The Project Gutenberg EBook of Gone Fishing, by James H. Schmitz

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Gone Fishing

Author: James H. Schmitz

Illustrator: Krenkel

Release Date: September 30, 2009 [EBook #30140]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK GONE FISHING ***




Produced by Sankar Viswanathan, Greg Weeks, and the Online
Distributed Proofreading Team at http://www.pgdp.net








                         Transcriber's Note:

  This etext was produced from Analog Science Fact & Fiction May 1961.
  Extensive research did not uncover any evidence that the U.S. copyright
  on this publication was renewed.



                             GONE FISHING


                         By JAMES H. SCHMITZ


    _There is no predictable correlation between intelligence and
     ethics, nor is ruthlessness necessarily an evil thing. And
     there is nothing like enforced, uninterrupted contemplation
     to learn to distinguish one from another...._


                        Illustrated by Krenkel

       *       *       *       *       *




Barney Chard, thirty-seven--financier, entrepreneur, occasional
blackmailer, occasional con man, and very competent in all these
activities--stood on a rickety wooden lake dock, squinting against the
late afternoon sun, and waiting for his current business prospect to
give up the pretense of being interested in trying to catch fish.

The prospect, who stood a few yards farther up the dock, rod in one
hand, was named Dr. Oliver B. McAllen. He was a retired physicist,
though less retired than was generally assumed. A dozen years ago he
had rated as one of the country's top men in his line. And, while
dressed like an aging tramp in what he had referred to as fishing
togs, he was at the moment potentially the country's wealthiest
citizen. There was a clandestine invention he'd fathered which he
called the McAllen Tube. The Tube was the reason Barney Chard had come
to see McAllen.

Gently raising and lowering the fishing rod, and blinking out over the
quiet water, Dr. McAllen looked preoccupied with disturbing
speculations not connected with his sport. The man had a secrecy bug.
The invention, Barney thought, had turned out to be bigger than the
inventor. McAllen was afraid of the Tube, and in the forefront of his
reflections must be the inescapable fact that the secret of the
McAllen Tube could no longer be kept without Barney Chard's
co-operation. Barney had evidence of its existence, and didn't really
need the evidence. A few hints dropped here and there would have made
McAllen's twelve years of elaborate precaution quite meaningless.

Ergo, McAllen must be pondering now, how could one persuade Mr. Chard
to remain silent?

But there was a second consideration Barney had planted in the old
scientist's mind. Mr. Chard, that knowledgeable man of the world,
exuded not at all by chance the impression of great quantities of
available cash. His manner, the conservatively tailored business suit,
the priceless chip of a platinum watch ... and McAllen needed cash
badly. He'd been fairly wealthy himself at one time; but since he
had refrained from exploiting the Tube's commercial possibilities, his
continuing work with it was exhausting his capital. At least that
could be assumed to be the reason for McAllen's impoverishment, which
was a matter Barney had established. In months the old man would be
living on beans.

Ergo again, McAllen's thoughts must be running, how might one not
merely coax Mr. Chard into silence, but actually get him to come
through with some much-needed financial support? What inducement,
aside from the Tube, could be offered someone in his position?

Barney grinned inwardly as he snapped the end of his cigarette out on
the amber-tinted water. The mark always sells himself, and McAllen was
well along in the process. Polite silence was all that was necessary
at the moment. He lit a fresh cigarette, feeling a mild curiosity
about the little lake's location. Wisconsin, Minnesota, Michigan
seemed equally probable guesses. What mattered was that half an hour
ago McAllen's Tube had brought them both here in a wink of time from
his home in California.

       *       *       *       *       *

Dr. McAllen thoughtfully cleared his throat.

"Ever do any fishing, Mr. Chard?" he asked. After getting over his
first shock at Barney's revelations, he'd begun speaking again in the
brisk, abrupt manner Barney remembered from the last times he'd heard
McAllen's voice.

"No," Barney admitted smiling. "Never quite got around to it."

"Always been too busy, eh?"

"With this and that," Barney agreed.

McAllen cleared his throat again. He was a roly-poly little man; over
seventy now but still healthy-looking, with an apple-cheeked,
sunburned face. Over a pair of steel-rimmed glasses his faded blue
eyes peered musingly at Barney. "Around thirty-five, aren't you?"

"Thirty-seven."

"Married?"

"Divorced."

"Any particular hobbies?"

Barney laughed. "I play a little golf. Not very seriously."

McAllen clicked his tongue. "Well, what do you do for fun?"

"Oh ... I'd say I enjoy almost anything I get involved in." Barney,
still smiling, felt a touch of wariness. He'd been expecting questions
from McAllen, but not quite this kind.

"Mainly making money, eh? Well," McAllen conceded, "that's not a bad
hobby. Practical, too. I ... whup! Just a moment."

The tip of the slender rod in his left hand dipped slightly, and sixty
feet out beyond the end of the old dock a green and white bobber began
twitching about. Then the bobber suddenly disappeared. McAllen lifted
the rod tip a foot or two with a smooth, swift motion, and paused.

"Hooked!" he announced, looking almost childishly pleased.

The fish on the far end of the line didn't seem to put up much of a
struggle, but the old man reeled it in slowly and carefully, giving
out line from time to time, then taking it back. He seemed completely
absorbed. Not until the fish had been worked close to the dock was
there a brief minor commotion near the surface. Then McAllen was down
on one knee, holding the rod high with one hand, reaching out for his
catch with the other. Barney had a glimpse of an unimpressive green
and silver disk, reddish froggy eyes. "_Very_ nice crappie!" McAllen
informed him with a broad smile. "Now--" He placed the rod on the
dock, reached down with his other hand. The fish's tail slapped the
water; it turned sideways, was gone.

"Lost it!" Barney commented, surprised.

"Huh?" McAllen looked around. "Well, no, young man--I _turned_ him
loose. He wasn't hooked bad. Crappies have delicate lips, but I use a
barbless hook. Gives them better than a fighting chance." He stood up
with the rod, dusting the knees of his baggy slacks. "Get all the
eating fish I want anyway," he added.

"You really enjoy that sport, don't you?" Barney said curiously.

       *       *       *       *       *

McAllen advised him with the seriousness of the true devotee to try it
some time. "It gets to you. It can get to be a way of living. I've
been fishing since I was knee-high. Three years ago I figured I'd
become good enough to write a book on the subject. I got more
arguments over that book--sounder arguments too, I'd say--than about
any paper I've published in physics." He looked at Barney a moment,
still seriously, and went on. "I told you wetting a line would calm me
down after that upset you gave me. Well, it has--fishing is as good a
form of therapy as I know about. Now I've been doing some thinking.
I'd be interested ... well, I'd like to talk some more about the Tube
with you, Mr. Chard. And perhaps about other things too."

"Very gratifying to hear that, doctor," Barney said gravely. "I did
regret having to upset you, you know."

McAllen shrugged. "No harm done. It's given me some ideas. We'll talk
right here." He indicated the weather-beaten little cabin on the bank
behind Barney. "I'm not entirely sure about the California place.
That's one reason I suggested this trip."

"You feel your houseman there mightn't be entirely reliable?"

"Fredericks unreliable? Heavens no! He knows about the Tube, of
course, but Fredericks _expects_ me to invent things. It wouldn't
occur to him to talk to an outsider. He's been with me for almost
forty years."

"He was," remarked Barney, "listening in on the early part of our
conversation today."

"Well, he'll do that," McAllen agreed. "He's very curious about anyone
who comes to see me. But otherwise ... no, it's just that in these
days of sophisticated listening devices one shouldn't ever feel too
sure of not being overheard."

"True enough." Barney glanced up at the cabin. "What makes you so
sure of it here, doctor?"

"No reason why anyone would go to the trouble," McAllen said. "The
property isn't in my name. And the nearest neighbor lives across the
lake. I never come here except by the Tube so I don't attract any
attention."

He led the way along the dock. Barney Chard followed, eyes
reflectively on the back of McAllen's sunburned neck and the wisps of
unclipped white hair sticking out beneath his beaked fishing cap.
Barney had learned to estimate accurately the capacity for physical
violence in people he dealt with. He would have offered long odds that
neither Dr. McAllen nor Fredericks, the elderly colored man of all
work, had the capacity. But Barney's right hand, slid idly into the
pocket of his well-tailored coat, was resting on a twenty-five caliber
revolver. This was, after all, a very unusual situation. The human
factors in themselves were predictable. Human factors were Barney's
specialty. But here they were involved with something unknown--the
McAllen Tube.

When it was a question of his personal safety, Barney Chard preferred
to take no chances at all.

From the top of the worn wooden steps leading up to the cabin, he
glanced back at the lake. It occurred to him there should have been at
least a suggestion of unreality about that placid body of water, and
the sun low and red in the west beyond it. Not that he felt anything
of the kind. But less than an hour ago they had been sitting in
McAllen's home in Southern California, and beyond the olive-green
window shades it had been bright daylight.

"But I can't ... I really can't imagine," Dr. McAllen had just
finished bumbling, his round face a study of controlled dismay on the
other side of the desk, "whatever could have brought you to these ...
these extraordinary conclusions, young man."

Barney had smiled reassuringly, leaning back in his chair. "Well,
indirectly, sir, as the pictures indicate, we might say it was your
interest in fishing. You see, I happened to notice you on Mallorca
last month...."

       *       *       *       *       *

By itself, the chance encounter on the island had seemed only
moderately interesting. Barney was sitting behind the wheel of an
ancient automobile, near a private home in which a business
negotiation of some consequence was being conducted. The business
under discussion happened to be Barney's, but it would have been
inexpedient for him to attend the meeting in person. Waiting for his
associates to wind up the matter, he was passing time by studying an
old man who was fishing from a small boat offshore, a hundred yards or
so below the road. After a while the old fellow brought the boat in,
appeared a few minutes later along the empty lane carrying his tackle
and an apparently empty gunny sack, and trudged unheedingly past the
automobile and its occupant. As he went by, Barney had a sudden sense
of recognition. Then, in a flash, his mind jumped back twelve years.

Dr. Oliver B. McAllen. Twelve years ago the name had been an important
one in McAllen's field; then it was not so much forgotten as
deliberately buried. Working under government contract at one of the
big universities, McAllen had been suddenly and quietly retired.
Barney, who had a financial interest in one of the contracts, had made
inquiries; he was likely to be out of money if McAllen had been taken
from the job. Eventually he was informed, in strict confidence, that
Dr. McAllen had flipped. Under the delusion of having made a discovery
of tremendous importance, he had persuaded the authorities to arrange
a demonstration. When the demonstration ended in complete failure,
McAllen angrily accused some of his most eminent colleagues of having
sabotaged his invention, and withdrew from the university. To protect
a once great scientist's name, the matter was being hushed up.

So Mallorca was where the addled old physicist had elected to end his
days--not a bad choice either, Barney had thought, gazing after the
retreating figure. Pleasant island in a beautiful sea--he remembered
having heard about McAllen's passion for angling.

A day later, the Mallorca business profitably concluded, Barney flew
back to Los Angeles. That evening he entertained a pair of tanned and
shapely ladies whose idea of high fun was to drink all night and go
deep-sea fishing at dawn. Barney shuddered inwardly at the latter
notion, but promised to see the sporting characters to the Sweetwater
Beach Municipal Pier in time to catch a party boat, and did so. One of
the girls, he noticed not without satisfaction--he had become a little
tired of the two before morning--appeared to turn a delicate green as
she settled herself into the gently swaying half-day boat beside the
wharf. Barney waved them an amiable farewell and was about to go when
he noticed a plump old man sitting in the stern of the boat among
other anglers, rigging up his tackle. Barney checked sharply, and
blinked. He was looking at Oliver B. McAllen again.

It was almost a minute before he felt sure of it this time. Not that
it was impossible for McAllen to be sitting in that boat, but it did
seem extremely unlikely. McAllen didn't look in the least like a man
who could afford nowadays to commute by air between the Mediterranean
and California. And Barney felt something else trouble him obscurely
as he stared down at the old scientist; a notion of some kind was
stirring about in the back corridors of his mind, but refused to be
drawn to view just then.

       *       *       *       *       *

He grew aware of what it was while he watched the party boat head out
to sea a few minutes later, smiled at what seemed an impossibly
fanciful concoction of his unconscious, and started towards the pier's
parking lot. But when he had reached his car, climbed in, turned on
the ignition, and lit a cigarette, the notion was still with him and
Barney was no longer smiling. Fanciful it was, extremely so.
Impossible, in the strict sense, it was not. The longer he played it
around, the more he began to wonder whether his notion mightn't hold
water after all. If there was anything to it, he had run into one of
the biggest deals in history.

Later Barney realized he would still have let the matter drop there if
it hadn't been for other things, having nothing to do with Dr.
McAllen. He was between operations at present. His time wasn't
occupied. Furthermore he'd been aware lately that ordinary operations
had begun to feel flat. The kick of putting over a deal, even on some
other hard, bright character of his own class, unaccountably was
fading. Barney Chard was somewhat frightened because the operator game
was the only one he'd ever found interesting; the other role of
well-heeled playboy wasn't much more than a manner of killing time. At
thirty-seven he was realizing he was bored with life. He didn't like
the prospect.

Now here was something which might again provide him with some genuine
excitement. It could be simply his imagination working overtime, but
it wasn't going to do any harm to find out. Mind humming with pleased
though still highly skeptical speculations, Barney went back to the
boat station and inquired when the party boat was due to return.

He was waiting for it, well out of sight, as it came chugging up to
the wharf some hours later. He had never had anything to do directly
with Dr. McAllen, so the old man wouldn't recognize him. But he didn't
want to be spotted by his two amazons who might feel refreshed enough
by now to be ready for another tour of the town.

He needn't have worried. The ladies barely made it to the top of the
stairs; they phoned for a cab and were presently whisked away. Dr.
McAllen meanwhile also had made a telephone call, and settled down not
far from Barney to wait. A small gray car, five or six years old but
of polished and well-tended appearance, trundled presently up the
pier, came into the turnaround at the boat station, and stopped. A
thin old Negro, with hair as white as the doctor's, held the door open
for McAllen. The car moved unhurriedly off with them.

The automobile's license number produced Dr. McAllen's California
address for Barney a short while later. The physicist lived in
Sweetwater Beach, fifteen minutes' drive from the pier, in an old
Spanish-type house back in the hills. The chauffeur's name was John
Emanuel Fredericks; he had been working for McAllen for an unknown
length of time. No one else lived there.

Barney didn't bother with further details about the Sweetwater Beach
establishment at the moment. The agencies he usually employed to dig
up background information were reasonably trustworthy, but he wanted
to attract no more attention than was necessary to his interest in Dr.
McAllen.

That evening he took a plane to New York.

       *       *       *       *       *

Physicist Frank Elby was a few years older than Barney, an
acquaintance since their university days. Elby was ambitious, capable,
slightly dishonest; on occasion he provided Barney with contraband
information for which he was generously paid.

Over lunch Barney broached a business matter which would be
financially rewarding to both of them, and should not burden Elby's
conscience unduly. Elby reflected, and agreed. The talk became more
general. Presently Barney remarked, "Ran into an old acquaintance of
ours the other day. Remember Dr. McAllen?"

"Oliver B. McAllen? Naturally. Haven't heard about him in years.
What's he doing?"

Barney said he had only seen the old man, hadn't spoken to him. But he
was sure it was McAllen.

"Where was this?" Elby asked.

"Sweetwater Beach. Small town down the Coast."

Elby nodded. "It must have been McAllen. That's where he had his
home."

"He was looking hale and hearty. They didn't actually institutionalize
him at the time of his retirement, did they?"

"Oh, no. No reason for it. Except on the one subject of that cockeyed
invention of his, he behaved perfectly normally. Besides he would have
hired a lawyer and fought any such move. He had plenty of money. And
nobody wanted publicity. McAllen was a pretty likable old boy."

"The university never considered taking him back?"

Elby laughed. "Well, hardly! After all, man--a matter transmitter!"

Barney felt an almost electric thrill of pleasure. Right on the nose,
Brother Chard! Right on the nose.

He smiled. "Was that what it was supposed to be? I never was told all
the details."

Elby said that for the few who were informed of the details it had
been a seven-day circus. McAllen's reputation was such that more
people, particularly on his staff, had been ready to believe him that
were ready to admit it later. "When he'd left--you know, he never even
bothered to take that 'transmitter' along--the thing was taken apart
and checked over as carefully as if somebody thought it might still
suddenly start working. But it was an absolute Goldberg, of course.
The old man had simply gone off his rocker."

"Hadn't there been any indication of it before?"

"Not that I know of. Except that he'd been dropping hints about his
gadget for several months before he showed it to anyone," Elby said
indifferently. The talk turned to other things.

[Illustration]

       *       *       *       *       *

The rest was routine, not difficult to carry out. A small cottage on
Mallorca, near the waterfront, was found to be in McAllen's name.
McAllen's liquid assets were established to have dwindled to something
less than those of John Emanuel Fredericks, who patronized the same
local bank as his employer. There had been frequent withdrawals of
large, irregular sums throughout the past years. The withdrawals were
not explained by McAllen's frugal personal habits; even his fishing
excursions showed an obvious concern for expense. The retention of the
Mediterranean retreat, modest though it was, must have a reason beyond
simple self-indulgence.

Barney arranged for the rental of a bungalow in the outskirts of
Sweetwater beach, which lay uphill from the old house in which McAllen
and Fredericks lived, and provided a good view of the residence and
its street entry. He didn't go near the place himself. Operatives of a
Los Angeles detective agency went on constant watch in the bungalow,
with orders to photograph the two old men in the other house and any
visitors at every appearance, and to record the exact times the
pictures were taken. At the end of each day the photographs were
delivered to an address from where they promptly reached Barney's
hands.

A European agency was independently covering the Mallorca cottage in
the same manner.

Nearly four weeks passed before Barney obtained the exact results he
wanted. He called off the watch at both points, and next day came up
the walk to McAllen's home and rang the doorbell. John Fredericks
appeared, studied Barney's card and Barney with an air of mild
disapproval, and informed him that Dr. McAllen did not receive
visitors.

"So I've been told," Barney acknowledged pleasantly. "Please be so
good as to give the doctor this."

Fredericks' white eyebrows lifted by the barest trifle as he looked at
the sealed envelope Barney was holding out. After a moment's
hesitation he took it, instructed Barney to wait, and closed the door
firmly.

Listening to Fredericks' footsteps receding into the house, Barney lit
a cigarette, and was pleased to find that his hands were as steady as
if he had been on the most ordinary of calls. The envelope contained
two sets of photographs, dated and indicating the time of day. The
date was the same for both sets; the recorded time showed the pictures
had been taken within fifteen minutes of one another. The central
subject in each case was Dr. McAllen, sometimes accompanied by
Fredericks. One set of photographs had been obtained on Mallorca, the
other in Sweetwater Beach at McAllen's house.

Barring rocket assists, the two old men had been documented as the
fastest moving human beings in all history.

Several minutes passed before Fredericks reappeared. With a face which
was now completely without expression, he invited Barney to enter, and
conducted him to McAllen's study. The scientist had the photographs
spread out on a desk before him. He gestured at them.

"Just what--if anything--is this supposed to mean, sir?" he demanded
in an unsteady voice.

Barney hesitated aware that Fredericks had remained in the hall just
beyond the study. But Fredericks obviously was in McAllen's
confidence. His eavesdropping could do no harm.

"It means this, doctor--" Barney began, amiably enough; and he
proceeded to tell McAllen precisely what the photographs meant.
McAllen broke in protestingly two or three times, then let Barney
conclude his account of the steps he had taken to verify his
farfetched hunch on the pier without further comment. After a few
minutes Barney heard Fredericks' steps moving away, and then a door
closing softly somewhere, and he shifted his position a trifle so that
his right side was now toward the hall door. The little revolver was
in the right-hand coat pocket. Even then Barney had no real concern
that McAllen or Fredericks would attempt to resort to violence, but
when people are acutely disturbed--and McAllen at least was--almost
anything can happen.

       *       *       *       *       *

When Barney finished, McAllen stared down at the photographs again,
shook his head, and looked over at Barney.

[Illustration]

"If you don't mind," he said, blinking behind his glasses, "I should
like to think about this for a minute or two."

"Of course, doctor," Barney said politely. McAllen settled back in the
chair, removed his glasses and half closed his eyes. Barney let his
gaze rove. The furnishings of the house were what he had
expected--well-tended, old, declining here and there to the downright
shabby. The only reasonably new piece in the study was a
radio-phonograph. The walls of the study and of the section of a
living room he could see through a small archway were lined with
crammed bookshelves. At the far end of the living room was a curious
collection of clocks in various types and sizes, mainly antiques, but
also some odd metallic pieces with modernistic faces. Vacancies in the
rows indicated Fredericks might have begun to dispose discreetly of
the more valuable items on his employer's behalf.

McAllen cleared his throat finally, opened his eyes, and settled the
spectacles back on his nose.

"Mr. Chard," he inquired, "have you had scientific training?"

"No."

"Then," said McAllen, "the question remains of what your interest in
the matter is. Perhaps you'd like to explain just why you put yourself
to such considerable expense to intrude on my personal affairs--"

Barney hesitated perceptibly. "Doctor," he said, "there is something
tantalizing about an enigma. I'm fortunate in having the financial
means to gratify my curiosity when it's excited to the extent it was
here."

McAllen nodded. "I can understand curiosity. Was that your only
motive?"

Barney gave him his most disarming grin. "Frankly no. I've mentioned
I'm a businessman--"

"Ah!" McAllen said, frowning.

"Don't misunderstand me. One of my first thoughts admittedly was that
here were millions waiting to be picked up. But the investigation soon
made a number of things clear to me."

"What were they?"

"Essentially, that you had so sound a reason for keeping your
invention a secret that to do it you were willing to ruin yourself
financially, and to efface yourself as a human being and as a
scientist."

"I don't feel," McAllen observed mildly, "that I really have effaced
myself, either as a human being or as a scientist."

"No, but as far as the public was concerned you did both."

McAllen smiled briefly. "That strategem was very effective--until now.
Very well, Mr. Chard. You understand clearly that under no
circumstances would I agree to the commercialization of ... well, of
my matter transmitter?"

Barney nodded. "Of course."

"And you're still interested?"

"Very much so."

McAllen was silent for a few seconds, biting reflectively at his lower
lip. "Very well," he said again. "You were speaking of my predilection
for fishing. Perhaps you'd care to accompany me on a brief fishing
trip?"

"Now?" Barney asked.

"Yes, now. I believe you understand what I mean ... I see you do.
Then, if you'll excuse me for a few minutes--"

       *       *       *       *       *

Barney couldn't have said exactly what he expected to be shown. His
imaginings had run in the direction of a camouflaged vault beneath
McAllen's house--some massively-walled place with machinery that
powered the matter transmitter purring along the walls ... and perhaps
something in the style of a plastic diving bell as the specific
instrument of transportation.

The actual experience was quite different. McAllen returned shortly,
having changed into the familiar outdoor clothing--apparently he had
been literal about going on a fishing trip. Barney accompanied the old
physicist into the living room, and watched him open a small but very
sturdy wall safe. Immediately behind the safe door, an instrument
panel had been built in the opening.

Peering over the spectacles, McAllen made careful adjustments on two
sets of small dials, and closed and locked the safe again.

"Now, if you'll follow me, Mr. Chard--" He crossed the room to a door,
opened it, and went out. Barney followed him into a small room with
rustic furnishings and painted wooden walls. There was a single,
heavily curtained window; the room was rather dim.

"Well," McAllen announced, "here we are."

It took a moment for that to sink in. Then, his scalp prickling
eerily, Barney realized he was standing farther from the wall than he
had thought. He looked around, and discovered there was no door behind
him now, either open or closed.

He managed a shaky grin. "So that's how your matter transmitter
works!"

"Well," McAllen said thoughtfully, "of course it isn't really a matter
transmitter. I call it the McAllen Tube. Even an educated layman must
realize that one can't simply disassemble a living body at one point,
reassemble it at another, and expect life to resume. And there are
other considerations--"

"Where are we?" Barney asked. "On Mallorca?"

"No. We haven't left the continent--just the state. Look out the
window and see for yourself."

McAllen turned to a built-in closet, and Barney drew back the window
hangings. Outside was a grassy slope, uncut and yellowed by the summer
sun. The slope dropped sharply to a quiet lakefront framed by dark
pines. There was no one in sight, but a small wooden dock ran out into
the lake. At the far end of the dock an old rowboat lay tethered.
And--quite obviously--it was no longer the middle of a bright
afternoon; the air was beginning to dim, to shift towards evening.

Barney turned to find McAllen's mild, speculative eyes on him, and saw
the old man had put a tackle box and fishing rod on the table.

"Your disclosures disturbed me more than you may have realized,"
McAllen remarked by way of explanation. His lips twitched in the
shadow of a smile. "At such times I find nothing quite so soothing as
to drop a line into water for a while. I've got some thinking to do,
too. So let's get down to the dock. There ought to be a little bait
left in the minnow pail."

       *       *       *       *       *

When they returned to the cabin some time later, McAllen was in a
pensive mood. He started a pot of coffee in the small kitchen, then
quickly cleaned the tackle and put it away. Barney sat at the table,
smoking and watching him, but made no attempt at conversation.

McAllen poured the coffee, produced sugar and powdered milk, and
settled down opposite Barney. He said abruptly, "Have you had any
suspicions about the reason for the secretive mumbo jumbo?"

"Yes," Barney said, "I've had suspicions. But it wasn't until _that_
happened"--he waved his hand at the wall out of which they appeared to
have stepped--"that I came to a definite conclusion."

"Eh?" McAllen's eyes narrowed suddenly. "What was the conclusion?"

"That you've invented something that's really a little too good."

"Too good?" said McAllen. "Hm-m-m. Go on."

"It doesn't take much power to operate the thing, does it?"

"Not," said McAllen dryly, "if you're talking about the kind of power
one pays for."

"I am. Can the McAllen Tube be extended to any point on Earth?"

"I should think so."

"And you financed the building of this model yourself. Not very
expensive. If the secret leaked out, I'd never know who was going to
materialize in my home at any time, would I? Or with what intentions."

"That," McAllen nodded, "is about the size of it."

Barney crushed out his cigarette, lit a fresh one, blew out a thin
streamer of smoke. "Under the circumstances," he remarked, "it's
unfortunate you can't get the thing shut off again, isn't it?"

McAllen was silent for some seconds. "So you've guessed that, too," he
said finally. "What mistake did I make?"

"None that I know of," Barney said. "But you're doing everything you
can to keep the world from learning about the McAllen Tube. At the
same time you've kept it in operation--which made it just a question
of time before somebody else noticed something was going on, as I did.
Your plans for the thing appear to have gone wrong."

McAllen was nodding glumly. "They have," he said. "They have, Mr.
Chard. Not irreparably wrong, but still--" He paused. "The first time
I activated the apparatus," he said, "I directed it only at two
points. Both of them within structures which were and are my property.
It was fortunate I did so."

"That was this cabin and the place on Mallorca?"

"Yes. The main operational sections of the Tube are concealed about my
California home. But certain controls have to be installed at any exit
point to make it possible to return. It wouldn't be easy to keep those
hidden in any public place.

"It wasn't until I compared the actual performance of the Tube with my
theoretical calculations that I discovered there was an unforeseen
factor involved. To make it short, I could not--to use your
phrasing--shut the Tube off again. But that would certainly involve
some extremely disastrous phenomena at three different points of our
globe."

"Explosions?" Barney asked.

"Weee-ll," McAllen said judiciously, "implosions might come a little
closer to describing the effect. The exact term isn't contained in our
vocabulary, and I'd prefer it _not_ to show up there, at least in my
lifetime. But you see my dilemma, don't you? If I asked for help, I
revealed the existence of the Tube. Once its existence was known, the
research that produced it could be duplicated. As you concluded, it
isn't really too difficult a device to construct. And even with the
present problem solved, the McAllen Tube is just a little too
dangerous a thing to be at large in our world today."

"You feel the problem can be solved?"

"Oh, yes." McAllen took off his glasses and rubbed his eyes. "That
part of it's only a matter of time. At first I thought I'd have
everything worked out within three or four years. Unfortunately I
badly underestimated the expense of some of the required
experimentation. That's what's delayed everything."

"I see. I had been wondering," Barney admitted, "why a man with
something like this on his mind would be putting in _quite_ so much
time fishing."

McAllen grinned. "Enforced idleness. It's been very irritating really,
Mr. Chard. I've been obliged to proceed in the most inexpensive manner
possible, and that meant--very slowly."

Barney said, "If it weren't for that question of funds, how long would
it take to wind up the operation?"

"A year--perhaps two years." McAllen shrugged. "It's difficult to be
too exact, but it certainly wouldn't be longer than two."

"And what would be the financial tab?"

McAllen hesitated. "A million is the bottom figure, I'm afraid. It
should run closer to a million and a half."

"Doctor," Barney said, "let me make you a proposition."

       *       *       *       *       *

McAllen looked at him. "Are you thinking of financing the experiments,
Mr. Chard?"

"In return," Barney said, "for a consideration."

"What's that?" McAllen's expression grew wary.

"When you retired," Barney told him, "I dropped a nice piece of money
as a consequence. It was the first beating I'd taken, and it hurt. I'd
like to pick that money up again. All right. We're agreed it can't be
done on the McAllen Tube. The Tube wouldn't help make the world a
safer place for Barney Chard. But the Tube isn't any more remarkable
than the mind that created it. Now I know a company which could be top
of the heap in electronics precision work--one-shot specialties is
what they go in for--if it had your mind as technical advisor. I can
buy a controlling interest in that company tomorrow, doctor. And you
can have the million and a half paid off in not much more time than
you expect to take to get your monster back under control and shut
down. Three years of your technical assistance, and we're clear."

McAllen's face reddened slowly. "I've considered hiring out, of
course," he said. "Many times. I need the money very badly. But aren't
you overlooking something?"

"What?"

"I went to considerable pains," said McAllen, "to establish myself as
a lunatic. It was distasteful, but it seemed necessary to discourage
anyone from making too close an investigation of some of my more
recent lines of research. If it became known now that I was again in
charge of a responsible project--"

Barney shook his head. "No problem, doctor. We'd be drawing on outside
talent for help in specific matters--very easy to cover up any leads
to you personally. I've handled that general sort of thing before."

McAllen frowned thoughtfully. "I see. But I'd have--There wouldn't be
so much work that--"

"No," Barney said. "I guarantee that you'll have all the time you want
for your own problem." He smiled. "Considering what you told me, I'd
like to hear that one's been solved myself!"

McAllen grinned briefly. "I can imagine. Very well. Ah ... when can
you let me have the money, Mr. Chard?"

       *       *       *       *       *

The sun was setting beyond the little lake as Barney drew the shades
over the cabin window again. Dr. McAllen was half inside the built-in
closet at the moment, fitting a pair of toggle switches to the
concealed return device in there.

"Here we go," he said suddenly.

Three feet from the wall of the room the shadowy suggestion of another
wall, and of an open door, became visible.

Barney said dubiously, "We came out of _that_?"

McAllen looked at him, sad, "The appearance is different on the exit
side. But the Tube's open now--Here, I'll show you."

He went up to the apparition of a door, abruptly seemed to melt into
it. Barney held his breath, and followed. Again there was no sensory
reaction to passing through the Tube. As his foot came down on
something solid in the shadowiness into which he stepped, the living
room in Sweetwater Beach sprang into sudden existence about him.

"Seems a little odd from that end, the first time through, doesn't
it?" McAllen remarked.

Barney let out his breath.

"If I'd been the one who invented the Tube," he said honestly, "I'd
never have had the nerve to try it."

McAllen grinned. "Tell you the truth, I did need a drink or two the
first time. But it's dead-safe if you know just what you're doing."

Which was not, Barney felt, too reassuring. He looked back. The door
through which they had come was the one by which they had left. But
beyond it now lay a section of the entrance hall of the Sweetwater
Beach house.

"Don't let that fool you," said McAllen, following his gaze. "If you
tried to go out into the hall at the moment, you'd find yourself right
back in the cabin. Light rays passing through the Tube can be shunted
off and on." He went over to the door, closed and locked it, dropping
the key in his pocket. "I keep it locked. I don't often have visitors,
but if I had one while the door was open it could be embarrassing."

"What about the other end?" Barney asked. "The door appeared in the
cabin when you turned those switches. What happens now? Suppose
someone breaks into the cabin and starts prowling around--is the door
still there?"

McAllen shook his head. "Not unless that someone happened to break in
within the next half-minute." He considered. "Let's put it this way.
The Tube's permanently centered on its two exit points, but the effect
ordinarily is dissipated over half a mile of the neighborhood at the
other end. For practical purposes there is no useful effect. When I'm
going to go through, I bring the exit end down to a focus point ...
does that make sense? Very well. It remains focused for around sixty
or ninety seconds, depending on how I set it; then it expands again."
He nodded at the locked door. "In the cabin, that's disappeared by
now. Walk through the space where it's been, and you'll notice nothing
unusual. Clear?"

Barney hesitated. "And if that door were still open here, and somebody
attempted to step through after the exit end had expanded--"

"Well," McAllen said, moving over to a wall buzzer and pressing it,
"that's what I meant when I said it could be embarrassing. He'd get
expanded too--disastrously. Could you use a drink, Mr. Chard? I know I
want one."

       *       *       *       *       *

The drinks, served by Fredericks, were based on a rather rough grade
of bourbon, but Barney welcomed them. There was an almost sick
fascination in what was a certainty now: he was going to get the Tube.
That tremendous device was his for the taking. He was well inside
McAllen's guard; only carelessness could arouse the old man's
suspicions again, and Barney was not going to be careless. No need to
hurry anything. He would play the reserved role he had selected for
himself, leave developments up to the fact that McAllen had carried
the burden of his secret for twelve years, with no more satisfactory
confidant than Fredericks to trust with it. Having told Barney so
much, McAllen wanted to tell more. He would have needed very little
encouragement to go on talking about it now.

Barney offered no encouragement. Instead, he gave McAllen a cautiously
worded reminder that it was not inconceivable they had an audience
here, at which McAllen reluctantly subsided. There was, however, one
fairly important question Barney still wanted answered today. The
nature of the answer would tell him the manner in which McAllen should
now be handled.

He waited until he was on his feet and ready to leave before
presenting it. McAllen's plump cheeks were flushed from the two
highballs he had put away; in somewhat awkward phrases he had been
expressing his gratitude for Barney's generous help, and his relief
that because of it the work on the Tube now could be brought to an
end.

"Just one thing about that still bothers me a little, doctor," Barney
said candidly.

McAllen looked concerned. "What's that, Mr. Chard?"

"Well ... you're in good health, I'd say." Barney smiled. "But suppose
something did happen to you before you succeeded in shutting the
McAllen Tube down." He inclined his head toward the locked door.

"That thing would still be around waiting for somebody to open it and
step through...."

McAllen's expression of concern vanished. He dug a forefinger
cheerfully into Barney's ribs. "Young man, you needn't worry. I've
been aware of the possibility, of course, and believe me I'm keeping
_very_ careful notes and instructions. Safe deposit boxes ... we'll
talk about that tomorrow, eh? Somewhere else? Had a man in mind, as a
matter of fact, but we can make better arrangements now. You see, it's
really so ridiculously _easy_ at this stage."

Barney cleared his throat. "Some other physicist--?"

"_Any_ capable physicist," McAllen said decidedly. "Just a matter, you
see of how reliable he is." He winked at Barney. "Talk about that
tomorrow too--or one of these days."

Barney stood looking down, with a kind of detached surprise, at a man
who had just pronounced sentence of death casually on himself, and on
an old friend. For the first time in Barney's career, the question of
deliberate murder not only entered an operation, but had become in an
instant an unavoidable part of it. Frank Elby, ambitious and
money-hungry, could take over where McAllen left off. Elby was highly
capable, and Elby could be controlled. McAllen could not. He could
only be tricked; and, if necessary, killed.

It was necessary, of course. If McAllen lived until he knew how to
shut the Tube down safely, he simply would shut it down, destroy the
device and his notes on it. A man who had gone to such extreme
lengths to safeguard the secret was not going to be talked out of his
conviction that the McAllen Tube was a menace to the world.
Fredericks, the morose eavesdropper, had to be silenced with his
employer to assure Barney of his undisputed possession of the Tube.

Could he still let the thing go, let McAllen live? He couldn't, Barney
decided. He'd dealt himself a hand in a new game, and a big one--a
fantastic, staggering game when one considered the possibilities in
the Tube. It meant new interest, it meant life for him. It wasn't in
his nature to pull out. The part about McAllen was cold necessity. A
very ugly necessity, but McAllen--pleasantly burbling something as
they walked down the short hall to the front door--already seemed a
little unreal, a roly-poly, muttering, fading small ghost.

In the doorway Barney exchanged a few words--he couldn't have repeated
them an instant later--with the ghost, became briefly aware of a
remarkably firm hand clasp, and started down the cement walk to the
street. Evening had come to California at last; a few houses across
the street made dim silhouettes against the hills, some of the windows
lit. He felt, Barney realized, curiously tired and depressed. A few
steps behind him, he heard McAllen quietly closing the door to his
home.

The walk, the garden, the street, the houses and hills beyond,
vanished in a soundlessly violent explosion of white light around
Barney Chard.

       *       *       *       *       *

His eyes might have been open for several seconds before he became
entirely aware of the fact. He was on his back looking up at the low
raftered ceiling of a room. The light was artificial, subdued; it gave
the impression of nighttime outdoors.

Memory suddenly blazed up. "Tricked!" came the first thought.
Outsmarted. Outfoxed. And by--Then that went lost in a brief, intense
burst of relief at the realization he was still alive, apparently
unhurt. Barney turned sharply over on his side--bed underneath, he
discovered--and stared around.

[Illustration]

The room was low, wide. Something undefinably odd--He catalogued it
quickly. Redwood walls, Navaho rugs on the floor, bookcases, unlit
fireplace, chairs, table, desk with a typewriter and reading lamp.
Across the room a tall dark grandfather clock with a bright metal disk
instead of a clock-face stood against the wall. From it came a soft,
low thudding as deliberate as the heart-beat of some big animal. It
was the twin of one of the clocks he had seen in McAllen's living
room.

The room was McAllen's, of course. Almost luxurious by comparison with
his home, but wholly typical of the man. And now Barney became aware
of its unusual feature; there were no windows. There was one door, so
far to his right he had to twist his head around to see it. It stood
half open; beyond it a few feet of a narrow passage lay within his
range of vision, lighted in the same soft manner as the room. No sound
came from there.

Had he been left alone? And what had happened? He wasn't in McAllen's
home or in that fishing shack at the lake. The Tube might have picked
him up--somehow--in front of McAllen's house, transported him to the
Mallorca place. Or he might be in a locked hideaway McAllen had built
beneath the Sweetwater Beach house.

Two things were unpleasantly obvious. His investigations hadn't
revealed all of McAllen's secrets. And the old man hadn't really been
fooled by Barney Chard's smooth approach. Not, at any rate, to the
extent of deciding to trust him.

Hot chagrin at the manner in which McAllen had handed the role of dupe
back to him flooded Barney for a moment. He swung his legs over the
side of the bed and stood up. His coat had been hung neatly over the
back of a chair a few feet away; his shoes stood next to the bed.
Otherwise he was fully clothed. Nothing in the pockets of the coat
appeared to have been touched; billfold, cigarette case, lighter, even
the gun, were in place; the gun, almost startingly, was still loaded.
Barney thrust the revolver thoughtfully into his trousers pocket. His
wrist watch seemed to be the only item missing.

He glanced about the room again, then at the half-open door and the
stretch of narrow hallway beyond. McAllen must have noticed the gun.
The fact that he hadn't bothered to take it away, of at least to
unload it, might have been reassuring under different circumstances.
Here, it could have a very disagreeable meaning. Barney went quietly
to the door, stood listening a few seconds, became convinced there was
no one within hearing range, and moved on down the hall.

In less than two minutes he returned to the room, with the first slow
welling of panic inside him. He had found a bathroom, a small kitchen
and pantry, a storage room twice as wide and long as the rest of the
place combined, crammed with packaged and crated articles, and with an
attached freezer. If it was mainly stored food, as Barney thought, and
if there was adequate ventilation and independent power, as seemed to
be the case, then McAllen had constructed a superbly self-sufficient
hideout. A man might live comfortably enough for years without
emerging from it.

There was only one thing wrong with the setup from Barney's point of
view. The thing he'd been afraid of. Nowhere was there an indication
of a window or of an exit door.

The McAllen Tube, of course, might make such ordinary conveniences
unnecessary. And if the Tube was the only way in or out, then McAllen
incidentally had provided himself with an escape-proof jail for anyone
he preferred to keep confined. The place might very well have been
built several hundred feet underground. A rather expensive proposition
but, aside from that, quite feasible.

Barney felt his breath begin to quicken, and told himself to relax.
Wherever he was, he shouldn't be here long. McAllen presently would be
getting in contact with him. And then--

His glance touched the desk across the room, and now he noticed his
missing wrist watch on it. He went over, picked it up, and discovered
that the long white envelope on which the watch had been placed was
addressed to him.

For a moment he stared at the envelope. Then, his fingers shaking a
little, he tore open the envelope and pulled out the typewritten
sheets within.

       *       *       *       *       *

The letterhead, he saw without surprise, was OLIVER B. MCALLEN.

The letter read:

    Dear Mr. Chard:

    An unfortunate series of circumstances, combined with certain
    character traits in yourself, make it necessary to
    inconvenience you in a rather serious manner.

    To explain: The information I gave you regarding the McAllen
    Tube and my own position was not entirely correct. It is not
    the intractable instrument I presented it as being--it can be
    "shut off" again quite readily and without any attendant
    difficulties. Further, the decision to conceal its existence
    was not reached by myself alone. For years we--that is, Mr.
    Fredericks, who holds a degree in engineering and was largely
    responsible for the actual construction of the Tube--and I,
    have been members of an association of which I cannot tell
    you too much. But I may say that it acts, among other things,
    as the present custodian of some of the more dangerous
    products of human science, and will continue to do so until a
    more stable period permits their safe release.

    To keep developments such as the McAllen Tube out of
    irresponsible hands is no easy task these days, but a variety
    of effective devices are employed to that end. In this
    instance, you happened upon a "rigged" situation, which had
    been designed to draw action from another man, an intelligent
    and unscrupulous individual who lately had indicated a
    disturbing interest in events connected with the semipublic
    fiasco of my "matter transmitter" some years ago. The chances
    of another person becoming aware of the temporal
    incongruities which were being brought to this man's
    attention were regarded as so remote that they need be given
    no practical consideration. Nevertheless, the unexpected
    happened: you became interested. The promptness with which
    you acted on your chance observations shows a bold and
    imaginative manner of thinking on which you may be genuinely
    congratulated.

    However, a perhaps less commendable motivation was also
    indicated. While I appeared to stall on coming to decisions
    you may have regarded as inevitable, your background was
    being investigated by the association. The investigation
    confirmed that you fall within a personality category of
    which we have the greatest reason to be wary.

    Considering the extent of what you had surmised and learned,
    falsified though the picture was, this presented a serious
    problem. It was made more acute by the fact that the
    association is embarking on a "five-year-plan" of some
    importance. Publicity during this period would be more than
    ordinarily undesirable. It will therefore be necessary to see
    to it that you have no opportunity to tell what you know
    before the plan is concluded. I am sure you can see it would
    be most unwise to accept your simple word on the matter. Your
    freedom of movement and of communication must remain
    drastically restricted until this five-year period is over.

    Within the next two weeks, as shown by the clock in your
    quarters, it will have become impossible for me or for any
    member of the association to contact you again before the day
    of your release. I tell you this so that you will not nourish
    vain hopes of changing the situation in your favor, but will
    adjust as rapidly as you can to the fact that you must spend
    the next five years by yourself. What ameliorations of this
    basic condition appeared possible have been provided.

    It is likely that you will already have tried to find a way
    out of the cabin in which you were left. The manner of doing
    this will become apparent to you exactly twenty-four hours
    after I conclude and seal this letter. It seemed best to
    advise you of some details of your confinement before letting
    you discover that you have been given as much limited
    freedom as circumstances allowed.

                                  Sincerely yours,

                                  OLIVER B. MCALLEN

Barney dropped the letter on the desk, stared down at it, his mouth
open. His face had flushed red. "Why, he's crazy!" he said aloud at
last. "He's crazier than--" He straightened, looked uneasily about the
room again.

Whether a maniac McAllen made a more desirable jailer than a secret
association engaged in keeping dangerous scientific developments under
cover could be considered an open question. The most hopeful thought
was that Dr. McAllen was indulging an unsuspected and nasty sense of
humor.

Unfortunately, there wasn't the slightest reason to believe it.
McAllen was wise to him. The situation was no gag--and neither was it
necessarily what McAllen wanted him to think. Unless his watch had
been reset, he had been knocked out by whatever hit him for roughly
five hours--or seventeen, he amended. But he would have been hungry if
it had been the longer period; and he wasn't.

Five hours then. Five hours wouldn't have given them time to prepare
the "cabin" as it was prepared: for someone's indefinite stay. At a
guess, McAllen had constructed it as a secure personal retreat in the
event of something like a nuclear holocaust. But, in that case, why
vacate it now for Barney Chard?

Too many questions, he thought. Better just keep looking around.

       *       *       *       *       *

The blank metal face on the grandfather clock swung back to reveal a
group of four dials, each graduated in a different manner, only one of
them immediately familiar. Barney studied the other three for some
seconds, then their meaning suddenly came clear. The big clock had
just finished softly talking away the fourth hour of the first day of
the first month of Year One. There were five figures on the Year Dial.

He stared at it. A five-year period of--something seemed to be the key
to the entire setup.

Barney shook his head. Key it might be, but not one he could read
without additional data. He snapped the cover disk shut on the
unpleasantly suggestive dials, and began to go mentally over McAllen's
letter.

The business that in twenty-four hours--twenty now--the manner of
leaving the cabin would become "apparent" to him--that seemed to
dispose of the possibility of being buried underground here. McAllen
would hardly have provided him with a personal model of the Tube; he
must be speaking of an ordinary door opening on the immediate
environment, equipped with a time lock.

In that case, where was the door?

Barney made a second, far more careful search. Three hours later, he
concluded it. He'd still found no trace of an exit. But the paneling
in any of the rooms might slide aside to reveal one at the indicated
time, or a section of the floor might swing back above a trap door.
There was no point in attempting to press the search any further.
After all, he only had to wait.

On the side, he'd made other discoveries. After opening a number of
crates in the storage room, and checking contents of the freezer, he
could assume that there was in fact more than enough food here to
sustain one man for five years. Assuming the water supply held
out--there was no way of checking on it; the source of the water like
that of the power and the ventilation lay outside the area which was
accessible to him--but if the water could be depended on, he wouldn't
go hungry or thirsty. Even tobacco and liquor were present in
comparably liberal quantities. The liquor he'd seen was all good;
almost at random he had selected a bottle of cognac and brought it and
a glass to the main room with him. The thought of food wasn't
attractive at the moment. But he could use a drink.

He half filled the glass, emptied it with a few swallows, refilled it
and took it over to one of the armchairs. He began to feel more
relaxed almost at once. But the truth was, he acknowledged, settling
back in the chair, that the situation was threatening to unnerve him
completely. Everything he'd seen implied McAllen's letter came close
to stating the facts; what wasn't said became more alarming by a
suggestion of deliberate vagueness. Until that melodramatically
camouflaged door was disclosed--seventeen hours from now--he'd be
better off if he didn't try to ponder the thing out.

And the best way to do that might be to take a solid load on rapidly,
and then sleep away as much of the intervening time as possible.

He wasn't ordinarily a hard drinker, but he'd started on the second
bottle before the cabin began to blur on him. Afterwards, he didn't
remember making it over to the bed.

       *       *       *       *       *

Barney woke up ravenous and without a trace of hangover. Making a
mental adjustment to his surroundings took no more time than opening
his eyes; he'd been dreaming Dr. McAllen had dropped him into a snake
pit and was sadistically dangling a rope twelve feet above his head,
inviting him to climb out. To find himself still in the softly lit
cabin was--for a few seconds, at any rate--a relief.

The relief faded as he sat up and looked at his watch. Still over an
hour to go before McAllen's idiotic door became "apparent." Barney
swore and headed for the bathroom to freshen up.

There was an electric shaver there, the end of its cord vanishing into
the wall. Barney used it as meticulously as if he were embarking on a
day of normal activities, prepared a breakfast in the kitchen and took
it to the main room. He ate unhurriedly, absorbed in his thoughts, now
and then glancing about the room. After a few minutes he uneasily
pushed back the plate and stood up. If McAllen's twenty-four hours
began with the moment the big clock in the room had been started, the
door should be in evidence by now.

Another tour of the place revealed nothing and left him nervous enough
to start biting his nails. He moved about the room, looking over
things he'd already investigated. A music cabinet--he'd thought it was
a radio at first, but it was only an elaborate hi-fi record player;
two enclosed racks of records went with it--mainly classical stuff
apparently. And a narrow built-in closet with three polished fishing
rods and related gear, which would have allowed for speculation on the
nature of the cabin's surroundings, except that McAllen might feel
compelled to have a sampling of his toys around him wherever he was.
Barney closed the closet door morosely, stood regarding the two
crowded bookcases next to it. Plenty of books--reflecting the McAllen
taste again. Technical tomes. Great Literature. Dickens, Melville, the
Life of Gandhi.

Barney grunted, and was turning away when another title caught his
eye. He glanced back at it, hauled out the book:

"Fresh Water Game Fish; Tested Methods of Their Pursuit." The author:
O. B. McAllen.

[Illustration]

Barney was opening the book when the cabin's door also opened.

       *       *       *       *       *

Bright light--daylight--filled the room with so sudden a gush that
Barney's breath caught in his throat. The book seemed to leap out of
his hands. With the same glance he saw then the low, wide picture
window which abruptly had appeared in the opposite wall, occupying
almost half its space--and, in the other wall on the far left, a big
door which was still swinging slowly open into the room. Daylight
poured in through window and door. And beyond them--

For seconds he stared at the scene outside, barely aware of what he
was looking at, while his mind raced on. He had searched every inch of
the walls. And those thick wooden panels hadn't simply slid aside; the
surfaces of doorframe and window were flush with the adjoining wall
sections. So the McAllen Tube was involved in these changes in the
room--and he might have guessed, Barney thought, that McAllen would
have found more than one manner of putting the space-twisting
properties of his device to use. And then finally he realized what he
was seeing through the window and beyond the door. He walked slowly up
to the window, still breathing unevenly.

The scene was unfamiliar but not at all extraordinary. The cabin
appeared to be part way up one side of a heavily forested, rather
narrow valley. It couldn't be more than half a mile to the valley's
far slope which rose very steeply, almost like a great cresting green
wave, filling the entire window. Coming closer Barney saw the skyline
above it, hazy, summery, brilliantly luminous. This cabin of McAllen's
might be in one of the wilder sections of the Canadian Rockies.

Or--and this was a considerably less happy thought--it probably could
have been set up just as well in some area like the Himalayas.

But a more immediate question was whether the cabin actually _was_ in
the valley or only appearing to be there. The use of the Tube made it
possible that this room and its seeming surroundings were very far
apart in fact. And just what would happen to him then if he decided to
step outside?

There were scattered sounds beyond the open door: bird chirpings and
whistles, and the continuous burring calls of what Barney decided
would be a wild pigeon. Then a swirl of wind stirred the nearer
branches. He could feel the wash of the breeze in the room.

It looked and sounded--and felt--all right.

Barney scowled undecidedly, clearing his throat, then discovered that
a third item had appeared in the room along with the door and the
window. In the wall just this side of the door at shoulder-height was
a small ivory plate with two black switches on it. Presumably the
controls for door and window....

Barney went over, gingerly touched the one on the right, watching the
window; then flicked up the switch. Instantly, the window had
vanished, the wood paneling again covered the wall. Barney turned the
switch down. The window was back.

The door refused to disappear until he pushed it shut. Then it obeyed
its switch with the same promptness.

He went back across the room, returned with one of McAllen's fishing
poles, and edged its tip tentatively out through the door. He wouldn't
have been surprised if the tip had disintegrated in that instant. But
nothing at all occurred. He dug about with the pole in the loose earth
beyond the doorsill, then drew it back. The breeze was flowing freely
past him; a few grains of soil blew over the sill and into the room.
The door seemed to be concealing no grisly tricks and looked to be
safe enough.

Barney stepped out on the sill, moved on a few hesitant steps, stood
looking about. He had a better view of the valley here--and the better
view told him immediately that he was not in the Canadian Rockies. At
least, Canada, to his knowledge, had no desert. And, on the left, this
valley came to an end perhaps a little more than a mile away from the
cabin, its wooded slopes flowing steeply down to a landscape which was
dull rust-red--flat sand stretches alternating with worn rock
escarpments, until the desert's rim rose toward and touched the hazy
white sky. Not so very different from--

Barney's eyes widened suddenly. Could he be in the Sierras--perhaps
not more than three or four hours' drive from Los Angeles?

Three or four hours' drive if he'd had a car, or course. But even so--

He stared around, puzzled. There were no signs of a human being, of
human habitation. But somebody else must be here. Somebody to keep
guard on him. Otherwise there was nothing to stop him from walking
away from this place--though it might very well be a long,
uncomfortable hike to any civilized spot.

Even if this did turn out to be the Himalayas, or some equally remote
area, there must be hill tribes about if one went far enough--there
should even be an occasional airplane passing overhead.

Barney stood just outside the door, frowning, pondering the situation
again, searching for the catch in it. McAllen and his friends,
whatever else they might be, weren't stupid. There was something
involved here that he hadn't become aware of yet.

Almost without thought then, he turned up his head, squinting at the
bright hazy sky above him--

And saw IT.

His breath sucked in and burst from his lungs in a half-strangled,
terrified squawk as he staggered backward into the cabin, slammed the
door shut, then spun around and began slapping frantically at the
switches on the wall-plate until door and window were gone, and only
the cabin's soft illumination was around him again. Then he crouched
on the floor, his back against the wall, shaking with a terror he
could hardly have imagined before.

He knew what the catch was now. He had understood it completely in the
instant of glancing up and seeing that tiny brilliant blue-white point
of light glare down at him through the incandescent cloud layers
above. Like a blazing, incredibly horrible insect eye....

_This_ world's sun.




THE END OF YEAR ONE


Barney Chard came up out of an uneasy sleep to the sudden sharp
awareness that something was wrong. For some seconds he lay staring
about the unlit cabin, mouth dry, heart hammering with apprehension.
Then he discovered it was only that he had left the exit door open and
the window switched on.... Only? This was the first time since they
had left him here that he had gone to sleep without sealing the cabin
first--even when blind drunk, really embalmed.

He thought of climbing out of bed and taking care of it now, but
decided to let the thing ride. After all he knew there was nothing in
the valley--nothing, in fact, on this world--of which he had a
realistic reason to be afraid. And he felt dead tired. Weak and sick.
Feeling like that no longer alarmed him as it had done at first; it
was a simple physical fact. The sheet under him was wet with sweat,
though it was no more than comfortably warm in the room. The cabin
never became more than comfortably warm. Barney lay back again, trying
to figure out how it had happened he had forgotten about the window
and the door.

It had been night for quite a while when he went to sleep, but
regardless of how long he'd slept, it was going to go on being night a
good deal longer. The last time he had bothered to check--which,
Barney decided on reflection, might be several months ago now--the
sunless period had continued for better than fifty-six hours. Not
long before dropping on the bed, he was standing in front of the big
clock while the minute hand on the hour dial slid up to the point
which marked the end of the first year in Earth time he had spent in
the cabin. Watching it happen, he was suddenly overwhelmed again by
the enormity of his solitude, and it looked as if it were going to
turn into another of those periods when he sat with the gun in his
hand, sobbing and swearing in a violent muddle of self-pity and
helpless fury. He decided to knock off the lamenting and get good and
drunk instead. And he would make it a drunk to top all drunks on this
happy anniversary night.

But he hadn't done that either. He had everything set up, downright
festively--glasses, crushed ice, a formidable little squad of fresh
bottles. But when he looked at the array, he suddenly felt sick in
advance. Then there was a wave of leaden heaviness, of complete
fatigue. He hadn't had time to think of sealing the cabin. He had
simply fallen into the bed then and there, and for all practical
purposes passed out on the spot.

Barney Chard lay wondering about that. It had been, one might say, a
rough year. Through the long days in particular, he had been doing his
level best to obliterate his surroundings behind sustained fogs of
alcoholism. The thought of the hellishly brilliant far-off star around
which this world circled, the awareness that only the roof and walls
of the cabin were between himself and that blazing alien watcher,
seemed entirely unbearable. The nights, after a while, were easier to
take. They had their strangeness too, but the difference wasn't so
great. He grew accustomed to the big green moon, and developed almost
an affection for a smaller one, which was butter-yellow and on an
orbit that made it a comparatively infrequent visitor in the sky over
the valley. By night he began to leave the view window in operation
and finally even the door open for hours at a time. But he had never
done it before when he wanted to go to sleep.

Alcoholism, Barney decided, stirring uneasily on the sweat-soiled,
wrinkled sheet, hadn't been much of a success. His body, or perhaps
some resistant factor in his mind, let him go so far and no farther.
When he exceeded the limit, he became suddenly and violently ill. And
remembering the drunk periods wasn't pleasant. Barney Chard, that
steel-tough lad, breaking up, going to pieces, did not make a pretty
picture. It was when he couldn't keep that picture from his mind that
he most frequently had sat there with the gun, turning it slowly
around in his hand. It had been a rather close thing at times.

Perhaps he simply hated McAllen and the association too much to use
the gun. Drunk or sober, he brooded endlessly over methods of
destroying them. He had to be alive when they came back. Some while
ago there had been a space of several days when he was hallucinating
the event, when McAllen and the association seemed to be present, and
he was arguing with them, threatening them, even pleading with them.
He came out of that period deeply frightened by what he was doing.
Since then he hadn't been drinking as heavily.

But this was the first time he'd gone to sleep without drinking at
all.

       *       *       *       *       *

He sat up on the edge of the bed, found himself shaking a little again
after that minor effort, but climbed to his feet anyway, and walked
unsteadily over to the door. He stood there looking out. The cloud
layers always faded away during the night, gathered again at dawn. By
now the sky was almost clear. A green glow over the desert to the left
meant the larger moon was just below the horizon. The little yellow
moon rode high in the sky above it. If they came up together, this
would be the very bright part of the night during which the birds and
other animal life in the valley went about their pursuits as if it
were daytime. He could hear bird-chirpings now against the restless
mutter of the little stream which came down the center of the valley,
starting at the lake at the right end and running out into stagnant
and drying pools a short distance after it entered the desert.

He discovered suddenly he had brought the gun along from the bed with
him and was holding it without having been in the least aware of the
fact. Grinning twistedly at the old and pointless precaution, he
shoved the gun into his trousers pocket, brought out matches, a
crumpled pack of cigarettes, and began to smoke. Very considerate of
them to see to it he wouldn't run out of minor conveniences ... like
leaving him liquor enough to drink himself to death on any time he
felt like it during these five years.

Like leaving him the gun--

From the association's standpoint those things were up to him, of
course, Barney thought bitterly. In either unfortunate event, he
wouldn't be on _their_ consciences.

He felt a momentary spasm of the old hate, but a feeble one, hardly
more than a brief wash of the early torrents of rage. Something had
burned out of him these months; an increasing dullness was moving into
its place--

And just what, he thought, startled, was he doing outside the cabin
door now? He hadn't consciously decided to go that far; it must have
been months, actually, since he had walked beyond the doorway at all.
During the first few weeks he had made half a dozen attempts to
explore his surroundings by night, and learned quickly that he was
confined to as much of the valley as he could see from the cabin.
Beyond the ridges lay naked desert and naked mountain ranges, silent
and terrifying in the moonlight.

Barney glanced up and down the valley, undecided but not knowing quite
what he was undecided about. He didn't feel like going back into the
cabin, and to just stand here was boring.

"Well," he said aloud, sardonically, "it's a nice night for a walk,
Brother Chard."

Well, why not? It was bright enough to see by now if he kept away from
the thickest growths of trees, and getting steadily brighter as the
big moon moved up behind the distant desert rim. He'd walk till he got
tired, then rest. By the time he got back to the cabin he'd be ready
to lie down and sleep off the curious mood that had taken hold of him.

Barney started off up the valley, stepping carefully and uncertainly
along the sloping, uneven ground.

       *       *       *       *       *

During the early weeks he had found a thick loose-leaf binder in the
back of one of the desk drawers. He thought it might have been left
there intentionally. Its heading was NOTES ON THE TERRESTRIAL
ECOLOGICAL BASE OF THE EIGHTEENTH SYSTEM, VOLUME III. After leafing
through them once, it had been a while before Barney could bring
himself to study the notes in more detail. He didn't, at that time,
want to know too much about the situation he was in. He was still
numbed by it.

But eventually he went over the binder carefully. The various reports
were unsigned, but appeared to have been compiled by at least four or
five persons--McAllen among them; his writing style was not difficult
to recognize. Leaving out much that was incomprehensible or nearly so,
Barney could still construe a fairly specific picture of the
association project of which he was now an unscheduled and unwilling
part. Selected plants and animals had been moved from Earth through
the McAllen Tube to a world consisting of sand, rock and water,
without detected traces of indigenous life in any form. At present the
Ecological Base was only in its ninth year, which meant that the
larger trees in the valley had been nearly full-grown when brought
here with the soil that was to nourish them. From any viewpoint, the
planting of an oasis of life on the barren world had been a gigantic
undertaking, but there were numerous indications that the McAllen Tube
was only one of the array of improbable devices the association had at
its disposal for such tasks. A few cryptic paragraphs expressed the
writer's satisfaction with the undetailed methods by which the Base's
localized climatic conditions were maintained.

So far even the equipment which kept the cabin in uninterrupted
operation had eluded Barney's search. It and the other required
machinery might be buried somewhere in the valley. Or it might, he
thought, have been set up just as easily some distance away, in the
desert or among the remotely towering mountain ranges. One thing he
had learned from the binder was that McAllen had told the truth in
saying no one could contact him from Earth before the full period of
his exile was over. The reason had seemed appalling enough in itself.
This world had moved to a point in its orbit where the radiance of its
distant sun was thickening between it and Earth, growing too intense
to be penetrated by the forces of the McAllen Tube. Another four years
would pass before the planet and the valley emerged gradually from
behind that barrier again.

       *       *       *       *       *

He walked, rested, walked again. Now and then he was troubled by a
burst of violent sweating, followed by shivering fits until his
clothes began to dry again. The big moon edged presently over the
ridge above him, and in the first flood of its light the opposite
slope of the valley took on the appearance of a fanciful sub-oceanic
reef. The activity of the animal life about Barney increased promptly.
It was no darker now than an evening hour on Earth, and his fellow
occupants of the Ecological Base seemed well-adjusted to the strange
shifts of day and night to which they had been consigned.

He pushed through a final thicket of shrubbery, and found himself at
the edge of the lake. Beyond the almost circular body of water, a
towering wall of cliffs sealed the upper end of the valley. He had
come almost a mile, and while a mile--a city mile, at least--wouldn't
have meant much to Barney Chard at one time, he felt quite exhausted
now. He sat down at the edge of the water, and, after a minute or two,
bent forward and drank from it. It had the same cold, clear flavor as
the water in the cabin.

The surface of the water was unquiet. Soft-flying large insects of
some kind were swarming about, stippling the nearby stretch of the
lake with their touch, and there were frequent swift swirls as fish
rose from beneath to take down the flyers. Presently one of them broke
clear into the air--a big fish, thick-bodied and shining, looking as
long as Barney's arm in the moonlight--and dropped back with a splash.
Barney grinned twistedly. The NOTES indicated Dr. McAllen had taken
some part in stocking the valley, and one could trust McAllen to see
to it that the presence of his beloved game fish wasn't overlooked
even in so outlandish a project.

He shifted position, became aware of the revolver in his pocket and
brought it out. A wave of dull anger surged slowly through him again.
What they did with trees and animals was their own business. But what
they had done to a human being....

He scrambled suddenly to his feet, drew his arm back, and sent the gun
flying far out over the lake. It spun through the moonlight, dipped,
struck the surface with less of a splash than the fish had made, and
was gone.

Now why, Barney asked himself in amazement, did I do that? He
considered it a moment, and then, for the first time in over a year,
felt a brief touch of something not far from elation.

He wasn't going to die here. No matter how politely the various
invitations to do himself in had been extended by McAllen or the
association, he was going to embarrass them by being alive and healthy
when they came back to the valley four years from now. They wouldn't
kill him then; they'd already shown they didn't have the guts to
commit murder directly. They would have to take him back to Earth.

And once he was there, it was going to be too bad for them. It didn't
matter how closely they watched him; in the end he would find or make
the opportunity to expose them, pull down the whole lousy, conceited
crew, see them buried under the shambles an outraged world would make
of the secret association....




THE END OF YEAR TWO


The end of Year Two on the Ecological Base in the Eighteenth System
arrived and went by without Barney's being immediately aware of the
fact. Some two hours later, he glanced at his wrist watch, pushed back
the chair, got up from the desk and went over to the big grandfather
clock to confirm his surmise.

"Well, well, Brother Chard," he said aloud. "Another anniversary ...
and three of them to go. We're almost at the halfway mark--"

He snapped the cover plate back over the multiple clock faces, and
turned away. Three more years on the Ecological Base was a gruesome
stretch of time when you thought of it as a whole....

Which was precisely why he rarely let himself think of it as a whole
nowadays.

This last year, at any rate, Barney conceded to himself, had to be
regarded as an improvement on the first. Well, he added irritably,
and what wouldn't be? It hadn't been delightful, he'd frequently felt
almost stupefied with boredom. But physically, at least, he was
fit--considerably fitter, as a matter of fact, than he'd ever been in
his life.

Not very surprising. When he got too restless to be able to settle
down to anything else, he was walking about the valley, moving along
at his best clip regardless of obstacles until he was ready to drop to
the ground wherever he was. Exertion ate up restlessness
eventually--for a while. Selecting another tree to chop into firewood
took the edge off the spasms of rage that tended to come up if he
started thinking too long about that association of jerks somewhere
beyond the sun. Brother Chard was putting on muscle all over. And
after convincing himself at last--after all, the animals weren't
getting hurt--that the glaring diamond of fire in the daytime sky
couldn't really be harmful, he had also rapidly put on a Palm Beach
tan. When his carefully rationed sleep periods eventually came around,
he was more than ready for them, and slept like a log.

Otherwise: projects. Projects to beat boredom, and never mind how much
sense they made in themselves. None of them did. But after the first
month or two he had so much going that there was no question any more
of not having something to do. Two hours allotted to work out on the
typewriter a critical evaluation of a chapter from one of McAllen's
abstruse technical texts. If Barney's mood was sufficiently sour, the
evaluation would be unprintable; but it wasn't being printed, and two
hours had been disposed of. A day and a half--Earth Standard Time--to
construct an operating dam across the stream. He was turning into an
experienced landscape architect; the swimming pool in the floor of the
valley beneath the cabin might not have been approved by Carstairs of
California, but it was the one project out of which he had even drawn
some realistic benefit.

Then:

Half an hour to improve his knife-throwing technique.

Fifteen minutes to get the blade of the kitchen knife straightened out
afterwards.

Two hours to design a box trap for the capture of one of the fat gray
squirrels that always hung about the cabin.

Fifty minutes on a new chess problem. Chess, Barney had discovered,
wasn't as hairy as it looked.

Five hours to devise one more completely foolproof method of bringing
about the eventual ruin of the association. That made no more
practical sense than anything else he was doing--and couldn't, until
he knew a great deal more about McAllen's friends than he did now.

But it was considerably more absorbing, say, than even chess.

Brother Chard could beat boredom. He could probably beat another three
years of boredom.

He hadn't forgiven anyone for making him do it.




THE END OF YEAR FIVE


For some hours, the association's Altiplano station had been dark and
almost deserted. Only the IMT transit lock beneath one of the
sprawling ranch houses showed in the vague light spreading out of the
big scanning plate in an upper wall section. The plate framed an
unimpressive section of the galaxy, a blurred scattering of stars
condensing toward the right, and, somewhat left of center, a large
misty red globe.

[Illustration: Gone Fishing]

John Emanuel Fredericks, seated by himself in one of the two Tube
operator chairs, ignored the plate. He was stooped slightly forwards,
peering absorbedly through the eyepieces of the operator scanner
before him.

Melvin Simms, Psychologist, strolled in presently through the transit
lock's door, stopped behind Fredericks, remarked mildly, "Good
evening, doctor."

Fredericks started and looked around. "Never heard you arrive, Mel.
Where's Ollie?"

"He and Spalding dropped in at Spalding's place in Vermont. They
should be along in a few minutes."

"Spalding?" Fredericks repeated inquiringly. "Our revered president
intends to observe the results of Ollie's experiment in person?"

"He'll represent the board here," Simms said. "Whereas I, as you may
have guessed, represent the outraged psychology department." He nodded
at the plate. "That the place?"

"That's it. ET Base Eighteen."

"Not very sharp in the Tube, is it?"

"No. Still plenty of interfering radiation. But it's thinned out
enough for contact. Reading 0.19, as of thirty minutes ago."
Fredericks indicated the chair beside him. "Sit down if you want a
better look."

"Thanks." The psychologist settled himself in the chair, leaned
forward and peered into the scanner. After a few seconds he remarked,
"Not the most hospitable-looking place--"

Fredericks grunted. "Any of the ecologists will tell you Eighteen's an
unspoiled beauty. No problems there--except the ones we bring along
ourselves."

Simms grinned faintly. "Well, we're good at doing that, aren't we?
Have you looked around for uh ... for McAllen's subject yet?"

"No. Felt Ollie should be present when we find out what's happened.
Incidentally, how did the meeting go?"

"You weren't tuned in?" Simms asked, surprised.

"No. Too busy setting things up for contact."

"Well"--Simms sat back in his chair--"I may say it was a regular bear
garden for a while, doctor. Psychology expressed itself as being
astounded, indignant, offended. In a word, they were hopping mad. I
kept out of it, though I admit I was startled when McAllen informed me
privately this morning of the five-year project he's been conducting
on the quiet. He was accused of crimes ranging ... oh, from the
clandestine to the inhumane. And, of course, Ollie was giving it back
as good as he got."

"Of course."

"His arguments," Simms went on, pursing his lips reflectively, "were
not without merit. That was recognized. Nobody enjoys the idea of
euthanasia as a security device. Many of us feel--I do--that it's
still preferable to the degree of brain-washing required to produce
significant alterations in a personality type of Chard's class."

"Ollie feels that, too," Fredericks said. "The upshot of the original
situation, as he saw it, was that Barney Chard had been a dead man
from the moment he got on the association's trail. Or a permanently
deformed personality."

Simms shook his head. "Not the last. We wouldn't have considered
attempting personality alteration in his case."

"Euthanasia then," Fredericks said. "Chard was too intelligent to be
thrown off the track, much too unscrupulous to be trusted under any
circumstances. So Ollie reported him dead."

       *       *       *       *       *

The psychologist was silent for some seconds. "The point might be
this," he said suddenly. "After my talk with McAllen this morning, I
ran an extrapolation on the personality pattern defined for Chard five
years ago on the basis of his background. Results indicate he went
insane and suicided within a year."

"How reliable are those results?" Fredericks inquired absently.

"No more so than any other indication in individual psychology. But
they present a reasonable probability ... and not a very pleasant
one."

Fredericks said, "Oliver wasn't unaware of that as a possible outcome.
One reason he selected Base Eighteen for the experiment was to make
sure he couldn't interfere with the process, once it had begun.

"His feeling, after talking with Chard for some hours, was that Chard
was an overcondensed man. That is Oliver's own term, you understand.
Chard obviously was intelligent, had a very strong survival drive. He
had selected a good personal survival line to follow--good but very
narrow. Actually, of course, he was a frightened man. He had been
running scared all his life. He couldn't stop."

Simms nodded.

"Base Eighteen stopped him. The things he'd been running from simply
no longer existed. Ollie believed Chard would go into a panic when he
realized it. The question was what he'd do then. Survival now had a
very different aspect. The only dangers threatening him were the ones
inherent in the rigid personality structure he had maintained
throughout his adult existence. Would he be intelligent enough to
understand that? And would his survival urge--with every alternative
absolutely barred to him for five years--be strong enough to overcome
those dangers?"

"And there," Simms said dryly, "we have two rather large questions."
He cleared his throat. "The fact remains, however, that Oliver B.
McAllen is a good practical psychologist--as he demonstrated at the
meeting."

"I expected Ollie would score on the motions," Fredericks said. "How
did that part of it come off?"

"Not too badly. The first motion was passed unanimously. A vote of
censure against Dr. McAllen."

Fredericks looked thoughtful. "His seventeenth--I believe?"

"Yes. The fact was mentioned. McAllen admitted he could do no less than
vote for this one himself. However, the next motion to receive a majority
was, in effect, a generalized agreement that men with such ... ah ...
highly specialized skills as Barney Chard's and with comparable
intelligence actually would be of great value as members of the
association, if it turned out that they could be sufficiently relieved of
their more flagrant antisocial tendencies. Considering the qualification,
the psychology department could hardly avoid backing that motion. The same
with the third one--in effect again that Psychology is to make an
unprejudiced study of the results of Dr. McAllen's experiment on Base
Eighteen, and report on the desirability of similar experiments when the
personality of future subjects appears to warrant them."

"Well," Fredericks said, after a pause, "as far as the association
goes, Ollie got what he wanted. As usual." He hesitated. "The other
matter--"

"We'll know that shortly." Simms turned his head to listen, added in a
lowered voice, "They're coming now."

       *       *       *       *       *

Dr. Stephen Spalding said to Simms and Fredericks: "Dr. McAllen agrees
with me that the man we shall be looking for on Base Eighteen may be
dead. If this is indicated, we'll attempt to find some evidence of his
death before normal ecological operations on Eighteen are resumed.

"Next, we may find him alive but no longer sane. Dr. Simms and I are
both equipped with drug-guns which will then be used to render him
insensible. The charge is sufficient to insure he will not wake up
again. In this circumstance, caution will be required since he was
left on the Base with a loaded gun.

"Third, he may be alive and technically sane, but openly or covertly
hostile to us." Spalding glanced briefly at each of the others, then
went on, "It is because of this particular possibility that our
contact group here has been very carefully selected. If such has been
the result of Dr. McAllen's experiment, it will be our disagreeable
duty to act as Chard's executioners. To add lifelong confinement or
further psychological manipulation to the five solitary years Chard
already has spent would be inexcusable.

"Dr. McAllen has told us he did not inform Chard of the actual reason
he was being marooned--"

"On the very good grounds," McAllen interrupted, "that if Chard had
been told at the outset what the purpose was, he would have preferred
killing himself to allowing the purpose to be achieved. Any other
human being was Chard's antagonist. It would have been impossible for
him to comply with another man's announced intentions."

Simms nodded. "I'll go along on that point, doctor."

Spalding resumed, "It might be a rather immaterial point by now. In
any event, Chard's information was that an important 'five-year-plan'
of the association made it necessary to restrict him for that length
of time. We shall observe him closely. If the indications are that he
would act against the association whenever he is given the
opportunity, our line will be that the five-year-plan has been
concluded, and that he is, therefore, now to be released and will
receive adequate compensation for his enforced seclusion. As soon as
he is asleep, he will, of course, receive euthanasia. But up to that
time, everything must be done to reassure him."

He paused again, concluded, "There is the final possibility that Dr.
McAllen's action has had the results he was attempting to bring
about.... Ollie, you might speak on that yourself."

McAllen shrugged. "I've already presented my views. Essentially, it's
a question of whether Barney Chard was capable of learning that he
could live without competing destructively with other human beings. If
he has grasped that, he should also be aware by now that Base Eighteen
is presently one of the most interesting spots in the known universe."

Simms asked: "Do you expect he'll be grateful for what has occurred?"

"We-e-ll," McAllen said judiciously, turning a little pale, "that, of
course, depends on whether he _is_ still alive and sane: But if he has
survived the five years, I do believe that he will not be dissatisfied
with what has happened to him. However"--he shrugged again--"let's get
ahead with it. Five years has been a long time to find out whether or
not I've murdered a man."

In the momentary silence that followed, he setted himself in the chair
Fredericks had vacated, and glanced over at Simms. "You stay seated,
Mel," he said. "You represent Psychology here. Use your chair scanner.
The plate's still showing no indications of clearing, John?"

"No," said Fredericks. "In another two hours we might have a good
picture there. Hardly before."

McAllen said, "We won't wait for it. Simms and I can determine through
the scanners approximately what has been going on." He was silent a
few seconds; then the blurred red globe in the plate expanded swiftly,
filled two thirds of the view space, checked for a moment, then grew
once more; finally stopped.

McAllen said irritably, "John, I'm afraid you'll have to take over. My
hands don't seem steady enough to handle this properly."

       *       *       *       *       *

A minute or two passed. The big plate grew increasingly indistinct,
all details lost in a muddy wash of orange-brown shades. Green
intruded suddenly; then McAllen muttered, "Picking up the cabin now."

There was a moment of silence, then Fredericks cleared his throat. "So
far so good, Oliver. We're looking into the cabin. Can't see your man
yet--but someone's living here. Eh, Simms?"

"Obviously," the psychologist acknowledged. He hesitated. "And at a
guess it's no maniac. The place is in reasonably good order."

"You say Chard isn't in the cabin?" Spalding demanded.

Fredericks said, "Not unless he's deliberately concealing himself. The
exit door is open. Hm-m-m. Well, the place isn't entirely deserted,
after all."

"What do you mean?" asked Spalding.

"Couple of squirrels sitting in the window," Simms explained.

"In the window? Inside the cabin?"

"Yes," said Fredericks. "Either they strayed in while he was gone, or
he's keeping them as pets. Now, should we start looking around outside
for Chard?"

"No," Spalding decided. "The Base is too big to attempt to cover at
pin-point focus. If he's living in the cabin and has simply gone out,
he'll return within a few hours at the most. We'll wait and see what
we can deduce from the way he behaves when he shows up." He turned to
McAllen. "Ollie," he said, "I think you might allow yourself to relax
just a little. This doesn't seem at all bad!"

McAllen grunted. "I don't know," he said. "You're overlooking one
thing."

"What's that?"

"I told Chard when to expect us. Unless he's smashed the clock, he
knows we're due today. If nothing's wrong--wouldn't he be waiting in
the cabin for us?"

Spalding hesitated. "That is a point. He seems to be hiding out. May
have prepared an ambush, for that matter. John--"

"Yes?" Fredericks said.

"Step the tubescope down as fine as it will go, and scan that cabin as
if you were vacuuming it. There may be some indication--"

"He's already doing that," Simms interrupted.

There was silence again for almost two minutes. Forefinger and thumb
of Fredericks' right hand moved with infinite care on a set of dials
on the side of the scanner; otherwise neither he nor Simms stirred.

"Oh-hoo-hoo-HAW!" Dr. John Fredericks cried suddenly. "Oh-hoo-hoo-HAW!
A message, Ollie! Your Mr. Chard has left you a ... hoo-hoo ...
message."

For a moment McAllen couldn't see clearly through the scanner.
Fredericks was still laughing; Simms was saying in a rapid voice,
"It's quite all right, doctor! Quite all right. Your man's sane, quite
sane. In fact you've made, one might guess, a one hundred per cent
convert to the McAllen approach to life. Can't you _see_ it?"

"No," gasped McAllen. He had a vague impression of the top of the desk
in the main room of the cabin, of something white--a white card--taped
to it, of blurred printing on the card. "Nothing's getting _that_ boy
unduly excited any more," Simms' voice went on beside him. "Not even
the prospect of seeing visitors from Earth for the first time in five
years. But he's letting you know it's perfectly all right to make
yourself at home in his cabin until he gets back. Here, let me--"

He reached past McAllen, adjusted the scanner. The printing on the
card swam suddenly into focus before McAllen's eyes.

The message was terse, self-explanatory, to the point:

                            GONE FISHING,

                                   Regards,

                                  _B. Chard._


THE END

       *       *       *       *       *






End of the Project Gutenberg EBook of Gone Fishing, by James H. Schmitz

*** END OF THIS PROJECT GUTENBERG EBOOK GONE FISHING ***

***** This file should be named 30140.txt or 30140.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/0/1/4/30140/

Produced by Sankar Viswanathan, Greg Weeks, and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.