was something Eastern and oddly
alien about them in spite of their conventional clothes.

"Mr. Michael Varcoe!" said the bigger and older, he who stood on the left
of Smith. The other kept in the background, not to crowd with conspicuous
rudeness between Annesley and her host. The man who spoke had a thick
voice and a curious accent which the girl, with her small experience, was
unable to place.

"No," answered "Smith," in a puzzled tone. "You mistake me for someone
else."

"I think not," insisted the bearded man, in a hostile drawl. "I _think_
not!"

"I'm _sure_ not," echoed the other. "You are Michael Varcoe. There's no
getting away from that."

The emphasis seemed to add, "And no getting away from _us_."

Excitement stirred Annesley to courage. "Why, how horrid!" she exclaimed,
bending past the human obstacle; "people taking you for some _foreigner_!
I'm sure you can't be like a man with such a name as--Michael Varcoe!
Tell them who we are."

"My name is Nelson Smith," said her official husband. "My wife is
not----"

"Your wife!" repeated the man standing opposite Annesley. He stared with
insolent incredulity. "'Mr. and Mrs. Nelson Smith.' A good name to
take."

"It happens to have been given me." Slight sharpness broke the tolerance
of Smith's tone.

"I don't believe you!" exclaimed the other.

Smith's black brows drew together. "It doesn't matter whether you believe
or not," he said. "What does matter is that you should annoy us. I tell
you I'm not Michael Varcoe, and never heard the name. If you're not
satisfied, and if you don't go back to your dinner and let us finish ours
in peace, I'll appeal to the management."

"Well!" grumbled the taller of the pair. "If you're not the man I want,
you're his image--minus moustache and beard. You _must_ be Varcoe!"

"Of course he's Varcoe," insisted the other.

"Of course he's not!" said Annesley, with just the right amount of
irritation. "Our name is Smith. Nelson, do tell this--person to ask the
head-waiter who engaged the table, and not stay here making a fuss."

"Anybody can engage a table in the name of Smith!" sneered the first
speaker. "That is nothing. We go by something more convincing than a
name. There are countries where men have been arrested on less
resemblance--or put out of the way."

"Oh, Nelson, he's frightening me," faltered Annesley. "He must have lost
his senses."

"You think that, do you?" The fierce eyes fixed her with a stare. "You
tell me--_you_, madame, that you are this man's wife?"

"I do tell you so," the girl replied, firmly, "though I don't see that
it's your affair! Now go away."

"Very well, we take your word," returned the man, in a tone which said
that he did nothing of the sort. "And we go--back to our table, to let
you finish your meal, Mr. and Mrs. Smith."

His black glance sprang like a tarantula from her face to her
companion's, then to his friend's. The latter accepted the ultimatum and
followed in sulky silence; but when the pair were seated at their own
table, though they ordered food and wine, their attention was still for
the alleged Mr. and Mrs. Smith.

Annesley tried to ignore the fact that they stared without ceasing, but
she could not help being aware of their eyes. She felt faint, and
everything in the room whirled giddily.

"Drink some champagne," said Smith's quiet voice.

The girl obeyed, and the ice-cold wine cooled the fire in blood and
nerves.

"You have been splendid," Smith encouraged her. "I know you won't fail me
now."

"I promise you I will not!" returned Annesley. "The worst is over. I feel
ready for anything."

"How can I thank you?" he murmured. "If I had all the rest of my life to
do it in, instead of a few minutes, it wouldn't be too much. You were
perfect in your manner, not anxious, only annoyed; just the right air for
a self-respecting Mrs. Smith."

They both laughed, and Annesley was surprised that she could laugh
naturally and gaily. Presently she laughed again, when Mr. Smith remarked
that she had missed her vocation in not being an actress--she, the
country mouse, who had hardly been inside a theatre.

The two lingered over their dinner, watched with impatience by the men
at the other table, who had ordered only one dish and paid for it
immediately, that they might be ready for anything at an instant's
notice. They had also a small bottle of wine, which they sipped
abstemiously as an excuse to remain after their food had been eaten.

When at last Mr. and Mrs. Smith had finished their _bombe surprise_, and
trifled with some fruit, Annesley said: "Evidently they don't care how
long they have to wait! I suppose there's nothing for us to do but to
go?"

"Oh, yes, there's still something," said Smith. "We'll have coffee in the
foyer, and see what the enemy's next move is. It would be a mistake to
let the brutes believe they're frightening us."

Annesley agreed in silence; but in her heart she was glad to lengthen out
the adventure. Soon she would have to creep back to her dull modern
substitute for a moated grange, and after that--not "the deluge"; nothing
so exciting: extinction.

As they walked out of the restaurant together the girl glanced up at the
dark profile, mysterious as a stranger's, yet familiar as a friend's. The
man had told her nothing about himself except that he was in danger, and
had given no hint as to what that danger was; but the girl's heart was
warm with belief in him. If there were a question of crime, the crime was
not his. His superiority over those creatures must be moral as well as
physical and social.

By an odd coincidence, Mr. Smith steered for the sofa in the corner
whence a man had stared from behind an open newspaper at a tall, lonely
girl in gray, earlier in the evening. Annesley knew nothing of this
coincidence, because she had not noticed the man; but even if she had,
she would have forgotten him. She had been thinking of herself when she
first trailed her gray dress over the red carpet of the foyer; now,
returning, she thought of the man who was with her and the two who were
certain to follow.

Scarcely were she and Smith seated before the others appeared. The men
sat down in chairs drawn up at a little table; and not only must those in
the corner pass by them in escaping, but every word spoken above a
whisper must be overheard.

This fact did not embarrass Smith. He ordered coffee and cigarettes, and
talked to Annesley in an ordinary tone about a motor trip which it would
be pleasant to take. The watchers also demanded coffee. But the waiter
they summoned was slow in fulfilling their order. When it was obeyed,
before the pair had time to lift cup to lip, Mr. Smith took impish
pleasure in getting to his feet.

"Come, dear," he said, "we'd better be off."

He laid on the table money for the coffee and cigarettes, with a
satisfactory tip. Then without looking at their neighbours he and
Annesley passed, walking shoulder to shoulder with a leisurely step
toward the entrance.

"I suppose there's no chance of shaking them off?" the girl whispered.

"None whatever," said Smith. "But we've had the fun of cheating them out
of their coffee, because they won't chance our stopping to pick up our
wraps. They'll be on our heels till the end of the journey, so there's
nothing for it except to stick to the original plan of my going home with
you. I hope you don't mind? I hope you're not afraid of me now?"

"I'm not at all afraid," said Annesley.

"Thank you for that. If our taxi outruns theirs, I sha'n't need to
trespass on your kindness beyond the doorstep. But if they overtake us,
and are on the spot before you can vanish into the house and I can
disappear in some other direction, are you still game to keep your
promise--the promise to let me go indoors with you?"

"Yes, I am 'game' to the end--whatever the end may be," the girl
answered; and she wondered at herself, because her heart was as brave as
her words.

Five minutes later Annesley, wrapped in her thin cloak, was stepping into
a taxi. As Smith followed and told the chauffeur where to drive, the two
watchers shot through the revolving door in time to overhear, and also to
order a taxi.

Annesley wondered for one dismayed instant why her companion should have
given the real address. He might have mentioned some other street, and
thus have gained time; but a second thought told her that, with the
pursuing taxi so close upon their heels, an attempt to deceive would have
been useless. The policy of defiance was the only one.

For a few moments neither the girl nor the man spoke, although Annesley
felt that there were a thousand things to say. Every second was taking
them nearer to Torrington Square; and their parting must come soon. After
that, all would be blankness for her, as before this wonderful night.

Such thoughts made the girl a prisoner of silence; and "Mr. Smith" was
also tongue-tied. Was he concentrating his mind upon some plan of escape
from these mysterious enemies? She told herself this must be so; yet his
first words proved that he had been thinking of the risk she ran.

"If the dragon comes out of her den and catches us at the door, will that
mean a catastrophe for you, or can I be explained away?" he inquired.

"I don't know," said Annesley. "And somehow I don't care!"

"I care," the man replied. "I can't have harm come to you through me. But
tell me, before we go farther--does it matter to you, Miss Grayle, that
in a little while you and I may see the last of each other? I feel I have
a sort of right to ask that question, because it matters such a lot to
me. I've got to know you better in this one evening than I could in a
year in a commonplace way. I don't want you to go out of my life, because
you're the best thing that ever came into it. And if I dared hope that I
might mean to you some day half what you've begun to mean for me already,
why, I wouldn't _let_ you go!"

Annesley clasped her hands under her cloak. They were cold yet tingling.
Her blood was leaping; but she could not speak. She was afraid of saying
too much.

"Can't you give me a grain of hope?" he went on. His voice was wistful.
"We have so little time."

"What--do you want me to say?" Annesley stammered.

"I want you to say--that you don't wish to see the last of me to-night."

"I shouldn't be human if I _could_ wish that!" the words seemed to speak
themselves; and she, who had been taught to repress and hide emotion as
if it were a vice, was glad that the truth was out. After all they had
gone through together she couldn't send this man away believing her
indifferent. "I--it doesn't seem as if we were strangers," she faltered
on.

"Strangers! I should think not," he echoed. "We mayn't know much about
each other's tastes, but we do know about each other's souls, which is
more than can be said of most men and women acquainted for half a
lifetime. As for our pasts, you haven't had one, and I--well, if I swear
to you that I've never murdered anybody, or been in prison, or committed
an unforgivable crime, will you take my word?"

"If you told me you _were_ a murderer, or had committed some unforgivable
crime, I--I don't feel as if I could believe it," Annesley assured him.
"It--would hurt me to think evil of you. I'm sure it isn't you who are
evil, but these men."

"You're an angel to feel like that and speak like that!" exclaimed Smith.
"I don't deserve your goodness, but I appreciate it. I'd like to take
your hand and kiss it when I thank you, but I won't, because you're alone
with me, under my protection. To save me from trouble you've risked
danger and put yourself in my power. I may be bad in some ways--most men
are, or would be in women's eyes if women saw them as they are; but I'm
not a brute. The worst I've ever done is to try to pay back a great
injury, an eye for an eye, a tooth for a tooth. Do you blame me for
that?"

"I have no right--I don't know what the injury was," said the girl; and,
hesitating a little, "still--I don't think _I_ could find happiness in
revenge."

"I could, or anyhow, satisfaction: I confess that. About 'happiness,' I
don't know much. But you could teach me."

"I?"

"Yes. Do you believe there can be such a thing as love at first sight?"

"I can't tell. Books say so. Perhaps----"

"There's no 'perhaps.' I've found that out to-night. I believe love that
comes at sight must be the only real love--a sort of electric call from
soul to soul. The thing that's happened is just this: I've met the one
woman--my help-mate. If I come out of this trouble, and can ask a girl
like you to give herself to me, will you do it?"

"Oh, you say this because you think you ought to be grateful!" cried
Annesley. "But I don't want gratitude. This is the first time I've ever
_lived_. I owe that to you. And it's more than you can owe to me."

The man laughed, a happy laugh, as though danger were miles away instead
of on his heels. "You know almost as much about men as a child knows,
Miss Grayle," he said, "if you think I'm one of the sort--if there _is_
such a sort--who would tie himself to a woman for gratitude. I've just
one motive in wanting you to marry me. I love you and need you. I
couldn't feel more if I'd known you months instead of hours."

The wonder of it swept over Annesley in a flood. Even in her dreams--and
she had had wild dreams sometimes--she had never pictured a man such as
this loving her and wanting her. To the girl's mind he was so attractive
that it seemed impossible his choice of her could be from the heart. She
would wake up to a stale, flat to-morrow and find that none of these
things had really happened.

Still, she might as well live up to the dream while it lasted, and have
the more to remember.

"It's a fairy story, surely!" she said, trying to laugh. "There are so
many beautiful girls in the world for a man like you, that I----"

"A man like me! What _am_ I like?"

"Oh, it's hard to put into words. But--well, you're brave; I'm sure of
that."

"I hope I'm not a coward. All normal men are brave. That's nothing. What
else am I--to you?"

"Interesting. More interesting than--than any one I ever saw."

"If you feel that, you don't want to send me out of your life, do
you?--after you've stood by and sheltered me from danger?"

"No-o. I don't want to send you out of my life. But----"

"There's only one way in which you can keep me and I can keep
you--circumstanced as we are. We must be husband and wife."

"Oh!" The girl covered her face with both hands. The world was on fire
around her.

"I frighten you. Yet you might have consented to marry that other Smith.
You went to meet him, to decide whether he was possible."

"I know. But I see now, if he'd kept his appointment, it would have ended
in nothing, even if--if he had been pleased with me. I couldn't have
brought myself to say 'yes'."

"How can you be certain?"

"Because"--Annesley spoke almost in a whisper--"because he wasn't _you_."

Smith snatched her clasped hands and kissed them. The warm touch of the
man's lips gave the girl a new, mysterious sensation. No man had ever
kissed even her hands. Suddenly she felt sure that what she felt must be
love--love at first sight, which, according to him, was an electric call
from soul to soul. His kiss told her that they belonged to each other for
good or evil.

"Darling!" he said. "You are mine. I sha'n't let you go. For love of you
I'll free myself from this temporary trouble I'm in, and come back to
claim you soon. When I ask you to be my wife you'll say to me what you
_wouldn't_ have said to the other Smith?"

"If I can escape to hear you. But--you don't know Mrs. Ellsworth."

"St. George rescued the princess from the dragon: so will I, though I've
warned you I'm no saint. When we meet again I'll tell you what I am, and
perhaps my real name, which is better than Smith, though it mayn't be as
safe. Now, there are other things to say----"

But there was no time to say them, for the taxi stopped. The time seemed
so short since the Savoy that Annesley couldn't believe they were in
Torrington Square. Perhaps the chauffeur had made a mistake? She looked
out, hoping that it might be so; but before her were the darkened windows
of the dull, familiar house, 22-A. The great moment was upon them.




CHAPTER V

THE SECOND LATCHKEY


Without another word Smith opened the door and sprang out. As Annesley
put her hand into his to descend she gave him the latchkey. It had been
inside the neck of her dress, and the metal was warm from the warmth of
her heart.

"Take this," she whispered. "If _they_ are watching, it will be best for
you to have the key."

Mr. Smith bestowed a generous tip on the driver, and was rewarded with a
loud, cheerful "Thank you, sir!" which must have reached the ears of a
chauffeur in the act of stopping before a house near by. Annesley,
glancing sidewise at the other taxi, thought that it drew up with
suspicious suddenness, as if it had awaited a "cue."

There was little doubt in her mind as to who the occupants were, and her
heart beat fast, though she controlled herself to walk with calmness
across the strip of pavement. On the doorstep she turned to wait for her
companion, and, without seeming to look past him, saw that no one got out
from the neighbouring taxi.

"They don't care whether we guess who they are or not," was her thought.
"They mean to find out whether we have a latchkey and can let ourselves
into a house in this square. When they see us go in, will they believe
the story and drive away, or--will they stay on?"

What would happen if the watchers persisted Annesley dared not think; but
she knew that she would sacrifice herself in any way rather than send the
man she loved (yes, she _did_ love him!) out to face peril.

Having paid the chauffeur, Mr. N. Smith joined the figure on the
doorstep, and fitted into the lock Annesley's latchkey. Then he opened
the door for the girl, and followed her in with a cool air of
proprietorship which ought to have impressed the watchers. A minute
later, if another proof had been needed that Mr. and Mrs. Smith were
actually at home, it was given by a sudden glow of red curtains in the
two front windows of the ground floor.

This touch of realism meant extra risk for Annesley in case Mrs.
Ellsworth were awake; but she took it with scarcely a qualm of fear. The
house was quiet, and there were ten chances to one against its mistress
being on the alert at this hour, so long past her bedtime.

When the girl had switched on the lights of the two-branched chandelier
over the dining table she beckoned to her companion, who noiselessly
followed her from the dark corridor into the room. There, with one
sweeping glance at the dull red walls, the oil-painted landscapes in
sprawling gilt frames, the heavy plush curtains, the furniture with its
"saddle-bag" upholstery, the common Turkish carpet, and the mantel mirror
with tasteless, tasselled draperies, "Nelson Smith" seemed to comprehend
the deadly "stuffiness" of Annesley Grayle's existence.

The look of Mrs. Ellsworth's middle-class dining room, and the atmosphere
whence oxygen had been excluded, were enough to tell him, if he had not
realized already, why the lady's companion had gone out to meet a strange
man "with a view to marriage."

To Annesley, however, for the first time, this room was neither hideous
nor depressing. It seemed years since she had seen it. She was a
different girl from the spiritless slave who had crept out after
luncheon, in the wake of her mistress: that short, shapeless form with
a large head set on a short neck, and a trailing, old-fashioned dress
of black.

Now, with a man holding her hands and calling her an angel--a "dear,
brave angel!"--it looked to the girl a beautiful room. There was glamour
upon it, and upon the rest of the world. Surely life could never seem
commonplace again!

"Ssh!" Annesley whispered. "We mustn't wake Mrs. Ellsworth, or she'll run
to the front door in her dressing gown and call 'Police!' She's old, but
her ears are sharp as a cat's. She can almost hear one _thinking_. But
I'm glad she can't quite. How frightful if she could!"

"Nothing about her need be frightful to you any more," said the man. "You
have saved me. Soon it will be my turn to rescue you."

"I haven't saved you yet," the girl reminded him. "_They_ are sure to be
waiting to see whether you come out. But I've thought of one more thing
to make them believe that you live here. I can steal softly upstairs to
the front room on the second floor, above the drawing room--the one we
call 'Mr. Smith's'--to turn on the lights, and then those hateful
creatures will think----". She hesitated, and the colour sprang to her
cheeks.

"That Mr. and Mrs. Nelson Smith have gone to their room," the man
finished her sentence. His eyes beamed love and gratitude, a glorious
reward. "You're wonderful! You forget nothing that can help. Do you know,
your trust, your faith in me, in spite of appearances, are the best
things that have come into my life? You call those fellows 'hateful
creatures,' because they're my enemies. Yet, for all you know, _they_
may be injured innocents and I the 'hateful' one. This may be my way
of getting into a rich old woman's house to steal her jewels and
money--making you a cat's paw."

"Don't!" Annesley cut him short. "I can't bear to hear you say such
things. I trust you because--surely a woman can tell by instinct which
men to trust. I don't need proof."

"By Jove!" he exclaimed, his eyes fixed upon her face. "You are the kind
of girl whose faith could turn Lucifer back from devil into archangel.
I--you're a million times too good for me. I didn't even _want_ to meet a
white saint like you. But now I have met you, nothing on earth is going
to make me give you up, if you'll stand by me. I'm unworthy, and I don't
expect to be much better. But there's one thing: I can give you a gayer
life than here. Perhaps I can even make you happy, if you don't ask for
a saint to match yourself. You shall have my love and worship, and I'll
be true as steel----"

"Oh, listen!" Annesley broke in. "Don't you hear a sound?"

"Yes," he said. "A door creaked somewhere."

"Mrs. Ellsworth's bedroom door. What shall we do? There's just the short
passage at the back, and then she'll be at the baize door that opens
into the front corridor. Quick! You, not I, must go upstairs--to that
second-floor front room I spoke of. Hurry! Before she gets to the swing
door----"

Without a word he obeyed, remembering his hat, which he had laid on the
table. One step took him out of the lighted dining room into the dimness
beyond. Another step and he was on the stairs. There, for the moment at
least, he was safe from detection; for the staircase faced the front
door, and Mrs. Ellsworth must approach from the back. She would come to
the door of the dining room, and, expecting only the girl, would not
think of spying at the foot of the stairs.

Besides, there was no light in the corridor except that which streamed
through the reddish globes of the chandelier above the dining table. If
only the man did not stumble on his way up, the situation might be saved.

He was alert, deft, quick-witted, and light of foot as a panther. Who but
he would have remembered at such a moment to snatch up a compromising hat
and take it with him?

Annesley stood still, rigid in every muscle, fighting to control her
heart-throbs, that she might be ready to answer a flood of questions. She
dared not even let her thoughts rush ahead. It was all she could do to
face the present. The rest must take care of itself.

_He_ had said that she would "make a good actress." Now was the moment
to prove that he had judged her truly! She began to unfasten one of her
long gray gloves. A button was loose. She must give it a few stitches
to-morrow. Strange that there should be room for such a thought in her
mind. But she caught at it gladly.

It calmed her as she heard a shuffling tread of slippered feet along the
corridor; and she forced herself not to look up until she was conscious
that a shapeless figure in a dressing gown filled the doorway, like a
badly painted portrait too large for its frame.

"A nice time of night for you to be back!" barked the bronchitic voice
hoarsened by years of shut windows. "Give you an inch and you take an
ell! I told you half-past ten. Here it is eleven!"

Annesley looked up as if surprised. "Oh, Mrs. Ellsworth, you frightened
me!" she exclaimed. "I was delayed. But it won't be eleven for ten
minutes. This dining-room clock keeps such good time, you know. And I've
been in the house for a few moments. I thought I came so softly! I'm
sorry I waked you up."

"Waked me up!" repeated Mrs. Ellsworth. "I have not been to sleep. I
never can close my eyes when I know anybody is out and has got to come
back, especially a careless creature as likely as not to leave the front
door unlatched. That's why I said half-past ten at _latest_! If I don't
fall asleep before eleven I get nervous and lose my night's rest. You've
heard me say that twenty times, yet you have _no_ consideration!"

"This is the first time I've been out late," Annesley defended herself.
As she spoke she looked at Mrs. Ellsworth as she might have looked at a
stranger.

This fat old woman, with hard eyes, low, unintelligent forehead, and
sneering yet self-indulgent mouth, had been for five years the mistress
of her fate. The slave had feared to speak lest she should say the wrong
thing, had hesitated before taking the most insignificant step, knowing
that Mrs. Ellsworth's sharp tongue would accuse her of foolishness or
worse. But now Annesley wondered at her bondage. If only the man upstairs
could escape, never again would she be afraid of this old tyrant.

"You don't need to tell me how long you have been in," said Mrs.
Ellsworth, blissfully ignorant that the iron chain was broken, and
enjoying her power to wound. "I've been sitting up watching the clock. My
fire's nearly out, and no more coals in the scuttle, the servants all
three snoring while I am kept up. If I'm in bed with a cold to-morrow I
shall have you to thank, Miss Grayle."

"I'll get you some more coal if you want it," said Annesley. "Hadn't you
better go to bed now I am back?"

"Not till I've made you understand that this must never occur again,"
insisted the old woman. (Annesley was shocked at herself for daring to
think that the unwieldy bulk in the gray flannel dressing gown looked
like a hippopotamus.) "You don't seem to realize that you've done
anything out of the way. You're as calm as if it was eight o'clock. Not
a word of regret! Not a question as to _my_ evening, you're so taken up
with yourself and your smart clothes--clothes I gave you."

"I haven't had much chance to ask questions, have I?" Annesley ventured
to remind her mistress. "Won't you tell me about your evening when you
are in bed and I have made up your fire? You say it is bad for you to
stand."

"I say so because it is the truth, and doctor's orders," rapped out Mrs.
Ellsworth. "I thought I had been upset enough for one evening, but this
last straw had to be added to my burden."

"Why, what can have upset you?" Annesley inquired, more for the sake
of appearing interested than because she was so. But the look on her
mistress's face told her that something really had happened.

"I don't care to be kept out of my bed, to be catechized by you,"
returned Mrs. Ellsworth, pleased that she had aroused curiosity and
determined not to gratify it. "Turn on the light in the corridor and
give me your arm. My rheumatism is very bad, owing to the chill I have
caught, and if I stumble I may be laid up for a week."

The girl proffered a slender arm, hoping that the pounding of her heart
might not be detected by Mrs. Ellsworth's hand. She wished that she could
have slipped it under her right arm instead of the left, but owing to
Mrs. Ellsworth's position in the doorway it was impossible to do so,
except by pushing her aside.

She rejoiced, however, in the order to put on the light in the corridor,
for this meant that after settling her mistress in bed and transferring
the dining-room coal scuttle to the bedroom she must return to switch the
electricity off. Then, with Mrs. Ellsworth out of the way, she could help
the man upstairs to escape, if the watchers had abandoned the game.

The tyrant, shuffling along in heelless woollen slippers, made the most
of her infirmity, and hung on the arm of her tall companion. In silence
they passed through the baize door at the end of the corridor, so into
the addition at the back of the house, which contained Mrs. Ellsworth's
room and bath, with another small room suitable for a maid, and occupied
by Annesley. This addition had been built a year or two before Annesley's
arrival, and saved Mrs. Ellsworth the necessity of mounting and
descending the stairs, as she used the dining room to sit in and seldom
went into the drawing room on the floor above. Annesley was not surprised
to see that the fire in her mistress's room was still a bank of glowing
coals, for one of Mrs. Ellsworth's pleasures was to represent herself in
the light of a martyr. The girl made no remark, however: she was far too
experienced for such mistakes in tact.

Still in silence, she peeled the stout figure of its dressing gown and
helped it into a short, knitted bed-jacket.

"When you get the dining-room scuttle, put out the light there and in the
corridor," Mrs. Ellsworth said. "If you leave this door open you can see
your way with the coals. No use your creaking back and forth just as I've
settled down to rest. Besides, there's somebody else to think of. I hope
he hasn't been disturbed already!"

"Somebody else?" echoed the girl with a gasp. There was no longer any
fear that her curiosity had not caught fire. Mrs. Ellsworth was
satisfied.

"Yes, somebody else," she condescended to repeat. "A certain person has
come since you went out. I suppose, _in the circumstances_, you do not
need to be told _who_."

"I--I don't know what you mean by 'in the circumstances'," Annesley
stammered.

"That's not intelligent of you, considering where you have spent the
evening," sneered Mrs. Ellsworth.

Annesley's ears tingled as if they had been boxed. Could it be that Mrs.
Ellsworth knew of the trick played on her--knew that her companion had
not been to the Smiths'?

"I'm afraid I don't understand," she deprecated.

Mrs. Ellsworth sat in bed staring up at her. "Either you are a fool," she
said, "or else I have caught you or _him_ in a lie. I don't know which
yet. But I soon shall. Perhaps you were not the only person in this house
who went out to-night with a latchkey. Now do you guess?"

"No, I don't," the girl had to answer, though a dreadful idea was
whirring an alarm in her brain.

"I dare say he is back before this, being more considerate of my feelings
than you, and less noisy," went on the old woman, anxious to prove that
Annesley Grayle and nobody else was responsible for keeping her from
rest. "Anyhow, what a man does is not my business. What you do, is. Now,
did or did _not_ a certain person walk in and surprise you at the
Archdeacon's? Don't stand there blinking like an owl. Speak out. Yes
or no?"

"No," Annesley breathed.

"Then you haven't been to the Smiths'. I can more easily believe you are
lying than _he_. Hark! There he comes. Isn't that a latchkey in the front
door?"

"It--sounds like it. But--perhaps it's a mouse in the wall. Mice--make
such strange noises."

"They're not making this one. He never could manage that key properly.
Nobody with ears could mistake the sound, with both my door and the baize
door open between, as they are now.

"No! You aren't to run and let him in. I don't want him to think we spy
on him. He's free to come and go as he pleases, but I wish he wasn't so
fond of surprises. It's not fair to me, at my time of life. As I was
sitting down to dinner he walked in. Of course I had to ask him to dine,
though there wasn't enough food for two. However, he refused, saying he
would drop in at the Archdeacon's----"

"Mr. Smith has come!" Annesley cried out, wildly, interrupting her
mistress for the first time in all their years together. "Oh, he will go
upstairs! I must stop him--I mean, speak to him! I----"

"You will do nothing of the kind!" Mrs. Ellsworth leaned out of bed and
seized the girl's dress. Careless of any consequence save one, Annesley
struggled to free herself. But the old hand with its lumpy knuckles was
strong in spite of fat and rheumatism. It clung leechlike to chiffon of
cloak and gown, and though Annesley tore at the yellow fingers, she could
not loosen them.

Desperate, she cried out in a choked voice, "Mr. Smith! Mr. Smith!" then
checked herself lest the wrong Mr. Smith should answer.

But her voice was like the voice of one who tries to scream in a
nightmare. It was muffled; and though the two intervening doors were
ajar--the door of Mrs. Ellsworth's bedroom and the baize door dividing
the corridors old and new--her call did not reach even the real Mr.
Smith. To be sure, he was slightly deaf, and had to use an electric
apparatus if he went to the theatre or opera; still, Annesley hoped that
her choked cry might arrest him, that he might stop and listen for it to
come again, thus giving time for the man upstairs to change his quarters
after the grating of the latchkey in its lock.

"Wicked, wicked girl!" Mrs. Ellsworth was shrilling. "How dare you hurt
my hand? Have you lost your _senses_? Out of my house you go to-morrow!"

But Annesley did not hear. Her mind, her whole self, had escaped from her
body and rushed out into the hall to intercept Mr. Ruthven Smith. It
seemed that he _must_ feel the influence and stop. If he did not, some
terrible thing would happen--unless, indeed, the other man had heard and
heeded the warning sound at the front door. What if those two met on the
stairs, or in the room on the second floor? Her lover would believe that
she had betrayed him!

"Mrs. Ellsworth," she said in a fierce, low voice utterly unlike her own,
"you must let me go, or you will regret it. I don't want to hurt you,
but--there's only one thing that matters. If----"

The words seemed to be beaten back against her lips with a blow. From
somewhere above a sharp, dry explosion struck the girl's brain and
shattered her thoughts like breaking glass.

Mrs. Ellsworth let go the chiffon cloak and dress so suddenly that
Annesley almost lost her balance. The noise had dazed the girl. The world
seemed full and echoing with it. She did not know what it was until she
heard Mrs. Ellsworth gasp, "A pistol shot! In my house! _Thieves!
Murder!_"




CHAPTER VI

THE BEGINNING--OR THE END?


For one confused instant the girl stood statue-still, then, realizing
that she was free, without a thought for Mrs. Ellsworth she ran out of
the room. In the front corridor and in the dining room the electric light
was still on; and as she reached the stairs Annesley saw Ruthven Smith
standing near the top with a small pistol in his hand.

She feared that he would fire a second shot, and there was no time to
reach him. Somehow, he must be stopped with a word--but what word?
Everything depended on that. Sheer desperation inspired her.

"Stop! He's my lover!" she cried. "Don't shoot!"

Ruthven Smith--a tall, lanky figure in a long over-coat--kept his weapon
aimed at someone out of the girl's sight, but he jerked his head aside
for a glance down at her. It was a brief glance, for the man who dreaded
burglars would not be caught napping. He turned again instantly to face
a possible antagonist, eyes as well as weapon ready.

But the light from below had lit up his features for a second; and
Annesley realized that disgust and astonishment were the emotions her
"confession" had inspired.

The fact that he was inclined to believe her statement showed how low
was his opinion of women. Annesley knew that he did not think highly
of her sex, but he had liked her and she had liked him despite his
eccentricities. His look said: "So you are the same as the rest! But in
case you're lying, I sha'n't be thrown off guard."

The girl felt physically sick as she understood the irrevocability of
what she had just said, and the way in which her words were construed. If
she could have waited, "Nelson Smith" might have saved himself without
compromising her, for he was above all things resourceful. In announcing
that he was her "lover," she had committed him as well as herself. He
would have to make the best of a situation she had recklessly created.

This she realized, but had no time to wonder how he would do it before he
spoke.

"Mr. Ruthven Smith, what Miss Grayle says is the truth. We're engaged to
be married. All I want is a chance to explain why you find me where I am.
I'm not armed, so you can safely give me that chance."

"You know my name?" exclaimed Ruthven Smith, suspiciously. He still
covered the other with his pistol, as Annesley could see now, because
"Nelson Smith" had coolly advanced within a yard of the Browning's small
black muzzle, and, finding the electric switch, had flooded the upper
corridor with light.

"I've heard your name from Miss Grayle," said the younger man. "I know it
must be you, because no other person has a right to make himself at home
in this house as you are doing. I certainly haven't. But bringing her
home a few minutes ago, after dining out, we saw a light in what she said
was your room. She was afraid some thief had got in, and I proposed to
her that I should take a quiet look round while she went to see if Mrs.
Ellsworth was safe. No doubt she was all right, because I heard them
talking together while I examined your premises. The next thing I knew,
as I was coming down with the news that everything was quiet, you blazed
away. It was quite a surprise."

"I fired in the air, not at you," Ruthven Smith excused himself, more or
less convinced. Annesley clutched the banisters in the sudden weakness of
a great revulsion from panic to relief. She might have known that _he_
would somehow rescue her, even from her own blundering.

The shamed red which had stained Annesley's cheeks at Ruthven Smith's
contempt died away. Her "lover"--he was openly that now--had miraculously
made his presence in the other Smith's room, after eleven o'clock at
night in this early bed-going household, the most natural thing in the
world. At least, Ruthven Smith's almost apologetic tone in answering
proved that he had been persuaded to think it so.

With Mrs. Ellsworth, however, it would be different. There would lie the
stumbling-block; but with all danger from the Browning ended, the girl
was in no mood to borrow trouble for the future, even a future already
rushing into the arms of the present.

"I should always fire the first shot in the air," Ruthven Smith went on,
"unless directly threatened."

"Lucky for me," replied the other. "I don't want to die yet. And it would
have been hard lines, as I was trying to do you a good turn: rid you of a
thief if there were one. But I suppose you or some servant must have left
the light on in your room."

"I'm pretty sure I didn't," said Ruthven Smith, still speaking with the
nervousness of a suspicious man, yet at the same time slowly, half
reluctantly, pocketing his pistol. "We must find out how this happened.
Perhaps there _has_ been a thief----"

"No sign of anything being disturbed in your room," the younger man
assured him. "However, you'd best have a look round. If you like"--and he
laughed a frank-sounding laugh--"I'm quite willing to be searched before
I leave the house, so you can make sure I'm not going off with any
booty."

"Certainly not! Nothing of the kind! I accept your explanation,"
protested Ruthven Smith. He laughed also, though stiffly and with an
effort. "I have no valuables in my luggage--I have brought none with me.
It's not worth my while to open the boxes in my room, as there's nothing
there to tempt a thief. Still, one gets a start coming to a quiet house,
at this time of night, finding a light in one's windows that ought to be
dark, and then seeing a man walk out of one's room. My nerves aren't
over-strong. I confess I have a horror of night alarms. I travel a good
deal, and have got in the habit of carrying a pistol. However, all's well
that ends well. I apologize to you, and to Miss Grayle. When I know you
better, I hope you'll allow me to make up by congratulating you both on
your engagement."

As he spoke, in his prim, old-fashioned way, he began to descend the
stairs, taking off his hat, as if to join the girl whom in thought he had
wronged for an instant. "Nelson Smith" followed, smiling at Annesley over
the elder man's high, narrow head sparsely covered with lank hair of
fading brown.

It was at this moment Mrs. Ellsworth chose to appear, habited once more
in a hurriedly donned dressing gown, a white silk scarf substituted in
haste for a discarded nightcap. Panting with anger, and fierce with
curiosity, she had forgotten her rheumatism and abandoned her martyred
hobble for a waddling run.

Thus she pounced out at the foot of the stairway, and was upon the girl
before the three absorbed actors in the scene had heard the shuffling
feet in woollen slippers.

"What does this mean?" she quavered, so close to Annesley's ear that the
girl wheeled with a start of renewed alarm. "Who's this strange man in my
house? What's this talk about 'engagements'?"

"A strange man!" echoed Ruthven Smith, prickling with suspicion again.
"Haven't you met him, Miss Grayle's fiancé?"

"Miss Grayle's fiddlesticks!" shrilled the old woman. "The girl's a
baggage, a worthless baggage! In my room just now she _struck_ me--beat
my poor rheumatic knuckles! For five years I've sheltered her, given her
the best of everything, even to the clothes she has on her back. This is
the way she repays me--with insults and cruelty, and smuggles strange men
secretly into my house at night, and pretends to be engaged to them!"

The dark young man in evening dress passed the lean figure in travelling
clothes without a word and, putting Annesley gently aside, stepped
between her and Mrs. Ellsworth.

"There is no question of 'pretending'," he said, sternly. "Miss Grayle
has promised to marry me. If our engagement has been kept a secret, it's
only because the right moment hadn't come for announcing it. I entered
your house for a few moments to-night, for the first time, on an errand
which seemed important, as Mr. Ruthven Smith will explain. I don't feel
called upon to apologize for my presence in the face of your attitude to
Miss Grayle. It was our intention that you should have plenty of notice
before she left you, time to find someone for her place; but after what
has happened, it's your own fault, madame, if we marry with a special
licence, and I take her out of this house to-morrow. I only wish it might
be now----"

"It _shall_ be now!" Mrs. Ellsworth screamed him down. "The girl doesn't
darken my doors another hour. I don't know who you are, and I don't want
to know. But with or without you, Annesley Grayle leaves my house
to-night."

"Mrs. Ellsworth, surely you haven't stopped to think what you're saying!"
protested Ruthven Smith. "You can't turn a girl into the street in the
middle of the night with a young man you don't know, even if she is
engaged to him."

"I won't have her here, after the way she's treated me--after the way
she's acted altogether," Mrs. Ellsworth insisted. "Let her go to your
cousins' if you think they'd approve of her conduct. As for me, I doubt
it. And I'm sure she lied when she said they'd asked her to dine with
them to-night. I don't believe she went near them."

Ruthven Smith, who had made a surprise visit at the Archdeacon's and
dined there, had heard no mention of Annesley Grayle being expected. For
an instant he was silenced, but the girl did not lack a defender.

"She will not need to beg for Archdeacon Smith's hospitality," said the
young man. "And even if Mrs. Ellsworth implored her to stay, I couldn't
allow it now. I will see that Miss Grayle is properly sheltered and cared
for to-night by a lady whose kindness will make her forget what she has
suffered. As soon as possible we shall be married by special licence. Go
to your room, dearest, and put together a few things for to-night and
to-morrow morning--just what will fit into a hand-bag. If there's
anything else you value, it can be sent for later. Then I'll take you
away."

The words were brave and comforting, and a wave of emotion swept
Annesley's soul toward the mysterious, unknown soul of her knight. It
was so strong, so compelling a wave that she had no fear in trusting,
herself to him. He was her refuge, her protector.

For a moment of gratitude she even forgot he was mysterious, forgot that
a few hours ago she had been ignorant of his existence. When remembrance
flooded her brain, her only fear was for him. What if the watchers should
still be there when they went out of the house together?

She had turned to go to her room as he suggested when suddenly this
question seemed to be shouted in her ear. Hesitating, she looked back,
her eyes imploring, to meet a smile so confident that it defied fate.

Annesley saw that he understood what was in her mind, and this smile was
the answer. For some reason he thought himself sure that the watchers
were out of the way. The girl could not guess why, unless he had spied on
the taxi from Ruthven Smith's window and saw it go. But she would soon
learn.

Her room was a mere bandbox at the back of the "addition," behind Mrs.
Ellsworth's bedroom and bath; and dashing into it now, the new, vividly
alive Annesley seemed to meet and pity the timid, hopeless girl whose one
safe haven these mean quarters had been. She tried to gather the old self
into her new self, that she might take it with her and comfort it,
rescuing it from the tyrant.

The two trunks she had brought five years ago were stored in the basement
box-room; but under the camp bed was her dressing-bag, the only "lock-up"
receptacle she possessed. In it she kept a few letters and an abortive
diary which in some moods had given her the comfort of a confidant.

The key of this bag was never absent from her purse, and opening it with
quivering hands, the girl threw in a few toilet things for the night, a
coat, skirt, and blouse for morning, and a small flat toque which would
not crush. Afterward--in that wonderful, dim "afterward" which shone
vaguely bright, like a sunlit landscape discerned through mist--she could
send for more of her possessions. But she would have nothing which had
been given her by Mrs. Ellsworth, and she would return the dress and
cloak she was wearing to-night.

Three minutes were enough for the packing of the bag; then, luggage in
hand, she turned at the door for a last look, such as a released convict
might give to his cell.

"Good-bye!" she said, with a thought of compassion for her successor.
And passing Mrs. Ellsworth's room she would have thrown a farewell glance
at its familiar chairs and tables, each one of which she hated with a
separate hatred; but with a shock of surprise, she found the door shut.

That must mean that the dragon had retreated from the combat and retired
to her lair!

Not to be chased from the house by the sharp arrows of insult seemed
almost too good to be true. But when Annesley arrived, bag in hand, in
the front corridor, it was to see Ruthven Smith standing there alone, and
the door open to the street.

"Mrs. Ellsworth has gone to her room," he explained, "and--er--your
friend--your fiancé--is looking for a taxi, not to keep you waiting. He
didn't leave till Mrs. Ellsworth went. I don't think he would have
trusted me to protect you without him, though I--er--I did my best with
her. Good heavens, what a fury! I never saw that side of her before! I
must say, I don't blame you for making your own plans, Miss Grayle. I--I
don't blame you for anything, and I hope you'll feel the same toward me.
I'd be sorry to think that--er--after our pleasant acquaintance this was
to be our last meeting. Won't you show that you forgive me for the
mistake I made--I think it was natural--and tell me what your married
name will be?"

Annesley looked anxiously at the half-open front door. If only the absent
one would return and save her from this new dilemma! If she did not
speak, Mr. Ruthven Smith would think her harsh and unforgiving, yet she
could not answer unless she gave the name adopted temporarily for
convenience. She hesitated, her eyes on the door; but the darkness and
silence outside sent a doubt into her heart, cold and sickly as a bat
flapping in from the night.

_What if he never came back?_ What if the watchers had been hiding out
there, lying in wait and, two against one--both bigger men physically
than he, and perhaps armed--they had overpowered him? What if she were
never to see him again, and this hour which had seemed the beginning of
hope were to be its end?




CHAPTER VII

THE COUNTESS DE SANTIAGO


"You don't wish to tell me the name?" Ruthven Smith was saying.

The repetition irritated the girl, whose nerves were strained to snapping
point. She could not parry the man's questions. She could not bear his
grieved or offended reproaches. If he persisted, through these moments of
suspense, she would scream or burst out crying. Trembling, with tears in
her voice, she heard herself answer. And yet it did not seem to be
herself, but something within, stronger than she, that suddenly took
control of her.

"Why should I not wish to tell you?" the Something was saying. "The name
is the same as your own--Smith. Nelson Smith." And before the words had
left her lips a taxi drew up at the door.

There was one instant of agony during which the previous suspense seemed
nothing--an instant when the girl forgot what she had said, her soul
pressing to the windows of her eyes. Was it he who had come, or----

It was he. Before she had time to finish the thought, he walked in,
confident and smiling as when she had left him a few minutes--or a few
years--ago; and in the wave of relief which overwhelmed her, Annesley
forgot Ruthven Smith's question and her answer. She remembered again,
only with the shock of hearing him address the newcomer by the name she
had given.

"I hear from Miss Grayle that we are namesakes," Mr. Ruthven Smith said,
as "Nelson Smith" sprang in and took the girl's bag from her ice-cold
hand.

"I--he asked me ... I told him," Annesley stammered, her eyes appealing,
seeking to explain, and begging pardon. "But if----"

"Quite right. Why _not_ tell?" he answered instantly, his first glance
of surprise turning to cheerful reassurance. "Now Mrs. Ellsworth is
eliminated, I'm no longer a secret. And I expect you'll like to meet Mr.
Ruthven Smith again when you have a house to entertain him in."

So speaking, he offered his hand with a smile to his "namesake"; and
Annesley realized from the outsider's point of view the peculiar
attraction of the man. Ruthven Smith felt it, as she had felt it, though
differently and in a lesser degree. Not only did he shake hands, but
actually came out to the taxi with them, asking Annesley if he should
tell his cousins of her engagement, or if she preferred to give the news
herself?

It flashed into the girl's mind that it would be perfect if she could be
married to her knight by Archdeacon Smith; but she had been imprudent too
often already. She dared not make such a suggestion without consulting
the other person most concerned, so she answered that she would write
Mrs. Smith or see her.

"To say that you, too, are going to be Mrs. Smith!" chuckled the
Archdeacon's cousin in his dry way, which made him seem even older than
he was. "Well, you can trust me with Mrs. Ellsworth. If she goes on as
she began to-night, I'm afraid I shall have to follow your example: 'fold
my tent like an Arab, and silently steal away.' Ha, ha! By the by, I dare
say she's owing you salary. I'll remind her of it if you like--tell her
you asked me. It may help with the trousseau."

"Thank you, but my wife won't need to remind Mrs. Ellsworth of her debt,"
the answer came before Annesley could speak. "And she _will_ be my wife
in a day or two at latest. Good-night! Glad to have met you, even if it
was an unpromising introduction."

Then they were off, they two alone together; and Annesley guessed that
the chauffeur must have had his instructions where to drive, as she heard
none given. Perhaps it was best that their destination should not be
published aloud, for there are walls which have ears. It occurred to the
girl that precautions might still have to be taken. But in another moment
she was undeceived.

"I thought old Ruthven Smith would be shocked if he knew the 'safe
refuge' I have for you is no more convent-like than the Savoy Hotel," her
companion laughed. "By Jove, neither you nor I dreamed when we got out of
the last taxi that we should soon be in another, going back to the place
we started from!"

"The Savoy!" exclaimed Annesley. "Oh, but we mustn't go there, of all
places! Those men----"

"I assure you it's safer now than anywhere in London!" the man cut her
short. "I can't explain why--that is, I _could_ explain if I cared to rig
up a story. But there's something about you makes me feel as if I'd like
to tell you the truth whenever I can: and the truth is, that for reasons
you may understand some day--though I hope to Heaven you'll never have
to!--my association with those men is one of the things I long to turn
the key upon. I know that that sounds like Bluebeard to Fatima, but it
isn't as bad as _that_. To me, it doesn't seem bad at all. And I swear
that whatever mystery--if you call it 'mystery'--there is about me, it
sha'n't hurt you. Will you believe this--and trust me for the rest?"

"I've told you I would!" the girl reminded him.

"I know. But things were different then--not so serious. They hadn't gone
so far. I didn't suppose that Fate would give you to me so soon. I didn't
dare hope it. I----"

"Are you _sure_ you want me?" Annesley faltered.

"Surer than I've ever been of anything in my life before. It's only of
you I'm thinking. I wanted to arrange my--business matters so as to be
fair to you. But you'll make the best of things."

"You are being noble to me," said the girl, "and I've been very foolish.
I've complicated everything. First, by what I told Mr. Ruthven Smith
about--about _us_. And then--saying your name was Nelson Smith."

"You weren't foolish!" he contradicted. "You were only--playing into
Fate's hands. You couldn't help yourself. Destiny! And all's for the
best. You were an angel to sacrifice yourself to save me, and your doing
it the way you did has made me a happy man at one stroke. As for the
name--what's in a name? We might as well be in reality what we played at
being to-night--'Mr. and Mrs. Nelson Smith.' There are even reasons why
I'm pleased that you've made me a present of the name. I thank you for
it--and for all the rest."

"Oh, but if it isn't _really_ your name, we sha'n't be legally married,
shall we?" Annesley protested.

"By Jove!" he exclaimed. "I hadn't thought of that. It's a difficulty.
But we'll obviate it--somehow. Don't worry! Only I'm afraid we can't ask
your friend the Archdeacon to marry us, as I meant to suggest, because I
was sure you'd like it."

"I should. But it doesn't matter," said the girl. "Besides, I feel that
to-morrow I shall find I've dreamed--all this."

"Then I've dreamed you, at the same time, and I'm not going to let you
slip out of my dream, now I've got you in it. I intend to go on dreaming
you for the rest of my life. And I shall take care _you_ don't wake up!"

Afterward there came a time when Annesley called back those words and
wondered if they had held a deeper meaning than she guessed. But, having
uttered them, he seemed to put the thought out of his mind, and turn to
the next.

"About the Savoy," he went on. "I want to take you there, because I
know a woman staying in the hotel--a woman old enough to be your
mother--who'll look after you, to please me, till we're married.
Afterward you'll be nice to her, and that will be doing her a good
turn, because she's apt to be lonesome in London. She's the widow of
a Spanish Count, and has lived in the Argentine, but I met her in New
York. She knows all about me--or enough--and if she'd been in the
restaurant at dinner this evening she could have done for me what you
did. I had reason to think she would be there when I bolted in to get
out of a fix. But she was missing. Are you sorry?"

"If she'd been there, you would have gone to her table and sat down, and
we--should never have met!" Annesley thought aloud. "How strange! Just
that _little_ thing--your friend being out to dinner--and our whole lives
are to be changed. Oh, _you_ must be sorry?"

"I tell you, meeting you and winning you in this way is worth the best
ten years of my life. But you haven't answered my question."

"I'll answer it now!" cried the girl. "Meeting you is worth _all_ the
years of my life! I'm not much of a princess, but you _are_ St. George."

"St. George!" he echoed, a ring of bitterness under his laugh. "That's
the first time I've been called a saint, and I'm afraid it will be the
last. I can't live up to that, but--if I can give you a happy life, and
a few of the beautiful things you deserve, why, it's _something_!
Besides, I'm going to worship my princess. I'd give anything to show you
how I--but no. I was good before, when I was tempted to kiss you. You're
at my mercy now, in a way, all the more because I'm taking you from your
old existence to one you don't know.

"I sha'n't ask to kiss you--except maybe your little hand if you don't
mind--until the moment you're my wife. Meantime, I'll try to grow a bit
more like what your lover ought to be; and later I shall kiss you enough
to make up for lost time."

If, five hours ago, any one had told Annesley Grayle that she would wish
to have a strange man take her in his arms and kiss her she would have
felt insulted. Yet so it was. She was sorry that he was so scrupulous.
She longed to have him hold her against his heart.

The thought thrilled her like an electric shock a thousand times more
powerful than the tingling which had flashed up her arm at the first
touch of his hand, though even that had seemed terrifying then. But she
sat still in her corner of the taxi, and gave him no answer, lest she
should betray herself.

Her silence, after the warmth of his words, seemed cold. Perhaps he felt
it so, for he went on after an instant's pause, as if he had waited for
something in vain, and his tone was changed. Annesley thought it, by
contrast, almost businesslike.

"You mustn't be afraid," he said, "that I mean to stay at the Savoy
myself. Even if I'd been stopping there, I should move if I were going to
put you in the hotel. But I have my own lair in London. I've been over
here a number of times. Indeed, I'm partly English, born in Canada,
though I've spent most of my life in the United States. Nobody at the
Savoy but the Countess de Santiago knows who I am, and she'll understand
that it may be convenient for me to change my name. Nelson Smith is a
respectable one, and she'll respect it!

"Now, my plan is to ask for her (she'll be in by this time), have a few
words of explanation on the quiet, not to embarrass you; and the Countess
will do the rest. She'll engage a room for you next to her own suite, or
as near as possible; then you'll be provided with a chaperon."

"I'm not anxious about myself, but about you," Annesley said. "You
haven't told me yet what happened after you went upstairs at Mrs.
Ellsworth's, and how you knew those men were gone. I suppose you did
know? Or--did you chance it?"

"I was as sure as I needed to be," Nelson Smith answered. "A moment after
I switched on the electricity in the room up there I heard a taxi drive
away. I turned off the light so I could look out. By flattening my nose
against the glass I could see that the place where those chaps had waited
was empty; but in case the taxi was only turning, and meant to pass the
house again, I lit the room once more, for realism.

"That's what kept me rather long--that, and waiting for the dragon to go.
Otherwise I should have been down before Ruthven Smith trapped me.

"For a second it looked as if the game of life was up. And then I found
out how much you meant to me. It was _you_ I thought of. It seemed
beastly hard luck to leave you fast in that old woman's clutches!"

Annesley put out her hand with a warm impulse. He took it, raising it to
his lips, and both were startled when the taxi stopped. They had arrived
at the Savoy: and though Annesley seemed to have lived through a lifetime
of emotion, just one hour and thirty minutes had passed since she and her
companion drove away from these bright revolving doors.

The foyer was as brilliant and crowded as when they left at half-past
ten. People were parting after supper; or they were lingering in the
restaurant beyond. Nobody paid the slightest attention to the newcomers,
and Annesley settled down unobtrusively in a corner, while her companion
went to scribble a line to the Countess de Santiago.

When he had finished, and sent up the letter, he did not return, and
again the girl had a few moments of suspense, thinking of the danger
which might not, after all, be over. Just as she had begun to be anxious,
however, she saw him coming with a wonderful woman.

Annesley could have laughed, remembering how he had said the Countess
would "mother" her. Any one less motherly than this Juno-like beauty in
flame-coloured chiffon over gold tissue it would be hard to imagine.

The Spanish South American Countess was of a camelia paleness, and had
almond-shaped dark eyes with brooding lashes under slender brows that
met. In contrast, her hair was of a flame colour vivid as her draperies,
and her lips were red.

At first glance Annesley thought that the dazzling creature could not be
more than thirty; but when the vision had come near enough to offer her
hand, without waiting for an introduction, a hardness about the handsome
face, a few lines about the eyes and mouth, and a fullness of the chin
showed that she was older--forty, perhaps.

Still, Annesley hoped that her lover had not asked the lady to "mother"
his fiancée. She had not the air of one who would be complimented by such
a request.

As Annesley put her hand into that of the Countess, she noticed that this
hand was as wonderful as the rest of the woman's personality. It was very
long, very narrow, with curiously supple-looking fingers exquisitely
manicured and wearing many rings. Even the thumb was abnormally long,
which fact prevented the hand from being as beautiful as it was, somehow,
unforgettable.

"This is a pleasure and a surprise," began the Countess, smiling, her
eyes appearing to take in the full-length portrait of Annesley Grayle
with their wide, unmoving gaze. When she smiled she was still extremely
handsome, but not so perfect as with lips closed, for her white teeth
were too short, somewhat irregular, and set too wide apart. She spoke
English perfectly, with a slight foreign accent and a roll of the letter
"r."

"My friend--Nelson Smith" (she turned, laughing, to him), "has told me
ex-_citing_ news. We have known each other a long time. I think this is
the best thing that can happen. And you will be a lucky girl. He, too,
will be lucky. I see that!" with another smile.

Annesley was disappointed because the beautiful woman's voice was not
sweet.

"Now you must engage her room," Nelson Smith said, abruptly. "It's late.
You can make friends afterward."

"Very well," the Countess agreed. "And you--will you come to the desk?
Yet, no--it is better not. Miss Grayle and I will go together--two women
alone and independent. Lucky it's not the season, or we might find
nothing free at short notice. But Don--I mean Nelson--always did have
luck. I hope he always will!"

She flashed him a meaning look, though what the meaning was Annesley
could not guess. She knew only that she did not like the Countess as she
had wished to like her lover's friend. There was something secret in the
dark eyes, something repellent about the long, slender thumb with its
glittering nail.




CHAPTER VIII

THE BLUE DIAMOND RING


Annesley had not expected to sleep. There were a million things to
think of, and it was one o'clock before she was ready to slip into bed
in the green-and-white room with its bathroom annex. But the crowding
experiences of five hours had exhausted the girl. Sleep fell upon her as
her head nestled into a downy pillow, and she lay motionless as a marble
figure on a tomb until a sound of knocking forced itself into her dreams.

She waked with a start. The curtains were drawn across the window, but
she could see that it was daylight. A streak of sunshine thrust a golden
wedge between the draperies, and seemed a good omen: for the sun had
hidden from London through many wintry weeks.

The knocking was real, not part of a dream. It was at her door, and
jumping out of bed she could hardly believe a clock on the mantelpiece
which said half-past ten.

"Who is it?" she asked, timidly, fearing that the Countess de Santiago's
voice might answer; but a man replied: "A note from a gentleman
downstairs, please, and he's waiting an answer."

Annesley opened the door a crack, and took in a letter. The new master of
her destiny had written:

  Hurrah, my darling, our affairs march! I have been arranging about the
  licence, _et cetera_, and I believe that you and I can join forces for
  the rest of our lives to-morrow--blessed day!

  How soon can you come down and talk over plans? I've a hundred to
  propose. Will you breakfast with me, or have you finished?

  Yours since last night, till eternal night,

  N. S.

The girl scribbled an answer, confessing that she had overslept, but
promising to be down in half an hour for breakfast. She did not stop to
think of anything but the need for a quick reply; yet when the note was
sent, and she was "doing" her hair after a splash in the porcelain bath
(what luxury for the girl who had been practically a servant!), she
re-read her love-letter, spread on the dressing-table.

She liked her lover's handwriting. It seemed to express character--just
such character as she imagined her knight's to be. There were dash and
determination, and an originality which would never let itself be bound
by convention.

Perhaps if she had been critical--if the handwriting had been that of a
stranger--she might have thought it too bold. Long ago, when she was a
very young girl, she had superficially studied the "science" of
chirography from articles in a magazine, and had fancied herself a judge.
She remembered disliking Mrs. Ellsworth's writing the first time she saw
it, foreseeing the selfishness which afterward enslaved her. Since then
she had had little time to practise, until the day when she heard from
"Mr. N. Smith" after her answer to his advertisement in the _Morning
Post_.

One reason for feeling sure she could never care for the man was because
his handwriting prejudiced her in advance, it was so stiff, so devoid of
character. How different, she reflected now, from the writing of the man
who had taken his place!

She made such haste in dressing that her fingers seemed to be "all
thumbs"; and when at length she was ready she gazed gloomily into the
mirror. Last night she had not been so bad in evening dress; but now in
the cheap, ready-made brown velveteen coat and skirt and plain toque to
match, which had been her "best" for two winters, she feared lest _he_
should find her commonplace.

"The first thing I do, when he's had time to look me over, must be to
tell him he's free if he wants his freedom," she decided. And she kept
her word, when in the half-deserted foyer she had shaken hands with a
young man who wore a white rose in his buttonhole. "Please tell me
frankly if you don't like me as well by daylight," she gasped.

"I like you better," he said. "You're still my white rose. See, I've
adopted it as your symbol. I shall never wear any other flower on my
coat. This is yours. No, it's _you_! And I've kept the one I took last
night. I mean to keep it always. No danger of _my_ changing my mind! But
you? I've lain awake worrying for fear you might."

He held her hand, questioning her eyes with his.

She shook her head, smiling. But he would not let the hand go. At that
hour there was no one to stare. "The Countess didn't warn you off me?"

Annesley opened her eyes. "Of course not! Why, you told me you were old
friends!"

"So we are--as friends go in this world: 'pals,' anyhow. She's done me
several good turns, and I've paid her. She'd always do what she could to
help, for her own sake as well as mine. But her idea of a man may be
different from yours."

"She wasn't with me long," explained Annesley. "She said I needed sleep.
After she'd looked at my room to see if it were comfortable, she bade me
'good-night,' and we haven't met this morning. The few remarks she did
make about you were complimentary."

"What did she say? I'm curious."

"Well, if you must know, she said that you were a man few women could
resist; and--she didn't blame _me_."

"H'm! You call that complimentary? Let's suppose she meant it so. Now
we'll have breakfast, and forget her--unless you'd like her called to go
with us on a shopping expedition I've set my heart on."

"What kind of a shopping expedition?" Annesley wanted to know.

"To buy you all the pretty things you've ever wished for."

The girl laughed. "To do that would cost a fortune!"

"Then we'll spend a fortune. Shall you and I do it ourselves, or would
you like to have the Countess de Santiago's taste?"

"Oh, let us go without her," Annesley exclaimed, "unless you----"

"Rather _not_. I want you to myself. You darling! We'll have a great
day--spending that fortune. The next thing we do--it can wait till
after we're married--is to look for a house in a good neighbourhood,
to rent furnished. But we'll get your swell cousins, Lord and Lady
Annesley-Seton, to help us choose. Perhaps there'll be something near
them."

"Why, they hardly know I exist! I doubt if Lady Annesley-Seton _does_
know," replied the girl. "They'll do nothing to help us, I'm sure."

"Then _don't_ be sure, because if you made a bet you'd lose. Take
my word, they'll be pleased to remember a cousin who is marrying a
millionaire."

"Good gracious!" gasped Annesley. "_Are_ you a millionaire?"

Her lover laughed. "Well, I don't want to boast to you, though I may
to your cousins, but if I'm not one of your conventional, stodgy
millionaires, I have a sort of Fortunatus purse which is never empty.
I can always pull out whatever I want. We'll let your people understand
without any bragging.

"I think Lady Annesley-Seton, _née_ Miss Haverstall, whose father's purse
has flattened out like a pancake, will jump for joy when she hears what
you want her to do. But come along, let's have breakfast!"

Overwhelmed, Annesley walked beside him in silence to the almost deserted
restaurant where the latest breakfasters had finished and the earliest
lunchers had not begun.

So the mysterious Mr. Smith was rich. The news frightened rather
than pleased her. It seemed to throw a burden upon her shoulders which
she might not be able to carry with grace. The girl had little
self-confidence; but the man appeared to be troubled with no doubts of
her or of the future. Over their coffee and toast and hot-house fruit, he
began to propose exciting plans, and had got as far as an automobile when
the voice of the Countess surprised them.

She had come close to their table without being heard.

"Good morning!" she exclaimed. "I was going out, but from far off I saw
you two, with your profiles cut like silhouettes against all this glass
and sunshine. I couldn't resist asking how Miss Grayle slept, and if
there's anything I can do for her in the shops?"

As she spoke her eyes dwelt on Annesley's plain toque and old-fashioned
shabby coat, as if to emphasize the word "shops." The girl flushed, and
Smith frowned at the Countess.

"No, thank you," he replied for Annesley. "There's nothing we need
trouble you about till the wedding to-morrow afternoon. You can put on
your gladdest rags then, and be one of our witnesses. I believe that's
the legal term, isn't it?"

"I do not know," said the Countess with a suppressed quiver in her voice,
and a flash in the eyes fixed studiously on the river. "I know nothing of
marriages in England. Who will be your other witness, if it's not
indiscreet to ask?"

"I haven't decided yet," returned Smith, laconically.

"Ah, of course, you have _plenty_ of friends to choose from; and so the
wedding will be to-morrow?"

"Yes. One fixes up these things in next to no time with a special
license. Luckily I'm a British subject. I never thought much about it
before, but it simplifies matters; and I'll have been living in this
parish a fortnight to-morrow. That's providential, for it seems that
legally it must be a fortnight. I've been up since it was light, learning
the ropes and beginning to work them. Even the hour's fixed--two-thirty."

(This was news for Annesley also, as there had been no time to begin
talking over the "hundred plans" Smith had mentioned in his letter.)

"You are prompt--and businesslike!" returned the Countess, and again the
girl blushed. She did not like to think of her knight of romance being
"businesslike" in his haste to make her his wife. But perhaps the
Countess didn't mean to suggest anything uncomplimentary. "At what church
will the 'ceremony take place' as the newspapers say?" she went on. "It
is to be a fashionable one?"

"No," replied, Smith, shortly. "Weddings in fashionable churches are
silly unless there's to be a crowd; and my wife and I are going to
collect our circle after we're married. I'll let you know in time where
we are going. As you'll be with the bride you can't lose yourself on the
way, so you needn't worry."

"I don't!" laughed the Countess. "I'm at your service, and I shall try to
be worthy of the occasion. But now I shall take myself off, or your
coffee will be cold. You have a busy day and it's late--even later than
our breakfasts on the _Monarchic_ three weeks ago. Already it seems three
months. _Au revoir_, Don. _Au revoir_, Miss Grayle."

She finished with a nod for Annesley, and turned away. Smith let her go
in silence; and the girl watched the tall figure--as perfect in shape and
as perfectly dressed as a French model--walk out of the restaurant into
the foyer.

She seemed to have taken with her the golden glamour which had made up
for lack of sunshine in the room before her arrival; or if she had not
taken it, at least it was dimmed. Annesley gazed after the figure until
it disappeared, because she felt vaguely that it would be best not to
look at her companion just then. She knew that he was angry, and that he
wanted to compose himself.

The Countess was as handsome by morning light, in her black velvet and
chinchilla, as at night in flame colour and gold. But--the girl hoped she
was not ill-natured--she looked _meretricious_. If she were "made up,"
the process defied Annesley Grayle's eyes; yet surely never was skin so
flawlessly white; and such golden-red hair with dark eyes and eyebrows
must be unique.

"Great Scott, I thought she meant to spend the morning with us!" Smith
broke out, viciously. "I realize, now I've seen you together, that she's
not--the ideal chaperon. But any port in a storm!"

"I thought you liked her," Annesley said.

"So I do--within limits. At least I appreciate qualities that she has.
But there are times--when a little of her goes a long way."

"I'm afraid she realized that you weren't making her welcome," Annesley
smiled. "You weren't very nice to her, were you?"

"I was as nice as she deserved," the man excused himself.

"But she was good to me last night!"

"She owes it to me to be good. It's a debt I expect her to pay, that's
all, and I'm not sure she's paying it generously. You needn't be too
grateful, dear."

"Perhaps, as she's known you some time, she feels you're sacrificing
yourself," Annesley defended the Countess. "I don't blame her!"

"She's sharp enough to see that I'm in great luck," said Smith. "But I
suppose there's always a dash of the cat in a woman of her race. I hope
there's no need to tell you that she has no right to be jealous. If she
had, I wouldn't have put you within reach of her claws. There are
assorted sizes and kinds of jealousy, though. Some women want all the
lime-light and grudge sparing any for a younger and prettier girl."

Annesley laughed. "_Prettier!_ Why, she's a beauty, and I----"

"Wait till I introduce you to Mrs. Nelson Smith, who's going to be one
of the best-dressed, best-looking young women in London, and you'll be
_sorry_ for the poor old Countess," returned Smith, warmly. "You can
afford then to heap coals of fire on her head, which can't make it redder
than it is. Meanwhile, it occurs to me, from the way the wind blows,
you'd better go carefully with the lady! Don't let her pump you about
yourself, or what happened at Mrs. Ellsworth's. It's not her business.
Don't confide any more than you need, and if she pretends to confide in
_you_ understand that it will be for a purpose. The Countess is no
_ingénue_!

"But enough about her," he went on, abruptly. "She sha'n't spoil our
first breakfast together, even by reminding me of gloomy meals I used
sometimes to eat with her when we happened to find ourselves in each
other's society on board the _Monarchic_. I was feeling down on my luck
then, and she wasn't the one to cheer me up. But things are different
now. Have you noticed, by the way, that she has a nickname for me?"

"Yes," Annesley admitted. "She calls you 'Don.'"

"It's a name she made up because she used to say, when we first met, I
was like a Spaniard; and I can jabber Spanish among other lingos. It's
more her native tongue, you know, than English. I only refer to it
because I want you to have a special name of your own for me, and I don't
want it to be that one. It can't be Nelson, because--well, I can never be
at home as Nelson with the girl I love best--the one who knows how I came
to call myself that. Will you make up a name for me, and begin to get
used to it to-day? I'd like it if you could."

"May I call you 'Knight'?" Annesley asked, shyly. "I've named you my
knight already in my mind and--and heart."

He looked at her with rather a beautiful look: clear and wistful, even
remorseful.

"It's too noble a name," he said. "Still--if you like it, I shall. Maybe
it will make me good. Jove! it would take something strong to do that!
But who knows? From now on I'm your 'Knight.' You needn't wrestle with
'Nelson' except when we're with strangers.

"And--look here!" he broke off. "I've another favour to ask. Better get
them all over at once--the big ones that are hard to grant. You reminded
me last night that we wouldn't be legally married if I didn't use my own
name. That may be true. I can't very well make inquiries. But just in
case, I'm giving my real name and shall sign it in a register. That's why
our marriage must be quietly performed in a quiet place. It shall be in
church, because I know you wouldn't feel married if it wasn't, but it
must be in a church where nobody we're likely to meet ever goes; and the
parson must be one we won't stand a chance of knocking up against later.

"Managed the way I shall manage it, there'll be no difficulty. Mr. and
Mrs. Blank will walk out of the vestry after they've signed their names,
and--_lose themselves_. No reason why they should ever be associated with
Mr. and Mrs. Nelson Smith. Do you much mind all these complications?"

"Not if they're necessary to save you from danger," the girl answered.

"By Jove, you're a trump! But I haven't come to the _big_ favour yet. Now
for it! When I write my real name in the register, I don't want you to
look. Is that the one thing too much?"

Annesley tried not to flinch under his eyes. Yet--he had put her to a
severe test. Last night, when he said that it would be better for her not
to know his name, she had quietly agreed.

But there was the widest difference between then and now. At that time
they had been strangers flung together by a wave of fate which, it
seemed, might tear them apart at any instant. In a few hours all was
changed. They belonged to each other. This man's name would be her name,
yet he wished her to be ignorant of it!

If the girl had not thought of him truly as her knight, if she had not
been determined to trust him, the "big favour" would indeed have been too
big.

Despite her trust, and the romantic, new-born love in her heart, she was
unable to answer for a moment. Her breath was snatched away; but as she
struggled to regain it and to speak, a bleak picture of the future
without him rose before her eyes. She couldn't give him up, and go on
living, after the glimpse he had shown her of what life might be!

"No, it's not too much," she said, slowly. "It's only part of the trust
I've promised to--my knight."

He gave a sigh of relief. "Thank you--and my lucky star for the prize you
are!" he exclaimed. Some men would have offered their thanks to God, or
to "Heaven." Annesley noticed that he praised his "star."

This was one of many disquieting things, large and small; for she had
been brought up to be a religious girl, and was mentally on her knees
before God in gratitude for the happiness which illuminated her gray
life. She could not bear to think that God was nothing to the man who had
become everything to her. She wanted to shut her eyes to all that was
strange in him; but it was as difficult as for Psyche to resist lighting
the lantern for a peep at her mysterious husband in his sleep.

For instance, there was the Countess de Santiago's reference to their
association on board the _Monarchic_, which Knight had refrained from
mentioning. He had spoken of it after the Countess had gone, to be sure;
but briefly, and because it would have seemed odd if he had not done so.
It had struck Annesley that his annoyance with the lady was connected
with that sharp little "dig" of hers, and she could not sweep her mind
clean of curiosity.

The moment the _Monarchic's_ name was brought up she remembered reading
a newspaper paragraph about the last voyage of that great ship from New
York to Liverpool. Fortunately or unfortunately, her recollection of the
paragraph was nebulous, for when she read news aloud to her mistress she
permitted her mind to wander, unless the subject happened to be
interesting. She tried to keep up a vaguely intelligent knowledge of
world politics, but small events and blatant sensations, such as murders,
burglaries, and "society" divorces, she quickly erased from her brain.

Something dramatic had occurred on the _Monarchic_. Her subconscious self
recalled that. But it was less than a month ago that she had read the
paragraph, therefore the sensation, whatever it was, must have happened
when Knight and the Countess de Santiago were on board, coming to
England, and she could easily learn what it was by inquiring.

Not for the world, however, would she question her lover, to whom the
subject of the trip was evidently distasteful. Still less would she ask
the Countess behind his back.

There was another way in which she could find out a sly voice seemed to
whisper in Annesley's ear. She could get old numbers of the _Morning
Post_, the only newspaper that entered Mrs. Ellsworth's house, and search
for the paragraph. But she was ashamed of herself for letting such a
thought enter her head. Of course she would not be guilty of a trick so
mean. She would not try to unearth one fact concerning her Knight--his
name, his past, or any circumstances surrounding him, even though by
stretching out her hand she could reach the key to his secret.

He talked of things which at another time would have palpitated with
interest: their wedding, their honeymoon, their homecoming, and Annesley
responded without betraying absent-mindedness. It was the best she could
do, until the effect of the "biggest favour" and the doubts it raised
were blurred by new sensations. She would not have been a normal woman if
the shopping excursion planned by Knight had not swept her off her feet.

The man with Fortunatus' purse seemed bent on trying to empty
it--temporarily--for her benefit: if she had been sent out alone to buy
everything she had ever wanted, with no regard to expense, Annesley
Grayle would not have spent a fifth of the sum he flung away on evening
gowns, street gowns, boudoir gowns, hats, high-heeled paste-buckled
slippers, a gold-fitted dressing-bag, an ermine wrap, a fur-lined
motor-coat, and more suede gloves and silk stockings than could be used
(it seemed to the girl) in the next ten years.

He begged for the privilege of "helping choose," not because he didn't
trust her taste, but because he feared she might be economical; and
during the whole day in Bond Street, Regent Street, Oxford Street, and
Knightsbridge she was given only an hour to herself. That hour she was
expected to pass, and did pass, in providing herself with all sorts of
intimate daintiness of nainsook, lace, and ribbon, too sacred even for
a lover's eyes.

And Knight spent the time of his absence from her upon an errand which he
did not explain.

"I'll tell you what I did--and show you--to-morrow when I come to wish
you good morning," he said. "Unless you're going to be conventional and
refuse to see me till we 'meet at the altar,' as the sentimental writers
say. I think I've heard that's the smart thing. But I hope it won't be
your way. If I didn't see you from now till to-morrow afternoon I should
be afraid I'd lost you for ever."

Annesley felt the same about him, and told him so. They dined together,
but not at the Savoy. The Countess's name was not mentioned, yet Annesley
guessed it was because of her that Knight proposed an Italian restaurant.

When he left her at last at the door of her own hotel everything was
settled for the wedding-day and after. Knight was to produce two friends,
both men, to one of whom must fall the fatherly duty of giving the bride
away. He suggested their calling upon her in the morning, while he was
with her at the Savoy, in order that they might not meet as strangers at
the church, and the girl thought this a wise idea.

As for the honeymoon, Knight confessed to knowing little of England,
outside London, and asked Annesley if she had a choice. Would she like to
have a week or so in some warm county like Devonshire or Cornwall, or
would she enjoy a trip to Paris or the Riviera? It was all one to him, he
assured her; only he had set his heart on getting back to London soon,
finding a house, and beginning life as they meant to live it.

Annesley chose Devonshire. She said she would like to show it to Knight.

"I think you'll love it," she told him. "We might stay at several places
I used to adore when I was a child. And if we get to Sidmouth, maybe
you'll have a glimpse of those cousins you were talking about, the
Annesley-Setons. I believe they have a place near by called Valley House;
but I don't know whether they live there or let it."

"We'll go to Sidmouth," he said.

The girl smiled. His desire that she should scrape acquaintance with Lord
and Lady Annesley-Seton seemed boyish and amusing to her, but she did not
see how it could be brought about.

Next morning at eleven o'clock, when Annesley had been up for two
hours, packing her new things in her new trunks and the gorgeous new
dressing-bag, she was informed that Mr. Nelson Smith had arrived.
The girl had forgotten that Knight had hinted at something to tell and
something to show her on the morning of their marriage day, and expected
to find his two friends with him; but he had come alone.

"We've got a half-hour together," he said. "Then Dr. Torrance and the
Marchese di Morello may turn up at any minute. Torrance is an elderly
man, a decent sort of chap, and deadly respectable. He'll do the heavy
father well enough. Paolo di Morello is an Italian. I don't care for him;
but the troublesome business about my name is a handicap.

"I can trust these men. And at least they won't put you to shame. You can
judge them when they come, so enough talk about them for the present!
This is my excuse for being here," and he put into Annesley's hand a
flat, oval-shaped parcel. "My wedding gift to my bride," he added, in a
softer tone. "Open it, sweet."

The white paper wrapping was fastened with small red seals. If the girl
had had knowledge of such things she would have known that it was a
jeweller's parcel. But the white, gold-stamped silk case within surprised
her. She pressed a tiny knob, and the cover flew up to show a string of
pearls which made her gasp.

"For the Princess, from her Knight," he said. "And here"--he took
from the inner pocket of his coat a band of gold set with a big white
diamond--"is your engagement ring. Every girl must have one, you know,
even if her engagement _is_ the shortest on record. I've the wedding
ring, too. But it isn't the time for that. A good-sized diamond's the
obvious sort of thing: advertises itself for what it is, and that's
what we want. You'll wear it, as much as to say, 'I was engaged like
everybody else.' But if there wasn't a reason against it, _this_ is what
I should like to put on your finger."

As he spoke, he hid the spark of light in his other hand, and from the
pocket whence it had come produced another ring.

If she had not seen this, Annesley would have exclaimed against the word
"obvious" for the splendid brilliant as big as a small pea which Knight
put aside so carelessly. But the contrast between the modern ring with
its "solitaire" diamond and the wonderful rival he gave it silenced her.
She was no judge of jewellery, and had never possessed any worth having;
but she knew that this second ring was a rare as well as a beautiful
antique. It looked worthy, she thought, of a real princess.

Even the gold was different from other gold, the little that was visible,
for the square-cut stone, of pale, scintillating blue, was surrounded by
a frame of tiny brilliants encrusting the rim as far as could be seen on
the back of the hand when the ring was worn.

"A sapphire!" Annesley exclaimed. "My favourite stone. Yet I never saw a
sapphire like it before. It's wonderful--brighter than a diamond."

"It is a diamond," said Knight. "A blue diamond, and considered
remarkable. It's what your friend Ruthven Smith would call a 'museum
piece,' if you showed it to him. But you mustn't. He'd move heaven and
earth to get it! Nobody must see it but you and me. It wouldn't be safe.
It's too valuable. And if you were known to have it, you'd be in danger
from all the jewel thieves in Europe and America. You wouldn't like
that."

"No, it would be horrible!" Annesley shuddered. "But what a pity it must
be hidden. Is it yours?"

"It's yours at present," said Knight, "if you'll keep it to yourself, and
look at it only when you and I are alone together. I can't give it to
you, precisely, to have and to hold (as I shall give you myself in a
few hours), because this ring is more a trust than a possession.
Something may happen which will force me to ask you for it. But again, it
may _not_. And, anyhow, I want you to have the ring until that time
comes. I've bought a thin gold chain, and you can hang it round your
neck, unless--I almost think you're inclined to refuse?"

Another mystery! But the blue diamond in its scintillating frame was so
alluring that Annesley could not refuse. She knew that she would have
more pleasure in peeping surreptitiously at the secret blue diamond than
in seeing the "obvious" white one on her finger.

"I can't give it up!" she said, laughing. "But I hope it isn't one of
those dreadful historic stones which have had murders committed for it,
like famous jewels one reads of. I should hate anything that came from
_you_ to bring bad luck."

"So should I hate it. If there's any bad luck coming, I want it myself,"
Knight said, gravely.

"I wish I hadn't spoken of bad luck to-day!" the girl remorsefully
exclaimed. "But I am not afraid. Give me the ring."

He gave it, and pulled from his pocket the slight gold chain on which he
meant it to hang. He was leisurely threading the ring upon this when two
men looked in at the door of the reading room.

One of the pair was of more than middle age. He was tall, thin, and
slightly stooping. His respectable clothes seemed too loose for him. His
hair and straggling beard were gray, contrasting with the sallow darkness
of his skin. He wore gold-rimmed spectacles, and peered through them as
if they were not strong enough for his failing sight.

The other man was younger. He, too, was dark and sallow, but his
close-cut hair was black. He was clean shaven and well dressed. He wore a
high, almost painfully high, collar, which caused him to keep his chin in
air. He might be a Spaniard or an Italian.

Annesley had certainly not seen him before. She told herself this twice
over. Yet--she was frightened. There was something familiar about him.
It must be her foolish imagination which took alarm at everything!

But, with fingers grown cold, she covered up the blue diamond.




CHAPTER IX

THE THING KNIGHT WANTED


When Dr. Torrance, who was to give her away, and the Marchese di Morello,
who was to be Knight's "best man," had been introduced to Annesley, she
laughed at the stupid "scare" which had chilled her heart for a moment.

If Knight had remained with her after his friends finished their call,
she might have confessed to him how she had fancied in the tall, dark
young man a likeness to one of the dreaded _watchers_. Until Knight spoke
their names she had feared that the pair looking in at the door were
there to spy; that one, at all events, was disguised--cleverly, yet not
cleverly enough quite to hide his identity. But Knight said good-bye, and
went away with his friends, giving the girl no chance for further talk
with him.

They did not meet again until--with the Countess de Santiago--Annesley
arrived at the obscure church chosen for the marriage ceremony. There Dr.
Torrance awaited them outside the door, and took charge of the bride,
while the Countess found her way in alone; and Annesley saw through the
mist of confused emotion her Knight of love and mystery waiting at the
altar.

During the ceremony that followed he made his responses firmly, his eyes
calling so clearly to hers that she answered with an almost hypnotized
gaze. His look seemed to seal the promise of his words. In spite of all
that was strange and secret and unsatisfying about him, she had no
regrets. Love was worth everything, and she could but believe that he
loved her. This strong conviction went with the girl to the vestry, and
made it easier to turn away when his name--his real name, which she,
though his wife, was not to know--was recorded by him in the book.

They parted from Torrance, Morello, and the Countess at the church door,
an arrangement which delighted Annesley. In the haste of making plans,
she and Knight had forgotten to discuss what they were to do after the
wedding and before their departure; but Knight had found time to decide
the matter.

"These people were the best material I could get hold of at a moment's
notice," he remarked, coolly, when he and Annesley were in the motor-car
he had hired for the journey to Devonshire. "We've used them because we
needed them. Now we don't need them any longer. It seems to me that a
newly married couple ought to keep only dear friends around them or no
one. Later we can repay these three for the favour they've done us, if
you call it a favour. Meanwhile, we'll forget them."

Knight had neglected no detail which could make for Annesley's comfort,
or save her from any embarrassment arising from the hurried wedding. Her
luggage had been packed by a maid in the hotel, and--all but the
dressing-bag and a small box made for an automobile--sent ahead by rail
to Devonshire. She and Knight were to travel in the comfortable limousine
which would protect them against weather. It did not matter, Knight said,
how long they were on the way.

At Exeter they would visit some good agency in search of a lady's maid.
Annesley said that she did not need a woman to wait on her, since she had
been accustomed not only to taking care of herself but Mrs. Ellsworth.

Knight, however, insisted that his wife must be looked after by a
competent woman. It was "the right thing"; but his idea was that, in the
circumstances, it would be pleasanter to have a country girl than a
sharp, London-bred woman or a Parisienne.

In Exeter an ideal person was obtainable: a Devonshire girl who had been
trained to a maid's duties (as the agent boasted) by a "lady of title."
She had accompanied "the Marchioness" to France, and had had lessons in
Cannes from a hair dresser, masseuse, and manicurist. Now her mistress
was dead, and Parker was in search of another place.

She was a gentle, sweet-looking girl, and though she asked for wages
higher than Mrs. Ellsworth had paid her companion, Knight pronounced them
reasonable. She was directed to go by train to the Knowle Hotel at
Sidmouth (where a suite had been engaged by telegram for Mr. and Mrs.
Nelson Smith and maid) and to have all the luggage unpacked before their
arrival.

Flung thus into intimate association with a man, almost a stranger,
Annesley had been afraid in the midst of her happiness. She felt as a
young Christian maiden, a prisoner of Nero's day, might have felt if told
she was to be flung to a lion miraculously subdued by the influence of
Christianity. Such a maiden could not have been quite sure whether the
story were true or a fable; whether the lion would destroy her with a
blow or crouch at her feet.

But Annesley's lion neither struck nor crouched. He stood by her side as
a protector. "Knight" seemed more and more appropriate as a name for
him. Though there were roughnesses and crudenesses in his manner and
choice of words, all he did and said made Annesley sure that she had been
right in her first impression. Not a cultured gentleman like Archdeacon
Smith, or Annesley's dead father, and the few men who had come near her
in early childhood before her home fell to pieces, he was a gentleman at
heart, she told herself, and in all essentials.

It struck her as beautiful and even pathetic, rather than contemptible,
that he should humbly wish to learn of her the small refinements he had
missed in the past--that mysterious past which mattered less and less to
Annesley as the present became dear and vital.

"I've knocked about a lot, all over the world," he explained in a casual
way during a talk they had had on the night of their marriage, at the
first stopping-place to which their motor brought them. "My mother died
when I was a small boy, died in a terrible way I don't want to talk
about, and losing her broke up my father and me for a while. He never got
over it as long as he lived, and I never will as long as I live.

"The way my father died was almost as tragic as my mother's death," he
went on after a tense moment of remembering. "I was only a boy even then;
and ever since the 'knocking-about' process has been going on. I haven't
seen much of the best side of life, but I've wanted it. That was why, for
one reason, you made such an appeal to me at first sight. You were as
plucky and generous as any Bohemian, though I could see you were a
delicate, inexperienced girl, brought up under glass like the orchid you
look--and are. I'm used to making up my mind in a hurry--I've had to--so
it didn't take me many minutes to realize that if I could get you to link
up with me, I should have the thing I'd been looking for.

"Well, by the biggest stroke of luck I've got you, sooner than I could
have dared to hope; and now I don't want to make you afraid of me. I know
my faults and failings, but I don't know how to put them right and be the
sort of man a girl like you can be proud of. It's up to you to show me
the way. Whenever you see me going wrong, you're to tell me. That's what
I want--turn me into a gentleman."

When Annesley tenderly reassured him with loving flatteries, he only
laughed and caught her in his arms.

"Like a prince, am I?" he echoed. "Well, I've got princely blood in my
veins through my mother; but there are pauper princes, and in the pauper
business the gilding gets rubbed off. I trust you to gild my battered
corners. No good trying to tell me I'm gold all through, because I know
better; but when you've made me shine on the outside, I'll keep the
surface bright."

Annesley did not like the persistent way in which he spoke of himself
as a black sheep who, at best, could be whitened, and trained not to
disgrace the fold; yet it piqued her interest. Books said that women had
a weakness for men who were not good and she supposed that she was like
the rest. He was so dear and chivalrous that certain defiant hints as to
his lack of virtue vaguely added to the spice of mystery which decorated
the background of the picture--the vivid picture of the "stranger
knight."

When they had been for three days in the best suite at the Knowle Hotel,
and had made several short excursions with the motor, he asked the girl
if she "felt like getting acquainted with her cousins."

She did not protest as she had at first. Already she knew her Knight
well enough to be assured that when he resolved to do a thing it was
practically done. She had had chances to realize his force of character
in little ways as well as big ones; and she understood that he was bent
on scraping acquaintance with Lord and Lady Annesley-Seton. Had he not
decided upon Sidmouth the instant she mentioned their ownership of a
place in the neighbourhood? She had been certain that he would not
neglect the opportunity created.

"How are we to set about it?" was all she said.

"Oh, Valley House is a show place, I suppose you know," replied Knight.
"I've looked it up in the local guide-book. It's open to the public three
days a week. Any one with a shilling to spare can see the ancestral
portraits and treasures, and the equally ancestral rooms of your
distinguished family. Does that interest you?"

"Ye-es. But I'm a distant relation--as well as a poor one," Annesley
reminded him with her old humility.

"You're not poor now. And blood is thicker than water--when it's in a
golden cup. It's Lord and Lady Annesley-Seton's turn to play the poor
relations. It seems they're stony. Even the shillings the public pay to
see the place are an object to them."

"Oh, I'm sorry!" exclaimed Annesley.

"That's generous, seeing they never bothered themselves about you when
they had plenty of shillings and you had none."

"I don't suppose they knew there _was_ a me."

"Lord Annesley-Seton must have known, if his wife didn't know. But we'll
let that pass. I was thinking we might go to the house on one of the
public days, with the man who wrote the local guide-book. I've made his
acquaintance through writing him a note, complimenting him on his work
and his knowledge of history. He answered like a shot, with thanks for
the appreciation, and said if he could help me he'd be delighted. He's
the editor of a newspaper in Torquay.

"If we invite him to lunch here at the Knowle, he'll fall over himself to
accept. Then we'll be able to kill two birds with one stone. He'll tell
us things about the heirlooms at Valley House we shouldn't be able to
find out without his help--or a lot of dreary drudgery--and also he'll
put a paragraph about us in his newspaper, which he'll send to your
cousins. Now, isn't that a combination of brilliant ideas?"

"Yes," laughed Annesley. "But why should you take so much trouble--and
how can you tell that the editor's paragraph would make the
Annesley-Setons want to know us?"

"As for the paragraph, you may put your faith in me. And as for the
trouble, nothing's too much to launch my wife on the top wave of society,
where she has every right to be. I want Mrs. Nelson Smith to have her
chance to shine. Money would do the trick sooner or later, but I want
it to be done sooner. Besides, I have a feeling I should like us to get
where we want to be, without the noisy splash money-bags make when
new-rich candidates for society are launched. Your people will see
excellent reasons why their late 'poor relation' is worth cultivating.

"But trust them to save their faces by keeping their real motive secret!"
with a touch of sarcasm. "I seem to hear them going about among their
friends, whom they'll invite to meet us, saying how charming and unspoilt
you are though you've got more money than you know what to do with----"

"I!" With the protesting pronoun Annesley disclaimed all ownership of her
husband's fortune, whatever it might be.

"It's the same thing. You and I are one. Whatever is mine is yours. I
don't swear to make you a regular, unfailing allowance worthy of the new
position you're going to have, because you see I do business with several
countries, and my income's erratic; I'm never sure to the day when it
will come or how much it will be. But there's nothing you want which you
can't buy; remember that. And when we begin life in London, you shall
have a standing account at as many shops as you like."

Annesley made no objection to Knight's plan for luring the journalist
into his "trap," which was a harmless one. According to his prophecy, Mr.
Milton Savage of the Torquay _Weekly Messenger_ accepted the invitation
from his correspondent, and came to luncheon on the day when the public
were free to view Valley House.

He was a small man with a big head and eyes which glinted large behind
convex spectacles. Annesley was charming to him, not only in the wish to
please Knight but because she was kind-hearted and had intense sympathy
for suppressed people. Mr. Savage was grateful and admiring, and drank in
every word Knight dropped, as if carelessly, about the relationship to
Lord Annesley-Seton.

Knight allowed himself to be pumped concerning it, and also his wife's
parentage, letting fall, with apparent inadvertence, bits of information
regarding himself, his travels, his adventures, and the fortune he had
picked up.

"I'm the exception," he said, "to the proverb that 'a rolling stone
gathers no moss.' I've gathered all I want or know what to do with; and
now I'm married I mean to take a rest. I haven't decided yet where or
how, but it will be somewhere in England. We're looking for a house in
London, and later we might rent one in the country, too."

Annesley admired his cleverness in touching the goal; but somehow these
smart hits disturbed rather than amused her. Knight's complexity was a
puzzle to her. She could not understand, despite his explanations, why
these fireworks of dexterity were worth while. Knight was a brave figure
of romance. She did not want her hero turned into an intriguer, no matter
how innocent his motive.

After luncheon they drove five or six miles in the motor to Valley House,
a place of Jacobean times. There was an Italian garden, and an English
garden containing every flower, plant, and herb mentioned by Shakespeare.
Each garden had a distant view of the sea, darkly framed by Lebanon
cedars and immense beeches, while the house itself--not large as "show"
houses go--was perfect of its kind, with carved stone mantels, elaborate
oak panelling and staircases, leaded windows, and treasures of portraits,
armour, ancient books, and bric-à-brac which would have remade the family
fortune if all had not been heirlooms.

There was not a picture on the walls nor an old piece of jewellery in the
many locked glass cabinets of which Mr. Milton Savage could not tell the
history as he guided the Nelson Smiths through hall and corridors and
rooms with marvellous moulded ceilings. The liveried servant told off to
show the crowd over the house had but a superficial knowledge of its
riches compared with the lore of the journalist; and the editor of the
Torquay _Weekly Messenger_ became inconveniently popular with the public.

He was not blind to the compliment, however; and, motoring into Torquay
at the end of the afternoon with his host and hostess, expressed himself
delighted with his visit.

That night was his night for going to press, but he found time to write
the paragraph which Nelson Smith expected. Next morning a copy of the
_Messenger_, with a page marked, arrived at the Knowle Hotel, and
another, also marked, went to Valley House.

The bride and bridegroom were at breakfast when the paper came. There
were also three letters, all for Knight, the first which either had
received since their marriage.

Knight cut open the envelopes slowly, one after the other, and made no
comment. Annesley could not help wondering if the Countess had written,
for an involuntary glance had made her sure that one of Knight's letters
was from a woman: a purple envelope with a purple monogram and a blob of
purple wax sealed with a crown. He read all three, put them back into
their envelopes, rose, dropped them into the fire, watched them burn to
ashes, and quietly returned to his seat. Then, as if really interested,
he tore the wrapping off the Torquay _Messenger_.

"Now we shall see ourselves in print!" he said, and a moment later was
reading to Annesley an account of "the two most interesting guests the
Knowle Hotel has entertained this season." Mr. and Mrs. Nelson Smith were
described with enthusiasm. They were young and handsome. He was immensely
rich, she was "highly connected" as well as beautiful, having been a
Miss Annesley Grayle, related on her mother's side to the Earl of
Annesley-Seton.

The modesty of the young couple was so great, however, that, though the
bridegroom was a millionaire well known in his adopted country, America,
and the bride quite closely linked with his lordship's family, they had
refused to make their presence in the neighbourhood known to the Earl and
Lady. Instead they had visited Valley House with a crowd of tourists on a
public day, expressing the opinion to a representative of the _Messenger_
that it would be "intrusive" to present themselves to Lord and Lady
Annesley-Seton. They were spending their honeymoon in Devonshire, and
might find, during their motor tours, a suitable country place to buy or
rent.

In any case, they would look for a house in which to settle on their
return to London.

"Good for Milton Savage," laughed Knight. "Now we'll lie low, and see
what will happen."

Annesley thought that nothing would happen; but she was wrong. The next
morning a note came by hand for Mrs. Nelson Smith, brought by a footman
on a bicycle.

The note was from Lady Annesley-Seton.




CHAPTER X

BEGINNING OF THE SERIES


No man who had not known the seamy side of life could have guessed the
effect of Milton Savage's paragraph upon the minds of Lord and Lady
Annesley-Seton.

"I told you if you bet against me you would bet wrong," Knight said, when
the astonished girl handed the letter across the breakfast table. Even he
had hardly reckoned on such extreme cordiality. He had expected a bid for
acquaintanceship with the "millionaire" and his bride, but he had fancied
there would be a certain stiffness in the effort.

Lady Annesley-Seton had begun, "My dear Cousin," and her frank American
way was disarming. She wrote four pages of apology for herself and her
husband, explaining why they had neglected "looking up Mrs. Nelson Smith
when she was Miss Annesley Grayle." The letter went on:

  I hadn't been married long when my husband read out of some newspaper
  the notice of a clergyman's death, and mentioned that he was a cousin
  by marriage whom he hadn't met since boyhood, although the clergyman's
  living was in our county--somewhere off at the other end.

  My husband thought there was a daughter, and I remember his remarking
  that we ought to write and find out if she'd been left badly off. Of
  course, it was _my_ duty to have kept his idea alive, and to have
  carried it out. But I was young and having such a good time that I'm
  afraid it was a case of "out of sight, out of mind."

  We forgot to inquire, and heard no more. It was _horrid_ of us, and I'm
  sure it was _our_ loss. Probably we should have remembered if things
  had gone well with us: but perhaps you know that my father (whose money
  used to seem unlimited to me) lost it all, and we were mixed up in the
  smash. We've been poorer than any church mice since, and trying to make
  ends meet has occupied our attention from that day to this.

  I have to confess that, if our attention hadn't been drawn to your
  name, we might never have thought of it again. But now I've eased my
  conscience, and as fate seems to have brought us within close touch, do
  let us see what she means to do with us. We should so like to meet you
  and Mr. Nelson Smith, who is, apparently, more or less a countryman of
  mine.

  I'm not allowed out yet, in this cold weather, after an attack of
  "flu"; but my husband will call this afternoon on the chance of finding
  you in, carrying a warm invitation to you both to "waive ceremony" and
  dine with us at Valley House _en famille_.

  Looking forward to meeting you,

  Yours most cordially,

  Constance Annesley-Seton.

"Sweet of her, isn't it?" Annesley exclaimed when she and Knight had read
the letter through.

Knight glanced at his wife quizzically, opened his lips to speak, and
closed them. Perhaps he thought it would be unwise as well as wrong to
disturb the girl's faith in Lady Annesley-Seton's disinterestedness.

"Yes, it's _real_ sweet!" he said, exaggerating his American accent, but
keeping a grave face.

They were duly "at home" that afternoon, though they had intended to go
out, and the caller found them in a private sitting room filled with
flowers, suggesting much money and a love of spending it. Annesley had
put on Knight's favourite frock, one of the "model dresses" he had chosen
for her in their whirlwind rush through Bond Street, a white cloth
trimmed with narrow bands of dark fur; and she had never looked prettier.

Lord Annesley-Seton, a tall thin man of the eagle-nosed soldier type,
wearing pince-nez, but youthful-looking for the forty-four years Burke
gave him, could not help thinking her a satisfactory cousin to pick up:
and Nelson Smith was far from being in appearance the rough, self-made
man he had dreaded.

He was delighted with them both--so young, so handsome, so happy,
so fortunate, and luckily so well bred. He did not make the short
conventional call he had intended, but stayed to tea, and at last went
home to give his wife an enthusiastic account of the visit.

"The girl's a lady, and might be a beauty if she had more confidence in
herself--you know what I mean: taking herself for granted as a charmer,
the way you smart women do," he said. "She isn't that kind. But with you
to show her the ropes, she'll be liked by the right people. There's a
softness and sweetness and genuineness that you don't often see in girls
now. As for the man, you'll think him a ripper, Connie--so will other
women. Has the air of being a gentleman born, and then having roughed it
all over the world. A strong man, I should say. A man's man as well as a
woman's. Might 'take' if he's started right."

"_We'll_ see to that," said Constance Annesley-Seton, who was not too ill
to go out but had not wanted to seem too eager.

She was less than thirty, but looked more because she had worried and
drawn faint lines between her delicate auburn brows and at the corners
of her greenish-gray eyes. There were also a few fading threads in the
red locks which were her one real beauty; but she had a marvellous
hair-varnish which prevented them from showing.

"We'll see to that! If they'll _let_ us. Are they going to let us?"

"Yes, I think so," Annesley-Seton reassured her. "They're a pair of
children, willing to be guided. They can have anything they want in the
world, but they don't seem to know what to want."

"Splendid!" laughed Constance. "Can't we will them to want our house in
town, and invite us to visit them?"

"I shouldn't wonder," replied her husband. "You might make a start in
that direction when they come to dinner to-morrow evening."

Lord Annesley-Seton had outgrown such enthusiasms as he might once have
had, therefore his account of the cousins encouraged Constance to hope
much, and she was not disappointed. On the contrary, she thought that he
had not said enough, especially about the man.

If she had not had so many anxieties that her youthful love of "larks"
had been crushed out, she would have "adored" a flirtation with Nelson
Smith. It would have been "great fun" to steal him from the pretty
beanpole of a girl who would not know how to use her claws in a fight
for her man; but as it was, Connie thought only of conciliating "Cousin
Anne," and winning her confidence. Other women would try to take Nelson
Smith from his wife, but Connie would have her hands full in playing a
less amusing game.

She thought, seeing that the handsome, dark young man she admired had a
mind of his own, it would be a difficult game to play; and Nelson Smith
saw that she thought so. His sense of humour caused him to smile at his
own cleverness in producing the impression; and he would have given a
good deal for someone to laugh with over her maneuvers to entice him
along the road he wished to travel.

But he dared not point out to Annesley the fun of the situation. To do so
would be to put her against him and it.

She, too, had a sense of humour, suppressed by five years of Mrs.
Ellsworth, but coming delightfully to life, like a half-frozen bird, in
the sunshine of safety and happiness. Knight appealed to and encouraged
it often, for he could not have lived with a humourless woman, no matter
how sweet.

Yet he did not dare wake it where her cousins were concerned. Her sense
of honour was more valuable to him than her sense of humour. He was
afraid to put the former on the defensive, and he was glad to let her
believe the Annesley-Setons were genuinely "warming" to them in a way
which proved that blood was thicker than water.

The girl had wondered from the first why he was determined to make
friends with these cousins whom she had never known, and he was grateful
because she believed in him too loyally to attribute his desire to
"snobbishness." He wished her to suppose he had set his heart on
providing her with influential guidance on the threshold of a new life;
and it was important that she should not begin criticizing his motives.

By the time dinner was over Constance Annesley-Seton had decided that the
Nelson Smiths had been sent to her by the Powers that Be, and that it
would be tempting Providence not to annex them. Not that she put it in
that way to herself, for she did not trouble her mind about Providence.
All she knew was that she and Dick would be fools to let the chance slip.

It was as much as she could do not to suggest the idea in her mind: that
the Nelson Smiths should take the house in Portman Square; that she and
her husband should introduce them to society, and that the Devonshire
place should either be let to them or that they should visit there when
they wished to be in the country, as paying guests.

But she controlled her impatience, limiting herself to proposing plans
for future meetings. She suggested giving a dinner in honour of the bride
and bridegroom, and inviting people whom it would be "nice for them to
know" in town.

Knight said that he and "Anita" (his new name for Annesley, a souvenir
of Spanish South America) would accept with pleasure. And the girl agreed
gladly, because she thought her cousin and his wife were very kind.

After dinner Annesley-Seton and Knight followed Constance and "Anita"
almost directly, the former asking his guests if they would like to see
some of the family treasures which they could only have glanced at in
passing with the crowd the other day.

"Before sugar went to smash, we blazed into all sorts of extravagances
here," he said, bitterly, with a glance at the deposed Sugar King's
daughter. "Among others, putting electric light into this old barn. We'll
have an illumination, and show you some trifles Connie and I wish to
Heaven a kind-hearted burglar would relieve us of.

"Of course the beastly things are heirlooms, as I suppose you know. We
can't sell or pawn them, or I should have done one or the other long ago.
They're insured by the trustees, who are the bane of our lives, for the
estate. But a sporting sort of company has blossomed out lately, which
insures against 'loss of use'--I think that's the expression. I pay the
premium myself--even when I can't pay anything else!--and if the valuable
contents of this place are stolen or burned, we shall benefit personally.

"I don't mind you or all the world knowing we're stony broke," he went
on, frankly. "And everyone _does_ know, anyhow, that we'd be in the deuce
of a hole without the tourists' shillings which pour in twice a week the
year round. You see, each object in the collection helps bring in those
shillings; and 'loss of use' of a single one would be a real deprivation.
So it's fair and above board. But thus far, I've paid my premium and got
no return, these last three years. Our tourists are so disgustingly
honest, or our burglars so clumsy and unenterprising, that, as you say
in the States, 'there's nothing doing.'"

As he talked Dick Annesley-Seton sauntered about the immense room into
which they had come from the state banqueting hall, switching on more and
more of the electric candle-lights set high on the green brocade walls.
This was known as the "green drawing room" by the family, and the "Room
of the Miniatures" by the public, who read about it in catalogues.

"Come and look at our white elephants," he went on, when the room, dimly
and economically lit at first, was ablaze with light; and Mr. and Mrs.
Nelson Smith joined him eagerly. Constance followed, too, bored but
resigned; and her husband paused before a tall, narrow glass cabinet
standing in a recess.

"See these miniatures!" he exclaimed, fretfully. "There are plenty more,
but the best are in this cabinet; and there's a millionaire chap, in New
York--perhaps you can guess his name, Smith?--who has offered a hundred
thousand pounds for the thirty little bits of ivory in it."

"I think that must have been the great Paul Van Vreck," Knight hazarded.

"I thought you'd guess! There aren't many who'd make such an offer. Think
what it would mean to me if it could be accepted, and I could have the
handling of the money. There are three small pictures in the little
octagon gallery next door, too, Van Vreck took a fancy to on a visit he
paid us from Saturday to Monday last summer. We never thought much of
them, and they're in a dark place, labelled in the catalogue 'Artist
unknown: School of Fragonard'; but _he_ swore they were authentic
Fragonards, and would have backed his opinion to the tune of fifteen
thousand pounds for the trio, or six thousand for the one he liked best.
Isn't it aggravating? In the Chinese room he went mad over some bits of
jade, especially a Buddha nobody else had ever admired."

"He's one of the few millionaire collectors who is really a judge of all
sorts of things," Knight replied. "But, great Scott! I'm no expert, yet
it strikes me these miniatures are something out of the ordinary!"

"Well, yes, they are," Annesley-Seton admitted, modestly. "That queer one
at the top is a Nicholas Hilliard. I believe he was the first of the
miniaturists. And the two just underneath are Samuel Coopers. They say he
stood at the head of the Englishmen. There are three Richard Cosways and
rather a nice Angelica Kauffmann."

"It was the Fragonard miniature Mr. Van Vreck liked best," put in
Constance. "It seems he painted only a few. And next, the Goya----"

"Good heavens! where is the Fragonard?" cried Dick, his eyes bulging
behind his pince-nez. "Surely it was here----"

"Oh, surely, yes!" panted his wife. "It was never anywhere else."

For an instant they were stricken into silence, both staring at a blank
space on the black velvet background where twenty-nine miniatures hung.
There was no doubt about it when they had reviewed the rows of little
painted faces. The Fragonard was gone.

"Stolen!" gasped Lady Annesley-Seton.

"Unless one of you, or some servant you trust with the key, is a
somnambulist," said Knight. "I don't see how it would pay a thief to
steal such a thing. It must be too well known. He couldn't dispose of
it--that is if he weren't a collector himself; and even then he could
never show it. But--by Jove!"

"What is it? What have you seen?" Annesley-Seton asked, sharply.

Knight pointed, without touching the cabinet. He had never come near
enough to do that. "It looks to me as if a square bit of glass had been
cut out on the side where the lost miniature must have hung," he said.
"I can't be sure, from where I stand, because the cabinet is too close
to the wall of the recess."

Dick Annesley-Seton thrust his arm into the space between green brocade
and glass, then slipped his hand through a neatly cut aperture just big
enough to admit its passage. With his hand in the square hole he could
reach the spot where the miniature had hung, and could have taken it off
the hook had it been there. But hook, as well as miniature, was missing.

"That settles it!" he exclaimed. "It _is_ a theft, and a clever one!
Strange we should find it out when I was demonstrating to you how much I
wished it would happen. Hurrah! That miniature alone is insured against
burglary for seven or eight hundred pounds. Nothing to what it's worth,
but a lot to pay a premium on, with the rest of the things besides. I
wish now I hadn't been so cheese-paring. You'll be witnesses, you two, of
our discovery. I'm glad Connie and I weren't alone when we found it out.
Something nasty might have been said."

"We'll back you up with pleasure," Knight replied. "What was the
miniature like? I wonder if we saw it when we were here the other day,
Anita? I remember these, but can't recall any other."

"Neither can I," returned Annesley. "But I am stupid about such things.
We saw so many--and passed so quickly."

"I wonder if Paul Van Vreck was here in disguise among the tourists?"
said Dick, beginning to laugh. "It would have been the one he'd have
chosen if he couldn't grab the lot."

"Oh, surely no one in the crowd could have cut a piece of glass out of a
cabinet and stolen a miniature without being seen!" Annesley cried.

"Dick is half in joke," Constance explained. "It would have been a
miracle, yet the servants are above suspicion. Those horrid trustees
never let me choose a new one without their interference. And, of
_course_ Dick didn't mean what he said about Mr. Van Vreck."

"Of course not. I understood that," Annesley excused herself, blushing
lest she had appeared obtuse.

"All the same, to carry on the joke, let's go into the octagon room
and see if the alleged Fragonard pictures have gone, too," said
Annesley-Seton. He led the way, turning on more light in the adjoining
room as he went; and, outdistancing the others, they heard him stammer,
"Good Lord!" before they were near enough to see what he saw.

"They aren't gone?" shrieked his wife, hurrying after him.

"One of them is."

In an instant the three had grouped behind him, where he stood staring at
an empty frame, between two others of the same pattern and size, charming
old frames twelve or fourteen inches square, within whose boundaries of
carved and gilded wood, nymphs held hands and danced.

"Are we _dreaming_ this?" gasped Constance.

"Thank Heaven we're not!" the husband answered. "The two paintings are on
wood, you see. So was the missing one. Someone has simply unfastened it
from the frame, and trusted to this being a dark, out-of-the-way corner,
not to have the theft noticed for hours or maybe days. By all that's
wonderful, here's _another_ insurance haul for me! What about the jade
Buddha in the Chinese room?"

They rushed back into the green drawing room, and so to the beautiful
Chinese room beyond, with its priceless lacquer tables and cabinets. In
one of these latter a collection of exquisite jade was gathered together.

And the Buddha which Paul Van Vreck had coveted was gone!




CHAPTER XI

ANNESLEY REMEMBERS


There was great excitement for the next few days at Valley House and
throughout the neighbourhood, for the Annesley-Setons made no secret of
the robbery, and the affair got into the papers, not only the local ones,
but the London dailies.

Two of the latter sent representatives, to whom Lord Annesley-Seton
granted interviews. Something he said attracted the reporters' attention
to Mr. and Mrs. Nelson Smith, who had been dining at Valley House on the
evening when the theft was discovered, and Knight was begged for an
interview.

He was asked if he had formed an opinion as to the disappearance of the
three heirlooms, and whether he knew personally Mr. Paul Van Vreck, the
American collector and retired head of the famous firm of jewellers, who
had wished to buy the vanished treasures.

Having spent most of his life in America, Knight had the theory that
unless you wished to be misrepresented, the only safe thing was to let
yourself be interviewed. He was accordingly so good-natured and
interesting that the reporters were delighted with him. If he had been
wishing for a wide advertisement of his personality, his possessions, and
his plans, he could not have chosen a surer way of getting it.

The two newspapers which had undertaken to boom the "Valley House
Heirloom Theft" had almost limitless circulations. One of them possessed
a Continental edition, and the other was immensely popular because of its
topical illustrations.

Snapshots, not so unflattering as usual, were obtained of the young
Anglo-American millionaire and his bride, as they started away from the
Knowle Hotel in their motor, or as they walked in the garden. Though
Knight had disclaimed any personal acquaintance with the great Paul Van
Vreck, he was able to state that Mr. Van Vreck had been convalescing
at Palm Beach, in Florida, at the time of the robbery. He had had an
attack of pneumonia in the autumn, and instead of travelling in his yacht
to Egypt, as he generally did travel early in the winter, he had been
ordered by his doctors to be satisfied with a "place in the sun" nearer
home.

Everyone in America knew this, Knight explained, and everyone in England
might know it also, unless it had been forgotten. If Mr. Van Vreck were
well enough to take an interest in the papers, he was sure to be amused
by the coincidence that the things stolen from Valley House were among
those he had wanted to buy.

Knight thought, however, that even if the clever thief or thieves had
heard of Van Vreck's whim, no attempt would be made to dispose of the
spoil to him. The elderly millionaire, though one of the most eccentric
men living, was known as the soul of honour.

The relationship between young Mrs. Nelson Smith and Lord Annesley-Seton
was touched upon in the papers; and though it was irrelevant to the
subject in hand, mention was made of the Nelson Smiths' plan to live in
London.

This gave Constance her chance. At an impromptu luncheon at the Knowle
Hotel, before the intended dinner party at Valley House, she referred
to the interest Society would begin to take in this "romantic couple."

"Everybody will have fallen in love with you already," she said, "from
those snapshots in the _Looking Glass_. They make you both look such
darlings--though they don't flatter either of you. All the people we know
will be clamouring to meet you, so you must hurry and find a nice house,
in the right part of town, before some other sensation comes up and
you're forgotten. How would it be if you took _our_ house for a couple
of months, while you're looking round? Naturally, if you _liked_ it, you
could keep it on. We'd be delighted, for we have to let it when we can,
and it would be a pleasure to think of you in it."

"If we're in it, you must both come and stay, and not only 'think' of us,
but be with us: mustn't they, Anita?" Knight proposed. Of course Annesley
said yes, and meant yes. Not that she really wanted her duet with Knight
to be broken up into a chorus, but she longed to succeed as a woman of
the world, since that was what he wanted her to be; and she realized that
Lady Annesley-Seton's help would be invaluable.

So, through the theft at Valley House and the developments therefrom,
the hidden desires of Nelson Smith and the daughter of the deposed
Sugar King accomplished themselves, Connie still believing that she had
engineered the affair with diplomatic skill, and Knight laughing silently
at the way she had played into his hands.

Detectives were set to work by the two insurance companies, who hoped to
trace the thief and discover the stolen Fragonards and the jade Buddha;
but their efforts failed; and at the dinner party given in honour of the
new cousins, Lord and Lady Annesley-Seton rejoiced openly in their good
luck.

"All the same," Constance said, "I _should_ like to know how the things
were spirited out of the house, and where they are. It is the first
mystery that has ever come into our lives. I wish I were a clairvoyante.
It would be fun!"

"Did you ever hear of the Countess de Santiago, when you lived in
America?" asked Knight in his calm voice. He did not glance toward
Annesley, who sat at the other end of the table, but he must have guessed
that she would turn with a start of surprise on hearing the Countess's
name in this connection.

"The Countess de Santiago?" Connie echoed. "No. What about her? She
sounds interesting."

"She _is_ interesting. And beautiful." Everybody had stopped talking by
this time, to listen; and in the pause Knight appealed to his wife.
"That's not an exaggeration, is it, Anita?"

Annesley, wondering and somewhat startled, answered that the Countess de
Santiago was one of the most beautiful women she had seen.

This riveted the attention which Knight had caught. He had his audience,
and went on in a leisurely way.

"Come to think of it, she can't have been heard of in your part of the
world until you'd left for England," he told Constance. "She's the most
extraordinary clairvoyante I ever heard of. That's what made me speak of
her. Unfortunately she's not a professional, and won't do anything unless
she happens to feel like it. But I wonder if I could persuade her to look
in her crystal for you, Lady Annesley-Seton?

"She's an old acquaintance of mine," he went on, casually. "I met her
in Buenos Aires before her rich elderly husband died, about seven or
eight years ago. She was very young then. I came across her again in
California, when she was seeing the world as a free woman, after the old
fellow's death. Then I introduced her by letter to one or two people in
New York, and I believe she has been admired there, and at Newport.

"But I've only _heard_ all that," Knight hastened to explain. "I've been
too busy till lately to know at first hand what goes on in the 'smart' or
the artistic set. _My_ world doesn't take much interest in crystal-gazers
and palmists, amateur or professional, even when they happen to be
handsome women, like the Countess. But I ran against her again on board
the _Monarchic_ about a month ago, crossing to this side, and we picked
up threads of old acquaintance. She was staying at the Savoy when I left
London."

He paused a moment, and added:

"As a favour to me, she might set her accomplishments to work on this
business. Only she'd have to meet you both and see this house, for I've
heard her say she couldn't do anything without knowing the people
concerned, and 'getting the atmosphere.'"

"Oh, we _must_ have her!" cried Constance, and all the other women except
Annesley chimed in, begging their hostess to invite them if the Countess
came.

No one thought it odd that Mrs. Nelson Smith should be silent, for her
remark about the Countess de Santiago's beauty showed that she had met
the lady; but to any one who had turned a critical stare upon her then,
her expression must have seemed strange. She had an unseeing look, the
look of one who has become deaf and blind to everything outside some
scene conjured up by the brain.

What Annesley saw was a copy of the _Morning Post_. Knight's mention of
the Countess de Santiago's power of clairvoyance at the same time with
the liner _Monarchic_ printed before her eyes a paragraph which her
subconscious self had never forgotten.

For the moment only her body sat between a young hunting baronet and a
distinguished elderly general at her cousins' dinner table. Her soul had
gone back to London, to the ugly dining room at 22-A, Torrington Square,
and was reading aloud from a newspaper to a stout old woman in a tea
gown.

She was even able to recall what she had been thinking, as her lips
mechanically conveyed the news to Mrs. Ellsworth. She had been wondering
how much longer she could go on enduring the monotony, and what Mrs.
Ellsworth would do if her slave should stop reading, shriek, and throw
the _Morning Post_ in her face.

As she pictured to herself the old woman's amazement, followed by rage,
she had pronounced the words:

  SENSATIONAL OCCURRENCE ON BOARD THE S.S. _MONARCHIC_

Even that exciting preface had not recalled her interest from her own
affairs. She could remember now the hollow, mechanical sound of her voice
in her own ears as she had half-heartedly gone on, tempted to turn the
picture of her wild revolt into reality.

The paragraph, seemingly forgotten but merely buried under other
memories, had told of the disappearance on board the _Monarchic_ of
certain pearls and diamonds which were being secretly brought from New
York to London by an agent of a great jewellery firm. He had been blamed
by the chief officer for not handing the valuables over to the purser.

The unfortunate man (who had not advertised the fact that he was an agent
for Van Vreck & Co. until he had had to complain of the theft) excused
this seeming carelessness by the statement that he had hoped his identity
might pass unsuspected. His theory was that safety lay in insignificance.

He had engaged a small, cheap cabin for himself alone, taking an assumed
name; had pretended to be a schoolmaster on holiday, and had worn the
pearls and other things always on his person in a money belt. Even at
night he had kept the belt on his body, a revolver under his pillow, and
the door of his cabin locked, with an extra patent adjustable lock of his
own, invented by a member of the firm he served. It had not seemed
probable that he would be recognized, or possible that he could be
robbed.

Yet one morning he had waked late, with a dull headache and sensation of
sickness, to find that his door, though closed, was unfastened, and that
all his most valuable possessions were missing from the belt.

Some were left, as though the thief had fastidiously made his selection,
scorning to trouble himself with anything but the best. The mystery of
the affair was increased by the fact that, though the man (Annesley
vaguely recalled some odd name, like Jekyll or Jedkill) felt certain he
had fastened the door, there was no sign that it had been forced open.
His patent detachable lock, however, had disappeared, like the jewels.

And despite the sensation of sickness, and pain in the head, there were
no symptoms of drugging by chloroform, or any odour of chloroform or
other anæsthetic in the room.

It struck Annesley as strange, almost terrifying, that these details of
the _Monarchic_ "sensation" should come back to her now; but she could
not doubt that she had actually read them, and the rest of the story
continued to reprint itself on her brain, as the unrolling of a film
might bring back to one of the actors poses of his own which he had let
slip into oblivion.

She remembered how some of the more important passengers had suggested
that everybody on board should be searched, even to the ship's officers,
sailors, and employés of all sorts; that the search had been made and
nothing found, but that a lady supposed to possess clairvoyant powers had
offered Mr. Jekyll or Jedkill to _consult her crystal_ for his benefit.

She had done so, and had seen wireless messages passing between someone
on the _Monarchic_ and someone on another ship, with whom the former
person appeared to be in collusion. She had seen a small, fair man,
dressed as a woman, hypnotizing the jewellers' agent into the belief that
he was locking his door when instead he was leaving it unlocked.

Then she had seen this man who, she asserted firmly, was dressed like
a woman, walk into his victim's cabin, hypnotize him into still deeper
unconsciousness, and take from his belt three long strings of pearls and
several magnificent diamonds, set and unset. These things she saw made
up into a bundle, wrapped in waterproof cloth, attached to a faintly
illuminated life-preserver, and thrown overboard.

Almost immediately after, she said, the life preserver was picked up by a
man in a small motor-launch let down from a steam yacht. The launch
quickly returned to the yacht, was taken up, and the yacht made off in
the darkness.

No life belt was missing from the _Monarchic_ and even if suspicion could
be entertained against any "small, fair man" (which was not the case,
apparently), there was no justification for a search. Therefore, although
a good many people believed in the seeress's vision, it proved nothing,
and the sensational affair remained as deep a mystery as ever when the
_Monarchic_ docked.

"The Countess de Santiago was the woman who looked in the crystal!"
Annesley said to herself. She wondered why, if Knight had been vexed with
the Countess for speaking of their friendship and of the _Monarchic_, as
he had once seemed to be, he should refer to it before these strangers.

She looked down the table, past the other faces to his face, and the
thought that came to her mind was, how simple and almost meaningless the
rest were compared to his. Among the fourteen guests--seven women and
seven men--though some had charm or distinction, his face alone was
complex, mysterious, and baffling.

Yet she loved it. Now, more than ever, she loved and admired it!

The dinner ended with a discussion between Knight and Constance as to how
the Countess de Santiago could be induced to pay a visit to Valley House,
despite the fact that she had never met Lord and Lady Annesley-Seton.
Like most women who had lived in Spanish countries, the Countess was
rather a "stickler for etiquette," her friend Nelson Smith announced.
Besides, her experience as an "amateur clairvoyante" made her quick to
resent anything which had the air of patronage. One must go delicately to
work to think out a scheme, if Lady Annesley-Seton were really in "dead
earnest" about wanting her to come.

At this point Knight reflected for a minute, while everyone hung upon his
silence; and at last he had an inspiration:

"I'll tell you what we can do!" he exclaimed. "My wife and I--you're
willing, aren't you, Anita?--can ask her to stay over this week-end with
us. I think she'll come if she isn't engaged; and we can invite you to
meet her at dinner."

"Oh, you must invite us _all_!" pleaded a pretty woman sitting next to
Knight.

"All of you who care to come, certainly," he agreed. "Won't we, Anita?"

"Oh, of course. It will be splendid if everybody will dine with us!"
Annesley backed him up with one of the girlish blushes that made her seem
so young and ingenuously attractive. "We can--send a telegram to the
Countess."

She did her best to speak enthusiastically, and succeeded. No one save
Knight and Constance guessed it was an effort.

Knight saw, and was grateful. Constance saw also, and smiled to herself
at what she fancied was the girl's jealousy of an old friend of the new
husband--an old friend who was "one of the most beautiful women" the girl
had seen. Annesley's hesitation inclined Constance to be more interested
than ever in the Countess de Santiago.




CHAPTER XII

THE CRYSTAL


Motoring back from Valley House to the Knowle Hotel, Annesley was asking
herself whether she might dare refer to the _Monarchic_, and mention the
story she had read In the _Morning Post_. She burned to do so, yet
stopped each time a question pressed to her lips, remembering Knight's
eyes as he had looked at the Countess in the Savoy restaurant the day
before the wedding.

Perhaps the wish would have conquered if some imp had not whispered,
"What about that purple envelope, addressed in a woman's handwriting?
Maybe it was from _her_, hinting to see him again, and that is what has
put this plan into his head. Perhaps he brought up the subject of the
Countess on purpose to make them invite her here!"

This thought caused the Countess de Santiago to seem a powerful person,
with an influence over Knight, though he had appeared not to care for
her. Could it be that he wanted an excuse to have her near him? The
suggestion closed Annesley's mouth by making her afraid that she was
turning into a suspicious creature, like jealous brides she had read
about. She determined to be silent as a self-punishment, and firmly
steered the _Monarchic_ into a backwater of her thoughts, while Knight
talked of the Valley House party and their credulous superstition.

"Every man Jack and every woman Jill of the lot believe in that crystal
and clairvoyant nonsense!" he laughed. "I mentioned it for fun, but I
went on simply to 'pull their legs.' I hope you don't mind having the
Countess down, do you, child? Of course, I made it out to be a favour
that so wonderful a being should consent to come at call. But between us,
Anita, the poor woman will fall over herself with joy. She's a restless,
lonely creature, who has drifted about the world without stopping
anywhere long enough to make friends, and I have a notion that her
heart's desire is to 'get into society' in England. This will give her a
chance, because these good ladies and gentlemen who are dying to see what
she's like, and persuade her to tell their pasts and futures, are at the
top of the tree. It's a cheap way for us to make her happy--and we can
afford it."

"Don't you believe she really is clairvoyant, and sees things in her
crystal?" Annesley ventured.

It was then that Knight made her heart beat by answering with a question.
"Didn't you read in the newspapers about the queer thing that happened
on board the _Monarchic_?"

"Ye-es, I _did_ read it," the girl said, in so stifled a voice that the
reply became a confession.

"Why didn't you tell me so?"

"Because--the day I heard you were on the _Monarchic_, I couldn't
remember what I'd read. It was vague in my mind----"

"No other reason?"

"Only that--that--I fancied----"

"You fancied I didn't like to talk about the _Monarchic_?"

"Well, when the Countess spoke of it, you looked--cross."

"I was cross. But only with the _way_ she spoke--as if she and I had come
over together because we were pals. That's all. Though I've every cause
to hate the memory of that trip! When did you remember what you had read
in the newspapers?"

"Only this evening."

"I thought so! At dinner. I saw a look come over your face."

"I didn't know you noticed me."

"I'm always noticing you. And I was proud of you to-night. Well! You
remembered----"

"About a man on board being robbed, and a lady--an 'amateur
clairvoyante,' seeing things in a crystal. I thought it must have been
the Countess de Santiago."

"It was, though her name was kept out of the papers by her request. She's
sensitive about the clairvoyance stuff: afraid people may consider her a
professional, and look down on her from patronizing social heights. Of
course, I suppose it's nonsense about seeing things in a glass ball, but
I believe she _does_ contrive to take it seriously, for she seems in
earnest. She did tell people on board ship things about themselves--true
things, they said; and they ought to know!

"As for the jewel affair," he added, "nobody could be sure if there was
anything in her 'visions', but people thought them extraordinary--even
the captain, a hard-headed old chap. You see, a yacht had been sighted
the evening before the robbery while the passengers were at dinner. It
might have kept near, with lights out, for the _Monarchic_ is one of the
huge, slow-going giants, and the yacht might have been a regular little
greyhound. It seems she didn't answer signals. The captain hadn't thought
much of that, because there was a slight fog and she could have missed
them. But it came back to him afterward, and seemed to bear out the
Countess's rigmarole.

"Besides, there was the finding of the patent lock, where she told the
man Jedfield he ought to look for it."

"I don't remember that in the paper."

"It was in several, if not all. She 'saw' the missing lock--a thing that
goes over a bolt and prevents it sliding back--in one of the lifeboats
upon the boat-deck, caught in the canvas covering. Well, it was there!
And there could be no suspicion of her putting the thing where it was
found, so as to make herself seem a true prophetess. She couldn't have
got to the place.

"_That's_ why people were so impressed with the rest of the visions.
We're all inclined to be superstitious. Even I was interested. Though I
don't pin my faith in such things, I asked her to look into the crystal,
and see if she could tell what had become of my gold repeater, which
disappeared the same night."

"Oh!" exclaimed Annesley. "So _you_ had something stolen?"

"It looked like it. Anyhow, the watch went. And the Countess lost a ring
during the trip--a valuable one, I believe. She couldn't 'see' anything
for herself, but she got a glimpse of my repeater in the pocket of a red
waistcoat. Nobody on board confessed to a red waistcoat. And in the
searching of passengers' luggage--which I should have proposed myself if
I hadn't been among the robbed--nothing of the sort materialized.

"However, that proved nothing. Jedfield's pearls and other trinkets must
have been somewhere on board, in someone's possession, if the yacht
vision wasn't true. Yet the strictest search gave no sign of them. It was
a miracle how they were disposed of, unless they _were_ thrown overboard
and picked up by someone in the plot, as the Countess said."

"Is that why you hate to think of the trip--because you lost your watch?"
Annesley asked.

"Yes. Just that. It wasn't so much the loss of the watch--though it was a
present and I valued it--as because it made me feel such a fool. I left
the repeater under my pillow when I got up in the middle of the night to
go on deck, thinking I heard a cry. I couldn't have heard one, for nobody
was there. And next morning, when I wanted to look at the time, my watch
was equally invisible. Then there was the business of the passengers
being searched, and the everlasting talk about the whole business. One
got sick and tired of it. I got tired of the Countess and her crystal,
too: but the effect is passing away now. I expect I can stand her if you
can."

Annesley said that she would be interested. She refrained from adding
that she did not intend to make use of the seeress's gift for her own
benefit.

       *       *       *       *       *

The Countess de Santiago wired her acceptance of the invitation, and
appeared at the Knowle Hotel on Saturday with a maid and a good deal of
luggage. Annesley had secretly feared that the effect of the beautiful
lady on the guests of the hotel would be overpowering, and had pictured
her, brilliantly coloured and exquisitely dressed, breaking like a
sunburst upon the dining room at luncheon time.

But she had underrated the Countess's cleverness and sense of propriety.
The lady arrived in a neat, tailor-made travelling dress of russet-brown
tweed which, with a plain toque of brown velvet and fur, cooled the ruddy
flame of her hair. It seemed to Annesley also that her lips were less red
than before; and though she was as remarkable as ever for her beauty, she
was not to be remarked for meretriciousness.

She was pleasanter in manner, too, as well as in appearance; and
Annesley's heart--which had difficulty in hardening itself for long--was
touched by the Countess's thanks for the invitation.

"You are so happy and wrapped up in each other, I didn't expect you to
give a thought to me," the beautiful woman said. "You don't know what it
means to be asked down here, after so many lonely days in town, and to
find that you and Don are going to give me some new friends."

This note, which Knight also had struck in explaining the Countess's
"heart's desire," was the right note to enlist Annesley's sympathy. One
might have thought that both had guessed this.

Annesley and Knight gave their dinner party in a private room adjoining
their own sitting room, and connecting also with another smaller room
which they had had fitted up for a special purpose. This purpose was to
enshrine the seeress and her crystal.

As Knight had said, she seemed to take her clairvoyant power seriously,
and insisted that she could do herself justice only in a room arranged in
a certain way. In the afternoon she directed that the furniture should be
removed with the exception of one small table and two chairs. Even the
pictures had to be taken down, and under the Countess's supervision
purple velvet draperies had to be put up, covering the walls and window.
These draperies she had brought with her, and they had curtain rings
sewn on at the upper edge, which could be attached to picture hooks or
nails.

From the same trunk came also a white silk table-cover embroidered in
gold with figures representing the signs of the zodiac. There were in
addition three purple velvet cushions: two for the chairs and one--the
Countess explained--for the table, to "make an arm rest." By her further
desire a large number of hot-house lilies in pots were sent for, and
ranged on the floor round the walls.

As for the Turkish carpet of banal reds, blues, and greens, it had to be
concealed under rugs of black fur which, luckily, the hotel possessed in
plenty. It was all very mysterious and exciting, and Annesley could
imagine the effective background these contrivances would give the
shining figure of the Countess.

When, later on, she saw her guest dressed for dinner, the girl realized
even more vividly the genius of the artist who had planned the picture.
For the Countess de Santiago wore a clinging gown made in Greek fashion,
of a supple white material shot with interwoven silver threads. She wore
her copper-red hair in a classic knot with a wreath of emerald laurel
leaves.

She would gleam like a moonlit statue in her lily-perfumed, purple
shrine, Annesley thought, and was not surprised that the lady should
achieve an instant success with the county folk who had begged for an
invitation to meet her.

The Countess de Santiago did not seem to mind answering questions
about her powers, which everyone asked across the dinner-table. She
said that since her seventh birthday she had been able, under certain
circumstances, to see hidden things in people's lives, and future events.

Her first experience, as a child, was being shut up in a darkened room,
and looking into a mirror, where figures and scenes appeared, like waking
dreams. She had been frightened, and screamed to be let out. Her mother
had taken pity and released her, saying that after all it was what "might
be expected from the seventh child of a seventh child, born on All
Saints' Eve."

The Nelson Smiths' guests listened breathlessly to every word, and were
enchanted when she promised to give each man and woman a short "sitting"
with her crystal after dinner.

Nothing was said about the purple room, so that the surprise could not
help being impressive.

It was a delightful dinner, well thought out between the host and
head-waiter, but no one wished to linger over it. Never had "bridge
fiends" been so eager to "get to work" as these people were to
take their turn with the Countess and her crystal. At Lady
Annesley-Seton's suggestion they drew lots for these turns, and
Constance herself drew the first chance. She and the gleaming figure
of the Countess went out together, and ten or twelve minutes later
she returned alone.

Everyone stared eagerly to see if she looked excited, and it took no
stretch of imagination to find her face flushed and her eyes dilated.

"Well? Has she told you anything wonderful?" A clamour of voices joined
in the question.

"Yes, she has," replied Constance. "She's simply _uncanny_! She could
pick up a fortune in London in one season, if she were a professional.
She has told me in what sort of place the heirlooms are now, but that we
shall never see them again."

So saying, Lady Annesley-Seton plumped down on a sofa beside her hostess,
as the next person hurried off to plunge into the mysteries. "I feel
quite weak in the knees," Constance whispered to Annesley. "Has she told
you anything?"

"No," said the girl "I don't--want to know things."

She might have added: "Things told by _her_." But she did not say this.

Constance shivered. "The woman frightened me with what she _knew_. I
mean, not about our robbery--that's a trifle--but about the past. That
crystal of hers seems to be--a sort of _Town Topics_. But I must say she
didn't foretell any horrors for the future--not for me personally. If
she goes on as she's begun she can do what she likes with us all. Dear
little Anne, you must ask her often to your house when you're 'finding
your feet'--and I'm helping you--in London. I prophesy that she'll prove
an attraction. Why, it would pay to have a room fitted up for her in
purple and black, with relays of fresh lilies."

Annesley smiled. But she made up her mind that, if a room _were_ done in
purple and black with relays of lilies anywhere for the Countess de
Santiago, it would not be in her house. Unless, of course, Knight begged
it of her as a favour.

And even then--but somehow she didn't believe, despite certain
appearances, that Knight was anxious to have his old friend near him. He
had the air of one who was paying a debt; and she remembered how he had
said, on the day of their wedding: "We will find a time to pay back the
favours they've done us."

This visit and dinner and introduction to society was perhaps his way of
paying the Countess. Only--was it payment in full, or an instalment?
Annesley wondered.

Vaguely she wondered also what had become of Dr. Torrance and the
Marchese di Morello. Would the next payment be for them, and what form
would it take?

She was far from guessing.

There was no anti-climax that night in the success of the Countess with
her "clients." They were deeply impressed, and even startled. Not one
woman said to herself that she had been tricked into giving the seeress a
"lead." There was nothing in the past hidden from that crystal and the
dark eyes which gazed into it! As for the future, her predictions were
remarkable; and she must have given people flattering accounts of their
characters, as everyone thought the analysis correct.

What a pity, the women whispered, that such an astonishing person was not
a professional, who could be paid in cash! As it was, she would expect to
be rewarded with invitations: and though she was presentable, "You
_know_, my dear, she's frightfully pretty, the red-haired sort, that's
the most dangerous--not a bit safe to have about one's _men_. Still--no
price is too high. We shall all be fighting for her--or over her."

And before the evening had come to an end the Countess de Santiago had
had several invitations for town and country houses. To be sure, they
were rather informal. But the beautiful lady knew when to be lenient, and
so she accepted them all.

"She told me that our stolen things are hidden away for ever, and that
we'll be robbed again," Connie said to her husband on the way back to
Valley House.

"She told me the same," said Dick. "And I hope to goodness we may be.
We've done jolly well out of that last affair!"

"Yes," his wife agreed. "The only thing I don't like about it is the
_mystery_. It makes me feel as if something might be hanging over one's
head."

"Over the trustees' heads!" laughed Lord Annesley-Seton. "I wish the
other night could be what the Countess called the 'first of a series.'"

"The first of a series!" Constance repeated. "What a queer expression!
What was she talking about?"

"She was--looking in her crystal," answered Dick, slowly, as if something
he had seen rose again before his eyes.

Constance was pricked with curiosity. "You might tell me what the woman
said!" she exclaimed.

"You haven't told me what message she had for you."

"I've just said that she prophesied we should be robbed again."

"That's only one thing. What about the rest?"

"Oh! A lot of stuff which wouldn't interest _you_!"

"You can keep your secret. And I'll keep mine," remarked Dick
Annesley-Seton, aggravatingly. "Anyhow, for the present. We'll see how it
works out."

"See how _what_ works out?" his wife echoed.

"The series."




CHAPTER XIII

THE SERIES GOES ON


After all, Annesley had not written to her friends, Archdeacon Smith and
his wife, on leaving Mrs. Ellsworth's, to tell the surprising news of her
engagement. She had asked Mr. Ruthven Smith not to speak of it to his
cousins, because she would prefer to write. But then--the putting of the
news on paper in a way not to offend them, after their kindness in the
past, had been difficult.

Besides, there had been little time to think out the difficulties, and
find a way of surmounting them. There had been only one whole day before
the wedding, and that day she had spent with Knight, buying her
trousseau. It had been a wonderful day, never to be forgotten, but its
end had found her tired; and when Knight had said "good-bye" and left
her, she had not been equal to composing a letter.

Nevertheless, she had tried, for it had seemed dreadful to marry and go
away from London without letting her only friends know what had happened,
what she was doing, and why she had not invited them to her wedding.

Ah, _why_? In explaining that she confronted the great obstacle. She
had not known how to exonerate herself without hurting their feelings,
or--telling a lie.

The girl hated lying. She could not remember that in her life she had
ever spoken or written a lie in so many words, though, like most people
who are not saints, she had prevaricated a little occasionally to save
herself or others from some unpleasantness.

In this case no innocent prevarication would serve. Even if she had been
willing to lie, she could think of no excuse which would seem plausible.
Tired as she had been that last night as Annesley Grayle, and throbbing
as she was with excitement at the thought of the new life before her, she
did begin a letter.

It was a feeble effort. She tore it up and essayed another. The second
was worse than the first, and the third was scarcely an improvement.

Discouraged, and so nerve-racked that she was on the point of tears, the
girl put off the attempt. But days passed, and when no inspiration came,
and she was still haunted by the thought of a duty undone, she
compromised by telegraphing from Devonshire. Her message ran:

  Dear Friends--

  I beg you to forgive me for seeming neglect, but it was not really
  that. I am married to a man I love. It had to be sudden. I could not
  let you know in time, though I wanted to. I shall not be quite happy
  till I've seen you and introduced my husband. Say to your cousin he may
  explain as far as he can. When we meet will tell you more. Coming back
  to London in fortnight to take house in Portman Square and settle down.
  Love and gratitude always. My new name is same as yours.

  Annesley Smith.

To this she added her address in Devonshire, feeling sure that, unless
the Archdeacon and his wife were hopelessly offended by her neglect and
horrified at Ruthven Smith's story, they would write.

She cared for them very much, and it would always be a grief, she
thought, that she and Knight had not been married by her old friend.
Every night she prayed for a letter, waking with the hope that the
postman might bring one: and five days after the sending of her telegram
her heart leaped at sight of a fat envelope addressed in Mrs. Smith's
familiar handwriting.

They forgave her! That was the principal thing. And they rejoiced in her
happiness. All explanations--if "dear Annesley wished to make any"--could
wait until they met. The kind woman wrote:

  Cousin James Ruthven Smith was loyal to his promise, and gave us no
  hint of your news. We did not, of course, know of the promise till
  after your telegram came, and we showed it to him. Then he confessed
  that he was in your secret; that he had been witness of a scene in
  which poor Mrs. Ellsworth made herself more than usually unpleasant;
  and that you had asked him to let you tell us the glad tidings of your
  engagement and hasty wedding.

  I say "poor Mrs. Ellsworth" because it seems she has been ill since you
  left, and has had other misfortunes. The illness is not serious, and I
  imagine, now I have heard fuller details of her treatment of you, that
  it is merely a liver and nerve attack, the result of temper. If she had
  not been confined to bed, and very sorry for herself, I am sure nothing
  could have prevented her from writing to us a garbled account of the
  quarrel and your departure.

  As it turned out, I hear she rang up the household after you went that
  night, had hysterics, and sent a servant flying for the doctor. He--a
  most inferior person, according to Cousin James--having a sister who is
  a trained nurse, put _her_ in charge of the patient at once, where she
  has remained since. In consequence of the nurse's tyrannical ways, the
  servants gave a day's notice and left in a body.

  Three temporary ones were got in as soon as possible from some agency;
  and last night (four days, I believe, after they were installed) a
  burglary was committed in the house.

  Only fancy, _poor Ruthven_! He was afraid to stay even with us in our
  quiet house, when he came to London, because once, years ago, we were
  robbed! You know how reticent he is about his affairs, and how he never
  says anything concerning business. One might think that to _us_ he
  would show some of the beautiful jewels he is supposed to buy for the
  Van Vrecks.

  But no, he never mentions them. We should not have known why he came to
  England this time, after a shorter interval than usual, or that he had
  valuables in his possession, if it had not been for this burglary. As
  he was obliged to talk to the police, and describe to them what had
  been stolen from him (I forgot to mention that he as well as Mrs.
  Ellsworth was robbed, but you would have guessed that, from my
  beginning, even if you haven't read the morning papers before taking up
  my letter), there was no reason why, for once, he should not speak
  freely to us.

  He has been lunching here and has just gone, as I write, but will
  transfer himself later to our house, as it has now become unbearable
  for him at Mrs. Ellsworth's. I fancy _that_ arrangement has been
  brought to an end! Your presence in the _ménage_ was the sole
  alleviation.

  James, it appears, came to London on an unexpected mission, differing
  from his ordinary trips. You may remember seeing in the papers some
  weeks ago that an agent of the Van Vreck firm was robbed on shipboard
  of a lot of pearls and things he was bringing to show an important
  client in England--some Indian potentate. James tells us that _he_
  procured the finest of the collection for the Van Vrecks, and as he is
  a great expert, and can recognize jewels he has once seen, even when
  disguised or cut up, or in different settings, he was asked to go to
  London to help the police find and identify some of the lost valuables.

  Also, he was instructed to buy more pearls, to be sold to the Indian
  customer, instead of those stolen from the agent on shipboard. James
  had not found any of the lost things; but he _had_ bought some pearls
  the day before the burglary at Mrs. Ellsworth's.

  Wasn't it _too_ unlucky? I have tried to give the poor fellow a little
  consolation by reminding him how fortunate it is he hadn't bought
  _more_, and that the loss will be the Van Vrecks' or that of some
  insurance company, not _his_ personally. But he cannot be comforted. He
  says that his not having ten thousand pounds' worth of pearls doesn't
  console him for being robbed of _eight_ thousand pounds' worth.

  James has little hope that the thieves will be found, for he feels that
  the Van Vrecks are in for a run of bad luck, after the good fortune of
  many years. They have lost the head of the firm--"the great Paul," as
  James calls him--who has definitely retired, and occupies himself so
  exclusively with his collection that he takes no interest in the
  business.

  Then there was the robbery on the ship, which, in James's opinion, must
  have been the work of a masterly combination. And now another theft!
  The poor fellow has _quite_ lost his nerve, which, as you know, has for
  years not been that of a young man. His deafness, no doubt, partly
  accounts for the timidity with which he has been afflicted since the
  first (and only other) time he was robbed. And now he blames it for
  what happened last night.

  He's trained himself to be a light sleeper, and if he could hear as
  well as other people, he thinks the thief would have waked him coming
  into his room. Once in, the wretch must have drugged him, because the
  pearls were in a parcel under his pillow. But how the man--or men--got
  into the house is a mystery, unless one of the new servants was an
  accomplice.

  _Nothing_ was broken open. In the morning every door and window was
  as usual. Of course the servants are under suspicion; but they seem
  stupid, ordinary people, according to James.

  As for Mrs. Ellsworth, he says she is making a fuss over the wretched
  bits of jewellery she lost, things of no importance. She, too, slept
  through the affair, and knew what had happened only when she waked to
  see a safe she has in the wall of her bedroom wide open.

  It seems that in place of her jewel box and some money she kept there
  was an _insulting_ note, announcing that for the first time something
  belonging to her would be used for a good purpose. To James this is the
  one bright spot in the darkness.

When Annesley had read this long letter with its many italics, she passed
it to Knight who, in exchange, handed her a London newspaper with a page
folded so as to give prominence to a certain column. It was an account of
the burglary at Mrs. Ellsworth's house, which he had been reading.

       *       *       *       *       *

Generous with money as "Nelson Smith" was, he was not a man who would
allow himself to be "done," and in some ways the Annesley-Setons were
disappointed in the bargain they arrived at with him. He appeared
delighted with the chance of getting their London house, and of having
them come to stay, in order to introduce his wife and himself to the
brightest, most "particular" stars in the galaxy of their friends.

Yet, when it came to making definite terms he seemed to take it for
granted that, as the Annesley-Setons would be living in the house as
guests, they would not only be willing, but anxious, to accept a low
price.

This had not been their intention. On the contrary, they had meant
their visit and social offices to be a great, extra favour, which
ought to raise rather than lower the rent. In some mysterious way,
however, without appearing to bargain or haggle, Nelson Smith, the young
millionaire from America, made his bride's relatives understand that he
was prepared to pay so much, and no more. That they could take him on his
own terms--or let him go.

Terrified, therefore, lest he and his money should slip out of their
hands, they snapped at his carelessly made offer without venturing an
objection. And they realized at the same time in a way equally
mysterious, and to their own surprise, that not they but Mr. and Mrs.
Nelson Smith would be master and mistress of the house in Portman Square.
If there were ever a clash between wills, Nelson Smith's would prevail
over theirs.

How this impression was conveyed to their intelligence they could hardly
have explained even to each other. The man was so pleasant, so careless
of finances or conventionalities, that not one word or look could be
treasured up against him.

"The fellow's a genius!" Annesley-Seton said to Constance, when they were
talking over the latest phase of the game. And they respected him.

Lady Annesley-Seton wished to bring to town the servants, including a
wonderful butler, who had been transferred for economy's sake to Valley
House. This proposal, however, Nelson Smith dismissed with a few
good-natured words. He had his eye upon a butler whose brother was
a chauffeur.

"Besides, it wouldn't be fair to Anita," he explained. "Your servants
would scorn to take orders from her, and I want her to learn the dignity
of a married woman with responsibilities of her own. That's the first
step toward being the perfect hostess. She's the sweetest girl in the
world, but she's timid and distrustful of herself. I want her to know her
own worth, and then it won't be long before everyone around her knows
it."

There was no answer to this except acquiescence, which Dick and Constance
were obliged to give. They did give it: the more readily because they
were inclined to suspect a hidden hint, a pill between layers of jam.

If the girl had been transferred from the earth to Mars, the new
conditions of life could scarcely have been more different from the old
than was life in Portman Square married to Nelson Smith, from the
treadmill as Mrs. Ellsworth's slave-companion. What the Portman Square
experiences of the bride would have been if Knight had allowed the
Annesley-Setons to begin by ruling it would be dangerous to say. But he
had taken his stand; and without guessing that she owed her freedom of
action to her husband's strength of will, she revelled in it with a joy
so intense that it came close to pain. Sometimes, if he were within
reach, she ran to find Knight, and hugged him almost fiercely, with a
passion that surprised herself.

"I'm so happy; that's all," she would explain, if he asked "What has
happened?" "My soul was buried. You've brought it back to life."

When she said such things Knight smiled, and seemed glad. He would hold
her to him for a minute, or kiss her hand, like an humble squire with a
princess. But now and then he looked at her with a wistfulness that was
like a question she could not hear because she was deaf. She never got
any satisfaction, though, if she asked what the look meant.

"Oh, I don't know. I was only thinking of you," he would answer, or some
other words of lover-language.

The Annesley-Setons' first move on the social chessboard was to make use
of a pawn or two in the shape of "society reporters." They knew a few men
and women of good birth and no money who lived by writing anonymously for
the newspapers. These people were delighted to get material for a
paragraph, or photographs for their editors. Connie took her new cousin
to the woman photographer who was the success of the moment; and, as she
said to Knight, "the rest managed itself."

Meanwhile, an application was made to the Lord Chamberlain for Mrs.
Nelson Smith's presentation by her cousin Lady Annesley-Seton at the
first Court of the season. It was granted, and the bride in white and
silver made her bow to their majesties. As for Knight, he laughingly
refused Dick's good offices.

"No levees for me!" he said. "I've lived too long in America, and roughed
it in too many queer places, to take myself seriously in knee-breeches.
Besides, they have to know about your ancestors back to the Dark Ages,
don't they, or else they 'cancel' you? My father was a good man, and a
gentleman, but who _his_ father was I couldn't tell to save my head. My
mother was by way of being a swell; but she was a foreigner, so I can't
make use of any of her 'quarterings,' even if I could count them."

Annesley was presented in February, and had by that time been settled in
Portman Square long enough to have met many of her cousins' friends.
After the Court, which launched her in society, she and Knight (with a
list supplied by Connie) gave a dinner-dance. The Countess de Santiago
was not asked; but soon afterward there was a luncheon entirely for
women, in American fashion, at which the Countess was present.

When luncheon was over, she gave a short lecture on "the Science of
Palmistry" and "the Cultivation of Clairvoyant Powers." Then there was
tea; and the Countess allowed herself to be consulted by the guests--the
dozen most important women of Connie's acquaintance.

Annesley, though she was not able to like the Countess, was pleased with
the praise lavished upon her both for her looks and her accomplishments
that afternoon. She had guessed, from the beautiful woman's constrained
manner when they met at a shop the day after the dinner-dance, that she
was hurt because she had not been invited: though why she should expect
to be asked to every entertainment which the Nelson Smiths gave, Annesley
could not see.

Vaguely distressed, however, by the flash in the handsome eyes, and the
curt "How do you do?" the girl appealed to Knight.

"Ought we to have had the Countess de Santiago last evening?" she asked,
perching on his knee in the room at the back of the house which he had
annexed as a "den."

"Certainly not," he reassured her, promptly. "All the people were howling
swells. The Annesley-Setons had skimmed the topmost layer of the cream
for our benefit, and the Countess would have been 'out' of it in such a
set, unless she'd been telling fortunes. You can ask her when you've a
crowd of women. She'll amuse them, and gather glory for herself. But I'm
not going to have her encouraged to think we belong to her. We've set the
woman on her feet by what we've done. Now let her learn to stand alone."

The ladies' luncheon was a direct consequence of this speech; but
complete as was the Countess's success, Annesley felt that she was not
satisfied: that it would take more than a luncheon party of which she was
the heroine to content the Countess, now that Nelson Smith and his bride
had a house and a circle in London.

Occasionally, when she was giving an "At Home," or a dinner, Annesley
consulted Knight. "Shall we ask the Countess?" was her query, and the
first time she did this he answered with another question: "Do you want
her for your own pleasure? Do you like her better than you did?"

Annesley had to say "no" to this catechizing, whereupon Knight briefly
disposed of the subject. "That settles it. We won't have her."

And so, during the next few weeks, the Countess de Santiago (who had
moved from the Savoy Hotel into a charming, furnished flat in Cadogan
Gardens) came to Portman Square only for one luncheon and two or three
receptions.

By this time, however, she had made friends of her own, and if she had
cared to accept a professional status she might have raked in a small
fortune from her séances. She would not take money, however, preferring
social recognition; but gifts were pressed upon her by those who, though
grateful and admiring, did not care for the obligation to admit the
Countess into their intimacy.

She took the rings and bracelets and pendants, and flowers and fruit, and
bon-bons and books, because they were given in such a way that it would
have been ungracious to refuse. But the givers were the very women whose
bosom friend she would have liked to seem, in the sight of the world: a
duchess, a countess, or a woman distinguished above her sisters for some
reason.

She worked to gain favour, and when she had any personal triumph without
direct aid from Portman Square, she put on an air of superiority over
Annesley when they met. If she suffered a gentle snub, she hid the smart,
but secretly brooded, blaming Mrs. Nelson Smith because she was asked to
their house only for big parties, or when she was wanted to amuse their
friends.

She blamed Nelson, too; but, womanlike, blamed Annesley more. Sometimes
she determined to put out a claw and draw blood from both, but changed
her mind, remembering that to do them harm she must harm herself.

Once it occurred to her to form a separate, secret alliance with
Constance Annesley-Seton. There were reasons why that might have suited
her, and she began one day to feel her ground when Connie had telephoned,
and had come to her flat for advice from the crystal. She had "seen
things" which she thought Lady Annesley-Seton would like her to see, and
when the séance was ended in a friendly talk, the Countess de Santiago
begged Constance to call her Madalena. "You are my _first_ real friend in
England!" she said.

"Except my cousin Anne," Connie amended, with a sharp glance from the
green-gray eyes to see whether "Madalena" were "working up to anything."

"Oh, I can't count _her_!" said the Countess. "She doesn't like me. She
wouldn't have me come near her if it weren't for her husband. I am quick
to feel things. You, I believe, really _do_ like me a little, so I can
speak freely to you. And you _know_ you can to me."

But Constance, in the slang of her girlhood days, "wasn't taking any."
She was afraid that Madalena was trying to draw her into finding fault
with her host and hostess, in order to repeat what she said, with
embroideries, to Nelson Smith or Annesley. She was not a woman to be
caught by the subtleties of another; and in dread of compromising herself
did the Countess de Santiago an injustice. If she had ventured any
disparaging remarks of "Cousin Anne," they would not have been repeated.

       *       *       *       *       *

The season began early and brilliantly that year, for the weather was
springlike, even in February; and people were ready to enjoy everything.
The one blot on the general brightness was a series of robberies.
Something happened on an average of every ten or twelve days, and always
in an unexpected quarter, where the police were not looking.

Among the first to suffer were Mr. and Mrs. Nelson Smith. The Portman
Square house was broken into, the thief entering a window of the "den"
on the ground floor, and making a clean sweep of all the jewellery
Knight and Annesley owned except her engagement ring, the string of
pearls which had been her lover's wedding gift, and the wonderful blue
diamond on its thin gold chain. These things she wore by night as well as
day; but a gold-chain bag, a magnificent double rope of pearls, a diamond
dog-collar, several rings, brooches, and bangles which Knight had given
her since their marriage, all went.

His pearl studs, his watch (a present out of Annesley's allowance,
hoarded for the purpose), and a collection of jewelled scarf-pins shared
the fate of his wife's treasures.

Unfortunately, a great deal of the Annesley-Seton family silver went at
the same time, regretted by Knight far beyond his own losses. Dick was
inclined to be solemn over such a haul, but Constance laughed.

"Who cares?" she said. "We've no children, and for my part I'm as pleased
as Punch that your horrid old third cousins will come into less when
we're swept off the board. Meanwhile, we get the insurance money for
'loss of use' again. It's simply splendid. And that dear Nelson Smith
insists on buying the best Sheffield plate to replace what's gone. It's
handsomer than the real!"

Neither she nor Dick lost any jewellery, though they possessed a little
with which they had not had the courage to part. And this seemed
mysterious to Constance. She wondered over it: and remembering how the
Countess de Santiago had prophesied another robbery for them, telephoned
to ask if she'd be "a darling, and look again in her crystal."

Madalena telephoned back: "I'll expect you this afternoon at four
o'clock."




CHAPTER XIV

THE TEST


Madalena had meant to go out that afternoon, but she changed her mind and
stopped at home. "I know what you've come for," she said, as she kept
Connie's hand in hers. It was an effective way she had, as if contact
with a person helped her to read the condition of that person's mind.

"Do you really?" exclaimed Constance. "Why, I--but you mean you've
guessed what has hap----"

"It's not guessing, it's _seeing_," answered the Countess. "I'm in one of
my psychic moods to-day. A prophecy of mine has come true?"

"No-o--yes. Well, in a way you're right. In a way you're wrong. What is
it you see?"

"I see that you've lost something--probably last night. This morning I
waked with the impression. I wasn't surprised when you telephoned. Now,
let me go on holding your hand, and _think_. I'll shut my eyes. I don't
need my room and the crystal. Yes! The impression grows clearer. You
_have_ lost something. But it is not a thing to care about. You're glad
it's gone."

"You _are_ extraordinary!" Constance wondered aloud. "Can you see what I
lost--and whether it was Dick's or mine, or both?"

"His," said Madalena, after shutting her eyes again. "_His._ And he does
not care much, either. That seems strange. But I tell you what I _feel_."

"You are telling me the truth," Constance admitted. "Now, go on: tell
what was the thing itself--and the way we lost it."

"I haven't seen that yet. I haven't tried. Perhaps I shall be able to,
in the crystal; perhaps not. I don't always succeed. But--it comes to me
suddenly that this thing isn't directly or entirely what brought you
here?"

"Right again, O Witch!" laughed Connie. "I came to ask you to find
out--you're so marvellous!-why I didn't lose _other_ things, which I
really _do_ value."

The two women had been standing in the drawing room, Lady
Annesley-Seton's hand still in the Countess's. But now, without speaking
again, Madalena led her visitor into the room adjoining, which was fitted
up much as the room at the Devonshire hotel had been for her first
séance. The seeress gave herself, here at home, the same background of
purple velvet; the floor was carpeted with black, and spread with black
fur rugs; she was never without fragrant white lilies ranged in curious
pots along the purple walls; but in her own house the appointments were
more elaborate and impressive than the temporary fittings she carried
about for use when visiting.

On her table was a cushion of cloth-of-gold, embroidered with amethysts
and emeralds, the "lucky" jewels of her horoscope; and her gleaming ball
of crystal lay like a bright bubble in a shallow cup of solid jet which,
she told everyone, had been given her in India by the greatest astrologer
in the world.

What was the name of this man, and when she had visited him in India, she
did not reveal.

They sat down at the table, she and Constance Annesley-Seton, opposite
each other. Madalena unveiled the crystal, which was hidden under a
covering of black velvet when not in use. At first she gazed into the
glittering ball in vain, and her companion watched her face anxiously. It
looked marble white and expressionless as that of a statue in the light
of seven wax candles grouped together in a silver candelabrum.

Suddenly, as it seemed to Constance's hypnotized stare, the statue-face
"came alive." It was not the first time that Constance had seen this
thrilling change. It invariably happened when the crystal began to show
a picture; and so powerful was its effect on the nerves of the watcher in
this silent, perfumed room, as to give an illusion that she, too, could
see dimly what the seeress saw forming in those transparent depths.

"A man is there," Madalena said in a low, measured voice, as if she were
talking in her sleep. "He is shutting a door. It is the front door of a
house like yours. Yes, it _is_ yours. There is the number over the door,
and I recognize the street. It is Portman Square. He puts a latchkey in
his pocket. How could he have got the key? I do not know. Perhaps I could
find out, but there is no time. I must follow him.

"He is hurrying away. He carries a heavy travelling bag. A closed
carriage is coming along--not a public one. It has been waiting for him
I think. He gets in, and the coachman--who is in black--drives off very
fast. They go through street after street! I can't be sure where. It
seems to be north they are going. There's a park--Regent's Park, maybe.
I don't know London well.

"The carriage is stopping--before a closed house in a quiet street. There
is a little garden in front, and a high wall. The man opens the gate and
walks in. The carriage drives off. The coachman must know where to go,
for no word is said. Someone inside the house is waiting. He lets the man
with the bag into a dark hallway. Now he shuts the door and goes into a
room.

"There is a light. The first man puts the bag on a table; it is a dining
table. The other man--much older--watches. The first one takes things out
of the bag. Oh, a great deal of beautiful silver! I have seen it at your
house. And there are other things--a string of pearls and a lot of
jewellery. He pours it out of a brown handkerchief on to the table.

"But still the second man is not pleased. I think he is asking why there
isn't more. The first man explains. He makes gestures. So does the other.
They are quarrelling. The man who brought the bag is afraid of the older
one. He apologizes. He seems to be talking about something that he will
do. He goes to a mantelpiece in the room and points to a calendar. He
touches a date with his forefinger."

"What date?" Lady Annesley-Seton cried out. It was forbidden to speak to
the seeress in the midst of a vision, but Constance forgot in the strain
of her excitement.

The Countess gave a gasp, fell back in her chair, and put her hands over
her eyes. "Oh!" she stammered, as though she awoke from sleep. "How my
head aches! It is all gone!"

"I'm so sorry!" Constance apologized. "It began to seem so real, I
thought I was in that room with you. You are unaccountable! You couldn't
know what happened. Yet you have been seeing the thief who stole our
silver last night, and the Nelson Smiths' jewellery, but no jewellery of
ours. That is the strange part of the affair, for I have a few things I
adore--and they would have been easy to find. You didn't even know we
_had_ been robbed, did you?"

"No, of course not," said the Countess. "I am sorry! Was it in the
papers?"

"It will be this evening and to-morrow morning! But the police must hear
about this vision of yours, the vision of the man with the latchkey. It
may help them."

"You must not tell the police!" Madalena said, "I have warned you all,
that if you talked too much about me and my crystal, the police might
hear and take notice. There are such stupid laws in England. I may be
doing something against them. If you or Lord Annesley-Seton speak of me
to the police I will go away, and you will never hear more of my
visions--as you call them--in future. Unless you promise that you will
let the police find the thieves in their own way, without dragging me in,
I shall be so unnerved that my eyes will be darkened."

"Oh, I promise, if you feel so strongly about it," said Constance. "I
didn't realize that it might do you harm to be mentioned to the police."

She wished very much to have Madalena go on looking in the crystal. She
had been excited, carried out of herself for a few minutes, but she had
not heard what she had come to hear--why she had been spared the loss of
her personal treasures.

The desired promise hurriedly made, the Countess gave her attention once
more to the crystal. For a time she could see nothing. The mysterious
current had been severed by the diversion, and had slowly to be rewoven
by the seeress's will.

"I can see only dimly," Madalena said. "It was clear before! I cannot
tell you why the things you care for were left.... Something _new_ is
coming. It seems that this time I am looking ahead, into the future. The
picture is blurred--like a badly developed photograph. The thing I see
has still to materialize."

"Where?" whispered Constance, thrilled by the thought that some event on
its way to her down the unknown path of futurity was casting a shadow
into the crystal. "Where?"

"I see a beautiful room. There are a number of people there--men and
women. You are with them, and Lord Annesley-Seton--and Nelson Smith and
your cousin Anne. I know most of the faces--not all. Everyone is excited.
Something has happened. They are talking it over.... Now I see the room
more clearly. It is as if a light were turned on in the crystal. Oh, it
is what you call the Chinese drawing room, at Valley House. I know why
the room lights up, and why I see everything so much more clearly. It is
because I myself am coming into the picture.

"The people want me to tell them the meaning of the thing that has
happened. It seems that I know about it. I do not hesitate to answer. It
must be that I have been consulting the crystal, for I seem sure of what
I say to them! I point toward the door--or is it at something on the
wall--or is it a person? Ah, the picture is gone from the crystal!"

"How irritating!" cried Lady Annesley-Seton, who felt that supernatural
forces ought to be subject to her convenience. "Can't you make it come
back if you concentrate?"

Madalena shook her head. "No, it will not come back. I am sure of that,
because when the crystal clouds as if milk were pouring into it, I know
that I shall never see the same picture again. Whether it is a cross
current in myself or the crystal, I cannot tell; but it amounts to the
same thing. I am sorry! It is useless to try any more. Shall we go to the
other room and have tea?"

Constance did not persist, as she wished to do. She had to take the
Countess's word that further effort would be useless, but she felt
thwarted, as if the curtain had fallen by mistake in the middle of an
act, and the characters on the stage had availed themselves of the chance
to go home.

It was vexatious enough that Madalena had not been able to explain the
mystery of last night. But this was ten times more annoying.

"Am I not to know the end of the act?" she asked as her hostess
poured tea. The latter shrugged her shoulders, as if to shake off
responsibility. "Ah, I cannot tell! Perhaps if----"

She stopped, and handed her guest a cup.

"Perhaps if--_what_?"

"Oh, nothing!" Madalena tasted her own tea and put in more cream.

"Do tell me what you were going to say, _dear_ Countess, unless you want
me to die of curiosity."

"I should be sorry to have you do that!" smiled Madalena. "But if I said
what I was going to say, you might misunderstand. You might think--I was
asking for an invitation."

Instantly Constance's mind unveiled the other's meaning. There was to be
an Easter party at Valley House--a very smart party. The Countess de
Santiago wished to be a member of it. Lady Annesley-Seton, shrewd as she
was, had a vein of superstition running through her nature, and, though
one side of that nature said that the scene with the crystal had been
arranged for this end, the other side held its belief in the vision.

"You mean," she said, "that if you should be at Valley House when the
_thing_ happens, and we are puzzled and upset about it, you might be able
to help?"

"The fancy passed through my head. It was the picture in the crystal
suggested it," Madalena explained. "Do have an éclair!" Face and voice
expressed indifference; but Constance knew that the other had set her
heart on being at Valley House for Easter; and there was really no
visible reason why she shouldn't be there.

People liked her well enough: she was never a bore.

"Well, you must be 'in at the death,' with the rest of us," Lady
Annesley-Seton assured her. "Of course, though it's my house, this
Easter party is practically the Nelson Smiths' affair. You know what
poverty-stricken wretches _we_ are! They are paying all expenses, and
taking the servants, so I suppose I am bound to go through the form of
consulting Anne before I ask even _you_. Still----"

Madalena's eyes flamed. "Consult your cousin's husband!" she said. "It is
only _he_ who counts. As a favour to me, speak to him."

Constance smiled at the other over her teacup, with a narrowed gaze. "Why
shouldn't I speak to them together?"

"Because I want to know what to think. If _he_ says no, it will be a
test."

"Very well, so be it!" said Constance, making light of what she knew was
somehow serious. "I'll tackle Nelson alone without Anne."

"That is all I want. And if I am asked to be of your party, I think--I
can't tell why, but I feel it strongly--that everybody may have some
reason for being glad."

It seemed unlikely there would be a chance for a talk that evening, as
Nelson Smith was dining at one of the clubs he had joined. The other
three members of the household were to have a hasty dinner and go to
the first performance of a new play--a play in which Knight was not
interested. Afterward they expected to sup at the Savoy with the
friend who had asked them to her box at the theatre; but the box was
empty save for themselves.

While they wondered, a messenger brought a note of regret. Sudden illness
had kept their would-be hostess in her room.

Without her, the supper was considered not worth while. The play had run
late, and the trio voted for home and bed.

"If Nelson has come, I'll try and have a word with him to-night, after
all," thought Constance, "provided I can keep my promise by getting Anne
out of the way. Then I can phone to Madalena early in the morning, yes or
no, and put her out of her suspense. No such luck, though, as that he
will have got back from his club!"

He had got back, however. The entrance hall was in twilight when Dick
Annesley-Seton let them into the house with his latchkey, for all the
electric lights save one were turned off. That one was shaded with red
silk, and in the ruddy glow it was easy to see the line of light under
the door of the "den."

Annesley noticed it, but made no comment. Knight never asked her to join
him in the den, but alluded to it as an untidy place, a mere work room
which he kept littered with papers; and only the new butler, Charrington,
was allowed to straighten its disorder.

This, of course, was not butler's business, but Knight said the footmen
were stupid, and Charrington had been persuaded or bribed into performing
the duty. Annesley's life of suppression had made her shy of putting
herself forward; and though Knight had never told her that she would be
a disturbing element in the den, his silence had bolted the door for her.

Constance, however, was not so fastidious.

"Oh, look!" she said, before Dick had time to switch on another light.
"Nelson's got tired of his club, and come home!"

As she spoke, almost as if she had willed it, the door opened. But it was
not Knight who came out. It was the younger Charrington, the chauffeur,
called "Char," to distinguish him from his solemn elder brother, the
butler.

The red-haired, red-faced, black-eyed young man stopped suddenly at sight
of the newcomers. He had evidently expected to find the hall untenanted.
Taking up his stand before the door, he barred the way with his tall,
liveried figure, and it struck Constance that he looked aggressive, as
if, had he dared, he would have shut the door again, almost in her face.

"I beg your pardon, madame!" he said in so loud a voice that it was like
a warning to his master that an intruder might be expected. It occurred
to her also, for the first time, that his accent sounded rather American,
and he had forgotten to address her as "my lady."

This was odd, for his brother was the most typical British butler
imaginable, as Nelson had remarked soon after the two servants had been
engaged.

She stared, surprised; but Char still kept the door until his master
showed himself in the lighted aperture. Then the chauffeur, saluting
courteously, stepped aside.

"Funny that he should be here!" thought Constance. She might have been
malicious enough to imagine that Nelson Smith had drunk too heavily at
his club, and had been helped into the house by Char, who wished to
protect him until the last; but he was unmistakably his usual self: cool,
and more than ordinarily alert.

"Oh, how do you do?" he exclaimed. "I heard Char say 'Madame,' and
thought it was Anita at the door."

"No, she has gone upstairs," explained Lady Annesley-Seton. "So has Dick.
I alone had courage to linger! I feel like Fatima with the blood-stained
key, in Bluebeard's house, you are such a bear about this den--you really
_are_, you know!"

"I didn't expect you three so soon," said Knight, calmly. "If I'd known
you had a curiosity to see Bluebeard's Chamber, I'd have had it smartened
up. As it is, I shouldn't dare let you peep. You, the mistress of the
house before we took it over, would be critical of the state I delight
to keep it in. Untidiness is my _one_ fault!"

"I'll put off the visit till a more propitious hour," Constance reassured
him, "if you'll spare me a moment in the hall. It's only a word--about
Madalena. She has asked me to call her that."

"The Countess de Santiago?" Knight questioned, smiling. He closed the
door of the den, and came out into the hall, turning on still another of
the lights.

"Yes. I've been to see her to-day. Will you believe it, she saw the
_whole_ affair of last night in her crystal--and the thief, and
everything!"

"Oh, indeed, did she? How intelligent."

"But she says we mustn't mention her name to the police."

"She'd be lumped with common or garden palmists and fortune-tellers, I
suppose."

"Yes, that's what she fears. But she wants to be in our Devonshire house
party at Easter--to save us from something."

Knight looked interested. "Save us from what?"

"She couldn't see it distinctly in the crystal."

He laughed. "She could see distinctly that she wanted to be there.
Well--we hadn't thought of having her. She seemed out of the picture with
the lot who are coming--the Duchess of Peebles, for instance. But we'll
think it over. Why don't you ask Anita? It occurs to me that she is the
one to be consulted."

Now was the moment for Madalena's test.

"The Countess wished me to speak to you alone, and let you decide.
Probably because you're such an old friend. I think she feels that Anita
doesn't care for her."

Knight's face hardened. "She gave you _that_ impression, did she? Yet,
thinking Anita _doesn't_ like her--and she's nearly right--she wants to
come all the same. She wants to presume on my--er--friendship to force
herself on my wife.... Jove! I guess that's a little too strong. It's
time we showed the fair Madalena her place, don't you think so, Lady A?"

"What, precisely, is her place?" Connie laughed.

"Well, she seems determined to push herself into the foreground. My
idea is that what artists call middle distance is better suited to her
colouring. Seriously, I resent her putting you up to appeal to me--over
Anita's head. I'm not taking any!

"Please tell her, or write--or phone--or whatever you've arranged to
do--that we're both sorry--say '_both_,' please--that we don't feel
justified in persuading you to add her to the list of guests this time,
as Valley House will be full up."

"She will be hurt," objected Constance.

"I'm inclined to think she deserves to be hurt."

"Oh, well, if you've made up your mind! But--she's a charming woman, of
course.... Still, I shouldn't wonder if there's something of the tigress
in her, and she could give a nasty dig."

"Let her try!" said Knight.

In the morning Constance telephoned to the flat in Cadogan Gardens. She
had not long to wait for an answer to her call.

The Countess was evidently expecting to hear from her early in the day.

"He wasn't in the right mood, I'm afraid, when I spoke to him," Connie
temporized. "He seemed to resent your wish to--to--as he expressed
it--'get at him over Anne's head.'"

"That is what I wanted to be sure of," Madalena answered. "Now--I
_know_!"




CHAPTER XV

NELSON SMITH AT HOME


The Countess de Santiago took her defeat like a soldier. But her line
both of attack and defence was of the sapping-and-mining order.

Once she had cared as deeply as it was in her to care for the man known
to London as "Nelson Smith." He was of the type which calls forth intense
feeling in others. Men liked him immensely or disliked him extremely.
Women admired him fervently or detested him cordially. It was not
possible to regard him with indifference. His personality was too
magnetic to leave his neighbours cold; and as a rule it was only those
whom he wished to keep at a distance who disliked him.

As for Madalena de Santiago, for a time she had enjoyed thinking herself
in love. There were reasons, she knew, why she could not hope to be the
man's wife, and if he had chosen a plain woman to help him on in the
world she would have made no objection to his marriage.

But at first sight she had realized that Annesley Grayle, shy and
unconscious of power to charm as she was, might be dangerous.

Madalena had anxiously watched the two together, and at breakfast the day
before the wedding she had distrusted the light in the man's eyes as he
looked at the girl. It had seemed incredible that he should be in love
with a creature so pale, so formless still in character (as Annesley
appeared to Madalena); that a man like "Don" should be caught by a pair
of gray eyes and a softness which was only the beauty of youth.

Still, the Countess had been made to suffer; and if she could have found
a way to prevent the marriage without alienating her friend, she would
have seized it. But she could think of no way, except to drop a sharp
reminder of what Don owed to her. The hint had been unheeded. The
marriage had taken place, and Madalena had been obliged to play the part
of the bride's friend and chaperon.

Afterward, to be sure, she had been paid. Her reward had come in the
shape of invitations and meetings with desirable people. Nelson Smith's
marriage had given her a place in the world, and at first her success
consoled her. Soon, however, the pain of jealousy overcame the anodyne.
She could not rest; she was forever asking herself whether Don were glad
of her success for her own sake, or because it distracted her attention
from him.

Was he falling in love with his wife, or was his way of looking at the
girl, of speaking to the girl, only an intelligent piece of acting in the
drama?

Once or twice Madalena tried being cavalier in her manner to Annesley
(she dared not be actually rude); and Nelson Smith appeared not to
notice; but afterward the offender was punished--by missing some
invitation. This might have been taken as the proof for which she
searched, could she have been sure where lay the responsibility for the
slight, whether on the shoulders of Annesley or of Annesley's husband.

Madalena strove to make herself believe that the fault was the girl's.
But she could not decide. Sometimes she flattered her vanity that
Annesley was trying to keep her away from Don. Again, she would wrap
herself in black depression as in a pall, believing that the man was
seeking an excuse to put her outside the intimacy of his life.

Then she burned for revenge upon them both; yet her hands were tied.

Her fate seemed to be bound up with the fate of Nelson Smith, and evil
which might threaten his career would overwhelm hers also. She spent dark
moments in striving to plan some brilliant yet safe _coup_ which would
ruin him and Annesley, in case she should find out that he had tired of
her.

At last, by much concentration, her mind developed an idea which appeared
feasible. She saw a thing she might do without compromising herself. But
first she must be certain where the blame lay.

Constance Annesley-Seton's explanation over the telephone left her little
doubt of the truth. She had the self-control to answer quietly; then,
when she had hung up the receiver, she let herself go to pieces. She
raged up and down the room, swearing in Spanish, tears tracing red stains
on her magnolia complexion. She dashed a vase full of flowers on the
floor, and felt a fierce thrill as it crashed to pieces.

"That is _you_, Michael Donaldson!" she cried. "Like this I will break
you! That girl shall curse the hour of your meeting. She shall wish
herself back in the house of the old woman where she was a servant! And
you can do nothing--nothing to hurt me!"

Later that morning, when she had composed herself, Madalena wrote a
letter to Lady Annesley-Seton:

  My Kind Friend,--

  I am sorry that I may not be with you for Easter, and sorry for the
  reason. I can read between the lines! But that does not interest you.
  Myself, I can do no more for your protection in the unknown danger
  which threatens; but again I am in one of those psychic moods, when I
  have glimpses of things beyond the veil.

  It comes to me that if the Archdeacon friend of your cousin could be
  asked to join your house party with his wife, and _especially_ with his
  relative who is so rare a judge of jewels (is not his name Ruthven
  Smith?) trouble might be prevented.

  This is vague advice. But I cannot be more definite, because I am
  saying these things under _guidance_. I am not responsible, nor can
  I explain why the message is sent. I _feel_ that it is important.

  But you must not mention that it comes from me. Nelson and his wife
  would resent that; and the scheme would fall to the ground. Write and
  tell me what you do. I shall not be easy in my mind until your house
  party is over. May all go well!

  Yours gratefully and affectionately,

  Madalena.

  P.S.--Better speak of having the Smiths, to Mrs. Nelson, not her
  husband. He might refuse.

Archdeacon Smith and his wife and their cousin, Ruthven Smith, were the
last persons on earth in whom Constance would have expected the Countess
de Santiago to interest herself. All the more, therefore, was Lady
Annesley-Seton ready to believe in a supernatural influence. Madalena's
request to be kept out of the affair would have meant nothing to her had
she not agreed that the Nelson Smiths would object to the Countess's
dictation.

Constance proposed the Smith family as guests in a casual way to Annesley
when they were out shopping together, saying that it would be nice for
Anne to have her friends at Valley House.

"The Archdeacon wouldn't be able to come," said Annesley. "Easter is
a busy time for him, and Mrs. Smith wouldn't leave him to go into the
country."

"What a dear, old-fashioned wife!" laughed Connie. "Well, what about
their cousin, that Mr. Ruthven Smith who used to stay at your 'gorgon's'
till our friends the burglar-band called on him? There are things in
Valley House which would interest an expert in jewels. And you've never
asked him to anything, have you?"

"Oh, yes," said Annesley, "he's been invited every time I've asked the
Archdeacon and Mrs. Smith, but he always refused, saying he was too deaf
and too dull for dinner parties. I'm sure he would hate a house party far
worse!"

"Why not give the poor man a chance to decide?" Constance persisted. "He
must be a nervous wreck since the burglary. A change ought to do him
good. Besides, he would love Valley House. If you like to make a wager,
I'll bet you something that he'd jump at the invitation."

Annesley refused the wager, but she agreed that it would be nice to have
all three of the Smiths.

Constance was supposed to be hostess in her own house, though Knight was
responsible for the financial side of the Easter plan, and it was for her
to ask the guests, even those chosen by the Nelson Smiths. Remembering
Madalena's hint that Nelson might refuse to add Ruthven Smith's name to
the list, Connie gave Annesley no time to consult her husband. While her
companion was being fitted for a frock at Harrod's, Lady Annesley-Seton
availed herself of the chance to write two letters, one to Mrs. Smith,
inviting her and the Archdeacon; another to Ruthven, saying that she
wrote at "dear Anne's express wish" as well as her own.

She added cordially on her own account:

  I have heard so much of you from Anne that it would be a pleasure
  to show you the Valley House treasures, which, I think, you would
  appreciate. Do come!

She stamped her letters and slipped them into the box at the Harrod post
office before going to see if Anne were ready. Nothing more was said
about the invitation for the Smiths until that evening at dinner, when it
occurred to Annesley to mention it. Knight had come home late, just in
time to dress, and she had not thought to speak of the house party.

"Oh, Knight," she said, "Cousin Constance proposed asking the Archdeacon
and his wife and Mr. Ruthven Smith. I'm sure the Archdeacon can't come,
but Mr. Ruthven might perhaps----"

"Oh, I don't think I'd have him with a lot of people he doesn't know and
who don't want to know him," Knight vetoed the idea. "He's clever in his
way, but it's not a social way. Among the lot we're going to have he'd be
like an owl among peacocks."

"But he'd love their jewels," Annesley persevered. "They'll bring some of
the most beautiful ones in England. You said so yourself."

"I'm thinking more of their pleasure than his," said Knight. "He's deaf
as well as dull. The peacocks are invited already, and the owl isn't,
so----"

"I'm afraid he is! When Anne agreed that she'd like to have the Smiths I
wrote at once; and by this time they've got my letters," Constance broke
in with a pretence at penitence. "Oh, dear, I have put my foot into it
with the best intentions! What _shall_ we do?"

"Nothing," said Knight. "If they've been asked, they must come if they
want to. I doubt if they will."

That doubt was dispelled with the morning post. Mrs. Smith was full of
regrets for herself and the Archdeacon, but Ruthven accepted in his
precise manner with "much pleasure and gratitude for so kind an
attention." The matter was settled, and Connie telephoned to Madalena.

"No Archdeacon; no Mrs. Archdeacon! But I've bagged the jewel-man. Will
he be strong enough alone to spread over us that mantle of mysterious
protection your crystal showed you?"

"I hope so," the Countess answered.

Yet the woman at the other end of the wire thought the voice sounded
dull, and was disappointed, even vaguely anxious. Her anxiety would have
increased if she could have seen the face of the seeress. Now that the
match was close to the fuse, Madalena had a wild impulse to draw back. It
was not too late. Nothing irrevocable had been done. Ruthven Smith's
acceptance of the invitation to Valley House would mean only a few days
of boredom for his fellow guests, unless--she herself made the next move
in the game.

Before she decided to make it, she resolved to see the man of whom she
thought as Michael Donaldson.

So far nothing had happened to raise any visible barrier between them.
She was not supposed to know that he did not want her to join the Easter
house party, and he and she and Annesley were on friendly terms. It would
be easy for her to see Don, to see him alone, if she could only choose
the right time, unless----There was an "unless," but she thought the face
of the butler would settle it.

There were certain times on certain days when Nelson Smith was "at home"
for certain people. These days were not those when Annesley and Constance
were "at home."

In fact, they had been chosen purposely in order not to clash.

The American millionaire had, from his first appearance in London,
interested himself in more than one charitable society. Representatives
of these associations called upon him during appointed hours, and were
shown straight to his "den." Indeed, they were the only persons welcomed
there, but the Countess de Santiago had some reason to expect that an
exception might be made in her favour.

Luckily, the day when she heard the news from Lady Annesley-Seton was one
of the two days in the week when Nelson Smith was certain not to be out
of the house in the afternoon. Luckily also she knew that his wife was
equally certain to be absent. "Anita" was going to play bridge at a house
where Madalena was invited.

She got her maid to telephone an excuse--"the Countess had a bad
headache." Had she said heartache it would have been nearer the truth.
But one does not tell the truth in these matters.

Not for years--not since the strenuous times when Don had saved her from
serious trouble and put her on the road to success had Madalena de
Santiago been so unhappy. Whichever way she looked she saw darkness
ahead, yet she hoped something from her talk with Don--just what, she did
not specify to herself in words, but "_something_."

"I wish to see Mr. Nelson Smith on important business," she said, looking
the butler straight in the eyes. It was he who opened the door of the
Portman Square house on the "charity days." He gave her back look for
look, losing the air of respectable servitude and suddenly becoming a
human being.

"Mr. Smith is not alone," he answered, contriving to give some special
meaning to the ordinary words which made them almost cryptic. "But I
think he will be free before long, if you care to wait, madame, and I
will mention that you are here."

"You must say it is important," she impressed upon him as she was ushered
into a little reception room.

A few minutes later Charrington took her to the door of the "den," where
Knight received her with casual cheerfulness.

"This is an unexpected pleasure!" he said.

"Don't let us bother with conventionalities, Don!" she exclaimed,
her emotion showing itself in petulance. "I had to come and have an
understanding with you."

"An understanding?" Knight was very calm, so calm that she--who knew him
in many phases--was stung with the conviction that he needed to ask no
questions. He was temporizing; and her anger--passionate, unavailing
anger, beating itself like waves on the rock of his strong nature--broke
out in tears.

"You know what I mean!" She choked on the words. "You're tired of me!
There's nothing more I can do for you, and so--and so--oh, Don, say I'm
wrong! Say it's a mistake. Say it's not you but _she_ who doesn't want
me. She's jealous. Only say that. It's all I want. Just to know it is not
you who are so cruel--after the past!"

Knight remained unmoved. He looked straight at her, frowning. "What
past?" he inquired, blankly.

"You ask me that--_you_?"

"We have never been anything to one another," Knight said. "Not even
friends. You know that as well as I do. We've been valuable to each other
after a fashion, I to you, you to me, and we can be the same in future if
you don't choose to play the fool."

She was cowed, and hated herself for being cowed--hated Knight, too.

"What do you call playing the fool?" she asked.

"Behaving as you're behaving now; and as you've been behaving these last
few weeks. I'm not blind, you know. You have been trying your power over
me. I suppose that's what you'd call the trick. Well, my dear Madalena,
it won't work. I hoped you might realize that without making a scene; but
you wouldn't. You've brought this on yourself, and there's nothing for it
now but a straight talk.

"My wife is not jealous. It's not in her to be jealous. If she doesn't
like you, Madalena, it's instinctive mistrust. I don't think she's even
seen the claws sticking out of the velvet. But _I_ have. I've seen
exactly what you are up to. You talk about our 'past'. You want to force
my hand. You expect me, because I've been a decent pal, and paid what I
thought was due, to pay higher, a fancy price. I won't. My wife had no
hand in keeping you out of the Easter house party. It was I who said you
weren't to be asked. You had to be taught that you couldn't dictate
terms. You wouldn't take 'no' for an answer, so the lesson had to be more
severe than I meant. Now we understand each other."

"I doubt it!" cried Madalena.

"You mean I don't understand _you_? I think I do, my friend. And I'm not
afraid. If I'm not a white angel, certainly _you're_ not. We're tarred
with the same brush. Forget this afternoon, if you like, and I'll forget
it. We can go back to where we were before. But only on the promise that
you'll be sensible. No cat-scratchings. No mysteries."

It was all that the Countess de Santiago could do to bite back the threat
which alone could have given her relief. Yet she did bite it back. Her
triumph would be incomplete in ruining the man if he could not know that
he owed his punishment to her. But she must be satisfied with the second
best thing. She dared not put him on his guard, and she dared not let him
guess that she meant to strike.

He would wonder perhaps, when the blow fell, and say to himself, "Can
Madalena have done this?" She must so act that his answer would be, "No.
It's an accident of fate." Knight was not the sort of man who for a mere
wandering suspicion, without an atom of proof, would pull a woman down.
And there would be no proof.

"You are not kind," was the only response she ventured. "And you are not
just. I did not want to 'scratch.' I would not injure you for the world,
even if I could. Yet it does hurt to think our friendship in the past has
meant nothing to you, when it has meant so much to me. It hurts. But I
must bear it. I shall not trouble you about my feelings again."

If she had hoped that her meekness might make him relent she was
disappointed. He merely said, "Very good. We'll go back to where we
were."

That same evening Madalena wrote to Ruthven Smith. She took pains to
disguise her handwriting, and not satisfied with that precaution, went
out in a taxi and posted the letter in Hampstead.

It was a short letter, and it had no signature; but it made an impression
on Ruthven Smith.




CHAPTER XVI

WHY RUTHVEN SMITH WENT


Never in his life had Ruthven Smith been blessed or cursed by an
anonymous letter. He did not know what to make of it, or how to treat it.
Instead of exciting him, as it might had he been a man of mercurial
temperament, it irritated him intensely.

That was the way when things out of the ordinary happened to Ruthven
Smith: he resented them. He was not--and recognized the fact that he was
not--the type of man to whom things ought to happen. It was only one
strange streak of the artistic in his nature which made him a marvellous
judge of jewels, and attracted adventures to come near him.

He was constitutionally timid. He was conventional, and prim in his
thoughts of life and all he desired it to give. He was a creature of a
past generation; and whenever in time he had chanced to exist he would
always have lagged a generation behind. But there was that one colourful
streak which somehow, as if by a mistake in creation, had shot a narrow
rainbow vein through his drab soul, like a glittering opal in gray-brown
rock.

He loved jewels. He had known all about them by instinct even before he
knew by painstaking research. He could judge jewels and recognize them
under any disguise of cutting. He could do this better than almost any
one in the world, and he could do nothing else well; therefore it was
preordained that he should find his present position with some such firm
as the Van Vrecks; and, being in it, adventures were bound to come.

Many attempts to rob him had doubtless been made. One had lately
succeeded. His nerves were in a wretched state. He was "jumpy" by day as
well as night; and sometimes, when at his worst, he even felt for five
minutes at a time that he had better hand in his resignation to the firm
who had employed him for nearly twenty years, and retire into private
life, like a harried mouse into its hole.

But that was only when he was at his very worst. Deep down within him he
was aware that, while the breath of life and his inscrutable genius were
together in him, he could not, would not, resign.

It was part of Ruthven Smith, an intimate part of him, not to be able
to decide for a long time what to do when he was confronted with one of
those emergencies unsuited to his temperament. He was afraid of doing
the wrong thing, yet was too reserved to consult any one. He generally
counted on blundering through somehow; and so it was in the matter of
the anonymous letter.

He had heard, and dimly believed, that it was morally wrong, and, still
worse, quite bad form, to take notice of anonymous letters. But this one
must be different, it seemed to him, from any other which anybody had
ever received. Duty to his employers and duty to the one thing he really
loved was above any other duty; and for fear of losing forever an
immense, an unhoped-for advantage, which might possibly be gained, he
dared not ignore the letter.

At all events, he had told himself, no matter what he might decide later,
it was just as well that he had accepted the invitation to Valley House.
Perhaps someone--he could not think who--was playing a stupid practical
joke, with the object of getting him there. But he would risk that and
go, and let his conduct shape itself according to developments.

For instance, if his eyes were able to detect the small detail
mysteriously mentioned in the letter, he would feel bound to act as it
suggested; yes, bound to act--but how unpleasant it would be!

And the worst of the whole unpalatable affair was that if he _did_ act in
that suggested way, and if he accomplished what he might, with dreadful
deftness, be supposed to accomplish, it would be the moment when perhaps
he might be fooled.

_If_ the letter were written by a practical joker, he would be made to
look ridiculous in the eyes of all who were in the secret. And that
thought brought him back to the question which over and over he asked
in his mind. Who could have written the anonymous letter?

It must be someone acquainted with him, or with his profession; someone
who knew the Nelson Smiths and the Annesley-Setons well enough to be
aware that there was to be an Easter party at Valley House. The writer
hinted in vague terms that he was a private detective aware of certain
things, yet so placed that he could have no handling of the affair,
except from a distance, and through another person. He pretended a
disinterested desire to serve Ruthven Smith, and signed himself, "A
Well Wisher"; but the nervous recipient of the advice felt that his
correspondent was quite likely to be of the class opposed to detectives.

What if there were some scheme for a robbery on a vast scale at Valley
House, and this letter were part of the scheme? What if the band of
thieves supposed to be "working" lately in London should try to make him
a cat's paw in bringing off their big haul?

This was a terrifying idea, and more feasible than the one suggested by
the anonymous writer, that Mrs. Nelson Smith should--oh, certainly it
seemed the wildest nonsense!

Still, there was his duty to the Van Vrecks. They must be considered
ahead of everything! So Ruthven Smith, nervous as a rabbit who has lost
its warren, travelled down to Devonshire on Saturday afternoon, invited
to stay at Valley House till Tuesday.

It was as Knight had said: the dull, deaf man was as completely out of
the picture in that house party as an owl among peacocks; for he was an
inarticulate person and could not talk interestingly even on his own
subject, jewels. His idea of conversation with women was a discussion of
the weather, contrasting that of England with that of America, or perhaps
touching upon politics. He was afraid of questions about jewels lest he
should allow himself to be pumped, and the information he might
inadvertently give away be somehow "used."

But he was by birth and education a gentleman; and his relationship to
Archdeacon Smith, whom everybody liked, was a passport to people's
kindness.

Duchesses and countesses were of no particular interest to Ruthven Smith,
but their adornments were fascinating. At Valley House one duchess and
several countesses were assembled for the Easter party, and they were
women whose jewels were famous. Most of these were family heirlooms, but
their present owners had had the things reset, and no queen of fairyland
or musical comedy could have owned more becoming or exquisitely designed
tiaras, crowns, necklaces, earrings, dog-collars, brooches, bracelets,
and rings than these great ladies.

For this reason the ladies themselves were interesting to Ruthven Smith,
and he might have been equally so to them if he would have told them
picturesquely all he knew about the history of their wonderful diamonds,
pearls, emeralds, and rubies. It was too bad that he wouldn't, for there
was not a famous jewel in England or Europe of which Ruthven Smith had
not every ancient scandal in connection with it at his tongue's end.

But on his tongue's end it stayed, even when, for the sake of his own
pleasure if nothing else, his hosts and hostesses tried to draw him out.

Nevertheless, he was not sorry that he had come. There was an element of
joy in seeing, met together, and sparkling together, those exquisite,
historic beauties of which he had read.

It had been a bother to Lady Annesley-Seton and her cousin Anne to decide
how Ruthven Smith should be put at table. In a way, he was an outsider,
the only one among the guests without a title or military rank which
mechanically indicated his place in relation to others. Besides, no woman
would want to have him to scream at.

Fortunately, however, there were two women asked on account of their
husbands, and so--according to Connie's code--of no importance in
themselves. Providence meant them to be pushed here and there like pawns
on a chessboard; and they were pushed to either side of Ruthven Smith at
the dinner-table on Saturday night.

Both had been placated by being told beforehand what a wonderful man he
was, with frightfully exciting things to say, if he could tactfully be
made to say them. But only one of the two had courage or spirit to rise
to the occasion--the woman he was given to take in, a Lady Cartwright,
married to Major Sir Elmer Cartwright, who was always asked to every
house whenever the Duchess of Peebles was invited.

Lady Cartwright was Irish, wrote plays, had a sense of humour, and was
not jealous of the Duchess. Because she wrote plays, she was continually
in search of material, digging it up, even when it looked unpromising.

"I have heard such charming things about you," she began.

"I _beg_ your pardon!" said Ruthven Smith, unable to believe his ears.
And because he was somewhat deaf himself, he could not gauge the
inflections of his own voice. Sometimes he spoke almost in a whisper,
sometimes very loudly. This time he spoke loudly, and several people,
surprised at the sound rising above other sounds like spray from a
flowing river, paused for an instant to listen.

"What a wonderful expert in jewels you are," Lady Cartwright replied in
a higher tone, realizing that she had a deaf man to deal with. "And that
you have been one of the sufferers from that gang of thieves Scotland
Yard can't lay its hands on."

Ruthven Smith was on the point of shrinking into himself, as was his wont
if any personal topic of conversation came up, when it flashed into his
mind that here was an opportunity. If he did not take it, so easy a one
might not occur again. He braced himself for a supreme effort.

"Oh, yes, yes, I was robbed," he admitted. "A serious loss! Some fine
pearls I had been buying--not for myself, but for the Van Vrecks. I
seldom collect valuables for myself. I only wish these things had been
mine. I should not have that sense of being an unfaithful servant--though
I did my best----"

"Of course you did," Lady Cartwright soothed him. "But these thieves--if
it's the same gang, as we all think--are too clever for the cleverest of
us. As for the police, they seem to be nowhere. I haven't suffered yet,
but each morning when I wake up, I'm astonished to find everything as
usual. Not that it wouldn't _seem_ as usual, even if the gang had paid us
a visit and made a clean sweep of our poor possessions. They appear to be
able to leak through keyholes, as nothing in the houses they go to is
ever disturbed."

"Anyhow, they have latchkeys," retorted Ruthven Smith, with what for him
might be considered gaiety of manner. "The thief or thieves who relieved
me of my pearls--or rather, my employer's pearls--apparently walked in as
a member of the household might have done."

Among those who had involuntarily suspended talk to hear what Ruthven
Smith was saying about jewels and jewel thieves was Annesley. Though the
party would never have been but for Knight and herself, Dick and
Constance were playing host and hostess with all the outward
responsibility of those parts. Lord Annesley-Seton had a duchess on his
right, a countess on his left; Lady Annesley-Seton was fenced in by the
duke and the count pertaining to these ladies; Mrs. Nelson Smith sat
between two less important men, who liked the dinner provided by the
American millionaire's miraculous new chef, and they could safely be
neglected for a moment.

Annesley felt that Ruthven Smith was, in a way, her special guest, and
she was anxious that he should not be the failure Knight had prophesied.
She wanted him not to regret that he had flung himself on the tender
mercies of this smart house party, and almost equally she wanted his two
neighbours not to be bored by him. Knight would hate that. He attached so
much importance to amusing the people whom he invited!

She listened and thought that Mr. Ruthven Smith and Lady Cartwright
seemed to have begun well. Then, as she turned to Lady Cartwright's
handsome husband (the Duchess of Peebles was talking to Dick
Annesley-Seton just then), she caught the word "latchkey."

It seized her attention. She knew they were speaking of the burglary at
Mrs. Ellsworth's house. She heard Ruthven Smith go on to explain in his
high-pitched voice that the two woman servants had been suspected, but
that their characters had "emerged stainless" from the examination.

"Besides," he continued, "neither of them had a latchkey to give to any
outside person. The two women slept together in one room. At the time of
the robbery there was no butler----"

Annesley heard no more. Suddenly the door of her spirit seemed to close.
She was shut up within herself, listening to some voice there.

"_What became of your latchkey?_" it asked.

The blood streamed to her face and made her ears tingle, as it used to do
when she had been scolded by Mrs. Ellsworth. If any one had looked at her
then, it must have been to wonder what Sir Elmer Cartwright or Lord John
Dormer had said to make Mrs. Nelson Smith blush so furiously.

She was remembering what she had done with her latchkey. She had given it
to Knight to open the front door, and so escape from the two watchers who
had followed them in a taxi to Torrington Square. She had never thought
of it from that moment to this. Could it be possible that some thief had
stolen the latchkey from Knight, and used it when Mrs. Ellsworth's house
was robbed?

Her thoughts concentrated violently upon the key. Had her neighbours
spoken she would not have heard; but they did not speak. She was free to
let her thoughts run where they chose. They ran back to the first night
of her meeting with Nelson Smith, and her arrival with him at the house
in Torrington Square. She recalled, as if it were a moment ago, putting
the key into his hand, which had been warm and steady, despite the danger
he was in, while hers had been trembling and cold. She said to herself
that she must ask Knight, as soon as they were alone together, what he
had done with the key, whether he had left it in the house or flung it
away.

But of course he must have left it in the house, or close by, otherwise
no thief would have known where it belonged. That made her feel guilty
toward Ruthven Smith. She ought not to have been so utterly absorbed in
her own affairs that night. She ought to have asked to have the key back,
and then to have laid it where it could be found by Mrs. Ellsworth in the
morning.

Perhaps, indirectly, _she_ was responsible for the burglary at that
house. And, now she thought of it, what a queer burglary it had been! The
thieves must certainly have known something about Mrs. Ellsworth, or
else, in helping themselves to her valuables, it would not have occurred
to them to scrawl a sarcastic message.

That message had delighted Knight when he heard of it. He had laughed and
said, "I like those chaps! They can have _my_ money when they want it!"

Since then they _had_ had his money, and other possessions. If the theory
of the police were right, that a gang of foreign thieves was "working"
London, Annesley was glad that she and Knight had been robbed. It made
her feel less to blame for her carelessness in the matter of that
latchkey.

At least, she had suffered, too, and so had Knight.

Could it be, she asked herself, that the _watchers_ were somehow mixed
up in the business? Were _they_ members of the supposed gang? That did
not seem likely, for how could a man like Knight have got involved with
thieves? Yet it seemed, from what he had said that night at the
Savoy--and never referred to again--as if he were somehow in their power.

How curiously like one of them Morello had been! She remembered thinking
so, with a shock of fear. Then she had lost the feeling of resemblance,
and told herself that she must have imagined it.

The two faces came back to her now, and again she saw them alike. She was
glad that Knight had never invited Morello to call, and glad that when
grudgingly she had asked one day after the two men who had witnessed
their marriage, Knight had said, "Gone out of England. We just caught
them in time."

As for the watchers, she had heard no more of them. Knight ignored the
episode, or the part of it connected with those men. The memory of them
was shut up in the locked box of his past, and he never left the key
lying about, as apparently he had left the key of Mrs. Ellsworth's house.

Suddenly, while Annesley listened to Ruthven Smith, she became conscious
that, as he talked to Lady Cartwright, his eyes had turned to her.

"This proves," the fancy ran through her head, "that if you look at or
even think of people, you attract their attention."

She glanced away, and at her neighbours. They were both absorbed for the
moment; she need not worry lest they should find her neglectful. She took
some asparagus which was offered to her, and began to eat it; but she
still had the impression that Ruthven Smith was looking at her. She
wondered why.

"He can't be expecting me to scream at him across the table," she
thought.

"Yes," he was saying to Lady Cartwright, "it was a misfortune to lose
those pearls. Two I had selected to make a pair of earrings can scarcely
be duplicated. But none of the things stolen from me compared in value to
those our agent lost on board the _Monarchic_. I suppose you read of that
affair?"

"Oh, yes," said Lady Cartwright, her voice raised in deference to her
neighbour's deafness. "It was most interesting. Especially about the
clairvoyant woman on board who saw a vision of the thief in her crystal,
throwing things into the sea attached to a life-belt with a light on it,
or something of the sort, to be picked up by a yacht. One would have
supposed, with that information to go upon, the police might have
recovered the jewels, but they didn't, and probably they never will now."

"I'm not sure the police pinned their faith to the clairvoyante's
visions," replied Ruthven Smith, with his dry chuckle.

"Really? But I've understood--though the name wasn't mentioned then, I
believe--that the woman was that wonderful Countess de Santiago we're so
excited about. She is certainly extraordinary. Nobody seems to doubt
_her_ powers! I rather thought she might be here."

Ruthven Smith showed no interest in the Countess de Santiago. Once on the
subject of jewels, it was difficult to shunt him off on another at short
notice. Or possibly he had something to say which he particularly wished
not to leave unsaid at that stage of the conversation.

"The newspapers did not publish a description of the jewels stolen on the
_Monarchic_," he went on, brushing the Countess de Santiago aside. "It
was thought best at the time not to give the reporters a list. To me,
that seemed a mistake. Who knows, for instance, through how many hands
the Malindore diamond may have passed? If some honest person, recognizing
it from a description in the papers, for instance----"

"The Malindore diamond!" exclaimed Lady Cartwright, forgetting politeness
in her interest, and cutting short a sentence which began dully. "Isn't
that the wonderful blue diamond that the British Museum refused to buy
three years ago, because it hadn't enough money to spend, or something?"

"Quite so," replied Ruthven Smith, adding with pride: "But the Van Vrecks
had enough money. They always have when a unique thing is for sale; and
they are rich enough to wait for years, with their money locked up, till
somebody comes along who wants the thing. That happened in the case of
the Malindore diamond. The Van Vrecks hoped to sell it to Mr. Pierpont
Morgan. But he died, and it was left on their hands till this last
autumn."

"Ah, then that lovely blue diamond was sold with the other things the Van
Vreck agent lost on the _Monarchic_?"

"_Was_ to be sold if the prospective buyer liked it. He had married a
white wife, you know, and----"

"Oh, yes, of course. It was Lady Eve Cassenden. That marriage made a big
sensation among us. _Horrid_, I call it! But she hadn't a penny, and they
say he's the richest Maharajah in India."

"The Malindore diamond was once in his family, I understand, about five
hundred years ago, when we first begin to get at its history," Ruthven
Smith went on, ignoring the Maharajah as he had ignored the Countess de
Santiago. "It was then the central jewel of a crown. But later, Louis
XIV, on obtaining possession of it, had it set in a ring, and surrounded
with small white brilliants. It still remains in that form, or did so
remain until it was stolen from our agent on the _Monarchic_. What form
it is in and where it is now, only those who know can say."

So strong was the call from Ruthven Smith's eyes to Annesley's eyes that
she was forced to look up. She had been sure that she would meet his gaze
fixed upon her, and so it was. He was staring across the table at her,
with a curious expression on his long, hatchet face.




CHAPTER XVII

RUTHVEN SMITH'S EYEGLASSES


Annesley could not read the look. Yet she felt that it might be read, if
her soul and body had not been wrenched apart, and hastily flung together
again, upside down, it seemed, with her brain where her heart had been,
and vice versa.

Why had Ruthven Smith looked at her, as he spoke in his loud voice of the
stolen Malindore diamond--a blue diamond set with small brilliants, in a
ring? Had he found out that she--did he believe--but she could not finish
the thought. It seemed as though the ring Knight had given her--_and told
her to hide_--was burning her flesh!

Could _her_ blue diamond be the famous diamond, about which the jewel
expert was telling Lady Cartwright? A horrible sensation overcame the
girl. She felt her blood growing cold, and oozing so sluggishly through
her veins that she could count the drops--drip, drip, drip! She hoped
that she had not turned ghastly pale. Above all things she hoped that she
was not going to faint! If she did that, Ruthven Smith would think--what
would he not think?

She found herself praying for strength and the power of self-control that
she might reason with her own intelligence. Of course, if this were the
diamond, Knight didn't dream that it had been stolen.

Just then a hand reached out at her left side and poured champagne into
her glass. It was the hand of Charrington, the butler. Annesley saw that
it was trembling. She had never seen Charrington's hand tremble before.
Butlers' hands were not supposed to tremble. Charrington spilled a little
champagne on the tablecloth, only a very little, no more than a drop or
two, yet Annesley started and glanced up. The butler was moving away when
she caught a glimpse of his face.

It was red, as usual, for his complexion and that of his younger brother
were alike in colouring; but there was a look of _strain_ on his
features, as if he were keeping his muscles taut.

Sir Elmer Cartwright began to talk to her. His voice buzzed unmeaningly
in her ears, as though she were coming out from under the influence of
chloroform.

"What will become of me?" she said to herself, and then was afraid she
had said it aloud. How awful that would be! Her eyes turned imploringly
to Sir Elmer. He was smiling, unaware of anything unusual.

"Oh, yes!" she exclaimed at random. Fortunately it seemed to be the right
answer; and the relief this assurance gave was like a helping hand to a
beginner skating on thin ice. Sir Elmer went on to repeat some story
which he said he had been telling the Duchess.

Annesley suddenly thought of a woman rider she had seen at a circus when
she was a child. The woman stood on the bare back of one horse and drove
six others, three abreast, all going very fast and noiselessly round a
ring.

"I must drive my thoughts as she did the horses," came flashing into the
girl's head. "I must think this out, and I must listen to Sir Elmer and
go on giving him right answers, and I must look just as usual. _I must!_

"For Knight's sake!" She seemed to hear the words whispered. Why for
Knight's sake? Oh, but of course she must try to think how it would
involve him if the blue diamond was the famous one stolen from the Van
Vrecks' agent on the _Monarchic_!

He would not be to blame, for if he had known, he would not have bought
the diamond.

And yet, _might_ he not have known? He had told her few details of his
life before they met, but he had said that it had been hard sometimes,
that he had travelled among rough people, and picked up some of their
rough ways. He had confessed frankly that his ideas of right and wrong
had got mixed and blunted. From the first he had never let her call him
good.

Would it seem dreadful to him to buy a jewel which he might guess, from
its low cost, had to be got rid of at almost any price?

Annesley was forced to admit, much as she loved Knight, that his daring,
original nature (so she called it to herself) might enter into strange
adventures and intrigues for sheer joy in taking risks. She imagined that
some wild escapade regretted too late might have led him into association
with the watchers. Maybe they had all three been members of a secret
society, she often told herself, and Knight had left against the others'
will, in spite of threats.

That would be like him; and brave and splendid as was his image in her
heart, she could not say that he would never be guilty of an act which
might be classed as unscrupulous.

This admission, instead of distressing, calmed her. Allowing that he had
certain faults seemed to chase away a dreadful thought which had pressed
near, out of sight, yet close as if it stood behind her chair, leaning
over her shoulder.

For a moment she felt happy again. She would tell Knight what she had
heard about the Malindore diamond, and how like its description was to
hers. Then, no matter how much he might hate to let it go, he must show
the blue diamond ring to Mr. Ruthven Smith and have its identity decided.

The girl drew a long breath, and determined to put the subject out of her
mind until after dinner, so that Sir Elmer Cartwright need not think her
a complete idiot.

But the deep sigh that stirred her bosom stirred also the fine gold chain
on which hung the blue diamond. The chain lay loosely on her shoulders,
lost, or almost lost among soft folds of lace. She wore it like that with
a low dress, not only to prevent it from attracting attention and making
people wonder what ornament she hid, but also because the thin band of
gold, if seen, would break the symmetry of line. It was Knight who had
given her this little piece of advice, the first time after their
marriage that she had dined with him in evening dress, and since then
she had never forgotten to follow it.

To-night, however, feeling suddenly conscious of the chain, she was on
the point of looking down to make sure that it was shrouded in her laces.
Something stopped her. With a quick warning thump of the heart she
glanced across at Ruthven Smith.

A few minutes ago he had not been wearing his eyeglasses. Now they were
on, pinching the high-bridged, thin nose. And he was peering through them
at her--peering at her neck, her dress, as if he searched for something.

Ruthven Smith knew about the blue diamond. He knew that she wore it on
a chain, hidden in her dress. The certainty of this shot through brain
and body like forked lightning and seemed to sear her flesh. She was
afraid. She could not tell yet of what she was afraid, but when she could
disentangle her twisted thoughts one from another the reason would be
clear.

Then it was as if her mind separated itself from the rest of her and
began to run back along the path she had travelled with Knight since the
hour of their first meeting. It ran looking on the ground, seeking and
picking up things dropped and almost forgotten.

Knight had not been pleased when the Countess de Santiago talked to him
of their being together on the _Monarchic_. The Countess had seemed
wishful to annoy him in some way. She had taken that way. They had known
each other well and for a long time. They knew a good deal about each
other's affairs. Sometimes one would say that the Countess still liked
to annoy Knight, and he resented that. He had been unwilling to have her
asked to Valley House for Easter, though he knew she longed to come.

And Ruthven Smith! Knight had not wanted him. Could it possibly be on
account of the blue diamond? Had Knight heard what _she_ had heard there
at the dinner-table, and was he anxious about what might happen next?

Hastily she flung a glance toward her husband. He was not looking at her,
but it seemed--perhaps she imagined it--that his face had something of
the same tense, strained expression she had caught on Charrington's.

How odd, if it were true, that both should have that look. One would
almost fancy they shared a secret trouble. But Annesley shook the idea
away, as she would have shaken a hornet trying to sting. How dare she let
such a disloyal fancy even cross the threshold of her mind? A secret
between her husband and his servant--a secret concerning the blue
diamond, which stabbed them both with the same prick of anxiety at the
mention of the jewel!

No sooner was the venomous thing dislodged than it crept back and settled
close over her heart. For Knight's eyes turned to her, and in them was
the look of a drowning man.

Just for the fraction of a second she saw it. Then the curtain was drawn
over his real self that had come to the window and signalled for help. He
smiled a friendly smile, and took up the conversation with his right-hand
neighbour. But he had hidden his soul too late. The message could not be
taken back, and Annesley was sure that he, too, had heard the story
Ruthven Smith had told so loudly to Lady Cartwright.

The fact that he had lost his unruffled, nonchalant coolness even for a
single instant warned Annesley that Knight must be desperately troubled.

"He bought the diamond for me, knowing what it was," she told herself,
"and knowing that it must have been stolen. Of course that's why he made
me wear it where nobody could see. But who else knew besides the man who
sold it to Knight? _Somebody_ must have known, and told Mr. Ruthven
Smith. Perhaps the thief himself, hoping to be spared, and to get money
from both sides. That is why Mr. Ruthven Smith accepted the invitation
here, which I was so sure he would refuse. He has come because he thinks
the Malindore diamond is in this house. That must be it! But how can he
have found out that I am wearing it?"

As she thought these things, asking herself questions, sometimes
answering them, sometimes unable to answer, she managed to keep up some
desultory talk first with one of her neighbours, then with the other. It
seemed to take all her strength to do this, and made her feel weak and
broken, not excited and vital, as she had felt on the wonderful night at
the Savoy when "Nelson Smith" had praised her pluck and presence of mind
in saving him from a danger which had never been explained.

How she wished with all her anxious, troubled heart that she knew how to
save him to-night!

It had been very wrong to buy a stolen diamond, but he had done it from
no mercenary motives, for he had given it to her. She supposed that he
had loved the beautiful thing, and felt when it was offered to him that
he could not bear to let it go.... Perhaps the Countess de Santiago had
stolen it on the _Monarchic_! That might be a cruel thought, but Annesley
could not help having it, for it would explain many things.

Besides, it would help to exonerate Knight. He was very chivalrous where
women were concerned, and he would have felt bound to protect his old
friend. At all events, he could not have given her up to justice, and
very likely she had been in debt and needed money. She had wonderful
clothes, and must be extravagant.

Yes, the more Annesley dwelt on the idea the more convinced she became
that Madalena de Santiago had stolen the blue diamond, and perhaps all
the other things on the _Monarchic_, while pretending to have a vision in
her crystal of the thief, and of the way the jewel had been smuggled off
the ship. Then the Countess had been angry with Knight, and had tried to
have him suspected, even of being mixed up in the theft--though that last
idea seemed too far-fetched.

"How hateful, how mean of her!" Annesley thought, ashamed because it was
so easy to believe bad things of the Countess, and to pile up one upon
another. "Probably she put it into Constance's head to suggest having Mr.
Ruthven Smith asked. And then she put it into his head to--to----"

The girl stopped short, appalled. _What_ had been put into the jewel
expert's head? What precisely had he come to Valley House to do?

"He has come to _find_ the blue diamond!" the answer flashed into her
brain.

Madalena de Santiago's eyes were as piercing as they were beautiful. She
might have noticed the fine gold chain which her "pal's" wife wore always
round her neck. She might have guessed that the ring with the blue
diamond was hidden at the end of the chain; yet she could not _know for
certain_, because Knight would never have told her that.

Therefore it followed that neither could Ruthven Smith know for certain.
He meant to find out, and if he did find out, Knight would be punished
far more severely than he deserved for buying a thing illegally come by.

"I will save him again," Annesley resolved.

But how? What might she expect to happen? And whatever it was, how could
she prevent it happening?




CHAPTER XVIII

THE STAR SAPPHIRE


Picture after picture grew and faded in her mind. She saw policemen
coming to the house; she saw Ruthven Smith demanding that she and
Knight be searched, and arrested if the diamond were found.

It might be difficult to prove that they had had nothing to do with the
theft, especially as Knight had been on board the _Monarchic_. He must
have travelled under his own name then, the name that he had not let her
see when he wrote it in the register after the wedding. If Ruthven Smith
knew about the _Monarchic_ and the change of name, he might make things
very unpleasant for Knight. And what must he himself be thinking at this
moment as he peered through his eyeglasses?

Annesley had always told herself that Ruthven Smith looked like a
schoolmaster. He looked more than ever like one to-night--a very severe
schoolmaster, planning to punish a rebellious pupil.

"But he can't have accepted our invitation, and have come to this house
to make a scene and a scandal before everybody," she tried to reassure
her troubled heart. "Still, he wouldn't look like that if he didn't
believe that I'm wearing the diamond, and if he did not mean to do
something about it."

It was a terrifying prospect for Annesley, and suddenly, with a shock of
certainty, she told herself that Ruthven Smith would not give her time,
if he could help it, to get rid of the ring and conceal it somewhere
else. "He'll think of an excuse after dinner to make me show what I have
on my chain, or perhaps he has thought of the excuse already!"

It seemed to the girl that the room had become bitterly cold. She
shivered slightly. "I must take off the ring and put something else on
the chain when we go away and leave the men," she decided.

But no! Even then it might be too late. Ruthven Smith neither smoked
nor drank. Very likely he would follow the ladies to the drawing room
without giving her the chance of cheating him. If she were to save Knight
from trouble she must do the thing she had to do at once.

That thing was to unfasten the clasp of the chain, slip off the ring with
the blue diamond, substitute another ring, fasten the chain again and
replace it inside her dress, all without letting Ruthven Smith across the
table, or her neighbours, suspect what was being done.

Her plate was whisked away at that moment, and leaning back in her chair
she seized the opportunity of looking at her hands. Brain and heart were
throbbing so fast that she could not remember, without counting, what
rings she had put on.

Knight had tried to console her for the loss she'd suffered through the
burglary a fortnight before by making her a present of half a dozen new
rings. Poor Knight! How anxious he always was to give her pleasure, no
matter at what expense! He had such good taste in choosing jewellery,
too, that one might almost fancy him as great an expert as Ruthven Smith.

But he had laughed when she said this to him, protesting that he was a
"rank amateur."

The new rings were all beautiful, each unique in its way. The big white
diamond of her engagement ring was the least original of her possessions.
To-night, in addition to that and her wedding ring, she wore on her left
hand a grayish star sapphire, of oval shape, curiously set with four
small diamonds, white ones at top and bottom, pale pink and yellow at the
sides. This ring was rather large for her, and as she wore it above the
engagement ring, the stones easily slipped round toward the palm.

The dark blue scarab on her right hand Ruthven might have observed; but
she was hopeful that the star sapphire had escaped his notice.

She took it off and laid it in her lap, ready.

Her dress of white charmeuse, embroidered with violets, was fastened in
front under a folded and crossed fichu of "shadow" lace and a bunch of
real violets held on by an old-fashioned brooch. Bending forward, she
played at eating Punch à la Romaine, while with her left hand she
contrived to undo three or four hooks from their delicately worked
eyelets. Then, slipping two fingers into the aperture, she tore open her
lace underbodice.

This accomplished, she felt the ring of the blue diamond; but she dared
not break the chain, as she could easily have done. If Ruthven Smith were
planning some trick by which to obtain a glimpse of ring and chain, the
latter must be intact.

Pinching the chain between thumb and finger patiently, persistently, and
very cautiously, she pulled it along until she touched the tiny clasp.
As she did this she glanced down at the lace of her fichu now and then to
make sure that she did not draw the thin line of gold so tightly across
her neck that it became visible in moving.

At last she had the clasp in her hand. Pressed upon sharply, it opened,
and the ring with the blue diamond fell into her palm. She pushed it
inside her frock as far down as her fingers would reach and slid the star
sapphire ring on to the chain before fastening the clasp again.

She was shivering still as if with cold, and her hands trembled so that
she could hardly put the hooks of her dress into their eyelets. But
somehow she did at last, and was sure that no one had seen.

More than one course had come and gone before her stealthy task was
finished, and three or four minutes after the last hook had decided to
bite, Constance looked at the Duchess of Peebles. Everyone rose, and, as
Annesley had feared, Ruthven Smith followed the ladies out of the great
dining hall.

Constance led them to the Chinese drawing room for coffee, and as the
women grouped themselves to chat, or gaze at Buddhas and treasures of
ancient dynasties, she suddenly recalled Madalena's latest vision in the
crystal.

It seemed that it would interest rather than frighten her friends to hear
of it. Besides, if it did frighten them a little, she didn't much mind.
She bore the Duchess of Peebles and several others a grudge because they
had come to Valley House not on her account, or Dick's, but because it
was an open secret who were the real host and hostess on this occasion.
Last year, if she had invited these people, they would have been
"dreadfully sorry they were already promised for Easter."

It was Nelson Smith's money and popularity which had lured them. They
knew they would have wonderful things to eat, and probably the women
were counting on presents of Easter eggs in the morning with exciting
surprises inside!

"Are you all very brave?" she asked aloud and gaily. "Because I've
just remembered that the Countess de Santiago saw a picture of us in
her crystal, grouped together as we are now, in this very room,
and--something happening."

"Something nice, or horrid?" asked the Duchess, a tall, pretty woman,
who looked as if Rossetti had created her, with finishing touches by
Burne-Jones.

"Ah, she couldn't see. The vision faded," Constance replied. "But perhaps
_we_ shall see--if this is to be the night."

As she spoke the men came into the room. Ruthven Smith's example was
contagious. They had been deserted by the ladies hardly ten minutes ago.
Annesley felt sure that Knight had contrived to hurry the others. He,
too, then, had guessed why Ruthven Smith had gone out of the dining hall
with the women. Perhaps he also had a plan!

He came straight to his wife, who was standing with Lady Cartwright. Not
far off was Ruthven Smith, still with his eyeglasses on. He was hovering
with a nervous air in front of a cabinet full of beautiful things, at
which he scarcely glanced.

Seeing Knight approach Annesley, he lifted his head, took a hesitating
step in her direction, and stopped. He looked timid and miserable, yet
obstinate.

"Anita, I've been telling the Duke about that star sapphire I picked up
for you the other day," Knight began. "He says he never saw one with
anything resembling a star in it. Will you fetch it for him to look at? I
noticed as you got up from the table that you hadn't put it on to-night."

For an instant the girl could not answer. If only he had hit upon
something else. If only it had occurred to her to hide her left hand
after taking off the ring! But she could not have foreseen this.

For the first time she inclined to believe in the Countess de Santiago's
supernatural power. Could it be that this scene had pictured itself in
the crystal? Could it be that now in a moment something dreadful would
happen?

She realized that Knight was trusting to the quickness of her wits; that
not only had he overheard Ruthven Smith's talk about the Malindore
diamond, but he credited her with having caught the drift of the words,
and counted on her loyalty to help him. As he spoke he looked at her with
the wistful, seeking look she had seen in his eyes when they were first
married.

"He's afraid I'm angry with him for buying the diamond in spite of
knowing what it was," she thought, "but he trusts me to stand by him
now."

Her mind grew clear. After a pause no longer than the drawing of a breath
she was ready to rise to the situation Knight had created. In fact, she
saw safety for him and herself, as well as a realistic surprise for
Ruthven Smith. But the latter, rendered brave to act through fear of
loss, was too quick for her.

"I beg your pardon! Before you go, may I have the pleasure of a nearer
look at that beautiful enamel brooch of yours?"

It was Annesley's impulse to step back as without waiting for permission
the narrow head, sleekly brushed and slightly bald at the top, bent over
her laces. But she remembered herself in time and stood still. She dared
not glance at Knight, to send him a message of encouragement, but she
knew that for once even his resourcefulness had failed, and that he must
be steeling himself to the brutal discovery of his secret.

Yet even then she did not guess what Ruthven Smith's plan was until the
thing had happened. He peered at the brooch, which represented a bunch of
grapes in small cabochon amethysts and leaves of green enamel. Adjusting
his eyeglasses, they slipped from his nose and fell on the lace of her
fichu.

"Oh, how awkward of me! A thousand pardons!" he cried. Making a nervous
grab for the glasses, which hung from a chain, he snatched up her chain
as well, and with a quick jerk of seeming inadvertence wrenched from its
warm hiding-place a ring with a flash of brilliants and a glint of blue.

Annesley's heart had given one great throb and then missed a beat, for
there had been an awful instant as the "plan" developed when she feared
that the ring with the blue diamond might, after all her pains, have
become entangled with the chain. If it had, the violence of the jerk
might have brought it to light.

But she had accomplished her task well. She could afford to smile, though
her lips trembled, as she saw the bird-of-prey look fade from Ruthven
Smith's face and turn into bewildered humiliation.

Right was on his side; yet he had the air of a culprit, and some wild
strain in Annesley's nature which had been asleep till that instant sang
a song of triumph in the victory of her "plan" over his. How delighted
Knight would be, and how amazed and grateful--grateful as he had been
when she "stood by him" with the watchers!

As Ruthven Smith stammered apologies her eyes flashed to Knight's; but
there was none of the defiant laughter she had expected, and felt bound
to reproach him for later.

He was pale, and though his immense power of self-control kept him in
check, Annesley shrank almost with horror from the fury of rage against
Ruthven Smith which she read in her husband's gaze and the beating of the
veins in his temples.

Terrified lest his anger should break out in words, she hurried on to say
what she would have said before the sudden move by the jewel expert.

"Here is the sapphire ring you asked about, Knight," she said. "I was
just going to take off this chain and give it to you to show to the Duke
when----"

"When Mr. Ruthven Smith took an unwarrantable liberty," Knight finished
the sentence icily.

"I--I meant nothing. Really, I can't tell you how I regret----" the
wretched man stuttered. But Knight was without mercy.

"Pray don't try any further," he cut in. "My wife is not a figurine in a
shop window to have her ornaments stared at and pawed over. You are an
old friend of hers, Mr. Ruthven Smith, and you are my guest--or rather my
friend Annesley-Seton's guest--therefore I will say no more. But in some
countries where I have lived such an incident would have ended
differently."

"Oh, _please_, Knight!" exclaimed Annesley, thankful that at least he had
spoken his harsh words in so low a voice that no one outside their own
group of three could hear. But she was shocked out of her brief
exultation by his white rage and the depths revealed by the lightning
flash of anger. Also she was sorry for Ruthven Smith, even while she
resented the plot which it was evident he had come to carry out.

With unsteady hands she lifted the delicate chain over her hair and gave
it to her husband.

"The ring is rather large for my finger. Here it is for you to show to
the Duke," she reminded him.

"Thank you, Anita," he said. And she knew that he thanked her for more
than what she gave him.

"I am a thousand times sorry," Ruthven Smith persisted. "More sorry than
I can ever explain, or you will ever know."

"Indeed it was nothing," the girl comforted him in her soft young voice.
But she read in his words a hidden meaning, as she had read one into
Knight's. She _did_ know that which he believed she would never know: the
meaning of his act, and the effort it had cost to screw his courage to
the sticking place.

Also, as the star sapphire with its sparkle of diamonds had flashed into
sight, she had seemed to read his mind. She guessed he must be telling
himself that his informant--the Countess, or some other--had mistaken one
blue stone for another.

"Let's go and join Constance and the Duchess," she went on, quietly.
"They're looking at some lovely things you will like to see. And you must
forget that Knight was cross. He has lived in wild places, and he has a
hot temper."

"I deserved what I got, I'm afraid," murmured Ruthven Smith.

"After all, nothing exciting seems likely to happen to-night in this
room, in spite of the Countess's prophecy," said Constance. "Perhaps it
may be to-morrow or Monday."

"I hope nothing more exciting will happen then than to-night!" Annesley
exclaimed, with a kindly glance at her companion. She pitied him, but she
pitied herself more, for by and by she and Knight would have to talk this
thing out together.

For the first time she dreaded the moment of being alone with her
husband. There was a stain of clay on the feet of her idol, and though
she had helped him to hide it from other eyes, nothing could be right
between them again until she had told him what she thought--until he had
promised to make restitution somehow of the thing he should never have
possessed.




CHAPTER XIX

THE SECRET


Knight and Annesley had a suite of rooms on the ground floor in what was
known as "the new wing" at Valley House. On the floor above were the
rooms occupied by Lord and Lady Annesley-Seton.

This wing was a dreadful anachronism, shocking to architects, for it had
been tacked on to the house in the eighteenth century by some member of
the family who had made the "grand tour" and fallen in love with Italy.
Seeing no reason why a classic addition with a high-pillared loggia
should be unsuitable to a house in England built in Elizabethan and
Jacobean days, he had made it.

Fortunately it was so situated as not to be seen from the front of the
building, or anywhere else except from the one side which it deformed;
and there a more artistic grandson had hidden the abortion as much as
possible by planting a grove of beautiful stone-pines.

As for the wing itself, the interior was the most "liveable" part of the
house, and with the modern improvements put in to please the American
bride before her fortune vanished, it had become charming within.
Annesley's bedroom and her husband's adjoining had long windows opening
out on the loggia and looking between tall, straight trunks of umbrella
pines toward the distant sea.

It was late before she could slip away to her own quarters, for she had
been wanted for bridge, an amusement which she secretly thought the last
refuge for the mentally destitute. She had told her maid not to sit up;
and she was thankful to close the door of the small corridor or vestibule
which led into the suite, knowing that until Knight came she would be
alone.

She wanted him to come, and meant to wait (it did not matter how long)
until they could have that talk she wished for yet dreaded intensely.
Meanwhile, however, it was good to have a few minutes in which to compose
her mind, to decide whether she should begin, or expect Knight to do so;
and how she could frankly let him see her state of mind without seeming
too harsh, too relentless, to the man who had given her happiness with
both hands--the only real happiness she had ever known.

She sat for a while in the boudoir, thinking that Knight might come soon,
before she began to undress. There was a dying glow of coal and logs in
the fireplace, but staring into the rosy mass brought no inspiration. She
could not concentrate her thoughts on the scene which must presently be
enacted; they would go straggling wearily to other scenes already acted,
even as far back as that hour at the Savoy when a young man who looked to
her like the hero of a novel begged to sit at her table.

He still seemed as much as ever like the hero of a novel in which he had
splendidly made her the heroine; but it was not a pleasant chapter she
had to read now. It reminded her too intensely of the mystery surrounding
the hero, and forced her to realize that stories of real life have not
always happy endings.

"But ours must!" she said to herself, springing up, unable to rest.
"Nothing can break our love; and while we have that we have everything!"

She could no longer sit still, and going into her bedroom she peeped
through the door into Knight's room beyond. It was dark, as she expected
to find it; for she had been almost sure that she would have heard him if
he had entered the vestibule.

Returning to her own rooms, she pulled back the sea-blue curtains
which covered the large window looking on to the loggia. The sky was
silver-white with moonlight between the black stems of the tall pines,
and a flood of radiance poured into the room. It was so beautiful and
bright, bringing with it so heavenly a sense of peace, that the girl
could not bear to draw the curtains again. She began slowly to undress
by moonlight and the faint red glow in the fireplace.

Her first act was to recover the blue diamond ring and to drop it with
shrinking fingers into the jewel-case on her dressing table.

Taking off her dinner frock, she put on a white silk gown which turned
her into a pale spirit flitting hither and thither in the silver dusk.
Still Knight had not come. She pulled out the four great tortoise-shell
pins which held up her hair, and let it tumble over her shoulders. As she
began to twist it into one heavy plait, she walked to the window and
stood looking out.

It seemed to her that the black trunks and outstretched branches of the
trees were like prison bars across the moonlight. She wished she had not
had that thought, but as it persisted, a figure moved behind the bars,
the figure of a man.

At first she was startled, for it was very late, long after one o'clock;
but as the man came nearer, she recognized him, although the light was at
his back. It was Knight; and as though her thought called to him, he
stopped suddenly, pausing on the lawn not far from the loggia. She could
not see his face, but it seemed that he was staring straight up at her
window.

"He has been walking in the moonlight, thinking things over just as I
have in here!" the girl told herself. Surely he could see her! But no,
he turned, and was striding away with his head down, when she knocked
sharply and impulsively on the pane.

Hearing the sound, yet not knowing whence it came, he stopped again, and
so gave Annesley time to open the window.

"Knight!" she called, softly.

Then he came straight to her across the strip of lawn and up the two
steps that led to the loggia. She met him on the threshold and saw his
face deadly pale in the moonlight. Perhaps it was only an effect of
light, but she thought that he looked tired, even ill. Still he did not
speak.

"Knight, you almost frightened me!" she said. "I was afraid for an
instant you might be--might be----"

"A thief!" he finished for her.

"Or a ghost," she amended. "Weren't you coming in?"

"No," he said. "I hadn't thought of it. Do you want--shall I come in?"

"Yes, please do. I--I've been waiting for you."

"I'm sorry! I hoped you'd have gone to bed. But I might have known you
wouldn't."

As she retreated from the window, he followed her, as if reluctantly,
into the room.

"Shall I draw the curtains?" he asked. There was weariness in his voice,
as in his face. Annesley's heart went out to her beloved sinner with even
more tenderness than before.

"No, let's talk in the moonlight," she answered. "Oh, Knight, I _am_ glad
you've come! I began to think you never would!"

"Did you? That's not strange, for I was saying to myself that same
thing."

"What same thing? I don't understand."

"That I--well, that I never ought to come to you again."

She sank down on a low sofa near the window, and looked up to him as he
stood tall and straight, seeming to tower over her like one of the pine
trees out there under the moon.

"Oh, Knight!" she faltered. "It's not--so bad as that!"

"Isn't it?" he caught her up sharply, eagerly. "Do you mean what you say?
Isn't it, to you--as bad as that?"

"No--no," she soothed him. "You see, I love you. That's all the
difference, isn't it? You've been everything to me. You've made my
life--that used to be so gray--so bright, so sweet. Only the blackest
thing--oh, an unimaginably blackest thing!--could come between us,
or----"

Before she could finish, he was on his knees at her feet, holding her in
his arms, crushing her against his breast, soft and yielding in her light
dressing-gown, with her flowing hair.

"My God, Annesley, it's too good to be true!" he said, his breath hot
on her face as he kissed her cheek, her hair, her eyes. "You can
_forgive_ me? I thought you'd go away. I thought you'd refuse to let
me come near you. I was walking out there wondering how to make it easy
for you--whether I could get rid of myself without scandal."

She had been sure that he must have repented long ago, and that it would
hurt him dreadfully to have her find out the thing he had done, but she
had not dreamed that his self-abasement would be so complete. She put
her arms around him as he held her, and pressed his head against her
neck--the dear, smooth black head which she loved better than ever in
this rush of pardoning pity.

"Dearest!" she whispered. "Never, never think or speak of such a dreadful
way out! Of course it was horribly wrong, and of course it was a great
shock to me, but you might have known from my doing what I could to help
that I didn't hate you. I said to myself there must be some excuse--some
_big_ excuse. And now, if only you wouldn't mind telling me about it from
the beginning, I believe it would be the best way for us both. Then I
might understand."

"You are God's own angel, Anita!" he said in a choked voice. "You don't
know how I've learned to love you, better than anything in this world or
the next--if there is a next. I knew you were a saint, but I didn't know
that saints forgave men like me.... Shall I really tell you from the
beginning? You'll listen--and bear it? It's a long story."

Annesley did not see why the story of his buying the historic stolen
diamond and giving it to her should be so very long, even with its
explanations; but she did not say this.

"I don't care how long it is," she told him. "But you will be tired--down
on your knees----"

"I couldn't tell my story to you in any way except on my knees," he
answered. And the new humility of the man she had loved half fearfully
for his daring, his defiant way of facing life, almost hurt, as his
sudden passion had startled the girl.

"I hardly know how to begin," he said. "Perhaps it had better be with my
father and mother, because it was the tragedy of their lives that shaped
mine." He was silent for a moment, as if thinking. Then he drew a long
breath, as a man does when he is ready to take a plunge into deep water.

"My mother was a Russian. Her people were noble, but that didn't keep
them from going to Siberia. She was brought to America by a man and woman
who'd been servants in her family. She was very young, only fifteen. Her
name was Michaela. I'm named after her--Michael. The three had only money
enough to be allowed to land as immigrants, and to get out west--though
her people had been rich." He paused a moment for a sigh.

"She and the servants--they passed as her father and mother--found work
in Chicago. My father was a lawyer there. He was an Englishman, you
know--I've told you that before--but he thought his profession was
overstocked at home, so he tried his luck on the other side. The old
Russian chap was hurt in the factory where he worked, and that's the
way my father--whose name was Robert Donaldson--got to know my mother.
There was a question of compensation, and my father conducted the case.
He won it.

"And he won a wife, too. She was nineteen when I was born. Father was
getting on, but they were poor and had a hard time to make ends meet.
They worshipped each other and worshipped me. You can think whether I
adored them!

"Mother was the most beautiful creature you ever saw. Everyone looked
at her. I used to notice that when I was a wee chap, walking with my
hand in hers. When I was ten and going to school my father had a bad
illness--rheumatic fever. We got hard up while he was sick; and then came
a letter for mother from Russia. Some distant relations in Moscow had had
her traced by detectives. It seemed there was quite a lot of money which
ought to come to her, and if she would go to Russia and prove who she was
she could get it.

"If father'd been well and making enough for us all he'd never have let
her go, but he was weak and anxious about the future, so she took things
into her own hands and went, without waiting for yes or no, or anything
except to find a woman who'd look after father and me while she was gone.
Well, she never came back. Can you guess what became of her?" he asked,
huskily.

"She died?" Annesley asked, forgetting in her interest, which grew with
the story, to wonder what the history of Knight's childhood and his
parents' troubles had to do with the Malindore diamond.

"She died before my father could find her; but not for a long time.
God--what a time of agony for her! Things happened I can't tell you
about. We heard nothing, after a letter from the ship and a cable from
Moscow with two words--'Well. Love.'

"For a while father waited and tried not to be too anxious; but after a
time he telegraphed, and then again and again. No answer. He went nearly
mad. Before he was well enough to travel he borrowed money and started
for Russia to look for her. I stayed in Chicago--and kept on going to
school. The friends who took care of me made me do that ... or thought
so.

"But when I could, I played truant. I was in a restless state. I remember
how I felt as if it were yesterday. Nothing seemed real, except my father
and mother. I thought about them all the time. I couldn't sleep, and I
couldn't study. I couldn't bear to sit at a desk. I picked up some queer
pals in those months--or they picked me up. I suppose that was the
beginning of the end.

"I think while he was away, finding out terrible, unspeakable things, my
father forgot about me--or else he didn't realize I was big enough to
mind. He never wrote. When he came back, after eleven months, he was an
old man, with gray hair. I'll never forget the night he came, and how he
told me about mother. It was a moonlight night, like this--with no light
in the room. It was the last night of my childhood."

As the man talked, he had lifted his head from the soft pillow of the
girl's white neck, and was looking into her eyes, his face close to hers.
Annesley was not thinking about the diamond.

"For a long time," Knight went on, slowly, "father could not trace my
mother. He expected to find the relations who had sent her word about the
legacy, but they were gone--nobody could tell where. Nobody wanted to
speak of them. They seemed afraid. Father went to the British and
American Embassies; no use! But at last he got to know, in subterranean
ways, that mother hadn't realized how dangerous it is to speak your mind
in Russia. She'd left there before she was sixteen!

"She had said things about her father and mother, and what she thought
of the ruling powers, and that same night--she'd been in Moscow two
days--she and her relatives disappeared. It leaked out through a
member of the secret police that she could have been saved by her
beauty--someone high up offered to get her free. But she preferred
another fate.

"She was sent to Siberia where her father and mother had gone, and had
died years before. My father met a man who had seen her on the way as he
was coming back. She was only just alive. The man was sure she couldn't
have lived more than a few weeks.

"Yet father wouldn't give up. He went after her.... But what's the use of
going on? He found the place where she had died.... Which ends that part
of the story, as a story.

"Only it didn't end it for us. It filled our hearts with bitterness. We
wanted revenge. Yet my father was too good a man to take it when his
chance came. His conscience held him back. But he talked--talked like an
anarchist, a man out to fight and smash all the hypocritical institutions
of society. If it hadn't been for me he'd have killed himself in Siberia
where his wife had died a martyr; and it would have been well for him if
he had!

"Because of the wild way he talked when suspicion of fraud was thrown on
him by a partner the fool public believed in his guilt. He died in prison
when I was fifteen, and I swore to punish the beast of a world that had
killed all I loved. I swore I'd make that my life's work, and I have.
But--God!--I've punished myself, too, at last. I'm punished through you,
because I've fallen in love with you, Anita, and for your sake I'd give
the years that may be in front of me--all time but one day to be glad in,
if I could blot out the past!"

"Maybe," the girl faltered, "maybe you're too hard on yourself. I can't
believe that you, who have been so good to me, could have been very bad
to others."

"If I could hope you wouldn't be too hard on me, that's all I care for
now!" he cried, passionately. "You remember my saying that night in the
taxi that the worst I'd ever done was to try and pay back a great wrong,
and take revenge on society? If I could hope you meant what you said
about understanding I'd tell you the story of that revenge."

"I _did_ mean it, Knight. My love will help me to understand."

"You make me believe in a God, for surely only God could have sent such
an angel as you into my life.... In a way, I haven't deceived you about
myself, for I warned you I was a bad man. But when I think of the night
we met and the trick I played on you, it makes me sick! I thought you'd
loathe me if you ever found out. But I didn't intend to let you find out.
It was to be a dead secret forever, like the rest. Yet if I tell you what
my life has been you'll have to know that part, too. If I kept it back
you might think it worse than it was."

"A trick?" echoed Annesley.

"Yes. A trick to interest you--to make you like and want to help me.
Besides, it was to be a test of your courage and presence of mind. If you
hadn't those qualities you'd have been a failure from my point of view.
You see, I hadn't had time to fall in love with you then. And I wanted
you for a 'help-mate' in the literal sense of the word. It seems a pretty
sordid sense, looking back from where we've got to now. But that was my
scheme. A mean, cowardly scheme! And it's thanks to you and your blessed
dearness I see it in its true light.... Do you begin to understand,
Anita--knowing something of what my life has been, or must I explain?"

"I--I'm afraid you must explain," she answered in a small voice, like a
child's. She felt suddenly weak and sick, as if she might collapse in the
man's arms. It was as if some terrible weapon wrapped round and half
hidden in folds of velvet were lifted above her head to strike her down.

She shrank from the blow, yet asked for it. Already she guessed dimly
that Knight's confession was to be very different from and far more
terrible than anything she had expected.

"I was the man whose advertisement you answered--the man who wrote you
the stiff letter in the handwriting you didn't like, signed N. Smith."

"Oh!" The word broke from her in a moan.

"Darling! Have I lost you if I go on?"

"You must go on!" she cried out, sharply. "For both our sakes you must go
on!"

"I know how it looks to you. And it was vile. But I couldn't be sure when
I advertised what an angel would answer to my call, and what a brute I
should be to deceive her. I thought the sort of girl who'd reply to an
'ad' for a wife would be fair game; that I should be giving her an
equivalent for what she'd give me.

"For my business that I had to carry out in England I needed a wife of
another sort from any woman I knew, or could get to know, in an ordinary
way; she had to be of good birth and education, nice-looking and
pleasant-mannered--if possible with highly placed friends or relatives.
Money didn't matter. I had enough--or would have. I got a lot of answers,
but the only one that seemed good was yours. I felt nearly certain you
were the woman I wanted, so I rigged up a plan. You know how it worked
out."

"Maybe I'm stupid," Annesley said, dry-lipped. "I don't understand yet."

"Why, I thought the thing over, and it seemed to me that married life--if
it came to that--would be easier for both if the man could make some sort
of appeal to the love of romance in a girl. Well, she wouldn't think the
man who had to get the right sort of wife by advertising much of a figure
of romance. So the idea came to me of--of starting two personalities. I
wrote you a stiff, precise sort of letter in a disguised business hand,
making an appointment at the Savoy. When that was done, the writer went
out of your life.

"He just ceased to exist, except that he sat behind a big screen of
newspaper and watched for a girl in gray-and-purple, wearing a white
rose, to pass through the foyer. That was his way of finding out if she'd
suit. Jove, how beastly it does sound, put into words, and confessed to
_you_! But you said I must go on."

"Yes--go on," Annesley breathed.

"You were about one hundred times better than my highest hopes. And
seeing what you were, I was glad I'd thought out that plan. Even then, it
was borne in on me that it wouldn't be long before I found myself falling
in love, if I had the luck to secure you. And from that minute the
business turned into an exciting play for me, just as I meant to make it
for you. I let you wait for a while, but if you'd showed any signs of
vanishing I'd have stepped up. I'd got a trick ready for that emergency.

"But I hoped you'd follow instructions and go to the restaurant. Once
there, I was sure the head-waiter'd persuade you to sit down at a table;
and the rest went exactly as I planned. The two men we called the
'watchers' used to be vaudeville actors--did a turn together, and their
specialty was lightning changes. Their make-ups, even at short notice,
could fool Sherlock Holmes. Even though you despise me for it, Anita, you
must admit it was a smart way to make you take an interest, and prove
your character.

"Lord, but you stood the test! I wouldn't have given you up at any price
then, even if I hadn't begun falling in love. I saw how good you were;
and in that taxi going to Torrington Square I felt mean as dirt for
tricking you. But of course I had to go on as I'd begun.

"At first I thought it was luck, tumbling into the same house with
Ruthven Smith; but now I see it was the devil's luck. If it hadn't been
for Ruthven Smith I might have gone on living the part I played. You need
never have known the truth. And I swear to you, Annesley, I'd made up my
mind, after finishing off my work with the men who are with me, that I'd
run straight for the rest of my days. The business was making me sick,
for being close to your goodness threw a light into dark places.

"By heaven, Anita, it does seem hard, just as I was near to being the man
you thought me, that that dried-up curmudgeon Ruthven Smith should call
my hand and make me show you the man I was! But I can't help seeing
there's a kind of--what they call poetical justice in it, the blow coming
from him. I've always been like that: seeing both sides of a thing even
when I wanted to see only one. But if _you_ can see both sides, you will
make the good grow, as the bright side of the moon grows, and turns the
dark side to gold.

"Can you do that, do you think, Anita? Can you see any excuse for me in
going against the world to pay it out for going against me and mine? If
you've been piecing bits of evidence together since Ruthven Smith spoke,
you'll have remembered that only heirlooms and things insured by, or
belonging to, public companies, have been taken; no poor people have been
robbed; and except in the case of Mrs. Ellsworth, where I wanted to see
her paid out for her treatment of you----"

"'Robbed'!" Catching the word, Annesley heard none of those that
followed. "_Robbed!_ Oh, it's not possible you mean----"

Her voice broke. With both hands against his breast she pushed him off,
and struggled to rise, to tear herself loose from him. But he would not
let her go.

"What's the matter? How have I hurt you worse than you were hurt already
by finding out?" he appealed to her, his arms like a band of steel round
her shuddering body. "When you heard the truth about the diamond, it was
the same as if you'd heard everything, wasn't it? You guessed Ruthven
Smith suspected--someone must have told him--Madalena perhaps. You
guessed he had some trick to play, and in the quietest, cleverest way you
checkmated him, without hint or help from any one. You saved me from
ruin, and not only me, but others. And on top of all that, when I hoped
for nothing more from you, you promised me forgiveness. That's what I
understood. Was I mistaken?"

"_I_ was mistaken," she answered, almost coldly; then broke down with one
agonized sob. "I thought--oh, what good is it now to tell you what I
thought?"

"You must tell me!"

"I thought you had bought the blue diamond, knowing it had been stolen,
but wanting it so much you didn't care how you got it. I didn't dream
that you were a----"

"That I was--what?"

"A thief--and a cheat!"

"My God! And now you know I'm both, you hate me, Anita? You must, or you
wouldn't throw those words at me like stones."

"Let me go," she panted, pushing him from her again with trembling,
ice-cold hands.

He obeyed instantly. The band of steel that had held her fell apart. She
stumbled up from the low sofa, and trying to pass him as he knelt, she
would have fallen if he had not sprung to his feet and caught her.

But recovering herself she turned away quickly and almost ran to a chair
in front of the dressing table not far off. There she flung herself down
and buried her face on her bare arms.

Knight followed, to stand staring in stunned silence at the bowed
head and shaking shoulders. He could hear the ticking of a small,
nervous-sounding clock on the mantelpiece. It was like the beating
of a heart that must soon break. At last, when the ticking had gone
on unbearably long, he spoke.

"Anita, you called me a cheat," he said. "I suppose you mean that I
cheated you by playing the hero that night at the Savoy, and stealing
your sympathy and help under false pretenses; that I've been steadily
cheating you and your friends every day since. That's true, in a way--or
it was at first. But lately it's not been the same sort of cheating. It
began to be the real thing with me. I mean I felt it in me to be the
real thing. As for the other name you gave me--thief--I'm not exactly
that--not a thief who steals with his own hands, though I dare say I'm
as bad.

"If I haven't stolen, I've shown others the most artistic way to steal.
I've shown men and women how to make stealing a fine art, and I've been
in with them in the game. Indeed, it was my game. Madalena de Santiago,
and the two men you knew first as the 'watchers,' then as Torrance and
Morello, now as Charrington and Char, have been no more than the pawns I
used, or rather they've been my cat's paws. There's only one other man at
the head of the show besides me, and that is one whose name I can't give
away even to you.

"But he's a great man, a kind of financial Napoleon--a great artist, too.
He doesn't call himself a thief. He's honoured by society in Europe and
America; yet what I've done in comparison to what he's done is like a
brook to the size of the ocean. He has a picture gallery and a private
museum which are famous; but there's another gallery of pictures and
another museum which nobody except himself has ever seen. His real life,
his real joy, are in them. Most of the masterpieces and treasures of this
world which have disappeared are safe in that hidden place, which I've
helped to fill.

"That man has no regrets. He revels in what he calls his 'secret
orchard.' He thinks I ought to be proud of what I've done for him; and so
I was once. I came here and brought the other people over to England to
work for him.

"Not that that fact will whitewash me in your eyes; not that I wasn't
working for myself, too, and not that I'm trying to make more excuses by
explaining this. But I'd like you to understand, at least for the sake of
your own pride, that you haven't been cheated into loving and living with
a common thief. Does that make it hurt less?"

"No," she said in a strange tone which made her voice sound like that of
an old woman. "That doesn't make it hurt less. It makes no difference.
I think nothing can ever make any difference. My life is--over."

"Don't, for God's sake, say that! Don't force me to feel a murderer!" he
cried out, sharply.

"There's nothing else to say. I wish I could die to-night."

"If one of us is to die," he said, "let it be me. If you hadn't happened
to see me and call me in when I was under the trees bidding good-bye to
your window, by this time I might have found a way out of the difficulty
without any scandal or trouble to you whatever. No one would have known
that it wasn't an accident----"

"I should have known."

"But if you had, it would have been a relief----"

"No. Because I--I hadn't heard the truth. I didn't understand at all. I
thought you had done _one_ unscrupulous thing. I didn't dream your whole
life was--what it is. I loved you as much as ever. It would have broken
my heart if you----"

"But now that you don't love me, it wouldn't break your heart."

"I don't seem to have any heart," Annesley sighed. "It feels as if it
had crumbled to dust. But it would break my life if you ended yours. If
anything could be worse than what is, it would be that."

"Very well, you can rid yourself of me in another way," the man answered.
"You can denounce me--give me up to 'justice.' If you hand over the
Malindore diamond to Ruthven Smith and tell him how you got it----"

"You must know I wouldn't do that!"

"Why not?"

"Because I--couldn't."

"It needn't spoil your life. No one could blame you. I would tell the
story of how I deceived you. You could free yourself--get a divorce----"

"Don't!" the girl cut him short. "I'm not thinking of myself. I'm
thinking of you. I can't love you again, and I wouldn't if I could, now
that I--know. You're a different man. The one I loved doesn't exist and
never did; yet you've told me your secret, and I'm bound to keep it. I
don't need to stop and reflect about that. But as for what's to become
of me, and how we're to manage not to let people guess that everything's
changed, I don't know! I must think. I must think all to-night, until
to-morrow. Perhaps by that time I can decide. Now--I beg of you to go
and leave me--this moment. I can't bear any more and live."

He stood looking at her, but she turned her head away with a petulant
gesture of repulsion; and lest her eyes might feel the call of his she
covered them with her hands. Her hopelessness, her loathing of him
enclosed her like a wall of ice.

"So! The dream's over!" he said. "'This woman to this man'! What a
farce--what a tragedy!"

When she looked up again he had gone and the door between their rooms was
shut.

The moon no longer lit the high window. With Knight's going darkness
fell.




CHAPTER XX

THE PLAN


Annesley sat as Knight had left her for a long time--minutes, perhaps, or
hours. But at last she was very tired and very cold, so tired that she
threw herself weakly on the bed, in her dressing-gown, because she
couldn't sit up. All through the rest of the dark hours she lay
shivering, and did not even trouble to roll herself in the warm down
coverlet spread lightly over the bed.

It seemed right, somehow, that she should be cold and miserable
physically. She did not care or wish to be comfortable.

Over and over again she asked herself: "What shall I do? What is to
become of me--of both of us?" She tried to pray, but her heart was too
hard toward the man who had trampled on her life and love for his own
cruel purposes. It seemed to her that God would not hear a prayer sent
up in such a mood; yet she did not want to soften her heart toward the
sinner.

Because it had been so full of forgiveness before he poisoned the chalice
with the bitter stream of confession, it was the more impossible to
forgive now. It even seemed to Annesley that it would be monstrous to
forgive, in the ordinary, human sense of the word, a man who was a living
lie.

If there were room for thanksgiving in her wretchedness, it lay in the
fact that her love had died a swift and sudden death. Had she gone on
loving in spite of all, such love, she thought, must have brought death
into her soul.

She did not know how to name her husband now. Even in thinking of him she
would not call him "Knight."

What a mockery the name had been! How he must have laughed to know that
she was fool enough to believe him a knight of chivalry, who had come
like St. George to rescue her from the dragon!

She knew at last that the name he had not wished her to see in the parish
register was Michael Donaldson. That meant, she supposed, that her name
was Donaldson, too; a name he had dragged through the mire.

He pretended to love her. But such a man could not speak the truth.
He had tried to excuse himself in every way. To talk of love and its
purifying influence was only one of these ways. He would not even have
confessed if he had not fallen into the mistake of thinking she
understood that he was a thief, or head of a gang of thieves.

He seemed almost to boast of what he was.... Oh, how horrible life had
become, and how she wished that it were over! She wondered if it would
be wicked to pray that her heart might stop beating to-night.

Yet morning came and her heart beat on. She did not even feel very ill,
only weak, with a wiry throbbing of each separate nerve in her head. She
had meant to use the quiet hours to decide what must be done next, but
always, when she had tried to pin her mind to the question, it had
escaped like a fluttering moth, and turned to self-pity, or to calling
up pictures of the past which brought tears to her eyes.

Now the time was upon her when realities must be faced. Before seven
o'clock it was light, but neither she nor Knight were accustomed to early
tea, and there was more than an hour to spare before they would be called
by Parker.

The girl sat up shivering, though the room, heated by steam, had not
grown bitterly cold when the grate fire died. She looked, heavy-eyed,
toward her husband's closed door. They must talk things over, and make
some plan.

She hated the very word "plan" since his story of the trick he had played
at the Savoy. She hated the necessity to talk with him; but it _was_ a
necessity. They ought to arrange something for the future--the blank and
hateful future--before Parker came, and daily life began. There would be
many things to settle, questions to ask and answer; a sort of hideous
campaign would have to be mapped out in details not one of which defined
itself clearly in her tired brain.

"It's no use," she said to herself. "I can't think, after all, until I
see him again. Perhaps he will make some suggestions, and I can accept or
refuse. But I _can't_ go to his door and call him."

As she hesitated, Knight--who was a knight no longer in her eyes--opened
the door, very softly, not to disturb her if she slept. In the morning
light which paled the uncurtained window their eyes met.

Annesley slipped off the bed and stood up, cloaking her bare white neck
with her hair. Suddenly she felt that he was a strange man who had no
right to be in her room. He was not the husband she had loved with a
beautiful and sacred love.

"I won't come if you'd rather I didn't," he said. "I only looked in to
see if you were awake. I thought if you were, and if you could stand it,
it would be best to--talk about what's to be done." He spoke quietly,
standing at the door. He was dressed for the day, as if nothing had
happened; and Annesley felt dimly resentful because he looked bathed and
well-groomed, his black hair smooth and carefully brushed; altogether his
usual self, except that he was pale and grave.

"You had better come in, I suppose," the girl replied, grudgingly. "I was
thinking, too, that we must talk. Let us--get it over."

"You haven't been to bed, I see," he said, his eyes lingering on her
sadly. It flashed through Annesley's mind that it was as if he were
looking for the last time at the sweetness and happiness of life. But
her heart did not soften. It was his fault that there was no longer any
happiness or sweetness left in their lives.

"No, I haven't been to bed," she returned. "But it doesn't matter. I am
not ill. Please let us not waste time in discussing me. There are other
things."

"Yes, there are other things," he agreed. "But we'll not begin to talk of
them until you have got into bed and covered yourself up. You're as white
as marble."

"I don't want----" she began; but he cut her short.

"What will Parker think if she finds your bed hasn't been slept in?"

"Oh, very well!" Annesley assented, impatiently. "I must get used to
tricks!"

"Perhaps not," said Knight. "I've been thinking of ways and means. Have
you? Because if there's anything you feel you would like to do, you've
only to tell me."

"I haven't been able to think," she confessed.

"Well, then, I'll tell you what I've thought."

Annesley had now crept into bed; and before she could protest Knight had
carefully covered her with the down quilt. Having done this, he drew a
chair near, yet not too near, and sat down. It was as if he recognized
her right to keep him at a distance.

"You said last night," he began, "that you didn't mean to denounce me. If
you've changed your mind, I shan't blame you; I deserve it. All I ask is
that you grant me time to warn certain persons who would go down if I
went down, and give them time to make a bolt. Madalena de Santiago is
one. I'm pretty sure that out of spite she put Ruthven Smith on to
looking for the diamond, but I don't want to punish her. Evidently
she--or whoever it was--didn't have much information to give, or the man
wouldn't have backed down and apologized. I should like to find out
exactly what he had to go upon. But if you've changed your mind, it's not
worth while to bother about that----"

"I have not changed my mind," Annesley said.

"You are very good, a very noble woman. If I were the only one to suffer
by being denounced, I don't think I'd care much, as things have turned
out. But there are others. And above all, there's you. You could patch up
your life, but you'd have to suffer more or less if I were dragged over
the coals. And so, taking everything together, I'm thankful to accept
your generosity.

"We'll call that settled. I don't think Ruthven Smith has any suspicion.
We'll see about that later. Meanwhile, he doesn't count. And Madalena at
her worst I can manage. There's nothing to be feared. But the question
is, how are we two to go on?"

"You must--whatever else we decide--you must give up----" the girl
stammered from her pillows, and could not bring herself to finish.

"That goes without saying, doesn't it? In any case, there was only to be
one more _coup_. I'd warned everybody concerned of my decision as to
that."

"_One more?_ How terrible! Not--_here_?"

"Yes, if you must have that, too; it was to be here. It was to be a big
thing. But there's time to stop it."

Annesley buried her head with a stifled moan.

"It wouldn't have hurt any of the people. Only family heirlooms
again--everything insured. And as for the insurance companies, if
you worry over them, it's part of the game. They're wallowing in
money ... But I'll call the thing off. And that's the end for me. I'm
not rich--not the millionaire I pose for; still, I've earned something.
My 'Napoleon' has paid me well, and I've had a share now and then of
some good things. There's enough to make you comfortable----"

"Do you think I'd take a penny of such money?" the girl cried, sick with
indignation.

"I've worked for it," Knight said, with a kind of unhappy defiance, "and
it was come by as honestly as a lot of fortunes made on the stock market.
You must have money----"

"I can earn some, as I did before."

"No, _never_ as you did before! Besides, I thought you'd decided on
having no open break between us, no scandal. Or wasn't that what you
meant?"

"It was. But--I don't see yet how it can be managed. Do you?"

"The way I had in my mind was, since I've lost your love--oh, I'm not
complaining!--the way I had in my mind was to leave you over here with
plenty of money, and be suddenly called to America on business. Then, if
it would hurt your feelings to have me put myself out of the way, it
needn't hurt them for something to _seem_ to happen. Nelson Smith could
be wiped off the map; and if you weren't free to marry somebody else, at
least you'd be free of me.

"But if you won't take my money that plan will not work. You can hate me
as much as you like, but I'm not going to leave you alone in the world
without a penny. Neither you nor any one can force me to that.... I've
thought of another thing, though, since we began to talk. Only I don't
like to propose it, Anita. It isn't a good plan--from your point of
view."

"I'd better hear it."

"Well, I might get a cable hurrying me across to the other side, and--you
might go along."

"Oh!"

"I warned you you wouldn't think it a good plan. But since I've begun,
let me finish. In Canada and the United States I'm known--in my least
important character--as Michael Donaldson, and I've tried to keep the
name clean because of my father and mother. When there's been anything
shady doing I've taken a fancy name and made such changes as I could in
myself. The reason I didn't want you to see the name in the register was
because of what happened on the _Monarchic_. I'd given you that ring, you
know. I couldn't resist doing that. I wanted you to have it, not because
of its value, but because it's beautiful. I thought it was like you,
somehow. I had to make up its loss in another way to the man who expected
to have it--that 'Napoleon' I mentioned."

"I know, the old man--Paul Van Vreck," Annesley guessed with weary
impatience.

"I'll not say yes or no to that. But it will be bad for me, and perhaps
for you, too, if you ever mention Paul Van Vreck in such a connection.
Not that you'd be believed."

"I sha'n't mention him again."

"Just as well not.... But it was my name and my plan I began to speak
about. I was going to say, you needn't be afraid that if you took my
name (which is yours now), you'd have to be ashamed of it. We could
go to America, and in England Mr. and Mrs. Nelson Smith would soon be
forgotten. I'd hand over the money you hate to charities--not the kind
of charities I've been supporting here! They've all been part of what
you call my fraud, and have only given me a chance to bring some rather
queer-looking fish around me, who might have raised curiosity if I
couldn't have accounted for them. But real charities.

"And if you'd stick by me--I don't mean love me; I know you can't do
that; but live in the same house and not chuck me altogether, I'd turn
over a new leaf. I'd begin again from the beginning.

"In Texas I've got some land--a ranch. It isn't worth much, I'm afraid,
but I came by it honestly, for me. I won it at poker from a man named
Jack Haslett. He was a devil for cards, but it didn't matter. He was
rich; and he had a better ranch that he lived on. He's dead now--was near
dead then, of consumption. He liked me. Said he was glad I'd won the
ranch. It was only a bother to him.

"I was with Jack when he died, and did what I could to ease him at the
end. He was grateful, and what money his bad luck at cards had left him
he willed to me. It was only eight thousand dollars.

"If it had come to me any other way, I dare say I'd have chucked it away
in a month. It wouldn't have seemed worth saving. But I was sort of
sentimental about poor old Haslett and his feeling for me. I didn't care
to lump his money in with what I got in my line of life. I made a
separate fund of it.

"Some had to go toward improvements on the place before I could let the
ranch to any one, but there's about six thousand dollars left, I guess.
The fellow I let to wrote me a few weeks ago that he was tired of
ranching and wanted to clear out. He hoped I could find someone to buy
his cattle and the furniture he's put in the house. The letter was
forwarded by a man I keep in touch with my business and whereabouts, so
he can look after my interests. I've had no time to answer yet.

"I was going to write that I didn't know any one who cared to settle in
Texas; but now what if I wrote that I'd take the place and everything on
it off the fellow's hands myself?"

"I don't know what Texas is like," Annesley replied, coldly. "But
anything would be better than the life you're leading now."

"I wasn't intending to go alone," Knight reminded her. "I said, if you'd
stick by me, not throw me over altogether, I'd try and begin again. In
that case, Texas would do as well as anywhere; and the place and the
money are clean."

"How could I go with you, and live under the same roof, with everything
so changed?" the girl exclaimed. "It would kill me!"

"As bad as that?... Well, then, I must rack my brains for something else.
But I'm sorry this won't do. Would you care to live with Archdeacon
Smith and his wife?"

"No. No! And they wouldn't want me."

"That seems queer to me: that any one should have the chance of keeping
you with them, and not want you ... How would it be for you to go on the
same ship with me, and find a little home somewhere on an allowance I
could make you out of that fund? You see, you are my wife in the eyes of
the law, so I'm bound to support you. And you're bound to let me do it,
if I can do it honestly."

Annesley flung up her arms in a gesture of abandonment. "Let it go at
that," she sighed, "until I can think of something better."

"Very well. We won't argue that part yet. The thing to make sure of at
the moment is this: Do I get a cable, say on the day everyone's leaving
Valley House, calling me back to America on urgent business, and do I
take you with me?"

Annesley's thoughts raced through her head and would not stop. Knight did
not speak. He was waiting with outward patience for her decision.

It seemed that she would never know what to say. She was about to tell
him in despair that she must have the rest of the day to make up her
mind, but before she could speak Parker knocked at the door.

"I'll go with you," the girl said, hastily. "On the ship. But after
that----"

Parker knocked again.

"Come in!" called Annesley.

"Thank you," Knight said, getting up from his chair near her bed.

"_Don't_ thank me. I----"

But Parker had opened the door. All that was conventional and agreeably
commonplace in the lives of happy, well-to-do people seemed to enter the
room with her.




CHAPTER XXI

THE DEVIL'S ROSARY


Ruthven Smith summoned courage to ask for a few words alone with Knight
that Easter morning, in order to explain as well as apologize for the
"seeming liberty he had taken." By dint of stammering, and punctuating
his sentences with short, dry coughs, he made "a clean breast," as he
called it, of the "whole business."

He had come to Valley House, he confessed, because of an anonymous
letter, written apparently by a person of education, to inform him that
the Malindore diamond had come into the possession of the Nelson Smiths.
Whether they were aware of its identity, the writer was not sure; but in
any case their ownership of the jewel was kept secret.

Having got so far in his story, Ruthven Smith decided that the easiest
way of finishing it would be to produce the letter. He did so (a
typewritten sheet of plain creamy paper, in an envelope post-marked
"West Hampstead"), and simplified things for himself by pointing to the
last sentence.

  Mrs. Nelson Smith always wears a thin gold chain round her neck, which
  she lets drop to her shoulders for evening dress. What precious thing
  which has to be hidden hangs on that chain? Mr. Ruthven Smith is
  advised to find out.

"I see now," the unfortunate man excused himself, "that someone has been
taking advantage of my anxiety about the losses of my firm to play a
cruel practical joke on me. I can't help thinking, at the same time,
that the person must have had a grudge against you and your wife also."

"Or else a desire to make mischief between you and us," was Knight's calm
suggestion.

Ruthven Smith caught it up, eagerly. "Ah, that possibility hadn't
occurred to me."

"I suppose we all have enemies." Knight pursued the subject without
excitement. "The writer probably wished to put the idea in your head that
I had deliberately bought an historic diamond which I knew to be stolen."

"But that would have been ridiculous!" exclaimed the jewel expert, and
felt sincere in making his protest.

Nevertheless, he had glanced at Annesley's face while talking of the
Malindore diamond to Lady Cartwright. It had been on the edge of his mind
that, if she looked self-conscious, it would be a point against her and
her husband. Also he had determined to make his daring attempt at
discovery before she had time to get rid of the diamond if she were
hiding it. Now, however, in the light of her shining innocence, he had
almost forgotten that he had suspected an underhand design on her part.

He asked Nelson Smith if he could think of any one, man or woman, among
his acquaintances capable of writing the anonymous letter. Nelson Smith
replied that his brain was a blank, and that he hardly thought it worth
while to follow the matter up, unless Ruthven Smith wished to do so. In
that case they might put the affair in the hands of the police.

But the elder man was of the younger's opinion. He had made a fool of
himself, and was ashamed that he had attached importance to an unsigned
communication. All he desired was to let the unpleasant business drop.

This being settled, Knight, in whose hand was the typewritten letter,
tossed the thing into the fireplace of the library, where the two had
been talking. When he and Ruthven Smith had shaken hands and agreed to
forget the whole incident the latter was glad to escape from the
interview. He went to his room and lay down, to soothe his nerves and
think of an excuse to return to London early on Monday morning.

As soon as his meagre back was turned Knight stooped and retrieved the
letter in its envelope, unscorched, from the fireplace. There was nothing
about it--not even a tell-tale perfume--to give any clue to the writer.

Nevertheless, Knight considered it of value. He intended to use it as a
bluff to frighten the Countess de Santiago, for only through her own fear
could he prove her treachery.

Most of the guests at Valley House went to church, to give thanks for
the fairy-like Easter eggs they had received. Annesley had a headache,
however, and no one was surprised that her husband should choose to stop
at home to look after her.

His adoring devotion for the girl was no secret. People laughed at it,
but admired it, too, and some women envied Annesley. They imagined him
spending the morning with his wife, but as a matter of fact he did not
go near her. He feared to speak lest she might change her decision and
refuse to travel to America with him.

His one hope--a desperate hope--lay in her going. He decided not to see
her alone again until Monday evening, after the arrival of the cable from
America.

In order to insure the coming of this message, and to make it realistic,
he motored into Torquay and sent a long telegram, partly in cipher.
Returning, he had a conversation with Charrington, the butler, and Char,
the chauffeur, a conversation which left the brothers grave and subdued.
Later Char went off in the car again, though it poured with rain, and was
gone until late at night.

Between twelve and one o'clock Knight, strolling toward the garage, heard
the automobile return, and stopped in the blaze of the acetylene for the
motor to slow down.

"Is it all right?" he inquired.

"It's all right," Char answered, somewhat sullenly, yet with a certain
reluctant respect. "Nothing will happen here Monday night."

"Good!" his master answered, and smiled at the thought of Madalena's
malicious prophecy which would not be fulfilled. It was not a pleasant
smile, yet, as he had said to Annesley, he planned no revenge against
the tigress--the woman whose claws had ripped his heart open.

Tigress or no, she was a woman, and he knew that, as far as she was
capable of caring, she had cared for him.

Perhaps it had been partly his fault. She was handsome, and had been
years younger when he had met her first. She was married then to an old
man, jealous and suspicious, knowing that his money had won the beautiful
wild creature for him. It was at Buenos Aires, and the husband had found
Madalena out in an intrigue; partly political, partly mercenary, and
partly passionate. He had turned her from his house without a penny, and
Knight--not personally concerned in the intrigue, but interested--had
been flush enough at the time to lend her a thousand dollars, enough to
go away with. It had been called a loan, but he had not expected to get
the money back, and never did get it.

In California she had set herself up as a palmist and had become
successful, a success she duplicated in New York; and she had gladly made
herself useful in many ways to "Don" and those with whom he "worked."

One way was to find out the number and worth of her rich clients' jewels,
and where they were kept. Through her crystal gazing she was able to
conjure women's secrets without their realizing that they, not she, gave
them to the light. And aboard the _Monarchic_ was not by any means the
first time that Madalena had been invaluable in diverting suspicion
by throwing it upon the wrong track.

Knight had consulted her, praised her, and flattered her from time to
time. Now he told himself that he was paying for his thoughtlessness.
He had taken Madalena for granted, regarding her as a machine rather
than a woman; and though he owed to her the loss of his happiness, that
happiness had been undeserved and, as he expressed it to himself, walking
the wet paths at midnight, he had "stood to lose it anyhow."

He would frighten Madalena so that she would never dare to try her tricks
again, and he would let her understand that because of what she had done
their partnership had come to an end once and forever. Otherwise she
should feel herself safe from him.

Bad he might be, and was, as he knew; but he didn't think it was in his
make-up, somehow, to strike a woman.

He did not go back to the house, after his short talk with Char, until
after he had heard the stable clock strike four. It was easier to think
and see things clearly out of doors than in his room adjoining
Annesley's--that closed room, forbidden to him now, where she was perhaps
crying, and surely hating him. As for the long nightmare day he had lived
through, it had been too full for much deliberate thinking; and he wanted
to plan for the future: how to begin again, and how to keep the woman who
had come to mean more for him than anything else had ever meant--more, he
knew, than anything else could mean.

He was not sure whether the love in his heart was a punishment or a
blessing, but there it was. It had come to stay.

"This woman to this man!"

He found himself repeating the words he remembered best in the marriage
service, not bitterly as he had repeated them to Annesley, but
yearningly, clingingly, groping after some promise of hope in them.

"She gave herself to me. I'm the same man she loved, after all, though
she says I'm not," he told himself. "God! What's the good of being a man
at all, if I can't get her back?"

As he wandered through one winter-saddened garden after another--the
Italian garden, the Dutch garden, the rose garden--he searched his soul,
asking it how much more he should have to tell the girl about his past.
In a kind of desperate resignation he persuaded himself that there was
nothing he would not be willing to tell her now, if it were for her good,
and if she wished to hear.

But something within him said that she would wish to hear no more. She
would deign to put no questions to him, even if she felt curiosity. She
would doubtless refuse to listen if he volunteered a further confession.
He was instinctively sure of his ground there; and in his bitterness of
spirit there was a faint gleam of comfort; certain details of his
degradation (she would think it that) might be kept decently hidden.

For instance, he would not have to tell her how, as a boy in Chicago, he
had learned to make strange use of those clever, nervous hands of his,
which she had lovingly praised as "sensitive and artistic." He could
almost see the girl shudder and grow pale at hearing how proud he had
been at sixteen of being admitted to friendship with a "swell mobsman"
fascinating as any "Raffles" of fiction; how it had amused the fellow to
teach him a deft and delicate touch, beginning his lessons with the game
of jack-straws, in which he was given prizes if he could separate the
whole stack, one straw from another, without disturbing the balance of
the pile.

It would gain him no credit in Annesley's eyes if he should assure her
that, though he knew how to pick pockets--none better--he had somehow
never cared to put his skill in practice, but had always preferred,
leaving that part of the industry to others. No excuse could help him
with her, and he was glad she need not know all the ways in which he had
served the eccentric friend and employer with whose interests he had been
associated more or less since his twenty-fifth year.

How disgusting would seem to Anita the inside history of the _Monarchic_
episode, upon which he had rather prided himself until love for her had
begun making subtle changes in his view of life. He and old Paul Van
Vreck had laughed together at the patent lock on which the agent
depended--a lock invented by the retired member of the firm himself,
and followed by a second invention, even more clever: a little instrument
designed to open a door in spite of it.

There had been the drug, too, which leaving no odour behind, had the same
effect as chloroform, and "took" even more quickly. Paul Van Vreck had
read of certain experiments made by a professor of chemistry in Tours,
had gone to France to see the man, had bought the formula, which had not
yet proved itself entirely successful; had added an ingredient on his own
account, and triumphed.

These parts of the complicated and well-fitting scheme had seemed
deliciously amusing to Knight in those days; that Van Vreck should use
his secret skill against his own brothers and nephews in the business
he had made; that the great expert should add to his fortune by stealing
from his own firm, or rather, from the great insurance company who would
repay their losses; that in such ways, with such money, he could add
treasures to his famous collection, practically at no expense to himself,
and have besides the exquisite pleasure of laughing in his sleeve at the
world.

It had all added zest to the work. And Knight had been pleased with some
small inventions of his own, praised by Van Vreck: a smart hiding-place
in the heel of a boot, almost impossible to detect, and another equally
convenient and invisible in the jet standard of Madalena de Santiago's
famous crystal. He had enjoyed the excitement when he and Madalena and
their two assistants, among the other passengers on board ship, had
consented to be searched for the missing jewels. And he had laughed
sneeringly at the credulity of those who believed in Madalena's
trumped-up vision "of the small fair man," the lighted life-preserver
dropped into the sea at night, and the yacht which sent out a boat to
pick it up.

For that other vision her crystal had supplied after the robbery in
Portman Square he was not responsible; but it was he who had suggested
the "pictures" for her to see on shipboard.

He hated the recollection now. Even Annesley could not think it more
contemptible than he did.

Still worse was the remembrance of Mrs. Ellsworth's latchkey, the keeping
of which had been accidental at first. Afterward he had gaily regarded
its possession as a gift from Providence. The way to Ruthven Smith's
house was made clear by it; and better still, through it the dragon could
be punished for years of cruelty to the captive princess. "Char" had been
the man to whom fell the honour of bestowing the punishment, and leaving
a missive from the princess's rescuer.

Knight writhed in spirit as he wondered whether the princess guessed the
fate of the key.

He wondered also if she asked herself what part he had had in the
disappearance of the Valley House heirlooms. She would loathe him more
intensely, if possible, could she know how her presence with him on that
public "show day" had helped to cloak with respectability his secret
mission. How mean he had been in distracting her attention from the two
Fragonards and from the cabinets containing the miniatures and the carved
Chinese gods of jade while he "marked" the prizes for the eyes of his two
assistants. How unsuspicious and happy the girl had been, trusting him
utterly, while behind her back he manipulated the diamond--the useful
diamond--he always carried for such purposes!

Even then he had the grace to be ashamed of himself for disloyalty,
though not for dishonesty, as deftly the diamond cut the glass faces of
the cabinets directly opposite the miniatures and the Buddha meant to
enrich Paul Van Vreck's secret collection. He had been glad to hurry his
wife away, and let the eager pair of "tourists" crowding on his heels
finish the work he had begun.

It seemed to Knight, as his thoughts travelled heavily along the past,
that no other woman but Annesley Grayle, this fragile white rose that
had freely given its sweetness, could have turned him from the vow of
vengeance for his parents' fate which as a boy he had sworn against the
world. Day by day, week by week, month by month, the fragrance of the
white rose had so changed him that looking back at himself, he saw a
stranger.

Had it not been for certain engagements made with Paul Van Vreck and
others--engagements which had to be kept because there is honour among
thieves--that "den" of his in Portman Square would long ago have been
shut to his "at home" day visitors. No more "business" would have been
done on those or any premises; this party of Easter guests would not have
been invited to Valley House; and the Malindore diamond, sleeping away
its secret on Annesley's breast, would still be guarding his secret, too.

While the others were at church she had sent him the diamond by
Parker--the blue diamond, and the rose sapphire; her engagement ring
also; the pearls he had given her the day before their marriage, and all
his other gifts (except the wedding ring), which had not been stolen on
the night when the Annesley-Setons' silver went.

It had been a blow to open the box brought to his room by the maid
without a word of explanation--no lighter because it was deserved. It was
only less severe than had the wedding ring been with the rest.

And perhaps, Knight reflected, it would have been there had Annesley
known of another trick played upon her: those cleverly "reconstructed"
pearls, gleaming ropes of them, and paste diamonds added to her
collection only for the purpose of disappearing in the "burglary." A
hateful trick, but he had believed it necessary at the time, while
despising it.

Well, he was punished for everything at last--everything vile he had done
and thought in his whole life; even those things the White Rose did not
know!

He was young still, but he felt old--old in sin and old in hopelessness;
for youth cannot exist in a heart deprived of hope. It seemed to Knight
that his heart had been deprived of hope for years, yet suddenly he
recalled the fact that a few moments before--up to the time when he had
begun counting his sins one by one, like the devil's rosary--he had been
thinking with something akin to hope of the future.

"What if, after all----" he began to ask himself.

But stumbling unseeingly from avenue to path, and path to lawn, he had
wandered near the house.

By what seemed to him a strange coincidence he had come to a standstill
almost on the spot where he had stood last night when Annesley, at her
window, called him in.

She had loved him then! She had called him in to be forgiven. But her
forgiveness, divine as it was, white and wide-winged as the flight of a
dove--had not been wide enough to cover his guilt.

What a ghastly difference between last night and this! It was right that
the face of the moon, so bright then, should be veiled with ragged black
clouds. And yet, what if----

The man's eyes strained through the darkness of that dark hour before the
dawn.

"If her window is uncurtained, I'll take it as a good omen," he said.

Noiselessly his feet trod the short, wet grass, going nearer to the
shadowed loggia to make sure....

The curtains were drawn closely, and the window was shut.




CHAPTER XXII

DESTINY AND THE WALDOS


After the cablegram came, calling them to America, it took the Nelson
Smiths an incredibly short time to wind up their affairs and to break
the ties--many and intricate as the clinging tendrils of a vine--which
attached them to England.

Of course, as their friends pointed out, it wasn't as if they had
had a home of their own. Luckily for them--unluckily for the
Annesley-Setons--they had taken the Portman Square house only month
by month. And in Devonshire they had been but paying--dearly
paying!--guests, as the world surmised.

Everyone protested that they would be dreadfully missed, and begged to
know their plans, and whether Mr. Nelson Smith's business on the other
side (something to do with mines, wasn't it?) would not be finished, so
that they might come back in time for Henley and Cowes?

But the American millionaire's answers were vague. He couldn't tell. He
could only hope. And his manner, unflatteringly, was indifferent. It was
Mrs. Nelson Smith who seemed depressed; "a changed girl," Constance said,
"from the moment that cable message arrived at Valley House."

Connie thought, and mentioned her thought to others: very likely the
truth was that Nelson Smith had lost money. In contradiction to this
theory he was known to have given generously to charities just before
starting; not those queer, new-fangled societies he had tried to bolster
up while he was in London, but hospitals and orphan asylums, and
organizations of that sort which opened their mouths wide.

Still, nobody could say for a certainty how much he gave, and it was
argued that Lady Annesley-Seton was sure to know more than most people
about Nelson Smith's private affairs. The story of possible money losses
ran about and grew rapidly, healing regrets for his absence. Soon the
pair dropped out of their late friends' conversation as a subject of
living interest.

It was much the same with the Countess de Santiago. Whether her plans
were affected by those of the Nelson Smiths, nobody knew; and she said
that they were not. But about the time that their departure for America
was decided upon, Madalena had a sharp illness. It was, she wrote
Constance (who made inquiries, fearing something contagious), an unusual
form of neuralgia, from which she had suffered before. The only doctor
who had ever been able to relieve her pain lived in San Francisco, and
in San Francisco she must seek him.

She had at first an idea of sailing on the same ship with the Nelson
Smiths; but for a reason which she did not explain, she changed her mind
the day after making it up, and engaged a cabin on a boat which started a
week earlier.

She was missed, also, for a while. But then it was remembered that the
crystal visions had been mysteriously more favourable for those who
included the Countess in their nicest parties than for those who asked
her to their second best. Little malicious digs which she had given were
recalled, and those who had thought her wonderful when in their midst
began to doubt her powers.

"Rather theatrical, don't you think?" said the Duchess of Peebles. "It's
more satisfactory to go to a woman you can pay with money and not
invitations."

So Madalena was not mourned for long; and the Annesley-Setons were
fortunate enough to replace their lost American millionaire with one from
Australia. He was old, and his wife was fat; but you can't have
everything.

       *       *       *       *       *

The Nelson Smiths took passage not on one of the great floating palaces
patronized by millionaires, but on an obscure, cheap little ship, which
bore out the gossip about the man's losses. As a matter of fact, however,
they chose that way of going by Annesley's desire. It would have been
Knight's way to vanish in a blaze of glory, as the setting sun plunges
behind the horizon after a gorgeous day.

"I want to go on a ship," she said, "which none of the people we know
have ever heard of. I couldn't bear to come across anyone I ever met
before."

But, as it turned out, she was forced to bear what she had thought
unbearable. At the top of the gangway as she went on board, a slightly
shrill voice called out, "Why, how _do_ you do! Who would ever have
thought of meeting you two expensive creatures on board _this_ tub?"

With a sinking heart Annesley recognized a Mrs. Waldo, an American woman
(there was a husband in attendance) whom she and Knight had met during
their honeymoon at the Knowle Hotel. The pair had been so friendly and
kind that the Nelson Smiths had asked them to Portman Square more than
once during the three gay months which followed.

But it was cruel, thought Annesley, that fate should bring them together
again now, just when she and the man she had married were at the parting
of the ways.

Little had the girl dreamed when she first conceived a mild fancy for the
pretty, smiling woman and her silent, humorous husband, that the pair
were destined to decide her future--decide it in a way precisely opposite
to that in which she had decided it herself. But so it was to be.

Mr. and Mrs. Waldo were returning to New York in its waning season
because the decorating of a house they had bought was just completed.
They begged Annesley and Knight to be their first visitors, and the
invitation was given so unexpectedly that Annesley, taken unawares, found
herself at a loss.

"But I--I mean my husband--is going straight to Texas," she stammered.

"All the more reason, if he has to run off so far on business, and leaves
you in New York, that you should stay with us, instead of in a hotel,"
argued Mrs. Waldo.

Annesley blushed, and for the first time since Easter eve looked for help
to Knight. But he was silent, and she blundered on, not daring to pause
lest the firm-willed little lady should seal her to a promise in spite of
herself.

"You're very kind, and it would be delightful," she hurried along, "but I
didn't mean that I was to stop in New York. I----"

"Oh, you are going together!" Mrs. Waldo caught her up. "I didn't
understand. Well, I'm sorry for our sakes. But couldn't you spare us two
or three days before you start?"

"I--am afraid we must wait for another time," said Annesley. "My husband
has business. He can't waste a day----"

"Surely you won't turn your back on New York the day you arrive, the
first time you've ever seen it!" cried the New York woman. "Why, it's
sacrilege! You must stay with us one night. If you could see the
_darling_ new room we'll put you in: old rose and pearl gray, and Cupids
holding up the bed curtains!"

In desperation the girl stuck to her point, no longer daring to look at
Knight.

"Indeed we mustn't stay, even for one night. If there's a train the same
afternoon----"

"There's a lovely train," Mrs. Waldo admitted, unable to resist praising
the American railway system. "We call it the 'Limited.' You can have a
beautiful stateroom, and run right through to Chicago without changing.
If they must go, we'll see them off, won't we, Steve?" with a glance for
the silent husband, "and bring them books and chocolates and flowers?"

What was left for Annesley to say? Short of informing the kindly couple
that they were not wanted and had better mind their own business, and
refusing to decide upon a train, she could do nothing except thank Mrs.
Waldo.

"Perhaps," she thought, "they will forget, and things will settle
themselves between now and then. Or else I shall patch up some excuse."

When the invitation was given, the _Minnewanda_ was still four days
distant from New York; but the four days, though seeming long, were not
long enough to produce the prayed-for inspiration. Mrs. Waldo referred to
the journey whenever she saw Annesley, so there was no hope of her scheme
being forgotten; and the nearer loomed the new world, the more clearly
the girl was forced to see the thing to which a few hasty words had
committed her.

She and Knight had staterooms adjoining, with a door between. That was to
save appearances, and it was no one's business that the door was never
opened. In reality, they might as well have had the length of the ship
between their cabins.

Annesley kept to her own quarters as constantly as her jangled nerves
would allow; but the sea was provokingly smooth, and she proved to be a
good sailor. She felt as if she might become hysterical, and perhaps do
something foolish, if she tried the experiment of shutting herself up
from morning to night. She paced the deck, therefore, and was dimly
grateful to Knight because he seemed always to be in the smoking room
when she took her walks.

At meals, however, unless she ate in her stateroom, they could not avoid
each other; and again she felt cause for gratitude because Knight had
accepted the Waldos' suggestion that they should take a table for four.
In spite of the Waldos' unwelcome attentions, their society was
preferable--infinitely preferable--to a duet with Knight.

They talked on such occasions; and the sharpest-eared scandal mongers
could have guessed at nothing strange from their manner. But, save at
these luncheons and these dinners, they scarcely spoke to each other.

Knight took his cue from Annesley. After the night when he had knelt at
her feet and begged her forgiveness he had never forced himself upon his
wife. He seemed to have a dread of being thought an intruder, and even
withdrew his eyes guiltily if the girl caught him looking at her with the
old wistful gaze to whose mystery she had now a tragic clue.

Annesley hoped that, before they landed, Knight might make some
opportunity to discuss ways and means of getting out of the dilemma
created by the Waldos. But he never attempted to begin a conversation
with her, and she put off the evil moment from day to day, telling
herself that there was time yet, and he had probably solved the
problem--he, who was a specialist in solving problems.

Loving the man no longer, her heart seeming to die anew whenever she even
thought of him, there remained still a ghost of her old trust; an almost
resentful confidence that he who was so clever, so hideously clever,
would be capable of overcoming any difficulty.

"I told him that I'd go with him on the ship, and that then we must
part," she assured herself, lying awake at night, wondering feverishly
what was to happen in New York. "He said we'd see about all that later,
but he must know by the way I act that I haven't changed my mind. He will
have to get me out of the trouble about the train."

The girl, in mapping the future, had thought of herself as being a
governess for American children. She did not know many things which
governesses ought to know, but if the children were small enough, she
did not see why she mightn't do very well.

She could sing and play as nine girls out of ten could. She had been told
that she had quite a Parisian accent in French; and as for arithmetic and
geography and other alarming things which children ought to know and
grown-up people forget, one could teach them with the proper books.

Besides, she had heard that Americans liked to have English governesses
for their children; it was considered "smart."

She would go to an agent, and it ought to be easy to find a place in the
country or suburbs. It must not be New York, for fear of some chance
meeting with the Waldos. But if worst came to worst, and because of those
everlasting Waldos she had to get into the train with Knight, she would
get out again at the first good-sized place where it stopped. There must
be agencies for governesses and companions in every large town. One would
serve as well as another.

As for money, she knew that she must have some to go on with until she
could begin to earn. So far she had been forced to let Knight pay her
way, as he said, out of the "good" fund. Her coming with him had been for
his sake, and to spare him from gossip. For herself, she was in no mood
to care what people said.

But now, in sailing to America as his wife, she had done all that she had
ever promised to do. He would have to arrange things as best he could.

Somehow the right time did not come to ask him what he intended to do;
for at the table, or if occasionally they were on deck together, they
were never alone.

The ship docked late in the morning, and Knight was busy with the
custom-house men. It was noon when their luggage had been examined and
could be sent away; and the Waldos, under letter "W," were released at
the same moment that the Nelson Smiths, under "S," were able to escape.

"Let's have lunch at the dear old Waldorf, our pet place and almost
namesake," proposed Mrs. Waldo. "You _owe_ us that, after all the times
you entertained us in London; and you really see New York in the
restaurant. You've nothing to do till your train goes this afternoon,
and your husband can get your reservations right there in the hotel."

Annesley's eyes went doubtfully to Knight's, and met a steady look which
seemed to say that he had made up his mind to some course.

"Very well, we shall be delighted," she said, resignedly. "Shall we meet
at the--Waldorf--is it?--at luncheon time?"

"Oh, _my_, no!" exclaimed the older woman, radiant in the joy of
home coming. "It'll be lunch time in an hour. You _must_ taxi up to
Sixty-first Street with us, and just _glance_ at the house, or we shall
be _so_ hurt. Then we'll spin you down to the hotel again in no time. I
wish we could feed you at home, but nothing will be in shape there till
to-night."

There was still no chance for Annesley to ask Knight the long-delayed
question. They saw and duly admired the Waldos' house, and took another
taxi to the hotel, the Nelson Smiths' luggage having been "expressed"
to the Grand Central, to await them. Steve Waldo tried to engage his
favourite table, and Mrs. Waldo suggested that it would be a good moment
to get the reservations.

Again Annesley's startled glance turned to Knight. Again his eyes
answered with decision. This time there was no longer any doubt in the
girl's mind. The Waldos, persistent to the last, would compel her to
leave New York with her husband.

But whatever happened she would part with him forever before darkness
fell. "At the first big town," she told herself once more.

They were at the desired table, which Steve had secured, when Knight
rejoined them, announcing that he had his tickets.

"I hope you were able to get a nice stateroom?" fussed Mrs. Waldo. "Such
a _long_ journey, and Mrs. Smith's first day in our country!"

"Yes. Everything satisfactory," said Knight, in the calm way which
Annesley had once admired.

Mrs. Waldo would have asked more questions if at that moment her eyes had
not lighted upon a couple at an adjacent table.

"_Well_, of all _things_!" she cried, jumping up to meet a pretty girl
and a spruce young man, who had also jumped up. "George and Kitty Mason!
What a coincidence!"

There were kissings and handshakings. Then Mr. and Mrs. Mason were
introduced to Mr. and Mrs. Nelson Smith. They, it seemed, had been
married in the early winter, just as Knight and Annesley had been. And
to add to the strangeness of the coincidence, which drew birdlike
exclamations from Jean Waldo, George and Kitty were starting for Kansas
City that afternoon. They were going by the same train in which the
Nelson Smiths would travel.

"Why, you'll be together for _two days_!" shrieked Jean. "For goodness'
sake, look at your reservations, and see if you're in the same car!"

George Mason pulled out his tickets. "We're in a boudoir car all the
way," he said. "We start in one called 'Elena.' After Chicago we're in
'Alvarado.'" Knight followed suit, not ungraciously, though without
enthusiasm. Annesley's heart was tapping like a hammer in her breast. She
felt giddy. There was a mist before her eyes; yet she saw clearly enough
to see that there were two railway tickets, alike in every way, even to
what seemed their extraordinary length. A flashing glance gave her the
name of the last station, at the end. It was in Texas.

And their two staterooms were also in "Elena" and "Alvarado."




CHAPTER XXIII

THE THIN WALL


"How _dared_ he buy a ticket for me all the way to Texas!" Annesley asked
herself. "But I might have known how it would be," she thought. "Why
expect a man like him to keep a promise?"

Yet she _had_ expected it. She constantly found herself expecting to find
truth and greatness in the man who was a thief--who had been a thief for
half his life. It was strange. But everything about him was strange; and
stranger than the rest was his silent power over all who came near him,
even over herself, who knew now what he was. It would have seemed that
after his confession there would be no further room for disappointment
concerning his character; yet she was disappointed that his "plan," on
which she had been counting, had been nothing more original than to break
his word and "see what she would do."

After luncheon, when the Waldos and Masons became absorbed for a few
minutes in talk, she turned a look on her husband. "I saw the tickets,"
she said.

"Did you?" he returned, pretending--as she thought--not to understand.

"You bought one for me to Texas."

"Of course. Did you think I wouldn't? That would have been poor economy
in the game we've been playing."

It was her turn to show that she was puzzled. "What do you mean?"

"You never cared to talk things over. I saw you didn't want to, so I
didn't press. And when this complication about the Waldos came up, I
thought--perhaps I was mistaken--that you--trusted me to do the best
I could."

"Yes. That's why I expected you not to get me a ticket to Texas."

"How far _did_ you expect me to get it?"

"I--don't know."

"That's just it. Neither did I know. I got the whole ticket, so you might
choose your stopping-place."

"Oh!" Annesley was ashamed, though she was sure she had no need to be.
"That was why!"

"That was why. Things being as they are, it was well I had your ticket to
show with mine, wasn't it?"

"I--suppose so. But--what am I to do?"

"We'll talk of that in the train. There won't be time before, because of
these people, and because I must leave you for two hours before the train
goes."

"Leave me!" Annesley echoed the words blankly, then hoped that he had not
noticed the dismay in her tone.

"You will be all right with the Waldos and their friends. I'll explain to
them. There's no time to lose. I must go off at once."

Annesley was pricked with curiosity to know why and where he must go. She
would not ask. But while he was away and she was being whirled through
the park and along Riverside Drive at lightning speed, "to see New York
in a hurry," her thoughts were with her husband, imagining fantastic
things.

"My mind is like a ghost," she thought, bitterly, "haunting what once it
loved. It seems doomed to follow wherever he goes, whatever he does. But
it will be different when we're parted. I shall escape in soul and body.
I shall have my own life to live."

"That wonderful Italian house," Mrs. Waldo was saying, as the taxi slowed
down for one of her lectures, "is Paul Van Vreck's New York home. They
say it's a museum from garret to cellar (not that there _is_ a garret!),
and I believe it's a copy of some palazzo in Venice. It's shut up now;
perhaps he's in Florida, or Egypt, where he--but look, somebody's coming
out--why, Mrs. Nelson Smith, it's your _husband_! Shall we stop----"

"No, let's drive on," Annesley begged, anxiously. "My husband knows Mr.
Van Vreck. They have business together. He won't want us."

The taxi was allowed to go on to the next place of interest. Annesley had
flung herself back in the seat, but she was not sure that Knight hadn't
seen her. She knew what powers of observation his quiet almost lazy
manner could hide.

This chance meeting took place on the way to the Grand Central Station,
where they met the Masons, and were joined almost at the last moment by
Knight, just as Annesley had begun to wonder if, after all, he were not
coming.

He was as calm as though there were no haste, and said he had been
delayed in collecting the luggage from the ship. He had a good deal to
say about that luggage; and what with thanks to the Waldos for books and
flowers and chocolates, and their kindness to Annesley, Mrs. Waldo (with
the best intentions) found no chance to mention Paul Van Vreck.

Annesley had not meant to refer to him, though seeing Knight come out of
his shut-up house had given her a shivering sense of mystery; but when
the train had started, Knight came to the door of her stateroom.

"There are one or two things I should like to speak to you about, if you
don't mind," he said, in the kind yet distant manner which had replaced
the old lover-like way when they were alone together.

"Come in," she replied, and added, lowering her voice: "Mr. and Mrs.
Mason are next door."

"They are too much in love to be thinking about us, or listening," he
answered; and Annesley imagined a ring of bitterness in his tone. "I've
come to talk over plans, but before we begin I want to explain something.
Once you made a guess in connection with Paul Van Vreck. Probably you
think that what you saw confirms it. Of course, the Waldos were telling
you whose house it was; and as luck would have it, I came out at that
instant.

"Whether there was anything in your guess or not doesn't matter. You're
too sensible to mention it to any one except me. But I can't have you
torturing yourself with the idea that such dealings as you imagine with
Van Vreck are still going on, if they ever did go on. Because I have
faith in your discretion, and because I owe it to you, I'm going to
explain why I went to Van Vreck's house this afternoon--why I was obliged
to go. I knew he would have got back from Florida. I hear from him
sometimes, and I had to tell him that any business I'd ever done for him
was done for the last time, because--I was going to settle down to ranch
life in Texas.

"Also I handed to him the Malindore diamond. His firm lost it. His firm
has by this time been paid the insurance. It's up to him how to dispose
of the property.

"That's all I have to say about Van Vreck. I thought in fairness you
ought to know that I didn't keep the diamond. And I thought I might tell
you that my call at Van Vreck's didn't mean entering any new deal."

"Thank you," Annesley said, stiffly. "I am glad."

She _was_ glad, yet she wished the man to understand how impersonal was
her gladness; how impossible it was that any atonement could bring them
together again in spirit; how dead was the past which he had slain. And
he did understand as clearly from her few words as if she had preached
him an hour's sermon.

"Now, for what you are to do," he went on, crisply. "Although you and I
never discussed the situation on board ship, I realized what the Waldos
were letting you in for. I supposed you'd feel that your staying in New
York was out of the question. I bought our tickets to Texas. At the same
time I got a map and a guide-book which gives information about places on
the way and beyond.

"The Masons being on the train to Kansas City was a new complication.
But it wasn't my fault. And it only means that the game of keeping up
appearances must be played a little farther.

"Would you like to go to California? If you want to take back your maiden
name and be Miss Grayle--or if you care to have a new name to begin a new
life with, a quite respectable fellow called Michael Donaldson could
introduce you to a few influential people in Los Angeles. No danger of
meeting Madalena de Santiago there, though it's only a day's journey
from San Francisco, where she's very likely arrived by this time. She
has reasons for not liking Los Angeles. In her early days she had
some--er-financial troubles there, and she wouldn't enjoy being reminded
of them."

"Is Los Angeles farther than El Paso?" Annesley inquired, keeping her
voice steady, though there was a sickly chill in her heart.

"A good way farther," Knight went on, in the same businesslike tone which
separated him thousands of miles from the Knight she used to know. "Here,
I'll show you how the land lies."

Opening a map of a western railroad, he drew a little closer to her on
the seat, and pointed out place after place along the black line; told
her when they would arrive at Kansas City, and how they would go on
without change to Albuquerque.

There, he said, he must take another train for El Paso, and from El Paso
he must go a distance of twenty miles to the ranch, which lay close to
the border of Mexico, on the Rio Grande.

"But you," he said, quietly, "you can keep straight along in the train
we'll get into at Chicago till you come to Los Angeles. There'll be time
in Chicago to buy your ticket to California, and I can write letters of
introduction. They'll be to good people. You needn't be afraid."

Yet Annesley _was_ afraid, deathly afraid. Not that Knight's friends
would not be "good people," but of going on alone to an unknown place in
an unknown country. It would not have been so terrible, she thought, to
have stayed in New York--if only the Waldos hadn't interfered. But to
have this man--who, after all, was her one link with the old world--get
out of the train which was hurling them through space and leave her to go
on alone!

That was a fearful thing. She could not face the thought--at least not
yet. Perhaps she would feel more courageous to-morrow. On the ship she
had slept little. Her nerves felt like violin strings stretched too
tight--stretched to the point of breaking.

"Does that plan suit you--as well as any other?" Knight was asking.

"I--can't decide yet," the girl answered; and to keep tears back seemed
the most important thing just then. "It doesn't matter, does it, as I
_must_ go on past Kansas City?"

"No, it doesn't matter," Knight agreed. "You've plenty of time. I suppose
you'd like me to leave you now, to rest till dinner time? Here's the
guide-book. You might care to look it over."

But when he had gone Annesley let the book lie unopened on the seat. She
was very tired. She could not think far ahead. Her mind would occupy
itself with the features of the journey, not with her own affairs.

Everything was strange and new. Even the train was wonderful. She had
thought, in the immense station, that the cars looked like a procession
of splendidly built bungalows each painted a different colour and having
brightly polished metal balconies at the end. And inside, the car was
still like a bungalow, or perhaps a houseboat, with neat little panelled
rooms opening all the way down a long aisle.

The coffee-coloured porter and maid were delightful. They smiled at her
kindly, and when they smiled it seemed sadder than ever not to be happy.

The Masons' talk at dinner was disconcerting. They took it for granted
that she and Knight were an adoring newly married couple, like
themselves. Annesley was thankful to escape, and to go to bed in her
little panelled room.

"To-morrow, when I'm rested, things will be easier," she told herself.

But to-morrow came and she was not rested; for again she had not slept.

In Chicago there were hours to wait before train time. The Masons
proposed taking a motor-car to see the sights, and lunching together at
a famous Chinese restaurant.

At a sign from her, Knight consented. It was better to be with the Masons
than with him alone. After luncheon, however, Knight drew her aside.

"What about Los Angeles?" he inquired. "Have you decided?"

Annesley felt incapable of deciding anything, and her unhappy face
betrayed her state of mind.

"If you'd rather think it over longer," he said, "I can buy your ticket
at Albuquerque."

"Very well," Annesley replied. She did not remember where Albuquerque
was, though Knight had pointed it out on the map; and she did not care
to remember. All she wanted was not to decide then.

Knight turned away without speaking. But there was a look almost of hope
in his eyes. Things could not be what they had been; yet they were better
than they might be.

At Kansas City the Masons bade the Nelson Smiths good-bye. And from that
moment the Nelson Smiths ceased to exist. There were no initials on their
luggage.

The man kept to his own stateroom. Annesley, alone next door, had plenty
of books to read, parting gifts from the Waldos; but the most engrossing
novel ever written could not have held her attention. The landscape
changed kaleidoscopically. She wondered when they would arrive at
Albuquerque, wondered, yet did not want to know.

"Would you rather go to the dining car alone, or have me take you?"
Knight came to ask.

"It's better to go together, or people may think it strange," she said.
Even as she spoke she wondered at herself. The Masons having gone, the
other travellers--strangers whom they would not meet again--were not of
much importance. Yet she let her words pass. And at dinner that evening
she forced herself to ask, "Do we get to Albuquerque to-night?"

"Not till to-morrow forenoon," Knight informed her casually. He feared
for a moment that she might say she could not wait so long before making
up her mind; but she only looked startled, opened her lips as if to
speak, and closed them again.

Next day there were no more apple orchards and flat or rolling meadow
lands. The train had brought them into another world, a world unlike
anything that Annesley had seen before. At the stations were flat-faced,
half-breed Indians and Mexicans; some poorly clad, others gaily dressed,
with big straw hats painted with flowers, and green leggings laced with
faded gold. In the distance were hills and mountains, and the train ran
through stretches of red desert sprinkled with rough grass, or cleft with
river-beds, where golden sands played over by winds were ruffled into
little waves.

Toward noon Knight showed himself at the open door of the stateroom.

"We'll be in Albuquerque before long now," he announced. "That's where I
change, you know, for Texas. The train stops for a while, and I can get
your ticket for Los Angeles. Those letters of introduction I told you
about are ready. I've left a blank for your name. I suppose you've made
up your mind what you want to do?"

Some people with handbags pushed past, and Knight had to step into the
room to avoid them. The moment, long delayed, was upon her!

Annesley remembered how she had put off deciding whether or not to sail
for America with Knight. Now a still more formidable decision was before
her and had to be faced. She glanced up at the tall, standing figure.
Knight was not looking at her. His eyes were on the desert landscape
flying past the windows.

"What I _want_ to do!" she echoed. "There's nothing in this world that
I want to do."

"Then"--and Knight did not take his eyes from the window--"why not
drift?"

"Drift?"

"Yes. To Texas. Oh, I know! I asked you that before, and you said you
wouldn't. But hasn't destiny decided? Would it have sent you these
thousands of miles with me unless it meant you to fight it out on those
lines? You've travelled far enough, side by side with me, to learn that a
man and a woman with only a thin wall between them can be as far apart as
if they were separated by a continent.

"Now, this minute, you've got to decide. It isn't _I_ who tell you so.
It's fate. Will you go on alone from the place we're coming to, or--will
you try the thin wall?"




CHAPTER XXIV

THE ANNIVERSARY


The girl felt as if some great flood were sweeping her off her feet. She
clutched mechanically at anything to save herself. Knight was there. He
stood between her and desolation; but if he had spoken then--if he had
said he wanted her, and begged her to stay, she would have chosen
desolation.

Instead, he was silent, his eyes not on her, but on the desert.

"You--swear you will let me live my own life?" she faltered.

"I swear I will let you live your own life."

He repeated her words, as he had repeated the words of the clergyman who
had, according to the law of God, given "this woman to this man."

The train was stopping.

Annesley knew that she could not go on alone.

"I will try--Texas," she said in final decision.

       *       *       *       *       *

Las Cruces Ranch was named, not after the New Mexico town thirty or forty
miles away, but in honour of the Holy Crosses which had rested there one
night, centuries ago, while on a sacred pilgrimage.

It was a lonely ranch, as far from El Paso in Texas as it was from
the namesake town in New Mexico. Even the nearest village, a huddled
collection of low adobe houses and wooden shacks on the Rio Grande
("Furious River," as the Indians called it), was ten miles distant. Only
the river was near, as the word "near" is used in that land of vast
spaces. At night, if a great wind blew, Annesley fancied she could hear
the voice of the rushing water.

When she first saw the place where she had bound herself to live,
her heart sank. It seemed that she would not be able to support the
loneliness; for it would be desperately lonely to live there, lacking the
companionship of someone dearly loved. But afterward--afterward she could
no more analyze her feeling for the country than for the man who had
brought her to it.

Lonely as she was, she was never homesick. Indeed, she had no home to
long for, no one whose love called her back to the old world. And she was
glad that there were no neighbours to come, to call her "Mrs. Donaldson"
and ask questions about England.

She had nobody except the Mexican servant woman and the cowboys who
stayed with the new rancher when the old one went away.

Knight had suggested that she should wait in El Paso until he had seen
whether the house was habitable for her, and had made it so, if it were
not already. But Annesley had chosen to begin her new life without delay,
for she was in a mood where hardships seemed of no importance. It was
only when she had to face them in their sordid nakedness that she shrank.

Yet, after all, what did it matter? If she had stepped into the most
luxurious surroundings she would have been no less unhappy.

The low house was of adobe, plastered white, but stained and battered
where the walls were not hidden by rank-growing creepers, convolvulus,
and Madeira vines. If the girl had read its description in some book--the
veranda, formed by the steep-sloping roof of the one-story building; the
patio, walled mysteriously in with a high, flower-draped barrier; the
long windows with green shutters--she would have imagined it to be
picturesque.

But it was not picturesque. It was only shabby and uninviting; at least
that was her impression when she arrived, toward evening, after a long,
jolting drive in a hired motor-car.

The paintless wooden balustrade and flooring of the veranda were broken.
So also were the faded green shutters. The patio was but a little square
of dust and stringy grass. A few dilapidated chairs stood about, homemade
looking chairs with concave seats of worn cowskin.

Inside the house there was little furniture, and what there was struck
Annesley as hideous. Nothing was whole. Everything was falling to pieces.
Illustrations cut out of newspapers were pasted on the dirty, whitewashed
walls.

The slatternly servant, who could speak only "Mex," had got no supper
ready. Knight would let Annesley do nothing, but he deftly helped the
woman to fry some eggs and make coffee. He tried to find dishes which
were not cracked or broken, and could not.

If he and Annesley had loved each other, or had even been friends, they
would have laughed and enjoyed the adventure. But Annesley had no heart
for laughter. She could only smile a frozen, polite little smile, and say
that it "did not matter. Everything would do very well." She would soon
get used to the place, and learn how to get on.

When she had to speak to Knight she called him "you." There was no other
name which she could bear to use. He had had too many names in the past!

As time went on, however, the girl surprised herself by not being able to
hate her home. She found mysteriously lovely colours in the yellow-gray
desert; shadows blue as lupines and purple as Russian violets; high
lights of shimmering, pale gold.

Spanish bayonets, straight and sharp as enchanted swords which had
magically flowered, lilied the desert stretches, and there were strange
red blossoms like drops of blood clinging to the points of long daggers.
Bird of Paradise plants were there, too, well named for their plumy
splendour of crimson, white, and yellow; and as the spring advanced the
China trees brought memories of English lilacs.

The air was sweet with the scent of locust blossoms, and along the clear
horizon fantastically formed mountains seemed to float like changing
cloud-shapes.

The cattle, which Knight had bought from the departing rancher, had their
corrals and scanty pastures far from the house, but the cowboys' quarters
were near, and Annesley never tired of seeing the laughing young men
mount and ride their slim, nervous horses.

This fact they got to know, and performed incredible antics to excite her
admiration. They thought her beautiful, and wondered if she had lost
someone whom she loved, that she should look so cold and sad.

These men, though she seldom spoke to any, were a comfort to Annesley.
Without their shouts and rough jokes and laughter the place would have
been gloomy as a grave.

There was a colony of prairie dogs which she could visit by taking a long
walk, and they, too, were comforting. It was Knight who told her of the
creatures and where to seek them; but he did not show her the way.

If things had been well between them, the man's anxiety to please her
would have been adorable to Annesley. As soon as he saw the deficiencies
of the house, he went himself to El Paso to choose furniture and pretty
simple chintzes, old-fashioned china and delicate glass, bedroom and
table damask. He ordered books also, and subscribed for magazines and
papers.

Returning, he said nothing of what he had done, for he hoped that the
surprise might prick the girl to interest, rousing her from the lethargy
which had settled over her like a fog. But her gratitude was perfunctory.
She was always polite, but the pretty things seemed to give her no real
pleasure.

Knight had to realize that she was one of those people who, when inwardly
unhappy, are almost incapable of feeling small joys. Such as she had were
found in getting away from him as far as possible.

She practically lived out of doors in the summertime, taking pains to go
where he would not pass on his rounds of the ranch; and even after the
sitting room had been made "liveable" with the new carpet laid by Knight
and the chintz curtains he put up with his own hands, she fled to her
room for sanctuary.

Knight's search for capable servants was vain until he picked up a
Chinaman from over the Mexican border, illegal but valuable as a
household asset. Under the new régime there was good food, and Annesley
had no work save the hopeless task of finding happiness.

It was easy to see from the white, set look of her face as the monotonous
months dragged on that she was no nearer to accomplishing that task than
on the day of her arrival. Nothing that Knight could do made any
difference. When an upright cottage piano appeared one day, the girl
seemed distressed rather than pleased.

"You shouldn't spend money on me," she said in the gentle, weary way that
was becoming habitual.

"It's the 'good fund' money," Knight explained, hastily and almost
humbly. "It's growing, you know. I've struck some fine investments. And
I'm going to do well with this ranch. We don't need to economize. I
thought you'd enjoy a piano."

"Thank you. You're very kind," she answered, as if he had been a
stranger. "But I'm out of practice. I hardly feel energy to take it up
again."

His hopes of what Texas might do for her faded slowly; and even when
their fire had died under cooling ashes, his silent, unobtrusive care
never relaxed.

Only the deepest love--such love as can remake a man's whole
nature--could have been strong enough to bear the strain.

But Annesley, blinded by the anguish which never ceased to ache, did
not see that it was possible for such a nature to change. She who had
believed passionately in her hero of romance was stripped of all belief
in him now, as a young tree in blossom is stripped of its delicate bloom
by an icy wind. Not believing in him, neither did she believe in his
love.

She thought that he was sorry for her, that he was grateful for what she
had done to help him; that perhaps for the time being he intended to
"turn over a new leaf," not really for her sake, but because he had
been in danger of being found out.

Scornfully she told herself that this pretence at ranching was one of the
many adventures dotted along his career; one act in the melodrama of
which he delighted to be the leading actor. His own love of luxury and
charming surroundings was enough to account for the improvements he
hastened to make at the ranchhouse.

Anxiously she put away the thought that all he did was for her. She did
not wish to accept it. She did not want the obligation of gratitude. It
even seemed puerile that he should attempt to make up for spoiling her
life by supplying a few easy chairs and pictures and a Chinese cook.

"He likes the things himself and can't live without them," she insisted.
And it was to show him that he could not atone in such childish ways that
she lived out of doors or hid in her own room.

At first she locked the door of that room when she entered, thinking of
it defiantly as her fortress which must be defended. But when weeks grew
into months and the enemy never attacked the fortress her vigilance
relaxed. She forgot to lock the door.

Summer passed. Autumn and then winter came. Knight was a good deal away,
for he had bought an interest in a newly opened copper mine in the Organ
Mountains, and was interested in the development which might mean
fortune. At night, however, he came back in the second-hand motor-car
which he had got at a bargain price in El Paso, and drove himself.

Annesley never failed to hear him return, though she gave no sign. And
sometimes she would peep through the slats of her green shutters on one
side of the patio at the windows of his bedroom and "office," which were
opposite. It was seldom that his light did not burn late, and Annesley
went to bed thinking hard thoughts, asking herself what schemes of new
adventure he might be plotting for the day when he should tire of the
ranch.

Often she wondered that her life was not more hateful than it was; for
somehow it was not hateful. Texas, with its vast spaces and blowing gusts
of ozone, had begun to mean more for her than her cold reserve let Knight
guess, more than she herself could understand.

       *       *       *       *       *

On Christmas morning, when she opened her bedroom door, she almost
stumbled over a covered Mexican basket of woven coloured straws.
Something inside it moved and sighed.

She stooped, lifted the cover, and saw, curled up on a bit of red
blanketing, a miniature Chihuahua dog. It had a body as slight and
shivering as a tendril of grapevine; a tiny pointed face, with a high
forehead and immense, almost human eyes.

At sight of her a thread of tail wagged, and Annesley felt a warm impulse
of affection toward the little creature. Of course it was a present from
Knight, though there was no word to tell her so; and if the dog had not
looked at her with an offer of all its love and self she would perhaps
have refused to accept it rather than encourage the giving of gifts.

But after that look she could not let the animal go. Its possession made
life warmer; and it was good to see it lying in front of her open fire of
mesquite roots.

She had no Christmas gift for Knight.

He had made, soon after their coming to the ranch, a cactus fence round
the house enclosure; and seeing the dry ugliness of the long, straight
sticks placed close together, Annesley disliked and wondered at it. At
last she questioned Knight, and complained that the bristly barrier was
an eyesore. She wished it might be taken down.

"Wait till spring," he answered. "It isn't a barrier; it's an allegory.
Maybe when you see what happens you'll understand. Maybe you won't. It
depends on your own feelings."

Annesley said no more, but she did not forget. She thought, if her
understanding of the allegory meant any change of feeling which the man
might be looking for in her, she would never understand. She hated to
look at the line of stark, naked sticks, but they, and the "allegory"
they represented, constantly recurred to her mind.

One day in spring she noticed that the sticks looked less dry. Knob-like
buds had broken out upon them, the first sign that they were living
things. It happened to be Easter eve, and she was restless, full of
strange thoughts as the yellow-flowering grease-wood bushes were full of
rushing sap.

A year ago that night her love for her husband had died its sudden,
tragic death. In the very act of forgiveness, forgiveness had been
killed.

Knight had gone off early that morning in his motor-car, the poor car
which was a pathetic contrast to the glories of last year in England. He
had gone before she was up, and had mentioned to the Chinese cook that he
might not be back until late.

"That means after midnight," she told herself; and since she was free
as air, she decided to take a long walk in the afternoon, as far as the
river. It seemed that if she stayed in the house the thought of life as
it might have been and life as it was would kill her on this day of all
other days.

"I wish I could die!" she said. "But not here. Somewhere a long way off
from everyone--and from _him_."

As she passed the cactus fence the buds were big.

Across the river, where the water flowed high and wide just then, lay
Mexico. Annesley had never been there, though she could easily have gone,
had she wished, from the ranch to El Paso, and from El Paso to the queer
old historic town of Juarez. But she could not have gone without Knight,
and there was no pleasure in travelling with him.

Besides, there was trouble across the border, and fierce fighting now and
then. There had been some thievish raids made by Mexicans upon ranches
along the river not many miles away, and that reminded her how Knight had
remarked some weeks ago that she had better not go alone as far as the
river bank.

"It isn't likely that anything would happen by day," he said, "but you
might be shot at from the other side." Annesley was not afraid, and there
was a faint stirring of pleasure in the thought that she was doing
something against his wish on this anniversary. Deliberately, she sat
alone by the river, waiting for the pageant of sunset to pass; and when
she reached home the moon was up, a great white moon that turned the
waving waste of pale, sparse grasses to a silver sea.

She had taken sandwiches and fruit with her, telling the cook that she
would want no dinner when she came back. Away in the cow-punchers'
quarters there was music, and she flung herself into a hammock on the
veranda, to rest and listen.

There was a soft yet cool wind from the south, bringing the fragrance of
creosote blossoms, and it seemed to the girl that never had she seen such
white floods of moonlight, not even that night a year ago at Valley
House.

Even the sky was milk-white. There were no black shadows anywhere, only
dove-gray ones, except under the veranda roof. Her hammock was screened
from the light by one dark shadow, like a straight-hung curtain. Save for
the music of a fiddle and men's voices, the silver-white world lay silent
in enchanted sleep.

Then suddenly something moved. A tall, dark figure was coming to the
veranda. It paused at the cactus fence.

Could it be Knight, home already and on foot? No, it was a woman.

She walked straight and fast and unhesitating to the veranda, where she
sat down on the steps.

Annesley raised herself on her elbow, and peered out of the concealing
shadow. Who could the woman be? It was on the tip of her tongue to call,
"Who are you?" when a sudden lifting of the bent face under a drooping
hat brought it beneath the searchlight of the moon.

The woman was the Countess de Santiago, and the moon's radiance so lit
her dark eyes that she seemed to look straight at Annesley in her
hammock. The girl's heart gave a leap of some emotion like fear, yet not
fear. She did not stop to analyze it, but she knew that she wished to
escape from the woman; and an instant's reflection told her that she
could not be seen if she kept still.

She began to think quickly, and her thoughts, confused at first,
straightened themselves out like threads disentangled from a knot.

The woman had marched up to the veranda with such unfaltering certainty
that it seemed she must have been there before. Perhaps she had arrived
while the mistress of the house was out, and had been walking about the
place, to pass away the time.

"But she hasn't come to see me," the girl in the hammock thought. "She
has come to see Knight. It's for him she is waiting."

Anger stirred in Annesley's heart, anger against Knight as well as
against Madalena.

"Has _he_ written and told her to come?" she asked herself. "Does she
think she can stay in this house? No, she shall not! I won't have her
here!"

She was half-minded to rise abruptly and surprise the Countess, as the
Countess had surprised her; to ask why she had come, and to show that she
was not welcome. But if Madalena were here at Knight's invitation she
would stay. There would be a scene perhaps. The thought was revolting.
Annesley lay still; and in the distance she heard the throbbing of a
motor.




CHAPTER XXV

THE ALLEGORY


Annesley knew that Knight was in the habit of coming home that way, in
order not to disturb her with the noise of the car if she had gone to
bed. If he were bringing parcels from the little mining town, he drove to
the house, left the packets, and ran the auto to a shanty he had rigged
up for a garage.

A few seconds later the small open car came into sight, and Madalena
sprang up, waving a dark veil she had snatched off her hat. She feared,
no doubt, that the man might take another direction and perhaps get into
the house by some door she did not know before she could intercept him.
From a little distance the tall figure standing on the veranda steps must
have been silhouetted black against the white wall of the house, clearly
to be seen from the advancing motor.

Quick as a bird in flight the car sped along the road, wheeled on to the
stiff grass, and drew up close to the veranda steps.

"Good heavens, Madalena!" Annesley heard her husband exclaim. "I thought
it was my wife, and that something had gone wrong."

The surprise sharpening his tone did away with the doubt in the mind of
the hidden listener. She had said to herself that the woman was here by
appointment, and that this hour had been chosen because the meeting was
to be secret.

"I wanted you to think so, and to come straight to this place," returned
the once familiar voice. "Don, I've travelled from San Francisco to see
you. Do say you are glad!"

"I can't," the man answered. "I'm not glad. You tried to ruin me. You
tried in a coward's way. You struck me in the back. I hoped never to see
you again. How did you find me?"

"I've known for a long time that you were in Texas," said Madalena. "Lady
Annesley-Seton and I kept up a correspondence for months after you--sent
me away so cruelly, in such a hurry, believing hateful things, though you
had no proof. She wrote that 'Mr. and Mrs. Nelson Smith' would probably
never come back to England to settle, as she'd heard from a Mrs. Waldo
that they'd gone to live in Texas. She asked if I knew whether 'Nelson
Smith' had lost his money. I forgot to answer that question when I
answered the letter. But when she said 'Texas' I felt sure you must be
somewhere in this part. I remembered your telling me about the ranch that
consumptive gambler left to you on the Mexican frontier."

"What a fool I was to tell you!" Knight exclaimed, roughly.

The words and his way of flinging them at her were like a box on the ear;
and Annesley, lying in her hammock, heard with a thrill of pleasure. She
was ashamed of the thrill, and ashamed (because suddenly awakened to the
realization) that she was eavesdropping.

But it seemed impossible that she should break in upon this talk and
reveal her presence. She felt that she could not do it; though, searching
her conscience, she was not sure whether she clung to silence because it
was the lesser of two evils or because she longed with a terrible longing
to know whether these two would patch up their old partnership.

"If you knew why I have come all these miles, maybe you would not be so
hard," Madalena pleaded.

"That I can't tell until I do hear," said Knight, dryly.

"I am going to explain," she tried to soothe him. "A great thing has
happened. I can be rich and live easily all the rest of my years if I
choose. But--I wanted to see you before deciding.

"I arrived in El Paso yesterday, and went to the Paso del Norte Hotel, to
inquire about you. I was almost certain you would have taken back your
own name, because I knew you used to be known by it when you stayed in
Texas. I soon found out that I'd guessed right. I heard you'd stopped at
that hotel last year on the way to your ranch. I hired a motor-car and
came here to-day; but I didn't let the man bring me to the house. I
didn't want to dash up and advertise myself.

"I questioned some of your cowmen. They said you'd gone off, and would be
getting back at night in your automobile, not earlier than ten and maybe
a good deal later. So I waited. The car I hired is a covered one, and I
sat in it, a long way from the house out of sight behind a little rising
of the land. Perhaps you call it a hill."

"We do," said Knight.

"I brought some food and wine. The chauffeur's there with the car now. He
has cigarettes, and doesn't mind if we stay all night."

"I mind," Knight cut her short. "You can't stay all night. The road's
good enough with such a moon for you to get back to El Paso. You'd better
start so as to reach there before she sets."

"Wait till you hear why I've come before you advise me to hurry!" the
Countess protested. "There's no danger of our being disturbed, is there?
Where is your wife?"

"In bed and asleep, I trust."

"I'm glad. Then will you sit on the top of these steps in this heavenly
moonlight and let me tell you things that are important to me? Perhaps
you may think they are important to you as well. Who knows?"

"I know. Nothing you can have to say will be important to me. I won't sit
down, thank you. I've been sitting in my car for hours. I prefer to
stand."

"Very well. But--how hard you are! Even now, you won't believe I was
innocent of that thing you accused me of doing?"

"I think now what I thought then. You were not innocent, but guilty. You
were just a plain, ordinary sneak, Madalena, because you were jealous
and spiteful."

"It is not true! Spiteful against _you_! It was never in my heart to lie.
Jealous, perhaps. But that is not to say I wrote the letter you believe
I wrote. You didn't give me time to try and prove I did not write the
letter. You accused me brutally. You ordered me out of England, with
threats. I obeyed because I was heartbroken, not because I was afraid."

"Why trouble to excuse yourself?" he asked. "It's not worth the time it
takes. If you've come to tell me anything in particular, tell it, and
let's make an end."

"I have an offer of marriage from a millionaire," the Countess announced
in a clear, triumphant tone.

"Which no doubt you accepted, not to say snapped at."

"Not yet. I put him off, because I wanted to see you before I answered."

"You flatter me!" Knight laughed, not pleasantly. "If you've come from
San Francisco to get my advice on that subject, I can give it while you
count three. Make sure of the unfortunate wretch before he changes his
mind."

"Ah, if I could think that your harshness comes from just a
little--_ever_ so little, jealousy!" Madalena sighed. "He won't change
his mind. There is no danger. He is old, and I seem a young girl to him.
He adores me. He is on his knees!"

"Bad for rheumatism!"

"He thinks I am the most wonderful creature who ever lived. I met him
through my work. He came from a friend of his who told him about my
crystal, and about me, too."

"You are still working the crystal?"

"But, of course! It has always given me the path to success. If I marry
this man I shall be able to rest."

"On your laurels--such as they are!"

"On his money. He can't live many years."

"You are an affectionate fiancée!"

"I am not a fiancée yet. Not till I give my answer. And that depends on
you.... Oh, Don, surely you must be sick of this--this existence, for it
is not life! I know you are angry with me, but you can't hate me really.
It is not possible for a man with blood in his body to hate a woman who
loves him as I love you.

"I have tried to get over it. At first I thought I was succeeding. But
no, when the reaction came, I found that I cared more than ever. We were
born for each other. It must be so, for without you I am only half alive.
I haven't come for your advice, Don, but to make you an offer. Oh, not an
offer of myself. I should not dare, as you feel now. And it is not an
offer from me only; it is from a great person who has something to give
which is worth your accepting, even if my love is not!"

"You've got in touch with _him_, have you?" Knight broke into the rushing
torrent of her words as a man might take a plunge into a cataract.

"Why not?" she answered. "I didn't seek him out. It was he who sought
me."

"You don't know how to speak the truth, Madalena! You said you found me
through Lady Annesley-Seton hearing from Mrs. Waldo, whereas you wrote to
Paul Van Vreck."

"You do me injustice--always! I _did_ hear from Constance. Then I--merely
ventured to write and ask Mr. Van Vreck if he kept up communication with
you, and----"

"You said in your letter to him that you knew where I was, and gave him
to understand that we were in touch with each other, or he would have let
out nothing."

"He has written and told you this!" She spoke breathlessly, as if in
fear.

"Ah, you give yourself away! No, I haven't heard from Van Vreck since I
saw him in New York, and thought I convinced him that my working days
for him were over. I simply guessed--knowing you--what you would do."

"I may have mentioned Texas," Madalena admitted. "I supposed he knew
where you were. I couldn't have told him, because I didn't know. But he
wrote and suggested I should use my influence with you to reconsider your
decision. Those were his words."

"How much has he paid you for coming here?"

"Nothing. As if I would take money for coming to _you_!"

"You have taken it for some queer things, and will again if you don't
settle down to private life with your millionaire.... It's no use,
Madalena. Go back to San Francisco. Send in your bill to Van Vreck. Tell
him there's nothing doing. And make up your mind to marriage."

"But, Don, you haven't heard what he offers."

"It can't be more than he offered me himself when I saw him in New
York----"

"It is more. He says that particularly. He raises the offer from last
time. It is _three times_ higher! Think what that means. Oh, Don, it
means life, real life, not stagnation! I would give up safety and a
million to be with you--as your partner again, your humble partner.

"Here, on this bleak ranch, it is like death--a death of dullness. I know
what you must be suffering because you are obstinate, because you have
taken a resolve, and are determined not to break it. You are afraid it
will be weakness to break it. There can be no other reason.

"I have asked questions about your life here. I have learned things. I
know _she_ is cold as ice. If you stay you will degenerate. You will
become a clod.

"Leave this hideous gray place. Leave that woman who treats you like a
dog. Let the ranch be hers. Send her money. You will have it to spare.
She can divorce you, and you will be freed forever from the one great
mistake you ever made. As for me----"

"As for you--be silent!" The command struck like a whiplash. "You are not
worthy to speak of 'that woman,' as you call her. If I did what you
deserve, I'd send you off without another word--turn my back on you and
let you go. But--" he drew in his breath sharply, then went on as if he
had taken some tonic decision--"I want you to understand why, if Paul Van
Vreck offered me _all_ his money, and you offered me the love of all the
women on earth with your own, I shouldn't be tempted to accept.

"It's because of 'that woman'--who is my wife. It may be true that she
treats me like a dog, for she wouldn't be cruel to the meanest cur. But
I'd rather be her dog than any other woman's master.

"So you see now. It's come to that with me. I won her love and
married her for my own advantage. I lost her love because she found me
out--through you. Mild justice that, perhaps! But all the same, getting
her for mine _has_ been for my advantage. In a different way from what I
planned, but ten thousand times greater. Though she's taken her love from
me, she's given me back my soul. Nothing can rob me of that so long as I
run straight.

"And I tell you, Madalena, this ranch, where I'm working out some kind of
expiation and maybe redemption, _is_ God's earth for me. _Now_ do you
understand?"

For an instant the woman was silent. Then she broke into loud sobbing,
which she did not try to check.

"You are a fool, Don!" she wept. "A fool!"

"Maybe. But I'm not the devil's fool as I used to be. Don't cry. You
might be heard. Come. It's time to go. We've said all we have to say to
each other except good-bye--if that's not mockery."

Madalena dried her tears, still sobbing under her breath.

"At least take me to the automobile," she said. "Don't send me off alone
in the night. I am afraid."

"There's nothing to be afraid of," Knight answered, the flame of his
fierceness burnt down. "But I'll go with you, and put you on the way back
to El Paso. Come along!"

As he spoke, he started, and Madalena was forced to go with him, forced
to keep up with his long strides if she would not be left behind.

When they had gone Annesley lay motionless, as though she were under
a spell. The man's words to the other woman wove the spell which bound
her, listening as they repeated themselves in her mind. Again and again
she heard them, as they had fallen from his lips.

His expiation--perhaps his redemption--here on his bit of "God's
earth" ... "It may be true that she treats me like a dog.... But I'd
rather be her dog than any other woman's master...." And this was Easter
eve, a year to the night since his martyrdom began!

Something seemed to seize Annesley by the hand and break the bonds that
had held her, something strong although invisible. She sat up with a
faint cry, as of one awakened from a dream, and slipped out of the
hammock. There was a dim idea in her mind that she must go along the road
where they had gone, so as to meet Knight on his way back. She did not
know what she should say to him, or whether she could say anything at
all; but the something which had taken her hand and snatched her out
of the hammock dragged her on and on.

At first she obeyed the force blindly.

"I must see him! I must see him!" The words spoke themselves in her head.
But when she had hurried out of the enclosure walled in by the cactus
hedge, the brilliant moonlight seemed to pierce her brain, and make a
cold, calm appeal to her reason.

"You can't tell him what you have heard," it said. "He would be
humiliated. Or"--the thought was sharp as a gimlet--"what if he _saw_
you, and knew you were listening? What if he talked just for effect? He
is so clever! He is subtle enough for that. And wouldn't it be more
_like_ the man, than to say what he said _sincerely_?"

She stopped, and was thankful not to see her husband returning. There was
time to go back if she hurried. And she must hurry! If he had seen her in
her hammock, and made that theatrical attempt to play upon her feelings,
he would laugh at his own success if she followed him. And if he had not
seen her, and were in earnest, it would be best--indeed the only right
way--not to let him guess that the scene on the veranda steps had had a
witness.

Annesley turned to fly back faster than she had come. But passing the
cactus hedge her dress caught. It was as if the hedge sentiently took
hold of her.

She bent down to free the thin white material; and suddenly colour blazed
up to her eyes in the rain of silver moonlight. The buds had opened since
she noticed them last.

No longer was the hedge a grim barricade of stiff, dark sticks. Each
stalk had turned into a tall, straight flame of lambent rose. From a dead
thing of dreary ugliness it had become a thing of living beauty.

Knight's allegory!

He had said, perhaps she might understand when the time came; and perhaps
not.

She _did_ understand. But she had not faith to believe that the miracle
could repeat itself in life--her life and Knight's. She shut her eyes to
the thought, and when she had freed her dress ran very fast to the house.




CHAPTER XXVI

THE THREE WORDS


Knight was generally far away long before Annesley was up in the morning,
and often he did not come in till evening. She thought that on Easter
Day, however, he would perhaps not go far. She half expected that he
would linger about the house or sit reading on the veranda; and she could
not resist the temptation to put on one of the dresses he had liked in
England.

It was a little _passé_ and old-fashioned, but he would not know this.
What he might remember was that she had worn it at Valley House.

And the wish to say something, as if accidentally, about the flaming
miracle of the cactus hedge was as persistent in her heart as the desire
of a crocus to push through the earth to the sunshine on a spring
morning. She did not know whether the wish would survive the meeting with
her husband. She thought that would depend as much upon him as upon her
mood.

But luncheon time came and Knight did not appear.

Annesley lunched alone, in her gray frock. Even on days when Knight was
with her, and they sat through their meals formally, it was the same as
if she were alone, for they spoke little, and each was in the habit of
bringing a book to the table.

But she had not meant it to be so on this Easter Day. Even if she did not
speak of the blossoming of the cactus, she had planned to show Knight
that she was willing to begin a conversation. To talk at meals would be
a way out of "treating him like a dog."

The pretty frock and the good intention were wasted. Late in the
afternoon she heard from one of the line riders whom she happened to see
that something had gone wrong with a windmill which gave water to the
pumps for the cattle, and that her husband was attending to it.

"He's a natural born engineer," said the man, whose business as "line
rider" was to keep up the wire fencing from one end of the ranch to the
other. "I don't know how much he _knows_, but I know what he can _do_.
Queer thing, ma'am! There don't seem to be much that Mike Donaldson
_can't_ do!"

Annesley smiled to hear Knight called "Mike" by one of his employees. She
knew that he was popular, but never before had she felt personal pleasure
in the men's tributes of affection.

To-day she felt a thrill. Her heart was warm with the spring and the
miracle of the cactus hedge, and memories of impetuous--_seemingly_
impetuous--words of last night.

If she could have seen Knight she would have spoken of his allegory; and
that small opening might have let sunlight into their darkness. But he
did not come even to dinner; and tired of waiting, and weary from a
sleepless night, she went to bed.

Next morning a man arrived who wished to buy a bunch of Donaldson's
cattle, which were beginning to be famous. He stayed several days; and
when he left Knight had business at the copper mine--business that
concerned the sinking of a new shaft, which took him back and forth
nearly every day for a week. By and by the cactus flowers began to fade,
and Annesley had never found an opportunity of mentioning them, or what
they might signify.

When she met Knight his manner was as usual: kind, unobtrusive, slightly
stiff, as though he were embarrassed--though he never showed signs of
embarrassment with any one else. She could hardly believe that she had
not dreamed those words overheard in the moonlight.

Week after week slipped away. The one excitement at Las Cruces Ranch was
the fighting across the border; the great "scare" at El Paso, and the
stories of small yet sometimes tragic raids made by bands of cattle
stealers upon American ranches which touched the Rio Grande. The water
was low. This made private marauding expeditions easier, and the men of
Las Cruces Ranch were prepared for anything.

       *       *       *       *       *

One night in May there was a sandstorm, which as usual played strange
tricks with Annesley's nerves. She could never grow used to these storms,
and the moaning of the hot wind seemed to her a voice that wailed for
coming trouble. Knight had been away on one of his motoring expeditions
to the Organ Mountains, and though he had told the Chinese boy that he
would be back for dinner, he did not come. Doors and windows were closed
against the blowing sand, but they could not shut out the voice of the
wind.

After dinner Annesley tried to read a new book from the library at El
Paso, but between her eyes and the printed page would float the picture
of a small, open automobile and its driver lost in clouds of yellow sand.

Why should she care? The man was used to roughing it. He liked
adventures. He was afraid of nothing, and nothing ever hurt him. But she
did care. She seemed to feel the sting of the sharp grains of sand on
cheeks and eyes.

She was sitting in her own room, as she was accustomed to do in the
evening if she were not out on the veranda--the pretty room which Knight
had extravagantly made possible for her, with chintzes and furnishings
from the best shops in El Paso. On this evening, however, she set both
doors wide open, one which led into the living room, another leading into
a corridor or hall. She could not fail to hear her husband when he came,
even if he left his noisy car at the garage and walked to the house.

A travelling clock on the mantelpiece--Constance Annesley-Seton's
gift--struck nine. The girl looked up at the first stroke, wondering if
serious accidents were likely to happen in sandstorms; and before the
last note had ended she heard steps in the patio.

"He has come!" she thought, with a throb of relief which shamed her. But
the step was not like Knight's. It was hurried and nervous; and as she
told herself this there sounded a loud knock at the door.

There was an electric bell, which Knight had fitted up with his own
hands, but it was not visible at night. No one except herself could hear
this knocking, for the servants' quarters were at the far end of the
bungalow. A little frightened, recalling stories of cattle thieves and
things they had done, Annesley went into the hall.

"Who is there?" she cried, her face near the closed door, which locked
itself in shutting. If a man's voice--the voice of a stranger--should
reply in "Mex," or with a foreign accent, the girl did not intend to let
him in. A man's voice did reply, but neither in "Mex" nor with a foreign
accent. It said: "My name is Paul Van Vreck. Open quickly, please. I may
be followed."

Annesley's heart jumped; but without hesitation she pulled back the
latch, and as she opened the door a rush of sand-laden wind wrenched it
from her hand. She staggered away as the door swung free, and there was
just time to see a tall, thin figure slip in like a shadow before the
light of the hanging-lamp blew out. The girl and the newcomer were in the
dark save for a yellow ray that filtered into the hall from her room, but
she saw him stoop to place a bag or bundle on the floor, and then,
pulling the door to against the wind, slammed it shut with a click.

Having done this, the tall shadow bent to pick up what it had laid down.

"Thank you, Mrs. Donaldson, for letting me in," said the most charming
voice Annesley had ever heard--more charming even than Knight's.
"Evidently you've heard your husband mention me, or you might have kept
me out there parleying, if you're alone, for these are stirring times."

"Yes, I--I've heard you mentioned by--many people," the girl answered,
stammering like a nervous child. "Won't you come in--into the living
room? Not the room with the open door. That's mine. It's another, farther
along the hall. I'm sorry my husband's out."

As she talked she wondered at herself. She knew Van Vreck for a super
thief. He did not steal with his own hands, but he commanded other hands
to steal, and that was even worse. Or she had thought it worse in her
husband's case, and for more than a year she had punished him for his
sins. Yet here she was almost welcoming this man.

She did not understand why she felt--even without seeing him except as a
shadow--that she would find herself wishing to do whatever he might ask.
It must be, she thought, the influence of his voice. She had heard Paul
Van Vreck spoken of as an old man, but the voice was the voice of
magnetic youth.

He opened the door of the living room, and, carrying his bundle,
followed her as she entered. There was only one lamp in this room, a tall
reading-lamp with a green silk shade, which stood on a table, its heavy
base surrounded by books and magazines. A good light for reading was
thrown from under the green shade on to the table, but the rest of the
room was of a cool, green dimness; and, looking up with irresistible
curiosity at the face of her night visitor, it floated pale on a vague
background, like a portrait by Whistler.

It was unnaturally white, the girl thought, and--yes, it _was_ old! But
it was a wonderful face, and the eyes illumined it; immense eyes, though
deepset and looking out of shadowed hollows under level brows black as
ink. Annesley had never seen eyes so like strange jewels, lit from
behind.

That simile came to her, and she smiled, for it was appropriate that this
jewel expert should have jewels for eyes. They were dark topazes, and
from them gazed the spirit of the man with a compelling charm.

Under a rolled-back wave of iron-gray hair he had a broad forehead, high
cheekbones, a pointed prominent chin, a mouth both sweet and humorous,
like that of some enchanting woman; but its sweetness was contradicted by
a hawk nose. Had it not been for that nose he would have been handsome.

"I guessed by the startled tone of your voice, when you asked, 'Who is
there?' that your husband was out," explained the shadow, now transformed
by the light into an extremely tall, extremely thin man in gray
travelling clothes. "I had a moment of repentance at troubling a lady
alone; but, you see, the case was urgent."

He had carelessly tossed his Panama hat on to the table, but kept the
black bag, which he now held out with a smile.

"Not a big bag, is it? And so common, it wouldn't be likely to tempt
a thief. But it holds what is worth--if it has a price--about half a
million dollars."

"Oh!" exclaimed Annesley. She looked horrified; and through the green
gloom the old man read her face.

"I see!" he said, with a laugh in his young voice. "You have heard the
great secret! That makes another who knows. But I'm not afraid you'll
throw me to the dogs. You wouldn't do that even if you weren't
Donaldson's wife. Being his wife, you could not."

"My husband has told me no secret about you, none at all," the girl
protested, defending Knight involuntarily. "I beg you to believe that,
Mr. Van Vreck."

"I do believe it. If there's one thing I pride myself on, it's being a
judge of character. That's why I've made a success of life. You wouldn't
lie, perhaps not even to save the one you love best. I believe that he
did not tell you the secret. Yet I'm certain you know it. I suppose other
discoveries you must have made gave you supernatural intuition. You
guessed."

Annesley did not answer. Yet she could not take her eyes from his.

"You needn't mind confessing. But I won't catechize you. I'll take it
for granted that what Donaldson knows you know--not in detail, in the
rough.... In this bag are six gold images set with precious stones. They
are of the time of the Incas, and they've been up till now the most
precious things in Mexico. From now on they will be among the most
precious things in Paul Van Vreck's secret collection.

"Some weeks ago I hoped that Donaldson would get them for me. He refused,
so I had to go myself. I couldn't trust any one else, though the only
difficulty was getting to Central Mexico with Constitutionals raging on
one side and Federals on the other. A man promised to deliver the goods
to my messenger. I've been bargaining over these things for years. But,
as I said, Don wouldn't go, so I had to do the job myself. You see, Mrs.
Donaldson, your husband is the only honest man I ever came across."

"Honest!" The exclamation burst from Annesley's lips.

"Yes. Honest is the word. I might add two others: 'true' and 'loyal.'"
Paul Van Vreck held her with his strange, straight look, commanding, yet
amused. "That is the opinion," he added after a pause, "of a very old
friend. It's worth its weight in--gold images."

The girl gave him no answer. But the effort of keeping her face under
control made lips and eyelids quiver.

"May I sit down, Mrs. Donaldson?" Van Vreck asked in a tone which changed
to commonplaceness--if his voice could ever be commonplace. "I'm a
fugitive, and have had a run for my money, so to speak. I'm seeking
sanctuary. Also I came in the hope of trying my eloquence on Donaldson.
But now I've seen you, I will not do that. In future he's safe from me,
I promise you."

"Oh!" Annesley faltered. And then: "Thank you!" came out, grudgingly.
How astonishing that _she_ should thank Paul Van Vreck, the monster of
wickedness and secrecy she had pictured, for "sparing" her husband--her
husband whom _he_ called loyal, true, and honest; whom she had called in
her heart a thief!

"Do sit down," she hurried on, hypnotized. "Forgive my not asking you.
I----"

"I understand," he soothed her. "I've taken advantage of you--sprung
a surprise, as Don would say, and then turned on the tortures of the
Inquisition. Aren't _you_ going to sit? I can't, you know, if you don't."

"I thought you might like something to eat," the girl stammered. "I could
call our cook----"

"No, thank you," replied Van Vreck. "I'm peculiar in more ways than one.
I never eat at night. I live mostly on milk, water, fruit, and nuts.
That's why I feel forty at seventy-two. I give out that I'm frail--an
invalid--that I spend much time in nursing homes. This is my joke on a
public which has no business to be curious about my habits. While it
thinks I'm recuperating in a nursing home I--but no matter! That won't
interest you."

When she had obediently sat down, her knees trembling a little, Van Vreck
drew up a chair for himself, and, resting his arms on the table, leaned
across it gazing at the girl with a queer, humorous benevolence.

"How soon do you think your husband will come?" he asked, abruptly.

"I don't know," Annesley replied. "He told our Chinese boy he'd be early.
I suppose the sandstorm has delayed him."

"No doubt.... And you're worried?"

"No-o," she answered, looking sidewise at Van Vreck, her face half turned
from him. "I don't think that I'm worried."

"May I talk to you frankly till Don does come?" the old man asked.

"Certainly."

"I'll take you at your word!... Mrs. Donaldson, when your husband called
on me a year ago last spring, in New York, he said nothing about you. I
knew he'd married an English girl of good connections (isn't that what
you say on your side?), and why he thought it would be wise to marry. But
when he informed me that our association was to be ended, that nothing
would induce him to continue it, I read between the lines. I'm sharp at
that! I knew as well as if he'd told me that he'd fallen in love with the
girl, that she'd unexpectedly become the important factor in his life,
and that--she'd found out a secret she'd never been meant to find out:
_his_ secret, and maybe mine.

"I realized by his face--the look in the eyes, the tone of the voice, or
rather, the tonelessness of the voice--what her finding out meant for
Don. I read by all signs that she was making him suffer atrociously and
I owed that girl a grudge. She'd taken him from me. For the first time a
power stronger than mine was at work; and yet, things being as they were,
my hope of getting him back lay in her."

"What do you mean?" The question spoke itself. Annesley's lips felt cold
and stiff. Her hands, nervously clasped in her lap, were cold, too,
though the shut-up room had but lately seemed hot as a furnace.

"I mean, if the girl behaved as I thought she would behave--as I think
you have behaved--he might grow tired of her and the cast-iron coat of
virtue he'd put on to please her. He might grow tired of life on a ranch
if his wife made him eat ashes and wear sack-cloth. That was my hope.
Well, I sent a messenger to find out how the land lay a few weeks ago."

"The Countess de Santiago!" Annesley exclaimed.

"He told you?"

"No, I saw her. I--by accident--(it really was by accident!) I heard
things. He doesn't know--I believe he doesn't know--I was there."

"Perhaps that's just as well. Perhaps not. But if I were you I'd tell him
when the right time comes. The Countess wrote me she'd had her journey in
vain, and why. She said--spitefully it struck me--that Don was bewitched
by his wife, a cold, cruel creature with ice in her veins, who treated
him like a dog."

"She said that to you, too?"

"Yes, she said that. She seemed to gather the impression. But the dog
stuck to his kennel. Nothing _she_ could do would tempt him to budge. So
I decided to call here myself, on the way back from Mexico. I couldn't
delay the trip. A man was waiting for me. And waiting quietly is
difficult in Mexico just now. I got what I wanted, and crammed the lot
into this bag, which cost me at the outside, if I remember, five dollars.
A good idea of mine for putting thieves off the track. They expect sane
men to carry nightgowns and newspapers in such bags. I thought I'd
managed so well that I'd put the gang who follow me about, generally on
'spec,' off the track.

"I speak Spanish well. I've been passing for a Mexican lawyer from
Chihuahua. But to-day I caught a look from a pair of eyes in a train. I
fancied I'd seen those eyes before--and the rest of the features. Perhaps
I imagined it. But I don't think so. I trust my instinct. I advise you
to! It's a tip.

"At El Paso I bought a ticket for Albuquerque. The eyes were behind me.
I got into the train. So did Eyes, and a friend with a long nose. Not
into my car, however, so I was able to skip out again as the train was
starting. Not a bad feat for a man of my age! I hope Eyes and Nose,
and any other features that may have been with them, travelled on
unsuspectingly. But I can't be sure. Instinct says they saw my trick
and trumped it.

"I oughtn't to have come here, bringing danger to your house, Mrs.
Donaldson. But I want to see Don, and I know he is afraid neither of man
nor devil--afraid of nothing in the world except one woman.

"As for her--well, what I'd heard hadn't prepossessed me in her favour.
I sacrificed her for the safety of my golden images and my talk with Don.
But the sound of your voice behind the shut door broke the picture I'd
made of that young woman. And when I saw you--well, Mrs. Donaldson, I've
already told you I don't intend to exert my influence over your husband,
though to do so was my principal object in coming. Even if I did, I
believe yours would prove stronger. But if I could count on all my old
power over him, I wouldn't use it now I have seen you.

"I adore myself, and--my specialties. But there must be an unselfish
streak in me which shows in moments like this. I respect and admire it.
You may treat Don like a dog, but he'd never be happy away from you. And
I am fool enough to want him to be happy. This kicked dog of yours,
madame, happens to be the finest fellow I ever knew or expect to know."

"You say I treat him like a dog!" cried Annesley, roused to anger.
"But how ought I to treat him? He came into my life in a way I thought
romantic as a fairy tale. It was a trick--a play got up to deceive me!
I knew nothing of his life; but because of the faith he inspired, I
believed in him. No one except himself could have broken that belief. I
would not have listened to a word against him. But when he thought I'd
discovered something, the whole story came out. If I hadn't loved him so
much to begin with, and put him on such a high pedestal, the fall
wouldn't have been so great--wouldn't have broken my heart in pieces."

"But Don gave up everything pleasant in his life, and came down here to
this God-forsaken ranch--a man like Michael Donaldson, with a few hundred
dollars where he'd had thousands--all for you," said Van Vreck, "and he's
had no thought except for you and the ranch for more than a year. Yet
apparently you haven't changed your opinion. By Jove, madame, you must
somehow, through your personality and God knows what besides, have got a
mighty hold on his heart, in the days when you loved him, or he wouldn't
have stood this dog's life, this punishment too harsh for human nature to
bear. Good Lord, how were you brought up? Evidently not as a Christian."

"My father was a clergyman," said Annesley.

"There are many clergymen who have got as far from the light as the moon
from the earth. I know more about Christianity myself than some of those
narrow men with their 'cold Christs and tangled Trinities'! That is, I
know all this on principle. I don't practise what I know, but that's my
affair. Did Don ever excuse himself by mentioning the influence I brought
to bear on him when he was almost a boy?"

"No," breathed Annesley. "He didn't excuse himself at all except to tell
me about his father and mother, and a vow he'd made to revenge them on
society."

"It was like him not to whine for your forgiveness."

"He would never whine," the girl agreed. But she remembered that night of
confession when on his knees he had begged her to forgive, to grant him
another chance, and she had refused. He had never asked again. And he had
struggled alone for redemption.

"I haven't forgotten some early teachings which impressed me," said Paul
Van Vreck. "Christ made a remark about forgiving till seventy times
seven. Did you forgive Donaldson four hundred and eighty-nine times, and
draw the line at the four hundred and ninetieth?"

"No, I never had anything to forgive him--till that one thing came out.
But it was a very big thing. Too big!"

"_Too_ big, eh? There was another saying of Christ's about those without
sin throwing the first stone. Of course I'm sure _you_ were without sin.
But you look as if you might have had a heart--once."

"Oh, I had, I had!" Tears streamed down Annesley's pale face, and she did
not wipe them away. "It's dead now I think."

"Think again. Think of what the man is--what he's proved himself to be.
He's twice as good now as one of your best saints of the Church. He's
purified by fire. You've got the face of an angel, Mrs. Donaldson, but in
my opinion you're a wicked woman unworthy of the love you've inspired."

"You speak to me cruelly," the girl said through her tears. "I've been
very unhappy!"

"Not as unhappy as you've made Don by _your_ cruelty. Good heavens, these
tender girls can be more cruel when they set about punishing us, than the
hardest man! And to punish a fellow like that by making him live in an
ice-house, when you could have done anything with him by a little
kindness! Don't _I_ know that?

"I'm the sponsor for such sins as Don's committed. He was meant to be
straight. But I got hold of him through an agent, and caught his
imagination when that wild vow was freshly branded on his heart or brain.
I have the gift of fascination, Mrs. Donaldson. I know that better than I
know most things. _You_ feel it to-night, or you wouldn't sit there
letting me tear your heart to pieces--what's left of your heart. And I
have an idea there's a good deal more than you think, if you have the
sense to patch the bits together.

"I have fascination, and I've cultivated it. Napoleon himself didn't
study more ardently than I the art of winning men. I won Don. I appealed
to the romance in him. I became his hero and--slowly--I was able to make
him my servant. Not much of my money or anything else has ever stuck to
his hands. He's too generous--too impulsive; though I taught him it was
necessary to control his impulses.

"What he did, he did for love of me, till you came along and lit another
sort of fire in his blood. I saw in one minute, when he called on me,
what had happened to his soul. It's taken you more than a year to see,
though he's lived for you and would have died for you. Great Heaven,
young woman, you ought to be on your knees before a miracle of God!
Instead, you've mounted a marble pedestal and worshipped your own
purity!"

Annesley bowed her head under a wave of shame. _This_ man, of all others,
had shown her a vision of herself as she was. It seemed that she could
never lift her eyes. But suddenly, into the crying of the wind, a shot
broke sharply; then another and another, till the sobbing wail was lost
in a crackling fusillade.

The girl leaped to her feet.

"Raiders!" she gasped. "Or else----"

Paul Van Vreck sprang up also, his face paler, his eyes brighter than
before.

"They've come after me," he said. "Clever trick--if they've bribed
ruffians from over the border to cover their ends. The real errand's
here, inside this house."

Annesley's heart faltered.

"You must hide," she breathed. "I must save you--somehow."

"Why should you save _me_?" Van Vreck asked, sharply. "Why not think
about saving yourself?"

"Because I know Knight would wish to save you," she answered. "I want to
do what he would do.... God help us, they're coming nearer! Take your
bag, and I'll hide you in the cellar. There's a corner there, behind some
barrels. If they break in, I'll say----"

"Brave girl! But they won't break in."

"How do you know?"

"Your husband won't let them. Trust him, as I do."

"He's not here. Do you think I told you a lie? Thank Heaven he _isn't_
here, or they'd kill him, and I could never beg him to forgive----" She
covered her face with her hands.

The old man looked at her gravely.

"You don't understand what's happening," he said, with a new gentleness.
"Don's out there now, defending you and his home. That's what the
shooting means. Do you think those brutes would advertise themselves with
their guns if they hadn't been attacked?"

With a cry the girl rushed to the long window, and began to unfasten it,
but Van Vreck caught her hands.

"Stop!" he commanded. "Don't play the robbers' own game for them! _How do
you know which is nearer the house, Don and his men, or the others?_"

She stared at him, panting, "Don and his men?" she echoed.

"Yes. Even if he were alone to begin with, I'll bet all I've got he
roused every cowpuncher on the ranch with his first shot; and they'd be
out with their guns like a streak of greased lightning. If you open that
window with a light in the room, the wrong lot may get in and barricade
themselves against Don and his bunch--to say nothing of what would happen
to us. But----"

Annesley waited for no more. She ran to the table and blew out the flame
of the green-shaded lamp. Black darkness shut down like the lid of a box.
But she knew the room as she knew her own features. Straight and
unerring, she found her way back to the window.

This time Van Vreck stood still while she opened it and began noiselessly
to undo the outside wooden shutters. As she pushed them apart, against
the wind, a spray of sand dashed into her face and Van Vreck's, stinging
their eyelids. But disregarding the pain, the two passed out into the
night.

Clouds of blowing sand hid the stars, yet there was a faint glimmer of
light which showed moving figures on horseback. Men were shouting, and
with the bark of their guns fire spouted.

Annesley rushed on to the veranda, but Van Vreck caught her dress.

"Stay where you are!" he ordered. "Our side is winning. Don't you
see--don't you hear--the fight's going farther away? That means the
raid's failed--the skunks have got the worst of it. They're trying to get
back to the river and across to their own country. There'll be some, I
bet, who'll never see Mexico again!"

"But Knight----" the girl faltered. "He may be shot----"

"He may. We've got to take the chances and hope for the best. He wouldn't
leave the chase now if every door and window were open and lit for him.
Wait. Watch. That's the only thing to do."

She yielded to the detaining hand. All strength had gone out of her. She
staggered a little, and fell back against Van Vreck's shoulder. He held
her up strongly, as though he had been a young man.

"How can I live through it?" she moaned.

"You care for him after all, then?" she heard the calm voice asking in
her ear. And she heard her own voice answer: "I love him more than ever."
She knew that it was true, true in spite of everything, and that she had
never ceased to love him. It would be joy to give her life to save
Knight's, with just one moment of breath to tell him that his atonement
had not been vain.

       *       *       *       *       *

Away out of sight the chase went, but the watching eyes had time to see
that not all the figures were on horseback. Some ran on foot; and some
horses were riderless. As Van Vreck had said, there was nothing for him
and for Annesley to do except to wait. They stood silent in the rain of
sand, listening when there was nothing more to see. The shots were
scattered and blurred by distance. Annesley realized how a heart may stop
beating in the anguish of suspense.

But at last when the fierce wind, purring like a tiger, was the only
sound in the night, there came a sudden padding of feet. A form stumbled
up the veranda steps, and before she could cry out in her surprise, the
girl recognized their Chinese servant.

She had fancied him in bed. But she might have known he would be out!

He had been running so fast that his breath came chokingly.

"What is it?" Annesley implored.

The boy pointed, trying to speak, "Bling Mist' Donal back," he gulped.
"Me come tell."

Annesley pushed past him, and springing down the steps ran blindly
through the sand cloud, taking the way by which the Chinese boy must have
come home. Her mind pictured a procession carrying a dead man, or one
grievously wounded; but at the cactus hedge she came upon three men--one
in the centre, who limped, two who supported him on either side.

"Why, Anita!" exclaimed her husband's voice.

"Knight!" she sobbed. It was the first time since Easter a year ago that
she had given him the old name.

"Thank God you're alive!"

"If you thank Him, so do I," he answered, whether lightly or gravely she
could not tell. His tone was controlled, as if to hide pain. "It's all
right. You mustn't worry any more. Wish I could have sent you news
sooner. I hoped you'd guess we were getting the upper hand when the shots
died away. Coming home I spotted the sneaks fording the river. I turned
the car, and stirred up the boys. Then we had a shindy, and scared the
dogs cold--bagged a few, but I guess nobody croaked--anyhow, none of our
crowd. Half a dozen are after the curs.

"As for me, I feel as if I'd got a dum-dum in my ankle, but I'll be fit
as a fiddle in a week or two. I'm afraid you had a fright."

How strange it was to hear him speak so coolly after what she had
endured! But his calmness quieted her.

"Mr. Van Vreck was with me," she said.

"Van Vreck! Great Scott, then the raid was a frameup! I see. Boys, let's
get along to the house quick."

"Wait an instant!" the girl intervened. "Knight, I never had a chance to
tell you--about the cactus blossoms. I understood. I understand even
better now. Mr. Van Vreck has made me understand. That is all I can tell
you. Let them help you to the house. I'll follow. Some other time I'll
explain."

"No--now!" he said. "Let go a minute, boys. I can stand by myself. Three
words with my wife."

As the two men moved off hastily, Annesley sprang forward, giving her
shoulder for her husband's support.

"Lean on me," she said. "Oh, Knight, you don't need an explanation, for
the three words are, love--love and forgiveness. Forgiveness from _you_
to _me_."

He held out his arms, and caught her to him fiercely. Neither could
speak. The past was forgotten. Only the present and future counted. Both
the man and woman had atoned.


THE END


       *       *       *       *        *



_Books by the Same Authors_

Car of Destiny, The

Chaperon, The

Everyman's Land

Golden Silence, The

Guests of Hercules, The

Heather Moon, The

It Happened in Egypt

Lady Betty Across the Water

Lightning Conductor, The

Lightning Conductor Discovers America, The

Lion's Mouse, The

Lord Loveland Discovers America

Motor Maid, The

My Friend the Chauffeur

Port of Adventure, The

Princess Passes, The

Princess Virginia

Rosemary in Search of a Father

Secret History

Set in Silver

Soldier of the Legion, A



***END OF THE PROJECT GUTENBERG EBOOK THE SECOND LATCHKEY***


******* This file should be named 18470-8.txt or 18470-8.zip *******


This and all associated files of various formats will be found in:
https://www.gutenberg.org/dirs/1/8/4/7/18470



Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://www.gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://www.gutenberg.org/about/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://www.gutenberg.org/fundraising/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:
https://www.gutenberg.org/fundraising/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.