Project Gutenberg's The Automobile Girls at Palm Beach, by Laura Dent Crane

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Automobile Girls at Palm Beach
       Proving Their Mettle Under Southern Skies

Author: Laura Dent Crane

Release Date: November 24, 2011 [EBook #38123]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK THE AUTOMOBILE GIRLS AT PALM BEACH ***




Produced by Roger Frank and the Online Distributed
Proofreading Team at http://www.pgdp.net






[Illustration: The Girls Sat On the Broad Piazza.]




THE AUTOMOBILE GIRLS AT PALM BEACH

OR

PROVING THEIR METTLE UNDER SOUTHERN SKIES

By

LAURA DENT CRANE

  Author of The Automobile Girls at Newport, The Automobile
  Girls in the Berkshires, The Automobile Girls Along the
  Hudson, The Automobile Girls at Chicago, etc.

Illustrated

PHILADELPHIA

HENRY ALTEMUS COMPANY




Copyright, 1913, by

Howard E. Altemius

PRINTED IN U. S. A.




CONTENTS

        I. The Land of Dreams                            7
       II. A West Indian Squall                         21
      III. The Fair Unknown                             32
       IV. The Compact                                  43
        V. The Daughter of Mrs. De Lancey Smythe        51
       VI. The Countess Sophia                          64
      VII. Tea in the Cocoanut Grove                    75
     VIII. The Warning                                  87
       IX. A Case of Mistaken Identity                  95
        X. The Secret Signals                          105
       XI. Wheels Within Wheels                        113
      XII. Maud Refuses to Be Rescued                  123
     XIII. A Surprise Party                            132
      XIV. The Plot Thickens                           147
       XV. Caught Napping                              154
      XVI. Welcome and Unwelcome Guests                166
     XVII. The Midnight Intruder                       179
    XVIII. The Water Fête                              189
      XIX. Red Dominos                                 200
       XX. Conclusion                                  204




The Automobile Girls at Palm Beach




CHAPTER I

THE LAND OF DREAMS


"I don't believe anything could be more lovely than this," exclaimed
Mollie Thurston, leaning back in a wicker chair on the piazza of one of
the largest hotels at Palm Beach.

"Right you are!" replied her friend, Ruth Stuart, as she gazed across
the still blue waters of Lake Worth dotted with pleasure boats. "I can't
decide whether I should like to ride in the automobile, or sail, or just
sit in the cocoanut grove and listen to the music. Life seems so easy
under a blue sky like this, and there are so many things to do that it
is hard to make a choice."

"What do people usually do at this hour?" Grace Carter asked. "A woman I
talked with on the train told me there was a programme of amusements for
every hour at Palm Beach."

"Well, my dear, you have only to gaze about you and see for yourself. It
is now high noon," answered Ruth, consulting her watch.

Grace glanced quickly about her. All along the broad piazza, and under
awnings on the lawn, a gay company of men, women and young people were
sipping delicious iced fruit drinks in tall, thin glasses.

"It is undoubtedly the witching hour for pineapple lemonades," said
Ruth. "And we must be in the fashion immediately. Papa," she called to
her father, who was immersed in the pages of a New York newspaper
several days old, "you are not doing your duty by us. We are getting
awfully thirsty."

Mr. Stuart, clad in white, and looking the picture of comfort, smiled
lazily over his paper at his daughter. "Order what you like, my dear. Am
I not always at the command of the 'Automobile Girls'? What do you wish,
little lady?" he asked, turning to Barbara Thurston, who had been lost
in a day-dream and had heard nothing of the conversation.

"I haven't any wish," responded Barbara. "I am too happy to be troubled
with wishes."

"Then suppose I wish for you, Bab?" suggested Ruth. "Go back to your own
sweet dreams. I'll wake you when the wish comes true."

Presently the four girls were sipping their fruit lemonades like the
rest of the world at Palm Beach. On the breeze the sound of music was
wafted to them from a morning concert in the distance.

"Where is Aunt Sallie?" Ruth suddenly asked, again interrupting her
father's reading. "This place has bewitched me so that I have forgotten
even my beloved aunt. This is the land of dreams, I do believe. We are
all spirits from some happy world."

"Here comes your spirit aunt," returned Mr. Stuart, smiling. "She has
evidently been spirited away by some other friendly spirits."

The girls laughed as they saw the substantial figure of Miss Sallie
Stuart strolling down the piazza. She was walking between two other
persons, one a tall, middle-aged man with dark hair slightly tinged with
gray, the other a young woman. They were all three talking animatedly.

"Girls, look!" exclaimed Ruth, in suppressed excitement. "Aunt Sallie is
with that Maud Warren. You remember we met her at Lenox, Bab, and she
tried to ride you down in the famous race. Delightful creature--to keep
away from." Ruth gave a contemptuous sniff, then added. "That nice
looking man must be her father."

"She looks as haughty as ever, and then some more," said Mollie
aggressively.

The girls giggled softly, then straightened their faces for the trio was
almost upon them, and it was not safe to indulge in further
conversation.

After seeing that his charges were supplied with lemonade, Mr. Stuart
had returned to his paper.

"Robert," broke in Miss Sallie's dignified voice, "this is Mr. Warren
and his daughter Miss Warren. They----"

But at the first word Mr. Stuart had risen and the two men were
enthusiastically shaking hands.

"Why, Warren," exclaimed Mr. Stuart, "I had no idea that you were in
this part of the world. The last time I saw you, you were ranching out
in Idaho."

"Quite true," replied Mr. Warren, smiling, "but that was ten years ago.
A great many things have happened since then." He sighed and looked out
over the blue lake. "Mrs. Warren died the next year," he said slowly.
"Maud and I are alone."

"I am deeply sorry to hear of your great loss," sympathized Mr. Stuart
and his fine face saddened. He too had known that loss.

Turning to Maud who had been exchanging rather distant greetings with
the four girls, he said pleasantly. "So this is Maud. She was a little
girl in short dresses when last I saw her. How these children do grow
up."

Maud smiled frigidly and for the fraction of a second allowed her hand
to touch that of Mr. Stuart. "One must grow up some time, you know," she
murmured.

"I should like to stay eighteen forever," exclaimed Ruth, with
enthusiasm.

"Would you indeed?" remarked Maud Warren, raising her eyebrows. "How
odd!"

There was a brief silence. The four girls stared straight ahead and
tried to control their desire to laugh. During their stay at Lenox the
year before the circumstances of which having been fully told in the
"Automobile Girls in the Berkshires," they had not been impressed with
Maud Warren, on account of her disagreeable and overbearing manner. But
the blasé air that she now affected, was in their candid eyes extremely
ridiculous, and her remark to Ruth had filled them all with unseemly
mirth.

Maud Warren, however, serenely unconscious of what was passing through
their minds, sank into a wicker chair, and deliberately turning her back
upon the "Automobile Girls," began a conversation with Miss Sallie.

The "Automobile Girls" dated their organization back to almost two years
before, when Barbara Thurston had bravely stopped a runaway team of
horses driven by Ruth Stuart, a rich western girl, summering in
Kingsbridge, the home town of the Thurstons.

A warm friendship had sprung up between Ruth Stuart, Barbara and Mollie
Thurston, that resulted in a journey to Newport in Ruth's red motor car,
familiarly known as Mr. A. Bubble. Grace Carter, a Kingsbridge girl, had
been asked to complete the quartette of adventurous damsels, while Miss
Sallie Stuart, Ruth's aunt had gone along as chaperon.

After a series of remarkable events their trip ended with the capture of
a society "cracksman," known to the police as the "Boy Raffles." The
"Automobile Girls" then returned to Kingsbridge, where several weeks
later, Mr. A. Bubble once more bore them away to the heart of the
Berkshires. There they spent a delightful month, in a little log cabin,
roughing it. In "The Automobile Girls in the Berkshires," the story of
the little Indian "ghost" that haunted "Lost Man's Trail," and who
afterwards turned out to be an Indian princess is charmingly related.

After a winter of hard study, the "Automobile Girls" were again
reunited, and in "The Automobile Girls Along the Hudson," their journey
through the beautiful Sleepy Hollow Country is narrated. The eventful
weeks spent in the ancestral home of Major Ten Eyck, an old friend of
Miss Sallie Stuart's, ending with their brave fight to save the
beautiful old house from destruction by forest fires, made the
"Automobile Girls" stand out as true heroines.

The best work since their initial adventure, however, had been done in
Chicago, and the record of it, set down in "The Automobile Girls at
Chicago," was not yet three months old. While on a holiday visit to
Ruth, at her Chicago home, they had been the guests of the Presbys,
relatives of the Stuarts, at their country place "Treasureholme." Owing
to imprudent speculation in wheat, both Mr. Stuart and Mr. Presby had
become heavily involved and were facing financial ruin. Through the
efforts of Barbara Thurston, aided by the other "Automobile Girls" the
rich treasure, buried by one of the ancestors, was discovered in time to
save the Presby estate.

Before leaving Chicago, Mr. Stuart had promised his daughter and her
friends a sojourn at Palm Beach during the month of March. Now the
"Automobile Girls" had actually arrived in the "Land of Flowers" eager
for any pleasure that sunny Florida might yield them.

The four young girls were unusually quiet as they sat idly looking out
over the water. Maud Warren's arrival had cast a chill over them.

It had been an enchanted land, Barbara reflected rather resentfully, now
the enchantment was broken.

Ruth sat covertly taking stock of Miss Warren's elaborate white lace
gown and wondering why young girls ever insisted on aping so called
"society" fashions. While Mollie and Grace speculated as to how long a
call the Warrens were going to make.

Maud, totally oblivious that she had been weighed in the balance by four
stern young judges, and found wanting, languidly conversed with Miss
Stuart, in her most grown-up manner.

"Have you met the De Lancey Smythes, Miss Stuart?" she drawled. "They
are too utterly charming. Mrs. De Lancey Smythe belongs to an old, old
Southern family. She is a widow, with one daughter, Marian, a most
delightful young woman. It was only through them that I was persuaded to
come here."

"Indeed," replied Miss Sallie. "We arrived yesterday. Therefore we have
met no one, as yet."

"Of course not," agreed Maud. "You really must meet them!"

"I should be pleased to meet any friends of yours, Miss Warren," replied
Miss Stuart courteously.

"By the way, Stuart," said Mr. Warren, "what do you say to a sail in my
launch, this afternoon? I should like to entertain some one besides the
De Lancey Smythes. They are too fine for me. I am just a plain blunt
man, and can't stand too many extra frills. Maud, see to it that you
don't invite them. I absolutely refuse to be bothered with them,
to-day."

Maud flushed hotly at her father's contemptuous allusion to the De
Lancey Smythes. But restraining her feelings she turned to Miss Stuart
with a forced attempt at graciousness.

"Won't you come for a sail? It will be awfully good of you."

"We should be delighted, I am sure," replied Mr. Stuart, looking gravely
at Maud. He then turned a compassionate gaze toward his friend, Mr.
Warren. "That is, I mean we shall go with you, provided my sister has
made no other plans."

"Are you sure your launch won't pitch, Mr. Warren?" inquired Miss
Stuart.

"I am perfectly certain, Miss Stuart," replied the millionaire. "The
lake is like a mill pond to-day. There is not a ripple on it."

While they had been making their plans for the afternoon, a man had been
leaning idly against the railing of the piazza. He now strolled quietly
away, without having appeared to notice any one of them, or to have
overheard any of their conversation.

But Barbara had observed him. She had an unquenchable curiosity
concerning faces. And this man appeared indefinably interesting.

Was it the foreign cut of his dark suit, conspicuous among the crowds of
white ones worn by most of the men at Palm Beach? Or was it his strong,
clean-shaven face with its rather heavy bull-dog jaw, its square chin,
and keen gray eyes, a little too narrow for Bab's taste? Bab did not
know, then. But she took in the man's whole expression, and the adverse
opinion she silently formed, at that time, she never had occasion to
change.

As the party was about to separate for luncheon two women appeared in a
nearby doorway and stood looking up and down the piazza.

"Oh, there are dear Marian and her mother!" cried Maud, hurrying over to
greet her friends.

"Dear Mrs. De Lancey Smythe," exclaimed Maud, with a defiant look toward
her father, "I do so want you to go out with us in our launch this
afternoon. Won't you let me introduce some new friends to you, who are
going to sail with us?"

Mr. Warren turned red. A look of disappointment, verging on anger crept
into his good-natured brown eyes as his daughter deliberately defied
him.

The De Lancey Smythes glanced toward the Stuart party, with bored
indifference.

Mrs. De Lancey Smythe made some low-voiced remark to Maud who nodded her
head slightly. Whereupon mother and daughter moved toward Miss Stuart
with an air of haughty condescension.

Mrs. De Lancey Smythe might have been anywhere from thirty-five to
forty-five. She was tall, well-proportioned and a decided brunette. At a
glance one would have decided her to be very handsome, but close
observers would have noted a hard expression about the eyes and mouth
that completely destroyed the effect of beauty. As for her daughter,
Marian, she was a small, slender insignificant young woman who seemed
entirely overshadowed by her mother's personality.

Both mother and daughter were dressed perhaps a shade too elaborately
for good taste, and there was something about them that immediately
aroused a sense of vague disapproval in the minds of the Stuart party.

"Maud is always so thoughtful of her friends," murmured Mrs. De Lancey
Smythe, turning to Miss Sallie with well simulated appreciation. "She
knows how fond we are of sailing."

Miss Sallie looked sharply at the speaker. The De Lancey Smythes were
evidently unaware of Mr. Warren's animosity toward them. She was about
to frame some polite excuse for not going on the launch, hoping to thus
nip in the bud the proposed sail, when suddenly meeting Mr. Warren's
eyes, she saw an expression of entreaty in them that made her hesitate.

"I hope you and your 'Automobile Girls' will not disappoint me," he said
pleadingly.

"Thank you," responded Miss Stuart. "We shall be pleased to go."

With a formal bow to Mrs. De Lancey Smythe and her daughter, Miss Sallie
marshaled her little force and left the piazza.

"Very charming people," remarked Mrs. De Lancey Smythe, to Maud Warren,
after they had disappeared. But there was an unpleasant light in her
eyes, and a certain tightening of her lips that showed resentment at the
manner of her reception by the Stuart party.

"We shall be obliged to play our cards very carefully," she warned
Marian, when in the privacy of their own apartment. "That Miss Stuart
seems already inclined to be hostile. As for those girls----"

"I think they're the nicest looking girls I've seen for a long time.
Ever so much nicer than Maud Warren," exclaimed Marian.

"Hold your tongue," commanded her mother angrily. "Don't let me hear any
more remarks of that kind, or you'll have cause to regret them."

Marian relapsed into sulky silence. She knew her mother only too well.
Nevertheless she made up her mind to try honestly to make a good
impression upon the first girls with whom she had ever wished to be
friends.

Mr. Stuart and Mr. Warren did not at once follow their respective
charges in to luncheon, but sat down on a wide settee in one corner of
the piazza for a long talk. One topic of conversation followed another,
until at last Mr. Warren lowered his voice and said:

"Stuart, I am going to ask a favor of you because I need your help more
than I can say. You see," he went on, his face flushing painfully with
embarrassment, "I have tried to give my daughter the proper sort of
care. I have certainly spared no money in the effort. But what can
money, alone, do for a motherless girl?" His voice choked a little.
"Perhaps I should have married again, if only on Maud's account. But I
tell you, Bob, I couldn't. My wife's memory is still too dear to me. No
other woman has ever interested me." He paused a moment, then looked
away, while Mr. Stuart patted his shoulder sympathetically.

"And now," went on poor Mr. Warren, shaking his head sadly, "my girl has
fallen in with a lot of society people who are doing her more harm than
good--for instance, these people you have just seen are among the
number. You wonder, perhaps, why I don't like the De Lancey Smythes. No
one can deny that they make a good appearance but there's something
about the mother that I distrust. She's not genuine, and although she
tries to conceal it she's not well-bred. Maud won't believe it, and
can't be made to see it. But I can. Now I believe, if she goes about
with your four nice, wholesome girls and a fine woman like Miss Stuart,
she'll open her eyes a trifle. And I want to ask you, old man, to stand
by me and help me out. Ask your girls to help me save my girl from her
own foolishness and the influence of just such people as these De Lancey
Smythes. Will you help me Stuart, for 'auld lang syne'?"

"Why of course I will, Tom," replied good-natured Mr. Stuart warmly,
grasping Mr. Warren's hand. "I'll tell my sister, Sallie, too. She'll
know just what to do with Maud."

"But you understand, Bob, we shall be obliged to go at this business
tactfully," protested poor Mr. Warren. "I am afraid my daughter is a
difficult proposition at times, poor child. But she'll come through all
right. She is only nineteen. There's a lot of time yet."

"Oh, Sallie will manage. Trust Maud to her, my friend. And now, let's go
in to luncheon," returned Mr. Stuart.

At luncheon, Mr. Stuart repeated his conversation with Mr. Warren to
Miss Sallie and the "Automobile Girls."

"I am afraid Maud will be exceedingly difficult to manage," Miss Sallie
demurred. "She is a law unto herself. As for those De Lancey Smythes, I
shall endeavor to find out something about their social position." Miss
Sallie looked about her with the air of a duchess. "But, since you have
given your promise to your friend, we will do what we can for Maud."

The girls also promised their aid. And so, for the time being, the
matter was settled.




CHAPTER II

A WEST INDIAN SQUALL


By half past two that afternoon Mr. Warren's launch with its party of
pleasure seekers was well under way.

The "Automobile Girls" had gathered in one end, and were
enthusiastically commenting on the beauty of the scenery. Miss Sallie
had been conscientiously trying to cultivate Maud Warren, and rather
than antagonize her in the beginning had exerted herself to be agreeable
to the De Lancey Smythes. Mrs. De Lancey Smythe, however, had other
views afoot than the cultivation of Miss Sallie, and had immediately
engaged in conversation with Mr. Stuart. Hardly had the launch put out
from shore, before she beckoned him to one side of the little deck, and
complacently kept him there until Ruth, far from pleased with this turn
of affairs, called to her father to join them. But Mrs. De Lancey Smythe
proved equal to the occasion, for rising gracefully, she calmly strolled
by Mr. Stuart's side to the end of the launch where the four girls were
seated. Here they were joined by Miss Sallie, who had been watching the
manoeuvres of the other woman with well-veiled contempt, and the
conversation became general.

"Do you know many people here, Mrs. Smythe?" asked Miss Sallie, turning
to the other woman.

"Only a few," replied Mrs. De Lancey Smythe indifferently. "Most of the
people I know have been abroad all winter. Many of my dearest friends
are among the peerage. Two people I know well, arrived to-day, however.
The young Count de Sonde and his friend, Monsieur Duval."

She pronounced the two names with a faultless accent that was not lost
upon the practised ears of Ruth, who had spoken French fluently since
she was a child and had had a French nursery governess for years.
Whatever were her shortcomings, Mrs. De Lancey Smythe could at least
speak French.

"A real count!" exclaimed Mollie. "How interesting!"

"Oh, we know lots of titled people," Marian interposed. "There were two
countesses and a marquis at our hotel in Newport last summer."

"Isn't all this lovely?" cried Barbara. She was not interested in counts
and titles. She was keenly alive to the beauty of the scenery about
them. "I can't decide which out-blues the other, the lake or the sky."

"But aren't there a great many clouds in the sky?" questioned Ruth. "See
how they have piled up over there? Do you suppose, by any chance, that
we shall have rain? We were told that it never rained down here. It
simply isn't tolerated."

The launch was now running far out from the shore, which was lined with
pretty villas, set here and there in the midst of cocoanut palms and
oleander trees. Following the boat's path of rippling waves came another
launch much smaller than Mr. Warren's. It was manned by two men who had
apparently not observed them. The men were deep in earnest conversation.

"Oh, Marian, there is the Count de Sonde with his friend!" exclaimed her
mother. "How fortunate that we should run across them, just now."

"Which one is the count?" asked Maud Warren. She had taken very little
interest in anything before. "I hope he is not the older man."

"No; he is the slender, dark-haired one," returned Mrs. Smythe. "He is
dressed in white."

In the meantime Mr. Stuart had changed his seat. He had come to Palm
Beach to enjoy his four "Automobile Girls." No fascinating widow should
swerve him from his original plans. Like most hard-working successful
men he loved a holiday like a schoolboy and resented deeply any
interference with his pleasure.

"Are my girls having a good time?" he queried, smiling into four
charming faces.

"Yes, indeed!" exclaimed four voices in chorus.

"We thought the scenery beautiful in the Berkshires and along the Hudson
river, Mr. Stuart. But this is the most beautiful of all!" cried Mollie,
clasping her small hands ecstatically.

"Do you suppose people ever really work here?" inquired Grace. "It is
like fairy land. Everything happens by magic."

"You are right, Grace. This is a land of pleasure," returned Mr. Stuart.
"The only people who work are the employés in the hotels and the
servants in the cottages."

"Palm Beach is dedicated to pleasure," explained Ruth, "because it was
by accident that it came to be here at all. So it can just as well be
spared for an earthly paradise."

"Why is Palm Beach an accident?" queried Mollie.

"Years ago this was just a wild, desolate coast," Ruth went on. "Even
now the wilderness is only a mile away. There was a wreck out there,
somewhere, on the other side of the peninsula," she pointed toward the
ocean. "A ship was loaded with cocoanuts, which were washed ashore. By
and by the cocoanuts sprouted and grew into tall palm trees. So this
barren shore was transformed into one of the most beautiful palm groves
in the world."

Mr. Stuart pinched his daughter's cheek. "You've been stealing a march
on us, Mistress Ruth," he said. "You have been reading a guide book."

Just then a shadow clouded the brilliant sunshine. The engineer of the
launch glanced up uneasily.

"You don't think it is going to rain, do you?" asked Mr. Warren.

"It would be a very unusual thing if it did, sir," replied the man,
without committing himself.

A fresh wind had come up, bearing with it the fragrance of many flowers.
It seemed to have blown over miles of lily beds and orange groves.
Barbara closed her eyes as she breathed in the warm, scented air. "How
easy to forget all responsibilities, in an enchanted place like this!"
she thought. "How easy just to drift along."

"Papa, do tell the man to turn back," said Maud in a voice that broke
unpleasantly into Bab's reflections. "It's getting a little chilly. And
besides, we must have tea this afternoon in the cocoanut grove."

"Very well, my dear," replied her father, turning to give his order to
the engineer.

The launch swung around. Immediately the whole party spied another boat
bobbing helplessly on the water. One of the men in it was leaning over
examining the machinery of the frail craft. The other one, in white,
stood at the side of the boat, scanning the water.

No other launches were in sight. The many pleasure boats which had
dotted the lake with flecks of white, only a few minutes before, had now
put in to shore. A black cloud had spread itself over the whole sky,
casting a dark and ominous shadow over the lake.

As all the world knows--at least the part of the world which lives on
pleasure waters--a strict etiquette prevails among these small boats.
One boat always helps another in distress.

The engineer of Mr. Warren's launch did not wait for orders. He turned
at once toward the drifting craft.

"Is your engine broken?" he asked, as the boats touched sides.

The young man in white was the Count de Sonde himself. He looked
decidedly relieved at the appearance of the rescuers. He removed his
Panama hat with a flourish and bowed low to the women. The other man
answered the boatman.

"We are quite helpless, you see," the count ejaculated, shrugging his
shoulders and raising his eyebrows at the same time. "My friend can do
nothing."

In the meantime the friend had arisen from the engine. He was examining
the boatload of people with guarded interest.

"How do you do, Count? How are you, Monsieur Duval?" called Mrs. De
Lancey Smythe.

It was not a time for conventional introductions. The boatman made a
line fast from the small craft to the larger one. He meant to tow the
smaller launch toward home.

But Mrs. De Lancey Smythe persisted. Mr. Warren and his friends must
meet the Count de Sonde and Monsieur Duval.

Suddenly the heavens were shaken by a terrific clap of thunder.

Mrs. Smythe gave a little scream. "I am always frightened during a
storm," she averred. "Mr. Stuart, would it be too much to ask you to
assist me into the cabin?"

Miss Sallie glanced rather contemptuously at the other woman, and
wondered if her fright were real. Mr. Stuart rose and courteously
assisted Mrs. De Lancey Smythe into the tiny cabin, just as a driving
sheet of rain bore down upon them.

The "Automobile Girls" crouched in the centre of the boat. Maud and
Marian followed Mrs. Smythe.

"Make for the nearest boathouse!" called Mr. Warren to his engineer. "We
can't get back to the hotel in such a storm as this."

The storm now burst in all its West Indian fury. The waters were churned
into foam. The wind whistled and roared. The two small boats tossed
about on the water like chips.

"We are just in time!" exclaimed Mr. Warren, as they at last reached the
boathouse. "In another five minutes I believe we should have been
swamped." He helped the women from the boat to the pier.

"What an escape!" gasped Mrs. Smythe. "Marian, my darling, are you all
right?"

"Perfectly, Mama," replied her daughter rather scornfully. It was plain
to the four "Automobile Girls" that Marian did not entirely approve of
her mother's display of fear, and the tone in which she had answered
told its own story.

The little company sought the shelter of the boathouse. The two
foreigners went with them. In one of the men, Bab recognized the
stranger she had noticed that morning on the hotel piazza. Mrs. De
Lancey Smythe introduced him as Monsieur Duval.

"We were very lucky to have met you, sir," Mr. Duval said to Mr. Stuart.
Bab noticed that he spoke very good English, with only a slight foreign
accent. "I am afraid our boat would have sunk if you had not come to our
rescue."

Mr. Stuart bowed politely, but coldly. He was wondering if his girls and
Miss Sallie would have bad colds from their wetting. They were standing
apart from the others, laughing at their plight.

The young Count de Sonde had joined Marian and her mother, as soon as he
entered the boathouse, but Maud was with them. It was upon Maud that the
count immediately bestowed his attention. He smiled upon her, until
Maud's foolish head began to flutter. Just think of capturing the
attentions of a real count so quickly! Mr. Warren saw his daughter's
delight and frowned slightly. Maud must not get any foolish ideas about
foreigners in her head. He would put an end to that nonsense. He was
about to stride over and take charge of affairs when a man servant in
plain livery appeared on the path near the boathouse door. He had come
from the pretty villa, which was only a hundred yards back from the
boathouse, set in a thick grove of palms. The man carried a large bundle
of wraps and umbrellas. He paused respectfully when he reached the steps
leading to the pavilion.

"My lady would be glad if you would seek shelter from the storm in her
house," he said in broken English to Mr. Warren.

It was great fun to scamper through the pouring rain to the pretty
villa. The foreign coats and capes kept everyone dry. Now that they were
on land Mr. Warren's boat party had begun to regard their adventure
somewhat lightly.

Once on the porch of the villa they were ushered into a large,
low-ceilinged room at one end of which a fire of pine knots was burning
brightly. The room was empty. The newcomers clustered about the blaze to
dry their soaked shoes.

The room held very little furniture. Yet it appeared to Bab as one of
the most beautiful rooms she had ever seen. A grand piano stood at one
end, and a few graceful wicker chairs were scattered about the
apartment. The room had an indescribable look of elegance. Was it the
bare highly polished floor, with only the Persian rug to break its
shining surface? Or was it the enormous bunch of daffodils in a cut
glass bowl on the table that lent the place its charm? Bab did not know.
On the mantelpiece between two tall brass candle-sticks stood a
beautiful marble bust. Barbara afterwards learned that it was known as
"The Head of an Unknown Lady."

A handsome leather writing-case lay open on the table. It displayed on
the inner side a large crest picked out in dull gold. The firelight
shone on the gold outlines and threw them into dull relief.

Bab saw the Frenchman, Monsieur Duval, walk over to this table. He
examined the crest intently for a moment, then turned away.

At this instant two women came in through the open door. The one, who
was quite old, supported herself with a gold-headed mahogany cane. The
other was young and very beautiful.

The older woman was rather terrifying in aspect. She had a hooked nose
and her bright, beady little eyes regarded the company with a look of
amused tolerance.

The younger woman came forward to meet her unknown guests without the
slightest embarrassment or affectation. The "Automobile Girls" held
their breath. Surely she was the most exquisite creature they had ever
beheld.




CHAPTER III

THE FAIR UNKNOWN


"I am afraid you must be very cold and wet," the young woman said, in a
clear sweet voice, with an accent that the girls had never heard before.
She was graceful with an elegance of manner that to imaginative Bab
seemed almost regal.

Mr. Stuart went forward. "It is most kind and hospitable of you to take
us in like this," he declared. "We would certainly have been very
uncomfortable if we had stayed in the boathouse for such a length of
time. We are deeply grateful to you."

"Do sit down," the young woman answered. "And won't you have some tea?
It may warm you." She pressed an electric bell in the wall. A man
servant appeared, and she gave him her orders in German.

The "Automobile Girls" clustered together in the window seat. Their
unknown hostess sank into a low chair near them. Miss Sallie and Mrs. De
Lancey Smythe were left to the mercy of the old lady with the beaked
nose. Maud and the count withdrew to one corner of the room, where they
chatted softly, the latter bent on displaying all his powers of
fascination.

"Are these your four daughters?" asked the young mistress of the villa,
turning to Mr. Stuart, after a friendly glance at the "Automobile
Girls."

"No," Mr. Stuart replied, laughing and shaking his head. "I am sorry to
say I can boast of only one daughter. The three other girls are her
friends. But they are all my girls. At least I call them my 'Automobile
Girls'!"

"Ah," replied the young woman apparently puzzled. "How is it that you
call them the 'Automobile Girls'? Do young girls run motor cars in your
country? Their independence is quite wonderful, I think."

"Ruth is our chauffeur," explained Bab, who was looking closely at the
beautiful face of her hostess. The latter's dark brown hair was arranged
in a braid and wound about her head like a coronet but it broke into
little soft curls around her face. She had a small straight nose and the
curve of her red lips was perfect. The coutour of her face was oval and
her large dark eyes were touched with an undefinable sadness. She was
tall and slender, and she wore a plain, white woolen frock that
emphasized the lines of her graceful figure. The simplicity of her
costume was not marred by a single ornament. Even her long, slender
fingers were bare of rings.

She turned to pretty Mollie, taking one of her small hands in her own
cool fingers. "Do these little hands also run a motor car?" the hostess
asked.

Mollie looked long into the beautiful face. Somehow its hidden sadness
touched her. Mollie's blue eyes filled with tears. She felt strangely
timid.

"Why, you must not be afraid of me, dear one," said the young woman. She
gazed into Mollie's blue eyes appealingly, and softly pressed her hand.
"I'm a girl like yourself, only I am much older. But I love younger
girls very dearly. You must let me be your friend." To the amazement of
the other girls this exquisite stranger bent over and kissed Mollie on
the lips.

"I should be very happy to have you for my friend," returned Mollie, a
smile quivering through her tears. "And I wasn't the least bit
frightened. I think perhaps it was the storm that made me so silly. Bab
sometimes calls me a cry baby."

"Which one of you is Bab? And what a pretty name that is!" exclaimed the
young hostess.

Barbara stepped forward with a friendly smile. Mr. Stuart then presented
Grace and Ruth.

But still their new friend did not reveal her identity.

She was a foreigner. There was no doubt of that. She had spoken in
German to her servant. Perhaps she was German? She confessed that this
was her first visit to America. The climate of New York had driven her
south. Yet she did not mention her name or her country.

Presently the man servant returned to the room carrying a tea service.
He was followed by a comely German maid, who carried a tray laden with
buttered toast and a large dish of German cookies.

The man lit the candles and a lamp covered with a yellow shade.

A soft, mellow glow pervaded the beautiful room. There was a pleasant
silence and all eyes were turned to their lovely young hostess, whose
slender white hands busied themselves with the tea things.

"A friendly cup of tea on a day like this, makes the whole world kin,"
she said, smiling brightly at her guests. "It banishes sad thoughts and
one grows cheerful, even though the weather behaves itself so badly."

"We have a proverb," laughed Ruth, "that says 'it's an ill wind that
blows no one good.' We should really thank the weather for misbehaving."

"Ah, that is broad flattery," cried their hostess with a silvery laugh.
"But oh so charming."

"Do you not find it dull staying at an out-of-the-way place like this?"
broke in Mrs. De Lancey Smythe, looking about her with a patronizing
air. "I am quite sure I have never seen you at the Beach."

The "Automobile Girls" exchanged lightning glances. Mrs. Smythe's abrupt
remark jarred upon them, and simultaneously it occurred to them that she
was distinctly underbred.

Marian's face flushed, and she bit her lip. "I think this quiet place
must be enchanting," she said almost defiantly. "I hate hotels."

"Really, Marian," said her mother coldly. "Your opinion has not been
solicited."

"They're going to quarrel," thought Barbara. "How disagreeable that
woman is. She is so snippy, and calculating and deceitful. I rather like
Marian, though."

But their hostess averted any domestic altercation by saying sweetly. "I
am indeed a stranger, here, but I came for rest and quiet, therefore I
have little desire to frequent the Beach or its hotels."

"Quite true," responded Mrs. De Lancey Smythe, and hastily turning her
attention to the imposing looking old woman with the gold headed cane
she said, "You are German, I presume."

"Why German?" replied the old lady, observing her questioner with a
dangerous glitter in her small black eyes.

Mrs. De Lancey Smythe showed signs of confusion.

"I thought you were Germans because you spoke German to your servant,"
she said, trying to look haughty and thus carry off what promised to be
an unpleasant situation.

"Ah, yes," returned her antagonist. "But does it follow that one is of
the same country as one's servants? We have also employed both French
and English maids."

Mrs. De Lancey Smythe did not deem it wise to continue the conversation.
She therefore turned her attention to Mr. Duval who had been listening
to the conversation with a curious smile on his clever face.

Miss Sallie was delighted with the strange old woman. Her abruptness was
amusing. Miss Stuart began discussing a number of current topics with
her in an impersonal, well-bred manner, neither woman showing the
slightest curiosity about the other's personal affairs.

"Count de Sonde!" called Mrs. De Lancey Smythe suddenly.

There was an immediate lull in the conversation.

The young mistress of the villa stared at the "Automobile Girls." Her
face turned pale. She leaned back in her chair. "Count de Sonde!" she
whispered to herself.

Mollie was at her new friend's side in an instant. "I am afraid you are
ill," she suggested. "Can I do anything for you?"

"No, no, dear child," replied the other. "It was only a momentary
faintness. But did I not hear some one call the Count de Sonde? Is he
here?"

"Oh, yes," returned Mollie politely. "He is that young man in white, who
is now talking with Mrs. De Lancey Smythe."

Her hostess turned quickly. She looked a long time at the young count.
"Who is the other man near him?" she next asked.

Mollie was again her informant. "He is a Mr. Duval," she explained. "He
and the Count de Sonde are at the same hotel together."

At this moment, Maud Warren, who had noted her father's displeased look,
decided to join the "Automobile Girls," who were grouped around their
hostess.

"Do you know," she said with an air of triumph, "the Count de Sonde has
invited Papa and me and the De Lancey Smythes to visit him at his
chateau in France next summer?"

The tea-cup of their hostess crashed to the floor. It broke into small
pieces.

"Don't trouble to pick up the pieces," she protested to Mr. Stuart.
"Johann will do it. I am very careless. So you expect to visit France
next summer?" she continued, turning her attention to Maud.

"Yes, Papa and I shall go," Maud replied. "It would be quite novel to
visit a chateau."

"Delightful. But where is the chateau of the De Sonde family?" inquired
the other young woman.

Maud hesitated. "I am not sure that I know," she replied. "I believe the
count said it was in Brittany. The count's family is one of the oldest
in France."

"I have not yet had the pleasure of meeting the count," suggested Maud's
hostess. "Perhaps you will present him to me."

In a few moments the young count was leaning gracefully against the
mantelpiece. He was talking with the beautiful stranger, whose name was
still withheld from her visitors. A little later Monsieur Duval joined
them.

"Oh, yes, I hasten to assure you, it is quite, quite old," the count
explained. He was talking of his family in Brittany.

"How far back does your family go?" went on his unknown questioner.

The count cleared his throat and choked over his fresh cup of tea.

"My friend's family goes back to the eleventh century," answered Duval
quietly. The count was still coughing violently.

"And you are the last of your line?" continued his hostess. She was
addressing the count. "It is a pity for such an illustrious race to die
out. I suppose you will marry?"

She looked at the young man with such grave sweetness that he smiled
uneasily and shifted his gaze.

"I hope to marry some day, Mademoiselle," he mumbled.

"You have some very old families in Germany also, have you not?"
inquired Monsieur Duval, looking searchingly at the young woman.

Did she pause a moment before she answered? Bab and Ruth both thought
so.

"In what European country are there not old families, Monsieur?" she
replied courteously. "In Italy the old families trace their lineage to
the gods of mythology. But I am interested in a young country like this
America."

"Then you should go to Chicago, if you wish to see a really American
city," cried Ruth. "Of course, Aunt Sallie and Father and I think our
Chicago is greater than New York, because it is our home."

"De Lancey Hall, in Virginia, is my family home," drawled Mrs. De Lancey
Smythe, with a little insolent air of pride. "The De Lanceys were a
titled French family before they came to this country."

"How very interesting!" exclaimed the youthful hostess, in an enigmatic
tone. "Do people drop their titles in this great free country of yours?
It is much better, I think. Titles mean but little anywhere." She ended
her words with a little, serious frown.

"The best heritage that I can lay claim to is that of being an
American," exclaimed Ruth, with enthusiasm. "America for the Americans!
Three cheers for the red, white and blue!"

"You are a true patriot. Is it not so?" laughed the hostess, patting
Ruth's shoulder. "Your great free country is so wonderful. Its liberty
is boundless." She sighed, and for a moment seemed wrapped in thought.
Then turning to Mr. Stuart and Mr. Warren asked if they would have more
tea.

"No thank you," replied Mr. Stuart. "In fact I believe we had better
begin to think about getting back to our hotel. The rain has stopped,
and we need trespass upon your hospitality no further."

"It has been a pleasure to meet you and your 'Automobile Girls,'" the
young woman replied. Then she added very softly so that Mr. Stuart and
Mollie who stood with her hand clasped in that of the stranger, alone,
heard: "Won't you bring them to see me in the near future?"

"Oh how lovely!" breathed Mollie.

"We shall be very happy, indeed to come," Mr. Stuart replied.

"I thank you for your charming hospitality, Mademoiselle," broke in the
suave tones of Mr. Duval, who with the count at his heels had stepped
unnoticed to the young woman's side. "Am I presumptuous in venturing to
ask if it is your pleasure that we should know to whom we are indebted?"

"Ah to be sure. I have been what you call, very stupid," laughed the
unknown. "Pray pardon me." Gliding over to the side of the stern old
woman, she took her hand. "Permit me to present my very dear friend,
Madame de Villiers. I am the Countess Sophia von Stolberg."




CHAPTER IV

THE COMPACT


"Girls!" exclaimed Ruth, who lay curled up on the foot of her bed in a
pale blue silk kimono. "I feel like offering a libation to the Storm
King to-night for sending us that squall."

"Why?" inquired Grace, who was not gifted with an Oriental imagination.

"Because, if there had been no storm, there would have been no Countess
Sophia," replied her friend.

"She is hard to understand, but she is so beautiful, so gentle and so
noble," observed Barbara.

"And she kissed me!" cried Mollie.

"As, yes, Mollie darling, she had a fearful crush on you," laughed Ruth.
"We are already green with jealousy. It's those golden baby curls of
yours that do the business, I suppose. First, it was the lovely Mrs.
Cartwright you won from us at Newport. Now your cerulean eyes have
hypnotized the Countess Sophia. What shall we do to her, girls?"

"Destroy her beauty!" cried Barbara. "Cut off her curls and give her two
black eyes."

The three girls pounced on Mollie. There was a real tom-boy romp which
ended in a burst of joyous laughter. For Miss Sallie's familiar rap-tap
was heard on the door. Her voice was raised in mild protest:

"Children, remember that this is a hotel."

The girls subsided.

"Do you suppose it would be good form to call on the countess to-morrow,
when we met her only this afternoon?" asked Ruth, as soon as she had
regained her breath.

"It would be rather rushing things," answered Barbara.

"If you will be good, and promise not to lay violent hands on me again,
I will tell you something," Mollie volunteered.

"We promise," cried three voices in unison.

"The countess is going to ask us to luncheon to-morrow. She whispered it
to me just before we left her villa this afternoon."

"Oh, joy!" exclaimed Ruth. "Do you mean that she intends to invite the
entire party--the De Lancey Smythes and all that aggregation?"

"No," Mollie declared, answering Ruth's previous question. "The countess
intends to invite only Miss Sallie, Mr. Stuart and the 'Automobile
Girls.'"

"But what are we to do about Maud Warren?" queried Ruth. "Father has
promised Mr. Warren we would help him out with Maud. Here we are already
trying to shake her off. If we are going to see a great deal of the
countess, how shall we manage? I am sure the stern old dowager would
never endure Maud's grown up manner for a moment. And Maud won't give up
those De Lancey Smythes."

"I think it would be a good idea to take the Countess Sophia into our
confidence, if we have an opportunity," suggested Barbara. "It would not
be a betrayal of trust. Because what we wish to accomplish is to
persuade Maud Warren to see the difference between really well-bred
people like the countess and those who pretend to be. I think the
Smythes are pretenders, the mother at least. She seems to be continually
on the alert. I watched her yesterday, and that high and mighty air that
she assumes is a cloak to hide her real character. It seems to me that
she and that Duval man have some sort of secret understanding. I
think----" Barbara paused.

"Well, Sherlock, what do you think?" queried Ruth impertinently. "And
when you unearth her family skeleton may I go along and play Doctor
Watson?"

"How ridiculous you are, Ruth," returned Barbara, laughing. "I suppose I
deserve to be teased. I'm always suspecting people's motives. But really
I do believe that that Mrs. Smythe has a hurtful influence over Maud.
Mr. Warren doesn't like to have Maud with her, either. You heard the way
he spoke this morning."

"Yes," exclaimed Ruth. "We also heard Miss Maud defy him. She is
dreadfully spoiled, and we shall be obliged to handle her very
carefully. If she even suspects we are trying to reform her, she will
shun our beneficial society as she would the plague."

"I believe I could bear that misfortune," sighed Mollie.

But Barbara was serious. "I am truly sorry for Maud Warren," she
declared. "I think she is just like a blind person. She can't see
anything that is good and true. She thinks of nothing but money, titles
and sham society. I don't see how we can do her any good."

"Well, her father thinks we can," Grace added. "He told me on our way
back from the launch party, that he hoped we would be friends with Maud,
for she needed the companionship of sensible girls. He said that he
hoped she would take more interest in outdoor sports, and drop some of
the newfangled society ideas she has adopted."

"I'll tell you a secret," said Barbara slowly. "I think that Maud was
impressed with the Count de Sonde, or rather his title."

"And the count seemed to be equally impressed with Maud," interposed
Ruth. "I believe he is one of those foreigners with no money, and plenty
of title that one reads about in the Sunday papers."

"Some of them don't have even the title," said Mollie with a worldly air
that contrasted oddly with her baby face. "They are just waiters who
pretend that they are real counts."

"Hear, hear," cried Ruth, "Mollie the worldly wise is holding forth!"

"Well, you needn't make fun of me, Ruth," said Mollie stoutly. "It's all
true. I read about one last week who married a rich American girl. She
fell in love with his title. After she had married him she found out
that his name was Jean, something or other, that he had been a waiter,
and was wanted by the police for forgery. Just think girls how
dreadfully she must have felt!"

"I should say so," averred Grace, who always championed Mollie's cause.

"What's your opinion of the Count de Sonde, Barbara?" asked Ruth.

"He didn't impress me favorably," replied Bab. "He's too artificial, and
too conceited. He reminds me of a comic opera Frenchman. He looks as
though he were ready to run about on his toes and shrug his shoulders at
the slightest pretext."

"That exactly describes him," Ruth agreed. "I imagine him trilling a
silly French song:

  "'Bonjour, mesdames! bonjour, messieurs!
  Je suis le Comte de Sonde!'"

Ruth bowed low, first to Mollie and then to Grace. She shrugged her
dainty shoulders in a perfect imitation of the count.

"But what about Monsieur Duval?" queried Mollie.

"He's the backbone of the little count," said Barbara. "He's the brains
and strength of the company. If there is any little game to be played at
Palm Beach--look out for Mr. Duval!"

"But do you suppose they really have a game to play?" persisted Ruth.

Bab shook her head. "I don't know. I suppose I am only joking," she
answered. "But did you notice how often Mr. Duval came to the count's
rescue? He helped him out of a number of tight places. Of course it is
ridiculous to suppose those men have any scheme afoot. They are
certainly not thieves, like Harry Townsend at Newport. I wonder what
they are after?"

"Oh, nothing, Bab. You are too mysterious," protested Mollie. "I thought
we were talking about Maud Warren and how we could best make friends
with her."

"Girls, let's enter into a solemn compact," Ruth suggested, lowering her
voice to a whisper in order to persuade the other girls to listen.

"What kind of compact, child?" Bab demanded.

"A compact to do our best for Maud Warren," said conscientious Ruth. "I
tell you, girls, it won't be easy, for Maud isn't our kind. And you know
how we like to keep together and don't care much for any outside girl. I
know we shall have to make a good many sacrifices. But Maud must not run
around with the Smythes and that little French count all the time. Let's
make a compact to do our best for Maud. Come, join hands."

The four girls clasped hands. They could not foresee into what
difficulties this compact would lead them.

Tap! tap! Miss Sallie knocked again at the door.

"Go to bed at once; it is very late," she ordered.

Ruth dreamed that night that the four girls were sitting in a circle
with the Countess Sophia von Stolberg. They had hold of one another's
hands. They were repeating their vow about Maud. Suddenly they were
interrupted. Monsieur Duval appeared in their midst. The Countess Sophia
saw the Frenchman. She gave a cry of terror and fainted.

Ruth awakened with a start. The night was still. The moon shone brightly
through the open windows and the air was filled with the perfume of
magnolia blossoms.

"I wonder what the Countess Sophia's history is?" thought Ruth sleepily,
as she dropped into slumber once more.

At her villa, looking across the moonlit lake, the beautiful young
countess was at that moment writing a letter. It was a long letter,
penned in close fine handwriting. When she had finished she slipped the
letter into an envelope, which she addressed carefully to "M. Le Comte
Frederic de Sonde."




CHAPTER V

THE DAUGHTER OF MRS. DE LANCEY SMYTHE


Breakfast was hardly over next morning before a note on thin foreign
paper was handed to Miss Sallie Stuart. She read it aloud: it asked for
the pleasure of their company at luncheon. It was signed "Sophia von
Stolberg." The messenger would wait for the answer. Mr. Stuart was
included in the invitation.

"There's only one answer to that note," laughed Mr. Stuart, scanning the
four eager faces of the "Automobile Girls." "Shall I translate your
expressions into a single word? It is 'yes,' my hearties."

"Did you think they would fail to accept?" teased Miss Sallie. "Look at
the foolish young things! They have all fallen in love with the countess
at first sight, and can hardly wait for one o'clock to arrive. But I
will send our acceptance at once, so as not to keep the man waiting."
Miss Stuart hurried off to the writing room of the hotel.

So the girls were alone when they were joined on the piazza by Mrs. De
Lancey Smythe and Marian.

"Good morning, my dears," said Mrs. De Lancey Smythe, with an attempt at
affability. "Isn't it delightful after the storm?"

"Very," answered Ruth, rather shortly.

"Have you seen dear Maud and her father this morning?" pursued Mrs.
Smythe, ignoring Ruth's lack of cordiality.

"No," replied Ruth. "Have you?"

"I saw them a few minutes ago, and they were engaged in a family
discussion," replied the older woman. "Such discussions are most
disagreeable to me. Marian and I never have them. For some stupid
reason, Mr. Warren is opposed to his daughter's receiving attentions
from the Count de Sonde. I have assured him that I know the count well.
He belongs to an old and illustrious family. But tell me, what is your
opinion of the Countess Sophia von Stolberg? Do you think she is an
impostor?"

"An impostor!" exclaimed Ruth indignantly. "I think she is simply
perfect. I never met any one in my life who impressed me so much."

"Beware, my dear, that your feelings do not run away with you," warned
Mrs. De Lancey Smythe with asperity. "I have heard rumors, since I saw
you last night. There are suspicious circumstances connected with this
countess. She may very possibly be an impostor."

"Who told you such a dreadful falsehood?" demanded Ruth. She was almost
choking with anger. But Barbara had joined her. Bab's firm fingers on
Ruth's arm warned her to be careful.

"The man who told me is in a position to know the truth. He is a clever
man of the world, a foreigner himself," replied Mrs. Smythe
triumphantly.

"I am afraid I cannot credit his story," replied Ruth, with more
composure. "I cannot forget that we accepted the countess's hospitality
yesterday and we are to have the pleasure of accepting more of it
to-day. My father and Aunt Sallie, and we four girls, are to have
luncheon with the Countess von Stolberg and Madame de Villiers."

Ruth drew Barbara's arm through hers. They moved away from Mrs. De
Lancey Smythe.

But Mrs. De Lancey Smythe had said her say and left a sting, and she
smiled maliciously as the two girls walked away.

"I can't endure that woman, Barbara," exclaimed Ruth. "I'll lose my head
completely if she attacks our beautiful countess again."

"She is too disagreeable to notice," answered Bab vehemently. "Here
comes Maud Warren. Shall we ask her to take a walk with us along the
Beach?"

"I suppose so," assented Ruth, whose enthusiasm had somewhat cooled over
night. "I don't want her. But we ought to be polite."

The two girls greeted Maud Warren cordially. There was a discontented
line across that young woman's brow, and an angry look in her pale blue
eyes.

"I am looking for the count," she declared defiantly.

The girls instinctively knew that Maud was disobeying her father. Mr.
Warren had just finished lecturing Maud and had commanded that she cut
the count's acquaintance.

"I saw the count a few minutes ago. He was starting off with his friend
for a walk," explained Bab gently. "Won't you take a stroll on the beach
with us, Maud? It is such a perfect morning."

"Oh, do come, Maud," begged Ruth, with a charming, cordial smile. Ruth's
sweet nature was again asserting itself.

"Yes, do," cried Mollie and Grace, who had just joined the little group
of girls.

Maud's face softened. "You are awfully nice," she said. Maud was a
little taken aback by so much friendliness. She had been spoiled all her
life, and had never had real friends among young girls. People had
thought her disagreeable and overbearing, and she had held herself
aloof, displaying a degree of hauteur that admitted of no friendship.

"Let's get our hats and go immediately. It will soon be time to go in
bathing," suggested Bab. Barbara never missed a swim if she could help
it.

"All right, old water dog," Ruth agreed. "Meet us on the piazza looking
toward the ocean, Maud. We will be back in ten minutes."

The girls were back on the piazza at the appointed time. Maud was there.
But with her were Marian De Lancey Smythe, and the Count de Sonde.

"What a nuisance!" exclaimed Ruth under her breath. But there was
nothing to be done; therefore the girls decided to accept this undesired
addition to their number with the best possible grace.

The entire party started down the avenue of palms toward the ocean.

The "Automobile Girls" were thrilled with the beauty of the great
stretch of blue water. Marian De Lancey Smythe, too, had a soul stirring
within her. It had been choked by the false principles and ostentations
that her mother had taught her. But Marian was not a stupid girl. Her
wits had been sharpened by years of managing and deceit. She had the
sense to see the difference between herself and the four sweet,
unaffected "Automobile Girls," and she knew the difference was in their
favor.

Under her fashionable exterior a really simple heart beat in Marian's
bosom, and she was filled with a wild desire to shake off her mother's
despotic rule, and for once let her real self come to the surface. As
she strolled moodily along beside Barbara she reflected bitterly that
while others had been given all, she had received nothing.

She contrasted the hand to mouth existence that she and her mother led
with the full, cheerful life of the "Automobile Girls," and a wave of
shame swept over her at the deceptions and subterfuges that were second
nature to her mother, which she felt reasonably certain that no really
honest person would practise. Her life was a sham and a mockery, and
behind it was the ever present fear that her mother would some day
overstep all bounds, and do something to bring the crushing weight of
the law down upon them. There were so many things that Marian did not
understand. Her mother never said more about her affairs than was
absolutely necessary. She only knew that they were always poor, always
struggling to appear to be that which they were not. She had been
commanded to dissemble, to lie, to do without a murmur, whatever her
mother asked of her, and her better self sometimes rose in a revolt
against her mother, that was almost hatred.

As she walked gloomily along wrapped in her own bitter reflections, she
sighed deeply. Bab who was walking with her glanced quickly at Marian,
then with one of her swift impulses, she put out her hand and clasped
that of the other girl.

"Are you unhappy, Marian?" she asked.

"No," replied Marian. But her emotions got the better of her and she
choked back her sobs with an angry gulp. Then feeling the pressure of
Bab's sympathetic hand she said brokenly, "I mean, yes. At least, I
don't know exactly what is the matter with me. I think I am
homesick--homesick for the things I have never had, and never expect to
have."

"I'm sorry," said Bab, still holding Marian's hand, yet looking away, so
she should not see Marian's rebellious tears. "But why do you think you
won't have the things you want? If you keep on wishing for a thing the
wish is sure to come true some day."

Marian's set face softened at these words. "Do you really think that?"
she asked. "Do you suppose that things will ever be any different for
me? Oh, if you only knew how I hate all this miserable pretense."

"Why, Marian!" exclaimed Bab. "What is the matter? I had no idea you
were so unhappy."

"Of course you hadn't," replied Marian. "Because I never dare let any
one know my real feelings. I never have hated my life as I do since I
have known you girls. You are just girls. That's the beauty of it, and
you have folks who love you and want you to stay girls and not ape grown
up people all the time. I'd like to wear my hair in one braid, and run
and romp and have a good time generally. Look at me. I look as though I
were twenty-two at least, and I'm only seventeen. I have to wear my hair
on top of my head and pretend to be something remarkable when I want to
be just a plain every day girl. It's intolerable. I won't stand it any
longer. I don't see why I was ever born."

"Poor Marian," soothed Bab. "Don't feel so badly. It will all come right
some day. Let me be your friend. I believe I understand just how you
feel. Perhaps your mother may----"

"Don't speak of my mother!" ejaculated the girl passionately. "Sometimes
I hate her. Do you know, Barbara, I often wonder if she is really my
mother. Away back in my mind there is the memory of another face. I
don't know whether I have only dreamed it, or where it came from, but I
like to think of that sweet face as belonging to my mother."

Bab looked at Marian in a rather startled way. What a strange girl she
was, to be sure. Suppose Mrs. De Lancey Smythe were not her mother.
Suppose that Marian had been stolen when a baby. Bab's active brain
immediately began to spin a web of circumstances about Marian Smythe.

"Marian," she began. But she never finished for just then a piercing cry
rang out.

Nursemaids with children began running along the sands. Another nurse
had run out into the water. She was wildly waving her arms and pointing
to a small object well out on the waves. Barbara saw it for just an
instant. Then it disappeared. She and Marian both recognized what it
was. A child's curly head had risen to the surface of the water, and
then had sunk out of sight.

Quick as a flash Barbara kicked off her white canvas pumps and threw hat
and linen coat on the ground.

Extending her hands before her, she ran out into the water. Marian ran
blindly after her. The Count de Sonde was the only man near that part of
the beach. He was behaving in a most remarkable manner. Entirely
forgetful of the blood of scores of noble ancestors that ran in his
veins, he had taken to his heels and his small figure was seen flying up
the beach away from the water.

However, Bab was not thinking of aid. She made straight for the little
head, which rose for the second time above the waves.

When Barbara reached the spot where she had last seen the child's head
she dived beneath the surface of the water.

Marian thought that Barbara, too, had lost her life. She began wringing
her hands and calling for help. In her excitement she had waded to her
neck in the water and was clinging to the life rope. She did not know
how to swim, but she had a wild idea that she ought to follow in
Barbara's lead, and now she clung to the rope and anxiously watched
Barbara's movements. Bab in the meantime, had dived into deep water and
was groping blindly for the little figure. At last she seized the child
by the arm and with lungs bursting rose to the top of the water, when
suddenly she was struck a fearful and unlooked for blow. She had not
reckoned with the life line and with the little fellow in her arms had
come in violent contact with it. She reeled and would have gone under
but a hand grasped her firmly by the arm and pulled her from under the
treacherous rope. She had just sense enough to hand the child over to
Marian Smythe and seize the rope herself. Then she filled her exhausted
lungs with the fresh air.

On the shore Grace and Mollie were running up and down the sands
imploring some one to save Bab. Ruth wished to rush out into the water.
But she knew she could not reach the two exhausted girls.

As for the Count de Sonde, he was nowhere to be seen, while Maud Warren
stood on the shore helplessly wringing her hands.

In a short time the beach was crowded with people. Marian and Bab had
brought the little boy in to his nurse. The hotel physician soon took
the nurse and the baby both away, and the crowd followed them.

Bab flung herself down in the warm sand. Mollie, Ruth and Grace hung
over her anxiously.

"I'll just rest here a moment," Bab said faintly. "I want to get my
breath. But do see to Marian. She is a brave girl. She saved my life. I
struck against the life rope, and would have gone under with the little
boy had she not caught my arm and held me up."

"You dear, dear girl," said Mollie with a half sob. "How splendid of
you!"

Then the three girls surrounded Marian and hugged her until they were
almost as wet as she was.

"I didn't do anything remarkable," she averred, almost shyly. "I went
into the water after Barbara before I realized what I was doing. I just
had to catch hold of her arm, because I saw that she was going under.
You girls are perfectly sweet to me and I am happier to-day than I've
ever been before."

"Marian," called the cold tones of her mother. "Go up to the hotel at
once and change your clothing. Your appearance is disgraceful."

Mrs. De Lancey Smythe stalked majestically over to the little group,
frowning her displeasure. "Whatever possessed you and Miss Thurston to
rush madly into the water after a child you never saw before?" she said
to Marian, whose happy face had darkened at her mother's first word.
"Really, Marian, dear, you are at times past understanding."

"Mrs. Smythe," said Barbara coldly. "We could never have been so
heartless as to stand on the shore and wait for some one else to rescue
that little child. I felt it my duty to make some effort and I am sure
that Marian did."

"Really, Miss Thurston," retorted Mrs. Smythe, "I addressed my remark to
Marian."

"Yes," said Bab, her eyes flashing, "but you included me in it,
therefore I felt justified in answering it."

For a moment there was a tense silence. Bab stood looking composedly
into the angry eyes of Mrs. De Lancey Smythe. Then Ruth said, with
superb indifference. "Oh, come on, girls, don't waste your whole
morning, here. Bab, you'll catch cold. Hurry right up to the hotel with
Marian. Good-bye, Marian, we'll see you later."

Utterly ignoring Mrs. Smythe, Ruth turned on her heel and accompanied by
Grace and Mollie continued the stroll along the beach.

"My I'd hate to meet Mrs. De Lancey Smythe alone on a dark night,"
remarked Mollie, with a giggle. "Didn't she look ready to scratch Bab's
eyes out, though."

"She found her match in Mistress Barbara," observed Grace. "She can't
intimidate our Bab."

Bab hurried along the beach toward the hotel full of sympathy for the
luckless Marian, and vowing within herself to be a true friend to the
girl who had been cheated of her girlhood.




CHAPTER VI

THE COUNTESS SOPHIA


To be at luncheon with a real countess? What bliss!

Not one of the "Automobile Girls" doubted, for an instant, the
genuineness of the Countess Sophia von Stolberg. Mrs. De Lancey Smythe's
calumnies carried no weight with the "Automobile Girls."

To-day the countess was more gentle, more beautiful than she had seemed
at first. And there was less formality in her manner.

Mollie, who sat at her left at the luncheon table, quite lost the
feeling of awe that had taken possession of her the afternoon before.

Opposite the countess, at the other end of the table, sat the formidable
Madame de Villiers, the old lady with the hooked nose and the bird-like
eyes. She, too, seemed to feel more amiable, for she watched her young
guests with an amused smile.

"Do you know what I believe Madame de Villiers was thinking all the time
we were at luncheon?" Ruth asked her friends, when they were discussing
their visit the following day. "The amused look on her face seemed to
say: 'This is just another of the countess's pranks, asking these
strangers to luncheon. But if they amuse her--why not!'"

Madame de Villiers, however, found Miss Sallie Stuart much to her
liking. Perhaps this was because Miss Sallie was not in the least afraid
of her, nor inclined to shrink from her, as so many people did.

The story of the morning's adventure had been told. The countess leaned
admiringly over the great bunch of yellow daffodils in the centre of the
table and smiled at Bab. Barbara's brown curls were still damp from
their recent wetting. "Were there no men on that part of the beach when
the baby was drowning? Why did you have to risk your life in that way?"
the countess asked.

"There were no men near," Ruth replied. "You see, it was very early in
the morning. Only the nurse girls and children were abroad."

"There was one man present!" exclaimed Mollie, with a spark of anger in
her usually gentle blue eyes. "But he was a coward and ran away."

"The Count de Sonde! Oh, yes," continued Ruth, "I had forgotten him."

The countess look startled.

"The Count de Sonde!" she repeated in a puzzled fashion. "He refused to
help? He ran away?" An expression of incredulity crossed her face.

"He most certainly did run," Mollie declared firmly. "I almost fell on
my knees to beg him to save Bab. But he did not even take time to refuse
me. He simply ran away, so as to live to fight another day, I suppose."

"The Count de Sonde!" the young countess returned. "Ah, yes, he is the
young Frenchman who was here yesterday. Then he is not a friend of
yours?"

"Certainly not, Countess Sophia," explained Mr. Stuart. "The young man
is only a chance acquaintance, whom my friend Mr. Warren rescued from a
difficulty yesterday."

"I, also, am but a chance acquaintance," smiled the young countess.

"Only you were the rescuer, and he was the rescued!" exclaimed Mollie
quickly, looking fondly at her pretty hostess, who pressed her hand
under the table.

"We are not in the least interested in the count," Ruth remarked
bluntly. "We are civil to him because we are trying to help some one."

The countess looked puzzled.

Mr. Stuart laughed. "My dear Countess," he explained, "the 'Automobile
Girls' are not exactly Knights of the Round Table, but they have a kind
of league of their own. I think they have formed a sort of Helping Hand
Society. They have a pretty good theory that there is no reason why boys
should enjoy all the adventures and thrilling experiences. If there is
anything to be done, why, do it! Isn't that the motto, girls? I think
the countess would be amazed if she knew what you have been through in
the way of adventure. Now, they have undertaken to look after a
misguided maiden. And I think they are rather piling on the horrors in
her case."

"Now, Father, you've no right to tease," protested Ruth. "You are the
very person who made us promise to stand by Maud Warren through thick
and thin."

"So I did," agreed Mr. Stuart. "But I had no romantic notions that Maud
was to be protected from the Count de Sonde. I only consented to have
you persuade Maud from certain undesirable associates by showing her how
much more desirable you are. Now, I plainly see the object of your
protective association has changed."

"Now, Father, you are teasing," exclaimed his daughter.

"How can you accuse me of any such thing?" replied Mr. Stuart, his eyes
twinkling.

"He always teases," Ruth explained to the countess and Madame de
Villiers. "It's second nature to him. He can't help it. But putting
aside all jesting, I am going to speak very plainly about several
things. I am sorry to be obliged to backbite, but really and truly we
don't like Mrs. De Lancey Smythe. She is the most disagreeable person we
know, and we are going to try gradually to wean Maud Warren from her.
Maud thinks that she is wonderful and a great society leader, but I
think if one made careful inquiry into the matter, one would find her
name among those missing from the social world."

"Ruth, my dear," expostulated Miss Stuart. "You are entirely too
impetuous!"

"Do allow her to go on, Miss Stuart," begged Madame de Villiers. "She is
one after my own heart. It is refreshing to find some one who is not
afraid to speak plainly."

"Well," continued Ruth, highly elated at receiving the approbation of
the stern old woman. "We are going to checkmate Mrs. D. L. S. at her own
game. She is trying to throw Maud in line with her own schemes. Enter
the 'Automobile Girls.' Exit the enemy. The first battle was fought on
the beach this morning, and the situation was strongly defended to the
last word by General Barbara Thurston."

"What do you mean, Ruth?" interrupted her father gravely.

Then Ruth launched forth with the account of Mrs. De Lancey Smythe's
rudeness to Bab and Bab's reply. "Marian is all right," concluded Ruth,
"but her mother is an entirely different proposition."

"So it would seem," murmured the countess thoughtfully. "But suppose the
count is really an eligible person, and has fallen in love, in earnest
with Miss Warren, and suppose that Miss Warren truly loves him, what
then? Would Mr. Warren still be opposed to the marriage?"

"I don't know," replied Ruth doubtfully. "But you see Maud is a girl,
and Mr. Warren feels that she is too young to know her own mind. He is
afraid that the count's title has dazzled her, and he does not like
foreigners. He thinks we may be able to disabuse Maud of some of her
sentimental ideas. Last night we four girls organized a secret society
for the suppression of fortune hunters, and we thought perhaps you might
help us----"

"Ruth, my dear child!" protested Miss Sallie greatly shocked.

But old Madame de Villiers' eyes gleamed with amusement.

"Indeed, I shall be most happy to become a member of your secret
society," rejoined the countess. "How exciting! It must be a real secret
society, if we are to be serious. Let me see? We should arrange signals
and plan a campaign. If I am right, Miss Maud Warren needs to be treated
very delicately and carefully, or she is likely to rebel. Is this not
so?"

"That is just what we agreed last night," Ruth confessed.

"But how are we going to prove that Count de Sonde is a fortune-hunter?"
argued Mollie. "For all we know, he may be immensely rich as well as
illustrious."

"Oh, we shall have to prove that the count is not really in love with
Mademoiselle Warren," answered the countess, pinching Mollie's cheek.
She was entering into their little game with a curious zest.

"Or you might prove that he is not a count," interposed Madame de
Villiers, with an inscrutable expression on her grim old face.

"Do you believe that he is an impostor, Madame de Villiers?" inquired
Miss Sallie.

For a brief instant the countess's eyes met those of Madame de Villiers.

The old lady shrugged her shoulders and lifted her eyebrows in answer to
Miss Sallie's question: "The world is so full of impostors, and Europe
so full of counts," she said.

The countess blushed hotly. There was an awkward silence.

Miss Sallie was sorry she had spoken. But why should such an idle
question cause annoyance? The young count was surely a stranger to her
two hostesses. There was nothing to indicate that the young man was in
earnest about Maud Warren. He had simply paid her casual attentions for
the past few days.

"Shall you and I become members of this secret society, Madame de
Villiers?" inquired Miss Stuart, to divert the conversation. "I suppose
we had better be content with the posts of confidential agents. Because
I assure you there is no limit to what this society may do."

"And I should prefer to be scout, guardsman, or messenger," agreed Mr.
Stuart. "I, too, shrink from being an active member of such a vigorous
organization."

"Then let us leave these faithless people behind, girls," proposed the
young countess. "Let us run away to the old boathouse and plan our
campaign. We are not sure that we may safely confide to you our secret
signals, our hand clasps and our code," she protested to the older
people.

Madame de Villiers now led the way into the drawing room.

But the young countess ran lightly out of the house, followed by her
four girl guests. "We'll arrange our secrets while our elders take their
coffee on the balcony," she suggested.

When the countess and the "Automobile Girls" had disappeared, Madame de
Villiers smiled a little apologetically at Miss Stuart and her brother.
"The countess is only a girl herself," she explained. "Of course, she is
several years older than your girls. Yet, in many ways, she is still
simply a child."

"She is very beautiful and charming," replied Miss Sallie cordially.
"You see how she has fascinated our girls."

"So she does everyone," replied Madame de Villiers, shaking her head
somewhat sadly.

In the meantime the five conspirators were absorbed in devising their
signals. They were only joking, of course. Yet, somehow, the young
countess entered so seriously into their make-believe that the girls
almost forgot they were not in earnest. One thing they conscientiously
agreed upon--Maud Warren was to be constantly invited to share their
pleasures with, or without, her objectionable friends.

"Must the Count de Sonde be permitted always to come along with us and
Maud?" Grace queried. She had been taking little part in the
conversation, for she had been industriously writing down a list of
signals for their new organization.

"We must have him, if Maud won't come without him," replied Ruth. "Maud
must be won over to our side by flattering attentions. Suppose we start
out being friends with her, by having another luncheon at our hotel.
Will you come, Countess?"

The countess shook her head gently. "I am sorry," she replied a little
soberly. "I--" she hesitated a moment. "I fear you will think me rude.
But I have made it a rule never to appear at the hotels. I will do
anything else. Suppose we give a picnic? Is not that what you call it in
English?"

"A picnic would be delightful," agreed Ruth politely. But she could not
help wondering why the countess was not willing "to appear," as she
expressed it, at the hotels.

"The signals are ready!" cried Grace. "There are two handshakes. The one
which denotes danger is like this: Press the forefinger of one hand into
the palm of the other person's hand when you shake hands."

"That is very clever!" exclaimed the countess. She clasped Mollie's
little hand. "Now, Mademoiselle Mollie, when you feel my finger press
your palm like this, you will know that I am greatly in need of your
help."

"A white ribbon bow worn on the left shoulder, means that a secret
meeting must be called at once!" Grace declaimed.

"And a blue ribbon bow, worn instead of a white one, proclaims: 'I have
important information to communicate,'" added the Countess Sophia. "But
I should have a special signal by which to summon you. Let me see. I
must be able to signal you from a distance. If I fasten a red flag to
one of these posts in the day time you must know that I want to see you
very much."

"But what about a night signal?" asked Grace, who was taking the signals
very seriously.

The countess laughed. "If ever you should happen to see a bright light
shining in the tower of my villa, come to me at once. I shall be in
great danger. Now, is not that exciting?" she cried, clasping her hands
and smiling at the little company.

At this moment there came a sound of oars dipping in the water. A boat
glided from under the pavilion, which was built out over the water. The
boat must have been hugging the shore until it reached the boathouse.
Then it made for the open water. In the boat was one man. And
immediately the countess and the four "Automobile Girls" recognized him.
He was the Frenchman, Monsier Duval!

"I wonder if he has been eavesdropping?" asked Ruth indignantly.

"Oh well, he has heard nothing but make-believe," the countess replied
lightly, as she led her guests back to the villa.




CHAPTER VII

TEA IN THE COCOANUT GROVE


Their beloved red automobile, companion in so many adventures and
faithful friend in time of need, did not accompany the "Automobile
Girls" to Palm Beach. But Mr. Stuart engaged another larger motor car
with a chauffeur to run it, as soon as he arrived at the famous southern
resort. He preferred Ruth to have a chauffeur at her command in case she
needed him.

There was room in the new automobile for ten persons, and Mr. Stuart,
Miss Sallie, the four "Automobile Girls," the Countess Sophia and Madame
de Villiers seated themselves in its cavernous depths. Then the car spun
out along the famous Shell Road, lined on each side with the tall,
delicate yucca plants. A fragrant southern breeze fanned the faces of
the happy party. The sunlight was dazzling, the sky a deep blue. All
about were masses of tropical vegetation that glittered in the sunshine.

"This place is truly heavenly," exclaimed the Countess Sophia von
Stolberg. She leaned back in the automobile and closed her eyes. "How
could one help being happy, surrounded by all this beauty? I am indeed
very happy to-day. Are you not happy, Cousine?" she murmured, taking
Madame de Villiers's hand and looking at her with a tender, loving
expression. The older woman's stern face softened.

"Very happy, my dear," she declared. "This is not a place to remember
one's troubles."

The countess's face clouded at the word "troubles." She began to say
something in German, but checked herself. She was far too well-bred to
speak any language but English before her new friends.

"Yes; this is a small sized heaven," agreed Bab. "A kind of oasis in a
desert, for over there are the Everglades."

"And what are the Everglades?" inquired the countess.

"The guide-book says they are trackless jungle," explained Bab. "They
are full of wild animals; wild cats, and panthers, and deer. They have
poisonous snakes in them, too. Very few white men ever venture in the
Everglades, but the Indians have trails through them. They often kill
deer in the jungle and sell them at the hotel."

"It would not be pleasant to be lost in such a place," suggested Mollie.
She was thinking of her own experience when she was lost in the forest
in the Berkshire Hills.

"And it would not be easy to find you in the Everglades either, little
sister," rejoined Bab. "So please beware! Never go into the Everglades
alone."

"Oh, don't worry," laughed Mollie. "Being lost once was enough for me."

"If you ever do disappear, Mademoiselle Mollie, the secret society will
never rest until it finds you. We must be very faithful to each other,
dear fellow members?" laughed the countess.

"I am sure we agree to that," declared Ruth.

Walking along the road ahead of them, Barbara espied two figures.

"Do you know," she demanded, "I believe those two people just in front
of us are Maud Warren and her count."

It really was Maud loitering along the road accompanied by the count.

"Stop our car, Robert," ordered Miss Sallie.

Maud explained that her motor car had broken down some distance up the
road. She and the count had decided to walk on. They hoped to be picked
up by friends.

"Do you mean you were out motoring alone with the Count de Sonde?"
inquired Miss Stuart severely.

"Why not?" answered Maud, looking insolently at Miss Sallie.

"Ah it is in this free America that one needs no chaperons," said Madame
de Villiers innocently, but with a gleam of mischief in her eyes.

Maud made no reply. Two angry spots glowed in her cheeks.

The countess now made up her mind to intercede. She did not wish Maud to
fly into a rage.

"I have had a visit from your friends, the 'Automobile Girls', Miss
Warren," she said graciously. "Perhaps you will join them when they come
to see me again."

Maud favored the countess with a chilly stare.

Could it be that Mrs. De Lancey Smythe had been whispering tales about
the countess in Maud's ears? And had this stupid girl believed what she
had heard? Ruth felt her heart thump with the embarrassment of the
situation. What was Maud going to say? Strangely enough Madame de
Villiers' face held the same look of fear that Ruth's did. Why should
Madame de Villiers look frightened instead of angry?

But Maud never uttered the insult her lips were trying to frame. Spoiled
and undisciplined child that she was, when she turned her sneering face
toward the countess the words suddenly failed her. For the first time
Maud felt that money, after all, counted for little. There was something
about this plainly dressed woman that suddenly made her feel mean and
ashamed. Maud looked deep into the countess's beautiful eyes, then
answered with unaccustomed meekness. "Thank you so much. I should like
to come to see you."

In the meantime naughty Mollie was taking a slight revenge upon the
count.

"You are quite athletic, are you not?" she asked him innocently, her
baby blue eyes fastened on his.

"I, athletic?" exclaimed the little count in surprise. "Not very,
Mademoiselle. Why do you ask?"

"Because you run so well," Mollie answered, with a far-away look.

"You refer to this morning, I perceive, Mademoiselle," expostulated the
count. "I do not swim; therefore I ran for help. But there was no
danger. Your sister was never in deep water. Yet it was a most effective
scene. Doubtless the young lady will enjoy being a heroine."

Mollie flushed. "Barbara would have been in danger if Marian had not
helped to pull her and the child out of the water. And, by the way,
Marian does not swim either."

"Ah, Mademoiselle Marian? I saw her later," laughed the count. "How
droll was her appearance and that of your sister also."

Mollie heartily disgusted with the little count turned her back on him.

"Get into the motor car, both of you," ordered Miss Sallie firmly.

A few minutes later their automobile reached the entrance to the
cocoanut grove.

"Papa, let us stop here and have tea?" asked Ruth.

"A good idea, Ruth," agreed Mr. Stuart, giving the chauffeur the order.

"I am very sorry," interrupted the countess. "But I fear I cannot stop
this afternoon."

"Oh, please do, Countess!" urged Ruth and her friends. Even Maud's voice
was heard to join in the general chorus.

The countess hesitated. She looked at Madame de Villiers with
questioning eyes. It was evident that the young countess also yearned
for the pleasure of drinking tea under the cocoanut trees. Madame de
Villiers shrugged her shoulders. She said something softly, so that no
one else could hear. The countess dropped her white chiffon veil down
over her face.

"After all, I cannot resist your invitation, Mr. Stuart," the young
woman agreed. "But may I ask you not to stay long?"

Presently Mr. Stuart's party was seated around a large, rustic table in
the beautiful cocoanut grove. Hundreds of other people, clad in white
and light clothes, were seated at other tables. In the distance a band
played. During the intermissions the listeners could hear the twittering
and singing of multitudes of birds, which also sojourn for the winter at
Palm Beach.

The countess was the object of many glances from the people near her,
although she had not lifted the heavy chiffon veil from her face. She
was a woman of rarely beautiful presence. There was something regal in
the set of her small head on her graceful shoulders. Her gown and hat
were extremely plain and she wore no jewels; but an atmosphere
surrounded the lovely countess like an aura of sunlight, Ruth thought.
She was very gentle and sweet, though there was something about her that
suggested she could be equally stern if the situation required it. Ruth
hoped never to incur her displeasure.

When tea was served the countess was obliged to throw back her veil.

Madame de Villiers looked at her disapprovingly. Then the old woman cast
hurried glances about her, but was apparently satisfied.

As for the young countess, she took in a deep breath of the warm, soft
air laden with the scent of the orange blossoms. She let her eyes wander
over the grove and smiled as a burst of music floated across to her.

"I am fascinated, enchanted!" she exclaimed. "Mr. Stuart, I thank you
for the pleasure of this afternoon."

There was always a slight formality in the young countess's manner which
kept people at a distance.

"Do not thank me, Countess," protested Mr. Stuart. "You and Madame de
Villiers are conferring an honor upon us."

"Madame de Villiers and I are two lonely women," continued the countess.
"We have not seen the beauties of this place, except from our piazza.
How exquisite this grove is! Truly, it is like paradise."

Again the young woman's gaze swept the tea garden. Suddenly her face
turned white. She bit her lips, and sat as if turned to stone. Her eyes
were fastened on a group of three men at a nearby table. Madame de
Villiers had not noticed them. The men had not yet noticed the Stuart's
guests.

The countess dropped her veil quickly. Ruth and Mollie, sitting on each
side of the countess, were the only members of the party who felt that
something had happened, and they were wise enough to be absolutely
silent. Only the girls' eyes followed the direction of the countess's.
They, too, saw the three men, one of whom they recognized as Mr. Duval.
The other two were strangers, foreign-looking men with waxed mustaches
and light hair.

All at once Mollie felt her hand seized convulsively under cover of the
table. But the little girl was not prepared for the special mark of
confidence that the countess was now to bestow on her. As Mollie held
the countess's hand in her own, she felt a tap, tap in the centre of her
palm. Like a flash Mollie remembered. The countess had given her the
danger signal they had agreed upon the day before. Mollie looked quickly
over at Maud Warren. She presumed the signal indicated that there was
something the matter with Maud. But Maud was sitting quietly between
Barbara and Grace Carter.

Then what could the countess mean? Could she be jesting? Mollie did not
think so. Through the meshes of her white veil the face of the countess
looked out very white and grave.

Mollie's heart was beating fast. What could she say? What must she do?
Of one thing she now felt sure. The beautiful Countess Sophia von
Stolberg was threatened with trouble. She should have all the aid that
the "Automobile Girls" could give.

"I understand," Mollie now whispered back to her in a low voice. "What
shall I do?"

"I must leave the tea garden at once," replied the countess quietly.
"But I do not wish to be observed. Madame de Villiers must go with me,
but I do not wish the party to break up. That would make us
conspicuous."

"Ruth and I will go with you. Don't be worried; we will go quietly.
Wait, I must speak to her."

"Ruth," Mollie spoke softly to her friend. "The countess wishes to go
home without disturbing any one else. Shall we slip out with her, and
see her home?"

"Why, of course," answered Ruth politely, although she was somewhat
mystified.

They were about to arise quietly from the table when they were
interrupted. A waiter handed a note to Mr. Stuart. Mr. Stuart read it.
His face turned very red.

Now, if there was one thing in particular that Robert Stuart loathed it
was an anonymous letter. The message he had just received was not
signed, and it read:

"Beware of the countess. She is an impostor."

Mr. Stuart crushed the paper in his hand.

"Mr. Stuart," said the low voice of the countess, just at this moment,
"forgive my leaving so soon. But I must go at once. Mollie and Ruth are
coming with me." As the countess rose from her chair she glanced hastily
at the three men at the table near them. These men had also risen. But
they were not looking at the countess.

The young woman started hurriedly toward the gate. Madame de Villiers
quickly followed her. So did Ruth, Mollie and Mr. Stuart.

"Please wait here until we come back for you," Ruth said to her aunt.

Monsieur Duval had now crossed the space intervening between the two
tables. He had seated himself next to Miss Sallie. The other two
foreigners were moving toward the gate.

Ruth hurried on. She gave her order to the chauffeur. The man was soon
cranking up the machine. The four women had taken their seats in the
motor car. At this moment one of the strangers approached Mr. Stuart.
The other took off his hat and bowed low to the countess. He spoke to
her in German, but her reply was given in English. It was very plain. "I
do not know you," she said.

The man spoke again. This time his manner was insolent. Madame de
Villiers's face grew dark with rage.

"Hurry!" called Ruth to her chauffeur. Mr. Stuart sprang into the
automobile.

The machine sped on leaving the two strangers standing alone in the
road.

"Do not worry, Cousine," the countess murmured in the course of their
ride. "The man who spoke to me made a mistake. You will frighten our
friends if you are so angry."

Madame de Villiers said nothing. But there was fire in her small shining
black eyes. Her beaked nose looked as though it might peck at the next
offender.

Mr. Stuart and the two girls left the countess and her companion at
their villa. The two women were now composed. Indeed, the countess made
Ruth and Mollie promise that the "Automobile Girls" would come to see
her again the next day.

Mollie and Ruth could not help puzzling over the countess as they rode
back to the cocoanut grove. Mr. Stuart kept his own counsel.

"I am certain there is some mystery about the countess," Ruth avowed.
"But, whatever the mystery is, the 'Automobile Girls' are on her side!"




CHAPTER VIII

THE WARNING


In the meantime Mr. Duval was making himself exceedingly entertaining to
Miss Sallie, Grace and Barbara in the tea garden. Maud and the Count de
Sonde had withdrawn to a seat near the music, and were engrossed in a
tête-à-tête.

Mr. Duval had traveled widely. He told his little audience about Chinese
and Japanese tea gardens. He told tales of many lands and gave accounts
of numerous adventures in which he had participated.

Barbara and Grace listened fascinated. They hardly knew how the time
passed. At last Mr. Stuart came back with Ruth and Mollie. Mr. Warren
and Mrs. De Lancey Smythe had joined them, without Marian. Mr. Warren
was looking for Maud. But Bab wondered how poor Marian had weathered the
storm that must have broken when Mrs. De Lancey Smythe returned to the
hotel that morning.

"Where is Marian?" Ruth asked the widow abruptly, looking her straight
in the eyes.

Mrs. De Lancey Smythe's eyes dropped before Ruth's clear gaze. She
twirled her parasol, looked annoyed then said frigidly: "Marian has a
headache this afternoon."

"I trust the wetting she got this morning had nothing to do with it."

"Marian is an impulsive and reckless girl," snapped her mother. "She is
entirely too fond of disregarding all conventions."

"Has any one seen my daughter?" Mr. Warren's deep voice was now heard
above the hum of conversation. Mrs. De Lancey Smythe joined him and
together they strolled over toward Maud and the count. Mrs. De Lancey
Smythe seized this opportunity to say a few words in favor of the Count
de Sonde, for it was evident that Mr. Warren had taken a violent dislike
to the young man. Had some one persuaded the widow to make this appeal,
or was she genuinely attracted by the young French nobleman?

Mr. Stuart found himself agreeably surprised by Monsieur Duval. When the
sun began to sink, and the tea drinkers prepared to return to their
hotel, Mr. Duval occupied a seat in the Stuart automobile. Moreover,
when he said good-bye on the hotel veranda, he carried with him two
invitations. One was to dine with the Stuart party that very evening,
the other, to go with them the next day on a picnic.

No sooner was Bab out of the automobile than she determined to run up to
Marian's room. She knew the widow had not yet returned. Bab found the
number of Marian's room from the hotel clerk. Then she got in the
elevator and went up to the top floor of the hotel.

She knocked at a door in the middle of a long narrow passage, and a
faint voice said: "Come in."

Bab entered a small bed room situated under the eaves of the hotel roof.
There were three trunks in the tiny chamber which overlooked a court
yard. The room was very close and hot. Marian was on the bed. She had
cried herself to sleep. At Bab's knock she opened her heavy eyes.

"Why, Barbara!" she exclaimed. "It is awfully good of you to come up to
see me, but Mama would have three fits if she knew you had seen this
room. I am glad you have come, because I have something special to tell
you. I----" Poor Marian hesitated and stopped.

Barbara looked at her with questioning eyes.

"I am afraid it is dreadfully disloyal of me to say another word."
Marian pressed her hands to her temples. "And I haven't anything really
definite to tell you. But, oh Barbara, I have a suspicion that something
may happen soon! Will you remember that I had nothing to do with it, and
that I mean to prevent it if I can?"

Barbara, completely mystified, hardly knew what to reply.

"Do you mean to warn me, Marian?" she asked her new friend. "Do you mean
that something is going to happen that may concern us?"

"No; not exactly," Marian answered. Then she made an impetuous movement.
"Please don't question me," she begged. "There is a reason why I dare
not answer your questions. Forget what I have said, if you can. But for
goodness' sake, don't mention to Mama that I have talked with you. I
sometimes wonder what will become of us. Things can't go on much longer.
There is sure to be a grand crash. But please go, now, Barbara, Mama
might come in and she would be very angry to find you here. I will see
you to-night."

Barbara did not meet Mrs. De Lancey Smythe as she left Marian's room,
but she did run across her in the evening. The widow was hurrying
through a side corridor in the hotel. She was wrapped in a long dark
cloak, and appeared to be trying to leave the hotel by stealth. Bab drew
back into one end of the corridor until the widow had disappeared, then
she walked slowly out on the piazza. Marian's warning was ringing in her
ears. What was it that Marian had feared might happen, and why did her
mother leave the hotel in that stealthy mysterious manner?

On the piazza Bab found her own friends enjoying the beauty of the
night. Maud and the Count de Sonde were talking just outside the group.

"Do you know what I heard to-day?" remarked Mr. Stuart. "I understand
that there is a swindler abroad at Palm Beach. A woman at that."

"You don't mean it," exclaimed Miss Sallie. "How dreadful!"

"It seems," continued Mr. Stuart, "that the detectives have been on the
watch for her for some time, but so far she has been too clever for
them. However, they have traced her to the Beach, but among the hundreds
of tourists they have lost their clue. They do not despair of finding
her yet, and a strict watch is being kept. She may be apprehended at any
moment."

"Well, let's hope she doesn't attempt to swindle us," commented Ruth.
"By the way where is Monsieur Duval? He disappeared mysteriously the
moment dinner was over."

"He had an engagement, and begged to be excused," replied Mr. Stuart.
"He said he would return in a little while."

"Speaking of angels," remarked Mollie, "here he comes now."

"Yes, and he's towing along our pet aversion Mrs. D. L. Smythe," said
Grace.

Bab looked toward the approaching pair.

Monsier Duval and Mrs. De Lancey Smythe not yet aware that they were
under the observation of the Stuart party, were deeply engaged in
conversation.

Barbara, watching closely, saw the Frenchman glance up, then he quickly
dropped his eyes, and an expression of cautious cunning flitted over his
face. His lips moved, the widow gave a half frightened look, then her
expression of absorption changed to one of languid indifference. As the
two neared the steps, from their demeanor, one would have concluded them
to be mere acquaintances.

What was the meaning of it all? Barbara wondered. And what secret
understanding was there between those two people? Bab's observant eye
noted that Monsieur Duval carried over one arm the heavy cloak in which
she had seen the widow wrapped a short time before. Had Mrs. De Lancey
Smythe gone to meet the Frenchman, and, if so why did she not do so
openly? Suppose Mrs. De Lancey Smythe were an impostor, with a game to
play. Suppose Mr. Duval were--Barbara sighed impatiently. She was
letting her imagination run riot. She resolved to dismiss the whole
tiresome business from her mind, and enjoy herself.

At that moment Maud Warren came languidly forward, the little count at
her heels. "Miss Stuart," she announced, "I have persuaded Papa to let
me give a masked ball before we go back to New York. There are a number
of smart people here at Palm Beach, and I want the count to see one of
our American balls. We shall wear our masks until midnight, and then
have a cotillon afterwards."

"That will be delightful, Maud!" replied Ruth. "And that reminds me.
Father and I have never arranged about our picnic to-morrow. Don't you
think it would be fun to motor over to the big ostrich farm and have our
luncheon there under the trees?"

"Very delightful," agreed Maud. "Don't you think so, Count?"

"I shall be charmed," replied the little count, with an exaggerated bow.

"But we shan't," whispered Mollie, naughtily to Barbara, under cover of
general conversation.

"In order to cure, we must endure," returned Bab in an undertone.
Whereupon the sisters both chuckled softly.

At this juncture Marian appeared at the end of the piazza, and came
slowly toward the group. Her eyes still showed traces of tears, and she
looked ill and wretched.

Mr. Stuart greeted Marian kindly, and immediately invited her to Ruth's
picnic. And the invitation, of course, had to include Marian's mother.
"I am sorry you have been ill," he said courteously, interrupting his
conversation with Mr. Duval.

Monsieur Duval's eyes rested curiously on Marian. His look searched her
face. "Perhaps the climate of Palm Beach does not agree with your
health," he suggested. "You do not like it here?"

"It is not a question of what I like or dislike, Mr. Duval," said Marian
curtly.

"But what do you prefer?" persisted the Frenchman with a shade of
interest in his manner.

"To mind my own affairs," returned Marian coldly, turning her back on
Monsieur Duval.




CHAPTER IX

A CASE OF MISTAKEN IDENTITY


Early the next afternoon the picnickers sallied forth in two
automobiles, going first to the villa for the Countess Sophia and Madame
de Villiers, then the two cars sped along the country road in the
direction of the ostrich farm. Marian, Mollie, Mrs. De Lancey Smythe,
Miss Stuart, Barbara, Maud and the Count de Sonde were in the foremost
car, while the remainder of the party occupied the car first rented by
Mr. Stuart, with Ruth as chauffeur.

"Why don't you start a song?" called Ruth over her shoulder. "Grace,
sing something. Sing 'My Old Kentucky Home.'"

Grace sang the plaintive old melody in her sweet, high soprano voice.

The Countess Sophia was enchanted. "What a charming song!" she declared.
"What an exquisite melody. I have not heard it before. Is it not one of
your old southern songs?"

"Won't you sing, Countess?" begged Mr. Stuart.

The countess shook her head and smiled. "I do not care to sing alone,"
she avowed. "But I am sure Monsieur Duval has the throat of a singer.
Will you not sing a song of your country, Monsieur?"

"If you will sing a song of your land in return," answered the Frenchman
quickly. Could it be that he, too, was curious to discover to a
certainty the Countess Sophia von Stolberg's nationality?

The countess dropped her eyes under Mr. Duval's steady gaze.

"I do not sing without an accompaniment, Monsieur," she said briefly.

Madame de Villiers looked annoyed. Grace and Ruth wondered why the
countess should be so secretive. She spoke French, German and English
almost equally well. On her library table Ruth had discovered a number
of Italian books.

Monsieur Duval did not press his request. The Frenchman had very
polished manners. Instead in a full baritone voice he sang the
"Marseillaise." His audience was profoundly stirred. "You are a patriot,
Mr. Duval," Mr. Stuart remarked.

Monsieur Duval's expression changed. But he said nothing. It was
impossible to translate his peculiar look.

"Do sing for us, Countess," begged Grace later. "I know you have a
wonderful voice."

"Remember, you are to give us a song of your country," Mr. Duval
persisted.

The countess made no reply to him. But in a voice clear as a bell she
sang:

  "Thou art like unto a flower."

"But that is an English song," expostulated Mr. Duval when the countess
had finished.

"Yes, but it was written first by a German poet: Du bist wie eine
blume," sang the countess, this time in German. "Shall I try it in
French and Italian for you? The little song has been translated into
every tongue."

It was evident to her listeners that the Countess Sophia von Stolberg
was proficient in half a dozen languages.

Grace thought she caught a glimpse of concealed amusement on Madame de
Villiers's face. But the stately old woman said nothing.

The motor party had now arrived at the ostrich farm. Mollie, the
countess and Bab ran on ahead. Ruth slipped her arm through Maud
Warren's. The count joined them, but Ruth did not withdraw her arm. Maud
did not seem to mind Ruth's "playing gooseberry." Maud was really
becoming fond of the "Automobile Girls." It was plain, however, that the
Count de Sonde had eyes only for Maud.

The Count de Sonde, who wore high heeled shoes to make him look taller,
walked with the two girls. He talked constantly, using his hands and
shoulders to emphasize his remarks.

"You see, Mademoiselle Maud," he explained. "My parents died when I was
a mere infant. Most of my life I have spent in Paris. I do not often go
to the Chateau de Sonde. But I love dearly the home of my ancestors."

"How much land have you around your castle, Count?" asked Ruth.

The count looked annoyed at the question. "It is a very large estate,"
he answered vaguely.

But Ruth was determined to secure definite information. "Is your chateau
on a hill or in a valley?" she next inquired.

The count shrugged his shoulders. "It is on the side of a mountain,
overlooking a valley," he declared.

The picnic party had now arrived in front of the cages containing the
ostriches. The great birds were strolling about in fine disdain.

But Ruth's mind dwelt on the Chateau de Sonde. She was frankly curious
about it. "Have you ever visited the Count de Sonde at his chateau, Mr.
Duval?" inquired Ruth, who happened to be standing next the Frenchman.

[Illustration: The Count Walked With the Two Girls.]

 "A number of times, Miss Stuart," answered Monsieur Duval. "The count
and I are old friends."

"Is it built on a mountain or in a valley?" queried Ruth. She did not
know herself exactly why she repeated her question.

"The Chateau de Sonde nestles in the heart of a valley," was Monsieur
Duval's prompt answer.

He caught Ruth's eyes fixed on him with an expression of wonder. But it
was Ruth, not Monsieur Duval, who blushed furiously. The man's eyes were
gray and inscrutable. "Why do you ask, Mademoiselle?" he inquired.

"I don't know," Ruth answered lamely. The man frightened her. He seemed
so brilliant, so traveled, so strong, so dangerous. And yet, he had just
told Ruth a lie. Why should he pretend he had visited at the Chateau de
Sonde?

"Come, everybody; it is time for luncheon," called Mr. Stuart an hour
later, when his guests had finished their survey of the ostrich cages.

The "Automobile Girls" opened their immense lunch basket, which the
chauffeur had set under the trees. The Countess Sophia insisted on
helping the girls. She was all radiant smiles and gayety. She hummed a
song to herself full of delicious, bird-like trills, in a voice that had
been wonderfully trained. In every way the countess showed what pleasure
she felt in the picnic. So much so that she was easily the central
figure of the party.

Finally the entire company seated themselves in a circle on the ground,
Maud Warren and her father with flushed faces. They had evidently been
having a private altercation about the Count de Sonde. The count however
looked serenely unconscious of the fact.

A sense of tranquility and cheerfulness soon stole over every one. The
day was enchanting. The chicken and nut sandwiches and other eatables
tasted unusually good, and the party did full justice to the tempting
luncheon the Stuarts had provided.

All the guests laughed and talked at the same time. Suddenly the
countess began to sing again in a low voice: "Knowest thou the land?"
from "Mignon."

The others listened with delight.

Down the avenue a vehicle was heard approaching. There was a cloud of
dust enveloping it. It was impossible for the picnic party to
distinguish the occupants of the carriage. The countess's back was
turned toward the equipage. She did not look around. Mollie and Ruth
were glad that she did not turn, for they recognized the two foreigners
who had frightened the young Countess Sophia in the tea garden the
afternoon before.

The men drove up to a palm tree near the spot where Mr. Stuart's guests
were eating. They hitched their horse. Then they walked deliberately
over to the picnickers. Without a word one of the men reached down. He
touched the Countess Sophia von Stolberg on the arm.

Undoubtedly he was German. His face looked threatening and his manner
was insulting. His companion waited near him. The Countess Sophia
shuddered as the stranger touched her. She trembled and turned pale like
a frightened child.

"Madame," said the German, "you are wanted by the police. We have been
sent to arrest you."

Mrs. De Lancey Smythe gave a hysterical laugh of triumph.

But the young countess quickly recovered her self-control.

"You have made a mistake," she returned quietly, to the man, whose hand
still rested on her arm. "What have I done to be arrested? You have no
right to annoy me."

"You are the notorious swindler wanted by the police of two continents,"
accused the German. "I am here to take you back to France where you are
wanted."

Madame de Villiers now arose. She lifted her great mahogany cane, her
face dark with anger.

"You will regret this day's work," she announced. "Be gone!"

But she had hardly finished her speech, before Mr. Stuart was on his
feet. He seized the intruder by the collar, and before the man could
more than raise his hand from the Countess Sophia's arm, he was hurled
several feet away, landing in a heap on the ground.

"You foreign idiot," cried Mr. Stuart, forgetting his women guests in
his anger. "How dare you come here and create a disturbance among my
friends. You are without a warrant or a policeman. The Countess Sophia
von Stolberg is our friend. You shall pay dearly for your insolence.
Leave this place without a second's delay or I shall lay violent hands
on you."

The two strangers did not dare defy Mr. Stuart. Mr. Warren had also
risen and hurried to his friend's aid and the two Americans looked
thoroughly capable of enforcing their commands.

The foreigners went back to their carriage. After a slight delay they
drove off, still muttering veiled threats.

When they had disappeared down the avenue, Countess Sophia gave Mr.
Stuart her hand.

"I thank you, Monsieur," she said. "Madame de Villiers and I are alone.
It is good to have a protector. I do not know why those men attempted to
arrest me without a warrant. I assure you they had not just cause. I
believe they were sent by an enemy."

"Perhaps, Countess," replied Mr. Stuart, "those two men think you are
some one else. I know there is a notorious swindler at large at Palm
Beach. It is probably a case of mistaken identity."

The Countess Sophia made no answer. Barbara, who was watching her
closely, saw a look of unmistakable fear leap into her dark eyes at the
mention of the word "swindler." Bab glanced quickly about her and
encountered the eyes of Monsieur Duval. In them was an expression of
cruel triumph that made Bab feel certain that he was in some way
responsible for the late unpleasant scene.




CHAPTER X

THE SECRET SIGNALS


Ruth was stretched out on a steamer rug on the warm sands, lazily
looking out over the blue waters.

Barbara was disporting herself in the waves like a water sprite who had
dared to show herself among mortals. Many of the bathers stopped to
watch with admiration the figure of the young girl plunging gracefully
through the waves.

But Ruth was not watching Barbara. She was thinking deeply.

Why had the Countess Sophia von Stolberg refused to prosecute the two
foreigners who had deliberately insulted her?

Immediately after their return from the picnic Mr. Stuart had written
the young countess a note. He suggested that he have the two strangers
put out of their hotel, even driven away from Palm Beach. But the
countess's reply had been polite, but firm. No; she did not wish to
prosecute her annoyers. The men had simply made a mistake. There would
be less notoriety if she let the matter drop.

Mr. Stuart was not satisfied. He assured the countess that he and Mr.
Warren had sufficient influence to have the two men sent away without
the least publicity attending their dismissal. Still the decision of the
countess remained unchanged. She graciously thanked Mr. Stuart for his
kindness, but she really preferred to let the whole matter drop.

There was nothing more to be said.

Ruth now observed these same two men. They were seated not far from her,
watching Barbara with stolid admiration. So far as Ruth knew they had
not repeated their attempt to arrest the countess. But they had not
confessed their error, nor offered to apologize either to Mr. Stuart or
to the countess.

The story that there was a notorious woman swindler at large at Palm
Beach was now common gossip.

"It is absurd to suspect the countess," Ruth thought as she reviewed the
recent disagreeable incident. "If the scandal goes any further I shall
side with her, no matter what may be the consequences." Ruth ended her
reverie by making this last statement aloud. But she was sorry a second
later.

A voice spoke at her elbow. "Do you think, Mademoiselle Ruth," it
inquired, "that suspicion of a certain person will reach a point where
you will be required to take sides?"

Ruth started. She had been in a brown study, and was embarrassed and
annoyed at having been caught speaking aloud.

The voice belonged to Monsieur Duval. He had come dripping from his swim
in the ocean, and had laid himself in the sand directly behind Ruth
without her noticing him.

"To what suspicion do you refer, Mr. Duval?" Ruth asked haughtily. She
knew this clever Frenchman could read her mind like an open book. But
she did not intend to confess that her remark had referred to the young
countess.

Monsieur Duval smiled. "I am afraid I listened at the door of your
thoughts," he said. "I think I can guess with whom you intend to take
sides. But I promise not to betray your secret. I am sorry I overheard
your last remark. Yet I do not see why you think the Countess Sophia may
be accused of being this notorious woman criminal. It is true she allows
herself to be persecuted without reason. She will not appear at this, or
any other hotel, and keeps herself as much in seclusion as possible.
Also she will not tell us the country of her birth, nor does she refer
to any friends, but----" Monsieur Duval stopped.

Ruth was indignant at the array of evidence that this Monsieur Duval was
able to present against the young countess. She flushed guiltily, but
wisely refrained from answering the Frenchman.

Mr. Duval was obliged to continue the conversation.

"Do you wish to help your friend?" he asked Ruth quietly.

"Of course," Ruth replied warmly.

The Frenchman leaned over. "Then watch everything, but say nothing. And,
above all things, do not have a too accurate memory."

Ruth was about to make an angry retort, when Mr. Duval skilfully changed
the subject of their conversation. He praised Bab's wonderful diving. It
reminded him of Neapolitan boys he had seen diving for pennies. Mr.
Duval next told Ruth of a walking trip he had once made through southern
Italy. She listened very much against her will to the entertaining
Frenchman and it was with distinct relief that she saw Miss Sallie
approaching them, dressed in an imported lavender linen and carrying a
parasol and a book.

Maud and her count appeared from the opposite direction. They also came
forward to join Ruth and Monsieur Duval. Bab ran up the beach, shaking
the drops of water from her blue bathing suit, her wet curls sparkling
in the sun.

Mr. Duval did not wish to remain with so large a party. His words had
been for Ruth's ears alone. As Miss Stuart approached he bowed
ironically to Ruth and strolled away.

"How glad I am that we are not in the cold, sleet and blizzards of
Chicago, child," Miss Stuart remarked, bringing Ruth back to earth
again. "The Countess Sophia was right in saying our American climate in
the north is unbearable in the winter time. I never felt so well in my
life as I do in this delightful place."

"Aunt Sallie," asked Ruth thoughtfully, ignoring the weather, and going
back to the idea that was uppermost in her mind. "Do you think the
Countess Sophia could be in need of money?"

"How can I tell, child?" replied Miss Sallie. "The countess dresses
plainly, but her gowns are in excellent taste. They are made by a
modiste in Vienna, who, I happen to know, is one of the most expensive
in Europe. On the other hand Madame de Villiers and the countess live
very quietly. They keep only two servants. But the countess has the air
of a woman of wealth and culture."

"Are we going to dine with the countess to-morrow night?" asked Ruth
impetuously.

"Certainly, child," Miss Sallie replied, her serenity undisturbed. "It
is true your father may not have returned from his fishing trip, but
there is no reason why we should not go without him."

Ruth closed her eyes. Could it be possible that they might be invited to
eat food paid for by money gained dishonestly? Surely Monsieur Duval
could not have spoken the truth!

"Here comes that Mrs. De Lancey Smythe," remarked Miss Sallie with
sudden energy. "I do wish that woman would keep away from us."

"Aunt Sallie," said Ruth, "what do you dislike most about Mrs. De Lancey
Smythe?"

"Don't ask me, my dear," returned Miss Stuart rather impatiently.
"Everything I should say. I must confess that the very sight of her
irritates me."

"There is something peculiar about her, at any rate," said Ruth, "I have
seen her face grow hard as rock and look positively wicked when she
thought no one was noticing her. Marian is afraid of her, too."

"Nonsense, Ruth," replied Miss Sallie severely. "You and Barbara let
your imaginations have too free rein. I don't approve of the woman and
dislike her intensely, but I am not going to make her out an ogre."

"She is, though," persisted Ruth. "That's why you don't like her, only
you don't know it yourself. Some day you'll see I am right. Oh, here
come Mollie and Grace. What's new, chilluns?" and springing to her feet
Ruth called to Bab then hurried toward the approaching girls.

Mollie and Grace had been out in a boat all morning with some new
friends they had made at the hotel. As Ruth walked toward them she
noticed that Mollie's cheeks were very red, and that she wore a look of
suppressed excitement. Grace seemed almost equally agitated. Before she
could reach them, however, she was hailed by a crowd of young people who
were strolling on the beach, and she and Bab were obliged to stop and
hold conversation.

Mollie felt that it was imperative to summon Bab and Ruth. How could she
manage without being observed? A sudden thought came to her. Putting her
hand back to her curls she hastily untied the ribbon that bound them.
The ribbon was blue. In an instant Mollie twisted it into a bow knot and
pinned it on her left shoulder. Would Barbara and Ruth remember what the
secret signal meant?

Mollie need not have wondered. Hastily separating themselves from the
crowd of talkers Bab and Ruth sped up the beach to join Mollie and
Grace.

"What is it, Mollie?" cried Bab out of breath. "I remember the blue
ribbon. It was to signify: 'I have important news to communicate!' What
has happened?"

"As we passed the countess's villa on the launch, this morning," Mollie
whispered mysteriously, "we saw a red flag tied to one of the posts of
her pavilion. The countess wishes to see us on important business!"




CHAPTER XI

WHEELS WITHIN WHEELS


"Shall we go to the countess at once, Ruth?" asked Barbara.

Ruth hesitated. "The chauffeur has gone away for the day," she replied.
"And we have no one to take us by boat to the villa."

Mollie's blue eyes filled with tears. She had feared that Ruth suspected
their lovely countess. Now she was sure of it. How absurd for Ruth to
suggest they could not use the automobile because her chauffeur was
away. The "Automobile Girls" had traveled for days at a time, with Ruth
as her own chauffeur, while the trip to the countess's villa represented
only a few miles.

"How can you be so cruel, Ruth?" Mollie cried. "You just don't want to
go to the countess's aid because you have listened to tales about her
from that horrid Mrs. Smythe."

"I haven't listened to Mrs. Smythe, Mollie," Ruth answered soothingly.
"But I have been thinking. You can't deny that there is a good deal of
mystery surrounding the Countess Sophia. There are many things that it
seems to me she might explain. I don't wish to be hateful, and of course
I can drive our car over to the countess's, though I have never taken
out such a big car alone before. Come; let's get ready."

Barbara hesitated. "Mollie," she protested, "I don't think it is right
for us to make Ruth take us to see the countess, if she would rather not
go."

Mollie bit her lips. "Ruth Stuart," she said, "you talk about the
countess explaining things. What have you ever asked her to explain? If
there is anything you want to know about her, ask her to tell you. It is
not fair to keep silent, and still not to trust her."

Ruth had a sudden conviction that she would as soon approach the Queen
of England to inquire into her private affairs as to ask questions of
the Countess Sophia von Stolberg.

"Well, Mollie, I will say this much," Ruth conceded. "I never doubt our
countess when I am with her. She is so beautiful and sweet that I forget
to be suspicious. But, when I am away from her, I have just wondered a
little, that's all! Now, don't be cross, Barbara, but come with me. I am
going to get out the automobile. Grace, will you and Mollie explain to
Aunt Sallie where we are going?"

"I'll tell you what, Ruth," Bab suggested. "Let us make up our minds not
to suspect the countess because of any gossip we hear. There seems to be
a great deal of talking going on, but nobody makes any definite charges.
The countess has been delightful to us. I am afraid I am on her side as
much as Mollie. The countess, right or wrong, but still the countess!"

"Loyal Bab!" cried Ruth, patting Barbara's hand. "See, I cast all my
suspicions away!" Ruth waved her other hand. "The cause of the countess
is my cause also. I shall fight for her, through thick and thin." Ruth
looked as though she meant what she said.

The "Automobile Girls" were soon on their way to the countess's pretty
villa. Mollie still held herself apart from the other three girls. She
felt that no one of them had risen to the defence of her adored countess
with the ardor she expected.

Ruth was running the car slowly. It was only a few miles to the villa.
Ruth was a cautious chauffeur, and was not in the habit of managing so
large an automobile.

As her car moved quietly and steadily toward its destination, another
small automobile dashed past it. Ruth glanced about quickly. The man who
drove the small car was exceeding the speed limit. He was alone. He wore
a long dust coat with the collar turned up to his ears; he had a cap
pulled low over his face, and he wore an immense pair of green goggles.
But Ruth's quick eyes recognized him. Her three companions paid little
attention to the man.

"Bab," said Ruth, at almost the same instant that the small car swept by
them, "it is Monsieur Duval who is driving that car!"

"Well," replied Bab, "what of it? I did not know Mr. Duval was a
motorist. But I am not surprised, for he seems to know almost
everything."

"Bab, I think he is on his way to see the Countess Sophia von Stolberg,"
Ruth announced with conviction.

"He does not know the countess, does he?" Grace inquired. "I think he
was introduced to her only through us."

"I don't know what Monsieur Duval knows and what he doesn't know,"
explained Ruth. "But I should like to find out. Anyhow, I am going to
beat him to the countess's house. If she has something important to tell
us, Monsieur Duval shall not keep us from hearing it."

Ruth put on full speed and started her car in pursuit of the flying
automobile in front of her. In a few seconds she drew near the
automobile. The little car was on the right side of the road and making
its best speed. Ruth sounded her horn. She swerved her great car to the
left in order to pass the smaller one.

Bab uttered a cry of terror. Mollie and Grace both screamed. Ruth's face
turned white, but she had no time to scream.

The small motor car just in front of her immense automobile turned like
a flash. It swept across the road immediately in the path of Ruth's
on-coming car, and not more than a few paces ahead of her.

It was either a mad piece of foolishness on the part of the chauffeur,
or a magnificent dare. At the moment Ruth did not stop to wonder whether
the man ahead of her had deliberately risked his life and theirs in
order to accomplish some purpose. All her ability as a driver was needed
to meet the situation.

Ruth's hands never left the steering wheel of her car. In less than a
half second, she put on the full stop brake. With a terrific wrench her
great automobile settled back. It stopped just one foot this side of the
car that had crossed their path.

Ruth was white with anger. She saw, a moment later, that the driver
ahead of her had accomplished his design. For no sooner had Ruth's car
stopped, than the other motorist forged ahead. Ruth resumed the chase,
but she was obliged to be careful. She dared not risk the lives of her
friends by driving too close to the other car. The man ahead might
repeat his trick. Ruth could not be sure that she could always stop her
motor in so brief a space of time and distance.

So the smaller of the two automobiles arrived first at the countess's
villa.

The Countess Sophia von Stolberg evidently expecting a visit from the
"Automobile Girls," sat at her piano in her drawing-room, playing one of
Chopin's nocturnes. At the sound of the automobile outside on the avenue
the countess left her music and ran out on her veranda to meet her young
visitors. But instead of the four girls a heavy, well-built man in a
long dust coat and goggles approached the countess. The countess did not
recognize him at once. A suave voice soon enlightened her. "Madame," it
said. "I have come to see you on an important matter of business. I must
see you alone."

"What business can you have with me, Monsieur Duval?" asked the young
countess coldly. But her voice trembled slightly.

"I bring you news of a friend," declared Mr. Duval quietly.

"I have no friends whom you could know, Monsieur," answered the Countess
Sophia.

"No?" her visitor replied, shrugging his shoulders and speaking in a
light bantering tone. "Shall I inform you, then, and your young friends,
whom I now see approaching?"

Ruth's motor car was now in plain sight. The four girls rushed forward
to join the countess.

At the same moment the tap-tap of a stick was heard inside the house.
Madame de Villiers appeared, followed by Johann with a tray of lemonade.

The countess spoke quickly. "No, no, you must say nothing to me, now. I
cannot listen to you. Please go away."

Bab noticed that the countess was trembling when she took her hand.

Monsieur Duval bowed courteously to Ruth. "Mademoiselle," he declared,
"I owe you an apology. I fear I am but a poor chauffeur. My car swerved
in front of yours on the road. It was unpardonable. I offer you many
thanks for your skill. You saved us from a bad smash-up."

Ruth colored. Hot words rose to her lips. But she feared to say too
much. She looked at Mr. Duval gravely. "I think, Mr. Duval," she
remarked, as suavely as the Frenchman could have spoken, "it will be
wise for you not to run a motor car unless you learn how to handle it
better. You are right. We were exposed to great danger from your
carelessness."

Madame de Villiers now gazed sternly at Monsieur Duval. "Have I the
pleasure of your acquaintance?" she inquired coldly, turning her
lorgnette on the Frenchman.

Monsieur Duval lost some of his self-assurance in the presence of this
beak-nosed old lady. "I met you at Mr. Stuart's picnic, Madame," he
explained. "Good-bye, ladies." Monsieur Duval bowed low. Then he turned
to the countess. "I will deliver my news to you, Countess Sophia,
whenever you are pleased to hear it." A moment later the Frenchman
disappeared. But on his way back to his hotel he smiled. "If life were
not a lottery it would be too stupid to endure. Yet this is the first
time in my career that a group of young girls have tried to beat me at
my own game."

When the Frenchman had finally gone the countess turned to Mollie, and
kissed her. Then she looked affectionately at Bab, Grace and Ruth.

"You saw my signal, didn't you?" she asked, smiling. "What an energetic
society to come to me in such a hurry! I really have something to tell
you. It is something serious. Yet I must ask you to trust me, if I tell
you only part of a story. I cannot tell you all. As it is much too
beautiful to stay indoors, suppose we go to my pavilion down by the
water."

On the way to the boathouse, Ruth stopped to embrace Mollie. "Mollie,
darling, forgive me!" she whispered. "I promise you never to doubt our
lovely countess again. She is perfect."

When the Countess Sophia and the four "Automobile Girls" were safely in
the boathouse, the young hostess sighed. "I am sorry to talk about
disagreeable things to-day," she murmured. "You cannot understand what a
pleasure it is to me to know four such charming young girls. I have had
so few companions in my life. Indeed I have been lonely, always."

The "Automobile Girls" were silent. They hardly knew what to reply.

"I must try to tell you why I sent for you," the countess went on. "I
want to warn you----"

"About the Count de Sonde?" cried Mollie, who had never gotten over her
first prejudice.

"Yes," replied the countess slowly. "I think I promised to help you save
your girl friend Maud Warren. I am afraid she and the count are more
interested in each other than you girls imagine." The countess faltered
and looked fearfully about her. "You must not let Miss Warren marry the
Count de Sonde," she murmured. "You must stop such a wedding at all
hazards. The Count de Sonde is----"

"Is what?" asked Barbara.

The countess shook her head. Again she blushed painfully. "I cannot tell
you now," explained the countess. "But I know this. If Miss Warren
marries the Count de Sonde she will regret it all her life."

"But how can we prevent Maud's marrying the count if she wishes to do
so?" queried practical Bab. "Unless you can tell us something definite
against the count, we cannot go to Mr. Warren or Maud. Mr. Warren has
already forbidden Maud to have anything to do with the Count de Sonde,
but Maud continually disobeys her father."

"I am sorry," said the young countess hesitatingly. "I wish I dared tell
you more. But I can explain nothing. Only I warn you to be careful."

"Need we to fear the Frenchman, Monsieur Duval?" Ruth asked
thoughtfully.

The countess was silent for a moment. Then she said slowly, "You must
fear him most of all!"




CHAPTER XII

MAUD REFUSES TO BE RESCUED


When the "Automobile Girls" chaperoned by Miss Sallie, descended to the
hotel ball room that evening, where a hop was in progress, the orchestra
was playing the "Blue Danube" and Maud and the Count de Sonde were
waltzing together. The spectators seated along the wall smiled in spite
of themselves for the count's style of dancing was far from graceful.
His idea of waltzing consisted in whirling his partner round and round,
and as Maud was at least four inches taller than the count and very
thin, the effect was indescribably ridiculous.

"How absurd the count looks!" Bab exclaimed to Ruth. "Just look at those
high heels and that strutting walk! Do you suppose Maud Warren can
really care for him?"

"No; I don't think she cares for him at all," Ruth returned. "It is the
lure of his title that has fascinated Maud. The title, 'Count de Sonde'
is like music in her ears."

"Do you think Mr. Warren would disinherit Maud, if she married the
count?" asked Bab.

Ruth shook her head. "Mr. Warren gave Maud half a million dollars in her
own name a year ago," Ruth explained. "So, you see, she is an heiress
already. Besides, Mr. Warren would never forsake Maud. He simply adores
her. I think he went off on that fishing trip with father just to keep
from seeing Maud carry on. He thinks Aunt Sallie may be able to
influence her while he is gone. But do look at Miss Sarah Stuart, Bab!"

Miss Sallie swept down the ball-room floor in a handsome black satin and
jet evening gown, with Mrs. De Lancey Smythe in her wake.

There was the fire of battle in Miss Stuart's eye. On the widow's cheeks
burned two flaming signals of wrath.

"Maud Warren was left in my care by her father, Mrs. Smythe," declared
Miss Sallie. "In Mr. Warren's absence I forbid Maud's going about
unchaperoned with the Count de Sonde."

"Miss Warren is not a child, Miss Stuart," replied Mrs. De Lancey Smythe
angrily. "If she chooses to go about with the count I hardly see how you
can prevent it. The Count de Sonde is a noble, trustworthy young man."

"Miss Warren shall not go with him against my wishes," replied Miss
Stuart quietly, "and I fail to see how the matter can possibly interest
you."

Mrs. De Lancey Smythe's voice trembled with rage. "You appear to be
excessively strict with Miss Warren, Miss Stuart," she returned, "yet
you allow your niece and her friends to associate, every day, with a
woman who is entirely unknown to you, a woman about whom this entire
hotel is talking."

"Whom do you mean?" Miss Sallie demanded. She was exceedingly angry.

"Mean?" Mrs. De Lancey Smythe laughed mockingly. "I mean this so called
Countess Sophia von Stolberg. She is no more a countess than I am. She
is a fugitive and a swindler. She will be arrested as soon as there is
sufficient evidence against her."

The "Automobile Girls" had moved up close to Miss Sallie. They waited to
hear what she would say in regard to the countess.

"I do not believe the countess to be an impostor. She is our friend,"
replied Miss Stuart. "I think we need have no further conversation. Miss
Warren will do as I request." Without answering the other woman moved
away with flashing eyes and set lips, leaving Miss Sallie in triumphant
possession of the situation.

In a few moments Maud Warren came over to where Miss Sallie and the
"Automobile Girls" were still standing.

"Maud, won't you come up to our room to-night after the dance?" Ruth
urged. "We thought it would be jolly to make some fudge in a chafing
dish."

"Can you cook?" laughed Maud. "How funny! It is awfully good of you to
ask me to join you, but I have another engagement for this evening."

"Maud," said Miss Sallie firmly, "your father left you in my charge. I
cannot permit you to keep an engagement with the Count de Sonde."

Maud was speechless with astonishment. No one had ever forbidden her to
do anything in her life. Her father had always tried persuasion and
argument. Ruth's eyes twinkled as she saw the effect Miss Sallie's
firmness had upon Maud. Greatly to her surprise Maud Warren answered
quite meekly: "Very well, Miss Stuart. I will not see him if you do not
wish it."

The "Automobile Girls" breathed a sigh of relief. They had feared
another battle between Miss Sallie and Maud.

"This is jolly!" exclaimed Maud Warren, an hour later. The five girls
were in Ruth's sitting-room. They were eating delicious squares of warm
chocolate fudge.

"I am glad you are enjoying yourself," replied Ruth. "We would be glad
to see you often, but you always seem to be busy."

Maud tried to look unconscious. "It's the count's fault. The poor fellow
has a dreadful crush on me," she sighed.

"Do you care for him?" asked Barbara bluntly.

Maud simpered. "I really don't know," she replied. "I think the Count de
Sonde has a beautiful soul. He tells me I have a remarkable mind--such
sympathy, such understanding!"

Ruth choked over a piece of fudge. The other girls seemed to regard her
accident as a tremendous joke. Maud was entirely unconscious that she
had anything to do with their merriment.

"Then you really like the count very much!" exclaimed Mollie, opening
her pretty blue eyes so wide that Maud was amused.

"You dear little innocent thing!" returned Miss Warren. "Of course I
think the count a very interesting man. I don't deny he has taken my
fancy. But as for being in love with him--well, that is another thing."

"Do you really know anything about the count, Maud?" asked Ruth. "Your
father doesn't approve of him, and don't you think he knows best?"

"Oh, father never approves of any of my friends," complained Maud Warren
impatiently. "But Mrs. De Lancey Smythe is on my side. She likes the
count."

"But do you know much about Mrs. De Lancey Smythe?" Ruth went on.

Maud was nettled. "Mrs. De Lancey Smythe is a Virginian, and belongs to
an old southern family," she returned.

The "Automobile Girls" looked uncomfortable. It was Ruth who finally
spoke.

"I hope you won't be angry, Maud. It is only because we like you that I
am going to tell you something you ought to know. Some one told me to
warn you to be careful."

"Careful about what?" cried Maud, though her flushed face betrayed the
answer she expected.

"The Count de Sonde," replied Ruth.

"But what have you heard against him?" demanded Maud indignantly.

It was Ruth's turn to flush. What had she heard? If only the countess
had been a little less vague in her accusations against the count.

"I am afraid I don't know anything very definite to tell you," Ruth
confessed, in an embarrassed tone. "Yet we have heard rumors about the
count. Foreign noblemen are often fortune-hunters, you know."

"My dear Ruth, the Count de Sonde is not in need of money," protested
Maud. "He is very wealthy. Only the other day he showed me a letter from
his lawyer. It spoke of two hundred thousand francs. It is true the
letter was written in French. But the count translated it for me. And
then, of course, I know a little French myself."

"Oh, well," sighed Ruth, "perhaps we have no right to suspect him. But,
Maud, I beg of you to go slowly. You may be mistaken in the count. Think
how you would regret it if you were to marry him and find afterwards
that he had deceived you."

"Marry the count!" Maud's tones expressed great astonishment, then she
gave a satisfied laugh. "Don't worry about my affairs. The count is a
real nobleman," she declared.

A knock sounded at the door, and a bellboy handed Ruth a note. It was
addressed to Miss Warren. Ruth gave it to her. Maud opened it. A
gratified smile overspread her face, then turning to the "Automobile
Girls" she said: "Will you please excuse me, girls, I want to go up to
my room for a little while. I will be back in a few minutes."

The girls ate their fudge in silence for a time. Maud did not return.

"I wonder if Maud is coming back?" remarked Barbara, after a little.
"Somehow, I am sorry for Maud. It must be dangerous to be so rich and so
silly at the same time."

"I am afraid Maud is hopeless," Ruth contended. "I don't believe it is
going to do the slightest good for us to warn her against the count. I
wonder if we could manage to save her in any other way?"

Miss Sallie came into the room. "Where is Maud Warren?" she demanded
immediately.

The "Automobile Girls" could only explain Maud had gone to her room.

Miss Sallie rang the bell, and sent a maid to inquire for Maud.

The answer came back a few moments later. "Miss Warren had left the
hotel for the evening with several friends."

Miss Stuart said nothing. But the "Automobile Girls" knew Miss Sallie
would never forgive Maud Warren for her disobedience.

The four girls were almost ready to say good night, when another light
tap sounded at their door.

The girls lowered their voices. Perhaps Maud had lost heart, and had
returned to them after all.

Barbara went to the door. It was Marian De Lancey Smythe who had
knocked. She wished to speak with Bab for a moment.

Five minutes later Barbara returned to her friends, looking considerably
mystified.

"Now, Barbara Thurston, what did Marian Smythe have to say to you?"
demanded Mollie. "It is not fair, your having secrets with her from the
rest of us."

"Oh, Marian asked me if we were going to the countess's to dinner
to-morrow night," Bab replied.

"What a strange question!" exclaimed Grace Carter. "I don't see why she
should care where we go to dinner."

"Perhaps she had some plan or other on hand herself that she wanted us
to take part in," suggested Mollie.

Bab was silent.

"By the way," exclaimed Ruth, "did you know I received a letter to-day
from darling Olive Prescott? She and Jack have arrived in Paris, and
have set up housekeeping in the dearest little flat in the Rue de
Varennes. They live on the top floor, and Jack has the front room for
his studio. Of course Olive declares Jack is the best husband in the
world. He is painting Olive's portrait for the Paris Salon, and working
desperately hard so as to have it finished by April. Come, let's go to
bed."

Just as Barbara was dropping off to sleep Ruth gave her a little shake.

"Tell me Barbara Thurston, what Marian De Lancey Smythe said to you in
the hall!"

"I told you, child," murmured Bab hesitatingly.

"Honor bright, did you tell us everything, Bab Thurston?"

"No-o-o, not everything," admitted Bab. "This is exactly what Marian
said: 'Barbara are you going to dine with the countess to-morrow night?'
'Yes,' I replied. Then she said: 'You had better not go. But if you do
go, come home early, and don't ask me the reason, why."

"We'll go, sure as fate!" exclaimed Ruth. "No matter what Marian says."




CHAPTER XIII

A SURPRISE PARTY


It had been a long day of uninterrupted pleasure for the "Automobile
Girls"--one of those sparkling, brilliant days that seem to belong
peculiarly to Florida in the early spring.

All morning the girls had cruised around the lake in a launch. Later in
the day they had bathed in the salt water of the Atlantic. After
luncheon they had played several sets of tennis; and, later Miss Sallie
had taken them to the cocoanut grove to drink lemonade and listen to the
music.

Miss Sallie had not spoken either to Maud Warren or to Mrs. De Lancey
Smythe since the evening before. The two women had carefully avoided
Miss Stuart. Once inside the cocoanut grove Bab's sharp eyes soon
discovered Maud, Mrs. Smythe and Marian seated at a table concealed by
an enormous cluster of palms. They were deep in conversation. Mrs.
Smythe was pouring wholesale flattery into Maud's ears to which the
foolish girl was listening eagerly.

Marian espied Barbara and came over to greet Miss Sallie and the
"Automobile Girls." She knew nothing of her mother's difficulty with
Miss Sallie.

"Marian," whispered Bab, as her new friend sat down next to her, "why
did you wish to know whether we were going to the countess's to dinner
to-night?"

"Why do you ask?" said Marian, looking a little frightened.

"Why it sounded to me as though you must have a reason for what you
said," argued Bab. "Were you trying to warn me about anything? Or, is it
simply that you do not like the countess?"

"I think the countess is very fascinating," was Marian's only reply.

"Won't you even tell me why you told us to come home early if we did
go?" persisted Barbara.

Marian gave a forced laugh. "Oh, I was only giving you a little good
advice about sitting up late. But just the same, I'm a very wise person
and you had better take my advice."

"What are you two girls whispering about?" asked Ruth gayly. "Never have
secrets from your little friends. It hurts their feelings, dreadfully."

"We aren't having secrets," responded Barbara. "That is not exactly. I'm
only trying to persuade Marian to tell me something. But she's a regular
Sphinx."

"Which would you rather be, a Sphinx or a chatterbox?" inquired Marian.
"And if you would, why would you, and if thus, why, therefore and
whereupon?"

"Fine!" exclaimed Ruth. "I never dreamed you could reel off nonsense
like that, Marian."

Marian laughed then rising said, "I suppose I shall have to go back to
Mama. I only came over for a minute." Her eyes again met Barbara's, and
she shook her head slightly, then nodding good-bye to the girls she
crossed over to where her mother was still conversing with Maud.

"Why did she shake her head at you, Bab?"

"She says again that we must come home early from the villa, to-night,
but she won't tell me why," replied Bab. "She evidently knows something
that we don't. She was even more mysterious to-day than she was last
night. Do you think we had better go?"

"Go! Of course we will," cried Ruth. "I don't believe Marian has
anything very serious on her mind."

"Really, children," interposed Miss Sallie in an annoyed tone, "if you
begin to conjure up mystery over so simple a matter as a dinner
invitation I shall feel obliged to keep you all at home. One would think
I was chaperoning a party of young sleuths, instead of four normal girls
out for a holiday."

This remark was received with discreet silence, on the part of the four
girls, and whatever their thoughts on Marian's warning were they sternly
repressed uttering them aloud during the remainder of the time spent in
the grove.

                  *       *       *       *       *

At eight o'clock that night Miss Sallie and the "Automobile Girls" were
seated about the countess's table with only their hostess and her
chaperon. There were no other guests at dinner.

"How delightful not to be bored by stupid men!" exclaimed the countess,
smiling at her circle of guests. "And what a charming picture the young
girls make, Madame de Villiers, do they not? There is not a black coat
in our midst to mar the effect of our pretty light frocks. Let me see,
Miss Stuart wears violet, dear Madame, gray. And the 'Automobile Girls'
might represent the four seasons. Ruth, you may be Spring, in your pale
green silk frock; little Mollie will have to play Summer in her corn
colored gown; Bab's scarlet frock makes me think of October; and Grace
is our Snow Maiden in her white frock."

The countess wore a beautiful gown of white messaline. Her exquisite
face was radiant with child-like pleasure. During the dinner the room
rang with her gay laughter. She had never seemed so young, so gracious,
and so innocent as she appeared to the "Automobile Girls" that night.

At each plate the countess herself had placed a small bunch of freesias,
whose delicate perfume filled the room.

"They are my favorite flowers," the hostess explained gently, "because
they remind me of my beloved Italy."

At the close of dinner a bowl of bon-bons was passed around the table.
There was a good deal of noise and confusion. The girls popped the
crackers, drew out the mottoes and read them, and decorated themselves
with the fancy paper caps. They were too absorbed in their own pleasure
to think, or hear, or see, anything that might have been taking place
outside the dining-room. Madame de Villiers, a military cap on her gray
hair, looked as fierce and terrifying as a seasoned warrior.

Dinner over, the countess led the way into her drawing-room, where the
laughter and gayety continued. Madame de Villiers played brilliantly on
the piano. The young people danced until they were exhausted. Suddenly
the young countess caught her train up over her arm, and ran out into
the centre of the floor. At a nod from her, Madame de Villiers began to
play the wild, passionate music of the Russian Mazurka. Then the
countess danced. Again and again she went through the intricate and
dramatic figures. Her audience was spellbound. No one noted the flight
of time.

Finally Bab whispered to Ruth: "Don't you think we had better go
upstairs for our wraps? It is growing late." The two girls slipped
quietly away without a word.

Ascending the stairs to the countess's sleeping room they gathered their
arms full of evening coats and scarfs. On a little balcony just outside
the window of the sleeping room crouched the figure of a man. His keen
eyes watched Bab and Ruth intently as they made ready to leave the room
and join their friends downstairs, entirely unconscious of the figure
hiding so near to them.

On the first landing of the stairs, Bab stopped. Ruth was ahead.

"Go on, Ruth," Barbara called down to her. "I have left my handkerchief
on the dressing table. I will be with you in a minute."

Bab ran quickly back to the room she had just left. Her soft satin
slippers made no sound on the floor. It was almost impossible to hear
her approach.

Bab paused at the half-open door of the bedchamber in horrified
surprise. Inside the room that she and Ruth had just left a man bent
over the countess's desk. Her Russian leather writing-case was wide
open. The man was running through her papers with a practised hand.

Bab could have turned and run downstairs again. The intruder would never
have heard her. But, although Barbara shook with fear for a moment, she
placed her wraps softly on the floor and stepped noiselessly back into
the room. The man was still unaware of her presence. Bab's eyes roved
about the room in search of a weapon. Her hand resting for an instant on
the dressing table, came in touch with something metallic and cold. It
was a silver shoe horn, but Barbara gripped it eagerly, then she
fastened her gaze upon the intruder. He was an old man with a shock of
gray hair and a thick beard, that partially concealed the outline of his
face. His lips were drawn back until his teeth showed and in his bent
attitude he reminded Bab of a gigantic ape. Under the concentration of
her gaze the strange apparition looked up and saw her as she stood
unflinching, watching with alert eyes his slightest movement. Without
uttering a sound the man began to move slowly toward her, his fierce
eyes never for a moment leaving her face.

"What are you doing here?" Bab demanded bravely. "You are a thief!"

Instead of running away from him the girl started toward the man. As she
did so she raised the shoe horn and pointed it at him. Had the light in
the room not been turned low he must have discovered the trick. As it
was the faint light, glinting on the polished metal gave it the
appearance of a revolver. The ape-like figure began backing slowly
toward the balcony. At the window he paused, as if debating whether he
dared take the chance of leaping upon her. Bab settled the question for
him by making a threatening move with the supposed weapon. The thief
whirled, sprang out on the balcony and dropped to the ground.

Barbara ran to the window. She saw that he had disappeared, then the
room began to whirl about her. She thought she was going to faint, for
she felt her strength rapidly leaving her.

With a great effort she threw off the weakness that was overcoming her
and looked out across the lawn.

During the early part of the evening a large motor boat cruiser, after
having put her owner ashore at Palm Beach had dropped down and come to
anchor for the night hard by the boathouse belonging to the villa
occupied by Countess Sophia. Lights were twinkling from the port holes
of the boat and her anchor light swayed listlessly at the stern. There
were no other signs of life aboard the boat on the bow of which one at
close range might have made out the word "Restless" in raised gold
letters.

Barbara wondered if their terrible visitor had come from the boat lying
there quietly on the moonlit waters.

Just then the buzz of excited voices was borne to her ears. She heard
the Countess Sophia's clear tones, then an excited little scream,
mingled with the deep voice of Madame de Villiers raised in angry
expostulation.

Still gripping her shoe horn Bab raced down the stairs, and parted the
portières that hung between the drawing room and hall.

What she saw was like the tableau from a melodrama. Crowded close to the
piano stood the Countess Sophia, while directly in front of her stood
Madame de Villiers, thoroughly enraged and brandishing her gold-headed
cane at two men who seemed about to seize the young countess. Clustered
in a frightened group at one side of the room stood Miss Stuart, Mollie
and Grace. Ruth was nowhere to be seen.

One of the men made a sudden stealthy move toward the countess.

"Stand back," commanded Madame de Villiers.

Just then Ruth's clear tones were heard outside the villa. "They're in
that room! Oh, hurry please!"

There was a sound of running feet and into the room darted two young men
clad in white yachting clothes, and wearing officers' caps.

"We're just in time," called one of the newcomers. "This is something in
our line of sport. Stand aside, girls. We'll soon have these fellows on
the run."

With this he grasped one of the men by the collar and dragging him to
the open hall door, picked him up and threw him off the veranda onto the
drive where he landed with a thud. A moment later his companion had
disposed of the other offender in like manner.

"Watch them, Joe," ordered the taller of the two yachtsmen. "If they try
to enter the house again, call me. I guess we can give them all they're
looking for. I'm going inside to see if there are any more rascals who
need attention."

"Oh you brave boys!" exclaimed Madame de Villiers as the young man
entered the drawing-room where the women were huddled together talking
excitedly.

"I think the credit belongs to the young woman who had the presence of
mind to go for help," smiled the youth, bowing to Ruth.

"I had to do something!" exclaimed Ruth. "I saw your boat early in the
evening, and when those two men came in here and began threatening the
countess I felt that the only thing to do was to see if some one on the
yacht would help us."

"Did you see the other man?" asked Barbara anxiously. "He was old and
white-haired and looked exactly like an ape. He was upstairs on the
balcony, while I was in the countess's room getting our wraps. Then I
forgot my handkerchief. When I went back for it he was in the room. I
frightened him away with a shoe horn. He thought it was a revolver. He
dropped to the ground from the balcony and ran towards the yacht. I
thought perhaps he belonged on the boat."

"Not with us," declared the yachtsman. "Allow me to introduce myself. I
am Captain Tom Halstead and my friend out there on the veranda, is
Joseph Dawson, engineer of the motor yacht 'Restless' which lies at
anchor just off the shore. We belong to the 'Motor Boat Club' boys, but
I doubt if you have ever heard of us before."

Although Tom Halstead and Joe Dawson were strangers to the "Automobile
Girls" they are well known to the majority of our readers. Born and
brought up on the Maine coast the ocean was their play ground from early
boyhood and their fondness for the sea led them to later perfect
themselves in the handling of motor boats. These two youths with a
number of other sturdy young men comprised the famous club of young
yacht skippers and engineers, organized by a Boston broker and headed by
Halstead as fleet captain, with Dawson as fleet engineer.

The reason for the appearance of the yacht "Restless" at this particular
place and time is set forth in "The Motor Boat Club in Florida," the
fifth volume of the "Motor Boat Club Series." That the two young men had
responded instantly to Ruth's call for help was in itself the best proof
of the manliness and courage of the "Motor Boat" boys.

The countess who in the meantime had recovered from the first shock of
the recent disturbance now presented Miss Stuart, Madame de Villiers and
the "Automobile Girls" to Tom Halstead. A moment later Joe Dawson
entered the room, and more introductions followed.

"Well, they've gone," declared Dawson. "They picked themselves up very
slowly and painfully and fairly slunk down the drive. I don't imagine
they will trouble you again to-night. However we'd better appoint
ourselves as special watchmen about the grounds until morning. I do not
wish to seem inquisitive but was the motive of these rascals common
robbery?"

"The men did not wish money," replied the countess slowly. "They wished
to steal a certain paper I have in my possession in order to destroy it.
That is why the old man was searching my writing case. But he did not
find the paper, for I carry it about my person. Forgive me for being so
mysterious, and believe that my reason for secrecy is one of grave
importance."

"There is nothing to forgive, Madam," replied Captain Halstead
courteously. "We are only too glad to have been of service to you and
beg that you will continue to accept our services at least until
to-morrow. Then I would advise you to procure a special officer to
remain at the villa in case you should be annoyed further by these
villains."

"Thank you," exclaimed the countess, with evident agitation. "I hardly
think we shall be troubled again. I do not wish an officer to come
here."

"We must return to the hotel, Countess," said Miss Stuart. "It is
growing late and my brother will become uneasy about us."

This time the women were assisted with their cloaks by the "Motor Boat"
boys and no startling interruption occurred. Ruth ran down the drive a
little ahead of the party to where her automobile stood. Then she
uttered a sudden cry of dismay. All four tires had been cut.

"Oh the rascals!" she exclaimed. "How dared they do such a contemptible
thing? We'll have to go back to the villa and telephone for another car.
Father will be so worried!"

An indignant babble of feminine voices ensued broken by the deeper tones
of the two young men as the party turned to go back to the villa.

Just then a familiar sound was borne to their ears. It was the chug!
chug! of a rapidly approaching automobile. A moment later the car rolled
up the drive. "It's Father!" Ruth exclaimed. "Oh, I'm so glad."

"What seems to be the trouble, Sallie?" queried Mr. Stuart, springing
from the car. "It's after midnight. I grew worried when you didn't
return to the hotel at eleven, so decided I had better come out after
you. I rather think we exceeded the speed limit too," he laughed,
turning to the chauffeur.

Then Ruth burst forth with an excited account of the night's adventure.
Mr. Stuart looked grave. "I shall send you an officer in the morning,
Countess," he said.

"These are the two young men who came so gallantly to our rescue, Mr.
Stuart," said the countess, turning to the "Motor Boat" boys who stood
modestly in the background.

Mr. Stuart shook hands with both young men, thanking them for their
prompt response to the call for help. "We should be pleased to have you
dine with us to-morrow evening," he said.

"Thank you," responded the young captain, "but we shall weigh anchor in
the morning."

After bidding farewell to the two young men and good night to Madame de
Villiers and the Countess Sophia, the "Automobile Girls" and Miss Sallie
stepped into the car in which Mr. Stuart had driven to the villa.

"I'll send a man out to put that other car in shape to-morrow," he said
to Ruth as they sped down the drive. "But, hereafter when this valiant
band, known as the 'Automobile Girls' pays a visit to the Countess
Sophia I shall insist upon accompanying them whether or not I am
invited."




CHAPTER XIV

THE PLOT THICKENS


Maud Warren apologized to Miss Sallie. Mr. Warren had been greatly
displeased when he heard of his daughter's disobedience, and had
reprimanded her in such severe terms, that she anxiously endeavored to
conciliate Miss Stuart at the earliest opportunity. Miss Sallie, however
received her effusive apology very coldly, and it was some time before
Maud felt in the least comfortable in her society.

One evening soon after the eventful dinner with the countess, the
"Automobile Girls" started out for a moonlight stroll accompanied by
Miss Stuart, Mr. Stuart, Mr. Warren and Maud. Just as they were leaving
the hotel Marian Smythe appeared on the veranda and was asked to join
them.

"Where have you been keeping yourself, Marian?" asked Ruth.

Marian flushed.

"I've been very busy," she said hastily. Then as if anxious to change
the subject: "Have you been to the countess's villa lately?"

"No," replied Ruth quickly. "Not since the dinner there. Have you heard
anything about her?"

"No," answered Marian shortly, and relapsed into moody silence.

As they strolled leisurely along Barbara who had been walking ahead with
Miss Stuart, dropped behind with Marian.

"I want to ask you something, Marian," she began.

"Little girls should never ask questions," said Marian lightly, but
Barbara felt that her apparent unconcern was forced.

"Have you heard about what happened at the villa the night we dined
there?" persisted Bab.

"I have heard something about it," admitted Marian, in a low voice. "It
was an attempt to rob the countess, was it not?"

"You could hardly call it robbery," replied Barbara. "The men took
nothing. But they acted in a very mysterious manner, and there was one
perfectly hideous old man who was a real burglar for I caught him going
through the things in the countess's sleeping room, when I went up
stairs after our wraps. I drove him from the room."

"How did you ever do it, Bab?" asked Marian. There was an expression of
absolute terror in her eyes.

"You'll laugh when I tell you," replied Bab. "I drove him away with a
shoe horn."

"A shoe horn?" repeated Marian questioningly. "I don't understand."

"He thought from the way I held it that I had a revolver in my hand,"
explained Barbara. "You see it was silver and as the light in the room
was turned low it looked like polished steel. At any rate it answered
the purpose."

"You are very brave, Bab," said Marian admiringly. "Considering the man
with whom you had to deal you showed wonderful courage."

"What do you mean, Marian, by 'the man with whom I had to deal'? Who is
that frightful old man?" asked Barbara, looking searchingly at the other
girl. "Why did you warn us not to dine with the countess? Did you know
what was to happen? You must tell me, Marian, for I must know. If the
countess or any of us is in danger it is your duty to tell me. Can't you
trust me with your secret, Marian?"

Marian shook her head. Her lip quivered, and her eyes filled with tears.

Barbara waited patiently for her to regain her self-control.

"Bab," she said in a choked voice. "I can't answer your questions. I
dare not. I am a miserable victim of circumstances, and all I can say is
that your danger is in being friendly with the countess. She has an
enemy who will stop at nothing to gain his own end, and he will crush
you, too, if you stand in his way."

"Tell me, Marian," said Bab eagerly. "Do you know anything about the
countess?"

"Very little," was the reply, "and that little I may not tell. But this
I promise you, that no matter what may be the consequences to myself, I
will warn you in time should any special danger threaten you girls or
her. That is, if I have the slightest opportunity to do so."

Marian stretched out her hand and Bab clasped it. "Thank you, dear
Marian," she said. "I know you will keep your word."

After an hour's stroll the party repaired to the hotel veranda, where
ices and cakes were served to them. Every one, with the exception of
Maud Warren, was in high good humor. Even Marian emerged from the gloom
that had enveloped her earlier in the evening, laughing and talking
merrily with the "Automobile Girls." Maud, however was in a distinctly
rebellious state of mind. During their walk they had encountered the
Count de Sonde and Monsieur Duval, and although Mr. Stuart and Mr.
Warren had exchanged polite civilities with the two Frenchmen, they had
not invited them to join the party. While Maud, still smarting inwardly
from her father's recent sharp censure, had not dared to brave Mr.
Warren's certain anger by doing so. Her only means of retaliation lay in
sulking, and this she did in the most approved fashion, refusing to take
part in the conversation, and answering in monosyllables when addressed.
Ruth and Barbara vainly tried to charm away her sulks by paying her
special attention, but she merely curled her lip scornfully, and left
the veranda soon after on plea of headache. Mr. Warren sighed heavily as
he looked after her retreating figure, but made no comment. Yet his
friends knew instinctively what was passing in his mind, and the
"Automobile Girls" solemnly vowed each in her own heart to watch over
Maud and save her if possible from the schemes of fortune-hunting
nobility.

"Is there anything more perfect than this Florida moonlight!" asked
Ruth, during a lull in the conversation, as she leaned back in her chair
and gazed with half closed eyes at the silvery tropical world before
her. "Positively, I could sit out here all night!"

"It looks as though we were in a fair way to do so," replied her father,
glancing at his watch. "Half-past eleven. Time all children were in
bed."

"Really, Robert, I had no idea it was so late," said Miss Sallie,
stifling a yawn. "I believe I am sleepy. Come, girls, it is time for us
to retire."

"Oh, Aunt Sallie!" exclaimed Ruth. "How can you be so cruel?"

"'I must be cruel to be kind,'" quoted Miss Stuart. "If I allow you to
moon out here until unseasonable hours, you will never get started on
your picnic to-morrow, at seasonable ones."

"She speaks the truth," said Ruth dramatically, "I will arise and hie me
to the hay, for come what may, I swear that I will picnic with the rosy
morn."

"I thought you were going to picnic with us," said Grace flippantly.

"So I am," replied Ruth calmly. "That statement was mere poetical
license."

"First find your poet," said Bab slyly.

Whereupon there was a chorus of giggles at Ruth's expense, in which she
good-naturedly joined.

"I'm really more tired than I thought I was," she yawned, a few moments
later as she sat curled up in a big chair in the room adjoining Miss
Stuart's which she and Barbara occupied.

"I'm tired and sleepy, too," responded Barbara. "It's almost midnight.
We'll never get up early to-morrow morning. Oh, dear!" she exclaimed a
second later, "I've left my pink scarf down on the veranda. It's hanging
over the back of the chair I sat in. I'll go down this minute and get
it, before any one has had time to see it or take it away."

Suiting the action to the word Bab hurried out of the room, and along
the corridor. She did not stop for an elevator but ran lightly down the
two flights of stairs and out to the veranda. It was but the work of a
moment to secure her scarf, which hung over the back of the chair, just
as she had left it. The veranda was deserted except for a group of three
people who stood at the far end in the shadow. Their backs were toward
Bab and they were talking earnestly in low voices. Barbara stood
petrified with astonishment, scarcely able to believe the evidence of
her own eyes, for the group consisted of Monsieur Duval, Mrs. De Lancey
Smythe and--enveloped in the pale blue broadcloth cloak Bab had often
seen her wear was the Countess Sophia.




CHAPTER XV

CAUGHT NAPPING


The following morning Barbara awoke with the feeling of one who has
experienced a disagreeable dream. Was it a trick of her imagination, or
had she really seen their beautiful young countess deep in conversation
with Monsieur Duval and Mrs. De Lancey Smythe? True Bab had not seen her
face, but her height, and carriage--the blue cloak--were unmistakable.

On her return to their room Bab had not mentioned her unpleasant
discovery to Ruth. She could not bear to voice any actual charge against
the Countess Sophia. "Perhaps it will all be explained yet," she told
herself, and with a wisdom far beyond her years, she resolved to be
silent, at least for the present, about what she had seen.

When the launch which Mr. Stuart had chartered, with its freight of
picnickers, had put out from shore and headed for the villa, where they
were to pick up the countess and Madame de Villiers, Barbara had loyally
decided to let not even the evidence of her own eyes sway her into
condemning the countess unheard.

On their arrival at the villa they found the countess and Madame de
Villiers ready and waiting for them, and the sailing party was soon
comfortably seated in the roomy launch. Madame de Villiers occupied a
wicker chair opposite Miss Sallie, while the young countess and the
"Automobile Girls" had stretched a steamer rug over the roof of the
small cabin, and lay upon it in picturesque attitudes under their
sunshades.

There was a churning of the propeller, a shrill toot from the whistle,
and the launch glided out over the water as smoothly as a canoe rides
down stream.

"We're off!" cried Mr. Stuart joyously.

"I believe you are just a great boy still, Robert," smiled Miss Sallie
indulgently.

The day's excursion had been arranged by Mr. Stuart. He was an
enthusiastic fisherman, and on his return from the fishing expedition
with Mr. Warren he at once began to plan a similar excursion for the
"Automobile Girls," extending his invitation to the countess and Madame
de Villiers.

It was an ideal day for a picnic. The sun shone brilliantly down on Palm
Beach, making it look like an enchanted land. The bathers were out in
full force. A little farther up the beach countless flower-trimmed hats
and many-hued parasols made gorgeous blots of color along the white
sands. Overhead the sky was an intense blue, and the water reflected the
blueness in its depths.

"You can never understand how happy this makes me," declared the
countess, bestowing an enchanting smile upon the little company. "Mr.
Stuart, we thank you for the many pleasures you have given Cousine and
me. Someday I hope I may be able to do something for you."

"Wait until the picnic is over before you thank me, Countess," replied
her host. "The fishing may bore you, especially if the fish don't bite."

"Ah, well," laughed the countess, "I could fish patiently all day, under
a sky like this without complaining, if I were to catch nothing but a
minnow."

Mr. Stuart's fishing party had made an early start. They were to land
some miles up the coast, where those who were not of a mind to fish
could make themselves comfortable on shore.

The journey was not a short one. It was well past eleven o'clock when
they landed on a hard shell beach, broken here and there by patches of
marsh grass.

"You are especially privileged to be allowed to set foot on these
shores," Mr. Stuart assured his guests, as he handed them out of the
launch. "The location of this place has been kept a secret; otherwise it
would be overrun with tourists and excursionists."

"Is it so beautiful?" Ruth inquired.

"Wait until you see it!" was Mr. Stuart's reply.

The beach sloped upward so as to form a wall that completely hid the
land behind it from view.

Ruth and Barbara ran on ahead.

"Oh, Father," cried Ruth excitedly. "This is a surprise!"

The two girls were looking down into a beautiful little dell. It was
like a tiny oasis, with a sand wall on one side of it, and a mass of
palmettoes, oak trees and cocoanut palms encircling it on the other
three sides. The ground was carpeted thickly with violets. Yellow
jasmine and elder flowers gleamed through the foliage. The branches of
the oak trees were draped with gray Spanish moss, which made quite a
sombre background for the gay tropical scene.

"This is to be your drawing-room and dining-room, Madame," declared Mr.
Stuart, as he helped Madame de Villiers over the sandy hillock. "You may
do whatever you like here. You may pull the violets, or walk on them.
There are no park rules."

"Was there ever such a place in the world!" exclaimed Countess Sophia.
"I shall not leave it until we sail for home. The most wonderful of sea
trout could not lure me from this enchanting spot."

"We shall stay here, too," agreed Mollie and Grace. "I would rather
gather violets than catch gold fish," Mollie assured Mr. Stuart.

The wicker chairs were brought from the launch, so that Madame de
Villiers and Aunt Sallie could be comfortable in their sylvan retreat.
Ruth and Barbara went off with Mr. Stuart on the quest for fish, while
the young countess, Mollie and Grace gathered wild flowers and made
wreaths of the sweet-smelling yellow jasmine.

Grace ran with her crown of wild jasmine and placed it on Miss Sallie's
soft white hair. The countess placed her wreath on Madame de Villiers's
head.

  "Oh, happy day, Oh, day so dear!"

sang Countess Sophia as she stuck one of the beautiful yellow flowers
into her dark hair and danced with Mollie over the sands.

It was a happy day indeed--one that the little party would never forget!
Mysteries and unanswered questions were banished. Even Bab forgot for
the time being all disquieting thoughts. The lovely young countess, with
her eyes full of an appealing tenderness, had driven away all ugly
suspicion.

Several hours later the fishing party returned.

"See what we've got!" Ruth exclaimed proudly, as she ran up the sand
hill flourishing a string of speckled sea trout.

"Miss am sho a lucky fisherman," agreed the old colored man in whose
boat Mr. Stuart and the two girls had been fishing.

"But where are your fish, Barbara?" Grace inquired.

Mr. Stuart laughed. "Bab is the unluckiest fisherman that ever threw out
a line," he explained. "Shall I tell them, Bab?"

Barbara flushed. "Oh, go ahead," she consented.

"Well," Mr. Stuart continued, "Miss Barbara Thurston caught a tarpon a
yard long this morning."

"Where is it?" cried the waiting audience.

"Back in the sea, whence it came, and it nearly took Mistress Bab along
with it," Mr. Stuart answered. "When Barbara caught her tarpon, she
began reeling in her line as fast as she could. But the tarpon was too
heavy for it, and the line broke. Then Bab prepared to dive into the
ocean after her fish."

"I was so excited I forgot I did not have on my bathing suit," Bab
explained. "I thought, if I could just dive down into the water, I could
catch my tarpon, and then Mr. Stuart could pull us both back into the
boat."

"Reckless, Barbara!" cried Miss Stuart. "What will you do next!"

"Don't scold, Aunt Sallie," Ruth begged. "It was too funny, and Father
and I caught hold of Bab's skirts before she jumped. Then old Jim, the
colored man, got the fish. So we had a good look at him without Bab's
drowning herself. But when we found that the catch was a tarpon, and not
good to eat, Father flung it back in the water."

While Mr. Stuart and the girls were talking, Jim and the engineer from
the launch built a fire. They were soon at work frying the fish for
luncheon.

Nobody noticed that a small naphtha launch had been creeping cautiously
along the coast. It was sheltered from view by the bank of sand. And it
managed to hide itself in a little inlet about a quarter of a mile away
from Mr. Stuart's larger boat.

After a hearty luncheon no one had much to say. The "Automobile Girls"
were unusually silent. Finally they confessed to being dreadfully
sleepy. There is something in the soft air of Florida that compels
drowsiness. Miss Sallie and Madame de Villiers nodded in their chairs.
Mr. Stuart, the countess and the four girls stretched themselves on the
warm sand. Jim slept under the lea of his small fishing boat, and the
engineer of the launch went to sleep on the sand not far from the
water's edge.

For nearly an hour the entire party slumbered. All at once Mr. Stuart
awoke with a feeling that something had happened. He rubbed his eyes,
then counted the girls and his guests. Miss Sallie was safe under the
shadow of her parasol, which had been fixed over her head. Madame de
Villiers sat nodding in her chair.

The afternoon shadows had begun to lengthen; a fresh breeze was stirring
the leaves of the palm trees. But, except for the occasional call of a
mocking bird, not a sound could be heard.

Mr. Stuart waited. Did he not hear a faint noise coming from the
direction of his launch. "The engineer has probably gone aboard!" Mr.
Stuart thought.

"It is high time we were leaving for home," said he to himself.

But as he stepped to the edge of the embankment he saw his engineer
still lying on the ground sleeping soundly.

A small boat like a black speck disappeared around a curve in the shore.

"What on earth does that mean?" cried Mr. Stuart. Leaping over the sandy
wall he ran toward his engineer. Mr. Stuart shook him gently. The man
opened his eyes drowsily, yawned then raising himself to a sitting
position, looked stupidly about.

"A strange boat has just put out from here," said Mr. Stuart quietly.
"We had better go out to the launch and see if all is well."

The engineer rose to his feet, and still stupid from his heavy sleep,
followed Mr. Stuart to the dinghy. The sound of voices aroused old Jim
who clambered to his feet blinking rapidly.

Mr. Stuart and the engineer pushed off toward the launch, each feeling
that he was about to come upon something irregular. Their premonitions
proved wholly correct. The engine room of the pretty craft was a total
wreck. The machinery had been taken apart so deftly, it seemed as though
an engineer alone could have accomplished it, while the most important
parts of the engine were missing.

"Whose work is this?" ejaculated Mr. Stuart, clenching his fists in
impotent rage. Suddenly it dawned upon him what the wrecking of his
launch meant. He was on an uninhabited shore with seven women, his
engineer, and colored servant, with no prospect of getting away that
night.

He felt in his pockets. A pen-knife was his only tool or weapon.

Mr. Stuart rowed back to shore to break the disagreeable news to the
members of his party. But the sleepers were awake on his return. They
had seen Mr. Stuart row hurriedly out to the launch with the engineer,
and surmised instantly that something had happened.

"Oh, dear, oh, dear!" wailed the countess, when Mr. Stuart had explained
their plight. "Must I always bring ill-luck to you?"

"Nonsense!" expostulated Mr. Stuart. "How could the wrecking of our
engine have any connection with you, Countess?"

Old Jim who still stood blinking and stretching now began to vaguely
grasp the situation.

"'Scuse me ladies," he mumbled. "I spects I'se jest been nappin' a
little. I ain't been 'zactly asleep."

The "Automobile Girls" laughed, in spite of the difficulties which
confronted them.

"Oh no, you haven't been asleep," Mr. Stuart assured him, "but that nap
of yours was a close imitation of the real thing."

Jim grinned sheepishly and hung his woolly head. "I 'low nothin' bad
ain't happened, suh."

"Something bad certainly has happened. In fact about as bad as it well
could be, Jim," declared Mr. Stuart. "Some wretch has tampered with the
engine of our launch and left us high and dry on this lonely shore. We
must do something and that something quickly. It's getting late, and we
don't want to spend the night here, lovely as the place is. Where's the
nearest house or village?"

"Lor', suh," exclaimed old Jim. "This am a lonesome spot. There ain't no
village no wheres round heah!"

"But where is the nearest house, then?" demanded Mr. Stuart.

The darkey scratched his head reflectively.

"Ole Miss Thorne might take you in, Massa. Her place am about two miles
from here. She's my old missis. I live thar. I jest comes down here and
helps fishin' parties to land and takes them out in my boat in the
daytime. Nights I sleeps at my old missis's place. She comes of a fine
family she do. But she's a little teched in the head, suh."

"All right, Jim; show us the way to the house. But how are we to find a
horse and wagon? My sister and Madame de Villiers will not care to walk
that distance."

"I got an old horse and wagon hitched near here, Massa," Jim returned.
"I come over in it this morning."

Mr. Stuart finally installed Miss Sallie, Madame de Villiers, and the
young countess in the bottom of Jim's old wagon. He also stored their
lunch baskets away under the seats. Food might be precious before they
found their way back to their hotel.

Then Jim started his patient old horse, while Mr. Stuart and the
"Automobile Girls" followed the wagon which led the way along a narrow
road through the heart of the jungle.

But before leaving the deserted shore, Mr. Stuart went back to the
launch. He tacked a note on the outside of the cabin. The note explained
the accident to their engine. It also stated that Mr. Stuart and his
party had gone to seek refuge at the home of a Miss Thorne, two miles
back from the shore.

Mr. Stuart did not believe the wrecker would return to the boat. He had
accomplished his evil purpose. But Mr. Stuart did hope that another
launch might visit the coast either that evening or in the early
morning. Therefore he requested that any one who discovered his letter
would come to Miss Thorne's home for his party.




CHAPTER XVI

WELCOME AND UNWELCOME GUESTS


The sun was just sinking when Mr. Stuart's weary cavalcade stopped in
front of a great iron gate. The gate was covered with rust and hung
loose on its hinges. It opened into a splendid avenue of cypress trees.
As far as the eye could see on each side of the road, ran overgrown
hedges of the Rose of Sharon. The bushes were in full bloom and the
masses of white blossoms gleamed in the gathering shadows like lines of
new fallen snow.

"How beautiful!" exclaimed the four "Automobile Girls" in chorus.

Mr. Stuart looked anxiously up the lonely avenue as his party stumbled
along the rough road and peered cautiously into the hedge first on one
side then on the other. It would have been easy for an army to hide
itself in the cover of the thicket, which hemmed them in on all sides in
an impenetrable wall of green.

"I feel extremely uneasy, Robert," declared Miss Sallie, her face pale
under the stress of the day's experiences.

Old Madame de Villiers smiled and shrugged her shoulders. "I have no
fear for myself," she said. "My husband is a soldier. I have followed
him through two great wars. What comes must come. It is all in the day's
business. But the countess, she is different. She is in my charge;
nothing must happen to her. I assure you, Mr. Stuart, it is of the
utmost importance that the Countess Sophia be protected."

Miss Sallie held her head very high. Madame de Villiers was their guest,
so Miss Stuart would say nothing. But why should Madame de Villiers
think the safety of the Countess Sophia of more importance than that of
the four "Automobile Girls?" Miss Sarah Stuart had other ideas. She was
equally determined that no harm should overtake any one of her charges.

The narrow avenue finally broadened into a lawn overgrown with flowers
and vines. Back of it stood an old house that had once been a fine
colonial mansion. The house seemed to frown on the intruders, who had
come to destroy its sacred quiet.

"I should think anybody might be 'teched' in the head, who lived alone
in a queer place like this," whispered Ruth to Bab, as the two girls
stood with their arms about each other, staring ahead of them.

"Will you see Miss Thorne first, Jim, and explain our plight to her?"
Mr. Stuart asked the old colored man. "Or do you think it would be
better to have me make matters clear?"

"I'll do the 'splainin', Massa," returned old Jim. "My missis will allus
listen to me. I done tole you she wasn't jes' like other folks."

"Is your mistress insane, Jim?" inquired Miss Sallie anxiously.

"No-o, ma'am," returned the old man. "Miss Thorne she ain't crazy. She's
puffectly quiet, suh, and she's all right on every subject 'cept one. I
hates to tell you what that thing is."

"Out with it, Jim. What is the lady's peculiarity?"

"She imagines, suh, that her fambly is still with her, her own ma and
pa, and young massa, and her sister Missy Lucy. Missy Rose ain't never
been married."

"Where is her family, Jim?" Ruth asked.

"They lies yonder in the buryin' ground, Missy," replied the old darkey,
pointing toward a clearing some distance from the house, where a few
white stones gleamed in the twilight.

Miss Sallie shuddered. Grace and Mollie huddled close to her, while Ruth
and Bab gave each other's hands re-assuring pressures.

"Do you look after this Miss Thorne?" Mr. Stuart inquired further.

"Yes, suh; me and my wife Chloe looks after her. Chloe cooks and I works
about the place when I'se not down to the beach with my boat. But my
missus ain't so poor. She's got enough to git along with. I jest likes
to earn a little extra."

By this time Jim had climbed down from his shaky old wagon. He now
opened the front door.

"Walk right in," he said hospitably, making a low bow. "I'll go find
Miss Rose."

Mr. Stuart's party entered a wide hall that seemed shrouded in
impenetrable gloom. On the walls hung rows of family portraits. The
place was inexpressibly dismal. The "Automobile Girls" kept close to Mr.
Stuart. In silence they waited for the appearance of the mistress of the
house.

Two candles flickered in the dark hallway. Out of the gloom emerged an
old lady, followed by her two servants, who were bearing the lights. She
was small and very fragile. She wore a gray silk gown of an old
fashioned cut. Her dress was ornamented with a bertha and cuffs of
Duchess lace.

The old lady advanced and held out her small hand. "I am pleased to
offer you shelter," she declared to Mr. Stuart. "Jim has explained your
predicament to me. We shall be only too happy to have you stay with us
for the night."

At the word "we," the "Automobile Girls" exchanged frightened glances.
Their hostess was alone. But that one word "we" explained the situation.
Did she mean that all the ghosts of her past still waited in the house
to welcome unexpected visitors?

"It has been many years since we have had guests in our home," continued
Miss Thorne. "But I think we have rooms enough to accommodate you."

Chloe conducted Miss Sallie, Madame de Villiers, the Countess Sophia and
the four "Automobile Girls" into a great parlor. The room was furnished
with old fashioned elegance. Candles burned on the high mantel shelves.
But the dim lights could not dispel the shadow of desolation that
pervaded the great room.

A few minutes later Miss Thorne entered the room. "You must tell me your
names," she inquired sociably. "I wish to run upstairs and tell Mama
about you. Poor Mama is an invalid or she would come down to see you."

Then calling Chloe to her, she said in a loud whisper:

"Notify Miss Lucy and Master Tom at once. Papa can wait. He is busy in
the library."

An uncanny silence followed Miss Thorne's speech. Every one of the seven
women looked unhappy and Mr. Stuart tried vainly to conceal a sense of
uneasiness. But Chloe quietly beckoned the party from the room.

"I'll jes' show the ladies upstairs," she explained gently and her
mistress made no objection.

Miss Sallie would on no account sleep alone in such a dismal house. She
shared a large chamber with Ruth and Bab. The countess asked to spend
the night with Mollie and Grace, and Madame de Villiers, who was afraid
of nothing, had a room to herself. Mr. Stuart went up to the third
floor.

"Let us talk and laugh and try to be cheerful, girls," proposed the
countess. "This poor old soul is quite harmless, I believe, and she
seems very sad. Perhaps we may be able to cheer her a little."

"All right, my lovely countess," replied Mollie. "Ghosts or no ghosts,
we will do our best. But don't count on me for much merriment. I'm a
dreadful coward." Mollie looked over her shoulder with a shudder.

The countess and Grace laughed, but quickly their laugh died.

The sound of weird music floated up through the dark hall. Their
hostess, Miss Thorne, was playing the tall harp that stood in the
parlor.

"Goodness!" cried Miss Sallie, "what will that poor soul do next? I
should not be in the least surprised if the entire departed family were
given places at supper to-night." Which was exactly what happened. Four
empty chairs were left at the table.

"Miss Thorne," said Mr. Stuart, when they were all seated, "could you
not be persuaded to visit the outer world? It would give my sister and
me much pleasure if you would spend a few days with us at Palm Beach."

A spark of pleasure lit up the hostess's faded eyes for an instant. Then
she shook her head sadly.

"You are most kind, sir, but I am much needed at home. Lucy, my sister,
is quite delicate, you see. And Mama is an invalid."

Miss Sallie touched her brother's foot under the table, as a signal to
keep away from dangerous topics. But what topic was not dangerous?

"How charmingly you play the harp, Miss Thorne," ventured the countess,
when they had somewhat recovered themselves.

"Ah," exclaimed the poor woman, smiling archly, "you must praise the
right person, my dear. It was my sister Lucy who was playing."

Miss Sallie dropped her fork with a loud clatter, while Mollie slipped
her hand into the countess's and the other three girls linked their feet
under the table, girl fashion.

Jim, who, in an old black coat, was waiting on the table, smiled grimly
and mumbled to himself.

"But, young ladies," cried Miss Thorne, "you are not eating."

As a matter of fact the supper was delicious; biscuits as light as snow
flakes, broiled sea trout, potatoes roasted in their jackets and
preserves in delicate cut glass bowls. But who could enjoy a banquet
under such conditions? The two candles seemed to accentuate the
blackness of the shadows which gathered at the edges of the room. The
guests tried to laugh and talk, but gradually gloomy silence settled
upon them. Miss Thorne appeared to have forgotten where she was and Mr.
Stuart observing the uneasiness of the whole party remarked that as they
had had a long day it would be well to retire early.

As they were about to rise from the table a sudden exclamation from the
countess who sat at the lower end of the table caused all eyes to turn
toward her in startled inquiry. She was staring at the open window in
fascinated terror, unable for the moment to do anything save point to
the opening which was swathed in shadows.

"A horrible old man!" she at last managed to articulate. "I saw him
looking in at us!"

"What old man?" demanded Mr. Stuart.

"He was white haired and looked like a great ape," she gasped.

"Why that's the man whom I drove out of your room the other night,
Countess," exclaimed Bab. "What can his object be in following you?"

"Come, my man," commanded Mr. Stuart, turning to the engineer who sat
beside him, "and you too, Jim, we'll search the grounds. I believe that
this formidable old man can tell us something about the wrecking of the
engine. Let's get after him at once!"

Old Jim lost no time in procuring lanterns, and a thorough search of the
grounds was made. The women meantime remained in the dining room, but
now that the first effects of their fright had worn off, they prepared
to give their fearsome intruder a warm reception should he again show
himself. Madame de Villiers moved her chair to one side of the open
window, her heavy cane in both hands, ready for instant use. While
Barbara took up her station at the other side grasping firmly the heavy
silver teapot that had been in the Thorne family for generations. Ruth
guarded the door at one end, brandishing ferociously a heavy carving
knife she had appropriated from a set on the old fashioned side-board,
while Mollie, bravely, held the fort, at the other door with the fork.
The countess half laughing, half shuddering, clung to a heavy cut glass
water bottle, while Miss Sallie had prepared to meet the enemy with a
huge bottle of cayenne pepper, which she had taken from the
old-fashioned silver castor.

[Illustration: The Countess Pointed Toward the Open Window.]

 "There is nothing like being prepared," said Ruth with a hysterical
laugh, after ten minutes had passed, and the enemy had not shown
himself. "I'm going to get a chair and be comfortable." Mollie followed
suit, and the watchers sat valiantly alert, as the minutes dragged by.

Miss Thorne chattered voluably to and about her family, paying very
little attention to her strangely-behaved guests, while Chloe, the old
servant, huddled in one corner, her eyes rolling with fright at every
sound she heard.

At last the welcome sound of men's voices was heard and Mr. Stuart,
followed by the engineer and old Jim, entered at Mollie's door.

"What kind of desperado organization is this?" he exclaimed, laughing in
spite of himself at the ludicrous appearance this feminine vigilant
committee made.

"It's war to the knife," cried Ruth.

"And the fork, too, I should say," laughed her father, "also the teapot,
and--what on earth are you cherishing so fondly, Sallie?"

"Cayenne pepper," responded Miss Sallie, "and I consider myself well
armed, at that."

"I should rather think so," agreed her brother. "However you are all
safe in laying down your arms, for we have searched diligently, and can
find no trace of the intruder. He evidently heard the countess and made
a quick get away. You must pardon us, Madam, for stirring up your quiet
home in this manner," he said, bowing to Miss Thorne. "I trust we shall
meet with no further disagreeable adventures."

"You have not disturbed either Lucy or me in the least," declared the
demented old woman graciously. "As for Papa and Mama they dearly love to
have visitors." She smiled sweetly and at once began a one-sided
conversation with her departed parents.

"Do take us away from her," whispered Ruth to her father. "She has been
addressing the shades of her family ever since you left us, and it's
getting on our nerves."

"With your kind permission, Miss Thorne, we shall retire," said Mr.
Stuart, and the seven tired women gladly followed him through the
shadowy hall and up the wide stairs, to their respective sleeping rooms.




CHAPTER XVII

THE MIDNIGHT INTRUDER


Once in their rooms the drooping spirits of the picnickers revived,
somewhat. It was a fine night, the air warm and fragrant. The windows of
the sleeping rooms were wide open and the moonlight streamed across the
floor, filling the whole place with its soft radiance.

"Oh look!" cried Grace, going over to the open window. "What a darling
balcony! I believe the other rooms all open out on it too. Good-bye,"
she called to Mollie and the countess, as she stepped nimbly over the
sill. "I'm going to make a call."

Grace had hardly disappeared, before the countess went quickly to the
door, closed it, then came back to Mollie, her finger on her lip.
Drawing Mollie over to one corner of the room, where they could not be
observed from the outside, the countess whispered. "Mademoiselle Mollie,
I believe you love me and trust me, even more than do your friends, and
because of this I am going to ask you to do me a very great favor."

Mollie's blue eyes looked lovingly up into the dark eyes of the
countess. So fervent was her feeling of adoration for this fascinating
stranger that she was prepared to grant any favor that lay within her
power. "I should dearly love to help you in any way I can," she said
earnestly. "You make me very, very happy."

The countess kissed her.

"Dear child," she continued, "the thing I am going to ask seems simple
enough, but some day you will understand how much it means to me. Wait a
moment," she added almost under her breath. "There is some one whom I
hold in such dread that, even in this desolate and far-away place, he or
his confederate might be listening."

She looked about her cautiously, then went to the window and anxiously
scanned the balcony. It was quite empty. Her eyes searched the long
avenue leading to the grove that looked like a huge black spot in the
moonlight. Then she returned to Mollie and said softly, "I am not afraid
of ghosts, and neither are you, Mollie, I am sure, because there are no
such things; but this place fills me with foreboding. It is so lonesome,
so utterly dismal. What was that? I thought I heard a noise below. Did
you hear anything?"

"Perhaps it was Jim closing up for the night," replied Mollie, pressing
close to the countess for comfort. "But what was the favor? I will do
anything for you."

"This is it," answered the countess, her voice again dropping to a
whisper. "Will you, for a few days, carry a paper for me? It is a very
dangerous paper, dangerous, that is, because some one else wishes it,
but it is a very valuable one to me because I may need it, and if you
will keep it safely hidden until I do need it, you will not only be
doing me a service but Mademoiselle Warren also."

Mollie looked puzzled. The countess's words were shrouded in mystery.

"Does it concern the Count de Sonde, too?" she asked breathlessly.

"Yes," replied the countess; "it concerns him very intimately. Will you
do this for me, little Mollie? I know now that the paper is not safe
either in my house or on me. It would be quite safe with you, however.
Even my enemy would never think of that, and, if anything should happen
to me, you may produce the paper at once. Give it to Mr. Stuart. He will
know what should be done."

The countess took from her dress a square, flat chamois bag which
fastened with a clasp and evidently contained a document of some sort.

"Fasten it into your dress with this pin," she said, "and keep the pin
as a memento of our friendship."

And the pin, as Mollie saw later, was no ordinary affair, but a broad
gold band on which was a beautifully enameled coat of arms.

"Is this another secret session?" cried Ruth's voice gayly from the
window.

The two conspirators started nervously.

"Come into our room," Ruth continued. "Papa has sent up the luncheon
hamper. There are still some sandwiches and fruit left; likewise a box
of candy. We were too frightened to have appetites at supper, but I
think a little food, now, will cheer us mightily."

"This looks quite like a boarding-school spread," exclaimed Miss Sallie
as they gathered around the feast. "But it is really a good idea. I feel
that this little midnight luncheon might help me keep up my courage
until I get to sleep."

"What a jolly little feast," cried the Countess Sophia. "I am quite
beginning to take heart again after that fearful ordeal below. I had a
feeling all the time that the chairs were not really empty."

"Goodness me!" cried Grace, "do change the subject, or we shall be
afraid to go to bed at all."

"And I move that we take to our couches at once," said Ruth, "while we
have the courage to do so. Madame de Villiers, are you not afraid to
sleep alone?"

"Not in the least, my dear. I am not afraid of the most courageous ghost
that ever walked. I believe I will retire at once. I am very tired."

Taking one of the candles which stood in a row on the mantel, making a
cheerful illumination, the stately old woman bade them good night, and
the tapping of her stick resounded through the empty hall.

Soon after Grace, Mollie and the countess stepped through the window,
and down the balcony to their room.

"You'd better close your shutters," called Grace over her shoulder.
"We're going to."

"And lose all this glorious moonlight?" asked Ruth. "Never. This balcony
is too high from the ground for any one to climb up, easily, and
besides, old Jim is going to be on guard to-night. Aunt Sallie thinks we
had better try to make ourselves comfortable without doing much
undressing. Even if we don't sleep very well to-night, we can make up
for it when we get back to the hotel." With these words Ruth blew out
the candles and five minutes later, their shoes and outer clothing
removed, she and Barbara and Miss Sallie were fast asleep.

Grace and Mollie, however, struggled vainly with the heavy wooden
shutters, but try as they might they could not succeed in closing them
tightly. After some subdued laughter and many exclamations they
abandoned their task in disgust, and blowing out their candles prepared
themselves for sleep.

At midnight Ruth awoke with a start. She had a distinct sensation that
some one had been looking into her face. But the room was still flooded
with moonlight, and she could see plainly that, except for her sleeping
companions, no one was there. She turned over and closed her eyes again,
but the sudden waking had driven sleep away.

Was that a noise?

Ruth held her breath and listened. There was not a sound except the
regular breathing of Miss Sallie.

Ruth lay with every nerve strained to catch the lightest footfall. In a
moment it came again, very faint but still distinct. Something--some
one--moved somewhere.

She sat up in bed and touched Barbara lightly on the cheek.

Barbara opened her eyes slowly then sat up. Ruth pointed to the next
room. The two girls listened intently. Again there was the sound, a
soft, a very soft footfall on a creaking board.

Cautiously the two girls climbed from the bed and crept over to the door
between the two rooms. On a small bed at the far side of the room lay
the countess, sleeping soundly. Grace and Mollie also were fast asleep
in the other bed. Suddenly Ruth gripped Bab's arm. The eyes of both
girls were riveted on the old fashioned dressing table in one corner of
the room. Before it stood the same terrible old man that Bab had seen at
the villa. He was examining minutely every thing on the dresser. Next he
turned his attention to the girls' walking suits which hung over the
backs of the chairs. He searched the pockets of the coats, the linings,
and even the hems of the skirts.

"He is certainly looking for a paper," Barbara thought, as she watched
him make his systematic search, "and he certainly has something to do
with the countess's affairs."

Barbara's mind reverted to the group she had seen on the hotel veranda,
the night before. What was the explanation of it all? Was the countess
really an impostor and why, when she evidently feared Monsieur Duval and
ignored Mrs. De Lancey Smythe, did she hold interviews late at night
with them? She had distinctly refused the "Automobile Girls'"
invitations to the hotel, yet she had not refused to meet others there.
And what part could this ferocious looking old man possibly have in the
drama?

All this passed rapidly through Bab's mind as with her hand clasped
tightly in Ruth's the two girls watched the intruder with bated breath.
To Bab there was something strangely familiar about him, his movements
suggested some one she had seen before, yet she could find no place in
her memory for him.

Failing to find what he desired, the old man again turned toward the
countess a look of indescribable menace on his face. He took a step
toward her then--a sudden burst of weird music floated up from the
gloomy drawing room. With a smothered exclamation the intruder whirled
and making for the window swung himself over the ledge. Ruth clutched
Barbara for support. She was trembling with fear.

"Don't be frightened, dear," soothed Bab bravely. "That isn't ghost
music. It's only Miss Thorne playing the harp. It's an unearthly hour
for music, but she couldn't have begun to play at a more opportune
moment, either. I believe that frightful old man thought it was ghost
music. Just listen to it. It's enough to give any one the creeps."

The demented old woman played on in a wailing minor key, and presently
footsteps were heard coming down the hall. By this time Mollie, Grace
and the countess were wide awake and seeing Bab and Ruth in their room
demanded to know what had happened. A moment later Madame de Villiers
and Miss Sallie, both fully dressed, entered the room.

"No more sleep for me to-night," announced Miss Stuart firmly. "I feel
that the sooner morning comes and we get out of this house the better
pleased I shall be."

At that instant a melancholy strain like the wail of a lost soul rose
from down stairs. Then all was silent.

"I begin to believe it is the departed spirit of her sister Lucy that
executed that last passage," shuddered the countess. "Come, my dears let
us finish dressing. It will soon be morning and then surely some way
will be provided for us to go back to Palm Beach."

"Shall we tell her?" whispered Ruth to Bab.

"We'd better," nodded Bab. "Then she will be constantly on her guard."

"Listen, everyone," commanded Ruth. "We are going to tell you something
but you mustn't feel frightened. We think the countess should know it at
once. You tell them about it, Bab."

Bab obediently began a recital of what had transpired after she and Ruth
had been so suddenly wakened. The others listened in consternation to
her story. The countess who turned very pale while Bab was speaking,
looked appealingly at Madame de Villiers. The stern old woman was
apparently much agitated. "He shall not harm the Countess Sophia," she
muttered, forgetful of those about her. "I will protect her even from
him."

"Aunt Sallie, shall I call Father?" asked Ruth a few moments later. The
seven women were seated about the room in silent dejection.

"No, Ruth," responded her aunt. "We will not waken him. A man that can
sleep through a concert such as we were favored with deserves to be left
in peace. It is after four o'clock now. I think we'll let him sleep
until six, at least. Then after breakfast, perhaps, he will be able to
devise some means by which we may return to the hotel."

It was a very tired and sleepy band of picnickers that gathered around
the Thorne breakfast table that morning, and breakfast was not over when
the honk of an automobile horn was heard and a large touring car rolled
up the avenue.

"Hurrah!" shouted Ruth. "It's Mr. Warren. Oh, but I'm glad to see him."

It was indeed Mr. Warren, who, when the party did not return that night,
had taken the fastest launch he could find and made for the picnic
ground. He had discovered the note, as Mr. Stuart had hoped, had
returned to the hotel where the history of Thorne house and its mistress
was not unknown and had come for them himself after a few hours sleep.

"I should be happy and honored if you would all come again," said Miss
Thorne as she waved adieu to her guests from the front piazza, while Jim
and Chloe bobbed and bowed and chuckled over the generous present they
had each received from Mr. Stuart.

As the automobile rolled down the avenue they caught a last glimpse of
the mistress of Thorne House still waving her handkerchief, and in every
heart was a feeling of tender sympathy for the little old woman whose
present was so irrevocably linked to the past.




CHAPTER XVIII

THE WATER FÊTE


  "Roll along, roll along,
    O'er the waters so blue,
  We're afloat, we're afloat
    In our birch bark canoe,"

sang Grace's high sweet voice as their boat bobbed gayly up and down
with the little rippling waves of the lake.

"That is a pretty song, my dear child," exclaimed Miss Sallie Stuart,
from a cushioned seat in the stern of the boat, "but you should
substitute 'naphtha launch' for canoe. Nothing would induce me to ride
in one."

"The Count de Sonde is going to be at the fête in a canoe," observed
Maud Warren in the tone of one imparting a piece of valuable
information. "He asked me to go with him, but Papa was unreasonable, as
usual."

"In a canoe with that little foreigner!" cried Miss Sallie in amazement.
"Does he know how to paddle?"

"The count is an expert boatman," replied Maud stiffly. She had mixed
sensations of fear and dislike for Miss Sallie, although fear was the
stronger sentiment of the two.

"I imagine his swimming and his canoeing are about alike," said Ruth
aside to Barbara; "just paddling in shallow water."

The "Automobile Girls" were busily engaged in decorating their launch
for the Venetian Fête, which was to take place that evening. The lake
dotted with numbers of boats looked like an immense flower bed. Hundreds
of craft of every land were anchored near the shore, each filled with
gay parties of young people who were stringing up rows of Japanese
lanterns, bunting and flags.

"There's not a boat on the lake that can compare with ours," cried
Mollie proudly, as she tacked the end of a festoon of small banners to
the awning-pole, while Barbara gave a finishing touch by crossing the
silk flags of the "Automobile Girls" on the bow.

"If only the lanterns don't catch fire this evening," said Miss Sallie.

"What a pessimist you are, Auntie, dearest!" exclaimed Ruth. "We can
easily pitch them in the water if they do, and still be very handsome
with our banners and things."

"Here comes the count," cried Maud, who had ignored the conversation of
the others and was busily scanning the multitudes of boats in search of
her admirer.

Her friends politely controlled a desire to laugh when they saw the
count presently emerge from the boats along the shore in a small canoe
that was decorated with one lantern hung from a bamboo stick in the bow,
while the French flag waved triumphantly from the stern. The count, in
white flannels, was working laboriously with the paddle. His little
mustache twitched in an agony of exertion and occasionally he paused to
wipe the perspiration from his brow.

"The count is quite an athlete, isn't he, Maud?" asked Mollie wickedly.
"I should think he might lead the parade to-night."

But Maud was not listening. Her whole attention was concentrated on the
canoe, which was making straight for the launch.

"Here I am, Count," she cried, waving her handkerchief to the young
Frenchman, who, as soon as he espied the boat full of girls, had begun
to paddle with a grand flourish, at the same time casting melting
glances in the direction of Maud. But he had not calculated on the
distance between the canoe and the launch, and a final, fancy stroke
with the paddle, sent the frail little boat scurrying over the water.

It collided with the larger boat, and in an instant turned turtle,
dragging the flag of the French ignominiously into the depths while the
discomfited son of France, clung to the side of his boat, and wildly
called for help.

At first the girls were speechless with laughter and the last of the De
Sondes received neither sympathy nor aid. Even Maud joined in the
merriment, while the enraged nobleman sputtered angrily in French and
denounced America and everything in it as fit only for pigs.

Presently Barbara wiped the tears from her eyes and threw out a life
preserver to the unfortunate man.

"There, Count," she called, "you can't sink as long as you hold on to
that. We'll see if we can't right your boat, and you can paddle back to
shore."

"I'm sorry we can't offer you the hospitality of our boat," said Miss
Sallie, "but we are anchored, you see, and the engineer is ashore.
Besides, I am afraid your wet clothing would spoil our decorations."

The count, however, was too enraged to remember any English. He shook
his fist at the upturned canoe and poured forth a perfect torrent of
maledictions against it.

Just then a passing launch paused and gave the needed assistance, taking
the count on board and towing the canoe to shore. As the little boat was
righted an envelope that had evidently fallen from the count's pocket,
floated past them in the current.

"You dropped something," called Barbara, but the launch had already
started for shore and the count did not hear her. Using the crook of her
parasol Ruth tried to fish it out. As she drew it to the side of the
boat it sank out of sight but not before she had read the inscription on
it, written in an angular foreign-looking handwriting: "To Madame La
Comtesse Sophia von Stolberg."

Barbara, too, saw it, and so did Mollie, whose face flushed crimson with
the memory of what her beloved countess had said to her that night on
the balcony of Thorne House. At that very moment, pinned inside of
Mollie's white silk blouse, was the dangerous paper which "concerned the
count very intimately."

Was it about that mysterious document that he was now writing to the
countess?

For the first time Mollie felt the shadow of a doubt cross her mind. It
was only a tiny speck of a doubt, but it left its impression, try as she
would to shake it off.

Ruth and Barbara exchanged glances, but said nothing. They had seen
enough to know that some sort of correspondence was being secretly
carried on between the Countess von Stolberg and the Count de Sonde. If
Maud were to marry the count she would deeply regret it, the Countess
Sophia had said.

Strangely enough, this speech came back to each of the three girls at
the same moment.

Ruth felt that perhaps they had rushed too quickly into an intimacy with
the countess. For the first time Mollie was inclined to be a little
suspicious. While Barbara who had even more evidence against the
Countess Sophia tried vainly to fit together the pieces of this most
mysterious puzzle.

                  *       *       *       *       *

"Well, fair and beautiful ladies, are you quite ready for a sail on the
Grand Canal? Have you your wraps and bonnets? Is Grace's guitar on
hand?" called Mr. Stuart that evening, after dinner, rapping on three
doors one after the other.

"In a minute!" called a chorus of voices from the three rooms, while Mr.
Stuart put on a look of resigned patience and waited for the girls to
appear. At length, tired of waiting, he strolled toward the elevator
when Marian De Lancey Smythe hurried along the corridor.

She averted her face when she saw Mr. Stuart, for Marian had sedulously
kept out of sight for a number of days, and they had wondered not a
little at it.

"Why, Miss Marian," called the kind-hearted man, who had always felt an
interest in the strange young girl, "aren't you going to see the water
fête to-night?"

"I'm afraid not, Mr. Stuart," she replied, her lips trembling a little,
partly from loneliness and partly because people were not often kind to
her. "Mama is going with Mr. Duval and some friends, but I didn't care
to go with them."

"Very well, Miss Marian; you must go with us, then. Get your wraps and
meet us on the piazza."

And ten minutes later, her eyes alight with pleasure, Marian made one of
the party of girls who presently found themselves floating in the long
procession of illuminated boats on the lake.

All the hotels had emptied themselves upon the lake front, and hundreds
of boats had already filled and were forming in line for the water. The
moon would not be up until very late, but the place was aglow with
Japanese lanterns, which decorated the launches and rowboats and hung in
festoons along the boat landings.

The girls had hardly got their lanterns lit when there was a burst of
music, and the procession began to wind its sinuous way about the lake.

"The fireworks will begin in a moment, girls," said Mr. Warren, "and
then you will be a part of a wonderful spectacle to those on shore."

Certainly the Stuart boat was one of the most picturesque of all the
craft that floated in the parade. The glow of the lanterns made a soft
illumination about the four young girls, each of whom wore a long
broadcloth cape, a final gift from Mr. Stuart before leaving Chicago.
Barbara's was her favorite dark red, Ruth's was pink, Mollie's her own
particular blue and Grace's a delicate lavender.

"Daughter," continued Mr. Warren, turning to Maud who in an elaborate
white silk evening wrap, was leaning languidly back in her seat, "aren't
you feeling well to-night?"

"Oh, perfectly well, Papa," replied Maud, resting her chin on her hand
and looking out across the fleet of boats moving slowly along the shore.
"But spectacles of this sort are so childish and tiresome, I think. They
do bore me--oh, there's the count," she cried, interrupting herself.

Her father looked so grieved and annoyed that Mr. Stuart's heart was
filled with compassion for his old friend.

"See what a good time the other girls are having," went on Mr. Warren,
in a pleading tone. "Look how jolly they are in their bright capes. I
wish you would get one, daughter. These grown-up things make you look so
much older than you really are."

He pressed the girl's hand but she drew away with a petulant expression.

"Please don't, Papa. You know how I detest public demonstrations."

"Oh-h-h!" cried the others.

A sky rocket had exploded and thousands of stars hung for an instant
suspended in mid-air. Then an entire artillery of Roman candles seemed
to be let loose at once. There was a blare of trumpets, a grand burst of
music and the gorgeous water pageant was outlined against the sky like
an illuminated picture.

Other boats began dropping out of line after the music had stopped, and
Mr. Stuart ordered the engineer to run farther out into the lake where
the illumination could be seen to better advantage. Grace struck a chord
on her guitar and began to sing: "'Tis night on Venice waters," when
Marian, to the surprise of the others, suddenly joined in with a sweet
contralto voice.

"Why, Marian, I never dreamed you could sing like that," exclaimed Ruth,
when the song was done.

Marian blushed, but said nothing. She had hardly spoken during the whole
evening.

The air was full of music that night and the sound of laughter and
singing floated across the lake from scores of other boats. The strains
of the "Marseillaise" came to them from a launch that Maud had been
watching for some time.

"I know whose voice that is," said Barbara. "It's Monsieur Duval's."

"It is, I think," replied Ruth, "although the boat is too far away for
us to see him plainly."

Marian drew a scarf over her head and crouched down in her seat.

"Could she be afraid of her own mother?" wondered Barbara, for Mrs. De
Lancey Smythe was easily recognized as one of the occupants of the boat.
The count, who was playing on a tinkling little mandolin, sat beside
her. As the boat drew nearer they noticed another figure wrapped in a
long blue broadcloth cape. It was that of a woman, sitting with her back
to them. A scarf concealed her head and face.

"Barbara," whispered Ruth, "are we dreaming or is it the Countess
Sophia?"

Barbara strained her eyes to distinguish the figure. Mollie and Grace
also had seen the familiar wrap and poor little Mollie's face burned
with something very like mortification.

The boat skimmed lightly over the water and in a moment only the lantern
at its bow could be seen swinging in the blackness.

"It looks like the countess," whispered Barbara briefly in reply.
"Marian," she said, turning to the other girl who had closed her eyes as
though she wished to shut out the sight of the other boat, "we just saw
your mother go past with Monsieur Duval and the count, and we
thought--we were almost certain we recognized the other person in the
boat. Did you notice who it was?"

Marian opened her eyes and looked straight into Barbara's.

"I am sorry, Barbara," she said sadly, "but I can't answer that question
to-night."




CHAPTER XIX

RED DOMINOS


The water fête a thing of the past, the Warrens' domino ball became the
excitement of the hour.

The "Automobile Girls" were talking over their costumes when there came
a rap on their door.

Grace responded, to find the corridor empty; but at her feet lay a
sealed envelope addressed to Barbara, who hastily tore it open and read
aloud the enclosed note.

    "Maud and the Count have planned to elope during the domino
    ball. At midnight Maud and her chaperon will steal out of the
    side entrance of the hotel. The chaperon will wear a black
    domino, but will remain in her room until ten minutes before
    midnight, when she will go to the veranda, meet Maud, and the
    two will go to the east entrance of the hotel grounds, where
    they will be met by the count with an automobile. They will go
    to the village and be married there. Arrangements have been made
    and the license secured. Maud will wear a red silk domino and a
    black mask. Just over her heart will be a small black silk heart
    the size of the one enclosed. I promised to warn you should
    anything serious arise, and have done so at great personal risk.
    Stop the elopement if you can without outside aid. Some day I
    will explain why.

                                                             "M. S."

"'M. S.' Marian Smythe. She is a good scout, girls," said Ruth. "But I
didn't think that Maud would go so far as this."

"This pattern for the heart--I imagine that Marian is suggesting that we
all wear dominos exactly like Maud's. But why?" put in Barbara.

"We'll take that step in the dark, for Father is waiting now to
telegraph for the silk to make our dominos, and discuss details later."

"I did want a pink domino," sighed Mollie. "But you're right, Ruth; and
the count will be a dizzy man before we're through with him!"

"Won't the count be suspicious on seeing five Mauds and change his
plans?" asked Grace.

"He'll not see five Mauds. There will be a big crowd at the ball, and
four of the Mauds will carefully keep out of one another's way,"
explained Ruth.

It was after the girls had gone to bed that night that the full answer
came to Ruth, so she aroused Barbara to tell her of the plan.

"I have it, Bab! We'll switch couples on the count! I'm sorry, but
you'll have to take the risk, for you're the only one tall enough to
represent Maud. I'm sure that Mrs. De Lancey Smythe is to be the
chaperon on the occasion, and if we can persuade Aunt Sallie--and I
think we can--to take her place, our Count de Sonde will find himself
with the wrong pair on his hands--and, oh, Bab, shan't we have fun
seeing the count rage!"

It was a brief statement of the plan, but Barbara understood.

"Maud will not be easy to fool, and what if the count gets the right
pair?"

"Just before the hour set, one of us will get a note to Mrs. Smythe
changing the place of meeting. There--at the new place--Maud and her
chaperon will wait in vain for her count, who will be eloping with the
wrong couple."

"It leaves many loopholes for failure, but I can think of no better way;
so I'm for it if your Aunt Sallie consents."

"Monsieur Duval is the unknown X of the problem," stated Ruth slowly,
"but that's one of the many chances we'll have to take."

At last it was the night of the ball.

"How lovely!"

One of the five red dominos paused on the threshold of the ball room,
almost breathless with admiration. Glowing lights, exotic decorations,
swaying, brilliantly clad figures moving to perfect dance music, made
indeed an entrancing scene.

"Yes, lovely, but lovelier outside. Shall we go into the garden?"
whispered a voice in the ear of the little red domino.

"Not yet," she responded, and sped away among the dancers.

"Mademoiselle," whispered a voice that made the blood of a second red
domino tingle, "is it all arranged?"

"Yes," she answered under her breath.

"You won't fail us?" whispered the other.

"No," she replied quietly, but there was a threat in his tone that boded
evil. Then this red domino slipped away in the crowd.

Meanwhile, a third red domino was peering from behind a screen of palms
when she felt her arm seized and, turning, encountered the angry little
mask that had been pursuing red dominos until his brain reeled.

"Mademoiselle," he hissed, "you are cruel! Why do you avoid me so?"

"Ah, Count, can't you wait so short a time?" and the third red domino
was lost in the crowd.

The fourth red domino had been amusing herself like a wilful butterfly
on a summer's day. But it was getting late, and she paused at length to
look about her. As she passed a grotto in the garden, formed by palms
and orange trees, she heard the low chatter of voices speaking French. A
vine-covered trellis screened her from view. One of the voices she
recognized as Monsieur Duval's. She heard him say:

"In three quarters of an hour we shall start. The maid tells me the
officer is asleep. She saw to that. The young one is on the veranda with
the older one, and they never retire until after midnight. We must have
that paper to-night, even though we use violence." The fourth red domino
did not wait for more.

"I must find Father," she told herself. "How shall I ever get him in
time? They're talking of the countess, and Monsieur Duval intends to go
to the villa!"

But what of the fifth red domino, the hostess of the great ball?

Time had hung rather heavily on her hands. No one recognized her, and,
not being a graceful dancer, she was somewhat neglected.




CHAPTER XX

CONCLUSION


At about half-past eleven Barbara concluded that she had better deliver
the letter to Mrs. De Lancey Smythe. Summoning a bellboy, she went to
the woman's room. On the way she showed the boy a dollar bill.

"This will be yours," she said, "if you do exactly as I tell you. If,
when you deliver this note, the recipient should ask who gave it to you,
say 'some one in a domino,' then come away quickly. Do you understand?"

"Yes, ma'am," replied the boy, his eyes on the dollar bill.

In a few minutes the room was reached. Mrs. De Lancey Smythe, in a black
silk domino and mask, responded to the knock on the door.

"Now," whispered Barbara, who kept out of sight, and the boy delivered
the note which read:

"Meet me at the Casino gate. Same time. Have found it necessary to
change meeting place."

"Who gave you this, boy?"

"Some one in a domino," he replied, turning away.

"Wait! What did the person say?"

"Just 'take this note to room 601 and give it to the lady there.'"

"It's from the count," and, satisfied, she reentered the room.

Meanwhile, Ruth, forgetting Maud Warren, searched frantically for her
father. In and out of corridors, smoking and supper rooms, ball room,
verandas, and garden she hurried. The recollection of Maud returned,
however, when over the hum of talk and laughter the strains of the
"Marseillaise" floated out.

"In honor of De Sonde," thought Ruth contemptuously.

Some one began to sing, and the place soon rang with the notes of the
stirring French song. People began throwing confetti, and the air was
flecked with the bright-colored stuff. It was midnight.

No one noticed two red dominos, each accompanied by one in black, steal
from different doors of the hotel and disappear in the dark.

Ruth finally found her father standing in a doorway, talking to a little
red domino.

"Father! I overheard Mr. Duval and some accomplices planning to rob the
countess of a valuable paper to-night! Do send help at once!"

"Paper! Oh, Mr. Stuart, it must be the one the countess entrusted to
me," and Mollie pulled from her bosom a chamois bag.

Mr. Stuart took a paper from the bag and glanced through it. Only a few
minutes later he and four officers were speeding toward the villa of the
countess.

Meanwhile, Miss Stuart and Barbara had been assisted into an automobile
waiting at the east entrance. As they neared the station Barbara became
nervous. Was the chauffeur a confederate of the plotters or had he been
hired to make the run knowing nothing of the details?

Before the car had come to a full stop the count leaped out and turned
to help his companions alight. Barbara leaned forward and said sharply
to the chauffeur:

"Return at once to the hotel without the gentleman. Ask no questions.
You will be answerable to Mr. Stuart for any treachery."

The car disappeared in the darkness, leaving the count dancing and
gesticulating in anger.

When Mr. Stuart and the officers entered the drawing room of the
countess's villa they saw the old man who had before menaced the two
women standing threateningly in front of them. Behind him was another
man, evidently ready to respond to any command of the old man.

"The paper you seek is not here, Monsieur," said the countess proudly.

"I say it is here! Give it to me at once!"

"Officers, this is your man! Take him!" shouted Mr. Stuart.

Two of the officers seized and handcuffed the second man, but the old
man with surprising agility leaped from the room, and the officers could
find not the slightest trace of him.

"Ah, Mr. Stuart," said the countess, "I do not know what chance brought
you to my rescue, but help was greatly needed and I am grateful."

"Ruth overheard a talk this evening and sent us here to see if we could
serve you. The plot was instigated by Monsieur Duval."

"That old man was Monsieur Duval himself. He is a very dangerous enemy
to have."

"That I already know, Countess. After we learned of your danger, Mollie
gave me the paper you had put in her care. It was hardly prudent to give
such a document to a young girl. I think we are entitled to an
explanation."

"Ah, please not to-night, Monsieur! But may I ask you to bring Miss
Stuart and the girls here to-morrow afternoon? Then I shall be glad to
tell you my story."

"Very well," replied Mr. Stuart stiffly, displeased at the countess'
lack of frankness.

On Mr. Stuart's return to the hotel the girls overwhelmed him with
questions and called eagerly for a glimpse of the mysterious paper.

Mr. Stuart unfolded the document. It was signed by the Prefect of Police
of Paris and stamped with the official seal. Two photographs were pasted
to the sheet and under each was a description of the man.

"The count and Monsieur Duval!" gasped Ruth.

From the paper the girls learned that Duval was a French criminal who
had served several terms in prison, but who was usually clever enough to
escape detection. His real name was Jacques Dupin. The "count," whose
name was Latour, was merely a tool of Dupin's.

"This says," cried Ruth excitedly, scanning the paper, "that Dupin can
assume any disguise he wishes. He is a linguist and a trained actor and
is known as Gentilhomme Jacques, or Gentleman Jack. He plays only for
big stakes."

"How did the countess become involved in this, Mr. Stuart?" asked
Barbara, and at the question Mollie's pretty face clouded.

"The countess has asked us to the villa to-morrow afternoon to offer an
explanation," replied Mr. Stuart shortly.

At noon the next day Ruth rushed up to her companions with exciting
news.

"Girls, the count, or Latour, was arrested this morning when about to
board a train and has confessed that he had plotted to marry Maud,
obtain control of her fortune, and then desert her! Duval was the brains
of the plot. Mrs. Smythe was helping them, and, listen girls, she's been
arrested as a professional swindler!"

"Oh, poor Marian!" exclaimed Mollie sympathetically, to be echoed by the
others. But just at that moment Marian came up to them, her face
radiant.

"Oh, girls, such news! Mrs. Smythe accused me last night of spoiling her
plans, and in her anger she let out that she's not my mother! My mother,
who died when I was a baby, was her neighbor. Some money was left me and
Mrs. Smythe was made my guardian. She used the money, of course, and
kept the truth from me. My name is Marian Dale. I'm poor, but I'm free
for the first time in my life, and I'll work!"

Mr. Stuart had come up and heard the last part of the tale; so he now
broke in:

"You are not friendless, my girl. You must stay here as my guest with my
other girls for a while, then we'll discuss your future."

"You are kind, Mr. Stuart. But I can't be a burden. I must find work at
once. But, oh, I'm grateful to you!" and her eyes were misty.

"I must turn my other girls on you, I see."

Maud Warren was a changed girl when she realized the danger her
headstrong conduct had placed her in. Her father, feeling that a real
reformation had begun, asked Marian Dale to come to them as Maud's
companion and encourage her in a saner view of life. This appealed to
Maud, and the two girls became close friends, much to the happiness of
both.

That afternoon when the "Automobile Girls" arrived at the countess's
villa they were introduced to the Baron von Lichtenberg, who, the
countess told them, bore a message from her father.

To the girls' amazement and fluttered delight, the countess was in
reality the Princess Sophia Adele von Nichtenstern. The princess wished
to marry the Count de Sonde; and when her father insisted that she marry
instead a noble of advanced years for reasons of state, she fled to
America under the protection of her cousin and second mother, the
Baroness von Lichtenberg, whom the girls knew as Madame de Villiers.

"But since then, my friends, my father has met the Count de Sonde and he
has also learned how greatly the man for whom he intended me has
persecuted me, so he has given his consent to my marriage with the
count. You can imagine my consternation when I met the false Count de
Sonde and learned that he was trying to marry your friend Maud. I then
sent to Paris and learned the identity of these two men. I wish to tell
you, too, that both Monsieur Duval and my other persecutors have been
using my maid, and that on several occasions she has taken my clothes
and impersonated me.

"Mr. Stuart, I did wrong to involve the pretty Mollie in my affairs; but
my father had not then forgiven me and I feared to have him learn at
that time of my whereabouts. Will you forgive me?"

The princess was to start for home almost immediately under the
protection of the Baron and Baroness von Lichtenberg, but before leaving
Florida she exacted a promise from each of the "Automobile Girls" and
from Maud Warren as well that they would visit her when she should
become the wife of the Count de Sonde.

After the princess had left Palm Beach a package was handed to Miss
Stuart. In it was a gift for each of the Automobile Girls. Mollie
received a handsome bracelet beautifully ornamented and set with jewels.
Inside was inscribed "S von N.--F. de S."

"Oh," cried Mollie, "the count gave her this! How she must have loved
it, and she gave it to me!"

Barbara's gift was a gold filigree star of exquisite workmanship; Ruth's
a splendid oriental scarf embroidered in gold and silver threads, and
Grace's a beautiful gold chain.

The "Automobile Girls" spent two more gay and happy weeks at Palm Beach,
then turned their faces northward once more, each going to her own home.

It was not until the next winter that they were together again, and what
befell them then is told in the sixth and last volume of "The Automobile
Girls Series" under the title, "The Automobile Girls at Washington; Or,
Checkmating the Plots of Foreign Spies."

THE END





End of the Project Gutenberg EBook of The Automobile Girls at Palm Beach, by 
Laura Dent Crane

*** END OF THIS PROJECT GUTENBERG EBOOK THE AUTOMOBILE GIRLS AT PALM BEACH ***

***** This file should be named 38123-8.txt or 38123-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/8/1/2/38123/

Produced by Roger Frank and the Online Distributed
Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.